1
00:00:00,760 --> 00:00:03,080
Speaker 1: I am all in.

2
00:00:07,800 --> 00:00:20,640
Speaker 2: I am all in with Scott Patterson an iHeartRadio podcast.

3
00:00:21,000 --> 00:00:25,000
Speaker 1: Hey everybody, Scott Patterson. I am all in podcast. iHeart radio,

4
00:00:25,040 --> 00:00:32,199
Speaker 1: iHeart media, iHeart podcast, iHeart popcorn, iHeart missiles, iHeart space shots,

5
00:00:32,400 --> 00:00:36,680
Speaker 1: all kinds of things. iHeart mugs and one of them

6
00:00:36,760 --> 00:00:42,640
Speaker 1: productions we are doing. Help me out here, guys. Season

7
00:00:42,640 --> 00:00:46,239
Speaker 1: six episodes, then Gilmore, you've been Gilmore? There you go,

8
00:00:46,520 --> 00:00:50,960
Speaker 1: thirteen fourteen? Is this thirteen fourteen? This is fourteen fourteen.

9
00:00:51,000 --> 00:00:53,640
Speaker 1: It's one of those fourteen you've been gilmoured.

10
00:00:54,120 --> 00:00:57,040
Speaker 3: I'm so nervous. We're moving so quickly through it all.

11
00:00:57,400 --> 00:00:59,600
Speaker 1: You know what I'm going to do? Read? What are

12
00:00:59,600 --> 00:01:03,560
Speaker 1: you going to do? The experiment? Do whatever scientist does

13
00:01:03,560 --> 00:01:06,440
Speaker 1: in the history of science, you just repeat the experiment.

14
00:01:07,959 --> 00:01:11,560
Speaker 1: We need to gather more research and evidence. Yeah, that's true.

15
00:01:11,880 --> 00:01:14,880
Speaker 4: Have has there been any rewatch podcast that's finished and is.

16
00:01:14,959 --> 00:01:15,920
Speaker 1: Like west Wing?

17
00:01:17,840 --> 00:01:20,200
Speaker 5: There's probably others, but I know West Wing finished and

18
00:01:20,200 --> 00:01:21,520
Speaker 5: then they just like kind of went away.

19
00:01:21,720 --> 00:01:23,480
Speaker 1: They can get specials.

20
00:01:23,720 --> 00:01:25,200
Speaker 3: Yeah, they finished every episode of Wes.

21
00:01:25,280 --> 00:01:27,600
Speaker 1: Well, we have it. I think we have it more

22
00:01:27,600 --> 00:01:28,240
Speaker 1: dedicated for.

23
00:01:28,880 --> 00:01:30,319
Speaker 3: And we have a plan too. We have a plan

24
00:01:30,400 --> 00:01:31,160
Speaker 3: of what we're going to do.

25
00:01:31,840 --> 00:01:34,120
Speaker 1: There is a method to this anyway. Joined by my

26
00:01:34,200 --> 00:01:38,360
Speaker 1: intrepid Crewe, Susanne French, Tara sud Amy, Sugarman.

27
00:01:39,200 --> 00:01:40,720
Speaker 3: Merry Christmas, Happy New Year, guys.

28
00:01:40,720 --> 00:01:46,160
Speaker 1: Merry Christmas, Happy New Year every one. And just a reminder, y'all,

29
00:01:46,600 --> 00:01:49,040
Speaker 1: did you get your tickets yet to the event? The

30
00:01:49,120 --> 00:01:54,560
Speaker 1: live event January seventeenth, iHeart Radio Theater, Burbank, California, go

31
00:01:54,600 --> 00:02:00,360
Speaker 1: to two weeks away from it? Yeah, oh my god, yah, yeah,

32
00:02:00,360 --> 00:02:04,400
Speaker 1: we'rewo weeks yeah, two weeks. Do the link? What's the link?

33
00:02:04,480 --> 00:02:11,960
Speaker 1: Veeps dot events backslash, I hyphen m, hyphen all, hyphen inful.

34
00:02:12,240 --> 00:02:14,919
Speaker 1: So So we got we got a live event, we

35
00:02:15,040 --> 00:02:17,280
Speaker 1: got celebrity guests, we got a Cakeo, we got a

36
00:02:17,320 --> 00:02:20,120
Speaker 1: Sally Strotherers, we got a Sebastian Bach, we got a

37
00:02:20,200 --> 00:02:23,680
Speaker 1: Vanessa Morano, the most beloved character of all time. And and

38
00:02:23,840 --> 00:02:28,480
Speaker 1: you've got snow, and we've got oh, we have the snow. Snow.

39
00:02:28,880 --> 00:02:29,880
Speaker 1: Oh it's going to snow.

40
00:02:30,000 --> 00:02:32,000
Speaker 5: You know how I figured out how to do the snow.

41
00:02:32,840 --> 00:02:36,000
Speaker 5: I went to the Nutcracker over the holidays, and it

42
00:02:36,120 --> 00:02:37,880
Speaker 5: fully snows in the Nutcracker.

43
00:02:37,960 --> 00:02:39,200
Speaker 4: So I was like snope.

44
00:02:40,919 --> 00:02:44,919
Speaker 5: I don't know that we're doing the snope because that

45
00:02:45,040 --> 00:02:46,240
Speaker 5: can be so slippery.

46
00:02:46,320 --> 00:02:47,119
Speaker 3: That's the big thing.

47
00:02:48,280 --> 00:02:50,480
Speaker 1: So so what did you did you go backstage and

48
00:02:51,040 --> 00:02:52,400
Speaker 1: corner somebody and say how did you do it?

49
00:02:52,560 --> 00:02:55,920
Speaker 5: No? I just started asking some ballerinas. How do they

50
00:02:55,960 --> 00:02:56,160
Speaker 5: do that?

51
00:02:56,680 --> 00:02:58,799
Speaker 1: You cornered the ballerinas? How do they do it? How

52
00:02:58,840 --> 00:03:01,200
Speaker 1: the ballerina is? Now, Well, I'm not gonna reveal. You're

53
00:03:01,240 --> 00:03:04,240
Speaker 1: not gonna it's a balla ballerina, sugarman.

54
00:03:04,560 --> 00:03:10,080
Speaker 5: Some internet intellectual property. Snow is that what it's called? Like,

55
00:03:10,440 --> 00:03:12,519
Speaker 5: what's the They have the rights to the snow. I

56
00:03:12,560 --> 00:03:18,840
Speaker 5: can't give away the recipe. Wow, snope, that's snow soap.

57
00:03:19,360 --> 00:03:19,600
Speaker 1: Yeah.

58
00:03:19,639 --> 00:03:20,680
Speaker 4: They do it at Disneyland.

59
00:03:21,680 --> 00:03:25,720
Speaker 5: Oh yeah right, and they do it on that like

60
00:03:25,880 --> 00:03:27,200
Speaker 5: holiday road thing.

61
00:03:27,600 --> 00:03:27,840
Speaker 1: Yeah.

62
00:03:27,919 --> 00:03:29,280
Speaker 4: Oh did you go amy this year?

63
00:03:29,480 --> 00:03:31,120
Speaker 5: Yeah? I went to the Halloween one. And it does

64
00:03:31,120 --> 00:03:32,960
Speaker 5: get a lot of sort of snope in your hair.

65
00:03:33,560 --> 00:03:36,520
Speaker 4: Yeah, well they they they push out a little too

66
00:03:36,600 --> 00:03:39,320
Speaker 4: much like it's supposed to be subtle. That's like full on,

67
00:03:39,480 --> 00:03:40,560
Speaker 4: like soap in your hair.

68
00:03:41,680 --> 00:03:45,560
Speaker 1: Well, we have all kinds of we have a cooking segment.

69
00:03:45,640 --> 00:03:48,520
Speaker 1: It's it's it's gonna be like and this is the

70
00:03:48,880 --> 00:03:51,960
Speaker 1: old Tonight Show Theater. This is Johnny Carson's old.

71
00:03:51,680 --> 00:03:53,400
Speaker 3: It's gonna be a party. It's like gonna be a

72
00:03:53,440 --> 00:03:54,200
Speaker 3: really cool party.

73
00:03:54,360 --> 00:03:56,400
Speaker 1: A lot of pressure, a lot of pressure.

74
00:03:56,080 --> 00:03:59,840
Speaker 3: On you, hard job. It's gonna be done by the time.

75
00:04:00,040 --> 00:04:03,840
Speaker 1: Zac Par, Johnny Carson, Jay Leno, Jimmy Fallon and now.

76
00:04:05,040 --> 00:04:07,320
Speaker 5: Yeah, Jimmy Fallon was never in that in that room

77
00:04:07,360 --> 00:04:08,720
Speaker 5: because he was.

78
00:04:08,280 --> 00:04:13,360
Speaker 1: Talking about great tradition. Leno show, Leno was in there

79
00:04:13,480 --> 00:04:18,320
Speaker 1: was Leno in there. Yeah, my goodness. Wow, all right,

80
00:04:19,480 --> 00:04:21,840
Speaker 1: no no pressure at all. Anyway, get your tickets everybody.

81
00:04:21,880 --> 00:04:25,880
Speaker 1: There's a live stream too that begins on what January

82
00:04:25,880 --> 00:04:29,240
Speaker 1: twenty five, and that'll that'll go for a week. So

83
00:04:29,279 --> 00:04:31,200
Speaker 1: there's a there's a ticket for that, there's a link

84
00:04:31,200 --> 00:04:34,039
Speaker 1: for that. But get your tickets a live show. They're

85
00:04:34,040 --> 00:04:38,480
Speaker 1: selling like hotcakes. Susanne ready for the synopsisizations of The

86
00:04:38,800 --> 00:04:43,160
Speaker 1: Queen Consort?

87
00:04:44,000 --> 00:04:48,240
Speaker 6: All right, Season six, episode fourteen, You've Been Gilmourd. This

88
00:04:48,360 --> 00:04:53,120
Speaker 6: aired on February seventh, two thousand and six. Luke joins

89
00:04:53,160 --> 00:04:56,120
Speaker 6: Friday Night Dinner with Emily and Richard, and he and

90
00:04:56,160 --> 00:04:59,680
Speaker 6: Laura I both get Gilmourd. Murray is voted as the

91
00:04:59,720 --> 00:05:02,279
Speaker 6: new editor of the Yale Daily News, but at the

92
00:05:02,320 --> 00:05:04,800
Speaker 6: expense of her room with Paris, so she makes a

93
00:05:04,800 --> 00:05:08,560
Speaker 6: big choice in her relationship with Logan. Plus, Christopher goes

94
00:05:08,600 --> 00:05:10,760
Speaker 6: to Yale for a tour and gets to know Logan

95
00:05:10,839 --> 00:05:11,360
Speaker 6: a bit more.

96
00:05:11,880 --> 00:05:14,960
Speaker 1: M hm, doesn't it make you want to do? Five

97
00:05:15,240 --> 00:05:17,760
Speaker 1: four three two? Remember in the open?

98
00:05:18,360 --> 00:05:20,880
Speaker 5: So in the open, when everything's all unhinged and they're

99
00:05:20,920 --> 00:05:24,159
Speaker 5: having issues, then they just kept counting to five four

100
00:05:24,440 --> 00:05:25,120
Speaker 5: three two.

101
00:05:27,040 --> 00:05:28,000
Speaker 6: I thought that was cute.

102
00:05:29,040 --> 00:05:30,640
Speaker 5: Yeah, what do you all think? Sorry, Scott, I cut

103
00:05:30,680 --> 00:05:33,920
Speaker 5: you off. What do you all think of that episode?

104
00:05:35,279 --> 00:05:36,000
Speaker 1: What'd you guys think?

105
00:05:36,320 --> 00:05:36,960
Speaker 4: I liked it.

106
00:05:37,040 --> 00:05:38,080
Speaker 1: I liked it.

107
00:05:38,720 --> 00:05:41,279
Speaker 6: The last episode made me a little anxious, but this

108
00:05:41,360 --> 00:05:43,799
Speaker 6: one kind of made me happy. Like it was just funny.

109
00:05:43,839 --> 00:05:45,599
Speaker 6: There were more funny parts in this one. I thought

110
00:05:45,839 --> 00:05:46,480
Speaker 6: I enjoyed it.

111
00:05:47,480 --> 00:05:53,479
Speaker 1: Uh yeah, big, big, fun funny great episode.

112
00:05:53,640 --> 00:05:57,159
Speaker 5: Yeah, less controversy less yeah, sort of.

113
00:05:57,880 --> 00:05:59,880
Speaker 6: It was like a fun watch. Yeah.

114
00:06:00,320 --> 00:06:03,800
Speaker 1: Yeah, thus things for us to all fight about more

115
00:06:03,880 --> 00:06:07,960
Speaker 1: like this is just a good gilmore Yeah. Yeah, solid show,

116
00:06:08,240 --> 00:06:12,920
Speaker 1: solid show. You know. The dinner table stuff was fantastic.

117
00:06:13,120 --> 00:06:13,680
Speaker 1: Some of the best.

118
00:06:14,480 --> 00:06:16,039
Speaker 3: Yeah, bears and yours.

119
00:06:17,600 --> 00:06:20,160
Speaker 6: Yeah, we got two Friday Night dinners in this one.

120
00:06:20,480 --> 00:06:22,760
Speaker 1: The revealing of who Luke really is and how they

121
00:06:22,760 --> 00:06:24,800
Speaker 1: feel about him.

122
00:06:24,839 --> 00:06:27,160
Speaker 5: I think they're really coming around on him, though. I

123
00:06:27,160 --> 00:06:29,479
Speaker 5: think we we'll get to it. They definitely consider him

124
00:06:29,560 --> 00:06:32,080
Speaker 5: family mm hmmm at this point.

125
00:06:32,160 --> 00:06:36,160
Speaker 1: Yeah. Yeah, they're they're putting their best foot forward, aren't they. Yeah.

126
00:06:36,279 --> 00:06:38,719
Speaker 1: The one thing is reluctantly That.

127
00:06:38,640 --> 00:06:39,840
Speaker 3: Threw me, and we'll get to it.

128
00:06:39,839 --> 00:06:41,840
Speaker 5: Is all of a sudden, they knew about the kid,

129
00:06:42,360 --> 00:06:45,599
Speaker 5: they knew about April, and I was like, oh, yeah,

130
00:06:45,640 --> 00:06:46,159
Speaker 5: how did.

131
00:06:46,000 --> 00:06:50,000
Speaker 6: That they That was in the last episode, during the Friday,

132
00:06:50,040 --> 00:06:52,520
Speaker 6: that Friday night dinner scene with the crazy camera and

133
00:06:54,320 --> 00:06:58,160
Speaker 6: reveal it, Richard asked Laurel how Luke was doing it.

134
00:06:58,240 --> 00:06:59,320
Speaker 6: She goes, oh, he has a kid.

135
00:07:00,160 --> 00:07:02,359
Speaker 1: Oh my gosh, it was so that scene was so fast.

136
00:07:02,400 --> 00:07:03,040
Speaker 3: I missed that.

137
00:07:03,560 --> 00:07:06,440
Speaker 6: So presumably they had some other conversation about it after that,

138
00:07:06,480 --> 00:07:11,440
Speaker 6: but she yeah, that night, that scene was so fast.

139
00:07:12,280 --> 00:07:17,760
Speaker 1: How large is your mug? It's pretty large to the

140
00:07:17,840 --> 00:07:19,440
Speaker 1: massive mug, massive pink.

141
00:07:19,680 --> 00:07:22,120
Speaker 4: It's like it's like how big Laura I drinks her coffee.

142
00:07:22,200 --> 00:07:26,400
Speaker 1: That is what I call a holiday mug. That's right, true.

143
00:07:27,280 --> 00:07:29,080
Speaker 5: So okay, so we have the open dinner that we're

144
00:07:29,120 --> 00:07:32,120
Speaker 5: kind of talking about, and it was good.

145
00:07:32,440 --> 00:07:34,240
Speaker 1: There's not a lot to digest because it was so

146
00:07:34,400 --> 00:07:39,280
Speaker 1: like the roses are amazing. I love shrimp Luke.

147
00:07:40,360 --> 00:07:42,400
Speaker 5: And then we do have the June third sort of

148
00:07:42,440 --> 00:07:46,240
Speaker 5: issue again because she again says that's the date and

149
00:07:46,920 --> 00:07:49,160
Speaker 5: she hasn't told them it's postponed yet.

150
00:07:50,120 --> 00:07:53,120
Speaker 4: I like how she's like, are we in town? Like yeah,

151
00:07:53,280 --> 00:07:56,200
Speaker 4: are like, let me cancel all my plans. My daughter's

152
00:07:56,240 --> 00:08:02,000
Speaker 4: getting married. It's like it's not that soon, Like right, like,

153
00:08:02,040 --> 00:08:04,600
Speaker 4: where are we in the year January?

154
00:08:04,640 --> 00:08:06,840
Speaker 3: It's like the holidays are January. It's like winter.

155
00:08:07,560 --> 00:08:09,600
Speaker 5: If I was invited to something six months from now,

156
00:08:09,680 --> 00:08:11,400
Speaker 5: I'm not going to be like, that's so soon.

157
00:08:11,960 --> 00:08:12,960
Speaker 3: I understand for a.

158
00:08:12,920 --> 00:08:18,640
Speaker 5: Bride to plant, it may be soon, but like it's.

159
00:08:17,600 --> 00:08:21,280
Speaker 1: Soon, so are we are we going to let's discuss

160
00:08:21,640 --> 00:08:26,200
Speaker 1: larelized cooking techniques? How she just throws stuff on a

161
00:08:26,240 --> 00:08:30,160
Speaker 1: pant in random She'll get a bag of me oh

162
00:08:30,200 --> 00:08:33,000
Speaker 1: my gosh, put them on top of whatever that was.

163
00:08:34,440 --> 00:08:37,520
Speaker 1: Here's what I thought.

164
00:08:37,679 --> 00:08:39,800
Speaker 5: That made me want a gag. But also did it

165
00:08:39,800 --> 00:08:42,400
Speaker 5: seem like it was pizza with tater tots? Yes?

166
00:08:43,480 --> 00:08:43,800
Speaker 1: Right now.

167
00:08:43,840 --> 00:08:45,600
Speaker 4: And that's what threw me off. I was like, what

168
00:08:45,760 --> 00:08:47,840
Speaker 4: is just like shoves it in the oven?

169
00:08:48,160 --> 00:08:51,400
Speaker 6: Yeah, but like I thought, you know, that's actually I

170
00:08:51,480 --> 00:08:53,880
Speaker 6: might have to put that in my own repertoire.

171
00:08:54,559 --> 00:08:57,839
Speaker 4: I don't hate it together, but the way she's she's

172
00:08:58,040 --> 00:08:59,040
Speaker 4: baking it, I was.

173
00:08:59,040 --> 00:09:01,800
Speaker 1: Like, this of starches for me, kind of like a

174
00:09:01,840 --> 00:09:05,080
Speaker 1: lot of certain certain brilliance to that. You know, it

175
00:09:05,200 --> 00:09:07,679
Speaker 1: really just cuts through all the bs and there you go.

176
00:09:08,120 --> 00:09:09,160
Speaker 1: It would work. I think.

177
00:09:09,480 --> 00:09:13,440
Speaker 5: I think if you put the frozen pizzas and then

178
00:09:13,440 --> 00:09:15,000
Speaker 5: you put the frozen tater tops on.

179
00:09:15,640 --> 00:09:17,800
Speaker 1: I think they've both proven that they're both you know,

180
00:09:17,920 --> 00:09:21,440
Speaker 1: park goat. They lilied any and enjoy it and it

181
00:09:21,480 --> 00:09:23,160
Speaker 1: doesn't affect them and they never gain weight.

182
00:09:23,240 --> 00:09:26,000
Speaker 3: It's that made me really kind of gag though.

183
00:09:26,120 --> 00:09:26,680
Speaker 6: The magic of.

184
00:09:26,760 --> 00:09:32,640
Speaker 1: TV's it's it's amazing and yes and magical. Oh yeah.

185
00:09:32,679 --> 00:09:34,840
Speaker 5: And then they were going to add a turnover. Remember

186
00:09:34,880 --> 00:09:38,200
Speaker 5: she says like do you want raspberry or apple? Yes?

187
00:09:39,240 --> 00:09:42,880
Speaker 1: Yeah? Oh god, I did. I did like the I

188
00:09:42,920 --> 00:09:46,360
Speaker 1: did like the roryes a Yale swag? Yes, I thought

189
00:09:46,400 --> 00:09:49,200
Speaker 1: so do. I thought she kind of looked badass, you know,

190
00:09:49,559 --> 00:09:53,040
Speaker 1: strutting into the living room and that stuff, you know,

191
00:09:53,640 --> 00:09:56,720
Speaker 1: wearing colors with pride, you know.

192
00:09:57,200 --> 00:10:00,280
Speaker 5: And then we sort of get the message that Christopher,

193
00:10:00,400 --> 00:10:05,000
Speaker 5: they haven't really talked to him, what's going on. And

194
00:10:05,040 --> 00:10:08,040
Speaker 5: then you know, Loralai really says you should invite him

195
00:10:08,040 --> 00:10:12,600
Speaker 5: to Yale, like he would really like that mm, which yeah.

196
00:10:12,760 --> 00:10:14,920
Speaker 4: Yeah, definitely I agree with her on that.

197
00:10:15,960 --> 00:10:20,360
Speaker 3: Yeah, yeah, he's paying for it, like she should reach out.

198
00:10:20,880 --> 00:10:22,360
Speaker 4: We get it, like, not like it has to be

199
00:10:22,440 --> 00:10:24,560
Speaker 4: like a weekly thing, but like let him come see

200
00:10:24,600 --> 00:10:25,280
Speaker 4: the campus, you.

201
00:10:25,200 --> 00:10:26,840
Speaker 3: Know, yeah, totally.

202
00:10:27,400 --> 00:10:28,120
Speaker 1: Oh you know what I did?

203
00:10:28,280 --> 00:10:29,240
Speaker 3: I want to ask you guys.

204
00:10:30,440 --> 00:10:34,360
Speaker 5: They don't toast their pop tarts. Have you guys noticed

205
00:10:34,400 --> 00:10:35,840
Speaker 5: that they eat him straight out of the box.

206
00:10:36,120 --> 00:10:41,360
Speaker 1: Do you do that something sometimes you don't have the time,

207
00:10:41,559 --> 00:10:44,960
Speaker 1: hence you have pop tarts. It's not something you invest

208
00:10:45,040 --> 00:10:46,080
Speaker 1: time in preparing.

209
00:10:47,200 --> 00:10:49,840
Speaker 6: There was not one episode. I can't even remember which

210
00:10:49,840 --> 00:10:53,160
Speaker 6: season it was two. Maybe it was in a cold

211
00:10:53,200 --> 00:10:56,360
Speaker 6: open and they were doing the scene in the kitchen

212
00:10:56,520 --> 00:10:59,040
Speaker 6: where they were making breakfast and switching out the coffee

213
00:10:59,040 --> 00:11:02,600
Speaker 6: pots and they toasted. I always laughed because she toasted

214
00:11:02,600 --> 00:11:05,000
Speaker 6: the pop tart but then just put it like on

215
00:11:05,080 --> 00:11:08,080
Speaker 6: a paper towel. On her bare hands. Okay, you've ever

216
00:11:08,200 --> 00:11:11,040
Speaker 6: toasted a pop tart? But they're like seven hundred degrees

217
00:11:11,080 --> 00:11:14,920
Speaker 6: when they come out of the toaster, and I always

218
00:11:14,920 --> 00:11:15,880
Speaker 6: thought that was fune.

219
00:11:17,920 --> 00:11:19,360
Speaker 1: So when they didn't toast it in this.

220
00:11:19,280 --> 00:11:22,120
Speaker 6: Episode, I'm like, Okay, that's that was more realistic.

221
00:11:22,160 --> 00:11:24,240
Speaker 3: I'm not a thousand percent sure I've ever had a

222
00:11:24,240 --> 00:11:24,800
Speaker 3: pop tart?

223
00:11:25,280 --> 00:11:27,360
Speaker 1: Really, Oh, come on, you've no.

224
00:11:27,520 --> 00:11:31,880
Speaker 3: I'm being real with you, guys. I'm not sure.

225
00:11:31,920 --> 00:11:35,200
Speaker 1: It's actually very brave of you to confess this. Yeah,

226
00:11:35,520 --> 00:11:38,640
Speaker 1: I feel like we support you.

227
00:11:39,080 --> 00:11:42,600
Speaker 6: I'll definitely the ogs are good, the new ones.

228
00:11:43,040 --> 00:11:47,679
Speaker 5: Yeah, Strawberry, I'll definitely have one at the live show.

229
00:11:48,080 --> 00:11:51,200
Speaker 1: You know, I agree, the strawberry pop tart is quite excellent.

230
00:11:51,920 --> 00:11:54,199
Speaker 4: Actually, Amy, they have it. They have it in the

231
00:11:54,800 --> 00:11:58,080
Speaker 4: machine at the iHeart Theater because I was starving one

232
00:11:58,160 --> 00:11:59,320
Speaker 4: day and I got a pop tart.

233
00:11:59,360 --> 00:12:00,560
Speaker 1: So there is at the Life.

234
00:12:00,559 --> 00:12:02,520
Speaker 3: There's a vending machine at the iHeart Theater.

235
00:12:02,960 --> 00:12:05,280
Speaker 4: Yeah, it's in the back where like staff checks and

236
00:12:05,280 --> 00:12:08,719
Speaker 4: they have pop charts in it in the vending machine. Wait,

237
00:12:08,800 --> 00:12:10,800
Speaker 4: he was real desper I was real desperate.

238
00:12:13,160 --> 00:12:15,760
Speaker 6: We should move that out to the lobby for there is.

239
00:12:17,559 --> 00:12:20,040
Speaker 5: All right, so we get a quick mention of Celaris,

240
00:12:20,080 --> 00:12:21,839
Speaker 5: which I also thought was a terrible movie, and I'm

241
00:12:21,840 --> 00:12:25,480
Speaker 5: sure we'll talk about that in up culture. So Paris

242
00:12:25,559 --> 00:12:27,120
Speaker 5: is like in her Now we go to the paper

243
00:12:27,160 --> 00:12:28,959
Speaker 5: and Paris is in her bunker, which I thought was

244
00:12:28,960 --> 00:12:31,080
Speaker 5: a nice name for it, because I kept calling it

245
00:12:31,160 --> 00:12:34,640
Speaker 5: like a weird cubicle. But to name it a bunker, beautiful,

246
00:12:34,679 --> 00:12:37,839
Speaker 5: mind totally. And she's heating up her soup in the can.

247
00:12:38,160 --> 00:12:42,840
Speaker 5: So they've all spoken, meaning Rory and the Yale Paper staff,

248
00:12:43,440 --> 00:12:46,360
Speaker 5: and Rory has to go tell Paris you're out.

249
00:12:47,320 --> 00:12:47,560
Speaker 1: Yep.

250
00:12:48,120 --> 00:12:50,240
Speaker 3: She was the wrong person to take that on.

251
00:12:51,480 --> 00:12:54,360
Speaker 1: I thought, I mean, I thought she handled it very well.

252
00:12:55,080 --> 00:12:57,360
Speaker 4: We just kind of get why she was nominated to

253
00:12:57,400 --> 00:12:59,679
Speaker 4: do it. No one else wants to talk to Paris.

254
00:12:59,559 --> 00:13:02,239
Speaker 6: Yeah, or would she believe them.

255
00:13:02,440 --> 00:13:04,080
Speaker 5: If it was anyone else, she would have been like,

256
00:13:04,559 --> 00:13:07,160
Speaker 5: you know, get out of here and just keep going.

257
00:13:07,720 --> 00:13:11,000
Speaker 3: But you knew she was going to be unhinged about it.

258
00:13:11,160 --> 00:13:13,560
Speaker 4: Paris, Oh yeah, yeah.

259
00:13:14,160 --> 00:13:15,920
Speaker 6: I mean she's so far over the edge at this

260
00:13:16,000 --> 00:13:18,839
Speaker 6: point that everybody's like just waiting for her to blow.

261
00:13:18,960 --> 00:13:21,679
Speaker 6: So I think Rory was the logical choice to go

262
00:13:22,160 --> 00:13:22,880
Speaker 6: drop the bomb.

263
00:13:22,880 --> 00:13:26,839
Speaker 5: On her, and I truly love when she comes out

264
00:13:26,880 --> 00:13:28,880
Speaker 5: and then gives a speech of her resigning.

265
00:13:29,000 --> 00:13:31,240
Speaker 3: I'm like, so, actually how.

266
00:13:31,160 --> 00:13:31,640
Speaker 1: It would go.

267
00:13:32,760 --> 00:13:33,640
Speaker 4: That's so Paris.

268
00:13:35,040 --> 00:13:37,760
Speaker 3: And when she says you're going to be a.

269
00:13:37,200 --> 00:13:40,200
Speaker 5: Doctor, a surgeon, you're going to be a lawyer, a judge,

270
00:13:40,240 --> 00:13:41,319
Speaker 5: like I.

271
00:13:41,240 --> 00:13:43,440
Speaker 1: Don't know, and then she says good night and good luck.

272
00:13:43,960 --> 00:13:48,920
Speaker 1: You had to laugh little Edward R. Merrell totally.

273
00:13:49,600 --> 00:13:52,760
Speaker 5: I mean okay, so I sort of it was time, right,

274
00:13:52,800 --> 00:13:54,160
Speaker 5: Like I was happy to get rid of Paris.

275
00:13:54,160 --> 00:13:55,440
Speaker 3: At the paper, she's annoying.

276
00:13:56,120 --> 00:13:59,920
Speaker 4: Yeah, I like her, but small doses yea.

277
00:14:02,280 --> 00:14:05,240
Speaker 1: So help she needs help. She needs to not be

278
00:14:05,360 --> 00:14:09,040
Speaker 1: in college and she needs to be in therapy. She's

279
00:14:09,240 --> 00:14:10,800
Speaker 1: a deeply troubled person.

280
00:14:11,080 --> 00:14:13,240
Speaker 3: And where's Doyle. We even seen Doyle in a minute?

281
00:14:13,679 --> 00:14:17,720
Speaker 1: Well, I mean, wow, yeah, he's probably he's probably in

282
00:14:17,840 --> 00:14:22,280
Speaker 1: therapy to deal with the trauma.

283
00:14:23,640 --> 00:14:26,800
Speaker 5: So then we go to the scene where and I

284
00:14:26,840 --> 00:14:29,760
Speaker 5: actually really like the scene. So it's Luke and Loralai

285
00:14:30,480 --> 00:14:33,760
Speaker 5: at the inn and he's saying, I don't I don't

286
00:14:33,800 --> 00:14:36,640
Speaker 5: want to go, like your parents are not warm people.

287
00:14:45,920 --> 00:14:47,280
Speaker 5: I love that he sort of calls it out and

288
00:14:47,280 --> 00:14:50,040
Speaker 5: they both are sort of they're both on the same

289
00:14:50,200 --> 00:14:53,800
Speaker 5: page about the parents. It's not like like it would

290
00:14:53,920 --> 00:14:56,880
Speaker 5: suck if you were like loved your parents and your

291
00:14:56,920 --> 00:14:58,480
Speaker 5: fiance hates your parents.

292
00:14:59,760 --> 00:15:03,120
Speaker 3: Right, We're not in that situation here.

293
00:15:04,280 --> 00:15:08,120
Speaker 5: And then we start to realize Luke's doing the jobs

294
00:15:08,160 --> 00:15:09,960
Speaker 5: around the inn.

295
00:15:10,080 --> 00:15:10,880
Speaker 1: And at first I was so.

296
00:15:10,840 --> 00:15:13,680
Speaker 5: Irritated by Michelle, like me too, Why is he being

297
00:15:13,720 --> 00:15:15,000
Speaker 5: so annoying about this?

298
00:15:16,520 --> 00:15:19,440
Speaker 4: I completely forgot his storyline in this, so when it

299
00:15:19,480 --> 00:15:22,280
Speaker 4: wraps around like comes background, I was like, all right,

300
00:15:22,320 --> 00:15:24,000
Speaker 4: but no, I agree. I was like, we're having such

301
00:15:24,040 --> 00:15:27,080
Speaker 4: a jerk to Luke, like he's helping gotch a jerk?

302
00:15:28,680 --> 00:15:34,840
Speaker 1: Well he you know, all of his patterns were tossed off.

303
00:15:35,760 --> 00:15:41,200
Speaker 1: No more meetings with Laurel I making lists at Weston's diner, right,

304
00:15:41,400 --> 00:15:43,760
Speaker 1: and why did they do it? They're and not Luke's.

305
00:15:43,800 --> 00:15:45,320
Speaker 1: This is what I want. That's a great question.

306
00:15:45,400 --> 00:15:47,400
Speaker 3: I'm assuming Westerns is closer to the Inn.

307
00:15:48,160 --> 00:15:49,680
Speaker 1: We didn't have to think that.

308
00:15:49,880 --> 00:15:52,680
Speaker 4: Yeah, Michelle also frequent Weston's.

309
00:15:54,040 --> 00:15:56,640
Speaker 3: Oh yeah, I think that's right. He's more of a

310
00:15:56,680 --> 00:15:57,360
Speaker 3: Westerns guy.

311
00:15:57,480 --> 00:15:59,000
Speaker 1: Yeah, well he doesn't come to Luke's.

312
00:15:59,040 --> 00:16:02,040
Speaker 3: I guess, yeah, only like once in a blue moon.

313
00:16:03,720 --> 00:16:06,280
Speaker 1: Yeah, He obviously doesn't like change, and he likes his

314
00:16:06,320 --> 00:16:10,480
Speaker 1: patterns and that's that. And he certainly doesn't like Luke.

315
00:16:10,600 --> 00:16:16,800
Speaker 1: Luke smells, Luke wears a hat indoors, Luke talks to guests.

316
00:16:17,040 --> 00:16:22,400
Speaker 1: You know, Michelle is Is thinks he's running the writs

317
00:16:22,480 --> 00:16:26,760
Speaker 1: in Paris, you know, right, that's that's his aspiration, and

318
00:16:26,840 --> 00:16:31,320
Speaker 1: here he is in Stars Hollow, Connecticut and the Dragonfly. Yeah.

319
00:16:31,560 --> 00:16:34,080
Speaker 5: I do love the line though, Like when Laura's talking

320
00:16:34,080 --> 00:16:36,040
Speaker 5: to Michelle and she says, I gave him a hundred

321
00:16:36,040 --> 00:16:36,880
Speaker 5: free snuggles.

322
00:16:37,520 --> 00:16:39,320
Speaker 3: You don't like my snuggle bucks.

323
00:16:39,120 --> 00:16:43,440
Speaker 1: Snuggle Bucks, right, right, right right. That's something with this episode.

324
00:16:43,440 --> 00:16:46,440
Speaker 5: There's not like there's not a lot for us to

325
00:16:46,520 --> 00:16:48,600
Speaker 5: like debate or be upset.

326
00:16:47,960 --> 00:16:50,040
Speaker 1: It's just cute lines.

327
00:16:50,080 --> 00:16:52,080
Speaker 3: Like, it's just cute, funny stuff.

328
00:16:52,440 --> 00:16:54,920
Speaker 1: Isn't it horrible for a podcast when an episode is

329
00:16:54,960 --> 00:16:55,880
Speaker 1: so smooth.

330
00:16:58,200 --> 00:17:02,800
Speaker 5: Argue about So we go back to the paper and

331
00:17:03,080 --> 00:17:05,160
Speaker 5: now they're trying to figure out who's going to be editor.

332
00:17:05,680 --> 00:17:07,399
Speaker 5: Oh no, yes, that's right. So we go back to

333
00:17:07,440 --> 00:17:08,760
Speaker 5: the paper. They're trying to figure out who's going to

334
00:17:08,800 --> 00:17:14,040
Speaker 5: be editor. It ends up being Rory. Obviously. The one

335
00:17:14,040 --> 00:17:16,720
Speaker 5: thing I didn't understand is where was Logan. Logan's not

336
00:17:17,080 --> 00:17:19,080
Speaker 5: like Logan, I guess just come to the paper when

337
00:17:19,119 --> 00:17:19,800
Speaker 5: he feels like it.

338
00:17:20,160 --> 00:17:24,840
Speaker 6: Yeah yeah, when he does everything better to do.

339
00:17:26,720 --> 00:17:29,240
Speaker 4: Well, Rory calls will come. But other than that, he's home.

340
00:17:29,400 --> 00:17:31,680
Speaker 3: He's yeah, I guess he doesn't have to deal with it.

341
00:17:31,800 --> 00:17:33,640
Speaker 1: So then we go to the.

342
00:17:33,640 --> 00:17:36,200
Speaker 5: Apartment and we see all her stuff in the hallway

343
00:17:36,720 --> 00:17:40,360
Speaker 5: and you just immediately know she's Paris has evicted her.

344
00:17:40,840 --> 00:17:43,119
Speaker 5: And Paris looked so scary in that scene. Did you

345
00:17:43,119 --> 00:17:44,640
Speaker 5: guys think that was like intentionally here?

346
00:17:45,440 --> 00:17:51,000
Speaker 1: Yeah, it was Jack Nicholson. It was so over and

347
00:17:51,040 --> 00:17:53,120
Speaker 1: over and over again with the chain and the whole

348
00:17:53,119 --> 00:17:56,800
Speaker 1: thing that that part was funny. That was funny. That

349
00:17:56,880 --> 00:17:59,760
Speaker 1: was actually funny because she the bit the gag was great.

350
00:18:00,119 --> 00:18:02,160
Speaker 1: She kept opening the door and the chain was moving.

351
00:18:02,520 --> 00:18:06,359
Speaker 5: Yeah yeah, yeah, and even funny later on when the

352
00:18:06,359 --> 00:18:08,359
Speaker 5: poor woman comes out of her apartment and was like

353
00:18:08,440 --> 00:18:12,199
Speaker 5: turn left at the chair and jump over the.

354
00:18:13,119 --> 00:18:16,400
Speaker 3: Yeah you've got this, okay, so.

355
00:18:17,359 --> 00:18:19,879
Speaker 1: Proving what a great true friend she really is.

356
00:18:20,720 --> 00:18:23,040
Speaker 5: Literally she's not a friend at all, like that. We

357
00:18:23,080 --> 00:18:27,800
Speaker 5: should have a discussion about that. She's never happy for

358
00:18:27,880 --> 00:18:29,400
Speaker 5: her friend to have anything.

359
00:18:29,920 --> 00:18:30,840
Speaker 1: Right.

360
00:18:32,040 --> 00:18:33,560
Speaker 3: Then we go back to the end, we've got more

361
00:18:33,560 --> 00:18:35,159
Speaker 3: of you know, Michelle.

362
00:18:34,840 --> 00:18:35,560
Speaker 5: And Luke.

363
00:18:36,840 --> 00:18:42,520
Speaker 1: By the way, Yeah, it's all cute, gentlemen. It's I

364
00:18:42,640 --> 00:18:44,920
Speaker 1: enjoyed Michelle more in this than I think I've ever

365
00:18:45,080 --> 00:18:46,040
Speaker 1: enjoyed him in anything.

366
00:18:46,440 --> 00:18:48,199
Speaker 5: And then I was sort of heartwarmed by when we

367
00:18:48,280 --> 00:18:51,840
Speaker 5: find out that it's really because he's missing Lorli.

368
00:18:52,359 --> 00:18:54,479
Speaker 1: Yeah, so sweet. It's just took us.

369
00:18:54,520 --> 00:18:57,679
Speaker 5: It took us a second to get there, but well.

370
00:18:57,560 --> 00:19:01,520
Speaker 4: It reminded me of when he was working at the

371
00:19:01,560 --> 00:19:05,439
Speaker 4: other hotel. And then Laura I and Suki do.

372
00:19:05,440 --> 00:19:05,879
Speaker 3: You remember that.

373
00:19:06,040 --> 00:19:11,120
Speaker 4: Yeah, it was sort of like a fake w Yeah yeah, yeah, yeah,

374
00:19:11,119 --> 00:19:12,800
Speaker 4: remind me of that time where he's like he just

375
00:19:12,840 --> 00:19:15,119
Speaker 4: wants to be involved. I think that's really all he

376
00:19:15,160 --> 00:19:15,760
Speaker 4: ever wants.

377
00:19:16,080 --> 00:19:17,520
Speaker 3: Yeah, he wants to be a part of it.

378
00:19:17,880 --> 00:19:18,240
Speaker 1: Yeah. Right.

379
00:19:19,400 --> 00:19:21,720
Speaker 5: So then we get Rory on the phone with Logan.

380
00:19:21,760 --> 00:19:25,119
Speaker 5: I actually really liked this scene. She tells her sorry.

381
00:19:25,160 --> 00:19:28,280
Speaker 5: She tells him that she's editor and that Paris kicked

382
00:19:28,280 --> 00:19:31,199
Speaker 5: her out and he doesn't know how to get Ginsue knives,

383
00:19:31,320 --> 00:19:33,480
Speaker 5: and then he sort of says, come on, Ace, just

384
00:19:33,640 --> 00:19:36,080
Speaker 5: come here, dude.

385
00:19:36,080 --> 00:19:39,120
Speaker 6: Would you remember what ginsu knives are I feel like.

386
00:19:39,080 --> 00:19:41,159
Speaker 3: That was obviously you don't remember the knives.

387
00:19:41,200 --> 00:19:41,600
Speaker 4: I don't know.

388
00:19:41,640 --> 00:19:42,640
Speaker 1: In the can.

389
00:19:44,800 --> 00:19:47,480
Speaker 5: There was like an it was before infomercials, but it

390
00:19:47,520 --> 00:19:50,360
Speaker 5: was sort of like an infomercial turn and forget they

391
00:19:50,359 --> 00:19:52,960
Speaker 5: were these nineteen ninety nine knives, but you got like

392
00:19:53,440 --> 00:19:56,040
Speaker 5: twenty knives and they were allegedly the best knives of

393
00:19:56,040 --> 00:19:59,200
Speaker 5: all time, and they could cut through a can and on.

394
00:19:59,200 --> 00:20:01,680
Speaker 4: The comercial, Yeah, I remember, Okay, I just didn't know

395
00:20:01,680 --> 00:20:02,240
Speaker 4: what they were called.

396
00:20:02,320 --> 00:20:06,240
Speaker 3: What else did those things do? What are they called again?

397
00:20:06,359 --> 00:20:12,960
Speaker 1: Cut through phone books and things like that, I mean, demonstrations, wiles,

398
00:20:13,280 --> 00:20:17,320
Speaker 1: and then they'd go slice the tomato right afterwards, totally cut.

399
00:20:18,280 --> 00:20:20,480
Speaker 4: It's like a twelve set of knives. I see it.

400
00:20:20,560 --> 00:20:21,560
Speaker 4: I remember these, right?

401
00:20:22,720 --> 00:20:23,600
Speaker 3: Are they still around?

402
00:20:24,720 --> 00:20:25,639
Speaker 1: I mean I don't know.

403
00:20:25,920 --> 00:20:27,920
Speaker 4: I mean yeah, you can literally get it off Amazon.

404
00:20:28,000 --> 00:20:31,200
Speaker 3: You can get on you can still totally buy GINSU knives.

405
00:20:31,240 --> 00:20:32,520
Speaker 3: How much are they?

406
00:20:32,680 --> 00:20:33,560
Speaker 4: One hundred bucks?

407
00:20:33,760 --> 00:20:39,280
Speaker 3: Ooh a price hike Amazon inflation? Right, I swear back

408
00:20:39,320 --> 00:20:41,280
Speaker 3: then they were nineteen ninety nine.

409
00:20:41,119 --> 00:20:44,880
Speaker 4: So Amazon has them. It's a bamboo with a bamboo

410
00:20:44,880 --> 00:20:49,840
Speaker 4: block new or used, No, it's new for eight piece

411
00:20:49,880 --> 00:20:50,680
Speaker 4: knife set.

412
00:20:51,160 --> 00:20:56,040
Speaker 1: One hundred dollars now ninety nine nine, Amy, the dollar

413
00:20:56,080 --> 00:21:00,000
Speaker 1: is worthless now everything's hip. You know that it's the same.

414
00:21:00,240 --> 00:21:03,119
Speaker 4: It's Amazon's one hundred bucks, targets one hundred bucks. Low's

415
00:21:03,160 --> 00:21:04,080
Speaker 4: is one hundred and twenty.

416
00:21:04,240 --> 00:21:08,920
Speaker 5: I guess it's been forty years, so because I definitely

417
00:21:08,960 --> 00:21:10,720
Speaker 5: was seeing that out in the eighties.

418
00:21:11,080 --> 00:21:16,320
Speaker 3: Yeah, oh my god. Wow, times they are a change.

419
00:21:16,320 --> 00:21:20,480
Speaker 5: And anyway, I sort of did write Michelle such a

420
00:21:20,560 --> 00:21:23,639
Speaker 5: cry baby, but then I came around on it. I

421
00:21:23,680 --> 00:21:27,960
Speaker 5: was like, yeah, and when he says, you know, money

422
00:21:28,000 --> 00:21:30,800
Speaker 5: isn't everything, and then she says, what are you doing

423
00:21:30,800 --> 00:21:31,440
Speaker 5: this afternoon?

424
00:21:31,480 --> 00:21:32,920
Speaker 3: I'm not going for your pity cake.

425
00:21:33,000 --> 00:21:34,000
Speaker 1: It's just all good.

426
00:21:35,040 --> 00:21:36,600
Speaker 3: He wants to put Luke in a jumpsuit.

427
00:21:37,480 --> 00:21:39,760
Speaker 5: So then we go to Christopher at Yale, which I

428
00:21:39,800 --> 00:21:42,439
Speaker 5: actually thought was was cute.

429
00:21:43,320 --> 00:21:45,040
Speaker 3: Oh no, you don't want it.

430
00:21:45,680 --> 00:21:47,160
Speaker 4: I didn't care for it either.

431
00:21:47,400 --> 00:21:48,240
Speaker 1: I didn't.

432
00:21:48,359 --> 00:21:53,280
Speaker 6: I hate when he tries to act like he's Rory's peer,

433
00:21:53,960 --> 00:21:56,640
Speaker 6: like he tries to act like a college student and.

434
00:21:56,880 --> 00:21:57,760
Speaker 1: Did not get that.

435
00:21:58,040 --> 00:22:01,880
Speaker 3: I did not get that. Earth useus ah, I did

436
00:22:01,920 --> 00:22:02,720
Speaker 3: not get that at all.

437
00:22:02,760 --> 00:22:05,200
Speaker 6: And he's joking around with Logan, Well, this is later,

438
00:22:05,280 --> 00:22:07,399
Speaker 6: but he's joking around with Logan but like, oh I

439
00:22:07,400 --> 00:22:09,720
Speaker 6: love your Xbox. I'm going to move in here with you.

440
00:22:09,760 --> 00:22:12,160
Speaker 6: And they're all, you know, comparing prep schools they got

441
00:22:12,200 --> 00:22:12,760
Speaker 6: kicked out of.

442
00:22:13,200 --> 00:22:13,400
Speaker 1: See.

443
00:22:13,440 --> 00:22:15,439
Speaker 5: I just well that, okay, that was a little we

444
00:22:15,480 --> 00:22:18,760
Speaker 5: could talk about that. But I feel like he's still dadish.

445
00:22:19,280 --> 00:22:19,399
Speaker 1: I do.

446
00:22:19,480 --> 00:22:23,280
Speaker 3: You have to remember he's a very young dad, but

447
00:22:23,400 --> 00:22:24,159
Speaker 3: he never.

448
00:22:24,160 --> 00:22:26,720
Speaker 4: But he never was a dad. That's the thing. It's like,

449
00:22:26,800 --> 00:22:30,640
Speaker 4: I think like he's trying to make up for twenty years.

450
00:22:30,520 --> 00:22:34,520
Speaker 1: And he's boy. David's very boyish anyway, right, Yeah, yeah,

451
00:22:34,840 --> 00:22:39,240
Speaker 1: he's very youthful and very young looking anyway for his age. Right,

452
00:22:39,400 --> 00:22:45,000
Speaker 1: He's got that boyish smile. And you know, I will

453
00:22:45,119 --> 00:22:48,000
Speaker 1: say he doesn't again come off like a dad.

454
00:22:48,600 --> 00:22:50,800
Speaker 5: I always have critiques of the background actors, and I'm

455
00:22:50,800 --> 00:22:56,560
Speaker 5: sorry they if they So here's two interesting things. I

456
00:22:56,600 --> 00:22:59,960
Speaker 5: watched the scene twice because she says did those two

457
00:23:00,080 --> 00:23:03,240
Speaker 5: girls check you out? So I totally missed it.

458
00:23:04,160 --> 00:23:06,000
Speaker 1: Oh it was pretty it was pretty obvious.

459
00:23:06,280 --> 00:23:09,280
Speaker 5: Then I watched it again and I was like, is

460
00:23:09,320 --> 00:23:10,800
Speaker 5: that too obvious?

461
00:23:11,040 --> 00:23:14,000
Speaker 3: Like that would be really hard acting. Actually, I think

462
00:23:15,040 --> 00:23:15,960
Speaker 3: act like I'm.

463
00:23:16,000 --> 00:23:19,520
Speaker 1: A look at somebody they walked by. They turn around

464
00:23:19,520 --> 00:23:20,119
Speaker 1: and they looked at it.

465
00:23:20,320 --> 00:23:23,520
Speaker 5: There's looking at somebody and there's checking somebody out.

466
00:23:23,600 --> 00:23:26,480
Speaker 1: They checked him out. It was all it was. It's

467
00:23:26,760 --> 00:23:28,840
Speaker 1: from that distance. They had to be a little obvious

468
00:23:28,880 --> 00:23:31,240
Speaker 1: about it so the audience could pick it up, like

469
00:23:32,480 --> 00:23:35,399
Speaker 1: doing a close up of those girls and you know,

470
00:23:35,560 --> 00:23:36,720
Speaker 1: they just did it in one shot.

471
00:23:37,480 --> 00:23:40,280
Speaker 4: Which I thought that scene or that moment was a

472
00:23:40,320 --> 00:23:40,960
Speaker 4: little awkward.

473
00:23:42,320 --> 00:23:43,240
Speaker 1: Well it was supposed to be.

474
00:23:43,880 --> 00:23:46,399
Speaker 4: Well, but just like Laura, I mean not Laura Ry'

475
00:23:46,400 --> 00:23:48,080
Speaker 4: is like, oh, what happens to mom too? And I'm

476
00:23:48,119 --> 00:23:49,040
Speaker 4: just like, I don't I just.

477
00:23:49,040 --> 00:23:49,320
Speaker 6: I don't know.

478
00:23:49,400 --> 00:23:50,280
Speaker 4: It felt weird to me.

479
00:23:50,480 --> 00:23:53,200
Speaker 6: Yeah, I hate having hot parents. Like that was weird.

480
00:23:53,560 --> 00:23:55,960
Speaker 4: Yeah, that's the line. Sorry, thanks to That was the

481
00:23:56,000 --> 00:23:58,879
Speaker 4: line where it threw me off. If she didn't say that,

482
00:23:58,880 --> 00:23:59,919
Speaker 4: I think it would have been fine.

483
00:24:00,440 --> 00:24:02,080
Speaker 5: Yeah, I mean I think if you had a dad

484
00:24:02,119 --> 00:24:05,239
Speaker 5: that's only sixteen years older than you and you're at

485
00:24:05,359 --> 00:24:08,600
Speaker 5: college now and he's hot, girls are going to check

486
00:24:08,680 --> 00:24:09,439
Speaker 5: him out.

487
00:24:09,600 --> 00:24:12,080
Speaker 3: But I would be a little bit more gagged about it.

488
00:24:12,119 --> 00:24:15,159
Speaker 4: Like right, she seemed like she seemed like, oh, like

489
00:24:15,240 --> 00:24:18,960
Speaker 4: this is normal, like parent, Yeah.

490
00:24:18,920 --> 00:24:19,920
Speaker 3: You'd be a little bit more.

491
00:24:21,640 --> 00:24:25,520
Speaker 1: I think if she had had a very close relationship

492
00:24:25,520 --> 00:24:28,320
Speaker 1: with him growing up, it would have gagged her. The

493
00:24:28,400 --> 00:24:31,320
Speaker 1: fact that she doesn't feel so close to him in

494
00:24:31,359 --> 00:24:35,359
Speaker 1: that regard and does that's interesting him. Then she can

495
00:24:35,560 --> 00:24:36,719
Speaker 1: sort of objectify it.

496
00:24:37,080 --> 00:24:37,199
Speaker 2: Well.

497
00:24:37,240 --> 00:24:39,120
Speaker 5: We talked about it in the last episode that when

498
00:24:39,200 --> 00:24:41,720
Speaker 5: in a pop culture when I tell Teddy Mellencamp her

499
00:24:41,800 --> 00:24:44,360
Speaker 5: dad's hot, it does make her gag. It does make

500
00:24:44,400 --> 00:24:47,280
Speaker 5: you gag a little bit. M h, Yeah, I think

501
00:24:47,320 --> 00:24:50,280
Speaker 5: you're right. Scott literally almost called you, Luke.

502
00:24:50,480 --> 00:24:55,040
Speaker 1: That's I actually respond to both and I sign official

503
00:24:55,160 --> 00:24:56,719
Speaker 1: Dad's so funny.

504
00:24:57,320 --> 00:25:00,399
Speaker 3: Tory Spelling says she totally responds to Donna. She just

505
00:25:00,440 --> 00:25:02,280
Speaker 3: has to. She gets called Donna like as much as

506
00:25:02,280 --> 00:25:07,000
Speaker 3: she gets called Tori. Anyway. Uh, I think that you're right.

507
00:25:07,160 --> 00:25:13,120
Speaker 5: Like everything you're saying is like, yeah, like, I don't

508
00:25:13,119 --> 00:25:17,520
Speaker 5: know that has complicated her situation with these young parents

509
00:25:17,560 --> 00:25:18,439
Speaker 5: and they are cute.

510
00:25:20,480 --> 00:25:24,280
Speaker 1: She doesn't look to him as her protector or her

511
00:25:24,359 --> 00:25:28,760
Speaker 1: father or somebody, you know what I mean. There isn't

512
00:25:28,800 --> 00:25:33,040
Speaker 1: there aren't those memories and it's just not there. Yeah,

513
00:25:33,119 --> 00:25:35,760
Speaker 1: and you know he can't pretend it's there as much

514
00:25:35,760 --> 00:25:37,280
Speaker 1: as he wants to. And I think that's the part

515
00:25:37,320 --> 00:25:42,119
Speaker 1: that was difficult to watch, that he sort of stepped

516
00:25:42,160 --> 00:25:45,080
Speaker 1: in and he was kind of oblivious to this, you know,

517
00:25:45,160 --> 00:25:48,119
Speaker 1: the past, and how they don't have a really strong

518
00:25:48,240 --> 00:25:51,840
Speaker 1: bond and everybody relaxed down, happy because he's paying for everything.

519
00:25:51,880 --> 00:25:53,480
Speaker 1: But don't let it get to your head, pal, because

520
00:25:53,480 --> 00:25:55,400
Speaker 1: you're we're not really as dead, right.

521
00:25:55,480 --> 00:25:58,080
Speaker 5: Imagine if he would have flexed and been like, oh,

522
00:25:58,119 --> 00:26:00,440
Speaker 5: my daughter shouldn't be living with her boyfriend, be like.

523
00:26:00,400 --> 00:26:01,160
Speaker 3: Who are you bro?

524
00:26:01,440 --> 00:26:13,040
Speaker 5: What? Right before we get to that, though, I do

525
00:26:13,200 --> 00:26:16,040
Speaker 5: like the they're listening to that teacher, that professor. She's like,

526
00:26:16,080 --> 00:26:18,919
Speaker 5: I had this professor last year. He was a Nobel

527
00:26:19,000 --> 00:26:21,200
Speaker 5: Prize winner. And he goes the dull dude.

528
00:26:23,119 --> 00:26:23,639
Speaker 1: Yeah, I don't know.

529
00:26:24,119 --> 00:26:26,080
Speaker 5: There's a lot of funny lines for me in this episode.

530
00:26:26,119 --> 00:26:29,800
Speaker 5: So we go to the cafeteria. He wants to see

531
00:26:29,800 --> 00:26:33,080
Speaker 5: where his kid lives, and immediately we go into the

532
00:26:33,080 --> 00:26:36,360
Speaker 5: building and I'm like, this is so fancy with the lobby,

533
00:26:36,640 --> 00:26:40,560
Speaker 5: Oh yeah, the elevator and even the door looked fancy,

534
00:26:41,240 --> 00:26:43,199
Speaker 5: and that you go in the apartment and it's just

535
00:26:43,320 --> 00:26:45,960
Speaker 5: like so literally so fancy.

536
00:26:46,000 --> 00:26:47,119
Speaker 4: It's literally a penthouse.

537
00:26:47,440 --> 00:26:51,560
Speaker 5: Yeah, it's the furniture of the pool table, this couch

538
00:26:51,680 --> 00:26:54,280
Speaker 5: is the every detail is fancy.

539
00:26:55,200 --> 00:26:56,520
Speaker 3: Yeah, it's just all fancy.

540
00:26:56,880 --> 00:26:58,880
Speaker 5: So yeah, okay, So what did you guys think when

541
00:26:58,880 --> 00:27:01,200
Speaker 5: they're going back and forth about all the schools they

542
00:27:01,200 --> 00:27:02,800
Speaker 5: got kicked out of. I was a little bit like,

543
00:27:02,920 --> 00:27:05,919
Speaker 5: why are you excited about the fact that your daughter's

544
00:27:05,960 --> 00:27:08,520
Speaker 5: boyfriend's been kicked out of like eleven prep schools.

545
00:27:08,800 --> 00:27:12,520
Speaker 4: My first thought is that Rory's dating basically her dad.

546
00:27:12,680 --> 00:27:15,920
Speaker 4: Oh that was my thought exactly.

547
00:27:16,920 --> 00:27:18,400
Speaker 1: Ooh, I did not get that.

548
00:27:18,520 --> 00:27:24,960
Speaker 5: But wow, you're totally right, which kind of pushing back

549
00:27:25,040 --> 00:27:25,840
Speaker 5: on the family.

550
00:27:26,840 --> 00:27:27,399
Speaker 1: Yeah.

551
00:27:27,680 --> 00:27:31,199
Speaker 6: Yeah, I mean it's like Christopher's happy about it, like

552
00:27:31,280 --> 00:27:33,640
Speaker 6: that they have all this in common. He's not upset

553
00:27:33,720 --> 00:27:36,440
Speaker 6: that his daughter's boyfriend got kicked out of all these schools.

554
00:27:36,840 --> 00:27:38,080
Speaker 6: You just thinks it's normal.

555
00:27:40,720 --> 00:27:43,359
Speaker 4: He's like bonding over it, right, exactly.

556
00:27:44,160 --> 00:27:47,760
Speaker 1: It's either manipulative or he's so immature that's the only

557
00:27:47,920 --> 00:27:49,159
Speaker 1: level that he can relate to.

558
00:27:49,640 --> 00:27:51,240
Speaker 3: I think it's the latter.

559
00:27:51,840 --> 00:27:55,680
Speaker 1: Yeah, And I don't see any really, I don't see

560
00:27:55,680 --> 00:27:59,119
Speaker 1: any comparison with Logan at all. I think Logan's a

561
00:27:59,119 --> 00:28:01,800
Speaker 1: hell of a lot smarter, he's got a bigger future, brighter.

562
00:28:02,200 --> 00:28:04,440
Speaker 3: I agree with that too, with that too.

563
00:28:04,560 --> 00:28:08,720
Speaker 1: And I think I think Logan is a more purposeful

564
00:28:10,680 --> 00:28:13,239
Speaker 1: and this is going to sound Counterhoulder, but a more

565
00:28:13,240 --> 00:28:17,320
Speaker 1: thoughtful person. I think. I think you're right. I think

566
00:28:17,400 --> 00:28:23,240
Speaker 1: Logan is uh, he has the potential to be a

567
00:28:23,280 --> 00:28:28,320
Speaker 1: really great man. Yeah, I think it's all there. He's

568
00:28:28,359 --> 00:28:29,680
Speaker 1: just got to get out of his youth and get

569
00:28:29,680 --> 00:28:31,879
Speaker 1: out of his anger and get out of his dad's shadow,

570
00:28:31,920 --> 00:28:35,760
Speaker 1: and he could he could be a great man. I

571
00:28:35,840 --> 00:28:39,760
Speaker 1: agree that. I don't see that potential in Christopher, but I.

572
00:28:39,680 --> 00:28:42,320
Speaker 5: Do think there's something to what they're saying. Is like,

573
00:28:42,920 --> 00:28:45,680
Speaker 5: you do marry your dad. I have so many friends

574
00:28:46,320 --> 00:28:50,000
Speaker 5: that are dealing with that problem, right, Like.

575
00:28:49,960 --> 00:28:52,720
Speaker 4: It's not like copy and paste, but it's it's the

576
00:28:52,800 --> 00:28:55,200
Speaker 4: same qualities in the sense of like they both were

577
00:28:55,200 --> 00:28:57,280
Speaker 4: at these boarding schools and they both got kicked out,

578
00:28:57,320 --> 00:28:59,040
Speaker 4: and they went to the same boarding schools, and they

579
00:28:59,080 --> 00:29:02,360
Speaker 4: grew up in the same circle. Because Christopher's family is

580
00:29:02,400 --> 00:29:05,120
Speaker 4: also very well off, and so it's he.

581
00:29:05,000 --> 00:29:08,000
Speaker 1: Grew pushing back. Is it the family patriarchy?

582
00:29:08,920 --> 00:29:10,080
Speaker 3: That's the right way to say it.

583
00:29:11,280 --> 00:29:11,760
Speaker 4: I think so.

584
00:29:12,320 --> 00:29:14,920
Speaker 5: I don't know, like both of them are sort of

585
00:29:14,960 --> 00:29:17,240
Speaker 5: rebelling from what their families want.

586
00:29:17,440 --> 00:29:21,320
Speaker 4: Yeah, which I guess I did the same, but Lurlai

587
00:29:21,440 --> 00:29:27,120
Speaker 4: kind of has She kind of did her own thing

588
00:29:27,200 --> 00:29:31,480
Speaker 4: and succeeded that way. When like Christopher literally got money

589
00:29:31,560 --> 00:29:34,120
Speaker 4: like two weeks ago, you know, like he hasn't been

590
00:29:34,120 --> 00:29:36,760
Speaker 4: doing that great and Laurai built something from the ground

591
00:29:36,840 --> 00:29:39,360
Speaker 4: up and Christopher was just handed this money.

592
00:29:40,560 --> 00:29:45,160
Speaker 1: Mm hmmm. Yeah. So I mean, could there be anything

593
00:29:45,200 --> 00:29:50,800
Speaker 1: more obnoxious than a really privileged loser who gets a

594
00:29:50,840 --> 00:29:54,120
Speaker 1: bunch of money is now stupid rich and it's like

595
00:29:54,760 --> 00:29:58,160
Speaker 1: arrogant about it. No, it's so And it's like I

596
00:29:58,200 --> 00:30:02,320
Speaker 1: can't even think of anything more annoying, you know, like

597
00:30:02,400 --> 00:30:07,400
Speaker 1: waltzing around her campus and you know, trashing Nobel laureates

598
00:30:07,400 --> 00:30:11,760
Speaker 1: and good dull guy. I mean, it's it's just really sad. Yeah.

599
00:30:11,840 --> 00:30:14,280
Speaker 6: And he even he even says when they're outside the

600
00:30:14,320 --> 00:30:17,320
Speaker 6: apartment and talking about the doorman, he's he made some

601
00:30:17,440 --> 00:30:21,360
Speaker 6: comment about I love slipping money to people to do things.

602
00:30:21,080 --> 00:30:23,880
Speaker 5: Like oh yeah, that that was a little new That

603
00:30:23,960 --> 00:30:28,640
Speaker 5: was a yeah, I forgot about that because.

604
00:30:28,440 --> 00:30:29,800
Speaker 3: It's sort of a throwaway line.

605
00:30:29,880 --> 00:30:34,400
Speaker 5: And then I was like all right, what did he say?

606
00:30:36,840 --> 00:30:40,800
Speaker 5: So we then go to Luke and Laureli's house, Loreli's

607
00:30:40,840 --> 00:30:43,440
Speaker 5: house that's going to be Luke's house, and he's in

608
00:30:43,480 --> 00:30:46,480
Speaker 5: the suit looking good, and they're going over the list,

609
00:30:46,640 --> 00:30:48,280
Speaker 5: which at first I was like, what are they going through?

610
00:30:48,280 --> 00:30:50,120
Speaker 5: And then I'm like, oh my god, that's the list

611
00:30:50,160 --> 00:30:53,760
Speaker 5: from Michelle. They need to change the chocolate brown to

612
00:30:53,840 --> 00:30:57,920
Speaker 5: cocoa brown. So I enjoyed that, but I can't take

613
00:30:57,960 --> 00:30:59,080
Speaker 5: my eyes off the bedroom.

614
00:30:59,560 --> 00:31:02,600
Speaker 1: The bed that is so beautiful. The bedroom is so beautiful.

615
00:31:02,640 --> 00:31:05,600
Speaker 5: Oh, and me think I've got last week to throw

616
00:31:05,680 --> 00:31:09,400
Speaker 5: my one flag on the bathroom. The bathroom that fancy

617
00:31:09,720 --> 00:31:14,440
Speaker 5: shower curtain. You know, if you have a bathroom that

618
00:31:14,520 --> 00:31:16,160
Speaker 5: fancy last shower door.

619
00:31:16,240 --> 00:31:18,360
Speaker 4: I was about to say, the same thing. It's never

620
00:31:18,360 --> 00:31:22,240
Speaker 4: a curtain. Yeah, the bedroom looks cozy.

621
00:31:23,120 --> 00:31:25,480
Speaker 3: Everything about that bedroom looks awesome.

622
00:31:25,640 --> 00:31:27,800
Speaker 1: Now it was. It was actually a great set to

623
00:31:27,840 --> 00:31:30,400
Speaker 1: be on because it was big and it was plush

624
00:31:30,440 --> 00:31:33,880
Speaker 1: and it was nice. It's good. Yeah, and it's every other,

625
00:31:34,000 --> 00:31:36,720
Speaker 1: every other, every other piece of furniture on that set

626
00:31:37,120 --> 00:31:41,200
Speaker 1: when it was like kind of tiny, you know, but

627
00:31:41,240 --> 00:31:43,840
Speaker 1: here we have like you know, new gaming.

628
00:31:44,400 --> 00:31:48,480
Speaker 6: Yeah, like a proper, Like yeah, because at the point

629
00:31:48,480 --> 00:31:50,920
Speaker 6: now where she's not having to buy thrift store furniture,

630
00:31:51,160 --> 00:31:53,920
Speaker 6: so it's like she's kind of moved up in the world.

631
00:31:54,320 --> 00:31:58,720
Speaker 5: The bedding alone is so like plush.

632
00:31:58,880 --> 00:31:59,840
Speaker 1: The room is big.

633
00:32:00,120 --> 00:32:03,040
Speaker 3: Like Scott said, why am I I almost called you?

634
00:32:03,240 --> 00:32:05,280
Speaker 3: Luke's going on with my.

635
00:32:07,200 --> 00:32:08,200
Speaker 1: We're all mixing up.

636
00:32:08,240 --> 00:32:11,080
Speaker 4: Everyone's called Rory Lorelei like four times.

637
00:32:12,480 --> 00:32:16,160
Speaker 5: So uh, I like those scenes now because I think

638
00:32:16,200 --> 00:32:19,760
Speaker 5: that the bedroom used to be cramped and messy and

639
00:32:19,840 --> 00:32:22,520
Speaker 5: so which I would sort of feel that when they

640
00:32:22,560 --> 00:32:24,480
Speaker 5: were in there, anyone was in there, And now it's

641
00:32:24,480 --> 00:32:27,080
Speaker 5: like those scenes are so I get why they're shooting

642
00:32:27,120 --> 00:32:28,080
Speaker 5: a lot in there.

643
00:32:28,960 --> 00:32:30,320
Speaker 1: Because it's it's cool.

644
00:32:32,160 --> 00:32:39,320
Speaker 3: We go to Friday night dinner and wow, wow awesome,

645
00:32:39,560 --> 00:32:43,360
Speaker 3: awesome scenes but wow, like all the people with insurance

646
00:32:43,400 --> 00:32:46,640
Speaker 3: issues and then the payoff to that.

647
00:32:46,640 --> 00:32:47,080
Speaker 1: At the end.

648
00:32:48,600 --> 00:32:50,960
Speaker 3: They're so stress insurance.

649
00:32:54,160 --> 00:32:55,000
Speaker 1: All the names.

650
00:32:55,040 --> 00:32:57,600
Speaker 5: The names are the Brian Hunter, like the names are

651
00:32:57,600 --> 00:33:06,280
Speaker 5: the best part they you know, and we saw Hebert Lansing.

652
00:33:06,520 --> 00:33:10,120
Speaker 5: We get to this sort of gist of they are

653
00:33:10,360 --> 00:33:16,040
Speaker 5: welcoming him into the family, you know, like in a

654
00:33:16,120 --> 00:33:20,000
Speaker 5: weird twisted way, but like if they're worried about him

655
00:33:20,040 --> 00:33:23,000
Speaker 5: being you know, someone coming after him for if he

656
00:33:23,040 --> 00:33:25,880
Speaker 5: has bad insurance, it's going to impact them because we're

657
00:33:25,920 --> 00:33:30,320
Speaker 5: all in this together. So even though it was so unhinged,

658
00:33:31,240 --> 00:33:34,040
Speaker 5: I was like, oh, maybe they all care about each other.

659
00:33:34,440 --> 00:33:35,640
Speaker 3: Weird Gilmoury way.

660
00:33:36,680 --> 00:33:40,560
Speaker 6: Yeah. One thing I did notice about the scene is

661
00:33:40,760 --> 00:33:44,520
Speaker 6: that we find out that Laurel I still does not

662
00:33:44,720 --> 00:33:50,560
Speaker 6: know anything about Anna. She makes a comment about not

663
00:33:50,720 --> 00:33:53,760
Speaker 6: knowing anything about April's mother, and that's when Luke was like, oh,

664
00:33:53,800 --> 00:33:56,080
Speaker 6: I you know, trust my gut, I know her. And

665
00:33:56,680 --> 00:33:59,280
Speaker 6: so that I thought that was an interesting little point

666
00:33:59,360 --> 00:34:01,520
Speaker 6: that they made. Laurel I still doesn't really know anything

667
00:34:01,560 --> 00:34:01,880
Speaker 6: about it.

668
00:34:01,880 --> 00:34:05,320
Speaker 3: I think that makes sense, Like do you know what

669
00:34:05,400 --> 00:34:05,680
Speaker 3: I mean?

670
00:34:05,720 --> 00:34:07,400
Speaker 5: Like it's not that they're going to go have tea

671
00:34:08,320 --> 00:34:11,120
Speaker 5: like maybe eventually, but like right now.

672
00:34:11,239 --> 00:34:14,240
Speaker 6: There should have been a conversation between her and Luke about, Okay,

673
00:34:14,280 --> 00:34:17,040
Speaker 6: who is April's mother? Like you think they would have

674
00:34:17,040 --> 00:34:20,000
Speaker 6: had that conversation by this point, like tell me about her?

675
00:34:21,239 --> 00:34:22,879
Speaker 1: Yeah, I could go either way.

676
00:34:23,600 --> 00:34:26,239
Speaker 6: Yes, I think you're right, but I.

677
00:34:26,000 --> 00:34:27,600
Speaker 1: Think she right.

678
00:34:28,520 --> 00:34:31,160
Speaker 3: But there also is something about not asking about the ex.

679
00:34:31,239 --> 00:34:32,160
Speaker 3: Sorry Scott, you.

680
00:34:32,120 --> 00:34:36,280
Speaker 1: Guys, Yeah, yeah, yeah, right. I just think that Luke

681
00:34:36,320 --> 00:34:44,080
Speaker 1: has you know, pulled up the drawbridge on this and like, hey,

682
00:34:44,200 --> 00:34:46,520
Speaker 1: this is not open for discussion right now, and I'm

683
00:34:46,600 --> 00:34:49,000
Speaker 1: gonna get to know my daughter and that's that and

684
00:34:49,000 --> 00:34:50,560
Speaker 1: that's kind of how he is. And we also kind

685
00:34:50,560 --> 00:34:52,360
Speaker 1: of find out some things about him in this episode

686
00:34:52,400 --> 00:34:58,160
Speaker 1: that I mean really really hits home. And you know,

687
00:34:58,239 --> 00:35:02,080
Speaker 1: he's not a man of let he's not. He's not.

688
00:35:02,760 --> 00:35:05,640
Speaker 1: He doesn't read, he doesn't know about stocks, and he

689
00:35:05,680 --> 00:35:07,840
Speaker 1: doesn't want to know about those things. And it's just

690
00:35:10,360 --> 00:35:14,120
Speaker 1: I don't know it. Never I never really saw him

691
00:35:14,120 --> 00:35:20,680
Speaker 1: that way, but that's I guess how limited his education

692
00:35:20,880 --> 00:35:28,719
Speaker 1: truly is. But you know, there you go. And there

693
00:35:29,000 --> 00:35:31,400
Speaker 1: were scenes I don't know it was from this episode

694
00:35:31,400 --> 00:35:35,000
Speaker 1: of the prior episode where he's admitting that, you know,

695
00:35:35,480 --> 00:35:37,360
Speaker 1: like you should get that book for dummies and no,

696
00:35:37,719 --> 00:35:42,600
Speaker 1: like a dummy yaeometry. Yes, I'm you know what I mean,

697
00:35:42,760 --> 00:35:45,440
Speaker 1: And it's I.

698
00:35:45,400 --> 00:35:47,600
Speaker 5: Think yes and no, because I think if I had

699
00:35:47,640 --> 00:35:49,600
Speaker 5: a twelve year old I can't remember geometry either, I

700
00:35:49,719 --> 00:35:51,960
Speaker 5: definitely be getting the book for dummies. So I think

701
00:35:52,000 --> 00:35:54,319
Speaker 5: there's both with him. It's like I actually think he's

702
00:35:54,440 --> 00:35:55,080
Speaker 5: much smarter.

703
00:35:56,000 --> 00:35:59,920
Speaker 1: Than maybe you. Everybody's giving him credit for he's really

704
00:36:00,320 --> 00:36:04,640
Speaker 1: is smart, yeah, heart.

705
00:36:03,800 --> 00:36:05,800
Speaker 6: He just didn't have a chance to get the college

706
00:36:05,920 --> 00:36:09,239
Speaker 6: education that would have shown that, all right, because I

707
00:36:09,239 --> 00:36:10,000
Speaker 6: think he's smart.

708
00:36:10,080 --> 00:36:12,080
Speaker 1: Yeah, he wouldn't be able to banter with lore life.

709
00:36:12,120 --> 00:36:14,360
Speaker 1: He didn't have a brain exactly.

710
00:36:13,920 --> 00:36:14,760
Speaker 3: And I think he doesn't.

711
00:36:14,960 --> 00:36:16,960
Speaker 5: It's not that he doesn't know about stocks in the

712
00:36:16,960 --> 00:36:17,839
Speaker 5: stock market or whatever.

713
00:36:17,880 --> 00:36:18,960
Speaker 3: I get that he said he didn't.

714
00:36:19,200 --> 00:36:21,560
Speaker 5: He doesn't want to talk to Richard about it. That's

715
00:36:21,600 --> 00:36:24,759
Speaker 5: not his He's not interested in that because we know

716
00:36:24,920 --> 00:36:29,400
Speaker 5: he's good with money. He's right, he just decided to

717
00:36:29,440 --> 00:36:32,839
Speaker 5: go and invest in real estate and you know he's

718
00:36:32,880 --> 00:36:35,320
Speaker 5: an entrepreneur instead of putting his money in stock.

719
00:36:35,400 --> 00:36:37,719
Speaker 1: So I always think it's like a choice too. Yeah,

720
00:36:37,760 --> 00:36:40,439
Speaker 1: but I think Richard's the kind of a guy who

721
00:36:40,440 --> 00:36:42,719
Speaker 1: can break down. He can look at a balance sheet

722
00:36:42,760 --> 00:36:44,520
Speaker 1: and know what's going on with the company, whether it's

723
00:36:44,520 --> 00:36:48,719
Speaker 1: investable or not. Right, Yes, he had He's had to

724
00:36:48,719 --> 00:36:51,400
Speaker 1: manage his own fair fation for so many years. So

725
00:36:51,480 --> 00:36:54,760
Speaker 1: that forces a person to learn about how to value

726
00:36:54,800 --> 00:36:57,239
Speaker 1: a company, you know, put evaluation on a company, and

727
00:36:57,239 --> 00:36:59,759
Speaker 1: how to analyze a stock and this kind of thing

728
00:37:00,360 --> 00:37:03,959
Speaker 1: not in a super detailed way, but in a way

729
00:37:04,040 --> 00:37:07,120
Speaker 1: that's going to either help you make a decision whether

730
00:37:07,160 --> 00:37:09,520
Speaker 1: to buy it or not. Luke isn't at that level.

731
00:37:09,560 --> 00:37:12,080
Speaker 1: He's never correct, right, you know what I'm saying.

732
00:37:12,480 --> 00:37:15,480
Speaker 3: Yeah, probably by choice and by circumstance.

733
00:37:15,040 --> 00:37:17,400
Speaker 1: Right, because he's putting his money into real estate, and

734
00:37:17,400 --> 00:37:20,000
Speaker 1: that doesn't take a great deal of analysis other than

735
00:37:20,280 --> 00:37:25,600
Speaker 1: you know, it's undermarket value. It's a goodbye, get it right.

736
00:37:25,520 --> 00:37:37,160
Speaker 3: Right right? I do like in this one, so y'all

737
00:37:37,160 --> 00:37:38,480
Speaker 3: are kind of coming out of.

738
00:37:38,440 --> 00:37:40,799
Speaker 5: The dinner, right, your hair is all must and you're

739
00:37:41,200 --> 00:37:44,160
Speaker 5: now having a total panic attack over insurance.

740
00:37:44,640 --> 00:37:45,680
Speaker 1: And they do call.

741
00:37:45,480 --> 00:37:50,480
Speaker 3: Out the title. Lorles says you've been gilmoured, and it.

742
00:37:50,520 --> 00:37:52,440
Speaker 5: Is a bit of a throwaway line that's sort of

743
00:37:52,760 --> 00:37:53,600
Speaker 5: stuck forever.

744
00:37:54,040 --> 00:37:59,799
Speaker 1: What is the feeling? He describes a tightness in the chest, yes,

745
00:38:00,680 --> 00:38:01,520
Speaker 1: coupled with what.

746
00:38:02,880 --> 00:38:05,120
Speaker 5: My favorite I don't remember exactly, but my favorite line

747
00:38:05,160 --> 00:38:07,960
Speaker 5: is when he says my shirt is soaking well.

748
00:38:07,920 --> 00:38:09,520
Speaker 1: Joking well, when he's walking out.

749
00:38:10,760 --> 00:38:14,600
Speaker 4: ELO love that, like it's like they've been gilboard but

750
00:38:14,800 --> 00:38:19,480
Speaker 4: like I think they accepted our relationship, Like yeah, yeah, yeah,

751
00:38:19,520 --> 00:38:21,879
Speaker 4: that's right, Like they kind of were like, wait, how

752
00:38:21,880 --> 00:38:23,120
Speaker 4: are we supposed to feel?

753
00:38:24,719 --> 00:38:24,879
Speaker 1: Right?

754
00:38:25,440 --> 00:38:28,040
Speaker 5: Yes, that's the whole thing about that scene. You sort

755
00:38:28,040 --> 00:38:30,920
Speaker 5: of feel like, Wow, that was gnarly and intense. But

756
00:38:30,960 --> 00:38:33,480
Speaker 5: then you're sort of like, all right, they kind of

757
00:38:33,480 --> 00:38:36,279
Speaker 5: all like each other, and they're totally like going to

758
00:38:36,320 --> 00:38:38,520
Speaker 5: redo that they need umbrella policies and they're totally going

759
00:38:38,560 --> 00:38:40,920
Speaker 5: to redo their insurance and they're like and then they

760
00:38:40,920 --> 00:38:44,080
Speaker 5: do sort of address like, is April is this real?

761
00:38:45,360 --> 00:38:47,000
Speaker 3: Like is it timing weird?

762
00:38:47,160 --> 00:38:49,719
Speaker 1: Like is this a scam? But you fine? Did you

763
00:38:49,800 --> 00:38:55,080
Speaker 1: did you? Did you feel that during that dinner that

764
00:38:55,080 --> 00:39:00,440
Speaker 1: that the Gilmours were being so condescending to Luke that

765
00:39:00,719 --> 00:39:05,719
Speaker 1: they just decided to bombard each other there for him

766
00:39:06,440 --> 00:39:12,120
Speaker 1: and Lorelei with all of this rhetoric about insurance and

767
00:39:12,480 --> 00:39:14,600
Speaker 1: telling stories about it. I mean, it just kind of

768
00:39:14,600 --> 00:39:20,440
Speaker 1: felt like a sort of iphalutein beat down in a sense,

769
00:39:20,520 --> 00:39:23,200
Speaker 1: you know what I mean? You know how they're very

770
00:39:23,239 --> 00:39:26,399
Speaker 1: wealthy and the very educated tend to do that when

771
00:39:26,400 --> 00:39:29,920
Speaker 1: they're uncomfortable around the person and they know that that

772
00:39:30,040 --> 00:39:32,759
Speaker 1: person isn't going to contribute to the conversation in any

773
00:39:32,800 --> 00:39:35,719
Speaker 1: real way that they can relate to, and they don't

774
00:39:35,800 --> 00:39:39,520
Speaker 1: want to make their guests feel comfortable and talk, and

775
00:39:39,719 --> 00:39:43,080
Speaker 1: really they're not interested in him. They're interested in their

776
00:39:43,120 --> 00:39:49,520
Speaker 1: own entertainment. So they kind of use Luke as this

777
00:39:49,719 --> 00:39:54,560
Speaker 1: opportunity to just sort of mock him. And see, I

778
00:39:54,600 --> 00:39:55,399
Speaker 1: didn't get that part.

779
00:39:55,480 --> 00:39:58,120
Speaker 5: I think there's lots of problems with them, meaning like

780
00:39:58,440 --> 00:40:04,960
Speaker 5: they're just not necessarily like polite, warm, guess interested in

781
00:40:05,000 --> 00:40:07,399
Speaker 5: their guests. That being said, I don't think they were

782
00:40:07,400 --> 00:40:08,560
Speaker 5: mocking him. I actually think.

783
00:40:08,520 --> 00:40:12,040
Speaker 1: Well they were just they were barely tolerating him.

784
00:40:12,480 --> 00:40:15,399
Speaker 5: I got the vibe like they both think that you

785
00:40:15,560 --> 00:40:19,439
Speaker 5: and Lorlai have made something of yourselves, and now they're

786
00:40:19,520 --> 00:40:24,360
Speaker 5: kind of like almost like it's gilmoreing you like you

787
00:40:24,520 --> 00:40:27,399
Speaker 5: need you need. I didn't get a mocking as much

788
00:40:27,400 --> 00:40:30,440
Speaker 5: as it's like you've been Gilmore, meaning like now you

789
00:40:30,560 --> 00:40:33,480
Speaker 5: need to look at all your assets and your things

790
00:40:33,520 --> 00:40:36,120
Speaker 5: the way we look at ours. I actually thought it

791
00:40:36,160 --> 00:40:38,799
Speaker 5: was sort of they're leveling you up, but just in

792
00:40:38,880 --> 00:40:42,000
Speaker 5: such a Gilmore way where they're just so like they're

793
00:40:42,000 --> 00:40:42,720
Speaker 5: not warm.

794
00:40:43,080 --> 00:40:46,279
Speaker 1: Okay, So but if they wanted to do that right

795
00:40:46,360 --> 00:40:50,920
Speaker 1: in a respectful way, Richard would have had a private

796
00:40:51,000 --> 00:40:53,920
Speaker 1: meeting with Luke in his office or in his study

797
00:40:54,760 --> 00:40:57,439
Speaker 1: or at the golf course. Once again, man to man

798
00:40:57,520 --> 00:41:01,480
Speaker 1: and talk about it in a respectful way, in a

799
00:41:01,520 --> 00:41:05,680
Speaker 1: respectful period of time, gradually and not like put on

800
00:41:05,760 --> 00:41:09,120
Speaker 1: this full on beat down display. Right, but they're still

801
00:41:09,160 --> 00:41:09,600
Speaker 1: going to be.

802
00:41:10,400 --> 00:41:13,400
Speaker 5: In front of But they they're including her in it

803
00:41:13,440 --> 00:41:17,760
Speaker 5: because they are also saying she has created assets and wealth.

804
00:41:18,160 --> 00:41:20,120
Speaker 3: The house has gone up fifty two percent.

805
00:41:20,440 --> 00:41:24,479
Speaker 1: She owns this in I think sharing my point, my point.

806
00:41:24,680 --> 00:41:27,280
Speaker 5: I don't think, not in the sense that he should

807
00:41:27,280 --> 00:41:30,000
Speaker 5: separate you and take you aside on the golf course.

808
00:41:30,400 --> 00:41:32,920
Speaker 1: He's that's like rap families talk.

809
00:41:32,800 --> 00:41:37,280
Speaker 5: About saying, hey, now they're they're they're talking guy, they're.

810
00:41:37,120 --> 00:41:40,040
Speaker 1: Acting like Theyan young I think they get ganged up

811
00:41:40,080 --> 00:41:40,399
Speaker 1: on him.

812
00:41:41,120 --> 00:41:44,320
Speaker 5: They ganged up on them. To me, they were putting

813
00:41:44,320 --> 00:41:47,560
Speaker 5: you and Lorlight in it together. They're not singling out Luke.

814
00:41:47,960 --> 00:41:48,120
Speaker 1: Now.

815
00:41:48,160 --> 00:41:50,719
Speaker 5: What they're doing is talking down to you. You're right

816
00:41:50,760 --> 00:41:53,720
Speaker 5: about that, and that you both are like forty years old.

817
00:41:54,640 --> 00:41:55,040
Speaker 1: They don't.

818
00:41:55,040 --> 00:41:57,000
Speaker 5: You don't really need mommy and daddy to tell you

819
00:41:57,000 --> 00:41:58,759
Speaker 5: what to do with your insurance and your money. So

820
00:41:58,840 --> 00:42:01,480
Speaker 5: I agree with that part, but I don't I don't

821
00:42:01,520 --> 00:42:04,000
Speaker 5: think they're condescending to Luke per Se.

822
00:42:04,160 --> 00:42:09,800
Speaker 3: I think they're acknowledging these young couple, our kids have made.

823
00:42:09,680 --> 00:42:10,200
Speaker 1: A lot of money.

824
00:42:10,239 --> 00:42:14,440
Speaker 5: We got to help them protect their assets and that

825
00:42:14,440 --> 00:42:19,560
Speaker 5: that you're a part of their assets, so that if

826
00:42:19,600 --> 00:42:22,000
Speaker 5: you guys mess up and someone falls at the diner,

827
00:42:22,040 --> 00:42:24,759
Speaker 5: they can not only sue you, but sue Lorelai and

828
00:42:24,800 --> 00:42:27,200
Speaker 5: the Gilmours is kind of where I was at with it.

829
00:42:28,280 --> 00:42:30,960
Speaker 1: I don't know that that's appropriate dinner conversation. Well, that's

830
00:42:31,320 --> 00:42:32,200
Speaker 1: that's correct.

831
00:42:32,600 --> 00:42:35,600
Speaker 5: That's the part that I'm saying is they're so they're

832
00:42:35,640 --> 00:42:38,520
Speaker 5: not like, why are they not just asking you normal

833
00:42:38,560 --> 00:42:38,920
Speaker 5: things that.

834
00:42:38,880 --> 00:42:40,640
Speaker 4: You're not like the traditional family.

835
00:42:42,080 --> 00:42:44,279
Speaker 5: But I do think it's their way of showing, like

836
00:42:44,320 --> 00:42:46,879
Speaker 5: they said when they came out, I think they accept us.

837
00:42:48,320 --> 00:42:52,200
Speaker 5: That was their weird way of saying they're not fighting it.

838
00:42:52,400 --> 00:42:55,520
Speaker 1: They're saying accepting us. I want a part of that. Well,

839
00:42:55,560 --> 00:42:59,919
Speaker 1: you act them well exactly, of course.

840
00:43:00,320 --> 00:43:03,040
Speaker 4: But but I think that's also the definition of you've

841
00:43:03,080 --> 00:43:06,840
Speaker 4: been gilmoured. It's like they're gonna drag you do, but

842
00:43:06,880 --> 00:43:09,480
Speaker 4: then they're gonna somehow validate you at the same time,

843
00:43:09,560 --> 00:43:13,240
Speaker 4: and you're gonna be used as you walk out.

844
00:43:15,480 --> 00:43:18,360
Speaker 3: See, I don't. I don't hate them at all.

845
00:43:18,520 --> 00:43:21,719
Speaker 5: Like there's things they do and things Emily does that

846
00:43:21,760 --> 00:43:25,440
Speaker 5: are so bad and kind of gross.

847
00:43:26,400 --> 00:43:27,680
Speaker 1: I don't hate them.

848
00:43:27,800 --> 00:43:29,120
Speaker 4: You know what it reminds me of, you know what,

849
00:43:29,280 --> 00:43:32,759
Speaker 4: Like you have relatives who they're a lot older, and

850
00:43:32,800 --> 00:43:37,080
Speaker 4: they are things from maybe thirty forty fifty years ago

851
00:43:37,160 --> 00:43:40,560
Speaker 4: that were like okay to say at the time, and

852
00:43:40,600 --> 00:43:43,799
Speaker 4: then like suddenly, not suddenly, but over time it's not

853
00:43:43,840 --> 00:43:48,640
Speaker 4: appropriate to say that anymore. Like this is a horrible example,

854
00:43:48,680 --> 00:43:51,520
Speaker 4: but like someone's weight. You wouldn't comment on someone's weight, right,

855
00:43:51,560 --> 00:43:53,719
Speaker 4: But like I think like back then, like if your

856
00:43:53,760 --> 00:43:56,160
Speaker 4: elders said something like it just they dealt with it,

857
00:43:56,200 --> 00:43:59,320
Speaker 4: and now you kind of are like you don't body shit.

858
00:44:00,080 --> 00:44:03,920
Speaker 5: You wouldn't comment on someone's weight as they're your dinner guest,

859
00:44:04,239 --> 00:44:08,640
Speaker 5: but like your mom might. I think there's something about

860
00:44:08,680 --> 00:44:12,040
Speaker 5: the Gilmours that they're just treating you. They're having no

861
00:44:13,360 --> 00:44:17,240
Speaker 5: filter filter, they're not being polite, They're just like saying

862
00:44:17,239 --> 00:44:19,760
Speaker 5: what they're gonna say because you're in the family.

863
00:44:21,719 --> 00:44:24,200
Speaker 4: I mean, yeah, that's how they're treating Luke at this point.

864
00:44:24,480 --> 00:44:24,960
Speaker 5: Like it's like.

865
00:44:26,640 --> 00:44:29,080
Speaker 4: It's bad but good and I think like, because.

866
00:44:30,400 --> 00:44:32,680
Speaker 1: What's the good part. Explain that to me.

867
00:44:32,760 --> 00:44:35,479
Speaker 5: They're accepting you. They're not fighting. They're not saying, don't

868
00:44:35,480 --> 00:44:36,560
Speaker 5: marry this guy.

869
00:44:36,760 --> 00:44:39,279
Speaker 1: They're saying he doesn't want to be a member of

870
00:44:39,360 --> 00:44:41,359
Speaker 1: that club that treats him that way.

871
00:44:41,400 --> 00:44:44,320
Speaker 3: He doesn't get to decide like he's marrying into.

872
00:44:44,480 --> 00:44:47,279
Speaker 1: No, he doesn't guy, he doesn't get to decide, No,

873
00:44:47,360 --> 00:44:50,799
Speaker 1: he's married into that. What influence do they have in

874
00:44:50,840 --> 00:44:55,120
Speaker 1: his marriage at this point with Lorelei, you marry you

875
00:44:55,280 --> 00:44:56,759
Speaker 1: marry her, you marry them.

876
00:44:56,840 --> 00:44:59,840
Speaker 5: You're in their family now, so you don't get to decide,

877
00:45:00,400 --> 00:45:01,719
Speaker 5: just like you had to go to the dinner, you

878
00:45:01,719 --> 00:45:02,800
Speaker 5: don't want to go to that dinner.

879
00:45:02,960 --> 00:45:07,360
Speaker 1: Those are her parents. You see these two being married

880
00:45:07,840 --> 00:45:10,520
Speaker 1: and then all of a sudden, you know, everybody's going

881
00:45:10,560 --> 00:45:11,759
Speaker 1: on vacation with each other.

882
00:45:14,080 --> 00:45:18,400
Speaker 5: But like vacation, you're saying, you have to have a

883
00:45:18,440 --> 00:45:21,480
Speaker 5: relationship with them. They are her parents, and she has

884
00:45:21,480 --> 00:45:22,640
Speaker 5: a relationship with them.

885
00:45:23,239 --> 00:45:27,719
Speaker 1: So by marrying her, not much a one you with

886
00:45:27,760 --> 00:45:28,600
Speaker 1: your parents I do.

887
00:45:28,640 --> 00:45:32,840
Speaker 4: She sees them every week, Yeah, and they're involved in

888
00:45:32,920 --> 00:45:34,759
Speaker 4: her daughter's life and her not.

889
00:45:34,920 --> 00:45:37,280
Speaker 5: Saying Luke has to go every week, but he will

890
00:45:37,280 --> 00:45:40,279
Speaker 5: definitely have a relationship with She's not.

891
00:45:40,200 --> 00:45:43,800
Speaker 1: Seeing them every week of her own volition. She's being forced.

892
00:45:44,040 --> 00:45:47,360
Speaker 1: It doesn't matter it was tied to money. She's married.

893
00:45:48,120 --> 00:45:51,279
Speaker 1: That's what the show's about. That's Luke is marrying Laura

894
00:45:51,440 --> 00:45:55,439
Speaker 1: I go to Hartford to be with her horrible parents, but.

895
00:45:55,880 --> 00:45:56,919
Speaker 3: She doesn't like them.

896
00:45:57,440 --> 00:45:59,560
Speaker 4: There was seas when she didn't go to Friday night

897
00:45:59,560 --> 00:46:01,319
Speaker 4: dinner and she she missed it, like she called Roy,

898
00:46:01,440 --> 00:46:04,040
Speaker 4: like what happened? Like deep down, I think she wants

899
00:46:04,080 --> 00:46:04,440
Speaker 4: to be there.

900
00:46:04,719 --> 00:46:06,960
Speaker 5: Of course, she just told that whole story where she

901
00:46:07,040 --> 00:46:10,080
Speaker 5: said when they lived at the Inn and they got

902
00:46:10,120 --> 00:46:12,760
Speaker 5: the invite for Christmas dinner and they didn't go.

903
00:46:13,320 --> 00:46:15,839
Speaker 1: She regrets it and wishes they went.

904
00:46:16,719 --> 00:46:20,000
Speaker 5: She will always have a relationship with them because they

905
00:46:20,040 --> 00:46:20,920
Speaker 5: are her parents.

906
00:46:21,239 --> 00:46:26,080
Speaker 6: I see Amy's point. I think the dinner was really

907
00:46:26,120 --> 00:46:31,080
Speaker 6: about lorel I and Luke because it started out. The

908
00:46:31,080 --> 00:46:34,120
Speaker 6: whole conversation about the insurance started because Lorela I said,

909
00:46:34,120 --> 00:46:36,880
Speaker 6: we expanded the house, and Richard's like, were you updated

910
00:46:36,880 --> 00:46:39,040
Speaker 6: your coverage? Didn't you? Like That's what set the whole

911
00:46:39,040 --> 00:46:42,960
Speaker 6: thing off was loral I is expanding the house and

912
00:46:43,000 --> 00:46:47,319
Speaker 6: then moving forward from there. I think I think, yeah,

913
00:46:47,440 --> 00:46:48,200
Speaker 6: Luke is.

914
00:46:50,080 --> 00:46:50,440
Speaker 1: There was.

915
00:46:50,760 --> 00:46:54,000
Speaker 6: It reminds me of the scene where Luke and Jess

916
00:46:54,000 --> 00:46:58,399
Speaker 6: were in the canoe and Luke was telling Jess, He's like.

917
00:46:58,440 --> 00:46:59,840
Speaker 1: You get it.

918
00:47:00,360 --> 00:47:02,880
Speaker 6: You get with this girl, you get with her whole family,

919
00:47:03,040 --> 00:47:06,359
Speaker 6: and it's like it's just kind of a package deal.

920
00:47:06,400 --> 00:47:08,960
Speaker 6: And yeah, Laura is not really there of her own volition,

921
00:47:09,760 --> 00:47:12,680
Speaker 6: but I think we've seen kind of over the seasons

922
00:47:13,160 --> 00:47:18,240
Speaker 6: she's starting to forge a relationship with them and starting

923
00:47:18,280 --> 00:47:21,439
Speaker 6: to I don't I don't want to say she likes

924
00:47:21,440 --> 00:47:23,160
Speaker 6: them more because I don't think she does.

925
00:47:23,040 --> 00:47:23,200
Speaker 5: But.

926
00:47:25,000 --> 00:47:28,720
Speaker 6: I think that she's she has to take Luke along

927
00:47:28,840 --> 00:47:29,680
Speaker 6: on that ride.

928
00:47:29,920 --> 00:47:35,239
Speaker 1: So you know, you know what, I just realized. The

929
00:47:35,360 --> 00:47:39,200
Speaker 1: Gilmore Girls, the love of Gilmore Girls for twenty three years,

930
00:47:39,920 --> 00:47:43,200
Speaker 1: is not based on anything coming from the Death Star

931
00:47:43,680 --> 00:47:47,520
Speaker 1: in Hartford. It's everything about how Laurela I raised her

932
00:47:47,600 --> 00:47:51,239
Speaker 1: daughter and the town of stars Hollow and her Yeah,

933
00:47:51,280 --> 00:47:55,799
Speaker 1: that's the family values, that's the family friendly aspect of

934
00:47:55,840 --> 00:48:00,440
Speaker 1: the show. The villains are a two headed bas called

935
00:48:00,520 --> 00:48:03,799
Speaker 1: Richard and Emily. Those are the villains.

936
00:48:04,360 --> 00:48:06,399
Speaker 3: They're the I don't know that they're.

937
00:48:06,560 --> 00:48:09,000
Speaker 1: All of that is that that is not the kind

938
00:48:09,040 --> 00:48:13,440
Speaker 1: of family values that anybody is aspiring to or relating to.

939
00:48:14,080 --> 00:48:18,839
Speaker 1: It just illuminates disagree special and what a what a

940
00:48:18,880 --> 00:48:23,600
Speaker 1: good decision, Laurel I made I disagree and go go

941
00:48:23,600 --> 00:48:26,320
Speaker 1: ahead and go to Stars Hall. A lot of people

942
00:48:26,440 --> 00:48:30,000
Speaker 1: relate thing and enhances everything that Stars Hollow has to.

943
00:48:30,480 --> 00:48:34,800
Speaker 1: It's It's like Hartford Upper Crust versus Stars Hollow.

944
00:48:35,280 --> 00:48:38,400
Speaker 7: A lot of people read dynamic because you said that

945
00:48:38,440 --> 00:48:40,880
Speaker 7: people don't relate to a lot of people relate to

946
00:48:41,719 --> 00:48:46,640
Speaker 7: relationships with their parents or whoever, but especially with their

947
00:48:46,719 --> 00:48:49,839
Speaker 7: parents like that totally relatable.

948
00:48:50,080 --> 00:48:51,680
Speaker 3: Lrelize relationship with her.

949
00:48:52,280 --> 00:48:54,759
Speaker 1: I'm not saying that it isn't relatable, and I'm not

950
00:48:54,800 --> 00:48:58,279
Speaker 1: saying it's not a very necessary part. And I think

951
00:48:58,320 --> 00:49:02,319
Speaker 1: that that's the genius of it. Platinos set up, you know,

952
00:49:02,880 --> 00:49:08,080
Speaker 1: Death Star versus I don't agree. I kind of say

953
00:49:08,200 --> 00:49:09,759
Speaker 1: that one respectfully.

954
00:49:09,840 --> 00:49:12,719
Speaker 5: I don't because what I think they set up is

955
00:49:13,160 --> 00:49:18,360
Speaker 5: how complicated everybody is. The Gilmores are complicated, Luke is

956
00:49:18,400 --> 00:49:23,120
Speaker 5: actually complicated. Lorelei is probably the most complicated of all

957
00:49:23,160 --> 00:49:23,440
Speaker 5: of it.

958
00:49:23,680 --> 00:49:25,040
Speaker 3: What I think they set up is.

959
00:49:25,000 --> 00:49:29,080
Speaker 5: This core with Rory and Loreli and the tentacles that

960
00:49:29,120 --> 00:49:32,480
Speaker 5: go out from that and all their relationships, the relationship

961
00:49:32,520 --> 00:49:36,600
Speaker 5: with Dean Jess Logan, even when Rory and Loreli have

962
00:49:36,640 --> 00:49:37,560
Speaker 5: their falling out.

963
00:49:38,480 --> 00:49:41,680
Speaker 1: All right, remove the Gilmours from the Richard and Emiley

964
00:49:41,680 --> 00:49:43,880
Speaker 1: from the equation and the show what do you have?

965
00:49:44,520 --> 00:49:47,359
Speaker 1: Not as good as a shell? Does it exist? Do

966
00:49:47,440 --> 00:49:48,840
Speaker 1: you just have to go on? Sure?

967
00:49:48,840 --> 00:49:52,600
Speaker 5: It's just a campy sitcom. It's just not as good,

968
00:49:53,160 --> 00:49:55,800
Speaker 5: it's not as deep. It's not as rich, and I

969
00:49:55,840 --> 00:49:57,719
Speaker 5: don't mean rich like the Gilmours are rich. It's not

970
00:49:57,760 --> 00:50:00,920
Speaker 5: as like textured and rich. The reason we like it

971
00:50:00,960 --> 00:50:05,640
Speaker 5: is because these characters are not one note. It's why

972
00:50:05,680 --> 00:50:09,680
Speaker 5: we get irritated by Paris because she's sort of one note.

973
00:50:10,120 --> 00:50:13,440
Speaker 1: I think the reason that Gilmour Girls is so iconic

974
00:50:13,680 --> 00:50:16,960
Speaker 1: is because we have the contrast of Richard and Emily

975
00:50:18,360 --> 00:50:19,680
Speaker 1: and everybody.

976
00:50:19,680 --> 00:50:20,560
Speaker 3: But yeah, I agree with no.

977
00:50:20,960 --> 00:50:24,840
Speaker 1: I think you give that example, that's extreme example of

978
00:50:24,960 --> 00:50:30,160
Speaker 1: wealth and entitlement against where she ends up and that

979
00:50:30,239 --> 00:50:33,160
Speaker 1: town and you've got magic. You agree with that?

980
00:50:33,560 --> 00:50:37,799
Speaker 5: Yeah, But I even think, like Michelle right in this episode,

981
00:50:38,480 --> 00:50:41,440
Speaker 5: we're all kind of irritated by Michelle's antics until we

982
00:50:41,520 --> 00:50:45,399
Speaker 5: realize why, because again, he's not one note. He's not

983
00:50:45,560 --> 00:50:50,399
Speaker 5: just the crotchety guy that works with them. He's has

984
00:50:50,480 --> 00:50:53,120
Speaker 5: heart and he loves them, So I see that. I

985
00:50:53,120 --> 00:50:56,440
Speaker 5: think it's why Paris I'm not vibing with her as

986
00:50:56,520 --> 00:51:01,200
Speaker 5: much right now because we're not getting any redemption with her,

987
00:51:01,400 --> 00:51:04,640
Speaker 5: whereas with Richard and Emily we do get it from

988
00:51:04,640 --> 00:51:06,920
Speaker 5: time to time and kind of a lot.

989
00:51:07,280 --> 00:51:10,680
Speaker 1: Paris is obviously going through some kind of verse breakdown.

990
00:51:10,920 --> 00:51:13,960
Speaker 1: I mean, that's just a mental breakdown we're watching, and

991
00:51:15,160 --> 00:51:16,560
Speaker 1: the character well.

992
00:51:16,400 --> 00:51:18,279
Speaker 3: And another thing we won't agree on.

993
00:51:18,840 --> 00:51:24,399
Speaker 5: After the dinner, when Christopher calls Laura right after he's

994
00:51:24,440 --> 00:51:27,640
Speaker 5: promised Rory he's not gonna tell her because she's going

995
00:51:27,680 --> 00:51:28,880
Speaker 5: to he tells.

996
00:51:29,600 --> 00:51:32,239
Speaker 3: What do y'all think?

997
00:51:34,480 --> 00:51:34,760
Speaker 1: Yeah?

998
00:51:35,200 --> 00:51:38,960
Speaker 4: Yeah, I think like if he was very involved in

999
00:51:39,520 --> 00:51:42,400
Speaker 4: Rory's life, I would kind of give him a pass,

1000
00:51:42,920 --> 00:51:45,640
Speaker 4: but like he's not. Just because he's paying for Yale

1001
00:51:45,680 --> 00:51:48,600
Speaker 4: doesn't mean like he's suddenly buddy buddies and like with

1002
00:51:48,760 --> 00:51:51,520
Speaker 4: Laura I and like they didn't talk for a long time.

1003
00:51:51,640 --> 00:51:54,880
Speaker 4: So it's like, here's the thing we all know that

1004
00:51:54,960 --> 00:51:58,279
Speaker 4: Rory was going to tell Laura I herself, like she's

1005
00:51:58,320 --> 00:52:00,640
Speaker 4: not She's not a kid who's gonna hide that from

1006
00:52:00,640 --> 00:52:03,799
Speaker 4: her mom. It literally happened today, so they haven't even that.

1007
00:52:03,800 --> 00:52:07,000
Speaker 4: That's my point, So like, let her let hers tell

1008
00:52:07,040 --> 00:52:09,160
Speaker 4: her mom herself. I don't think that was fair.

1009
00:52:09,360 --> 00:52:12,640
Speaker 1: But isn't it sad that Rory wasn't even upset and

1010
00:52:12,680 --> 00:52:16,240
Speaker 1: not terribly surprised that her dad had shared her secret.

1011
00:52:16,400 --> 00:52:19,960
Speaker 5: Well, my take on that was go ahead, Scott, sorry

1012
00:52:20,120 --> 00:52:21,040
Speaker 5: that he's pathetic.

1013
00:52:21,680 --> 00:52:23,520
Speaker 1: No, see, my take on that was not that.

1014
00:52:24,600 --> 00:52:27,680
Speaker 5: My take was she's not upset because it was sort

1015
00:52:27,680 --> 00:52:31,359
Speaker 5: of a dad thing to do, Like, so's you kind

1016
00:52:31,360 --> 00:52:33,000
Speaker 5: of are like dad already told you.

1017
00:52:33,120 --> 00:52:34,480
Speaker 3: Oh god, you know what I mean.

1018
00:52:34,560 --> 00:52:36,640
Speaker 5: Like, that's why I think she wasn't upset and she

1019
00:52:36,760 --> 00:52:38,759
Speaker 5: knew she was gonna My thing with Christopher is like

1020
00:52:38,840 --> 00:52:41,239
Speaker 5: give her a hot minute to tell her mom.

1021
00:52:42,280 --> 00:52:43,239
Speaker 1: I'm not mad at him.

1022
00:52:43,360 --> 00:52:45,640
Speaker 5: Like two days later he could call and be like, hey,

1023
00:52:45,800 --> 00:52:47,240
Speaker 5: do you know where Rory's living?

1024
00:52:47,360 --> 00:52:53,080
Speaker 4: But it was like and he walked outside her still like.

1025
00:52:52,560 --> 00:52:56,279
Speaker 1: That guy really knows how to build trust with his kid. Dunny. Well,

1026
00:52:56,320 --> 00:52:59,040
Speaker 1: and there's another opportunity by the wayside.

1027
00:53:01,600 --> 00:53:04,640
Speaker 6: She's twenty one years old at this point, and now

1028
00:53:04,680 --> 00:53:08,560
Speaker 6: he suddenly decides he's going to try to parent her right, right,

1029
00:53:08,600 --> 00:53:13,000
Speaker 6: and which I thought was not. I mean, she's an adult,

1030
00:53:13,080 --> 00:53:15,600
Speaker 6: she doesn't need to be parented. She can make her

1031
00:53:15,600 --> 00:53:20,440
Speaker 6: own decisions. And you're right, like this was brand new information.

1032
00:53:20,600 --> 00:53:24,080
Speaker 6: She deserved the chance to tell Lorlai herself. And I

1033
00:53:24,120 --> 00:53:26,879
Speaker 6: think that Rory wasn't that surprised that he told her

1034
00:53:26,920 --> 00:53:29,799
Speaker 6: because he always does the opposite of what you want

1035
00:53:29,880 --> 00:53:33,160
Speaker 6: him to do, so right, I think that's why she

1036
00:53:33,200 --> 00:53:35,000
Speaker 6: wasn't that surprised, because she's that's just.

1037
00:53:34,960 --> 00:53:38,040
Speaker 1: How he is, right, That's the part about it. That's

1038
00:53:38,160 --> 00:53:40,799
Speaker 1: that's why I say pathetic, is because they expect him

1039
00:53:40,800 --> 00:53:41,239
Speaker 1: to do that.

1040
00:53:41,520 --> 00:53:45,359
Speaker 4: Yeah, but I wasn't that surprised in Loralai's reaction only

1041
00:53:45,400 --> 00:53:49,080
Speaker 4: because when me too, when Rory said, oh, I'm like

1042
00:53:49,120 --> 00:53:52,200
Speaker 4: going out on a date with Logan again or talking

1043
00:53:52,280 --> 00:53:53,480
Speaker 4: to him or whatever it was. I think it was

1044
00:53:53,480 --> 00:53:56,560
Speaker 4: the last episode. Lorlai was like, oh, okay, so you

1045
00:53:56,560 --> 00:53:58,640
Speaker 4: guys are talking like she didn't take it like, oh

1046
00:53:58,680 --> 00:54:01,319
Speaker 4: why are you talking? You know, I think that she

1047
00:54:01,520 --> 00:54:04,040
Speaker 4: knows like when someone breaks up and then gets back together,

1048
00:54:04,440 --> 00:54:08,279
Speaker 4: I think your bond gets stronger or not all the time,

1049
00:54:08,320 --> 00:54:11,080
Speaker 4: but a lot of times, right, And so I think

1050
00:54:11,120 --> 00:54:13,120
Speaker 4: she's kind of like, oh, well, my daughter's moving in

1051
00:54:13,120 --> 00:54:15,160
Speaker 4: with her boyfriend. I guess it's the next step in

1052
00:54:15,200 --> 00:54:16,040
Speaker 4: their relationship.

1053
00:54:18,200 --> 00:54:21,000
Speaker 3: And some of it is circumstance, I think too.

1054
00:54:21,360 --> 00:54:24,560
Speaker 5: When she says Paris kicked me out, she's.

1055
00:54:25,640 --> 00:54:28,040
Speaker 1: Like, what is she supposed to do? There is something

1056
00:54:28,280 --> 00:54:28,840
Speaker 1: like she's.

1057
00:54:28,680 --> 00:54:30,719
Speaker 4: Not moving back to the stars Hollow to go to.

1058
00:54:31,040 --> 00:54:33,600
Speaker 1: And also she stays there half the time anyway, Right,

1059
00:54:33,680 --> 00:54:35,720
Speaker 1: she kicked her out of her apartment, put her stuff

1060
00:54:35,719 --> 00:54:38,880
Speaker 1: out there in a bad neighborhood where her safety is

1061
00:54:39,520 --> 00:54:43,400
Speaker 1: an issue. Right, It's like that is like you eliminate

1062
00:54:43,480 --> 00:54:44,840
Speaker 1: that person from your life.

1063
00:54:44,960 --> 00:54:47,320
Speaker 3: That is just like, well, I agree with you, Scott,

1064
00:54:47,400 --> 00:54:48,840
Speaker 3: like Paris is not her friend?

1065
00:54:49,000 --> 00:54:56,399
Speaker 1: What no? No? Yeah. I mean everybody's reacting pretty much

1066
00:54:56,400 --> 00:54:58,200
Speaker 1: how you would think they kind of would.

1067
00:54:58,520 --> 00:55:00,920
Speaker 4: I mean, like Laurla is probably not like jumping up

1068
00:55:00,960 --> 00:55:03,480
Speaker 4: and down about it, but she's like, my daughter's twenty

1069
00:55:03,480 --> 00:55:05,080
Speaker 4: one years old, she's getting like it.

1070
00:55:05,200 --> 00:55:05,960
Speaker 1: Yeah.

1071
00:55:06,000 --> 00:55:09,080
Speaker 6: And she even said to Rory, she's like, well, you know,

1072
00:55:09,239 --> 00:55:11,640
Speaker 6: you remember what happened the last time I gave you

1073
00:55:11,719 --> 00:55:15,279
Speaker 6: my opinion, right, you know that was She's like, do

1074
00:55:15,320 --> 00:55:17,120
Speaker 6: you want to get the pool house ready? Like I

1075
00:55:17,200 --> 00:55:21,000
Speaker 6: think that was like to really say something because like

1076
00:55:21,040 --> 00:55:23,160
Speaker 6: they're finally back at a good place, so she's kind

1077
00:55:23,160 --> 00:55:25,720
Speaker 6: of suppressing how she maybe really feels.

1078
00:55:26,160 --> 00:55:27,600
Speaker 3: She's also torn on logan.

1079
00:55:28,520 --> 00:55:31,040
Speaker 5: Yeah, so it's like she's not gonna win, because what's

1080
00:55:31,040 --> 00:55:32,680
Speaker 5: she gonna say, like I don't even like this guy,

1081
00:55:32,800 --> 00:55:35,200
Speaker 5: Like I don't know. She's not gonna win, so she

1082
00:55:35,280 --> 00:55:37,200
Speaker 5: might as well just be like cool, she's in a safe,

1083
00:55:37,400 --> 00:55:43,000
Speaker 5: fancy apartment. Yeah, it's all good, that's true. And then

1084
00:55:43,960 --> 00:55:48,879
Speaker 5: there we are. You know, it's a good episode.

1085
00:55:49,400 --> 00:55:49,839
Speaker 1: It is.

1086
00:55:50,400 --> 00:55:51,719
Speaker 6: Yeah, I enjoyed it.

1087
00:55:52,280 --> 00:55:56,520
Speaker 1: Yeah, yeah, a lot of laughs, a lot of Yeah, I.

1088
00:55:56,440 --> 00:55:59,880
Speaker 3: Agree with You's got a lot of laughs.

1089
00:55:59,080 --> 00:56:02,919
Speaker 1: Building a good script, good script, real good acting too.

1090
00:56:03,080 --> 00:56:06,640
Speaker 5: Nobody was like being a weirdo or jarring or annoying

1091
00:56:06,840 --> 00:56:07,959
Speaker 5: other than Paris.

1092
00:56:07,600 --> 00:56:08,520
Speaker 3: But she's supposed to be.

1093
00:56:09,400 --> 00:56:11,600
Speaker 1: Yeah, what do y'all give it?

1094
00:56:12,360 --> 00:56:16,640
Speaker 6: I'll give it a nine? And my measuring stick is

1095
00:56:17,719 --> 00:56:19,000
Speaker 6: cans of soup.

1096
00:56:19,160 --> 00:56:24,520
Speaker 1: Bear on the yesterday's did she open it yesterday or today?

1097
00:56:24,640 --> 00:56:25,080
Speaker 1: Which one?

1098
00:56:26,719 --> 00:56:32,080
Speaker 4: Tara, I'm going to give it nine moving boxes, Rory's

1099
00:56:32,200 --> 00:56:32,920
Speaker 4: moving boxes.

1100
00:56:34,400 --> 00:56:37,480
Speaker 3: I'm going to give it nine chains of the door.

1101
00:56:37,920 --> 00:56:40,160
Speaker 3: Paris too, But.

1102
00:56:40,360 --> 00:56:47,759
Speaker 1: Yeah, it is a nine, Scott, what do you give it? Oh? Boy, uh,

1103
00:56:48,120 --> 00:56:51,160
Speaker 1: I don't know. I don't really see anything wrong with

1104
00:56:51,200 --> 00:56:55,320
Speaker 1: the episode. I think it was pretty flawless, was there. Sorry,

1105
00:56:55,360 --> 00:56:59,960
Speaker 1: I'm going to give it a ten. Oh wow, wow, wow, hangout,

1106
00:57:00,080 --> 00:57:04,319
Speaker 1: I'm gonna ever send that. Let's do nine. Let's do

1107
00:57:04,640 --> 00:57:09,440
Speaker 1: nine point seventy five, and I'll deducted quarter point for

1108
00:57:09,520 --> 00:57:13,000
Speaker 1: the lack of conflict in the episode, although you know,

1109
00:57:13,080 --> 00:57:15,759
Speaker 1: I think the dinner table stuff provided the conflict. So

1110
00:57:16,000 --> 00:57:18,680
Speaker 1: you know what, I'm gonna fire the Russian judge. I'm

1111
00:57:18,720 --> 00:57:20,840
Speaker 1: gonna kick it back up to a ten. I like

1112
00:57:20,920 --> 00:57:26,520
Speaker 1: it now. I think ten? Mm? Ten?

1113
00:57:26,600 --> 00:57:26,720
Speaker 2: What?

1114
00:57:27,000 --> 00:57:27,200
Speaker 1: Ten?

1115
00:57:27,280 --> 00:57:30,240
Speaker 4: What weren't many objects in this episode?

1116
00:57:30,760 --> 00:57:36,720
Speaker 1: Yeah? Right? Ten? Ten bags of tater tops? Oh my god,

1117
00:57:39,120 --> 00:57:42,200
Speaker 1: because that's about what it looked like anyway. All right, kids,

1118
00:57:42,200 --> 00:57:45,800
Speaker 1: So that's going to wrap up this episode. Next episode

1119
00:57:46,200 --> 00:57:52,920
Speaker 1: was that episode fifteen fifteen, season six, A Vineyard Valentine.

1120
00:57:54,520 --> 00:57:58,040
Speaker 1: Thank you, Amy, thank you, Tara, thank you, Susanne. Best

1121
00:57:58,040 --> 00:58:00,400
Speaker 1: fans on the planet. We will see you next. Keep

1122
00:58:00,400 --> 00:58:05,360
Speaker 1: those cards and letters coming, We love to read them.

1123
00:58:06,240 --> 00:58:11,520
Speaker 1: And have a great, great, great holiday season everybody, and

1124
00:58:11,560 --> 00:58:13,760
Speaker 1: a happy new Year. And that's going to do it

1125
00:58:13,800 --> 00:58:46,240
Speaker 1: for us. Everybody, stay safe. Everybody's also again. Follow us

1126
00:58:46,280 --> 00:58:50,520
Speaker 1: on Instagram at I Am All In Podcast, and email

1127
00:58:50,640 --> 00:59:00,000
Speaker 1: us at Gilmour at iHeartRadio dot com