1 00:00:00,120 --> 00:00:01,800 Speaker 1: The nick A Gliser Podcast. 2 00:00:03,960 --> 00:00:09,840 Speaker 2: Oh, nick Gleiser, here's Nicky. 3 00:00:10,240 --> 00:00:12,159 Speaker 3: Hello here, I am welcome to the show. It's a 4 00:00:12,240 --> 00:00:16,840 Speaker 3: Nicky Glazer podcast. It's been a long time coming. I 5 00:00:16,840 --> 00:00:20,560 Speaker 3: haven't seen Brian or Noah in so long. Noah even 6 00:00:20,600 --> 00:00:23,480 Speaker 3: longer because she was not on our last episode with Esther, 7 00:00:23,680 --> 00:00:26,239 Speaker 3: which was so fun. Yeah we need one pank, only 8 00:00:26,239 --> 00:00:29,600 Speaker 3: one pregnant person per episode. Yeah, Noah was off getting 9 00:00:29,600 --> 00:00:33,480 Speaker 3: married and we will do an in depth look later on. 10 00:00:35,520 --> 00:00:36,320 Speaker 2: That's so funny. 11 00:00:36,320 --> 00:00:38,960 Speaker 3: After that podcast where I was like, I was like, 12 00:00:39,200 --> 00:00:40,320 Speaker 3: oh my god, you're getting married. 13 00:00:40,320 --> 00:00:40,920 Speaker 2: That's so amazing. 14 00:00:40,960 --> 00:00:44,000 Speaker 3: Then sidetracked, add get off on other things, go to break, 15 00:00:44,040 --> 00:00:46,560 Speaker 3: come back, keep talking about that thing. Then five minutes 16 00:00:46,680 --> 00:00:49,920 Speaker 3: ten minutes after we finished the episode, I was like, 17 00:00:50,159 --> 00:00:52,879 Speaker 3: what a jackass. And I wrote to you being like, 18 00:00:52,920 --> 00:00:53,840 Speaker 3: I am so sorry. 19 00:00:53,920 --> 00:00:56,160 Speaker 4: We never got back to it, like it does happen 20 00:00:56,200 --> 00:01:00,160 Speaker 4: to me clearly, uh, And I go, please please in 21 00:01:00,200 --> 00:01:02,840 Speaker 4: an in depth look at Noah's uh no, his wedding, 22 00:01:02,840 --> 00:01:05,520 Speaker 4: because it's a great people to be aware that I'm 23 00:01:05,520 --> 00:01:08,240 Speaker 4: aware that I'm not a good friend. Some people were like, 24 00:01:08,280 --> 00:01:10,520 Speaker 4: wait a minute, the title said in depth look, but 25 00:01:10,560 --> 00:01:11,280 Speaker 4: it didn't happen. 26 00:01:12,360 --> 00:01:14,720 Speaker 3: That's people not getting my sense of humor in that moment. 27 00:01:14,720 --> 00:01:16,760 Speaker 3: But that's okay because I'm not that's not always my 28 00:01:16,760 --> 00:01:18,200 Speaker 3: sense of humour, So it's okay if you didn't get 29 00:01:18,200 --> 00:01:20,840 Speaker 3: it that one time. And we don't usually do that 30 00:01:20,959 --> 00:01:24,319 Speaker 3: jokie of titles. So yeah, that's why it was unexpected. 31 00:01:24,360 --> 00:01:26,640 Speaker 3: That's totally normal for people to be like, Okay, where 32 00:01:26,680 --> 00:01:28,760 Speaker 3: is it? So we will get to that. We have 33 00:01:28,840 --> 00:01:30,760 Speaker 3: so much discuss We have the Super Bowl, which we 34 00:01:30,840 --> 00:01:33,399 Speaker 3: went to. Brian, I haven't seen no, we did the 35 00:01:33,400 --> 00:01:35,280 Speaker 3: podcast together. That's I've seen you just once since the 36 00:01:35,319 --> 00:01:39,959 Speaker 3: super Bowl, but we did talk. I've been in Australia. 37 00:01:40,000 --> 00:01:46,360 Speaker 3: I've been to La, I've been in st We're Elsel, Sydney, Sydney. 38 00:01:46,880 --> 00:01:47,400 Speaker 3: I've been. 39 00:01:48,360 --> 00:01:51,360 Speaker 2: Yeah, I've been all over Melbourne, Melbourne and Sydney. 40 00:01:51,600 --> 00:01:55,400 Speaker 1: Yeah. And we're going to be in Laura, Pennsylvania and 41 00:01:55,480 --> 00:01:56,640 Speaker 1: New York this weekend. 42 00:01:57,080 --> 00:02:02,320 Speaker 3: That's correct, thank you Fording there and port Chester, New 43 00:02:02,400 --> 00:02:07,320 Speaker 3: York Saturday and Sunday. Brian Frangie Nikki Glazer live. So 44 00:02:07,360 --> 00:02:09,760 Speaker 3: if you were in the Philadelphia area, which these these 45 00:02:10,040 --> 00:02:12,640 Speaker 3: little towns are like outside of the big towns of 46 00:02:12,680 --> 00:02:15,520 Speaker 3: Philly and New York City. So if you live around 47 00:02:15,560 --> 00:02:18,160 Speaker 3: either of those towns, you got to come out. 48 00:02:18,360 --> 00:02:21,239 Speaker 1: Yeah, I've got some big names come into the port 49 00:02:21,320 --> 00:02:25,200 Speaker 1: Chester show. I've got my dad and his partner, Vicky. 50 00:02:25,880 --> 00:02:30,000 Speaker 1: I've got Ali's his wife. It's his partner. They're not married, 51 00:02:30,760 --> 00:02:35,919 Speaker 1: long term partner, domestic partner. Make your dad feel jazzy 52 00:02:35,919 --> 00:02:45,440 Speaker 1: and young. Yeah, his girlfriend his scrutch slut god. Sorry Vicky, No, 53 00:02:45,520 --> 00:02:49,640 Speaker 1: she's And then Ali's sister, Elaine is going to be 54 00:02:49,680 --> 00:02:53,799 Speaker 1: there with her husband and two friends. And then uh, Nikki, 55 00:02:53,840 --> 00:02:56,760 Speaker 1: who you know well from my wedding. Is Adam Steinman 56 00:02:56,800 --> 00:02:57,760 Speaker 1: who did that speech. 57 00:02:58,000 --> 00:03:01,400 Speaker 3: I love that that guy. Yeah, it's funny Adam Steinman. 58 00:03:01,520 --> 00:03:04,320 Speaker 3: Yeah he I really admired his speech and thought he 59 00:03:04,360 --> 00:03:04,959 Speaker 3: was so funny. 60 00:03:05,280 --> 00:03:05,440 Speaker 1: Yeah. 61 00:03:05,520 --> 00:03:07,760 Speaker 3: The whole weekend everyone was telling me what a nightmare 62 00:03:07,800 --> 00:03:10,560 Speaker 3: this person was gonna be. All he's the single one 63 00:03:10,560 --> 00:03:12,480 Speaker 3: of your group that never found a wife, and so 64 00:03:12,639 --> 00:03:15,440 Speaker 3: all the wives and all the husbands are like, where 65 00:03:15,480 --> 00:03:20,120 Speaker 3: do you meet Steinman? He's unlovable, No, he'll always be single. 66 00:03:20,280 --> 00:03:22,079 Speaker 2: He's a monster. And then I met him and he's 67 00:03:22,120 --> 00:03:23,799 Speaker 2: like maybe the coolest one out of all of them. 68 00:03:23,840 --> 00:03:26,280 Speaker 3: Sorry, guys, I think you're just all married and miserable 69 00:03:26,320 --> 00:03:29,000 Speaker 3: and you need to make Steinman's life just terrible in 70 00:03:29,040 --> 00:03:32,760 Speaker 3: your eyes. He's single, he doesn't have kids. What's wrong 71 00:03:32,800 --> 00:03:36,880 Speaker 3: with him? I'm obviously joking, but it was like, why 72 00:03:37,000 --> 00:03:38,840 Speaker 3: is this guy a bad? Why is he a monster? 73 00:03:39,000 --> 00:03:41,880 Speaker 3: Why is he such a degenerate? Like, sorry, Adam, if 74 00:03:41,880 --> 00:03:43,400 Speaker 3: you're hearing this, but that is what your friend said 75 00:03:43,440 --> 00:03:46,040 Speaker 3: about you behind your back in a hot tub when 76 00:03:46,040 --> 00:03:50,040 Speaker 3: they get relaxed and hot, that's what they're saying about you. 77 00:03:50,040 --> 00:03:51,760 Speaker 3: But yeah, he was great, So that'll be great to 78 00:03:51,800 --> 00:03:55,640 Speaker 3: see him. Yeah, I have no one coming, Well, I 79 00:03:55,720 --> 00:03:56,360 Speaker 3: might have some friends. 80 00:03:56,400 --> 00:03:58,800 Speaker 2: We'll see what else. 81 00:03:58,880 --> 00:04:01,440 Speaker 3: Okay, so we but I really want to tackle let's 82 00:04:01,480 --> 00:04:02,240 Speaker 3: just get into it. 83 00:04:02,560 --> 00:04:03,960 Speaker 1: Yeah, Okay. 84 00:04:03,960 --> 00:04:06,840 Speaker 2: When we were in Las Vegas, Am I saying that correctly? 85 00:04:07,080 --> 00:04:10,440 Speaker 3: Vegas as you're saying sometimes I say Vegas. 86 00:04:10,720 --> 00:04:13,640 Speaker 1: I love when you say Vegas. Okay, so sexy. 87 00:04:13,920 --> 00:04:17,560 Speaker 3: Las Vegas, Las Vegas, even though I think that is 88 00:04:17,600 --> 00:04:18,880 Speaker 3: the wrong way to say it, but it's probably the 89 00:04:18,920 --> 00:04:19,320 Speaker 3: right way. 90 00:04:19,520 --> 00:04:20,359 Speaker 2: Las Vegas. 91 00:04:22,279 --> 00:04:25,120 Speaker 3: Two nights before we did our podcast on a Thursday, 92 00:04:25,160 --> 00:04:29,479 Speaker 3: and then on Friday or maybe no, we came in 93 00:04:29,520 --> 00:04:31,159 Speaker 3: on Thursday. We did our podcast Friday morning and then 94 00:04:31,200 --> 00:04:33,560 Speaker 3: Friday night. I was like, I think it. 95 00:04:33,600 --> 00:04:34,160 Speaker 2: Was on Thursday. 96 00:04:34,160 --> 00:04:36,960 Speaker 3: I go, wait, well, let's see what's at the sphere, Like, 97 00:04:37,080 --> 00:04:39,480 Speaker 3: is what's going on with that sweer that you built? 98 00:04:39,600 --> 00:04:41,760 Speaker 3: Like obviously it's Super Bowl weekend. It is the most 99 00:04:41,839 --> 00:04:46,080 Speaker 3: busy weekend in Las Vegas. So I was like, there's 100 00:04:46,120 --> 00:04:47,920 Speaker 3: no way there's gonna be If there's a show, it's 101 00:04:47,920 --> 00:04:51,000 Speaker 3: sold out. You two is there on the next night, 102 00:04:51,040 --> 00:04:53,960 Speaker 3: which is Friday night, And tickets are like one hundred 103 00:04:53,960 --> 00:04:56,719 Speaker 3: and fifty bucks for decent seats because there's not a 104 00:04:56,720 --> 00:04:59,320 Speaker 3: bad seat in the house unless you're under a riser, 105 00:04:59,360 --> 00:05:01,520 Speaker 3: which you got to look at. Have you studied the 106 00:05:01,560 --> 00:05:03,920 Speaker 3: sphere since we went to the show, because there was 107 00:05:03,960 --> 00:05:07,120 Speaker 3: a controversy. The only controversy I can find, or complaints 108 00:05:07,120 --> 00:05:10,640 Speaker 3: about the sphere I can find, Brian, are about the riser. 109 00:05:10,880 --> 00:05:13,039 Speaker 3: If you sit under the riser, you can't see above it. 110 00:05:13,279 --> 00:05:15,160 Speaker 3: You can't see the screen above it, because what a 111 00:05:15,200 --> 00:05:17,760 Speaker 3: shame it would be to miss all that action that's 112 00:05:17,800 --> 00:05:22,080 Speaker 3: happening above that riser for one twentieth of the show. 113 00:05:22,400 --> 00:05:23,640 Speaker 1: Yes, okay, so we go. 114 00:05:23,760 --> 00:05:25,200 Speaker 2: I get us four tickets to the sphere. 115 00:05:25,240 --> 00:05:27,400 Speaker 1: Red flag right there, one hundred and fifty dollars to 116 00:05:27,440 --> 00:05:29,320 Speaker 1: see you two at the sphere of Super Bowl weekend? 117 00:05:29,320 --> 00:05:30,760 Speaker 1: Are you kidding me? Nico? 118 00:05:31,279 --> 00:05:32,559 Speaker 2: Why is that a red flag, Brian? 119 00:05:32,600 --> 00:05:34,119 Speaker 1: Because that's a really low price. 120 00:05:34,240 --> 00:05:35,520 Speaker 2: It should be it should. 121 00:05:35,200 --> 00:05:38,400 Speaker 3: Be a red flag. But why isn't it? Because Okay, 122 00:05:38,440 --> 00:05:39,960 Speaker 3: I'll tell you. We're going to jump back to this 123 00:05:40,040 --> 00:05:42,360 Speaker 3: and I'll say, why are they one hundred and fifty dollars? 124 00:05:42,400 --> 00:05:44,800 Speaker 3: If everyone talks about how great this e fing show 125 00:05:44,880 --> 00:05:47,640 Speaker 3: is all the g damn time, that's all I hear. 126 00:05:47,839 --> 00:05:49,280 Speaker 1: That's a good point. That's all. 127 00:05:49,480 --> 00:05:51,000 Speaker 2: Okay, So we go to the show. 128 00:05:51,320 --> 00:05:57,800 Speaker 3: I am a cursory YouTube, like like just a fine 129 00:05:57,839 --> 00:06:02,360 Speaker 3: YouTube c plus see minus. Probably I don't. They're not 130 00:06:02,360 --> 00:06:04,240 Speaker 3: my favorite band. I have nothing against them. I saw 131 00:06:04,240 --> 00:06:08,599 Speaker 3: them live at the the Apollo with Serious a couple 132 00:06:08,600 --> 00:06:09,000 Speaker 3: of years ago. 133 00:06:09,040 --> 00:06:10,239 Speaker 1: It was an amazing show. 134 00:06:12,040 --> 00:06:15,039 Speaker 3: The song Oh Yeah with your friend got to get 135 00:06:15,120 --> 00:06:19,880 Speaker 3: yourself to give favorite songs of all time, like it's 136 00:06:20,120 --> 00:06:24,320 Speaker 3: it's on my top probably forty songs, yeah, of all time. 137 00:06:26,200 --> 00:06:28,240 Speaker 3: So as long as I get that song, which of 138 00:06:28,279 --> 00:06:30,640 Speaker 3: course I will, it's like one of their biggest hit. 139 00:06:30,640 --> 00:06:31,760 Speaker 2: It's one of the biggest hits ever. 140 00:06:32,360 --> 00:06:35,200 Speaker 1: Yeah, and igot it that it was one of their songs. 141 00:06:35,600 --> 00:06:37,680 Speaker 2: Yeah, because they have a lot of different They're. 142 00:06:37,440 --> 00:06:39,760 Speaker 1: One of those bands that you're like that you two 143 00:06:39,920 --> 00:06:42,680 Speaker 1: song really and they change their sound around. Yes. 144 00:06:42,920 --> 00:06:45,799 Speaker 3: So so I'm I'm psyched. 145 00:06:45,839 --> 00:06:48,120 Speaker 2: You know, we're going to the sphere. We get in 146 00:06:48,160 --> 00:06:48,600 Speaker 2: an uber. 147 00:06:48,640 --> 00:06:49,479 Speaker 1: We're on the way over. 148 00:06:50,440 --> 00:06:52,280 Speaker 3: I pull up the set list because, yeah, I want 149 00:06:52,320 --> 00:06:53,760 Speaker 3: to ruin the fund. I want to see when I'm 150 00:06:53,760 --> 00:06:55,440 Speaker 3: getting my song. I want to see what what I'm 151 00:06:55,480 --> 00:06:55,760 Speaker 3: in for. 152 00:06:56,120 --> 00:06:58,200 Speaker 1: Yeah, spoiler alert for your own self. 153 00:06:58,640 --> 00:07:01,880 Speaker 3: I can't. I can't find the song. Maybe it's a 154 00:07:01,880 --> 00:07:05,160 Speaker 3: different title. I believed it was like you've got to 155 00:07:05,200 --> 00:07:07,599 Speaker 3: get yourself together, way stuck in a moment, and I'm like, 156 00:07:07,640 --> 00:07:08,680 Speaker 3: maybe it's something else. 157 00:07:11,840 --> 00:07:14,880 Speaker 2: Yes, it's nowhere on the setlist. 158 00:07:15,320 --> 00:07:20,280 Speaker 3: I get remarkably sad, like I can't be in the 159 00:07:20,280 --> 00:07:23,720 Speaker 3: conversation in the uber anymore. Every everything that's happening that 160 00:07:23,800 --> 00:07:25,760 Speaker 3: isn't talking about the fact that the song is not 161 00:07:25,840 --> 00:07:27,680 Speaker 3: being played is bothering me. 162 00:07:27,840 --> 00:07:30,720 Speaker 2: Like I am beside myself. 163 00:07:30,760 --> 00:07:34,040 Speaker 3: Like I was really really sad because I decided to 164 00:07:34,080 --> 00:07:35,520 Speaker 3: that night I was gonna have a moment with that 165 00:07:35,600 --> 00:07:38,040 Speaker 3: song because I wanted to get stuck in a moment 166 00:07:38,040 --> 00:07:40,440 Speaker 3: with that song. The last time it played, it was 167 00:07:40,680 --> 00:07:44,080 Speaker 3: it's about his friend committing suicide. I have like suicidal thoughts, 168 00:07:44,360 --> 00:07:47,120 Speaker 3: Like I just feel connected to that song. It always 169 00:07:47,120 --> 00:07:49,760 Speaker 3: gets me, like whenever I'm feeling really depressed, I put 170 00:07:49,760 --> 00:07:51,360 Speaker 3: that on and I think about my friend writing a 171 00:07:51,360 --> 00:07:53,680 Speaker 3: song like that. For me, it's I have like a 172 00:07:53,680 --> 00:07:55,280 Speaker 3: lot of weird emotional attachment to it. 173 00:07:55,320 --> 00:07:55,840 Speaker 1: So I was. 174 00:07:56,480 --> 00:07:59,560 Speaker 3: Distraught when it wasn't being played, and like, it's such 175 00:07:59,560 --> 00:08:01,640 Speaker 3: a dumb thing to get upset about, but I could 176 00:08:01,640 --> 00:08:05,000 Speaker 3: not focus, and I wanted every I wanted Chris and 177 00:08:05,040 --> 00:08:07,400 Speaker 3: everyone in the car to like I want not even 178 00:08:07,440 --> 00:08:07,800 Speaker 3: you guys. 179 00:08:07,800 --> 00:08:09,760 Speaker 1: I just wanted Chris to like hold me because I 180 00:08:09,840 --> 00:08:11,640 Speaker 1: was so upset. He's just like itso be like a. 181 00:08:11,720 --> 00:08:15,920 Speaker 3: Joke, like no, who cares, babe. And then we go. 182 00:08:16,880 --> 00:08:20,960 Speaker 3: I got recognized in the line, oh do anything before Yeah, 183 00:08:20,960 --> 00:08:22,160 Speaker 3: we get dropped off in a weird way. 184 00:08:22,200 --> 00:08:24,760 Speaker 1: We walk over to the line I would even privy 185 00:08:24,840 --> 00:08:27,360 Speaker 1: to your struggles In the back seat. I don't remember 186 00:08:27,360 --> 00:08:28,840 Speaker 1: what I was talking about, but I was on a 187 00:08:28,840 --> 00:08:29,600 Speaker 1: different plane. 188 00:08:29,720 --> 00:08:30,040 Speaker 5: I was. 189 00:08:32,120 --> 00:08:35,160 Speaker 1: And I was having a conversation with the driver about 190 00:08:35,920 --> 00:08:42,040 Speaker 1: how changed silence car. I'm just kidd ignited. He was 191 00:08:42,080 --> 00:08:44,560 Speaker 1: a nice guy, but yeah, on the line, get on 192 00:08:44,600 --> 00:08:45,800 Speaker 1: the line. I don't want to. 193 00:08:45,720 --> 00:08:48,479 Speaker 3: Say that I selected site, like when we were in Australia, 194 00:08:48,520 --> 00:08:51,240 Speaker 3: I selected comfort car. And when when I put comfort car, 195 00:08:51,320 --> 00:08:53,679 Speaker 3: it's already put in, like I don't want to talk 196 00:08:53,720 --> 00:08:55,960 Speaker 3: like whatever. That's because I checked it years ago. Because 197 00:08:56,000 --> 00:08:58,200 Speaker 3: I always if there's a preference, i'll prefer that. But 198 00:08:58,240 --> 00:09:00,240 Speaker 3: it's also prefer cold, like I don't care the car 199 00:09:00,280 --> 00:09:01,680 Speaker 3: is not cold. I don't care if the driver talks 200 00:09:01,679 --> 00:09:03,680 Speaker 3: to me. But if I could choose, yeah, I kind 201 00:09:03,679 --> 00:09:05,440 Speaker 3: of I'm always gonna want to air on the side 202 00:09:05,440 --> 00:09:09,160 Speaker 3: of like no talkie. So I got in the car 203 00:09:09,320 --> 00:09:13,120 Speaker 3: and with Chris, and the guy goes, oh, and I 204 00:09:13,160 --> 00:09:16,120 Speaker 3: see you selected quiet car, all right, And I go, oh, 205 00:09:16,160 --> 00:09:18,440 Speaker 3: I don't really care. That was just the thing I 206 00:09:18,440 --> 00:09:20,480 Speaker 3: selected like years ago. It doesn't it's just a setting 207 00:09:20,559 --> 00:09:21,240 Speaker 3: that's default. 208 00:09:21,240 --> 00:09:23,560 Speaker 1: I don't care. You can talk to us, And he goes, Okay, 209 00:09:23,640 --> 00:09:27,960 Speaker 1: so the ride's gonna be I go, like really impressively 210 00:09:28,600 --> 00:09:30,840 Speaker 1: as soon as he talked again, and he did not 211 00:09:31,080 --> 00:09:32,880 Speaker 1: get it, like okay, I sorry. 212 00:09:32,960 --> 00:09:36,040 Speaker 2: I was just like, no, okay. So we get in line. 213 00:09:36,520 --> 00:09:39,240 Speaker 1: Look at Nicky's uber. Yeah yeah, I have so many. 214 00:09:39,520 --> 00:09:43,319 Speaker 1: So we get in line, and the line is so long. 215 00:09:43,480 --> 00:09:46,680 Speaker 1: It is around the entire block. It is going down 216 00:09:46,720 --> 00:09:50,240 Speaker 1: the strip, it is going past the Luxore. Not even really, 217 00:09:50,280 --> 00:09:51,200 Speaker 1: but it's so long. 218 00:09:51,880 --> 00:09:52,040 Speaker 4: Yeah. 219 00:09:52,200 --> 00:09:56,080 Speaker 1: Well, and that's because this fear is poorly designed. There's 220 00:09:56,160 --> 00:10:00,440 Speaker 1: one ent what you're gonna get. They should be multiple 221 00:10:00,559 --> 00:10:02,520 Speaker 1: entrances that you can go in, and the entire sphere 222 00:10:02,520 --> 00:10:05,079 Speaker 1: should be on the second floor like a stadium. Yes, 223 00:10:05,480 --> 00:10:09,000 Speaker 1: you you take it as a gate number. It's insane, nice, 224 00:10:09,080 --> 00:10:09,280 Speaker 1: is that? 225 00:10:09,960 --> 00:10:11,480 Speaker 3: Yeah, when you go to a stadium, they go, oh, 226 00:10:11,520 --> 00:10:12,599 Speaker 3: you're at the wrong gate. And then you go to 227 00:10:12,640 --> 00:10:15,640 Speaker 3: another gate and there's like no one there because that's 228 00:10:15,679 --> 00:10:17,480 Speaker 3: where because everyone's spread out. 229 00:10:17,520 --> 00:10:18,240 Speaker 2: They do it right. 230 00:10:18,840 --> 00:10:20,760 Speaker 3: So you're right, it's one entrance. We're going in the 231 00:10:20,760 --> 00:10:24,880 Speaker 3: sphere and there is I see a guy in front 232 00:10:24,920 --> 00:10:28,800 Speaker 3: of us go no, that's not her, it's not Nicky 233 00:10:28,840 --> 00:10:32,320 Speaker 3: Glazer to his wife, and then he looks at. 234 00:10:32,160 --> 00:10:33,000 Speaker 1: Me like that. 235 00:10:33,400 --> 00:10:34,840 Speaker 2: He did say it, like I swear to god, he was. 236 00:10:34,840 --> 00:10:37,440 Speaker 3: Like mad at her, whose that's not Nicky Glazer? And 237 00:10:37,480 --> 00:10:40,200 Speaker 3: I go you ate an yeah, and she was just 238 00:10:40,240 --> 00:10:42,840 Speaker 3: like h And I go, yes, I am, and I 239 00:10:42,880 --> 00:10:44,400 Speaker 3: just kind of said it to him, and I'm probably 240 00:10:44,400 --> 00:10:46,079 Speaker 3: like eight feet away because he can't really hear me, 241 00:10:46,080 --> 00:10:48,600 Speaker 3: and I go, yes, I am, and then he kind 242 00:10:48,600 --> 00:10:51,199 Speaker 3: of looks and is like she. Then she turns around 243 00:10:51,200 --> 00:10:54,400 Speaker 3: and go yes I am, and he goes, oh, I'm 244 00:10:54,440 --> 00:10:56,600 Speaker 3: so sorry. I'm sorry because he doesn't really understand when 245 00:10:56,600 --> 00:10:59,240 Speaker 3: I'm communicating. He's like, sorry, my wife's thought you looked 246 00:10:59,240 --> 00:11:02,240 Speaker 3: like this comedian. It's we were talking about. And I go, 247 00:11:02,360 --> 00:11:05,360 Speaker 3: I am her and he goes, honey, it's. 248 00:11:05,160 --> 00:11:08,079 Speaker 1: Really funny, that's not you. I was like, there's a 249 00:11:08,120 --> 00:11:09,120 Speaker 1: comedianlation I. 250 00:11:09,080 --> 00:11:11,240 Speaker 2: Go, I am she she is me and he goes, 251 00:11:11,520 --> 00:11:13,160 Speaker 2: he will not like it's. 252 00:11:13,160 --> 00:11:15,640 Speaker 3: It's the only time I've ever felt like I can't 253 00:11:15,760 --> 00:11:17,560 Speaker 3: believe someone doesn't believe who I am. 254 00:11:17,679 --> 00:11:20,880 Speaker 2: Like I so I immediately. 255 00:11:20,440 --> 00:11:22,640 Speaker 3: Reach into my fanny pack and pull out my ID 256 00:11:22,840 --> 00:11:23,960 Speaker 3: and I say, yes I am. 257 00:11:24,400 --> 00:11:26,920 Speaker 1: It's a comblet. He thinks you're so famous, there's no 258 00:11:26,960 --> 00:11:27,760 Speaker 1: possible I would be. 259 00:11:29,400 --> 00:11:31,560 Speaker 3: We had a different entrance, one of the many different 260 00:11:31,679 --> 00:11:34,120 Speaker 3: entrances into the sphere, the secret entrance, like. 261 00:11:34,040 --> 00:11:34,920 Speaker 1: A vip entrance. 262 00:11:35,000 --> 00:11:37,560 Speaker 2: Yeah, you would think, and. 263 00:11:37,440 --> 00:11:41,200 Speaker 3: He freaks out there they're Howard fans, so they know 264 00:11:41,320 --> 00:11:43,480 Speaker 3: me from Stern Show, and he was freaking out and 265 00:11:43,480 --> 00:11:45,200 Speaker 3: he was like, you just made our night. I'm like, no, 266 00:11:45,840 --> 00:11:47,400 Speaker 3: the sphere is about to make our night. We're about 267 00:11:47,440 --> 00:11:49,320 Speaker 3: to see the sphere and he's like, I'm so excited. 268 00:11:49,320 --> 00:11:51,280 Speaker 3: They were all he said. Later he was on Molly 269 00:11:51,280 --> 00:11:54,480 Speaker 3: and he apologized, but he we became friends because we 270 00:11:54,520 --> 00:11:56,600 Speaker 3: waited in this long line together. But I just loved 271 00:11:56,640 --> 00:12:00,640 Speaker 3: his He was so incredulous you are not, like he 272 00:12:00,679 --> 00:12:03,080 Speaker 3: was offended that I was even like trying to pose 273 00:12:03,120 --> 00:12:03,480 Speaker 3: as her. 274 00:12:03,760 --> 00:12:06,000 Speaker 1: Yeah, like as a joke. There is no regret there 275 00:12:06,040 --> 00:12:08,920 Speaker 1: after you settled that it was you, which I can 276 00:12:09,000 --> 00:12:11,000 Speaker 1: understand is a fun thing to be able to do. 277 00:12:11,360 --> 00:12:13,240 Speaker 1: There is no regret that now you have to talk 278 00:12:13,280 --> 00:12:15,880 Speaker 1: to the stranger for the next probably fifteen minutes. 279 00:12:16,120 --> 00:12:21,920 Speaker 3: The gift of being someone notable or noticeable is that 280 00:12:21,960 --> 00:12:25,120 Speaker 3: you get to give the gift of like them, getting 281 00:12:25,120 --> 00:12:27,880 Speaker 3: to talk to a what they see as a celebrity, 282 00:12:28,200 --> 00:12:31,800 Speaker 3: which to me, when I to me even as me, 283 00:12:32,280 --> 00:12:34,320 Speaker 3: is the greatest gift I can receive. As having a 284 00:12:34,520 --> 00:12:38,720 Speaker 3: normal interaction with someone super famous and like being able 285 00:12:38,760 --> 00:12:40,520 Speaker 3: to take away a story or like the way I 286 00:12:40,559 --> 00:12:43,240 Speaker 3: look at them as super famous someone I admire or 287 00:12:43,280 --> 00:12:45,480 Speaker 3: like am a fan of. So it's like, that's the 288 00:12:45,559 --> 00:12:50,120 Speaker 3: nice thing about being being recognizable, I think, and I 289 00:12:50,160 --> 00:12:51,840 Speaker 3: would feel that other people feel that way, is that 290 00:12:51,840 --> 00:12:53,400 Speaker 3: you get to give that gift all the time of 291 00:12:53,440 --> 00:12:56,120 Speaker 3: people being like, guess who we saw, and they go who, 292 00:12:56,120 --> 00:12:58,560 Speaker 3: and they go Nikki Glazer and they go who is that? 293 00:12:59,040 --> 00:13:01,000 Speaker 3: And then they google it and go her. Well, that's 294 00:13:01,040 --> 00:13:02,720 Speaker 3: not really a good picture of her. Well wait a second, 295 00:13:02,760 --> 00:13:03,400 Speaker 3: I'll find one. 296 00:13:03,640 --> 00:13:04,760 Speaker 2: You don't remember her from this? 297 00:13:05,320 --> 00:13:05,400 Speaker 1: No? 298 00:13:05,720 --> 00:13:08,480 Speaker 3: Sorry, Well she's really great. We should pull something up. 299 00:13:08,520 --> 00:13:13,480 Speaker 3: Oh this is offensive, it's flag that whole scuttle button. 300 00:13:13,600 --> 00:13:16,360 Speaker 1: No, probably go like this, I saw Nicki Glazer. No 301 00:13:16,520 --> 00:13:19,240 Speaker 1: you didn't, Yes I did. There's no way that that 302 00:13:19,360 --> 00:13:21,400 Speaker 1: was actually Nicki Glazer. And then I'm like, no, I 303 00:13:21,400 --> 00:13:23,120 Speaker 1: have a picture of her ID. 304 00:13:23,360 --> 00:13:24,960 Speaker 2: I should have posed with the ID. 305 00:13:25,240 --> 00:13:26,440 Speaker 1: Yeah, that would have been fun. 306 00:13:26,480 --> 00:13:30,160 Speaker 3: But so we get into so foreshadowing. I tell this guy, 307 00:13:31,120 --> 00:13:33,120 Speaker 3: meeting me is not the greatest part of your night. 308 00:13:33,520 --> 00:13:36,560 Speaker 3: What we're about to witness. We're at the fucking sphere. 309 00:13:36,720 --> 00:13:38,760 Speaker 3: I was like, this is gonna be the greatest show, 310 00:13:38,840 --> 00:13:41,920 Speaker 3: because I don't what are you what are your thoughts 311 00:13:42,000 --> 00:13:44,240 Speaker 3: going into the Sphere Show? Like, what are you expecting? 312 00:13:44,559 --> 00:13:46,560 Speaker 3: How high are your expectations? Do they go all the 313 00:13:46,559 --> 00:13:47,720 Speaker 3: way up to the ceiling? 314 00:13:48,040 --> 00:13:50,960 Speaker 1: I have a friend that went to the Uh. Yes, 315 00:13:51,000 --> 00:13:53,160 Speaker 1: they definitely went up to the ceiling and above you 316 00:13:53,720 --> 00:13:55,680 Speaker 1: and all around. I have a friend who went to 317 00:13:55,679 --> 00:13:58,280 Speaker 1: this Sphere in Vegas a few weeks ago, but he 318 00:13:58,360 --> 00:14:03,839 Speaker 1: saw the Nature show. Oh he said it was absolutely 319 00:14:04,000 --> 00:14:08,440 Speaker 1: incredible and amazing. So trust anyone anymore? Though, Yeah, the 320 00:14:08,440 --> 00:14:08,920 Speaker 1: Sphere I do. 321 00:14:09,640 --> 00:14:13,080 Speaker 3: I have severe trust. I have Sphere trust issues, severe 322 00:14:13,200 --> 00:14:17,000 Speaker 3: trust issues. Since I'm not even joking you, like I've 323 00:14:17,040 --> 00:14:19,360 Speaker 3: been on this podcast before talking about movies. I've seen 324 00:14:19,360 --> 00:14:21,280 Speaker 3: that people are like, this is the greatest comedy of 325 00:14:21,280 --> 00:14:22,680 Speaker 3: our generation. And then I go and I have to 326 00:14:22,760 --> 00:14:25,720 Speaker 3: leave the theater because I'm just so disappointed in America's taste. 327 00:14:26,440 --> 00:14:31,240 Speaker 1: But this, I mean, I can't you know what. 328 00:14:31,600 --> 00:14:35,440 Speaker 3: Everyone knows what's coming, Okay, but everyone does not agree 329 00:14:35,480 --> 00:14:39,240 Speaker 3: with us. Okay, So we are at the Sphere Show and. 330 00:14:39,400 --> 00:14:43,400 Speaker 1: Not too fans necessarily, but I don't. 331 00:14:43,200 --> 00:14:43,920 Speaker 2: Give a fuck. 332 00:14:44,080 --> 00:14:48,560 Speaker 3: We could be seeing a live abortion on that screen, 333 00:14:48,640 --> 00:14:51,640 Speaker 3: and I would still like the whole screen could be it, 334 00:14:51,720 --> 00:14:54,000 Speaker 3: and I would still be mesmerized, like I'm not even 335 00:14:54,040 --> 00:14:57,520 Speaker 3: joking you, Like they could have showed anything. Here's what 336 00:14:57,560 --> 00:14:59,360 Speaker 3: I expected going in. I just want to lay out 337 00:14:59,360 --> 00:15:02,880 Speaker 3: my expectations. I didn't really care about them. I knew 338 00:15:02,880 --> 00:15:05,200 Speaker 3: the sound would be amazing. I just wanted this it 339 00:15:05,280 --> 00:15:08,720 Speaker 3: to sound good. I wanted to see them have a 340 00:15:08,720 --> 00:15:11,760 Speaker 3: great show. It's not about you too, though, this is 341 00:15:11,760 --> 00:15:14,760 Speaker 3: about the sphere. I wanted to see screens that were incredible. 342 00:15:15,120 --> 00:15:17,680 Speaker 3: I wanted to see. What I wanted was at some 343 00:15:17,800 --> 00:15:20,600 Speaker 3: point to feel like I was flying through something, not 344 00:15:20,680 --> 00:15:22,680 Speaker 3: in a way that's gonna make you sick, a gentle 345 00:15:23,280 --> 00:15:27,160 Speaker 3: just gentle moving through a city over a desert scape, 346 00:15:27,760 --> 00:15:30,680 Speaker 3: just some kind of movement. I would have liked more 347 00:15:30,720 --> 00:15:37,120 Speaker 3: things like rain dripping down, simple things, simple IMAX sort 348 00:15:37,160 --> 00:15:40,240 Speaker 3: of things. I was definitely terrified to feel any kind 349 00:15:40,240 --> 00:15:42,840 Speaker 3: of like oh my god, I want to roller coaster 350 00:15:43,080 --> 00:15:45,040 Speaker 3: or sharks biting my face, Like I didn't want it 351 00:15:45,040 --> 00:15:46,360 Speaker 3: to be in your face too much. 352 00:15:46,360 --> 00:15:49,200 Speaker 2: But I wanted constant screen screen action. 353 00:15:49,560 --> 00:15:52,960 Speaker 1: Yes, not like a Universal Studios ride, but like an 354 00:15:53,000 --> 00:15:57,000 Speaker 1: immersive experience, which is what this beautiful advertising. 355 00:15:56,840 --> 00:15:59,200 Speaker 3: Just making me feel like I might have done mushrooms 356 00:15:59,280 --> 00:16:02,280 Speaker 3: because I did. Okay, you know, like that's what I wanted. 357 00:16:03,640 --> 00:16:05,360 Speaker 3: But we get there and we're sitting in our seats 358 00:16:06,040 --> 00:16:11,280 Speaker 3: and then then there's like a helicopter sound, right, I 359 00:16:11,320 --> 00:16:12,120 Speaker 3: think that's the first. 360 00:16:11,920 --> 00:16:13,520 Speaker 1: Thing that happened. And the seats vibrates and. 361 00:16:13,520 --> 00:16:17,280 Speaker 3: The seats vibrate, and that is critical as hell under 362 00:16:17,760 --> 00:16:21,520 Speaker 3: utilized throughout the whole show. The seats vibrate in such 363 00:16:21,520 --> 00:16:25,479 Speaker 3: a way that could have I could have achieved orgasm 364 00:16:25,640 --> 00:16:30,080 Speaker 3: if it would have lasted longer than seven minutes. It 365 00:16:30,120 --> 00:16:34,480 Speaker 3: was like Sybyan style seat seat shaking. But it was cool, 366 00:16:34,960 --> 00:16:35,480 Speaker 3: I thought. 367 00:16:35,840 --> 00:16:35,960 Speaker 1: So. 368 00:16:36,000 --> 00:16:37,920 Speaker 2: Then the helicopter comes and you see it at. 369 00:16:37,880 --> 00:16:39,880 Speaker 3: The very top of it like pretty intense. I mean, 370 00:16:40,640 --> 00:16:43,680 Speaker 3: I mean, I've never been on one, but will destroy you. 371 00:16:43,760 --> 00:16:46,400 Speaker 1: I feel like the seats are not quite Sybyan level it. 372 00:16:46,680 --> 00:16:49,640 Speaker 3: Well, it was like muted Sybyan. It was like Sybyan 373 00:16:49,720 --> 00:16:51,840 Speaker 3: with a tupperware container on top or something like. 374 00:16:51,880 --> 00:16:57,040 Speaker 1: Okay, I've seen some Sybyan videos where they get need 375 00:16:57,080 --> 00:16:58,200 Speaker 1: to know what you're into. 376 00:16:59,120 --> 00:17:04,399 Speaker 3: I have to, Well, there's the one on Howard Stern, 377 00:17:04,600 --> 00:17:07,680 Speaker 3: remember when he makes it with his mouth, Oh my god, 378 00:17:08,119 --> 00:17:12,320 Speaker 3: yeah into the microphone and she's like sitting on a subwafer. 379 00:17:12,760 --> 00:17:13,280 Speaker 1: Wow. 380 00:17:13,600 --> 00:17:16,199 Speaker 3: Yeah yeah, so she who knows if it really happened 381 00:17:16,200 --> 00:17:18,400 Speaker 3: like it happened on air for sure, but like, who knows. 382 00:17:18,200 --> 00:17:19,000 Speaker 1: What she was really doing? 383 00:17:19,800 --> 00:17:23,680 Speaker 3: Okay, helicopter comes down, seats are shaking. Whoa that does 384 00:17:23,680 --> 00:17:25,560 Speaker 3: feel like a helicopter. That looks like a helicopter. This 385 00:17:25,640 --> 00:17:27,320 Speaker 3: is gonna be cool. I thought it would be so 386 00:17:27,359 --> 00:17:29,400 Speaker 3: cool if they had them like repel down. It looked 387 00:17:29,400 --> 00:17:32,400 Speaker 3: like they were repelling down like and then they all 388 00:17:32,600 --> 00:17:35,880 Speaker 3: they just appear at the bottom. That's not what happened. 389 00:17:36,000 --> 00:17:38,280 Speaker 3: The helicopter calms some Then. 390 00:17:39,160 --> 00:17:42,120 Speaker 1: What was the helicopter's purpose looking. 391 00:17:41,880 --> 00:17:47,399 Speaker 3: Back for I don't fucking know, dude. Nothing made sense 392 00:17:47,440 --> 00:17:52,320 Speaker 3: on this show. So then the concrete opens, Yes, and 393 00:17:52,400 --> 00:17:55,120 Speaker 3: let me just tell you that both Chris and I 394 00:17:55,280 --> 00:17:58,880 Speaker 3: verbalize to each other after the concrete slowly opens. 395 00:17:58,920 --> 00:18:00,000 Speaker 2: And I was supposed to. 396 00:18:00,119 --> 00:18:02,560 Speaker 3: Sean O'Brien on this podcast because he was making me 397 00:18:02,640 --> 00:18:04,480 Speaker 3: laugh at his defense of it. Because Shawn O'Brien's the 398 00:18:04,480 --> 00:18:06,640 Speaker 3: biggest U two fan. I flew him to New York 399 00:18:06,640 --> 00:18:08,240 Speaker 3: to go to that Apollo show with me, like the 400 00:18:08,320 --> 00:18:10,399 Speaker 3: day before. He's the biggest You two fan. I know, 401 00:18:10,640 --> 00:18:12,480 Speaker 3: He's talked up the sphere to me so much. He 402 00:18:12,520 --> 00:18:14,880 Speaker 3: told me what tickets to buy and everything. So he 403 00:18:15,000 --> 00:18:17,120 Speaker 3: was jazz and he's like, this guy is really tense, 404 00:18:17,240 --> 00:18:19,080 Speaker 3: talks like this, and he's just like, Oh, you gotta 405 00:18:19,119 --> 00:18:21,680 Speaker 3: go there. You're they're gonna blow your mind. They're gonna 406 00:18:21,680 --> 00:18:23,440 Speaker 3: blow you. So he was so excited for me to. 407 00:18:23,400 --> 00:18:26,480 Speaker 1: Go afterwards down. Can we try calling him? What? It was? 408 00:18:26,520 --> 00:18:27,679 Speaker 1: Absolutely what I'm gonna do. 409 00:18:27,720 --> 00:18:30,080 Speaker 3: I'm gonna text him right now just to tell him 410 00:18:30,160 --> 00:18:32,160 Speaker 3: I'm about to call you in like. 411 00:18:32,240 --> 00:18:36,199 Speaker 1: A little bit. Thank you. He really, I mean, he 412 00:18:36,320 --> 00:18:39,560 Speaker 1: was crazy. I spoke up the he he talked up 413 00:18:39,600 --> 00:18:41,280 Speaker 1: the Sphere You two show because he went and he 414 00:18:41,320 --> 00:18:42,720 Speaker 1: saw it in Vegas and he thought it was the 415 00:18:42,720 --> 00:18:45,600 Speaker 1: best show he's ever seen. He was over the moon 416 00:18:45,640 --> 00:18:49,080 Speaker 1: about it. And based on that recommendation, Nicky was like, well, 417 00:18:49,080 --> 00:18:52,480 Speaker 1: we've got to go. This is apparently a life changing event. 418 00:18:52,680 --> 00:18:55,360 Speaker 1: And according to all of the reviews on the internet, 419 00:18:55,520 --> 00:18:59,200 Speaker 1: The New York Times places like that, everyone is equally 420 00:18:59,280 --> 00:19:01,600 Speaker 1: as a fuse of about the U two Spear show, 421 00:19:02,040 --> 00:19:05,440 Speaker 1: we gotta go to Break. But this is the problem. 422 00:19:05,800 --> 00:19:07,200 Speaker 1: I had not looked at reviews. 423 00:19:07,280 --> 00:19:10,720 Speaker 3: You know. The night it came out, I was glued 424 00:19:10,920 --> 00:19:13,240 Speaker 3: to my phone much as I am for the Era's 425 00:19:13,280 --> 00:19:15,720 Speaker 3: tour of like what is this going to be? Because 426 00:19:15,760 --> 00:19:18,480 Speaker 3: the night it first happened, no one had seen the Sphere, 427 00:19:18,520 --> 00:19:19,760 Speaker 3: no one knew what the Sphere could. 428 00:19:19,560 --> 00:19:21,560 Speaker 1: Do, and it looked awesome. 429 00:19:21,600 --> 00:19:23,600 Speaker 3: There's this part where all these numbers are coming and 430 00:19:23,640 --> 00:19:27,840 Speaker 3: then the wall feels like it's coming down right. You 431 00:19:27,880 --> 00:19:29,920 Speaker 3: feel like the Sphere is like falling on your head. 432 00:19:30,000 --> 00:19:31,840 Speaker 1: Oh my god. Then there's a scene where there's. 433 00:19:31,680 --> 00:19:34,399 Speaker 3: Like a flag burning in the desert and that looks 434 00:19:34,480 --> 00:19:38,320 Speaker 3: kind of fucking cool, and then that's it. Those are 435 00:19:38,359 --> 00:19:41,760 Speaker 3: the only videos you fucking see leading up. And I 436 00:19:41,920 --> 00:19:49,960 Speaker 3: found out why after the Break my expectations are not 437 00:19:50,119 --> 00:19:52,720 Speaker 3: too high. I don't think. I just want to see 438 00:19:52,720 --> 00:19:54,880 Speaker 3: some cool stuff and I want to have a good time. 439 00:19:55,400 --> 00:19:58,040 Speaker 3: But after the intro where the concrete kind of splits 440 00:19:58,080 --> 00:20:01,520 Speaker 3: open and there's like shining like coming through, and then 441 00:20:01,680 --> 00:20:03,680 Speaker 3: all of a sudden, I forget even what happens because 442 00:20:03,680 --> 00:20:05,800 Speaker 3: it was so non monumental. 443 00:20:06,359 --> 00:20:09,920 Speaker 1: Nonumental, but well, there was one cool scene where they 444 00:20:10,160 --> 00:20:12,280 Speaker 1: it was like Elvis and Vegas. 445 00:20:11,880 --> 00:20:13,040 Speaker 2: And that didn't happen yet. 446 00:20:13,080 --> 00:20:16,560 Speaker 3: This is still I will give them credit for that. 447 00:20:17,400 --> 00:20:20,879 Speaker 3: When it's the way you open a show is very important. 448 00:20:20,920 --> 00:20:22,840 Speaker 1: It should be either. 449 00:20:22,640 --> 00:20:24,280 Speaker 3: The best part of the show or the second best 450 00:20:24,280 --> 00:20:26,320 Speaker 3: part of the show. Without question, it has to be 451 00:20:26,400 --> 00:20:29,240 Speaker 3: either of those two. That is how you plan a set, 452 00:20:29,280 --> 00:20:30,760 Speaker 3: that's how you It should be the best part of 453 00:20:30,760 --> 00:20:32,840 Speaker 3: the show. And by the way, Taylor swifts eras it's 454 00:20:32,840 --> 00:20:35,560 Speaker 3: the best part of the show the opening where she appears. 455 00:20:36,040 --> 00:20:38,080 Speaker 2: But I don't even remember how they showed up. 456 00:20:38,119 --> 00:20:40,760 Speaker 3: They like walked out, which is fine, but there was 457 00:20:41,560 --> 00:20:48,160 Speaker 3: what they ambled, we're here, now we come out. 458 00:20:48,400 --> 00:20:51,960 Speaker 2: It was really just there wasn't a lot of pomp. 459 00:20:52,000 --> 00:20:53,920 Speaker 2: There was minimal circumstance. 460 00:20:54,680 --> 00:20:56,840 Speaker 3: But I turned to Chris at the open, after the opening, 461 00:20:56,880 --> 00:20:58,639 Speaker 3: after the after they get into the song, and I'm like, 462 00:20:58,680 --> 00:20:59,800 Speaker 3: well that was it, and I go. 463 00:21:01,119 --> 00:21:04,800 Speaker 1: I'm a little disappointed in what they've done so far. 464 00:21:05,040 --> 00:21:08,679 Speaker 3: And Chris as a producer that he is, and he 465 00:21:08,760 --> 00:21:11,760 Speaker 3: isn't wrong. He says they're leaving something in the chamber. 466 00:21:12,080 --> 00:21:14,600 Speaker 3: You know, they've got more for us, because they're not 467 00:21:14,640 --> 00:21:16,439 Speaker 3: going to blow their load too soon. He didn't use 468 00:21:16,440 --> 00:21:21,640 Speaker 3: those words, but that was exactly what he meant, right. 469 00:21:20,840 --> 00:21:22,639 Speaker 1: Yeah, some levels. 470 00:21:22,920 --> 00:21:26,480 Speaker 2: So yeah, so he so I was like, yeah, you're 471 00:21:26,480 --> 00:21:26,960 Speaker 2: probably right. 472 00:21:27,359 --> 00:21:30,280 Speaker 3: Then we go to I think then at one point 473 00:21:30,320 --> 00:21:32,680 Speaker 3: they do the number thing right and the ceiling goes down, 474 00:21:32,720 --> 00:21:33,840 Speaker 3: and then the Elvis thing. 475 00:21:34,359 --> 00:21:38,040 Speaker 1: Well, yeah, it's cool. The first at first I thought 476 00:21:38,359 --> 00:21:41,919 Speaker 1: this is cool. It's missing something. It's missing like a 477 00:21:41,960 --> 00:21:44,000 Speaker 1: three D I think it was lights and smoke or 478 00:21:44,040 --> 00:21:45,800 Speaker 1: something like that, Like there was a three DL, a 479 00:21:45,880 --> 00:21:48,040 Speaker 1: four D element that was missing in the whole production 480 00:21:48,080 --> 00:21:51,160 Speaker 1: that wasn't making it entirely immersive to me. But the 481 00:21:51,200 --> 00:21:54,000 Speaker 1: first like fifteen percent of the show, I was like, 482 00:21:54,320 --> 00:21:58,920 Speaker 1: if this is building to something, especially, I am pretty satisfied. Yeah, 483 00:21:59,520 --> 00:21:59,920 Speaker 1: I was trying. 484 00:22:00,560 --> 00:22:02,800 Speaker 3: I would make it seven percent because we didn't say 485 00:22:02,800 --> 00:22:05,200 Speaker 3: the whole show, so I would make it even smaller. 486 00:22:05,800 --> 00:22:09,120 Speaker 3: But I also think just the energy of the show 487 00:22:09,240 --> 00:22:13,560 Speaker 3: starting gave some gave a little boost. After Elvis, they 488 00:22:13,600 --> 00:22:15,280 Speaker 3: do like a Viva Las Vegas thing and there's like 489 00:22:15,320 --> 00:22:21,160 Speaker 3: this crazy like Elvis Vegas Vegas scene that's. 490 00:22:20,960 --> 00:22:28,000 Speaker 1: Like, yeah, it looks like an LSD poster, like a 491 00:22:28,119 --> 00:22:29,359 Speaker 1: lava lamp esque. 492 00:22:29,600 --> 00:22:31,600 Speaker 3: If you stared at it all day, you wouldn't see 493 00:22:31,600 --> 00:22:34,679 Speaker 3: everything that's happening in it. There's like dancing ladies, and 494 00:22:34,720 --> 00:22:36,720 Speaker 3: then there's Elvis over here singing. Then there's Elvis on 495 00:22:36,760 --> 00:22:38,520 Speaker 3: a bed, there's a woman dancing over here, and that 496 00:22:38,600 --> 00:22:41,000 Speaker 3: It's just like filled with stuff. It's really fun and 497 00:22:41,040 --> 00:22:44,480 Speaker 3: it slowly moves down and it kind of almost repeats 498 00:22:44,480 --> 00:22:46,600 Speaker 3: itself and it's but it's but let me just say. 499 00:22:46,720 --> 00:22:49,040 Speaker 3: They use the whole screen all the way to stop, 500 00:22:49,160 --> 00:22:50,160 Speaker 3: all the way to the bottom. 501 00:22:50,240 --> 00:22:52,320 Speaker 1: Yeah, and then after that we. 502 00:22:52,480 --> 00:22:54,000 Speaker 2: Kind of abandoned the screen. 503 00:22:54,200 --> 00:22:55,600 Speaker 1: They just say, no more screen. 504 00:22:55,720 --> 00:22:58,040 Speaker 3: We just say, you know what, We're only gonna use 505 00:22:58,080 --> 00:23:00,840 Speaker 3: the bottom half of the screen. And then it becomes 506 00:23:00,880 --> 00:23:05,200 Speaker 3: like they put they'll they'll have like bubbles and then 507 00:23:05,400 --> 00:23:07,480 Speaker 3: each you Tube member will be in a bubble and 508 00:23:07,520 --> 00:23:10,879 Speaker 3: it'll be kind of floating listlessly, not even around, like 509 00:23:10,920 --> 00:23:12,760 Speaker 3: it just stays static, kind of wobbling. 510 00:23:13,080 --> 00:23:18,360 Speaker 1: It turned into one hour of Windows ninety five screen savers. 511 00:23:19,240 --> 00:23:21,520 Speaker 6: My friend I was like, I even preferred to see 512 00:23:21,520 --> 00:23:24,840 Speaker 6: the DVD logo going back and forth and us cheering 513 00:23:24,840 --> 00:23:29,120 Speaker 6: when it gets into the corner like it was it was, 514 00:23:29,240 --> 00:23:31,280 Speaker 6: it got so it okay. 515 00:23:31,320 --> 00:23:33,920 Speaker 3: So at one point I bet Brian one hundred dollars. Wait, 516 00:23:34,000 --> 00:23:35,639 Speaker 3: was it one hundred dollars twenty dollars? I bought it 517 00:23:35,840 --> 00:23:39,399 Speaker 3: twenty dollars that the next song they would use they 518 00:23:39,440 --> 00:23:40,800 Speaker 3: would utilize the whole screen. 519 00:23:40,560 --> 00:23:45,080 Speaker 1: Because they give an hour. It was since the screen usage. 520 00:23:45,200 --> 00:23:46,000 Speaker 1: It was just like you. 521 00:23:47,280 --> 00:23:49,000 Speaker 2: The screen goes. If you don't know the sphere, it's 522 00:23:49,000 --> 00:23:51,679 Speaker 2: an egg. The sphere goes hundreds of feet up into 523 00:23:51,720 --> 00:23:51,919 Speaker 2: the air. 524 00:23:52,000 --> 00:23:52,439 Speaker 1: Let's say, I. 525 00:23:52,440 --> 00:23:54,040 Speaker 3: Don't even know how tall it is. We probably should 526 00:23:54,080 --> 00:23:57,840 Speaker 3: have done our research. I would say one hundred and 527 00:23:57,840 --> 00:24:03,920 Speaker 3: fifty feet up in the air. And they're using probably 528 00:24:04,680 --> 00:24:07,639 Speaker 3: half of it, two thirds maybe, And to use the. 529 00:24:07,920 --> 00:24:10,480 Speaker 1: Whole three hundred and sixty six feet tall three six 530 00:24:10,520 --> 00:24:13,600 Speaker 1: feet fix, damn it, I was so not close and 531 00:24:13,720 --> 00:24:16,160 Speaker 1: five hundred and sixteen feet wide. 532 00:24:16,480 --> 00:24:18,960 Speaker 3: Yeah, and they are using a small percentage of that. 533 00:24:19,200 --> 00:24:21,879 Speaker 3: And I understand that screens are expensive to make these videos. 534 00:24:21,880 --> 00:24:25,320 Speaker 3: Shooting these things are expensive to make. It is I'm 535 00:24:25,359 --> 00:24:27,040 Speaker 3: not kidding you. It wouldn't be hard to have flying 536 00:24:27,080 --> 00:24:31,400 Speaker 3: toasters like windows ninety five flying toasters all over would 537 00:24:31,400 --> 00:24:33,480 Speaker 3: have been interesting to watch during a whole song because 538 00:24:33,480 --> 00:24:35,280 Speaker 3: you have a YouTube song, you don't really need much more. 539 00:24:35,320 --> 00:24:37,000 Speaker 1: It's YouTube playing. They sound amazing. 540 00:24:37,160 --> 00:24:39,119 Speaker 4: Do you think it has something to do with the 541 00:24:39,160 --> 00:24:43,320 Speaker 4: band not wanting people to take their attention off that form. 542 00:24:43,440 --> 00:24:48,520 Speaker 3: Don't go to the Sphere, that's right, Fear, you are 543 00:24:48,600 --> 00:24:51,840 Speaker 3: a featured performer in the Sphere's main act. 544 00:24:52,119 --> 00:24:52,600 Speaker 1: That's right. 545 00:24:52,680 --> 00:24:55,040 Speaker 3: You do not sign up for the Sphere unless you 546 00:24:55,160 --> 00:24:57,600 Speaker 3: use the Sphere. I am oud of it about that, 547 00:24:57,640 --> 00:24:59,480 Speaker 3: and I think every artist should. I think there's no 548 00:24:59,560 --> 00:25:02,320 Speaker 3: artists that bigger than the Sphere. Every artist should like 549 00:25:02,760 --> 00:25:04,879 Speaker 3: die to perform at the Sphere because it's such a 550 00:25:04,960 --> 00:25:07,480 Speaker 3: cool room that you can do so much cool visual 551 00:25:07,520 --> 00:25:10,000 Speaker 3: stuff with. But if you think you're cooler than the 552 00:25:10,040 --> 00:25:12,440 Speaker 3: Sphere and you want to tone it down, oh my god, 553 00:25:12,640 --> 00:25:15,399 Speaker 3: go like you're playing at an outdoor music festival and 554 00:25:15,440 --> 00:25:18,159 Speaker 3: there's just like there's nothing there like that, it's just 555 00:25:18,320 --> 00:25:21,080 Speaker 3: you and the band. No, it's not, it's that's not 556 00:25:21,160 --> 00:25:25,560 Speaker 3: the place to do it. At one point they go where, Okay, 557 00:25:25,600 --> 00:25:27,159 Speaker 3: I'm not even get to get to the balloon part 558 00:25:27,200 --> 00:25:30,119 Speaker 3: because I want you to take that one. But one 559 00:25:30,160 --> 00:25:32,000 Speaker 3: song they're like, and this is towards the end where 560 00:25:32,000 --> 00:25:34,360 Speaker 3: I am losing my cool and I've already lost twenty 561 00:25:34,440 --> 00:25:36,159 Speaker 3: dollars because I bet that the next song would have 562 00:25:36,160 --> 00:25:37,760 Speaker 3: the screen used all the way and it was not. 563 00:25:37,920 --> 00:25:40,320 Speaker 3: It just like showed a bunch of different words like. 564 00:25:40,240 --> 00:25:42,480 Speaker 1: Flashing the work the screen. It wasn't even that after 565 00:25:42,480 --> 00:25:44,560 Speaker 1: you bet me the twenty dollars. The next the next 566 00:25:44,600 --> 00:25:46,919 Speaker 1: one there was no screen at all, and it was 567 00:25:46,960 --> 00:25:50,320 Speaker 1: we could see the shadows of the lighting structures. It 568 00:25:50,359 --> 00:25:52,920 Speaker 1: was like it was like the no on. 569 00:25:53,720 --> 00:25:55,960 Speaker 2: I wish I would have taken pictures because there's. 570 00:25:55,800 --> 00:25:58,320 Speaker 3: No footage of this online because I don't know what's 571 00:25:58,400 --> 00:26:01,080 Speaker 3: going on. Someone's protecting us the truth about that this 572 00:26:01,160 --> 00:26:03,520 Speaker 3: is disappointing, and people are protecting themselves because people are 573 00:26:03,520 --> 00:26:06,280 Speaker 3: going to the show and leaving saying it's good, and 574 00:26:06,320 --> 00:26:09,240 Speaker 3: I don't understand it. There is like an eight hundred 575 00:26:09,240 --> 00:26:11,320 Speaker 3: dollars jacket you can buy of the show, like at 576 00:26:11,359 --> 00:26:14,000 Speaker 3: the merch Day. Like people are are are because the 577 00:26:14,040 --> 00:26:15,720 Speaker 3: thing is, if you invest a lot of money in something, 578 00:26:15,760 --> 00:26:17,880 Speaker 3: you convince yourself you love it. But I will say 579 00:26:17,880 --> 00:26:19,480 Speaker 3: if I would have paid over, if I would have 580 00:26:19,480 --> 00:26:21,240 Speaker 3: paid six hundred dollars per ticket, which I would have 581 00:26:21,240 --> 00:26:23,280 Speaker 3: paid to go see this even as the YouTube fan 582 00:26:23,320 --> 00:26:25,280 Speaker 3: I am because I thought it was gonna be that cool. 583 00:26:26,040 --> 00:26:27,800 Speaker 3: If I would have paid six hundred dollars a ticket, 584 00:26:27,880 --> 00:26:30,120 Speaker 3: I would have one hundred percent asked for my money back. 585 00:26:30,520 --> 00:26:33,000 Speaker 3: I would have said, this is this was so not 586 00:26:33,119 --> 00:26:35,160 Speaker 3: worth it. I know that I would have been wrong 587 00:26:35,240 --> 00:26:36,879 Speaker 3: in doing that, but I just feel like I was 588 00:26:36,920 --> 00:26:40,320 Speaker 3: promised something by the general public's like excitement about this 589 00:26:40,440 --> 00:26:42,679 Speaker 3: and whoever did the press for the Sphere. The Sphere 590 00:26:42,760 --> 00:26:45,280 Speaker 3: is cool, there's no question, because obviously that Nature documentary 591 00:26:45,359 --> 00:26:45,800 Speaker 3: is awesome? 592 00:26:45,920 --> 00:26:46,840 Speaker 2: But is it? 593 00:26:46,880 --> 00:26:47,480 Speaker 5: Is it? Brian? 594 00:26:47,520 --> 00:26:49,800 Speaker 1: Because I don't know if I can't. 595 00:26:49,520 --> 00:26:51,600 Speaker 2: Find what all? Okay, as soon as we get to 596 00:26:51,720 --> 00:26:52,440 Speaker 2: I'm all over the place. 597 00:26:52,480 --> 00:26:54,359 Speaker 4: This is what happened to those people who went to 598 00:26:54,400 --> 00:26:55,920 Speaker 4: that Willy Wonka festival. 599 00:26:56,280 --> 00:26:59,320 Speaker 2: Yes, but instead they all agreed it sucked. We were 600 00:26:59,320 --> 00:27:03,400 Speaker 2: the only we left. You left early, and as soon 601 00:27:03,440 --> 00:27:04,960 Speaker 2: as we're going home, I typed it. 602 00:27:05,040 --> 00:27:09,159 Speaker 3: I googled you two sphere disappointing. Read it, you know, 603 00:27:09,240 --> 00:27:12,760 Speaker 3: like that's how you find And all it was was 604 00:27:12,800 --> 00:27:15,600 Speaker 3: people being like I was disappointed. It wasn't longer like 605 00:27:15,680 --> 00:27:18,080 Speaker 3: that's like it was like I was disappointed in my 606 00:27:18,200 --> 00:27:21,400 Speaker 3: ticket pricing, and I'm like, can we talk about the screens? 607 00:27:21,800 --> 00:27:23,560 Speaker 3: And then I've been running into people that have seen 608 00:27:23,600 --> 00:27:25,120 Speaker 3: it and I go have you seen the YouTube sphere? 609 00:27:25,119 --> 00:27:26,400 Speaker 2: And they're like amazing. 610 00:27:26,480 --> 00:27:29,160 Speaker 3: I ran into the director of F Boy Island, who 611 00:27:29,160 --> 00:27:35,880 Speaker 3: I love so much, Michael say, yeah. 612 00:27:34,800 --> 00:27:36,240 Speaker 2: Michael say, who loves you, Brian. 613 00:27:36,560 --> 00:27:37,120 Speaker 1: But we did. 614 00:27:38,160 --> 00:27:40,360 Speaker 3: We did some stuff for the new show coming out 615 00:27:40,359 --> 00:27:43,640 Speaker 3: called Lovers and Liars, a spin off of F Boy 616 00:27:43,680 --> 00:27:46,760 Speaker 3: Island where there's three guys like it doesn't matter. I 617 00:27:46,800 --> 00:27:48,480 Speaker 3: don't even know if they've announced it, but it's there's 618 00:27:48,480 --> 00:27:49,560 Speaker 3: a new show coming on in April. 619 00:27:50,160 --> 00:27:52,280 Speaker 1: They should announce it. Announce it. 620 00:27:52,440 --> 00:27:53,879 Speaker 2: Yes, yeah, I just found out. 621 00:27:54,280 --> 00:27:56,680 Speaker 3: Bill Dixon was like, you don't know your show is 622 00:27:56,680 --> 00:27:57,320 Speaker 3: coming out in April. 623 00:27:57,320 --> 00:28:00,000 Speaker 2: It was like, Noah told me. But I did reshoot 624 00:28:00,160 --> 00:28:00,359 Speaker 2: for that. 625 00:28:00,400 --> 00:28:02,199 Speaker 3: And I saw Michael Shay and he had seen you too, 626 00:28:02,240 --> 00:28:05,080 Speaker 3: and I go, Michael, let's talk about it. And I 627 00:28:05,080 --> 00:28:07,159 Speaker 3: don't give away that I'm disappointed yet I go you 628 00:28:07,280 --> 00:28:09,960 Speaker 3: too the sphere and he goes amazing, and I go 629 00:28:10,440 --> 00:28:13,679 Speaker 3: wrong and he's like someone I like really respect and 630 00:28:13,760 --> 00:28:17,040 Speaker 3: love and I was like, boo, it was bad. I 631 00:28:17,080 --> 00:28:20,120 Speaker 3: go Michael no, and he's paid, you know, some big 632 00:28:20,160 --> 00:28:22,520 Speaker 3: money because he went back in twenty twenty three when 633 00:28:22,560 --> 00:28:27,160 Speaker 3: it opened and I said, Michael, what about the bugs? 634 00:28:27,640 --> 00:28:29,200 Speaker 3: What about the insects? 635 00:28:29,240 --> 00:28:32,680 Speaker 1: Eyes isolated bugs that stayed on the screen for literally 636 00:28:32,720 --> 00:28:33,919 Speaker 1: twenty five minutes? 637 00:28:34,119 --> 00:28:35,760 Speaker 2: Got okay, Noah, this is what happens. 638 00:28:36,080 --> 00:28:38,440 Speaker 3: They get lazy at some point, they're phoning it in 639 00:28:38,560 --> 00:28:40,520 Speaker 3: hard with the screens, and if they decide to do 640 00:28:40,520 --> 00:28:44,360 Speaker 3: a thing, imagine you are looking. Imagine you were you 641 00:28:44,400 --> 00:28:46,760 Speaker 3: are a light bulb right on like a big light, 642 00:28:47,240 --> 00:28:49,520 Speaker 3: Like there's a big light and you are inside the light, 643 00:28:49,560 --> 00:28:50,920 Speaker 3: and you're you're from the point of view of the 644 00:28:51,000 --> 00:28:53,560 Speaker 3: light bulb, and you're like a blue light bulb. Okay, 645 00:28:53,760 --> 00:28:56,320 Speaker 3: and then there's there's a plastic cover right above your head, 646 00:28:56,360 --> 00:28:59,280 Speaker 3: and then all of these bugs are just like dying 647 00:28:59,360 --> 00:29:02,960 Speaker 3: on you. They're not even moving, they're just landing, you know, 648 00:29:03,040 --> 00:29:05,040 Speaker 3: like when bugs like fall into a light and they're 649 00:29:05,080 --> 00:29:07,920 Speaker 3: just kind of like twitching. That is what we were 650 00:29:07,920 --> 00:29:14,680 Speaker 3: looking at. And were they were they even clear bugs? Yes, 651 00:29:14,880 --> 00:29:17,720 Speaker 3: And they weren't even moving. They were twitching. It was 652 00:29:17,760 --> 00:29:20,000 Speaker 3: like someone and they were twitching in a rhythm that 653 00:29:20,040 --> 00:29:21,880 Speaker 3: wasn't even original. So it was like they were twitching 654 00:29:21,920 --> 00:29:24,400 Speaker 3: every two seconds, so it was on repeat. It was 655 00:29:24,440 --> 00:29:26,880 Speaker 3: the cheapest bullshit I've ever seen. So then but they 656 00:29:26,920 --> 00:29:29,200 Speaker 3: kept adding them so more bugs would appear until it 657 00:29:29,200 --> 00:29:31,320 Speaker 3: filled up the whole screen and all the screen was 658 00:29:31,360 --> 00:29:33,320 Speaker 3: bugs except a couple pierces of blue. 659 00:29:33,200 --> 00:29:35,680 Speaker 2: Light coming through. And then that was the end of 660 00:29:35,720 --> 00:29:36,600 Speaker 2: the show. That was there. 661 00:29:36,880 --> 00:29:39,200 Speaker 3: That was their curtain, not curtain call, but there was 662 00:29:39,240 --> 00:29:41,640 Speaker 3: the like goodbye everyone. Then they go backstage, and that 663 00:29:41,760 --> 00:29:44,640 Speaker 3: they left it on during the you know, in between 664 00:29:44,640 --> 00:29:46,840 Speaker 3: the encore and the end of the show, and we're 665 00:29:46,880 --> 00:29:49,120 Speaker 3: just looking at a screen filled with twitching bugs. It 666 00:29:49,200 --> 00:29:52,000 Speaker 3: is so unimpressive. If someone turned it in as their 667 00:29:52,040 --> 00:29:56,600 Speaker 3: final art project at a community college in Delaware, they 668 00:29:56,640 --> 00:29:57,320 Speaker 3: would be set. 669 00:29:57,440 --> 00:30:00,480 Speaker 2: They would sorry Delaware to the. 670 00:30:00,440 --> 00:30:05,360 Speaker 3: State that I don't ever remember exists. They they would 671 00:30:05,400 --> 00:30:08,640 Speaker 3: be They would receive an f. It was awful. No 672 00:30:08,680 --> 00:30:11,120 Speaker 3: one could argue. If you are a defender of the sphere, 673 00:30:11,320 --> 00:30:13,680 Speaker 3: slide into my DMS and engage with me in a 674 00:30:13,680 --> 00:30:15,600 Speaker 3: fight about the bug scene because the bugs were there 675 00:30:15,600 --> 00:30:16,200 Speaker 3: in the fall. 676 00:30:16,320 --> 00:30:18,160 Speaker 2: I asked Michael Jay about him the bugs aren't a 677 00:30:18,240 --> 00:30:18,720 Speaker 2: new addition. 678 00:30:18,960 --> 00:30:21,120 Speaker 3: You have to if you loved the sphere answer for 679 00:30:21,160 --> 00:30:24,200 Speaker 3: the bugs, because the bugs was such an insulting thing 680 00:30:24,200 --> 00:30:27,080 Speaker 3: to do to us much lesse aware and don't you 681 00:30:27,160 --> 00:30:30,440 Speaker 3: dare talk to me, don't you dare tell me about 682 00:30:30,520 --> 00:30:32,680 Speaker 3: what about Nikki? What about when they pull back the 683 00:30:32,760 --> 00:30:36,760 Speaker 3: sphere and they show you the Las Vegas strip as 684 00:30:36,880 --> 00:30:39,480 Speaker 3: if you are as if the sphere isn't there, So Noah, 685 00:30:39,480 --> 00:30:42,080 Speaker 3: we're all facing one direction in the sphere, right, and 686 00:30:42,120 --> 00:30:44,560 Speaker 3: so they're like, we're gonna show you what it would 687 00:30:44,600 --> 00:30:46,640 Speaker 3: be like if the sphere wasn't here, And I'm like, 688 00:30:46,720 --> 00:30:48,800 Speaker 3: I'm dying to live in a world where the Sphere 689 00:30:48,840 --> 00:30:51,600 Speaker 3: isn't here. So then they pull back the sphere like 690 00:30:51,600 --> 00:30:53,800 Speaker 3: they're opening the sphere to show us, first of all, 691 00:30:53,880 --> 00:30:56,640 Speaker 3: Las Vegas during it's kind of like the daytime, and 692 00:30:56,680 --> 00:30:58,640 Speaker 3: it's obviously nighttime when we're at the show, so it 693 00:30:58,680 --> 00:31:00,840 Speaker 3: doesn't even make you feel like you're pulling it back, 694 00:31:01,200 --> 00:31:06,800 Speaker 3: and it's very obviously like animated again, they're like, the 695 00:31:06,960 --> 00:31:12,320 Speaker 3: cars are all uniform, going like and they're showing you something. 696 00:31:12,080 --> 00:31:14,760 Speaker 2: That you can clearly see. 697 00:31:14,440 --> 00:31:17,200 Speaker 3: From anywhere, and el it's not they're not giving you 698 00:31:17,240 --> 00:31:18,320 Speaker 3: a view that is interesting. 699 00:31:18,360 --> 00:31:19,680 Speaker 2: You saw it on the drive in. 700 00:31:20,200 --> 00:31:23,040 Speaker 3: It's like show us a different city, show us anywhere, 701 00:31:23,080 --> 00:31:26,960 Speaker 3: Show us space, show us the stars, show us a galaxy. Simple, 702 00:31:27,040 --> 00:31:32,880 Speaker 3: simple ideas. Just floating through a galaxy, dudeling through stars 703 00:31:32,960 --> 00:31:35,360 Speaker 3: with amazing constellations, moving. 704 00:31:35,080 --> 00:31:37,640 Speaker 1: On things that show you how small the Earth is 705 00:31:37,680 --> 00:31:40,920 Speaker 1: in comparison to the rest of the dot. 706 00:31:41,400 --> 00:31:44,760 Speaker 3: Yes, amazing idea. I could come up with so many, 707 00:31:45,200 --> 00:31:49,200 Speaker 3: but that was so insulting. The bug thing was disgusting. 708 00:31:49,440 --> 00:31:52,400 Speaker 3: Then floating around in bubbles. Even if they lazily just 709 00:31:52,520 --> 00:31:56,840 Speaker 3: had Bono full screen, just Bono's huge body. 710 00:31:59,520 --> 00:32:02,040 Speaker 2: Show him. I would have gladly taken that. 711 00:32:01,960 --> 00:32:04,880 Speaker 3: That would have looked so cool to have a gigantic Bono. 712 00:32:05,280 --> 00:32:05,800 Speaker 1: None of that. 713 00:32:05,960 --> 00:32:09,920 Speaker 4: It was so ridiculous set because our friend Roland, he 714 00:32:10,080 --> 00:32:12,440 Speaker 4: went to see that in twenty twenty three. 715 00:32:12,480 --> 00:32:16,120 Speaker 1: He paid a lot. Everyone is they all gas lit? Dude, 716 00:32:16,120 --> 00:32:18,120 Speaker 1: they're all gas lit. It's hard. It's hard. 717 00:32:18,200 --> 00:32:19,600 Speaker 2: You can't find a single. 718 00:32:19,680 --> 00:32:22,400 Speaker 3: The only person that you could find that says anything 719 00:32:22,400 --> 00:32:23,160 Speaker 3: bad about. 720 00:32:22,880 --> 00:32:26,640 Speaker 2: It is fee Yeah up. 721 00:32:26,560 --> 00:32:28,760 Speaker 1: I'll be free anytime after. Oh he's not free right now. 722 00:32:29,080 --> 00:32:31,880 Speaker 3: I'm just gonna read some of Sean O'Brien's text messages though, 723 00:32:31,920 --> 00:32:33,920 Speaker 3: because this is what was making me laugh so hard. 724 00:32:34,000 --> 00:32:38,640 Speaker 3: I was literally crying texting him about it. Okay, so 725 00:32:38,840 --> 00:32:40,800 Speaker 3: this is prior to it, right, he's texting me all 726 00:32:40,800 --> 00:32:42,600 Speaker 3: the I go, where's the best place to sit. 727 00:32:42,480 --> 00:32:42,880 Speaker 1: For you too? 728 00:32:43,200 --> 00:32:45,920 Speaker 3: He goes, oh my god, this is a steal October 729 00:32:45,960 --> 00:32:49,360 Speaker 3: pricing insane. He shows me the seed I got is 730 00:32:49,440 --> 00:32:53,360 Speaker 3: one hundred and eighty three bucks tonight when he went 731 00:32:53,400 --> 00:32:54,800 Speaker 3: eight hundred and twenty seven bucks. 732 00:32:54,800 --> 00:32:57,640 Speaker 1: Oh my, he paid eight hundred and twenty seven bucks. 733 00:32:58,080 --> 00:33:00,640 Speaker 2: Probably no, but he's the biggest fan. I mean, I 734 00:33:00,640 --> 00:33:01,680 Speaker 2: don't as. 735 00:33:02,080 --> 00:33:04,080 Speaker 1: I get ill, I don't understand much. 736 00:33:04,120 --> 00:33:07,840 Speaker 3: I mean, oh I do, but yes, it's that's a lot. 737 00:33:08,120 --> 00:33:09,840 Speaker 4: And say, hey to go to Vegas by the way 738 00:33:09,880 --> 00:33:12,400 Speaker 4: and stay there for yes, also that element. 739 00:33:12,200 --> 00:33:13,720 Speaker 1: Yes, yes, you're so right. 740 00:33:13,840 --> 00:33:17,480 Speaker 3: It's at tack on another twelve hundred at least, okay, 741 00:33:18,080 --> 00:33:20,200 Speaker 3: probably more. He says, so excited for you guys, this 742 00:33:20,200 --> 00:33:22,840 Speaker 3: will be amazing. I love you both to me and Chris. 743 00:33:23,200 --> 00:33:25,320 Speaker 3: He sends a picture now. He sends the picture that 744 00:33:25,360 --> 00:33:28,160 Speaker 3: everyone quotes, the one with all the numbers all like 745 00:33:28,200 --> 00:33:30,600 Speaker 3: the binary code. Okay, that's the one we've all seen 746 00:33:30,600 --> 00:33:31,480 Speaker 3: where the ceiling falls. 747 00:33:31,520 --> 00:33:32,240 Speaker 2: It looks really cool. 748 00:33:32,280 --> 00:33:35,160 Speaker 3: I'm standing by is cool, but is it as cool 749 00:33:35,160 --> 00:33:35,840 Speaker 3: as it could be? 750 00:33:36,080 --> 00:33:37,480 Speaker 1: No, it's just numbers. 751 00:33:37,520 --> 00:33:40,200 Speaker 3: It's literally eighties like it looks like you're watching the 752 00:33:40,200 --> 00:33:43,680 Speaker 3: beginning of the Matrix, some Total Recall or whatever. I 753 00:33:43,720 --> 00:33:47,960 Speaker 3: don't know, some eighties movie. Yes, yes, the Matrix. He said, 754 00:33:47,960 --> 00:33:49,479 Speaker 3: did you end up getting your section three or nine 755 00:33:49,480 --> 00:33:51,000 Speaker 3: for your seats? I said three, ten row seven. 756 00:33:51,080 --> 00:33:52,720 Speaker 2: He goes, yes, can't. 757 00:33:52,480 --> 00:33:54,800 Speaker 1: Wait to hear what you think? You love it? 758 00:33:54,880 --> 00:33:56,680 Speaker 2: I said, I know I will. How long is it? 759 00:33:56,680 --> 00:33:58,200 Speaker 3: He says, They go on at eight thirty six and 760 00:33:58,200 --> 00:33:59,800 Speaker 3: will be off around ten forty five? I said, I 761 00:33:59,800 --> 00:34:02,520 Speaker 3: love this pscissificity. I says, does anything happen? 762 00:34:02,920 --> 00:34:04,560 Speaker 1: Okay, this is another part. 763 00:34:05,080 --> 00:34:08,240 Speaker 3: I go does anything because it says doors are seven thirty. 764 00:34:08,440 --> 00:34:11,960 Speaker 3: I go, does anything happen until eight thirty six? And 765 00:34:12,000 --> 00:34:15,840 Speaker 3: he writes back Yes. DJ poly D drives around in 766 00:34:15,880 --> 00:34:18,840 Speaker 3: a car and plays eighties and nineties music. It's fine, 767 00:34:18,920 --> 00:34:20,960 Speaker 3: but you're not missing much if you're if you don't 768 00:34:21,000 --> 00:34:25,200 Speaker 3: want to see it, and I said, are you serious 769 00:34:25,520 --> 00:34:26,879 Speaker 3: about DJ poly D? 770 00:34:27,480 --> 00:34:28,000 Speaker 1: I thought it was. 771 00:34:28,320 --> 00:34:30,200 Speaker 3: I just was like he left it sit there and 772 00:34:30,200 --> 00:34:31,719 Speaker 3: he goes, as long as you're in your seats by 773 00:34:31,719 --> 00:34:32,160 Speaker 3: A twenty. 774 00:34:32,200 --> 00:34:32,680 Speaker 1: All is good. 775 00:34:32,719 --> 00:34:35,000 Speaker 3: I said, are you serious about DJ Paul? He said yes, 776 00:34:35,200 --> 00:34:37,400 Speaker 3: I know it sounds like it's bullshit, but it's real. 777 00:34:38,120 --> 00:34:40,840 Speaker 3: And I go, that isn't say that he opens? What 778 00:34:40,960 --> 00:34:43,319 Speaker 3: a gig for him? He said, exactly. We don't know 779 00:34:43,400 --> 00:34:46,880 Speaker 3: what who d DJ poly d is connected to to 780 00:34:46,880 --> 00:34:51,520 Speaker 3: get this gig, but all year, okay, if you were 781 00:34:51,680 --> 00:34:55,359 Speaker 3: just throwing darts at a board of random celebrities and 782 00:34:55,400 --> 00:34:57,719 Speaker 3: the funniest one you could ever hit would be DJ 783 00:34:57,760 --> 00:34:59,920 Speaker 3: polyi D. I even said to Chris and Briana, go 784 00:35:00,120 --> 00:35:03,640 Speaker 3: guess who's opening. Guess pick the most insane person you 785 00:35:03,640 --> 00:35:05,560 Speaker 3: can think of to open for you two, and you 786 00:35:05,600 --> 00:35:13,080 Speaker 3: won't even get closer. Yeah, okay, that was pretty good. Okay, Okay, 787 00:35:13,080 --> 00:35:14,680 Speaker 3: this is me in the car writing him. All right, 788 00:35:14,719 --> 00:35:18,120 Speaker 3: so this is me quietly in the car, Friday, February ninth, 789 00:35:18,200 --> 00:35:21,400 Speaker 3: nine fifty five pm, which is seven fifty five. I 790 00:35:21,440 --> 00:35:23,480 Speaker 3: am devastated that they don't play stuck in a moment, 791 00:35:23,680 --> 00:35:24,560 Speaker 3: I'm legit. 792 00:35:24,320 --> 00:35:24,959 Speaker 1: About to cry. 793 00:35:25,560 --> 00:35:28,640 Speaker 3: He said, this is why you got You're like, well, 794 00:35:28,719 --> 00:35:33,040 Speaker 3: this building over here, you're talking about trep about Las 795 00:35:33,160 --> 00:35:36,920 Speaker 3: Vegas architecture. He writes, I promise you it'll be great, 796 00:35:37,280 --> 00:35:39,479 Speaker 3: and he goes, I know it's a top five song 797 00:35:39,520 --> 00:35:41,440 Speaker 3: for me, but you'll recognize a bunch of stuff. 798 00:35:41,600 --> 00:35:42,960 Speaker 1: I said. I'm fucking sad. 799 00:35:43,400 --> 00:35:47,520 Speaker 3: What a mistake, he says. He says, I promise you 800 00:35:47,560 --> 00:35:51,200 Speaker 3: it'll be great. The screen is the key. You'll love it. 801 00:35:51,560 --> 00:35:52,919 Speaker 1: You said, the screen is the key. 802 00:35:53,120 --> 00:35:57,920 Speaker 3: Yes, gas lit Yeah, abuse abuse victim. I said, okay, 803 00:35:57,960 --> 00:36:02,160 Speaker 3: I'll get over my disappointment. Abuse, he says. He says, 804 00:36:02,239 --> 00:36:05,279 Speaker 3: it's tricky. They have literally fifty plus hits, but they 805 00:36:05,320 --> 00:36:11,319 Speaker 3: close strong. Visuals are bananas, okay, honestly texted me. Visuals 806 00:36:11,360 --> 00:36:14,319 Speaker 3: being bananas would have been great. If there was bananas, 807 00:36:14,920 --> 00:36:18,440 Speaker 3: now we're bananas would have been great. The visuals were 808 00:36:18,440 --> 00:36:19,719 Speaker 3: not bananas. 809 00:36:19,280 --> 00:36:23,360 Speaker 1: Unless there were bananas on the swings. They were plods. 810 00:36:24,000 --> 00:36:27,120 Speaker 3: Roland, by the way, famously falls asleep at every single show. 811 00:36:27,160 --> 00:36:28,200 Speaker 1: I bet for this when he did. 812 00:36:28,200 --> 00:36:29,200 Speaker 2: He is an arclepsy and. 813 00:36:29,200 --> 00:36:32,560 Speaker 3: He falls asleep in the Roland does hook up for 814 00:36:32,640 --> 00:36:35,200 Speaker 3: he gets. He's friends with like every famous person no 815 00:36:35,239 --> 00:36:38,920 Speaker 3: to man kind. He's probably like Bruce Bringsteen's child's godson, godfather. 816 00:36:40,040 --> 00:36:41,680 Speaker 2: Roland falls asleep like in. 817 00:36:41,680 --> 00:36:44,879 Speaker 3: Front row at like kiss concerts like he will, he 818 00:36:45,000 --> 00:36:47,360 Speaker 3: is he and he's been called out before and like 819 00:36:47,480 --> 00:36:50,560 Speaker 3: throws Acalypsey, it's. 820 00:36:50,400 --> 00:36:52,680 Speaker 2: So funny, he's adorable. What did he say? 821 00:36:52,680 --> 00:36:58,520 Speaker 4: Noah, okay, So he goes it was not pixelated. It's 822 00:36:58,560 --> 00:37:01,160 Speaker 4: and then he goes, it's not the greatest hits show. 823 00:37:01,280 --> 00:37:04,560 Speaker 4: It's the Act Actung Baby album with a few hits. 824 00:37:04,600 --> 00:37:08,759 Speaker 4: It's amazing. The screen it's insane, And no, it's not pixelated. 825 00:37:09,040 --> 00:37:11,040 Speaker 3: He thinks we're coming at them. We thinks we're coming 826 00:37:11,080 --> 00:37:13,239 Speaker 3: at about the music. Yes, I was upset about Suck 827 00:37:13,239 --> 00:37:15,040 Speaker 3: in a moment. Some people have complains about the set 828 00:37:15,040 --> 00:37:17,680 Speaker 3: list that I've found online. Later on, when I've searched 829 00:37:17,680 --> 00:37:21,480 Speaker 3: every synonym for disappointment, I found other complaints about the show. 830 00:37:21,480 --> 00:37:22,680 Speaker 3: But they're all about the set list. 831 00:37:23,160 --> 00:37:24,480 Speaker 2: Yeah, I'm talking about the screen. 832 00:37:24,560 --> 00:37:27,439 Speaker 3: Roland, Roland's rolland's off, He's he is commenting on things 833 00:37:27,440 --> 00:37:30,040 Speaker 3: that other people are saying about the set List's just 834 00:37:30,040 --> 00:37:30,720 Speaker 3: not my complaint. 835 00:37:30,719 --> 00:37:36,000 Speaker 1: He just want ok I want to come at him 836 00:37:36,040 --> 00:37:38,480 Speaker 1: for the music because I think I think you too, 837 00:37:38,600 --> 00:37:41,840 Speaker 1: maybe sucks. I think it's maybe the most overrated band 838 00:37:41,960 --> 00:37:42,600 Speaker 1: in history. 839 00:37:42,960 --> 00:37:45,600 Speaker 2: Oh what's Pat mccaffee, Pat McAfee. 840 00:37:46,080 --> 00:37:49,759 Speaker 1: Well, Pat, it was Pat McAfee's uh sidekick who said that. 841 00:37:49,880 --> 00:37:52,160 Speaker 1: But I think they're may be the most overrated band 842 00:37:52,320 --> 00:37:55,160 Speaker 1: in the history of bands. I don't understand it at all. 843 00:37:55,320 --> 00:37:57,440 Speaker 1: There's a few songs that I like, but for the 844 00:37:57,480 --> 00:38:00,879 Speaker 1: most part, they're repetitive, they're uninteresting, and I have never 845 00:38:01,360 --> 00:38:04,319 Speaker 1: on purpose put on a YouTube song to listen to. 846 00:38:06,480 --> 00:38:09,640 Speaker 1: I have, I've I've also I've put on Stuck in 847 00:38:09,640 --> 00:38:12,040 Speaker 1: a Moment and maybe Stuck in a Moment. I forgot 848 00:38:12,040 --> 00:38:12,920 Speaker 1: that was one of theirs. 849 00:38:13,320 --> 00:38:18,319 Speaker 3: The sweetest thing Dun dun dunt dun dua Oh. 850 00:38:18,480 --> 00:38:19,520 Speaker 2: I used to like that song. 851 00:38:19,600 --> 00:38:21,399 Speaker 3: I don't put that on anymore, but I still will 852 00:38:21,400 --> 00:38:23,319 Speaker 3: play Stuck in a Moment. I won't give up on 853 00:38:23,320 --> 00:38:25,560 Speaker 3: that song. But you have the same opinion as the 854 00:38:25,560 --> 00:38:28,839 Speaker 3: guy from the Pat McAfee show. Yeah, and im so. 855 00:38:28,880 --> 00:38:32,680 Speaker 3: He said this on on Thursday or no sorry and Friday. 856 00:38:32,840 --> 00:38:35,520 Speaker 3: This was like, this is the they saw the Thursday 857 00:38:35,560 --> 00:38:37,760 Speaker 3: night show. We saw the Friday night show in Vegas. 858 00:38:37,760 --> 00:38:41,120 Speaker 3: We watched them do this. Yeah, we realized see this conversation, 859 00:38:41,239 --> 00:38:44,399 Speaker 3: but this is what we were live there watching them 860 00:38:44,400 --> 00:38:46,600 Speaker 3: talk about this. But we really couldn't hear them. He says, Listen, 861 00:38:46,640 --> 00:38:48,479 Speaker 3: I don't want to offend anybody. His last name is Schmid. 862 00:38:48,520 --> 00:38:50,239 Speaker 3: I don't know his first name. Listen, I don't want 863 00:38:50,239 --> 00:38:51,920 Speaker 3: to offend anybody. That's not what we're trying to do. 864 00:38:51,960 --> 00:38:53,840 Speaker 3: We're not trying to offend people and get people upset 865 00:38:54,440 --> 00:38:56,160 Speaker 3: when we've got the super Bowl in two days. But 866 00:38:56,200 --> 00:38:57,759 Speaker 3: I got to be honest with you. I thought I 867 00:38:57,840 --> 00:38:59,839 Speaker 3: was just a YouTube fan going into last night's show, 868 00:38:59,880 --> 00:39:01,360 Speaker 3: just because you get swept up in the pomp and 869 00:39:01,400 --> 00:39:03,480 Speaker 3: circumstance of everything, and I thought it was really cool. 870 00:39:03,560 --> 00:39:05,560 Speaker 3: But I realized pretty quick I'm not a youtwo guy. 871 00:39:05,600 --> 00:39:11,160 Speaker 3: In fact, i'd go as far as to say YouTube sucks. 872 00:39:09,560 --> 00:39:10,320 Speaker 1: So funny. 873 00:39:10,920 --> 00:39:16,560 Speaker 3: But then he goes on to say the sphere is incredible. Oh, 874 00:39:16,640 --> 00:39:20,480 Speaker 3: Ty Schmid is his name. He concurred that they both 875 00:39:20,520 --> 00:39:23,200 Speaker 3: concurred that the ORB venue was phenomenal and that the 876 00:39:23,320 --> 00:39:24,480 Speaker 3: sphere is the show. 877 00:39:25,239 --> 00:39:27,040 Speaker 2: No, it's not. 878 00:39:27,400 --> 00:39:29,719 Speaker 3: That is where I'm feeling a disconnect with people. So 879 00:39:29,760 --> 00:39:33,360 Speaker 3: I wrote to to Sean. I said, this is Saturday, 880 00:39:33,440 --> 00:39:37,480 Speaker 3: February tenth, twelve forty three am. So we are at dinner. 881 00:39:37,560 --> 00:39:39,920 Speaker 1: Afterwards, we are leaving the sphere. We went to the 882 00:39:39,960 --> 00:39:40,560 Speaker 1: noodle barn. 883 00:39:40,800 --> 00:39:43,919 Speaker 3: We went to the noodle shop at the wherever we're 884 00:39:43,920 --> 00:39:48,239 Speaker 3: staying mgmgran and I said, dude, I'm not joking you. 885 00:39:48,360 --> 00:39:50,840 Speaker 3: We are so disappointed. I can't believe how little they 886 00:39:50,960 --> 00:39:53,120 Speaker 3: used the screens and they didn't do anything cool with them. 887 00:39:53,360 --> 00:39:55,560 Speaker 3: There was literally one moment where it was kind of cool. 888 00:39:55,800 --> 00:40:00,400 Speaker 3: We left early. I'm so sorry to report this. He goes, no, oh, 889 00:40:00,440 --> 00:40:05,160 Speaker 3: with like probably twelve xmation marks. Fuck me, I'm sorry, 890 00:40:05,360 --> 00:40:07,720 Speaker 3: you're not wrong that you're not wrong that the screens 891 00:40:07,760 --> 00:40:09,440 Speaker 3: took a dip in the middle. But I thought this, 892 00:40:10,840 --> 00:40:12,799 Speaker 3: But I thought that the screen game was strong. The 893 00:40:12,800 --> 00:40:14,960 Speaker 3: first seven to eight songs and the last eight songs 894 00:40:14,960 --> 00:40:16,160 Speaker 3: were my favorite part of the screen. 895 00:40:16,480 --> 00:40:16,719 Speaker 1: Fuck. 896 00:40:17,120 --> 00:40:19,719 Speaker 3: I'm sorry, buddy. I'm brainwashed by this band and so 897 00:40:20,120 --> 00:40:23,000 Speaker 3: and everything that and so. Everything they do, it turns 898 00:40:23,000 --> 00:40:25,560 Speaker 3: to gold for me. I take full responsibility as I 899 00:40:25,600 --> 00:40:28,239 Speaker 3: shot it to the moon. However, I'll check with my 900 00:40:28,280 --> 00:40:33,400 Speaker 3: YouTube however, I'll check with my YouTube group and make 901 00:40:33,440 --> 00:40:39,560 Speaker 3: sure nothing was off. I'll go scorch stir, I'll go 902 00:40:39,719 --> 00:40:41,520 Speaker 3: scorched to earth if there were tech problems. 903 00:40:41,640 --> 00:40:43,040 Speaker 1: I'm really sorry. 904 00:40:43,480 --> 00:40:47,480 Speaker 5: This YouTube group, by the way, are just people online 905 00:40:48,880 --> 00:40:54,320 Speaker 5: and Facebook groups like you do too. 906 00:40:52,320 --> 00:40:58,160 Speaker 3: He's gonna go check with his YouTube group, and I said, 907 00:40:58,719 --> 00:41:00,560 Speaker 3: I said, I said, And it's crazy. 908 00:41:00,640 --> 00:41:02,600 Speaker 1: I can only remember two good screens. He said. 909 00:41:02,600 --> 00:41:09,120 Speaker 2: The last five songs are when the screens go they 910 00:41:09,239 --> 00:41:10,200 Speaker 2: were not going. 911 00:41:10,440 --> 00:41:13,160 Speaker 3: But sir, there is a flag burning in a desert 912 00:41:13,200 --> 00:41:15,080 Speaker 3: and some doves fly your face. 913 00:41:15,640 --> 00:41:17,280 Speaker 1: They're not going berserk. 914 00:41:17,840 --> 00:41:20,520 Speaker 3: I said, okay, Well we left after the desert scene. 915 00:41:20,560 --> 00:41:22,200 Speaker 3: I said, we left two songs before the end, and 916 00:41:22,239 --> 00:41:23,960 Speaker 3: we all agreed there was nothing they could have done 917 00:41:23,960 --> 00:41:26,400 Speaker 3: to redeem themselves, which is true. We said, there's no 918 00:41:27,080 --> 00:41:28,560 Speaker 3: I don't care what they do in those last two 919 00:41:28,600 --> 00:41:31,280 Speaker 3: moments we stayed for. We were there for thirty songs 920 00:41:31,320 --> 00:41:32,640 Speaker 3: and nothing good happened. 921 00:41:32,680 --> 00:41:36,080 Speaker 1: Besides, right, he goes, they're going to save us by 922 00:41:36,120 --> 00:41:39,040 Speaker 1: burning a flag. Are you wild? 923 00:41:39,760 --> 00:41:42,920 Speaker 3: He says, bummer, But I understand the last four songs. 924 00:41:42,960 --> 00:41:45,520 Speaker 3: I thought the screen was magnificent, but they definitely had 925 00:41:45,560 --> 00:41:47,719 Speaker 3: some dips in the middle. The acoustic part was dumb. 926 00:41:47,920 --> 00:41:49,920 Speaker 3: No need for any of that. So sorry for my 927 00:41:49,920 --> 00:41:52,000 Speaker 3: overhyped reaction. I hope you got to enjoy some of 928 00:41:52,040 --> 00:41:54,319 Speaker 3: the show, I said, Dude, they didn't do shit with 929 00:41:54,360 --> 00:41:57,400 Speaker 3: the screens for like twenty songs. I said, this was inexcusable, 930 00:41:57,640 --> 00:41:59,600 Speaker 3: just bugs twitching, and I sent a picture of the bugs, 931 00:41:59,600 --> 00:42:01,560 Speaker 3: which I will I have to post on our Instagram 932 00:42:01,640 --> 00:42:03,480 Speaker 3: so people can see. I'm so glad I took a 933 00:42:03,480 --> 00:42:05,799 Speaker 3: photo of it. He says, I'm looking into it now. 934 00:42:05,920 --> 00:42:07,560 Speaker 3: They had a tech issue about a month ago and 935 00:42:07,560 --> 00:42:10,920 Speaker 3: the show got compromised. No, I'll get to the bottom 936 00:42:10,920 --> 00:42:13,839 Speaker 3: of this. He goes, Okay, something went wrong. I don't 937 00:42:13,840 --> 00:42:17,120 Speaker 3: even know. I don't even know or recognize that pick. 938 00:42:17,760 --> 00:42:19,839 Speaker 3: And I said, this was okay, but not good enough. 939 00:42:19,880 --> 00:42:21,839 Speaker 3: And it was like a bunch of like it looks 940 00:42:21,880 --> 00:42:24,839 Speaker 3: like there's just like a smattering of like pink come 941 00:42:25,000 --> 00:42:27,600 Speaker 3: all over the screen. And then he goes, what about this? 942 00:42:27,640 --> 00:42:29,400 Speaker 3: And he sends the numbers. Then he says the elvis, 943 00:42:29,480 --> 00:42:32,000 Speaker 3: then sends the doves at the end. I said, okay, yes, 944 00:42:32,040 --> 00:42:33,680 Speaker 3: I saw the first two, but that third one I 945 00:42:33,680 --> 00:42:35,600 Speaker 3: think we left too soon for. But in between that 946 00:42:35,719 --> 00:42:38,439 Speaker 3: second photo and the third photo was legit, nothing good, 947 00:42:38,640 --> 00:42:39,280 Speaker 3: he says. 948 00:42:39,320 --> 00:42:42,000 Speaker 1: For like almost two hours. He says, I get it. 949 00:42:42,280 --> 00:42:43,840 Speaker 3: I just have such a passion for that band that 950 00:42:43,880 --> 00:42:46,400 Speaker 3: I can't think clearly everything they do. I go bonkers 951 00:42:46,440 --> 00:42:49,040 Speaker 3: for ah shit. I'm really sorry, Nick, I wish you 952 00:42:49,080 --> 00:42:50,440 Speaker 3: had a better time, but I'm glad you got to 953 00:42:50,440 --> 00:42:51,520 Speaker 3: see him next time we're out. 954 00:42:51,600 --> 00:42:54,239 Speaker 2: For next time we're out, lunch and dinner on me. 955 00:42:54,360 --> 00:42:55,160 Speaker 2: I oversold it. 956 00:42:55,200 --> 00:42:55,799 Speaker 1: This is on me. 957 00:42:56,040 --> 00:42:58,960 Speaker 3: I said, no, we loved hating it. I said, you 958 00:42:58,960 --> 00:43:00,560 Speaker 3: weren't the one who sold me on it. I would 959 00:43:00,600 --> 00:43:03,480 Speaker 3: have gone anyway, he said, Chris hated as well. I said, yes, 960 00:43:03,560 --> 00:43:05,279 Speaker 3: we we all did, and we are all having a 961 00:43:05,280 --> 00:43:07,760 Speaker 3: blast trashing it. We are howling laughing at these texts 962 00:43:07,760 --> 00:43:09,960 Speaker 3: from you, thinking you owe me lunch and dinner for 963 00:43:10,239 --> 00:43:14,240 Speaker 3: because of Bono's mediocrity. He says, fuck fuck fuck. It's painful, 964 00:43:14,280 --> 00:43:16,560 Speaker 3: but it's gotta be done. In fact, you know, fuck it. 965 00:43:16,640 --> 00:43:20,160 Speaker 3: I'm done. YouTube can go to pound sand. They fucked 966 00:43:20,160 --> 00:43:23,280 Speaker 3: my friends, so guess what they are fucking out cold play. 967 00:43:23,440 --> 00:43:25,919 Speaker 1: You're back. I'm jumping back in the pool. We don't 968 00:43:26,200 --> 00:43:27,000 Speaker 1: we don't we. 969 00:43:27,440 --> 00:43:30,480 Speaker 3: Something, We don't need this aggravation. Bono fucked us, and 970 00:43:30,520 --> 00:43:31,960 Speaker 3: now he's gonna pay Ellie. 971 00:43:32,760 --> 00:43:35,680 Speaker 2: He said, I hope that fucking sphere burns to the ground. 972 00:43:36,040 --> 00:43:37,720 Speaker 2: Fucking horseshit, knockoff ice. 973 00:43:37,840 --> 00:43:45,200 Speaker 3: It's crash, he said, they fucked you. He said, which 974 00:43:45,239 --> 00:43:47,520 Speaker 3: fucked me. On my recommendation, there will be a two 975 00:43:47,600 --> 00:43:51,480 Speaker 3: year band of no you two's your favorite band. 976 00:43:52,000 --> 00:43:52,640 Speaker 1: And I mean it. 977 00:43:52,840 --> 00:43:55,080 Speaker 3: If YouTube is in Saint Louis and Third Eye Blind 978 00:43:55,760 --> 00:43:57,719 Speaker 3: is also there, YouTube can pass in the wind and 979 00:43:57,719 --> 00:44:01,040 Speaker 3: all go support the blind guys. He says, love you, niky, 980 00:44:01,080 --> 00:44:03,000 Speaker 3: I'll pick a winner next time with big hugs. 981 00:44:03,560 --> 00:44:03,880 Speaker 1: Damn. 982 00:44:05,680 --> 00:44:07,920 Speaker 2: It made me laugh so fucking hard. 983 00:44:08,200 --> 00:44:10,239 Speaker 3: His passion for this band, and like he had to 984 00:44:10,280 --> 00:44:12,719 Speaker 3: go check with and he follows up again and he's like, 985 00:44:12,719 --> 00:44:13,960 Speaker 3: there weren't technical issues. 986 00:44:14,000 --> 00:44:14,919 Speaker 2: They have resolved them. 987 00:44:15,680 --> 00:44:17,920 Speaker 3: I want to know we got to talk about Will 988 00:44:17,920 --> 00:44:21,759 Speaker 3: you talk about the balloon? Oh yeah, okay, let me 989 00:44:21,800 --> 00:44:23,960 Speaker 3: just say what I said to Sean. I'm so sorry, 990 00:44:24,080 --> 00:44:25,520 Speaker 3: I said, Sean, we all agree that you need to 991 00:44:25,600 --> 00:44:26,799 Speaker 3: answer for the balloon song. 992 00:44:26,880 --> 00:44:28,160 Speaker 1: All right, we know you saw it. 993 00:44:28,760 --> 00:44:31,920 Speaker 3: Please tell us how you defend that, and how you 994 00:44:32,000 --> 00:44:35,719 Speaker 3: defend in the and how please tell us how you 995 00:44:35,719 --> 00:44:37,480 Speaker 3: defend that and how you defended it in the moment 996 00:44:37,520 --> 00:44:39,600 Speaker 3: that night. You cannot forget the balloon moment where he 997 00:44:39,680 --> 00:44:42,360 Speaker 3: is walking aimlessly around the stage holding a balloon, asking 998 00:44:42,360 --> 00:44:44,400 Speaker 3: the audience where his keys are, and then going to 999 00:44:44,480 --> 00:44:47,920 Speaker 3: a door and knocking and no one's inside. And we 1000 00:44:47,960 --> 00:44:50,120 Speaker 3: will talk about the balloon moment, which Brian has a 1001 00:44:50,160 --> 00:44:52,000 Speaker 3: lot of thoughts on when we come back up to this. 1002 00:44:54,680 --> 00:44:55,399 Speaker 2: All right, we're back. 1003 00:44:55,480 --> 00:44:57,560 Speaker 3: I love that this whole show is about you two 1004 00:44:57,880 --> 00:45:02,239 Speaker 3: your experience, because this about something. 1005 00:45:02,239 --> 00:45:06,120 Speaker 1: It's so long. I mean, yeah, someone's got to agree with. 1006 00:45:06,080 --> 00:45:09,120 Speaker 2: You can't get to that yet that was a success. 1007 00:45:09,200 --> 00:45:12,160 Speaker 1: That's not interesting. I think the worst part of the show, 1008 00:45:12,160 --> 00:45:15,640 Speaker 1: to be honest, is Bono because he does a lot 1009 00:45:15,640 --> 00:45:18,960 Speaker 1: of pandering during the show. At one point he starts 1010 00:45:19,000 --> 00:45:23,840 Speaker 1: talking Everything he says is like some weird phrase from 1011 00:45:23,880 --> 00:45:28,680 Speaker 1: like an inspirational Instagram post that means nothing to anybody 1012 00:45:28,719 --> 00:45:31,239 Speaker 1: and you can interpret it whoever you want. So like, 1013 00:45:31,560 --> 00:45:33,439 Speaker 1: there's one time when he's leading up to a song 1014 00:45:33,680 --> 00:45:37,319 Speaker 1: and he's talking about how you, uh, no one can 1015 00:45:37,360 --> 00:45:40,279 Speaker 1: take away your freedom. He does like this speech from 1016 00:45:41,160 --> 00:45:44,560 Speaker 1: Braveheart basically, and he says no one could. And I 1017 00:45:44,560 --> 00:45:46,719 Speaker 1: can see there's people in the audience who view that 1018 00:45:46,760 --> 00:45:48,600 Speaker 1: no one could take away your freedom thing from this 1019 00:45:48,800 --> 00:45:51,120 Speaker 1: right side by saying like oh yeah, no, one's gonna 1020 00:45:51,120 --> 00:45:53,200 Speaker 1: take away our guns. And then there's people who view 1021 00:45:53,280 --> 00:45:55,520 Speaker 1: it from the left side who are like, oh, yeah, no, 1022 00:45:55,520 --> 00:45:57,840 Speaker 1: one's gonna take away our right to have abortions. But 1023 00:45:57,920 --> 00:46:00,799 Speaker 1: he never takes a lane. He says stuff like that 1024 00:46:00,800 --> 00:46:04,359 Speaker 1: that means nothing to He's not taking a side either 1025 00:46:04,400 --> 00:46:08,440 Speaker 1: way ever, right, and then at one point he starts 1026 00:46:08,480 --> 00:46:13,560 Speaker 1: complaining about how expensive the hotel rooms are this fucking 1027 00:46:13,760 --> 00:46:17,520 Speaker 1: wired during the Super Bowl weekend, as if he has 1028 00:46:17,719 --> 00:46:20,239 Speaker 1: bought a hotel room in the last hundred years. 1029 00:46:20,080 --> 00:46:21,719 Speaker 2: Making a point about capitalism. 1030 00:46:21,800 --> 00:46:23,839 Speaker 3: And I think he said we you know, maybe he 1031 00:46:23,880 --> 00:46:25,759 Speaker 3: was even saying, like, we know how much you spent 1032 00:46:25,840 --> 00:46:27,719 Speaker 3: to be here, some giving some kind of nod to that. 1033 00:46:27,760 --> 00:46:30,240 Speaker 2: It might have been that he says, even we. 1034 00:46:30,120 --> 00:46:33,719 Speaker 3: Know the hotel rooms were so expensive, something about the 1035 00:46:33,880 --> 00:46:40,000 Speaker 3: to the lose he is on orbits, checking, comparing and 1036 00:46:40,040 --> 00:46:40,719 Speaker 3: trying to save. 1037 00:46:41,239 --> 00:46:44,239 Speaker 1: He's trying to relate to the public. Oh, I know 1038 00:46:44,400 --> 00:46:47,880 Speaker 1: how expensive the hotel rooms must have been being Super 1039 00:46:47,880 --> 00:46:50,000 Speaker 1: Bowl weekend, and is that's so annoying? 1040 00:46:50,239 --> 00:46:54,000 Speaker 3: No, but he was even like, I like that because 1041 00:46:54,040 --> 00:46:57,000 Speaker 3: you can still be privileged and acknowledge how expensive things are. 1042 00:46:58,840 --> 00:47:01,160 Speaker 3: He said he was looking for a hotel room for 1043 00:47:01,280 --> 00:47:03,320 Speaker 3: his band. That was my problem? 1044 00:47:03,320 --> 00:47:03,719 Speaker 1: What was that? 1045 00:47:03,760 --> 00:47:06,439 Speaker 4: Noah said, isn't he also part of the problem because 1046 00:47:06,480 --> 00:47:08,080 Speaker 4: you two is also there that weekend? 1047 00:47:08,239 --> 00:47:10,200 Speaker 1: No, no, give about that that weekend. 1048 00:47:11,640 --> 00:47:13,319 Speaker 2: It was definitely yeah that that. 1049 00:47:13,600 --> 00:47:17,560 Speaker 3: I've never been somewhere where everything is about one thing 1050 00:47:17,719 --> 00:47:19,880 Speaker 3: more than like it felt like Lola Palooza. 1051 00:47:20,000 --> 00:47:21,560 Speaker 1: There was a reminded me of going to like a 1052 00:47:21,640 --> 00:47:25,239 Speaker 1: music festival for football, though it was a festival for football. 1053 00:47:25,360 --> 00:47:27,680 Speaker 1: I loved it. But yeah, he was He was like, 1054 00:47:27,719 --> 00:47:30,719 Speaker 1: I went on Expedia dot com and try to find 1055 00:47:30,760 --> 00:47:34,720 Speaker 1: a hotel and it was four hundred dollars. What about 1056 00:47:34,719 --> 00:47:39,320 Speaker 1: his thing about science and art? Everything he said was bullshit? 1057 00:47:39,400 --> 00:47:42,160 Speaker 1: He just it was so point. He started rambling. He 1058 00:47:42,560 --> 00:47:45,600 Speaker 1: was rambling the entire time. At one point he thanked 1059 00:47:45,640 --> 00:47:47,320 Speaker 1: Steve Jobs out of nowhere. 1060 00:47:47,560 --> 00:47:48,200 Speaker 2: I missed that. 1061 00:47:48,320 --> 00:47:51,040 Speaker 1: But yeah, it was just like I want to thank Malala. 1062 00:47:51,200 --> 00:47:53,880 Speaker 1: I wanted to thank all of the immigrants, all of 1063 00:47:53,920 --> 00:47:54,400 Speaker 1: the ref. 1064 00:47:54,320 --> 00:48:01,400 Speaker 2: And it was very like there was It felt like 1065 00:48:01,480 --> 00:48:03,000 Speaker 2: he wasn't the most lucid. 1066 00:48:02,760 --> 00:48:04,680 Speaker 1: But no, and it all came to a head during 1067 00:48:04,719 --> 00:48:05,399 Speaker 1: the balloon thing. 1068 00:48:05,800 --> 00:48:08,280 Speaker 3: It didn't feel like he was like had a mental condition. 1069 00:48:08,400 --> 00:48:10,680 Speaker 3: Or he was on anything. It felt like this is 1070 00:48:10,680 --> 00:48:15,359 Speaker 3: what happens when you are in gosh so cool. Yeah, 1071 00:48:15,400 --> 00:48:17,480 Speaker 3: like your brain turns to mush. 1072 00:48:17,600 --> 00:48:19,960 Speaker 1: No one has been correcting you or telling you that's 1073 00:48:20,040 --> 00:48:24,080 Speaker 1: lame or that makes no sense for problems. 1074 00:48:23,000 --> 00:48:25,800 Speaker 3: Inside, like this is a sunglasses inside mind. 1075 00:48:26,080 --> 00:48:28,359 Speaker 1: That's right, And it all came to a head during 1076 00:48:28,360 --> 00:48:28,800 Speaker 1: the balloon. 1077 00:48:29,640 --> 00:48:31,600 Speaker 3: He's a good person though, like he was talking about 1078 00:48:31,600 --> 00:48:33,320 Speaker 3: AIDS again and stuff, and I think he's done a 1079 00:48:33,360 --> 00:48:35,359 Speaker 3: lot of good work. Like I think ultimately, I think 1080 00:48:35,400 --> 00:48:38,080 Speaker 3: he's just his brain is mush because he's too famous. 1081 00:48:38,600 --> 00:48:42,480 Speaker 1: That's probably right. And but what he says, they're they're 1082 00:48:42,560 --> 00:48:45,640 Speaker 1: frivolous phrases that they mean thing. 1083 00:48:45,880 --> 00:48:49,360 Speaker 3: Yeah, but they see they dumb people think he's taking 1084 00:48:49,400 --> 00:48:51,800 Speaker 3: a stand and representing them, and that is. 1085 00:48:51,920 --> 00:48:53,120 Speaker 2: That's America now, baby. 1086 00:48:53,200 --> 00:48:56,560 Speaker 3: It's just like everyone's scared to take a stand, so 1087 00:48:56,600 --> 00:48:57,399 Speaker 3: you just the. 1088 00:48:57,320 --> 00:48:58,880 Speaker 2: Smart people, which he could be smart. 1089 00:48:58,920 --> 00:49:05,160 Speaker 3: He could be just towing that middle line very yes, elegantly, 1090 00:49:05,200 --> 00:49:07,080 Speaker 3: But I don't know. I think he just I think 1091 00:49:07,120 --> 00:49:08,920 Speaker 3: he thinks he's smarter than he is a little bit. 1092 00:49:09,000 --> 00:49:11,399 Speaker 3: But I really wasn't couldn't really hear what he was saying. 1093 00:49:11,440 --> 00:49:13,560 Speaker 3: Most of the time, but that balloon thing where he 1094 00:49:13,680 --> 00:49:15,680 Speaker 3: so there's a song where he has a balloon. 1095 00:49:16,040 --> 00:49:19,120 Speaker 1: There's they dropped round a big rope from the ceiling 1096 00:49:19,239 --> 00:49:20,400 Speaker 1: at the very long. 1097 00:49:20,239 --> 00:49:21,759 Speaker 2: Point three hundred feet up. 1098 00:49:21,760 --> 00:49:23,799 Speaker 1: They drop a rope, and we're like, what the fuck 1099 00:49:23,920 --> 00:49:26,200 Speaker 1: is he gonna do? Is he gonna do acrobatics? 1100 00:49:26,280 --> 00:49:30,319 Speaker 3: That was cool, Katie or a pink perform on this road? 1101 00:49:30,360 --> 00:49:32,000 Speaker 3: Like is he gonna spin around? I thought of the 1102 00:49:32,160 --> 00:49:34,240 Speaker 3: I thought there's no way that was gonna happen. Chris 1103 00:49:34,280 --> 00:49:35,920 Speaker 3: said said something to me about like he's gonna like 1104 00:49:35,920 --> 00:49:38,200 Speaker 3: attach himself to do him Like, no, he's an old man, that's. 1105 00:49:38,040 --> 00:49:38,600 Speaker 1: Not gonna happen. 1106 00:49:38,960 --> 00:49:40,520 Speaker 2: But I thought something cool could happen. 1107 00:49:40,880 --> 00:49:43,960 Speaker 3: But instead a balloon appears on the screen, and not 1108 00:49:44,000 --> 00:49:45,600 Speaker 3: like a real balloon, which would have been cool, like 1109 00:49:45,600 --> 00:49:49,120 Speaker 3: a photo graphic looking balloon, like it almost looks like 1110 00:49:49,160 --> 00:49:50,920 Speaker 3: there's an actual balloon in the room. It was a 1111 00:49:50,920 --> 00:49:53,400 Speaker 3: cartoon drawn obviously, like really crude. 1112 00:49:53,160 --> 00:49:54,960 Speaker 1: Drawn balloon, like a kid drew it. 1113 00:49:55,080 --> 00:49:57,160 Speaker 3: Like a kid drew it, yes, And then this rope 1114 00:49:57,239 --> 00:49:59,319 Speaker 3: is attached to it, and then he walks around a 1115 00:49:59,360 --> 00:50:02,800 Speaker 3: little stage that is probably like twenty feet by twenty 1116 00:50:02,800 --> 00:50:05,120 Speaker 3: feet and he walks the perimeter of the stage, and 1117 00:50:05,120 --> 00:50:07,960 Speaker 3: then on the stage the real graphics start to show up, 1118 00:50:08,000 --> 00:50:10,279 Speaker 3: and there's a sidewalk that starts to move like an 1119 00:50:10,320 --> 00:50:13,279 Speaker 3: animated sidewalk that looks like a treadmill almost, and he's 1120 00:50:13,320 --> 00:50:15,440 Speaker 3: walking so it looks like he's walking more than he is. 1121 00:50:16,239 --> 00:50:18,720 Speaker 1: And that's where they chose to really. 1122 00:50:19,040 --> 00:50:21,400 Speaker 3: Spend the money on the graphics was the little slice 1123 00:50:21,440 --> 00:50:24,840 Speaker 3: of sidewalk on the stage while we're watching a balloon 1124 00:50:24,920 --> 00:50:27,640 Speaker 3: that someone drew with their left hand in the dark 1125 00:50:28,520 --> 00:50:30,680 Speaker 3: on a chalkboard and an old child. It's like the 1126 00:50:30,800 --> 00:50:33,439 Speaker 3: ugliest thing. And then he's singing about well, I don't 1127 00:50:33,440 --> 00:50:34,680 Speaker 3: even know what the song was about, but then he 1128 00:50:34,760 --> 00:50:37,879 Speaker 3: talks in between the verses and what. 1129 00:50:37,880 --> 00:50:40,160 Speaker 1: Was he saying. He's just holding the rope, by the way, 1130 00:50:40,239 --> 00:50:43,080 Speaker 1: the rope is useless. It's just I'm holding a rope 1131 00:50:43,160 --> 00:50:45,839 Speaker 1: now and apparently Brian rope. 1132 00:50:46,080 --> 00:50:49,919 Speaker 3: They've reworked that song so many times because I went 1133 00:50:49,960 --> 00:50:53,160 Speaker 3: into some YouTube subreddits and was like reading about people's 1134 00:50:53,200 --> 00:50:57,880 Speaker 3: interpretive because people think YouTube YouTube fans are sucking, and like, 1135 00:50:58,040 --> 00:51:00,600 Speaker 3: I know, Softie's gonna be really in saying sometimes too, 1136 00:51:00,640 --> 00:51:03,640 Speaker 3: and I guess every stand culture has them, but people 1137 00:51:03,719 --> 00:51:07,680 Speaker 3: that think everything they do is some incredible you know, 1138 00:51:07,920 --> 00:51:11,200 Speaker 3: and that's why he is. And so they were really 1139 00:51:11,239 --> 00:51:14,799 Speaker 3: analyzing that and trying to just pull any meeting out 1140 00:51:14,840 --> 00:51:18,960 Speaker 3: of this just dry sponge, just and it's so funny 1141 00:51:19,000 --> 00:51:22,279 Speaker 3: because because it keeps changing and there's no rhyme or 1142 00:51:22,320 --> 00:51:24,840 Speaker 3: reason like. So they at first he's looking for the 1143 00:51:24,880 --> 00:51:31,600 Speaker 3: balloon and his daughter's no like because I'm talking about 1144 00:51:31,640 --> 00:51:34,240 Speaker 3: earlier once people said that it was like his daughter's balloon, 1145 00:51:34,480 --> 00:51:36,799 Speaker 3: or it was a little girl came on stage and 1146 00:51:36,800 --> 00:51:37,560 Speaker 3: it was her balloon. 1147 00:51:37,600 --> 00:51:37,680 Speaker 1: Like. 1148 00:51:37,680 --> 00:51:41,600 Speaker 3: They tried different things with this balloon bullshit, And the 1149 00:51:41,640 --> 00:51:44,560 Speaker 3: one we saw he had lost his keys. 1150 00:51:44,200 --> 00:51:48,360 Speaker 1: Right, he's walking around He's walking around town holding a balloon, 1151 00:51:49,080 --> 00:51:51,919 Speaker 1: trying to find his home and saying he can't find 1152 00:51:51,920 --> 00:51:53,959 Speaker 1: his keys. And then he walks up to a door 1153 00:51:54,120 --> 00:51:57,160 Speaker 1: that's not his and rings the doorbell and no one answers, 1154 00:51:57,400 --> 00:51:59,600 Speaker 1: And we're supposed to take that as anything other than 1155 00:51:59,640 --> 00:52:03,040 Speaker 1: he's got dementia. That is exactly what dementia people. 1156 00:52:02,760 --> 00:52:05,960 Speaker 3: Do it, Yeah, because then the image on the screen 1157 00:52:06,120 --> 00:52:08,160 Speaker 3: is like a zoom, like you're looking at a camera 1158 00:52:08,200 --> 00:52:11,080 Speaker 3: on your front eye lens fish eye lens, which was 1159 00:52:11,160 --> 00:52:14,120 Speaker 3: cool in the nineties, like to like have a big. 1160 00:52:13,920 --> 00:52:16,960 Speaker 2: Image of like someone being like whoa looking in like? 1161 00:52:17,760 --> 00:52:20,880 Speaker 1: It was so bad, I find my keys. I guess 1162 00:52:20,960 --> 00:52:21,960 Speaker 1: this isn't my house. 1163 00:52:22,440 --> 00:52:25,359 Speaker 3: Sean said, they just keep fucking with it. I said, 1164 00:52:25,360 --> 00:52:27,479 Speaker 3: what about the balloon thing? Are you two fans talking 1165 00:52:27,480 --> 00:52:29,360 Speaker 3: about it? First of all, he said, here's the problem. 1166 00:52:29,440 --> 00:52:30,239 Speaker 1: It was on the edge. 1167 00:52:30,280 --> 00:52:33,400 Speaker 2: His wife was in on it, edges, the edges of 1168 00:52:33,440 --> 00:52:34,000 Speaker 2: the star. 1169 00:52:33,840 --> 00:52:35,400 Speaker 1: Player, right, yeah, yeah, it was. 1170 00:52:36,160 --> 00:52:37,920 Speaker 3: So. I asked about the balloon thing from him, and 1171 00:52:37,960 --> 00:52:40,160 Speaker 3: he goes, well, the good news is I missed it 1172 00:52:40,200 --> 00:52:42,160 Speaker 3: because the band just got over COVID, so they didn't 1173 00:52:42,160 --> 00:52:44,200 Speaker 3: do it. So he did they had just gotten over COVID, 1174 00:52:44,239 --> 00:52:46,560 Speaker 3: so they didn't do the balloon thing. He said, oh wait, 1175 00:52:46,800 --> 00:52:49,239 Speaker 3: that was about something else. He goes, those motherfuckers, I 1176 00:52:49,239 --> 00:52:51,239 Speaker 3: thought they dropped that bit. 1177 00:52:51,640 --> 00:52:53,480 Speaker 1: He's so mad to here it's still on the thing. 1178 00:52:53,840 --> 00:52:56,600 Speaker 3: He goes, here's the problem. It was the edge. His 1179 00:52:56,640 --> 00:52:58,799 Speaker 3: wife was in on it. Bono wanted no part of 1180 00:52:59,000 --> 00:53:02,680 Speaker 3: part of this hopscot nonsense. He was literally doing hop 1181 00:53:02,719 --> 00:53:05,960 Speaker 3: scotch holding this rope, but he didn't want to offend 1182 00:53:06,000 --> 00:53:08,359 Speaker 3: the Edge's wife, Well, fuck man, here we go. Let's 1183 00:53:08,400 --> 00:53:12,239 Speaker 3: just prance around with this nonsensical balloon and next bring 1184 00:53:12,280 --> 00:53:14,640 Speaker 3: out a seesaw. It was a fucking abhorreent, but I 1185 00:53:14,640 --> 00:53:16,839 Speaker 3: gave him a pass to keep the wife happy. But 1186 00:53:16,920 --> 00:53:19,239 Speaker 3: to bring it back this is repugnant and I need 1187 00:53:19,239 --> 00:53:23,360 Speaker 3: to rethink this band altogether. Fucking next year, the drummer 1188 00:53:23,440 --> 00:53:27,240 Speaker 3: is gonna start jumping rope drink during a guitar solo. 1189 00:53:27,560 --> 00:53:28,120 Speaker 1: I'll tweet it. 1190 00:53:28,160 --> 00:53:31,000 Speaker 3: Some people, and he goes, I'll tweet it some people 1191 00:53:31,000 --> 00:53:33,520 Speaker 3: and do some damage control. So he's gonna ask around. 1192 00:53:33,880 --> 00:53:36,120 Speaker 3: He said, Okay, here's what I found out. They just 1193 00:53:36,200 --> 00:53:39,080 Speaker 3: keep fucking with it, meaning the balloon song. The second 1194 00:53:39,320 --> 00:53:41,400 Speaker 3: for the second show, a girl was swinging from the 1195 00:53:41,480 --> 00:53:42,480 Speaker 3: rope and fell out. 1196 00:53:42,920 --> 00:53:46,320 Speaker 1: Oh my god, he says. The whole thing is fucked. 1197 00:53:46,440 --> 00:53:47,879 Speaker 2: I can't believe they brought it back. 1198 00:53:48,600 --> 00:53:48,960 Speaker 1: Wow. 1199 00:53:51,040 --> 00:53:52,400 Speaker 2: I just nothing. 1200 00:53:53,160 --> 00:53:55,640 Speaker 3: When he was so apologetic about it being bad, I 1201 00:53:55,719 --> 00:53:59,200 Speaker 3: was like, Sean, I don't think there's any more joy. 1202 00:53:59,320 --> 00:54:01,480 Speaker 3: I think hat it has brought me so much more 1203 00:54:01,560 --> 00:54:02,400 Speaker 3: joy than loving it. 1204 00:54:02,760 --> 00:54:03,120 Speaker 1: M hm. 1205 00:54:03,680 --> 00:54:06,120 Speaker 3: Like as much I really wish I could have loved it, 1206 00:54:06,200 --> 00:54:08,400 Speaker 3: I wanted to have an experience. That was why we 1207 00:54:08,440 --> 00:54:11,960 Speaker 3: did it. But like coming out of it, I just do. 1208 00:54:12,160 --> 00:54:17,160 Speaker 3: I do feel so removed from my fellow man though 1209 00:54:17,200 --> 00:54:21,160 Speaker 3: that I can't find one person echoing the same sentiments. 1210 00:54:21,400 --> 00:54:24,319 Speaker 3: But thank god us four we're all together because Chris 1211 00:54:24,400 --> 00:54:26,280 Speaker 3: and I can kind of get of the same mind sometimes, 1212 00:54:26,360 --> 00:54:27,759 Speaker 3: you know, I think couples can do that when you 1213 00:54:27,800 --> 00:54:29,960 Speaker 3: watch something and you can just like get into each 1214 00:54:29,960 --> 00:54:32,120 Speaker 3: other's heads about it. But thank god it was four 1215 00:54:32,160 --> 00:54:35,240 Speaker 3: of us who had all the same experience, and you, 1216 00:54:35,239 --> 00:54:37,480 Speaker 3: you and Allie were mostly talking and then me and 1217 00:54:37,560 --> 00:54:39,799 Speaker 3: Chris like we weren't all. It wasn't til the end 1218 00:54:39,880 --> 00:54:41,719 Speaker 3: of the show after we left that we were all like, 1219 00:54:42,280 --> 00:54:43,120 Speaker 3: what the fuck was that? 1220 00:54:43,719 --> 00:54:46,000 Speaker 1: Yeah, so we weren't like feeding. 1221 00:54:45,640 --> 00:54:48,240 Speaker 3: Each other throughout it, except when I bet you twenty dollars. 1222 00:54:49,840 --> 00:54:51,680 Speaker 1: No. Ali hated it. I couldn't wait to leave. I 1223 00:54:51,719 --> 00:54:53,359 Speaker 1: was hoping we would leave early, but I didn't want 1224 00:54:53,400 --> 00:54:54,279 Speaker 1: to insult you because you. 1225 00:54:54,520 --> 00:54:58,160 Speaker 3: No, no, no, I'm I'm all for a leave early. 1226 00:54:58,239 --> 00:55:00,799 Speaker 3: And that was although I didn't not leave early for 1227 00:55:00,840 --> 00:55:05,000 Speaker 3: the first time ever at my my tenth Taylor Swift concert, 1228 00:55:05,040 --> 00:55:10,719 Speaker 3: which I attended in Melbourne. Final thought, I went to 1229 00:55:10,719 --> 00:55:13,480 Speaker 3: see Taylor Swift three more times, twice in Melbourne, three 1230 00:55:14,320 --> 00:55:15,120 Speaker 3: once in Sydney. 1231 00:55:16,239 --> 00:55:17,120 Speaker 2: Yeah, it was gonna be two. 1232 00:55:17,160 --> 00:55:19,520 Speaker 3: But then our friends had tickets to one of the 1233 00:55:19,560 --> 00:55:21,400 Speaker 3: Melbourne shows, and then I had tickets to the other one, 1234 00:55:21,440 --> 00:55:23,160 Speaker 3: and we were all going to go together. 1235 00:55:22,960 --> 00:55:23,600 Speaker 1: To one of them. 1236 00:55:24,360 --> 00:55:25,840 Speaker 3: And then when I found out they had tickets to 1237 00:55:25,880 --> 00:55:27,719 Speaker 3: a separate and I thought we both had tickets on 1238 00:55:27,719 --> 00:55:29,120 Speaker 3: the same night. So I was like, oh, yeah, we'll 1239 00:55:29,200 --> 00:55:31,319 Speaker 3: use whoever tickets are better and sell the others or 1240 00:55:31,320 --> 00:55:33,560 Speaker 3: give them to our friends. But then I found out 1241 00:55:33,560 --> 00:55:35,560 Speaker 3: that they had tickets for a different night, and they 1242 00:55:35,560 --> 00:55:38,040 Speaker 3: were like, we'll just go one night, and I go, 1243 00:55:38,239 --> 00:55:41,840 Speaker 3: I'm sorry, like I can't have a chance to go 1244 00:55:41,880 --> 00:55:44,000 Speaker 3: see here. I like, I have to use I'll buy 1245 00:55:44,080 --> 00:55:46,960 Speaker 3: those two, like I'm going both nights. So we went 1246 00:55:47,000 --> 00:55:50,719 Speaker 3: both nights. I went best nights, So did my friend back. 1247 00:55:52,640 --> 00:55:54,600 Speaker 3: She went with me both nights. One night I went 1248 00:55:54,600 --> 00:55:57,280 Speaker 3: with her and her boyfriend and his sister, and another 1249 00:55:57,360 --> 00:55:58,680 Speaker 3: night we went with all her friends. 1250 00:55:59,400 --> 00:56:00,680 Speaker 2: We had a may seats. 1251 00:56:00,680 --> 00:56:03,799 Speaker 3: It was so good and and for the eleventh and 1252 00:56:04,120 --> 00:56:08,680 Speaker 3: tenth and eleventh show of my Eras tour, going you know, 1253 00:56:08,760 --> 00:56:10,799 Speaker 3: seeing the show I stayed for the whole show. I've 1254 00:56:10,840 --> 00:56:13,319 Speaker 3: never stayed until the very end because I'm scared of 1255 00:56:13,400 --> 00:56:14,640 Speaker 3: like mass exoduses. 1256 00:56:14,960 --> 00:56:16,440 Speaker 1: Oh yeah, I. 1257 00:56:16,440 --> 00:56:18,279 Speaker 2: Just you know, like Noah, we even loved. 1258 00:56:18,480 --> 00:56:19,320 Speaker 1: I kind of like Karma. 1259 00:56:19,800 --> 00:56:22,279 Speaker 3: I like I liked leaving and dancing to Karma as 1260 00:56:22,280 --> 00:56:23,960 Speaker 3: I leave, But I've never been in my seat and 1261 00:56:24,000 --> 00:56:26,080 Speaker 3: like waving at her when she goes away, and liked 1262 00:56:26,320 --> 00:56:28,000 Speaker 3: when she introduced when she says thank you to the 1263 00:56:28,040 --> 00:56:29,759 Speaker 3: band and everyone. So it was really fun to say 1264 00:56:29,760 --> 00:56:31,600 Speaker 3: to the end. And it wasn't bad getting out at all. 1265 00:56:31,640 --> 00:56:34,879 Speaker 3: I was scared of nothing but Ilia. I did leave 1266 00:56:34,880 --> 00:56:37,640 Speaker 3: on the twelfth show early because there was an uber 1267 00:56:37,680 --> 00:56:39,160 Speaker 3: situation we had to attend to. 1268 00:56:39,280 --> 00:56:43,200 Speaker 1: But I left during Mastermind. If if Swifties are listening. 1269 00:56:43,560 --> 00:56:45,279 Speaker 3: And that is the time that you you only need 1270 00:56:45,320 --> 00:56:47,440 Speaker 3: to leave during Mastermind, You're gonna miss Karma. But like, 1271 00:56:47,600 --> 00:56:50,120 Speaker 3: you will save yourself hours if you leave during those. 1272 00:56:50,160 --> 00:56:52,480 Speaker 3: But I also understand if you don't want to. They 1273 00:56:52,480 --> 00:56:56,120 Speaker 3: were amazing. They were just that she was in the 1274 00:56:56,160 --> 00:56:58,080 Speaker 3: best mood. My girl is in love. I have not 1275 00:56:58,200 --> 00:57:00,799 Speaker 3: seen her since she's been like very love and like 1276 00:57:01,280 --> 00:57:04,440 Speaker 3: people who are in love are just happier. You know, 1277 00:57:04,560 --> 00:57:07,520 Speaker 3: like they're just gonna be doing like she puts on 1278 00:57:07,560 --> 00:57:10,400 Speaker 3: the bush like I would never It was not remarkably 1279 00:57:10,440 --> 00:57:14,359 Speaker 3: noticeable in any way, but she's just like killing it. 1280 00:57:14,760 --> 00:57:15,600 Speaker 1: She's so amazing. 1281 00:57:15,680 --> 00:57:18,280 Speaker 3: And I also this weekend was doing the sound mixing 1282 00:57:18,440 --> 00:57:20,160 Speaker 3: for this is a Swifty segment. 1283 00:57:20,600 --> 00:57:21,160 Speaker 1: I was doing the. 1284 00:57:21,120 --> 00:57:25,680 Speaker 3: Sound mixing for my special and I saw like a 1285 00:57:25,720 --> 00:57:29,040 Speaker 3: reputation poster on the wall and then it's like Taylor 1286 00:57:29,040 --> 00:57:30,520 Speaker 3: Swift's been here, right, and they're like, oh, yeah, she 1287 00:57:30,560 --> 00:57:33,040 Speaker 3: was here for Eras And I was like, you did 1288 00:57:33,160 --> 00:57:34,800 Speaker 3: sound mixing for Eras. He was like I was like 1289 00:57:34,840 --> 00:57:36,840 Speaker 3: you did, and my sound mixer, Brian was like, yeah 1290 00:57:36,880 --> 00:57:40,160 Speaker 3: I did. And I was like, oh my god, tell 1291 00:57:40,240 --> 00:57:42,360 Speaker 3: me every anything. And of course he has to sign 1292 00:57:42,360 --> 00:57:44,160 Speaker 3: it NDA, so he couldn't tell me anything. But I 1293 00:57:44,200 --> 00:57:46,680 Speaker 3: was just like, where was she sitting? Can I just 1294 00:57:46,720 --> 00:57:48,680 Speaker 3: sit there? And he was like right there, and so 1295 00:57:48,760 --> 00:57:50,240 Speaker 3: I moved to that chair and I was like here, 1296 00:57:50,320 --> 00:57:51,560 Speaker 3: and everyone in the room was kind of. 1297 00:57:51,480 --> 00:57:52,240 Speaker 1: Like chill out. 1298 00:57:52,240 --> 00:57:54,560 Speaker 3: But I was like, I couldn't the chairs move around 1299 00:57:54,600 --> 00:57:56,200 Speaker 3: a lot in there, so I couldn't be sure it 1300 00:57:56,240 --> 00:57:57,640 Speaker 3: was the right chair, but it was definitely the right 1301 00:57:57,680 --> 00:58:00,880 Speaker 3: like thing I was like leaning on and he just 1302 00:58:00,880 --> 00:58:03,120 Speaker 3: said that she was, you know, he said, whatever is 1303 00:58:03,120 --> 00:58:05,440 Speaker 3: true about her, which is like she just knows what 1304 00:58:05,480 --> 00:58:07,800 Speaker 3: she wants and she's so professional and she's just the pro. 1305 00:58:08,200 --> 00:58:11,240 Speaker 3: And then I asked him, which he has no right 1306 00:58:11,280 --> 00:58:16,120 Speaker 3: to tell me, probably, but I asked him on you know, 1307 00:58:16,560 --> 00:58:20,120 Speaker 3: on the secret songs, the surprise songs, which are the 1308 00:58:20,120 --> 00:58:22,480 Speaker 3: ones she does acoustically just with her piano, just with 1309 00:58:22,480 --> 00:58:26,640 Speaker 3: her guitar. There's no backing vocals. I said, did you 1310 00:58:26,680 --> 00:58:29,160 Speaker 3: have a little so and song so those like you know, 1311 00:58:29,240 --> 00:58:31,280 Speaker 3: for I would expect if it were me for my 1312 00:58:31,400 --> 00:58:34,480 Speaker 3: concert film, I would maybe redo the vocals on that 1313 00:58:34,560 --> 00:58:37,200 Speaker 3: if I thought any of the vocals weren't top tiptop shape. 1314 00:58:37,240 --> 00:58:38,080 Speaker 1: And he goes, not. 1315 00:58:38,240 --> 00:58:42,160 Speaker 3: A thing, fucking straight up her voice, little thing. That's 1316 00:58:42,240 --> 00:58:42,840 Speaker 3: my girl. 1317 00:58:42,960 --> 00:58:43,800 Speaker 2: I fucking knew it. 1318 00:58:43,920 --> 00:58:47,640 Speaker 3: She's the best, and she does you know, some pretty 1319 00:58:47,880 --> 00:58:51,360 Speaker 3: intensely vocal songs. For those two songs, it's just so amazing. 1320 00:58:51,440 --> 00:58:53,080 Speaker 3: I'm just like so, I was so in awe, but 1321 00:58:53,160 --> 00:58:54,479 Speaker 3: it was so cool to be in like the same 1322 00:58:54,560 --> 00:58:56,080 Speaker 3: space as where she was gonna be. 1323 00:58:56,240 --> 00:58:59,680 Speaker 4: And just update for our besties. Do you have a 1324 00:58:59,760 --> 00:59:01,960 Speaker 4: name for your special Oh yeah, but. 1325 00:59:01,920 --> 00:59:03,000 Speaker 2: I don't think I can say it. 1326 00:59:03,320 --> 00:59:06,480 Speaker 1: No, no, you don't have to say it. Oh yeah, oh 1327 00:59:06,520 --> 00:59:06,720 Speaker 1: I have. 1328 00:59:06,840 --> 00:59:08,240 Speaker 2: I've landed on a name. 1329 00:59:08,480 --> 00:59:12,080 Speaker 3: Yes, and it was came from I've told you, right, 1330 00:59:12,080 --> 00:59:13,960 Speaker 3: b yeah, Brian, you know it. 1331 00:59:14,280 --> 00:59:18,800 Speaker 1: I don't think the song. I don't know. 1332 00:59:18,800 --> 00:59:24,880 Speaker 3: If you remember the name of the song, it should 1333 00:59:24,920 --> 00:59:28,440 Speaker 3: be called Stuck in a Moment, because no, it's uh, 1334 00:59:28,480 --> 00:59:31,280 Speaker 3: it's yeah. I like the name, it's yeah. 1335 00:59:31,320 --> 00:59:33,360 Speaker 1: Yeah, So now I know the name of the song. 1336 00:59:33,680 --> 00:59:36,240 Speaker 1: Is that even a that's a surprise to the song itself. 1337 00:59:36,400 --> 00:59:37,840 Speaker 2: I wrote a song for the end of it, but. 1338 00:59:39,320 --> 00:59:40,120 Speaker 1: I don't make it. 1339 00:59:40,160 --> 00:59:43,080 Speaker 3: I'm not gonna make it a surprise to most people. 1340 00:59:43,120 --> 00:59:44,720 Speaker 2: I'm not like, it's not clear. 1341 00:59:44,800 --> 00:59:47,520 Speaker 3: Like even the sound editor Chris at one point was like, 1342 00:59:47,520 --> 00:59:49,280 Speaker 3: you know, this is Nikky singing, and he was like 1343 00:59:49,280 --> 00:59:50,120 Speaker 3: what really. 1344 00:59:50,280 --> 00:59:53,480 Speaker 1: Yeah, that's the goal. That's that was my experience, and 1345 00:59:53,520 --> 00:59:55,560 Speaker 1: I think that's a good goal, is for people not 1346 00:59:55,600 --> 00:59:56,840 Speaker 1: to even realize it's yours. 1347 00:59:57,320 --> 00:59:58,040 Speaker 2: Yeah, that's what I want. 1348 00:59:58,080 --> 00:59:59,600 Speaker 3: I want people to like shazam it and be like 1349 00:59:59,600 --> 01:00:01,520 Speaker 3: what is the song and be like, wait, this is 1350 01:00:01,600 --> 01:00:03,560 Speaker 3: NICKI Like, I didn't want it to be like and 1351 01:00:03,600 --> 01:00:06,240 Speaker 3: then here's Nicky's song. But yes, it is the end 1352 01:00:06,240 --> 01:00:08,560 Speaker 3: of my special. There's a song that I wrote and 1353 01:00:08,960 --> 01:00:11,840 Speaker 3: I'm super excited about it, and it's the name of 1354 01:00:11,880 --> 01:00:15,440 Speaker 3: the special. And yeah, I'm finally totally done with the 1355 01:00:15,440 --> 01:00:19,800 Speaker 3: special in the can delivered sign sealed delivered. 1356 01:00:20,000 --> 01:00:23,960 Speaker 1: Yes, wow, Yeah. 1357 01:00:22,720 --> 01:00:27,320 Speaker 3: And that is coming out within some months and you'll 1358 01:00:27,400 --> 01:00:29,480 Speaker 3: all be able to see it and the besties will 1359 01:00:29,480 --> 01:00:31,760 Speaker 3: know is my song. But that's that's okay. But I 1360 01:00:31,760 --> 01:00:34,000 Speaker 3: think the normal viewer will just be like, what is 1361 01:00:34,040 --> 01:00:34,439 Speaker 3: this song? 1362 01:00:35,920 --> 01:00:37,480 Speaker 1: What else? Oh? 1363 01:00:38,320 --> 01:00:39,240 Speaker 2: Noah got married? 1364 01:00:40,120 --> 01:00:42,439 Speaker 1: You're gonna save my wedding for the last three minutes 1365 01:00:42,480 --> 01:00:42,959 Speaker 1: of the show. 1366 01:00:43,640 --> 01:00:45,880 Speaker 3: We're really gonna get into We're gonna get into it, 1367 01:00:45,920 --> 01:00:48,440 Speaker 3: into it right now, so I just want to acknowledge it. 1368 01:00:48,440 --> 01:00:49,480 Speaker 2: But we will get into it. 1369 01:00:50,440 --> 01:00:53,640 Speaker 3: We have a lot actually to get into on the 1370 01:00:53,680 --> 01:00:55,720 Speaker 3: next couple episodes. I was trying to think of what 1371 01:00:55,760 --> 01:01:01,920 Speaker 3: I wanted to share from today. I'm purging my apartment. 1372 01:01:02,080 --> 01:01:05,240 Speaker 3: That's been fun. I'm just getting rid of so many things. 1373 01:01:05,360 --> 01:01:09,000 Speaker 1: Looking behind you, I don't see anything. Oh wait, because 1374 01:01:09,000 --> 01:01:09,520 Speaker 1: you're zoomed in. 1375 01:01:09,600 --> 01:01:11,840 Speaker 3: If you looked in front of me, you would see 1376 01:01:12,320 --> 01:01:15,040 Speaker 3: so much shit. There's like my bed frame. I got 1377 01:01:15,040 --> 01:01:17,040 Speaker 3: a king sized bed that's been fun to sleep on. 1378 01:01:17,480 --> 01:01:18,840 Speaker 1: Oh, you get a new mattress. 1379 01:01:19,840 --> 01:01:21,680 Speaker 3: Yes, I did get a new mattress, and I'm happy 1380 01:01:21,680 --> 01:01:24,440 Speaker 3: with it. It's like, fine, what is it? 1381 01:01:24,440 --> 01:01:27,600 Speaker 1: It's a Strava Strava I've ever even heard of that. 1382 01:01:28,080 --> 01:01:30,400 Speaker 3: Yeah, I'm just told me her sister liked it and 1383 01:01:30,440 --> 01:01:32,160 Speaker 3: that she bought one and liked it. So I was like, Okay, 1384 01:01:32,160 --> 01:01:33,440 Speaker 3: boom done for me. 1385 01:01:33,840 --> 01:01:37,240 Speaker 1: Mattress gait is over. I have found my mattress finally. 1386 01:01:37,560 --> 01:01:38,280 Speaker 2: What is it? 1387 01:01:38,280 --> 01:01:42,680 Speaker 1: It is simply a beauty arrest, a beauty rest black. 1388 01:01:42,760 --> 01:01:46,600 Speaker 1: And I realized this when I was at hotels for 1389 01:01:46,640 --> 01:01:49,160 Speaker 1: a while and I was like, you know what, I 1390 01:01:49,200 --> 01:01:52,880 Speaker 1: think I just need a regular mattress that people use 1391 01:01:53,680 --> 01:01:56,920 Speaker 1: like and hotels are just like a mattress for everybody. 1392 01:01:56,960 --> 01:01:58,240 Speaker 1: It doesn't matter, you're gonna like. 1393 01:01:58,200 --> 01:02:01,320 Speaker 3: It so special like cooling tech chnology exactly. 1394 01:02:02,200 --> 01:02:06,040 Speaker 1: I went on so many mattresses. I went through several 1395 01:02:06,040 --> 01:02:08,640 Speaker 1: temper pedicks. I went through Latex. 1396 01:02:09,920 --> 01:02:10,960 Speaker 2: I feel like men do this. 1397 01:02:11,080 --> 01:02:15,000 Speaker 3: They over they over analyze products before they purchase them, 1398 01:02:15,040 --> 01:02:17,160 Speaker 3: and they have to try them all to research and 1399 01:02:17,160 --> 01:02:19,400 Speaker 3: they have to like, yes, there's so much research, and 1400 01:02:19,400 --> 01:02:22,760 Speaker 3: there's so much like I'm gonna Chris will buy, like 1401 01:02:22,760 --> 01:02:24,200 Speaker 3: like for us to go to a Grammy party. He 1402 01:02:24,240 --> 01:02:27,200 Speaker 3: spent five thousand dollars on clothes just to try them 1403 01:02:27,240 --> 01:02:28,720 Speaker 3: all on at home because he didn't really have a 1404 01:02:28,760 --> 01:02:30,840 Speaker 3: lot of time. But like he likes, he'll spend a 1405 01:02:30,880 --> 01:02:33,040 Speaker 3: ton of money, just like, let's just get everything and 1406 01:02:33,080 --> 01:02:33,920 Speaker 3: see what we like. 1407 01:02:35,280 --> 01:02:37,720 Speaker 2: To make sure we have the best thing. And that's 1408 01:02:37,720 --> 01:02:40,360 Speaker 2: how I found me How what what well? 1409 01:02:40,400 --> 01:02:42,400 Speaker 1: I did that for my wife too. I went on 1410 01:02:42,440 --> 01:02:43,640 Speaker 1: all those dates you did. 1411 01:02:43,960 --> 01:02:45,200 Speaker 2: Do you do this with other products? 1412 01:02:45,240 --> 01:02:47,520 Speaker 3: Do you research and research and research or do you 1413 01:02:47,200 --> 01:02:48,440 Speaker 3: just like wing in Sometimes? 1414 01:02:48,520 --> 01:02:50,800 Speaker 1: The reason why the mattress became such an issue was 1415 01:02:50,840 --> 01:02:52,680 Speaker 1: because I would sleep on the bed. It would make 1416 01:02:52,680 --> 01:02:54,480 Speaker 1: me feel like shit, and so then it became a 1417 01:02:54,480 --> 01:02:56,320 Speaker 1: thing I would do a bunch of research. But is 1418 01:02:56,360 --> 01:02:59,040 Speaker 1: your whole life you felt you sucked like shit? What 1419 01:02:59,160 --> 01:03:03,280 Speaker 1: have you always been? So if you recall the first 1420 01:03:03,280 --> 01:03:06,120 Speaker 1: ever mattress I got in la Is when I moved here. 1421 01:03:06,160 --> 01:03:09,000 Speaker 1: I moved here for not safe, and I didn't have 1422 01:03:09,040 --> 01:03:12,640 Speaker 1: a mattress for a while, and then I did the 1423 01:03:12,720 --> 01:03:17,600 Speaker 1: production card for perfect for your your end card, and 1424 01:03:17,680 --> 01:03:21,040 Speaker 1: I did Chris's end card and he gave me five 1425 01:03:21,120 --> 01:03:26,040 Speaker 1: hundred dollars and with that money, I purchased a some 1426 01:03:26,320 --> 01:03:29,360 Speaker 1: mattress off Craigslist and that was my mattress for like 1427 01:03:29,440 --> 01:03:32,880 Speaker 1: six years. And it worked for you when. 1428 01:03:32,160 --> 01:03:33,960 Speaker 2: You gave that one up that you started to have 1429 01:03:34,000 --> 01:03:34,600 Speaker 2: the issues. 1430 01:03:35,200 --> 01:03:36,640 Speaker 1: I gave that one up and then I got another 1431 01:03:36,680 --> 01:03:39,200 Speaker 1: mattress that was like King Coil and it was fine. 1432 01:03:39,840 --> 01:03:42,240 Speaker 1: Other reasons why I got a new mattress, but I 1433 01:03:42,240 --> 01:03:44,200 Speaker 1: got a new mattress and I started to have issues 1434 01:03:44,200 --> 01:03:46,360 Speaker 1: when I tried to start to figure it out. 1435 01:03:46,600 --> 01:03:49,400 Speaker 2: But the beauty rest black beauty. 1436 01:03:49,520 --> 01:03:53,600 Speaker 1: Yeah, the black beauty, the beautyress black. It's amazing. It's 1437 01:03:53,640 --> 01:03:56,040 Speaker 1: just exactly what I want in a mattress. And what's 1438 01:03:56,080 --> 01:03:58,919 Speaker 1: great about it is that many hotels have beauty rests. 1439 01:03:59,000 --> 01:04:01,280 Speaker 1: So if I go to a hotel and I sleep there, 1440 01:04:02,880 --> 01:04:06,320 Speaker 1: there's no adjustment, there's no adjustment period. Whereas if I 1441 01:04:06,360 --> 01:04:09,040 Speaker 1: had like a temperpeedic or a latex and I was 1442 01:04:09,160 --> 01:04:10,680 Speaker 1: used to that, and then I go to a hotel 1443 01:04:10,720 --> 01:04:12,560 Speaker 1: and I sleep in a regular mattress, it would probably 1444 01:04:12,560 --> 01:04:13,800 Speaker 1: take me too sensitive. 1445 01:04:14,200 --> 01:04:15,440 Speaker 2: Noah, do you do you? 1446 01:04:15,520 --> 01:04:18,120 Speaker 1: Are you the sensitive to different mattresses when you go somewhere. 1447 01:04:19,120 --> 01:04:21,560 Speaker 4: Uh, I'm not as sensitive as Brian, but he does 1448 01:04:21,640 --> 01:04:24,240 Speaker 4: have a point because I have the temp Repeedic and 1449 01:04:24,520 --> 01:04:27,680 Speaker 4: every hotel mattress that I've been on is inferior. 1450 01:04:27,160 --> 01:04:28,120 Speaker 2: To it sucks. 1451 01:04:28,440 --> 01:04:33,240 Speaker 1: Yeah, yeah, it's just a little harder to enjoy it. Yeah, 1452 01:04:33,360 --> 01:04:35,439 Speaker 1: the beauty or rest is amazing. I know that it's 1453 01:04:35,440 --> 01:04:38,600 Speaker 1: like the most standard plane mattress you can but it's 1454 01:04:38,640 --> 01:04:41,200 Speaker 1: also black, and so I think that's pretty cool that 1455 01:04:41,240 --> 01:04:44,160 Speaker 1: it really is black. It really is black, and I 1456 01:04:44,200 --> 01:04:44,480 Speaker 1: love that. 1457 01:04:44,560 --> 01:04:47,600 Speaker 3: And it's a pole street because they get such stains 1458 01:04:47,640 --> 01:04:51,439 Speaker 3: on them, so disgusting. Oh yeah, I have this new 1459 01:04:51,560 --> 01:04:53,640 Speaker 3: pillow case that I have that's black and that thing 1460 01:04:53,720 --> 01:04:57,400 Speaker 3: is probably disgusting looking, but you would not know. 1461 01:04:57,720 --> 01:04:58,040 Speaker 1: That's right. 1462 01:04:58,120 --> 01:05:00,600 Speaker 2: I love black clothing. I love Yeah. 1463 01:05:00,720 --> 01:05:00,919 Speaker 1: Chris. 1464 01:05:00,960 --> 01:05:02,640 Speaker 3: This weekend we were shopping somewhere and he was like, 1465 01:05:03,120 --> 01:05:05,840 Speaker 3: there was some white thing that he wanted me to 1466 01:05:05,840 --> 01:05:09,040 Speaker 3: get that was so cute, and I go, no, like, heay, 1467 01:05:09,080 --> 01:05:11,080 Speaker 3: it's white, Like we both know, like that's not for 1468 01:05:11,200 --> 01:05:13,360 Speaker 3: my spray tan life and my make makeup. 1469 01:05:13,360 --> 01:05:14,000 Speaker 1: It just doesn't. 1470 01:05:14,280 --> 01:05:16,080 Speaker 2: Noah, do you wear can you wear white things? You 1471 01:05:16,080 --> 01:05:16,960 Speaker 2: wear lots of makeup. 1472 01:05:17,000 --> 01:05:17,600 Speaker 1: That's okay. 1473 01:05:17,640 --> 01:05:20,240 Speaker 4: So for our wedding, I'll tell you the quick story. 1474 01:05:21,200 --> 01:05:22,920 Speaker 4: We just wanted to have like offics because we were 1475 01:05:23,400 --> 01:05:24,920 Speaker 4: going to dinner and stuff and we don't, like, we 1476 01:05:24,960 --> 01:05:28,560 Speaker 4: haven't really bought nice clothes because of the pandemic. So 1477 01:05:28,600 --> 01:05:31,160 Speaker 4: I told Aviy, I'm like, just get light stuff because 1478 01:05:31,200 --> 01:05:33,360 Speaker 4: we're the bride and groom and that'll yeah, like it'll 1479 01:05:33,360 --> 01:05:36,080 Speaker 4: just be easier that way. And he was freaking out. 1480 01:05:36,120 --> 01:05:38,560 Speaker 4: He's like, I'm gonna get this stained. I'm spending so 1481 01:05:38,640 --> 01:05:40,800 Speaker 4: much money on this shirt. It's just gonna get stained. 1482 01:05:40,800 --> 01:05:44,000 Speaker 4: I'm like, who cares a side pen? Yeah, I have 1483 01:05:44,480 --> 01:05:46,000 Speaker 4: I have laundry detergent at home. 1484 01:05:46,440 --> 01:05:49,880 Speaker 1: Yeah, Oh my god, can you stop blabbing about your wedding. 1485 01:05:49,880 --> 01:05:51,240 Speaker 1: It's getting really tired. 1486 01:05:51,400 --> 01:05:54,480 Speaker 3: We were going to talk about the YouTube sphere on 1487 01:05:54,480 --> 01:05:57,800 Speaker 3: this episode, and it's like, Noah just had to hide 1488 01:05:57,840 --> 01:06:01,240 Speaker 3: a moment in the spotlight. We get it that once 1489 01:06:01,280 --> 01:06:02,520 Speaker 3: a bride always like. 1490 01:06:02,480 --> 01:06:03,640 Speaker 2: You're not a bride anymore. 1491 01:06:03,720 --> 01:06:03,800 Speaker 1: No. 1492 01:06:04,280 --> 01:06:07,320 Speaker 3: Yeah, we will get into know his's wedding next week 1493 01:06:07,320 --> 01:06:09,160 Speaker 3: on the show, as well as many other things. 1494 01:06:09,200 --> 01:06:10,040 Speaker 1: Thank you for listening. 1495 01:06:10,160 --> 01:06:14,680 Speaker 3: Come see us this weekend in Philadelphia in Ben Salem, 1496 01:06:14,720 --> 01:06:19,200 Speaker 3: Ben Salem, and then in Portchester, New York, which is. 1497 01:06:20,680 --> 01:06:23,200 Speaker 1: It's what close to Pelham, New York. 1498 01:06:24,320 --> 01:06:28,120 Speaker 3: Has a airport right that I don't know. I don't 1499 01:06:28,120 --> 01:06:30,720 Speaker 3: know either, but I hope that I don't fly there 1500 01:06:30,720 --> 01:06:34,640 Speaker 3: on an Airmax seven or eight because I read a. 1501 01:06:34,600 --> 01:06:35,960 Speaker 1: Report and now I'm scared. 1502 01:06:36,600 --> 01:06:38,720 Speaker 3: Even though I'm not someone who's ever scared of flying, 1503 01:06:39,320 --> 01:06:41,480 Speaker 3: I read something that made me scared of flying. But 1504 01:06:41,480 --> 01:06:43,560 Speaker 3: I'm not gonna let it be scare me because the 1505 01:06:43,560 --> 01:06:46,000 Speaker 3: odds of that happening are really slim. 1506 01:06:46,040 --> 01:06:48,160 Speaker 2: And if I do die in a plane crash, I'll 1507 01:06:48,200 --> 01:06:52,160 Speaker 2: be okay, It'll be fast, all right. Thanks guys for 1508 01:06:52,720 --> 01:06:53,680 Speaker 2: the show. 1509 01:06:54,200 --> 01:06:56,640 Speaker 1: We'll see you next time. Don't take that bye,