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Speaker 1: Hey, hey, I like that clap. Is that your version

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Speaker 1: of the clapper?

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Speaker 2: The clap? That's not my version of the clap. That's

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Speaker 2: uh no, that's I've I've worked on that a long

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Speaker 2: time ago. No, like you mean like a slate, Yeah,

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Speaker 2: like a slate, clapper. A slate. A slate is for

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Speaker 2: those of you they're wondering or that maybe refer to

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Speaker 2: it as a clapper. A slate is that black and

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Speaker 2: white thing that you always see that looks like, you know,

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Speaker 2: in the start of a movie, and they like, put

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Speaker 2: the little thing down and whatever. That is so sound

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Speaker 2: and camera can be synced. When the editor is going

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Speaker 2: in to do something, they know that at that moment,

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Speaker 2: both the sound and the picture are being SYNCD up

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Speaker 2: together and they start from there. Anyway, random fact, the

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Speaker 2: more you know, the more you know. I'm just I'm

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Speaker 2: in a good mood today. It's Friday. I'm heading out

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Speaker 2: of town.

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Speaker 1: You are, you have energy? There's been no technological problems.

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Speaker 1: You are on top of it today.

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Speaker 2: Yeah, No, there hasn't been, actually, right, not yet. No,

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Speaker 2: I'm I'm doing well. I'm going out of town for

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Speaker 2: this weekend. For obviously when this airs all have been home,

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Speaker 2: but for my birthday was my birthday?

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Speaker 1: Right, it's coming up next week. Wait, what's the date?

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Speaker 2: Yes, right jan nineteenth. Oh my goodness, how early j nineteenth,

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Speaker 2: Like it's not January January nineteenth, but yes.

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Speaker 1: You don't have time to say ja time it is

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Speaker 1: so many nineteenth.

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Speaker 2: But yeah, I'm very excited. I will be the twelfth year,

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Speaker 2: twelfth anniversary of my thirtieth birthday and oh also known

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Speaker 2: as forty two. But it'll be good. So going somewhere

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Speaker 2: this weekend with no Wi Fi and limited cell service

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Speaker 2: and that's my that's my happy place.

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Speaker 1: Yeah, away from the group, Yeah, no people.

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Speaker 2: Yeah, and antiquing. I'm gonna I'm gonna drag Mescal through

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Speaker 2: some random antique stores. We're going to uh Julian down

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Speaker 2: near San Diego and yeah, so it's a neat little

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Speaker 2: spot and we rented a place up there with on

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Speaker 2: like ten acres with orchards and just it'll be beautiful. Yeah,

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Speaker 2: but I'm gonna drag you through a bunch of antique stores.

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Speaker 2: And it's my birthday weekend, so he has to come.

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Speaker 1: You get to decide what to do, and he has

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Speaker 1: to oblige.

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Speaker 2: Yes, I'm bringing puzzles. I'm bringing word searches. When I

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Speaker 2: come back, I will have completed my transformation into an

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Speaker 2: eighty five year old woman. And it should be great.

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Speaker 1: You're ready for your guest appearance on the Golden Girls.

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Speaker 2: Guest appearance, I'm running it. That's now, that's it. I

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Speaker 2: have the house. I have the Golden the Golden Girls House.

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Speaker 1: I love it.

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Speaker 2: Well.

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Speaker 1: I hope you have a wonderful birthday weekend.

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Speaker 2: Yeah, yeah, it should be nice. It should be it

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Speaker 2: should be really good. I saw I saw Kelly yesterday.

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Speaker 2: She said to tell you hello, Oh hi Kelly. Yeah,

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Speaker 2: I did her. I did her podcast, which was really fun.

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Speaker 1: Oh I bet, I bet such a great podcast.

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Speaker 2: She has comfort food, Yeah, comfort food with with Kelly

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Speaker 2: Rizzo and I guess she was having a few people

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Speaker 2: on that were close with Bob this for this first month,

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Speaker 2: so it's John Mayer did it and Jeff Ross me

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Speaker 2: Rabbi leader. So yeah, it was great and always good

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Speaker 2: to see Kelly. And I found out she moved like

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Speaker 2: literally walking distance from me, so really yeah, so I'm

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Speaker 2: gonna be bugging her all the time now. I'm very excited.

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Speaker 1: Yeah, go get coffee down the street.

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Speaker 2: That's literally she goes to the coffee shop by my house.

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Speaker 2: So I was like, yeah, park by my house and

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Speaker 2: let's go right.

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Speaker 1: So anyway you can carpool or just walk together, just

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Speaker 1: walk together.

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Speaker 2: Yeah, exactly. But it's it's nice and I you know, again,

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Speaker 2: I just I absolutely love the family and the extended

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Speaker 2: family that we have from this. You know, Kelly was there,

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Speaker 2: I saw her mom. You know, just like the generations

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Speaker 2: and sort of the ripple of of our full House

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Speaker 2: family and our various you know, significant others and their

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Speaker 2: families and kids, and it just it makes me happy.

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Speaker 1: The family keeps growing. Yeah, I love that. There's been

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Speaker 1: a lot of love this week with the full House

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Speaker 1: family and the anniversary of Bob's passing. So it's been

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Speaker 1: a love fest.

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Speaker 2: It has emotions, Yes, I know it was a lot

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Speaker 2: of emotions for you too, But I'm just so glad

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Speaker 2: that we all got to support each other. And we

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Speaker 2: got so many wonderful comments and things after the live

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Speaker 2: that we did that John posted that was really meaningful

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Speaker 2: and sweet. So I'm glad we did that.

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Speaker 1: That was very cathartic to yeah, just share feelings and

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Speaker 1: be open and honest, and yeah, you know we're all

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Speaker 1: going through it together, so it's true. Nice, It's true.

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Speaker 2: Yeah, Kelly and I had a really great discussion about

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Speaker 2: grief yesterday and how to get through it and kind

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Speaker 2: of what it looks like and all that it was.

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Speaker 2: I think it is a really important conversation. But yeah,

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Speaker 2: I'm so glad that you know, none of us have

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Speaker 2: to walk through this alone. We all have each other

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Speaker 2: and it's very yeah, nice strong bonds. So anyway, that's

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Speaker 2: my Uh wow, I really brought the mood down there.

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Speaker 1: Started off starting clap and we start off.

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Speaker 2: Bob would be proud that we started at the clap

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Speaker 2: and wound up with his passing. I feel like he'd

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Speaker 2: be like, oh, thank you, I'm so glad. Well, shall

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Speaker 2: we get into it.

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Speaker 1: Let's get why don't we Why don't we review an episode?

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Speaker 2: Let's review an episode? And I would like you to

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Speaker 2: know I reviewed the correct episode this time.

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Speaker 1: I was wondering, you know, we're okay, we're doing two

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Speaker 1: of them today. Did you review two episodes?

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Speaker 2: Well? I did? What What is the balloons? What did

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Speaker 2: you just do?

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Speaker 1: What did I just DoD?

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Speaker 3: You just have the I'm jumping in because this will

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Speaker 3: what happened. This will Hi, everyone is Jensen.

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Speaker 2: Hi Jensen.

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Speaker 1: I can't get it to do it again.

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Speaker 3: Basically, this is what every podcast is going through right now,

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Speaker 3: which is that Zoom has created an update where if

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Speaker 3: you do certain symbols balloons or fireworks.

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Speaker 2: Or look at that, mine's not on my not doing it.

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Speaker 2: Andrea apparently is having all the fun.

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Speaker 1: I just updated my laptop before we started.

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Speaker 2: That's what mine asked if I wanted to do it.

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Speaker 2: I was like, I don't have time.

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Speaker 3: Can I suggest thumbs down? Two thumbs down?

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Speaker 1: Two thumbs down? That should be there.

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Speaker 2: You go, oh, oh.

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Speaker 1: Wow, this is fantastic. We're not going to get anything done.

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Speaker 2: I don't care.

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Speaker 3: Hence why jump Hence why I jumped in because this

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Speaker 3: this can eat forty minutes of people being like what

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Speaker 3: if I put two fingers together? Like, it's just an.

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Speaker 2: Insane So what you're saying is stop and do our job. Okay,

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Speaker 2: got it, got it?

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Speaker 3: Goodbye?

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Speaker 2: Okay.

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Speaker 1: And this is particularly and did you hear what said?

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Speaker 2: Stop doing it and let's do our job. She's trying

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Speaker 2: to get the on you. Okay, get the stop.

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Speaker 1: Fine, I'll stop, I'll stop. But I'm really excited.

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Speaker 2: I know you're, well, you're gonna have a whole bunch

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Speaker 2: of fun with this on the whole zoom by yourself.

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Speaker 2: But yeah, I did. I watched the correct episode this time,

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Speaker 2: and what I realized and I'll almost didn't because when

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Speaker 2: I again went on too Amazon to look at the episodes,

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Speaker 2: the one that that the jingle Hell one that I

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Speaker 2: watched was way it was like four episodes earlier in

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Speaker 2: the show than it was supposed to be. So that's

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Speaker 2: why when I watched that, I was like, wow, we

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Speaker 2: just covered a lot of ground.

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Speaker 1: But right, yeah, So anyway, Joey and Jesse advertising person, it.

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Speaker 2: Was like they were just they had a career and

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Speaker 2: we were like, yep, that's fine, and you know, I

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Speaker 2: mean look, it was it was like Stacey Q, we're

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Speaker 2: world's biggest fans, we have a jingle ad agency and

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Speaker 2: we're just doing it. So anyway, Okay, now I reviewed the.

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Speaker 1: Horse, The Horse, The Horse. Yeah, this is a great

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Speaker 1: episode that we're recapping today.

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Speaker 2: I have big news about this episode. Oh you do.

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Speaker 2: I just I'm not gonna lie. This episode made me laugh,

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Speaker 2: made me tear up, yep, and has now it really

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Speaker 2: made me fall in love with Full Hot House. Honestly, like,

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Speaker 2: I this this episode, I went, I wrote it down

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Speaker 2: in my old notebook. This episode made me fall in

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Speaker 2: love with the show. And I, yeah, that's a big

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Speaker 2: it's a it is a big statement because you know,

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Speaker 2: most of the time, it's like they're cute and they're

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Speaker 2: funny and they're little sit come but this show it

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Speaker 2: just hit all the right notes. It just it really did.

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Speaker 2: And there's a lot of heart in a lot of

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Speaker 2: heart in this episode, but also like Danny getting angry,

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Speaker 2: but like really, you know, like it just it felt grounded,

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Speaker 2: it felt real. Canvas's performance was great, Bob's was, There's

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Speaker 2: some really funny moments in it. It's it's uh, it's

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Speaker 2: in my top place. It's in the top place of

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Speaker 2: favorite of favorite Full House episodes.

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Speaker 1: So this is your this is your number one as

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Speaker 1: of as of right now.

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Speaker 2: As of right now, as of right now, this is

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Speaker 2: my number one episode. It it it cracked open my cold,

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Speaker 2: dark little heart, uh and got it reached in and

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Speaker 2: and like the granch it grew three sizes while watching

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Speaker 2: this episode.

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Speaker 1: I didn't think that was possible.

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Speaker 2: Wow, Joni, I am probably loving and and well I'm

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Speaker 2: not super emotional on the outside, but I had a

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Speaker 2: feeling on the inside.

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Speaker 1: You had a feeling, and that maybe that's why you're

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Speaker 1: in such a good mood today and energetic, is because

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Speaker 1: you're right in the high of dja's Very First Horse.

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Speaker 2: Yeah. Yeah, I actually went horseback riding last weekend, again randomly,

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Speaker 2: like I haven't been riding in years, and I went

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Speaker 2: on Sunday. So I don't know what is happening that

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Speaker 2: we are just creating in the universe full house moments outside.

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Speaker 1: Manifesting, we're manifesting full house episodes in our real lives. Yes,

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Speaker 1: we're dedicated to this podcast. People. We have turtles and bags.

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Speaker 2: We've got turtles and bags, We've got horses, We've got yeah,

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Speaker 2: all kinds of stuff.

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Speaker 1: Well, let's uh, let's get let's get into it. Welcome

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Speaker 1: back to how Rude Tanner Rito's I'm Andrea Barber and

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Speaker 1: I'm we're like doing a virtual tone of fair yeah,

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Speaker 1: and today we are discussing season two episode four, titled

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Speaker 1: DJ's Very First Horse.

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Speaker 2: Wait is it episode four? Episode five?

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Speaker 1: It's episode four? What is it on? What is it

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Speaker 1: on Amazon? I wrote down season two episode with you

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Speaker 1: that you don't have the Hulu or Max. I've got

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Speaker 1: them both, and I can watch Full House on either one.

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Speaker 2: I blame Jeff Bezos for lots of things, but this especially.

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Speaker 1: Well, we just have to be diligent and just verified

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Speaker 1: before we just like Jody watched My Job and pay

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Speaker 1: attention is what it is and that sometimes it is hard. Okay, Yes,

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Speaker 1: this is the fourth episode of season two Full House.

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Speaker 2: Right, got it? That's the show. Not stop it with the.

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Speaker 1: Sorry sorry. I feel like for now those kids, like

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Speaker 1: little kids that are getting in trouble in school. We've

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Speaker 1: been so good for the first half of the school

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Speaker 1: year and now we're just letting it fly.

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Speaker 2: Oh I never was, so I don't know what that's like.

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Speaker 2: I started off just like this anyways.

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Speaker 1: This episode originally aired on November fourth, nineteen eighty eight,

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Speaker 1: and it goes a little something like this. DJ falls

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Speaker 1: in love with a horse named Rocket and decides to

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Speaker 1: own it or kind of rent it, but it's without

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Speaker 1: Danny's permission, so things get a little out of hand

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Speaker 1: when Rocket finds himself out of the stables and confronted

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Speaker 1: by Danny.

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Speaker 2: H oh, never a good thing.

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Speaker 1: Never a good thing. It was directed by Lee Shalatte,

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Speaker 1: and it was yeah Lee's back, Yes a female or

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Speaker 1: female female director. Yeah, yes, the one so far.

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Speaker 2: I mean it was the eighties. There wasn't the eighties.

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Speaker 1: This is big. This is big. It was written by

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Speaker 1: Rob Danes and Bob Fraser. I don't remember them.

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Speaker 2: Bob Fraser sounds a little familiar. But I can't picture

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Speaker 2: like I can't. I can't picture a face, so I

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Speaker 2: app I can't either.

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Speaker 1: I feel like they were just in these early seasons,

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Speaker 1: probably not later seasons, which is why we don't remember them.

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Speaker 2: Yes, okay, that and we were children, and.

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Speaker 1: We were kids, we were focused on other things. We

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Speaker 1: have two great guest stars this week. We have Bill

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Speaker 1: Wiley as Jeb, the owner of the stables. Although I

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Speaker 1: don't think we ever hear his name in the show,

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Speaker 1: but his name was Jeb. Jebb's Jeb totally fits. This

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Speaker 1: guy is a vibe man. He's I love this ranch

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Speaker 1: hand guy. He's great. He's a TV and movie character

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Speaker 1: actor with a career that spanned eight decades. Wow, holy crap,

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Speaker 1: that's a long career. He was seen in movies like

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Speaker 1: Porky's Two, The Next Day and that Thing You do

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Speaker 1: and a ton of TV shows like Taxi, Golden Girls, Dallas,

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Speaker 1: and Punky Brewster. I don't know this.

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Speaker 2: I feel like I've seen I have definitely seen him before.

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Speaker 2: I feel like Punky Brewster is actually maybe the where

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Speaker 2: I remember seeing him from.

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Speaker 1: So you still love that? Yeah, that tracks for me too.

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Speaker 1: He was definitely familiar. And unfortunately he passed away in

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Speaker 1: twenty twenty one at ninety years old or over ninety

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Speaker 1: years old.

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Speaker 2: So he had a great career. Hey, that's impressive. And yeah,

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Speaker 2: eight decade career and making it to ninety something.

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Speaker 1: Congrats, sir, Good for him, Good for Bill. And our

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Speaker 1: second guest star this week, drum roll please, it's Nathan

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Speaker 1: Nishi Gucci as Harry Takeyama. Oh my goodness, finally, finally

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Speaker 1: Harry has a rye Harry.

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Speaker 2: I love Harry and Steph's friendship. It's hilarious. It's always

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Speaker 2: been hilarious to me. Steph is just like, look, buddy,

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Speaker 2: this is what you're doing, and she just runs the show.

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Speaker 2: It's great.

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Speaker 1: It's such a cute friendship. Oh my goodness, you guys

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Speaker 1: are just adorable. I love it. I didn't know he

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Speaker 1: appeared this early. I didn't eat series.

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Speaker 2: I didn't either. They were trying to give Steph a friend. Yeah,

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Speaker 2: you needed a friend, like you know Kimmy and DJ.

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Speaker 1: Yeah, Kimmy and DJ's friend forever. And we're like, little girl,

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Speaker 1: please go away. So you deserve your own friend, for sure.

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Speaker 2: So I found someone to make do whatever I wanted.

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Speaker 1: It's perfect. It's the perfect friendship. And Nathan was on

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Speaker 1: five episodes of Full House. He was on an episode

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Speaker 1: of Highway to Heaven, and he did one TV movie

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Speaker 1: and that's it. So he quit acting and he's now

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Speaker 1: an investment banker in San Francisco. Wow, I know, what

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Speaker 1: are the odds, right?

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Speaker 2: I mean, we made that happen. I'm just like we did.

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Speaker 1: We manifested that. Yeah, we're hoping to get him on

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Speaker 1: the show too. Nathan, please, yeah, please reply because we

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Speaker 1: would love to.

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Speaker 2: We would love to have you on the show. Oh

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Speaker 2: my god, I'd love to.

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Speaker 1: But anyways, let's get into the show. So we start

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Speaker 1: with our cold open in the Tanner's living room. Michelle

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Speaker 1: walks into the room. She's wearing a very colorful outfit.

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Speaker 2: I remember that outfit.

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Speaker 1: I do too. Why do we remember this outfit?

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Speaker 2: Because I remember that outfit and I here's I literally

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Speaker 2: just had this happen. Didn't they dress the Michelle Doll

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Speaker 2: in that outfit?

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Speaker 1: Maybe that's it.

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Speaker 2: I feel like we had the the Michelle doll was

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Speaker 2: a stand in that we had like that. You know,

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Speaker 2: obviously when the babies when were rehearsing, you had to

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Speaker 2: be carrying something in or when babies couldn't be doing

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Speaker 2: all the rehearsal. But for the toddlers. But I feel

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Speaker 2: like they dressed the feeling stand in, bressed the stand

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Speaker 2: in baby in that outfit. But it's an outfit that

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Speaker 2: I definitely remember the girl's wearing.

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Speaker 1: It's very punky Brewster esque with like the purple and

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Speaker 1: the orange and the suspenders.

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Speaker 2: I have lots of comments on the fashion in this episode.

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Speaker 1: There's a lot of great fashion in this episode. Oh

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Speaker 1: my goodness, buckle up. The wardrobe Department was based.

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Speaker 2: The Department had fun on this one. Yeah.

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Speaker 1: So Michelle walks in. She walks right up to Joey

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Speaker 1: who is napping on the couch. Michelle literally licks his

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Speaker 1: face like.

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Speaker 2: You remember when they were doing that. Like toddlers go

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Speaker 2: through that stage where they're just licking people. They think

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Speaker 2: it's hilarious and stick their tongue out, and Ashley Mary

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Speaker 2: Kate thought it was They were in that stage where

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Speaker 2: it was just really funny to like try and lick

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Speaker 2: everybody well, and so I think they just made a

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Speaker 2: cold open out of it.

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Speaker 1: They just wrote it in.

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Speaker 2: They kind of made the cold opens out of whatever

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Speaker 2: Ashley and Mary Kate were capable of doing at the time,

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Speaker 2: or like some new thing that they were doing. They

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Speaker 2: were like, I make it into a cute little cold open.

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Speaker 2: So but she came in and licked his nose.

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Speaker 1: Yeah, these these cold opens were not pretty well yeah,

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Speaker 1: everything was like what the girls doing?

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Speaker 2: He licks somebody? Now, they were just that was the

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Speaker 2: stage they were in, was that weird toddler thing where

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Speaker 2: they want to lick everybody and think it's funny.

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Speaker 1: When you're like no, stop, oh wow wow, okay, well.

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Speaker 2: Yeah, eventually everyone grows out, well not everyone grows out

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Speaker 2: of that, but most people do.

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Speaker 1: So they do with any luck.

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Speaker 2: With any luck, yes, we hope that you've grown out

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Speaker 2: of that.

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Speaker 1: So Michelle licks his face and Joey wakes up. He's

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Speaker 1: laughing as he picks her up and places her on

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Speaker 1: his lap. She looks at him, and she says nap.

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Speaker 1: He giggles and says, you woke me up to tell

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Speaker 1: me I'm taking a nap and Michelle says yes. Joey

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Speaker 1: thanks her and says, well, if I fall asleep again,

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Speaker 1: make sure you wake me up and let me know. Okay.

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Speaker 1: There a big kiss, and she runs out of the

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Speaker 1: room in the cutest way. Joey smiles and goes back

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Speaker 1: to sleep. So cute, cute, simple short, you know, just

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Speaker 1: a it is just a little teaser, you know. We

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Speaker 1: don't need a long one, no, just something to get

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Speaker 1: to wet your palette. Exactly, full house to come. So

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Speaker 1: then the credits roll and we opened the real show

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Speaker 1: in the horse stables. This is a great set. This

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Speaker 1: was such a cool it's such a great it's so

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Speaker 1: real life too.

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Speaker 2: Well. I actually do have one thing in the back,

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Speaker 2: which is that you can see the wrinkles in the backdrop.

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Speaker 2: That was my oh you can't. I like looked at

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Speaker 2: it and I was like, does someone steam that thing?

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Speaker 2: Like it just it was like slightly wrinkled, you know,

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Speaker 2: And I.

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Speaker 1: Was like, oh yeah, sitcoms and yeah, the backdrops were

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Speaker 1: always like is that yeah? No, very true. I was thinking,

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Speaker 1: I'm just more impressed that they got like two horses

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Speaker 1: into this and.

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Speaker 2: The actual Yeah, the horse is in it.

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Speaker 1: Very impressive to get those large and.

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Speaker 2: I have a story about the horse.

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Speaker 1: We'll get there, but okay, okay, just let me know,

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Speaker 1: let me know when you're ready to share your story

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Speaker 1: about a horse. Yes, so the whole family plus Kimmy

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Speaker 1: and Becky. They're at the Golden Gate Stables where Danny

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Speaker 1: and Becky are recording a special episode of Wake Up

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Speaker 1: San Francisco.

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Speaker 2: And did you see who the stage manager is?

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Speaker 1: Yeah? This was my everywhere you look?

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Speaker 2: So that's what you never mind That I won't say, is.

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Speaker 1: That your every I figured we'd have the.

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Speaker 2: Same I have a different everywhere you look. That has

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Speaker 2: to do with the credits. But we'll come back to it.

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Speaker 2: So okay, so I won't. We'll scratch that never mind.

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Speaker 1: Okay, but yes, I did see I hope I saw

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Speaker 1: the same person you saw. Okay, So we're tracking. We're tracking,

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Speaker 1: is the audience stay tuned till the end of the episode,

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Speaker 1: will tell you who we're talking about here. Yes, So

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Speaker 1: Michelle is perched on Jesse's lap. He picks up a

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Speaker 1: baby chick and he asks her what is this and

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Speaker 1: she responds, chicky. This is such a natural reaction from

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Speaker 1: from uh. Becky is watching them, and she has a

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Speaker 1: huge smile on her face. Jesse tells Michelle, give the

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Speaker 1: chicky love, give him a hug. Michelle hugs the chicky

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Speaker 1: while Becky snaps a picture of the two of them.

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Speaker 1: Jesse suggests that he take a picture of Becky and

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Speaker 1: Michelle together as well. So as Jesse is snapping the picture,

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Speaker 1: he slyly remarks, So, Becky, what do you say after

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Speaker 1: the show? You and I slip away and get a

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Speaker 1: little lunch together. Say okay? And she says okay as

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Speaker 1: he takes the picture and calls him very sneaky. That

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Speaker 1: was sly. That was very sly, very cute.

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Speaker 2: But she her response was cute. Yeah, I liked it.

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Speaker 1: There's a little there's the beginnings of some flirting here,

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Speaker 1: you know.

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Speaker 2: Yeah, I like it.

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Speaker 1: I like it too. She's keeping him out an arm's

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Speaker 1: length exactly.

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Speaker 2: She's making it a little difficult for Jesse. I like

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Speaker 2: to see him having to spin his wheels a little.

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Speaker 1: Yeah, she's making him work a little bit. But she's

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Speaker 1: not just you know, shutting the door on him. She's

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Speaker 1: like flirting back just enough to keep him.

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Speaker 2: It's fun to watch them start their little you know,

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Speaker 2: dance back and forth, knowing what that they become. Jesse

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Speaker 2: and Becky.

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Speaker 1: Yeah, it's just cute. Becky asks what he's doing at

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Speaker 1: the stable and he tells her, well, the girls wanted

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Speaker 1: to come watch them shoot the show, so why not

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Speaker 1: bring the whole family?

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Speaker 2: Yeah? Why not wear suit pants? Because that's what you wear.

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Speaker 2: He's wearing like dress suit pants to a stable.

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Speaker 1: Well, you know, that's just a that's a Jesse thing.

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Speaker 1: He's always dressed like Jesse, regardless of if he's always

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Speaker 1: dressed inappropriately.

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Speaker 2: For the situation is what it is. He's always dressed like,

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Speaker 2: why are you wearing that? Okay?

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Speaker 1: And speaking of getting dressed up, Danny walks in dressed

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Speaker 1: in this cute this farmer's get up with a flannel

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Speaker 1: overalls and a ginormous straw hat. Boy, does Bob look

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Speaker 1: hysterical in this guest?

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Speaker 2: That's ridiculous.

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Speaker 1: Becky laughs and Danny asks are you laughing at me

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Speaker 1: or with me? And before she can answer, he realizes, well,

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Speaker 1: I'm not laughing, so that pretty much answers my question.

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Speaker 1: Becky assures him he looks cute and no one is

436
00:20:52,240 --> 00:20:55,600
Speaker 1: laughing at him. Right on cue, Joey walks in, takes

437
00:20:55,600 --> 00:20:58,080
Speaker 1: one look at Danny and bursts out in laughter.

438
00:20:59,440 --> 00:21:02,159
Speaker 2: I'm sure, and Bob, I mean, the guys, that's so

439
00:21:02,240 --> 00:21:04,520
Speaker 2: much fun making each other laugh in these stupid outfits,

440
00:21:04,560 --> 00:21:05,000
Speaker 2: oh for sure.

441
00:21:05,119 --> 00:21:07,840
Speaker 1: Well, and honestly, if you look at what Joey is

442
00:21:07,880 --> 00:21:11,600
Speaker 1: wearing the sweater with like the geometrical shait, and like Joey,

443
00:21:11,600 --> 00:21:12,080
Speaker 1: you don't.

444
00:21:11,920 --> 00:21:14,200
Speaker 2: Which you were. I've seen like five of those sweaters

445
00:21:14,200 --> 00:21:16,600
Speaker 2: on different characters in the last two episodes. Yes, since

446
00:21:16,600 --> 00:21:19,000
Speaker 2: they're just like fuzzy geometric sweaters.

447
00:21:19,080 --> 00:21:21,680
Speaker 1: Yeah, that must have been in in nineteen eighty nine,

448
00:21:21,760 --> 00:21:24,960
Speaker 1: because yeah, why not eighty eighty eight? Are we still

449
00:21:24,960 --> 00:21:25,359
Speaker 1: in eighty eight?

450
00:21:25,440 --> 00:21:26,840
Speaker 2: We're still still in eighty eight? Yeah, at the end.

451
00:21:26,840 --> 00:21:29,280
Speaker 1: That explains a lot, that's the difference.

452
00:21:29,560 --> 00:21:30,359
Speaker 2: Yeah. Yeah.

453
00:21:30,440 --> 00:21:33,439
Speaker 1: So we angle on DJ and Kimmy petting a horse,

454
00:21:33,760 --> 00:21:37,360
Speaker 1: and DJ says, isn't he the most gorgeous creature you've

455
00:21:37,359 --> 00:21:43,119
Speaker 1: ever seen? Kimmy quickly replies, no, Patrick Swayzee is. But

456
00:21:43,280 --> 00:21:45,480
Speaker 1: you know that this is establishing very early on that

457
00:21:45,520 --> 00:21:47,680
Speaker 1: Kimmy's got a huge crush on Patrick Swayzey.

458
00:21:47,880 --> 00:21:50,520
Speaker 2: It's the second mention of him. Yeah, he was mentioned

459
00:21:50,560 --> 00:21:52,200
Speaker 2: last episode too, very popular name.

460
00:21:52,200 --> 00:21:54,399
Speaker 1: Well it's actually the next episode, but you watched it

461
00:21:54,480 --> 00:21:55,280
Speaker 1: last week, so.

462
00:21:55,240 --> 00:21:58,560
Speaker 2: That's never mind. Well I know he got gets mentioned anyway,

463
00:21:58,640 --> 00:21:59,280
Speaker 2: forget it.

464
00:21:59,160 --> 00:22:01,760
Speaker 1: But yeah, Patrick's he gets several shout outs in the

465
00:22:01,800 --> 00:22:05,400
Speaker 1: course of the series. Yes, and he deserves it. Stephanie

466
00:22:05,400 --> 00:22:08,159
Speaker 1: walks in and asks DJ what the horse's name is.

467
00:22:08,720 --> 00:22:11,359
Speaker 1: DJ tells her it's Rocket, so she goes up to

468
00:22:11,400 --> 00:22:15,440
Speaker 1: pet him and says Hello Rocket. Joey, off screen, pretending

469
00:22:15,520 --> 00:22:20,200
Speaker 1: to be the horse, says hello Stephanie. Stephanie's eyes get

470
00:22:20,440 --> 00:22:24,919
Speaker 1: really wide as she asks, I beg your pardon. I

471
00:22:24,960 --> 00:22:26,600
Speaker 1: love that you're phrasing it that way, like you're so

472
00:22:26,960 --> 00:22:27,680
Speaker 1: prim and proper.

473
00:22:27,840 --> 00:22:29,600
Speaker 2: I beg your pardon, pardon me.

474
00:22:30,520 --> 00:22:33,800
Speaker 1: Like suddenly you're English or something. Joey, acting again as

475
00:22:33,800 --> 00:22:38,920
Speaker 1: the horse reiterates I said hello, Stephanie. Stephanie is totally

476
00:22:39,000 --> 00:22:42,639
Speaker 1: shocked that the horse can talk. She exclaims, and he

477
00:22:42,760 --> 00:22:46,240
Speaker 1: knows my name. DJ brings her over to a corner

478
00:22:46,280 --> 00:22:49,840
Speaker 1: to reveal Joey hiding under a blanket, pretending to be

479
00:22:49,960 --> 00:22:54,479
Speaker 1: the horse. Stephanie is unamused, telling Joey that is not funny.

480
00:22:54,720 --> 00:22:59,400
Speaker 1: I'm never going to trust another talking horse. Joey assures

481
00:22:59,400 --> 00:23:01,080
Speaker 1: steph that he'll make it up to her, and then

482
00:23:01,119 --> 00:23:04,440
Speaker 1: he does an impression of Elmer Fudd. The man who

483
00:23:04,520 --> 00:23:08,960
Speaker 1: runs the stables. Jeb, with a very thick accent, comes

484
00:23:09,000 --> 00:23:11,920
Speaker 1: over and tells DJ that horse has taken a real

485
00:23:12,000 --> 00:23:15,320
Speaker 1: shine to you. He mentions that the horse has been

486
00:23:15,359 --> 00:23:19,399
Speaker 1: lonely since his owner moved away. DJ's concerned, and she

487
00:23:19,520 --> 00:23:23,040
Speaker 1: asks what's going to happen to Rocket. Jeb tells DJ

488
00:23:23,200 --> 00:23:24,840
Speaker 1: that he has to find the horse a good home.

489
00:23:25,320 --> 00:23:28,160
Speaker 1: He says, someone could have themselves a free horse.

490
00:23:28,920 --> 00:23:30,639
Speaker 2: DJ's there's never if there's no such thing as a

491
00:23:30,640 --> 00:23:34,000
Speaker 2: free horse. No, free lunch is a free horse. Now,

492
00:23:34,240 --> 00:23:35,040
Speaker 2: it's always a trap.

493
00:23:35,800 --> 00:23:38,520
Speaker 1: But DJ's excited. You know, she's eleven or twelve, and

494
00:23:38,560 --> 00:23:40,280
Speaker 1: she's like, what I mean, eleven year old?

495
00:23:40,280 --> 00:23:41,040
Speaker 2: You get a free horse?

496
00:23:41,080 --> 00:23:43,800
Speaker 1: Oh yeah, that's nothing better than that. She's she can't

497
00:23:43,800 --> 00:23:46,359
Speaker 1: believe it. She's like, no money, zero dollars, an absolutely

498
00:23:46,400 --> 00:23:48,680
Speaker 1: free horse. And then she tries to play it cool

499
00:23:48,680 --> 00:23:52,439
Speaker 1: by saying no, I might be interested, But before she

500
00:23:52,440 --> 00:23:54,919
Speaker 1: gets carried away. Jeb tells her it costs one hundred

501
00:23:54,960 --> 00:23:58,480
Speaker 1: dollars every two weeks to feed and stable the horse.

502
00:24:00,000 --> 00:24:02,320
Speaker 1: Hesitantly says, I'll get back to you. Just put the

503
00:24:02,359 --> 00:24:05,560
Speaker 1: horse on layaway. I was thinking that's pretty cheap to

504
00:24:05,640 --> 00:24:08,440
Speaker 1: stable and feed a horse. It's like two hundred bucks

505
00:24:08,440 --> 00:24:09,320
Speaker 1: a months.

506
00:24:09,080 --> 00:24:12,200
Speaker 2: Nineteen eighty eight prices. It's true, ye, hay has gone

507
00:24:12,240 --> 00:24:16,200
Speaker 2: up considerably. Hey yeah, hey, hey, he's gone up considerably.

508
00:24:16,240 --> 00:24:20,119
Speaker 2: And yeah, horses are not cheap pets and they are

509
00:24:20,480 --> 00:24:23,240
Speaker 2: an everyday requirement sort of thing.

510
00:24:23,600 --> 00:24:25,280
Speaker 1: Yes, that's a big commitment, it is it.

511
00:24:25,359 --> 00:24:27,760
Speaker 2: Yeahs is very very big commitment. Yeah.

512
00:24:27,800 --> 00:24:30,959
Speaker 1: But DJ emphasizes to Kimmy how much of a dream

513
00:24:31,280 --> 00:24:33,720
Speaker 1: this would be for her. She tries to bring her

514
00:24:33,760 --> 00:24:35,800
Speaker 1: in on the deal, saying we'll be the only kids

515
00:24:35,800 --> 00:24:39,679
Speaker 1: in sixth grade with a real horse. Kimmy's interested, and

516
00:24:39,720 --> 00:24:42,640
Speaker 1: she says that'll make Kathy Santoni shut up about her

517
00:24:42,680 --> 00:24:46,160
Speaker 1: stupid moped. More shade being thrown.

518
00:24:45,920 --> 00:24:47,520
Speaker 2: At Kathy sant Santoni.

519
00:24:47,600 --> 00:24:49,439
Speaker 1: I love how much we talk about her before we

520
00:24:49,520 --> 00:24:52,879
Speaker 1: even see her. Right. So DJ decides that they can

521
00:24:52,960 --> 00:24:55,840
Speaker 1: have their parents split the money. She runs over to

522
00:24:55,960 --> 00:24:58,359
Speaker 1: Danny and asks can I have a pet. I'll feed it,

523
00:24:58,400 --> 00:25:01,919
Speaker 1: I'll take care of it. I'll be totally responsible. Danny

524
00:25:02,000 --> 00:25:05,159
Speaker 1: considers it and tells her, well, maybe something small, like

525
00:25:05,200 --> 00:25:09,680
Speaker 1: a parakeet or a goldfish, nothing with teeth. Becky and

526
00:25:09,760 --> 00:25:13,240
Speaker 1: Danny begin their TV segment, and Danny introduces the show

527
00:25:13,280 --> 00:25:17,880
Speaker 1: as Wake Up San francisci yaie yai oh. Becky tells

528
00:25:17,920 --> 00:25:21,400
Speaker 1: him the stables remind her of growing up in Nebraska,

529
00:25:22,000 --> 00:25:24,000
Speaker 1: and Danny admits it reminds him of a rerun of

530
00:25:24,080 --> 00:25:28,040
Speaker 1: Green Acres. Becky admits that she misses farm Life, but

531
00:25:28,160 --> 00:25:31,560
Speaker 1: not today because she says she has a surprise for Danny,

532
00:25:32,040 --> 00:25:34,199
Speaker 1: and he's very nervous because he hates surprises.

533
00:25:34,400 --> 00:25:35,560
Speaker 2: Annie does not like surprises.

534
00:25:35,640 --> 00:25:39,159
Speaker 1: Does not like surprises. So Jeb brings in a goat

535
00:25:39,359 --> 00:25:42,760
Speaker 1: named Marilyn, and Michelle yelwie, my goat?

536
00:25:43,320 --> 00:25:47,160
Speaker 2: What wait? A goat named Marilyn was the I wonder

537
00:25:47,160 --> 00:25:49,560
Speaker 2: I was the goat's actual name Marylyn? But I seem

538
00:25:49,600 --> 00:25:52,080
Speaker 2: to remember there being a producer on the show named Marilyn.

539
00:25:52,080 --> 00:25:52,640
Speaker 2: Maybe I'm wrong.

540
00:25:52,760 --> 00:25:56,360
Speaker 1: Oh well, maybe it's both. There was a producer named Marilyn,

541
00:25:56,400 --> 00:25:59,159
Speaker 1: and then the goat thinks name it isn't act name

542
00:25:59,240 --> 00:25:59,760
Speaker 1: for a goat.

543
00:25:59,840 --> 00:26:02,640
Speaker 2: I mean, I feel like most names are odd names

544
00:26:02,640 --> 00:26:06,399
Speaker 2: for goats because they're goats. But but yeah, Marilyn is

545
00:26:06,440 --> 00:26:08,200
Speaker 2: definitely an odd name. But I seem to remember that

546
00:26:08,240 --> 00:26:10,520
Speaker 2: like our line producer or something was named Marilyn.

547
00:26:10,760 --> 00:26:13,280
Speaker 1: Yeah, okay, So I wonder if she makes sense.

548
00:26:13,119 --> 00:26:14,840
Speaker 2: That they named the goat after her, because the line

549
00:26:14,880 --> 00:26:16,480
Speaker 2: producer is always the one that has to tell you no,

550
00:26:16,600 --> 00:26:18,840
Speaker 2: we can't afford that. So they're like, she's the goat.

551
00:26:18,920 --> 00:26:25,080
Speaker 1: Now she's the goat, So Marilyn, Marilyn's there. Michelle is

552
00:26:25,080 --> 00:26:28,879
Speaker 1: so cute. She's saying, high goat, It's adorable. And Becky

553
00:26:28,960 --> 00:26:31,560
Speaker 1: tells Danny San Francisco is going to watch you learn

554
00:26:31,680 --> 00:26:36,200
Speaker 1: how to milk a goat. Becky demonstrates how to do it,

555
00:26:36,320 --> 00:26:40,080
Speaker 1: and Danny stands there frozen. He says, Rebecca, I have

556
00:26:40,119 --> 00:26:43,840
Speaker 1: a thing about touching goats below the waist. As he

557
00:26:43,880 --> 00:26:47,280
Speaker 1: goes to Marylyn, he politely introduces himself and then looks

558
00:26:47,280 --> 00:26:50,480
Speaker 1: into the camera and says, kids, don't try this at home.

559
00:26:51,359 --> 00:26:53,280
Speaker 2: Or with a goat you don't know or have never met.

560
00:26:53,320 --> 00:26:55,359
Speaker 1: Well, you know, did the goat consent to this? Like

561
00:26:55,400 --> 00:26:56,240
Speaker 1: I have questions.

562
00:26:56,280 --> 00:26:58,400
Speaker 2: You know, it's poor goat, poor Marilyn.

563
00:26:58,840 --> 00:27:01,000
Speaker 1: So then we cut to DJ in Stephanie's room. A

564
00:27:01,040 --> 00:27:04,720
Speaker 1: little while later, Kimmy walks in and tells her tells DJ,

565
00:27:05,320 --> 00:27:08,600
Speaker 1: I asked my mom about the horse, and DJ excitedly asks, oh,

566
00:27:08,640 --> 00:27:12,520
Speaker 1: what did she say? Kimmy recites her mother's words, Kimberly,

567
00:27:12,600 --> 00:27:14,959
Speaker 1: Louise Gibbler, have you lost your mind?

568
00:27:15,640 --> 00:27:17,320
Speaker 2: And that our first mention of your middle name?

569
00:27:17,400 --> 00:27:19,000
Speaker 1: I think so. I think this is the first time

570
00:27:19,000 --> 00:27:19,800
Speaker 1: we hear Louise.

571
00:27:20,160 --> 00:27:20,679
Speaker 2: I love it.

572
00:27:21,600 --> 00:27:24,159
Speaker 1: So DJ comes up with a new idea. If she

573
00:27:24,280 --> 00:27:27,480
Speaker 1: and Kimmy successfully take care of Rocket for two weeks

574
00:27:27,480 --> 00:27:30,760
Speaker 1: on their own, their parents will be so impressed they'll

575
00:27:30,800 --> 00:27:32,600
Speaker 1: have to let them keep the horse.

576
00:27:33,080 --> 00:27:34,760
Speaker 2: M Yeah, that's not how parents work.

577
00:27:34,880 --> 00:27:39,879
Speaker 1: Yeah, okay, okay, okay. DJ's desperate, she's desperate to this horse,

578
00:27:40,520 --> 00:27:44,360
Speaker 1: and Kimmy tells her, I love the way your mind works. Now,

579
00:27:44,359 --> 00:27:46,760
Speaker 1: how does your mind say we pay for two weeks

580
00:27:46,800 --> 00:27:50,879
Speaker 1: of stable fees? DJ's mind says if they pull together

581
00:27:50,960 --> 00:27:53,680
Speaker 1: their allowance and their savings that they'll have just enough.

582
00:27:54,640 --> 00:27:56,600
Speaker 1: Kimmy agrees and remarks that all she has to do

583
00:27:56,640 --> 00:27:59,560
Speaker 1: is give up shopping, but after realizing what she just said,

584
00:27:59,560 --> 00:28:02,640
Speaker 1: she remarked, give up shopping? Did those words come out

585
00:28:02,640 --> 00:28:05,080
Speaker 1: of my mouth? Kimmy does not want to give.

586
00:28:05,000 --> 00:28:07,040
Speaker 2: Your very fashion forwards. You cannot.

587
00:28:07,240 --> 00:28:09,440
Speaker 1: Kimmy needs her her outfits.

588
00:28:09,359 --> 00:28:13,680
Speaker 2: Which are astounding that they are in this episode. By

589
00:28:13,680 --> 00:28:15,520
Speaker 2: the way, yesh my god, well.

590
00:28:15,560 --> 00:28:17,399
Speaker 1: In this scene, it's cute like I'm wearing these plaids.

591
00:28:18,800 --> 00:28:22,159
Speaker 2: It's super cute, amazing. Love it. But yeah, there are

592
00:28:22,200 --> 00:28:24,160
Speaker 2: some I have comments, so I.

593
00:28:24,080 --> 00:28:26,760
Speaker 1: Can't wait to hear your comments. I love it. So

594
00:28:26,840 --> 00:28:29,960
Speaker 1: DJ assures Kimmy that there is no comparison between shopping

595
00:28:30,000 --> 00:28:32,879
Speaker 1: and having their very own horse. So they start to

596
00:28:33,040 --> 00:28:36,439
Speaker 1: chant we're gonna get a horse. We're gonna get a horse,

597
00:28:36,640 --> 00:28:39,160
Speaker 1: and Steph walks in and joins this chant.

598
00:28:39,600 --> 00:28:42,640
Speaker 2: We're gonna get a horse. Yeah, we're gonna I love it.

599
00:28:43,120 --> 00:28:46,320
Speaker 1: DJ tries to save this situation by telling Stephanie, if

600
00:28:46,360 --> 00:28:48,320
Speaker 1: you can keep the horse a secret for two weeks,

601
00:28:48,480 --> 00:28:51,600
Speaker 1: I'll let you own part of the horse. Stephanie is

602
00:28:51,720 --> 00:28:54,080
Speaker 1: very excited and she asks which part.

603
00:28:56,160 --> 00:28:56,880
Speaker 2: Your right leg?

604
00:28:57,480 --> 00:29:00,880
Speaker 1: Right? You can have the spleen? Yeah, but DJ tells

605
00:29:00,880 --> 00:29:03,840
Speaker 1: her you can have the tail, and Steph is so

606
00:29:03,880 --> 00:29:07,280
Speaker 1: excited about this, she decides to name the tail Buttercup.

607
00:29:09,120 --> 00:29:11,960
Speaker 1: They shake hands to seal the deal, but Kimmy is

608
00:29:12,000 --> 00:29:15,080
Speaker 1: not sure about this. She asks DJ, are you sure

609
00:29:15,120 --> 00:29:18,800
Speaker 1: you can trust her? She is such a blabbermouth, But

610
00:29:18,840 --> 00:29:21,800
Speaker 1: Stephanie defends herself. I can keep a secret. No one

611
00:29:21,840 --> 00:29:25,800
Speaker 1: knows about the bag of Halloween candy in my sock drawer. Whoops.

612
00:29:26,120 --> 00:29:30,240
Speaker 1: Once she realizes that her secret's been revealed, Stephanie acknowledges, Oh,

613
00:29:30,280 --> 00:29:34,360
Speaker 1: I am a blabbermouth. Aye ye yi. Kimmy and DJ

614
00:29:34,440 --> 00:29:36,720
Speaker 1: jump at the chance for Halloween candy and run to

615
00:29:36,760 --> 00:29:37,960
Speaker 1: Stephanie's sock drawer.

616
00:29:38,360 --> 00:29:41,560
Speaker 2: Steph trace, which, what that whole little last moment was

617
00:29:41,600 --> 00:29:43,280
Speaker 2: all improv? I wrote that?

618
00:29:43,480 --> 00:29:44,680
Speaker 1: But was this ad libbing?

619
00:29:44,760 --> 00:29:47,400
Speaker 2: Jody? I feel like all improv it's stale, a little

620
00:29:47,440 --> 00:29:49,400
Speaker 2: rot your teeth. You did great.

621
00:29:49,920 --> 00:29:51,880
Speaker 1: That was really good ad libbing. I was like, Oh,

622
00:29:51,920 --> 00:29:52,600
Speaker 1: that's good.

623
00:29:52,560 --> 00:29:57,520
Speaker 2: You're just channeling my mom. It'll rot your teeth stale. Yeah,

624
00:29:58,000 --> 00:29:59,320
Speaker 2: it's been sitting in there forever.

625
00:29:59,560 --> 00:30:03,520
Speaker 1: Yeah, exactly. So we cut to the living room. Joey

626
00:30:03,520 --> 00:30:06,239
Speaker 1: and Michelle are in the living room pretending that the

627
00:30:06,280 --> 00:30:09,600
Speaker 1: living room chair is a car. When Becky and Jesse

628
00:30:09,800 --> 00:30:12,680
Speaker 1: walk in. They join in on the game, avoiding the

629
00:30:12,760 --> 00:30:16,440
Speaker 1: chair and yelling look out. Joey gives his best taxi

630
00:30:16,560 --> 00:30:20,200
Speaker 1: driver impression, telling Jesse, hey, bum, out of a way.

631
00:30:21,400 --> 00:30:23,520
Speaker 1: Joey asks Michelle if she's ready for her nap, and

632
00:30:23,560 --> 00:30:28,960
Speaker 1: Michelle replies hey bum, and Joey says, yeah, I gotta

633
00:30:28,960 --> 00:30:32,240
Speaker 1: watch what you're saying around the kid. Jesse tells Michelle

634
00:30:32,280 --> 00:30:34,280
Speaker 1: that they got her a toy and it will be

635
00:30:34,360 --> 00:30:36,560
Speaker 1: all blown up by the time she wakes up from

636
00:30:36,560 --> 00:30:39,760
Speaker 1: her nap. He unfolds the blow up toy and it's

637
00:30:39,920 --> 00:30:43,280
Speaker 1: a gigantic Godzilla.

638
00:30:43,440 --> 00:30:44,920
Speaker 2: Jess an odd gift for a child.

639
00:30:45,040 --> 00:30:46,920
Speaker 1: This seemed out of it and yeah, kind of out

640
00:30:46,920 --> 00:30:47,200
Speaker 1: of touch.

641
00:30:47,640 --> 00:30:50,120
Speaker 2: Get it at the stable? Why is there a blow

642
00:30:50,160 --> 00:30:51,320
Speaker 2: up Godzilla at a stable?

643
00:30:51,720 --> 00:30:51,880
Speaker 1: Yah?

644
00:30:51,960 --> 00:30:52,200
Speaker 2: Did he?

645
00:30:52,280 --> 00:30:54,480
Speaker 1: I thought he was just taking Becky out to lunch.

646
00:30:54,520 --> 00:30:56,760
Speaker 1: Did they stop at a toy shop on the way home?

647
00:30:57,120 --> 00:31:01,080
Speaker 1: Or has Michelle mentioned dinosaur or gods? Like? I don't

648
00:31:01,080 --> 00:31:01,880
Speaker 1: know where this came from.

649
00:31:02,400 --> 00:31:02,880
Speaker 2: It's a bit.

650
00:31:03,040 --> 00:31:05,160
Speaker 1: They just have this prop lying around in the thread.

651
00:31:05,560 --> 00:31:08,520
Speaker 2: Let's use that stupid but blow up Godzilla thing.

652
00:31:08,720 --> 00:31:12,040
Speaker 1: Yeah, let's just write it in. Joey and Michelle go upstairs,

653
00:31:12,120 --> 00:31:15,080
Speaker 1: and Becky tells Jesse, you know you and Joey will

654
00:31:15,080 --> 00:31:17,640
Speaker 1: make great parents. You guys should really have kids of

655
00:31:17,680 --> 00:31:20,680
Speaker 1: your own, and Jesse jokes, well, we've talked about it,

656
00:31:20,760 --> 00:31:23,000
Speaker 1: and neither one of us is willing to go through labor.

657
00:31:24,760 --> 00:31:28,720
Speaker 1: He's hypical, tip typical, I know right. He starts to

658
00:31:28,720 --> 00:31:31,960
Speaker 1: blow up Michelle's toy and Becky offers to help. When

659
00:31:31,960 --> 00:31:35,160
Speaker 1: he turns her down it's because it's a man's job,

660
00:31:35,880 --> 00:31:37,840
Speaker 1: and she's like, okay, well, I'm gonna head back into

661
00:31:37,920 --> 00:31:40,840
Speaker 1: the studio. In a panic, Jesse says, no, wait, don't go,

662
00:31:41,120 --> 00:31:44,400
Speaker 1: I'm gonna faint. See it's not just a man's job.

663
00:31:44,800 --> 00:31:48,400
Speaker 2: No, it's not. No, turns out, lung capacity has no gender, right.

664
00:31:50,000 --> 00:31:55,520
Speaker 1: Jesse seizes this opportunity to ask Becky out. He asks, uh,

665
00:31:55,600 --> 00:31:58,320
Speaker 1: can I ask you a personal question? Do you eat dinner?

666
00:31:58,960 --> 00:32:02,680
Speaker 1: And she responds all almost every night. He exclaims, this

667
00:32:02,760 --> 00:32:06,000
Speaker 1: is amazing. So do I two people both dinner eaters?

668
00:32:06,160 --> 00:32:09,400
Speaker 1: How often does that happen? Becky? Have dinner with me tonight?

669
00:32:09,600 --> 00:32:10,040
Speaker 2: Please?

670
00:32:11,120 --> 00:32:13,760
Speaker 1: Becky kindly turns him down because she has to work

671
00:32:13,760 --> 00:32:14,760
Speaker 1: on Monday's show.

672
00:32:15,480 --> 00:32:17,560
Speaker 2: Jesse can work for it. I love it.

673
00:32:17,640 --> 00:32:20,760
Speaker 1: I love it. Jesse points out that it's the weekend,

674
00:32:20,800 --> 00:32:23,880
Speaker 1: and Becky emphasizes that this job is a huge opportunity

675
00:32:23,920 --> 00:32:27,600
Speaker 1: for her, so she has to stay focused. Jesse offers

676
00:32:28,080 --> 00:32:31,479
Speaker 1: just take an hour focus on some pasta fazoul. She

677
00:32:31,560 --> 00:32:34,120
Speaker 1: assures him that she really likes having him as a

678
00:32:34,240 --> 00:32:37,560
Speaker 1: friend and adds, besides, it's going to take you all

679
00:32:37,560 --> 00:32:40,440
Speaker 1: weekend to blow up Godzilla. She tossles his hair and

680
00:32:40,560 --> 00:32:42,040
Speaker 1: leaves yikes, did.

681
00:32:41,960 --> 00:32:44,600
Speaker 2: She do the hair tossle? The friend zone?

682
00:32:45,320 --> 00:32:48,560
Speaker 1: So she zones him, but then she kind of tossles

683
00:32:48,560 --> 00:32:50,400
Speaker 1: his hair, which I think is a little flirty, So

684
00:32:50,720 --> 00:32:52,320
Speaker 1: it is no, she's.

685
00:32:52,120 --> 00:32:55,920
Speaker 2: Look, I think Becky is very aware of that she

686
00:32:56,160 --> 00:32:58,400
Speaker 2: is in the position of power in this that he

687
00:32:58,600 --> 00:33:03,480
Speaker 2: likes her, but she sees kind of through him that he's,

688
00:33:03,720 --> 00:33:06,360
Speaker 2: you know, this woman chaser and goes so she's kind

689
00:33:06,360 --> 00:33:09,240
Speaker 2: of like, look, I'm I'm not impressed by your city

690
00:33:09,320 --> 00:33:12,720
Speaker 2: life thing. Like I yeah, so I like it. She's

691
00:33:12,800 --> 00:33:14,680
Speaker 2: kind of like, yeah, no, we're friends, You're cool.

692
00:33:14,760 --> 00:33:18,160
Speaker 1: This is exactly he needs a woman, like exactly he's

693
00:33:18,240 --> 00:33:21,240
Speaker 1: gonna fall over him. Yeah, exactly, he needs to work

694
00:33:21,240 --> 00:33:23,400
Speaker 1: for it a little bit I like this, So Jesse

695
00:33:23,560 --> 00:33:26,480
Speaker 1: questions what he could be doing wrong. Then he looks

696
00:33:26,480 --> 00:33:30,240
Speaker 1: at Godzilla and immediately blames it on him. He tells

697
00:33:30,240 --> 00:33:32,760
Speaker 1: the blow up doll, all right, I'll have dinner with you.

698
00:33:32,800 --> 00:33:36,400
Speaker 1: Come on, let's go eat tokyo and he walks out.

699
00:33:36,640 --> 00:33:39,720
Speaker 1: So now we're back in the horse stables, DJ and

700
00:33:39,800 --> 00:33:43,880
Speaker 1: Kimmy are visiting Rocket and Kimmy is in quite the

701
00:33:43,920 --> 00:33:47,360
Speaker 1: get up. What the heck am I wearing in this scene?

702
00:33:47,480 --> 00:33:49,719
Speaker 2: Missus trench bull? Are you wearing?

703
00:33:50,280 --> 00:33:52,240
Speaker 1: I look like a World War two fighter pilot?

704
00:33:52,480 --> 00:33:54,720
Speaker 2: You look I wrote down, I said, what are you?

705
00:33:54,760 --> 00:33:56,920
Speaker 2: Are you about to go play taps on a bugle?

706
00:33:57,120 --> 00:33:57,320
Speaker 1: Yeah?

707
00:33:57,560 --> 00:34:00,880
Speaker 2: Are you going on Safari? Are you playing Missus trench

708
00:34:00,920 --> 00:34:04,200
Speaker 2: bowl in Matilda on Broadway? What are you doing?

709
00:34:04,640 --> 00:34:05,479
Speaker 1: It looks like everything?

710
00:34:05,520 --> 00:34:08,680
Speaker 2: It was like the shoulder pads, Oh yeah, I feel yeah,

711
00:34:08,719 --> 00:34:11,680
Speaker 2: you near like a like a like one of those

712
00:34:11,800 --> 00:34:14,360
Speaker 2: like a god No, what am I thinking? Not Napoleon

713
00:34:15,320 --> 00:34:18,719
Speaker 2: like bullfighting? Oh yes, lag the flag it felt very

714
00:34:18,719 --> 00:34:21,239
Speaker 2: it was a very cinched waste and the boots and

715
00:34:21,320 --> 00:34:26,959
Speaker 2: that it was it's a choice giving. I weirdly loved it,

716
00:34:27,160 --> 00:34:30,880
Speaker 2: like it was like a weird tribute to Amelia Earhart. Yes,

717
00:34:32,120 --> 00:34:34,680
Speaker 2: and I'm here for it. I'm loving it. It was

718
00:34:34,880 --> 00:34:39,239
Speaker 2: very like girl power. I could I don't know, fly

719
00:34:39,360 --> 00:34:41,279
Speaker 2: a plane or like.

720
00:34:41,800 --> 00:34:45,960
Speaker 1: It's just very it's just so militant for an eleven

721
00:34:46,040 --> 00:34:47,160
Speaker 1: year old girl to be wearing.

722
00:34:48,480 --> 00:34:53,280
Speaker 2: Is it is very Uh yeah, like you're you're going

723
00:34:53,560 --> 00:34:57,279
Speaker 2: to I don't know, practice your gorilla warfare off in

724
00:34:58,080 --> 00:35:01,560
Speaker 2: under the pier. I don't know what Kimmy's doing, and

725
00:35:01,640 --> 00:35:04,759
Speaker 2: I probably don't want to ask, but she's preparing for

726
00:35:04,840 --> 00:35:07,719
Speaker 2: something and we don't know what sort of right, like

727
00:35:07,800 --> 00:35:11,160
Speaker 2: are you in ROTC Like what is what are you doing?

728
00:35:11,280 --> 00:35:13,600
Speaker 2: Are you a reserve officer? I don't I can't figure

729
00:35:13,640 --> 00:35:14,120
Speaker 2: it out.

730
00:35:14,760 --> 00:35:17,880
Speaker 1: Anything except about to ride a horse. Like she's ready

731
00:35:17,880 --> 00:35:20,640
Speaker 1: for anything. Comma, that's ready, She's.

732
00:35:20,440 --> 00:35:23,439
Speaker 2: Ready for combat. But she well, she's ready to ride

733
00:35:23,520 --> 00:35:27,279
Speaker 2: the horse in if she were in the cavalry in

734
00:35:27,400 --> 00:35:30,360
Speaker 2: like eighteen seventy four, you know what I mean. Like

735
00:35:30,440 --> 00:35:33,600
Speaker 2: that's she like she just needs like a saber, you

736
00:35:33,680 --> 00:35:35,920
Speaker 2: know what I mean? Like ha, and just off and

737
00:35:36,440 --> 00:35:38,359
Speaker 2: you're leading the charge. Yeah.

738
00:35:39,640 --> 00:35:42,000
Speaker 1: Yeah, And this is only the beginning of the Gibbler fashion,

739
00:35:42,080 --> 00:35:43,480
Speaker 1: Like we have only just good.

740
00:35:43,480 --> 00:35:45,720
Speaker 2: There's more trust me. There's Yeah, and you have another

741
00:35:45,800 --> 00:35:47,920
Speaker 2: outfit in here too that I have some comments on.

742
00:35:48,239 --> 00:35:50,239
Speaker 1: It's just endless, endless, but it was yours.

743
00:35:50,280 --> 00:35:52,920
Speaker 2: And then DJ had a fuzzy geometric sweater. Yeah she did.

744
00:35:52,960 --> 00:35:56,000
Speaker 2: You're right, this is another it's a I guess that

745
00:35:56,120 --> 00:35:58,920
Speaker 2: was the eighties. It like that, it looks comfy. It

746
00:35:58,960 --> 00:36:02,240
Speaker 2: does like that sort of book lay, like very fuzzy material,

747
00:36:02,239 --> 00:36:06,800
Speaker 2: but then like lots of random brightly colored geometric patterns.

748
00:36:06,840 --> 00:36:08,680
Speaker 1: Yeah, it looks very warm too.

749
00:36:09,000 --> 00:36:11,600
Speaker 2: Yeah, you know, but come from in San Francisco. It's

750
00:36:11,600 --> 00:36:12,719
Speaker 2: San Francisco, it's chili.

751
00:36:12,800 --> 00:36:13,640
Speaker 1: It's chilly outside.

752
00:36:13,680 --> 00:36:17,560
Speaker 2: I mean, Kimmy's got a you know, a military coat on.

753
00:36:18,160 --> 00:36:20,560
Speaker 1: I'm very warm. I have enough players to get ye

754
00:36:21,000 --> 00:36:21,719
Speaker 1: the brutalist of.

755
00:36:22,000 --> 00:36:25,600
Speaker 2: Change your scarf and like you're flying goggles and little helmet,

756
00:36:25,640 --> 00:36:28,720
Speaker 2: you know what I mean. The red Baron or something

757
00:36:31,040 --> 00:36:34,680
Speaker 2: like Snoopy dressed as the Red Baron.

758
00:36:36,920 --> 00:36:38,920
Speaker 1: Kimmy could have had a whole new career, Like if

759
00:36:38,960 --> 00:36:40,000
Speaker 1: only she knew.

760
00:36:40,160 --> 00:36:43,160
Speaker 2: The she knew that Kimmy could have had her own

761
00:36:43,960 --> 00:36:46,000
Speaker 2: military brigade and uh.

762
00:36:46,040 --> 00:36:47,920
Speaker 1: Yeah, a whole army of gibblers.

763
00:36:48,440 --> 00:36:50,879
Speaker 2: Jensen said, it looks like she works in the administration

764
00:36:50,960 --> 00:36:55,640
Speaker 2: at Jurassic Park. You do, Oh my god, You're like

765
00:36:55,719 --> 00:36:59,640
Speaker 2: Lord Dern's long lost niece or something.

766
00:37:01,800 --> 00:37:04,080
Speaker 1: This is wow, this is gonna be the rest of

767
00:37:04,120 --> 00:37:06,319
Speaker 1: the episode. Let's just talk about this this outfit. No,

768
00:37:06,360 --> 00:37:06,880
Speaker 1: I'm just kidding.

769
00:37:07,120 --> 00:37:09,279
Speaker 2: I had this, Oh god last night. I was like,

770
00:37:09,360 --> 00:37:11,680
Speaker 2: I couldn't write down all the jokes as they came

771
00:37:11,719 --> 00:37:15,000
Speaker 2: to my brain quick enough. So yeah, a lot.

772
00:37:15,080 --> 00:37:18,000
Speaker 1: Wow, All right, well that was a choice. That was

773
00:37:18,040 --> 00:37:23,319
Speaker 1: a choice. But here we are. So DJ asks if

774
00:37:23,360 --> 00:37:27,000
Speaker 1: Kimmy would like to ride Rocket first, and Kimmy asks,

775
00:37:27,040 --> 00:37:29,600
Speaker 1: you mean get on him in my new outfit?

776
00:37:29,960 --> 00:37:33,560
Speaker 2: You yeah, no, no, no, no. Apparently she never planned.

777
00:37:33,320 --> 00:37:35,200
Speaker 1: To ride the horse or even take care of it.

778
00:37:35,280 --> 00:37:37,839
Speaker 1: She just wants to buy outfits that may or may

779
00:37:37,880 --> 00:37:39,799
Speaker 1: not have anything to do with the activity at hand.

780
00:37:40,000 --> 00:37:40,719
Speaker 2: I can't blame her.

781
00:37:40,719 --> 00:37:43,640
Speaker 1: So Kimmy decides to leave so she can tell everyone

782
00:37:43,680 --> 00:37:47,000
Speaker 1: at school that they got a horse. So this whole outfit, Like,

783
00:37:47,000 --> 00:37:49,120
Speaker 1: how much did the wardrobe department spend on this outfit?

784
00:37:49,120 --> 00:37:51,120
Speaker 1: And I'm only in the scene second.

785
00:37:50,840 --> 00:37:52,440
Speaker 2: Game the same thing. I was like, damn, it's a

786
00:37:52,440 --> 00:37:55,600
Speaker 2: shame that this outfit didn't get more airtime because it

787
00:37:55,640 --> 00:37:58,200
Speaker 2: is it's having a moment, right.

788
00:37:59,000 --> 00:38:00,480
Speaker 1: Well, you know, Kimy's got to go back to the

789
00:38:00,560 --> 00:38:02,480
Speaker 1: barracks and wake up, right, She's got to go back

790
00:38:02,480 --> 00:38:04,719
Speaker 1: to the barracks and uh yeah yeah, and you know

791
00:38:04,840 --> 00:38:07,160
Speaker 1: do the flag uh ceremony at the end.

792
00:38:07,080 --> 00:38:07,480
Speaker 2: Of the day.

793
00:38:07,600 --> 00:38:10,000
Speaker 1: So and fold the flag appropriately, Fuld.

794
00:38:09,760 --> 00:38:12,520
Speaker 2: The flag, right, ride and play you know, taps on bugle.

795
00:38:14,280 --> 00:38:18,040
Speaker 1: So DJ tells Rocket, let's go for a nice long ride.

796
00:38:18,280 --> 00:38:20,040
Speaker 1: And I'll try to explain Kimmy to you.

797
00:38:21,200 --> 00:38:23,000
Speaker 2: Cue the musical montatage.

798
00:38:23,280 --> 00:38:25,560
Speaker 1: I've missed these. It's been it's been a hot minute

799
00:38:25,560 --> 00:38:27,160
Speaker 1: since we've had a musical montage.

800
00:38:27,280 --> 00:38:29,800
Speaker 2: Yes, a music montage.

801
00:38:29,280 --> 00:38:32,360
Speaker 1: Set to the tune of good Day Sunshine.

802
00:38:31,760 --> 00:38:36,520
Speaker 2: Good Day Sunshine. Yeah, oh great, she's having a good

803
00:38:36,600 --> 00:38:37,760
Speaker 2: day to she's having.

804
00:38:37,560 --> 00:38:41,160
Speaker 1: A great day. This is a great compilation of DJ

805
00:38:41,320 --> 00:38:45,120
Speaker 1: riding horseback, DJ brushing Rocket's coat, DJ.

806
00:38:45,440 --> 00:38:49,720
Speaker 2: Random park somewhere, because that's where you do that random

807
00:38:49,880 --> 00:38:51,640
Speaker 2: You just yeah, you're like here, pull up next to

808
00:38:51,680 --> 00:38:55,759
Speaker 2: this picnic bench, no horse trail or like, and yeah,

809
00:38:55,760 --> 00:38:57,640
Speaker 2: it was just like I'm just riding a horse through

810
00:38:57,680 --> 00:38:58,319
Speaker 2: a random park.

811
00:38:58,840 --> 00:39:02,400
Speaker 1: Well I'm trying to picture well if Griffith Park is nearby.

812
00:39:02,600 --> 00:39:05,120
Speaker 1: This was probably Griffith Park. I don't know where they

813
00:39:05,160 --> 00:39:06,320
Speaker 1: shot this these.

814
00:39:06,200 --> 00:39:08,279
Speaker 2: Exteriors, but yeah, Griffith. But I mean, and there are

815
00:39:08,320 --> 00:39:10,600
Speaker 2: stables there, but you ride them on horse trails. You

816
00:39:10,600 --> 00:39:13,480
Speaker 2: don't just kind of go galloping through the large soccer.

817
00:39:13,239 --> 00:39:16,160
Speaker 1: Field down through the grass, right, But.

818
00:39:16,080 --> 00:39:18,200
Speaker 2: You do if it's a music montage, So you do.

819
00:39:18,320 --> 00:39:20,400
Speaker 1: And Kandas is doing a great job. I feel like

820
00:39:20,440 --> 00:39:21,319
Speaker 1: she's had excuse right.

821
00:39:21,400 --> 00:39:24,680
Speaker 2: I think she was doing some horseback riding at the time.

822
00:39:24,800 --> 00:39:27,719
Speaker 1: Yeah, that's that sounds familiar because her heels.

823
00:39:27,440 --> 00:39:29,160
Speaker 2: Are down and that. I was like, oh, she's got

824
00:39:29,160 --> 00:39:29,920
Speaker 2: some good riding twn.

825
00:39:30,000 --> 00:39:33,759
Speaker 1: Yeah. She looks very comfortable on Rocket, no doubt about it.

826
00:39:34,400 --> 00:39:37,880
Speaker 1: So our montage ends and DJ is back in the stables,

827
00:39:37,920 --> 00:39:42,160
Speaker 1: brushing Rocket and wearing a cute new cowgirl outfit. We

828
00:39:42,200 --> 00:39:44,960
Speaker 1: have returned to her denim era, her denim on denim on.

829
00:39:44,960 --> 00:39:47,240
Speaker 2: Denham denim, her Canadian tuxedo.

830
00:39:47,440 --> 00:39:50,160
Speaker 1: Yeah, she's back in it. She tells Rocket that these

831
00:39:50,200 --> 00:39:53,560
Speaker 1: past two weeks have been the best weeks of her life.

832
00:39:54,239 --> 00:39:57,160
Speaker 1: She says, You're the best horse I've ever owned. And

833
00:39:57,200 --> 00:39:59,400
Speaker 1: I'm not just saying that because You're the only horse

834
00:39:59,480 --> 00:40:03,200
Speaker 1: I've ever owned owned, KIMMI. Then Waltz is in, looking

835
00:40:03,239 --> 00:40:05,800
Speaker 1: like a human sized version of Woody from Toyswater.

836
00:40:06,000 --> 00:40:08,080
Speaker 2: I went, oh my god, it's Woody from Toy Story

837
00:40:08,800 --> 00:40:11,760
Speaker 2: or not Woody Jesse. Oh, Jesse, you look like Jesse

838
00:40:11,920 --> 00:40:13,320
Speaker 2: from toy Story. Yeah.

839
00:40:13,640 --> 00:40:16,120
Speaker 1: At least she's on at least she's on brand now

840
00:40:16,200 --> 00:40:18,640
Speaker 1: for like, at least she looks like a cowboy about

841
00:40:18,680 --> 00:40:19,480
Speaker 1: to ride a horse.

842
00:40:20,360 --> 00:40:26,520
Speaker 2: She's moved from from cavalry into like, you know, uh,

843
00:40:27,320 --> 00:40:31,560
Speaker 2: a horsey sort of nineteen fifties green acres kind of vibe.

844
00:40:31,640 --> 00:40:35,359
Speaker 1: Yeah, yeah, she's she went straight to the red boots though. Yeah,

845
00:40:35,400 --> 00:40:39,120
Speaker 1: the red boots were great. I remember liking this outfit too.

846
00:40:39,200 --> 00:40:41,160
Speaker 1: I felt cool in it for some reason. I don't

847
00:40:41,520 --> 00:40:44,960
Speaker 1: I don't look cool now, but it felt cool at

848
00:40:44,960 --> 00:40:45,319
Speaker 1: the time.

849
00:40:45,440 --> 00:40:47,960
Speaker 2: How do you remember how you felt about the the

850
00:40:48,239 --> 00:40:51,560
Speaker 2: the Army brigade costume.

851
00:40:51,640 --> 00:40:53,799
Speaker 1: I think even liked it. That was weird, but I

852
00:40:53,960 --> 00:40:56,080
Speaker 1: was eleven, I didn't know. I didn't know.

853
00:40:56,239 --> 00:40:59,040
Speaker 2: I actually love it like that. I'm like, that's kind

854
00:40:59,040 --> 00:41:01,120
Speaker 2: of bad ass with the brown boots are like, I

855
00:41:01,239 --> 00:41:03,560
Speaker 2: like that outfit. I'm making fun of it, but I

856
00:41:04,000 --> 00:41:05,480
Speaker 2: actually do. I like that.

857
00:41:05,920 --> 00:41:09,120
Speaker 1: Okay. I hated most of my wardrobe, maybe not this

858
00:41:09,200 --> 00:41:12,080
Speaker 1: early in the series, but especially later years of Kimmy

859
00:41:12,120 --> 00:41:14,680
Speaker 1: Gibler fashion. I hated almost everything.

860
00:41:15,040 --> 00:41:16,280
Speaker 2: We're starting off strong, Gibbler.

861
00:41:16,280 --> 00:41:19,360
Speaker 1: That's all okay, all right, I'm here for it. So

862
00:41:19,440 --> 00:41:22,320
Speaker 1: Kimmy says hi to DJ and Rocket, and DJ reminds

863
00:41:22,320 --> 00:41:26,200
Speaker 1: her of the fifty dollars that Kimmy owes for Rocket's

864
00:41:26,360 --> 00:41:30,600
Speaker 1: stabling fees. Kimmy is visibly worried, and instead of handing

865
00:41:30,680 --> 00:41:33,440
Speaker 1: her the money, Kimmy asks DJ if she likes her

866
00:41:33,480 --> 00:41:37,720
Speaker 1: new shirt and new boots. DJ instantly realizes that Kimmy

867
00:41:37,760 --> 00:41:40,880
Speaker 1: went to the mall and doesn't have the fifty dollars.

868
00:41:41,560 --> 00:41:43,440
Speaker 1: Kimmy tries, telling her, I don't even know how I

869
00:41:43,480 --> 00:41:45,640
Speaker 1: got to the mall. I tried to leave, but then

870
00:41:45,680 --> 00:41:50,000
Speaker 1: I saw this shirt in these boots. DJ interrupts, saying, Gibbler,

871
00:41:50,280 --> 00:41:54,880
Speaker 1: you're a mall aholic. Kimmy apologizes for spending the money

872
00:41:54,920 --> 00:41:57,919
Speaker 1: and for letting DJ down. She tells her that she's

873
00:41:58,080 --> 00:42:01,600
Speaker 1: just not ready for this responsibility, which is a rare

874
00:42:01,640 --> 00:42:05,279
Speaker 1: moment of self awareness for Kimmy, you know, just like

875
00:42:05,360 --> 00:42:08,680
Speaker 1: she's dicked over to the DJ before in the birthday.

876
00:42:08,760 --> 00:42:12,040
Speaker 2: I kind of was like, damn, Kimmy, like yah, yeah,

877
00:42:12,080 --> 00:42:15,040
Speaker 2: like after the last episode, but the prize party and

878
00:42:15,040 --> 00:42:17,719
Speaker 2: now this, I was like, Kimmy, Kimmy, Kimmy, what are

879
00:42:17,760 --> 00:42:21,359
Speaker 2: we doing? But yeah, you just you were very self

880
00:42:21,400 --> 00:42:23,040
Speaker 2: aware that you're like, I'm not ready for this. I'm

881
00:42:23,080 --> 00:42:25,120
Speaker 2: not ready to give up my shopping Yeah, and looking

882
00:42:25,160 --> 00:42:26,360
Speaker 2: fabulous for a horse.

883
00:42:26,800 --> 00:42:28,480
Speaker 1: It doesn't make what she did right, but at least

884
00:42:28,520 --> 00:42:31,160
Speaker 1: she's self aware that she's being a bad friend.

885
00:42:31,280 --> 00:42:35,560
Speaker 2: I mean, to be honest, Kimmy's the smarter one in

886
00:42:35,600 --> 00:42:38,560
Speaker 2: the situation where she's like, this is not I don't

887
00:42:38,719 --> 00:42:39,560
Speaker 2: we don't need a horse.

888
00:42:39,960 --> 00:42:43,720
Speaker 1: You really don't need a horse. She's just going along

889
00:42:43,719 --> 00:42:48,400
Speaker 1: with this just for the outfits, obviously. But she apologizes

890
00:42:48,480 --> 00:42:51,560
Speaker 1: to DJ and says goodbye to Rocket and walks on out.

891
00:42:52,120 --> 00:42:56,680
Speaker 1: Oh Kimmy. So Jeb walks in, seeing DJ looking very upset.

892
00:42:57,360 --> 00:43:01,160
Speaker 1: She breaks the news that she only has fifty and

893
00:43:01,239 --> 00:43:03,080
Speaker 1: Jeb says if she can't afford to take care of

894
00:43:03,080 --> 00:43:06,040
Speaker 1: the horse, he has to find someone else who can.

895
00:43:07,080 --> 00:43:08,880
Speaker 2: Panicked and this is what happens when you make a

896
00:43:08,880 --> 00:43:10,360
Speaker 2: deal with an eleven year old. You know.

897
00:43:10,840 --> 00:43:14,359
Speaker 1: Yeah, this is with no paperworker and no no contract. Yeah,

898
00:43:14,400 --> 00:43:16,160
Speaker 1: there's no parental permission.

899
00:43:16,480 --> 00:43:18,160
Speaker 2: Yeah you got screwed, Jeb, You got screwed.

900
00:43:18,239 --> 00:43:21,560
Speaker 1: He got just screwed. So DJ checks her backpack to

901
00:43:21,600 --> 00:43:23,959
Speaker 1: see if she has anything of value to give him,

902
00:43:24,200 --> 00:43:26,200
Speaker 1: But all she has to offer is a hair brush,

903
00:43:26,400 --> 00:43:29,200
Speaker 1: a math book that's never been used, and a George

904
00:43:29,200 --> 00:43:33,680
Speaker 1: Michael CD that she claims is even better than cash.

905
00:43:33,719 --> 00:43:37,080
Speaker 1: So Jeb examines the CD, saying that either that boy

906
00:43:37,160 --> 00:43:41,320
Speaker 1: is wearing an airring or that gal's got some serious stubble.

907
00:43:42,040 --> 00:43:45,360
Speaker 1: Do we think Jeb's been hitting the moonshine, you know,

908
00:43:45,440 --> 00:43:47,280
Speaker 1: in the back of the stables, Like I just feel

909
00:43:47,320 --> 00:43:49,880
Speaker 1: like between the accent and he kind of stumbles a

910
00:43:49,920 --> 00:43:53,120
Speaker 1: little bit here and there, he's really hitting the moonshine

911
00:43:53,880 --> 00:43:54,320
Speaker 1: for sure.

912
00:43:54,440 --> 00:43:56,120
Speaker 2: Why I mean, if you were working a stable, why

913
00:43:56,120 --> 00:43:57,759
Speaker 2: wouldn't you just be drunk all day? You know?

914
00:43:59,400 --> 00:44:01,520
Speaker 1: And he said ye to this eleven year old.

915
00:44:01,239 --> 00:44:04,040
Speaker 2: He made don't deal with an eleven year old, Like

916
00:44:04,080 --> 00:44:06,040
Speaker 2: he gave a horse to a kid and was like, sure,

917
00:44:06,080 --> 00:44:09,920
Speaker 2: you can have it with nothing. Yeah, he's decidedly drunk.

918
00:44:10,000 --> 00:44:13,520
Speaker 1: He's definitely drunk. It definitely drunk all of these scenes. Yes, right, okay?

919
00:44:13,640 --> 00:44:19,160
Speaker 1: Right that that actually explains a lot about this episode. So,

920
00:44:19,160 --> 00:44:23,040
Speaker 1: so Jeb apologizes, saying he needs cash. He tells DJ

921
00:44:23,120 --> 00:44:24,560
Speaker 1: that he has to go tell the boss that they

922
00:44:24,600 --> 00:44:28,400
Speaker 1: need to find a new owner for Rocket. DJ pleads,

923
00:44:28,719 --> 00:44:31,719
Speaker 1: can I just take him on one last ride? The

924
00:44:31,760 --> 00:44:33,520
Speaker 1: man says yes, and he leaves.

925
00:44:34,600 --> 00:44:37,799
Speaker 2: He says, there's what does he say that? You there's

926
00:44:37,840 --> 00:44:40,920
Speaker 2: no harm in that? Which I wrote down when anyone

927
00:44:41,000 --> 00:44:43,520
Speaker 2: someone says there's no harm in that in a sitcom,

928
00:44:44,080 --> 00:44:45,000
Speaker 2: there will indeed be hard.

929
00:44:45,040 --> 00:44:45,400
Speaker 1: There will be.

930
00:44:47,000 --> 00:44:49,359
Speaker 2: A lot of harm, and it's not going to end well.

931
00:44:49,440 --> 00:44:49,600
Speaker 1: Right.

932
00:44:49,600 --> 00:44:51,080
Speaker 2: But yeah, he was like, oh, there's no harm in that.

933
00:44:51,120 --> 00:44:53,879
Speaker 2: I was like, oh, worse, crude, that's it. Everything's going bad.

934
00:44:53,960 --> 00:44:58,600
Speaker 1: He's just cursed the next thirteen minutes of this episode. Yep, yep,

935
00:44:59,600 --> 00:45:01,920
Speaker 1: And he please with her fifty bucks. Did he give

936
00:45:01,960 --> 00:45:04,239
Speaker 1: the fifty bucks back? I think he just walked off

937
00:45:04,239 --> 00:45:04,560
Speaker 1: with it.

938
00:45:05,520 --> 00:45:08,240
Speaker 2: I mean, did he steal that pay for the hay?

939
00:45:08,320 --> 00:45:10,800
Speaker 2: He didn't steal it. Oh that that was fifty dollars

940
00:45:10,880 --> 00:45:12,640
Speaker 2: of hay and boarding and all of that.

941
00:45:12,800 --> 00:45:15,479
Speaker 1: Okay, So she's she's still oh yeah, Okay, that makes sense.

942
00:45:15,520 --> 00:45:19,279
Speaker 2: She owes fifty dollars. It's fifty dollars. But I'm not

943
00:45:19,360 --> 00:45:21,920
Speaker 2: gonna have you owe me one hundred dollars. I'm at

944
00:45:21,960 --> 00:45:22,800
Speaker 2: least getting fifty.

945
00:45:23,719 --> 00:45:24,080
Speaker 1: All right.

946
00:45:24,120 --> 00:45:26,120
Speaker 2: Well, I mean, Jef might be drunk, but he's at

947
00:45:26,239 --> 00:45:29,160
Speaker 2: least got that going for him. You know, he's not

948
00:45:29,200 --> 00:45:31,200
Speaker 2: gonna let go next to go buy more moonshine. He's

949
00:45:31,440 --> 00:45:33,239
Speaker 2: can't be making this in the bathtub, you know, without

950
00:45:33,239 --> 00:45:37,480
Speaker 2: any money. I gotta get my distilling supplies.

951
00:45:37,680 --> 00:45:41,680
Speaker 1: Yeah, this explains. I'm so glad you're here. So this

952
00:45:41,760 --> 00:45:42,799
Speaker 1: explains so much.

953
00:45:43,600 --> 00:45:44,560
Speaker 2: Yeah, it really does.

954
00:45:45,000 --> 00:45:48,520
Speaker 1: Oh goodness. Okay, So dj assures Rocket that she's going

955
00:45:48,560 --> 00:45:51,200
Speaker 1: to think of something to remedy the situation. No one

956
00:45:51,280 --> 00:45:54,280
Speaker 1: is ever going to take him away from her.

957
00:45:55,960 --> 00:45:57,799
Speaker 2: That's a bad place to go to a commercial break.

958
00:45:57,840 --> 00:46:00,799
Speaker 1: It is, yes, very tense. The commercial break.

959
00:46:00,880 --> 00:46:01,719
Speaker 2: Uh oh, But.

960
00:46:01,719 --> 00:46:04,920
Speaker 1: We come back to the kitchen where Stephanie and her

961
00:46:05,040 --> 00:46:10,080
Speaker 1: friend Harry Takeyama race into the kitchen. What an entrance.

962
00:46:11,080 --> 00:46:14,200
Speaker 1: Stephanie wins the race and Harry says, I let you win,

963
00:46:14,440 --> 00:46:17,200
Speaker 1: and Stephanie corrects him, I let you let me win.

964
00:46:17,800 --> 00:46:21,040
Speaker 1: He nods, he nods, and he tells her, got it, chief,

965
00:46:21,440 --> 00:46:24,320
Speaker 1: I love it. He knows his role, he knows.

966
00:46:24,360 --> 00:46:27,839
Speaker 2: I forget that he called me chief in this which

967
00:46:27,880 --> 00:46:32,800
Speaker 2: is hilarious. Zoe calls Mescal chief chief, she calls him chief,

968
00:46:33,560 --> 00:46:36,719
Speaker 2: but I forgot that Harry called me chief. And I

969
00:46:36,800 --> 00:46:39,600
Speaker 2: was like, that's right. We had the funniest little dynamic

970
00:46:39,680 --> 00:46:42,040
Speaker 2: like steph was like you just and he was like,

971
00:46:42,040 --> 00:46:43,680
Speaker 2: all right, chief guy, whatever you want.

972
00:46:43,800 --> 00:46:47,280
Speaker 1: He's such a yes man. He's so great. He really Stanie.

973
00:46:47,320 --> 00:46:49,480
Speaker 1: It's I mean, at least I'm That's the story I've

974
00:46:49,480 --> 00:46:50,520
Speaker 1: created in my head, is that he's.

975
00:46:50,400 --> 00:46:52,399
Speaker 2: So apt for sure. Well they eventually get married.

976
00:46:52,480 --> 00:46:52,879
Speaker 1: That's true.

977
00:46:52,920 --> 00:46:55,040
Speaker 2: Okay, So yeah, the tractors love there.

978
00:46:56,040 --> 00:46:59,480
Speaker 1: So Stephanie offers Harry something to eat, to which he responds,

979
00:46:59,560 --> 00:47:01,520
Speaker 1: I'll have steak medium rare.

980
00:47:02,200 --> 00:47:04,759
Speaker 2: Okay, slow down, buddy, slow do not gonna steak.

981
00:47:05,080 --> 00:47:07,520
Speaker 1: He's got quite the refined palate for a six year old.

982
00:47:07,920 --> 00:47:10,080
Speaker 2: Yeah, say first class airfare.

983
00:47:12,080 --> 00:47:15,440
Speaker 1: Stephanie responds that they're out of steak. They're fresh out

984
00:47:15,480 --> 00:47:17,960
Speaker 1: of steak, but she can make him her specialty.

985
00:47:18,000 --> 00:47:20,640
Speaker 2: We're out of steak. We've got steak, and we've got sorry,

986
00:47:20,800 --> 00:47:21,719
Speaker 2: Bob's favorite joke.

987
00:47:22,200 --> 00:47:28,000
Speaker 1: Oh, yeah, we can't, and we've got a cake. But

988
00:47:28,040 --> 00:47:33,080
Speaker 1: Stephanie's gonna make him her specialty cheese doughnuts. Harry asks.

989
00:47:33,719 --> 00:47:35,600
Speaker 1: Harry's like, how do you make that? And she shows

990
00:47:35,680 --> 00:47:38,480
Speaker 1: him by folding the slice of cheese in half and

991
00:47:38,560 --> 00:47:41,160
Speaker 1: taking a bite out of the middle and then revealing

992
00:47:41,480 --> 00:47:43,080
Speaker 1: a cheese slice with a whole cut out of it.

993
00:47:43,200 --> 00:47:43,880
Speaker 1: This is brilliant.

994
00:47:43,960 --> 00:47:45,440
Speaker 2: Actually, this is cheese donut.

995
00:47:46,400 --> 00:47:48,640
Speaker 1: Do you remember anything about this scene? Do you remember

996
00:47:48,719 --> 00:47:50,960
Speaker 1: meeting Nathan.

997
00:47:51,680 --> 00:47:56,239
Speaker 2: Well, he had been Was this the first episode he's in? Yes,

998
00:47:56,400 --> 00:47:59,080
Speaker 2: this is his unlike episode in another one, but that's

999
00:47:59,120 --> 00:48:03,440
Speaker 2: the episode you watch. I watched the wrong one. Yeah,

1000
00:48:03,640 --> 00:48:05,719
Speaker 2: I remember. I was just like so happy to have

1001
00:48:05,760 --> 00:48:08,120
Speaker 2: somebody that was like kind of my age around and

1002
00:48:08,160 --> 00:48:10,280
Speaker 2: it was fun. It was very fun. Yes, But steph

1003
00:48:10,400 --> 00:48:12,400
Speaker 2: is wearing three different outfits.

1004
00:48:12,520 --> 00:48:14,520
Speaker 1: Oh this is a great I wrote. Yeah, I said,

1005
00:48:14,520 --> 00:48:15,520
Speaker 1: you're wearing this.

1006
00:48:15,880 --> 00:48:18,440
Speaker 2: Like the top half, were, the middle part and the

1007
00:48:18,480 --> 00:48:20,560
Speaker 2: bottom are all doing very different things.

1008
00:48:20,719 --> 00:48:24,719
Speaker 1: Yes, I like the bottom like the shiny blue tights.

1009
00:48:25,680 --> 00:48:28,479
Speaker 2: Those shiny blue tights come back, you know, and there

1010
00:48:28,760 --> 00:48:31,160
Speaker 2: they live in gift Land all over the world. Me

1011
00:48:31,239 --> 00:48:34,280
Speaker 2: and those shiny blue tights looking like a muppet dancing around.

1012
00:48:36,160 --> 00:48:38,440
Speaker 2: But yeah, I had there was a lot of ruffles happening.

1013
00:48:38,840 --> 00:48:41,520
Speaker 2: Wardrobe just was like we're gonna have fun this week.

1014
00:48:41,560 --> 00:48:44,000
Speaker 2: I felt Roberta and Gina all over the place in

1015
00:48:44,000 --> 00:48:47,239
Speaker 2: this spool. They just finally got like permission to have fun.

1016
00:48:47,440 --> 00:48:48,000
Speaker 2: There was some.

1017
00:48:47,920 --> 00:48:50,160
Speaker 1: Shades of Kimmy Gibbler in this outfit. You had like

1018
00:48:50,160 --> 00:48:50,840
Speaker 1: two different.

1019
00:48:50,600 --> 00:48:54,600
Speaker 2: Colors in your hair. Well the eighties, remember scrunch socks.

1020
00:48:54,600 --> 00:48:58,720
Speaker 2: You would wear two different kinds, different colors, color blocking,

1021
00:48:58,800 --> 00:49:01,880
Speaker 2: multi colored neon. It's all very big and I'm just

1022
00:49:01,920 --> 00:49:04,200
Speaker 2: looking at my hair though, in my sad, sad permed

1023
00:49:04,200 --> 00:49:06,680
Speaker 2: little hair that is just fried and like falling away.

1024
00:49:06,800 --> 00:49:08,520
Speaker 1: Oh, I liked I like the I mean, I know

1025
00:49:08,560 --> 00:49:10,160
Speaker 1: it's not good for your hair, but I like the

1026
00:49:10,200 --> 00:49:13,600
Speaker 1: permed style brushed out, it looks very soft and long

1027
00:49:13,680 --> 00:49:14,200
Speaker 1: and flowy.

1028
00:49:14,800 --> 00:49:18,320
Speaker 2: It looks it looks like a It looks like a

1029
00:49:19,680 --> 00:49:21,880
Speaker 2: poodle that just got a bath. And you brushed it

1030
00:49:21,920 --> 00:49:24,960
Speaker 2: out before like properly, letting it air dry, and it's

1031
00:49:25,120 --> 00:49:26,080
Speaker 2: just puffy.

1032
00:49:26,200 --> 00:49:29,400
Speaker 1: It gets bigger and bigger as the day goes on. Yes,

1033
00:49:31,160 --> 00:49:33,800
Speaker 1: well you pulled it off. You you were so cute.

1034
00:49:33,840 --> 00:49:38,239
Speaker 1: You definitely believe you. Okay, so they are. They're eating

1035
00:49:38,280 --> 00:49:41,680
Speaker 1: the cheese donuts and Jesse walks in greeting the rug rats,

1036
00:49:41,840 --> 00:49:44,520
Speaker 1: and he asks Stephanie to check if DJ's home so

1037
00:49:44,520 --> 00:49:48,120
Speaker 1: she can help him unpack the groceries. Jesse sees the

1038
00:49:48,200 --> 00:49:52,600
Speaker 1: cheese donut lying on the counter and happily eats it.

1039
00:49:51,880 --> 00:49:54,000
Speaker 2: And knows what it is. He does, yes, that cheese

1040
00:49:54,000 --> 00:49:54,600
Speaker 2: donuts are a.

1041
00:49:54,520 --> 00:49:59,479
Speaker 1: Thing that is Stephanie's specialty. So stephan Harry walk into

1042
00:49:59,480 --> 00:50:04,480
Speaker 1: the living room and both get wide eyed yelling whoa.

1043
00:50:04,840 --> 00:50:08,600
Speaker 1: The camera angles on DJ with Rocket in the middle

1044
00:50:08,640 --> 00:50:13,319
Speaker 1: of the living room. Steph exclaims Buttercup because she can see,

1045
00:50:13,400 --> 00:50:15,360
Speaker 1: you know, she has a front row seat to his tail,

1046
00:50:15,400 --> 00:50:16,680
Speaker 1: which is right in front of her.

1047
00:50:16,920 --> 00:50:18,040
Speaker 2: Very excited to see the tail.

1048
00:50:18,200 --> 00:50:20,120
Speaker 1: And Harry is shocked that they have a horse in

1049
00:50:20,120 --> 00:50:22,439
Speaker 1: their living room because he's not even allowed to eat

1050
00:50:22,640 --> 00:50:27,640
Speaker 1: in his living room. Steph excitedly asks, are Rocket and

1051
00:50:27,680 --> 00:50:29,960
Speaker 1: Buttercup going to live with us? I like that you

1052
00:50:29,960 --> 00:50:31,520
Speaker 1: have named them. They are different entities.

1053
00:50:31,560 --> 00:50:33,640
Speaker 2: The tail, well, they are right, I have the tail

1054
00:50:33,760 --> 00:50:36,320
Speaker 2: and Rocket is the rest of the horse. But Buttercup

1055
00:50:36,440 --> 00:50:39,120
Speaker 2: could come or go. You know. Yeah.

1056
00:50:39,200 --> 00:50:41,160
Speaker 1: I didn't catch that the first one, but the second

1057
00:50:41,239 --> 00:50:43,160
Speaker 1: third time, I was like, oh, yeah, she's define these

1058
00:50:43,200 --> 00:50:46,040
Speaker 1: are two separate pets. To her, yes, yes, but DJ's

1059
00:50:46,080 --> 00:50:48,919
Speaker 1: like no. She explains that she came into the house

1060
00:50:48,960 --> 00:50:51,719
Speaker 1: to get Rocket a carrot, and he followed her in.

1061
00:50:52,400 --> 00:50:53,640
Speaker 2: How'd the horse get up the stairs?

1062
00:50:53,760 --> 00:50:55,960
Speaker 1: I was gonna ask this thing, or are they suggesting

1063
00:50:55,960 --> 00:50:58,560
Speaker 1: that DJ just low key rode this horse through the hills.

1064
00:50:59,400 --> 00:51:02,680
Speaker 2: I was like, she walked this horse all the way

1065
00:51:02,760 --> 00:51:07,120
Speaker 2: through San Francisco because it's the Golden Gate stables, Yeah right, yeah,

1066
00:51:07,120 --> 00:51:09,239
Speaker 2: which I don't Also, I don't think there are stables.

1067
00:51:09,520 --> 00:51:13,319
Speaker 2: There's I've ever seen a stable in San Francisco. No,

1068
00:51:13,360 --> 00:51:17,440
Speaker 2: and if they are down by the Golden Gate bridge.

1069
00:51:18,200 --> 00:51:21,080
Speaker 2: And like the shot in the in the title where

1070
00:51:21,120 --> 00:51:24,560
Speaker 2: you pull out and you see just how this child

1071
00:51:24,719 --> 00:51:28,680
Speaker 2: was riding a horse through the streets of San Francisco

1072
00:51:28,800 --> 00:51:29,680
Speaker 2: for miles.

1073
00:51:29,480 --> 00:51:32,719
Speaker 1: Yeah, hilled down miles yep, and then ride up the

1074
00:51:32,719 --> 00:51:33,680
Speaker 1: front stoop.

1075
00:51:33,560 --> 00:51:37,440
Speaker 2: Went up the front stoop and into the house on

1076
00:51:37,520 --> 00:51:39,160
Speaker 2: its own. The horse was like, hey, I'm gonna come

1077
00:51:39,239 --> 00:51:41,080
Speaker 2: check it out. Yeah, I've never seen a horse climb

1078
00:51:41,120 --> 00:51:41,960
Speaker 2: upstairs on their own.

1079
00:51:42,040 --> 00:51:45,120
Speaker 1: This is a very agile horse, Like, I'm telling your

1080
00:51:45,160 --> 00:51:46,120
Speaker 1: Rocket has skilled.

1081
00:51:46,200 --> 00:51:48,279
Speaker 2: Yeah. I have lots of questions about how the horse

1082
00:51:48,320 --> 00:51:52,200
Speaker 2: got here, how DJ got here. Why no one reported

1083
00:51:52,200 --> 00:51:53,240
Speaker 2: a child with a horse?

1084
00:51:53,520 --> 00:51:57,360
Speaker 1: You know who at eleven? An eleven year old with

1085
00:51:57,400 --> 00:52:00,200
Speaker 1: a horse through the streets of San Francis.

1086
00:52:01,000 --> 00:52:04,200
Speaker 2: I mean, you know, big cities, wild things happened in

1087
00:52:04,200 --> 00:52:04,600
Speaker 2: the eighties.

1088
00:52:04,600 --> 00:52:06,440
Speaker 1: They didn't care. Just come in when the street light

1089
00:52:06,480 --> 00:52:07,959
Speaker 1: comes on. Otherwise, nobody cares.

1090
00:52:08,080 --> 00:52:09,640
Speaker 2: Where the kids are, you know, right?

1091
00:52:09,760 --> 00:52:10,000
Speaker 1: Yeah?

1092
00:52:10,040 --> 00:52:13,319
Speaker 2: Where are your kids now? The commercial eyes reverence, Where

1093
00:52:13,360 --> 00:52:15,680
Speaker 2: are your kids right now? Kids? They're out walking a

1094
00:52:15,680 --> 00:52:16,840
Speaker 2: horse around San Francisco.

1095
00:52:16,960 --> 00:52:21,360
Speaker 1: Yep. So DJ assures Steph that once dad sees Rocket,

1096
00:52:21,360 --> 00:52:24,200
Speaker 1: I know he'll fall in love with him, but he

1097
00:52:24,280 --> 00:52:25,520
Speaker 1: won't flow him in the house.

1098
00:52:26,160 --> 00:52:26,799
Speaker 2: Definitely not.

1099
00:52:26,960 --> 00:52:29,160
Speaker 1: Oh no, they need to get him out to the backyard.

1100
00:52:29,560 --> 00:52:32,120
Speaker 1: So Stephanie tells DJ that Uncle Jesse is right in

1101
00:52:32,160 --> 00:52:36,800
Speaker 1: the kitchen. DJ sighs and says, oh, we're dead. Stephanie responds,

1102
00:52:36,840 --> 00:52:41,000
Speaker 1: don't get me in trouble. Hide the tail. Steph is

1103
00:52:41,040 --> 00:52:43,240
Speaker 1: just out for herself and her She's.

1104
00:52:43,080 --> 00:52:44,560
Speaker 2: Like, I'm keeping this horsetail. Yep.

1105
00:52:45,800 --> 00:52:49,000
Speaker 1: DJ makes a plan. She tells Stephanie, you get uncle

1106
00:52:49,040 --> 00:52:52,040
Speaker 1: Jesse upstairs and don't say a word about the horse,

1107
00:52:52,400 --> 00:52:55,399
Speaker 1: and Steph asks who would believe me? Which is such

1108
00:52:55,400 --> 00:52:59,480
Speaker 1: a funny delivery of that line, just like really were

1109
00:52:59,520 --> 00:53:03,000
Speaker 1: something living. This only happens in sitcom land anyways, So

1110
00:53:04,160 --> 00:53:08,200
Speaker 1: we cut to the kitchen. Steph is asking Jesse, well, hey,

1111
00:53:08,239 --> 00:53:10,960
Speaker 1: since Daddy's not home, want to go upstairs and jump

1112
00:53:11,000 --> 00:53:14,759
Speaker 1: on his bed. Before he can answer, Jesse hears the

1113
00:53:14,840 --> 00:53:18,759
Speaker 1: horse nay. He asks Stephanie what that noise was, and

1114
00:53:18,800 --> 00:53:19,680
Speaker 1: she quickly.

1115
00:53:19,360 --> 00:53:21,120
Speaker 2: Responds, I'm blocking the door.

1116
00:53:21,640 --> 00:53:24,319
Speaker 1: DJ's watching mister ed and blocking the door with her

1117
00:53:24,440 --> 00:53:30,439
Speaker 1: entire the entire wingspan of her arms. But the horse

1118
00:53:30,480 --> 00:53:33,839
Speaker 1: again makes a nay sound and Jesse gets very wide eyed.

1119
00:53:34,040 --> 00:53:36,600
Speaker 2: He picks This was such a funny little exchange between

1120
00:53:36,680 --> 00:53:37,319
Speaker 2: step and Jesse.

1121
00:53:37,960 --> 00:53:40,160
Speaker 1: He picks stuff up and moves her out of the way,

1122
00:53:40,239 --> 00:53:42,200
Speaker 1: and Steph's arms are still.

1123
00:53:41,920 --> 00:53:48,480
Speaker 2: Outstretched trying to hold What do I do with my hands?

1124
00:53:49,400 --> 00:53:51,840
Speaker 1: So they go into the living room and Jesse is

1125
00:53:52,000 --> 00:53:55,840
Speaker 1: shocked when he sees rocket. He stumbles over his words

1126
00:53:55,840 --> 00:53:57,839
Speaker 1: as he's trying to figure out what is going on.

1127
00:53:58,520 --> 00:54:02,440
Speaker 1: DJ swears that she can explain and Jesse tries guessing

1128
00:54:02,480 --> 00:54:05,160
Speaker 1: her excuse, ww, you were just walking past the supermarket

1129
00:54:05,200 --> 00:54:06,920
Speaker 1: and some kid had a litter of these in a

1130
00:54:06,960 --> 00:54:12,279
Speaker 1: cardboard box. He calls Joey for backup. Joey stumbles on

1131
00:54:12,320 --> 00:54:15,360
Speaker 1: his words the same way Jesse did and says that

1132
00:54:15,440 --> 00:54:18,680
Speaker 1: Danny's gonna blame him for this whole thing because it's

1133
00:54:19,040 --> 00:54:23,600
Speaker 1: very funny, and he laughs once again. Dj begs her

1134
00:54:23,680 --> 00:54:27,440
Speaker 1: uncles to help her get rocket outside. She sends Steph

1135
00:54:27,480 --> 00:54:30,520
Speaker 1: to keep a lookout for their dad, and Jesse admits

1136
00:54:30,600 --> 00:54:32,960
Speaker 1: Danny is gonna flip his gourd. We got to get

1137
00:54:32,960 --> 00:54:35,360
Speaker 1: this horse out of here. He comes up with an idea,

1138
00:54:35,760 --> 00:54:39,480
Speaker 1: we'll feed him. Joey says that horses eat hay and

1139
00:54:39,560 --> 00:54:42,000
Speaker 1: Jesse tells him, well, we don't have any hay, and

1140
00:54:42,080 --> 00:54:44,359
Speaker 1: Joey scolds him, Jess, you went to the market and

1141
00:54:44,400 --> 00:54:45,879
Speaker 1: you didn't pick up any hay.

1142
00:54:47,160 --> 00:54:48,160
Speaker 2: Hey, what were you thinking?

1143
00:54:48,280 --> 00:54:52,520
Speaker 1: I know? Steph runs back in announcing Daddy's coming home.

1144
00:54:52,800 --> 00:54:56,120
Speaker 1: Uh oh. Joey has a plan and he tells Joey

1145
00:54:56,239 --> 00:55:00,000
Speaker 1: just follow my lead and agree with everything I say.

1146
00:55:00,040 --> 00:55:02,720
Speaker 1: Meet Danny at the door and prevent him from coming inside.

1147
00:55:03,280 --> 00:55:05,600
Speaker 1: Joey tells him they have a big surprise for him.

1148
00:55:06,080 --> 00:55:08,800
Speaker 1: They say it's in the kitchen, so close your eyes.

1149
00:55:09,760 --> 00:55:12,520
Speaker 1: Danny walks in, eyes closed and takes a big whiff

1150
00:55:12,600 --> 00:55:15,400
Speaker 1: of the air. He tells them, I know what the

1151
00:55:15,520 --> 00:55:20,520
Speaker 1: surprise is, Joey, you're making that chili again, as they try.

1152
00:55:20,400 --> 00:55:22,520
Speaker 2: To rush it is not a great endorsement for Joey's

1153
00:55:22,680 --> 00:55:27,880
Speaker 2: just no, it's a it's a very accurate of Dave's, you.

1154
00:55:27,880 --> 00:55:30,160
Speaker 1: Know, Dave's right orifices.

1155
00:55:30,239 --> 00:55:34,399
Speaker 2: But yes, no, this moment though, when they drag Bob

1156
00:55:34,400 --> 00:55:35,880
Speaker 2: through and he's got his eyes closed, and then he

1157
00:55:35,920 --> 00:55:38,719
Speaker 2: turns around and he's like they're still dragging him. Yeah,

1158
00:55:38,760 --> 00:55:40,759
Speaker 2: that was one of the ones. It like made me laugh,

1159
00:55:40,840 --> 00:55:43,879
Speaker 2: like Bob's face was so hilarious and that it was great.

1160
00:55:43,960 --> 00:55:47,360
Speaker 1: Bob's face is so expressive, his eyes could not possibly.

1161
00:55:48,320 --> 00:55:51,200
Speaker 2: Such a great Bob face. It was really funny.

1162
00:55:51,440 --> 00:55:54,120
Speaker 1: But they keep dragging him into the kitchen and Danny

1163
00:55:54,200 --> 00:55:56,920
Speaker 1: runs right back in, you know, timing the door with

1164
00:55:56,960 --> 00:56:00,960
Speaker 1: the swinging of the kitchen door, and Danny is shocked.

1165
00:56:01,160 --> 00:56:06,200
Speaker 1: He slowly emphasizes, there's a horse in my living room.

1166
00:56:06,840 --> 00:56:09,239
Speaker 1: He gets close to the horse and asks, what are

1167
00:56:09,239 --> 00:56:13,000
Speaker 1: you doing here, and Steph pretends to talk as the horse,

1168
00:56:13,120 --> 00:56:17,880
Speaker 1: saying hello, Dad, eh, hey, I give you an a

1169
00:56:18,000 --> 00:56:19,919
Speaker 1: for effort here. You know it's you.

1170
00:56:19,800 --> 00:56:21,680
Speaker 2: Know, it's pretty good. I was doing my best.

1171
00:56:21,719 --> 00:56:24,800
Speaker 1: You did your best. Not as good as Joey's impression,

1172
00:56:24,840 --> 00:56:27,840
Speaker 1: but very close. Oh and Joey tells her, yeah, that

1173
00:56:27,880 --> 00:56:29,680
Speaker 1: was a good impression, but he notes a little more

1174
00:56:29,760 --> 00:56:33,560
Speaker 1: Johnny Cash though, yeah yeah. DJ says she can't tell

1175
00:56:33,600 --> 00:56:37,200
Speaker 1: a lie. She confesses, this is my horse and I've

1176
00:56:37,200 --> 00:56:41,040
Speaker 1: had him for two weeks. Danny asks, you can't tell

1177
00:56:41,080 --> 00:56:43,640
Speaker 1: a lie. There's a horse in my living room. There

1178
00:56:43,640 --> 00:56:46,440
Speaker 1: has to be a lie involved here somewhere.

1179
00:56:47,040 --> 00:56:50,080
Speaker 2: Like, I love this moment was so like it really

1180
00:56:50,160 --> 00:56:53,120
Speaker 2: felt like a I mean, obviously you might freak out

1181
00:56:53,120 --> 00:56:54,279
Speaker 2: a little more if there was a horse in your

1182
00:56:54,320 --> 00:56:57,200
Speaker 2: living room, but like Danny's frustrating and she's like, I'm

1183
00:56:57,200 --> 00:56:58,920
Speaker 2: not gonna lie. Like it was such a kid responds

1184
00:56:58,960 --> 00:57:00,920
Speaker 2: where You're like, what do you mean You're not gonna lie?

1185
00:57:00,960 --> 00:57:05,319
Speaker 2: There's you have already lied for that that have led

1186
00:57:05,360 --> 00:57:08,160
Speaker 2: to this, And they're like, well, I'm not gonna lie now,

1187
00:57:08,160 --> 00:57:09,480
Speaker 2: and you're like that doesn't matter.

1188
00:57:09,760 --> 00:57:12,240
Speaker 1: You've been lying for two weeks girlfriends like for two weeks.

1189
00:57:12,239 --> 00:57:14,440
Speaker 2: It was just it was like such a great parental

1190
00:57:14,480 --> 00:57:16,360
Speaker 2: moment if like, what do you mean you're not gonna lie?

1191
00:57:16,440 --> 00:57:17,880
Speaker 2: There's it's too late.

1192
00:57:18,240 --> 00:57:20,600
Speaker 1: Danny sends DJ to her room so they can have

1193
00:57:20,640 --> 00:57:23,280
Speaker 1: a talk. He hands the reins over to Jesse and

1194
00:57:23,360 --> 00:57:26,840
Speaker 1: Joey and asks them to get the horse outside. Jesse

1195
00:57:26,960 --> 00:57:29,240
Speaker 1: asks if Joey knows how to get a horse to move,

1196
00:57:29,760 --> 00:57:31,840
Speaker 1: and Joey says, yeah, there's a coin slot. You just

1197
00:57:31,920 --> 00:57:35,560
Speaker 1: drop a corridor in two. He's so serious when he

1198
00:57:35,600 --> 00:57:39,360
Speaker 1: says these things, too, believes that a quarter in thet.

1199
00:57:40,440 --> 00:57:43,360
Speaker 1: Jesse decides that he'll ride him out and he hops

1200
00:57:43,400 --> 00:57:44,080
Speaker 1: on the horse.

1201
00:57:44,480 --> 00:57:48,680
Speaker 2: Effort was like John a depthly swung himself on that

1202
00:57:48,800 --> 00:57:53,200
Speaker 2: horse fair back, just right in suit pants.

1203
00:57:53,480 --> 00:57:56,040
Speaker 1: I mean, this was impressive because we all know how

1204
00:57:56,120 --> 00:57:57,200
Speaker 1: unathletic John is.

1205
00:57:57,360 --> 00:57:58,880
Speaker 2: It was it was quite impressive.

1206
00:57:59,080 --> 00:58:01,120
Speaker 1: Yeah, he didn't even need like a hand getting up

1207
00:58:01,160 --> 00:58:02,080
Speaker 1: there or anything.

1208
00:58:02,120 --> 00:58:04,640
Speaker 2: I didn't. Yeah, just got right on there. No, I

1209
00:58:04,640 --> 00:58:07,200
Speaker 2: mean bareback, No, you know, no saddle horn to hold

1210
00:58:07,240 --> 00:58:10,160
Speaker 2: on to. You can just ride up there, which I

1211
00:58:10,240 --> 00:58:12,160
Speaker 2: in that moment, I was like, oh, and Becky might

1212
00:58:12,160 --> 00:58:16,479
Speaker 2: be a good match, oh because she like she writes,

1213
00:58:16,800 --> 00:58:18,880
Speaker 2: not Oh God, I didn't mean it like that. No,

1214
00:58:18,920 --> 00:58:23,360
Speaker 2: what Jesus A B I meant. That came out wrong.

1215
00:58:23,520 --> 00:58:25,360
Speaker 2: That's not what I meant. That's not what I meant.

1216
00:58:25,440 --> 00:58:28,000
Speaker 2: I meant because she likes horses and she was not

1217
00:58:28,080 --> 00:58:30,680
Speaker 2: a thing in the farm in Nebraska. It took me

1218
00:58:30,680 --> 00:58:33,320
Speaker 2: a say you could not because you can easily leap

1219
00:58:33,360 --> 00:58:38,360
Speaker 2: onto things. That's sorry.

1220
00:58:38,360 --> 00:58:40,520
Speaker 1: I just I had a brain fart. It took me

1221
00:58:40,560 --> 00:58:42,840
Speaker 1: a minute to catch up with your brain. I was

1222
00:58:42,840 --> 00:58:44,240
Speaker 1: going places I didn't want to go.

1223
00:58:44,160 --> 00:58:46,840
Speaker 2: In my brain didn't go there first. But I was waiting.

1224
00:58:46,960 --> 00:58:49,720
Speaker 1: I've been waiting. I was waiting for that. But that's okay,

1225
00:58:49,920 --> 00:58:53,800
Speaker 1: let's just move on. Let's move on very clearly. So

1226
00:58:54,040 --> 00:58:57,400
Speaker 1: they the guys lead leave, They take the horse out,

1227
00:58:57,680 --> 00:59:03,840
Speaker 1: and Stephanie yells after them, Hi yo, Buttercup still bye

1228
00:59:03,920 --> 00:59:06,680
Speaker 1: to the tail. So now we are up in DJ's

1229
00:59:06,720 --> 00:59:10,200
Speaker 1: room and DJ is explaining to Danny that she just

1230
00:59:10,320 --> 00:59:12,520
Speaker 1: wanted to prove that she could take care of Rocket

1231
00:59:12,520 --> 00:59:15,320
Speaker 1: all by herself, so Danny would let her keep him.

1232
00:59:15,920 --> 00:59:18,760
Speaker 1: Danny asks DJ why she didn't just come to him

1233
00:59:18,760 --> 00:59:21,880
Speaker 1: in the first place. She admits, well, I started to,

1234
00:59:22,240 --> 00:59:24,320
Speaker 1: but then I saw you were gonna say no, so

1235
00:59:24,400 --> 00:59:27,680
Speaker 1: I stopped. He acknowledges that she went right ahead and

1236
00:59:27,720 --> 00:59:32,040
Speaker 1: did what she wanted to anyways. Or DJ apologizes, but

1237
00:59:32,160 --> 00:59:36,200
Speaker 1: Danny says he's sorry too. Danny starts listing off why

1238
00:59:36,280 --> 00:59:39,000
Speaker 1: he's upset with her, and he asks, for the past

1239
00:59:39,000 --> 00:59:41,800
Speaker 1: two weeks, it's been nothing but lies, hasn't it.

1240
00:59:42,400 --> 00:59:45,200
Speaker 2: Oh, this was such a again, such a great moment

1241
00:59:45,240 --> 00:59:48,160
Speaker 2: because like it was I'm like, I have you've been

1242
00:59:48,240 --> 00:59:50,080
Speaker 2: I have said that to my kids. I have been

1243
00:59:50,120 --> 00:59:52,200
Speaker 2: the kid that was just lying to the you know,

1244
00:59:52,320 --> 00:59:55,640
Speaker 2: And it was such a real moment, like for two

1245
00:59:55,680 --> 00:59:58,000
Speaker 2: weeks it's just been nothing but lies. Yeah, And it

1246
00:59:58,080 --> 01:00:00,240
Speaker 2: was so I, like I said, I fell in love

1247
01:00:00,280 --> 01:00:04,120
Speaker 2: with this episode because it just like this scene really

1248
01:00:04,960 --> 01:00:10,520
Speaker 2: showed such a great connection between Danny and DJ, and like,

1249
01:00:10,880 --> 01:00:13,960
Speaker 2: you know, it was aside from the you know, there's

1250
01:00:13,960 --> 01:00:17,240
Speaker 2: a horse in the living room sort of you know,

1251
01:00:17,320 --> 01:00:20,040
Speaker 2: suspensional disbelief of it all, it was actually if the

1252
01:00:20,480 --> 01:00:22,040
Speaker 2: reactions felt like a very real episode.

1253
01:00:22,080 --> 01:00:22,520
Speaker 1: I loved it.

1254
01:00:22,520 --> 01:00:22,800
Speaker 2: It did.

1255
01:00:22,840 --> 01:00:26,160
Speaker 1: And Bob is selling this this anger he feels, he

1256
01:00:26,160 --> 01:00:28,920
Speaker 1: feels like he's been deceived, and he's very he was.

1257
01:00:29,160 --> 01:00:31,600
Speaker 2: He was angry, but like you never felt like he

1258
01:00:31,920 --> 01:00:34,960
Speaker 2: like it wasn't. Bob was always so great at like

1259
01:00:35,040 --> 01:00:38,280
Speaker 2: that type of parental anger where it was like disappointment

1260
01:00:38,360 --> 01:00:42,520
Speaker 2: and frustration and anger, but never you never felt like

1261
01:00:42,600 --> 01:00:46,240
Speaker 2: Danny was being too hard or like mean or you

1262
01:00:46,240 --> 01:00:48,480
Speaker 2: know it was he had this real heart to him.

1263
01:00:48,560 --> 01:00:49,080
Speaker 2: I loved it.

1264
01:00:49,200 --> 01:00:53,240
Speaker 1: Yeah, he struck a great balance of being parental. He's

1265
01:00:53,280 --> 01:00:55,240
Speaker 1: not out of yelling because he's out of control, but

1266
01:00:55,280 --> 01:00:57,640
Speaker 1: he's genuinely hurt that detail.

1267
01:00:57,680 --> 01:00:59,480
Speaker 2: I mean I would have probably yelled a little bit

1268
01:00:59,520 --> 01:01:01,160
Speaker 2: more if they were. It's a horse in my for

1269
01:01:01,200 --> 01:01:02,040
Speaker 2: sure me too.

1270
01:01:02,280 --> 01:01:06,040
Speaker 1: Yeah, So Danny questions, how will I ever know when

1271
01:01:06,080 --> 01:01:10,280
Speaker 1: you're telling me the truth? And we ce some very

1272
01:01:10,280 --> 01:01:15,600
Speaker 1: serious violins that are happening now. Yep, DJ starts to cry.

1273
01:01:15,760 --> 01:01:19,040
Speaker 1: All she wants is for her dad to trust her again.

1274
01:01:19,600 --> 01:01:23,680
Speaker 1: And Kendace nails this like she nails job. There's real tears.

1275
01:01:24,640 --> 01:01:28,320
Speaker 1: It's it's very moving, very moving scene. And she's always

1276
01:01:28,320 --> 01:01:30,520
Speaker 1: been so good at producing tears on command. It's hard

1277
01:01:30,560 --> 01:01:33,040
Speaker 1: to cry on command, especially as a kid.

1278
01:01:33,200 --> 01:01:35,440
Speaker 2: No, Yeah, she's very good at that, being able to

1279
01:01:35,680 --> 01:01:36,760
Speaker 2: like switch right into.

1280
01:01:36,600 --> 01:01:40,800
Speaker 1: That very well. Performed, so Danny reassures DJ, saying, even

1281
01:01:40,840 --> 01:01:43,800
Speaker 1: if you do something I don't like, I'm always going

1282
01:01:43,840 --> 01:01:47,040
Speaker 1: to love you. We'll find a way to work this out.

1283
01:01:47,720 --> 01:01:49,000
Speaker 1: It's a very good message.

1284
01:01:48,760 --> 01:01:50,000
Speaker 2: Very quick resolution to a horse.

1285
01:01:50,320 --> 01:01:53,480
Speaker 1: Yeah. True. He gives her a big hug and hands

1286
01:01:53,480 --> 01:01:55,640
Speaker 1: her a tissue so she can wipe her tears away.

1287
01:01:56,520 --> 01:01:59,200
Speaker 1: DJ asks you're still gonna punish me, aren't you, and

1288
01:01:59,280 --> 01:02:03,080
Speaker 1: he admits, oh yeah, big time. DJ asks what's gonna

1289
01:02:03,080 --> 01:02:06,440
Speaker 1: happen with Rocket and Danny asks her, well, what would

1290
01:02:06,440 --> 01:02:10,280
Speaker 1: you do if you were me? She immediately responded me what?

1291
01:02:11,520 --> 01:02:14,480
Speaker 2: Sorry? What a terrible joke? Said glue factory?

1292
01:02:14,800 --> 01:02:16,720
Speaker 1: Glue factory?

1293
01:02:16,920 --> 01:02:19,040
Speaker 2: Oh you don't never mind?

1294
01:02:20,440 --> 01:02:21,560
Speaker 1: Do we need to take a sidebar?

1295
01:02:22,440 --> 01:02:27,080
Speaker 2: No, it's okay, there is the horses and yeah, anyway,

1296
01:02:27,160 --> 01:02:29,760
Speaker 2: never mind, Okay, it's a terrible thing. Hit that out mild, No, don't.

1297
01:02:29,760 --> 01:02:31,280
Speaker 2: We don't need to. I'll tell you after the show.

1298
01:02:31,400 --> 01:02:31,640
Speaker 1: Why.

1299
01:02:32,000 --> 01:02:34,919
Speaker 2: Yeah, sending a horse to the glue factories not great?

1300
01:02:35,200 --> 01:02:37,840
Speaker 1: Yeah, it's not tracking, okay, so I'll just move on.

1301
01:02:37,880 --> 01:02:41,240
Speaker 1: I'll keep moving on. Uh. DJ immediately responds I would

1302
01:02:41,240 --> 01:02:44,680
Speaker 1: definitely let me keep him, and Danny is sorry, but

1303
01:02:44,760 --> 01:02:47,320
Speaker 1: he tells DJ she needs to give up the horse.

1304
01:02:48,680 --> 01:02:51,520
Speaker 1: So back at the horse stables, DJ is saying goodbye

1305
01:02:51,600 --> 01:02:55,720
Speaker 1: to Rocket. She apologized, rode the horse back there, Jesse,

1306
01:02:56,200 --> 01:02:57,440
Speaker 1: you ride all the way back.

1307
01:02:57,320 --> 01:02:59,760
Speaker 2: Through San Francisco. Yeah, no one noticed. The horse was

1308
01:03:00,080 --> 01:03:00,640
Speaker 2: sing for hours.

1309
01:03:00,920 --> 01:03:03,240
Speaker 1: Well, Jeb is drunk in the back in the.

1310
01:03:03,720 --> 01:03:07,200
Speaker 2: Jeb passed out on the moonshine. And so they came back.

1311
01:03:07,280 --> 01:03:10,160
Speaker 2: Put the rocket, put Rocket in his sable. Had no

1312
01:03:10,160 --> 01:03:11,120
Speaker 2: none the wiser.

1313
01:03:10,880 --> 01:03:14,720
Speaker 1: Yeah, none the wiser. This all tracks, uh, So DJ

1314
01:03:14,880 --> 01:03:18,440
Speaker 1: apologizes to Rocket. She tells him when I first wanted

1315
01:03:18,480 --> 01:03:20,360
Speaker 1: to get you, I just thought it would be fun

1316
01:03:20,440 --> 01:03:22,800
Speaker 1: to have a horse. Now that I know you and

1317
01:03:22,800 --> 01:03:26,520
Speaker 1: how sweet you are, you're my friend. She tells Rocket

1318
01:03:26,520 --> 01:03:31,280
Speaker 1: she's gonna miss him so much. Right then, Jeb enters,

1319
01:03:31,320 --> 01:03:33,880
Speaker 1: asking DJ if she wants to meet Rocket's new owner.

1320
01:03:34,440 --> 01:03:36,680
Speaker 2: He staggers in He's ready, stumbles.

1321
01:03:36,760 --> 01:03:40,800
Speaker 1: He stumbles in, slurring uh, but DJ's not ready. She

1322
01:03:40,960 --> 01:03:43,520
Speaker 1: admits that she's not ready to meet Rocket's new owner.

1323
01:03:44,000 --> 01:03:49,120
Speaker 1: But right then Becky walks in, saying we've already met Yay,

1324
01:03:49,280 --> 01:03:52,720
Speaker 1: Becky to the rescue. DJ is shocked that Becky is

1325
01:03:52,760 --> 01:03:56,240
Speaker 1: going to be Rocket's new owner. Becky tells DJ she

1326
01:03:56,280 --> 01:03:58,800
Speaker 1: heard what was going on from Danny, and growing up

1327
01:03:58,840 --> 01:04:02,520
Speaker 1: on a farm, she misses being around animals. DJ tells

1328
01:04:02,560 --> 01:04:06,000
Speaker 1: her she's lucky, she's getting a great horse. She walks

1329
01:04:06,000 --> 01:04:09,160
Speaker 1: over to Rocket, telling him, and you're getting a nice owner.

1330
01:04:10,040 --> 01:04:12,360
Speaker 1: Becky asks DJ if she wants to help take care

1331
01:04:12,360 --> 01:04:14,480
Speaker 1: of Rocket and even ride him once in a while.

1332
01:04:15,160 --> 01:04:18,080
Speaker 1: DJ says she'll have to ask her dad first, so

1333
01:04:18,120 --> 01:04:19,640
Speaker 1: she's learned. She's definitely learned.

1334
01:04:20,120 --> 01:04:20,360
Speaker 2: Right.

1335
01:04:20,520 --> 01:04:23,479
Speaker 1: Danny walks in and says that they can definitely work

1336
01:04:23,520 --> 01:04:27,480
Speaker 1: something out. She thanks his dad, telling him he's the best,

1337
01:04:27,680 --> 01:04:31,320
Speaker 1: and he agrees, you're right. I am. Did DJ get off?

1338
01:04:31,360 --> 01:04:31,560
Speaker 2: Wait?

1339
01:04:31,600 --> 01:04:34,640
Speaker 1: Did she even get a punishment? Like? I feel like

1340
01:04:34,640 --> 01:04:36,360
Speaker 1: the punishment was that she had to give up the horse,

1341
01:04:36,680 --> 01:04:37,200
Speaker 1: And now's.

1342
01:04:37,160 --> 01:04:38,920
Speaker 2: If she had to give up the horse, and we're

1343
01:04:38,760 --> 01:04:42,600
Speaker 2: the implication is that she's probably like grounded or something

1344
01:04:45,400 --> 01:04:47,600
Speaker 2: the horse, And yeah, I'm sure she. I was gonna

1345
01:04:47,600 --> 01:04:48,720
Speaker 2: say she lost her phone and I.

1346
01:04:48,720 --> 01:04:53,280
Speaker 1: Was like, there were no phones, so easy to walk

1347
01:04:53,360 --> 01:04:53,520
Speaker 1: to me.

1348
01:04:54,080 --> 01:04:56,600
Speaker 2: No, right, yeah, no records.

1349
01:04:56,680 --> 01:05:00,600
Speaker 1: No records for all we sta CQ records for a week. Okay,

1350
01:05:00,640 --> 01:05:02,840
Speaker 1: so we're just gonna assume she's still she's still gonna

1351
01:05:02,840 --> 01:05:04,640
Speaker 1: have a punishment at home, but she now gets to

1352
01:05:04,640 --> 01:05:08,120
Speaker 1: stay in Rocket's life, which is lovely. Danny shows Michelle

1353
01:05:08,160 --> 01:05:11,800
Speaker 1: the horsey and she gently pets him. When Danny asks her,

1354
01:05:11,840 --> 01:05:15,640
Speaker 1: what does the horsey say? She blows a raspberry in response,

1355
01:05:16,400 --> 01:05:19,320
Speaker 1: and Danny says, this is a gifted child. I'm so proud.

1356
01:05:20,240 --> 01:05:23,760
Speaker 1: DJ tells Rocket she loves him, and the episode ends

1357
01:05:23,800 --> 01:05:26,920
Speaker 1: with footage from the from the same montage.

1358
01:05:26,560 --> 01:05:32,480
Speaker 2: The horse like it was beautiful.

1359
01:05:32,560 --> 01:05:33,720
Speaker 1: Oh yeah, that was great.

1360
01:05:34,400 --> 01:05:37,600
Speaker 2: Now. I don't know if you remember this or if

1361
01:05:37,640 --> 01:05:40,280
Speaker 2: you were here when it happened, but when we were

1362
01:05:40,320 --> 01:05:44,760
Speaker 2: shooting this episode, the horse was down in the stables

1363
01:05:45,080 --> 01:05:50,760
Speaker 2: on set and escaped and came running through the camera aisle.

1364
01:05:50,920 --> 01:05:53,880
Speaker 2: No do you remember, yeah, running through the camera aisle

1365
01:05:54,040 --> 01:05:57,560
Speaker 2: down towards like stephan DJ's room. Okay, they had like

1366
01:05:57,600 --> 01:05:59,680
Speaker 2: the horse wrangler had to It was like a thing.

1367
01:05:59,680 --> 01:06:02,480
Speaker 2: But I remember the horse got loose and was like,

1368
01:06:03,040 --> 01:06:04,640
Speaker 2: get me the hell out of here, and it was

1369
01:06:04,680 --> 01:06:05,800
Speaker 2: like running the horse.

1370
01:06:05,600 --> 01:06:07,480
Speaker 1: Was like I'm done with this. I've done. I've bit

1371
01:06:07,560 --> 01:06:09,240
Speaker 1: these cameras and these like the horse.

1372
01:06:09,280 --> 01:06:11,920
Speaker 2: I don't know what Marilyn was doing if she assisted

1373
01:06:12,000 --> 01:06:13,800
Speaker 2: like she made of you know, Marilyn, the goat was

1374
01:06:13,840 --> 01:06:15,000
Speaker 2: like unlocking the gate. I don't know.

1375
01:06:15,120 --> 01:06:16,640
Speaker 1: Marilyn was busy being milked.

1376
01:06:17,320 --> 01:06:19,680
Speaker 2: Yeah, yeah, she was like I want out of here too,

1377
01:06:19,800 --> 01:06:22,120
Speaker 2: But yeah, I remember. That was my story about the

1378
01:06:22,120 --> 01:06:24,880
Speaker 2: horse was, do you remember that it got loose and

1379
01:06:25,040 --> 01:06:27,440
Speaker 2: came charging down the camera aisle and like we had

1380
01:06:27,480 --> 01:06:29,480
Speaker 2: to wrangle a loose horse on stage. Dang.

1381
01:06:29,600 --> 01:06:32,000
Speaker 1: I bet the horse trainer was like, oh, no, I

1382
01:06:32,080 --> 01:06:32,840
Speaker 1: had one job.

1383
01:06:33,080 --> 01:06:35,919
Speaker 2: I had one job and yeah, and the horse went

1384
01:06:36,040 --> 01:06:36,920
Speaker 2: flying down the thing.

1385
01:06:37,240 --> 01:06:40,880
Speaker 1: I was trying to remember. No, well, because the horse

1386
01:06:40,960 --> 01:06:42,919
Speaker 1: was in the stable, I didn't know. I never saw

1387
01:06:42,920 --> 01:06:44,880
Speaker 1: a horse out of the stable. But do you remember

1388
01:06:44,880 --> 01:06:47,960
Speaker 1: the animal trainers having those big buckets to catch.

1389
01:06:47,720 --> 01:06:50,160
Speaker 2: The poop, like if the horse was well, yeah, in

1390
01:06:50,200 --> 01:06:52,640
Speaker 2: this sect, when a horse is in a parade, they

1391
01:06:52,720 --> 01:06:54,840
Speaker 2: hang there's a like a thing that you can actually

1392
01:06:54,920 --> 01:06:58,080
Speaker 2: hang on the back of a horse that catches it

1393
01:06:58,160 --> 01:07:00,320
Speaker 2: so that it doesn't leave things all over like parade

1394
01:07:00,360 --> 01:07:06,200
Speaker 2: roots and stuff. But I will say Danny is very

1395
01:07:06,320 --> 01:07:09,520
Speaker 2: lucky that the horse did not poop in the living room.

1396
01:07:09,920 --> 01:07:13,400
Speaker 2: That would be that would be a major.

1397
01:07:13,160 --> 01:07:15,800
Speaker 1: Clean out that I feel like horses are very regular too.

1398
01:07:15,960 --> 01:07:18,640
Speaker 1: Anytime they they start moving or they get scared and.

1399
01:07:18,640 --> 01:07:21,120
Speaker 2: They're uh, I was gonna say, they're yeah, they're yeah

1400
01:07:21,120 --> 01:07:24,480
Speaker 2: when they're scared. I mean maybe coming up the stairs

1401
01:07:24,520 --> 01:07:24,880
Speaker 2: is when he.

1402
01:07:25,520 --> 01:07:28,919
Speaker 1: Yes, he left some logs on the left and right.

1403
01:07:29,000 --> 01:07:33,400
Speaker 2: Okay, stop, that's what Danny was like, what's happening. Yeah,

1404
01:07:34,400 --> 01:07:36,520
Speaker 2: I smelled Joey's chilli. Yeah, the horse got loose.

1405
01:07:36,640 --> 01:07:39,880
Speaker 1: Oh wow, crazy, so crazy. That must have been fun

1406
01:07:40,000 --> 01:07:41,560
Speaker 1: for the kids, you know, like, oh, there's a horse

1407
01:07:41,600 --> 01:07:44,560
Speaker 1: in the camera aisle. Well, yes, but also like.

1408
01:07:44,480 --> 01:07:49,320
Speaker 2: A horse galloping towards you uncontrolled, it is also uh

1409
01:07:49,600 --> 01:07:53,160
Speaker 2: you know you're like, oh, you know, it's not Yeah,

1410
01:07:53,880 --> 01:07:56,240
Speaker 2: especially in a closed environ like it's not like you're

1411
01:07:56,280 --> 01:07:58,520
Speaker 2: outside where it kind of run. You're like, I don't

1412
01:07:58,560 --> 01:07:59,040
Speaker 2: know where.

1413
01:07:58,840 --> 01:08:01,200
Speaker 1: It's gonna go, and what's it gonna break, what's what's.

1414
01:08:01,040 --> 01:08:02,720
Speaker 2: It gonna wreck? And is it freaked out?

1415
01:08:02,800 --> 01:08:05,760
Speaker 1: And yeah, I'm sure the stage manager was not too

1416
01:08:05,800 --> 01:08:06,440
Speaker 1: happy about that.

1417
01:08:07,040 --> 01:08:10,640
Speaker 2: Yes, speaking speaking of everyone, speaking of stage managers, what

1418
01:08:10,880 --> 01:08:13,360
Speaker 2: is your everywhere you look moment for this episode?

1419
01:08:13,440 --> 01:08:17,639
Speaker 1: As we mentioned at the top of the episode, the okay,

1420
01:08:17,680 --> 01:08:19,720
Speaker 1: so when Danny and Becky are getting ready to go

1421
01:08:19,840 --> 01:08:21,160
Speaker 1: live on Wake Up San Francisco.

1422
01:08:21,720 --> 01:08:24,280
Speaker 2: Like the opening of the scene, Yeah.

1423
01:08:23,760 --> 01:08:27,040
Speaker 1: There's a man pinning like a lav mic to Danny,

1424
01:08:27,320 --> 01:08:30,479
Speaker 1: and that is our stage manager in real life, Keith Richmond.

1425
01:08:30,840 --> 01:08:33,720
Speaker 2: Keith Richmond, yep. I mean they weren't kind of like

1426
01:08:33,760 --> 01:08:36,479
Speaker 2: all like white khaki, like maybe khaki pants or something

1427
01:08:36,520 --> 01:08:38,680
Speaker 2: like that. But yeah, Keith makes a couple appearances in

1428
01:08:38,680 --> 01:08:42,160
Speaker 2: that first scene. Yeah, and he was our actual stage manager.

1429
01:08:43,439 --> 01:08:46,559
Speaker 2: Was the makeup person that comes in. I couldn't remember

1430
01:08:46,600 --> 01:08:49,479
Speaker 2: if that was actually one of our makeup artists or

1431
01:08:49,479 --> 01:08:51,320
Speaker 2: if it was an extra that they had. I'm not sure.

1432
01:08:51,400 --> 01:08:53,800
Speaker 1: Yeah, I didn't recognize her as one of our makeup artists,

1433
01:08:53,800 --> 01:08:55,720
Speaker 1: but she could have been. They were, you know, they

1434
01:08:55,720 --> 01:08:58,800
Speaker 1: loved to use people that were nearby. Hey step in.

1435
01:09:00,120 --> 01:09:02,479
Speaker 2: Yeah, and that was I do. I've got to see

1436
01:09:02,520 --> 01:09:06,960
Speaker 2: Keith Richmond. Keith and his daughters made appearances in the

1437
01:09:07,000 --> 01:09:10,080
Speaker 2: Full House episodes. His daughters would often play my classmates.

1438
01:09:10,600 --> 01:09:12,599
Speaker 2: They were your age, okay, oh yeah, they were my Yeah,

1439
01:09:12,600 --> 01:09:14,080
Speaker 2: Alison was my age. And I think he had a

1440
01:09:14,120 --> 01:09:16,880
Speaker 2: younger daughter to who was more like Ashley Mary Kate's age.

1441
01:09:17,680 --> 01:09:20,120
Speaker 1: So cool. So yeah, seeing these familiar faces.

1442
01:09:21,040 --> 01:09:23,439
Speaker 2: I have an everywhere you look moment, but it's in

1443
01:09:23,560 --> 01:09:28,280
Speaker 2: the It's in the opening titles. Oh okay, and remember

1444
01:09:28,400 --> 01:09:32,000
Speaker 2: last week I think you and I were discussing the

1445
01:09:32,000 --> 01:09:34,560
Speaker 2: the abundance of Scottie dog sweaters.

1446
01:09:34,640 --> 01:09:35,240
Speaker 1: Oh yeah, you.

1447
01:09:37,120 --> 01:09:39,120
Speaker 2: Isn't that And you were like, isn't that the same

1448
01:09:39,240 --> 01:09:43,840
Speaker 2: sweater that you're wearing in the opening titles? But if

1449
01:09:43,880 --> 01:09:45,880
Speaker 2: you look at the opening titles, the front of the

1450
01:09:45,920 --> 01:09:49,000
Speaker 2: sweater doesn't have Scottie dogs on it because I'm wearing

1451
01:09:49,080 --> 01:09:52,360
Speaker 2: it backwards. You see for a brief moment in the

1452
01:09:52,400 --> 01:09:55,839
Speaker 2: title shot the Scottie dogs on the back of the sweater,

1453
01:09:56,720 --> 01:10:01,200
Speaker 2: and they reversed it, most likely because because the Scottis

1454
01:10:01,240 --> 01:10:04,120
Speaker 2: would be so noticeable if you ever wore the sweater

1455
01:10:04,200 --> 01:10:07,400
Speaker 2: in an episode that they switched it around, and for

1456
01:10:07,479 --> 01:10:09,479
Speaker 2: a title shot, you want it to just be about

1457
01:10:09,520 --> 01:10:12,200
Speaker 2: the person's face and their name. Okay, So the Scottis

1458
01:10:12,200 --> 01:10:13,840
Speaker 2: would have been distracting. So they just had me put

1459
01:10:13,880 --> 01:10:14,799
Speaker 2: the sweater on backwards.

1460
01:10:14,840 --> 01:10:16,000
Speaker 1: Oh funny, But I didn't.

1461
01:10:16,000 --> 01:10:17,840
Speaker 2: I didn't realize it. I was like, oh, it does

1462
01:10:17,840 --> 01:10:20,160
Speaker 2: look similar, and then I like see myself putting on

1463
01:10:20,160 --> 01:10:22,160
Speaker 2: the backpack and there's like Scottie Dogs on the back.

1464
01:10:22,200 --> 01:10:25,080
Speaker 2: Oh oh my god, they just flipped it around, So just.

1465
01:10:25,080 --> 01:10:29,720
Speaker 1: Flip it around, Jody and stand by the first flipping. Yeah.

1466
01:10:29,800 --> 01:10:32,920
Speaker 2: Well, this was a fabulous episode. I really, really really

1467
01:10:32,920 --> 01:10:36,760
Speaker 2: loved this episode of Full House, and I'm excited for

1468
01:10:36,920 --> 01:10:41,960
Speaker 2: next week's episode, which is finally, finally, finally, the one

1469
01:10:41,960 --> 01:10:45,800
Speaker 2: that I watched three episodes ago, which is Jingle Hell,

1470
01:10:46,680 --> 01:10:49,080
Speaker 2: which aired November eleventh, nineteen eighty eight. So we're very

1471
01:10:49,120 --> 01:10:52,160
Speaker 2: excited to get to that one next week, and that

1472
01:10:52,200 --> 01:10:55,120
Speaker 2: should be a lot of fun. We're well prepared persuading

1473
01:10:55,880 --> 01:10:59,080
Speaker 2: to reveal you know, everything I wrote down about this episode,

1474
01:11:00,040 --> 01:11:01,920
Speaker 2: but we're so glad you guys joined us again for

1475
01:11:02,000 --> 01:11:05,439
Speaker 2: another really fun episode of how Rude. Tanerto's Uh. Make

1476
01:11:05,479 --> 01:11:07,919
Speaker 2: sure that you are liking and subscribing to the podcast

1477
01:11:07,920 --> 01:11:09,800
Speaker 2: wherever you're listening so that you can make sure and

1478
01:11:09,840 --> 01:11:11,960
Speaker 2: get all the new episodes right when they come out.

1479
01:11:12,320 --> 01:11:14,439
Speaker 2: If you want to follow us on social media, you

1480
01:11:14,479 --> 01:11:17,400
Speaker 2: can check us out on Instagram at how Rude Podcast.

1481
01:11:17,720 --> 01:11:20,839
Speaker 2: You can also send us emails at howardpodcast at gmail

1482
01:11:20,880 --> 01:11:23,519
Speaker 2: dot com. We'd love to hear your comments or questions

1483
01:11:23,560 --> 01:11:26,320
Speaker 2: anything you want to know about the show, anything for

1484
01:11:26,400 --> 01:11:29,479
Speaker 2: our minisodes when you've got questions about things that happened.

1485
01:11:29,680 --> 01:11:32,080
Speaker 2: We love hearing from you, guys. It's so much fun

1486
01:11:32,080 --> 01:11:35,200
Speaker 2: to hear from you Fana Ritos. So remember everybody, we

1487
01:11:35,240 --> 01:11:38,360
Speaker 2: will see you next week and in the meantime. The

1488
01:11:38,360 --> 01:11:43,639
Speaker 2: world is small, but the house is full because the living.

1489
01:11:43,479 --> 01:11:45,240
Speaker 1: Room, well, the house is very full. We give you

1490
01:11:45,560 --> 01:11:50,920
Speaker 1: some thumbs up. Oh yeah, there we go. Oh yeah,

1491
01:11:51,439 --> 01:11:53,440
Speaker 1: well deserved, well deserved.

1492
01:11:53,439 --> 01:12:03,719
Speaker 2: Finally, and we're we're out.