WEBVTT - 118: 364 1/2 Days (with Hannah Giorgis)

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<v Speaker 1>It's eleven thirty eight pm at a Sicilian castle and

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<v Speaker 1>you're listening to Nightcall. Hello, and welcome to Nightcall, a

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<v Speaker 1>college show about our dystopian reality. My name is Emily Yoshida.

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<v Speaker 1>I am in Los Angeles and with me on the

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<v Speaker 1>other line are Molly Lambert and Tess Lynch. Hi, guys, Hey, y'all.

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<v Speaker 1>We are going to be joined later in the show

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<v Speaker 1>by Hannah. George is from the Atlantic to talk about

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<v Speaker 1>the Polish sex drama that is taking the Internet by

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<v Speaker 1>storm through it in sixty five days. But first let's

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<v Speaker 1>take a night email test. You want to read it.

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<v Speaker 1>I would love to hello Nightcall. As I prefer to

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<v Speaker 1>remain anonymous, I won't reveal my name or the venue

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<v Speaker 1>where I work, but I can say that the measures

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<v Speaker 1>taken to protect the staff are next to non existent,

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<v Speaker 1>so distancing is not enforced, and one of my managers

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<v Speaker 1>were as an N ninety five mask against company policy No. Less,

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<v Speaker 1>which facilitates his breathing, but as you can surmise, does

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<v Speaker 1>nothing to prevent a potential asymptomatic spread of the novel coronavirus.

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<v Speaker 1>While everyone is required to wear face masks and wash

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<v Speaker 1>their hands, the only social distancing is between guests. As

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<v Speaker 1>we were returning, one of the higher ups had tried

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<v Speaker 1>to convince us, rather poorly that any leaked candid images,

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<v Speaker 1>which was achieved through a certain vantage point where people

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<v Speaker 1>looked clustered. But we're standing far apart working here. I

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<v Speaker 1>can honestly say the space situation is like sardines in

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<v Speaker 1>a can. I don't begrudge working hard for a living,

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<v Speaker 1>but I find myself disgusted with how little care is

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<v Speaker 1>being provided for the staff. And and we should say,

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<v Speaker 1>like this person, um. We won't say where they work specifically,

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<v Speaker 1>but it is like it's a theme park, it's an attraction,

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<v Speaker 1>which you know. Obviously a lot of them are back

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<v Speaker 1>up and running. I think probably a lot of them

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<v Speaker 1>never closed in the first place. I believe they they

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<v Speaker 1>all did close because they had you UM And this

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<v Speaker 1>is the first time, just because I follow a bunch

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<v Speaker 1>of theme park enthusiasts Instagram's um and there's like a

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<v Speaker 1>real schism because there are some people that are like

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<v Speaker 1>traveling to theme parks. UM and the workers have been

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<v Speaker 1>posting about a lot, but they're also afraid of retaliation

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<v Speaker 1>from the companies they work for, which is why we're

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<v Speaker 1>not going to name any companies that anybody works for.

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<v Speaker 1>If you call in and tell us about your experience,

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<v Speaker 1>we will keep you totally anonymous. But we would love

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<v Speaker 1>to hear more from people that are going back to

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<v Speaker 1>work under COVID and uh seeing the sort of chaotic situation,

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<v Speaker 1>because it doesn't seem like anybody has a plan that

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<v Speaker 1>is going to work, like the right and all the

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<v Speaker 1>safeguards feel completely um, patchwork and not at all cohesive.

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<v Speaker 1>I mean even in Japan they reopened a theme parks.

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<v Speaker 1>This is like a big thing that was going around

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<v Speaker 1>Twitter today that I sent to you guys, and um,

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<v Speaker 1>they were asking guests to refrain from screaming on rights

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<v Speaker 1>because you know, screaming exerting your vocal cords creates more droplets,

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<v Speaker 1>uh and spreads the disease war and I believe their

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<v Speaker 1>their their advice to guess was please scream inside your heart,

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<v Speaker 1>which is um, yeah, note taken the slogan of the year,

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<v Speaker 1>already doing it. But yeah, so it's just like stuff

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<v Speaker 1>like that, like at a certain points, like well, why

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<v Speaker 1>go on a ride that like screaming on a ride

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<v Speaker 1>is more or less involuntary. It's like laughing at a

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<v Speaker 1>funny joke. Um so why put yourself in a position

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<v Speaker 1>where there's a high likelihood that you would be screaming

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<v Speaker 1>like why do all this these gymnastics to be like,

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<v Speaker 1>oh no, you can do it as long as you

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<v Speaker 1>don't have the most reasonable reaction to the thing you're doing.

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<v Speaker 1>They're all doing insane backbends to try and you know,

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<v Speaker 1>have a reason to be reopening to make money. It's

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<v Speaker 1>all like Joe else said last week, it's all Jaws,

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<v Speaker 1>it's all Drassic Park. Um. And they must think the

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<v Speaker 1>profit margins are worth it, you know, they must think

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<v Speaker 1>the bad press isn't gonna overwhelm the influx of cash.

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<v Speaker 1>And as we saw a lot of these big companies

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<v Speaker 1>also got bailed out. So it's all pretty gross. Do

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<v Speaker 1>you guys see twenty one pilots got PPP loans like

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<v Speaker 1>like I guess as a band the stewary and money.

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<v Speaker 1>Um so I haven't gotten anything yet, but if twenty

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<v Speaker 1>one pilots can do it, I don't think we've talked

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<v Speaker 1>about it on the show yet, but just to have

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<v Speaker 1>a mini sports uh sports call nightball segment the NBA

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<v Speaker 1>reopening that they're trying to do um around Disney World

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<v Speaker 1>seems like extremely fraught and like everything is already going

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<v Speaker 1>wrong and they're still going forward with it because that's

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<v Speaker 1>how badly they don't want to lose profits on sports capitalism.

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<v Speaker 1>And it's it's just wild to see all these companies

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<v Speaker 1>and industries pouring all this money. I mean the bubble,

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<v Speaker 1>the NBA bubble, you know, as jankie as it looks

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<v Speaker 1>and as unwise as it looks from here, it can't

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<v Speaker 1>be cheap. Like that's a very a lot of logistics

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<v Speaker 1>in that. And you see these industries pouring so much

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<v Speaker 1>money into this stuff. And like meanwhile here in l A,

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<v Speaker 1>our biggest COVID testing site was shut down, uh for

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<v Speaker 1>a holiday and also possibly I was seeing some some

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<v Speaker 1>reports that like it would just had to like figure

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<v Speaker 1>out its funding, and that's not something that people are

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<v Speaker 1>like Sean Penn apparently was behind the funding for our

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<v Speaker 1>COVID testing site, Like that was not Yeah, like truly

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<v Speaker 1>when you have when you are relying on the goodness

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<v Speaker 1>of Sean Penn's heart, the bars on the ground. Yeah,

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<v Speaker 1>So it's just like and and and and you know,

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<v Speaker 1>the COVID testing sites are kind of like dystopian in

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<v Speaker 1>and of themselves. Like I don't know if you guys

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<v Speaker 1>have gone there and not to the Dodger Stadium one,

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<v Speaker 1>but like all this stuff that people set up as

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<v Speaker 1>sort of these stop gaps is all a little bit dystopian.

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<v Speaker 1>But that at least is like, you know, potentially for

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<v Speaker 1>good and for prevention of the virus. Like I just

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<v Speaker 1>feel like it's like there's no real escapism. So anyone

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<v Speaker 1>claiming they're going to create a space where you'll be

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<v Speaker 1>like totally safe from the virus and it doesn't exist

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<v Speaker 1>there selling you a fantasy like Las Vegas just reopened

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<v Speaker 1>as well in Sanity City. I saw some pictures of

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<v Speaker 1>Atlantic City. All the um the slot machines have individual barriers,

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<v Speaker 1>plastic barriers around them like little sweatboxes. Yeah, it's all

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<v Speaker 1>just so sounds fun. Yeah, it's it's also patchwork. Like

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<v Speaker 1>you said, it's like clearly nobody in charge has a plan,

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<v Speaker 1>which is something we've been seeing for a lot of things. Well,

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<v Speaker 1>I took um my son to the doctor yesterday and

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<v Speaker 1>it was the first time he had been inside a

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<v Speaker 1>building since March. That was not our He was super

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<v Speaker 1>anxious about it. Uh, he wore a mask the entire time.

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<v Speaker 1>It ended up I think being the right decision, even

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<v Speaker 1>though it was just to check up the kids. His

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<v Speaker 1>age only get checked up once a year, so I

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<v Speaker 1>felt like it was important. But we were driving on

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<v Speaker 1>like these huge lines to get into a snow cone

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<v Speaker 1>store and also a vintage store. Yeah, and I was

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<v Speaker 1>just like, wow, I'm like keeping my kids to the doctor.

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<v Speaker 1>We're sweating, we're so nervous about this. And meanwhile there's

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<v Speaker 1>like just maybe thirty five people lined up on Melrose,

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<v Speaker 1>not distanced at all, waiting to get a snow cone.

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<v Speaker 1>It's very strange. I mean, as long as they weren't

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<v Speaker 1>going into a snow cone store, I guess I think

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<v Speaker 1>I think they were, But I think with a vintage store,

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<v Speaker 1>it's just that they have to wear a covering in

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<v Speaker 1>their can't pill in there. But it just shows you,

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<v Speaker 1>like when the priorities and I'm not faulting any small

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<v Speaker 1>business owner at all, like I I think it's the

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<v Speaker 1>problem is is much higher up the chain than what

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<v Speaker 1>an individual store owner is doing. Right. They should have

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<v Speaker 1>paid They should have paid everyone to stay home from

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<v Speaker 1>the beginning. They paid everyone to stay home, and they

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<v Speaker 1>should still be doing that, we should still be under

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<v Speaker 1>like the first lockdown, but they like open back up,

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<v Speaker 1>and immediately everything got real bad. One thing that nobody

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<v Speaker 1>knows for sure if it's going to open back up

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<v Speaker 1>is schools school. Let's take a break, and when we

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<v Speaker 1>come back, Emily will enchant and amaze us with details

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<v Speaker 1>of dark academia. Welcome back tonight call today. Emily is

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<v Speaker 1>the professor and we are all her students, and her

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<v Speaker 1>specialty is something called dark academia. Well, academia has gone dark, uh,

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<v Speaker 1>you know, obviously in the last several months, but now

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<v Speaker 1>it's going figuratively dark on TikTok and Instagram. I want

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<v Speaker 1>to reiterate, and I think this might come up later

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<v Speaker 1>when we're talking to Hannah. But like, I don't know

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<v Speaker 1>a single thing about what's going on with TikTok. I

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<v Speaker 1>don't have a TikTok account, So this is not firsthand knowledge.

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<v Speaker 1>This is not something I've observed. I read a New

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<v Speaker 1>York Times trend piece about it. I'm an old person. Uh,

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<v Speaker 1>but they're also if you want us to do a

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<v Speaker 1>night called dark Academia TikTok, you know, let us know. Sure,

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<v Speaker 1>I don't. I would not know how to go about that.

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<v Speaker 1>But there's this article by Christin Bateman called Academia Lives

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<v Speaker 1>on TikTok and it is about the recent uh TikTok

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<v Speaker 1>and Instagram and and I think it also kind of

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<v Speaker 1>started on Tumbler aesthetic project what what whatever you want

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<v Speaker 1>to call it, U called dark academia, which has taken

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<v Speaker 1>on some you know, particularly interesting meaning right now as

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<v Speaker 1>most of the teens and early twenty someomethings that are

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<v Speaker 1>participating in this trend are not in actual school and

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<v Speaker 1>don't know when they will be back in actual school. Um.

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<v Speaker 1>But the article, uh, the article kind of describes what,

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<v Speaker 1>you know, what the vibe is, and it's very you know,

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<v Speaker 1>it's it has images to which you can instantly kind

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<v Speaker 1>of get the vibe from the images. But um, Kristen

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<v Speaker 1>Babman writes, a typical post may involve teens showing off

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<v Speaker 1>There are gyle sweaters to classical tunes, followed by a

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<v Speaker 1>series of photos of leather bound books, handwritten notes, a

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<v Speaker 1>page from Weathering Heights, and a shot of a class

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<v Speaker 1>and a shot of class Greek architecture. It's not unusual

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<v Speaker 1>to see fans dressing up as their favorite book characters

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<v Speaker 1>are posting vintage photos of the novelist Donna Tart, author

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<v Speaker 1>of the Secret History Dark Academias Essential text Um. She

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<v Speaker 1>also kind of pitches it as an alternative to cottage core,

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<v Speaker 1>which I can't remember if we have talked about specifically

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<v Speaker 1>on this podcast, but we didn't end up talking about

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<v Speaker 1>cottage core. The cottage core is big right now. Can

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<v Speaker 1>you describe what cottage core is a little bit and

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<v Speaker 1>why it's like possibly problematic? Um, cottage core. The reason

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<v Speaker 1>cottage core is possibly problematic is it's like being into

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<v Speaker 1>home studding kind of. It's like a little house on

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<v Speaker 1>the prairie kind of you know, rustic pioneer ship. Um,

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<v Speaker 1>but you're like wearing cute sweaters and stuff. And is

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<v Speaker 1>it more pioneer or is it more I kind of

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<v Speaker 1>understood it. It It was almost like a like I was thinking, like, oh,

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<v Speaker 1>is Miyazaki cottage core because Miyazaki is super into like you.

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<v Speaker 1>It's a type of like a girl that's like into yeah,

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<v Speaker 1>kind of like a European forest uhal fairytale, more apesthetic,

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<v Speaker 1>maybe mixed in with some Japanese pop culture. I learned

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<v Speaker 1>about it recently because I learned about I was just

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<v Speaker 1>reading about the girls and going down a hole about

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<v Speaker 1>cottage core. But there was a thread recently where somebody

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<v Speaker 1>was like, watch watch out for the next wave of

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<v Speaker 1>like e girl fascists that are all really into cottage core.

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<v Speaker 1>And somebody was like the sentences inscrutable, and I was like,

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<v Speaker 1>I know what they're talking about, which is just any

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<v Speaker 1>kind of like back to the Homeland movement, even a

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<v Speaker 1>virtual one can definitely veer into like nationalism at a

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<v Speaker 1>certain point. But couldn't it also just be people who

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<v Speaker 1>like don't can't buy groceries in and now like I

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<v Speaker 1>should grow my own food. It could be totally benign.

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<v Speaker 1>I guess they're like a reaction against what we think

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<v Speaker 1>of as being the most like mainstream Instagram social media aesthetic.

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<v Speaker 1>Like right, it's like an aesthetic that wouldn't have social media,

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<v Speaker 1>but then you're using social media to film it. Um.

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<v Speaker 1>I learned about it because I was reading about Belle Delphine,

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<v Speaker 1>who is a gamer who sold her bath water and

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<v Speaker 1>then recently reappeared on the internet with an only fans

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<v Speaker 1>and like YouTube video. I just like learned a lot

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<v Speaker 1>about what's going on on the internet now. And she

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<v Speaker 1>had it was like she's now like now she hasn't

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<v Speaker 1>only fans and she does like sexy photo shoots, but

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<v Speaker 1>she started as sort of just a cause player and

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<v Speaker 1>her thing was totally cottage core. Um, not in a

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<v Speaker 1>fascist way, just in like sort of a Miyazaki way

0:13:52.840 --> 0:13:54.719
<v Speaker 1>like you were saying. It was like her she does

0:13:54.760 --> 0:13:56.480
<v Speaker 1>a tour of her room and she has all these

0:13:56.520 --> 0:14:01.440
<v Speaker 1>like dollhouses stacked up dollhouses and like some sort of

0:14:01.480 --> 0:14:07.240
<v Speaker 1>like leaves hung from the ceiling and stuff. Uh. I think, well,

0:14:07.280 --> 0:14:13.520
<v Speaker 1>you know, we watched Shirley Last Planning. Yeah. To me,

0:14:13.640 --> 0:14:15.480
<v Speaker 1>it just makes me think of like when you're a

0:14:15.520 --> 0:14:18.160
<v Speaker 1>teenage girl and you're like, I'm going to make my

0:14:18.320 --> 0:14:21.760
<v Speaker 1>room so cool and like beautiful and I'll want to

0:14:21.800 --> 0:14:23.240
<v Speaker 1>hang out and all the time. And maybe you don't

0:14:23.280 --> 0:14:26.160
<v Speaker 1>actually end up doing that, but you're like, what if

0:14:26.200 --> 0:14:29.600
<v Speaker 1>I could just decorate my room like exactly drawing your

0:14:29.680 --> 0:14:32.840
<v Speaker 1>plans for your dream room. It's a very big activity

0:14:32.840 --> 0:14:35.360
<v Speaker 1>of being like a tween. I feel like, um, yeah,

0:14:35.840 --> 0:14:39.360
<v Speaker 1>well so so like okay, so if cottage core is that,

0:14:39.400 --> 0:14:42.040
<v Speaker 1>which is like kind of it feels from from what

0:14:42.080 --> 0:14:45.680
<v Speaker 1>I've seen from your description of it feels a little um,

0:14:45.840 --> 0:14:49.280
<v Speaker 1>like goop adjacent again. I feel like it's all kind

0:14:49.280 --> 0:14:52.280
<v Speaker 1>of like training for planning your wedding. Like it's like

0:14:52.800 --> 0:14:55.760
<v Speaker 1>that kind of um right, it's like party planning for

0:14:55.800 --> 0:15:00.360
<v Speaker 1>your house. Yeah, like like at a at some foliage. Uh,

0:15:00.400 --> 0:15:03.160
<v Speaker 1>you know, run through some flowers in a mock Malick

0:15:03.320 --> 0:15:06.720
<v Speaker 1>type shot or whatever. Right, because it's still like a

0:15:06.760 --> 0:15:10.240
<v Speaker 1>lot of things. It's about like accumulating things, like getting

0:15:10.320 --> 0:15:13.200
<v Speaker 1>new things to be part of your aesthetic. Yeah. So

0:15:13.200 --> 0:15:18.680
<v Speaker 1>so in this article about the dark academia, the author says, like,

0:15:18.760 --> 0:15:20.840
<v Speaker 1>to be a part of dark academia, you don't have

0:15:20.880 --> 0:15:24.040
<v Speaker 1>to have access to a country house, a field of flowers,

0:15:24.080 --> 0:15:27.520
<v Speaker 1>a big kitchen for baking, or an expensive prairie dress.

0:15:27.920 --> 0:15:30.560
<v Speaker 1>Most of the most of the clothing and dark academia

0:15:30.640 --> 0:15:33.080
<v Speaker 1>fans where is vintage and can easily be found in

0:15:33.120 --> 0:15:39.320
<v Speaker 1>second hand stores or sites. Um. And this like worms

0:15:40.160 --> 0:15:43.040
<v Speaker 1>to be very dark academia. It warms the cockles of

0:15:43.080 --> 0:15:47.760
<v Speaker 1>my heart. I I just like the the vibe that

0:15:47.840 --> 0:15:50.120
<v Speaker 1>these kids have and will link to the article is

0:15:50.160 --> 0:15:53.240
<v Speaker 1>like very It's exactly where I was when I was

0:15:53.320 --> 0:15:55.320
<v Speaker 1>that age, and all these kids are like so much

0:15:55.320 --> 0:15:57.560
<v Speaker 1>more put together and hotter than I was then, but

0:15:57.640 --> 0:16:01.200
<v Speaker 1>like it's still like I the the the aim and

0:16:01.360 --> 0:16:05.040
<v Speaker 1>what what is romantic to them? Feel I'm very sympathetic

0:16:05.080 --> 0:16:09.600
<v Speaker 1>to uh. And I think that that kind of egalitarian

0:16:09.720 --> 0:16:14.520
<v Speaker 1>aspect of it is is like super important because like

0:16:14.880 --> 0:16:18.280
<v Speaker 1>I was into that at a public school. Like I

0:16:18.320 --> 0:16:22.320
<v Speaker 1>think that most of these kids who are participating in this,

0:16:22.480 --> 0:16:26.600
<v Speaker 1>like if they like they're not they're not the like

0:16:26.720 --> 0:16:29.480
<v Speaker 1>kind of Ivy League, Like they're not a part of

0:16:29.520 --> 0:16:32.960
<v Speaker 1>the academy. They are taking the aesthetics of the academy

0:16:33.040 --> 0:16:35.440
<v Speaker 1>and molding it to their own purposes, which I think

0:16:35.520 --> 0:16:38.120
<v Speaker 1>is like a very good thing, because I think one

0:16:38.160 --> 0:16:41.120
<v Speaker 1>thing we've learned over um at least the past few months,

0:16:41.160 --> 0:16:43.600
<v Speaker 1>if not longer, is that the academy is more or

0:16:43.640 --> 0:16:46.880
<v Speaker 1>less broken, uh, And so why not just take the look,

0:16:47.520 --> 0:16:50.320
<v Speaker 1>especially if nobody's going to be going to school anyway,

0:16:51.120 --> 0:16:55.520
<v Speaker 1>like public, like the average American public school public high

0:16:55.560 --> 0:16:59.480
<v Speaker 1>school is like the least romantic place in the world

0:16:59.560 --> 0:17:02.200
<v Speaker 1>if you're a teenager. And so if you're going to

0:17:02.280 --> 0:17:05.400
<v Speaker 1>not be going to that specific physical place, like why

0:17:05.440 --> 0:17:07.919
<v Speaker 1>not build this school of the mind that you live in.

0:17:08.000 --> 0:17:12.879
<v Speaker 1>It's like vaguely like goth and and and and nerdy,

0:17:12.920 --> 0:17:16.480
<v Speaker 1>Like I don't know, I'm I'm supert late. I feel

0:17:16.480 --> 0:17:21.439
<v Speaker 1>like that aesthetic is just so prevalent in fiction. Um Again,

0:17:21.560 --> 0:17:24.120
<v Speaker 1>I'm a little concerned that maybe the thing cottage core

0:17:24.400 --> 0:17:28.239
<v Speaker 1>and dark academia have in common is sort of like

0:17:28.280 --> 0:17:35.560
<v Speaker 1>a fetishization of like England, like British, you know, school

0:17:35.640 --> 0:17:38.159
<v Speaker 1>uniform aesthetics. And then I was like many of the

0:17:38.160 --> 0:17:43.960
<v Speaker 1>things you are describing also described Caroline Callaway, who is

0:17:44.119 --> 0:17:49.480
<v Speaker 1>very into the academia aesthetic um and has also done

0:17:49.600 --> 0:17:53.640
<v Speaker 1>cosplaying as a bunch of like literary characters recently. It's

0:17:53.680 --> 0:17:56.560
<v Speaker 1>kind of like it's like movie Twitter for books or something.

0:17:57.000 --> 0:18:00.000
<v Speaker 1>It's like, yeah, it's the it's the fetish as they

0:18:00.000 --> 0:18:03.320
<v Speaker 1>sh of the objects and signifiers of like being a

0:18:03.359 --> 0:18:06.840
<v Speaker 1>smart person, which is like I think when you're a teen, fine,

0:18:06.960 --> 0:18:09.719
<v Speaker 1>like do not hang onto that as you go into adulthood.

0:18:09.760 --> 0:18:11.399
<v Speaker 1>Like I think that that can be very stunting in

0:18:11.400 --> 0:18:15.920
<v Speaker 1>a way, but I'm like fine, like whatever, Like it's

0:18:15.960 --> 0:18:18.320
<v Speaker 1>it sucks to be a teenager right now, and it

0:18:18.400 --> 0:18:21.800
<v Speaker 1>sucks to like do school right now as a young person,

0:18:21.840 --> 0:18:25.119
<v Speaker 1>whether that's college or high school. And you know, I

0:18:25.160 --> 0:18:28.080
<v Speaker 1>think the other thing is that like this is all

0:18:28.119 --> 0:18:32.480
<v Speaker 1>coming at a time when like Harvard, for example, I'm

0:18:32.520 --> 0:18:35.680
<v Speaker 1>sure other you know, some of the other most expensive

0:18:35.720 --> 0:18:39.159
<v Speaker 1>schools in the country are you know, all moving to

0:18:39.240 --> 0:18:43.120
<v Speaker 1>online for next year and still charging their same tuition.

0:18:43.119 --> 0:18:46.439
<v Speaker 1>And Harvard is still charging fifty dollars a year for

0:18:46.600 --> 0:18:50.040
<v Speaker 1>online school. So if you were going to Harvard for

0:18:50.119 --> 0:18:53.720
<v Speaker 1>like the vibes, like, you don't get those vibes anymore.

0:18:53.880 --> 0:18:56.120
<v Speaker 1>You might as well just do the vibes part for

0:18:56.200 --> 0:19:00.080
<v Speaker 1>free and go to like Phoenix University or whatever for

0:19:00.600 --> 0:19:03.199
<v Speaker 1>like it doesn't like don't go to college and just

0:19:03.359 --> 0:19:05.320
<v Speaker 1>editing or whatever or just or like, you know, if

0:19:05.320 --> 0:19:07.080
<v Speaker 1>you need to get a specific degree to get a

0:19:07.160 --> 0:19:10.000
<v Speaker 1>certain kind of job, like an associates degree or whatever,

0:19:10.080 --> 0:19:13.479
<v Speaker 1>do that. But like it can be you know, you

0:19:13.520 --> 0:19:16.200
<v Speaker 1>can some of the stuff can be democratized. You can

0:19:16.240 --> 0:19:19.280
<v Speaker 1>find that you can find the excitement and like romance

0:19:19.359 --> 0:19:21.760
<v Speaker 1>of learning in in your own way, and it doesn't

0:19:21.760 --> 0:19:25.560
<v Speaker 1>need to be this like classest thing. I also think

0:19:25.600 --> 0:19:28.080
<v Speaker 1>as a test will say you have to not live

0:19:28.119 --> 0:19:31.679
<v Speaker 1>in New England in order to romanticize New England. It's true,

0:19:32.000 --> 0:19:34.040
<v Speaker 1>But I also I think I have to say though

0:19:34.080 --> 0:19:38.520
<v Speaker 1>that I think it's wonderful to you know, I think

0:19:38.520 --> 0:19:40.760
<v Speaker 1>what Emily saying is wonderful, and I definitely think that

0:19:40.800 --> 0:19:42.960
<v Speaker 1>it's great to try to like see some of the

0:19:43.000 --> 0:19:45.879
<v Speaker 1>plus sides in this. But every time I think about

0:19:46.200 --> 0:19:49.680
<v Speaker 1>UM kids who were hoping to go to any college

0:19:49.720 --> 0:19:53.280
<v Speaker 1>in the fall not being able to, and honestly, when

0:19:53.280 --> 0:19:55.640
<v Speaker 1>I think about what kids in general are going through

0:19:55.720 --> 0:19:58.200
<v Speaker 1>right now, it makes me so depressed. I mean, it's

0:19:58.200 --> 0:20:02.080
<v Speaker 1>hard to even talk about like embodying the aesthetic of UM,

0:20:02.119 --> 0:20:05.000
<v Speaker 1>the school that you hope to go to. Even I

0:20:05.320 --> 0:20:08.879
<v Speaker 1>think it's absolutely insane that Harvard is charging fifty dollars

0:20:08.960 --> 0:20:11.280
<v Speaker 1>with the size of their endowment for online classes. But

0:20:12.000 --> 0:20:14.440
<v Speaker 1>I also just think of, like, you know, a kid

0:20:14.480 --> 0:20:16.920
<v Speaker 1>who's who just was so excited to move away from

0:20:16.960 --> 0:20:20.520
<v Speaker 1>home and go to school, and I, I, my heart is,

0:20:20.680 --> 0:20:26.199
<v Speaker 1>like I've rarely used like this earnestly the words like

0:20:26.280 --> 0:20:30.040
<v Speaker 1>my heart breaks for someone, but just all of the

0:20:30.280 --> 0:20:33.040
<v Speaker 1>when you think about like all of the kids who

0:20:33.920 --> 0:20:36.680
<v Speaker 1>really like needed to to get out on their own

0:20:36.880 --> 0:20:39.600
<v Speaker 1>and who are living in bad situations. Sorry to take

0:20:39.600 --> 0:20:41.639
<v Speaker 1>it down a dark path, but you know, I I

0:20:41.760 --> 0:20:45.000
<v Speaker 1>just it's so so heavy, and I guess, like if

0:20:45.320 --> 0:20:48.280
<v Speaker 1>the kind of like cause playing you know of like

0:20:48.320 --> 0:20:50.399
<v Speaker 1>you're still going to college and you can kind of

0:20:50.480 --> 0:20:53.960
<v Speaker 1>like play pretend makes them happy, that's great. But I'm

0:20:53.960 --> 0:20:56.560
<v Speaker 1>also just like god, I wish that people could get

0:20:56.560 --> 0:20:58.679
<v Speaker 1>it to gather, to figure out a safe way to

0:20:58.840 --> 0:21:03.520
<v Speaker 1>like allow kids to like be able to to continue

0:21:03.600 --> 0:21:07.160
<v Speaker 1>on going to school. Yeah, I mean, I think it's

0:21:07.200 --> 0:21:09.600
<v Speaker 1>just like they're trying to find the bright side and

0:21:09.720 --> 0:21:13.520
<v Speaker 1>things and and that's wonderful. I mean that that's like

0:21:13.600 --> 0:21:15.640
<v Speaker 1>with many things that are going on right now. It's

0:21:15.680 --> 0:21:19.879
<v Speaker 1>like you there's like this glimmer of goodness and like happiness,

0:21:19.920 --> 0:21:21.920
<v Speaker 1>but then you just kind of zoom out and you're like, man,

0:21:22.000 --> 0:21:24.600
<v Speaker 1>it's so depressing, Like it's it's just really hard to

0:21:24.600 --> 0:21:27.280
<v Speaker 1>think about being in that position. I mean, I think

0:21:27.400 --> 0:21:29.640
<v Speaker 1>also a lot of the people who are doing this

0:21:30.359 --> 0:21:32.320
<v Speaker 1>who you know, and I don't know how much of

0:21:32.320 --> 0:21:34.879
<v Speaker 1>an overlap there is with somebody who was going to

0:21:34.920 --> 0:21:38.520
<v Speaker 1>go to a respected American institution or you know, your

0:21:38.760 --> 0:21:43.560
<v Speaker 1>Oxbridge or whatever um and people who participate in dark academia.

0:21:43.720 --> 0:21:46.280
<v Speaker 1>I don't actually know, like I can't really really get

0:21:46.280 --> 0:21:48.520
<v Speaker 1>a handle on what that overlap is. But like a

0:21:48.560 --> 0:21:50.440
<v Speaker 1>lot of the people who are doing it are not

0:21:51.000 --> 0:21:53.080
<v Speaker 1>living in the US. Like one of the main, uh,

0:21:53.480 --> 0:21:58.359
<v Speaker 1>main originators of the whole vibe is a Brazilian girl. UM,

0:21:58.440 --> 0:22:03.119
<v Speaker 1>and I think that at a certain point, like it's

0:22:03.160 --> 0:22:07.240
<v Speaker 1>it's like I think that it has nothing, has nothing

0:22:07.280 --> 0:22:12.160
<v Speaker 1>to do with like what what those places actually are, Like,

0:22:12.320 --> 0:22:14.760
<v Speaker 1>I think it is it. It exists on its own.

0:22:14.840 --> 0:22:17.720
<v Speaker 1>After a while, it's like it becomes its own sort

0:22:17.760 --> 0:22:22.840
<v Speaker 1>of um like point of inspiration that's almost like divorced

0:22:22.920 --> 0:22:25.800
<v Speaker 1>from the institution. And I think and I think like

0:22:25.920 --> 0:22:29.160
<v Speaker 1>and and and Harvard is going to let some people

0:22:29.240 --> 0:22:32.040
<v Speaker 1>on campus this year, not everybody. I think that they're

0:22:32.040 --> 0:22:35.840
<v Speaker 1>going to be like thirty percent of UM their enrollment

0:22:35.880 --> 0:22:37.399
<v Speaker 1>is going to be allowed to live on campus, but

0:22:37.440 --> 0:22:42.080
<v Speaker 1>everybody is going to be UM online and uh. In

0:22:42.080 --> 0:22:45.640
<v Speaker 1>the meantime, a ton of people who have student visas

0:22:45.720 --> 0:22:48.159
<v Speaker 1>international students, and those a lot of those students are

0:22:48.160 --> 0:22:51.080
<v Speaker 1>the people who really were counting on having an on

0:22:51.160 --> 0:22:55.120
<v Speaker 1>campus experience at a school, more so than like somebody

0:22:55.640 --> 0:22:58.119
<v Speaker 1>in the U S who's like you know, whose parents

0:22:58.119 --> 0:23:00.919
<v Speaker 1>are paying their whole way to go to Harvard or whatever. Like,

0:23:00.960 --> 0:23:03.399
<v Speaker 1>those those people are like in a position to do

0:23:03.480 --> 0:23:07.000
<v Speaker 1>a romanticize Harvard the most and be be most the

0:23:07.040 --> 0:23:10.480
<v Speaker 1>most affected by school not being in session, and so

0:23:11.119 --> 0:23:13.240
<v Speaker 1>like and and and ice is going to be now

0:23:13.320 --> 0:23:16.480
<v Speaker 1>like not honoring these student pisas so like kids who

0:23:16.480 --> 0:23:18.960
<v Speaker 1>are planning on living here, whether it was on campus

0:23:19.040 --> 0:23:22.359
<v Speaker 1>or like in in a near campus apartment, like they

0:23:22.480 --> 0:23:25.399
<v Speaker 1>might not be you know, safe in the country anymore,

0:23:25.440 --> 0:23:28.960
<v Speaker 1>and that should have super fucked up. Um and so

0:23:29.119 --> 0:23:32.080
<v Speaker 1>I I do. There's a part of me that just

0:23:32.119 --> 0:23:36.560
<v Speaker 1>like it feels very kind. It is it's it's it's

0:23:36.560 --> 0:23:38.879
<v Speaker 1>a bummer, it sucks and it's sad, but it's also

0:23:38.920 --> 0:23:42.119
<v Speaker 1>like I like that this like the Internet finds a

0:23:42.119 --> 0:23:47.040
<v Speaker 1>way somehow to like persist. Yeah, that's what I mean though,

0:23:47.040 --> 0:23:49.639
<v Speaker 1>I mean it's like it just makes you think that

0:23:49.680 --> 0:23:52.800
<v Speaker 1>people you're like, that's very plucky during a time when

0:23:52.800 --> 0:23:55.160
<v Speaker 1>it's hard to be. And I think like, in a way,

0:23:55.560 --> 0:23:57.400
<v Speaker 1>I guess the thing that's the saddest to me no

0:23:57.440 --> 0:24:00.000
<v Speaker 1>matter what situation. But I thought you brought up great points, Emily,

0:24:00.280 --> 0:24:03.000
<v Speaker 1>is you know, I think the whole like aesthetic is

0:24:03.000 --> 0:24:05.879
<v Speaker 1>really just so tied to being a young adult and

0:24:05.920 --> 0:24:09.600
<v Speaker 1>being independent and like being able to have a style

0:24:09.680 --> 0:24:12.719
<v Speaker 1>that matches a place that you chose ideally to go

0:24:12.760 --> 0:24:15.800
<v Speaker 1>to school or whatever. Like, you know, there's many different

0:24:15.800 --> 0:24:18.560
<v Speaker 1>college aesthetics and I like pretty much all of them

0:24:19.359 --> 0:24:22.280
<v Speaker 1>because I just remember, like I don't know, just just

0:24:22.320 --> 0:24:25.320
<v Speaker 1>the feeling, the like excitement of being of reinventing yourself.

0:24:25.359 --> 0:24:28.560
<v Speaker 1>I guess as like a young adult was very powerful

0:24:28.600 --> 0:24:31.200
<v Speaker 1>and it it you know, it's really hard to think

0:24:31.200 --> 0:24:33.399
<v Speaker 1>about the different layers of like how this kind of

0:24:33.440 --> 0:24:36.600
<v Speaker 1>affects people's psyches. But those people get to put their

0:24:36.640 --> 0:24:39.879
<v Speaker 1>new identities online. Yeah, And I think one thing I

0:24:39.920 --> 0:24:42.119
<v Speaker 1>have learned from the little that I've been exposed to

0:24:42.160 --> 0:24:45.040
<v Speaker 1>TikTok is and especially when you're talking about these aesthetics,

0:24:45.520 --> 0:24:48.120
<v Speaker 1>is that they are so mutable and that people are

0:24:48.240 --> 0:24:51.359
<v Speaker 1>changing their identities all the time in very very conscious

0:24:51.400 --> 0:24:54.880
<v Speaker 1>ways that they announce and they show how they are

0:24:54.960 --> 0:24:57.320
<v Speaker 1>changing their looks. There are a lot of the dark

0:24:57.400 --> 0:25:00.920
<v Speaker 1>academic videos are this. They are like, I'm I'm being

0:25:01.000 --> 0:25:04.520
<v Speaker 1>dark academia. Now here's my here's my wardrobe. Um, here

0:25:04.520 --> 0:25:08.040
<v Speaker 1>are all the like slubby sweaters I got from Goodwill. Um,

0:25:08.040 --> 0:25:11.359
<v Speaker 1>it's very cute like and like, and I think that

0:25:11.400 --> 0:25:14.360
<v Speaker 1>there I I think that there is a lot of opportunity,

0:25:14.480 --> 0:25:16.840
<v Speaker 1>especially with the Internet, for people to try on those

0:25:16.840 --> 0:25:19.760
<v Speaker 1>new identities, whether they're living at home or whether they're

0:25:19.800 --> 0:25:22.040
<v Speaker 1>going out into the world on their own. Like I think,

0:25:22.359 --> 0:25:26.080
<v Speaker 1>I think that kids are result teens, especially with social

0:25:26.080 --> 0:25:31.040
<v Speaker 1>media accounts, are very resilient right now. Fores um, I

0:25:31.080 --> 0:25:35.320
<v Speaker 1>don't know, but yeah, I would uh, I would recommend

0:25:35.400 --> 0:25:39.400
<v Speaker 1>checking out the article at least because it's just sort

0:25:39.400 --> 0:25:42.159
<v Speaker 1>of a trip. It's just like we're now at a

0:25:42.160 --> 0:25:45.680
<v Speaker 1>place where this is this is what school is now.

0:25:45.720 --> 0:25:48.359
<v Speaker 1>I'm just imagining like if we had had TikTok and stuff.

0:25:48.400 --> 0:25:50.800
<v Speaker 1>I guess we had YouTube, but like during the recession

0:25:50.840 --> 0:25:52.959
<v Speaker 1>and we're all just making videos that were like I

0:25:52.960 --> 0:25:56.080
<v Speaker 1>thought I'd be a grown up now oops, here comes

0:25:56.080 --> 0:25:59.439
<v Speaker 1>a recession. I mean that was me in high school anyway.

0:25:59.520 --> 0:26:01.439
<v Speaker 1>Like I mean, like I think that this look was

0:26:01.440 --> 0:26:04.240
<v Speaker 1>sort of more my core. But like then I would

0:26:04.280 --> 0:26:06.159
<v Speaker 1>be like, Okay, it's goth day to day, Like I'm

0:26:06.200 --> 0:26:08.879
<v Speaker 1>going to get my goth stuff out and like I

0:26:08.880 --> 0:26:12.000
<v Speaker 1>would have, you know, these specific look days and be

0:26:12.119 --> 0:26:15.000
<v Speaker 1>like I'm doing this this week or whatever. In a

0:26:15.119 --> 0:26:22.320
<v Speaker 1>very kind of tiki taki homespun way. Tiki talkie and

0:26:22.400 --> 0:26:24.800
<v Speaker 1>I And that's like some of the stuff I'm most

0:26:24.840 --> 0:26:28.879
<v Speaker 1>nostalgic about about being young is like even if you

0:26:28.960 --> 0:26:32.880
<v Speaker 1>don't have money or resources, like it feels like the

0:26:32.920 --> 0:26:36.440
<v Speaker 1>idea of the self that you're building is so endlessly mutable.

0:26:36.520 --> 0:26:39.240
<v Speaker 1>It's like very I don't know, it feels it feels fun.

0:26:39.240 --> 0:26:44.600
<v Speaker 1>It feels like anything is possible. But yeah, yeah, it's

0:26:44.640 --> 0:26:47.000
<v Speaker 1>also just like it's funnier to cause play the secret

0:26:47.040 --> 0:26:50.840
<v Speaker 1>history than like Harry Potter. And I'm sure that all

0:26:50.880 --> 0:26:53.119
<v Speaker 1>these kids who like also according to this article, are

0:26:53.160 --> 0:26:57.480
<v Speaker 1>like super super progressive, like very like gender queer, like

0:26:57.480 --> 0:27:02.160
<v Speaker 1>like you know, are very very woke, uh are I'm

0:27:02.160 --> 0:27:06.639
<v Speaker 1>sure that they're all abandoning their their child love of

0:27:06.680 --> 0:27:08.840
<v Speaker 1>Harry Potter right now, and they're all like kind of

0:27:08.840 --> 0:27:12.359
<v Speaker 1>all over like be careful with referencing classicism and stuff,

0:27:12.400 --> 0:27:14.680
<v Speaker 1>which is like hilarious. It's like they're already doing it,

0:27:14.800 --> 0:27:17.080
<v Speaker 1>like right, I read it a great There's like a

0:27:17.119 --> 0:27:21.000
<v Speaker 1>quote from Ursula Kyla Gwen about how Harry Potter was

0:27:21.040 --> 0:27:22.960
<v Speaker 1>kind of a rip off of the Earth Sea books

0:27:23.000 --> 0:27:24.800
<v Speaker 1>that she wrote, but she was like, but they have

0:27:24.880 --> 0:27:29.919
<v Speaker 1>no class consciousness, so they're like not good they're like,

0:27:29.960 --> 0:27:31.840
<v Speaker 1>I guess she was. She was really funny. She was like,

0:27:31.840 --> 0:27:35.560
<v Speaker 1>I guess they made someone a millionaire. Yeah, like not me.

0:27:36.720 --> 0:27:40.400
<v Speaker 1>She also like apparently stole from some um like Neil

0:27:40.440 --> 0:27:45.840
<v Speaker 1>Gaiman book that look looked like really bad. Yeah yeah,

0:27:46.040 --> 0:27:48.480
<v Speaker 1>like look up like Google and Neil game in Books

0:27:48.480 --> 0:27:51.560
<v Speaker 1>of Magic at the covers look exactly like Harry Pottery

0:27:51.560 --> 0:27:54.680
<v Speaker 1>Painter books are like not well written, picular. I would

0:27:54.720 --> 0:27:57.120
<v Speaker 1>just like I would disagree with that. They're like they

0:27:57.160 --> 0:28:00.960
<v Speaker 1>move along. Yeah, that's what a why book has to do. Yeah,

0:28:01.160 --> 0:28:04.760
<v Speaker 1>but there's better, there's better magical young fantasy. Y A.

0:28:05.040 --> 0:28:06.920
<v Speaker 1>You know what I really liked this was my dark

0:28:06.960 --> 0:28:11.080
<v Speaker 1>Academia was the worst witch. You love the worst witch,

0:28:11.600 --> 0:28:13.960
<v Speaker 1>get into the worst. I definitely seen the worst, which

0:28:14.160 --> 0:28:20.360
<v Speaker 1>wasn't that. Um what was that actress was from? Yeah, okay,

0:28:20.400 --> 0:28:23.440
<v Speaker 1>there we go. Yeah for all that's phenomenal. There was

0:28:23.520 --> 0:28:26.000
<v Speaker 1>also it was like a series of books, and there

0:28:26.080 --> 0:28:29.119
<v Speaker 1>was also a I believe it was a British show

0:28:29.240 --> 0:28:33.360
<v Speaker 1>that they then dubbed in with either American or Canadian voices,

0:28:33.480 --> 0:28:36.840
<v Speaker 1>So it had a super weird feel to it that

0:28:36.920 --> 0:28:40.560
<v Speaker 1>I didn't pinpoint until later. Yeah. Yeah, that was like

0:28:40.560 --> 0:28:44.800
<v Speaker 1>a made for TV movie or something. Yeah. Yeah, Witch

0:28:44.800 --> 0:28:50.000
<v Speaker 1>Academies always always, which you watched a good animey about

0:28:50.000 --> 0:28:54.600
<v Speaker 1>a witch academy too, right, me? Yeah, it was magical Modocca,

0:28:54.880 --> 0:28:57.840
<v Speaker 1>not a it's not it's not now. But there's like

0:28:57.920 --> 0:29:03.040
<v Speaker 1>Little Witch Academia, which is very possitive. Watched it. But yeah,

0:29:03.360 --> 0:29:08.040
<v Speaker 1>we're all we're all graduating summa kum laude from Little

0:29:08.040 --> 0:29:13.200
<v Speaker 1>Witch Academia. Um. Well, we're gonna take a break and

0:29:13.280 --> 0:29:15.560
<v Speaker 1>when we come back, we're gonna bring Hannah Georgis on

0:29:15.640 --> 0:29:32.640
<v Speaker 1>to talk three sixty five days. Welcome back to Nightcall.

0:29:33.240 --> 0:29:36.760
<v Speaker 1>We are now joined by Hannah Georgis. She's a staff

0:29:36.760 --> 0:29:39.160
<v Speaker 1>writer at the Atlantic and she's here to take a

0:29:39.240 --> 0:29:42.600
<v Speaker 1>very special night call with us. Hey, guys, a long time,

0:29:42.640 --> 0:29:47.320
<v Speaker 1>long time. I just watched three D sixty five days. Uh,

0:29:47.400 --> 0:29:51.720
<v Speaker 1>the erotic film that's kind of sweeping TikTok and is

0:29:51.800 --> 0:29:56.960
<v Speaker 1>currently number ten on trending movies on Netflix. Um, and

0:29:57.000 --> 0:30:00.640
<v Speaker 1>I'm very curious to hear your guys thought as kind

0:30:00.680 --> 0:30:04.840
<v Speaker 1>of the resident erotic thriller, you know, experts. All right,

0:30:04.880 --> 0:30:08.960
<v Speaker 1>thank you, by wow. I feel very honored right now. Um.

0:30:09.120 --> 0:30:12.880
<v Speaker 1>I have to say though, as maybe uh, not exactly

0:30:13.200 --> 0:30:15.920
<v Speaker 1>a erotic thriller expert, not in the way that this

0:30:16.080 --> 0:30:18.640
<v Speaker 1>collar says that we are. I did not know about

0:30:18.720 --> 0:30:22.080
<v Speaker 1>three D sixty five days until I read Hannah's Peace

0:30:22.240 --> 0:30:25.719
<v Speaker 1>in The Atlantic about it, um, which had you know,

0:30:26.280 --> 0:30:28.320
<v Speaker 1>a headline I'm sure just like was caddip to me

0:30:28.360 --> 0:30:32.920
<v Speaker 1>like why is everybody watching this mysteriously awful erotic thriller

0:30:33.000 --> 0:30:38.480
<v Speaker 1>on Netflix? And I was like, click right now, why

0:30:39.160 --> 0:30:45.760
<v Speaker 1>why was everybody watching this mysteriously terrible erotic thriller on Netflix? Well? Um,

0:30:45.800 --> 0:30:47.160
<v Speaker 1>you know, I think it's a bunch of things. It's

0:30:47.160 --> 0:30:52.920
<v Speaker 1>like Netflix and their algorithm being mysterious, as they always are. Um,

0:30:53.360 --> 0:30:56.520
<v Speaker 1>but also it's just so weird and outlandish and I

0:30:56.560 --> 0:31:00.960
<v Speaker 1>think removed from what kind of sex, if any, is

0:31:01.000 --> 0:31:03.080
<v Speaker 1>happening right now in the world, and so there's something

0:31:03.120 --> 0:31:05.920
<v Speaker 1>like ha ha, like this is just outrageous. Look at

0:31:05.920 --> 0:31:08.680
<v Speaker 1>these people they're having sex outdoors, and like there's something

0:31:09.120 --> 0:31:12.240
<v Speaker 1>like fabulous and wild about it. Um. But I think

0:31:12.280 --> 0:31:14.920
<v Speaker 1>appealed to people right now in this moment where human

0:31:14.960 --> 0:31:18.840
<v Speaker 1>beings are not really touching each other. Yeah, there's something

0:31:18.920 --> 0:31:22.880
<v Speaker 1>like that's the opposite about COVID and lockdown, about like

0:31:23.160 --> 0:31:28.680
<v Speaker 1>the drone shots of like right, the opposite of where

0:31:28.680 --> 0:31:32.160
<v Speaker 1>we are right right, Like that's always a ridiculous thing

0:31:32.280 --> 0:31:35.080
<v Speaker 1>for most people, and now it's just like, what an

0:31:35.080 --> 0:31:37.840
<v Speaker 1>outrageous concepts They're outdoors having sex. It's like, no, this

0:31:37.840 --> 0:31:43.200
<v Speaker 1>would always be weird. But yeah, any human contact is

0:31:43.240 --> 0:31:47.360
<v Speaker 1>now science fiction. That's true. Yeah, I do think like

0:31:47.400 --> 0:31:49.520
<v Speaker 1>in your piece you also touched on this thing that

0:31:49.600 --> 0:31:53.800
<v Speaker 1>I want to like dig into more about this movie

0:31:53.880 --> 0:31:56.600
<v Speaker 1>and about like anything that can even vaguely be called

0:31:56.600 --> 0:31:59.560
<v Speaker 1>an erotic though or erotic drama that comes out now,

0:31:59.600 --> 0:32:02.480
<v Speaker 1>which is it Like it's sort of inevitably about like

0:32:02.560 --> 0:32:06.000
<v Speaker 1>luxury and stuff like like that's the big thing with

0:32:06.040 --> 0:32:09.680
<v Speaker 1>fifty Shades of Gray, which is this Obviously there's a

0:32:09.800 --> 0:32:12.560
<v Speaker 1>kind of spiritual resemblance too. In a lot of ways

0:32:12.840 --> 0:32:16.560
<v Speaker 1>it inspired it. So did the book was inspired by

0:32:16.560 --> 0:32:19.280
<v Speaker 1>it directly because these are based on Polish books, correct

0:32:19.480 --> 0:32:22.400
<v Speaker 1>Polish books. The woman who wrote the trip it's a trilogy,

0:32:22.480 --> 0:32:26.320
<v Speaker 1>and the woman who wrote them was formerly a cosmetologist

0:32:26.320 --> 0:32:29.760
<v Speaker 1>and then a therapist and a hypnotist. Uh And she

0:32:29.960 --> 0:32:35.080
<v Speaker 1>said she was inspired by Gotta Have Her On Total

0:32:35.240 --> 0:32:38.880
<v Speaker 1>nightc material. She said she was inspired by fifty Shades

0:32:38.880 --> 0:32:43.680
<v Speaker 1>of Gray and a personal holiday trip to Italy Sicily specifically,

0:32:43.720 --> 0:32:47.080
<v Speaker 1>which obviously but yeah, I was like, I mean the

0:32:47.160 --> 0:32:51.080
<v Speaker 1>fifty Shades is very, very baked in fifty shades was

0:32:51.080 --> 0:32:54.840
<v Speaker 1>was itself Twilight fan fiction exactly. It's just a lot

0:32:54.840 --> 0:32:59.640
<v Speaker 1>of iterating yeah, yeah, And it's like, you know, it's

0:32:59.640 --> 0:33:02.440
<v Speaker 1>funny because like I'm like a very I'm like a

0:33:02.480 --> 0:33:05.479
<v Speaker 1>big lurker on like Archive of our own and like

0:33:05.520 --> 0:33:08.240
<v Speaker 1>all fan fiction forums and like what pad and ship

0:33:08.320 --> 0:33:10.480
<v Speaker 1>like that, and it's very funny because like if you look,

0:33:10.880 --> 0:33:13.680
<v Speaker 1>if you search Twitter for people talking about three in

0:33:13.800 --> 0:33:16.080
<v Speaker 1>sixty five Days, there's like a meme going around where

0:33:16.080 --> 0:33:19.680
<v Speaker 1>it's like like, uh, like people watching through in the

0:33:19.720 --> 0:33:22.000
<v Speaker 1>sixty five Days for the first time, like Wow, it

0:33:22.040 --> 0:33:24.640
<v Speaker 1>would be so cool to have a dangerous mafia boyfriend.

0:33:24.640 --> 0:33:26.720
<v Speaker 1>And then it's like people who live on what Pad

0:33:26.760 --> 0:33:29.080
<v Speaker 1>and it's a it's like a screen grab of James

0:33:29.160 --> 0:33:32.360
<v Speaker 1>Franco from The Ballad of Buster Scrugs when they're like

0:33:32.400 --> 0:33:37.000
<v Speaker 1>getting hanged and he's like first time. Because it's just

0:33:37.040 --> 0:33:40.440
<v Speaker 1>like the template of this movie and like the way

0:33:40.480 --> 0:33:44.560
<v Speaker 1>that the plot works is like just ground level fan

0:33:44.640 --> 0:33:50.800
<v Speaker 1>fic um like erotic fanfic stuff. Um, yeah, there's something.

0:33:51.040 --> 0:33:53.320
<v Speaker 1>I mean, I think that that there's there's some appeal

0:33:53.360 --> 0:33:55.840
<v Speaker 1>in that too, right, that people can just put can

0:33:55.880 --> 0:33:59.000
<v Speaker 1>graph whatever their own personal things are onto this movie

0:33:59.000 --> 0:34:02.920
<v Speaker 1>because there's not actually really coconesive storyline or real characters

0:34:03.000 --> 0:34:05.480
<v Speaker 1>to latch onto. Like these aren't people so much as

0:34:05.520 --> 0:34:08.360
<v Speaker 1>they are like stock characters to sort of im you

0:34:08.520 --> 0:34:12.880
<v Speaker 1>with your own whatever. Honestly, it makes so much sense

0:34:13.200 --> 0:34:18.360
<v Speaker 1>that beloved genre tonight call softcore would come back during

0:34:18.440 --> 0:34:24.040
<v Speaker 1>Lockdown because everyone's trapped at home at all times, and

0:34:24.080 --> 0:34:26.439
<v Speaker 1>I feel like one thing the streaming wars have been

0:34:26.480 --> 0:34:30.280
<v Speaker 1>missing is like the soft core element that made premium

0:34:30.320 --> 0:34:34.000
<v Speaker 1>cable such a hit, and that maybe spawned a lot

0:34:34.000 --> 0:34:36.920
<v Speaker 1>of these erotic thrillers because we've said a lot of

0:34:36.920 --> 0:34:38.799
<v Speaker 1>it's like you can get away with anything if you

0:34:38.840 --> 0:34:44.400
<v Speaker 1>say it's European totally. Well, I was gonna say, like

0:34:44.440 --> 0:34:47.279
<v Speaker 1>also on top of that, like next to the need

0:34:47.320 --> 0:34:50.880
<v Speaker 1>for softcore during during Lockdown, there's like the need for

0:34:50.920 --> 0:34:53.520
<v Speaker 1>a hunk, which I think you like get into the

0:34:53.560 --> 0:34:56.160
<v Speaker 1>start whose name I was trying to look up again,

0:34:56.560 --> 0:35:02.080
<v Speaker 1>who's become kind of yes, yes, he also sings a

0:35:02.120 --> 0:35:07.440
<v Speaker 1>bunch of the tracks which are really in its own Okay,

0:35:07.560 --> 0:35:09.960
<v Speaker 1>So the audience who may not have seen this movie,

0:35:10.120 --> 0:35:13.080
<v Speaker 1>such as me, can you give me a brief rundown

0:35:14.200 --> 0:35:18.560
<v Speaker 1>of you know how many of the nightcall erotic, thriller,

0:35:18.600 --> 0:35:21.600
<v Speaker 1>bingo things are getting checked off in this movie. I

0:35:21.600 --> 0:35:24.160
<v Speaker 1>should check you know, what happens in this movie. So

0:35:24.760 --> 0:35:27.279
<v Speaker 1>he's a millionaire and he kidnaps her. I want to

0:35:27.320 --> 0:35:29.240
<v Speaker 1>hear Hanna try and do it and we can jump

0:35:29.280 --> 0:35:32.200
<v Speaker 1>in because I feel like your piece made us watch

0:35:32.280 --> 0:35:36.040
<v Speaker 1>this movie. And so to all every time you say that,

0:35:36.080 --> 0:35:38.680
<v Speaker 1>I'm like, what have I done? We're grateful, We're grateful.

0:35:39.040 --> 0:35:44.000
<v Speaker 1>Thank you. So this man, me Massimo, who's played by

0:35:44.120 --> 0:35:48.320
<v Speaker 1>Michael Moroney, this liken car throb figure who becomes to something.

0:35:48.719 --> 0:35:53.280
<v Speaker 1>Um sees his father, who's a like the Sicilian mob boss,

0:35:53.800 --> 0:35:56.200
<v Speaker 1>be murdered right in front of him, like he gets

0:35:56.200 --> 0:35:58.200
<v Speaker 1>flattered with his dad's blood. It's like right there. And

0:35:58.320 --> 0:36:01.000
<v Speaker 1>as this is happening, he looks off into the distance

0:36:01.040 --> 0:36:05.520
<v Speaker 1>and they're like on this like lighthouse structure near the sea,

0:36:05.680 --> 0:36:07.640
<v Speaker 1>Like they're just kind of in the middle of the ocean,

0:36:08.320 --> 0:36:10.520
<v Speaker 1>on the structure, and he looks out and as his

0:36:10.600 --> 0:36:12.560
<v Speaker 1>dad gets shot, and he sees this woman in the

0:36:12.600 --> 0:36:16.200
<v Speaker 1>distance and he decides like that she's like some apparition

0:36:16.239 --> 0:36:18.000
<v Speaker 1>and he has to find her, and he becomes obsessed

0:36:18.000 --> 0:36:20.520
<v Speaker 1>with her, and like ages later, you find out like, okay,

0:36:20.520 --> 0:36:24.800
<v Speaker 1>it's just you know, Laura, the woman who's the Laura

0:36:26.360 --> 0:36:29.240
<v Speaker 1>taking turns out that she this balds woman. Fast forward,

0:36:30.000 --> 0:36:34.360
<v Speaker 1>and he kidnaps her and tells her that she basically

0:36:34.400 --> 0:36:37.480
<v Speaker 1>has three hundred and sixty five days to either fall

0:36:37.480 --> 0:36:40.719
<v Speaker 1>in love with him or he'll like release her, and she,

0:36:41.320 --> 0:36:46.080
<v Speaker 1>you know, shockingly like does soon on soon into the arrangement,

0:36:46.400 --> 0:36:48.920
<v Speaker 1>and then they have just a lot of really outrageous

0:36:48.920 --> 0:36:52.640
<v Speaker 1>and impractical sex. But that's mostly there's like some other

0:36:52.640 --> 0:36:59.400
<v Speaker 1>stuff that happens. Please describe the sex more on this

0:36:59.480 --> 0:37:02.680
<v Speaker 1>spit aspect, which I feel is really the zeit geist here.

0:37:04.440 --> 0:37:08.640
<v Speaker 1>I still kind of they let me do that in

0:37:08.760 --> 0:37:12.360
<v Speaker 1>one scene. There is a lot of spit. Really. Yeah,

0:37:12.480 --> 0:37:15.600
<v Speaker 1>So the first the way that the first actual sex

0:37:15.600 --> 0:37:17.560
<v Speaker 1>scene when she decides that like this is going to

0:37:17.640 --> 0:37:22.239
<v Speaker 1>happen comes to be is that she falls off of

0:37:22.320 --> 0:37:24.319
<v Speaker 1>the side of the yacht. It kind of looks like

0:37:24.360 --> 0:37:27.480
<v Speaker 1>she jumped, but she falls they're having to fight. They're

0:37:27.520 --> 0:37:31.799
<v Speaker 1>having to fight, it's like almost violent. Yeah, But then

0:37:31.800 --> 0:37:35.400
<v Speaker 1>he jumps in to save her and she's overwhelmed with

0:37:35.440 --> 0:37:37.960
<v Speaker 1>gratitude and decides that you know, she loves him. Now

0:37:38.000 --> 0:37:40.120
<v Speaker 1>they're going to have sex with the wrong So thus

0:37:40.160 --> 0:37:46.160
<v Speaker 1>begins this like incredibly long sequence where they're having panoramic

0:37:46.200 --> 0:37:49.920
<v Speaker 1>shots like the yacht, the wa the iseland, like anything

0:37:49.920 --> 0:37:52.320
<v Speaker 1>that you and like you can see them as like

0:37:52.440 --> 0:37:55.520
<v Speaker 1>tiny little blips on the yacht having sex, but they're

0:37:55.560 --> 0:37:57.719
<v Speaker 1>just there. It's from so many different angles, and the

0:37:57.800 --> 0:38:01.759
<v Speaker 1>kind of closer up ones one of them he's like

0:38:01.800 --> 0:38:05.080
<v Speaker 1>about to go down on her and fits and that

0:38:05.239 --> 0:38:07.799
<v Speaker 1>like there's a whole sort of close shot of that.

0:38:08.560 --> 0:38:13.040
<v Speaker 1>People really responded to it is there is there full

0:38:13.080 --> 0:38:17.320
<v Speaker 1>frontal in this movie. Not for no, not not quite.

0:38:17.520 --> 0:38:22.000
<v Speaker 1>It's like, you know, it's soft. But also I should

0:38:22.000 --> 0:38:25.320
<v Speaker 1>say that I found this movie so unsexy and it's

0:38:25.360 --> 0:38:28.400
<v Speaker 1>really for a few reasons, right, But okay, Hanna, was

0:38:28.440 --> 0:38:31.400
<v Speaker 1>it also for you because of the soundtrack? Then the

0:38:31.480 --> 0:38:35.240
<v Speaker 1>soundtrack is insane. As soon as you start to be like, hum,

0:38:35.360 --> 0:38:40.880
<v Speaker 1>maybe then they play either um, Mikaela Marons like his tracks,

0:38:40.960 --> 0:38:44.040
<v Speaker 1>which I think have some really goofy names like hard

0:38:44.120 --> 0:38:48.879
<v Speaker 1>for Me, It's so bad. But then there's also these

0:38:48.920 --> 0:38:52.040
<v Speaker 1>songs by a band called Everybody Loves an Outlaw and

0:38:52.120 --> 0:38:56.480
<v Speaker 1>they're from Texas, and that's the more kind of like weird,

0:38:56.520 --> 0:39:00.879
<v Speaker 1>easy listening, ish soft rock kind of thing. They're like,

0:39:00.960 --> 0:39:03.799
<v Speaker 1>I think there was some streaming platform that had the

0:39:03.880 --> 0:39:07.360
<v Speaker 1>Hills for a while and UM replaced. They had to

0:39:07.400 --> 0:39:09.600
<v Speaker 1>replace all the songs because they couldn't have the right.

0:39:09.840 --> 0:39:11.440
<v Speaker 1>They didn't have the right, So it was just like

0:39:11.520 --> 0:39:15.840
<v Speaker 1>weirdly anonymous pop that sounded, you know, kind of just

0:39:16.000 --> 0:39:18.120
<v Speaker 1>off a little bit because it was made in a lab.

0:39:18.440 --> 0:39:23.719
<v Speaker 1>That's kind of what sounds like. Yeah, it sounds like

0:39:24.280 --> 0:39:27.239
<v Speaker 1>it's supposed to. Soundtracking would be about a girl who

0:39:27.280 --> 0:39:30.799
<v Speaker 1>like goes to college somewhere in like the Pacific Northwest.

0:39:31.000 --> 0:39:34.120
<v Speaker 1>It just like like, this just doesn't fit what I'm

0:39:34.120 --> 0:39:37.759
<v Speaker 1>being asked to consume. Yes, it is so far from

0:39:37.760 --> 0:39:42.360
<v Speaker 1>a sexy vibe. It's like a like studying hard vibe. Yeah,

0:39:43.760 --> 0:39:45.680
<v Speaker 1>I feel like we all, we all did not have

0:39:45.760 --> 0:39:49.120
<v Speaker 1>like a particularly sexy reaction to nine and a half Weeks,

0:39:49.280 --> 0:39:54.799
<v Speaker 1>which is another classic You didn't you mean you're saying

0:39:54.840 --> 0:39:58.000
<v Speaker 1>you didn't have a sexy reaction in half weeks. I

0:39:58.040 --> 0:40:02.040
<v Speaker 1>mean it felt sort of clinical. No, no, no, I

0:40:02.080 --> 0:40:05.800
<v Speaker 1>had an opposite reaction on your face. Sorry, wait, Hanna,

0:40:05.880 --> 0:40:08.200
<v Speaker 1>have you seen nine and a half weeks? I haven't.

0:40:08.719 --> 0:40:10.640
<v Speaker 1>It's like a really good anaduct to this. I think

0:40:10.680 --> 0:40:13.719
<v Speaker 1>I think it's kind of great. There's a long tradition

0:40:13.920 --> 0:40:16.839
<v Speaker 1>of movies that get really bad reviews and then are

0:40:16.880 --> 0:40:20.920
<v Speaker 1>really popular with people because they're so horny, and it

0:40:21.640 --> 0:40:26.359
<v Speaker 1>sounds like, yeah, sometimes that's what you want. I uh

0:40:26.880 --> 0:40:29.400
<v Speaker 1>So I went into watching this, you know, I was,

0:40:30.600 --> 0:40:32.759
<v Speaker 1>you know, I'll prep to to watch a certain thing

0:40:32.800 --> 0:40:35.759
<v Speaker 1>after reading your article. And then there, um, there was

0:40:35.800 --> 0:40:38.640
<v Speaker 1>this sort of controversy that surrounded it. Um the singer

0:40:38.760 --> 0:40:44.040
<v Speaker 1>Duffy uh pendant kind of open letter basically taking Netflix

0:40:44.280 --> 0:40:48.319
<v Speaker 1>Netflix to task for what she said was romanticizing and

0:40:48.360 --> 0:40:53.920
<v Speaker 1>glorifying um, what's essentially a kidnapping in a trafficking story.

0:40:54.040 --> 0:40:57.759
<v Speaker 1>Uh And and she herself had been a victim of

0:40:58.120 --> 0:41:01.120
<v Speaker 1>this kind of crime, I guess a couple of years ago,

0:41:01.320 --> 0:41:04.839
<v Speaker 1>so she was just so. I I kind of went

0:41:04.840 --> 0:41:08.319
<v Speaker 1>into it being like, oh, no, is this like more radioactive? Then?

0:41:08.400 --> 0:41:11.239
<v Speaker 1>I thought, I like, like it was more radioactive thing

0:41:11.239 --> 0:41:14.719
<v Speaker 1>than I thought I was getting myself into UM, and

0:41:14.760 --> 0:41:17.560
<v Speaker 1>I think, like, and so it made me more tuned

0:41:17.640 --> 0:41:21.840
<v Speaker 1>to the kind of um, the kind of violence and

0:41:22.440 --> 0:41:25.399
<v Speaker 1>like fucked up psychology that was going on in this

0:41:25.520 --> 0:41:27.320
<v Speaker 1>like in a way that I was for nine and

0:41:27.360 --> 0:41:29.840
<v Speaker 1>a half weeks UM just because I think that that's

0:41:29.880 --> 0:41:32.280
<v Speaker 1>like just a good movie about that that's like depicts

0:41:32.320 --> 0:41:35.600
<v Speaker 1>that stuff. But this is a bad movie that depicts

0:41:35.640 --> 0:41:37.799
<v Speaker 1>that stuff. But I was still very like attuned to

0:41:37.960 --> 0:41:42.000
<v Speaker 1>it and thinking about, like, I think especially we watched

0:41:42.040 --> 0:41:46.279
<v Speaker 1>we watched UM Starship Troopers last week, which is a

0:41:46.320 --> 0:41:50.840
<v Speaker 1>great movie and perennially relevant especially now, and I was

0:41:50.880 --> 0:41:52.920
<v Speaker 1>thinking about, like how much that movie is about like

0:41:53.000 --> 0:41:56.160
<v Speaker 1>violence and force and taking things by force and like

0:41:56.160 --> 0:41:59.080
<v Speaker 1>a culture built around force. And there's so many times

0:41:59.080 --> 0:42:01.279
<v Speaker 1>in this movie where, like, especially in the first half,

0:42:01.280 --> 0:42:03.920
<v Speaker 1>where she's like where he's like kind of getting in her,

0:42:03.960 --> 0:42:06.600
<v Speaker 1>like getting in her personal space, like kind of threatening

0:42:06.640 --> 0:42:10.399
<v Speaker 1>her sexually, and she always says like, or what you're

0:42:10.400 --> 0:42:12.960
<v Speaker 1>gonna kill me? And I always thought that was so

0:42:13.080 --> 0:42:16.520
<v Speaker 1>interesting because there's this thing where it's just like this

0:42:16.600 --> 0:42:20.239
<v Speaker 1>guy is so aggro, but all he can threaten is

0:42:20.320 --> 0:42:24.839
<v Speaker 1>violence and in a way that's like constantly questioned by

0:42:25.080 --> 0:42:28.360
<v Speaker 1>the female character in a way doesn't feel like he

0:42:28.480 --> 0:42:32.239
<v Speaker 1>might actually kill her, That's my question. I mean, he's

0:42:32.280 --> 0:42:34.719
<v Speaker 1>like a murder. He kills other people, like that's the

0:42:34.760 --> 0:42:38.960
<v Speaker 1>whole mafia boyfriend trope. If he's sexy and he like

0:42:39.120 --> 0:42:43.759
<v Speaker 1>keeps his secrets. Yeah, yeah, I definitely felt like he

0:42:44.640 --> 0:42:47.879
<v Speaker 1>is capable of violence for sure, But I do think that,

0:42:47.880 --> 0:42:50.200
<v Speaker 1>you know, at least for me, I never felt like

0:42:50.239 --> 0:42:52.960
<v Speaker 1>he was actually going to kill her, right, like, because

0:42:52.960 --> 0:42:55.000
<v Speaker 1>the whole, the whole thing of it is like here's

0:42:55.080 --> 0:42:57.040
<v Speaker 1>this like a guy who kills people and he does

0:42:57.080 --> 0:42:59.080
<v Speaker 1>all this bad stuff, but like, really he has this

0:42:59.360 --> 0:43:02.960
<v Speaker 1>intense for you. It's like that's so messed up on

0:43:03.000 --> 0:43:06.160
<v Speaker 1>like a million different levels. And also like he does

0:43:06.320 --> 0:43:09.719
<v Speaker 1>kind of hold to having a thing, however messed up

0:43:09.719 --> 0:43:12.520
<v Speaker 1>it is. I feel like everyone litigated this a lot.

0:43:12.680 --> 0:43:16.080
<v Speaker 1>When Fifty Shades of Gray came out, there was a

0:43:16.120 --> 0:43:18.600
<v Speaker 1>lot of like, well, if it's fantasy, like can it

0:43:18.640 --> 0:43:21.239
<v Speaker 1>show something that's really fucked up, you know, and we

0:43:21.280 --> 0:43:24.560
<v Speaker 1>acknowledge that it's fucked up? Or does just the act

0:43:24.600 --> 0:43:29.279
<v Speaker 1>of showing it always like fetishize it. I still don't

0:43:29.280 --> 0:43:31.640
<v Speaker 1>know what I think. I think it's case by case.

0:43:32.120 --> 0:43:37.759
<v Speaker 1>Um obviously, like I understand why Duffy doesn't want to

0:43:37.800 --> 0:43:42.399
<v Speaker 1>watch it, you know. Um, I feel like something like this.

0:43:42.520 --> 0:43:45.440
<v Speaker 1>I'm like, it's a this is a bad movie, but

0:43:46.320 --> 0:43:49.080
<v Speaker 1>I'm kind of grateful for like there is something that

0:43:49.120 --> 0:43:52.000
<v Speaker 1>a movie like this is uniquely positioned to be able

0:43:52.040 --> 0:43:57.880
<v Speaker 1>to expose about, like attitudes about sex and violence. Um. Yeah,

0:43:57.920 --> 0:44:01.040
<v Speaker 1>Pulverhoven said that about Start Ship Troopers, who is like,

0:44:01.120 --> 0:44:03.640
<v Speaker 1>you can, yeah, you can show as much violence as

0:44:03.640 --> 0:44:06.359
<v Speaker 1>you want, but you can't show a Tit can't show

0:44:06.360 --> 0:44:09.279
<v Speaker 1>a titty in American movies or they'll give you like

0:44:09.320 --> 0:44:11.600
<v Speaker 1>an m C seventeen, which is totally true. So I

0:44:11.680 --> 0:44:15.359
<v Speaker 1>think also just having a movie that has a lot

0:44:15.440 --> 0:44:20.439
<v Speaker 1>of semi full nudity uh and sex in it is

0:44:20.440 --> 0:44:22.840
<v Speaker 1>is always how they've marketed a certain type of European

0:44:23.080 --> 0:44:27.239
<v Speaker 1>art movie to Americans. And yeah, I think a lot

0:44:27.239 --> 0:44:29.600
<v Speaker 1>of people it's like it's not so much the Europeans.

0:44:29.760 --> 0:44:31.759
<v Speaker 1>You know, if a movie is like high salutint enough

0:44:31.840 --> 0:44:34.080
<v Speaker 1>obviously as you can put lots of sex in it

0:44:34.120 --> 0:44:36.160
<v Speaker 1>and it will get Oscars. But like this seems like

0:44:36.200 --> 0:44:40.920
<v Speaker 1>it's kind of trashy and tremendously trash, and that the

0:44:41.000 --> 0:44:43.640
<v Speaker 1>dissonance is all between like how sexy it's supposed to

0:44:43.640 --> 0:44:46.680
<v Speaker 1>be and how like skin Crawley it actually is. Well,

0:44:46.719 --> 0:44:49.560
<v Speaker 1>it also makes no sense, and I think Hanna brought

0:44:49.680 --> 0:44:51.920
<v Speaker 1>that up like really well in your piece when you

0:44:52.000 --> 0:44:55.880
<v Speaker 1>kind of said that it it reflects our surreal reality

0:44:56.239 --> 0:44:59.840
<v Speaker 1>and and how things feel very off, and this movie,

0:45:00.040 --> 0:45:02.560
<v Speaker 1>everything about it feels very off. We were talking earlier

0:45:03.160 --> 0:45:05.640
<v Speaker 1>about how it has a lot of like The Bachelor

0:45:05.920 --> 0:45:08.640
<v Speaker 1>kind of baked into it as well. I was like

0:45:08.760 --> 0:45:11.800
<v Speaker 1>ninety Day Fiance, which I've been watching a ton of

0:45:11.800 --> 0:45:14.960
<v Speaker 1>of the like you know this kind of weird the

0:45:15.040 --> 0:45:18.799
<v Speaker 1>like the ticking clock of on the romance, these kind

0:45:18.800 --> 0:45:23.120
<v Speaker 1>of contrived, weird meetings with like um, he meets her

0:45:23.160 --> 0:45:27.839
<v Speaker 1>parents at a wedding and like we're very strange. Strange. Well,

0:45:28.040 --> 0:45:30.920
<v Speaker 1>that's what's so weird about Fifty Shades of Gray too.

0:45:30.960 --> 0:45:33.480
<v Speaker 1>And I think this entire genre is, like it's not

0:45:33.560 --> 0:45:36.840
<v Speaker 1>really about sex. It's about this like deep soul connecting

0:45:37.000 --> 0:45:39.640
<v Speaker 1>romance that like starts with sex but then becomes like

0:45:39.680 --> 0:45:44.600
<v Speaker 1>an all an, all consuming obsession. It's like Wuthering Heights style.

0:45:45.320 --> 0:45:49.240
<v Speaker 1>You know it's fucked up, but everyone involved just into

0:45:49.280 --> 0:45:52.000
<v Speaker 1>how fucked up it is, which is what makes it okay.

0:45:52.200 --> 0:45:55.319
<v Speaker 1>It's like the movie. I feel like most of these

0:45:55.320 --> 0:45:57.680
<v Speaker 1>movies make it clear that it's like a little consensual

0:45:57.840 --> 0:46:00.560
<v Speaker 1>and in fifty Shades of Gray. They like sort of

0:46:00.600 --> 0:46:03.360
<v Speaker 1>interrogated whether it is at the end of the first

0:46:03.360 --> 0:46:05.400
<v Speaker 1>one at least, and then walked it back. How did

0:46:05.400 --> 0:46:09.000
<v Speaker 1>do you think this would be popular without COVID and

0:46:09.040 --> 0:46:12.680
<v Speaker 1>without lockdown? Like obviously that the appeal of a cheesy,

0:46:12.680 --> 0:46:16.120
<v Speaker 1>globe trotting sex movie is is one thing, But do

0:46:16.160 --> 0:46:18.399
<v Speaker 1>you think that, like there's something that's still in the air,

0:46:18.440 --> 0:46:20.839
<v Speaker 1>regardless of if we're all locked up at home in

0:46:20.960 --> 0:46:27.120
<v Speaker 1>our own prisons, where uh yeah, where this would still

0:46:27.160 --> 0:46:28.919
<v Speaker 1>like take off. I can see it being really big

0:46:28.920 --> 0:46:37.840
<v Speaker 1>around the holidays, like you know what I mean, Yeah,

0:46:38.440 --> 0:46:42.040
<v Speaker 1>being trapped in someone else's house. Yeah, there's just some

0:46:42.200 --> 0:46:47.000
<v Speaker 1>stuff going on where people look to entertainment that is

0:46:47.040 --> 0:46:49.480
<v Speaker 1>sort of slightly outside of what they might normally consume

0:46:49.520 --> 0:46:54.880
<v Speaker 1>and also against at least a real slightly bizarre and

0:46:54.960 --> 0:46:58.000
<v Speaker 1>not necessarily made. They're just like obvious sidelines. Yeah, and

0:46:58.040 --> 0:47:01.680
<v Speaker 1>I think that all humors have that ability to like

0:47:01.760 --> 0:47:06.560
<v Speaker 1>have a curveball hit. It just makes sense that, you know,

0:47:06.640 --> 0:47:10.360
<v Speaker 1>after rom comms would come erotic thrillers. Is this movie

0:47:10.360 --> 0:47:15.240
<v Speaker 1>erotic or a thriller? I don't think it's a thriller. Really,

0:47:15.719 --> 0:47:18.439
<v Speaker 1>it's an erotic and erotic drama, which is the same

0:47:18.520 --> 0:47:21.600
<v Speaker 1>genre as uh nine and a half weeks. So what

0:47:21.680 --> 0:47:31.439
<v Speaker 1>movies do you guys think are legitimately sexy? Well, it's

0:47:31.480 --> 0:47:33.759
<v Speaker 1>it's funny because I think that a lot of the

0:47:33.760 --> 0:47:36.000
<v Speaker 1>stuff that sticks out in our memories when it comes

0:47:36.040 --> 0:47:39.600
<v Speaker 1>to like sexy movies, like sexy mainstream movies are like

0:47:39.920 --> 0:47:45.279
<v Speaker 1>stuff that left a big impression on us as young people. Right, no,

0:47:45.520 --> 0:47:50.000
<v Speaker 1>you could show that in a movie. But but yeah, there,

0:47:50.160 --> 0:47:52.919
<v Speaker 1>once you become an adult, I feel like it's less

0:47:52.920 --> 0:47:58.120
<v Speaker 1>about just the pure shock or titilation and and like okay,

0:47:58.120 --> 0:48:00.239
<v Speaker 1>but what's actually sexy in a movie? Like how do

0:48:00.280 --> 0:48:04.640
<v Speaker 1>you compose? Like you know, the work of intimacy coordinators

0:48:04.719 --> 0:48:08.399
<v Speaker 1>and stuff like how do you make something hot? I'll

0:48:08.400 --> 0:48:13.800
<v Speaker 1>give my answer to step Up Eat Mama Tambian. M hmm. Yeah,

0:48:14.480 --> 0:48:17.000
<v Speaker 1>it sounds kind of sad though. That one always bums

0:48:17.000 --> 0:48:19.840
<v Speaker 1>me out a little bit. Though we're not mutually exclusive

0:48:20.600 --> 0:48:27.640
<v Speaker 1>exactly that you can play that game. So that's a

0:48:27.640 --> 0:48:30.719
<v Speaker 1>great movie, I mean honestly, because I think anything with

0:48:30.760 --> 0:48:33.560
<v Speaker 1>Marsh Chestnut and it is like by default just gonna

0:48:33.600 --> 0:48:36.480
<v Speaker 1>be sexy, especially that era. But I do think that

0:48:36.560 --> 0:48:40.040
<v Speaker 1>they there was a particularly interesting thing that they did

0:48:40.120 --> 0:48:42.320
<v Speaker 1>with like the gender dynamics and that like in retrospect,

0:48:42.360 --> 0:48:44.960
<v Speaker 1>not always perfect, but like there was interesting kind of

0:48:45.000 --> 0:48:47.440
<v Speaker 1>play between the two of them, and I enjoy it

0:48:47.480 --> 0:48:51.120
<v Speaker 1>back and forth, um like that. Yeah, it's totally. That

0:48:51.239 --> 0:48:55.520
<v Speaker 1>is like a great screwball comedy. Yeah, like nineties screwball comedy.

0:48:56.080 --> 0:49:01.960
<v Speaker 1>Love a Battle, Yeah, literally, just keep thinking of movies

0:49:02.000 --> 0:49:07.279
<v Speaker 1>where people fight. It's just not even going to go there.

0:49:07.480 --> 0:49:09.680
<v Speaker 1>It's also I mean, it's it's interesting when you think

0:49:09.680 --> 0:49:11.440
<v Speaker 1>about in terms of directors who are good at it,

0:49:11.480 --> 0:49:13.640
<v Speaker 1>Like I do think the car Own is really good

0:49:13.760 --> 0:49:18.000
<v Speaker 1>at at at sex scenes. Um like two Momcomb and

0:49:18.040 --> 0:49:20.960
<v Speaker 1>it's like, you know, one of the more memorable examples,

0:49:20.960 --> 0:49:22.879
<v Speaker 1>but I think in general he's just like good at

0:49:22.960 --> 0:49:26.640
<v Speaker 1>intimacy in movies. And I think that's such an interesting

0:49:26.719 --> 0:49:28.719
<v Speaker 1>thing too, because I think it's really important to have

0:49:29.520 --> 0:49:33.000
<v Speaker 1>directors who can who are like smart and sensitive about

0:49:33.040 --> 0:49:35.839
<v Speaker 1>that stuff. But it also like sometimes you end up

0:49:35.880 --> 0:49:37.600
<v Speaker 1>with a name to your line who I think is

0:49:37.640 --> 0:49:40.839
<v Speaker 1>really good and depicting that stuff. But when you learn

0:49:40.880 --> 0:49:44.080
<v Speaker 1>about how the sausage sausage was made, it's sometimes a

0:49:44.080 --> 0:49:45.879
<v Speaker 1>little bit like, oh, sounds like it wasn't a fun

0:49:45.920 --> 0:49:48.239
<v Speaker 1>set to be on. Sounds like people are really uncomfortable.

0:49:48.760 --> 0:49:52.280
<v Speaker 1>So you know that's not always and that's not always

0:49:52.280 --> 0:49:56.200
<v Speaker 1>apparent from from watching the thing itself. Like I can't

0:49:56.239 --> 0:50:00.200
<v Speaker 1>imagine that the Three five Days director, whose name don't

0:50:00.239 --> 0:50:01.520
<v Speaker 1>even have in front of me right now, but like,

0:50:01.920 --> 0:50:05.120
<v Speaker 1>I can't imagine that they that this was a particularly

0:50:05.239 --> 0:50:07.880
<v Speaker 1>nuanced or like progressive set, just because it's not a

0:50:07.880 --> 0:50:11.279
<v Speaker 1>particularly nuance to progressive movie. But um, maybe it was.

0:50:11.360 --> 0:50:13.399
<v Speaker 1>I don't know, we don't know, we don't know. I

0:50:13.480 --> 0:50:15.960
<v Speaker 1>tell you who directed this movie, by the way, it's

0:50:16.040 --> 0:50:21.080
<v Speaker 1>Barbara and Thomas Mandy's yes, and and and I like

0:50:21.200 --> 0:50:25.200
<v Speaker 1>that it was written the writer's name is Blanca Lipinska.

0:50:26.120 --> 0:50:28.160
<v Speaker 1>I mean, I think that kind of lends it a

0:50:28.200 --> 0:50:31.880
<v Speaker 1>little bit of I don't know, not insulation. Like Duffy's

0:50:32.040 --> 0:50:36.080
<v Speaker 1>letter was really obviously it was important to read that perspective.

0:50:36.200 --> 0:50:38.880
<v Speaker 1>She had only recently talked about this publicly, about her

0:50:38.880 --> 0:50:41.960
<v Speaker 1>experience of being kidnapped and abused and everything, so it

0:50:42.040 --> 0:50:45.840
<v Speaker 1>was you know, I definitely respect that she took everyone

0:50:45.880 --> 0:50:47.600
<v Speaker 1>to task for this, and it was something that I

0:50:47.640 --> 0:50:50.560
<v Speaker 1>felt it was important to keep in mind, uh watching

0:50:50.600 --> 0:50:52.880
<v Speaker 1>the movie. But I do think the fact that, like

0:50:52.960 --> 0:50:55.160
<v Speaker 1>fifty Shades, it was written by a woman and it

0:50:55.239 --> 0:50:58.560
<v Speaker 1>has like there's knowing that it kind of does inform

0:50:58.640 --> 0:51:01.520
<v Speaker 1>like how you can choose to view the movie. Well,

0:51:02.080 --> 0:51:05.640
<v Speaker 1>this is interesting though, because my big takeaway from this

0:51:05.680 --> 0:51:10.440
<v Speaker 1>movie is that it is a girl boss porn for

0:51:11.239 --> 0:51:15.400
<v Speaker 1>women to write a movie about sex. It is not

0:51:15.480 --> 0:51:22.680
<v Speaker 1>necessarily like chill. Joel Just our producer Joel just chimed

0:51:22.719 --> 0:51:26.280
<v Speaker 1>in on chat to suggest Bound by the Witchowski Sisters.

0:51:27.320 --> 0:51:29.920
<v Speaker 1>The witch Howskis are also really really good at that stuff.

0:51:29.960 --> 0:51:31.800
<v Speaker 1>I was just like going on and on about cloud

0:51:32.040 --> 0:51:34.560
<v Speaker 1>Cloud out lists recently, which like for all its faults,

0:51:34.600 --> 0:51:37.640
<v Speaker 1>I think is really good. It's just like intimacy. I

0:51:37.760 --> 0:51:40.600
<v Speaker 1>just realized none of us have mentioned Portrait of a

0:51:40.680 --> 0:51:44.719
<v Speaker 1>Lady on Fire. Everybody was what are horny for? I

0:51:45.280 --> 0:51:49.520
<v Speaker 1>seen it and what I want to say. Also the Handmaiden,

0:51:50.400 --> 0:51:57.719
<v Speaker 1>Oh yeah, m extremely good horny movie from recent times. Yeah,

0:51:57.719 --> 0:52:01.680
<v Speaker 1>I think it's it's you know, people were really into

0:52:01.680 --> 0:52:04.600
<v Speaker 1>showing saliva on screen when I went to a Vienne

0:52:04.640 --> 0:52:08.560
<v Speaker 1>and like twenty whenever. Um, and a lot of like

0:52:08.600 --> 0:52:11.640
<v Speaker 1>women especially we're very into like I want to show

0:52:11.680 --> 0:52:14.120
<v Speaker 1>like crazy rough sex and like just because I'm a

0:52:14.120 --> 0:52:18.200
<v Speaker 1>woman doesn't mean that I don't want to see that. Um,

0:52:18.239 --> 0:52:20.400
<v Speaker 1>And so I think that, Yeah, I think this movie

0:52:20.560 --> 0:52:22.560
<v Speaker 1>is like it's intended probably it's just sort of like

0:52:22.560 --> 0:52:28.080
<v Speaker 1>a fantasy. Uh, it doesn't seem like a realistic depiction

0:52:28.120 --> 0:52:32.720
<v Speaker 1>of maybe anything. Right. It's when you should see teens

0:52:33.000 --> 0:52:37.239
<v Speaker 1>respond to it, especially on the TikTok Yeah, yeah, they're

0:52:37.480 --> 0:52:41.400
<v Speaker 1>so Betty tik talks about this movie, um, and a

0:52:41.440 --> 0:52:43.759
<v Speaker 1>lot of them are just about how Masson was like

0:52:43.800 --> 0:52:46.719
<v Speaker 1>super hot or which like fine, but there's so many

0:52:46.760 --> 0:52:49.400
<v Speaker 1>that are like you know, or tweets that are like

0:52:49.440 --> 0:52:51.719
<v Speaker 1>it's always like you know, what are you doing? Never

0:52:51.840 --> 0:52:58.040
<v Speaker 1>like want to recreate the gaps? And do you actually

0:52:58.040 --> 0:53:01.520
<v Speaker 1>want to recreate you know? But it's just like it's

0:53:01.520 --> 0:53:03.840
<v Speaker 1>just good joke for me. And I am also curious

0:53:03.920 --> 0:53:08.120
<v Speaker 1>about like what a teen audience thinks of essentially like

0:53:08.480 --> 0:53:10.600
<v Speaker 1>right now or with with other stuff that's kind of

0:53:10.640 --> 0:53:13.280
<v Speaker 1>out there in this moment, like how do you necessarily

0:53:13.280 --> 0:53:16.160
<v Speaker 1>watch normal people and then watch through sixty five days?

0:53:16.200 --> 0:53:19.799
<v Speaker 1>Like where where does this fit kind of in that graph. Yeah,

0:53:19.840 --> 0:53:22.800
<v Speaker 1>it's interesting that even though that you know, porn is

0:53:22.840 --> 0:53:25.839
<v Speaker 1>accessible now and you can see like hardcore sex, you know,

0:53:25.920 --> 0:53:28.000
<v Speaker 1>a lot of Like the thing about erotic thrillers was

0:53:28.040 --> 0:53:30.360
<v Speaker 1>like these were movies you would see on premium cable

0:53:30.440 --> 0:53:33.360
<v Speaker 1>late at night, and that was like, especially for girls,

0:53:33.400 --> 0:53:37.920
<v Speaker 1>probably like your main access to anything pornographic unless you

0:53:38.120 --> 0:53:40.680
<v Speaker 1>wanted to go to the store and buy something. But

0:53:40.760 --> 0:53:43.120
<v Speaker 1>it's interesting that like even with as much access as

0:53:43.239 --> 0:53:46.440
<v Speaker 1>kids have now that they still Yeah, it's like people

0:53:46.440 --> 0:53:50.560
<v Speaker 1>like the romantic sex scenes um or the sex scenes

0:53:50.560 --> 0:53:53.640
<v Speaker 1>is just a part of a narrative, you know, and

0:53:53.640 --> 0:53:57.040
<v Speaker 1>then like the slow burned thing and everything. Yeah, they

0:53:57.080 --> 0:54:02.719
<v Speaker 1>like they like raphoria, you know, the zooms, and then

0:54:02.760 --> 0:54:05.120
<v Speaker 1>it's again like bring it back. But this is also

0:54:05.120 --> 0:54:07.680
<v Speaker 1>a movie about wealth and like conspicuous wealth, and it's

0:54:07.680 --> 0:54:10.440
<v Speaker 1>not just like somebody cannots you and takes you to

0:54:10.480 --> 0:54:12.239
<v Speaker 1>their basic and it's like you're going to fall in

0:54:12.239 --> 0:54:14.960
<v Speaker 1>love with me here and my like you know, dingy whatever,

0:54:15.160 --> 0:54:17.520
<v Speaker 1>it's like fall in love with it. Honest, Yeah, you

0:54:17.560 --> 0:54:19.400
<v Speaker 1>don't have to be here, but we're on and up.

0:54:19.520 --> 0:54:24.080
<v Speaker 1>Isn't that cool? Yeah? Yeah, no, and it's it's it's

0:54:24.280 --> 0:54:26.439
<v Speaker 1>I mean I end up thinking, I mean, I ended

0:54:26.480 --> 0:54:28.680
<v Speaker 1>up thinking this about fifty shades. I end up thinking,

0:54:28.800 --> 0:54:32.200
<v Speaker 1>I think it's really hard to have like for what

0:54:32.239 --> 0:54:34.560
<v Speaker 1>I guess the erotic photos that are getting green light

0:54:34.680 --> 0:54:36.439
<v Speaker 1>right now, it's it's hard for them to not feel

0:54:36.440 --> 0:54:39.239
<v Speaker 1>like they're inevitably about capitalism and like working within it

0:54:39.280 --> 0:54:42.239
<v Speaker 1>and like negotiating with a captor, like negotiating with like

0:54:42.239 --> 0:54:44.120
<v Speaker 1>a system that you actually can't get out of. But

0:54:44.160 --> 0:54:45.920
<v Speaker 1>then it tricks you into thinking that you have made

0:54:45.960 --> 0:54:52.440
<v Speaker 1>a choice. Okay, we should definitely do show Girls sometime, Yeah,

0:54:52.480 --> 0:54:54.640
<v Speaker 1>because I think it's about that. I think that's another

0:54:54.680 --> 0:54:56.920
<v Speaker 1>movie that's like not at all sexy, but it's like

0:54:56.960 --> 0:54:59.879
<v Speaker 1>it's not really about sex, it's about capital. And they're

0:55:00.040 --> 0:55:01.840
<v Speaker 1>is this idea built into everything that like if you

0:55:01.880 --> 0:55:06.400
<v Speaker 1>have enough money, you can buy anything you want, including people,

0:55:06.760 --> 0:55:10.640
<v Speaker 1>as you know, sex objects. Uh that these movies are

0:55:10.680 --> 0:55:13.600
<v Speaker 1>not critiquing. These movies are just like and that's great.

0:55:14.280 --> 0:55:17.320
<v Speaker 1>I don't want to be like a sugar baby. Well,

0:55:17.600 --> 0:55:20.920
<v Speaker 1>I actually like it. Maybe it's just like the confluence

0:55:20.920 --> 0:55:22.759
<v Speaker 1>of watching these things at the same time. But like,

0:55:22.840 --> 0:55:25.000
<v Speaker 1>just because I've been watching I made a story you

0:55:25.200 --> 0:55:28.600
<v Speaker 1>right now. Um, I was just thinking about the like

0:55:28.719 --> 0:55:32.560
<v Speaker 1>the weird kind of territory that these two work share oddly,

0:55:32.920 --> 0:55:35.600
<v Speaker 1>especially when it comes to like, yeah, like what you

0:55:35.640 --> 0:55:39.360
<v Speaker 1>think are your choices within a given set of parameters,

0:55:39.400 --> 0:55:42.760
<v Speaker 1>and like what um like the idea of lost time,

0:55:43.280 --> 0:55:45.640
<v Speaker 1>like she has in in in in three to sixty

0:55:45.719 --> 0:55:47.440
<v Speaker 1>five days. She has some sort of heart conditions, so

0:55:47.480 --> 0:55:49.680
<v Speaker 1>she's constantly swooning. And at first I'm like, oh, that's

0:55:49.680 --> 0:55:52.600
<v Speaker 1>so goofy, like the swooning lady who keeps having to

0:55:52.600 --> 0:55:55.200
<v Speaker 1>get rescued by this gangster. But then I was like,

0:55:55.280 --> 0:55:58.520
<v Speaker 1>there's this weird sort of non linear feeling to it

0:55:58.560 --> 0:56:00.840
<v Speaker 1>where it's just like and then I passed out and

0:56:00.880 --> 0:56:02.359
<v Speaker 1>I woke up and I was on a yacht like,

0:56:02.440 --> 0:56:06.600
<v Speaker 1>which is very like also Ebsteini too in a weird way. Like,

0:56:06.800 --> 0:56:10.040
<v Speaker 1>but this idea of just like losing like truly losing

0:56:10.080 --> 0:56:13.920
<v Speaker 1>agency at times and not even realizing it is really creepy.

0:56:14.080 --> 0:56:17.840
<v Speaker 1>Like it's very um yeah, it's and I was just

0:56:17.840 --> 0:56:19.960
<v Speaker 1>thinking about, like, you know, you could watch something that

0:56:20.000 --> 0:56:22.080
<v Speaker 1>deals with that in a lot more like Nuance and

0:56:22.719 --> 0:56:25.640
<v Speaker 1>with I May Destroy You. But those things are on

0:56:25.719 --> 0:56:30.839
<v Speaker 1>my mind, I guess going in UM. I thought. One

0:56:30.880 --> 0:56:36.040
<v Speaker 1>of the reasons I'm hypothesizing wildly here that people, especially

0:56:36.080 --> 0:56:39.320
<v Speaker 1>teens might have connected more with three sixty five days

0:56:39.320 --> 0:56:41.759
<v Speaker 1>than if it were presented to them at a time

0:56:41.800 --> 0:56:44.400
<v Speaker 1>when they weren't under quarantine is it's also kind of

0:56:44.440 --> 0:56:49.160
<v Speaker 1>a fantasy about not having to make any decisions, like

0:56:49.239 --> 0:56:52.759
<v Speaker 1>the decision anxiety that we all feel, particularly when it

0:56:52.800 --> 0:56:56.560
<v Speaker 1>comes to travel or being in unfamiliar surroundings or being

0:56:56.600 --> 0:56:59.200
<v Speaker 1>around other people. I was like, because I was wondering

0:56:59.200 --> 0:57:00.760
<v Speaker 1>at one point it was like, this kind of reminds

0:57:00.760 --> 0:57:02.960
<v Speaker 1>me of the trip, like the trip to Italy, the

0:57:03.000 --> 0:57:05.280
<v Speaker 1>trip degrees. I've been like rewatching some of the trips

0:57:05.360 --> 0:57:07.840
<v Speaker 1>over quarantine because all I want to do is just

0:57:07.840 --> 0:57:11.480
<v Speaker 1>see people in like unfamiliar places, places where I'm like,

0:57:11.600 --> 0:57:15.360
<v Speaker 1>will I ever be able to leave doing the exact

0:57:15.360 --> 0:57:18.720
<v Speaker 1>same thing but with below decks? Oh yeah, totally. UM

0:57:18.760 --> 0:57:21.640
<v Speaker 1>The greatest show in the world UM on Bravo about

0:57:21.680 --> 0:57:24.360
<v Speaker 1>people who work on a yacht. It's so good because

0:57:24.400 --> 0:57:27.520
<v Speaker 1>it's about the people who work on the yacht rather

0:57:27.600 --> 0:57:30.680
<v Speaker 1>than like the like is they're constantly like dogging on

0:57:30.680 --> 0:57:33.320
<v Speaker 1>the rich people and being like who would pay for this?

0:57:33.600 --> 0:57:38.240
<v Speaker 1>Like there's a podcast on iHeart right, Yes, I think

0:57:38.320 --> 0:57:41.320
<v Speaker 1>Anna is on that. Maybe I wanted to say. Also,

0:57:41.400 --> 0:57:43.880
<v Speaker 1>though it seems like just in that idea of being

0:57:43.920 --> 0:57:46.320
<v Speaker 1>trapped in your house with your family, unless you live

0:57:46.320 --> 0:57:48.280
<v Speaker 1>in like a high house, unless you're like a fully

0:57:48.480 --> 0:57:53.000
<v Speaker 1>advanced team who uh lives by themselves in a high house,

0:57:53.520 --> 0:57:57.320
<v Speaker 1>is that it's like fantasy is also about privacy in

0:57:57.400 --> 0:58:02.000
<v Speaker 1>your head away from other Well. One of the most

0:58:02.040 --> 0:58:04.960
<v Speaker 1>fraught things though right now is the fact that when

0:58:05.000 --> 0:58:07.439
<v Speaker 1>you make a decision to leave your house at all,

0:58:07.920 --> 0:58:10.800
<v Speaker 1>even just for your own survival, like to get food

0:58:10.920 --> 0:58:13.520
<v Speaker 1>or you know, to seek like emergency medical treatment, there

0:58:13.640 --> 0:58:16.760
<v Speaker 1>is the feeling that that could be a horrible decision

0:58:16.760 --> 0:58:19.080
<v Speaker 1>that you're making. And I think, like, you know, at

0:58:19.120 --> 0:58:22.280
<v Speaker 1>one point, um Laura says of Massimo that you know,

0:58:22.320 --> 0:58:24.400
<v Speaker 1>one of the things that she really loves about him

0:58:24.520 --> 0:58:26.400
<v Speaker 1>is that she feels like a little girl because she

0:58:26.440 --> 0:58:30.680
<v Speaker 1>feels like protected and defended and basically she's like he

0:58:30.720 --> 0:58:33.040
<v Speaker 1>makes he makes all of her decisions for her. They

0:58:33.040 --> 0:58:35.600
<v Speaker 1>only fight when she like decides to make her own decision.

0:58:35.840 --> 0:58:39.800
<v Speaker 1>Obviously that's a problematic thing in general, but right now,

0:58:39.920 --> 0:58:42.920
<v Speaker 1>when it's so scary to make decisions, I think like

0:58:42.960 --> 0:58:45.880
<v Speaker 1>the fantasy aspect of it is partially like someone shows

0:58:45.960 --> 0:58:48.040
<v Speaker 1>up and they just put you here and they tell

0:58:48.120 --> 0:58:49.720
<v Speaker 1>you to do this, and they tell you to do that,

0:58:50.200 --> 0:58:52.680
<v Speaker 1>and you get you either enjoy it or you don't,

0:58:52.680 --> 0:58:55.800
<v Speaker 1>but you don't have any responsibility for that decision making.

0:58:56.320 --> 0:58:58.840
<v Speaker 1>I would pay so much money to bet for just

0:58:58.920 --> 0:59:01.920
<v Speaker 1>like a man, right, And this is obviously not that

0:59:02.680 --> 0:59:05.800
<v Speaker 1>very different. And also like if I could just assign

0:59:06.040 --> 0:59:10.600
<v Speaker 1>somebody else's decision for a little lot, Yeah, it's the

0:59:10.680 --> 0:59:14.040
<v Speaker 1>sub fantasy. I think the algorithm is part of that

0:59:14.040 --> 0:59:17.000
<v Speaker 1>fantasy because I think people also want to be told

0:59:17.080 --> 0:59:22.480
<v Speaker 1>what they should be watching. Yeah, a little bit. And yeah,

0:59:22.520 --> 0:59:25.280
<v Speaker 1>I think that top ten works really well as just

0:59:25.400 --> 0:59:29.240
<v Speaker 1>propaganda to make you be like, what is this? Shall

0:59:29.280 --> 0:59:34.920
<v Speaker 1>I dive in? Other people like this? Right at lately?

0:59:35.000 --> 0:59:38.960
<v Speaker 1>That is um like that you actually really genuinely love, right.

0:59:40.840 --> 0:59:42.720
<v Speaker 1>I've also been watching I May Destroy You, I watched

0:59:42.840 --> 0:59:45.560
<v Speaker 1>for West Night, um, I started see you one of

0:59:45.640 --> 0:59:48.440
<v Speaker 1>true Detective because a friend recommended it and it has

0:59:48.440 --> 0:59:49.920
<v Speaker 1>been trying to get to get me to watch it

0:59:49.960 --> 0:59:52.680
<v Speaker 1>for ages and it's amazing, and also like I need

0:59:52.720 --> 0:59:55.280
<v Speaker 1>to find another show because I can't only be watching

0:59:55.280 --> 1:00:01.720
<v Speaker 1>I may destrow you in True Detectives. So I'm I'm

1:00:01.760 --> 1:00:04.240
<v Speaker 1>probably gonna start below Deck to kind of counter down.

1:00:04.400 --> 1:00:07.600
<v Speaker 1>Oh yeah, because it can't. It's right now, it's pretty.

1:00:07.640 --> 1:00:11.640
<v Speaker 1>It's pretty literally like those two things. And then my

1:00:11.680 --> 1:00:14.400
<v Speaker 1>partner not and I watched Dexter every night, which is

1:00:14.440 --> 1:00:20.800
<v Speaker 1>like lovely and also again, yeah, this is like hardcore

1:00:20.920 --> 1:00:24.920
<v Speaker 1>because my preferences are so far outside of that normally,

1:00:24.960 --> 1:00:27.360
<v Speaker 1>I'm like, what rom com is there? Like is there

1:00:27.360 --> 1:00:30.240
<v Speaker 1>a show? Can I watch something? And now I found

1:00:30.280 --> 1:00:33.760
<v Speaker 1>myself watching three like very heavy and like lightly murder

1:00:33.920 --> 1:00:39.240
<v Speaker 1>slash Crimes. Yeah, yeah, always one, like one of the

1:00:39.320 --> 1:00:41.880
<v Speaker 1>first shows I remember I couldn't eat while I was

1:00:41.920 --> 1:00:45.000
<v Speaker 1>watching it. There was too gross, Like I'll season four

1:00:45.040 --> 1:00:46.520
<v Speaker 1>and I'm like, how did I get here? I can't

1:00:47.120 --> 1:00:50.880
<v Speaker 1>do I'm not good at like murders show like violence,

1:00:50.920 --> 1:00:53.320
<v Speaker 1>it doesn't you know. But we watched Barry before that,

1:00:53.360 --> 1:00:54.920
<v Speaker 1>and I was like, this is funny. I can maybe

1:00:54.920 --> 1:01:00.680
<v Speaker 1>do another serial Pillent Show and Dexter's Bloodier. You're getting

1:01:00.720 --> 1:01:03.920
<v Speaker 1>all of Emily's respect for what having like the slate

1:01:05.760 --> 1:01:09.160
<v Speaker 1>I just need to read. This is not I don't

1:01:09.160 --> 1:01:11.720
<v Speaker 1>think any of us are on our usual slates though

1:01:11.840 --> 1:01:15.720
<v Speaker 1>right now we're all branching out in ways. I truly.

1:01:16.040 --> 1:01:18.760
<v Speaker 1>I just watched Below Deck and I'm at like different

1:01:18.840 --> 1:01:23.280
<v Speaker 1>points in the timeline because I go to the earlier seasons.

1:01:23.880 --> 1:01:26.280
<v Speaker 1>I just watched the pilot yesterday for the first time,

1:01:26.320 --> 1:01:29.360
<v Speaker 1>and yeah, it's just they're always somewhere you want to be.

1:01:30.280 --> 1:01:33.880
<v Speaker 1>It's always like, you know, they're in the south of France.

1:01:34.160 --> 1:01:36.800
<v Speaker 1>Is that water there in can? Right? I can use

1:01:36.800 --> 1:01:39.680
<v Speaker 1>another Love Island season, honestly, I would like for one

1:01:39.760 --> 1:01:44.840
<v Speaker 1>to materialize. You watched that, right, Molly, You're Love Island.

1:01:44.880 --> 1:01:48.040
<v Speaker 1>Oh yeah, I find British reality television too. But then

1:01:48.200 --> 1:01:50.680
<v Speaker 1>that also, like Love Islands, some funked up stuff happened

1:01:50.920 --> 1:01:54.160
<v Speaker 1>with the host and uh, nothing is like just pure

1:01:54.240 --> 1:01:59.560
<v Speaker 1>escape isn't anymore? And also Toast of London. I was

1:01:59.600 --> 1:02:03.160
<v Speaker 1>going to say, the opposite one of everything you've been

1:02:03.160 --> 1:02:06.480
<v Speaker 1>watching is Toast of London. You know what else is

1:02:06.480 --> 1:02:10.040
<v Speaker 1>what what we do in the shadows? I find to

1:02:10.120 --> 1:02:13.800
<v Speaker 1>be like so silly and enjoyable. Yeah, just like silly

1:02:13.840 --> 1:02:16.760
<v Speaker 1>stuff is good right now, I think, yeah, it's that

1:02:16.880 --> 1:02:20.280
<v Speaker 1>weird stuff that weird. Yeah, like it's so it just

1:02:20.320 --> 1:02:23.600
<v Speaker 1>makes me happy, which is like I'm trying to watch something.

1:02:24.760 --> 1:02:27.040
<v Speaker 1>But I would argue that three sixty five days is

1:02:27.120 --> 1:02:31.840
<v Speaker 1>that for me, especially the line that you like, I

1:02:31.880 --> 1:02:33.760
<v Speaker 1>was very glad you highlighted and like, I'm not a

1:02:33.800 --> 1:02:39.919
<v Speaker 1>bag of potatoes that you I cackled. I cackled during

1:02:39.920 --> 1:02:45.560
<v Speaker 1>this review, So maybe it was like my friends about it.

1:02:46.080 --> 1:02:48.120
<v Speaker 1>Honestly might have been my I don't remember what time,

1:02:48.720 --> 1:02:51.440
<v Speaker 1>you know, conversations are anymore. But whoever responded to it

1:02:51.640 --> 1:02:54.920
<v Speaker 1>like that's really European to reference potatoes and an argument?

1:02:57.920 --> 1:03:01.160
<v Speaker 1>Oh my god. So it sounds like what you guys

1:03:01.200 --> 1:03:04.080
<v Speaker 1>are saying is that three and sixty five days fails

1:03:04.120 --> 1:03:08.320
<v Speaker 1>as an erotic thriller but succeeds as a horror comedy.

1:03:08.440 --> 1:03:13.160
<v Speaker 1>That's actually maybe right, Yeah, that's true. It's in the ballpark. Yeah,

1:03:13.320 --> 1:03:17.959
<v Speaker 1>I'll give it. Sounds good. Well, thank you so much

1:03:18.080 --> 1:03:21.640
<v Speaker 1>for joining us this sweet onna. Um. Where can people

1:03:21.680 --> 1:03:25.760
<v Speaker 1>find you online? Um? As we mentioned, you're on at

1:03:25.760 --> 1:03:28.880
<v Speaker 1>the Atlantic as a staff writer. But yeah, yes, I'm

1:03:28.920 --> 1:03:34.360
<v Speaker 1>also unfortunately still on Twitter very periodically. Often we can't

1:03:34.360 --> 1:03:37.560
<v Speaker 1>help it. I know it's well everyone's while go off,

1:03:37.600 --> 1:03:39.640
<v Speaker 1>but now is not one of those times. UM. So

1:03:39.680 --> 1:03:44.040
<v Speaker 1>it's the open like I and any difference ending I

1:03:44.080 --> 1:03:48.920
<v Speaker 1>will change it one of these days days not that day. Um,

1:03:49.120 --> 1:03:55.960
<v Speaker 1>that's obviously. UM. Well, yeah, I think this is so fun.

1:03:55.960 --> 1:04:00.280
<v Speaker 1>I was so glad to have you on us. I'm

1:04:00.320 --> 1:04:05.360
<v Speaker 1>so sorry for doing this to you. You cannot say

1:04:05.400 --> 1:04:09.200
<v Speaker 1>how thankful weird. Yeah, you took us aboard your yacht,

1:04:10.800 --> 1:04:14.720
<v Speaker 1>showed us your heart. Thank you getting wet probably for

1:04:16.400 --> 1:04:20.400
<v Speaker 1>very long time. Well, thank you so much on it,

1:04:20.480 --> 1:04:22.520
<v Speaker 1>and we will hope to have you back again soon.

1:04:22.760 --> 1:04:25.840
<v Speaker 1>And thank you for listening to Nightcall. We'll be back

1:04:25.880 --> 1:04:28.560
<v Speaker 1>next week. We can find us on social media at

1:04:28.800 --> 1:04:32.280
<v Speaker 1>Nightcall pot on Twitter, Nightcalled Podcasts on Instagram and Facebook.

1:04:33.040 --> 1:04:35.840
<v Speaker 1>Subscribe to us on iTunes and leave us a rating

1:04:35.880 --> 1:04:39.040
<v Speaker 1>and review please, we would appreciate it very much. You

1:04:39.080 --> 1:04:42.400
<v Speaker 1>can also support us on Patreon at patreon dot com

1:04:42.400 --> 1:04:46.280
<v Speaker 1>slash Nightcall, where you can get our newsletter, books, episodes,

1:04:46.440 --> 1:04:50.320
<v Speaker 1>merch and all sorts of fun stuff. And we will

1:04:50.360 --> 1:05:15.320
<v Speaker 1>see you all next week. By