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Speaker 1: So Tilda Swinton, it's in furious. She goes, where's my

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Speaker 1: motherfucking cheese Danish? And I go, no, Miss Swinton, you

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Speaker 1: misheard me. I said she's Danish. I was talking about

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Speaker 1: the model. I'm fingering it comes Hazan Sean. She apologized.

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Speaker 2: Hey, welcome to Hollywood Handbook and inside what up?

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Speaker 3: What up? What up? What up?

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Speaker 2: Welcome to Hollywood Handbook, An insider's guide to kicking button

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Speaker 2: dropping names of the red carpet lineback hallways of this

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Speaker 2: industry we call showbiz. We have a fun little game,

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Speaker 2: guy that we'd like to play today and you can

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Speaker 2: play it at home. We want to sort of introduce

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Speaker 2: this wide. Hayes and I invented the game on a

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Speaker 2: long car ride. We were in the back of a

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Speaker 2: car and a chauffeur was driving us because we are

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Speaker 2: so successful.

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Speaker 1: But we were hoping to let America play.

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Speaker 2: It's a play on a boring, stupid game that you

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Speaker 2: may have heard of called six Degrees of Kevin Bacon,

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Speaker 2: where you can take Kevin Bacon and using movies and

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Speaker 2: shows he's been in connected.

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Speaker 1: Like nobody any actor or actress.

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Speaker 2: So instead of using somebody who's fucking washed up and

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Speaker 2: is like barely even doing movies anymore.

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Speaker 1: Like trivia nerds like memorize these movies from the fucking

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Speaker 1: sixties or whatever that nobody knows about.

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Speaker 2: We thought we would do a more interesting game that's

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Speaker 2: fresher and more current with what people are interested in today.

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Speaker 2: The game is called six Degrees of Cabocation.

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Speaker 1: So this is a game where you pick two random celebrities,

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Speaker 1: probably more current ones rather than like a Kevin Bacon

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Speaker 1: who's barely a celebrity in my estimation, and you connect

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Speaker 1: these two names by who's gone on a Cobo vacation

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Speaker 1: with me? And Hayes.

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Speaker 2: So let's just pick two names at Ranton, like, who

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Speaker 2: connect Who's red hot right now? Amanda Seafreed, that's the

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Speaker 2: Let's start with Amanda Seafreed and Sam Worthington. Let's connect

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Speaker 2: tur tous the red hot Sam Worthington.

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Speaker 1: Okay, let's see if we can do it, and we

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Speaker 1: try to do it in six moves or less.

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Speaker 2: Okay, So starting with Amanda Seafried, she went on a

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Speaker 2: vacation to Cabo with us.

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Speaker 1: Yeah, we went to Cabo with Amanda and she was

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Speaker 1: in a barely there string bikini. The whole time, and

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Speaker 1: I was sipping on rum drinks and we were playing

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Speaker 1: a lot of paddle ball.

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Speaker 2: My memory of her is that she couldn't really hang

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Speaker 2: as far as the party was concerned.

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Speaker 1: Yes, she I remember, asked the fuck out with her

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Speaker 1: shoes on, and we we drew some fucked up shit

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Speaker 1: on her head.

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Speaker 2: So I think that's where the rule began that we

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Speaker 2: would never invite girls again.

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Speaker 3: Yes, and it has.

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Speaker 1: Been a dude's only policy at our Cabo accommodations ever since,

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Speaker 1: and it's been more fun and more or wild.

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Speaker 2: So I guess from there we can connect her to

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Speaker 2: Lucas Hawes. We went to Cabo with and that's sort

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Speaker 2: of We had such a great trip with him that

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Speaker 2: we decided to name it Cabo San Lucas instead of

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Speaker 2: just Cabo.

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Speaker 1: Yeah, and I remember him thinking that was very funny,

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Speaker 1: and I remember that I laughed at it too, because

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Speaker 1: we were being really funny that day and we had

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Speaker 1: been doing some party. Yes, we were having a little

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Speaker 1: fun with a little some recreational substances, smoking DMT. It

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Speaker 1: makes us very funny. Yeah, it made us feel very

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Speaker 1: funny and do funny stuff now, Lucas I believe can

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Speaker 1: be connected directly to another celebrity who went on a

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Speaker 1: cabocation with us, and that is, of course one Jake Bucy.

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Speaker 1: That's right, Jake Bucy connects because he also so on

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Speaker 1: a copa vacation with us.

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Speaker 2: We met Bucy on the set of Tomcats. He had

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Speaker 2: mentioned at the time that he liked to go on

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Speaker 2: vacation and that he liked to swim in the ocean,

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Speaker 2: and we said, we knew this place, Cabo, where like

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Speaker 2: you could do all that stuff, and people are just

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Speaker 2: sort of doing that all.

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Speaker 1: The time, swim the ocean and do all the vacation stuff, Sonny,

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Speaker 1: and it's nice. And he and he went in, I

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Speaker 1: remember that way. We all got a suntan. Yes, I

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Speaker 1: think I got one on my back and.

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Speaker 4: Then I yeah, I think I turned over and got

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Speaker 4: the front side.

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Speaker 2: So I guess that would connect Jake Baucy to Josh Lucas.

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Speaker 2: When we started mostly bringing people named Lucas.

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Speaker 1: Yes, because of the Cabo San Lucas thing, we started

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Speaker 1: inviting more Lucases.

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Speaker 2: Sure, And that's I guess when we changed the spelling

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Speaker 2: from the with a K to the sea because we

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Speaker 2: found we had found someone who could hang with us

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Speaker 2: party wise better than Lucas has.

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Speaker 1: And I remember that with Josh Lucas we prank called

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Speaker 1: George Lucas a few times and told him to suck

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Speaker 1: on these because we had just made a very successful

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Speaker 1: Spaceman film and he wants to make all the good

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Speaker 1: Spaceman films. And he really rubbed it in his face

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Speaker 1: and all over his whole head, and so that would

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Speaker 1: I'm sorry, did Josh? Is he the one he loved

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Speaker 1: room service?

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Speaker 2: Yeah, he's the one who really liked to vacation to

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Speaker 2: get sometimes breakfast and room service. He would fill out

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Speaker 2: the car the night before and then enjoy a breakfast

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Speaker 2: when it came to the.

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Speaker 1: True scoundrel, you know, breakfast wise, he'd get the drinks

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Speaker 1: and also you know whatever food he wanted. Now is

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Speaker 1: that far moved souse? Four people? That's four okay? So

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Speaker 1: who can I connect Josh to? I guess vacation? Yes? Okay, yes, no,

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Speaker 1: we did go on a Cabo vacation. Uh and this

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Speaker 1: one a little bit breaks are no girls allowed rule.

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Speaker 1: But this is what who we broke it for is

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Speaker 1: the fabulous Rose Burn And she can hang m and

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Speaker 1: she proved she could hang, and we said we got

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Speaker 1: to bring her to Cabo because she had just been

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Speaker 1: talking about wanting to splash around in water and have

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Speaker 1: sand between her toes.

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Speaker 2: And in nice weather and where like the sun was shining.

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Speaker 1: Yeah, and she was saying she couldn't find it, and

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Speaker 1: then she had gone to Vancouver and it was cold,

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Speaker 1: and we told her go ahead and just hop on

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Speaker 1: the plane that we are flying, uh this weekend, And

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Speaker 1: we flew the plane to Cabo for a vacation.

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Speaker 2: And so I guess that would connect Rose Byrne to

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Speaker 2: Sam Worthington, right.

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Speaker 1: Because it was the very next day that we went

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Speaker 1: on a Cobo vacation with Sam.

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Speaker 2: So and now because of his ability to hang, that's

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Speaker 2: why I guess it's called Cabo Sam Lucas, that's right.

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Speaker 2: Do you remember when we came back and Engineer Sam

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Speaker 2: thought that we had named Cabo Sam Lucas after him.

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Speaker 3: Oh?

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Speaker 1: Yeah, we had to be like Engineer Sam. Do you

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Speaker 1: remember how fucking stupid you felt? I do.

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Speaker 2: Do you remember how you were so excited because you

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Speaker 2: would like see the map and like, we're so surprised

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Speaker 2: that you that you thought it was named after you.

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Speaker 3: It took me forever to make that thank you card. Yeah,

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Speaker 3: I feel.

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Speaker 1: Sorry for what you just said or for for everything. Yeah. Yeah.

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Speaker 1: Now then, as you can see, that's a fun way

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Speaker 1: to connect a man to Sea Freed, who you'd think

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Speaker 1: has nothing to do with Sam Worthington other than their

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Speaker 1: two hot young celebs who have boothed and they've boothed

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Speaker 1: one another. But we've managed to connect them through Cobvocations.

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Speaker 1: And you can do this with your friends. If you've

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Speaker 1: been on Cobo vacation with any a list megastars, or

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Speaker 1: even if you are just like ones that we have,

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Speaker 1: it works best with us.

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Speaker 2: That's how that's certainly how the game started, and I'm

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Speaker 2: not against people trying to innovate on it. But when

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Speaker 2: you look up the original rules as people who have

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Speaker 2: been on convocations with with Sean and I, let's uh,

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Speaker 2: there's another subject we wanted to sort of get into.

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Speaker 1: Mmmm, that's a little more serious.

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Speaker 2: We talk about industry trends, We talk about how the

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Speaker 2: industry is changing, but when change happens, this is what

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Speaker 2: we sort of like to say, when change happens, the

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Speaker 2: old thing has to be different.

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Speaker 1: Yes, when if you look at and I try to

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Speaker 1: use examples that people will understand even if they aren't

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Speaker 1: leading the kind of life I am. But if you

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Speaker 1: change a sponge from dry to soagi, you can't have

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Speaker 1: the same dry sponge anymore.

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Speaker 2: You can now you can have a soggy sponge, but

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Speaker 2: the dry sponge can't be the same anymore.

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Speaker 1: If you change your clothes from out of your dunkin

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Speaker 1: Donuts uniform where you work into say Minucke muffler outfit

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Speaker 1: so they work at night, go work your night job.

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Speaker 1: You can't still have the dunkin Donuts uniform on. You

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Speaker 1: can still smell like coffee. There's elements that are still there,

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Speaker 1: but you gotta now acknowledge that you're Minucke muffler man

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Speaker 1: or woman.

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Speaker 2: To that end, we want to talk a little bit

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Speaker 2: about Nielsen ratings. This is how Nils and ratings are.

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Speaker 2: Like the number of people who watch TV. You sort

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Speaker 2: of know in general what it means. Sean and I

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Speaker 2: have been saying for a long time, twenty thirty years

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Speaker 2: that this system is very outdated.

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Speaker 1: It's time to come up with something new. It's why

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Speaker 1: we came up with this segment, and this is us

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Speaker 1: who have benefited from it.

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Speaker 2: Maybe more than anyone else in the industry. So it's

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Speaker 2: not us like, this is not sour grapes. These are

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Speaker 2: very sweet grapes. No, the grapes are delicious.

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Speaker 1: But we you know, we came up with this segment

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Speaker 1: Nielsen hatings because we're just hating these Nielsen models because

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Speaker 1: they're so old and yeah, has it. You know, are

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Speaker 1: we biting the hand that feeds us a little bit

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Speaker 1: with it because we've made so much fucking bookoo bucks

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Speaker 1: off it. Yeah, a little, but there's a lot of

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Speaker 1: other hands feeding us. So you know, let's actually make

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Speaker 1: the rating system reflect the way people watch content.

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Speaker 2: So let's explain how the old Nielsen ratings work, the

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Speaker 2: ones that are currently in place today. What they do

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Speaker 2: is they have these little boxes that measure your television

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Speaker 2: viewing that they send to one hundred rich families around.

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Speaker 1: The country in every state.

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Speaker 2: So well it's like two one hundred total, two per state.

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Speaker 2: M yeah, ye, yes, yes, yes, yes, And so you

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Speaker 2: end up with this thing being like, first of all,

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Speaker 2: the boxes are not cheap. The technology is pretty expensive,

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Speaker 2: and they're huge, and so you need a lot of

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Speaker 2: space to fit them in. So the families that get

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Speaker 2: these things in almost every state when you think of

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Speaker 2: like who lives there and like who actually has money there,

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Speaker 2: it's almost always the governor and the lieutenant governor.

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Speaker 1: So the result is your content, you know, is being

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Speaker 1: dictated by what the governor and the lieutenant governor of

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Speaker 1: Utah want to see.

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Speaker 2: Sure, and if you're like Sean and I, you don't

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Speaker 2: make shows for the governor the lieutenant governor.

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Speaker 1: No, I'm not making TV for the governor. I'm making

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Speaker 1: TV for badass, freak, fucking gutter punks, kids smoking ciggi's

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Speaker 1: and fucking doing doing doing sick ass Ollie's and wicked kickflips.

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Speaker 1: And that's the kind of shit that you see in

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Speaker 1: my shows. So like, look, I got a box. Hayes

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Speaker 1: got a box where the California ones. Yeah, we happen

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Speaker 1: to make up you know, at that point twenty percent

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Speaker 1: of television viewing, So my shit still gets through.

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Speaker 2: And this is without you owning a TV.

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Speaker 1: No, it's weird that I have a box because I

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Speaker 1: do not own a TV.

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Speaker 2: But it's also not weird because, like you, who else

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Speaker 2: is gonna happen?

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Speaker 1: Well, who else would have the box? Because it's like

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Speaker 1: I'm a taste maker and I've been thinking that what

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Speaker 1: the ratings really should say is that the highest rated

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Speaker 1: show lately is not owning a TV. Mm hmm. Is

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Speaker 1: that interesting?

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Speaker 2: So when you think about how interesting it is to

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Speaker 2: not own a TV, and if these are the real

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Speaker 2: taste makers out there.

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Speaker 1: And I've had so many conversations about it, I can

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Speaker 1: guarantee you that it's interesting.

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Speaker 2: Should it be the case that the people who get

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Speaker 2: these Nielsen boxes are like the cool trendsetters who don't

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Speaker 2: own a TV and like don't really know what it is.

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Speaker 1: Who don't have TVs and sometimes I've never seen a

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Speaker 1: TV show.

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Speaker 2: Yeah, so like people on Indian reservations, Well you could

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Speaker 2: speak to that also, yeah.

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Speaker 1: Well, as one eighth Nave American, I do know what

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Speaker 1: people in the reservation are watching. And what they're watching

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Speaker 1: is the fire every night, and we're telling those stories

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Speaker 1: and then I'm stealing those stories. I'm making a movie.

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Speaker 2: And also part of this new system we think should

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Speaker 2: be computers. Thank you, it's got to be computers. You

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Speaker 2: have to honor the computer. It's too big, important and

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Speaker 2: American thing that people have.

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Speaker 3: Computer.

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Speaker 2: The way people watch TV these days is to not

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Speaker 2: even have one and to take the computer and stick

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Speaker 2: that on the wall and watch it and watch that

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Speaker 2: in bed, yeah.

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Speaker 1: Or in your car, or on top of or on

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Speaker 1: top of your house, or you know, like I took

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Speaker 1: Stephi and the kids to the lake class. Yes, now,

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Speaker 1: Steppy never wants to miss an ep of that show

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Speaker 1: Arrow and So.

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Speaker 2: But and so when you're out on the canoe.

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Speaker 1: When I'm out on the canoe, I just said, buckskin canoe.

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Speaker 1: I yes, buckskin canoe that I made with my with

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Speaker 1: my pop from the earth. Yeah, it's all every ingredient

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Speaker 1: of the canoe is from the earth. You could eat

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Speaker 1: the canoe and not get sick because it's all natural.

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Speaker 2: And you could maybe smoke a little piece of it.

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Speaker 2: And and I had spanned your mind a little bit,

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Speaker 2: and I have, and I was and I made some

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Speaker 2: very good jokes right after. But I imagine bringing a

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Speaker 2: TV out into the middle of a lake on a

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Speaker 2: buckskin canoe. It could drop in the water and electrify

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Speaker 2: the whole fish.

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Speaker 1: Yes, and all the fish should be gone and only

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Speaker 1: electric eels would survive, and the whole ecosystem would be

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Speaker 1: turned on its head. Yes, So what you can bring

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Speaker 1: is a computer because it's got battery MM.

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Speaker 2: So that, I guess is what we would say for

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Speaker 2: how to fix this old broken system of TVs.

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Speaker 1: Yes, and so Nielsen hatings is the name of the segment,

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Speaker 1: and that's the hashtag to use. And that's that hashtag.

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Speaker 1: You want to tweet at your governor and your lieutenant

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Speaker 1: governor time for a change, hashtag Nielsen and you can

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Speaker 1: at me and Hayes in the tweets.

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Speaker 2: We want to quickly give a shout out before we

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Speaker 2: go into our guest segment to Sam Wilson. He lives

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Speaker 2: in Christianburg, Virginia, and he donated one hundred dollars to

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Speaker 2: the show. I guess Cabo Sam Lucas is now named

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Speaker 2: after Sam Wilson.

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Speaker 1: Sam, you got your Sam name into Cabo Sam Lucas,

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Speaker 1: and now I think it's you. It's Sam Worthington. The

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Speaker 1: Lucases are Josh Lucas and Lucas Hawes. It's not Engineer Sam,

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Speaker 1: and it's not George l And it's not George Lucas.

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Speaker 1: So it feels nice, doesn't it, Sam, to have some

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Speaker 1: Sam's on the outside looking in and some Lucases who

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Speaker 1: sort of are having to suck on these as well.

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Speaker 2: We have a really fun guest today. Jason man Zucas

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Speaker 2: is here. He's on TV and he writes movies and

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Speaker 2: he actually has his own podcast that I think.

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Speaker 1: He wants to talk about a little bit on our show.

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Speaker 2: So it should be a lot of fun coming right

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Speaker 2: up on Hollywood Handbook.

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Speaker 1: Hollywood Handbook, An Kendrick, if you want the part, you

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Speaker 1: gotta get down there, and she starts to undo my

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Speaker 1: button fly jeans and I'm like, what's what are you doing?

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Speaker 2: I'ment down in my basement. There's a bat down there.

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Speaker 2: I need you to trap.

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Speaker 3: It, don't kill it.

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Speaker 2: Hey, welcome to Hollywood Handbook. And Insider's got a kicking

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Speaker 2: button dropping names in the red carpet lineback hallways of

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Speaker 2: this industry we call showbiz. We got a guest and

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Speaker 2: and he's here.

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Speaker 4: And he's a big honking fucking deal. Jason man Zukis,

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Speaker 4: how are you gentlemen?

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Speaker 2: You know we're good man?

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Speaker 3: How are you right? That's I apologize. I guess I

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Speaker 3: was late.

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Speaker 4: My assistant fucked up my schedule, so I didn't know

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Speaker 4: this started when it started, So assistance, I don't know

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Speaker 4: if you guys find that I find my girl always

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Speaker 4: messes stuff up in my calendar, and then I look

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Speaker 4: like an asshole when I get places.

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Speaker 3: Which I don't appreciate. Mine.

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Speaker 2: I have the problem where mine will have me show

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Speaker 2: forty five minutes early for almost everything, which is in

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Speaker 2: its own way even worse.

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Speaker 4: Oh yeah, well, because then you're you're basically loitering around.

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Speaker 4: Because the worst thing, the worst case, the worst case

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Speaker 4: scenario in that situation is somebody that you're going to

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Speaker 4: be in the meeting with sees you hanging around half

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Speaker 4: an hour early.

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Speaker 2: It's a lot of sitting outside a locked door.

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Speaker 3: You seem way too eager at that point.

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Speaker 1: Oh, it's humiliating to be early for anything. No, I

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Speaker 1: have my guy make it later. Used to have a girl,

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Speaker 1: Stephie will not let me have a female assistant anymore. Yeah,

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Speaker 1: it's trouble.

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Speaker 4: No, I feel like it's up to it's up to

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Speaker 4: you in as the guy in the relationship, to set

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Speaker 4: your girl's expectations. You know, in terms of your relationship

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Speaker 4: with your assistant. It's not her business.

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Speaker 2: I can only have like a little kid now. Yeah,

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Speaker 2: because you know, like you're in case I ever you know,

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Speaker 2: like if I ever do decide to like go a

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Speaker 2: different way.

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Speaker 1: Well James, Well, James Dean actually said that he wasn't

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Speaker 1: going to, you know, live his whole life with one

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Speaker 1: hand tied behind his back, and he was referencing bisexuality.

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Speaker 1: So I think that's a good point. You know, you

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Speaker 1: don't necessarily want to only do something with the one hand.

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Speaker 4: I think, especially in this town, you don't want to

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Speaker 4: close any doors because you don't know which open door

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Speaker 4: is going to be the next big break that you've

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Speaker 4: been waiting for.

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Speaker 3: Sure.

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Speaker 2: You know, a lot of the most of the studio

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Speaker 2: had there men and or one of them comes along.

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Speaker 2: They're all like nice looking guys, like like.

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Speaker 3: Say, some of them are some of them are?

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Speaker 2: Which studio has do you think are sort of mons?

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Speaker 1: Yeah? Which? Yeah? Which ones are unattractive to?

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Speaker 4: You know, network head studio heads? Which ones do you think?

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Speaker 4: I mean we're talking about the obvious? Yeah, we know,

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Speaker 4: you know, yeah, initials are are t see. You know

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Speaker 4: these guys.

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Speaker 3: Are monsters, you know, true monsters.

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Speaker 4: Yeah, because they get but they get about here's the deal.

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Speaker 4: They get shipped done to a degree that the ends

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Speaker 4: justify the me.

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Speaker 1: I almost wonder if being if being physically grotesque for

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Speaker 1: them is something of an advantage because it allows them

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Speaker 1: to get so much work done because no one is

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Speaker 1: choosing to spend any time in their space. Some of

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Speaker 1: those initials we mentioned.

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Speaker 2: Oh yeah, and then just in meetings, the intimidation factor

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Speaker 2: is off the chart.

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Speaker 1: Just the idea that they might try to touch you.

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Speaker 4: Oh, the knowledge that they'll try and touch you makes

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Speaker 4: those meetings.

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Speaker 3: Electric.

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Speaker 2: Now, Jason, A lot of people don't know this. You

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Speaker 2: also have an ear Wolf podcast I do, Yeah, tell

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Speaker 2: us about the tell Us about that one.

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Speaker 4: I have an Earwolf podcast called How Did This Get Made?

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Speaker 4: Where myself and Triple Threat writer director actor Paul Sheer

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Speaker 4: and Triple Threat June Diane Rayfield, writer director, actor analyzed movies.

385
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Speaker 3: We take them apart. We talk about what works, what.

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Speaker 4: Doesn't work, what's funny about them, what's funny about how

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Speaker 4: they failed, what's you know, what's funny about how they succeeded.

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Speaker 3: You know, it's that kind of a it's like a

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Speaker 3: it's like a.

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Speaker 4: Scintillating you know, like microscope put on, you know, whatever

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Speaker 4: movie we decide.

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Speaker 3: To go at.

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Speaker 2: You know that sounds really fun. It's pretty ter riff.

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Speaker 2: You guys have fun doing it. Oh yeah, it's a

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Speaker 2: blast cool. Oh yeah, yeah, yeah, yeah, Now we have

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Speaker 2: something that I guess we wanted to bring up with you.

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Speaker 1: Yeah. Just so even as you're mentioning some of those

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Speaker 1: people that host it with you.

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Speaker 3: You're great.

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00:22:09,160 --> 00:22:12,280
Speaker 2: You've had nothing but great experiences with you around the

401
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Speaker 2: office and in the.

402
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Speaker 1: Just yeah yeah, no, not formally, it's been a lot

403
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Speaker 1: of in passing and just like, okay, we've lost each.

404
00:22:24,400 --> 00:22:27,440
Speaker 2: Other and like, you know, like a like sort of a.

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Speaker 4: I think that here's what I think has happened. I

406
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Speaker 4: think I've seen you guys around a lot, but have

407
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Speaker 4: thought you were the same person every time, because you

408
00:22:34,960 --> 00:22:37,399
Speaker 4: guys look a lot alike. Yeah, only the one of

409
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Speaker 4: you now has glasses and noticed.

410
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Speaker 2: Well it used to be the other one that had glasses.

411
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Speaker 3: Oh really, oh see that must be it. That's part

412
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Speaker 3: of the problem.

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Speaker 1: When we switch then you yeah, then you just decided

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Speaker 1: we must be one guy.

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Speaker 4: I'm because I you know, I also I had this

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Speaker 4: problem with the gentleman who does the SCLAR podcast.

417
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Speaker 1: Yes, sure, he also.

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Speaker 3: There's two of him as well. Sure, I think I'm confusing,

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Speaker 3: is that right?

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Speaker 2: Okay, and one of them they switched the glasses back

421
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Speaker 2: and forth.

422
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Speaker 1: It's hard.

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Speaker 3: So I think I thought you guys were one guy

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Speaker 3: as well to pin down.

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Speaker 1: Yeah, well, regardless of how well you know us, and

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Speaker 1: we've met and I think we've had some pleasant exchanges.

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Speaker 3: But this has been terrific so far.

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00:23:18,200 --> 00:23:21,280
Speaker 1: And someone's before and I think that we want to

429
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Speaker 1: talk about at the calf, at the ear Wolf Calf,

430
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Speaker 1: where we all kind of grab our grab our meals.

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Speaker 3: Well, we're all on the meal plan. Are you guys

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Speaker 3: on the meal plan?

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Speaker 1: Oh yeah, oh yeah, swipe that card and just munch

434
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Speaker 1: on down. Oh yeah, all the cap and crunch you

435
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Speaker 1: can eat. I bring little baggies. Oh no, no, you

436
00:23:40,359 --> 00:23:43,120
Speaker 1: bring little baggies. I take it over. You can't do that.

437
00:23:43,200 --> 00:23:44,639
Speaker 1: But they know, what are they going to do?

438
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Speaker 3: Yeah no, no, they'll do a lot. You shouldn't do that.

439
00:23:49,280 --> 00:23:53,720
Speaker 2: But when we you know, we've sat at the head

440
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Speaker 2: of this game made table a few times.

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Speaker 3: I don't know about that.

442
00:23:56,240 --> 00:23:59,760
Speaker 4: Well, we've sat down cool and then well you guys

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Speaker 4: have table crashed.

444
00:24:02,080 --> 00:24:02,720
Speaker 3: We get h.

445
00:24:02,880 --> 00:24:06,080
Speaker 4: It was open and we yeah yeah, yeah, yeah sure,

446
00:24:06,119 --> 00:24:08,560
Speaker 4: and uh sometimes everything's full up, you know, all the

447
00:24:08,600 --> 00:24:09,439
Speaker 4: tables are full up.

448
00:24:09,480 --> 00:24:11,840
Speaker 2: But that's what's so weird because it doesn't look it

449
00:24:11,880 --> 00:24:13,880
Speaker 2: looks like there's a lot of space and you say

450
00:24:13,920 --> 00:24:17,000
Speaker 2: it's full up, yeah, but it seems like there's actually

451
00:24:17,040 --> 00:24:18,160
Speaker 2: a lot of space left.

452
00:24:18,240 --> 00:24:18,440
Speaker 3: Well.

453
00:24:18,560 --> 00:24:21,160
Speaker 4: No, we like to keep open seats, you know, in case,

454
00:24:21,320 --> 00:24:23,639
Speaker 4: you know, either some of our bros come by or

455
00:24:23,800 --> 00:24:26,000
Speaker 4: if the who Charted gang comes by, Like, we want

456
00:24:26,000 --> 00:24:27,320
Speaker 4: to be able to sit with our friends.

457
00:24:27,480 --> 00:24:28,520
Speaker 2: Sure, so we save seats.

458
00:24:29,440 --> 00:24:32,800
Speaker 1: Isn't it nice to make new friends though, you know,

459
00:24:33,119 --> 00:24:35,320
Speaker 1: I have more bros for when you know, who Chart

460
00:24:35,440 --> 00:24:39,040
Speaker 1: is maybe on tour doing south By Southwest or something.

461
00:24:38,760 --> 00:24:41,760
Speaker 3: They are Wait did you hear that for sure? Are

462
00:24:41,760 --> 00:24:44,720
Speaker 3: they for sure doing shows at south By? Wow?

463
00:24:44,760 --> 00:24:46,720
Speaker 1: Yeah, they're on the schedule to do south By Yeah.

464
00:24:46,720 --> 00:24:50,840
Speaker 2: Oh wow, Okay, which is like that's an okay festival?

465
00:24:50,880 --> 00:24:53,119
Speaker 2: I mean we have we had that Phoenix one that

466
00:24:53,320 --> 00:24:55,960
Speaker 2: was like that was like an okay festival too, and

467
00:24:56,119 --> 00:24:57,960
Speaker 2: the Phoenix Fest Yeah, Phoenix Fest.

468
00:24:58,720 --> 00:25:01,840
Speaker 4: Yeah, yeah, to say we got invited I think to

469
00:25:01,840 --> 00:25:03,560
Speaker 4: do that, but said no, so you might have gotten

470
00:25:03,560 --> 00:25:06,560
Speaker 4: our slot okay, right, And.

471
00:25:06,440 --> 00:25:10,480
Speaker 2: You said no because that's vest right because it's so good?

472
00:25:10,800 --> 00:25:12,680
Speaker 3: Yeah, sure, yeah it was good.

473
00:25:12,840 --> 00:25:16,880
Speaker 1: Did you guys kill that great Phoenix cover band played yeah,

474
00:25:17,000 --> 00:25:19,240
Speaker 1: oh yeah, yeah, yeah, yeah yeah.

475
00:25:19,359 --> 00:25:20,400
Speaker 2: It was in Tulsa.

476
00:25:21,200 --> 00:25:26,040
Speaker 1: Yes, but they did I guess a couple of Phoenix

477
00:25:26,080 --> 00:25:27,200
Speaker 1: songs and uh.

478
00:25:27,320 --> 00:25:30,320
Speaker 2: And like the bird like celebration of Like, yeah, they

479
00:25:30,359 --> 00:25:31,760
Speaker 2: did some of the mythical bird.

480
00:25:32,000 --> 00:25:34,080
Speaker 1: Yeah, they did some songs by the Birds.

481
00:25:34,359 --> 00:25:37,600
Speaker 4: It was the number one Phoenix cover band in the

482
00:25:37,720 --> 00:25:39,359
Speaker 4: United States. There Blistomania.

483
00:25:40,320 --> 00:25:48,320
Speaker 1: No, they were caught up doing a different fest. They're great, Yeah,

484
00:25:48,440 --> 00:25:51,280
Speaker 1: I like them, but the guys that were there were cool.

485
00:25:51,480 --> 00:25:51,760
Speaker 3: Mm hm.

486
00:25:53,119 --> 00:25:56,920
Speaker 4: Anyway, you guys were talking about table crashing when they're

487
00:25:56,960 --> 00:25:59,760
Speaker 4: when they're on on tour, maybe you want to have

488
00:25:59,760 --> 00:26:01,360
Speaker 4: those seats for some other guys.

489
00:26:01,160 --> 00:26:02,240
Speaker 1: Who you know are here.

490
00:26:03,680 --> 00:26:04,919
Speaker 3: Well sure, like if.

491
00:26:04,800 --> 00:26:07,560
Speaker 4: The professor BlastOff guys are here, you know, like like

492
00:26:07,760 --> 00:26:09,760
Speaker 4: taking those guys out, like I want to catch up

493
00:26:09,760 --> 00:26:10,000
Speaker 4: with them.

494
00:26:10,040 --> 00:26:10,920
Speaker 3: I haven't seen them in a bit.

495
00:26:11,240 --> 00:26:14,280
Speaker 1: Yeah, but not tig uh.

496
00:26:14,320 --> 00:26:16,360
Speaker 3: I feel like I see where you guys are going.

497
00:26:16,400 --> 00:26:18,359
Speaker 4: You guys want to be like new guys, you know,

498
00:26:18,520 --> 00:26:20,480
Speaker 4: like why not hang out with the new guys and.

499
00:26:20,400 --> 00:26:22,280
Speaker 2: We you know, maybe those guys have a lot of

500
00:26:22,480 --> 00:26:26,080
Speaker 2: extra podcast points for your launch card, you know, like

501
00:26:26,680 --> 00:26:29,440
Speaker 2: maybe they'd be willing to share some of their points.

502
00:26:29,520 --> 00:26:31,560
Speaker 3: You know, that's one of those things worth asking.

503
00:26:32,119 --> 00:26:34,480
Speaker 4: This is this is only funny to me because this

504
00:26:34,640 --> 00:26:36,320
Speaker 4: is like one of those things that like for those

505
00:26:36,359 --> 00:26:37,959
Speaker 4: of us who've been around a long time, like is

506
00:26:38,040 --> 00:26:42,879
Speaker 4: just common knowledge. We have unlimited points because we are

507
00:26:42,880 --> 00:26:45,280
Speaker 4: the we were the one of the first podcasts, so.

508
00:26:45,200 --> 00:26:47,959
Speaker 2: In a way that like twenty is basically unlimited, Like

509
00:26:48,119 --> 00:26:50,360
Speaker 2: it'd be so hard to use twenty points.

510
00:26:50,400 --> 00:26:53,199
Speaker 4: When I swipe my card, the woman looks at it

511
00:26:53,240 --> 00:26:56,000
Speaker 4: and it's an infinity symbol. So it is just I

512
00:26:56,040 --> 00:26:58,480
Speaker 4: have an infinite amount of points. It's just the swiping

513
00:26:58,920 --> 00:27:00,560
Speaker 4: just tells them when I've been there. I have to

514
00:27:00,560 --> 00:27:04,680
Speaker 4: build a But since since there's been so many more

515
00:27:04,800 --> 00:27:07,960
Speaker 4: podcasts now, it's just kind of like ear Wolf just

516
00:27:08,040 --> 00:27:09,439
Speaker 4: kind of like here's another one.

517
00:27:09,480 --> 00:27:10,040
Speaker 3: Here's another one.

518
00:27:10,080 --> 00:27:13,280
Speaker 4: Here's another one, right, Yeah, like they've trimmed it down

519
00:27:13,320 --> 00:27:15,520
Speaker 4: now so they you know, the new ones, you guys

520
00:27:15,520 --> 00:27:16,399
Speaker 4: have a limited about him.

521
00:27:16,440 --> 00:27:19,200
Speaker 2: Yeah, we don't those new guys. We actually really are

522
00:27:19,240 --> 00:27:24,840
Speaker 2: not any about them at all, Like like uh, glitter

523
00:27:24,880 --> 00:27:27,560
Speaker 2: in the garbage and like forget those guys.

524
00:27:27,240 --> 00:27:30,560
Speaker 1: And like uh Michael Detective and.

525
00:27:30,640 --> 00:27:34,480
Speaker 2: Yeah, just like I don't even want it, and and

526
00:27:34,560 --> 00:27:37,120
Speaker 2: I don't want him to sit and eat anything with

527
00:27:37,160 --> 00:27:40,880
Speaker 2: me and totally lame and yeah with us, Yeah, yeah,

528
00:27:41,080 --> 00:27:43,840
Speaker 2: I just don't And phogost And I thought he was

529
00:27:43,840 --> 00:27:45,359
Speaker 2: my friend, but really I don't like him at all

530
00:27:45,359 --> 00:27:48,800
Speaker 2: because he's a new Uh So we should all sit

531
00:27:48,880 --> 00:27:50,480
Speaker 2: together and talk about those guys, the.

532
00:27:50,520 --> 00:27:54,760
Speaker 1: Old dogs, Yeah, get together and how old Dogs.

533
00:27:54,880 --> 00:27:56,280
Speaker 4: I don't know if you know that. It's just it's

534
00:27:56,280 --> 00:27:57,880
Speaker 4: a movie we did on How did this get made?

535
00:27:58,680 --> 00:28:01,240
Speaker 1: That's just funny? You said that, Oh that's nice.

536
00:28:01,280 --> 00:28:05,080
Speaker 3: Sick it was a great app great app so sick.

537
00:28:07,400 --> 00:28:09,760
Speaker 2: Again, I guess it would because there are four big

538
00:28:10,200 --> 00:28:13,639
Speaker 2: movie stars in it. Yeah, was that the answer?

539
00:28:14,240 --> 00:28:15,560
Speaker 3: What do you mean? Was that the answer?

540
00:28:16,840 --> 00:28:18,720
Speaker 1: Like, that's how it got made?

541
00:28:18,760 --> 00:28:18,920
Speaker 3: Oh?

542
00:28:18,960 --> 00:28:21,239
Speaker 2: I see, I see what movie stars like, just like

543
00:28:21,440 --> 00:28:25,480
Speaker 2: guys that really make money yep. And the movie also

544
00:28:25,560 --> 00:28:26,199
Speaker 2: made money?

545
00:28:26,320 --> 00:28:26,760
Speaker 3: Sure? Sure?

546
00:28:26,960 --> 00:28:29,199
Speaker 4: Oh yeah, yeah, I mean in that instance, it is

547
00:28:29,320 --> 00:28:33,159
Speaker 4: it is. It is proven track record amongst the cast. Sure,

548
00:28:33,440 --> 00:28:34,960
Speaker 4: But then there are I don't know if you guys

549
00:28:35,040 --> 00:28:39,640
Speaker 4: spoilers for Old Dogs. There are gorillas in it, so funny.

550
00:28:39,640 --> 00:28:41,880
Speaker 4: Animals also helped out a lot. Sure, you know it's

551
00:28:41,880 --> 00:28:46,640
Speaker 4: a four quadrant movie because you've got hilarious adult actors, yeah,

552
00:28:46,720 --> 00:28:50,880
Speaker 4: like John Travolta and Robin Williams. You've got hilarious children

553
00:28:50,920 --> 00:28:53,240
Speaker 4: actors like Robin Williams and Seth Green and then you

554
00:28:53,320 --> 00:28:54,320
Speaker 4: have gorillas.

555
00:28:54,640 --> 00:29:02,000
Speaker 1: Right. Yeah, did you guys trivultify your name today? I didn't,

556
00:29:02,320 --> 00:29:05,880
Speaker 1: okay from the yes, from that from the oscars. So

557
00:29:06,240 --> 00:29:10,640
Speaker 1: he said a name wrong, So funny and uh, there's

558
00:29:10,680 --> 00:29:14,160
Speaker 1: like one of these websites my little cousin was showing me,

559
00:29:15,440 --> 00:29:18,440
Speaker 1: and it's like you can go on the internet and

560
00:29:18,600 --> 00:29:21,280
Speaker 1: make travel to like how he would pronounce.

561
00:29:20,960 --> 00:29:23,400
Speaker 2: Your name and it doesn't actually have to be your name.

562
00:29:23,440 --> 00:29:26,200
Speaker 2: You could do your friend's names too and send them. Yes,

563
00:29:26,240 --> 00:29:28,280
Speaker 2: you could actually send it to your friends. Yes, my

564
00:29:28,320 --> 00:29:31,160
Speaker 2: little cousin did that. Yeah, it sounds hilarious or like

565
00:29:31,200 --> 00:29:34,400
Speaker 2: celebrities names and like forgot anything.

566
00:29:35,120 --> 00:29:37,080
Speaker 4: And you just saw this today. So you were hanging

567
00:29:37,080 --> 00:29:38,440
Speaker 4: out with your little cousin today.

568
00:29:38,760 --> 00:29:40,960
Speaker 1: Yeah, yeah, he was over. He was over.

569
00:29:41,080 --> 00:29:42,560
Speaker 2: That's cool with his steps.

570
00:29:42,960 --> 00:29:45,200
Speaker 1: Yeah, yeah, she's seeing my dad.

571
00:29:45,280 --> 00:29:50,040
Speaker 4: It's a yeah, oh okay, cool, Yeah she seem so

572
00:29:50,080 --> 00:29:51,640
Speaker 4: it's not a it's not a blood relation.

573
00:29:54,320 --> 00:29:57,920
Speaker 3: What do you mean is it it is, Oh it

574
00:29:58,000 --> 00:30:02,000
Speaker 3: is okay, got it? You know what? None of my

575
00:30:02,000 --> 00:30:03,520
Speaker 3: b it's none of my business.

576
00:30:03,600 --> 00:30:05,840
Speaker 1: It's none of my business. And kind of clear.

577
00:30:06,240 --> 00:30:08,400
Speaker 2: You've been told this day in the basement, wasn't that?

578
00:30:09,080 --> 00:30:09,760
Speaker 1: Yeah?

579
00:30:10,040 --> 00:30:11,000
Speaker 2: Which is love?

580
00:30:11,480 --> 00:30:14,600
Speaker 1: Yeah, you love it. That's why you're down there. My

581
00:30:14,640 --> 00:30:16,640
Speaker 1: own entrance basements are rad.

582
00:30:17,160 --> 00:30:18,640
Speaker 3: You know what I mean? Like I saw on you,

583
00:30:19,320 --> 00:30:20,800
Speaker 3: Oh is it really nice? Slipping?

584
00:30:21,000 --> 00:30:22,400
Speaker 1: Yeah, it's so sick.

585
00:30:22,560 --> 00:30:24,480
Speaker 4: If you could just put, honest to God, if you

586
00:30:24,640 --> 00:30:27,680
Speaker 4: just put a rear projection TV in the basement, you know,

587
00:30:27,800 --> 00:30:30,200
Speaker 4: like a big one, like thirty six inches, like you

588
00:30:30,280 --> 00:30:35,680
Speaker 4: could watch like Grease or like Hooper, or like uh

589
00:30:36,000 --> 00:30:39,160
Speaker 4: Smoking the Bandit like and watch I've got Brubaker.

590
00:30:39,400 --> 00:30:43,280
Speaker 3: Oh yeah, do you guys? I have you know?

591
00:30:43,360 --> 00:30:45,160
Speaker 4: This is this is a holly. This is one of

592
00:30:45,160 --> 00:30:47,000
Speaker 4: those Hollywood things. And I apologize for.

593
00:30:47,080 --> 00:30:49,640
Speaker 3: That ahead of time, but this is the place for it.

594
00:30:49,800 --> 00:30:53,440
Speaker 4: I have eleven hundred laser discs, okay, And a lot

595
00:30:53,440 --> 00:30:55,480
Speaker 4: of people say that it's an obsolete technology, but I'm

596
00:30:55,480 --> 00:30:58,520
Speaker 4: here to tell you that it is far superior to

597
00:30:58,560 --> 00:31:00,400
Speaker 4: almost everything else out.

598
00:31:00,400 --> 00:31:02,640
Speaker 1: The fidelity and the blacks.

599
00:31:02,760 --> 00:31:06,000
Speaker 3: The blacks are so rare. Oh my god get lost

600
00:31:06,040 --> 00:31:07,280
Speaker 3: in these inky blacks.

601
00:31:07,480 --> 00:31:10,280
Speaker 1: Yeah, the blacks are so dark. dB came over the

602
00:31:10,360 --> 00:31:14,000
Speaker 1: other night Sweeney and we were watching Bulletproof Monk and

603
00:31:14,200 --> 00:31:16,200
Speaker 1: we were watching on Blu Ray and he was just like,

604
00:31:16,280 --> 00:31:19,080
Speaker 1: I wish this was on laser oh, and I was embarrassed.

605
00:31:19,080 --> 00:31:22,200
Speaker 4: I think that all the time when I'm watching modern movies,

606
00:31:22,440 --> 00:31:25,480
Speaker 4: I think, what if what if I could watch a

607
00:31:25,560 --> 00:31:26,960
Speaker 4: dv A laser.

608
00:31:26,600 --> 00:31:28,160
Speaker 3: Disc rather of the pacifier?

609
00:31:28,320 --> 00:31:31,080
Speaker 4: Yeah, you know what I mean, Like that would be amazing,

610
00:31:31,560 --> 00:31:34,520
Speaker 4: or like or like Dwayne the Rock Johnson star turn

611
00:31:34,760 --> 00:31:37,440
Speaker 4: in the Tooth Fairy, you know what I mean. Like,

612
00:31:37,480 --> 00:31:40,000
Speaker 4: that's the kind of movie that's got enough dark corners

613
00:31:40,000 --> 00:31:42,920
Speaker 4: and crevices that I'm like, that's where laser disc would

614
00:31:42,920 --> 00:31:44,120
Speaker 4: pull something out of there.

615
00:31:44,280 --> 00:31:46,600
Speaker 1: It's a waste to watch it on any other format.

616
00:31:47,200 --> 00:31:49,280
Speaker 3: Hold on, I'm just going to ye. It's got an email.

617
00:31:49,320 --> 00:31:50,120
Speaker 3: You guys, keep talking.

618
00:31:50,280 --> 00:31:55,040
Speaker 1: Okay, did you get your bumper pool? Uh? It's it's

619
00:31:55,400 --> 00:32:01,400
Speaker 1: got fucked up because the shipping. Like, well, so here's

620
00:32:01,440 --> 00:32:05,480
Speaker 1: what happened, right, So I contacted the guy over eBay, Okay.

621
00:32:05,680 --> 00:32:06,600
Speaker 2: This game, what's that is?

622
00:32:06,640 --> 00:32:09,480
Speaker 3: It was? It was it was my producer just saying

623
00:32:09,520 --> 00:32:10,480
Speaker 3: some funny that was funny.

624
00:32:10,520 --> 00:32:13,520
Speaker 1: Yeah, producers can be really producers.

625
00:32:13,520 --> 00:32:15,800
Speaker 4: If you've got a funny producer, you know what, like

626
00:32:15,960 --> 00:32:17,000
Speaker 4: you're pretty lucky.

627
00:32:17,240 --> 00:32:19,480
Speaker 1: Yeah, you know, yeah, because you think of them as

628
00:32:19,520 --> 00:32:21,360
Speaker 1: the business side of it, But when they're funny, it

629
00:32:21,560 --> 00:32:23,720
Speaker 1: just makes the business part even the fun Yeah.

630
00:32:23,760 --> 00:32:26,160
Speaker 4: And also when you're out with them, it makes it

631
00:32:26,160 --> 00:32:28,120
Speaker 4: a lot easier to talk to girls because it's like

632
00:32:28,120 --> 00:32:30,800
Speaker 4: two funny guys talking to girls rather than just like

633
00:32:31,000 --> 00:32:32,880
Speaker 4: it's all up to me, because this guy's a real

634
00:32:33,200 --> 00:32:36,680
Speaker 4: you know, drip. You know, that's a huge it's like

635
00:32:36,720 --> 00:32:39,840
Speaker 4: a huge like like like weight off my shoulders?

636
00:32:39,920 --> 00:32:42,000
Speaker 1: What do you like to like? What do you say?

637
00:32:42,280 --> 00:32:45,600
Speaker 2: And like maybe like it's as funny as what we

638
00:32:45,640 --> 00:32:48,360
Speaker 2: say when we talk to girls. Yeah, but what do

639
00:32:48,360 --> 00:32:50,880
Speaker 2: you do? You mean like when you say to girls stuff?

640
00:32:50,920 --> 00:32:51,400
Speaker 1: What do you do?

641
00:32:51,480 --> 00:32:51,600
Speaker 3: Oh?

642
00:32:51,640 --> 00:32:52,800
Speaker 4: When I say to girls stuff, I mean, like a

643
00:32:52,840 --> 00:32:55,840
Speaker 4: lot of stuff I do is just like credits, you

644
00:32:55,880 --> 00:32:58,200
Speaker 4: know what I mean? Yeah, stuff I've done, stuff they

645
00:32:58,240 --> 00:33:01,200
Speaker 4: know I've done. Yeah, because a lot of people, a

646
00:33:01,280 --> 00:33:02,880
Speaker 4: lot of times girls will be like, oh, I know

647
00:33:02,960 --> 00:33:06,080
Speaker 4: you from something you know, and that's like if that happens,

648
00:33:06,240 --> 00:33:08,440
Speaker 4: I know, I know, it's all do you.

649
00:33:08,440 --> 00:33:10,600
Speaker 2: Ever have the problem where they're like, what do you do?

650
00:33:10,720 --> 00:33:13,479
Speaker 2: And it's like, uh, you kind of know, like I know,

651
00:33:13,640 --> 00:33:15,760
Speaker 2: you know, well, this is my move. You're ready for

652
00:33:15,800 --> 00:33:16,160
Speaker 2: my move?

653
00:33:16,400 --> 00:33:17,080
Speaker 1: Uh huh?

654
00:33:17,120 --> 00:33:20,040
Speaker 4: Because like two girls walk up right and because you know,

655
00:33:20,080 --> 00:33:22,000
Speaker 4: like we've been like making eyes or like me and

656
00:33:22,000 --> 00:33:24,080
Speaker 4: my producer have sent them drinks or something and they

657
00:33:24,080 --> 00:33:25,080
Speaker 4: walk up to something like.

658
00:33:25,400 --> 00:33:26,280
Speaker 3: What do you do?

659
00:33:26,800 --> 00:33:28,720
Speaker 4: And I usually say to one, I go, why don't

660
00:33:28,760 --> 00:33:32,920
Speaker 4: you ask your friend? Yes, you know, the friend is

661
00:33:33,040 --> 00:33:35,520
Speaker 4: always like knows because the fake she's a little fat.

662
00:33:35,600 --> 00:33:36,040
Speaker 1: That's tight.

663
00:33:36,160 --> 00:33:39,240
Speaker 3: So she's into more comedies. She listens to podcast like

664
00:33:39,280 --> 00:33:40,080
Speaker 3: she knows what's up?

665
00:33:40,160 --> 00:33:42,480
Speaker 2: Mm hm oh.

666
00:33:41,880 --> 00:33:42,600
Speaker 1: That's really tight.

667
00:33:42,800 --> 00:33:46,120
Speaker 2: Yeah I do that because they met, like they ask

668
00:33:46,200 --> 00:33:48,800
Speaker 2: it in that teasy way, yeah, where it's like okay,

669
00:33:48,800 --> 00:33:50,920
Speaker 2: you're gonna actually make me like go through this and

670
00:33:51,000 --> 00:33:52,360
Speaker 2: oh yeah, yeah, okay.

671
00:33:52,160 --> 00:33:53,840
Speaker 1: I'm so glad we're talking about this.

672
00:33:53,920 --> 00:33:55,840
Speaker 4: There's a lot of this. I mean, I'll say this

673
00:33:56,000 --> 00:33:57,240
Speaker 4: just being in the business. I don't know if you

674
00:33:57,280 --> 00:33:59,840
Speaker 4: guys find this, there's you can cut through a lot

675
00:33:59,880 --> 00:34:03,120
Speaker 4: of bullshit, you know, you can cut through a lot

676
00:34:03,120 --> 00:34:06,680
Speaker 4: of bullshit with just like with like with three things

677
00:34:07,600 --> 00:34:08,640
Speaker 4: one hundred dollars bill.

678
00:34:09,520 --> 00:34:11,440
Speaker 3: You know, just pay with one hundred dollars bill and

679
00:34:11,520 --> 00:34:12,480
Speaker 3: don't ask for change.

680
00:34:13,360 --> 00:34:16,319
Speaker 2: Girl sees like a valet bullshit, like whatever, like for

681
00:34:16,360 --> 00:34:17,760
Speaker 2: a couple of whatever.

682
00:34:18,000 --> 00:34:23,160
Speaker 4: Just just just like an acting Ye act annoyed exactly

683
00:34:23,239 --> 00:34:25,520
Speaker 4: exactly what you just act annoyed by, Like, oh, you

684
00:34:25,560 --> 00:34:28,200
Speaker 4: know what, I don't want to please don't interrupt me

685
00:34:28,239 --> 00:34:29,839
Speaker 4: again with change generosity.

686
00:34:29,880 --> 00:34:32,359
Speaker 1: It's I literally don't have time. I don't have time,

687
00:34:32,440 --> 00:34:34,279
Speaker 1: and they've got nothing small because I have an early

688
00:34:34,320 --> 00:34:37,759
Speaker 1: call in the morning. That's a point too. We got

689
00:34:37,800 --> 00:34:39,279
Speaker 1: to get this done. I've got an early call in

690
00:34:39,320 --> 00:34:40,759
Speaker 1: the morning, you know what I mean? Because and she

691
00:34:40,800 --> 00:34:43,799
Speaker 1: doesn't know. In her mind, she's like an early call?

692
00:34:44,080 --> 00:34:44,800
Speaker 1: Is he an actor?

693
00:34:45,239 --> 00:34:45,440
Speaker 3: Is he?

694
00:34:45,880 --> 00:34:47,560
Speaker 4: If she doesn't know what the deal is, she just

695
00:34:47,640 --> 00:34:50,360
Speaker 4: knows like I'm I'm very important, you know, which I.

696
00:34:50,320 --> 00:34:53,600
Speaker 3: Think is huge. Jason.

697
00:34:53,880 --> 00:34:59,160
Speaker 2: Yeah, when you married ice Cube sister, did you know

698
00:35:00,280 --> 00:35:02,239
Speaker 2: that you were gonna get a movie out of it

699
00:35:02,400 --> 00:35:05,479
Speaker 2: or were you just trying to take a stand about

700
00:35:05,480 --> 00:35:06,360
Speaker 2: interracial marriage.

701
00:35:06,360 --> 00:35:08,279
Speaker 3: Well, a lot of what that was about, you're talking

702
00:35:08,280 --> 00:35:09,320
Speaker 3: about the movie right along.

703
00:35:10,719 --> 00:35:12,839
Speaker 4: A lot of what that was about was I had

704
00:35:12,840 --> 00:35:15,400
Speaker 4: the idea for the movie and could not get to Cube,

705
00:35:16,120 --> 00:35:19,080
Speaker 4: and my only way in was the sister, you know,

706
00:35:19,640 --> 00:35:22,200
Speaker 4: And for me it was getting close to the sister,

707
00:35:23,200 --> 00:35:25,759
Speaker 4: and we never actually got married because once we got

708
00:35:25,960 --> 00:35:28,879
Speaker 4: kind of close to it, he had already gotten into

709
00:35:28,920 --> 00:35:31,839
Speaker 4: the script and was super into it at that time.

710
00:35:31,840 --> 00:35:34,080
Speaker 4: Though it was a little different. It was called bride Along,

711
00:35:35,040 --> 00:35:39,360
Speaker 4: and it was about his character bringing his sister in

712
00:35:39,400 --> 00:35:42,759
Speaker 4: a bridle down along for the whole thing, So it

713
00:35:42,800 --> 00:35:44,359
Speaker 4: was a different script could work too.

714
00:35:44,560 --> 00:35:44,759
Speaker 1: Yeah.

715
00:35:44,840 --> 00:35:47,480
Speaker 3: No, I've been saying that because this one was such

716
00:35:47,480 --> 00:35:49,080
Speaker 3: a success. I've been believe me.

717
00:35:49,320 --> 00:35:52,439
Speaker 4: Believe me, I've been blowing them at being like, hey, guys,

718
00:35:52,480 --> 00:35:55,479
Speaker 4: let's dust off Bride Along. Let's bring that back because

719
00:35:55,480 --> 00:35:57,080
Speaker 4: the sequel I get it right along too, you want

720
00:35:57,080 --> 00:36:00,280
Speaker 4: those guys in it. But why not revisit this because

721
00:36:00,320 --> 00:36:01,880
Speaker 4: this was something special.

722
00:36:02,000 --> 00:36:02,719
Speaker 3: It was a little bit.

723
00:36:02,760 --> 00:36:04,400
Speaker 4: There was a love scene that a lot of people

724
00:36:04,400 --> 00:36:08,040
Speaker 4: had a problem with. I didn't, but it was something

725
00:36:08,080 --> 00:36:10,640
Speaker 4: that I felt creatively was fit.

726
00:36:10,719 --> 00:36:12,200
Speaker 1: The tone of the move is that the one between

727
00:36:12,280 --> 00:36:13,240
Speaker 1: ice Cube and the car.

728
00:36:13,760 --> 00:36:19,560
Speaker 4: Yes, yeah, a lot of people don't. What I got

729
00:36:19,600 --> 00:36:23,520
Speaker 4: a lot of was we've seen a man have an

730
00:36:23,560 --> 00:36:27,200
Speaker 4: intimate relationship with an ananimate object in America. Sure, Hi, Sure,

731
00:36:27,480 --> 00:36:29,799
Speaker 4: And though it worked, we're not sure we're willing to

732
00:36:29,920 --> 00:36:33,279
Speaker 4: transfer that to something mechanical.

733
00:36:32,840 --> 00:36:33,400
Speaker 3: Like a car.

734
00:36:33,719 --> 00:36:35,759
Speaker 4: I think a lot of people think that's what Transformers

735
00:36:35,800 --> 00:36:37,560
Speaker 4: is going to turn into. I think a lot of

736
00:36:37,560 --> 00:36:39,600
Speaker 4: people think the Transformers for that. Mike is going to

737
00:36:39,680 --> 00:36:44,960
Speaker 4: do that with Transformers for Yeah. So I don't know, Well,

738
00:36:45,360 --> 00:36:49,359
Speaker 4: that's a real thing, making love to cars. Yeah, oh no, yeah,

739
00:36:49,360 --> 00:36:50,799
Speaker 4: I know. It's a whole subculture here. You can get

740
00:36:50,800 --> 00:36:51,600
Speaker 4: on webboards about it.

741
00:36:51,640 --> 00:36:55,000
Speaker 1: Objective sexuals. I don't know why Hollywood wants to turn

742
00:36:55,040 --> 00:36:55,920
Speaker 1: a blind eye to that.

743
00:36:56,160 --> 00:36:59,279
Speaker 4: There's a woman who married the Eiffel Tower. There's a

744
00:36:59,320 --> 00:37:01,719
Speaker 4: woman who tries to a man. I believe he tried

745
00:37:01,719 --> 00:37:04,120
Speaker 4: to marry a bridge. Yeah, people fall in love.

746
00:37:04,160 --> 00:37:06,720
Speaker 3: But I mean, like, and let's be honest, like objects

747
00:37:06,719 --> 00:37:07,440
Speaker 3: can be beautiful.

748
00:37:07,920 --> 00:37:14,040
Speaker 1: Yes, phones, phones, I mean we're all kind of dating

749
00:37:14,040 --> 00:37:15,200
Speaker 1: our phones, am I right?

750
00:37:15,360 --> 00:37:15,760
Speaker 3: Sure?

751
00:37:21,880 --> 00:37:27,000
Speaker 1: People you know they watch movies on the thing.

752
00:37:27,200 --> 00:37:28,600
Speaker 3: Was it funny? Though? It's funny?

753
00:37:28,680 --> 00:37:32,400
Speaker 4: Is though that you like instinctively picked up your phone.

754
00:37:32,520 --> 00:37:34,680
Speaker 4: Like what people can't see in the studio though, is

755
00:37:34,880 --> 00:37:37,359
Speaker 4: like you were making a joke, but like, there's such

756
00:37:37,440 --> 00:37:39,880
Speaker 4: truth to it that you picked up the phone.

757
00:37:41,360 --> 00:37:44,080
Speaker 3: It was like a loving thread. Yeah, there is.

758
00:37:44,280 --> 00:37:47,320
Speaker 2: And you licked your lips. I think just kind of unconsciously,

759
00:37:47,640 --> 00:37:51,360
Speaker 2: something little beads of sweat weld up. My heart started pounding,

760
00:37:51,400 --> 00:37:54,920
Speaker 2: my breath became shallow. Yeah, all these things from touching

761
00:37:54,960 --> 00:37:55,440
Speaker 2: my phone.

762
00:37:55,520 --> 00:37:57,440
Speaker 3: Yeah, so interesting, it's so interesting.

763
00:37:57,640 --> 00:38:00,360
Speaker 4: It is we're all kind of dating. Well, it's like

764
00:38:00,640 --> 00:38:03,960
Speaker 4: the movie from this year, Twelve Years of Slave. We

765
00:38:04,040 --> 00:38:07,480
Speaker 4: are slaves to these devices. We are slaves to this technology.

766
00:38:07,560 --> 00:38:08,400
Speaker 3: It's just like it.

767
00:38:08,400 --> 00:38:09,840
Speaker 1: We're slaves to And that's why I won all the

768
00:38:09,880 --> 00:38:13,960
Speaker 1: awards because it's relatable. We are slaves to the phone

769
00:38:14,239 --> 00:38:17,920
Speaker 1: and to the technology, which is really changing the industry.

770
00:38:18,360 --> 00:38:20,600
Speaker 4: Oh absolutely, I mean I think we're at a real

771
00:38:20,760 --> 00:38:24,040
Speaker 4: like we're at a real crossroads here for what we're

772
00:38:24,080 --> 00:38:26,959
Speaker 4: about to be doing versus what we have been doing.

773
00:38:27,320 --> 00:38:30,080
Speaker 1: Yes, what we're doing, it's gonna be different. It is

774
00:38:30,120 --> 00:38:30,760
Speaker 1: going to be different.

775
00:38:30,880 --> 00:38:34,319
Speaker 3: It's already it's you know what, it's already different. We

776
00:38:34,400 --> 00:38:35,160
Speaker 3: just don't even know.

777
00:38:35,680 --> 00:38:37,560
Speaker 2: It's like the matrix right now, because we're in it.

778
00:38:37,560 --> 00:38:40,520
Speaker 2: It seems like it's the same. But we're going to go.

779
00:38:40,600 --> 00:38:41,680
Speaker 1: It's actually different.

780
00:38:41,840 --> 00:38:43,920
Speaker 4: And the thing is if you can open your eyes

781
00:38:43,960 --> 00:38:47,000
Speaker 4: to the differences and exploit them when everybody else it's

782
00:38:47,040 --> 00:38:49,399
Speaker 4: like like again again, I just said it, but I'll

783
00:38:49,400 --> 00:38:49,960
Speaker 4: say it again.

784
00:38:50,280 --> 00:38:51,320
Speaker 3: It's like the matrix.

785
00:38:51,440 --> 00:38:53,120
Speaker 4: If you can be one of the first people who

786
00:38:53,160 --> 00:38:56,480
Speaker 4: realizes they're in the matrix. You can be Neo, or

787
00:38:56,560 --> 00:39:01,799
Speaker 4: you can be the Girl, or you can be Ye

788
00:39:02,080 --> 00:39:05,799
Speaker 4: Lawrence Fish yeah, or you or you can be Joe

789
00:39:05,800 --> 00:39:09,160
Speaker 4: Pant or you can be Cipher, or you can be

790
00:39:09,840 --> 00:39:13,080
Speaker 4: and you can be any of these guys. You know,

791
00:39:13,120 --> 00:39:15,200
Speaker 4: you can be one of the early adopters, and in

792
00:39:15,320 --> 00:39:19,480
Speaker 4: doing so, you will be able to just run the board.

793
00:39:20,040 --> 00:39:25,200
Speaker 1: Yeah, like a fucking bossy dude, Like a boss dude.

794
00:39:25,880 --> 00:39:27,279
Speaker 1: I totally agree.

795
00:39:27,640 --> 00:39:33,600
Speaker 5: Yo, Legit Yeah yeah, TV show on FXX Yeah, jo

796
00:39:33,680 --> 00:39:37,640
Speaker 5: Jefferes Yo, if you fucking figure that ship out, you're

797
00:39:37,680 --> 00:39:39,520
Speaker 5: a fucking straight up boss.

798
00:39:40,560 --> 00:39:41,080
Speaker 3: That show.

799
00:39:41,920 --> 00:39:44,520
Speaker 2: Legit is the closest thing to the other side of

800
00:39:44,560 --> 00:39:52,880
Speaker 2: the matrix. Yeap on TV right now, it's through the

801
00:39:53,040 --> 00:39:54,120
Speaker 2: fucking looking glass.

802
00:39:54,160 --> 00:39:58,400
Speaker 4: Oh yeah, just tearing it all down. Well, it's really

803
00:39:59,680 --> 00:40:02,239
Speaker 4: watch and it makes me uncomfortable. Yeah, I'm like, I

804
00:40:02,280 --> 00:40:06,279
Speaker 4: feel like I'm watching somebody who is just one step ahead.

805
00:40:06,160 --> 00:40:08,680
Speaker 2: Because that's it's like, that is me. But it's just

806
00:40:08,680 --> 00:40:10,440
Speaker 2: like the part of my brain that I just won't

807
00:40:10,640 --> 00:40:11,640
Speaker 2: you just won't let out.

808
00:40:11,680 --> 00:40:15,320
Speaker 4: It's like when Neo is fighting Laurence Fishburne and Laurence

809
00:40:15,360 --> 00:40:17,680
Speaker 4: fishburn is always kicking his ass because he's just a

810
00:40:17,719 --> 00:40:18,480
Speaker 4: little bit ahead.

811
00:40:18,600 --> 00:40:24,000
Speaker 1: Yeah, yeah, yeah, it's and the things that show's taking

812
00:40:24,040 --> 00:40:26,040
Speaker 1: down don't even know they're being targeted.

813
00:40:28,520 --> 00:40:34,440
Speaker 2: Jason, speaking of slaves, talk about what it's like to

814
00:40:34,480 --> 00:40:40,040
Speaker 2: be a minority in this town. As someone who is

815
00:40:40,080 --> 00:40:42,360
Speaker 2: a writer and performer.

816
00:40:43,400 --> 00:40:47,840
Speaker 4: Sure, I mean this is I find My biggest problem

817
00:40:48,040 --> 00:40:54,640
Speaker 4: kind of in getting work and succeeding is that I'm

818
00:40:54,719 --> 00:40:59,120
Speaker 4: up against a lot of preconceived notions of how and

819
00:40:59,160 --> 00:41:01,279
Speaker 4: what I am exactly because a lot of times I

820
00:41:01,320 --> 00:41:04,919
Speaker 4: walk into a room and whether or not I'm right

821
00:41:05,080 --> 00:41:09,040
Speaker 4: for the part, all they see is writer, you know

822
00:41:09,080 --> 00:41:10,960
Speaker 4: what I mean? Like, all they see is a writer,

823
00:41:11,960 --> 00:41:15,360
Speaker 4: and I'm there saying, hey, I'm auditioning for this part.

824
00:41:15,520 --> 00:41:17,160
Speaker 3: I'm here to be in this movie.

825
00:41:18,000 --> 00:41:21,480
Speaker 4: But all they see are a list of writers credits

826
00:41:21,560 --> 00:41:24,759
Speaker 4: that are that is long, and they start thinking about

827
00:41:24,800 --> 00:41:27,320
Speaker 4: those movies and it doesn't jibe.

828
00:41:26,960 --> 00:41:29,560
Speaker 3: With what they're thinking. They're thinking that this writer guy

829
00:41:30,600 --> 00:41:33,120
Speaker 3: is here auditioning for.

830
00:41:33,040 --> 00:41:35,080
Speaker 1: This, for this movie and crushing in.

831
00:41:35,200 --> 00:41:38,240
Speaker 4: Yeah, And likewise, I'll go in, I'll have an idea

832
00:41:38,280 --> 00:41:40,200
Speaker 4: for a movie. I'll go in, I'll sit with the

833
00:41:40,200 --> 00:41:43,160
Speaker 4: big bosses, I'll get the call, I'll go in, I'll

834
00:41:43,200 --> 00:41:45,120
Speaker 4: sit down and I'll start my pitch and I'll say,

835
00:41:45,160 --> 00:41:49,719
Speaker 4: this is what I'm thinking. It's Channing Tatum, it's this guy,

836
00:41:49,800 --> 00:41:52,560
Speaker 4: it's that guy. Here's the setup. And then they'll say,

837
00:41:52,600 --> 00:41:54,440
Speaker 4: I have to stop you, Jason, I've got to stop you.

838
00:41:56,200 --> 00:41:58,360
Speaker 4: I'm a big fan of you on the League, you know,

839
00:41:58,440 --> 00:42:00,799
Speaker 4: like I love the League, my buddy, somehow we watched

840
00:42:00,840 --> 00:42:01,280
Speaker 4: the League.

841
00:42:02,680 --> 00:42:05,279
Speaker 3: What what what? I don't know what you're doing here,

842
00:42:05,440 --> 00:42:07,480
Speaker 3: Like I don't know what this is, you know.

843
00:42:07,520 --> 00:42:09,960
Speaker 4: And that's like a real hard pill to swallow, because

844
00:42:10,440 --> 00:42:12,800
Speaker 4: you know, just like they swallow the pills in the matrix.

845
00:42:13,520 --> 00:42:14,279
Speaker 3: It really is.

846
00:42:14,320 --> 00:42:16,680
Speaker 4: You want people to be able to open their minds

847
00:42:16,520 --> 00:42:20,680
Speaker 4: and allow for multiple versions of who I am. So yeah, No,

848
00:42:20,760 --> 00:42:25,560
Speaker 4: there's a lot of there's a lot of I don't know,

849
00:42:25,640 --> 00:42:28,120
Speaker 4: there's a lot of hard dummies. There's a lot of

850
00:42:28,200 --> 00:42:31,000
Speaker 4: dummies out there who don't have the creative minds enough

851
00:42:31,400 --> 00:42:34,960
Speaker 4: to not preconceive, to not just go with preconceived notions,

852
00:42:35,040 --> 00:42:36,320
Speaker 4: or just the chains.

853
00:42:35,960 --> 00:42:37,280
Speaker 1: And rips of jealousy.

854
00:42:37,480 --> 00:42:37,760
Speaker 3: Yeah.

855
00:42:37,840 --> 00:42:40,399
Speaker 4: Yeah, I don't know if you guys find the same.

856
00:42:40,480 --> 00:42:41,279
Speaker 3: I don't know, you know.

857
00:42:41,920 --> 00:42:50,200
Speaker 1: Oh yeah, the discrimination that we've faced, it's really it

858
00:42:50,239 --> 00:42:56,839
Speaker 1: should be criminal. It's as bad as it's as bad

859
00:42:56,880 --> 00:43:00,319
Speaker 1: as any kind of discrimination that's happened in this country.

860
00:43:00,480 --> 00:43:02,799
Speaker 2: You say rape, and people are like, oh, you know,

861
00:43:02,920 --> 00:43:05,200
Speaker 2: like people freak out, it just like saying the word.

862
00:43:05,280 --> 00:43:07,080
Speaker 2: And I think we should be allowed to have open

863
00:43:07,080 --> 00:43:09,360
Speaker 2: conversations about stuff that's worse and rape.

864
00:43:09,920 --> 00:43:14,440
Speaker 1: Yes, well, and and it's also like, well, if we're

865
00:43:14,480 --> 00:43:15,920
Speaker 1: not allowed to talk about it, how are we going

866
00:43:16,000 --> 00:43:20,759
Speaker 1: to change exactly or change this issue? Which is yea,

867
00:43:21,239 --> 00:43:23,200
Speaker 1: it affects a smaller number of people, but it is

868
00:43:23,280 --> 00:43:26,120
Speaker 1: possibly as bad or worse and bigger.

869
00:43:28,480 --> 00:43:32,680
Speaker 2: Jason, Yeah, should we reach into the bag.

870
00:43:32,880 --> 00:43:34,400
Speaker 1: Let's get into the popcorn gallery.

871
00:43:34,440 --> 00:43:35,719
Speaker 2: I want to explain what that is.

872
00:43:35,880 --> 00:43:44,120
Speaker 1: I'll try. So people go to the movies to watch.

873
00:43:43,880 --> 00:43:47,000
Speaker 3: Movies like in their home, like in my home theater.

874
00:43:48,800 --> 00:43:52,320
Speaker 1: Not everyone has a home theater. This isn't in between

875
00:43:52,440 --> 00:43:55,040
Speaker 1: kind of person. They don't have the home theater and

876
00:43:55,080 --> 00:43:57,600
Speaker 1: they don't live in some shitty bullshit or you have

877
00:43:57,640 --> 00:44:01,000
Speaker 1: to go to your church, oh hio thing where you

878
00:44:01,040 --> 00:44:06,080
Speaker 1: can only watch you know, you watch the Left or whatever. No,

879
00:44:06,280 --> 00:44:13,560
Speaker 1: it's a cineplex, okay. So people go there and when

880
00:44:13,560 --> 00:44:18,200
Speaker 1: they're there they eat a snack we call popcorn.

881
00:44:18,320 --> 00:44:24,920
Speaker 2: And sure PG is one of the ratings of some movies.

882
00:44:25,680 --> 00:44:27,360
Speaker 3: Oh yeah, plenty of movies are pg.

883
00:44:27,239 --> 00:44:33,560
Speaker 1: PG popcorn gallery. So that kind of gets you where

884
00:44:33,560 --> 00:44:37,359
Speaker 1: we're going. So we let people ask questions to our

885
00:44:37,400 --> 00:44:40,680
Speaker 1: guests on the forums.

886
00:44:41,000 --> 00:44:43,600
Speaker 3: Wait, and they're in the popcorn gallery.

887
00:44:44,160 --> 00:44:48,440
Speaker 2: They actually are the popcorn gas. They are the popcorn Gallery.

888
00:44:48,560 --> 00:44:50,359
Speaker 3: So is this like a is this an online thing?

889
00:44:51,840 --> 00:44:52,920
Speaker 1: Yeah?

890
00:44:52,960 --> 00:44:57,000
Speaker 3: Cool, I'm just trying to wrap my head around it.

891
00:44:57,000 --> 00:44:57,880
Speaker 2: It's not easy.

892
00:44:57,920 --> 00:44:59,160
Speaker 1: And we've been through this a lot.

893
00:44:59,280 --> 00:45:02,080
Speaker 2: You've actually co a lot farther than most of our

894
00:45:03,160 --> 00:45:05,520
Speaker 2: understanding it, and you don't get it because of your

895
00:45:05,520 --> 00:45:10,040
Speaker 2: podcast experience. Yes, let's reach into the bag.

896
00:45:10,200 --> 00:45:20,279
Speaker 1: Cool yup.

897
00:45:21,320 --> 00:45:27,680
Speaker 2: Here's a question from Freya. Mister manzukis, do you have

898
00:45:27,719 --> 00:45:30,200
Speaker 2: any tips on how to straighten my hair like you

899
00:45:30,280 --> 00:45:31,680
Speaker 2: do on Kroll Show.

900
00:45:32,320 --> 00:45:36,760
Speaker 4: Oh well, I mean, I think the easiest way.

901
00:45:36,640 --> 00:45:38,680
Speaker 3: To do it is to have.

902
00:45:40,000 --> 00:45:44,880
Speaker 4: Two people who work in hair come to your house

903
00:45:45,160 --> 00:45:48,160
Speaker 4: and they've got all the stuff. I can get you

904
00:45:48,200 --> 00:45:49,960
Speaker 4: the names of the two girls that did it when

905
00:45:50,000 --> 00:45:51,680
Speaker 4: I was on Kroll Show if you want. I don't

906
00:45:51,680 --> 00:45:54,480
Speaker 4: know if this is something you're amenable to, but you

907
00:45:54,520 --> 00:45:58,600
Speaker 4: get them to come out Aaron and I think Jackie

908
00:45:58,600 --> 00:46:00,799
Speaker 4: was the other girl's name, and they'll they It takes

909
00:46:00,800 --> 00:46:03,279
Speaker 4: about forty five minutes, sometimes a little bit more, sometimes

910
00:46:03,280 --> 00:46:06,799
Speaker 4: a little bit less, and they will set upon your

911
00:46:06,840 --> 00:46:10,560
Speaker 4: hair with a fury. I'll be honest. Jackie can be

912
00:46:10,600 --> 00:46:12,719
Speaker 4: a little chatty, which I don't care for. So I

913
00:46:12,760 --> 00:46:15,600
Speaker 4: put headphones in so and you can get your hair

914
00:46:15,640 --> 00:46:18,960
Speaker 4: straightened and if you want to chat, I'm sure they can.

915
00:46:19,000 --> 00:46:21,839
Speaker 3: Chat chat you up if you want. But that's the deal.

916
00:46:21,920 --> 00:46:24,040
Speaker 3: So it really is just about hiring the right people

917
00:46:24,120 --> 00:46:24,719
Speaker 3: for the job.

918
00:46:25,640 --> 00:46:26,800
Speaker 2: In certain parts of the country.

919
00:46:26,840 --> 00:46:27,360
Speaker 1: I think.

920
00:46:28,920 --> 00:46:34,120
Speaker 4: Virginia, Connecticut, some of the Virginia Connecticut corridor, the you know,

921
00:46:34,160 --> 00:46:38,040
Speaker 4: the flyover part of the East.

922
00:46:37,760 --> 00:46:40,799
Speaker 3: Coast, sure, sure, the flyover Eastern seaboard, yep.

923
00:46:41,200 --> 00:46:47,120
Speaker 4: They you're going from Miami to Miami to Portland, Maine.

924
00:46:47,640 --> 00:46:51,520
Speaker 2: Yeah, they wait till it's raining and they just have

925
00:46:51,600 --> 00:46:52,480
Speaker 2: to walk outside.

926
00:46:52,719 --> 00:46:54,120
Speaker 3: Oh yeah, I see what you're saying.

927
00:46:54,160 --> 00:46:57,000
Speaker 2: Yeah, good tips.

928
00:46:57,239 --> 00:46:57,439
Speaker 3: Yeah.

929
00:46:57,520 --> 00:47:00,440
Speaker 4: Oh no, I mean like there's nothing especially for stuff

930
00:47:00,600 --> 00:47:03,040
Speaker 4: like that hair and makeup and all that stuff. There

931
00:47:03,040 --> 00:47:05,880
Speaker 4: are professionals out there who it's just much easier to

932
00:47:05,880 --> 00:47:06,359
Speaker 4: pay to have.

933
00:47:06,320 --> 00:47:08,799
Speaker 2: It done because these people don't know, you know.

934
00:47:09,600 --> 00:47:11,920
Speaker 3: And oh, I mean, let's be honest, dummies can't do

935
00:47:11,960 --> 00:47:13,520
Speaker 3: their own hair, you know what I mean?

936
00:47:14,400 --> 00:47:18,520
Speaker 2: No, is there another question in the bag?

937
00:47:20,200 --> 00:47:29,239
Speaker 1: I think so better check. I'm joking, I'm talking.

938
00:47:31,400 --> 00:47:33,200
Speaker 3: I love you. These are great.

939
00:47:33,280 --> 00:47:33,480
Speaker 5: Yeah.

940
00:47:33,520 --> 00:47:36,200
Speaker 1: These are a bunch of drops that we had, really funny.

941
00:47:36,239 --> 00:47:37,920
Speaker 1: We had Diplo make them for us.

942
00:47:37,920 --> 00:47:43,160
Speaker 3: Oh man, I love his Do you like him major laser? Yeah?

943
00:47:43,200 --> 00:47:46,640
Speaker 4: Come on, exactly, so good.

944
00:47:46,680 --> 00:47:47,840
Speaker 3: That's my favorite kind of regular.

945
00:47:50,360 --> 00:47:52,520
Speaker 1: Let me get that. Okay, is there a question? Yeah? Good?

946
00:47:52,520 --> 00:47:52,759
Speaker 3: Good.

947
00:47:52,960 --> 00:47:58,040
Speaker 2: This one's from Bruce Reid Robinson the second the r

948
00:47:58,160 --> 00:47:58,640
Speaker 2: R two.

949
00:47:59,000 --> 00:47:59,520
Speaker 1: You know him.

950
00:48:01,440 --> 00:48:03,960
Speaker 2: He's got us as avatar on the forum, so that'll

951
00:48:04,040 --> 00:48:05,000
Speaker 2: ProBiS thing a little bit.

952
00:48:05,480 --> 00:48:11,280
Speaker 3: And he is irrelevant to me. His existence is pointless.

953
00:48:11,040 --> 00:48:13,400
Speaker 2: So you don't have him as your avatar.

954
00:48:13,600 --> 00:48:15,600
Speaker 4: I don't even know. Honest to god, I don't know

955
00:48:15,640 --> 00:48:18,080
Speaker 4: what an avatar is. And this is the first I've

956
00:48:18,080 --> 00:48:18,840
Speaker 4: heard of forums.

957
00:48:19,160 --> 00:48:22,359
Speaker 2: I just assumed since he had you, yeah, you would

958
00:48:22,400 --> 00:48:23,239
Speaker 2: also have him.

959
00:48:23,600 --> 00:48:26,719
Speaker 1: He figured it was an exchange type thing, like when

960
00:48:26,760 --> 00:48:28,040
Speaker 1: I gave Hayes my glasses.

961
00:48:28,600 --> 00:48:31,360
Speaker 2: No, so it's just him. I'm using you and he

962
00:48:31,400 --> 00:48:35,000
Speaker 2: doesn't even know you. But he's used your face to

963
00:48:35,200 --> 00:48:36,880
Speaker 2: represent him on the Internet.

964
00:48:37,320 --> 00:48:39,920
Speaker 3: That's fine by me. And if he wants to, like

965
00:48:41,120 --> 00:48:42,680
Speaker 3: I feel bad for here's the reality.

966
00:48:42,760 --> 00:48:43,359
Speaker 2: It seems weird.

967
00:48:43,400 --> 00:48:45,279
Speaker 4: Here's the reality. I feel bad for him because he's

968
00:48:45,320 --> 00:48:49,080
Speaker 4: probably very ugly. Maybe he has been burned, I'm not sure.

969
00:48:49,239 --> 00:48:52,960
Speaker 4: And as such, he is, you know, choosing something to

970
00:48:53,080 --> 00:48:56,440
Speaker 4: represent himself that he believes in, something maybe he idolizes

971
00:48:56,520 --> 00:48:59,319
Speaker 4: or or or maybe I'm his hero or much in

972
00:48:59,320 --> 00:49:00,759
Speaker 4: the same way that like, as a young child, I

973
00:49:00,840 --> 00:49:02,360
Speaker 4: might have chosen if there were such a thing as

974
00:49:02,400 --> 00:49:04,560
Speaker 4: avatars when I was a kid, like magnum p, I

975
00:49:04,680 --> 00:49:07,680
Speaker 4: is my avatar, you know what I mean, Like someone aspirational,

976
00:49:07,719 --> 00:49:10,040
Speaker 4: like I would like to become this person, and so

977
00:49:10,160 --> 00:49:13,040
Speaker 4: for for this person b r R two, I suspect

978
00:49:13,080 --> 00:49:13,919
Speaker 4: I'm that to him.

979
00:49:14,000 --> 00:49:17,680
Speaker 1: Oh, dude, Magnum was a fucking ball. I mean right,

980
00:49:18,080 --> 00:49:22,200
Speaker 1: Yeahri dude, dream Life just lived in a sick ass

981
00:49:22,239 --> 00:49:28,000
Speaker 1: fucking mansion. Oh, didn't pay shit for it, fucking ki Yi.

982
00:49:28,360 --> 00:49:29,200
Speaker 3: Yeah, I'm dude.

983
00:49:29,760 --> 00:49:34,200
Speaker 1: And the babes, so many babes. I guys, I love

984
00:49:34,239 --> 00:49:36,880
Speaker 1: beautiful women. Man, that's my weakness.

985
00:49:36,440 --> 00:49:37,360
Speaker 2: In a two piece.

986
00:49:37,520 --> 00:49:41,120
Speaker 4: Okay, mmm, here's the The only bummer is really just

987
00:49:41,200 --> 00:49:43,480
Speaker 4: those very intense NOM flashbacks.

988
00:49:43,719 --> 00:49:46,839
Speaker 1: Yeah. I could do without that part of it.

989
00:49:46,960 --> 00:49:47,200
Speaker 3: Yep.

990
00:49:47,800 --> 00:49:50,320
Speaker 4: Yeah, very intense, so much so that in later seasons

991
00:49:50,360 --> 00:49:52,560
Speaker 4: he had to go back to Nam to just get

992
00:49:52,560 --> 00:49:55,720
Speaker 4: his head right and rescue some POW's and that wife

993
00:49:55,719 --> 00:49:59,959
Speaker 4: he thought was dead, She's alive, boy, and he died.

994
00:50:00,160 --> 00:50:05,399
Speaker 4: I watched the entire series once a year. Yeah, he died,

995
00:50:05,440 --> 00:50:06,120
Speaker 4: then he came back.

996
00:50:06,200 --> 00:50:08,480
Speaker 3: Yep. Oops.

997
00:50:08,520 --> 00:50:12,120
Speaker 4: Bruce Ree Robinson, Yes, the second who is not your friend? Nope,

998
00:50:12,320 --> 00:50:15,319
Speaker 4: never met him, don't care to asks.

999
00:50:15,920 --> 00:50:19,600
Speaker 1: Seems like a lawsuit using that face for the avatar. Huh.

1000
00:50:19,840 --> 00:50:22,160
Speaker 1: If not from you, then whoever he meets, they think

1001
00:50:22,200 --> 00:50:24,520
Speaker 1: they're getting, they're getting prime rib.

1002
00:50:24,600 --> 00:50:25,120
Speaker 3: Here's the deal.

1003
00:50:25,160 --> 00:50:27,000
Speaker 4: It's one of those things that like, I have a guy,

1004
00:50:27,080 --> 00:50:28,520
Speaker 4: I've got a lawyer, you know what I mean, Like

1005
00:50:28,640 --> 00:50:30,960
Speaker 4: if I sent him on every one of these people

1006
00:50:31,000 --> 00:50:32,800
Speaker 4: that like puts a picture of me up on the internet,

1007
00:50:33,200 --> 00:50:35,080
Speaker 4: you know, like the guy would be charging me up

1008
00:50:35,120 --> 00:50:37,879
Speaker 4: the ass. So like, I you know what this guy

1009
00:50:38,000 --> 00:50:41,080
Speaker 4: can you know, God bless you know? Use you want

1010
00:50:41,080 --> 00:50:43,200
Speaker 4: to use my picture as your avatar, go for.

1011
00:50:43,160 --> 00:50:45,040
Speaker 1: It, you know, Yeah, I know it's not worth your time.

1012
00:50:45,120 --> 00:50:46,799
Speaker 1: I'm just saying like he could get sued by like

1013
00:50:46,840 --> 00:50:49,200
Speaker 1: his own frigging dad if he sees a picture and

1014
00:50:49,280 --> 00:50:51,440
Speaker 1: invites his son back over to Thanksgiving things. Oh he

1015
00:50:51,480 --> 00:50:54,319
Speaker 1: got his burns fixed or whatever. He thinks he's gonna

1016
00:50:54,320 --> 00:50:56,800
Speaker 1: get prime rib. Wait, so you think the dad thinks

1017
00:50:57,120 --> 00:50:57,960
Speaker 1: that I'm the Sun?

1018
00:50:58,560 --> 00:51:01,200
Speaker 2: He sees the gatar, thinks he's going to get prime rip.

1019
00:51:01,280 --> 00:51:03,200
Speaker 4: Do you think the dad is Wait, so you think

1020
00:51:03,239 --> 00:51:04,760
Speaker 4: the dad is on the forums as well?

1021
00:51:05,920 --> 00:51:10,200
Speaker 2: I mean maybe he's How does Sun find out it? Yeah?

1022
00:51:10,440 --> 00:51:12,319
Speaker 3: I see what you're saying. Yeah, no, I mean this

1023
00:51:12,400 --> 00:51:13,439
Speaker 3: sounds this is dark.

1024
00:51:13,480 --> 00:51:15,960
Speaker 1: But if he's expecting prime rib, you know he gets

1025
00:51:15,960 --> 00:51:19,600
Speaker 1: frigging uh Frisky's feast.

1026
00:51:20,840 --> 00:51:21,160
Speaker 3: Yeah.

1027
00:51:21,239 --> 00:51:23,560
Speaker 1: Yeah, that's so that's not nice.

1028
00:51:23,719 --> 00:51:24,400
Speaker 3: Guess what that is?

1029
00:51:24,440 --> 00:51:26,560
Speaker 4: That's a rood awakening if you think you're getting prime

1030
00:51:26,600 --> 00:51:30,520
Speaker 4: rib and you can instead of get Frisky's feast.

1031
00:51:31,600 --> 00:51:35,480
Speaker 2: Bruce Reid Robinson asks Jason, could you please give a

1032
00:51:35,480 --> 00:51:39,480
Speaker 2: comprehensive list of your food and environmental environmental allergies?

1033
00:51:40,160 --> 00:51:40,359
Speaker 3: Oh?

1034
00:51:41,040 --> 00:51:44,840
Speaker 4: Sure, it's a short list. I am I have a

1035
00:51:45,360 --> 00:51:51,239
Speaker 4: life threatening food allergy to eggs. Environmentally, I'm cool.

1036
00:51:51,560 --> 00:51:54,799
Speaker 2: I feel like he's going to use that now when

1037
00:51:54,840 --> 00:51:57,120
Speaker 2: he goes to these meetings and people ask him what

1038
00:51:57,400 --> 00:52:00,080
Speaker 2: he's just gathering, to check if it's him.

1039
00:52:00,200 --> 00:52:01,839
Speaker 1: I think that yeah, they're going to go, hey, your

1040
00:52:01,840 --> 00:52:03,400
Speaker 1: face doesn't look quite the same, and he's going to go,

1041
00:52:03,480 --> 00:52:05,800
Speaker 1: I just ate eggs, which I'm famously I'm.

1042
00:52:05,680 --> 00:52:08,040
Speaker 4: Trying to take over my person, like like it's trying

1043
00:52:08,040 --> 00:52:08,600
Speaker 4: to steal my head?

1044
00:52:08,680 --> 00:52:11,160
Speaker 2: Well, house, do you explain the fan of ninety five

1045
00:52:11,239 --> 00:52:12,359
Speaker 2: percent of the way there?

1046
00:52:12,640 --> 00:52:12,920
Speaker 3: This is?

1047
00:52:13,120 --> 00:52:16,680
Speaker 1: I thought it was Yeah, Okay, I like this.

1048
00:52:17,040 --> 00:52:18,680
Speaker 3: I do feel like I should talk to my lawyer

1049
00:52:18,719 --> 00:52:19,080
Speaker 3: about this.

1050
00:52:21,239 --> 00:52:21,640
Speaker 2: Jason.

1051
00:52:21,760 --> 00:52:22,200
Speaker 1: Yeah.

1052
00:52:22,760 --> 00:52:25,840
Speaker 2: We saw in your Wikipedia page that you are famous

1053
00:52:26,400 --> 00:52:29,920
Speaker 2: for wearing white shirts and and jeans, and you're wearing

1054
00:52:29,960 --> 00:52:30,640
Speaker 2: one right now.

1055
00:52:31,440 --> 00:52:32,279
Speaker 3: I guess so. Yeah.

1056
00:52:32,600 --> 00:52:38,280
Speaker 4: By by Happenstance talk about the importance of a recognizable

1057
00:52:38,400 --> 00:52:41,799
Speaker 4: uniform in this you know what it's I'll be I'll

1058
00:52:41,840 --> 00:52:43,600
Speaker 4: be honest, do you I go to my closet every

1059
00:52:43,640 --> 00:52:45,719
Speaker 4: day and I just pick out a shirt, and I

1060
00:52:45,719 --> 00:52:47,279
Speaker 4: pick out pants and I put them on and I

1061
00:52:47,280 --> 00:52:50,000
Speaker 4: walk out the house. Just so happens that closet only

1062
00:52:50,080 --> 00:52:51,080
Speaker 4: has white shirts.

1063
00:52:50,800 --> 00:52:51,400
Speaker 3: And jeans in it.

1064
00:52:51,840 --> 00:52:53,920
Speaker 4: You know, it just happened like it just happened like that.

1065
00:52:53,920 --> 00:52:55,759
Speaker 4: That's what the house came with. You know, I don't

1066
00:52:55,760 --> 00:52:57,480
Speaker 4: know this is. I don't know what house you guys

1067
00:52:57,520 --> 00:52:59,640
Speaker 4: were given. Where were you located here?

1068
00:53:00,960 --> 00:53:03,719
Speaker 2: I was given on the hill.

1069
00:53:04,080 --> 00:53:04,799
Speaker 3: Oh on the.

1070
00:53:04,840 --> 00:53:09,279
Speaker 1: Hill, I'm right down under it. Oh wow, so you're

1071
00:53:09,280 --> 00:53:11,000
Speaker 1: in the flats at the base. Yeah.

1072
00:53:11,040 --> 00:53:12,200
Speaker 4: So I was given a house up on the top

1073
00:53:12,239 --> 00:53:14,200
Speaker 4: of the hills and it had my wardrobe, it had

1074
00:53:14,239 --> 00:53:16,839
Speaker 4: these glasses and had the whole thing in it. So,

1075
00:53:16,680 --> 00:53:18,200
Speaker 4: h so this is pretty much what I got.

1076
00:53:18,239 --> 00:53:20,000
Speaker 3: And uh and I like it. You know, I'm wearing it.

1077
00:53:20,040 --> 00:53:23,279
Speaker 4: I think it's great. You know it's it's it's not

1078
00:53:23,880 --> 00:53:25,400
Speaker 4: you know, it was what was chosen for me.

1079
00:53:25,440 --> 00:53:26,880
Speaker 2: So what do you do about stains?

1080
00:53:28,040 --> 00:53:28,480
Speaker 3: Stains?

1081
00:53:28,880 --> 00:53:32,160
Speaker 4: Oh, bleach, you know I've got I'm assuming. I mean,

1082
00:53:32,200 --> 00:53:35,240
Speaker 4: I put everything in. Uh, I put everything in a basket.

1083
00:53:36,040 --> 00:53:38,279
Speaker 4: I bring the basket to the shoot. The shoe goes

1084
00:53:38,320 --> 00:53:39,719
Speaker 4: to the basement and the basement.

1085
00:53:39,400 --> 00:53:41,560
Speaker 3: Girl does it and their stains are gone. Yeah, oh yeah,

1086
00:53:41,600 --> 00:53:42,239
Speaker 3: the stains are gone.

1087
00:53:42,280 --> 00:53:44,080
Speaker 4: The basement girl, I think, gives it to the upstairs

1088
00:53:44,120 --> 00:53:46,960
Speaker 4: girl and she distributes it through the house.

1089
00:53:46,960 --> 00:53:49,439
Speaker 3: So I have stuff at my avail. But I don't

1090
00:53:49,480 --> 00:53:52,960
Speaker 3: like to see the basement girl because you know, she's

1091
00:53:53,000 --> 00:53:53,600
Speaker 3: a basement girl.

1092
00:53:54,560 --> 00:53:55,120
Speaker 4: Yeah.

1093
00:53:55,280 --> 00:53:57,000
Speaker 1: Spooky, yeah, too scary.

1094
00:53:57,520 --> 00:53:59,120
Speaker 4: But people, you know, like, I don't know if you

1095
00:53:59,160 --> 00:54:00,560
Speaker 4: guys find this, but like when you running to people

1096
00:54:00,560 --> 00:54:03,440
Speaker 4: who you know work in environments where there's not windows, Uh,

1097
00:54:03,480 --> 00:54:04,799
Speaker 4: there's something off about them.

1098
00:54:05,680 --> 00:54:09,680
Speaker 2: Yes, the wet breathing, Oh yeah, wet.

1099
00:54:09,800 --> 00:54:12,960
Speaker 1: My basement's actually not like it's it's not like that

1100
00:54:13,040 --> 00:54:15,239
Speaker 1: because I have like a dehumidifier in there.

1101
00:54:15,360 --> 00:54:16,440
Speaker 3: Oh dude, that's red.

1102
00:54:16,640 --> 00:54:20,239
Speaker 1: Yeah it's sick, yeah, and like loud, but it's Do.

1103
00:54:20,200 --> 00:54:22,439
Speaker 4: You ever see how much water ends up in there?

1104
00:54:22,800 --> 00:54:26,440
Speaker 4: Oh friggin yeah. I check it all the time.

1105
00:54:27,040 --> 00:54:27,960
Speaker 2: All in the air.

1106
00:54:28,360 --> 00:54:30,560
Speaker 3: Oh yeah, that's the air is water.

1107
00:54:30,600 --> 00:54:32,640
Speaker 1: We're walking, I'm basically swimming right now.

1108
00:54:33,760 --> 00:54:39,839
Speaker 6: Yeah, you know you can drink that water. Uh yep,

1109
00:54:40,280 --> 00:54:43,439
Speaker 6: you can't. I don't know you can. Man, Bro, I'm

1110
00:54:43,440 --> 00:54:45,680
Speaker 6: telling you, just drink it. Start drinking that water.

1111
00:54:45,760 --> 00:54:47,000
Speaker 1: Bro, I'm scared.

1112
00:54:47,120 --> 00:54:49,120
Speaker 4: No, man, don't be scared. Don't give into the fear.

1113
00:54:49,440 --> 00:54:52,120
Speaker 4: That's what this town is, man, This what this town is.

1114
00:54:52,239 --> 00:54:54,560
Speaker 4: This town is about overcoming your fears. Just drink that

1115
00:54:54,600 --> 00:54:56,359
Speaker 4: deep red blue pill.

1116
00:54:56,520 --> 00:54:59,160
Speaker 3: Man. By the way, that's it, That is it.

1117
00:54:59,200 --> 00:55:01,279
Speaker 4: Start drinking the de humid a firewater, and then you're

1118
00:55:01,280 --> 00:55:02,239
Speaker 4: going to see the next level.

1119
00:55:02,280 --> 00:55:04,359
Speaker 3: Then you're going to see the screens.

1120
00:55:04,480 --> 00:55:07,640
Speaker 2: Screen a little machine they used to control you. Crawls,

1121
00:55:07,920 --> 00:55:14,839
Speaker 2: crawls out h totally. Maybe one sip, yeah, when you

1122
00:55:14,840 --> 00:55:23,320
Speaker 2: were like dehydrated. Yeah, and your camelbag's empty. Jason, Yeah,

1123
00:55:23,360 --> 00:55:25,920
Speaker 2: thanks so much for being on the show.

1124
00:55:26,040 --> 00:55:29,200
Speaker 3: Oh guys, my absolute pleasure. And we first one.

1125
00:55:32,920 --> 00:55:35,640
Speaker 1: First, hey, first one with you on it, you know,

1126
00:55:35,840 --> 00:55:37,320
Speaker 1: and it's great kickoff.

1127
00:55:37,360 --> 00:55:38,400
Speaker 2: It's one of the first.

1128
00:55:39,719 --> 00:55:41,640
Speaker 1: Can you tell me who bought the pro version this week?

1129
00:55:41,640 --> 00:55:42,839
Speaker 2: I've got a loanious junk.

1130
00:55:42,960 --> 00:55:45,880
Speaker 1: Okay, felonious Junk bought the pro Version this week and

1131
00:55:45,920 --> 00:55:49,520
Speaker 1: as his prize, Jason's gonna tell him the third thing

1132
00:55:50,200 --> 00:55:51,400
Speaker 1: he said, you can cut through a lot of the

1133
00:55:51,440 --> 00:55:53,520
Speaker 1: bullshit in this town with three things that he said,

1134
00:55:53,520 --> 00:55:55,120
Speaker 1: one pay with one hundred dollars bill and then he

1135
00:55:55,120 --> 00:55:56,759
Speaker 1: said two say you've got to be on set early

1136
00:55:56,760 --> 00:55:59,000
Speaker 1: in the morning. And we didn't hear the third thing. Sure,

1137
00:55:59,040 --> 00:56:00,000
Speaker 1: and so we're gonna.

1138
00:55:59,800 --> 00:56:04,680
Speaker 2: Lay that out just you everyone else ear muffs.

1139
00:56:04,719 --> 00:56:05,360
Speaker 1: What movie?

1140
00:56:06,120 --> 00:56:06,759
Speaker 3: Oh oh?

1141
00:56:06,880 --> 00:56:10,600
Speaker 1: Oh a anchor? Is it?

1142
00:56:10,640 --> 00:56:10,960
Speaker 2: Anchor?

1143
00:56:11,000 --> 00:56:11,200
Speaker 3: Man?

1144
00:56:11,280 --> 00:56:16,400
Speaker 4: Yeah, it's like the line from yeah, like you like

1145
00:56:16,640 --> 00:56:18,640
Speaker 4: stumbled over it to a degree that I was like,

1146
00:56:18,920 --> 00:56:20,000
Speaker 4: this is embarrassing.

1147
00:56:20,440 --> 00:56:25,280
Speaker 1: No, no, I was, I'm wicked high. So oh really

1148
00:56:25,480 --> 00:56:31,160
Speaker 1: yeah on drug smoke. Yeah, man, that's being cuffs. Yeah,

1149
00:56:32,040 --> 00:56:33,640
Speaker 1: friggin yeah, totally mean.

1150
00:56:33,760 --> 00:56:35,239
Speaker 3: Oh man, twenty am I right?

1151
00:56:35,280 --> 00:56:41,400
Speaker 4: Man, twenty the best and that day is great.

1152
00:56:41,640 --> 00:56:43,520
Speaker 3: Yeah. Hey, you know what you should do after we're

1153
00:56:43,520 --> 00:56:45,560
Speaker 3: done here. You should listen to reggae.

1154
00:56:46,239 --> 00:56:50,080
Speaker 1: Oh I'm I'm gonna have to to come down.

1155
00:56:50,400 --> 00:56:56,759
Speaker 4: Yeah, intense, so great, man, you just like man, like

1156
00:56:56,960 --> 00:56:57,520
Speaker 4: the whole thing.

1157
00:56:57,560 --> 00:56:58,080
Speaker 3: The whole time.

1158
00:56:58,120 --> 00:57:00,400
Speaker 4: I've been like, keep it on glasses guy, but like

1159
00:57:00,560 --> 00:57:01,839
Speaker 4: you just like jump to the top.

1160
00:57:02,800 --> 00:57:04,160
Speaker 1: It's not a competition with us.

1161
00:57:04,160 --> 00:57:06,759
Speaker 3: But but you're really good. You're cool. I get I

1162
00:57:06,760 --> 00:57:08,000
Speaker 3: get what you're doing. You're cool.

1163
00:57:08,600 --> 00:57:11,440
Speaker 1: Yeah, And if I seemed off it all during the

1164
00:57:11,440 --> 00:57:13,400
Speaker 1: rest of the show at any listeners, it's like I

1165
00:57:13,480 --> 00:57:18,360
Speaker 1: was wicked high man, Yeah, fucking it's such a fuck

1166
00:57:18,400 --> 00:57:20,080
Speaker 1: you to America to do that.

1167
00:57:20,120 --> 00:57:23,720
Speaker 2: But well I'm like, I'm really like sick, so like,

1168
00:57:25,040 --> 00:57:26,640
Speaker 2: but I don't really talk about that.

1169
00:57:26,920 --> 00:57:28,200
Speaker 1: But that's why, like.

1170
00:57:28,240 --> 00:57:31,400
Speaker 4: Something's going around. Man, if you've got a weak constitution,

1171
00:57:31,760 --> 00:57:32,400
Speaker 4: you'll get it.

1172
00:57:33,200 --> 00:57:35,240
Speaker 2: But that's it's cool in its own way. And like

1173
00:57:35,800 --> 00:57:38,000
Speaker 2: I can sometimes like be sort of high from that.

1174
00:57:38,320 --> 00:57:40,480
Speaker 3: Yeah, well you should you know what you should do?

1175
00:57:40,520 --> 00:57:42,240
Speaker 3: Start chugging like that cold medication.

1176
00:57:42,680 --> 00:57:45,600
Speaker 1: Yeah, that's definitely really robo tripping.

1177
00:57:45,600 --> 00:57:47,760
Speaker 3: I was just gonna say, bro drink that robo.

1178
00:57:47,560 --> 00:57:49,760
Speaker 1: Bro robo tripping.

1179
00:57:49,920 --> 00:57:53,200
Speaker 4: Yeah, me and my buddies call it brobo oh oh

1180
00:57:53,280 --> 00:57:58,200
Speaker 4: b e out a body experience, dude, robo tripping?

1181
00:58:00,120 --> 00:58:04,800
Speaker 1: Where am I? Yeah, like a robot fricking yes? Yeah.

1182
00:58:05,760 --> 00:58:07,320
Speaker 2: Uh what was the third thing?

1183
00:58:08,080 --> 00:58:09,840
Speaker 4: Oh, to ask her if she wants to snort an

1184
00:58:09,840 --> 00:58:14,040
Speaker 4: adder all but then cut up a roofie. That was

1185
00:58:14,120 --> 00:58:17,840
Speaker 4: just for that one guy though, Flusus thanks again.

1186
00:58:18,400 --> 00:58:20,440
Speaker 2: Uh, and we will do yours, we will we be

1187
00:58:20,440 --> 00:58:21,920
Speaker 2: happy to Oh no, that's cool.

1188
00:58:23,600 --> 00:58:33,480
Speaker 1: Bye. This has been an Earwolf Media production. Executive producers

1189
00:58:33,560 --> 00:58:36,680
Speaker 1: Jeff Lrick and Scott Ackerman. For more information, visit earwolf dot.

1190
00:58:36,640 --> 00:58:44,160
Speaker 4: Com, ear Warf Radio, Boom dot

1191
00:58:44,320 --> 00:58:52,280
Speaker 3: Com, The worlf Dead