WEBVTT - Richard Kind

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<v Speaker 1>The executive producer is Papa that week? And you want

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<v Speaker 1>to say, how am I doing? Am I doing this correctly?

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<v Speaker 1>Am I am by doing what you want? Are you happy?

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<v Speaker 1>Are you happy that you hired me? That's really important

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<v Speaker 1>to me, And you would figure why would that be

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<v Speaker 1>important to you? Look at your career, look at all

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<v Speaker 1>you've done. No, no, no, no no. I still need

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<v Speaker 1>affirmation from Daddy. Tell me I'm good. Tell me I'm good.

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<v Speaker 1>And I don't want the audience to tell me I'm good.

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<v Speaker 1>I want you, the writer, the creator, to tell me

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<v Speaker 1>this is what I wrote. I wrote a double. I

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<v Speaker 1>think you hit a triple. You may have even hit

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<v Speaker 1>a home run. Yeah. That that's what I want every

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<v Speaker 1>time I work, That's what I want. So that's what

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<v Speaker 1>I do. Hi, my name is Richard Kind, and I

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<v Speaker 1>get to talk all about me for the next hour.

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<v Speaker 1>Howdy folks, and welcome to another episode of Off the Beat.

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<v Speaker 1>As always, it's me. It's Brian baum Gartner as you.

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<v Speaker 1>Just if you don't recognize that voice, I don't know

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<v Speaker 1>where you've been for the last fifty years. The incredible

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<v Speaker 1>Richard Kind is the man you just heard from. Look,

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<v Speaker 1>I gotta tell you I am more than kind of

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<v Speaker 1>excited to share our conversation today. Get it. No, that

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<v Speaker 1>was bad, but it's true. It's incredible. He has been

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<v Speaker 1>in more movies and TV shows than I can count,

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<v Speaker 1>but luckily I don't have to. I am dB says

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<v Speaker 1>that he has worked on or is working on, two

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<v Speaker 1>hundred and seventy two projects. Now that's not individual episodes,

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<v Speaker 1>two hundred and seventy two unique projects. That is insane.

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<v Speaker 1>You may know him as cousin Andy on Curb Your Enthusiasm,

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<v Speaker 1>or perhaps Paul Lasseter in Spin City, or maybe you're

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<v Speaker 1>most familiar with him from the numerous Pixar movies he's

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<v Speaker 1>been involved in Toy Story three, or his work as

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<v Speaker 1>Bing Bong on Inside Out or Mold on A Bug's Life,

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<v Speaker 1>or maybe you're more in two shows about pubescent teens. Well,

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<v Speaker 1>if so, Richard plays Marty in Big Mouth. Yes, the

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<v Speaker 1>man has range. I'm excited to dive into some of

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<v Speaker 1>his projects. Yes, But also I was so interested in

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<v Speaker 1>talking to Richard about what it's like being a working

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<v Speaker 1>actor for all of these years. I can't tell you

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<v Speaker 1>what this conversation meant to me. I learned so much today.

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<v Speaker 1>I hope you have fun and maybe learn a little

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<v Speaker 1>bit too. So it is my absolute pleasure to bring

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<v Speaker 1>on Richards so you can hear straight from the horse's

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<v Speaker 1>mouth because yeah, Richards played a horse too. No he hasn't.

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<v Speaker 1>That was a joke. Areas Richard kind Bubble and Squeak.

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<v Speaker 1>I love it Bubble and Squeak on Bubble and Squeaker

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<v Speaker 1>cook at every moment, lift over from the night before.

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<v Speaker 1>Ye hey, buddy, I can't see you yet. Oh you

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<v Speaker 1>can't see me. Now I can see you. I think

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<v Speaker 1>this is much better. This is much better. Thank you

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<v Speaker 1>for taking the time to talk to me. You know

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<v Speaker 1>I'm a huge fan. Thank you. I am a huge

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<v Speaker 1>fan of yours, which is why I'm doing this even

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<v Speaker 1>though it forever to get us organized. Who have you

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<v Speaker 1>had on the show and what makes you a good podcaster? Wow,

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<v Speaker 1>that's a great question starting off with the questions from you. Um,

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<v Speaker 1>I don't know if I'm great or not, but look,

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<v Speaker 1>here's what I find interesting is what I who. I

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<v Speaker 1>want to talk to our people that one I maybe

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<v Speaker 1>don't know too well, Guys like you that I admire

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<v Speaker 1>but we've met, and guys that I've worked with that

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<v Speaker 1>we don't. You know, you're on set. You don't sit

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<v Speaker 1>there and talk so much about history or moments that

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<v Speaker 1>helped them. So who have I had? Um, Jon Hamm,

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<v Speaker 1>Eric stone Street? Who did we just have? Eric McCormack,

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<v Speaker 1>and Bellamy Young and Kevin Pollock? I know, old buddy

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<v Speaker 1>of yours. One of those people you mentioned are friends

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<v Speaker 1>of mine. Yeah, yeah, Soul, It's been a variety of conversations.

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<v Speaker 1>That's great, great, great great, Yeah. Yeah, uh. I want

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<v Speaker 1>to go back with you for a little bit. You

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<v Speaker 1>grew up in in Bucks County, Pennsylvania. What is the

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<v Speaker 1>best way to describe Bucks County for people who have

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<v Speaker 1>never been there? Okay, it's it's first of all, it's beautiful.

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<v Speaker 1>That's bottom line. Bucks County is across the river from

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<v Speaker 1>New Jersey, from New Jersey. My dad's store was in Princeton,

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<v Speaker 1>New Jersey. I was born and up until fourth grade

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<v Speaker 1>lived in Trenton. Then we moved across the street to

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<v Speaker 1>the Tonier area, and Trenton was beginning to change, so

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<v Speaker 1>we moved to Bucks County. Yardly. At the time, you

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<v Speaker 1>had a steel mill in Fairless Hills, you had rolling

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<v Speaker 1>farmland all over. It gets it abuts Amish country, and

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<v Speaker 1>it's about fifty minutes from Philadelphia. It is bucolic and beautiful,

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<v Speaker 1>and it is surrounded by two large cities, New York

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<v Speaker 1>and Philadelphia. I'm about an hour by training. You're about

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<v Speaker 1>an hour and ten minutes from New York hour and

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<v Speaker 1>twenty minutes. And that's where people went to work, or

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<v Speaker 1>they went to work in Philly, or they worked in

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<v Speaker 1>the area. Right. Your dad was a jeweler, I understand.

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<v Speaker 1>Here's a better way to describe it. My dad had

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<v Speaker 1>a jewelry store, and his competition was Tiffany and Cardier.

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<v Speaker 1>Because people in Princeton were very educated, very wealthy, and

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<v Speaker 1>they either went to New York to buy all their

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<v Speaker 1>gems and their jewelry and the watches and everything, or

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<v Speaker 1>they went to my dad. Believe it or not, my

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<v Speaker 1>dad's suppliers were the same people who supplied Tiffany and Cardier,

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<v Speaker 1>the same jewelry makers. However, Tiffany and Cardier can get

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<v Speaker 1>necklaces that are five thousand dollars and have about eight

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<v Speaker 1>of them in the window. My dad couldn't. But if

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<v Speaker 1>you needed one of those necklaces, he would get six

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<v Speaker 1>of them in He would show them to you, and

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<v Speaker 1>then the one that you wanted you bought, and if

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<v Speaker 1>you didn't like any of them, he gets six more in.

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<v Speaker 1>But you didn't have to sleep into the city where

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<v Speaker 1>you were nobody, or you could go to my dad,

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<v Speaker 1>who would take care of you very specifically. He knew

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<v Speaker 1>you well, he knew your family, he knew the taste

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<v Speaker 1>of the wife and the kids. And so it was

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<v Speaker 1>a very personalized, beautiful jewelry store. And I understand this

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<v Speaker 1>was going to be your business. This was you were

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<v Speaker 1>you were going to take up the family business. It

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<v Speaker 1>was so when I say my dad wasn't a jeweler,

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<v Speaker 1>although he knew gemology really well. Uh, he could do

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<v Speaker 1>everything that a jeweler could. That is not what he did.

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<v Speaker 1>My dad could sell ice to the Eskimos. He was

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<v Speaker 1>a great and charming salesman. He was the only Jew

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<v Speaker 1>in a very very waspy New Jersey Town, Princeton. The

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<v Speaker 1>rest of his life was spent with Jewish friends at

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<v Speaker 1>the club and things like that, but his work was

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<v Speaker 1>in Princeton. And although he may have been looked at

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<v Speaker 1>as a Jew, I don't he was known like that.

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<v Speaker 1>He was he was revered in Princeton. He was on

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<v Speaker 1>the board of the bank, on the board of the theater,

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<v Speaker 1>and in the town council, everything like that. So I

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<v Speaker 1>don't believe that there was any prejudice at all in

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<v Speaker 1>that way. He wasn't the Jewish guy in a waspy town,

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<v Speaker 1>but he had to know that he was. And all

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<v Speaker 1>of his friends were either you know from the temple,

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<v Speaker 1>you know from the neighborhood where he was when he

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<v Speaker 1>wasn't working. Yeah, and you thought you would take this

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<v Speaker 1>business over, miner My understanding was you went to Northwestern

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<v Speaker 1>to study law pre law and take over the business. Right.

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<v Speaker 1>My dad did not want me to go into the

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<v Speaker 1>business unless I got a law degree and a business

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<v Speaker 1>degree because he always felt that the store could have

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<v Speaker 1>been large when he should have made it bigger, had

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<v Speaker 1>a couple of stores he didn't need to, but that's all.

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<v Speaker 1>That's what he thought I should do and expand the business.

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<v Speaker 1>I would not. I am not business minded, However, I'm

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<v Speaker 1>a nice guy. My dad taught me two things. Number One,

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<v Speaker 1>you never buy jewelry for a sad occasion. You always

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<v Speaker 1>it's always happy. It's a very positive business. And the

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<v Speaker 1>second thing is is if you believe in a product.

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<v Speaker 1>I can sell anything if I believe in a product.

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<v Speaker 1>And my dad's stuff was not just the best, it

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<v Speaker 1>was so overpriced. He charged so much, but he would

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<v Speaker 1>guarantee that what you were getting was the best quality

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<v Speaker 1>and he would stand behind it and nobody it was

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<v Speaker 1>worth the money that you were paying, getting the best

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<v Speaker 1>that that money could buy. And he that's what he

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<v Speaker 1>would bring in. And he would never dicker or haggle

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<v Speaker 1>for a price or anything like that. You know, they

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<v Speaker 1>charged a thousand hollars, said well, i'll give you a

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<v Speaker 1>seven fifty. He wouldn't do that. He would say, no,

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<v Speaker 1>that's not what we do. So he really taught me

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<v Speaker 1>how to be classy. I'm not saying he was a

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<v Speaker 1>classy guy, but when it came to that, he was

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<v Speaker 1>classy who he was, right? Did you do any performing

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<v Speaker 1>as a kid? Only in school? I the only thing,

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<v Speaker 1>the only reason I wanted to be an actor was

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<v Speaker 1>my grandparents used to take me to theater in New York,

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<v Speaker 1>and so I wanted to be an actor. But you know,

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<v Speaker 1>kids want to be baseball players and kids want to

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<v Speaker 1>be fireman and the thought of me being an actor,

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<v Speaker 1>it was it was a pipe dream. It was. It

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<v Speaker 1>was stupid. The thing is, I kept doing school plays

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<v Speaker 1>and I was always the best. So I guess, if

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<v Speaker 1>you're the best football player, are you really going to

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<v Speaker 1>try and be a pro. Yeah, you may have aspirations,

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<v Speaker 1>but no, if you're a high school football player in

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<v Speaker 1>one in one hand, you can count the number of

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<v Speaker 1>people you know who go on the professional sports an actor,

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<v Speaker 1>I guess you don't have to have such such restrictions.

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<v Speaker 1>So I got, okay, Yeah, I'm going to be an actor.

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<v Speaker 1>I kept being the best. I did a thing called forensics,

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<v Speaker 1>so I I won the national championship in oral and

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<v Speaker 1>turp and dramatic and turp and and I said, yeah,

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<v Speaker 1>but I'm not going to be an active And I

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<v Speaker 1>went to Northwestern, where I did what I love to do.

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<v Speaker 1>But I got an education, and that's what Northwestern did.

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<v Speaker 1>Are these answers way too long? No? No kidding me.

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<v Speaker 1>You'll cut when I go on too much about myself. No,

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<v Speaker 1>you're no, that's it's it is about you. But I'm

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<v Speaker 1>fascinating with the moment that you know. It sounds like you, well,

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<v Speaker 1>you loved your dad. I presume you respected the hell

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<v Speaker 1>out of your dad. And what in the business he was.

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<v Speaker 1>He was building. And you go to Northwestern and you're

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<v Speaker 1>on this path, at what is the moment that you

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<v Speaker 1>decide the path is going to change? I mean, I

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<v Speaker 1>know you end up going to Second City, right. It

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<v Speaker 1>was all one thing. There was a guy who I'm

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<v Speaker 1>actually going to see next week. I hope he's in

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<v Speaker 1>his nineties. He they lived next door to us. He

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<v Speaker 1>was my parents best friend. And we're watching football and

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<v Speaker 1>I was supposed to go to law school and my

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<v Speaker 1>dad's best friend, Steve Holsman said these were exact words.

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<v Speaker 1>Try acting, because when you're forty, you're gonna resent your wife,

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<v Speaker 1>you're gonna resent your kids that you never tried. It

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<v Speaker 1>a dream deferred. It's the worst Go try it. It

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<v Speaker 1>works out great. If it doesn't work out, you got

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<v Speaker 1>the store. I was twenty one year old kid twenty

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<v Speaker 1>at the time, so what the hell? And I say

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<v Speaker 1>this if I ever give lectures or something. First of all,

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<v Speaker 1>I had nobody to answer to but myself. Second thing

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<v Speaker 1>is dare to fail. And I think that's a really

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<v Speaker 1>important thing. As you really go through life, failure can

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<v Speaker 1>be looked on as a good thing. You you know

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<v Speaker 1>that that didn't happen. So what else can I do

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<v Speaker 1>that might make me make me successful? And who the

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<v Speaker 1>hell knows I might be successful? So I went out

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<v Speaker 1>and I tried it, and for a while did I fail?

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<v Speaker 1>Let me, I'll tell you the worst. And you, being

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<v Speaker 1>a character actor, I don't know whether or not you

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<v Speaker 1>had to deal with this in your youth, but we're

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<v Speaker 1>not the best looking men that walked the planet. I

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<v Speaker 1>couldn't get an acting job. And what was worse is

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<v Speaker 1>I couldn't get a waiter's job. They wanted a better

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<v Speaker 1>looking person. And I'm going, oh my god, so that

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<v Speaker 1>if I can't get work as an actor, I can't work,

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<v Speaker 1>get work serving food. Well, of course eventually I did,

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<v Speaker 1>and of course eventually I do. And when I said

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<v Speaker 1>get work as an actor, I I did stuff. I

0:13:59.360 --> 0:14:02.480
<v Speaker 1>did the class this, and I did off Broadway plays.

0:14:02.520 --> 0:14:04.959
<v Speaker 1>But the journey at this, I'm shore, you know, to

0:14:05.280 --> 0:14:11.160
<v Speaker 1>the journey is a great time. After you've done the journey.

0:14:11.440 --> 0:14:16.520
<v Speaker 1>You're right, Sometimes that journey is just dreadful, But you know,

0:14:16.640 --> 0:14:19.280
<v Speaker 1>you go when you do an off Broadway play is horrible,

0:14:19.320 --> 0:14:22.440
<v Speaker 1>but you go out afterwards and you get drunk and

0:14:22.560 --> 0:14:25.800
<v Speaker 1>maybe you meet a girl who you get laid and

0:14:25.960 --> 0:14:28.120
<v Speaker 1>you're you're doing that stuff and you can stay out

0:14:28.160 --> 0:14:29.920
<v Speaker 1>till four in the morning because you've got nobody to

0:14:30.000 --> 0:14:34.520
<v Speaker 1>answer to. And you realize I remember doing that play,

0:14:34.680 --> 0:14:38.040
<v Speaker 1>and I don't know whether I was good man or different,

0:14:38.960 --> 0:14:42.440
<v Speaker 1>but I did it, and that's fun. I think that's

0:14:42.480 --> 0:14:45.720
<v Speaker 1>a lot of fun. So you you were focused in

0:14:45.760 --> 0:14:49.200
<v Speaker 1>New York. What made you decide to go to Harvard

0:14:49.520 --> 0:14:54.720
<v Speaker 1>or the Harvard of Theater of Okay, when I look

0:14:54.760 --> 0:14:56.800
<v Speaker 1>back at it, and I'm not looking at it, I

0:14:56.840 --> 0:14:58.920
<v Speaker 1>think that's the first time I've ever said this out loud.

0:14:59.800 --> 0:15:04.480
<v Speaker 1>I did everything. It's not my plan. In increments of

0:15:04.560 --> 0:15:07.560
<v Speaker 1>four I went to high school ninth grade through twelfth

0:15:07.560 --> 0:15:10.960
<v Speaker 1>grade for four years. I went to Northwestern for four years.

0:15:11.360 --> 0:15:15.120
<v Speaker 1>I was in New York for four years. I went

0:15:15.160 --> 0:15:18.360
<v Speaker 1>to Chicago for four years. Then I went to l

0:15:18.400 --> 0:15:21.280
<v Speaker 1>A for a long while. As it happened, I then

0:15:21.320 --> 0:15:24.680
<v Speaker 1>went back to New York for Spin City for four years.

0:15:25.640 --> 0:15:28.560
<v Speaker 1>Which it's just weird that none of this was in

0:15:28.680 --> 0:15:34.640
<v Speaker 1>my head. So I'm in New York waiting tables, taking classes,

0:15:34.680 --> 0:15:40.360
<v Speaker 1>doing off off roadway stuff. I did a children's theater

0:15:41.600 --> 0:15:46.240
<v Speaker 1>that was also for adults. I wouldn't pay money for it.

0:15:46.320 --> 0:15:49.400
<v Speaker 1>But it was like if if they had a theater

0:15:50.040 --> 0:15:55.160
<v Speaker 1>subscription series, one week would be Doc Severanston's band. They

0:15:55.240 --> 0:15:59.760
<v Speaker 1>might have Tony Bennett come wing. Well, one Saturday they'd

0:15:59.760 --> 0:16:04.160
<v Speaker 1>have Daniel Boone. That was That was a show, but

0:16:04.240 --> 0:16:08.400
<v Speaker 1>it was very, very good, A very very reputable theater

0:16:08.520 --> 0:16:12.360
<v Speaker 1>company called Performing Arts Repertory Theater. But we did it

0:16:12.440 --> 0:16:18.040
<v Speaker 1>primarily for kids in second grade through high school. That's

0:16:18.080 --> 0:16:24.520
<v Speaker 1>something I did from January till May. During that time,

0:16:25.320 --> 0:16:29.280
<v Speaker 1>Julia Louie Dreyfuss, Brad Hall, Gary Kroeger, and a guy

0:16:29.360 --> 0:16:34.440
<v Speaker 1>named Rush Pearson and Paul Barross all started a group

0:16:34.720 --> 0:16:38.560
<v Speaker 1>called the Practical Theater Company in Chicago. It's an improvisational

0:16:38.600 --> 0:16:43.440
<v Speaker 1>theater company in Chicago was the hub of improv. They

0:16:43.440 --> 0:16:48.920
<v Speaker 1>were really good, really really good. And when I guess

0:16:48.960 --> 0:16:52.040
<v Speaker 1>I think it was Lauren Michaels was looking for four

0:16:52.080 --> 0:16:57.040
<v Speaker 1>additional people. They asked Bernie Sillons, the owner of Second City,

0:16:57.200 --> 0:17:00.640
<v Speaker 1>do you have anybody? And he this is horrible thing

0:17:00.680 --> 0:17:04.160
<v Speaker 1>that he did. Rather than show his people, who were

0:17:04.240 --> 0:17:06.359
<v Speaker 1>very good but they had just opened a show, he

0:17:06.480 --> 0:17:09.440
<v Speaker 1>told them to go back to the other space. And said,

0:17:09.480 --> 0:17:12.080
<v Speaker 1>these guys are good and they all got taken Saturday

0:17:12.200 --> 0:17:15.680
<v Speaker 1>Night Live. So I had gone to school with those people.

0:17:15.800 --> 0:17:18.520
<v Speaker 1>I had gone to Northwestern. While they were on Saturday

0:17:18.600 --> 0:17:20.920
<v Speaker 1>Night Live, they said, why don't you go to Chicago

0:17:21.720 --> 0:17:25.320
<v Speaker 1>and open a play a play at our theater. And

0:17:25.400 --> 0:17:28.200
<v Speaker 1>so I went with my best friend who we also

0:17:28.240 --> 0:17:31.320
<v Speaker 1>went to Northwestern, and we opened a play that was

0:17:31.480 --> 0:17:36.320
<v Speaker 1>really really successful there. It was really good. The owner

0:17:36.320 --> 0:17:40.280
<v Speaker 1>of Second City saw us and he said, uh, I

0:17:40.359 --> 0:17:42.760
<v Speaker 1>want you to be He asked me and my best

0:17:42.760 --> 0:17:45.320
<v Speaker 1>friend if we wanted to be in Second City. Of course,

0:17:45.359 --> 0:17:47.320
<v Speaker 1>oh my god, going to be in Second City. And

0:17:47.359 --> 0:17:50.440
<v Speaker 1>so I spent four years in Second City and that's

0:17:50.440 --> 0:17:52.879
<v Speaker 1>what I did. So that's how I got to Second City.

0:17:53.040 --> 0:17:56.000
<v Speaker 1>Actually it overlapped. I did about six months of doing

0:17:56.040 --> 0:17:59.119
<v Speaker 1>that play along with doing Second City. We would do

0:17:59.200 --> 0:18:02.080
<v Speaker 1>the show first at the small little space, then I'd

0:18:02.119 --> 0:18:04.760
<v Speaker 1>run next door into Second City, which was so on

0:18:04.800 --> 0:18:07.560
<v Speaker 1>a Saturday night, I was working from seven at night

0:18:07.960 --> 0:18:11.639
<v Speaker 1>until to thirty in the morning, taking or two in

0:18:11.680 --> 0:18:16.320
<v Speaker 1>the morning, with one hour break from from ten to eleven. Yeah,

0:18:16.440 --> 0:18:19.320
<v Speaker 1>pretty great. Prior to this time, would you say you

0:18:19.320 --> 0:18:25.920
<v Speaker 1>were mainly focused in your acting on comedy or yeah,

0:18:26.080 --> 0:18:31.800
<v Speaker 1>it's just yeah, I was an actor, and I've always always,

0:18:31.880 --> 0:18:36.040
<v Speaker 1>always considered myself an actor. Yeah, it's it's what I do.

0:18:36.200 --> 0:18:39.040
<v Speaker 1>And I do not consider myself a comedian at all.

0:18:40.040 --> 0:18:44.360
<v Speaker 1>And I don't consider myself a comic actor because if

0:18:44.359 --> 0:18:46.520
<v Speaker 1>I'm doing a serious play, what the hell do you

0:18:46.600 --> 0:18:50.280
<v Speaker 1>want a comic actor for. I can do comedy. I

0:18:50.320 --> 0:18:54.920
<v Speaker 1>can do comic parts, and I can give humanity to

0:18:55.680 --> 0:18:59.040
<v Speaker 1>a serious part so that he could be that much

0:18:59.040 --> 0:19:02.840
<v Speaker 1>more rounded, because if you just go on and just

0:19:02.880 --> 0:19:05.440
<v Speaker 1>be an ogre, I mean, Alan Rickman was the best

0:19:05.440 --> 0:19:10.800
<v Speaker 1>at that horrible villain, always funny. Yeah, you always lent

0:19:11.080 --> 0:19:14.520
<v Speaker 1>humor to it, so that that that's what I did.

0:19:14.560 --> 0:19:16.880
<v Speaker 1>But I can't say that I did. The only reason

0:19:16.920 --> 0:19:20.320
<v Speaker 1>I did Second City because they asked me. You know,

0:19:20.359 --> 0:19:22.479
<v Speaker 1>everybody asked, you know, how did you get that part?

0:19:22.640 --> 0:19:24.920
<v Speaker 1>Why did you take that role? Because they asked me,

0:19:25.359 --> 0:19:27.680
<v Speaker 1>do you want to do it? I said, yeah, that's

0:19:27.680 --> 0:19:31.480
<v Speaker 1>all I do. Had Caazario always says, have you ever

0:19:31.560 --> 0:19:34.159
<v Speaker 1>heard the word no? You know, there's a reason I

0:19:34.200 --> 0:19:36.440
<v Speaker 1>work so much is because I don't turn work down.

0:19:36.800 --> 0:19:40.680
<v Speaker 1>I take it off of an Indian? Do you do

0:19:40.720 --> 0:19:43.080
<v Speaker 1>you see, I don't know about that. Do you think

0:19:43.119 --> 0:19:47.360
<v Speaker 1>that Second City helped you later on as you became

0:19:47.680 --> 0:19:51.160
<v Speaker 1>more known in the comedy space. I mean, is there

0:19:51.160 --> 0:19:54.320
<v Speaker 1>a correlation there? All right, let let me tell you

0:19:54.880 --> 0:19:58.320
<v Speaker 1>something that I did a lot of times. All of

0:19:58.320 --> 0:20:00.760
<v Speaker 1>these things were just mistakes because I didn't know what

0:20:00.800 --> 0:20:03.840
<v Speaker 1>else to do. But this was a conscious decision. It

0:20:03.920 --> 0:20:06.480
<v Speaker 1>took me forever to leave Second City. I was really scared.

0:20:06.880 --> 0:20:10.199
<v Speaker 1>I had a great security in Chicago and friends on

0:20:10.280 --> 0:20:12.480
<v Speaker 1>stage every night. I got a paycheck every week. It's

0:20:12.480 --> 0:20:15.240
<v Speaker 1>not large, but it's a paycheck. I'm a working actor,

0:20:15.600 --> 0:20:19.119
<v Speaker 1>and that's bottom line. Is the goal for us all

0:20:19.440 --> 0:20:23.280
<v Speaker 1>Let's live well and do what we love as often

0:20:23.320 --> 0:20:25.879
<v Speaker 1>as we can. This is the best life in the world.

0:20:26.480 --> 0:20:29.639
<v Speaker 1>I gave my notice in February, went out there around

0:20:29.640 --> 0:20:33.840
<v Speaker 1>September October. My first thought, my first thing that I got,

0:20:33.880 --> 0:20:37.480
<v Speaker 1>and I got. I got worked pretty soon. I did

0:20:37.520 --> 0:20:41.080
<v Speaker 1>not want to do a comedy. I didn't want because

0:20:41.119 --> 0:20:43.120
<v Speaker 1>if if I've got a Second City on my resume

0:20:43.560 --> 0:20:47.200
<v Speaker 1>and I was was I known now? But maybe word

0:20:47.320 --> 0:20:49.200
<v Speaker 1>got out that I was Second City and I was

0:20:49.280 --> 0:20:54.800
<v Speaker 1>doing I did a Stephen Cattle awful, awful, hard hitting

0:20:55.680 --> 0:21:00.560
<v Speaker 1>police drama. We it was a very gruesome show. And

0:21:00.920 --> 0:21:03.080
<v Speaker 1>I will tell you this a side note. It was

0:21:03.119 --> 0:21:10.080
<v Speaker 1>the first procedural done on TV. Wow, I know it's

0:21:10.119 --> 0:21:14.280
<v Speaker 1>called unsub and you're gonna go what I called it?

0:21:14.359 --> 0:21:18.919
<v Speaker 1>One subwhat unsub? Unsub was short for unknown subject and

0:21:19.080 --> 0:21:25.000
<v Speaker 1>that's what the FBI division who chase serial killers would

0:21:25.080 --> 0:21:28.760
<v Speaker 1>call the thing. And there the un subject. I've been

0:21:28.800 --> 0:21:36.040
<v Speaker 1>an unsub. I did criminal minds, so I procedurals. We

0:21:36.040 --> 0:21:41.520
<v Speaker 1>were criminal minds in Okay before any of it happened.

0:21:41.640 --> 0:21:45.159
<v Speaker 1>And whenever I see Peter Roth, who just left the

0:21:45.640 --> 0:21:49.359
<v Speaker 1>Warner Brothers but he used to run cattle, and whenever

0:21:49.400 --> 0:21:51.879
<v Speaker 1>I see him, you know, he hugs you and he goes.

0:21:52.080 --> 0:21:55.240
<v Speaker 1>We were the first, and we were we But but

0:21:55.359 --> 0:21:57.639
<v Speaker 1>when I tell you, well, you know how how gruesome

0:21:57.880 --> 0:22:03.160
<v Speaker 1>criminal minds can be. Yes, imagine no precedent having ever

0:22:03.240 --> 0:22:07.080
<v Speaker 1>been sent spent. There was no precedent. So the first

0:22:07.119 --> 0:22:11.960
<v Speaker 1>episode was a great actor named Paul Gilfoil. You know Paul.

0:22:13.640 --> 0:22:16.160
<v Speaker 1>You look him up and you'll know exactly what. Paul

0:22:16.200 --> 0:22:22.800
<v Speaker 1>Gilfoil was a serial killer. He was a cobbler and

0:22:22.840 --> 0:22:25.080
<v Speaker 1>he used to put razor blades in the heels of

0:22:25.119 --> 0:22:27.960
<v Speaker 1>women's shoes, so when they would try them on, they'd

0:22:28.000 --> 0:22:30.280
<v Speaker 1>bend over in pain and he would stab them in

0:22:30.320 --> 0:22:32.920
<v Speaker 1>the back of the neck. This was the pilot episode.

0:22:33.359 --> 0:22:37.240
<v Speaker 1>And he comes running home to tell his mother, Mommy, Mommy,

0:22:37.280 --> 0:22:39.880
<v Speaker 1>I did something bad. His mother you know who Grace

0:22:39.920 --> 0:22:45.480
<v Speaker 1>Zabriski is. Grace Sabriski played his mother. He runs into

0:22:45.480 --> 0:22:50.360
<v Speaker 1>the bathroom there she is literally spread eagle in the bathtub.

0:22:50.760 --> 0:22:54.280
<v Speaker 1>So you see the origins of his of the horrors

0:22:54.920 --> 0:22:57.600
<v Speaker 1>and he's talking to his mother while she's naked in

0:22:57.640 --> 0:23:04.200
<v Speaker 1>the bathtub, spread eagle in the six you know Partridge family,

0:23:04.440 --> 0:23:07.160
<v Speaker 1>you know there there were you know whoever different strokes

0:23:08.280 --> 0:23:11.240
<v Speaker 1>and this is what's on the air. And Brandon Tartakov,

0:23:11.320 --> 0:23:15.439
<v Speaker 1>who was ahead of the studio, Cattle was known for

0:23:15.520 --> 0:23:17.240
<v Speaker 1>doing the A Team, so he thought he was going

0:23:17.280 --> 0:23:19.600
<v Speaker 1>to get the A team and he saw the on

0:23:19.680 --> 0:23:23.679
<v Speaker 1>the big screen this first episode and he stands up.

0:23:23.680 --> 0:23:26.040
<v Speaker 1>He goes, what the funk are you trying to do?

0:23:26.200 --> 0:23:30.480
<v Speaker 1>Take down this home network? And so Cattle knew because

0:23:30.480 --> 0:23:32.520
<v Speaker 1>we were eleven on the air, he knew we were

0:23:32.560 --> 0:23:36.280
<v Speaker 1>eleven and out and we were off the air. Wow,

0:23:36.600 --> 0:23:39.440
<v Speaker 1>I don't know how good the show was. But it

0:23:39.520 --> 0:23:44.679
<v Speaker 1>was groundbreaking. It was groundbreaking without without doing anything to

0:23:44.760 --> 0:23:48.200
<v Speaker 1>the TV landscape. It's like we we changed the rules

0:23:48.240 --> 0:23:51.359
<v Speaker 1>and we made the rules, and we're never seen again.

0:23:51.440 --> 0:23:53.960
<v Speaker 1>And then nothing happened for fifteen years. And now that's

0:23:54.320 --> 0:23:57.320
<v Speaker 1>it's really the truth. And then and then and then

0:23:57.359 --> 0:24:00.560
<v Speaker 1>Dick Wolfe took over in Criminal Minds, and then the

0:24:00.560 --> 0:24:22.480
<v Speaker 1>whole thing and that's what police dramas became. Right. So

0:24:23.040 --> 0:24:25.760
<v Speaker 1>I'm gonna take a little detour here because let me

0:24:25.800 --> 0:24:28.720
<v Speaker 1>be honest, you've done so much. We we can't we

0:24:28.760 --> 0:24:31.800
<v Speaker 1>can't cover this in a day, not to speak of

0:24:32.119 --> 0:24:35.280
<v Speaker 1>an hour. But you're just pathetic. But go ahead. You

0:24:35.359 --> 0:24:38.720
<v Speaker 1>were just talking about being referring to yourself as a

0:24:38.800 --> 0:24:42.200
<v Speaker 1>working actor. What what what we all want to do?

0:24:42.440 --> 0:24:45.800
<v Speaker 1>And since you started you have you have achieved that.

0:24:46.080 --> 0:24:49.879
<v Speaker 1>Whether it's because you couldn't say no or not, I know,

0:24:49.960 --> 0:24:53.040
<v Speaker 1>it's it's blind luck. It's blind luck. So I want

0:24:53.119 --> 0:24:56.680
<v Speaker 1>I want you for for people who don't really understand.

0:24:56.920 --> 0:25:00.440
<v Speaker 1>How would you describe this lifestyle of going going from

0:25:00.760 --> 0:25:05.280
<v Speaker 1>job to job, character to character, How would you describe

0:25:05.320 --> 0:25:09.880
<v Speaker 1>that and have you enjoyed that as opposed to the sameness.

0:25:10.000 --> 0:25:12.879
<v Speaker 1>Nobody's ever asked me that, And it's a really good question.

0:25:12.920 --> 0:25:16.960
<v Speaker 1>I've I've addressed it, but nobody's asked me there was

0:25:17.000 --> 0:25:19.960
<v Speaker 1>a time. I'm not gonna I'll give you the bad

0:25:20.080 --> 0:25:25.280
<v Speaker 1>examples love Boat Love, American Style, but mcgiver, east Side,

0:25:25.280 --> 0:25:28.840
<v Speaker 1>West Side, Uh, the Defenders, the Twilight Zone. You could

0:25:28.840 --> 0:25:32.480
<v Speaker 1>guest star on a show and get paid well m

0:25:33.200 --> 0:25:36.800
<v Speaker 1>and then all of a sudden it became you guessed

0:25:36.800 --> 0:25:40.439
<v Speaker 1>it on a show, you got top of show, and

0:25:40.520 --> 0:25:44.320
<v Speaker 1>it became something where, oh, he can't be a regular

0:25:44.400 --> 0:25:46.840
<v Speaker 1>on a TV show. Now, you and I know that

0:25:46.880 --> 0:25:50.679
<v Speaker 1>being a regular on a TV show pays mightily and

0:25:50.720 --> 0:25:54.800
<v Speaker 1>being a guest star does not. So you can do

0:25:55.440 --> 0:25:59.080
<v Speaker 1>a guest star every week of the season and make

0:25:59.240 --> 0:26:02.480
<v Speaker 1>and make a altry living. But if you've got to

0:26:02.480 --> 0:26:06.000
<v Speaker 1>get on a TV show, if I had my druthers,

0:26:06.680 --> 0:26:09.560
<v Speaker 1>I'd like to be a guest on every TV show,

0:26:09.720 --> 0:26:12.520
<v Speaker 1>every week of the year. That's what I would like

0:26:12.560 --> 0:26:16.120
<v Speaker 1>to do. I would like to be my own repertory company.

0:26:16.320 --> 0:26:20.960
<v Speaker 1>Number One, When you're a guest, they have to tell

0:26:20.960 --> 0:26:25.080
<v Speaker 1>the audience who you are, why you fit in this world,

0:26:25.880 --> 0:26:29.119
<v Speaker 1>why you are in this world. So you're being written.

0:26:29.320 --> 0:26:33.080
<v Speaker 1>It's exploring. It's great. A guest star role is fantastic.

0:26:34.040 --> 0:26:35.919
<v Speaker 1>You get to be in a lot of the episode.

0:26:36.680 --> 0:26:40.200
<v Speaker 1>You just don't get paid. Well, okay, you come on

0:26:40.880 --> 0:26:45.600
<v Speaker 1>and you meet different people, you make new friends. It's great.

0:26:46.000 --> 0:26:51.000
<v Speaker 1>You're you're active again, as opposed to look like. I

0:26:51.080 --> 0:26:55.679
<v Speaker 1>loved every cast I've ever been with. But okay, good morning,

0:26:55.680 --> 0:26:58.000
<v Speaker 1>how are you? What do you do last night? Okay,

0:26:58.080 --> 0:27:02.399
<v Speaker 1>let's go. Okay, the energy, the excitement of meeting somebody

0:27:02.480 --> 0:27:04.840
<v Speaker 1>new isn't there. It's let's just go to the old

0:27:04.920 --> 0:27:07.720
<v Speaker 1>nine to five. Maybe you become more intimate, maybe you

0:27:07.840 --> 0:27:11.520
<v Speaker 1>become closer friends. I don't need that. I like reading

0:27:11.520 --> 0:27:17.000
<v Speaker 1>different people, so so that's what I would like to do. Look,

0:27:17.000 --> 0:27:20.440
<v Speaker 1>you've heard people complain about it when they do the procedurals.

0:27:21.480 --> 0:27:24.040
<v Speaker 1>I used to call it when I was on Spin City,

0:27:24.359 --> 0:27:29.000
<v Speaker 1>same joke, different words. But uh I got tired. I

0:27:29.040 --> 0:27:32.200
<v Speaker 1>get tired of it. I do when now here's something

0:27:32.200 --> 0:27:35.320
<v Speaker 1>else this I have spoken about. When I was a kid,

0:27:36.400 --> 0:27:40.199
<v Speaker 1>my favorite TV shows were Batman at All in the

0:27:40.240 --> 0:27:44.160
<v Speaker 1>family You. In every interview that I would read with

0:27:44.359 --> 0:27:48.080
<v Speaker 1>Carol O'Connor or Adam West, they would say, I don't

0:27:48.119 --> 0:27:51.359
<v Speaker 1>want to just be known for being Batman. I don't

0:27:51.400 --> 0:27:56.119
<v Speaker 1>just want to know be known for playing Archie Bugger. Sorry, guys,

0:27:56.800 --> 0:28:00.639
<v Speaker 1>you are. That's who you are. I don't care that

0:28:00.680 --> 0:28:02.600
<v Speaker 1>you did in the heat of the night. I don't

0:28:02.640 --> 0:28:04.960
<v Speaker 1>care that you did any of that stuff. You are

0:28:05.680 --> 0:28:09.479
<v Speaker 1>Archie Bunker. You are Batman. Even at an early age,

0:28:10.600 --> 0:28:13.600
<v Speaker 1>that's scared the pants off me. I didn't want that

0:28:13.920 --> 0:28:17.480
<v Speaker 1>at all. And it's been city. They used to say, Oh,

0:28:17.640 --> 0:28:20.879
<v Speaker 1>you're gonna be the breakout character. Get yourself a PR person.

0:28:20.920 --> 0:28:24.639
<v Speaker 1>You're the breakout character. If I'm the breakout character, that's me.

0:28:24.840 --> 0:28:27.840
<v Speaker 1>That's what I'm gonna be known for. So I hardly

0:28:27.920 --> 0:28:31.240
<v Speaker 1>did I every time I did PR, I was scared

0:28:31.560 --> 0:28:35.240
<v Speaker 1>that all people would know me for is uh it

0:28:35.400 --> 0:28:38.680
<v Speaker 1>was Paul Lasseter. I did not want to be Paul Laster.

0:28:38.760 --> 0:28:41.760
<v Speaker 1>I didn't want to be a breakout character. Maybe it

0:28:41.800 --> 0:28:44.480
<v Speaker 1>gets your work or a movie or something for three

0:28:44.560 --> 0:28:47.680
<v Speaker 1>or four years, but then you're you're just that guy.

0:28:48.080 --> 0:28:51.959
<v Speaker 1>You just are. There are exceptions to the rule, of course.

0:28:52.400 --> 0:28:55.160
<v Speaker 1>I think my good friend George Clooney is an exception.

0:28:55.520 --> 0:28:58.640
<v Speaker 1>Became known for being Doug Ross was lucky enough to

0:28:58.680 --> 0:29:02.160
<v Speaker 1>break from that, but not many others on that show were.

0:29:03.240 --> 0:29:07.360
<v Speaker 1>It took years for Julianne to become the good wife.

0:29:08.400 --> 0:29:13.480
<v Speaker 1>It's tough. I think Julianne really had the age. All

0:29:13.520 --> 0:29:15.720
<v Speaker 1>I wanted to do was just keep working and working. Now.

0:29:16.000 --> 0:29:18.120
<v Speaker 1>The good thing is I'm not a leading man, you know.

0:29:18.200 --> 0:29:22.800
<v Speaker 1>Jeff Beck just passed away, and I read he was

0:29:22.880 --> 0:29:25.640
<v Speaker 1>interviewed and they said, well, you never became the star.

0:29:25.840 --> 0:29:29.000
<v Speaker 1>You never broke out like Jimi Hendrix or Eric Clapton.

0:29:29.920 --> 0:29:32.560
<v Speaker 1>But he was voted top one of the top five guitarists.

0:29:33.320 --> 0:29:39.720
<v Speaker 1>And he, like I say, is thank god that never happened.

0:29:39.920 --> 0:29:41.800
<v Speaker 1>I didn't I didn't have to do all of that.

0:29:42.240 --> 0:29:45.080
<v Speaker 1>And I saw a clip of him playing on David

0:29:45.160 --> 0:29:50.320
<v Speaker 1>Letterman uh and playing great. He was fantastic. David Letterman

0:29:50.360 --> 0:29:53.720
<v Speaker 1>calls him over. He sits down, your great job, great job,

0:29:54.680 --> 0:29:58.720
<v Speaker 1>and as he's saying ladies and gentlemen, Jeff That gets

0:29:58.800 --> 0:30:04.320
<v Speaker 1>up and walks off and leaving Letterman hanging. And it's like,

0:30:04.600 --> 0:30:06.760
<v Speaker 1>don't know me for being Jeff Beck, know me for

0:30:06.840 --> 0:30:11.880
<v Speaker 1>being guitarist Jeff Beck, and actually Letterman being so funny.

0:30:12.400 --> 0:30:16.080
<v Speaker 1>Jeff Beck is off off into the wigs. He leaves

0:30:16.240 --> 0:30:20.959
<v Speaker 1>Dave hanging and Dave goes. Dave goes accepting the award

0:30:21.000 --> 0:30:25.320
<v Speaker 1>for Jeff Beck. It was hilarious. It's like, what the

0:30:25.320 --> 0:30:28.080
<v Speaker 1>way the hell are you going. I'm not saying, Look,

0:30:28.080 --> 0:30:30.680
<v Speaker 1>my ego does not want to be that, because you

0:30:30.760 --> 0:30:32.880
<v Speaker 1>and I both have huge egos. That's why we got

0:30:32.880 --> 0:30:37.560
<v Speaker 1>in the business. But don't keep me hanging there all

0:30:37.560 --> 0:30:41.280
<v Speaker 1>the time for being on this character. Yeah, keep the

0:30:41.280 --> 0:30:46.360
<v Speaker 1>applause coming, but shut up. It's it's really a dichonomy.

0:30:46.800 --> 0:30:52.600
<v Speaker 1>I love the applause. Shut up. Well. I absolutely love

0:30:53.120 --> 0:30:57.360
<v Speaker 1>your answer about guest stars because you give a refreshing

0:30:57.640 --> 0:31:02.640
<v Speaker 1>different perspective because for me, in this business, the guests

0:31:02.640 --> 0:31:07.040
<v Speaker 1>are role is the hardest. It's it's the hardest because

0:31:07.320 --> 0:31:11.280
<v Speaker 1>you show up, there's people standing there and you don't

0:31:11.280 --> 0:31:13.800
<v Speaker 1>know anybody's name, you don't know where the bathroom is,

0:31:13.960 --> 0:31:16.520
<v Speaker 1>you don't know. But I love the I love the

0:31:16.600 --> 0:31:19.640
<v Speaker 1>uncomfortableness of it. I love the learning and that you're

0:31:19.680 --> 0:31:24.200
<v Speaker 1>just new. Especially I have to admit this too, and

0:31:24.240 --> 0:31:27.080
<v Speaker 1>you get it the same way. We walk on stage

0:31:27.560 --> 0:31:30.120
<v Speaker 1>and we come with a resume and people are nice

0:31:30.160 --> 0:31:34.000
<v Speaker 1>to us. They are nice to us so we are welcomed.

0:31:34.000 --> 0:31:38.440
<v Speaker 1>Here you go. It's still uncomfortable, but they are very

0:31:38.560 --> 0:31:42.000
<v Speaker 1>nice to us, and they're excited to meet us. They're

0:31:42.040 --> 0:31:44.800
<v Speaker 1>excited to see what we do. The only you know,

0:31:44.920 --> 0:31:47.400
<v Speaker 1>the only thing we could do is fuck it up,

0:31:48.480 --> 0:31:51.640
<v Speaker 1>and we're capable of that, but we try not to.

0:31:52.320 --> 0:31:55.080
<v Speaker 1>And so let's not suck it up, and let's let's

0:31:55.120 --> 0:31:58.400
<v Speaker 1>be excited by not knowing where the bathroom is and

0:31:58.480 --> 0:32:00.960
<v Speaker 1>not knowing who these people are, how fast they work.

0:32:01.480 --> 0:32:05.800
<v Speaker 1>And only one time. I've worked for Chuck Laurie a

0:32:05.800 --> 0:32:09.600
<v Speaker 1>couple of times, but at one time, and it could

0:32:09.600 --> 0:32:12.800
<v Speaker 1>have had the taint of he was in in the

0:32:12.840 --> 0:32:15.840
<v Speaker 1>throes of the Charlie Sheen thing on Two and a

0:32:15.920 --> 0:32:18.800
<v Speaker 1>half Men. But I I don't think he liked me.

0:32:19.320 --> 0:32:23.320
<v Speaker 1>He I was introduced at the table comedy legend Richard Kind,

0:32:23.640 --> 0:32:27.440
<v Speaker 1>but he didn't like me. As days wore on and uh,

0:32:27.680 --> 0:32:29.600
<v Speaker 1>you know, and he's not the nicest man in the business,

0:32:29.640 --> 0:32:31.680
<v Speaker 1>and he sort of wore it on his sleeve. Not

0:32:31.760 --> 0:32:36.440
<v Speaker 1>that he was mean to me at all, but I

0:32:36.480 --> 0:32:39.520
<v Speaker 1>got it that first day and it didn't continue. Now

0:32:39.560 --> 0:32:41.400
<v Speaker 1>I went on to other shows of his and he

0:32:41.480 --> 0:32:44.760
<v Speaker 1>was gracious and grateful and terrific. Uh. And I knew

0:32:44.800 --> 0:32:48.280
<v Speaker 1>him personally before I knew him professionally. We played poker

0:32:48.680 --> 0:32:51.360
<v Speaker 1>and he was he was great. But you want to

0:32:51.840 --> 0:32:55.160
<v Speaker 1>the executive producers Papa that week and you want to say,

0:32:55.240 --> 0:32:58.240
<v Speaker 1>how am I doing? Am I doing this correctly? Am I?

0:32:58.240 --> 0:33:00.880
<v Speaker 1>Am I doing what you want? Are you be? Are

0:33:00.920 --> 0:33:04.680
<v Speaker 1>you happy that you hired me? That's really important to me?

0:33:05.240 --> 0:33:07.320
<v Speaker 1>And you would figure why would that be important? You

0:33:07.320 --> 0:33:09.880
<v Speaker 1>look at your career, look at all you've done. No, no, no,

0:33:09.880 --> 0:33:13.440
<v Speaker 1>no no. I still need affirmation from Daddy. Tell me

0:33:13.480 --> 0:33:16.120
<v Speaker 1>I'm good. Tell me I'm good. And I don't want

0:33:16.160 --> 0:33:18.400
<v Speaker 1>the audience to tell me I'm good. I want you,

0:33:18.480 --> 0:33:21.440
<v Speaker 1>the writer, the creator, to tell me this is what

0:33:21.560 --> 0:33:24.680
<v Speaker 1>I wrote. I wrote a double. I think you hit

0:33:24.720 --> 0:33:28.200
<v Speaker 1>a triple. You may have even hit a home run. Yeah.

0:33:28.200 --> 0:33:31.520
<v Speaker 1>That that's what I want every time I work, That's

0:33:31.520 --> 0:33:34.760
<v Speaker 1>what I want. So that's what I do. I love that.

0:33:35.120 --> 0:33:37.720
<v Speaker 1>I love that. And how how true you are? We're

0:33:37.720 --> 0:33:41.719
<v Speaker 1>all looking for for Daddy's approval in one way or another.

0:33:43.120 --> 0:33:47.440
<v Speaker 1>You are You're a member of a prestigious club, one

0:33:47.560 --> 0:33:51.479
<v Speaker 1>that at some point I hope to apply to and

0:33:51.520 --> 0:33:54.080
<v Speaker 1>get it. I wonder what you're talking about. Is this

0:33:54.160 --> 0:33:57.520
<v Speaker 1>the Excessive Masturbators Club? What are you talking about? The

0:33:57.720 --> 0:34:01.400
<v Speaker 1>Character Actors Dining Society? So you aren't talking about the

0:34:01.480 --> 0:34:09.560
<v Speaker 1>masturbatings masturbating. I gotta tell you, I am there's two

0:34:09.640 --> 0:34:13.200
<v Speaker 1>things that are very difficult. One, God, I'm gonna get

0:34:13.320 --> 0:34:18.000
<v Speaker 1>so attacked here on behalf of the whole thing. God,

0:34:18.040 --> 0:34:19.960
<v Speaker 1>I don't know whether I should I should mention. First

0:34:19.960 --> 0:34:23.680
<v Speaker 1>of all, it's limited. We started it with a certain

0:34:23.760 --> 0:34:27.440
<v Speaker 1>number of people to get other people in a restaurant

0:34:27.480 --> 0:34:30.160
<v Speaker 1>can only handle that many. You want to be able

0:34:30.200 --> 0:34:33.080
<v Speaker 1>to talk to everybody at a meal, we've already got.

0:34:33.160 --> 0:34:36.000
<v Speaker 1>The table is already too large. It's too large. It

0:34:36.120 --> 0:34:42.359
<v Speaker 1>is truly the Character Actors Dining Society. And uh, and

0:34:42.440 --> 0:34:45.400
<v Speaker 1>we're We're just a bunch of guys who like to

0:34:45.440 --> 0:34:49.280
<v Speaker 1>get together, talk about our families, talk about our wives,

0:34:49.320 --> 0:34:52.439
<v Speaker 1>talk about the work, talk about what influenced this, talk

0:34:52.520 --> 0:34:56.719
<v Speaker 1>the best jokes that we've heard lately, talk politics, talk everything.

0:34:57.280 --> 0:35:00.279
<v Speaker 1>And they are great group of guys. And we can't

0:35:00.280 --> 0:35:02.400
<v Speaker 1>make it much larger. We can't make it any larger.

0:35:02.680 --> 0:35:06.439
<v Speaker 1>And I don't know who's going to die off. Okay,

0:35:07.000 --> 0:35:09.279
<v Speaker 1>I don't know who's going to die off first, but

0:35:09.600 --> 0:35:13.120
<v Speaker 1>we'll replace them at such a time. It's a great

0:35:13.280 --> 0:35:16.440
<v Speaker 1>group of guys, and they're they're people who there are

0:35:16.440 --> 0:35:19.880
<v Speaker 1>people who I admire, people who I am jealous of,

0:35:20.600 --> 0:35:23.600
<v Speaker 1>people who when I'm in the audition I want dead.

0:35:24.360 --> 0:35:28.920
<v Speaker 1>That's who they are, you know, I, And I've known

0:35:29.800 --> 0:35:35.160
<v Speaker 1>them for a number of decades, quite a number of decades.

0:35:35.840 --> 0:35:39.920
<v Speaker 1>I knew Brian Cranston before he was guesting on Seinfeld.

0:35:40.360 --> 0:35:43.879
<v Speaker 1>We used to play golf together and then, and I'd

0:35:43.920 --> 0:35:48.120
<v Speaker 1>see him every once in a while. Now he is

0:35:48.200 --> 0:35:52.480
<v Speaker 1>considered properly one of the great actors in the history

0:35:52.600 --> 0:35:56.640
<v Speaker 1>of so BIZ. And I know him now as well

0:35:56.680 --> 0:36:00.520
<v Speaker 1>as I know him back then because the dinner because

0:36:00.520 --> 0:36:03.320
<v Speaker 1>of these and be because of these. So he happened

0:36:03.320 --> 0:36:05.400
<v Speaker 1>to have been in New York, I think about a

0:36:05.440 --> 0:36:08.239
<v Speaker 1>month or two ago. So two of the guys who

0:36:08.400 --> 0:36:13.160
<v Speaker 1>are on this thread and this dining society, great guy

0:36:13.239 --> 0:36:17.800
<v Speaker 1>named Danny Burstein, and Brian and myself went out for lunch.

0:36:18.320 --> 0:36:21.600
<v Speaker 1>He he initiated it, Brian did. We went out at

0:36:22.000 --> 0:36:24.960
<v Speaker 1>twelve thirty. I think we met at a restaurant. I

0:36:25.000 --> 0:36:28.239
<v Speaker 1>think we got out of there at four, the three

0:36:28.239 --> 0:36:32.319
<v Speaker 1>of us. It was great, it's great, it's great. And

0:36:32.440 --> 0:36:36.240
<v Speaker 1>uh and Brian, I wish right now I could say,

0:36:36.560 --> 0:36:41.320
<v Speaker 1>we'd love to have you come by. I no, no, no, no.

0:36:41.520 --> 0:36:44.480
<v Speaker 1>But there are people, there are people who who asked

0:36:44.480 --> 0:36:47.359
<v Speaker 1>and I go, we can't. I and I just got

0:36:47.440 --> 0:36:49.920
<v Speaker 1>luck of the draw. I was just there in the beginning,

0:36:50.400 --> 0:36:56.480
<v Speaker 1>you know, like number six, and uh, I'm lucky. I'm lucky. Yeah.

0:36:56.640 --> 0:36:59.480
<v Speaker 1>But you but but like like like you say, we

0:36:59.560 --> 0:37:03.800
<v Speaker 1>get to know these people, and you've got a myriad.

0:37:03.840 --> 0:37:06.960
<v Speaker 1>You've got me. You know, you mentioned all the people

0:37:06.960 --> 0:37:09.400
<v Speaker 1>who were on your show. They know you, love you

0:37:09.440 --> 0:37:11.960
<v Speaker 1>and would go out. How do you call Steve Carrell?

0:37:12.200 --> 0:37:15.560
<v Speaker 1>Although he is a character actor, but where where do

0:37:15.600 --> 0:37:18.000
<v Speaker 1>you go from the difference between character actor and star.

0:37:18.840 --> 0:37:21.359
<v Speaker 1>But as somebody said, you know, Brad Pitt is one

0:37:21.360 --> 0:37:24.080
<v Speaker 1>of the great character actors in the business today. He

0:37:24.160 --> 0:37:30.839
<v Speaker 1>really does so many different characters. But fuck him, Okay, true, true,

0:37:30.880 --> 0:37:33.120
<v Speaker 1>I always whenever I think about him, and that I

0:37:33.200 --> 0:37:36.719
<v Speaker 1>think of true romance. Always, you got true romance. How

0:37:36.760 --> 0:37:39.960
<v Speaker 1>about that thing where he was the Scottish boxer. Now

0:37:40.040 --> 0:37:44.439
<v Speaker 1>that's a ridiculous performance that is as good as good

0:37:44.440 --> 0:37:46.440
<v Speaker 1>as they come, that's what I think of when they

0:37:46.440 --> 0:37:48.680
<v Speaker 1>say he's a character actor. Where did he come up

0:37:48.680 --> 0:37:51.200
<v Speaker 1>with that? You know? And I had to talk about

0:37:51.200 --> 0:37:55.200
<v Speaker 1>George the other day, George Clooney on Kennedy Center Honors,

0:37:55.880 --> 0:37:59.440
<v Speaker 1>and I go, yeah, he plays the dec But halfway

0:37:59.480 --> 0:38:05.440
<v Speaker 1>through you realize this dashing, intelligent guy, that smooth talker

0:38:05.920 --> 0:38:08.680
<v Speaker 1>is very different from the other dashing smooth talkers he plays.

0:38:09.320 --> 0:38:12.480
<v Speaker 1>It's just it's it's a variation on a theme. And

0:38:12.520 --> 0:38:14.960
<v Speaker 1>then you go to, uh, oh, brother, where art though?

0:38:15.760 --> 0:38:18.719
<v Speaker 1>And where the hell did he come up with that? So?

0:38:18.800 --> 0:38:20.319
<v Speaker 1>And how did the Cone brothers know he was gonna

0:38:20.360 --> 0:38:23.440
<v Speaker 1>could do that? That was his first movie with the brothers.

0:38:23.640 --> 0:38:27.040
<v Speaker 1>They didn't know him. I know. That's well, they're genius.

0:38:27.040 --> 0:38:28.719
<v Speaker 1>I'm gonna talk about them in a second. But I

0:38:29.200 --> 0:38:34.480
<v Speaker 1>love this quote. You described character actors as the parsley

0:38:34.600 --> 0:38:39.279
<v Speaker 1>on a plate of meat and potatoes. Do you think

0:38:39.280 --> 0:38:42.800
<v Speaker 1>everybody in the society feels that way? Look, it's no,

0:38:43.200 --> 0:38:47.120
<v Speaker 1>it's me being self effacing. I should have corrected you immediately.

0:38:48.040 --> 0:38:53.120
<v Speaker 1>I said, I and the parsley on a plate of potatoes.

0:38:54.600 --> 0:38:57.000
<v Speaker 1>And that's really that's what I used to say about

0:38:57.120 --> 0:39:00.120
<v Speaker 1>man about You because I used to think Paul and

0:39:00.239 --> 0:39:04.680
<v Speaker 1>Helen were magnificent in what they had to do. And

0:39:04.880 --> 0:39:08.759
<v Speaker 1>I hated doing Man About You because I was never challenged.

0:39:10.000 --> 0:39:13.239
<v Speaker 1>And I once went up to Danny Jacobs and who

0:39:13.239 --> 0:39:16.160
<v Speaker 1>had created the show, and I said, I'm not asking

0:39:16.280 --> 0:39:22.600
<v Speaker 1>to star in the show. Give me one scene a

0:39:22.640 --> 0:39:28.240
<v Speaker 1>week where the audience can say, Jesus, I love him, Wow,

0:39:28.280 --> 0:39:32.239
<v Speaker 1>he's great. And you know what Danny's answer was, I

0:39:32.280 --> 0:39:37.320
<v Speaker 1>can't promise you that. And that's when I hated doing

0:39:37.360 --> 0:39:40.080
<v Speaker 1>Man About You. And he was right. The show was

0:39:40.120 --> 0:39:46.000
<v Speaker 1>about those two and uh, and I'm nothing. I'm helping

0:39:46.080 --> 0:39:48.560
<v Speaker 1>tell their story. I'm going to tell you an interesting

0:39:48.640 --> 0:39:54.120
<v Speaker 1>thing about Seinfeld versus Uh, curb your enthusiasm. It's really interesting,

0:39:54.719 --> 0:39:59.760
<v Speaker 1>Seinfeld are little blips of seeing that are are cobbled

0:39:59.800 --> 0:40:02.239
<v Speaker 1>to together to tell a story. But I don't think

0:40:02.280 --> 0:40:04.759
<v Speaker 1>you ever got more than a forty five second to

0:40:04.840 --> 0:40:10.200
<v Speaker 1>a minute and a half scene. It was a collection

0:40:10.239 --> 0:40:13.560
<v Speaker 1>of scenes that built to an end. They had to

0:40:13.560 --> 0:40:17.960
<v Speaker 1>tell the story. Everybody was really represented every single week

0:40:19.360 --> 0:40:22.799
<v Speaker 1>to tell their story, all four of them. Yes, you

0:40:22.880 --> 0:40:27.799
<v Speaker 1>were truly a device to help those four people tell

0:40:27.880 --> 0:40:32.560
<v Speaker 1>the story. And you never really got to sign. You

0:40:32.640 --> 0:40:35.520
<v Speaker 1>got to make an oppression, but you never got to

0:40:35.600 --> 0:40:41.400
<v Speaker 1>sign on Curb your enthusiasm. Again, you are a device

0:40:42.160 --> 0:40:45.319
<v Speaker 1>to tell one man's story, but you get to sign.

0:40:46.239 --> 0:40:50.160
<v Speaker 1>And that's that's the difference between Seinfeld and Curb. That's

0:40:50.320 --> 0:40:54.440
<v Speaker 1>very interesting. Never really thought about it from from a

0:40:54.520 --> 0:40:57.680
<v Speaker 1>guest perspective. But no, you're absolutely right. Yeah, I got

0:40:57.680 --> 0:41:01.560
<v Speaker 1>an ego. Of course, I'm only thinking about me. So

0:41:01.880 --> 0:41:04.480
<v Speaker 1>that's what I'm gonna say now. And now I was

0:41:04.520 --> 0:41:07.279
<v Speaker 1>never on Seinfeld. I was hired for Seinfeld. This is

0:41:07.280 --> 0:41:10.400
<v Speaker 1>an interesting story. You'll like this. Did you know an

0:41:10.440 --> 0:41:13.680
<v Speaker 1>actor named Brad Mott. The name is familiar, but I can't.

0:41:13.880 --> 0:41:18.799
<v Speaker 1>I only ask you because he's very reminiscent of what

0:41:18.920 --> 0:41:21.640
<v Speaker 1>you do. He sounds like you, he looks like you.

0:41:21.880 --> 0:41:25.000
<v Speaker 1>I went to college with him his most famous role,

0:41:25.080 --> 0:41:26.680
<v Speaker 1>and he was not a very big actor. I think

0:41:26.680 --> 0:41:28.680
<v Speaker 1>he ended up teaching for the rest of his life.

0:41:28.960 --> 0:41:31.560
<v Speaker 1>He was. He sat next to William Hurt in the

0:41:31.640 --> 0:41:36.080
<v Speaker 1>movie The Accidental Tourist. If you remember that, he goes, hey,

0:41:36.120 --> 0:41:38.719
<v Speaker 1>you're the Accidental Tourist. I remember it also because I

0:41:38.800 --> 0:41:42.160
<v Speaker 1>read the book. Anyway, that's his most famous role. Great

0:41:42.200 --> 0:41:47.279
<v Speaker 1>guy wonderful actor. There's an audition for Seinfeld. A guy

0:41:47.400 --> 0:41:50.479
<v Speaker 1>is sitting next to Jerry on the airplane. He's talking

0:41:50.520 --> 0:41:55.239
<v Speaker 1>to him and something happens. Okay, I go into the audition,

0:41:56.560 --> 0:41:59.319
<v Speaker 1>and I'm very good at knowing what I'm good at

0:41:59.440 --> 0:42:02.200
<v Speaker 1>what I'm not good at, and I'll lose a job

0:42:02.680 --> 0:42:05.440
<v Speaker 1>because I'm not right for it. I don't turn down

0:42:05.480 --> 0:42:09.560
<v Speaker 1>the audition, but please don't hire me. That's what I said.

0:42:09.640 --> 0:42:11.799
<v Speaker 1>I sort of said, here I go. You know who

0:42:11.840 --> 0:42:15.440
<v Speaker 1>you should get is Brad Mott. He'd be perfect for

0:42:15.480 --> 0:42:20.600
<v Speaker 1>this role. And the audition I walk in and I say,

0:42:20.920 --> 0:42:26.200
<v Speaker 1>use Brad Matty's great. The casting director goes, we already, Uh,

0:42:26.239 --> 0:42:29.920
<v Speaker 1>he's not available. All right. You've never heard a more

0:42:30.000 --> 0:42:33.880
<v Speaker 1>bullshit answer in your life. Because Brad lives in Chicago.

0:42:34.680 --> 0:42:37.560
<v Speaker 1>Nobody knows who Brad Mott is because he's not a

0:42:37.640 --> 0:42:41.759
<v Speaker 1>working Hollywood actor. But I'm not about to say to

0:42:41.800 --> 0:42:45.920
<v Speaker 1>a casting director you're full of ship, which should have

0:42:45.960 --> 0:42:50.239
<v Speaker 1>been my response. Instead, I said, then I'm by far

0:42:50.360 --> 0:42:55.239
<v Speaker 1>the second best choice. As a joke. I do the

0:42:55.280 --> 0:42:58.440
<v Speaker 1>audition and I got the job, and I was all wrong.

0:42:58.680 --> 0:43:02.080
<v Speaker 1>I'm telling you I sent right for the role. We

0:43:02.560 --> 0:43:06.440
<v Speaker 1>go to work on Monday and back then. I'm telling

0:43:06.480 --> 0:43:08.680
<v Speaker 1>this way too long, but it's a fun story. The

0:43:08.840 --> 0:43:14.320
<v Speaker 1>table was enormously long in the audience was a hundred

0:43:14.360 --> 0:43:18.480
<v Speaker 1>and fifty people, because everybody wanted to be there for Seinfeld.

0:43:18.520 --> 0:43:21.680
<v Speaker 1>They want to be around. There was an omelet bar,

0:43:22.640 --> 0:43:24.880
<v Speaker 1>there was bood to be had by all the event.

0:43:25.400 --> 0:43:28.040
<v Speaker 1>And I'm sitting over here and way down at the

0:43:28.040 --> 0:43:31.719
<v Speaker 1>other end is Jerry. I'm supposed to be sitting next

0:43:31.719 --> 0:43:34.120
<v Speaker 1>to him on an airplane, so they should have put

0:43:34.120 --> 0:43:35.560
<v Speaker 1>me next to him so that we could have an

0:43:35.600 --> 0:43:40.239
<v Speaker 1>intimate conversation. Instead, I'm screaming the lines down at the

0:43:40.360 --> 0:43:45.200
<v Speaker 1>end for a role I already shouldn't be playing, and

0:43:45.360 --> 0:43:49.080
<v Speaker 1>nothing was landing. After the reading, I went up to

0:43:49.160 --> 0:43:51.440
<v Speaker 1>our director, who I knew, a guy named Tom Seronis,

0:43:51.440 --> 0:43:53.640
<v Speaker 1>and I said, I you gotta fire me. I'm not

0:43:53.760 --> 0:43:56.319
<v Speaker 1>right for this. He goes, no, No, No, you're great.

0:43:56.320 --> 0:43:58.880
<v Speaker 1>I go, Tom, I'm not right. I know I'm going

0:43:58.920 --> 0:44:02.600
<v Speaker 1>to get paid. Fire me. No, you're right. I tell

0:44:02.680 --> 0:44:04.879
<v Speaker 1>Larry that afternoon, who was somebody I didn't know? Well,

0:44:05.480 --> 0:44:08.600
<v Speaker 1>you gotta fire me. No, you're great. We do tuesday's rehearsal.

0:44:09.160 --> 0:44:11.919
<v Speaker 1>Do it all that afternoon we have the run through.

0:44:12.520 --> 0:44:16.880
<v Speaker 1>I said, Larry to fire me. Tom called me that

0:44:17.000 --> 0:44:20.239
<v Speaker 1>night and he fired me rightly. Larry said, we're going

0:44:20.280 --> 0:44:22.640
<v Speaker 1>to change it to be a drunk. It's gonna be so.

0:44:22.800 --> 0:44:24.719
<v Speaker 1>I said, I didn't audition for that. I'm not ready

0:44:24.760 --> 0:44:28.160
<v Speaker 1>for it. I'll tell you who replaced me. Do you

0:44:28.200 --> 0:44:32.719
<v Speaker 1>know who? Joe Mahars m a h e Er, one

0:44:32.760 --> 0:44:35.959
<v Speaker 1>of the great character actors of all time, of all time.

0:44:36.440 --> 0:44:40.320
<v Speaker 1>Did you ever see Uh Heaven Can Wait with Warren Beatty?

0:44:41.520 --> 0:44:45.200
<v Speaker 1>He was the butler, the gray haired English butler. That's

0:44:45.200 --> 0:44:49.120
<v Speaker 1>who replaced me, the opposite of me. So I got

0:44:49.160 --> 0:44:52.400
<v Speaker 1>fired from Seinfeld, but I asked to be fired and

0:44:52.440 --> 0:44:55.160
<v Speaker 1>I never got hired again. But then I was lucky.

0:44:55.200 --> 0:44:58.520
<v Speaker 1>I got on that. What was the question, Brian, why

0:44:58.560 --> 0:45:01.000
<v Speaker 1>don't you Why do you make me tell these but

0:45:01.120 --> 0:45:03.759
<v Speaker 1>they have no point? But they have no point? I

0:45:04.840 --> 0:45:08.120
<v Speaker 1>love it. I mean, all I know is this is

0:45:08.160 --> 0:45:13.279
<v Speaker 1>that you're way way spicier than Parsley. I know that,

0:45:13.480 --> 0:45:17.719
<v Speaker 1>I know for sure, not as bland as Parsley and pointless.

0:45:18.160 --> 0:45:21.719
<v Speaker 1>You are correct, I can add, I can add to it. However,

0:45:22.520 --> 0:45:25.440
<v Speaker 1>let's face it, we're going to the to the movie.

0:45:25.480 --> 0:45:28.399
<v Speaker 1>We're gonna watch the TV show because of the meat

0:45:28.400 --> 0:45:33.120
<v Speaker 1>and potatoes. Don't worry. I'll make everything look nice. Potatoes

0:45:33.160 --> 0:45:36.479
<v Speaker 1>are white, meat is brown. I'll give you a little green.

0:45:37.239 --> 0:45:39.480
<v Speaker 1>I'll give you some color. But you're not there to

0:45:39.560 --> 0:45:44.120
<v Speaker 1>eat me. You're there to eat the meat potatoes. All right,

0:45:44.360 --> 0:46:05.399
<v Speaker 1>fair enough. I'm going to tell you something else. Yeah,

0:46:05.840 --> 0:46:09.480
<v Speaker 1>I mean, we're gonna jump years ahead because what I'm

0:46:09.520 --> 0:46:12.759
<v Speaker 1>doing now. Okay, do you watch East New York or

0:46:12.760 --> 0:46:14.680
<v Speaker 1>are you aware of East? Yes? Of course I was

0:46:14.680 --> 0:46:16.960
<v Speaker 1>going to talk to you about East New York. Well,

0:46:17.000 --> 0:46:20.360
<v Speaker 1>I'm gonna mention that top premiere of last year. I

0:46:22.040 --> 0:46:27.040
<v Speaker 1>am at this age, with this space and my resume,

0:46:27.280 --> 0:46:32.239
<v Speaker 1>that I am playing a cop. Fantastic, There's nothing how grateful?

0:46:32.320 --> 0:46:35.719
<v Speaker 1>Oh my god. And you know you're jealous, you want

0:46:35.760 --> 0:46:39.560
<v Speaker 1>me dead. I know I'm the luckiest guy in the world.

0:46:40.280 --> 0:46:43.359
<v Speaker 1>That show is a police drama. That show is all

0:46:43.360 --> 0:46:46.759
<v Speaker 1>about detectives trying to solve a crime. What the hell

0:46:46.800 --> 0:46:50.040
<v Speaker 1>am I doing there? I give it flavor, that is

0:46:50.120 --> 0:46:53.200
<v Speaker 1>what I do. I question still, can I be a

0:46:53.239 --> 0:46:55.600
<v Speaker 1>New York cop? Really? At my age with this body?

0:46:55.880 --> 0:46:58.439
<v Speaker 1>Can I and I walk and I see some two

0:46:58.880 --> 0:47:02.439
<v Speaker 1>and sixty pounds cop standing on the corner, New York

0:47:02.480 --> 0:47:06.560
<v Speaker 1>cop and go, yeah, I'm a New York cop. I'm

0:47:06.600 --> 0:47:10.200
<v Speaker 1>not a New I'm not a TV cop. I'm a

0:47:10.239 --> 0:47:13.239
<v Speaker 1>New York cop. You want realism, you want a little

0:47:13.239 --> 0:47:15.520
<v Speaker 1>bit of flavor, you want what New York can offer.

0:47:16.120 --> 0:47:18.560
<v Speaker 1>That's what I'm there for. But I ain't going to

0:47:18.640 --> 0:47:22.120
<v Speaker 1>solve the crimes. I'll help other people will run into

0:47:22.120 --> 0:47:25.239
<v Speaker 1>the burning building with a gun, bam bam bam. I

0:47:25.280 --> 0:47:28.480
<v Speaker 1>ain't doing that. But I lend it great flavor and humanity,

0:47:28.680 --> 0:47:31.759
<v Speaker 1>and that's what I love. Love, that's what That's what

0:47:31.800 --> 0:47:34.200
<v Speaker 1>I always want to do as well, for sure. Yeah,

0:47:34.320 --> 0:47:38.120
<v Speaker 1>it's it's what it's what I do. Um, one time

0:47:38.160 --> 0:47:42.840
<v Speaker 1>I wanted you dead. One time, one time I wanted

0:47:42.880 --> 0:47:46.480
<v Speaker 1>you dead. I have not been lucky enough to work

0:47:46.640 --> 0:47:50.759
<v Speaker 1>with who I consider to be up there as the

0:47:50.760 --> 0:47:55.120
<v Speaker 1>greatest creative filmmakers in the United States, the Corn Brothers.

0:47:55.400 --> 0:48:00.319
<v Speaker 1>A serious man. Now, I think I was a little young,

0:48:00.680 --> 0:48:03.800
<v Speaker 1>or at least that's how I justified it to myself. Yeah,

0:48:03.840 --> 0:48:06.120
<v Speaker 1>that was one time. You you mentioned that at the beginning,

0:48:06.200 --> 0:48:09.440
<v Speaker 1>like that you want these people dead, just briefly, just

0:48:09.480 --> 0:48:12.920
<v Speaker 1>for a moment. I wouldn't say dead more just like

0:48:12.960 --> 0:48:18.480
<v Speaker 1>the what is it the Gluly uh knee capping incident exactly. Yes,

0:48:18.560 --> 0:48:21.680
<v Speaker 1>that's just another way of saying, yes, I think their kneecaps. Look,

0:48:21.719 --> 0:48:24.000
<v Speaker 1>I had that back when I was understudying a Pellinore

0:48:24.280 --> 0:48:27.319
<v Speaker 1>in seventh grade and Camelot. I wanted, I wanted. I

0:48:27.320 --> 0:48:30.560
<v Speaker 1>wanted a guy dead. I would I was literally in

0:48:30.640 --> 0:48:35.680
<v Speaker 1>my head thinking before Gluley was ever there and uh

0:48:35.960 --> 0:48:40.160
<v Speaker 1>and the woman had her knees knocked out about it? Yeah, yeah,

0:48:40.800 --> 0:48:43.959
<v Speaker 1>I wanted. Yes, That's what I'm talking about. Of course,

0:48:44.000 --> 0:48:47.120
<v Speaker 1>I don't want them dead. And I like those I

0:48:47.160 --> 0:48:50.239
<v Speaker 1>love those people. Yes, I love them, but for a

0:48:50.280 --> 0:48:54.640
<v Speaker 1>little while, let them not exist. Uh, talk to me.

0:48:54.880 --> 0:48:57.879
<v Speaker 1>I'm a huge fan of that movie as well. Your

0:48:57.920 --> 0:49:01.640
<v Speaker 1>performance Stellar A serious man? How is it like working

0:49:01.640 --> 0:49:05.600
<v Speaker 1>with Can I say say something else? I wonder? And

0:49:06.120 --> 0:49:08.399
<v Speaker 1>I know what your last name is, and I don't

0:49:08.400 --> 0:49:12.000
<v Speaker 1>even know your religion or your background, But more often

0:49:12.040 --> 0:49:14.160
<v Speaker 1>than not, I would think that you would play the

0:49:14.280 --> 0:49:19.799
<v Speaker 1>Irish kindly uncle like you should do our wilderness? Have

0:49:19.800 --> 0:49:27.440
<v Speaker 1>you ever done our wilderness? Oh? My god, how wonderful.

0:49:27.960 --> 0:49:30.680
<v Speaker 1>You're larger than life you're you're who we You're who

0:49:30.680 --> 0:49:34.840
<v Speaker 1>we want to be with, and that's that's uh, that

0:49:35.040 --> 0:49:39.000
<v Speaker 1>is your your essence. Now, my essence is usually happy

0:49:39.040 --> 0:49:42.200
<v Speaker 1>and everything. And I was sort of lovable, but this

0:49:42.320 --> 0:49:46.319
<v Speaker 1>was a darkly troubled guy, which is a fun thing

0:49:46.360 --> 0:49:48.719
<v Speaker 1>to play, and of course you could play it. But

0:49:49.000 --> 0:49:52.960
<v Speaker 1>initially somebody who was up for the role, and we've

0:49:53.000 --> 0:49:56.840
<v Speaker 1>talked about it was Pat Oswell and could he have

0:49:56.880 --> 0:49:59.920
<v Speaker 1>done it? I just think it would be very different.

0:50:00.640 --> 0:50:04.000
<v Speaker 1>I think that what I bring is a little bit

0:50:04.000 --> 0:50:11.440
<v Speaker 1>of the same lovable characteristics that you would, but deeply sad,

0:50:12.160 --> 0:50:14.839
<v Speaker 1>this lonely guy who goes to what was the what

0:50:14.960 --> 0:50:18.040
<v Speaker 1>was the bar that he went to for the young boys?

0:50:18.560 --> 0:50:21.600
<v Speaker 1>But could that guy be capable of it? Of course?

0:50:21.640 --> 0:50:24.920
<v Speaker 1>And that's what's so great about all of these horrible

0:50:24.960 --> 0:50:29.479
<v Speaker 1>serial killer dramas that they look like the Scout leader

0:50:29.520 --> 0:50:32.920
<v Speaker 1>next door. Uh. In anyway, let's let's talk about about

0:50:32.960 --> 0:50:35.960
<v Speaker 1>the Cohen brothers. I have so many things about the

0:50:36.000 --> 0:50:38.920
<v Speaker 1>Cohen brothers to say, Number one, they are as brilliant

0:50:39.040 --> 0:50:43.399
<v Speaker 1>as you think, and it is not haphazard. I once

0:50:43.480 --> 0:50:48.600
<v Speaker 1>said that I think that like Hidscock the movie, they

0:50:48.640 --> 0:50:51.520
<v Speaker 1>know what the movie looks like before they ever step

0:50:51.560 --> 0:50:55.759
<v Speaker 1>on set. So that's that's one thing they do. Let

0:50:55.800 --> 0:50:59.120
<v Speaker 1>the actors go. When I auditioned for it, I'll tell you.

0:50:59.160 --> 0:51:02.280
<v Speaker 1>I'll tell you where I us. I was doing Damn Yankees.

0:51:06.440 --> 0:51:09.360
<v Speaker 1>I was doing. I was doing Damn Yankees in El Paso,

0:51:09.520 --> 0:51:15.560
<v Speaker 1>Texas at a theater. And you don't say no. You

0:51:15.640 --> 0:51:19.160
<v Speaker 1>don't say no to anything tonight. I've always I always

0:51:19.160 --> 0:51:21.480
<v Speaker 1>wanted to play apple Gate. We had two or three

0:51:21.520 --> 0:51:23.960
<v Speaker 1>week run, go and rehearse for a week and a half,

0:51:24.000 --> 0:51:25.960
<v Speaker 1>two weeks go do the play. I wanted to do it.

0:51:26.680 --> 0:51:33.279
<v Speaker 1>So I'm doing Damn Yankees in El Paso and they

0:51:33.320 --> 0:51:36.480
<v Speaker 1>want me to audition for the thing, but I can't

0:51:36.480 --> 0:51:38.800
<v Speaker 1>come in because I'm in El Paso, so they have

0:51:38.960 --> 0:51:43.640
<v Speaker 1>me tape it. And the direction from Joel was, you

0:51:43.719 --> 0:51:48.760
<v Speaker 1>can't be too big when you cry. You're crying, it's beaute.

0:51:49.640 --> 0:51:53.600
<v Speaker 1>And he told me the story of Bill Macy doing Fargo,

0:51:54.520 --> 0:51:57.719
<v Speaker 1>and there's that scene where we all know where he's

0:51:57.840 --> 0:52:01.560
<v Speaker 1>so fresh rated and things aren't going his way. He

0:52:01.640 --> 0:52:04.759
<v Speaker 1>just bangs on the roof of the car. I got

0:52:04.840 --> 0:52:07.719
<v Speaker 1>like that, and Bill Macy said, they're gonna laugh at

0:52:07.760 --> 0:52:09.600
<v Speaker 1>me in New York and they're gonna laugh at me

0:52:09.600 --> 0:52:12.319
<v Speaker 1>in Chicago making a choice like that, acting like that.

0:52:12.680 --> 0:52:15.240
<v Speaker 1>Joel said, no, no, no, do it. It's what everybody remembers.

0:52:15.239 --> 0:52:17.640
<v Speaker 1>He was huge. Who bangs on a call like that?

0:52:17.880 --> 0:52:20.680
<v Speaker 1>But he did out of frust races. So they said,

0:52:20.719 --> 0:52:23.960
<v Speaker 1>you can't be too big. So I had to do

0:52:24.000 --> 0:52:27.759
<v Speaker 1>that tough, tough crying scene by the pool, and I

0:52:27.800 --> 0:52:31.640
<v Speaker 1>was not too big, and so I got I then

0:52:31.760 --> 0:52:35.200
<v Speaker 1>come in. I'm gonna go back in time. I get

0:52:35.200 --> 0:52:38.480
<v Speaker 1>called in to meet them to read for two movies.

0:52:39.200 --> 0:52:45.960
<v Speaker 1>One is burn after reading A Lawyer has two speeches

0:52:46.000 --> 0:52:49.520
<v Speaker 1>and they're huge. I worked and worked and worked on that.

0:52:50.000 --> 0:52:54.560
<v Speaker 1>The other was the Lawyer in Serious Man. How hardly

0:52:54.560 --> 0:52:57.879
<v Speaker 1>worked on it and it's it's nothing. I didn't care

0:52:57.880 --> 0:52:59.840
<v Speaker 1>about it. I wanted to be in the movie with

0:53:00.000 --> 0:53:04.640
<v Speaker 1>George and Brad Pitt and Fran and uh and do that.

0:53:05.200 --> 0:53:07.759
<v Speaker 1>I didn't get the loyal role, I mean the the

0:53:08.040 --> 0:53:11.040
<v Speaker 1>this lawyer and Burne. After reading with the monologues, I

0:53:11.080 --> 0:53:13.960
<v Speaker 1>didn't get. It killed me. They don't want me for

0:53:14.000 --> 0:53:17.200
<v Speaker 1>the Lawyer and in Serious Man, so I read for

0:53:17.239 --> 0:53:19.600
<v Speaker 1>the Rabbi. They say, we want you to look at

0:53:19.640 --> 0:53:23.560
<v Speaker 1>the character of the lead, the Michael Stoulberg part. I said,

0:53:23.600 --> 0:53:26.319
<v Speaker 1>you know what, you're the Cone brothers. Why would I

0:53:26.320 --> 0:53:28.280
<v Speaker 1>want to do a cold reading. Let me go home

0:53:28.920 --> 0:53:31.279
<v Speaker 1>and study it and then I'll come back for You're

0:53:31.280 --> 0:53:34.040
<v Speaker 1>not doing this for a long while, right, Yeah. Sure.

0:53:34.400 --> 0:53:37.600
<v Speaker 1>They never called me back, so I gave up the

0:53:37.680 --> 0:53:40.800
<v Speaker 1>lead by not auditioning, by not doing cold reading. However,

0:53:40.920 --> 0:53:45.399
<v Speaker 1>then it was summertime and they asked me to do

0:53:45.480 --> 0:53:48.600
<v Speaker 1>the I think they had finished doing Burne after reading,

0:53:49.239 --> 0:53:50.960
<v Speaker 1>and George, who was on the set at the time

0:53:50.960 --> 0:53:53.200
<v Speaker 1>and who was my good friend, said no, no, no,

0:53:53.239 --> 0:53:55.120
<v Speaker 1>the boys really want to They always put it like this,

0:53:55.440 --> 0:53:57.440
<v Speaker 1>the boys really like you. The boys want to use you.

0:53:57.680 --> 0:54:00.440
<v Speaker 1>The boys really like you. That's when during the summer

0:54:00.520 --> 0:54:04.800
<v Speaker 1>I put myself on tape for cousin Arthur or uncle Arthur,

0:54:04.920 --> 0:54:07.680
<v Speaker 1>and that's when I did. I did the thing. But

0:54:07.719 --> 0:54:11.680
<v Speaker 1>I had auditioned, you know, from December through till June.

0:54:12.320 --> 0:54:15.399
<v Speaker 1>So well, congratulations on that. I do want to bring

0:54:15.480 --> 0:54:17.760
<v Speaker 1>up you brought up George a couple of times. You

0:54:17.760 --> 0:54:20.600
<v Speaker 1>you know, you talked about meeting people and a variety

0:54:20.640 --> 0:54:24.759
<v Speaker 1>of people on projects and how much you love that

0:54:25.000 --> 0:54:30.279
<v Speaker 1>you guys ended up becoming roommates, and well, yes, we

0:54:30.280 --> 0:54:33.440
<v Speaker 1>were roommates. We were roommates because it was an Oscar

0:54:33.440 --> 0:54:36.239
<v Speaker 1>and Felix thing he he had. He had split with

0:54:36.280 --> 0:54:38.480
<v Speaker 1>his wife and so he stayed with me for a

0:54:38.480 --> 0:54:41.960
<v Speaker 1>while before he uh got his other place. And then

0:54:42.000 --> 0:54:43.600
<v Speaker 1>I used to stay at his house. So was I

0:54:43.680 --> 0:54:45.840
<v Speaker 1>a roommate? No, I was a guest at his house.

0:54:46.400 --> 0:54:50.160
<v Speaker 1>But I would never call us roommates. Wouldn't say no.

0:54:50.560 --> 0:54:56.400
<v Speaker 1>But but we did stay together because of circumstances. Do

0:54:56.520 --> 0:55:01.359
<v Speaker 1>you and he do you all talk about work and

0:55:01.400 --> 0:55:06.879
<v Speaker 1>what interests you and potentially people or projects that that

0:55:07.000 --> 0:55:10.280
<v Speaker 1>he has steered you or you have steered him into.

0:55:10.880 --> 0:55:15.120
<v Speaker 1>Never once have I steered him into anything, given advice.

0:55:15.160 --> 0:55:18.560
<v Speaker 1>I used to be astounded at some things. There was

0:55:18.600 --> 0:55:22.520
<v Speaker 1>a role, I mean, he's so smart. There was a role.

0:55:23.320 --> 0:55:25.680
<v Speaker 1>He He wasn't a big it wasn't a star then,

0:55:25.719 --> 0:55:30.400
<v Speaker 1>but he was getting offers and big things. He was

0:55:30.440 --> 0:55:33.120
<v Speaker 1>offered a role on a script that he really liked.

0:55:33.560 --> 0:55:35.480
<v Speaker 1>We would talk about I really loved the script, that

0:55:35.520 --> 0:55:38.160
<v Speaker 1>really and you'd be surprised by it. And then they

0:55:38.200 --> 0:55:41.680
<v Speaker 1>rewrote it and he looks at it and he goes

0:55:41.719 --> 0:55:44.480
<v Speaker 1>this this, they rewrote it severally, called the producers or

0:55:44.520 --> 0:55:47.120
<v Speaker 1>called the director. He said, this is not it's not good.

0:55:47.280 --> 0:55:48.600
<v Speaker 1>But we got to go back to the other one.

0:55:48.640 --> 0:55:51.120
<v Speaker 1>They do well, We're not going to He ended up

0:55:51.160 --> 0:55:54.760
<v Speaker 1>not doing the movie. It was a big budget movie

0:55:55.719 --> 0:55:59.720
<v Speaker 1>and it did not do well. Number one, another big

0:55:59.719 --> 0:56:04.400
<v Speaker 1>star are got the role. He walked away and it

0:56:04.520 --> 0:56:08.200
<v Speaker 1>was probably a million dollars maybe more. It was a

0:56:08.239 --> 0:56:12.799
<v Speaker 1>big movie. It bombed, It bombed. That still stays with

0:56:12.840 --> 0:56:16.759
<v Speaker 1>me that he is so astute, and he always says,

0:56:17.239 --> 0:56:20.760
<v Speaker 1>you know these movies that they haven't finished the script,

0:56:20.800 --> 0:56:23.960
<v Speaker 1>but there's already a coming attraction in the theater. No, no, no,

0:56:24.040 --> 0:56:26.560
<v Speaker 1>you go into a movie when the script is finished,

0:56:26.760 --> 0:56:29.520
<v Speaker 1>you know how it ends. Now you can't tell that

0:56:29.560 --> 0:56:33.320
<v Speaker 1>the Humphrey Bogarten and Ingrid Bergman because they kept rewriting

0:56:33.360 --> 0:56:37.400
<v Speaker 1>Casa Blanca. But I understand that. On the flip side,

0:56:37.719 --> 0:56:42.360
<v Speaker 1>for myself, he is always so intuitive and has great

0:56:42.360 --> 0:56:46.240
<v Speaker 1>opinions and can give great advice. And there are times

0:56:46.239 --> 0:56:48.920
<v Speaker 1>when I don't take it and he gets furious of me.

0:56:49.200 --> 0:56:53.719
<v Speaker 1>He's truly angry. I'll tell you he's angry at me.

0:56:55.280 --> 0:56:59.319
<v Speaker 1>Then I go I I did it, but we don't

0:56:59.360 --> 0:57:05.360
<v Speaker 1>talk about work that much at all, No, hardly, hardly,

0:57:05.400 --> 0:57:10.200
<v Speaker 1>hardly talk about work at all. Plus season, especially now

0:57:10.200 --> 0:57:13.840
<v Speaker 1>he's in a sphere of things that you know, it

0:57:13.880 --> 0:57:18.480
<v Speaker 1>would be like asking, uh, some little soldier who's out

0:57:18.480 --> 0:57:21.680
<v Speaker 1>in the field, what what we should do in the Ukraine.

0:57:22.200 --> 0:57:26.480
<v Speaker 1>It's it's it's just the heads and tails above my sphere. Well,

0:57:26.520 --> 0:57:30.320
<v Speaker 1>I think it's fascinating that you both are such good friends.

0:57:30.560 --> 0:57:33.240
<v Speaker 1>The idea that you, you know, what you just said

0:57:33.280 --> 0:57:36.200
<v Speaker 1>that he had the ability to turn down something that

0:57:36.360 --> 0:57:40.080
<v Speaker 1>was a million dollars or whatever, and again you you

0:57:40.120 --> 0:57:44.120
<v Speaker 1>say yes to everything. And what's fascinating to me about

0:57:44.120 --> 0:57:46.000
<v Speaker 1>that is not I mean, you know, of people have

0:57:46.200 --> 0:57:50.560
<v Speaker 1>different choice or whatever, but that that for you, it

0:57:50.600 --> 0:57:55.000
<v Speaker 1>feels to me like that you say yes to life

0:57:55.760 --> 0:58:01.560
<v Speaker 1>basically absolutely I'm going to is something that's really interesting.

0:58:01.720 --> 0:58:06.760
<v Speaker 1>This really really interesting. And it happened last night. I

0:58:06.760 --> 0:58:09.200
<v Speaker 1>didn't get to see the Barbara Walters special that they

0:58:09.240 --> 0:58:13.960
<v Speaker 1>did where they celebrated her life and she asks the

0:58:14.040 --> 0:58:17.880
<v Speaker 1>celebrity a lot of them, what is your philosophy of

0:58:17.960 --> 0:58:23.840
<v Speaker 1>life or what is something like that? In my head,

0:58:24.720 --> 0:58:26.720
<v Speaker 1>I'm thinking, what if I was interviewed by what is

0:58:26.760 --> 0:58:30.760
<v Speaker 1>my Philansphy? I want what we were talking about. I

0:58:30.760 --> 0:58:36.760
<v Speaker 1>want new experiences of everything, travel, food, my glib thing

0:58:36.800 --> 0:58:41.000
<v Speaker 1>about a date. If you are at a restaurant, your

0:58:41.040 --> 0:58:44.720
<v Speaker 1>favorite meal is on the menu, or the house specialty

0:58:44.920 --> 0:58:49.080
<v Speaker 1>is on the menu, what do you order? I I

0:58:49.320 --> 0:58:55.920
<v Speaker 1>will ask about the house specialty, and if I believe

0:58:56.120 --> 0:58:59.720
<v Speaker 1>from the person who is serving me that it's really something,

0:58:59.800 --> 0:59:02.720
<v Speaker 1>I will order that for sure. I am close to you.

0:59:03.280 --> 0:59:06.240
<v Speaker 1>There's not a prayer. I'm not ordering the house specialty.

0:59:06.400 --> 0:59:09.000
<v Speaker 1>I don't care if they say it's the steps throw up.

0:59:09.480 --> 0:59:13.200
<v Speaker 1>I'm ordering the house specialty. That's what I do. I'll

0:59:13.200 --> 0:59:15.600
<v Speaker 1>never have that again. Where will I be You say

0:59:15.640 --> 0:59:18.800
<v Speaker 1>it's the specialty, okay, unless it's like the fish of

0:59:18.800 --> 0:59:21.600
<v Speaker 1>the day, because oh we had we ordered too much that.

0:59:21.760 --> 0:59:24.880
<v Speaker 1>But if they if I'm told that this Polish restaurant

0:59:25.240 --> 0:59:28.960
<v Speaker 1>has duck and and it's the best thing ever, and

0:59:29.000 --> 0:59:32.480
<v Speaker 1>I'm not really much for duck, I'll order the duck.

0:59:35.200 --> 0:59:37.880
<v Speaker 1>That's how I lived my life. I want the new experience.

0:59:38.280 --> 0:59:42.840
<v Speaker 1>That's what I want. Out of two hours of Barbara Walters.

0:59:43.440 --> 0:59:46.600
<v Speaker 1>They haven't shown George. He's the one who they that's

0:59:46.640 --> 0:59:50.600
<v Speaker 1>what he answers. Seconds from when I answer in my head,

0:59:51.040 --> 0:59:54.160
<v Speaker 1>George goes, I'm afraid I'm going to miss out on something.

0:59:55.160 --> 0:59:57.760
<v Speaker 1>I'm afraid I'm gonna miss out on this experience. Then

0:59:57.760 --> 1:00:01.600
<v Speaker 1>I'll die without having done that, and the same answer, Yeah,

1:00:01.840 --> 1:00:05.520
<v Speaker 1>I was the same answer, a little different words. I

1:00:05.520 --> 1:00:08.240
<v Speaker 1>think I just want to experience everything. But you're right,

1:00:08.320 --> 1:00:12.040
<v Speaker 1>that's what life is. I tell my kids that, and

1:00:12.080 --> 1:00:14.400
<v Speaker 1>when they don't listen, I want to grab them by

1:00:14.440 --> 1:00:18.760
<v Speaker 1>the lapels and say, no, do this. I invited my

1:00:18.840 --> 1:00:22.080
<v Speaker 1>children to the Kennedy Center Ronners. I can't force them

1:00:22.080 --> 1:00:25.080
<v Speaker 1>to go, and I wasn't going to It's the fucking

1:00:25.200 --> 1:00:30.680
<v Speaker 1>Kennedy Center Honors. Chances are if you don't go with me,

1:00:31.680 --> 1:00:35.760
<v Speaker 1>you're never going to the Kennedy Center Honors. You're not

1:00:35.800 --> 1:00:37.520
<v Speaker 1>gonna meet Gladys Nate, you're not going to meet the

1:00:37.520 --> 1:00:40.800
<v Speaker 1>President of the United States. There's a chance, a real

1:00:40.880 --> 1:00:43.240
<v Speaker 1>good chance, you're gonna meet all of them if you

1:00:43.320 --> 1:00:46.880
<v Speaker 1>go with me. They said no, I'm okay with that

1:00:47.280 --> 1:00:49.000
<v Speaker 1>a little bit. I understand they don't want to be

1:00:49.080 --> 1:00:52.240
<v Speaker 1>in that, they're young doing that, but that that that's

1:00:52.360 --> 1:00:55.880
<v Speaker 1>what I want. That that's my philosophy and I do

1:00:56.040 --> 1:00:59.640
<v Speaker 1>embrace life. That's I want it all and I am

1:00:59.200 --> 1:01:03.560
<v Speaker 1>of oma was fear of missing out, fear of missing out. Yeah,

1:01:03.560 --> 1:01:05.320
<v Speaker 1>it takes it takes me forever to you know, to

1:01:05.320 --> 1:01:08.240
<v Speaker 1>get to a party, but to leave all close the

1:01:08.280 --> 1:01:11.000
<v Speaker 1>place up. You and I are alike in that way,

1:01:11.400 --> 1:01:14.600
<v Speaker 1>and I will I will tell you this one. I've

1:01:14.600 --> 1:01:18.040
<v Speaker 1>always respected your work. I respect you even more now

1:01:18.200 --> 1:01:22.560
<v Speaker 1>and too out of this conversation. I will never ever

1:01:23.160 --> 1:01:27.040
<v Speaker 1>forget the dream that you told me because it's so aspirational,

1:01:27.760 --> 1:01:31.400
<v Speaker 1>which would be if they had the money to do

1:01:31.440 --> 1:01:34.320
<v Speaker 1>a guest star part every single week, to be your

1:01:34.320 --> 1:01:37.560
<v Speaker 1>own repertory company. I think that is I think that

1:01:37.680 --> 1:01:40.160
<v Speaker 1>is so fucking cool. I think that well, I have

1:01:40.200 --> 1:01:44.720
<v Speaker 1>a question because I so love your work. Uh, how

1:01:44.760 --> 1:01:48.400
<v Speaker 1>often do you get to do place? Not? Not not

1:01:48.640 --> 1:01:51.520
<v Speaker 1>so much anymore, but you know, you know what's so

1:01:51.560 --> 1:01:54.720
<v Speaker 1>funny about that? And who knows, maybe this conversation will

1:01:54.720 --> 1:01:58.840
<v Speaker 1>make me do I have been talking about it like

1:01:58.920 --> 1:02:02.840
<v Speaker 1>a lot the less months, and I'm not talking about

1:02:02.840 --> 1:02:06.240
<v Speaker 1>a long run. I'm talking about going to Seattle and

1:02:06.280 --> 1:02:09.480
<v Speaker 1>doing it for three weeks or finding out a gunquet

1:02:10.200 --> 1:02:13.920
<v Speaker 1>is doing. Uh, you know there's one play out in

1:02:13.960 --> 1:02:20.480
<v Speaker 1>a Gunkuet, Maine. Because the thing about TV, which it

1:02:20.560 --> 1:02:23.280
<v Speaker 1>gets scary, is that you walk on set and your

1:02:23.280 --> 1:02:26.400
<v Speaker 1>goal is to get through the day, is to do

1:02:26.440 --> 1:02:29.440
<v Speaker 1>I know all my lives? Not even do I know

1:02:29.520 --> 1:02:32.920
<v Speaker 1>my character? Do do I do? I gotta get all

1:02:32.960 --> 1:02:36.040
<v Speaker 1>the words out. That's no way to act, you know.

1:02:36.080 --> 1:02:39.160
<v Speaker 1>The way to act is going and really parts a place,

1:02:39.440 --> 1:02:45.920
<v Speaker 1>be getting deep. Yeah, that's what it is. So anyway, Richard,

1:02:46.400 --> 1:02:49.400
<v Speaker 1>thank you so much for coming on here. You have

1:02:49.720 --> 1:02:53.960
<v Speaker 1>one made me laugh and two inspired me. So thank you,

1:02:54.320 --> 1:02:56.160
<v Speaker 1>thank you. But I really hope is that I like

1:02:56.240 --> 1:02:59.200
<v Speaker 1>I talk like this, that I'm not pompous. I can't

1:02:59.240 --> 1:03:01.200
<v Speaker 1>stand it. Wait if I listen back and I go,

1:03:02.040 --> 1:03:05.960
<v Speaker 1>why do you even talking? No? No, it's awesome, it's awesome.

1:03:06.720 --> 1:03:22.760
<v Speaker 1>Thank you so much, thank you, thank you, Richard. Thank

1:03:22.800 --> 1:03:26.000
<v Speaker 1>you so much for stopping by for a little chat.

1:03:26.120 --> 1:03:29.640
<v Speaker 1>I'm going to see you on a golf course very

1:03:29.760 --> 1:03:32.360
<v Speaker 1>very soon. Look, I think it's safe to say, not

1:03:32.480 --> 1:03:37.040
<v Speaker 1>just me, but all of us are mad about you. Yeah.

1:03:37.080 --> 1:03:39.840
<v Speaker 1>That wasn't good either. To all of you out there listening.

1:03:40.080 --> 1:03:42.800
<v Speaker 1>Thank you for tuning in. Next week. We have got

1:03:43.000 --> 1:03:49.400
<v Speaker 1>a pretty pretty exciting guest coming your way, who I

1:03:49.440 --> 1:03:53.760
<v Speaker 1>will give you absolutely no hints about, because well, I

1:03:53.880 --> 1:04:07.760
<v Speaker 1>value the power of surprise. We'll see you then. Off

1:04:07.760 --> 1:04:11.760
<v Speaker 1>the Beat is hosted an executive produced by me Brian Baumgartner,

1:04:12.040 --> 1:04:16.080
<v Speaker 1>alongside our executive producer Lang Lee. Our senior producer is

1:04:16.120 --> 1:04:20.120
<v Speaker 1>Diego Tapia. Our producers are Liz Hayes, Hannah Harris, and

1:04:20.200 --> 1:04:24.480
<v Speaker 1>Emily Carr. Our talent producer is Ryan Papa Zachary, and

1:04:24.600 --> 1:04:28.840
<v Speaker 1>our intern is Sammy Cats. Our theme song Bubble and Squeak,

1:04:29.120 --> 1:04:32.120
<v Speaker 1>performed by the one and only Creed Bratt,