WEBVTT - Crystal McCrary McGuire: Lawyer, Author, Documentarian, & 'GameUp’ Co-Founder

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<v Speaker 1>Welcome back to She Pivots. I'm Crystal McCrary maguire.

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<v Speaker 2>Welcome to She Pivots, the podcast where we talk with

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<v Speaker 2>women who dared to pivot out of one career and

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<v Speaker 2>into something new and explore how their personal lives impacted

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<v Speaker 2>these decisions. I'm your host, Emily Tish Sussman. Welcome back Pivoters.

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<v Speaker 2>This week, I'm joined by the lovely Crystal McCrary. I

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<v Speaker 2>first met Crystal through my mom, the way I meet

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<v Speaker 2>most people in my life. But right away I could

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<v Speaker 2>tell this woman was impressive, which explains why Sex and

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<v Speaker 2>City and just like that, based a character off of her.

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<v Speaker 2>Her superpower is combining fine and fabulous energy with an

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<v Speaker 2>unparalleled drive and desire to tell stories that uplift and

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<v Speaker 2>power black culture and black women. Crystal is an accomplished producer, director, lawyer.

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<v Speaker 2>Growing up in Detroit, Cristal always knew she wanted to

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<v Speaker 2>do something bigger, and throughout her life she's always pivoted,

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<v Speaker 2>leveraging her circumstances to create new iterations for herself, from

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<v Speaker 2>being a two time New York Times bestselling author to

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<v Speaker 2>appearing on numerous television networks as a cultural legal and

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<v Speaker 2>political pundit and who can forget? She also co hosted

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<v Speaker 2>the view She's Really Done It All? On top of

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<v Speaker 2>it all, Kristal's life has revolved around basketball for decades now.

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<v Speaker 2>Her oldest son, Cole Anthony, now plays professionally for the

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<v Speaker 2>Orlando Magic, and her other two children, Ella and Leo,

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<v Speaker 2>also excelled in the sport, taking up nights and weekends

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<v Speaker 2>for as long as she can remember. After years in

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<v Speaker 2>the youth basketball scene, she's teamed up with her son

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<v Speaker 2>Cole to share their experience and connect young basketball players

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<v Speaker 2>with local basketball resources through.

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<v Speaker 3>Their new app up.

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<v Speaker 2>Crystal embodies someone who's always allowed herself to steadily explore

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<v Speaker 2>and pivot, leading with the personal hope you enjoy. Welcome

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<v Speaker 2>Crystal McCrary maguire. I am so excited to have you

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<v Speaker 2>on she pivots.

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<v Speaker 1>I'm really excited to be here. Emily, Thank you so

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<v Speaker 1>much for having me.

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<v Speaker 2>You have been a long inspiration in the pivoting for

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<v Speaker 2>me and just in general in the like you bring

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<v Speaker 2>the kind of energy that I aspire to bring into

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<v Speaker 2>the world.

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<v Speaker 3>Thank you, like with.

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<v Speaker 2>Generosity and with kindness and general boss ladiness.

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<v Speaker 3>But let's take it back. Let's go to the beginnings. Okay,

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<v Speaker 3>so you grew up in Detroit, Yes, I did. Did

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<v Speaker 3>you think you were going to stay in Detroit or

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<v Speaker 3>did you think you'd ever leave?

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<v Speaker 1>Well, I always knew I want it out. I mean, listen,

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<v Speaker 1>I love Detroit and it's had an incredible resurgence right now.

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<v Speaker 1>But I just was more so interested in the arts.

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<v Speaker 1>I was interested in creating and content creation. And I

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<v Speaker 1>didn't have anyone in my family who'd ever had a

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<v Speaker 1>quote unquote creative profession. I had a lot of lawyers,

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<v Speaker 1>few doctors, and I really didn't have that roadmap in

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<v Speaker 1>front of me. And I guess as a kid, whatever

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<v Speaker 1>it was that was incoming on my end, I was

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<v Speaker 1>informed that there's something in New York City that's pretty cool.

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<v Speaker 3>You know.

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<v Speaker 1>I didn't know what it was. I'd never been, but

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<v Speaker 1>I really did always want to move to New York City.

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<v Speaker 2>If you hadn't actually been, do you remember, like, was

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<v Speaker 2>it images?

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<v Speaker 4>Was it movies? Like what kind of drew you to

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<v Speaker 4>the city. Sure, I mean it was certainly images. You know,

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<v Speaker 4>I will say this not the most glamorous, but certainly gritty.

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<v Speaker 4>But I do remember as a child seeing the movie

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<v Speaker 4>Fame Ough.

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<v Speaker 1>With Irene Kara Debbie Allen.

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<v Speaker 2>Oh my god, that Times Square. I mean, well, first

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<v Speaker 2>of the dancing up on the taxi.

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<v Speaker 1>Of course, of course, in the in the school, the

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<v Speaker 1>liberal arts school, the just the diversity, you know, the music,

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<v Speaker 1>the excitement. There was just something that I saw in

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<v Speaker 1>that film and all of sort of the imagery and

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<v Speaker 1>messaging around New York City. And I think I had

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<v Speaker 1>a cousin that had moved to New York City, and

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<v Speaker 1>there was something sort of exotic and far off, and

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<v Speaker 1>you know, but I will say, you know, the part

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<v Speaker 1>of Detroit that I grew up in, you know, we

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<v Speaker 1>used to joke it was like a little mini United Nations.

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<v Speaker 1>And I grew up in the seventies in downtown Detroit,

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<v Speaker 1>and so I grew up really and I feel very

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<v Speaker 1>fortunate to have have grown up in a community that was,

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<v Speaker 1>you know, just multi cultural, ethnicity, gender, everything.

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<v Speaker 2>Despite living in downtown Detroit, Crystal started to travel out

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<v Speaker 2>to Gross Point to go to school, a wealthy and

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<v Speaker 2>largely white area just a few miles from downtown.

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<v Speaker 3>Yes I did. I was.

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<v Speaker 1>I wasn't like bussed in the traditional sense that I

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<v Speaker 1>now understand busting to mean, but in hindsight, there was

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<v Speaker 1>that feeling that I imagine a kid, you know, going

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<v Speaker 1>from a fairly urban community out to the suburbs, you

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<v Speaker 1>know where like the Fords of you know, their family

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<v Speaker 1>went to school an industrialist and you know, people whose

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<v Speaker 1>families were much more financially well off, so to speak,

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<v Speaker 1>than my family. And frankly, racism me being other was

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<v Speaker 1>made aware to me at the schools I went to

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<v Speaker 1>in gross Point in a way that they had never

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<v Speaker 1>been made aware to me going to school in downtown Detroit.

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<v Speaker 1>I became aware that, oh, you're a black girl. I

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<v Speaker 1>remember going to a party in middle school because I

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<v Speaker 1>went to the school called gross Point Academy and then

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<v Speaker 1>this University of Ligott. They they sound like they are, Yes,

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<v Speaker 1>I think I can picture it from the Point Academy

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<v Speaker 1>and I remember going to a party at a classmates

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<v Speaker 1>class and this is actually, can't make this up. As

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<v Speaker 1>I'm thinking about this, and I'm thinking about this young

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<v Speaker 1>lady's name you but we did. We had Muffy's, we

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<v Speaker 1>had Carrington's. No, we really did. I mean it was

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<v Speaker 1>remember like the preppy handbook, But I remember going to

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<v Speaker 1>a party and she lived in this mansion. You know,

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<v Speaker 1>I didn't know that people could live in houses like this, right,

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<v Speaker 1>And I remember a bunch of kids being outside and

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<v Speaker 1>I don't know what we were doing. I was the

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<v Speaker 1>only black girl. But then I saw this black boy

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<v Speaker 1>there that had never seen before.

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<v Speaker 3>He wasn't a classmate.

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<v Speaker 1>And my host said, oh, you'll like so and so

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<v Speaker 1>he's like you, and I.

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<v Speaker 3>Was like, whatnot?

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<v Speaker 1>And then and then I gathered that he was the

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<v Speaker 1>son of their Jamaican nanny, and they placed us together

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<v Speaker 1>based on, you know, our skin color. And again I

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<v Speaker 1>just I had no problem meeting him and talking tom

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<v Speaker 1>but the fact that I'm the only black girl. He's

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<v Speaker 1>not even there really as a guest. He's like just

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<v Speaker 1>there as the nanny's son. And I was made acutely

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<v Speaker 1>aware of I was different than the rest of the

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<v Speaker 1>kids at this party.

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<v Speaker 3>Things like that.

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<v Speaker 1>I mean, it wasn't you know, that wasn't like overtly

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<v Speaker 1>you know, rude. I don't know how to you know, like,

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<v Speaker 1>I know it wouldn't happen to my kids in the

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<v Speaker 1>same way growing up in New York City, but I was.

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<v Speaker 1>I was definitely made aware of my otherness and how

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<v Speaker 1>I was raised. You know, we actually we didn't really

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<v Speaker 1>talk about race, you know, we didn't talk about political

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<v Speaker 1>issues that that just was not what we talked about.

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<v Speaker 1>I mean I was raised, I mean I was actually

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<v Speaker 1>raised by my maternal grandparents. They raised me as my

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<v Speaker 1>mother and father because my mother, my biological mother, had

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<v Speaker 1>me in a very young agd. She basically left me at

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<v Speaker 1>their door step and there my parents, right. But they

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<v Speaker 1>were Depression era parents born in the Jim Crow South

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<v Speaker 1>who their families migrated north to Detroit for economic opportunity

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<v Speaker 1>during the you know, the Great Migration, as Isabella Wilkerson

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<v Speaker 1>writes about in the Warmth of other Sons.

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<v Speaker 3>I mean, it was very much that.

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<v Speaker 1>And so they came through the Depression, and they weren't

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<v Speaker 1>children of the sixties, so it was just a different

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<v Speaker 1>way of There wasn't like activism around civil rights in

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<v Speaker 1>our household. I mean, I really didn't start learning and

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<v Speaker 1>leaning into that part of who I am really until

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<v Speaker 1>I was in college.

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<v Speaker 2>Did they just not discuss civil rights or was there

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<v Speaker 2>did you get the sense that you really shouldn't be

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<v Speaker 2>talking about it?

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<v Speaker 3>They just didn't discuss it.

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<v Speaker 1>They didn't and you know, again it was this prop

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<v Speaker 1>you know, I'd say quote unquote properness. Right, my mom

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<v Speaker 1>she was born and she turns in ninety eight, but

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<v Speaker 1>she was born in nineteen twenty five.

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<v Speaker 3>She's still alive. It's incredible.

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<v Speaker 1>My dad was born in nineteen twenty three. He passed away.

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<v Speaker 1>And also just the age wise, I mean when I

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<v Speaker 1>was as my parents slash grandparents, they were older parents,

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<v Speaker 1>and look at this in the in the seventies, you know,

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<v Speaker 1>they were already married, had a family established. As you know,

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<v Speaker 1>my mom was a school teacher and then a principal,

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<v Speaker 1>public school teacher and principal. My dad was worked for

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<v Speaker 1>Ford Motor Company, and so it was the era of

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<v Speaker 1>where you didn't change jobs.

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<v Speaker 3>Right, there was no pivot, right, there was no pivot.

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<v Speaker 3>There was no pivot.

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<v Speaker 1>You know this that was not that same type of

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<v Speaker 1>optionality and even awareness of particularly as it relates particularly

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<v Speaker 1>as it relates to women in my mom. On one hand,

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<v Speaker 1>she was made money as a school teacher and then

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<v Speaker 1>a principal, but she wasn't going to do anything. There

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<v Speaker 1>was I'm going to stop being a teacher and go

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<v Speaker 1>and start a singing career or start a podcast or

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<v Speaker 1>there was.

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<v Speaker 3>None of that.

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<v Speaker 2>Yeah, it just wasn't the vibe for moving through the timeline.

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<v Speaker 2>So did you always think that you were going to

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<v Speaker 2>go to law school like so much of your family.

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<v Speaker 1>Well, I did really look up to the lawyers in

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<v Speaker 1>my family, you know, because they were sort of that

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<v Speaker 1>next generation of getting advanced degrees beyond the undergraduate degree,

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<v Speaker 1>and there was this upward mobility associated with one that

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<v Speaker 1>had a law degree. I can't say that I was

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<v Speaker 1>particularly interested in it other than it to me symbolized stability.

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<v Speaker 1>There was a certain status to it, you know, particularly

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<v Speaker 1>as I juxtaposed that to the people that I went

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<v Speaker 1>to school with. I just looked at that as, oh,

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<v Speaker 1>this is an opportunity to sort of excel. I wasn't

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<v Speaker 1>particularly interested in it. I was an English major in

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<v Speaker 1>undergrad and would have loved to have gone straight from

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<v Speaker 1>undergrad into a creative profession. I didn't know what that

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<v Speaker 1>could have been, what that looked like.

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<v Speaker 3>As I said, I.

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<v Speaker 1>Didn't have anybody in my family that was in the arts.

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<v Speaker 1>In my family, like so many families of my generation,

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<v Speaker 1>were what are you going to do with a quote

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<v Speaker 1>unquote creative profession? Are you going to get health insurance

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<v Speaker 1>with that? And so I sort of took that path

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<v Speaker 1>of least resistance, which is law school. Took that path

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<v Speaker 1>that had a level of familiarity and went to law school,

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<v Speaker 1>graduated from law school in nineteen ninety five, and went

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<v Speaker 1>to a farm in New York City called Paul Weiss.

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<v Speaker 1>And I did what many people who wanted to go

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<v Speaker 1>into the arts. I became a shadow artist as a lawyer,

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<v Speaker 1>what Julia Cameron writes about in the Artist way so eloquently.

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<v Speaker 1>And I was an entertainment lawyer. So I wasn't, you know,

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<v Speaker 1>earning a living as an artist, but I was representing artists.

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<v Speaker 1>But I got through. You know, I got through. I graduated,

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<v Speaker 1>I got a job. You've got a guide I got

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<v Speaker 1>I got a good.

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<v Speaker 3>I got a good job.

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<v Speaker 1>I passed the bar exam on the second time.

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<v Speaker 5>Well, all that matters is that we're barked out right

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<v Speaker 5>and started practicing law representing all of these really extraordinary entertainers, writers, playwrights, choreographers, authors,

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<v Speaker 5>visual artists, et cetera.

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<v Speaker 3>And really hated every minute of it. Wow, But my one.

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<v Speaker 1>Big butt in that is it showed me that they're

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<v Speaker 1>is a road map for one to have a creative profession.

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<v Speaker 1>And so from that perspective. It was instructive. That was

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<v Speaker 1>one of the great things that came out of it.

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<v Speaker 1>I did learn, you know, just the reasoning that one learns,

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<v Speaker 1>the writing that one must practice to be a lawyer.

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<v Speaker 1>And then I also met a lot of really fantastic people.

0:13:24.800 --> 0:13:29.359
<v Speaker 1>In fact, one of the men who was an associate

0:13:29.559 --> 0:13:31.800
<v Speaker 1>at Paul Weiss, a senior associate when I was a

0:13:31.840 --> 0:13:35.240
<v Speaker 1>young associate, a man by the name of Andrew Hurwitz,

0:13:35.880 --> 0:13:39.000
<v Speaker 1>left Paul Weiss also like I did, a little after me,

0:13:39.120 --> 0:13:41.560
<v Speaker 1>but he started this company called the Film Sales Company

0:13:42.120 --> 0:13:46.679
<v Speaker 1>flash forward many years he actually sold. I went to

0:13:46.800 --> 0:13:50.920
<v Speaker 1>him to sell my first film that I produced and

0:13:51.480 --> 0:13:54.840
<v Speaker 1>met him because of being you know, at Paul Weiss together.

0:13:54.960 --> 0:13:56.600
<v Speaker 3>So it wasn't totally for nothing.

0:13:57.120 --> 0:14:01.400
<v Speaker 1>Absolutely no. I do believe though that every saying so cliche,

0:14:01.440 --> 0:14:05.280
<v Speaker 1>everything does happen for a reason. Every coincidence is a

0:14:05.320 --> 0:14:12.600
<v Speaker 1>meaningful coincidence. I do believe in serendipity, and so I

0:14:12.760 --> 0:14:16.720
<v Speaker 1>can sort of sum up my whole legal journey as

0:14:16.760 --> 0:14:21.560
<v Speaker 1>being a part of that. That was a huge stepping

0:14:21.600 --> 0:14:24.560
<v Speaker 1>stone for me on the next path in my journey.

0:14:25.240 --> 0:14:27.360
<v Speaker 2>We talked so much on this show about how every

0:14:27.400 --> 0:14:30.240
<v Speaker 2>pivot is different and the time frame is differently. You know,

0:14:30.320 --> 0:14:33.240
<v Speaker 2>some happen in an instant, but some happen over time.

0:14:33.680 --> 0:14:38.360
<v Speaker 2>So what was that timeline for you of starting to write,

0:14:38.640 --> 0:14:40.560
<v Speaker 2>staying at the firm, and what was the thing that

0:14:40.600 --> 0:14:42.400
<v Speaker 2>made you feel like, Okay, it's time to leave the firm,

0:14:42.440 --> 0:14:43.960
<v Speaker 2>I'm ready to go into this full time.

0:14:44.720 --> 0:14:46.880
<v Speaker 1>I think I knew that my days were numbered at

0:14:46.880 --> 0:14:48.960
<v Speaker 1>the firm because I just had it was.

0:14:49.040 --> 0:14:49.360
<v Speaker 3>It was.

0:14:49.800 --> 0:14:54.200
<v Speaker 1>I was less than passionate. I was barely making it there,

0:14:54.320 --> 0:14:57.960
<v Speaker 1>just emotionally and mentally, and it's kind of making me

0:14:58.760 --> 0:15:01.880
<v Speaker 1>depressed is not the right, but just down. It was

0:15:02.560 --> 0:15:05.080
<v Speaker 1>every day. I just really did not look forward to

0:15:05.320 --> 0:15:08.200
<v Speaker 1>going to work, and I took enough time to kind

0:15:08.240 --> 0:15:11.400
<v Speaker 1>of save up some money. I did have a husband

0:15:11.440 --> 0:15:13.480
<v Speaker 1>that was making some money, but I didn't want to

0:15:13.520 --> 0:15:15.880
<v Speaker 1>have to rely on him.

0:15:16.320 --> 0:15:19.160
<v Speaker 2>Crystal was married to her first husband, Greg Anthony, an

0:15:19.280 --> 0:15:21.440
<v Speaker 2>NBA player for the New York Knicks at the time.

0:15:22.000 --> 0:15:23.920
<v Speaker 1>So I kind of got a plan in order that

0:15:23.960 --> 0:15:27.040
<v Speaker 1>I said, you know, let me finish working on this book.

0:15:27.440 --> 0:15:31.520
<v Speaker 1>And I think it was when Rita and I.

0:15:31.600 --> 0:15:34.640
<v Speaker 2>Rita Ewing, one of her best friends, who in fact

0:15:34.760 --> 0:15:37.360
<v Speaker 2>introduced Crystal to Greg and was writing the book with.

0:15:37.320 --> 0:15:42.600
<v Speaker 1>Her Rita, and I got a completed draft of the book,

0:15:43.200 --> 0:15:46.000
<v Speaker 1>found an agent, and I think it was right around

0:15:46.000 --> 0:15:49.200
<v Speaker 1>that time that I felt ready to make the leap

0:15:49.480 --> 0:15:52.400
<v Speaker 1>and leave the firm. And so that was sort of

0:15:52.440 --> 0:15:54.920
<v Speaker 1>like the first pivot. Didn't have a buyer yet, didn't

0:15:54.960 --> 0:15:58.440
<v Speaker 1>have a publishing house yet, but I felt pretty confident

0:15:58.840 --> 0:16:00.920
<v Speaker 1>about it. I felt like, I'm sure you've talked to

0:16:00.960 --> 0:16:06.800
<v Speaker 1>people who are passionate about a particular profession or a

0:16:06.920 --> 0:16:12.000
<v Speaker 1>dream or an idea or something, and they bulldoze ahead

0:16:12.000 --> 0:16:15.320
<v Speaker 1>with it and they don't necessarily have a plan B.

0:16:15.480 --> 0:16:17.600
<v Speaker 1>I guess my plan B was to stay at the firm.

0:16:17.880 --> 0:16:20.600
<v Speaker 1>But I knew that I had to cut those ties

0:16:21.080 --> 0:16:22.880
<v Speaker 1>if I was really going to ever give it a

0:16:22.920 --> 0:16:26.320
<v Speaker 1>go to have a creative profession.

0:16:27.240 --> 0:16:31.200
<v Speaker 2>So Crystal cut ties. She leaned into her book, eventually

0:16:31.240 --> 0:16:34.560
<v Speaker 2>publishing Home Court Advantage in nineteen ninety nine. The book

0:16:34.600 --> 0:16:37.680
<v Speaker 2>explored the flip side of the basketball scene, highlighting the

0:16:37.720 --> 0:16:39.960
<v Speaker 2>stories of the women who lived in the shadows of

0:16:40.040 --> 0:16:43.720
<v Speaker 2>quote great men. Though she never says it directly, the

0:16:43.720 --> 0:16:46.560
<v Speaker 2>book was almost certainly a reflection of Cristal's personal life

0:16:46.600 --> 0:16:48.320
<v Speaker 2>and the other accomplished women around her.

0:16:49.040 --> 0:16:51.080
<v Speaker 1>We would joke about it or talk about it all

0:16:51.120 --> 0:16:55.920
<v Speaker 1>the time, the wives and girlfriends of that New York

0:16:56.080 --> 0:16:59.560
<v Speaker 1>Nicks team and that era. Like, let me set the

0:16:59.560 --> 0:17:03.200
<v Speaker 1>stage for you, Like, so pat Riley was the coach,

0:17:03.760 --> 0:17:07.520
<v Speaker 1>and so you had Patrick Ewing at the time, his

0:17:07.560 --> 0:17:10.160
<v Speaker 1>wife Rita Ewing, who's a very good friend of mine.

0:17:10.200 --> 0:17:13.600
<v Speaker 1>She's a lawyer and she's also an entrepreneur. You had

0:17:13.840 --> 0:17:18.639
<v Speaker 1>herb Williams, his wife had a PhD. You had Lisa

0:17:18.680 --> 0:17:22.560
<v Speaker 1>Bonner at the time, She's a lawyer, entrepreneur, real estate developer.

0:17:22.600 --> 0:17:24.199
<v Speaker 1>I mean, I could just go on and on with

0:17:24.320 --> 0:17:32.000
<v Speaker 1>that list of really impressive women. Home court advantage was

0:17:32.160 --> 0:17:36.840
<v Speaker 1>derived out of something called the Morning Pages, which was

0:17:36.880 --> 0:17:40.000
<v Speaker 1>an exercise in that book The Artist Way, which was

0:17:40.000 --> 0:17:43.479
<v Speaker 1>written by Julia Cameron, which she recommends for people that

0:17:43.560 --> 0:17:47.119
<v Speaker 1>want to begin writing. She recommends this thing called the

0:17:47.160 --> 0:17:49.520
<v Speaker 1>morning Pages, which are you wake up every morning and

0:17:49.600 --> 0:17:53.720
<v Speaker 1>before you do anything else, write a minimum of three

0:17:53.760 --> 0:17:58.359
<v Speaker 1>pages in a brain drain style. Don't edit yourself.

0:17:58.960 --> 0:17:59.679
<v Speaker 3>Just do that.

0:18:00.200 --> 0:18:05.240
<v Speaker 1>Commit to that act of writing and the discipline of it.

0:18:05.840 --> 0:18:08.400
<v Speaker 1>Don't edit yourself, and just see what you get after

0:18:08.440 --> 0:18:11.400
<v Speaker 1>a few months of doing that and I did that.

0:18:11.560 --> 0:18:14.920
<v Speaker 1>You know, in hindsight, I'm proud that I actually had

0:18:14.920 --> 0:18:17.600
<v Speaker 1>the discipline to do it. But I got up every

0:18:17.640 --> 0:18:20.720
<v Speaker 1>morning like an hour before. This was while I was

0:18:20.760 --> 0:18:24.199
<v Speaker 1>actually still at Paul Weiss and did that. And that

0:18:24.359 --> 0:18:30.600
<v Speaker 1>was the beginnings of Home Court Advantage. And I said, Rita,

0:18:30.600 --> 0:18:31.680
<v Speaker 1>I was like, I've been doing this.

0:18:31.680 --> 0:18:32.239
<v Speaker 3>This came up.

0:18:32.280 --> 0:18:34.399
<v Speaker 1>It was originally actually called Seasonal Ties because it was

0:18:34.440 --> 0:18:38.520
<v Speaker 1>about the season ties, you know, And she said, because

0:18:38.520 --> 0:18:40.440
<v Speaker 1>you and I would laugh so much about the various

0:18:40.520 --> 0:18:44.000
<v Speaker 1>stories being these wives. And we talked about it and

0:18:44.040 --> 0:18:46.880
<v Speaker 1>thought it would be really fun to write it together.

0:18:47.200 --> 0:18:49.760
<v Speaker 1>And we did and it became Home Court Advantage, and

0:18:49.960 --> 0:18:52.719
<v Speaker 1>we were fortunate enough to, you know, get the first

0:18:52.800 --> 0:18:56.440
<v Speaker 1>book published and it was a New York Times bestseller,

0:18:56.920 --> 0:18:58.400
<v Speaker 1>and many efforts to.

0:18:58.359 --> 0:18:59.960
<v Speaker 3>Make it into a movie a series.

0:19:00.359 --> 0:19:02.640
<v Speaker 1>I think I was just telling somebody the other days

0:19:02.680 --> 0:19:06.560
<v Speaker 1>and I think I made more money from optioning that

0:19:06.680 --> 0:19:09.520
<v Speaker 1>book than I did for my actual advance.

0:19:10.520 --> 0:19:14.000
<v Speaker 2>Even after Crystal's divorced from Greg Anthony, basketball was ever

0:19:14.080 --> 0:19:16.760
<v Speaker 2>present in her life because of her children. When we

0:19:16.840 --> 0:19:19.560
<v Speaker 2>come back, Crystal talks about balancing the demands of her

0:19:19.600 --> 0:19:22.840
<v Speaker 2>own life with her kids, extremely active youth basketball career.

0:19:27.880 --> 0:19:31.879
<v Speaker 2>Now back to the show. You have three children who

0:19:32.000 --> 0:19:36.199
<v Speaker 2>are very involved in basketball. In particular, you are a

0:19:36.359 --> 0:19:38.800
<v Speaker 2>very present parent, and you've said that you started in

0:19:38.880 --> 0:19:41.800
<v Speaker 2>national championships with your oldest when he was as young

0:19:41.840 --> 0:19:44.199
<v Speaker 2>as fourth grade, and even younger once you got to

0:19:44.240 --> 0:19:44.879
<v Speaker 2>the third child.

0:19:45.200 --> 0:19:48.760
<v Speaker 3>Yes, but that takes time. That takes time, and that takes.

0:19:48.560 --> 0:19:51.480
<v Speaker 2>Brain power and bandwidth and time in your It takes

0:19:51.520 --> 0:19:54.480
<v Speaker 2>space in your life and in your thinking. How did

0:19:54.520 --> 0:19:56.520
<v Speaker 2>you navigate, Like I don't think there is such a

0:19:56.600 --> 0:19:59.520
<v Speaker 2>thing as work life balance, but how did you navigate it?

0:19:59.560 --> 0:20:00.480
<v Speaker 3>Being so present?

0:20:01.119 --> 0:20:04.160
<v Speaker 1>You know, it's been a real journey. I mean, what

0:20:04.280 --> 0:20:07.159
<v Speaker 1>is it you hear you can have everything, just not

0:20:07.200 --> 0:20:09.359
<v Speaker 1>at the same time. And then the great Jackie Oh

0:20:09.480 --> 0:20:12.639
<v Speaker 1>quote of I'm only as happy as my least happy child,

0:20:13.240 --> 0:20:16.000
<v Speaker 1>and so there's kind of like a mashup of those

0:20:16.200 --> 0:20:20.080
<v Speaker 1>that I think that every working mom tries to walk

0:20:20.160 --> 0:20:24.840
<v Speaker 1>in balance of that. And I have tried to be

0:20:25.800 --> 0:20:28.239
<v Speaker 1>as present as I could possibly be, but I know

0:20:28.320 --> 0:20:30.840
<v Speaker 1>that a lot of things have fallen through the cracks.

0:20:31.160 --> 0:20:34.119
<v Speaker 2>And your kids are approximately ten years apart, like the

0:20:34.160 --> 0:20:35.359
<v Speaker 2>two and then right.

0:20:35.359 --> 0:20:39.760
<v Speaker 1>The younger, right, right, So Yeah, Leo's eleven, and Ella

0:20:40.040 --> 0:20:43.600
<v Speaker 1>is twenty one and Cole is twenty three. So I

0:20:43.640 --> 0:20:46.840
<v Speaker 1>have like the ten year age difference between my youngest

0:20:46.880 --> 0:20:49.760
<v Speaker 1>and my middle and then the twelve year age difference

0:20:49.800 --> 0:20:53.120
<v Speaker 1>between my youngest and my eldest. So in any event, yes,

0:20:53.240 --> 0:20:57.359
<v Speaker 1>of course stuff falls through the cracks. You know. Of

0:20:57.440 --> 0:21:01.919
<v Speaker 1>course I have not always given the best advice, but

0:21:01.960 --> 0:21:04.119
<v Speaker 1>I guess what I have sort of gotten to the

0:21:04.160 --> 0:21:07.760
<v Speaker 1>point of, you can always be doing more, but you

0:21:07.760 --> 0:21:08.920
<v Speaker 1>can always be doing less.

0:21:08.960 --> 0:21:11.600
<v Speaker 3>Also, what do you mean by that?

0:21:12.119 --> 0:21:15.439
<v Speaker 1>I've struck a balance with myself and have decided to

0:21:15.480 --> 0:21:19.840
<v Speaker 1>be a little easier on me than these last several years.

0:21:19.880 --> 0:21:26.000
<v Speaker 1>I've decided to show myself some grace and do what

0:21:26.119 --> 0:21:28.919
<v Speaker 1>I can do, you know, because now I like, I

0:21:29.040 --> 0:21:32.800
<v Speaker 1>have three kids in three different states, at three very

0:21:32.840 --> 0:21:35.919
<v Speaker 1>different stages of their lives. You know, I have a

0:21:35.920 --> 0:21:40.920
<v Speaker 1>fifth grader who that's the hands on, taking to basketball practices,

0:21:41.000 --> 0:21:45.760
<v Speaker 1>taking to birthday parties, taking to mommy and me activities,

0:21:46.119 --> 0:21:49.000
<v Speaker 1>taking a Broadway. But then I have a college student

0:21:49.520 --> 0:21:53.840
<v Speaker 1>who's a junior in college, who there's parent weekends, there's

0:21:54.440 --> 0:21:56.720
<v Speaker 1>you know, she wants me to be there, ready to edit.

0:21:56.800 --> 0:21:58.639
<v Speaker 1>She writes for the Harvard Crimson. She wants me to

0:21:58.680 --> 0:22:01.400
<v Speaker 1>be there to edit something for her, her or you know,

0:22:01.680 --> 0:22:03.879
<v Speaker 1>there's a breakup or something to talk about that, you know,

0:22:04.080 --> 0:22:07.639
<v Speaker 1>just there to be present in in that way. But

0:22:07.640 --> 0:22:11.399
<v Speaker 1>there's never just enough time. Like there's parents weekend. I'm sorry,

0:22:11.440 --> 0:22:13.679
<v Speaker 1>I can't come up for the whole weekend. I can

0:22:13.680 --> 0:22:15.560
<v Speaker 1>come up for one night. Well, mom, that's not enough.

0:22:15.600 --> 0:22:18.320
<v Speaker 1>Why you know things like that, My you know, eldest

0:22:18.359 --> 0:22:22.040
<v Speaker 1>who's a professional basketball player in place with the Orlando Magic.

0:22:22.160 --> 0:22:24.600
<v Speaker 1>And you know, there's a part of me that, gosh,

0:22:24.800 --> 0:22:27.359
<v Speaker 1>I wish I wish I could live down in Orlando.

0:22:27.400 --> 0:22:27.919
<v Speaker 3>Well maybe not.

0:22:28.200 --> 0:22:31.520
<v Speaker 1>I wish I could be at every game home and away,

0:22:32.280 --> 0:22:35.440
<v Speaker 1>but I can't. And he has, you know, like he's

0:22:35.520 --> 0:22:38.359
<v Speaker 1>like other parents are down here, other parents, you know,

0:22:38.440 --> 0:22:41.919
<v Speaker 1>but other parents have packed up and moved. All my

0:22:42.040 --> 0:22:45.119
<v Speaker 1>teammates parents they packed up and moved to Florida, and

0:22:45.200 --> 0:22:48.760
<v Speaker 1>our neighbors with you know, like.

0:22:48.680 --> 0:22:49.640
<v Speaker 3>I have things to do here.

0:22:49.720 --> 0:22:52.080
<v Speaker 1>It's like, I love you, baby, but I have a job,

0:22:52.160 --> 0:22:54.160
<v Speaker 1>and you have a little brother who's here. I mean,

0:22:54.280 --> 0:22:56.800
<v Speaker 1>you know, so and I realized that this is a

0:22:56.920 --> 0:23:01.680
<v Speaker 1>very fortunate, blessed situation I am describing, But as you're

0:23:01.720 --> 0:23:04.960
<v Speaker 1>living and going through it as a parent, as a

0:23:05.200 --> 0:23:12.080
<v Speaker 1>working parent, you do feel that, well, at least I

0:23:12.119 --> 0:23:15.960
<v Speaker 1>feel that I'm not there for everything, and I may

0:23:16.040 --> 0:23:18.160
<v Speaker 1>have bouts of guilt about that from time to time,

0:23:19.000 --> 0:23:20.480
<v Speaker 1>but I do do a.

0:23:20.440 --> 0:23:22.440
<v Speaker 3>Lot, and she does.

0:23:23.160 --> 0:23:27.359
<v Speaker 2>Crystal continued to evolve her creative career, eventually moving into film.

0:23:28.160 --> 0:23:30.160
<v Speaker 2>But do you feel like it was a pivot into

0:23:30.200 --> 0:23:33.480
<v Speaker 2>documentary films? Was that another like big moment for you?

0:23:34.119 --> 0:23:37.600
<v Speaker 1>Before I did a documentary film, I actually produced a

0:23:37.640 --> 0:23:40.280
<v Speaker 1>scripted film that I was asked to come on board.

0:23:40.280 --> 0:23:43.439
<v Speaker 1>Its called Dirty Laundry. It was such a fun film

0:23:43.600 --> 0:23:46.439
<v Speaker 1>and it was like became a festival. Darling did it

0:23:46.480 --> 0:23:49.000
<v Speaker 1>independently with a group of folks. It was a gay

0:23:49.080 --> 0:23:52.359
<v Speaker 1>love story that had this incredible cast.

0:23:52.640 --> 0:23:57.399
<v Speaker 3>Gildon Davis seemed to have it all perfectly. Fate is

0:23:57.480 --> 0:23:59.280
<v Speaker 3>about to crash the party.

0:24:00.720 --> 0:24:02.200
<v Speaker 5>I'm looking for mister Davis.

0:24:02.600 --> 0:24:05.720
<v Speaker 3>I'm mister Davis. Who are you, Gabriel your son?

0:24:06.640 --> 0:24:08.520
<v Speaker 6>Oh?

0:24:09.920 --> 0:24:13.360
<v Speaker 1>This is beautiful, beautiful, beautiful, beautiful.

0:24:13.800 --> 0:24:16.800
<v Speaker 3>It's Dirty Laundry.

0:24:17.600 --> 0:24:21.160
<v Speaker 1>And so that was my first foray actually into filmmaking.

0:24:21.840 --> 0:24:25.320
<v Speaker 2>Soon after producing Dirty Laundry, Crystal was asked to produce

0:24:25.400 --> 0:24:29.760
<v Speaker 2>regularly Viacom while working on documentary style shows for BT

0:24:29.880 --> 0:24:30.480
<v Speaker 2>and MTV.

0:24:30.960 --> 0:24:32.360
<v Speaker 3>She fell in love with the format.

0:24:33.080 --> 0:24:35.040
<v Speaker 1>So there were a few shows I did there, Leading Women,

0:24:35.160 --> 0:24:37.840
<v Speaker 1>Leading Men, where we profiled men and women of color

0:24:38.320 --> 0:24:42.920
<v Speaker 1>who've impacted the country socially, politically, culturally, artistically. And so

0:24:42.960 --> 0:24:48.200
<v Speaker 1>I was doing that, which coincided with Cole playing this

0:24:48.480 --> 0:24:52.360
<v Speaker 1>youth basketball as like a third grader, fourth grader, and

0:24:52.840 --> 0:24:55.640
<v Speaker 1>I was also the team mom. All the kids would

0:24:55.640 --> 0:24:59.640
<v Speaker 1>always come to our house. I was always you know, carpooling,

0:25:00.200 --> 0:25:03.880
<v Speaker 1>doing all that stuff, and really got to know these kids'

0:25:04.200 --> 0:25:09.600
<v Speaker 1>close teammates that were from an array of socioeconomic backgrounds

0:25:09.720 --> 0:25:13.159
<v Speaker 1>that otherwise Cole would have not gotten to know kids

0:25:13.200 --> 0:25:15.640
<v Speaker 1>like that, being you know, frankly being raised in Manhattan.

0:25:15.640 --> 0:25:18.399
<v Speaker 1>Again we call it a melting pot, but let's be honest,

0:25:18.520 --> 0:25:24.199
<v Speaker 1>Manhattan it's you know, economically prohibitive for many, and you

0:25:24.240 --> 0:25:28.119
<v Speaker 1>don't get much diversity in that. And so I was

0:25:28.240 --> 0:25:31.960
<v Speaker 1>struck by how different all of these young men, all

0:25:31.960 --> 0:25:36.080
<v Speaker 1>these boys, how their backgrounds were. But they were brothers,

0:25:36.600 --> 0:25:39.199
<v Speaker 1>they were teammates, and I just felt like there was

0:25:39.240 --> 0:25:42.560
<v Speaker 1>something there in their stories.

0:25:43.080 --> 0:25:46.760
<v Speaker 2>Leveraging her background in documentary style film, Crystal knew this

0:25:46.920 --> 0:25:50.240
<v Speaker 2>was her moment to bring the personal and the professional together.

0:25:50.880 --> 0:25:54.240
<v Speaker 1>And I said, I'd love to put a camera on

0:25:54.400 --> 0:25:58.680
<v Speaker 1>these boys and really kind of highlight their friendship also

0:25:58.720 --> 0:26:02.440
<v Speaker 1>to show that black boys aren't to show their common

0:26:02.520 --> 0:26:06.119
<v Speaker 1>goal of wanting to win a national championship, and that

0:26:06.160 --> 0:26:10.040
<v Speaker 1>became little Ballers. There were some kids that their families

0:26:10.040 --> 0:26:12.439
<v Speaker 1>were immigrants from Jamaica. There was a boy on the

0:26:12.440 --> 0:26:14.520
<v Speaker 1>team whose family was homeless. There was a boy on

0:26:14.560 --> 0:26:18.600
<v Speaker 1>the team whose family lived in Brownsville, Brooklyn, and the

0:26:18.680 --> 0:26:21.720
<v Speaker 1>mom had him playing so he could get away from

0:26:21.720 --> 0:26:24.600
<v Speaker 1>his community, which was really filled with a lot of

0:26:24.640 --> 0:26:28.000
<v Speaker 1>gang violence. And I looked at this also as I'd

0:26:28.040 --> 0:26:33.800
<v Speaker 1>love to make a documentary that shows the tells the

0:26:33.840 --> 0:26:39.359
<v Speaker 1>story of these boys before the dream has died, that

0:26:39.440 --> 0:26:41.679
<v Speaker 1>you're not actually going to go to the NBA, and

0:26:41.720 --> 0:26:44.439
<v Speaker 1>that everybody has a dream and let's capture them in

0:26:44.480 --> 0:26:46.080
<v Speaker 1>this last age of innocence.

0:26:47.119 --> 0:26:50.040
<v Speaker 6>When you think of AAU, I think of everybody on

0:26:50.080 --> 0:26:53.320
<v Speaker 6>the team just having the same goal, and that's to

0:26:53.440 --> 0:26:57.679
<v Speaker 6>get a college scholarship and then playing in the NBA.

0:26:58.160 --> 0:27:01.960
<v Speaker 6>You know that was everybody's dream. Everybody wanted to make it.

0:27:03.280 --> 0:27:07.560
<v Speaker 7>Everybody has dreams, everybody has a talent. If you're a

0:27:07.640 --> 0:27:10.280
<v Speaker 7>basketball player, it's nothing to be the best in New York.

0:27:10.560 --> 0:27:11.960
<v Speaker 7>You want to be one of the best players in

0:27:11.960 --> 0:27:14.520
<v Speaker 7>the country. If you ain't trying to be the best player,

0:27:14.840 --> 0:27:18.040
<v Speaker 7>that you possibly do something else. That's in anything. If

0:27:18.040 --> 0:27:20.080
<v Speaker 7>there's a muscle seed, a doubt, you might as well quit.

0:27:21.000 --> 0:27:23.040
<v Speaker 7>If you ain't trying to be the best, then what

0:27:23.080 --> 0:27:23.760
<v Speaker 7>are you doing it for.

0:27:25.680 --> 0:27:31.920
<v Speaker 8>How is it that basketball became this cultural cathedral in

0:27:31.960 --> 0:27:37.400
<v Speaker 8>the African American community. It's almost like the African tribe

0:27:37.920 --> 0:27:42.119
<v Speaker 8>in that you can have individual expression within the context

0:27:42.440 --> 0:27:45.720
<v Speaker 8>of a try and the same thing with basketball. You're

0:27:45.800 --> 0:27:47.919
<v Speaker 8>part of a team, the past and all that, but

0:27:48.320 --> 0:27:52.520
<v Speaker 8>you could also create. You could also be individual as well.

0:27:54.200 --> 0:27:57.280
<v Speaker 1>When that was my first time directing a documentary and

0:27:57.320 --> 0:28:01.080
<v Speaker 1>again did that independently, I call it real of filmmaking.

0:28:01.320 --> 0:28:06.240
<v Speaker 1>Forged ahead and ended up with my one of my

0:28:06.280 --> 0:28:09.879
<v Speaker 1>producing partners who was representing her name's Tammy Brooks. She

0:28:09.920 --> 0:28:12.480
<v Speaker 1>was representing Amri Stotdomeier at the time, who was playing

0:28:12.480 --> 0:28:13.080
<v Speaker 1>for the Knicks.

0:28:13.320 --> 0:28:13.960
<v Speaker 3>Brought him on.

0:28:14.040 --> 0:28:16.560
<v Speaker 1>He loved the story, brought him on, he became an

0:28:16.600 --> 0:28:19.960
<v Speaker 1>executive producer. He was in the film that was a pivot,

0:28:20.359 --> 0:28:24.119
<v Speaker 1>you know, when it was a pivot based on my life,

0:28:24.400 --> 0:28:25.440
<v Speaker 1>my kids' lives.

0:28:26.040 --> 0:28:28.720
<v Speaker 2>Crystal is continuing to work at the intersection of the

0:28:28.720 --> 0:28:31.680
<v Speaker 2>personal and professional with her latest venture with her son

0:28:31.760 --> 0:28:35.120
<v Speaker 2>Cole for the app Game Up. So tell us about

0:28:35.119 --> 0:28:37.320
<v Speaker 2>this new venture and new relationship with your son, a

0:28:37.359 --> 0:28:38.320
<v Speaker 2>business partnership.

0:28:38.640 --> 0:28:41.640
<v Speaker 1>Yeah, so, you know, speaking of like going full circle

0:28:42.200 --> 0:28:44.800
<v Speaker 1>with your kid. You know, Cole likes me again after

0:28:44.880 --> 0:28:47.960
<v Speaker 1>high school. He's finally listening to me again. His favorite

0:28:47.960 --> 0:28:49.760
<v Speaker 1>thing that he said to me, you know, like his

0:28:49.840 --> 0:28:52.320
<v Speaker 1>first two seasons in the NBA, when I tried to

0:28:52.320 --> 0:28:54.640
<v Speaker 1>give him some advices. You know, Mom, listen, I'm a

0:28:54.640 --> 0:28:55.440
<v Speaker 1>grown ass man.

0:28:57.560 --> 0:29:00.280
<v Speaker 3>I don't need you. I'm paying my own bills. You

0:29:00.360 --> 0:29:02.560
<v Speaker 3>tell me this, that and the other, you don't you know.

0:29:02.960 --> 0:29:06.800
<v Speaker 1>I finally realized I cannot give him any basketball advice

0:29:06.880 --> 0:29:09.400
<v Speaker 1>because he knows more and is one pinky than I

0:29:09.440 --> 0:29:13.320
<v Speaker 1>will ever know. But what has been happening for ten

0:29:13.400 --> 0:29:17.520
<v Speaker 1>plus years is that I have been that basketball parent

0:29:18.040 --> 0:29:20.719
<v Speaker 1>that people would come to and say, can you make

0:29:20.760 --> 0:29:23.280
<v Speaker 1>a recommendation for a team for my kid? Can you

0:29:23.280 --> 0:29:26.560
<v Speaker 1>make a recommendation for a developmental program, for a trainer,

0:29:26.760 --> 0:29:29.000
<v Speaker 1>for a tournament, for a camp, for this, that, and

0:29:29.040 --> 0:29:31.760
<v Speaker 1>that and the other. And I had been spending hours

0:29:31.800 --> 0:29:35.920
<v Speaker 1>and hours on calls, on emails, on text messages, sharing

0:29:36.000 --> 0:29:38.280
<v Speaker 1>knowledge with parents who really have just been trying to

0:29:38.400 --> 0:29:42.800
<v Speaker 1>navigate this youth's basketball landscape that's getting bigger and bigger,

0:29:43.080 --> 0:29:46.000
<v Speaker 1>that's getting more and more complicated, that's gotten more and

0:29:46.040 --> 0:29:51.120
<v Speaker 1>more expensive. And I really started aggregating all of this

0:29:51.400 --> 0:29:55.920
<v Speaker 1>information in the youth basketball landscape and people would ask

0:29:55.960 --> 0:29:59.280
<v Speaker 1>whole the same thing, but from a player perspective. And

0:29:59.320 --> 0:30:01.760
<v Speaker 1>I started talking talking to him about this idea, and

0:30:01.840 --> 0:30:04.160
<v Speaker 1>I said, why don't we make sort of a one

0:30:04.320 --> 0:30:10.560
<v Speaker 1>stop shop platform where we can defragment this information, make

0:30:10.600 --> 0:30:14.840
<v Speaker 1>it sort of like the Angie's List for you know,

0:30:14.960 --> 0:30:20.959
<v Speaker 1>youth basketball. And that began the beginning of making Game Up.

0:30:21.440 --> 0:30:24.040
<v Speaker 9>Navigating youth sports can be tough for parents. There's so

0:30:24.120 --> 0:30:26.760
<v Speaker 9>many options out there. But there's a new sports at

0:30:26.960 --> 0:30:30.360
<v Speaker 9>that's changing the basketball landscape. It's called Game Up. New

0:30:30.440 --> 0:30:33.680
<v Speaker 9>York native and NBA point guard Cole Anthony's mom, Krystin

0:30:33.760 --> 0:30:36.680
<v Speaker 9>McCrary maguire, teamed up to create a one stop shop

0:30:36.720 --> 0:30:39.360
<v Speaker 9>to help parents out and connect their kid with the

0:30:39.360 --> 0:30:42.719
<v Speaker 9>best basketball team and trainer based on their age, goals,

0:30:42.720 --> 0:30:45.160
<v Speaker 9>and location. Join me now to speak more about Game

0:30:45.240 --> 0:30:48.240
<v Speaker 9>Up is co founder Krystal mccrairy McGuire. She's also a

0:30:48.280 --> 0:30:51.080
<v Speaker 9>New York Times bestselling author and producer, just to name

0:30:51.120 --> 0:30:53.160
<v Speaker 9>a few. Good morning, Chrystal, thanks for joining us.

0:30:53.320 --> 0:30:55.000
<v Speaker 1>With the Wrens Frinds, I with the team Real in

0:30:55.120 --> 0:30:57.880
<v Speaker 1>Jersey and then high school FOPSA Cardinals I played with

0:30:58.200 --> 0:31:00.480
<v Speaker 1>was that six to seven different AU programs levels of

0:31:00.560 --> 0:31:01.800
<v Speaker 1>youth basketball.

0:31:01.680 --> 0:31:04.800
<v Speaker 10>And went through all of these great programs that developed

0:31:04.840 --> 0:31:06.080
<v Speaker 10>him at every stage.

0:31:06.400 --> 0:31:08.920
<v Speaker 11>And that is really what parents are looking for.

0:31:09.160 --> 0:31:11.160
<v Speaker 10>Most parents that are trying to find a program for

0:31:11.160 --> 0:31:13.880
<v Speaker 10>their kid, it's not like they enter into it saying,

0:31:13.920 --> 0:31:16.560
<v Speaker 10>I have this elite kid that's, you know, gonna go

0:31:16.720 --> 0:31:17.920
<v Speaker 10>D one or go to the NBA.

0:31:18.000 --> 0:31:19.520
<v Speaker 11>That may be the ultimate dream.

0:31:19.840 --> 0:31:22.080
<v Speaker 10>But they're really looking trying to figure out how to

0:31:22.200 --> 0:31:23.400
<v Speaker 10>navigate this system.

0:31:23.720 --> 0:31:25.560
<v Speaker 11>And Cole as a as my.

0:31:25.640 --> 0:31:28.880
<v Speaker 10>Son, as a resource and as somebody who truly lived

0:31:28.880 --> 0:31:31.400
<v Speaker 10>it as a player, was the perfect person.

0:31:31.760 --> 0:31:33.240
<v Speaker 11>Plus we get along pretty.

0:31:32.960 --> 0:31:37.400
<v Speaker 1>Well tolerator, and so we've been working on it together,

0:31:37.560 --> 0:31:41.280
<v Speaker 1>we hired you know, we seeded it ourselves again, just

0:31:41.520 --> 0:31:45.640
<v Speaker 1>forging ahead, seated ourselves, that's right. Got a chief app

0:31:45.680 --> 0:31:50.880
<v Speaker 1>designer and coders computer software engineers, got the graphics UXUI designers,

0:31:51.040 --> 0:31:55.080
<v Speaker 1>got the chief strategy officer, chief operating officer, and built

0:31:55.120 --> 0:32:00.080
<v Speaker 1>this and we launched in the Tri State area and

0:32:00.240 --> 0:32:04.120
<v Speaker 1>now in Q one, twenty twenty four, we are expanding

0:32:04.680 --> 0:32:05.720
<v Speaker 1>across the US.

0:32:06.600 --> 0:32:10.280
<v Speaker 2>Is there something that holistically not just on little ballers,

0:32:10.280 --> 0:32:13.240
<v Speaker 2>but is there something that at the time you feel

0:32:13.320 --> 0:32:16.120
<v Speaker 2>like you felt like was a real low point negative,

0:32:16.120 --> 0:32:17.560
<v Speaker 2>like you weren't really sure you're gonna get out of it,

0:32:17.600 --> 0:32:20.640
<v Speaker 2>and then now in retrospect, you see it as having

0:32:20.720 --> 0:32:22.400
<v Speaker 2>really launched the next step for you.

0:32:23.200 --> 0:32:26.400
<v Speaker 1>I actually had an experience where it wasn't that it

0:32:26.440 --> 0:32:29.160
<v Speaker 1>was what was rather male dominated, but I had an

0:32:29.160 --> 0:32:33.960
<v Speaker 1>experience with somebody under the Viacom umbrella when I was

0:32:34.160 --> 0:32:37.760
<v Speaker 1>working on the shows there that I was executive producing

0:32:37.800 --> 0:32:43.360
<v Speaker 1>and creating. There was a very senior executive there that

0:32:43.600 --> 0:32:45.280
<v Speaker 1>will I will never forget it, Like I think I

0:32:45.320 --> 0:32:47.320
<v Speaker 1>was talking to him sort of like one of those

0:32:47.440 --> 0:32:50.680
<v Speaker 1>career advice kind of talks, and I will never forget again.

0:32:50.760 --> 0:32:54.920
<v Speaker 1>You remember those things that light a fire under you.

0:32:55.440 --> 0:32:57.640
<v Speaker 1>But I remember he said to me, you know, Crystal,

0:32:58.160 --> 0:33:02.040
<v Speaker 1>this was before I had done Little Ballers, and he said, listen,

0:33:02.120 --> 0:33:05.680
<v Speaker 1>if you just keep reaching, you know, for that low

0:33:05.800 --> 0:33:09.080
<v Speaker 1>hanging fruit, he called it low hanging fruit. He said,

0:33:09.080 --> 0:33:11.760
<v Speaker 1>if you keep reaching for that low hanging fruit, there's

0:33:11.760 --> 0:33:13.960
<v Speaker 1>something there for you in that. See where that gets you.

0:33:14.320 --> 0:33:20.239
<v Speaker 1>And I just remember being so offended low hanging fruit, Like,

0:33:20.320 --> 0:33:21.360
<v Speaker 1>what the heck does that mean?

0:33:22.200 --> 0:33:22.800
<v Speaker 3>Yeah? What are you?

0:33:22.880 --> 0:33:26.200
<v Speaker 1>Are you trying to give me a ceiling where I'm

0:33:26.400 --> 0:33:27.120
<v Speaker 1>just beginning.

0:33:29.640 --> 0:33:32.120
<v Speaker 3>But it doesn't lights a fire. It lights a fire.

0:33:32.600 --> 0:33:35.880
<v Speaker 1>And you know, so that was that was a period

0:33:35.920 --> 0:33:38.560
<v Speaker 1>that that did inspire me, and it was it was

0:33:38.840 --> 0:33:41.040
<v Speaker 1>you know, there were so many other parts of that,

0:33:41.080 --> 0:33:42.440
<v Speaker 1>but there was certainly that.

0:33:42.480 --> 0:33:50.120
<v Speaker 2>Oh I'm going to show you, you know, just you wait, okay,

0:33:50.120 --> 0:33:53.640
<v Speaker 2>one last question. What everybody wants to know, what is

0:33:53.680 --> 0:33:55.560
<v Speaker 2>it like to have a sex and the city character

0:33:55.720 --> 0:33:56.280
<v Speaker 2>based on you?

0:33:57.760 --> 0:34:01.520
<v Speaker 1>Well, listen, first of all, the fact that the character

0:34:01.600 --> 0:34:06.800
<v Speaker 1>quote unquote inspired by me is played by the you know,

0:34:07.000 --> 0:34:11.600
<v Speaker 1>pretty amazing Nicole Ari Parker. I'm like, okay, I'm just

0:34:11.760 --> 0:34:17.919
<v Speaker 1>you've you've flattered me beyond you know, it's it's kind

0:34:17.920 --> 0:34:19.080
<v Speaker 1>of you know, it's kind of cool.

0:34:20.080 --> 0:34:21.239
<v Speaker 3>Totally, it's kind of cool.

0:34:21.280 --> 0:34:23.480
<v Speaker 1>I mean Susan fails Hill, who's a writer there and

0:34:23.520 --> 0:34:25.200
<v Speaker 1>a very good friend of mine, you know.

0:34:25.520 --> 0:34:27.560
<v Speaker 3>She and then there was Kelly Goff who was there.

0:34:27.640 --> 0:34:32.080
<v Speaker 1>She's she's no longer with the show, but they somehow

0:34:32.360 --> 0:34:35.960
<v Speaker 1>were inspired by some aspect of my life. I think

0:34:36.000 --> 0:34:40.600
<v Speaker 1>there are many inspirations for ltw's character, but I'm just,

0:34:40.840 --> 0:34:44.239
<v Speaker 1>you know, really flattered. Did you know did they tell

0:34:44.280 --> 0:34:45.560
<v Speaker 1>you or you just watched it in your thought, oh,

0:34:45.560 --> 0:34:49.520
<v Speaker 1>we seem similar. I started getting rumblings maybe four or

0:34:49.600 --> 0:34:53.840
<v Speaker 1>five months before the first season came out, and I

0:34:53.880 --> 0:34:55.040
<v Speaker 1>was like what. I was like, that was like that

0:34:55.160 --> 0:34:57.640
<v Speaker 1>just sounds crazy. I had that one girlfriend, you know,

0:34:57.640 --> 0:35:00.879
<v Speaker 1>who's like the gossip the town crier, and she was like, girl,

0:35:01.600 --> 0:35:05.400
<v Speaker 1>there's a character Texas City three Kids documentary, Viille mak

0:35:05.440 --> 0:35:07.239
<v Speaker 1>her husband's running for mayor because at the time, my

0:35:07.320 --> 0:35:10.120
<v Speaker 1>husband Ray was running for mayor, and like, that certainly

0:35:10.120 --> 0:35:13.080
<v Speaker 1>sounds like you. And then it started picking up momentum,

0:35:13.120 --> 0:35:14.560
<v Speaker 1>and you know, look, I've been in sort of the

0:35:14.600 --> 0:35:17.080
<v Speaker 1>writer room places and they're like this character is like

0:35:17.120 --> 0:35:18.759
<v Speaker 1>so and so this is sort of think of, sort of,

0:35:18.800 --> 0:35:21.640
<v Speaker 1>so I get how that can happen. I think that

0:35:21.640 --> 0:35:23.920
<v Speaker 1>there again, I think that there are many people that

0:35:24.040 --> 0:35:26.480
<v Speaker 1>sort of you know, are part of the inspiration. But

0:35:26.960 --> 0:35:28.960
<v Speaker 1>you know, if you want to say it's me, I'll

0:35:28.960 --> 0:35:31.239
<v Speaker 1>take the good part of it for sure.

0:35:31.400 --> 0:35:33.880
<v Speaker 3>Well, thank you so much, Krystal for coming to she Pivots.

0:35:34.160 --> 0:35:36.160
<v Speaker 1>Thank you so much for having me. It was a

0:35:36.280 --> 0:35:37.520
<v Speaker 1>joy and an honor.

0:35:37.600 --> 0:35:44.000
<v Speaker 2>As always, thank you, You're the best. Crystal still lives

0:35:44.000 --> 0:35:47.120
<v Speaker 2>in New York City. Her weekend's still filled with lots

0:35:47.200 --> 0:35:50.480
<v Speaker 2>of basketball and now growing game up to be available

0:35:50.520 --> 0:35:53.799
<v Speaker 2>to youth basketball players across the country. To learn more

0:35:53.840 --> 0:35:57.799
<v Speaker 2>about Crystal, follow her on Instagram at Krystal McCrary Talk to.

0:35:57.760 --> 0:36:01.759
<v Speaker 3>You next week. Thanks for listening to this episode of

0:36:01.800 --> 0:36:02.560
<v Speaker 3>she Pivots.

0:36:03.080 --> 0:36:05.280
<v Speaker 2>If you made it this far, you're a true pivot

0:36:05.560 --> 0:36:08.480
<v Speaker 2>So thanks for being part of this community. I hope

0:36:08.480 --> 0:36:10.960
<v Speaker 2>you enjoyed this episode, and if you did leave us

0:36:10.960 --> 0:36:13.799
<v Speaker 2>a rating, please be nice and tell your friends about us.

0:36:14.200 --> 0:36:17.000
<v Speaker 2>To learn more about our guests, follow us on Instagram

0:36:17.000 --> 0:36:19.839
<v Speaker 2>at she Pivots the podcast, or sign up for our

0:36:19.840 --> 0:36:22.800
<v Speaker 2>newsletter where you can get exclusive behind the scenes content

0:36:22.960 --> 0:36:25.759
<v Speaker 2>or on our website, she Pivots the podcast Talk to

0:36:25.760 --> 0:36:31.719
<v Speaker 2>You Next Week Special thanks to the she pivots team,

0:36:31.880 --> 0:36:37.160
<v Speaker 2>Executive producer Emily Edavlosk, Associate producer and social media connoisseur

0:36:37.200 --> 0:36:42.400
<v Speaker 2>Hannah Cousins, Research director Christine Dickinson, Events and Logistics coordinator

0:36:42.440 --> 0:36:47.040
<v Speaker 2>Madeline Sonovak, and audio editor and mixer Nina pollock I

0:36:47.280 --> 0:36:49.360
<v Speaker 2>endorseh she Pivots