WEBVTT - Mini Crush #164

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush Monday with Charles W.

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<v Speaker 1>Chuck Bryant speaking. And I have uh Noel Briant on

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<v Speaker 1>the line. Noel, Old Brian, Noel Briant. I love this.

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<v Speaker 1>I just say, Old Brian, you kind of did God

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<v Speaker 1>damn it. No, It's okay. And I'll tell you that. Yeah,

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<v Speaker 1>I say this often. Sometimes you're opening has a certain

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<v Speaker 1>cadence to it. Today it had the cadence of an auctioneer, like, Hey, everybody,

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<v Speaker 1>money Monday, I talk about it all alone. So have

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<v Speaker 1>you ever made to an auction like that? I have

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<v Speaker 1>been to an auction of horse sperm? Oh all right,

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<v Speaker 1>let's talk. It was Augusta, Georgia, my my hometown. I

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<v Speaker 1>used to work for the public radio and I would

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<v Speaker 1>I would cover various things, and the we have this

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<v Speaker 1>a very popular event called the Augusta Futurity, which is

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<v Speaker 1>a horse event or they you know, jump over ship.

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<v Speaker 1>And then there's all these like adjacent events, and one

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<v Speaker 1>of them was a horse auction for not actual horses,

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<v Speaker 1>but breeding rights to horses. And what you're actually buying

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<v Speaker 1>is semen mm hmm interesting. All right, Okay, that's exactly

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<v Speaker 1>what I thought it would be. Yeah, that's what it is.

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<v Speaker 1>It wasn't just for funzies. It was definitely like and

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<v Speaker 1>the ship was you know, expensive, because it was like,

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<v Speaker 1>you know, the semen of a prized ball or sure.

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<v Speaker 1>Well that's amazing, Noel Brian, I love it. Thanks Chuck Brown.

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<v Speaker 1>And since you brought up horses, I might as well

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<v Speaker 1>plug my friends a new project called heart Horse. My

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<v Speaker 1>dear friend Meredith from College and Beyond is uh or

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<v Speaker 1>college forward is what I mean by that. Yeah, she

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<v Speaker 1>is uh an equestrian and loves horses since she was

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<v Speaker 1>a little girl, and they have helped during her life.

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<v Speaker 1>So she launched this website called heart Horse where they

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<v Speaker 1>tell these great stories about people in their horses. And

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<v Speaker 1>if you're into horses, you should go to hard Horse.

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<v Speaker 1>Check it out. It's really lovely stuff and a cool

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<v Speaker 1>one of my great great friends. All Right, so nol,

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<v Speaker 1>we're gonna get it going. We're gonna jump right on in. Today.

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<v Speaker 1>We have a couple of segments. I asked the crushers yesterday,

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<v Speaker 1>what is your favorite New York movie or TV show? Uh?

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<v Speaker 1>And that it really just nails what New York is

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<v Speaker 1>all about. And like uh and as also said, if

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<v Speaker 1>you haven't been to New York, maybe let us know

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<v Speaker 1>if your pick is the New York you might imagine

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<v Speaker 1>is what New York is does? That makes sense, it does.

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<v Speaker 1>It's interesting too, because it's like New York is easier

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<v Speaker 1>to kind of sum up in a movie. I think,

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<v Speaker 1>then say l A, because l A is just so

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<v Speaker 1>sprawling and all over the place. I feel like there's

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<v Speaker 1>not one l A and there's not one New York either,

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<v Speaker 1>But New York is a little more encapsulatable. That's a word.

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<v Speaker 1>I just I think I agree with you l A movies,

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<v Speaker 1>like you can have your get short Ease in your

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<v Speaker 1>l A stories and your movies that kind of skewer

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<v Speaker 1>Hollywood and that whole l A thing. But then you

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<v Speaker 1>can do Paul Thomas Anderson in the Valley a completely

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<v Speaker 1>different l A it is, or you know, movies. You know,

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<v Speaker 1>it kind of depends on like you said, it's so

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<v Speaker 1>spread out on where you are in l A because

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<v Speaker 1>it can be very different. But New York, New York's

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<v Speaker 1>New York. You know, it's true, It's true. Um gosh,

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<v Speaker 1>that's a good question. I'm trying to think, Um, do

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<v Speaker 1>you have one that pops to mind, Chuck, Well, I

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<v Speaker 1>know one that we both agree on, Um is high maintenance.

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<v Speaker 1>Yeah yeah, yeah, Well that's that's such a good Uh

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<v Speaker 1>what's the word. I'm looking for a good kind of

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<v Speaker 1>like frame for just like exploring different aspects of the

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<v Speaker 1>city and different types of people that live there. And

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<v Speaker 1>that's that's a good one for sure. I love it.

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<v Speaker 1>But we're gonna start with Catherine Brunet says, I'm not

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<v Speaker 1>sure I'd try to describe a city half the size

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<v Speaker 1>with one movie, but Panic and Needle Parker Taxi Driver

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<v Speaker 1>seems accurate for the time period based on what I've

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<v Speaker 1>heard from people who grew up there. Yeah, I could

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<v Speaker 1>definitely see that. And one one that comes to mind

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<v Speaker 1>for me is, um, the movie Bad Lieutenant with Harvey Kitel. Um,

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<v Speaker 1>it's it's, it's, it's it's very bleak. But but I'll

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<v Speaker 1>tell you it's interesting because it's a movie that came

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<v Speaker 1>out in the nineties, but in the nineties, New York

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<v Speaker 1>still looked like the New York of like the seventies.

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<v Speaker 1>It was very graffitied up and like kind of like

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<v Speaker 1>raunchy and edgy and now been a lot more sanitized

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<v Speaker 1>and kind of cleaned up. And um so when you

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<v Speaker 1>see Bad Lieutenant, even though you're watching a movie that

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<v Speaker 1>looks like, you know, that feels very seventies, it was

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<v Speaker 1>absolutely shot in the nineties. Um, which I think is

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<v Speaker 1>interesting because I I think I've mentioned I grew up

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<v Speaker 1>going to New York a lot and having a lot

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<v Speaker 1>of free reign and like explore it as a very

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<v Speaker 1>young kid. Looking back on it now, I'm like, God,

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<v Speaker 1>that's that crazy. But um, yeah, so I very special

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<v Speaker 1>place in my heart in my life that city. Yeah,

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<v Speaker 1>I love it. Miss I remember that. I remember that era,

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<v Speaker 1>um when it was much more sketchy. But yeah, god,

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<v Speaker 1>I miss it too so much. Yeah, my first sit

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<v Speaker 1>to New York was in uh nineteen ninety one, I think,

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<v Speaker 1>and uh in college. I think like sophomore year in

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<v Speaker 1>college or maybe junior year. And uh, it was it

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<v Speaker 1>was everything I thought it would be. And that was

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<v Speaker 1>still when it was sort of you know, the meatpacking

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<v Speaker 1>district and the that side of town was really kind

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<v Speaker 1>of run down and gross, and the Times Square still

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<v Speaker 1>had shows and it was not cleaned up yet, and

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<v Speaker 1>you know, it's one. It's interesting when people sort of

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<v Speaker 1>yearned for the days when the place was kind of

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<v Speaker 1>a ship hole. I think there's a middle period, like

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<v Speaker 1>the eighties in New York we're truly dangerous and and

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<v Speaker 1>kind of gross and awful, and then I think the

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<v Speaker 1>nineties it was better but still had some of the

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<v Speaker 1>grit before it was completely cleaned up. I get what

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<v Speaker 1>people mean by losing its character, but also it's like, no,

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<v Speaker 1>it's great when it was had more rats and crime.

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<v Speaker 1>That's also kind of silly. You know, love rats and crime,

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<v Speaker 1>but not not You're like charming ratitui rats. These are legs,

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<v Speaker 1>seriously gnarly uh rabies and infected rats. That's right. Michael

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<v Speaker 1>Johnson's Goodfellas the most mostly suburban and outer borough New

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<v Speaker 1>York City. As a native, I can honestly say no,

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<v Speaker 1>their movie is quite has gotten it quite as right? Yeah,

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<v Speaker 1>where where was good Felas? Was that long island? Staten Island?

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<v Speaker 1>It's a good quite shin. You know, I feel like

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<v Speaker 1>it had to a band, No, does it not? Jersey?

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<v Speaker 1>I really don't know. It's not something that they make

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<v Speaker 1>a big to do about times. I should know this.

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<v Speaker 1>What's the zoo that they go to with the alligator.

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<v Speaker 1>Is that like the Brooklyn Zoo Brooklyn or the Bronx Zoo.

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<v Speaker 1>I forgot about that scene. They just there's like a lion.

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<v Speaker 1>They throw a guy in the lion. They feed a

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<v Speaker 1>body too, Zoo alligators something like that anyway, But I'm

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<v Speaker 1>blanking on all of it now. I feel like it's

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<v Speaker 1>the Bronx Zoo. Yes, I bet you're right. Teresa Barker says,

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<v Speaker 1>not a movie, but Pretend It's a City with brand

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<v Speaker 1>Lee Bowitz quintessential New York City and makes me ache

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<v Speaker 1>to be there. Yes, Teresa, I have been. We have

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<v Speaker 1>watched a couple of episodes of Pretend It's a City,

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<v Speaker 1>and I like it quite a bit. Brand Lee Bowitz

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<v Speaker 1>is great national treasure. She's the I'd love to see

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<v Speaker 1>her and Larry, her and Larry David sit down and

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<v Speaker 1>have a conversation. Oh god, you're right, she is very

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<v Speaker 1>Larry David, Uh, Chuck. Have you seen painting with John? No?

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<v Speaker 1>I still have not seen that. I would recommend that.

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<v Speaker 1>I think you'd you'd enjoy. It's this guy John, John Louie,

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<v Speaker 1>who was in a lot of the Jim Jarmish films,

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<v Speaker 1>and he's just kind of this like weird out there

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<v Speaker 1>cool kind of like almost like a proto beat nick

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<v Speaker 1>type dude. And he's just hanging out in his crazy

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<v Speaker 1>pad in the Caribbean somewhere, painting and talking about life.

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<v Speaker 1>And uh, it's very like, you know, meta and self

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<v Speaker 1>referential and um, probably should never have come to exist,

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<v Speaker 1>but he happened to make it just for his own

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<v Speaker 1>edification and showed it to uh somebody, I think it

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<v Speaker 1>was Will Ferrell's producing partner, who's the director whose name

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<v Speaker 1>is escaping me right now? Um, and he like loved

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<v Speaker 1>it and showed it Adam McKay and then HBO is like,

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<v Speaker 1>here are you got yourself a show? Um? And it

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<v Speaker 1>feels very much like that, like it just was kind

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<v Speaker 1>of willed into existence by this guy's own just like creativity.

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<v Speaker 1>Well if you do like that, Nolan, I don't know

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<v Speaker 1>why I haven't, uh when you mentioned that before, not

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<v Speaker 1>mentioned this in return. Uh. That is a take on

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<v Speaker 1>the series he had called Fishing with John. I've heard

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<v Speaker 1>of it, I've not seen it, which is fantastic, where

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<v Speaker 1>John Laurie would literally just take one person fishing. Uh.

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<v Speaker 1>Tom Waits, Dennis Hopper, Willem Dafoe. I think Matt Dillon

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<v Speaker 1>was on one of them, very very very fun show.

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<v Speaker 1>Jim Jarmers was in one. Got It good stuff, Get

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<v Speaker 1>two dudes in a boat, and that's sort of the premise,

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<v Speaker 1>a small boat. All right, let's move on here to

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<v Speaker 1>New York again. Dan truebat true body. I always say

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<v Speaker 1>your name wrong, Dan, Sorry, I've never been to New York. Uh,

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<v Speaker 1>And I know it was filmed in l A. But

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<v Speaker 1>I personally to refuse to believe that the New York

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<v Speaker 1>and Seinfeld isn't und accurate even now. That's funny. It's

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<v Speaker 1>one of those things too, where it's like, how does

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<v Speaker 1>how does the stand up comedian afford this apartment? Or like,

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<v Speaker 1>you know, like all of them, all of the friends, yeah,

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<v Speaker 1>friends the same. I think that was one of their.

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<v Speaker 1>I think it was Monica's grandmother's apartment, though at least

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<v Speaker 1>they tried to explain it because this in a way,

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<v Speaker 1>you know, in the West Village. Uh, in a stress

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<v Speaker 1>one of our old princes. Uh. I love the weird,

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<v Speaker 1>quirky version that Broad City shows. Yeah, totally, totally, totally.

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<v Speaker 1>Jennifer Mudge has never been But when I think of

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<v Speaker 1>New York. It's got a sex in the city vibe,

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<v Speaker 1>and I know the apartments are way smaller. Yeah, they

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<v Speaker 1>definitely are kids A good one. Kids is a very raw,

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<v Speaker 1>like real Those are all actual, you know kids that

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<v Speaker 1>like ran in those circles and all kind of guerilla

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<v Speaker 1>style shot and very much an accurate depiction of New

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<v Speaker 1>York during those those those times that could have been

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<v Speaker 1>you know, old scampering around as a teenager, gamping around,

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<v Speaker 1>breaking into swimming pools, trying to make out. Oh yeah,

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<v Speaker 1>making out, making out. Angelo Buckle says, movie wise, maybe

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<v Speaker 1>some of Spike Lee's old stuff, like she's gotta have

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<v Speaker 1>it or do the right thing. Yeah, I do the

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<v Speaker 1>right thing. I think was a pretty good depiction of

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<v Speaker 1>Brooklyn of the day. Gail the Dangerubin says, Ghostbusters never

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<v Speaker 1>been to New York. But since I grew up watching

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<v Speaker 1>that movie, if New York isn't like that, I'm going

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<v Speaker 1>to be real piste off. Yeah, that was a pretty

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<v Speaker 1>realistic New York. I think for what it was, New

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<v Speaker 1>York absolutely overflowing with ghosts, no question about it. Brittany Story,

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<v Speaker 1>one of our old friends, says, Brittany runs a marathon

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<v Speaker 1>has been pretty similar to my own experience of a

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<v Speaker 1>Youngish person finding their way in New York named Brittany. Yes,

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<v Speaker 1>the city can be harsh and a bit brutal, especially

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<v Speaker 1>when you feel lost, but it also feels full of

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<v Speaker 1>possibility and wonder. Sure, yes, totally, Chuck. I don't know

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<v Speaker 1>how you feel about that. Did you you lived in

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<v Speaker 1>New York? No? No, maybe not? You'd lived in l

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<v Speaker 1>a that lived in Jersey for three years and spot

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<v Speaker 1>all my time in New York for sure. And I

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<v Speaker 1>grew up, like I said, going to New York all

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<v Speaker 1>the time, and I had, you know, this like aspirational

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<v Speaker 1>thing where I was like, I want to live in

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<v Speaker 1>New York and that didn't happen, but you know, for work. Thankfully,

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<v Speaker 1>I've been able to travel there a lot before you know,

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<v Speaker 1>covid um, and I've realized and completely made peace with

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<v Speaker 1>the fact that I do not want to live in

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<v Speaker 1>New York anymore. I just want to go there for

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<v Speaker 1>a while and then come back home to my my

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<v Speaker 1>home in Atlanta, which is much more my speed. Because

0:12:12.040 --> 0:12:14.920
<v Speaker 1>it's a it is brutal, and it is like a

0:12:15.000 --> 0:12:18.199
<v Speaker 1>grind like it. It really feels like you're just scrapping

0:12:18.280 --> 0:12:20.720
<v Speaker 1>just to like get from the store back to your apartment,

0:12:20.880 --> 0:12:24.680
<v Speaker 1>or like it's a tough city. And I think, uh,

0:12:24.720 --> 0:12:27.760
<v Speaker 1>I think there's a certain age you reach where you

0:12:27.880 --> 0:12:29.760
<v Speaker 1>give up on that dream of living in New York

0:12:29.760 --> 0:12:31.560
<v Speaker 1>for kind of the reasons you mentioned where you're like,

0:12:31.559 --> 0:12:34.240
<v Speaker 1>you know, I'm good to visit, and hey, we get

0:12:34.280 --> 0:12:37.559
<v Speaker 1>to visit, you know during normal times, you know, or

0:12:37.559 --> 0:12:40.160
<v Speaker 1>five six times a year for work, which is the

0:12:40.240 --> 0:12:44.840
<v Speaker 1>best someone mels pace for it totally. I mean there

0:12:44.880 --> 0:12:47.840
<v Speaker 1>was a time, you know, k I was going like

0:12:47.920 --> 0:12:51.079
<v Speaker 1>twice a month, you know, like before COVID, like just

0:12:51.120 --> 0:12:53.240
<v Speaker 1>because of taking meetings and stuff. And I think it'll

0:12:53.240 --> 0:12:56.760
<v Speaker 1>probably not return to that cadence, but I do hope

0:12:56.760 --> 0:12:58.240
<v Speaker 1>it does come back because I have a I basically

0:12:58.280 --> 0:13:00.320
<v Speaker 1>have a whole New York family of like a friend

0:13:00.360 --> 0:13:02.800
<v Speaker 1>group now and it's I missed them. I love it.

0:13:03.400 --> 0:13:05.719
<v Speaker 1>I miss them to my my niece Reagan is there

0:13:05.720 --> 0:13:08.760
<v Speaker 1>and I miss seeing her for sure. Uh let me

0:13:08.800 --> 0:13:11.959
<v Speaker 1>see here. Aaron Cooper said Ghostbusters as well, we got

0:13:12.000 --> 0:13:15.640
<v Speaker 1>Matthew fober chimed in with high maintenance faith and reminiscent

0:13:15.640 --> 0:13:18.439
<v Speaker 1>of the times I spent visiting friends from the Midwest

0:13:18.440 --> 0:13:23.280
<v Speaker 1>who had relocated there. Erica Z says Lena Dunham series

0:13:23.400 --> 0:13:26.480
<v Speaker 1>Girls to be fair whenever I went to visit friends

0:13:26.559 --> 0:13:29.480
<v Speaker 1>all at in Brooklyn, so they had similar living situations. Yeah,

0:13:29.559 --> 0:13:31.600
<v Speaker 1>Girls was sort of like high maintenance. I thought it

0:13:31.640 --> 0:13:34.880
<v Speaker 1>was a really accurate version of that New York I

0:13:34.920 --> 0:13:37.600
<v Speaker 1>love that show. I'm always on record as saying Girls

0:13:37.640 --> 0:13:39.440
<v Speaker 1>was one of the great great shows, one of the

0:13:39.440 --> 0:13:42.319
<v Speaker 1>most well written shows ever. I don't know why I

0:13:42.360 --> 0:13:45.000
<v Speaker 1>get back on people don't like Lena Dunham. I think

0:13:46.120 --> 0:13:47.960
<v Speaker 1>she just did some stuff in the press that was

0:13:48.000 --> 0:13:50.800
<v Speaker 1>a little abrasive. But I I think that either can

0:13:50.880 --> 0:13:54.160
<v Speaker 1>you can totally be annoyed at her for that stuff

0:13:54.240 --> 0:13:56.199
<v Speaker 1>or be like, yeah, you go and and don't be

0:13:56.240 --> 0:13:59.920
<v Speaker 1>like a predictable kind of wallflower. So, um, I respect

0:14:00.040 --> 0:14:01.880
<v Speaker 1>her as a as a as an artist and as

0:14:01.920 --> 0:14:03.760
<v Speaker 1>a as a person, but sometimes she does rub me

0:14:03.800 --> 0:14:05.520
<v Speaker 1>a little bit the wrong way. But um, I think

0:14:05.559 --> 0:14:07.679
<v Speaker 1>she's very talented. Yeah, I mean I get it, and

0:14:07.720 --> 0:14:12.440
<v Speaker 1>I think she Uh. I think it seems like some

0:14:12.520 --> 0:14:16.160
<v Speaker 1>of this, like genuinely more controversial things that happened. We're

0:14:16.240 --> 0:14:21.200
<v Speaker 1>after Girls, yes, or maybe I'm wrong. No, I think

0:14:21.240 --> 0:14:24.160
<v Speaker 1>that's about right anyway. I will say the thing about

0:14:24.160 --> 0:14:26.000
<v Speaker 1>girls that always bugged me, and I thought it was

0:14:26.040 --> 0:14:28.200
<v Speaker 1>good and I enjoyed watching it, but it just felt

0:14:28.200 --> 0:14:32.040
<v Speaker 1>like a very privileged perspective, you know, of like what

0:14:32.080 --> 0:14:33.520
<v Speaker 1>it's like to live in New York. And a lot

0:14:33.560 --> 0:14:38.120
<v Speaker 1>of those characters I just found particularly not very um relatable,

0:14:38.520 --> 0:14:41.680
<v Speaker 1>you know, are not very uh sympathetic because they're just

0:14:41.760 --> 0:14:46.240
<v Speaker 1>kind of like their problems are very you know, characters

0:14:46.280 --> 0:14:58.160
<v Speaker 1>still love sometimes for sure. I get it, Jake Dingler,

0:14:58.200 --> 0:15:01.160
<v Speaker 1>I don't think we know, Jake Kai Jakes says it Yes,

0:15:01.200 --> 0:15:04.040
<v Speaker 1>originally a play, Yes, the play was better. And now

0:15:04.080 --> 0:15:05.800
<v Speaker 1>I've never been to New York, but that movie made

0:15:05.800 --> 0:15:09.320
<v Speaker 1>my fifteen year old queer self believe there was something

0:15:09.360 --> 0:15:12.920
<v Speaker 1>better than the rural outskirts of Cincinnati. I love that, Jake.

0:15:13.800 --> 0:15:17.240
<v Speaker 1>It's good stuff when a movie can give someone uh

0:15:18.200 --> 0:15:19.760
<v Speaker 1>I feel like they have a place that they fit

0:15:19.800 --> 0:15:21.240
<v Speaker 1>in when they might not fit in where they are.

0:15:21.360 --> 0:15:26.840
<v Speaker 1>It's good stuff. Power of movies and plays, uh kanam

0:15:27.000 --> 0:15:34.120
<v Speaker 1>true acts, says Russian Doll. Yeah, parks in Bodega's, eccentric people,

0:15:34.200 --> 0:15:37.640
<v Speaker 1>artists in jerks, it's all there. Yea, yeah, for sure.

0:15:37.760 --> 0:15:39.720
<v Speaker 1>I love that show. That's when I didn't finish what

0:15:39.800 --> 0:15:42.040
<v Speaker 1>I very much liked what I saw. It was it just,

0:15:42.360 --> 0:15:44.360
<v Speaker 1>you know, it has a certain repetition to that sort

0:15:44.400 --> 0:15:46.600
<v Speaker 1>of the point. But I just died for some reason

0:15:46.680 --> 0:15:49.240
<v Speaker 1>that it didn't I love it, didn't bring me in

0:15:49.280 --> 0:15:51.160
<v Speaker 1>to to finish it. But I think I saw like

0:15:51.280 --> 0:15:53.120
<v Speaker 1>four or five episodes. Yeah, I can't wait for the

0:15:53.400 --> 0:15:55.400
<v Speaker 1>next stuff. And I finished Search Party. By the way,

0:15:55.400 --> 0:15:56.880
<v Speaker 1>I don't think you've ever followed up on that. I

0:15:57.400 --> 0:16:01.720
<v Speaker 1>blazed through Search Party one of my fastest binges because

0:16:01.800 --> 0:16:06.120
<v Speaker 1>Emily Um bailed on it after a little bit, but

0:16:06.200 --> 0:16:07.840
<v Speaker 1>she wanted to know still what was happening, so I

0:16:07.880 --> 0:16:12.160
<v Speaker 1>was kind of just recapping. But I loved it, man,

0:16:12.160 --> 0:16:15.480
<v Speaker 1>I thought it was a little fun. Our old friend

0:16:16.560 --> 0:16:23.600
<v Speaker 1>Ethan Anastasio says, and Ghostbusters, when Lewis Tully has chased

0:16:23.640 --> 0:16:25.320
<v Speaker 1>them all by the Hellhound at Tavern on the Green,

0:16:25.840 --> 0:16:27.960
<v Speaker 1>all those diners look up for a moment and then

0:16:27.960 --> 0:16:30.080
<v Speaker 1>go right back to their meals. Most New York moment

0:16:30.080 --> 0:16:33.880
<v Speaker 1>and cinema history. That's a good point. That's Ethan Yavine.

0:16:33.920 --> 0:16:38.800
<v Speaker 1>Of course, I'm just kidding about Unshakable unflappable New Yorkers.

0:16:39.680 --> 0:16:43.720
<v Speaker 1>You're not gonna ruin my hundred dollar meal. Alex Press

0:16:43.800 --> 0:16:47.080
<v Speaker 1>is the Warriors during during COVID nineteen times. Sometimes it's

0:16:47.120 --> 0:16:49.560
<v Speaker 1>still a struggle to commute safely on the subway. I mean,

0:16:49.560 --> 0:16:51.080
<v Speaker 1>New York had the crime has gone up. It's been

0:16:51.080 --> 0:16:53.240
<v Speaker 1>a little crazy to see some of the stuff that's

0:16:53.240 --> 0:16:56.200
<v Speaker 1>happened over the past year, like these sort of random

0:16:56.200 --> 0:16:58.880
<v Speaker 1>attacks and things that you didn't see for a long

0:16:58.920 --> 0:17:03.640
<v Speaker 1>time in New York. It's little scary and disheartening. Yeah,

0:17:03.760 --> 0:17:06.760
<v Speaker 1>for sure. Ryan Lee says, what we do in the Shadows,

0:17:06.800 --> 0:17:14.280
<v Speaker 1>they really nailed Mannahatta in Stetin Island, good stuff. Steve

0:17:14.359 --> 0:17:17.199
<v Speaker 1>McGrath says, sweaty Bruce Willis and Sam Jackson and that

0:17:17.280 --> 0:17:20.320
<v Speaker 1>die Hard movie they did their memories of riding the

0:17:20.440 --> 0:17:24.320
<v Speaker 1>trains in the summer totally. Man, that's a very summary

0:17:24.359 --> 0:17:26.280
<v Speaker 1>New York movie. And I have a really distinctive memory

0:17:26.320 --> 0:17:27.919
<v Speaker 1>because that was, you know, around the time that I

0:17:27.920 --> 0:17:29.560
<v Speaker 1>was there all the time, and I believe I even

0:17:29.560 --> 0:17:31.400
<v Speaker 1>maybe saw that while it was in New York. There's

0:17:31.440 --> 0:17:32.920
<v Speaker 1>a place I don't think it's there anymore. It's called

0:17:32.920 --> 0:17:35.480
<v Speaker 1>something different, but it was called Gray's Papaya and as

0:17:35.480 --> 0:17:38.639
<v Speaker 1>a hot dogs place, and they and they put like

0:17:38.680 --> 0:17:41.520
<v Speaker 1>papaya on the on the hot dogs, and uh, I

0:17:41.600 --> 0:17:45.440
<v Speaker 1>remember it was underneath a mattress place called Sleepy's, which

0:17:45.480 --> 0:17:47.720
<v Speaker 1>maybe is still there's something somewhere off the time square,

0:17:47.760 --> 0:17:50.240
<v Speaker 1>but it's it's it's very distinctly featured in the movie.

0:17:50.280 --> 0:17:52.240
<v Speaker 1>And I remember thinking how cool I was because I

0:17:52.359 --> 0:17:56.760
<v Speaker 1>knew that location at the time. Our old friend Jimmy

0:17:56.800 --> 0:17:59.760
<v Speaker 1>Caykendall agrees with us on high maintenance. Don't think there's

0:17:59.760 --> 0:18:03.399
<v Speaker 1>a show that better represents itty city or diverse population

0:18:04.560 --> 0:18:09.320
<v Speaker 1>I praise indeed. Indeed, Matthew Hunter says, I just watched

0:18:09.359 --> 0:18:12.880
<v Speaker 1>Dog Day Afternoon. Definitely part of the gritty seventies genre.

0:18:13.920 --> 0:18:17.840
<v Speaker 1>Michael mcgree says, I like The New York from Arthur Well,

0:18:17.920 --> 0:18:20.199
<v Speaker 1>Michael Arthur is one of my favorite all time comedies.

0:18:20.240 --> 0:18:22.720
<v Speaker 1>I'm just dying for someone to pick that on movie

0:18:22.720 --> 0:18:26.520
<v Speaker 1>Crush that's with Dudley Moore. Yeah, it was a very

0:18:26.520 --> 0:18:29.040
<v Speaker 1>big movie for me as a kid. Saw it over

0:18:29.080 --> 0:18:31.920
<v Speaker 1>and over and over and over on HBO. Got it.

0:18:32.520 --> 0:18:35.560
<v Speaker 1>Joshua Hall says Escape from New York. Yeah, another high

0:18:35.600 --> 0:18:39.680
<v Speaker 1>maintenance vote from Zach Low. Uh, and let me finish

0:18:39.800 --> 0:18:44.480
<v Speaker 1>up here with this. Andrew Cottney says Master of None

0:18:45.040 --> 0:18:47.800
<v Speaker 1>the ass and sorry Netflix show was pretty good. Yes,

0:18:47.880 --> 0:18:50.960
<v Speaker 1>I think they might be doing more of those now.

0:18:51.480 --> 0:18:54.399
<v Speaker 1>I think it was just announced after a long breaks.

0:18:54.560 --> 0:18:56.240
<v Speaker 1>I think they're coming back for a new season, which

0:18:56.560 --> 0:18:59.159
<v Speaker 1>makes me really happy because Master of None is one

0:18:59.160 --> 0:19:02.240
<v Speaker 1>of the great great shows. All right, nol Uh, We're

0:19:02.280 --> 0:19:10.600
<v Speaker 1>gonna wrap it up with a little segment called Chucks Hole.

0:19:13.280 --> 0:19:17.080
<v Speaker 1>I get a chance to redeem myself from that debacle.

0:19:19.040 --> 0:19:21.040
<v Speaker 1>And you you know you have to keep score too.

0:19:21.400 --> 0:19:25.359
<v Speaker 1>Oh god, damn difficult part of this whole experience. I

0:19:25.400 --> 0:19:29.040
<v Speaker 1>don't have my handy dandy score sheet. Um, I'll just okay,

0:19:29.040 --> 0:19:33.040
<v Speaker 1>it's fine, Okay, you don't have your custom made scored

0:19:33.240 --> 0:19:35.960
<v Speaker 1>keep hold on. No, no, I don't. I don't have

0:19:36.000 --> 0:19:37.960
<v Speaker 1>it on me right now. But I'm gonna do. I'm

0:19:37.960 --> 0:19:40.200
<v Speaker 1>gonna put I've got it. I've got my Chuck's Holes

0:19:40.280 --> 0:19:43.920
<v Speaker 1>list in the notes app. So what I'm gonna do is, uh,

0:19:44.119 --> 0:19:46.639
<v Speaker 1>put the little checkbox next to him, and if you

0:19:46.680 --> 0:19:48.239
<v Speaker 1>get one, I'm gonna check it. If you don't, I'm

0:19:48.240 --> 0:19:50.160
<v Speaker 1>not gonna check in them, gonna count ot the check marks.

0:19:50.200 --> 0:19:54.280
<v Speaker 1>Does that work? Yes? Great? Making sure I understand the

0:19:54.280 --> 0:19:56.880
<v Speaker 1>concept of keeping score. Sometimes I just have to keep

0:19:56.920 --> 0:20:00.560
<v Speaker 1>myself honest. You alright, Chuck, this is Chuck's Holes eight

0:20:00.720 --> 0:20:07.200
<v Speaker 1>eighties schlocky sci fi edition. Oh okay, that could possibly do? Okay,

0:20:07.359 --> 0:20:09.720
<v Speaker 1>this one, I think you You definitely could, and I

0:20:10.000 --> 0:20:12.479
<v Speaker 1>likely will. But I think it's uh, I think it's

0:20:12.520 --> 0:20:14.399
<v Speaker 1>pretty fair, and I'm not gonna lie. I'm gonna be

0:20:14.400 --> 0:20:16.000
<v Speaker 1>really honest with the audience because that's just how we

0:20:16.080 --> 0:20:18.439
<v Speaker 1>do on movie crush. Um. I did not get the

0:20:18.440 --> 0:20:20.080
<v Speaker 1>memo that you wanted me to prepare this, so right

0:20:20.080 --> 0:20:23.239
<v Speaker 1>before we recorded this, I took about fifteen minutes and

0:20:23.400 --> 0:20:26.879
<v Speaker 1>made this list, Um, and I stand by it. Thanks

0:20:26.880 --> 0:20:29.680
<v Speaker 1>for doing that work at the last minute. All of course, dude,

0:20:29.680 --> 0:20:33.000
<v Speaker 1>that's that's what I do. Um. I maybe would put

0:20:33.040 --> 0:20:34.920
<v Speaker 1>them in a different order, but we don't have time

0:20:34.920 --> 0:20:38.439
<v Speaker 1>for that. So let's go starting the clock. There's no

0:20:38.480 --> 0:20:44.000
<v Speaker 1>clock on this. Um. How about this? This was an

0:20:44.080 --> 0:20:48.879
<v Speaker 1>early Jim Carey performance in a little movie called Earth

0:20:48.960 --> 0:20:53.280
<v Speaker 1>Girls Are Easy. I never saw that, Okay, I know,

0:20:53.320 --> 0:20:56.400
<v Speaker 1>I know the movie, never saw it. I believe it's

0:20:56.440 --> 0:21:01.359
<v Speaker 1>got Gina Davis. Yeah, Jeff Gold looms in it. Uh.

0:21:01.560 --> 0:21:06.400
<v Speaker 1>Gina Davis, Um, sort of a little raunchy. I think

0:21:06.440 --> 0:21:08.560
<v Speaker 1>there's some raunch and it might have been a boober too.

0:21:09.320 --> 0:21:13.879
<v Speaker 1>Um and yeah, that came out in nineteen I believe

0:21:13.920 --> 0:21:18.439
<v Speaker 1>the very first Jim Carey, um, you know film performance.

0:21:18.480 --> 0:21:21.800
<v Speaker 1>And he's an alien and he's covered in like blue fur. Yeah.

0:21:21.840 --> 0:21:23.800
<v Speaker 1>If I should have seen that, I was in junior

0:21:23.800 --> 0:21:25.440
<v Speaker 1>in high school. That was right at my alley. Did

0:21:25.440 --> 0:21:28.159
<v Speaker 1>not see it? Yep, Gina Davis and Jeff Cold. I

0:21:28.160 --> 0:21:31.080
<v Speaker 1>forgot Jeff Cold. It's an out of this world, down

0:21:31.119 --> 0:21:35.280
<v Speaker 1>to earth romantic comedy. That's that's fun. Uh. Oh, I

0:21:35.280 --> 0:21:36.960
<v Speaker 1>did I see exactly what they did? All right? Moving on,

0:21:37.040 --> 0:21:40.200
<v Speaker 1>no check mark for you. Uh. A little movie that

0:21:40.520 --> 0:21:43.080
<v Speaker 1>was obviously riding the wave of a lot of Critter

0:21:43.200 --> 0:21:48.919
<v Speaker 1>movies that were, um, you know, very much influenced by Gremlin's.

0:21:49.000 --> 0:21:52.920
<v Speaker 1>A little movie called Munchy. Did not see Munchy. Maybe

0:21:52.920 --> 0:21:58.480
<v Speaker 1>it's Munchy's. Let me just double check. I didn't either one, Okay, didn't.

0:21:58.480 --> 0:22:01.600
<v Speaker 1>I didn't see Critters either. I was called Munches. Uh.

0:22:01.720 --> 0:22:05.320
<v Speaker 1>It was a Roger Corman production. Um, and it's seven

0:22:05.320 --> 0:22:09.480
<v Speaker 1>comedy horror film. Starring Harvey Corman, Charlie Stratton and Nadine

0:22:09.600 --> 0:22:12.960
<v Speaker 1>Van der Veld, directed by Tina Hirsch, and it very

0:22:13.040 --> 0:22:16.639
<v Speaker 1>much oh Tina Hirsch, who actually was the editor for Gremlins.

0:22:17.119 --> 0:22:19.600
<v Speaker 1>So and it says even here in the Wikipedia the

0:22:19.640 --> 0:22:23.879
<v Speaker 1>film features a remarkably similar plot line. Um, it's all

0:22:23.920 --> 0:22:29.680
<v Speaker 1>about the creatures Gremlin's trip off. Okay, no check mark there, um,

0:22:29.720 --> 0:22:32.399
<v Speaker 1>but thanks for not picking Gremlins though, the movie that

0:22:32.480 --> 0:22:36.600
<v Speaker 1>everyone saw. Well, of course that would that wouldn't be fair. Um,

0:22:36.760 --> 0:22:40.800
<v Speaker 1>how about Critters? I did not see Critters either. Did

0:22:40.800 --> 0:22:43.000
<v Speaker 1>you see Critters too? Because that's what I actually put on,

0:22:44.200 --> 0:22:47.320
<v Speaker 1>what was going on? That's probably true, I think if

0:22:47.320 --> 0:22:50.679
<v Speaker 1>I'm that mistaken. Young, young, young Leonardo DiCaprio was in

0:22:50.720 --> 0:22:55.800
<v Speaker 1>one of those cripps. Really yeah, let's see growing uh.

0:22:56.560 --> 0:23:02.400
<v Speaker 1>He was in Critters three, Yes, Pritters three, very young

0:23:02.520 --> 0:23:06.280
<v Speaker 1>Leonardo DiCaprio was in Critters three, which there is some

0:23:06.359 --> 0:23:08.840
<v Speaker 1>kind of time travel plotline. A lot of these movies

0:23:08.840 --> 0:23:13.040
<v Speaker 1>were simultaneously influenced by Gremlins and Terminator because there's time

0:23:13.040 --> 0:23:15.960
<v Speaker 1>travel in this one, and there's the gremlin Z kind

0:23:16.000 --> 0:23:18.280
<v Speaker 1>of little creatures. But it's a lot more gory. These

0:23:18.320 --> 0:23:21.640
<v Speaker 1>are these creatures like um, they can combine their powers

0:23:21.640 --> 0:23:24.760
<v Speaker 1>into a giant ball and they just roll over like

0:23:24.920 --> 0:23:27.040
<v Speaker 1>herds of cattle and they just like pick them clean.

0:23:27.080 --> 0:23:29.760
<v Speaker 1>It's very uh, it's all about the guts in the

0:23:29.840 --> 0:23:32.800
<v Speaker 1>in the gore. It's very r rated. Okay, well, there's

0:23:32.800 --> 0:23:36.439
<v Speaker 1>still plenty of plenty of time here. Yeah. A little

0:23:36.520 --> 0:23:40.240
<v Speaker 1>movie from the very early eighties called raw Head Rex.

0:23:41.359 --> 0:23:45.440
<v Speaker 1>Never heard of raw Head Rex um was written by

0:23:46.040 --> 0:23:48.719
<v Speaker 1>Clive Barker, And that's really the only reason I know

0:23:48.800 --> 0:23:54.120
<v Speaker 1>about it. It's a monster movie from six raw Head Rex,

0:23:54.400 --> 0:23:58.600
<v Speaker 1>directed by George Pavlou and written by Clive Barker, a

0:23:58.720 --> 0:24:01.840
<v Speaker 1>very young Clive Barker. Okay, here we go. How about

0:24:02.200 --> 0:24:06.240
<v Speaker 1>Howard the Duck? Yeah, I saw Howard the Duck. How

0:24:06.240 --> 0:24:11.000
<v Speaker 1>are the Duck notoriously panned? Yeah? Yeah, not not a

0:24:11.000 --> 0:24:14.480
<v Speaker 1>good movie. Weird, not a good movie. Weird movie based

0:24:14.480 --> 0:24:17.800
<v Speaker 1>on the Marvel cinematic universe. Actually, yeah, I did not

0:24:17.880 --> 0:24:20.600
<v Speaker 1>know that until later on. I think it was a

0:24:20.600 --> 0:24:22.960
<v Speaker 1>comic book, right, it was a comic book. And then

0:24:23.080 --> 0:24:26.240
<v Speaker 1>actually I believe in one of those famous post credit

0:24:26.680 --> 0:24:29.080
<v Speaker 1>Marvel movie scenes, I believe in one of the Guardians

0:24:29.119 --> 0:24:31.719
<v Speaker 1>of the Galaxies movies. The character of the Benicio del

0:24:31.760 --> 0:24:34.760
<v Speaker 1>Toro plays, who was like called the Collector. He has

0:24:34.800 --> 0:24:38.439
<v Speaker 1>Howard the Duck in his collection. I don't think I

0:24:38.480 --> 0:24:42.280
<v Speaker 1>remember that. That's funny, all right, Chuck. We've got plenty

0:24:42.280 --> 0:24:50.280
<v Speaker 1>of time. We've got maximum overdrive, Stephen King, Stephen Amelia Estebez. Yes,

0:24:50.680 --> 0:24:55.080
<v Speaker 1>machines come to life, machines, specifically the trucks, but also

0:24:55.400 --> 0:24:59.880
<v Speaker 1>vending machines, lawn mower. There's one of those turkey car

0:25:00.000 --> 0:25:05.000
<v Speaker 1>being knives, the electric carving knives, you know, um famously, Uh.

0:25:05.520 --> 0:25:08.280
<v Speaker 1>The King made the trailer for this where he's in

0:25:08.359 --> 0:25:11.560
<v Speaker 1>it and is clearly very coked up. And he goes,

0:25:12.359 --> 0:25:15.520
<v Speaker 1>they've told me for years, Uh, you should direct one

0:25:15.560 --> 0:25:18.040
<v Speaker 1>of your own movie, or for years they've been saying, Stephen,

0:25:18.040 --> 0:25:20.080
<v Speaker 1>why don't you direct one of your own books or whatever?

0:25:20.119 --> 0:25:22.240
<v Speaker 1>And he goes, I just I finally decided. If you

0:25:22.240 --> 0:25:25.800
<v Speaker 1>want to do something right, do it yourself. He's got

0:25:25.840 --> 0:25:28.600
<v Speaker 1>this like wild eyed, like crazy look in his eyes.

0:25:29.480 --> 0:25:32.560
<v Speaker 1>Very bad, very bad movie, Mamelia. It wasn't great, but

0:25:32.600 --> 0:25:36.560
<v Speaker 1>I did see it. Okay. Next, we have a movie

0:25:36.640 --> 0:25:39.080
<v Speaker 1>more famous for its rip off in this and product

0:25:39.080 --> 0:25:44.119
<v Speaker 1>placement than anything. Mac and me, uh no, but you know, no,

0:25:44.280 --> 0:25:49.040
<v Speaker 1>Paul Rudd and Conan O'Brien's appearances. So that's all. You know, that,

0:25:49.040 --> 0:25:52.320
<v Speaker 1>that's all you need to see. The famous seeing I

0:25:52.359 --> 0:25:53.920
<v Speaker 1>saw when I was a kid. It was one of

0:25:53.960 --> 0:25:56.840
<v Speaker 1>those movies that Blockbuster when you pick movies just based

0:25:56.840 --> 0:25:58.639
<v Speaker 1>on the cover. They probably got a lot of business

0:25:58.720 --> 0:26:00.640
<v Speaker 1>from people like thinking it, well, this looks a lot

0:26:00.640 --> 0:26:04.359
<v Speaker 1>like et um. So yeah, that's that's that's that's what

0:26:04.440 --> 0:26:08.440
<v Speaker 1>it was, totally U banking on. How about Killer Clowns

0:26:08.480 --> 0:26:12.400
<v Speaker 1>from Outer Space, Chuck, I did see that. Yeah, yeah,

0:26:12.480 --> 0:26:15.320
<v Speaker 1>I mean that's a sort of a classic B movie

0:26:15.480 --> 0:26:19.160
<v Speaker 1>cult movie. It is, it is, it's it still comes

0:26:19.200 --> 0:26:23.880
<v Speaker 1>up on the Netflix recommendations quite often. Yeah these days. Um,

0:26:23.920 --> 0:26:27.280
<v Speaker 1>all right, we are moving on. Oh this was actually

0:26:27.280 --> 0:26:30.800
<v Speaker 1>remade recently. That's pretty funny. Hold on a second. There's

0:26:30.800 --> 0:26:34.720
<v Speaker 1>a version of this, But I can't say for sure

0:26:34.880 --> 0:26:37.800
<v Speaker 1>if if this was in fact a remake, But there

0:26:37.880 --> 0:26:41.440
<v Speaker 1>is a movie with the same exact name starring Zendea

0:26:41.680 --> 0:26:46.800
<v Speaker 1>put up by Disney called Zapped. Yeah, Zapped. That was

0:26:46.840 --> 0:26:50.400
<v Speaker 1>a movie. I believe Scott Baio was in that correct,

0:26:51.040 --> 0:26:54.399
<v Speaker 1>and it was one of sort of those teen skin

0:26:54.520 --> 0:26:58.480
<v Speaker 1>flicks where he had a superpower where he basically used

0:26:58.480 --> 0:27:05.320
<v Speaker 1>it to two take clothes off of girls something. You know,

0:27:05.400 --> 0:27:08.920
<v Speaker 1>it's exactly I mean, shuck. The poster says it all. Uh,

0:27:08.920 --> 0:27:11.840
<v Speaker 1>it's got like it's like one of those amazing illustrated

0:27:11.880 --> 0:27:15.600
<v Speaker 1>posters where it's Scott bo and whoever Willie Ames is

0:27:15.720 --> 0:27:19.520
<v Speaker 1>leaning in through a window with a woman leaning out

0:27:19.520 --> 0:27:23.679
<v Speaker 1>of frame and him using his like magic psychic hand

0:27:24.040 --> 0:27:29.720
<v Speaker 1>to lift up her skirt. They remade that, But how

0:27:29.760 --> 0:27:32.240
<v Speaker 1>in the world do you remake that movie? It obviously

0:27:32.280 --> 0:27:35.720
<v Speaker 1>has a woman as the lead, which maybe that was

0:27:35.800 --> 0:27:38.240
<v Speaker 1>they just decided we're going to take this sexist eighties

0:27:38.280 --> 0:27:41.199
<v Speaker 1>comedy and flip the script. Um and but I know

0:27:41.240 --> 0:27:43.359
<v Speaker 1>nothing about it. But it is spelled the same. It

0:27:43.400 --> 0:27:47.600
<v Speaker 1>even has an exclamation mark at the end um. But yeah,

0:27:47.600 --> 0:27:51.160
<v Speaker 1>the tagline for the movie is They're getting a little

0:27:51.280 --> 0:27:56.040
<v Speaker 1>behind and there's class work. Good god, it's pretty rough again,

0:27:56.240 --> 0:27:59.080
<v Speaker 1>just if you couldn't guess already, it's about you know,

0:27:59.119 --> 0:28:03.000
<v Speaker 1>Scott Bo's aacter develops telekinetic abilities and uses it to

0:28:04.000 --> 0:28:08.119
<v Speaker 1>basically sexually harassed women. I mean, is the news app

0:28:09.560 --> 0:28:11.480
<v Speaker 1>a remake? Of that or does it just have the

0:28:11.560 --> 0:28:20.560
<v Speaker 1>same thing. Let's see Zapped Zenda. It's spelled zapp. Yeah, okay,

0:28:20.880 --> 0:28:26.760
<v Speaker 1>let's see American television film average sixteen year old whose

0:28:26.760 --> 0:28:28.720
<v Speaker 1>mother is just remarried, they moved. Let's see where is

0:28:28.760 --> 0:28:32.360
<v Speaker 1>the thing about? Oh no, it looks more like she's

0:28:32.359 --> 0:28:35.359
<v Speaker 1>got a magic remote control. It may just I don't

0:28:35.400 --> 0:28:38.080
<v Speaker 1>know that it's necessarily considered a remake at all. Oh

0:28:38.280 --> 0:28:41.520
<v Speaker 1>it's uh an app and zapped as highlighted, and I

0:28:41.520 --> 0:28:43.920
<v Speaker 1>think it also has to do with an app. Ye,

0:28:45.880 --> 0:28:49.480
<v Speaker 1>it does sound just as bad, but surely yeah, yeah,

0:28:49.480 --> 0:28:52.040
<v Speaker 1>a little a little bit different way. Okay, alright, you're back, Chuck,

0:28:52.080 --> 0:28:54.920
<v Speaker 1>you're back. We've got your check mark for zap. Here's

0:28:54.960 --> 0:28:58.840
<v Speaker 1>another eighties rom com, Unleist was app wasn't really a

0:28:58.880 --> 0:29:01.240
<v Speaker 1>rom com, but an eight rom com which I recently

0:29:01.280 --> 0:29:05.120
<v Speaker 1>saw and quite enjoyed, also starring uh, the formidable Jeff

0:29:05.120 --> 0:29:07.720
<v Speaker 1>goldbloom at his Jeff goldbloom Ey ist. A little movie

0:29:07.800 --> 0:29:15.880
<v Speaker 1>called Vibes. Uh yeah, Cindy Lawper Vibe Cindy Lauper psychic abilities.

0:29:15.920 --> 0:29:18.200
<v Speaker 1>They go to Machu Picchu to search for some sort

0:29:18.200 --> 0:29:21.719
<v Speaker 1>of like ancient relic uh and That's about all I remember,

0:29:21.760 --> 0:29:23.600
<v Speaker 1>but it was a lot of fun. Cindy Lauper is

0:29:23.680 --> 0:29:26.920
<v Speaker 1>actually quite a delight in in the movies. She's great,

0:29:27.320 --> 0:29:31.080
<v Speaker 1>she's fun, all right, good deal vibes is a check mark.

0:29:31.280 --> 0:29:35.680
<v Speaker 1>How about a little movie called Chud. I never saw Chud,

0:29:35.760 --> 0:29:40.400
<v Speaker 1>cannibalistic human humanoid, underground dwellers, underground dwellers. Yeah, it's a

0:29:40.200 --> 0:29:45.080
<v Speaker 1>it's never saw Shud either, chuck um, but it's one

0:29:45.120 --> 0:29:47.360
<v Speaker 1>that always comes up, all right, Moving on, how about

0:29:47.880 --> 0:29:51.120
<v Speaker 1>an early trauma film that I saw on TV all

0:29:51.160 --> 0:29:54.440
<v Speaker 1>the time back in the day called The Toxic Avenger. Yes,

0:29:54.480 --> 0:29:56.560
<v Speaker 1>and I think that might be the only trauma film

0:29:56.600 --> 0:29:59.400
<v Speaker 1>I've seen the same. Yeah, not never, not not not

0:29:59.440 --> 0:30:01.360
<v Speaker 1>really my bad, but they used to play the movie

0:30:01.360 --> 0:30:03.560
<v Speaker 1>on TV all the time. And it's the saddest sequence

0:30:03.600 --> 0:30:07.920
<v Speaker 1>when the poor little janitor uh he was just bullied

0:30:08.040 --> 0:30:11.840
<v Speaker 1>like mercilessly um turns into the Toxic Avenger. He ends

0:30:11.920 --> 0:30:14.800
<v Speaker 1>up like falling into a vat of toxic waste after

0:30:14.880 --> 0:30:17.760
<v Speaker 1>being chased and beaten and bullied. Like I remember being

0:30:17.840 --> 0:30:20.680
<v Speaker 1>kind of troubled by it when I was young. I

0:30:20.720 --> 0:30:24.600
<v Speaker 1>was like, this is a lot was reanimator trauma? It

0:30:24.760 --> 0:30:27.520
<v Speaker 1>was not that. That's a different guy. I forget his name,

0:30:27.600 --> 0:30:29.320
<v Speaker 1>but it's it's it's somebody who's kind of in that

0:30:29.440 --> 0:30:33.480
<v Speaker 1>vein who made a few other real, you know, schlucky

0:30:33.640 --> 0:30:36.640
<v Speaker 1>kind of pictures like I did see that one though. Alright, Chuck.

0:30:36.760 --> 0:30:41.959
<v Speaker 1>How about a little movie uh starring a guy who

0:30:42.040 --> 0:30:46.600
<v Speaker 1>who we shall not name, uh called Leonard Part six

0:30:47.680 --> 0:30:51.240
<v Speaker 1>Bill Cosby's Leonard Part six. Um no, no, I never

0:30:51.280 --> 0:30:54.800
<v Speaker 1>saw that. I didn't either, but it was a notorious flop,

0:30:55.520 --> 0:30:58.680
<v Speaker 1>very bad movie supposedly, and it sure as heck seems

0:30:58.720 --> 0:31:03.280
<v Speaker 1>to me like that plue know nash movie that um

0:31:03.600 --> 0:31:06.520
<v Speaker 1>Eddie Murphy did that also famously flopped. Had to have

0:31:06.520 --> 0:31:08.880
<v Speaker 1>taken some cues from this movie, because it's about like

0:31:08.920 --> 0:31:12.840
<v Speaker 1>a space ranger type character. Uh. And it really seemed

0:31:12.920 --> 0:31:18.680
<v Speaker 1>very similar and similarly absolutely tanked. Garbage movie, garbage human. Indeed,

0:31:26.800 --> 0:31:31.640
<v Speaker 1>how about the Stuff? Have you seen the stuff? Stuff?

0:31:31.640 --> 0:31:34.440
<v Speaker 1>It's like kind of like the Blob, but a little

0:31:34.480 --> 0:31:39.880
<v Speaker 1>more dory, a little more yet. It's some kind of

0:31:40.360 --> 0:31:45.120
<v Speaker 1>product uh that like is like a skin cream or something. Um.

0:31:45.280 --> 0:31:47.920
<v Speaker 1>The Stuff also known as Larry Coh. It's a satirical

0:31:48.000 --> 0:31:52.800
<v Speaker 1>science fiction horror film. Uh and It stars Paul Sorvino

0:31:54.040 --> 0:31:58.080
<v Speaker 1>and um let's see a private detective investigates a new

0:31:58.120 --> 0:32:02.840
<v Speaker 1>consumer taste treat that's absolutely delicious and just possibly lethal.

0:32:03.560 --> 0:32:07.600
<v Speaker 1>It's called which means very possibly, very possibly lethal, in

0:32:07.640 --> 0:32:13.480
<v Speaker 1>fact guaranteed. All right, Chuck, how about Flash whoa Master

0:32:13.720 --> 0:32:19.640
<v Speaker 1>of the Universe? Oh no, yes, yes, a thousand times yes.

0:32:20.400 --> 0:32:24.360
<v Speaker 1>Is that eighties or is that still late seventies? Just

0:32:24.560 --> 0:32:30.600
<v Speaker 1>a man, the man? You know who? Nothing but a man?

0:32:31.520 --> 0:32:33.960
<v Speaker 1>What a great song? I love this queen right, Yeah,

0:32:34.040 --> 0:32:36.760
<v Speaker 1>I had that soundtrack LP and I saw that movie

0:32:36.800 --> 0:32:40.280
<v Speaker 1>a lot. I first was aware of that song from

0:32:40.320 --> 0:32:45.160
<v Speaker 1>Tenacious D. They did a cover up. Yeah, yeah, yeah,

0:32:45.200 --> 0:32:48.200
<v Speaker 1>And you know what, that movie holds up really well

0:32:48.360 --> 0:32:50.520
<v Speaker 1>in the way that it holds up you know what

0:32:50.560 --> 0:32:55.400
<v Speaker 1>I mean? Yeah, explain a little bit what you mean, Like, yeah,

0:32:55.440 --> 0:32:58.240
<v Speaker 1>I mean it's not it's obviously got all the effects

0:32:58.280 --> 0:33:02.520
<v Speaker 1>of the day, so it's not gonna hold up in

0:33:02.560 --> 0:33:04.360
<v Speaker 1>that way, but it holds up for what it was

0:33:04.400 --> 0:33:07.720
<v Speaker 1>and when it was supposed to be, and it's great.

0:33:07.920 --> 0:33:12.160
<v Speaker 1>It's still great. I love the love that movie. I yeah,

0:33:12.960 --> 0:33:15.400
<v Speaker 1>I need to see it again. He's a football player, right,

0:33:15.480 --> 0:33:18.680
<v Speaker 1>isn't that the Deal's quarterback for the Jets. I think

0:33:19.120 --> 0:33:21.400
<v Speaker 1>the New York Jets, if I'm not mistaken in this version.

0:33:21.520 --> 0:33:23.480
<v Speaker 1>I think for the longest time, I was always confused

0:33:23.520 --> 0:33:26.280
<v Speaker 1>thinking that Flash Gordon and the Flash were the same thing.

0:33:26.360 --> 0:33:29.160
<v Speaker 1>But they're definitely not. Yeah, and there was some genuinely

0:33:29.160 --> 0:33:31.760
<v Speaker 1>good I mean, there was some schlock, but Max mon

0:33:31.800 --> 0:33:37.360
<v Speaker 1>Cito is mean. The Merciless was great, and the Leader, yeah,

0:33:37.480 --> 0:33:40.160
<v Speaker 1>he was great. The lead was kind of corny, but

0:33:40.240 --> 0:33:42.920
<v Speaker 1>I mean, uh, it's good. I like it. I think

0:33:42.960 --> 0:33:45.320
<v Speaker 1>it holds up. Timothy Dalton was in it. That's right,

0:33:45.640 --> 0:33:48.840
<v Speaker 1>Timothy Dalton was in it. Okay, alright, Chuck, I think

0:33:48.920 --> 0:33:52.160
<v Speaker 1>this is gonna So you're actually right now at one two,

0:33:52.400 --> 0:33:58.440
<v Speaker 1>three four five six seven, Um, out of we've got

0:33:58.840 --> 0:34:01.200
<v Speaker 1>one too, three four five left to go, so you've

0:34:01.240 --> 0:34:03.200
<v Speaker 1>got you've got a chance to to beat the ratio.

0:34:03.880 --> 0:34:08.200
<v Speaker 1>How about piranhah? Yeah, I saw that first Paranha. There

0:34:08.239 --> 0:34:10.839
<v Speaker 1>you go, there you go? Um? Was that the one

0:34:10.920 --> 0:34:13.120
<v Speaker 1>John Sales roade or was he? Uh? Is that a

0:34:13.120 --> 0:34:16.080
<v Speaker 1>different one? I don't know, but I know they made

0:34:16.160 --> 0:34:20.120
<v Speaker 1>quite a few other ones. Um. And let's see, oh,

0:34:20.160 --> 0:34:22.759
<v Speaker 1>Paranha's eight, So that sort of breaks my pad in

0:34:22.800 --> 0:34:26.080
<v Speaker 1>a little bit. But it was directed by Joe Dante,

0:34:26.520 --> 0:34:30.680
<v Speaker 1>who directed Yeah, yeah, about the sort of creature feature

0:34:30.920 --> 0:34:33.359
<v Speaker 1>that makes sense. Okay, isn't it funny how you get

0:34:33.360 --> 0:34:34.759
<v Speaker 1>a rep for that and then that's kind of what

0:34:34.800 --> 0:34:37.719
<v Speaker 1>you do. What else did Joe Dante do? He did

0:34:37.719 --> 0:34:43.960
<v Speaker 1>some other stuff that wasn't creature e um, Joe Dante. Yeah,

0:34:43.960 --> 0:34:47.279
<v Speaker 1>the Howling, Yeah, he did the Burbs, The Burbs, Yeah,

0:34:47.360 --> 0:34:51.760
<v Speaker 1>Tom Hanks, Tom Hanks, it's small Soldiers. Remember a weird

0:34:51.840 --> 0:34:56.440
<v Speaker 1>movie Mattenee with John Goodman enjoyed that. Yeah, it's interesting.

0:34:56.520 --> 0:34:59.759
<v Speaker 1>It's a weird one, right, I mean it's sort of

0:34:59.800 --> 0:35:04.480
<v Speaker 1>a homage picture too, uh the time in cinema right

0:35:04.600 --> 0:35:09.040
<v Speaker 1>in like the movie sort of Spiders. Yeah, looks like

0:35:09.080 --> 0:35:11.799
<v Speaker 1>he also directed Inner Space, which is one about like

0:35:12.040 --> 0:35:15.880
<v Speaker 1>shrinking people down sticking him in a body. One wonderful

0:35:15.920 --> 0:35:18.240
<v Speaker 1>movie in a movie. I don't often call for remakes,

0:35:18.239 --> 0:35:19.959
<v Speaker 1>but I think they could do a great, great version

0:35:20.000 --> 0:35:22.759
<v Speaker 1>of Inner Space if they kept that same tone and

0:35:22.840 --> 0:35:27.880
<v Speaker 1>just had some modern day effects. And he directed uh,

0:35:28.120 --> 0:35:32.080
<v Speaker 1>one portion of the twilight Zone movie. I'm not sure

0:35:32.080 --> 0:35:33.920
<v Speaker 1>if it was the one where the people got hacked

0:35:33.960 --> 0:35:36.560
<v Speaker 1>up by that helicopter that kind of made that a

0:35:36.560 --> 0:35:40.359
<v Speaker 1>cursed movie. That was John Landis, that's right. I am

0:35:40.440 --> 0:35:44.200
<v Speaker 1>curious what Joe Dante did though, because I loved that

0:35:44.239 --> 0:35:49.880
<v Speaker 1>movie a lot. I bet you his was the the

0:35:50.040 --> 0:35:52.520
<v Speaker 1>kid would be the third segment, is what they're they're

0:35:52.520 --> 0:35:55.640
<v Speaker 1>saying in Wikipedia. But I don't know which kicked the

0:35:55.719 --> 0:35:58.960
<v Speaker 1>can so pro so it looked like um. Steven Spielberg

0:35:58.960 --> 0:36:02.640
<v Speaker 1>directed the second set, Matt Joe Dante the third segment,

0:36:02.800 --> 0:36:06.600
<v Speaker 1>and George Miller the final act, and then Landis directed

0:36:06.600 --> 0:36:09.560
<v Speaker 1>the prologue, the first segment, and the epilogue. I think

0:36:09.600 --> 0:36:13.959
<v Speaker 1>Joe Dantes was the kid. Um. I love that movie.

0:36:13.960 --> 0:36:15.920
<v Speaker 1>It was great. Spielberg, of course did kicked the can.

0:36:16.000 --> 0:36:20.880
<v Speaker 1>That was the sort of more magical, feel good segment.

0:36:21.440 --> 0:36:23.919
<v Speaker 1>I've actually never seen it. I'm gonna check. It's good.

0:36:23.960 --> 0:36:26.040
<v Speaker 1>It's really good. Have you seen the new uh, the

0:36:26.120 --> 0:36:29.399
<v Speaker 1>new the new Twilight Zone that Jordan's peel did. No

0:36:29.560 --> 0:36:31.680
<v Speaker 1>alreaty canceled though, I don't think it did too well.

0:36:31.840 --> 0:36:33.920
<v Speaker 1>Well that's because it was only on that like paywall

0:36:33.960 --> 0:36:37.200
<v Speaker 1>app there was to get it. Yeah, all I all

0:36:37.239 --> 0:36:39.960
<v Speaker 1>Access or whatever it was called. I don't think it's

0:36:39.960 --> 0:36:42.560
<v Speaker 1>a smart move how many how many knows do I have?

0:36:42.960 --> 0:36:45.239
<v Speaker 1>And how many yeses do I have? Yeah? Yeah, let's see,

0:36:45.239 --> 0:36:50.840
<v Speaker 1>so so far you have one, two, three, four, five, six, seven,

0:36:51.320 --> 0:36:56.200
<v Speaker 1>eight yeses and one to three, four, five, six, seven

0:36:56.239 --> 0:36:59.200
<v Speaker 1>eight knows. Okay, with four to go? Great? Yeah, exactly.

0:36:59.640 --> 0:37:02.160
<v Speaker 1>All right. Next, we've got and I know this is seventies,

0:37:02.200 --> 0:37:04.240
<v Speaker 1>so it's fine. We're just we're like on the cusp

0:37:04.640 --> 0:37:10.080
<v Speaker 1>uh silent running. Uh. I don't think I ever saw that.

0:37:10.440 --> 0:37:14.640
<v Speaker 1>I know the movie sci fi film. I don't think

0:37:14.680 --> 0:37:18.200
<v Speaker 1>I can honestly say that I saw that. Bruce Dern

0:37:19.560 --> 0:37:22.920
<v Speaker 1>he's on sort of like a colony in space um

0:37:22.960 --> 0:37:26.600
<v Speaker 1>with like some like droids and sort of a biodome

0:37:26.760 --> 0:37:30.439
<v Speaker 1>spaceship experiment and something about like home Base is gonna

0:37:30.480 --> 0:37:32.919
<v Speaker 1>blow it up or something like that, because there since

0:37:33.080 --> 0:37:36.000
<v Speaker 1>far out. Yeah, okay, I haven't seen it either, but

0:37:36.000 --> 0:37:39.000
<v Speaker 1>I've I've heard it's very sci fi, like cynthy kind

0:37:39.000 --> 0:37:43.080
<v Speaker 1>of vibes and from that era. Alright, you know there's

0:37:43.080 --> 0:37:46.759
<v Speaker 1>still there's still a chance here, Chuck. How about scanners? Oh? Yes,

0:37:46.840 --> 0:37:51.120
<v Speaker 1>of course. In fact, that's what Lauren and I covered

0:37:51.160 --> 0:37:53.400
<v Speaker 1>on this show. If I'm not Oh no, no, we

0:37:53.520 --> 0:37:59.960
<v Speaker 1>did uh oh ship Now I'm just totally blanking. Uh

0:38:00.040 --> 0:38:04.759
<v Speaker 1>we did the other one another another Cronenberg? Yeah, what

0:38:04.800 --> 0:38:09.359
<v Speaker 1>did we do? What's the other Cronenberg movie? Back on here? Yeah,

0:38:09.360 --> 0:38:13.760
<v Speaker 1>she's great. It looks like you did video drone video drone. Yeah,

0:38:13.880 --> 0:38:17.080
<v Speaker 1>but yeah, I saw scanner Scanners was Uh. My brother

0:38:17.080 --> 0:38:19.680
<v Speaker 1>and I were sort of into that fangoria magazine kind

0:38:19.719 --> 0:38:25.040
<v Speaker 1>of early um gore effects stuff when we could sneak it,

0:38:25.440 --> 0:38:29.440
<v Speaker 1>and I snug Scanners. And now it's just a perfectly

0:38:29.800 --> 0:38:32.960
<v Speaker 1>appropriate gift for like a blowing your mind kind of moment.

0:38:33.040 --> 0:38:35.520
<v Speaker 1>You know, when that guy's head explodes. Is that a

0:38:35.560 --> 0:38:37.520
<v Speaker 1>good gift? Yeah, it's a good gift, just the head

0:38:37.560 --> 0:38:41.080
<v Speaker 1>exploiting one. Alright, Chuck, we got two left Swamp Thing

0:38:41.520 --> 0:38:45.720
<v Speaker 1>the West Craven swamp Thing, Yes, very much so. Adrian Barbo,

0:38:46.880 --> 0:38:48.319
<v Speaker 1>who was the guy and that the guy from the

0:38:48.320 --> 0:38:52.279
<v Speaker 1>Bond movies? Is it? Who is it? I don't even

0:38:52.280 --> 0:38:53.480
<v Speaker 1>I just think I don't even think of that. I

0:38:53.520 --> 0:38:56.879
<v Speaker 1>don't even think of there as being a person under that.

0:38:56.880 --> 0:39:00.680
<v Speaker 1>He wasn't the swamp thing. He was. He was the

0:39:01.440 --> 0:39:08.720
<v Speaker 1>creepy guy. Timothy Dalton, No, we're Louis Louis Jordan. Oh,

0:39:08.800 --> 0:39:12.279
<v Speaker 1>I see, yeah, in nine two. I really think that

0:39:12.280 --> 0:39:15.560
<v Speaker 1>that was a really cool uh creature costume, the makeup

0:39:15.600 --> 0:39:18.839
<v Speaker 1>and the practicals, and that we're pretty good. Yeah, not bad.

0:39:19.000 --> 0:39:22.080
<v Speaker 1>Adrian Barboa was the prettiest lady in the world, I thought,

0:39:24.680 --> 0:39:27.640
<v Speaker 1>and she went on to do some interesting stuff, like

0:39:27.719 --> 0:39:30.319
<v Speaker 1>she was in the Fog and escape from New York.

0:39:30.360 --> 0:39:32.719
<v Speaker 1>She's kind of a staming queen, uhha. But then she

0:39:32.800 --> 0:39:37.000
<v Speaker 1>was also in um the much beloved and uh dead,

0:39:37.080 --> 0:39:41.439
<v Speaker 1>killed out, killed off too soon Carnival on HBO, right,

0:39:42.200 --> 0:39:44.719
<v Speaker 1>Uh yeah, I heard they were going to make a

0:39:44.760 --> 0:39:48.759
<v Speaker 1>graphic novel picking up you know, the huge cliffhanger that

0:39:48.920 --> 0:39:53.040
<v Speaker 1>like ended Carnival left a lot of people kind of irritated.

0:39:53.400 --> 0:39:54.759
<v Speaker 1>But I have to follow up on that and see

0:39:54.760 --> 0:39:57.560
<v Speaker 1>if that exists. All right, Chuck, I see you. I

0:39:57.600 --> 0:40:00.480
<v Speaker 1>think if I'm not mistaken, you can count. I think

0:40:00.520 --> 0:40:04.080
<v Speaker 1>I'm one up with one to go. So good, is that? Right?

0:40:04.280 --> 0:40:06.359
<v Speaker 1>I think c LSSC. So with the nose, you got

0:40:06.360 --> 0:40:12.640
<v Speaker 1>one two three, four five, sorry one two three, four, five, six,

0:40:12.719 --> 0:40:19.160
<v Speaker 1>seven eight nine nose And yep, that's right, all right,

0:40:20.160 --> 0:40:23.360
<v Speaker 1>here we go. The worst the worst I'll do is

0:40:23.520 --> 0:40:26.000
<v Speaker 1>Tin and Tin. That's exactly right. But I think I

0:40:26.040 --> 0:40:29.719
<v Speaker 1>think you might you might clinch. Let's hear it all right.

0:40:30.800 --> 0:40:38.399
<v Speaker 1>A little known movie okay, directed by a tour It's

0:40:38.400 --> 0:40:40.279
<v Speaker 1>not a little know what I'm joking. It's very very known,

0:40:40.320 --> 0:40:43.600
<v Speaker 1>but it was a much maligned and a guy never

0:40:43.640 --> 0:40:46.440
<v Speaker 1>really did anything like this ever. Again, it's definitely outside

0:40:46.480 --> 0:40:49.000
<v Speaker 1>of his particular cannon and something that he kind of

0:40:49.040 --> 0:40:55.720
<v Speaker 1>talks about very negatively, if at all. A movie called Dune. Dude,

0:40:55.880 --> 0:40:58.960
<v Speaker 1>I never saw Dude. You never saw Dune. I never

0:40:59.000 --> 0:41:03.920
<v Speaker 1>saw Dune. I never saw Dune. I'll say it. I'm

0:41:04.040 --> 0:41:07.480
<v Speaker 1>Chuck Bryant. I have a movie podcast, and I've never

0:41:07.480 --> 0:41:10.479
<v Speaker 1>seen doing It's it's not I mean, it's look, it's

0:41:10.560 --> 0:41:14.399
<v Speaker 1>it's interesting. It was. It's very clear they ran out

0:41:14.400 --> 0:41:16.719
<v Speaker 1>of money and the movie kind of and it's one

0:41:16.719 --> 0:41:19.880
<v Speaker 1>of those things where you immediately have a red flag

0:41:19.920 --> 0:41:23.040
<v Speaker 1>because there's all of this voice over exposition at the

0:41:23.080 --> 0:41:27.280
<v Speaker 1>beginning where you're like, this was clearly added in post uh,

0:41:27.320 --> 0:41:29.239
<v Speaker 1>and you know they obviously were like because it's a

0:41:29.280 --> 0:41:32.080
<v Speaker 1>it's a complex world where there's a lot of weird

0:41:32.120 --> 0:41:34.160
<v Speaker 1>politics and a lot of words that you have to

0:41:34.200 --> 0:41:36.920
<v Speaker 1>kind of you know, buy into like the language of

0:41:36.960 --> 0:41:39.319
<v Speaker 1>the different things that exists in this world. So they

0:41:39.400 --> 0:41:42.000
<v Speaker 1>you know, the very beginning of the movie, there's this

0:41:42.120 --> 0:41:45.680
<v Speaker 1>whole massive exposition that's with voiceover over like just shots

0:41:45.680 --> 0:41:49.520
<v Speaker 1>of the kind of planet. Um. But yeah, it's weird.

0:41:49.520 --> 0:41:51.840
<v Speaker 1>There's a couple of interesting things that happened in it. Uh.

0:41:52.160 --> 0:41:54.400
<v Speaker 1>Lynch obviously gave it as all, but it wasn't the

0:41:54.440 --> 0:41:56.960
<v Speaker 1>kind of movie you'd think he would do, and I'm

0:41:57.000 --> 0:41:59.720
<v Speaker 1>not quite sure why he did it. But yeah, um,

0:41:59.760 --> 0:42:03.760
<v Speaker 1>I'm really looking forward to the Villaineuve version that hopefully

0:42:03.800 --> 0:42:06.600
<v Speaker 1>will definitely see that. Yeah. Yeah, I mean I think

0:42:06.600 --> 0:42:08.719
<v Speaker 1>at the at the time, I there were just so

0:42:08.719 --> 0:42:10.799
<v Speaker 1>many bad reviews of it. As a kid, I just

0:42:10.880 --> 0:42:12.880
<v Speaker 1>remember thinking like, I don't I don't need to see this.

0:42:13.000 --> 0:42:15.800
<v Speaker 1>But it was really boring for a sci fi movie,

0:42:15.880 --> 0:42:17.560
<v Speaker 1>and I think that turned me off of it, and

0:42:17.600 --> 0:42:20.239
<v Speaker 1>I just never did it, and I have no I

0:42:20.360 --> 0:42:21.880
<v Speaker 1>never read the book or anything, so it wasn't like

0:42:21.920 --> 0:42:25.480
<v Speaker 1>a Dune guy. So yeah, definitely gonna see the new

0:42:25.480 --> 0:42:28.400
<v Speaker 1>and the it is boring. It's it's absolutely boring, and

0:42:28.400 --> 0:42:30.560
<v Speaker 1>even the book is kind of boring. Um, it's a

0:42:30.560 --> 0:42:33.360
<v Speaker 1>lot of like you know, like I said, like world building,

0:42:33.440 --> 0:42:35.640
<v Speaker 1>but there's not always a ton of action, and if

0:42:35.680 --> 0:42:38.440
<v Speaker 1>there is, there's a lot of dead space in between

0:42:38.480 --> 0:42:41.000
<v Speaker 1>the actions. So um, I think villaineu is probably gonna

0:42:41.080 --> 0:42:42.759
<v Speaker 1>knock it up a notch because I just loved what

0:42:42.760 --> 0:42:44.640
<v Speaker 1>he did with the Late Runner universe and it it

0:42:44.680 --> 0:42:47.400
<v Speaker 1>reminds me of that kind of vibe Chuck you did,

0:42:48.840 --> 0:42:52.000
<v Speaker 1>and I'll take it. That's not bad. I will take it. Dude,

0:42:52.040 --> 0:42:54.240
<v Speaker 1>thank you for doing those on the fly. Of course,

0:42:54.280 --> 0:42:57.600
<v Speaker 1>I think that was a quality list. I wish I

0:42:57.600 --> 0:42:59.560
<v Speaker 1>could say I have some movies to add to my

0:42:59.600 --> 0:43:02.480
<v Speaker 1>list to watch, but I don't know if Munchie's and

0:43:02.480 --> 0:43:05.840
<v Speaker 1>and Critters we're gonna I'm kind of ashamed. I saw Zapped.

0:43:06.040 --> 0:43:07.600
<v Speaker 1>You're not gonna run out and see Mac and Me

0:43:08.280 --> 0:43:10.239
<v Speaker 1>right now? I don't think so. I think all you

0:43:10.239 --> 0:43:12.239
<v Speaker 1>need is does that those Paul rud clips really gonna

0:43:12.320 --> 0:43:14.200
<v Speaker 1>give you the whole picture? Yeah? The whole thing about

0:43:14.200 --> 0:43:17.960
<v Speaker 1>that movie is it famously was like sponsored by McDonald's,

0:43:17.960 --> 0:43:20.879
<v Speaker 1>Like it's got all this McDonald's problect. Even his name

0:43:20.960 --> 0:43:23.759
<v Speaker 1>is Mac. He's named after the Big Mac, you know,

0:43:24.040 --> 0:43:26.880
<v Speaker 1>so it's pretty is his last name, Donald Uh, he

0:43:27.000 --> 0:43:29.080
<v Speaker 1>doesn't have a last name. Check he's a space alien

0:43:29.880 --> 0:43:32.000
<v Speaker 1>well ship. I didn't sorry, I didn't know they only

0:43:32.040 --> 0:43:35.000
<v Speaker 1>had first names. It was just the nickname that the

0:43:35.040 --> 0:43:39.719
<v Speaker 1>kid gave him, you know, like et the last names. Extra.

0:43:40.000 --> 0:43:43.319
<v Speaker 1>That's fair, that's fair, you'll come here extra. Hey, don't

0:43:43.360 --> 0:43:46.719
<v Speaker 1>remember how they said that all the time. Alright, Well,

0:43:46.760 --> 0:43:49.120
<v Speaker 1>that was a lot of funnel tin for tin. I'll

0:43:49.120 --> 0:43:51.480
<v Speaker 1>take it, and that'll wrap it up for this one,

0:43:51.600 --> 0:43:56.920
<v Speaker 1>so we'll see everyone next week. Movie Crash is produced

0:43:56.960 --> 0:43:59.680
<v Speaker 1>and written by Charles Bryant and Roll Brown, edited an

0:43:59.680 --> 0:44:02.799
<v Speaker 1>engine yeared by Seth Nicholas Johnson, and scored by Noel

0:44:02.840 --> 0:44:06.360
<v Speaker 1>Brown here in our home studio at Pontsty Market, Atlanta, Georgia.

0:44:06.520 --> 0:44:09.560
<v Speaker 1>For I Heart Radio. For more podcasts for my Heart Radio,

0:44:09.680 --> 0:44:12.520
<v Speaker 1>visit the iHeart Radio app, Apple Podcasts, or wherever you

0:44:12.600 --> 0:44:13.800
<v Speaker 1>listen to your favorite shows.