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Speaker 1: Welcome to Stuff to Blow Your Mind, a production of

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Speaker 1: My Heart Radio. Hey you welcome to Stuff to Blow

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Speaker 1: your Mind. Listener mail. My name is Robert Lamb and

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Speaker 1: my name is Joe McCormick. Again, It's Monday, the day

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Speaker 1: of the week that we read back some messages you've

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Speaker 1: sent into the show account. Recently, I've been trying to

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Speaker 1: remember to say the email address towards the beginning of

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Speaker 1: these episodes lately. It is contact at Stuff to Blow

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Speaker 1: your Mind dot com. If you want to get in

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Speaker 1: touch show with feedback on any episodes we do. If

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Speaker 1: you just want to tell us something interesting, if you

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Speaker 1: want to ask a question, whatever you want, you know

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Speaker 1: you can write in just to say hi. It's contact

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Speaker 1: at Stuff to Blow your Mind dot com. Rob If

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Speaker 1: you don't mind, I'm going to start off with this

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Speaker 1: message from Lurch, which relates to several episodes. Yeah, Lurch

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Speaker 1: it up, Lurch says, good warning, gentlemen, allow me to

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Speaker 1: start by flogging a dead lamb, referring back to the

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Speaker 1: vegetable lamb of tartary. Wow, we have really been getting

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Speaker 1: some stragglers on this one. That's been going on for

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Speaker 1: months now. Yeah, this is not sometimes you can you

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Speaker 1: know an episode is going to generate a certain amount

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Speaker 1: of feedback. Some uh, some don't actually come through like

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Speaker 1: you expect they will, and something like the vegetable lamb

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Speaker 1: of Tartary just continue to pull in the listener contents,

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Speaker 1: which which I love. I love being surprised like that.

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Speaker 1: I think I've noticed a pattern that the definitely we

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Speaker 1: get the most email in response to any episode that

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Speaker 1: offers listeners a chance to tell us about their dreams,

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Speaker 1: not like their hopes and dreams, but their nighttime, sleepy dreams. Yeah.

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Speaker 1: I guess that's what y'all are like. Okay, anyway, Lurch

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Speaker 1: goes on to say, referring referring back to the vegetable

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Speaker 1: lamb of Tartary, I was struck by the apparent fact

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Speaker 1: I may be misremembering that the earliest references to the

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Speaker 1: lamb slash gourd were as food. Knowing how and thoughtful

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Speaker 1: humans are to strangers, it seems quite possible that a

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Speaker 1: traveler was once offered baked lamb in a gourd as

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Speaker 1: a feast provided by some host as a joke. Of

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Speaker 1: such things are history made? Well, that's that's an interesting

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Speaker 1: point I have had in the past, when I was

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Speaker 1: more of a meat eater, I did have meat in

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Speaker 1: a pumpkin ones, So such a dishes do exist. It's

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Speaker 1: been so long I forgot what the earliest accounts, where

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Speaker 1: was it, Sir John Mandeville? And didn't he but I

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Speaker 1: think he said like it it was a fully formed

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Speaker 1: little lamb. Yeah, you have these different versions of it, right,

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Speaker 1: complicated are the roots of the vegetable lamb of tartary? Okay,

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Speaker 1: Lurch goes on to say, I'm just glad it didn't

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Speaker 1: catch on. Speaking of cooking, let me now turn my

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Speaker 1: attention to cauldron's I'm positive I'm not the first to

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Speaker 1: float this hypothesis, so I'm rather surprised it wasn't given

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Speaker 1: at least a passing mention. In the episodes, several times

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Speaker 1: you guys mentioned that cauldrons have been found hidden deliberately

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Speaker 1: placed in relatively secure locations, such as bogs. I've never

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Speaker 1: thought of a bog as a secure location. But okay, yeah,

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Speaker 1: it's a solid investment. Always invest in bogs. Yes, yeah,

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Speaker 1: I can't lose, Lurch says. Relatively speaking, I'd suggest that

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Speaker 1: cauldrons were expensive back in the day, and of course

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Speaker 1: they're still pretty heavy. Uh yeah. Of course this goes

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Speaker 1: along with something we talked about in one of the

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Speaker 1: later Cauldron episodes about that paper, arguing that cauldron's had

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Speaker 1: social significance because they were sort of something that would

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Speaker 1: be used, probably not in preparing normal everyday meals, but

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Speaker 1: for preparing communal meals. So if you had a cauldron,

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Speaker 1: that was kind of like showing off your your wealth

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Speaker 1: and community significance and your power to uh to assert

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Speaker 1: social dominance by hosting feasts. But springboarding off the idea

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Speaker 1: that cauldrons are expensive, Lurch says, if a horde of

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Speaker 1: rampaging outsiders were threatening your home, but you couldn't flee

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Speaker 1: with your valuables, what would you do what everybody else

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Speaker 1: in that situation is done throughout history, Hide the good

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Speaker 1: china and the hope that it will still be there

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Speaker 1: when you return if you return. Of course, if you don't,

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Speaker 1: you still want to deny the good stuff to the

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Speaker 1: bad guys. Okay, so I think I understand Lurch is

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Speaker 1: suggesting that somebody may have just hidden a cauldron in

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Speaker 1: the bog for safe keeping, rather than intentionally depositing it

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Speaker 1: there as a sacrifice to the gods, as has often

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Speaker 1: been assumed. Yeah, it's an interesting hypothesis. It's my understanding

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Speaker 1: that the historians are are going on more than just

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Speaker 1: the finding of cauldrons in bogs. I mean, we have

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Speaker 1: other things that have been entered there, such as bodies

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Speaker 1: and so forth, that there there seems to be a

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Speaker 1: strong understanding that these were sacred places, that they were

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Speaker 1: maybe considered you a place between. Right, you might find

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Speaker 1: bodies in the bog that are not just anybody, but

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Speaker 1: somebody who looks pretty strongly like a case of human

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Speaker 1: sacrifice or something like that. Okay. Uh. Finally, Lurch said,

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Speaker 1: I turned my attention to weird house in particular Planet

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Speaker 1: of the Vampires, one of my all time favorite movies.

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Speaker 1: During your commentary, Joe mentioned that he loves a good uniform.

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Speaker 1: I think we both said that I quite agree. Let

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Speaker 1: me share my favorite, the uniforms of the Technocrats in

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Speaker 1: Things to Come. What puts these uniforms at the top

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Speaker 1: of the list is the absolutely over the top helmet.

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Speaker 1: In my opinion, these are the best cinematic uniforms ever made.

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Speaker 1: Robbi included some pictures for you to look at. We

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Speaker 1: can come back and uh and address these in a bit,

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Speaker 1: but just to finish lurches message. On a side note,

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Speaker 1: near the end of the movie is a set that

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Speaker 1: leaves me in stitches every time I watch. They're preparing

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Speaker 1: to use a huge gun to fire people into space

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Speaker 1: to the moon. Aside from the fact that this idea

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Speaker 1: cannot work, why is there a site on the end

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Speaker 1: of the barrel? Thank you for helping the miles go

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Speaker 1: by more quickly, lurch. Okay, so I guess we should

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Speaker 1: briefly introduce the idea of Things to Come. This this

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Speaker 1: movie from the thirties. I believe I talked about it

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Speaker 1: in the previous Listener mail episode that I did by

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Speaker 1: myself while you were out of town once. Yeah, yeah,

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Speaker 1: this is um this is one of those films. I've

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Speaker 1: never actually seen it, but I'm familiar with it, and

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Speaker 1: of course I've been admiring this space suit for for ages.

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Speaker 1: Things to Come n six widely regarded as a sci

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Speaker 1: fi classic, and what one that Michael Weldon actually had

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Speaker 1: of the psychotronic film Guides lists as one of his

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Speaker 1: top ten films of the nineteen thirties. This one's also

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Speaker 1: notable because H. G. Wells adapted his own novel for

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Speaker 1: the screen in this one, and I believe this is

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Speaker 1: the only time that he did this. Uh so, Yeah,

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Speaker 1: these space suits are pretty great. They have basically imagine

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Speaker 1: a traditional space suit, and there's a lot of same

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Speaker 1: noess in space suit designs and science fiction. Now imagine

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Speaker 1: one that has enough room for your head to grow

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Speaker 1: in size by what uh and the three sizes are more.

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Speaker 1: Or one that has enough room for the most outrageous

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Speaker 1: hairstyle imaginable. If you ever played Golden I for the

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Speaker 1: Nintendo sixty four and you use the cheat known as

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Speaker 1: d K mode, where it would turn all the characters

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Speaker 1: into Donkey Kong with giant heads and arms. This is

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Speaker 1: a space suit made for for DK mode people. Yeah, yeah,

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Speaker 1: it's but the thing is so yes, you can when

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Speaker 1: you describe it like this, it sounds ridiculous. It does

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Speaker 1: look a little ridiculous, but it also looks really cool

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Speaker 1: in a way that's hard to really drive home. Wine.

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Speaker 1: I think part of it is that it just does

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Speaker 1: look so different, and therefore it feels like a product

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Speaker 1: of a of a of a different age. Yeah, I agree.

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Speaker 1: I love a big, very sort of globular helmet like this.

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Speaker 1: You know, I always love the helmets in Alien, like

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Speaker 1: in the Alien franchise, because they're kind of oh, you know,

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Speaker 1: they're like a big glass ball on the front. Yeah, yeah,

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Speaker 1: those are those are solid helmets for sure. Now coming

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Speaker 1: back to what Lurch says, a out the space gun

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Speaker 1: that's gonna send people into orbit in the movie. Yeah,

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Speaker 1: I never noticed this before, but it is true. The

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Speaker 1: barrel of this giant guns, this is not something that

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Speaker 1: would be held by a human. It's like building sized.

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Speaker 1: It has an iron sight at the end of the barrel,

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Speaker 1: like somebody's going to be looking down it aim. Yeah,

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Speaker 1: I believe. Weldon also said in his summary of the

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Speaker 1: city that he thinks like it's it's one of those

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Speaker 1: films you can really only compare it to Metropolis, like

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Speaker 1: he in terms of the scope of it. And I

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Speaker 1: guess the end of the time period of science fiction involved.

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Speaker 1: All right. We also heard back from some folks on

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Speaker 1: our Vault episode about Numerouscy. This one comes to us

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Speaker 1: from Anna, Hello, Robert, Joe, and Steath. I enjoyed your

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Speaker 1: recent Vault episode on Numerousy and whether it is innate

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Speaker 1: or learned. I was wondering how this relates to time

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Speaker 1: as a small child, you conceptualized time differently, Like when

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Speaker 1: you were told you can play for fifteen minutes, that

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Speaker 1: doesn't really have much meaning. You just stopped playing when

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Speaker 1: your mom says it's dinner time. But you do have

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Speaker 1: an idea of time passing. Rob's story about his son

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Speaker 1: reminds me of something that happened to my niece, Mim.

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Speaker 1: She was staying with my parents, Granny and granddad. To

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Speaker 1: her and my brother, her father had taken the opportunity

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Speaker 1: to go to the shops child free. Nim and Granny

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Speaker 1: were playing out front of the house. Mim asked when

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Speaker 1: will Daddy be home. Granny said, Daddy will be home soon,

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Speaker 1: and with the absolute confidence of a four year old,

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Speaker 1: Nim said, but it's soon. Now hard to argue with

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Speaker 1: that smiley face. I really enjoy all the content you

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Speaker 1: put out, and I love the way you presented. Keep

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Speaker 1: up the good work. That's great. And so the first

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Speaker 1: paragraph here about like being told you can play for

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Speaker 1: fifteen minutes as a child and that not really having meaning,

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Speaker 1: I think it's absolutely squares with my memories of childhood,

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Speaker 1: where time being given time periods up to a certain

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Speaker 1: point was very mysterious to me, and at a certain point,

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Speaker 1: I re remember deciding, like when I was asking on

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Speaker 1: a car trip how much time was left. Essentially, if

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Speaker 1: I was told anything less than an hour, I knew

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Speaker 1: that we would be there immediately. It's like, oh, okay,

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Speaker 1: we're pretty much there. And anything more than an hour,

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Speaker 1: I knew it would be forever. Yeah, I mean, it's

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Speaker 1: a it's it's a it's a timeless question, especially for children.

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Speaker 1: How soon as soon? How soon is now? All right?

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Speaker 1: Here's another one about our numerous the episodes. This is

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Speaker 1: from Andrea. Andrea says, Hi, Robert and Joe, I've been

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Speaker 1: listening to the show for at least four years, but

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Speaker 1: I've never written in until now. Your vault episode discussing

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Speaker 1: whether animals have been number since reminded me of a

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Speaker 1: cat we had years ago who was both very very

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Speaker 1: smart and very very strange. When she was a kitten,

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Speaker 1: one of her favorite pastimes was to go to the basement,

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Speaker 1: pick up a strip of rag that we had torn

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Speaker 1: up for staking tomato plants, carry it up the stairs

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Speaker 1: in her mouth, deposited on the kitchen floor, then return

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Speaker 1: to the basement for the next one. If, however, to

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Speaker 1: mess with her we removed rag number six while she

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Speaker 1: was down getting number seven. She would notice immediately when

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Speaker 1: she returned to become very upset and search for it

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Speaker 1: while me owing accusingly at us. We surmised from this

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Speaker 1: that she could indeed count I'm open to other explanations though.

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Speaker 1: Oh and then Andrea has some other comments about enjoying

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Speaker 1: listening to our show as as one drifts off to sleep.

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Speaker 1: But either way, yes, so we we we fully support

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Speaker 1: that usage as well. Um so so, Yeah, I think

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Speaker 1: this is an interesting story about the cat. Rob Have

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Speaker 1: you ever seen anything like this? Uh? No, but I

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Speaker 1: I absolutely have no reason to doubt that this cat

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Speaker 1: has a full range of numerousy. I mean, I can't

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Speaker 1: make any other hypothesis that could possibly explain this. This

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Speaker 1: cat has the maths. This cat will prove the Rimond conjecture. No,

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Speaker 1: I seriously though, I yeah, I don't even I really

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Speaker 1: don't even know what to make of this. I would,

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Speaker 1: I would seriously guess that the cat does not have

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Speaker 1: any kind of a number sense. Um, that there's some

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Speaker 1: other reason for one rag rather than the other rag,

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Speaker 1: but that it has nothing to do with the numbers

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Speaker 1: that are printed on there. Yeah, it's been a while

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Speaker 1: since we did the episode, so now I'm afraid it's

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Speaker 1: you know, we we talked about these things, and sometimes

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Speaker 1: they sort of partially leave my head, or sometimes more

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Speaker 1: than partially. I think it was that, you know that.

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Speaker 1: I think the conclusion was that a lot of animals

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Speaker 1: seem to have maybe a sense of numerousy for a

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Speaker 1: few numbers, like like one to three or so, but

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Speaker 1: after that, differences get get kind of lost. Like you

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Speaker 1: wouldn't expect a non human animal to tell the difference

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Speaker 1: between six and seven, does that quantity? Yeah, like here's

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Speaker 1: six cat treats, here's seven cat treats. Um. Yeah, my

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Speaker 1: if my memory is correct on this, yeah, it means

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Speaker 1: that the cat probably can't tell the difference between those

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Speaker 1: quantities where it could tell the difference between say two

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Speaker 1: and seven, and in terms of the numbers six and seven,

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Speaker 1: absolutely not, unless I mean, they would have to be

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Speaker 1: some other factors involved, something sent related or I don't

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Speaker 1: even know if the sound related. It could be possible,

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Speaker 1: I guess if there was something attached to the uh

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Speaker 1: to to the strips um. Yeah, I don't know. There

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Speaker 1: have to be some other elements in play here. The

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Speaker 1: closest studn seed to that is my dog knows that

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Speaker 1: he gets too dog treats after dinner, and if he

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Speaker 1: just gets one, he knows that he has owed another

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Speaker 1: one he doesn't forget. But I don't know if he

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Speaker 1: were to get seven after dinner, he might just lose track. Yeah, well,

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Speaker 1: you're gonna have to test tonight. It's um, it's seven treats,

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Speaker 1: and then keep that up for a little bit and

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Speaker 1: then bring him down to six and see if he complains.

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Speaker 1: All right, you want to do some of these messages

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Speaker 1: about sky bridges. Yeah, this is one where I knew

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Speaker 1: we would to hear from from folks on these, and

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Speaker 1: I was not disappointed. This one comes to us from Jeff.

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Speaker 1: Jeff says, Hi, Robert and Joe. I just finished listening

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Speaker 1: through the first and second episode on sky bridges, and

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Speaker 1: I've got a few thoughts. I grew up and currently

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Speaker 1: live in Winnipeg, Manitoba, which regularly gets colder than negative

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Speaker 1: forty degrees celsius for days or weeks at a time

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Speaker 1: during the winter, and often gets warmer than thirty degrees

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Speaker 1: celsius in the summertime. As a result, our entire downtown

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Speaker 1: is basically connected by various sky bridges, underground tunnels, and

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Speaker 1: covered arcades, making quite simple to get from a person's

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Speaker 1: house then to work, and including a chance to walk

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Speaker 1: around underground tunnels to do some additional shopping on your

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Speaker 1: lunch break in the underground mall. I lived in a

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Speaker 1: high rise for a few years, and navigating indoors to

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Speaker 1: get to concerts, restaurants, and even my grocery shopping was

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Speaker 1: quite simple if I wanted to avoid it the elements.

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Speaker 1: I also used to work at the University of Manitoba,

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Speaker 1: which is almost entirely connected by underground tunnels, so that

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Speaker 1: in the extreme cold, it is easy for students and

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Speaker 1: staff to get from building to building. A benefit to

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Speaker 1: having this protected connectivity that often goes overlooked is the

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Speaker 1: increased accessibility for people with mobility concerns, especially in a

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Speaker 1: city like Winnipeg that gets tremendous snow when ice builds

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Speaker 1: up throughout the year, and navigating with assistance devices and

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Speaker 1: bulky clothes can be quite difficult and cumbersome. I could

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Speaker 1: talk about the subject for hours, so I will end

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Speaker 1: it there, but I appreciate what you do. Keep up

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Speaker 1: the good work. Jeff Great points Jeff. Yeah, yeah, but

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Speaker 1: first on you know, a cold city or a city

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Speaker 1: that is often cold, and then the mobility issues that's

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Speaker 1: that's that's a big concern. Along the same lines with

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Speaker 1: the with the relationship between skybridge density and weather, we

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Speaker 1: got a message from Kenya. Kenya says, hello, I'm surprised

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Speaker 1: you focus so much on Atlanta instead of Minneapolis or St. Paul,

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Speaker 1: which have intricate mazes of skywalks connecting a good number

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Speaker 1: of buildings downtown. I went to St. Paul and a

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Speaker 1: work trip in the dead of winter. Our team stayed

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Speaker 1: at a hotel that wasn't on the Skyway, while the

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Speaker 1: client team stayed in a hotel that was connected to

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Speaker 1: the Skyway. I remember them showing up without their coats

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Speaker 1: while we were freezing. They forgot to tell us about

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Speaker 1: this on subsequent days. Walking to the work site from

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Speaker 1: our hotel, we walked to the closest building on the

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Speaker 1: Skyway and snaked our way through buildings to get to work.

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Speaker 1: Food convenience stores, a post office, and everything you could

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Speaker 1: need were in that maze. I would also love for

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Speaker 1: you guys to talk about underground tunnels that work the

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Speaker 1: way that skywalks do. At at one point in the

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Speaker 1: Crystal City part of Arlington, Virginia, there was no foot traffic.

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Speaker 1: Everything was underground. The Crystal City Underground isn't what it

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Speaker 1: used to be. At one time it had an arcade

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Speaker 1: in a movie theater. Now it just contained some lunch

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Speaker 1: spots in a theater while connecting several buildings to the

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Speaker 1: metro station. I've always thought it dark and day, but

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Speaker 1: it's a similar concept, just without sunlight. Toronto has a

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Speaker 1: similar underground tunnel system. Your show is always a good listen, Kenya, Well,

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Speaker 1: thank you, Kenya. Um Well, it's the first on the

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Speaker 1: Atlanta point. I mean, first of all, we are in Atlanta,

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Speaker 1: so it is kind of what's kind of neat to

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Speaker 1: focus a little bit on our home city here. But

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Speaker 1: also I found that some of the social elements in

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Speaker 1: play and some of the social criticism of of of

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Speaker 1: sky bridges in these in some of these connected walkways,

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Speaker 1: they're a little more pronounced here in Atlanta versus a

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Speaker 1: city that has extreme cold weather going on. But still

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Speaker 1: I'm very much enjoying these examples that are coming to

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Speaker 1: us from northern cities. And as for tunnels, so I

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Speaker 1: mean don't don't tempt us. Uh, we'd we'd love to

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Speaker 1: do some episodes on tunnels in the future. I'm always

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Speaker 1: fascinated by subterranean passageways um for humans, for for trains

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Speaker 1: full of humans, for non human entities as well. So yeah,

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Speaker 1: that I think we could we could easily explore that

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Speaker 1: in the future. I I rob, I would say, you

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Speaker 1: have chronic tunnel bug in the brain. You you are

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Speaker 1: will never pass up a chance to talk about tunnels.

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Speaker 1: I'd I love a tunnel, and we have a feeling,

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Speaker 1: we have a we have some. We have some tunnels

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Speaker 1: here in Atlanta, though we're not nearly as underground a

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Speaker 1: city as as as many others. I mean, so's the

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Speaker 1: best examples are certainly far from here. But even then,

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Speaker 1: I love I love it when I'm in like a

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Speaker 1: train tunnel here in Atlanta on our Marta system. Alright,

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Speaker 1: one last message about sky bridges. This is from Pat.

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Speaker 1: Pat says, very interesting episodes, Thanks ever so much. I

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Speaker 1: was reminded of a not so spectacular example in Brooklyn.

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Speaker 1: When I was a boy, I loved visiting the Abraham

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Speaker 1: Strausse department store on Fulton Street in downtown Brooklyn. The

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Speaker 1: development and history of department stores is a cool subject.

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Speaker 1: This wonderful old store had many departments and an annex

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Speaker 1: building with availability of products not found in other department

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Speaker 1: stores in the sixties. At this one story, you could

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Speaker 1: buy quote underdrawers and I'm not sure I understand the

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Speaker 1: the accent being portrayed in this uh in this quote

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Speaker 1: underdrawers and the machine to wash them in One reached

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Speaker 1: the annex through a sky bridge. I loved this entrance

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Speaker 1: and I never missed the opportunity. You talked briefly about

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Speaker 1: roofs over cities. I read long ago about an idea

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Speaker 1: about creating a second level in Manhattan. The lower level

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Speaker 1: would be traffic only, the upper level would be pedestrian only. Sure,

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Speaker 1: there would be a dark underground, but this is not

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Speaker 1: a living space. It's a way of securing pedestrians from

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Speaker 1: the perils of vehicular traffic. Do keep up the fun work,

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Speaker 1: pat Well. That last point is very much in keeping

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Speaker 1: with some of the you know, the reasons behind creating

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Speaker 1: the sky bridges. Yeah, and and some of these sort

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Speaker 1: of fantas aastic architectural solutions like let's get the people

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Speaker 1: away from the from the vehicular traffic. Well, let's create

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Speaker 1: a safe barrier between the two. By the way, speaking

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Speaker 1: of Brooklyn, UM, I know I've mentioned this on the

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Speaker 1: show before, but if anyone out there, if you find

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Speaker 1: yourself in New York in Brooklyn as a tourist, or

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Speaker 1: maybe you just live there and you haven't checked this

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Speaker 1: out for yourself, the New York Transit Museum is excellent. Uh.

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Speaker 1: It is in an old um subway station, and so

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Speaker 1: you get to check out these examples of older cars

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Speaker 1: with the older style advertisements on them on the train

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Speaker 1: tracks themselves in an actual subway station. All right, And

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Speaker 1: here's one more, and uh, this is I guess this is.

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Speaker 1: This is not really a direct response to a Weird

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Speaker 1: House so much, but it's kind of in keeping with

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Speaker 1: the stuff we talked about on Weird House. Uh, this

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Speaker 1: is a response to recent discussions of local TV horror hosts.

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Speaker 1: And uh, who does this? Who's this coming out? We're

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Speaker 1: not I was trying to I'm not sure what name

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00:21:01,720 --> 00:21:04,760
Speaker 1: this guy wanted us to use, so we'll skip the name.

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Speaker 1: I guess. Okay, from somebody here comes some listener mail.

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Speaker 1: All I grew up on Sanny Terry hosting horror films

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Speaker 1: in the seventies and some of the eighties. The picks

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Speaker 1: on the wiki page don't do him justice. So I

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Speaker 1: have attached a picture for your viewing pleasure, enjoying the

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Speaker 1: show and encouraging you to keep up the good work. Uh,

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00:21:24,640 --> 00:21:26,399
Speaker 1: and there's uh you know what we have what we

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Speaker 1: have your Joe, We have some pictures of Samuel Terry

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Speaker 1: and we were you shared some video footage with me earlier. Well,

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00:21:33,440 --> 00:21:37,040
Speaker 1: so this picture is a screen grab I took that.

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Speaker 1: This listener attached some other links in the in the email.

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Speaker 1: But Sammy Terry, if you're not getting it yet, that's

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Speaker 1: a that is a pun name, like cemetery. But when

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Speaker 1: I was like, okay, I'm not familiar. Sammy Terry was

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Speaker 1: an Indianapolis area local TV horror host. You can look

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Speaker 1: up it's there's clips of him on YouTube. The one

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Speaker 1: I watched was an intro to some movie. I don't

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Speaker 1: know what movie he was going into, but he gave

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Speaker 1: the most bizarre monologue about how, um, let's see like

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Speaker 1: you could be running from a madman, and then while

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Speaker 1: you're running from the madman, perhaps you get abducted by aliens,

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Speaker 1: and then you finally make it home safe, only to

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00:22:22,200 --> 00:22:26,240
Speaker 1: discover that your tap water has been poisoned by a

404
00:22:26,400 --> 00:22:30,199
Speaker 1: like brain eating virus. And uh so strap in for

405
00:22:30,200 --> 00:22:35,359
Speaker 1: the movie. Uh and when it introduces Sam Sammy Terry,

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00:22:35,440 --> 00:22:37,840
Speaker 1: he gets out of a coffin, he stands up, he's

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Speaker 1: got he's got sort of a Frankenstein face makeup, he's

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Speaker 1: kind of green. Uh and he's got a big red

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Speaker 1: cape with a hood. And it introduces him with a

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Speaker 1: local news style chiron like a name tag at the

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Speaker 1: bottom of the screen, except it doesn't do the punt.

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Speaker 1: It calls him Samuel Terry, and then under that it

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Speaker 1: says Google, I guess as his occupation. Yeah, I don't

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Speaker 1: think I've seen footage of this guy before, but I

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00:23:03,320 --> 00:23:05,040
Speaker 1: like the stick. I think he had a good thing

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Speaker 1: going here. He also had a pet, rubber spider named

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Speaker 1: George Nice. Yeah, it seems like the main things you

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Speaker 1: need needed for one of these uh these these daytime

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Speaker 1: horror host gigs, was you need a little bit of makeup,

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Speaker 1: a few props, you know, maybe you have you know,

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Speaker 1: some sort of a coffin and the shot get one

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Speaker 1: from the local funeral home. But then mostly you just

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Speaker 1: need to have a lot of enthusiasm to ham it

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Speaker 1: up in front of the camera and talk well, in

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Speaker 1: this example, about basically anything in order to set up

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Speaker 1: the motion picture. I would say that, at least in

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Speaker 1: the one clip I watched, Sammy Terry seemed less oriented

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Speaker 1: around puns and jokes than someone like Elvira or the

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Speaker 1: crypt Keeper, who they were just like chock full of

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Speaker 1: densely packed comedy about the movies. If I recall, Sammy

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Speaker 1: Terry seemed more like a sort of campy Hammy direct

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Speaker 1: to monologue about monsters and frights. I mean, maybe he

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Speaker 1: wasn't actual Ghoul. That's the thing we're doubting the authenticity

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00:24:07,320 --> 00:24:10,439
Speaker 1: of the character. This is he's he's risen from the

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00:24:10,440 --> 00:24:13,360
Speaker 1: tomb here and he's here to talk about tomb stuff.

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Speaker 1: He didn't even know there's a movie coming. I didn't

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Speaker 1: mean to disrespect his life's work. Google things are important. Well,

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Speaker 1: this was great. If anybody out there has any other

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Speaker 1: examples of local TV horrows, I'd certainly love to to

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00:24:26,240 --> 00:24:28,920
Speaker 1: hear about them. Like I said, there there's so many

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Speaker 1: of them, um, each one with their own kind of

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00:24:31,359 --> 00:24:35,240
Speaker 1: regional flare. I saw one very heartwarming YouTube comment that's

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00:24:35,280 --> 00:24:39,280
Speaker 1: not a common phrase. Uh, where the whoever it was

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00:24:39,280 --> 00:24:42,240
Speaker 1: was just like I remember every Friday night it was,

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Speaker 1: you know, some particular local pizza delivery place in Sammy Terry.

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Speaker 1: Ah see that was That was event television. That's what

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Speaker 1: they call it now. Yeah, all right, no, no, they

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00:24:52,080 --> 00:24:55,960
Speaker 1: don't call it event television. Appointment television. That was appointment television.

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Speaker 1: All right, Well, we're gonna go ahead and close out

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00:24:59,080 --> 00:25:01,680
Speaker 1: this mail bag. We'd love to hear from you. As always,

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00:25:01,680 --> 00:25:04,480
Speaker 1: we do listener mail on Monday's in the Stuff to

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00:25:04,520 --> 00:25:07,480
Speaker 1: Blow your Mind podcast feed right in about core episodes

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00:25:07,480 --> 00:25:10,720
Speaker 1: of the show, past and present, right in about past,

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00:25:10,880 --> 00:25:14,360
Speaker 1: present and future episodes of Weird House Cinema. Everything's fair game.

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00:25:14,359 --> 00:25:16,199
Speaker 1: We'd love to hear from you, like Joe said at

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00:25:16,200 --> 00:25:17,560
Speaker 1: the top of the episode, even if it's just to

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00:25:17,560 --> 00:25:20,360
Speaker 1: say hi, huge things. As always to our excellent audio

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00:25:20,400 --> 00:25:23,959
Speaker 1: producer Seth Nicholas Johnson. Once more, if you want to

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00:25:24,000 --> 00:25:26,240
Speaker 1: get in touch with us for any reason at all,

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00:25:26,320 --> 00:25:37,120
Speaker 1: it is contact at Stuff to Blow your Mind dot com.

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00:25:37,240 --> 00:25:39,040
Speaker 1: Stuff to Blow Your Mind is a production of I

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00:25:39,160 --> 00:25:42,040
Speaker 1: Heart Radio. For more podcasts for my Heart Radio, visit

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Speaker 1: the I Heart Radio app, Apple Podcasts or wherever you

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00:25:44,680 --> 00:25:45,919
Speaker 1: listen to your favorite shows