WEBVTT - A Curvy Conversation (w/ Timothy Snell)

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<v Speaker 1>Good morning, good after no, good evening, wherever you may be. UM,

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<v Speaker 1>if you haven't guess it, you've tuned into the Vitamin

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<v Speaker 1>D with Dawn Day podcast and I am your host

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<v Speaker 1>and Dawn Day here to get you excited about your

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<v Speaker 1>life so that you can live life on purpose and

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<v Speaker 1>for a purpose. Now this is your first time tuning in. Welcome,

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<v Speaker 1>Thank you. I appreciate you for choosing you because, um,

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<v Speaker 1>Vitamin D. Let me tell you it's a pun off

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<v Speaker 1>my name. My name is Dawn, which is the sun.

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<v Speaker 1>So I'm here to shed light into your life. But

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<v Speaker 1>let's be clear when we talk about shedding and like

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<v Speaker 1>that's on the good and a bad because if you

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<v Speaker 1>want to be better and you want to do better,

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<v Speaker 1>guess what You're gonna have to be able to say better, Okay,

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<v Speaker 1>And we do that by instilling that you are your

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<v Speaker 1>greatest asset because at the end of the day, I'm

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<v Speaker 1>here to get excited about my life. And I couldn't

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<v Speaker 1>be more excited today because as I've told you time

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<v Speaker 1>and time again, this is my dream and I have

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<v Speaker 1>a dear, a special friend that's joining me today now

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<v Speaker 1>just so that we got this clear out, to make

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<v Speaker 1>sure I say it right. He is an award winning

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<v Speaker 1>television host, a fashion designer, a celebrity stylist. Um, you

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<v Speaker 1>can say he's both an image maker and a therapist,

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<v Speaker 1>kind of like that whole ordeal of working on the

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<v Speaker 1>outside and um, you may be familiar with him, known

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<v Speaker 1>as the man behind the curves, also known as the

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<v Speaker 1>stylist to one of my one of the women that

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<v Speaker 1>I look up into the industry so much, Queen Latifa.

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<v Speaker 1>He styled what Angela bas said Lenny Kravitz. I mean,

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<v Speaker 1>the list could go on and on and oh, let

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<v Speaker 1>me not forget the late, the great, uh, the voice

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<v Speaker 1>Miss Whitney Houston. So, without further ado, I hope you

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<v Speaker 1>enjoyed this conversation. It's time for your dose a vitamin

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<v Speaker 1>D D right with me and get excited about Mr Snall. Yeah,

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<v Speaker 1>thank you for having me. I appreciate you how you're doing.

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<v Speaker 1>Welcome to my dream. You know what, it's it's great

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<v Speaker 1>to be a part of your dream because I've heard

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<v Speaker 1>about this dream a long time and you're out here

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<v Speaker 1>doing it. It's great to be in a dream that

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<v Speaker 1>is a happy dream. Yes, and I'm here to participate,

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<v Speaker 1>and you know, have great conversation and just share some

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<v Speaker 1>of my experience, my um adventures, my opportunities with you

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<v Speaker 1>and what I've done, what I'm doing now and where

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<v Speaker 1>I'm going, and I'm hoping we can inspire some people

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<v Speaker 1>on the way. Well, that's what it's all about. I mean,

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<v Speaker 1>having conversation is at the end of the day, you

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<v Speaker 1>want people to take a have a great takeaway. That's

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<v Speaker 1>anything you do in life, you want people to take

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<v Speaker 1>something away from it that's valuable. Even if you're cooking

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<v Speaker 1>for them, you want them to take away a fit stomach.

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<v Speaker 1>You want them to feel good about what they ate,

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<v Speaker 1>no matter what. In any situation. I think it's um

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<v Speaker 1>especially in this climate, we have to do things to

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<v Speaker 1>make us feel good and make other people feel good

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<v Speaker 1>as well. Right because we walk away with kind of

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<v Speaker 1>like three principles to be informed, inspired, and entertained. I

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<v Speaker 1>felt like that's kind of like the pinnacles that drive

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<v Speaker 1>us in life. I agree. I think it's um challenging.

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<v Speaker 1>But in life, I think that we always have to

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<v Speaker 1>reach out for something that's better than ourselves. And when

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<v Speaker 1>we reach out for things that are better in ourselves

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<v Speaker 1>and encourage ourselves, that's how we keep moving forward, and

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<v Speaker 1>that's how we keep going towards the possibility, because that's

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<v Speaker 1>what life is. Every day you work, you wake up

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<v Speaker 1>in the morning as a possibility for something to turn

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<v Speaker 1>over in your life. And it's a sign that the

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<v Speaker 1>universe and God is not done with you yet, so

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<v Speaker 1>you might as well make the best of it. It

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<v Speaker 1>ain't a period until and then after the period, the

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<v Speaker 1>spirit still lives. H come on, but the soul is

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<v Speaker 1>at rest, but the spirit lives. Well, you better hold

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<v Speaker 1>on now. It's that upbringing, you know, my mom and

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<v Speaker 1>my family and stuff. You know, I was raised in church,

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<v Speaker 1>so you know, you you you have a foundation. It's

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<v Speaker 1>just like with anything, you get a foundation, just like

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<v Speaker 1>I went to design school that that provid provided me

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<v Speaker 1>here to where I am today. You need that foundation,

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<v Speaker 1>You need something to work with. You need that knowledge

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<v Speaker 1>and that power to keep you strong, to keep you focused,

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<v Speaker 1>to keep you mighty, and to keep you powerful. All right,

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<v Speaker 1>And it's a testament as to why you've been able

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<v Speaker 1>to be featured on a Queen las Eva show The Seva. So,

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<v Speaker 1>I mean, you've had your own show, but we're going

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<v Speaker 1>to dive into that and even talk about how we

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<v Speaker 1>met first. For anybody that's just tuning in, tell us

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<v Speaker 1>about who you are, Okay, I am Timothy snell Man

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<v Speaker 1>behind the curbs and you know, just uh. I'm from

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<v Speaker 1>Las Vegas, Nevada, born and raised in Las Vegas, Nevada.

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<v Speaker 1>I come from a family. Uh. I have a sister

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<v Speaker 1>named Tracy. My parents are no longer with us. My

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<v Speaker 1>parents raised us together. Um. I came from a middle

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<v Speaker 1>class black family. I felt very fortunate in a lot

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<v Speaker 1>of ways growing up because I had opportunities growing up

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<v Speaker 1>as a kid that I want to afford it to

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<v Speaker 1>a lot of other black kids and stuff. Growing up,

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<v Speaker 1>but I felt very advantaged and I was always trying

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<v Speaker 1>to take my friends along for the ride. Like my

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<v Speaker 1>sister and I took swimming lessons, we took judo. I

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<v Speaker 1>played the saxophone. My sister played the clarinet, and she

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<v Speaker 1>played the piano. These are things that our parents, my

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<v Speaker 1>parents kept us involved in to keep our because you know,

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<v Speaker 1>they didn't want us to stray from anything. And they

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<v Speaker 1>kept positive adults and positive people around us as we

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<v Speaker 1>grew up as kids. And you know, I grew up

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<v Speaker 1>you know, singing in the church choir. You know me,

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<v Speaker 1>I sing all over the place. You know me. I'm

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<v Speaker 1>singing in my car. I could, I could said in

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<v Speaker 1>my car to beat my funds in hall in my office.

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<v Speaker 1>So I do that kind of thing. And then when

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<v Speaker 1>I was about seventeen years old, I got a chance

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<v Speaker 1>to sing on the Las Vegas Strip as a background singer.

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<v Speaker 1>What how come I didn't know that. There's a lot

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<v Speaker 1>of things that people don't know about me. So you

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<v Speaker 1>were about to be a singer? Well, you know the

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<v Speaker 1>interesting thing about it is my sister when I said

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<v Speaker 1>I was gonna leave, when I was leaving home to

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<v Speaker 1>go to design school, she said, I don't know why

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<v Speaker 1>you're going to design school. Why don't you just go

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<v Speaker 1>to do session work and just become a singer. And

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<v Speaker 1>I never really thought about that. I didn't have the

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<v Speaker 1>opportunity and I didn't think about it. But I'm looking

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<v Speaker 1>back on in hindsight, I think to myself, God, my

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<v Speaker 1>sister saw something than me that I didn't realize that.

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<v Speaker 1>She dropped that nugget at me, and I didn't pay

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<v Speaker 1>attention to it. But yeah, I've been singing all my life.

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<v Speaker 1>My mother was my mother and her sister growing up

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<v Speaker 1>used to go around in their town. My mother was

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<v Speaker 1>born and her name was Helen and her sister's name

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<v Speaker 1>was Maddie. And they grew up and they could really sing.

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<v Speaker 1>They could harmonize. They would take a poem and make

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<v Speaker 1>a song out of it. They were in that period

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<v Speaker 1>around the Lena Horn area and all Era and all

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<v Speaker 1>of that stuff like that. They didn't have the opportunity

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<v Speaker 1>that some of the opportunity has been afforded to me

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<v Speaker 1>as wasn't afforded to my mom and her sister and stuff.

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<v Speaker 1>But they could really sing. My mother was a great

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<v Speaker 1>auto soprano sing. I mean she could blow and she

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<v Speaker 1>had a really powerful voice, and so did her sister,

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<v Speaker 1>and so it just runs in my family. I never

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<v Speaker 1>knew of my dad because I don't even know if

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<v Speaker 1>I ever had my dad's sing. But my dad could whistle,

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<v Speaker 1>and I inherited it. I inherited that from my dad.

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<v Speaker 1>I'm a strong whistle like I'll sing all whistle up

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<v Speaker 1>of a riot carry song that admitted to hit those

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<v Speaker 1>notes with a whistles. I mean, that's my thing. I mean,

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<v Speaker 1>but um, yeah, that's where I started. Las Vegas and Vada.

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<v Speaker 1>You know, I still go home periodically. I still see

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<v Speaker 1>the same friends that I grew up with, and um,

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<v Speaker 1>their parents and the cousins and stuff like that, and

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<v Speaker 1>it's just it's really nice to go home, you know,

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<v Speaker 1>to be to feel value and be appreciated and say

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<v Speaker 1>we're proud of you. You're doing a good job, and

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<v Speaker 1>you know all of that stuff. Really, you know, just

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<v Speaker 1>um ground you makes you feel you know, okay, it

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<v Speaker 1>makes you feel cool. It makes the climb up much

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<v Speaker 1>easier because you know that your roots are playing it right. Yeah.

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<v Speaker 1>I mean I think what your parents is stilling you

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<v Speaker 1>is what you take to your great wow. And you know,

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<v Speaker 1>just me knowing you personally, Like you have a really

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<v Speaker 1>strong connection with your mother. You were always close with

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<v Speaker 1>your Mothersi. Yes, That's where I think I got the

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<v Speaker 1>love of it from. My mother would go and shop

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<v Speaker 1>at Imagnum, which was a really big boutique Story and Vegas,

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<v Speaker 1>or she would go to the high end boutiques. If

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<v Speaker 1>she could not afford it, she could copy it in

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<v Speaker 1>her mind and go home and make it. So I

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<v Speaker 1>grew up around the sewing machine. I grew up around

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<v Speaker 1>my mother would be in the bed with my dad

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<v Speaker 1>watching TV doing a needle point, and I have pillowcases

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<v Speaker 1>that my mom made for me and my sister would

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<v Speaker 1>need a needle point and things like that. So she

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<v Speaker 1>was a creative and so was my father. My father.

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<v Speaker 1>I always my father worked as a bellman, head bellman

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<v Speaker 1>at the one of the hotels for many many years.

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<v Speaker 1>But before that, my father went to college. He went

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<v Speaker 1>to Groundland State in Louisiana. He was a college man

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<v Speaker 1>and he had a really green thumb. He liked the outdoors.

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<v Speaker 1>He we had a beautiful yard growing up. The landscaping

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<v Speaker 1>was beautiful, the lights around the house. I mean, he

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<v Speaker 1>took a lot of pride in his yard and his

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<v Speaker 1>cars because he watched his cars all the time. I

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<v Speaker 1>have pictures of my dad leaning on his car in

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<v Speaker 1>the sixte and beautiful and everything like that. So yeah,

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<v Speaker 1>you know, I really think that I've had the best

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<v Speaker 1>of both worlds, getting the creative aspect from both parents.

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<v Speaker 1>But my mother was the driving source of the creative

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<v Speaker 1>when it comes down to style and fashion and things

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<v Speaker 1>like that, because it's what I saw, right, And I'm

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<v Speaker 1>wondering was your mother she was she Did she embrace

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<v Speaker 1>that and cultivate that with you or is that something

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<v Speaker 1>that you kept to yourself, like is something that I

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<v Speaker 1>kept to myself. I didn't really talk about it because

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<v Speaker 1>you have to think about I was, you know, almost

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<v Speaker 1>raised up in the early seventies. It's a totally different

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<v Speaker 1>thing compared to what it is today. You weren't available

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<v Speaker 1>to be as free as you are today as a

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<v Speaker 1>young creative, you know, coming out and trying things. You know,

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<v Speaker 1>everything was about being masculine and being um, you know,

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<v Speaker 1>um the boy, you know, the baseball boy of playing

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<v Speaker 1>baseball or whatever like that. And like I said before,

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<v Speaker 1>my dad put us in judo classes, Me and my

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<v Speaker 1>sister took martial arts. You He wanted us to be

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<v Speaker 1>able to protect ourselves and different things like that. And

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<v Speaker 1>so for me, it wasn't stifled, but it wasn't like

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<v Speaker 1>you know what I mean, It wasn't it wasn't watered,

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<v Speaker 1>It wasn't saying here, It wasn't taken away, but it

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<v Speaker 1>was never taken away. It was always a great job.

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<v Speaker 1>You know, good, that's beautiful, you know that type of stuff.

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<v Speaker 1>You know, things like that. So did you feel like

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<v Speaker 1>growing up of I guess you were sketching different things

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<v Speaker 1>that Um I was sketching, right, I was sketching, right.

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<v Speaker 1>I've always been like a a writer. I would I

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<v Speaker 1>would keep journals before I knew what journals were really

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<v Speaker 1>you know, I was very young, and I've gotten away

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<v Speaker 1>from a lot of that stuff. But all of that

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<v Speaker 1>stuff that was, I guess wasn't foreign to me, was

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<v Speaker 1>foreign to the world as people out doing it, as

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<v Speaker 1>people talk about it today. So how did how did

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<v Speaker 1>you branch out? Because I know there's plenty of people

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<v Speaker 1>that probably maybe want to be a stylus, maybe want

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<v Speaker 1>to be a doctor or anything, and people aren't necessarily

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<v Speaker 1>cultivating that or in that environment. So the interesting thing

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<v Speaker 1>for me is I after high school goal, I went

0:11:02.160 --> 0:11:05.800
<v Speaker 1>to my father and I said, um, John, never forget

0:11:05.840 --> 0:11:10.320
<v Speaker 1>this conversation. I said to my dad, Um, I want

0:11:10.320 --> 0:11:13.920
<v Speaker 1>to take a year off. And he looked at me

0:11:14.000 --> 0:11:17.319
<v Speaker 1>and he said a year off from what I said, Well,

0:11:17.360 --> 0:11:19.440
<v Speaker 1>I want to figure out where I'm going and what

0:11:19.480 --> 0:11:21.800
<v Speaker 1>I'm doing, and where you're gonna go to school. And

0:11:21.800 --> 0:11:23.640
<v Speaker 1>you're gonna figure out what you're doing or where you're going.

0:11:23.720 --> 0:11:25.839
<v Speaker 1>My father was really about education. His side of the

0:11:25.920 --> 0:11:30.560
<v Speaker 1>family are college professors. They have doctrine degrees, they have

0:11:30.640 --> 0:11:33.800
<v Speaker 1>master's degrees. He is really about that fine education. My

0:11:33.880 --> 0:11:37.240
<v Speaker 1>father was a part of that, that circle, and um,

0:11:38.080 --> 0:11:39.599
<v Speaker 1>I didn't know then what I knew now. I was

0:11:39.679 --> 0:11:42.040
<v Speaker 1>upset about it and whatever like that, but I did understand.

0:11:42.080 --> 0:11:45.920
<v Speaker 1>I went to regular community college just trying to figure

0:11:45.960 --> 0:11:49.080
<v Speaker 1>it all out, you know, taking those basic courses. But

0:11:49.120 --> 0:11:51.200
<v Speaker 1>then I figured out. I pray one day and I said, God,

0:11:51.200 --> 0:11:55.000
<v Speaker 1>what do I do? Naturally that could be my career?

0:11:56.080 --> 0:11:59.160
<v Speaker 1>Interesting because I would sketch clothes every now and then,

0:11:59.160 --> 0:12:01.120
<v Speaker 1>and I love clothes thing, and I love the idea

0:12:01.120 --> 0:12:04.520
<v Speaker 1>of fashion for men and women. I loved that fashion

0:12:04.640 --> 0:12:07.240
<v Speaker 1>tells a story about a person, how they dressed. It

0:12:07.320 --> 0:12:10.120
<v Speaker 1>articulates to another individual or the world how they think

0:12:10.160 --> 0:12:15.360
<v Speaker 1>of themselves in some cases. So I went to UM

0:12:15.600 --> 0:12:19.120
<v Speaker 1>started taking some primary like fashion courses and stuff like that,

0:12:19.240 --> 0:12:21.440
<v Speaker 1>just to figure it out. And then one day this

0:12:21.520 --> 0:12:24.280
<v Speaker 1>guy said, mean, you know, it's a college and in

0:12:24.320 --> 0:12:26.640
<v Speaker 1>the latest fit UM, and there's all these other colleges

0:12:26.679 --> 0:12:28.560
<v Speaker 1>that you should look into. So I looked into it

0:12:29.040 --> 0:12:32.080
<v Speaker 1>and I went to school, and I UM, I was

0:12:32.160 --> 0:12:34.880
<v Speaker 1>fortunate enough my mom took me and she paid the

0:12:35.360 --> 0:12:37.480
<v Speaker 1>initial tuition to get in and stuff like that for

0:12:37.520 --> 0:12:42.360
<v Speaker 1>me and UM because I went to school right after

0:12:42.440 --> 0:12:44.800
<v Speaker 1>my father passed away. My father was forty eight years old,

0:12:44.840 --> 0:12:49.240
<v Speaker 1>healthy as we thought he healthy as we thought he was.

0:12:49.320 --> 0:12:52.160
<v Speaker 1>My father wasn't overweight, he was a vitamin taker. He

0:12:52.280 --> 0:12:56.240
<v Speaker 1>was an active man. And but you know what, people

0:12:56.280 --> 0:12:58.640
<v Speaker 1>didn't pay attention to science with heart disease back then

0:12:58.679 --> 0:13:01.040
<v Speaker 1>as they do as they do now. You know what

0:13:01.080 --> 0:13:04.520
<v Speaker 1>I'm saying. So my dad died in February, and I

0:13:04.600 --> 0:13:08.840
<v Speaker 1>left home in September going to college. So in college,

0:13:08.840 --> 0:13:10.840
<v Speaker 1>I found myself. It was a it was a freedom

0:13:10.920 --> 0:13:13.400
<v Speaker 1>that I had never known before. And I didn't work

0:13:13.440 --> 0:13:15.400
<v Speaker 1>as hard as I thought I should have worked. But

0:13:15.640 --> 0:13:17.400
<v Speaker 1>let me ask you this, when you said you found yourself,

0:13:17.440 --> 0:13:19.120
<v Speaker 1>what do you mean by that? Well, it was a

0:13:19.200 --> 0:13:20.840
<v Speaker 1>chance for me to be free, to be who I

0:13:20.840 --> 0:13:24.200
<v Speaker 1>wanted to be. A gay man that's just wanted to

0:13:24.200 --> 0:13:26.920
<v Speaker 1>be free and just wanted to be whomever I wanted

0:13:26.920 --> 0:13:28.559
<v Speaker 1>to be, and not judge for who I am, but

0:13:28.679 --> 0:13:33.240
<v Speaker 1>just judge for the character of who I am as

0:13:33.280 --> 0:13:36.240
<v Speaker 1>a man. You know, because you know, when you're twenty,

0:13:36.520 --> 0:13:41.320
<v Speaker 1>when you're very young and head, you're very young in thought,

0:13:41.400 --> 0:13:44.360
<v Speaker 1>and you don't know really how to be a man.

0:13:44.880 --> 0:13:46.600
<v Speaker 1>You have to learn how to be a man, a

0:13:46.640 --> 0:13:50.160
<v Speaker 1>man someone, And for me it was I was always

0:13:50.240 --> 0:13:58.160
<v Speaker 1>aware that being a man didn't necessarily mean the measure

0:13:58.200 --> 0:14:00.559
<v Speaker 1>of your masculinity or your test I the wrong within

0:14:00.600 --> 0:14:02.480
<v Speaker 1>your body. Being a man was taking care of your

0:14:02.520 --> 0:14:05.079
<v Speaker 1>family and taking care of your business, and being of

0:14:05.120 --> 0:14:09.439
<v Speaker 1>service and being responsible and and those type of things.

0:14:09.559 --> 0:14:11.600
<v Speaker 1>Because those are the things that my father showed me.

0:14:12.440 --> 0:14:14.200
<v Speaker 1>So those are the things that I have in me.

0:14:14.760 --> 0:14:17.400
<v Speaker 1>So you know, it was a lot. It was becoming

0:14:17.440 --> 0:14:20.440
<v Speaker 1>free from that and just becoming who I wanted to be,

0:14:20.520 --> 0:14:25.480
<v Speaker 1>experimenting and dating and doing stuff and being creative and

0:14:25.520 --> 0:14:28.040
<v Speaker 1>not having someone to tell me when you get up

0:14:28.160 --> 0:14:30.440
<v Speaker 1>or time to go or time to do this, so

0:14:30.840 --> 0:14:33.400
<v Speaker 1>you know, whatever like that. So you know that was

0:14:33.560 --> 0:14:36.160
<v Speaker 1>all when you when I look back at it in hindsight,

0:14:36.240 --> 0:14:39.960
<v Speaker 1>that's a lot. It's a lot too for a person

0:14:40.040 --> 0:14:44.880
<v Speaker 1>to um hold onto. But I will tell you about

0:14:45.240 --> 0:14:47.400
<v Speaker 1>as we talk, I'll tell you about all the experience.

0:14:47.440 --> 0:14:51.680
<v Speaker 1>I have a connection to things because when I um

0:14:51.920 --> 0:14:57.280
<v Speaker 1>left hone, I was raised at Elizabeth four to one

0:14:57.360 --> 0:15:01.720
<v Speaker 1>is seven. My dorm room number was seven seventeen. Yes,

0:15:02.480 --> 0:15:05.600
<v Speaker 1>And when I laid in the bed one night, Um,

0:15:05.640 --> 0:15:09.640
<v Speaker 1>I could see in the ceiling that somebody had written

0:15:09.680 --> 0:15:15.040
<v Speaker 1>the name Eddie. My father's name was Eddie. My father's

0:15:15.120 --> 0:15:17.480
<v Speaker 1>name was Eddie. And I asked my roommate in my

0:15:17.520 --> 0:15:19.240
<v Speaker 1>dorm room and said, can you look and tell me

0:15:19.280 --> 0:15:21.600
<v Speaker 1>what what is that? And what does this say? It

0:15:21.680 --> 0:15:24.400
<v Speaker 1>says Eddie And that was assigned to me to let

0:15:24.400 --> 0:15:28.040
<v Speaker 1>me know that my father's spirit was So I've had

0:15:28.080 --> 0:15:30.160
<v Speaker 1>all types of things like that happened to me all

0:15:30.200 --> 0:15:32.560
<v Speaker 1>through life, just with clients that I worked for the

0:15:32.640 --> 0:15:37.520
<v Speaker 1>connection to them and the bigger picture. And after graduating

0:15:37.560 --> 0:15:40.640
<v Speaker 1>from college and going through that whole process, I did

0:15:40.680 --> 0:15:42.400
<v Speaker 1>really good. And I want a lot of awards for

0:15:42.480 --> 0:15:45.760
<v Speaker 1>best of Show, best of category. So I knew I

0:15:45.800 --> 0:15:49.080
<v Speaker 1>was doing something. Something you had, something definitely was being

0:15:49.160 --> 0:15:52.000
<v Speaker 1>nurtured and developed. Yeah, I knew I had something, but

0:15:52.520 --> 0:15:56.560
<v Speaker 1>I didn't know where it was going to take me. So, um,

0:15:56.680 --> 0:16:00.120
<v Speaker 1>I got into the business. I started working. You know,

0:16:00.200 --> 0:16:05.200
<v Speaker 1>I I I experienced a lot of racism. I mean,

0:16:05.240 --> 0:16:07.760
<v Speaker 1>I'm a I'm a I'm a very I'm six ft four,

0:16:08.280 --> 0:16:10.480
<v Speaker 1>I'm like two d and fifty pounds. I'm a green

0:16:10.520 --> 0:16:14.000
<v Speaker 1>eyed black man, and I can be in eyes are gorgeous,

0:16:14.080 --> 0:16:19.960
<v Speaker 1>and I can I can be intimidating because I know

0:16:19.960 --> 0:16:22.160
<v Speaker 1>how to articulate and how to have conversation and how

0:16:22.200 --> 0:16:23.720
<v Speaker 1>to say what I need to say very well. And

0:16:23.840 --> 0:16:26.240
<v Speaker 1>my and my work and my sketches and my book

0:16:26.280 --> 0:16:28.480
<v Speaker 1>was beautiful because I took pride in my book that

0:16:28.520 --> 0:16:32.400
<v Speaker 1>I presented for jobs. And I remember years my friends

0:16:32.440 --> 0:16:35.480
<v Speaker 1>were getting jobs, I wasn't getting jobs. My struggle was real,

0:16:36.640 --> 0:16:39.240
<v Speaker 1>and it wasn't because I wasn't talented, because I wouldn't

0:16:39.240 --> 0:16:42.040
<v Speaker 1>accept that about myself. I know I have talent that

0:16:42.240 --> 0:16:45.200
<v Speaker 1>just the barriers were different back in the early nineties.

0:16:45.240 --> 0:16:47.320
<v Speaker 1>It was a totally different story, you know what I'm saying.

0:16:47.880 --> 0:16:50.960
<v Speaker 1>So and then confirmation came when I ran up on

0:16:51.000 --> 0:16:53.600
<v Speaker 1>somebody that I went to interview at this company, and

0:16:53.640 --> 0:16:55.440
<v Speaker 1>the girl pulled me to the side. She said, you know,

0:16:56.320 --> 0:16:59.840
<v Speaker 1>we all saw your book. You're very talented, but the

0:17:00.240 --> 0:17:02.080
<v Speaker 1>wasn't going to hire you because you were black. And

0:17:02.120 --> 0:17:04.480
<v Speaker 1>I thought, yeah, wait, what did you say when she

0:17:04.520 --> 0:17:08.040
<v Speaker 1>said that to you? She know she's white, she's a

0:17:08.040 --> 0:17:09.600
<v Speaker 1>white woman. And I said to her, thank you for

0:17:09.640 --> 0:17:13.320
<v Speaker 1>sharing that with me. I didn't I was really disappointed

0:17:13.359 --> 0:17:16.280
<v Speaker 1>in that moment. But I really appreciate that because that's

0:17:16.320 --> 0:17:19.639
<v Speaker 1>something that I felt on many different occasions. But I

0:17:19.680 --> 0:17:21.840
<v Speaker 1>appreciate you telling me because you're giving me the confirmation

0:17:21.880 --> 0:17:24.520
<v Speaker 1>I need to just push ahead. And I think that

0:17:24.600 --> 0:17:28.600
<v Speaker 1>as a black man in fashion as I am, I mean,

0:17:28.640 --> 0:17:33.080
<v Speaker 1>there are some struggles and some has been some struggles,

0:17:33.119 --> 0:17:37.440
<v Speaker 1>I would say, in some challenging moments, but things have changed,

0:17:37.680 --> 0:17:41.639
<v Speaker 1>and you know, you know, it's I don't want to

0:17:41.680 --> 0:17:43.920
<v Speaker 1>say it's in vogue to be black and to be whatever,

0:17:44.000 --> 0:17:49.480
<v Speaker 1>but let's face it, for decades and decades, the black

0:17:49.520 --> 0:17:56.760
<v Speaker 1>experience has been copied to the runway, to lifestyle, etcetera, etcetera, etcetera.

0:17:57.119 --> 0:17:59.320
<v Speaker 1>So now I'm just happy to be a part of

0:17:59.359 --> 0:18:02.760
<v Speaker 1>the conversation. Your conversation is so much bigger than old

0:18:02.800 --> 0:18:07.600
<v Speaker 1>pun intended, because you serve an area that you know,

0:18:08.320 --> 0:18:11.119
<v Speaker 1>for many have been discouraged from the fashion industry, and

0:18:11.160 --> 0:18:13.919
<v Speaker 1>that's the plus scize field. And so I'm wondering, did

0:18:14.000 --> 0:18:16.600
<v Speaker 1>you know coming in once you graduated that you wanted

0:18:16.640 --> 0:18:19.639
<v Speaker 1>to go to plus size. Mother reminded me of something

0:18:19.720 --> 0:18:21.199
<v Speaker 1>she said to me. You know, when you were in

0:18:21.200 --> 0:18:23.159
<v Speaker 1>design school, you told me that you wanted to do

0:18:23.240 --> 0:18:25.800
<v Speaker 1>plus size women's fashion, and I said, how did you

0:18:25.840 --> 0:18:28.719
<v Speaker 1>even think that? How did you even know of A plus?

0:18:28.880 --> 0:18:31.639
<v Speaker 1>I just I just think that when you're open to

0:18:33.160 --> 0:18:38.160
<v Speaker 1>prayer and spirit and you're open to your sensitive person,

0:18:38.840 --> 0:18:41.880
<v Speaker 1>I think that God gives you things. But I think

0:18:42.040 --> 0:18:45.080
<v Speaker 1>we can get so jumbled to we can't see, we

0:18:45.119 --> 0:18:47.520
<v Speaker 1>can't come on discernment, we can't hear it or see

0:18:47.520 --> 0:18:51.560
<v Speaker 1>it because we're so distracted by by other things out

0:18:51.600 --> 0:18:54.479
<v Speaker 1>there into the universe. Be a good batter and different

0:18:54.520 --> 0:18:57.280
<v Speaker 1>or distracted. But my mother reminded me of that. I thought,

0:18:57.320 --> 0:18:59.720
<v Speaker 1>I'm like God, I forgot all about that. But so

0:19:00.040 --> 0:19:03.240
<v Speaker 1>who was the inspiration? Like I guess because at the time,

0:19:03.240 --> 0:19:05.880
<v Speaker 1>if you're just seeing everybody, let's Pennsylvan. Let's just say,

0:19:05.920 --> 0:19:07.600
<v Speaker 1>I know Twiggy was way back then, just like the

0:19:07.720 --> 0:19:10.399
<v Speaker 1>Naomi Campbell's. Um, you know all those that were slender.

0:19:10.440 --> 0:19:12.199
<v Speaker 1>How did you even think that, oh, a plus I

0:19:12.280 --> 0:19:15.160
<v Speaker 1>girl needs to look good? Because for me and we'll

0:19:15.200 --> 0:19:17.560
<v Speaker 1>talk about that later, Like someone like you has changed

0:19:17.560 --> 0:19:20.919
<v Speaker 1>the trajectory of my thought process, my life, everything. Thank you.

0:19:21.000 --> 0:19:25.960
<v Speaker 1>I appreciate that. UM. I think it's because when I

0:19:26.000 --> 0:19:30.959
<v Speaker 1>went to church, UM, I was exposed to women who

0:19:31.040 --> 0:19:34.960
<v Speaker 1>took pride in the way they looked. And African American

0:19:35.000 --> 0:19:38.880
<v Speaker 1>women have curves, but the way they dressed, the way

0:19:38.920 --> 0:19:42.280
<v Speaker 1>they sauntered into church, the way the hats were tilted

0:19:42.280 --> 0:19:45.880
<v Speaker 1>to the side to where, um, they didn't wear gloves anymore.

0:19:46.200 --> 0:19:49.040
<v Speaker 1>But how the handbags and everything just came together a

0:19:49.080 --> 0:19:54.160
<v Speaker 1>certain kind of way. And I was always attracted to that.

0:19:54.760 --> 0:19:57.880
<v Speaker 1>I was always attracted to the beauty of that, and

0:19:58.000 --> 0:20:00.440
<v Speaker 1>how my mother's friends because my as it was a

0:20:00.480 --> 0:20:05.400
<v Speaker 1>great dresser. I remember being no more twelve walking through

0:20:05.440 --> 0:20:07.240
<v Speaker 1>the mall and stuff, and how man would just stare

0:20:07.280 --> 0:20:09.119
<v Speaker 1>at my mom and she would walk. She wasn't she

0:20:09.119 --> 0:20:12.840
<v Speaker 1>didn't dress sexually, she just had great style. And I

0:20:12.880 --> 0:20:15.280
<v Speaker 1>just used to think to myself, what are they looking at?

0:20:16.000 --> 0:20:17.680
<v Speaker 1>But then on one day I figured out this woman

0:20:17.680 --> 0:20:19.840
<v Speaker 1>walked and say, oh my god, that's a beautiful dressing.

0:20:19.880 --> 0:20:21.520
<v Speaker 1>You wear it so well. And I had to begin

0:20:21.640 --> 0:20:25.240
<v Speaker 1>to hear that more often. I begin to hear that

0:20:25.280 --> 0:20:27.360
<v Speaker 1>more often. Then I begin to pay more attention to

0:20:27.400 --> 0:20:29.879
<v Speaker 1>how my mom dressed and how she pulled herself together

0:20:29.960 --> 0:20:34.560
<v Speaker 1>and stuff like that. So I have to say that, um,

0:20:34.640 --> 0:20:38.960
<v Speaker 1>the influence of the women around me going to church,

0:20:39.440 --> 0:20:44.679
<v Speaker 1>going to um weddings and different things like that really

0:20:45.840 --> 0:20:49.639
<v Speaker 1>spoke to me. And also television, did fashion magazines and

0:20:49.640 --> 0:20:53.000
<v Speaker 1>different things like that. You know, I, um, I just

0:20:53.000 --> 0:20:56.119
<v Speaker 1>paid attention to beauty and it didn't and size didn't

0:20:56.119 --> 0:20:58.359
<v Speaker 1>matter to me because I was exposed to women of

0:20:58.400 --> 0:21:01.520
<v Speaker 1>different sizes growing up, so it wasn't foreign to me.

0:21:02.200 --> 0:21:04.680
<v Speaker 1>It's so interesting that you said that because, like you said,

0:21:04.680 --> 0:21:06.639
<v Speaker 1>you quote it in your bio, you said, the clothes

0:21:06.680 --> 0:21:09.600
<v Speaker 1>tell a story about a person, and that provides that

0:21:09.680 --> 0:21:13.320
<v Speaker 1>fashion provides a common meeting ground because it's a universal language.

0:21:14.000 --> 0:21:16.720
<v Speaker 1>But I guess for someone like myself that grew up

0:21:16.720 --> 0:21:21.440
<v Speaker 1>as a plus as girl um going out ecstatic about

0:21:21.440 --> 0:21:24.399
<v Speaker 1>going shopping, that wasn't my narrative. That was like that

0:21:24.520 --> 0:21:27.840
<v Speaker 1>was horror. So it's even interesting for to hear you say, like, hey,

0:21:27.880 --> 0:21:29.560
<v Speaker 1>you went to church and you saw all these women.

0:21:29.600 --> 0:21:32.320
<v Speaker 1>And maybe that's the key thing because as a young girl,

0:21:32.880 --> 0:21:35.400
<v Speaker 1>what as far as carl be closed, what looked right

0:21:35.400 --> 0:21:38.600
<v Speaker 1>on me. And as you said before, things have changed

0:21:38.600 --> 0:21:40.280
<v Speaker 1>since it was but back in the day, well things

0:21:40.280 --> 0:21:41.960
<v Speaker 1>have changed. You have to look at it. But things

0:21:42.000 --> 0:21:44.480
<v Speaker 1>have changed, but they haven't changed as much. I most

0:21:44.520 --> 0:21:47.159
<v Speaker 1>recently had a conversation with somebody, and I've been saying

0:21:47.200 --> 0:21:49.120
<v Speaker 1>this for the longest, even I used to talk about

0:21:49.160 --> 0:21:51.040
<v Speaker 1>this on my TV show when I had interviews for

0:21:51.119 --> 0:21:53.960
<v Speaker 1>my show and stuff like that. UM I used to

0:21:53.960 --> 0:21:58.160
<v Speaker 1>always say, the shopping experience is where it all begins.

0:21:58.600 --> 0:22:05.520
<v Speaker 1>The shopping experience is not online. Everybody's looking for experiences today.

0:22:05.640 --> 0:22:08.120
<v Speaker 1>They're looking for things to take them out of their

0:22:08.200 --> 0:22:11.600
<v Speaker 1>norm and bring them to somewhere that's more powerful, more interesting,

0:22:11.920 --> 0:22:18.199
<v Speaker 1>more pleasurable, more um um exciting, etcetera, etcetera. And I

0:22:18.240 --> 0:22:21.359
<v Speaker 1>always thought the shopping experience and plus sized departments is

0:22:21.440 --> 0:22:25.280
<v Speaker 1>so dismal. They're not set up properly all the way

0:22:25.280 --> 0:22:26.600
<v Speaker 1>and you used to go all the way back in

0:22:26.640 --> 0:22:29.440
<v Speaker 1>the corner. Why would that make you feel good? Well,

0:22:29.480 --> 0:22:32.600
<v Speaker 1>they wouldn't, because really it's changed. But a lot of

0:22:32.600 --> 0:22:35.200
<v Speaker 1>it used to be afterthought. You have to think about that.

0:22:35.240 --> 0:22:37.479
<v Speaker 1>A lot of that was afterthought. But now you have

0:22:37.600 --> 0:22:41.560
<v Speaker 1>such companies um such as Eloquate that you can order online.

0:22:42.000 --> 0:22:45.520
<v Speaker 1>You can you have UM an upscale line called eleven

0:22:45.560 --> 0:22:48.640
<v Speaker 1>on Array. You have the curvy fashion Eastern Marie who

0:22:48.640 --> 0:22:51.400
<v Speaker 1>talks about fashion and she's a Trailblazer and what's her

0:22:51.400 --> 0:22:53.840
<v Speaker 1>blog about fashion? Keeping you up on what's happening and

0:22:53.840 --> 0:22:57.119
<v Speaker 1>stuff like that. And I think that with those with

0:22:57.280 --> 0:23:01.560
<v Speaker 1>people like that that are um in the mix, it's

0:23:01.680 --> 0:23:04.919
<v Speaker 1>making it different. But I just feel there needs to

0:23:04.960 --> 0:23:08.399
<v Speaker 1>be places where women of size can go right just

0:23:08.440 --> 0:23:11.280
<v Speaker 1>to have a conversation about the curves and what about it.

0:23:11.320 --> 0:23:13.240
<v Speaker 1>Because you walk in and you see five or six

0:23:13.280 --> 0:23:16.320
<v Speaker 1>other girls that are like a sixteen or eighteen or

0:23:16.320 --> 0:23:18.600
<v Speaker 1>twenty two or whatever like that. However you want to

0:23:18.600 --> 0:23:21.520
<v Speaker 1>look at it, but you feel comfortable. You feel comfortable,

0:23:21.520 --> 0:23:25.159
<v Speaker 1>and I think that's the big thing about feeling you know,

0:23:25.240 --> 0:23:29.479
<v Speaker 1>you feel comfortable enough to you know, hey girl, what's up?

0:23:29.520 --> 0:23:31.120
<v Speaker 1>You know that kind of thing? Oh that looks cute

0:23:31.160 --> 0:23:35.120
<v Speaker 1>on you too? Coming my size? That comes in your size.

0:23:35.200 --> 0:23:36.639
<v Speaker 1>Let me go to the back and get it for you,

0:23:36.720 --> 0:23:40.280
<v Speaker 1>because it very insimidating. And I'm just wondering, did you

0:23:40.359 --> 0:23:42.640
<v Speaker 1>ever practice or did you get any inspiration from your

0:23:42.640 --> 0:23:44.879
<v Speaker 1>sister because you had a whole woman, you know, in

0:23:44.960 --> 0:23:47.080
<v Speaker 1>the house with you. My sister is a pretty woman

0:23:47.119 --> 0:23:49.280
<v Speaker 1>and always got inspiration for her for the sense that

0:23:49.359 --> 0:23:52.320
<v Speaker 1>she always she doesn't know it, but she followed my

0:23:52.400 --> 0:23:56.040
<v Speaker 1>mother's sensibility of fashion and clothing. Because now my sister

0:23:56.080 --> 0:23:59.560
<v Speaker 1>has a daughter who's nineteen years old. She's in college,

0:23:59.800 --> 0:24:01.840
<v Speaker 1>so she wants to show skin. Of course, she has

0:24:01.880 --> 0:24:04.600
<v Speaker 1>a beautiful figure, and I said to my sister one day,

0:24:04.800 --> 0:24:07.320
<v Speaker 1>let her show her body. She's very tasteful. She doesn't

0:24:07.359 --> 0:24:13.520
<v Speaker 1>show a lot because she's young. My niece, No, she's

0:24:13.560 --> 0:24:18.240
<v Speaker 1>my nieces five eleven, and like a d she she ain't,

0:24:19.920 --> 0:24:23.119
<v Speaker 1>you know she, But she works out and she's aware

0:24:23.160 --> 0:24:25.400
<v Speaker 1>of her body, and she gets a little thick every

0:24:25.440 --> 0:24:26.959
<v Speaker 1>now and then when she comes on. She s at

0:24:27.000 --> 0:24:29.240
<v Speaker 1>home summer right now, when she goes back to school,

0:24:29.320 --> 0:24:31.480
<v Speaker 1>whatever way she gains it. AD just dropped right out

0:24:31.520 --> 0:24:36.640
<v Speaker 1>because she's she's active, you know. So I for me

0:24:37.320 --> 0:24:41.439
<v Speaker 1>about anything that has to do with the curvy market,

0:24:41.960 --> 0:24:44.879
<v Speaker 1>it's just it's opportunity, time and space. Because for the

0:24:44.960 --> 0:24:47.440
<v Speaker 1>last several years, a lot of people who are and

0:24:47.680 --> 0:24:50.520
<v Speaker 1>who have a love for it, in an understanding for curving,

0:24:50.680 --> 0:24:55.439
<v Speaker 1>curvy bodies and the curvy market are participating in it.

0:24:55.480 --> 0:24:56.639
<v Speaker 1>But there are a lot of people that just on

0:24:56.800 --> 0:24:58.639
<v Speaker 1>it for the money. But if you're going to be

0:24:58.640 --> 0:25:00.520
<v Speaker 1>in it for the money, hire people put people in

0:25:00.520 --> 0:25:02.720
<v Speaker 1>the position who know that, who know the job, who

0:25:02.760 --> 0:25:04.399
<v Speaker 1>live in the body. I may not live in a

0:25:04.440 --> 0:25:06.440
<v Speaker 1>plus sized woman's body, but I live in a plus

0:25:06.440 --> 0:25:10.520
<v Speaker 1>sized man's body, and I wanted too. So how now

0:25:10.640 --> 0:25:12.919
<v Speaker 1>usually we here on the other end about models who

0:25:12.920 --> 0:25:15.359
<v Speaker 1>are a plus size as a plus size celebrity style

0:25:15.480 --> 0:25:18.520
<v Speaker 1>is What was your journey like coming through the industry.

0:25:18.720 --> 0:25:23.560
<v Speaker 1>It was so interesting because I just happenstanced upon it.

0:25:24.320 --> 0:25:29.800
<v Speaker 1>I got really kind of disillusioned with the fashion industry

0:25:29.800 --> 0:25:31.760
<v Speaker 1>because I wasn't getting the jobs that I thought that

0:25:31.840 --> 0:25:34.280
<v Speaker 1>I deserved and that I was capable of doing. And

0:25:34.320 --> 0:25:38.160
<v Speaker 1>then I knew I could do. So I walked out

0:25:38.160 --> 0:25:41.199
<v Speaker 1>of a job. His company was called Tearing Apparel, and

0:25:41.240 --> 0:25:46.920
<v Speaker 1>I worked in a division, and I went to work

0:25:46.960 --> 0:25:50.400
<v Speaker 1>for Z Gallery. And let me tell you how God works.

0:25:50.760 --> 0:25:53.280
<v Speaker 1>When I went to Z Gallery, this girl worked their

0:25:53.359 --> 0:25:57.120
<v Speaker 1>part time and she said, you know Larry Flynt, who

0:25:57.160 --> 0:26:00.800
<v Speaker 1>we all know, Husper Magazine, Hustle, whatever, the it's coming

0:26:00.800 --> 0:26:03.640
<v Speaker 1>out with this men men's magazine for men of Color

0:26:03.640 --> 0:26:07.159
<v Speaker 1>fashion magazine. And we've been talking and you're really into fashion,

0:26:07.160 --> 0:26:09.480
<v Speaker 1>and you've got great style, and you really seem to

0:26:09.480 --> 0:26:13.400
<v Speaker 1>know what you're doing, maybe you should interview with them

0:26:13.400 --> 0:26:16.000
<v Speaker 1>to work on the magazine, to be part of it.

0:26:16.359 --> 0:26:18.359
<v Speaker 1>I have to start myself. And see, this is where

0:26:18.359 --> 0:26:21.560
<v Speaker 1>fear steps in. Come. Let's talk talk about it. Come on,

0:26:21.960 --> 0:26:25.119
<v Speaker 1>this is where fear steps in. Because in my head

0:26:25.200 --> 0:26:27.280
<v Speaker 1>I was saying, I don't think I can do this.

0:26:27.680 --> 0:26:31.680
<v Speaker 1>What am I doing? Why am I doing? About the etcetera, etcetera, etcetera.

0:26:32.240 --> 0:26:34.280
<v Speaker 1>And I said, Okay, God, if this is meant for

0:26:34.440 --> 0:26:41.120
<v Speaker 1>me to meet to be a part of this UM situation,

0:26:41.200 --> 0:26:46.560
<v Speaker 1>a part of this magazine called Code magazine, UM, give

0:26:46.640 --> 0:26:48.960
<v Speaker 1>me how to do it? How to sell myself. So

0:26:49.040 --> 0:26:51.000
<v Speaker 1>I was laying in the bed one night and I

0:26:51.119 --> 0:26:53.680
<v Speaker 1>was just kind of thinking to myself and then the

0:26:54.160 --> 0:26:59.160
<v Speaker 1>words me came to me storyboards. So what I did

0:26:59.359 --> 0:27:03.200
<v Speaker 1>was I put together eight storyboards a fashion for men.

0:27:04.200 --> 0:27:07.280
<v Speaker 1>And what I did instead of using American men's magazines

0:27:07.320 --> 0:27:11.480
<v Speaker 1>like g Q, I used European men's magazines to create

0:27:11.520 --> 0:27:13.879
<v Speaker 1>my storyboards. And what was the difference that you found.

0:27:14.320 --> 0:27:17.800
<v Speaker 1>I found that the Europeans men's fashion board fashion boards

0:27:17.960 --> 0:27:20.640
<v Speaker 1>will relate more to Black men because they were more interesting,

0:27:20.640 --> 0:27:22.560
<v Speaker 1>they were more stylished, they were more out of the box.

0:27:22.560 --> 0:27:25.680
<v Speaker 1>They were more unique. So that's the reason why I

0:27:25.720 --> 0:27:28.720
<v Speaker 1>went there. So I met with the publication director, Abbey Britain,

0:27:28.760 --> 0:27:31.160
<v Speaker 1>who had worked for Women's Wear Daily, and who had

0:27:31.200 --> 0:27:35.239
<v Speaker 1>worked for More magazine, who had worked for Glamor and

0:27:35.280 --> 0:27:37.359
<v Speaker 1>all these different other magazines. Who was going to be

0:27:37.400 --> 0:27:39.159
<v Speaker 1>over this? A white woman who was going to be

0:27:39.240 --> 0:27:41.560
<v Speaker 1>over this, but she was hired putting the team together.

0:27:43.320 --> 0:27:46.760
<v Speaker 1>I went in. I had fashion experience and had fashion

0:27:46.800 --> 0:27:50.080
<v Speaker 1>design experience. I put my storyboards up and I began

0:27:50.160 --> 0:27:53.800
<v Speaker 1>to become and I became a storyteller and I sold

0:27:53.840 --> 0:27:56.040
<v Speaker 1>my vision on how I see the magazine. You got

0:27:56.080 --> 0:27:58.439
<v Speaker 1>that job, got that job because you became the first

0:27:58.600 --> 0:28:01.719
<v Speaker 1>fashion director. Yes, but let me tell you how that happens,

0:28:02.480 --> 0:28:04.160
<v Speaker 1>they said. She said, I'm going to bring you in

0:28:04.200 --> 0:28:09.119
<v Speaker 1>as a fashion a fashion editor. I said, okay, a

0:28:09.359 --> 0:28:12.560
<v Speaker 1>fashion editor assistant. I'm gonna bring you into that. Because

0:28:12.560 --> 0:28:15.800
<v Speaker 1>the girl that was over it was named Cindy. Cindy

0:28:15.840 --> 0:28:18.760
<v Speaker 1>Bolden who still works in fashion today. She's at in

0:28:18.800 --> 0:28:21.520
<v Speaker 1>Style magazine and I love her to this day. She

0:28:21.640 --> 0:28:25.760
<v Speaker 1>got a job of Woman's Very Daily. She left the magazine.

0:28:26.280 --> 0:28:28.320
<v Speaker 1>The publication director came to me and she said, I

0:28:28.359 --> 0:28:32.080
<v Speaker 1>love you you're very creative. This is a black man's magazine.

0:28:32.119 --> 0:28:34.560
<v Speaker 1>You're a black man. I'm not going to bring somebody

0:28:34.600 --> 0:28:36.640
<v Speaker 1>in over you. I'm gonna teach you everything you need

0:28:36.680 --> 0:28:40.400
<v Speaker 1>to know. And she did. Can I ask you a

0:28:40.520 --> 0:28:42.440
<v Speaker 1>question this? I mean, I don't know how this sounds,

0:28:42.480 --> 0:28:45.120
<v Speaker 1>but have you found that you know? Because you've mentioned

0:28:45.120 --> 0:28:47.000
<v Speaker 1>two people who have really given you direction with the

0:28:47.080 --> 0:28:52.000
<v Speaker 1>people of color? Well, Abby wasn't a person of color.

0:28:53.320 --> 0:28:56.480
<v Speaker 1>My direction through life has been given to me by

0:28:56.560 --> 0:29:03.000
<v Speaker 1>many multiple culture because that's how my friend basis. So

0:29:03.600 --> 0:29:07.120
<v Speaker 1>I have been fortunate enough to have a lot of

0:29:07.160 --> 0:29:13.040
<v Speaker 1>people to um give me opportunities. So yeah, so, um,

0:29:13.200 --> 0:29:15.840
<v Speaker 1>that's how that happened. And I before I knew it. Oh,

0:29:15.880 --> 0:29:17.480
<v Speaker 1>you gotta go to Milan, you have to go to

0:29:17.520 --> 0:29:19.960
<v Speaker 1>London and so you just so you did you ever

0:29:20.160 --> 0:29:21.840
<v Speaker 1>when you got your start? Did you work with any

0:29:21.840 --> 0:29:24.120
<v Speaker 1>other brands before you jumped over to Code magazine? No.

0:29:24.240 --> 0:29:27.280
<v Speaker 1>I had to create a rolodex. I had to call

0:29:27.400 --> 0:29:30.200
<v Speaker 1>people and ask for clothing. I had to build my relationships.

0:29:30.560 --> 0:29:34.640
<v Speaker 1>You know, with any job that you do, you only

0:29:34.680 --> 0:29:38.680
<v Speaker 1>as good as your relationship. Relationships are important. It's important

0:29:38.680 --> 0:29:41.320
<v Speaker 1>to nurture your relationships. It's important to be kind to

0:29:41.400 --> 0:29:44.680
<v Speaker 1>people and be direct and be as polished as you

0:29:44.760 --> 0:29:48.280
<v Speaker 1>can with how you want to be represented, that you

0:29:48.280 --> 0:29:50.000
<v Speaker 1>you talk to people in the same way. That's why

0:29:50.040 --> 0:29:53.040
<v Speaker 1>they say your network is your network. It is, it is,

0:29:53.120 --> 0:29:56.040
<v Speaker 1>it really is, And that rolodex is power. That rolodex

0:29:56.160 --> 0:29:57.800
<v Speaker 1>used to be, you know, the thing that sits on

0:29:57.840 --> 0:30:00.320
<v Speaker 1>the desk and the thing now your rolodex is right

0:30:00.800 --> 0:30:03.760
<v Speaker 1>your phone and that can be on social media as well,

0:30:03.840 --> 0:30:06.320
<v Speaker 1>right and social media, Instagram, etcetera. I've met a lot

0:30:06.320 --> 0:30:11.600
<v Speaker 1>of designers, young up and coming um um, biopoc um designers,

0:30:11.720 --> 0:30:14.120
<v Speaker 1>urban designers that are looking for that are looking because

0:30:14.120 --> 0:30:19.200
<v Speaker 1>I just recently participated in a as a judge for UM,

0:30:19.360 --> 0:30:23.720
<v Speaker 1>the Curvy Fashionista and eleven I'm sorry, the Curvy fashion

0:30:23.760 --> 0:30:28.560
<v Speaker 1>Easter and Eloquate. They partnered to look for a black

0:30:28.600 --> 0:30:31.440
<v Speaker 1>designer urban black designer to feature and a lot of

0:30:31.480 --> 0:30:34.360
<v Speaker 1>people applied to us part of that judging proce something

0:30:34.360 --> 0:30:37.320
<v Speaker 1>and they're going to be featured next year and UM

0:30:37.840 --> 0:30:41.720
<v Speaker 1>eleven and I'm sorry and eloquies um website and selling

0:30:41.720 --> 0:30:47.560
<v Speaker 1>clothes congratulations. So it's really, um, it's really there's so

0:30:47.640 --> 0:30:51.960
<v Speaker 1>many things happening and manifesting itself, you know, kind of

0:30:52.000 --> 0:30:56.080
<v Speaker 1>that that magazine was the thing that turned the trajectory

0:30:56.120 --> 0:30:57.760
<v Speaker 1>of my life, kind of give you like the launching

0:30:57.800 --> 0:31:00.120
<v Speaker 1>pad it did. And to make a long story or

0:31:00.120 --> 0:31:03.120
<v Speaker 1>what I did that the magazine closed unfortunately, but we

0:31:03.200 --> 0:31:07.440
<v Speaker 1>did the first award season for magazines and publishing and

0:31:07.480 --> 0:31:11.280
<v Speaker 1>stuff like that. We won six awards. Since magazine there

0:31:11.320 --> 0:31:14.200
<v Speaker 1>was no There was nobody like us. And we coined

0:31:14.240 --> 0:31:17.719
<v Speaker 1>ourselves down the side of our book, the Style Bible

0:31:17.760 --> 0:31:21.280
<v Speaker 1>for Men of Color. Wow. And to this day, once

0:31:21.280 --> 0:31:23.360
<v Speaker 1>a year g Q puts out to an issue called

0:31:23.360 --> 0:31:28.280
<v Speaker 1>the Style Bible, really coined by us. Hello, somebody catch it,

0:31:28.560 --> 0:31:32.600
<v Speaker 1>catch it? I caught it. And another thing, what when

0:31:32.640 --> 0:31:35.440
<v Speaker 1>we came out with the magazine Code magazine, they started

0:31:35.440 --> 0:31:37.840
<v Speaker 1>featuring at that particular time more men of color in

0:31:37.880 --> 0:31:41.600
<v Speaker 1>the fashion spreads. So we were making a difference, noticeable

0:31:41.800 --> 0:31:44.120
<v Speaker 1>little differences. And what did you find a lot of

0:31:44.120 --> 0:31:48.640
<v Speaker 1>plus as men then? Or is that? Um? We worked

0:31:48.640 --> 0:31:52.320
<v Speaker 1>with models now we had UM. We did covers and

0:31:52.320 --> 0:31:54.400
<v Speaker 1>I did a lot. We did Princess a cover, We

0:31:54.480 --> 0:31:59.080
<v Speaker 1>did Lenny Kravitz, Laurence fish Lawrence Fishburne, we did Samuel Jackson.

0:31:59.120 --> 0:32:02.920
<v Speaker 1>He was our premier covered with wearing Oswald Boutang from London.

0:32:03.640 --> 0:32:07.200
<v Speaker 1>So you know, we we really, we really raised the bar.

0:32:08.240 --> 0:32:12.520
<v Speaker 1>And because I always say and people what asked me

0:32:12.520 --> 0:32:14.400
<v Speaker 1>an interview is when I was with Code magazine, what

0:32:14.520 --> 0:32:18.320
<v Speaker 1>makes the the man of color different with this magazine?

0:32:18.360 --> 0:32:21.840
<v Speaker 1>I said, Well, the difference is that he can go

0:32:22.760 --> 0:32:28.200
<v Speaker 1>um downtown to uptown of downtown I'm sorry, uptown would

0:32:28.200 --> 0:32:32.880
<v Speaker 1>be Harlem downtown to do a black tie affair with

0:32:32.960 --> 0:32:36.040
<v Speaker 1>a tuxedo on. He can go home, put on his

0:32:36.120 --> 0:32:38.920
<v Speaker 1>jeans and his tams, open up his shirt, take off

0:32:38.920 --> 0:32:40.800
<v Speaker 1>his bow tie, and keep his jacket and his crisp

0:32:40.800 --> 0:32:42.480
<v Speaker 1>white shirt on and go right onto the uptown and

0:32:42.520 --> 0:32:47.240
<v Speaker 1>hang with his versatility. Versatility and because we are the

0:32:47.360 --> 0:32:50.560
<v Speaker 1>arbitrras of fashion in a lot of ways. So I

0:32:50.560 --> 0:32:52.920
<v Speaker 1>if somebody's just wanting what do you mean by that? Well,

0:32:52.920 --> 0:32:55.520
<v Speaker 1>the interesting thing about is they did a round table

0:32:55.560 --> 0:32:58.400
<v Speaker 1>to come up with the name of Code Magazine, and

0:32:58.400 --> 0:33:00.640
<v Speaker 1>what was taken away from it that black men speaking

0:33:00.680 --> 0:33:03.480
<v Speaker 1>a lot of code, that they understand each other, and

0:33:03.520 --> 0:33:05.800
<v Speaker 1>they speaking a lot of different ways that people may

0:33:05.800 --> 0:33:08.760
<v Speaker 1>not understand. And I think a lot of times when

0:33:08.800 --> 0:33:13.000
<v Speaker 1>people think that black men may be aggressive or coming

0:33:13.080 --> 0:33:16.320
<v Speaker 1>a certain way, it's not necessarily it's the code. It's

0:33:16.360 --> 0:33:19.760
<v Speaker 1>the way, the way, the culture is, this the way

0:33:19.800 --> 0:33:22.440
<v Speaker 1>they speak. So yeah, I was with that magazine. The

0:33:22.480 --> 0:33:26.920
<v Speaker 1>magazine folded and then I, um, I got an agent

0:33:27.000 --> 0:33:30.280
<v Speaker 1>and I started doing music videos and all of that stuff.

0:33:30.520 --> 0:33:33.280
<v Speaker 1>So you so I'm leaving there, you start doing the

0:33:33.360 --> 0:33:35.640
<v Speaker 1>music videos. And so when did like the Queen latifa Is,

0:33:35.680 --> 0:33:38.600
<v Speaker 1>the Angelo Bassetts and and the Whitney Houston? How how

0:33:38.600 --> 0:33:44.160
<v Speaker 1>did that happen? That was interesting? I had an agent, Yeah,

0:33:44.280 --> 0:33:46.840
<v Speaker 1>so who was first? The best thing that came out

0:33:46.880 --> 0:33:51.960
<v Speaker 1>of the whole agent situation for me was getting Whitney.

0:33:52.280 --> 0:33:55.000
<v Speaker 1>And my book was taken to William Morris. It was

0:33:55.080 --> 0:33:59.800
<v Speaker 1>put in front of UM the Cold David UM with

0:34:00.080 --> 0:34:04.800
<v Speaker 1>these um you know, one of her um you know managers,

0:34:04.920 --> 0:34:08.840
<v Speaker 1>um that whole thing over there, and her assistant was

0:34:08.880 --> 0:34:12.319
<v Speaker 1>a black woman. Tomorrow Houston had been following me doing

0:34:12.360 --> 0:34:16.280
<v Speaker 1>Cold and she said, oh, because they thought that maybe

0:34:16.280 --> 0:34:18.400
<v Speaker 1>she we should change and maybe try a man with

0:34:18.480 --> 0:34:21.319
<v Speaker 1>Whitney for a while. And so she saw it and

0:34:21.360 --> 0:34:23.480
<v Speaker 1>she said, well, let me share this issue and how

0:34:23.520 --> 0:34:26.640
<v Speaker 1>he styled halle Berry for the cover for the anniversary issue,

0:34:27.440 --> 0:34:31.319
<v Speaker 1>and then um, I met Whitney. I just kind of

0:34:31.320 --> 0:34:35.319
<v Speaker 1>bonded just that. First of all, First of all, can

0:34:35.360 --> 0:34:37.520
<v Speaker 1>we win a little bit? Because it wasn't just like me,

0:34:37.680 --> 0:34:40.239
<v Speaker 1>what do us? It was one of your idols grown

0:34:40.320 --> 0:34:43.839
<v Speaker 1>up right. Whitney Houston was the first concert I went

0:34:43.880 --> 0:34:47.160
<v Speaker 1>to in my in my entire young adult life at

0:34:47.200 --> 0:34:53.640
<v Speaker 1>the Forms in Los Angeles, California. She was my first concert,

0:34:54.280 --> 0:34:58.200
<v Speaker 1>my first concert. And Whitney's full name was Whitney Elizabeth Houston.

0:34:58.320 --> 0:35:05.080
<v Speaker 1>I was raised on Elizabeth. Come on, I mean, there's

0:35:05.280 --> 0:35:08.080
<v Speaker 1>certain things that just kind of happened in your life.

0:35:08.080 --> 0:35:11.040
<v Speaker 1>If you pay attention that you see the parallel. It

0:35:11.160 --> 0:35:12.920
<v Speaker 1>is always kind of like there and we're just kind

0:35:12.920 --> 0:35:16.200
<v Speaker 1>of looking outside. But wait a minute, who one I

0:35:16.280 --> 0:35:18.319
<v Speaker 1>ever saw? And I think that's the power. And when

0:35:18.360 --> 0:35:21.759
<v Speaker 1>we talked about starting off and dreaming, who whatever thought

0:35:21.760 --> 0:35:24.319
<v Speaker 1>this young boy has a lot for us. And then

0:35:24.360 --> 0:35:28.000
<v Speaker 1>you appear working with her. Wait, tell me about the concert.

0:35:28.239 --> 0:35:30.759
<v Speaker 1>Tell me about when you met him. My friend, my

0:35:30.840 --> 0:35:36.000
<v Speaker 1>friend Tammy gavois Um, which is one of my dear friends,

0:35:36.080 --> 0:35:38.360
<v Speaker 1>said I got tickets for us to go to a concert.

0:35:38.400 --> 0:35:42.560
<v Speaker 1>And thinking, Oh. I was like, oh God, what is

0:35:42.560 --> 0:35:45.480
<v Speaker 1>the sponsor going to be? You know, because my girl,

0:35:45.600 --> 0:35:48.520
<v Speaker 1>she had very different tastes about music and stuff like that,

0:35:48.560 --> 0:35:51.040
<v Speaker 1>which I appreciate it because at that time we were

0:35:51.040 --> 0:35:53.439
<v Speaker 1>listening to The Cure and all these other kind of things,

0:35:53.440 --> 0:35:55.840
<v Speaker 1>because you know, I've just been very open about my music.

0:35:55.880 --> 0:35:58.120
<v Speaker 1>I like all types of music. So she said, no,

0:35:58.160 --> 0:36:00.640
<v Speaker 1>We're gonna go see Whitney. Houston almost fell down because

0:36:00.640 --> 0:36:03.200
<v Speaker 1>she knew how much I loved her. So we had

0:36:03.280 --> 0:36:06.800
<v Speaker 1>nosebleed seats, but I was sitting in the benches seeing

0:36:06.800 --> 0:36:09.000
<v Speaker 1>and I could hear her saying her voice was so amazing.

0:36:09.000 --> 0:36:10.959
<v Speaker 1>I think I thought it crossed my mind. I thought

0:36:10.960 --> 0:36:14.520
<v Speaker 1>to myself, well I would like to work from her.

0:36:16.239 --> 0:36:18.400
<v Speaker 1>Well you better speak it smell. The reason why I

0:36:18.440 --> 0:36:20.279
<v Speaker 1>had the pause were quick because you know, I have

0:36:20.360 --> 0:36:23.400
<v Speaker 1>life tattered in my mouth, So don't act like you

0:36:23.440 --> 0:36:26.040
<v Speaker 1>didn't know that that's true. That's true. And the fact

0:36:26.080 --> 0:36:29.360
<v Speaker 1>that you were able to speak that into exist on

0:36:29.680 --> 0:36:31.960
<v Speaker 1>and I just kind of said it just kind of

0:36:32.000 --> 0:36:34.000
<v Speaker 1>you know how you just kind of say something you're

0:36:34.000 --> 0:36:37.120
<v Speaker 1>not really paying it, You just say something. I was

0:36:37.200 --> 0:36:39.880
<v Speaker 1>kinda like to work with her. And then I just

0:36:39.920 --> 0:36:43.040
<v Speaker 1>went on to the melody of the music, say the

0:36:43.120 --> 0:36:45.239
<v Speaker 1>day or whatever she was sing. I just went I did.

0:36:45.360 --> 0:36:47.600
<v Speaker 1>I just it was It was a thought and it

0:36:47.719 --> 0:36:50.240
<v Speaker 1>was me just speaking something that was in my head.

0:36:51.040 --> 0:36:53.359
<v Speaker 1>And I don't even think my friend heard me because

0:36:53.400 --> 0:36:56.279
<v Speaker 1>I didn't. I didn't broadcast it. It was just a

0:36:56.400 --> 0:37:00.560
<v Speaker 1>thought for me. The interesting thing about this month before

0:37:00.560 --> 0:37:03.640
<v Speaker 1>I got with me, I was going through a hard time.

0:37:03.680 --> 0:37:05.200
<v Speaker 1>I wasn't making the kind of money I thought I

0:37:05.200 --> 0:37:07.120
<v Speaker 1>needed to make. I just felt like, God, I've struggled

0:37:07.120 --> 0:37:09.359
<v Speaker 1>so long. What is going on? Why is these things? Why?

0:37:09.400 --> 0:37:11.440
<v Speaker 1>Why can't I just get myself to the door. I

0:37:11.520 --> 0:37:16.359
<v Speaker 1>know what I bring. The Preacher's Wife was out and

0:37:16.440 --> 0:37:20.240
<v Speaker 1>we had a what was it a two dollar movie

0:37:20.239 --> 0:37:23.040
<v Speaker 1>theater or three dollar movie theater. But it was something

0:37:23.040 --> 0:37:25.720
<v Speaker 1>about that movie that encouraged me and made me feel

0:37:26.280 --> 0:37:28.680
<v Speaker 1>full and made me feel like I can do this.

0:37:29.200 --> 0:37:31.320
<v Speaker 1>I can keep going. Because why did you feel like

0:37:31.360 --> 0:37:34.400
<v Speaker 1>you wanted to start? Well, I didn't know. I didn't

0:37:34.440 --> 0:37:36.080
<v Speaker 1>know that. I wasn't gonna say I was going to

0:37:36.160 --> 0:37:39.080
<v Speaker 1>give up completely, but I was challenged. What was the challenge.

0:37:39.120 --> 0:37:41.640
<v Speaker 1>The challenge was things weren't happening the way I thought

0:37:41.680 --> 0:37:44.360
<v Speaker 1>they should happen, and weren't happening quick enough. It wasn't happening.

0:37:44.640 --> 0:37:46.520
<v Speaker 1>I was working with people that I could tell them

0:37:46.560 --> 0:37:48.160
<v Speaker 1>what the job to do, Like, how are you getting

0:37:48.160 --> 0:37:50.120
<v Speaker 1>that check for five hundred thousand dollars year? And I'm

0:37:50.120 --> 0:37:53.879
<v Speaker 1>telling you what to do? Why am I Something's wrong here?

0:37:54.800 --> 0:37:58.239
<v Speaker 1>So I when I saw the Preacher's Wife, like me

0:37:58.400 --> 0:38:01.520
<v Speaker 1>before or five times at the theater, and I would

0:38:01.560 --> 0:38:03.400
<v Speaker 1>sit there. I would go to the movie, nobody even know.

0:38:03.560 --> 0:38:05.840
<v Speaker 1>I just go by myself and just sit there and

0:38:05.880 --> 0:38:09.120
<v Speaker 1>watched the movie. And I didn't know that God was

0:38:09.200 --> 0:38:12.440
<v Speaker 1>preparing me to work with this woman for fifteen years.

0:38:13.000 --> 0:38:14.959
<v Speaker 1>The day she died, I worked with her. You worked

0:38:14.960 --> 0:38:18.480
<v Speaker 1>with Whitney for fifteen years, A long time, A long time.

0:38:18.640 --> 0:38:21.680
<v Speaker 1>I traveled the world with her, I worked with her.

0:38:22.120 --> 0:38:24.879
<v Speaker 1>I was always. I just had a great time with her.

0:38:24.960 --> 0:38:28.279
<v Speaker 1>I was just like because when I got the call

0:38:29.040 --> 0:38:31.400
<v Speaker 1>my agent, I was in New York. She took me

0:38:31.440 --> 0:38:33.640
<v Speaker 1>out to lunch and she I just sat there like

0:38:33.880 --> 0:38:38.879
<v Speaker 1>it just really happened. It just seems so weird. I mean, wait, now,

0:38:39.120 --> 0:38:45.000
<v Speaker 1>you don't sit here and tell me that you gotta

0:38:45.080 --> 0:38:50.920
<v Speaker 1>call working for Whitney Houston and what was the room that?

0:38:51.040 --> 0:38:53.200
<v Speaker 1>What were you doing the phone? I don't know where

0:38:53.200 --> 0:38:55.640
<v Speaker 1>I was. I don't know what room I was in.

0:38:55.760 --> 0:38:58.279
<v Speaker 1>I don't know what happened, but I was in disbelief.

0:38:59.840 --> 0:39:02.959
<v Speaker 1>I worked this way when things shocked me or things

0:39:03.080 --> 0:39:06.480
<v Speaker 1>overwhelmed me, I get quiet, I go in. I go

0:39:06.560 --> 0:39:09.960
<v Speaker 1>in because I don't know if that's fear. I don't

0:39:09.960 --> 0:39:11.400
<v Speaker 1>know what that is, but that's me kind of like,

0:39:13.040 --> 0:39:19.839
<v Speaker 1>oh so one of my first jobs with her? Wait wait, wait,

0:39:19.880 --> 0:39:21.799
<v Speaker 1>wait wait, what did you do when you first met her?

0:39:22.040 --> 0:39:26.480
<v Speaker 1>What was that? I couldn't stop grinning, But I knew

0:39:27.280 --> 0:39:30.440
<v Speaker 1>that beyond being a fan, I had a job to do.

0:39:30.880 --> 0:39:34.600
<v Speaker 1>So I came in with my racks, adult and Gabanna, Um,

0:39:34.800 --> 0:39:38.200
<v Speaker 1>who else did I have on that rack? Um, Gucci

0:39:38.239 --> 0:39:40.280
<v Speaker 1>and everybody else? Because it was it was a project

0:39:40.280 --> 0:39:42.319
<v Speaker 1>that needs to be suited. And you understand why I'm

0:39:42.320 --> 0:39:46.839
<v Speaker 1>saying suited. What we did so I'm doing the job

0:39:46.880 --> 0:39:50.560
<v Speaker 1>and whatever like that. We did the fitting and it

0:39:50.640 --> 0:39:53.920
<v Speaker 1>went beautifully. I learned a lot about her, and the

0:39:53.960 --> 0:39:55.719
<v Speaker 1>first thing she said to me was she said, it's

0:39:55.719 --> 0:39:59.279
<v Speaker 1>so sweet. She said, you have great taste. You don't

0:39:59.320 --> 0:40:01.080
<v Speaker 1>have to bring some any close for me. You can

0:40:01.160 --> 0:40:03.440
<v Speaker 1>shorten it and I trust you we will figure it

0:40:03.480 --> 0:40:07.840
<v Speaker 1>out and you know, ETCeteras. Okay, so we did the fitting,

0:40:07.880 --> 0:40:10.680
<v Speaker 1>I went back to my hotel and the next day

0:40:10.840 --> 0:40:13.440
<v Speaker 1>we did the Diane saw your interview. That was my

0:40:13.520 --> 0:40:18.560
<v Speaker 1>first job with her. I got history all surrounded over me.

0:40:18.800 --> 0:40:22.160
<v Speaker 1>I have history all around. So okay, you walk in wait. Okay,

0:40:22.160 --> 0:40:23.560
<v Speaker 1>So the first time she said you have a great

0:40:23.600 --> 0:40:26.440
<v Speaker 1>day to bring a smaller moment, You're just like, wow,

0:40:26.480 --> 0:40:29.040
<v Speaker 1>that was regularly. Then the first eneview, what happened like

0:40:29.080 --> 0:40:31.680
<v Speaker 1>what was you know, well, she was up in hair

0:40:31.680 --> 0:40:34.799
<v Speaker 1>and makeup. That wasn't at that place to hang in

0:40:34.840 --> 0:40:37.080
<v Speaker 1>that kind of and sometimes on hair and makeup is

0:40:37.120 --> 0:40:39.480
<v Speaker 1>going on. After we've talked to creative, I kind of

0:40:39.520 --> 0:40:43.200
<v Speaker 1>like to step out just you know, do my steam

0:40:43.239 --> 0:40:45.440
<v Speaker 1>clothes if I'm with an assistant or whatever, and just

0:40:45.520 --> 0:40:48.239
<v Speaker 1>kind of like and then then I get my time,

0:40:48.239 --> 0:40:50.239
<v Speaker 1>which is usually five or ten minutes because we're running

0:40:50.239 --> 0:40:57.160
<v Speaker 1>out the door. But um, it was interesting. You traveled

0:40:57.200 --> 0:41:00.279
<v Speaker 1>the world and everyone. I can't even imagine of things

0:41:00.280 --> 0:41:02.840
<v Speaker 1>that you've seen now because we're not talking about you know,

0:41:02.880 --> 0:41:06.839
<v Speaker 1>I think there's a difference of the celebrity ism now,

0:41:06.960 --> 0:41:09.000
<v Speaker 1>especially because we are able to see them on Instagram

0:41:09.040 --> 0:41:12.839
<v Speaker 1>as easy access be before you have to show up.

0:41:13.320 --> 0:41:15.360
<v Speaker 1>And this is a time when, like we're talking about

0:41:15.400 --> 0:41:21.480
<v Speaker 1>like Michael Jackson Vane, we're talking about shutting down the street.

0:41:21.920 --> 0:41:25.520
<v Speaker 1>That is crazy. We're in the hotel, they're like hundreds

0:41:25.520 --> 0:41:28.319
<v Speaker 1>of people outside waiting just to get a glimpse. Just

0:41:28.440 --> 0:41:31.000
<v Speaker 1>a class. I mean, we went everywhere. I've been everywhere

0:41:31.040 --> 0:41:36.560
<v Speaker 1>from Hong Kong to Japan, to Moscow to um St Petersburg.

0:41:36.719 --> 0:41:40.080
<v Speaker 1>I've been to Barcelona, I've been to London countless times,

0:41:40.120 --> 0:41:44.319
<v Speaker 1>Paris countless time. I've been um to so many places

0:41:44.360 --> 0:41:48.120
<v Speaker 1>that I can't even for work. Also New York that's

0:41:48.160 --> 0:41:50.480
<v Speaker 1>just a regular. It's like l a for me, but

0:41:50.600 --> 0:41:54.440
<v Speaker 1>just so many countless and to travel in such style

0:41:54.880 --> 0:41:58.320
<v Speaker 1>but also have the gift of staying in such luxury

0:41:58.360 --> 0:42:00.920
<v Speaker 1>at the hotel because you're with that lester and you're

0:42:00.960 --> 0:42:03.000
<v Speaker 1>with that client who wants to be near her clothing.

0:42:03.440 --> 0:42:06.920
<v Speaker 1>So it's really a remarkable experience. So what is one

0:42:06.920 --> 0:42:10.560
<v Speaker 1>of your favorite memories with working with Whitney. I think

0:42:10.600 --> 0:42:13.200
<v Speaker 1>that one of my favorite favorite moments is where Whitn

0:42:13.320 --> 0:42:15.239
<v Speaker 1>is this. We're just sitting down and talking and she said,

0:42:15.280 --> 0:42:17.640
<v Speaker 1>you know what, you remind me of my family? Do

0:42:17.760 --> 0:42:20.360
<v Speaker 1>you feel like you're my family? And I think that

0:42:20.480 --> 0:42:22.560
<v Speaker 1>was one of our sweet moments. And then we had

0:42:22.600 --> 0:42:24.719
<v Speaker 1>a moment one day when I went to her and

0:42:24.719 --> 0:42:26.719
<v Speaker 1>I said, I will always be here to dress you,

0:42:26.880 --> 0:42:29.319
<v Speaker 1>I will never judge you, and I'm here for you

0:42:29.360 --> 0:42:32.440
<v Speaker 1>and I love you. And I think that really spoke

0:42:32.520 --> 0:42:34.719
<v Speaker 1>to her because and she just listened and I just

0:42:34.760 --> 0:42:38.040
<v Speaker 1>poured myself out to her. And I think in that moment,

0:42:38.120 --> 0:42:40.799
<v Speaker 1>within the first six months of us working together, solidify

0:42:40.960 --> 0:42:44.680
<v Speaker 1>that relationship forever. Wow, and you said that you worked

0:42:44.719 --> 0:42:47.759
<v Speaker 1>with her until she departed. Do you remember that day?

0:42:47.800 --> 0:42:50.919
<v Speaker 1>Where where are you? What happened? How did you find out? Well?

0:42:51.000 --> 0:42:55.839
<v Speaker 1>I was, It's so interesting to me how God will

0:42:55.880 --> 0:42:58.440
<v Speaker 1>give you a gift. I did not talk to Whitney

0:42:58.440 --> 0:43:02.600
<v Speaker 1>that often, but for I went to her, but her assistant,

0:43:02.800 --> 0:43:05.520
<v Speaker 1>her handler, who is a personal handle you're not personal

0:43:05.560 --> 0:43:07.239
<v Speaker 1>handlers to pack for them and to be make sure

0:43:07.239 --> 0:43:10.319
<v Speaker 1>they got everything they need stuff like called me and said, hey,

0:43:10.360 --> 0:43:12.000
<v Speaker 1>tell what you doing. I said, well, I'm getting ready

0:43:12.000 --> 0:43:14.759
<v Speaker 1>to head over. She said, Um, we don't want to

0:43:14.760 --> 0:43:16.960
<v Speaker 1>talk to you for a minute. I said, okay, and

0:43:17.000 --> 0:43:19.120
<v Speaker 1>she said this is the night the day of yes,

0:43:19.200 --> 0:43:24.520
<v Speaker 1>hours before and she the assistant said, um, she want

0:43:24.520 --> 0:43:26.040
<v Speaker 1>to talk to you. I said yeah, I put her on.

0:43:26.320 --> 0:43:30.040
<v Speaker 1>She said I can't find those drop diamond beautiful costume,

0:43:30.160 --> 0:43:33.160
<v Speaker 1>you know, the jewelry that some ear rings said, and

0:43:33.239 --> 0:43:35.759
<v Speaker 1>she wanted to duplicate pair. And I said, oh, that's

0:43:35.760 --> 0:43:37.640
<v Speaker 1>not a problem. I'll just grab some of my way

0:43:37.680 --> 0:43:39.520
<v Speaker 1>to y'all just because she said, I really appreciate it.

0:43:39.520 --> 0:43:42.000
<v Speaker 1>I don't know whatever replaced it. And she said, thank

0:43:42.040 --> 0:43:43.520
<v Speaker 1>you baby, and I'll see and I'll sing you a

0:43:43.520 --> 0:43:44.759
<v Speaker 1>little bit and I love you and I said I

0:43:44.800 --> 0:43:49.319
<v Speaker 1>love you back, and that was it. Wow. And then

0:43:49.360 --> 0:43:51.880
<v Speaker 1>I got to the hotel to me hand. So that's

0:43:52.040 --> 0:43:56.320
<v Speaker 1>what happened. And that's all I want to say about that. Wow.

0:43:56.480 --> 0:43:58.560
<v Speaker 1>I mean, and you know, it's just so interesting. And

0:43:58.560 --> 0:44:00.239
<v Speaker 1>that's when I talked about just kind of like I

0:44:00.280 --> 0:44:04.200
<v Speaker 1>mentioned before, how it's so important to speak into exist

0:44:04.280 --> 0:44:07.439
<v Speaker 1>in what it is that you want. I really do things.

0:44:07.440 --> 0:44:09.400
<v Speaker 1>So but you know how, I'm gonna tell you another

0:44:09.440 --> 0:44:11.400
<v Speaker 1>thing to God, doesn't that things sneak up on you

0:44:11.680 --> 0:44:14.360
<v Speaker 1>come on, because six months before she passed, I could

0:44:14.400 --> 0:44:17.359
<v Speaker 1>not shake the song I Will Always Love You. I'd

0:44:17.360 --> 0:44:18.880
<v Speaker 1>wake up with it in my head and I go

0:44:18.960 --> 0:44:20.960
<v Speaker 1>to bed with it my I could not shake it.

0:44:21.440 --> 0:44:23.360
<v Speaker 1>And I tried to shake it, and I tried to

0:44:23.360 --> 0:44:25.680
<v Speaker 1>shake it. I could not shake it. And I think

0:44:25.719 --> 0:44:27.600
<v Speaker 1>that when we, like I said, when we truly pay

0:44:27.640 --> 0:44:30.719
<v Speaker 1>attention to what's ours and what's in the universe and

0:44:30.719 --> 0:44:34.719
<v Speaker 1>what I don't think that nothing can really hugely surprise you.

0:44:34.800 --> 0:44:37.280
<v Speaker 1>I think in preparation, it prepares you for what's coming.

0:44:37.880 --> 0:44:42.640
<v Speaker 1>And so that was my experience. So all right, I'm

0:44:42.680 --> 0:44:47.319
<v Speaker 1>giving you too much and I'm just I'm souping it up,

0:44:47.320 --> 0:44:49.960
<v Speaker 1>and I'm sure whoever's listening like they can say wow.

0:44:50.000 --> 0:44:52.879
<v Speaker 1>But then you know, this is what I'm wondering. How

0:44:52.920 --> 0:44:55.040
<v Speaker 1>did you switch for I'm working with the Whitney Houston

0:44:55.080 --> 0:44:58.319
<v Speaker 1>to be coined as the man behind the curves? How

0:44:58.360 --> 0:45:00.200
<v Speaker 1>did you get to the curvy side? Had all has

0:45:00.280 --> 0:45:02.640
<v Speaker 1>worked with curvy women. I worked with Monique for a while,

0:45:02.680 --> 0:45:06.000
<v Speaker 1>I worked with Angela Basta for five years and um,

0:45:06.480 --> 0:45:09.760
<v Speaker 1>I just um. When I got with Latifa, I think

0:45:10.000 --> 0:45:15.480
<v Speaker 1>because at that point, eleven years ago, the spotlight had

0:45:15.520 --> 0:45:20.319
<v Speaker 1>already always been on her on her latifa, and she

0:45:20.440 --> 0:45:22.200
<v Speaker 1>worked with the style as a dear friend of mine.

0:45:22.239 --> 0:45:24.720
<v Speaker 1>Before I started working with her, Susan Moses had changed

0:45:24.760 --> 0:45:27.200
<v Speaker 1>the game how how she looked, and I just went

0:45:27.239 --> 0:45:29.440
<v Speaker 1>in and kind of just like kept the game moving.

0:45:30.160 --> 0:45:32.719
<v Speaker 1>What's with her with her sensibility and her style? Look?

0:45:33.000 --> 0:45:36.080
<v Speaker 1>And when you're a woman that's a sixteen people always

0:45:36.120 --> 0:45:38.080
<v Speaker 1>wonder how do you look so good and don't look

0:45:38.120 --> 0:45:41.200
<v Speaker 1>like your plus side come on? And my answer to

0:45:41.320 --> 0:45:43.600
<v Speaker 1>that is because I look at her as a woman.

0:45:44.080 --> 0:45:46.000
<v Speaker 1>I look at her to someone who wants to look

0:45:46.080 --> 0:45:48.880
<v Speaker 1>good and and the fabric you just happens to be

0:45:48.880 --> 0:45:51.080
<v Speaker 1>a little bit more fabric. I don't approach it as

0:45:51.120 --> 0:45:53.440
<v Speaker 1>a plus size woman. And I think that's what has

0:45:53.480 --> 0:45:56.319
<v Speaker 1>given me the freedom to dress women so well that

0:45:56.400 --> 0:45:59.080
<v Speaker 1>a plus size. Because she says the plus you have

0:45:59.120 --> 0:46:01.680
<v Speaker 1>to approach it as if this is someone who wants

0:46:01.719 --> 0:46:03.480
<v Speaker 1>to be a part of the conversation and look the

0:46:03.480 --> 0:46:06.120
<v Speaker 1>best that she can. Al Right, being a part of

0:46:06.120 --> 0:46:09.600
<v Speaker 1>a conversation. I can't tell you what it's like to

0:46:09.640 --> 0:46:12.000
<v Speaker 1>be not in the conversation, as being a curby girl

0:46:12.239 --> 0:46:14.640
<v Speaker 1>of feeling embarrassed to go to the store. I can

0:46:14.760 --> 0:46:17.319
<v Speaker 1>only tell you how many times I did not go

0:46:17.360 --> 0:46:19.280
<v Speaker 1>out to different when I lived to New York. Sometimes

0:46:19.320 --> 0:46:21.239
<v Speaker 1>I didn't go out to different lounges and clubs and

0:46:21.280 --> 0:46:24.440
<v Speaker 1>even younger because I didn't have anything to wear. And

0:46:24.480 --> 0:46:26.480
<v Speaker 1>it is a horrible place to me and and and

0:46:26.800 --> 0:46:29.920
<v Speaker 1>it's one thing to say, um, it is about confidence,

0:46:29.920 --> 0:46:33.120
<v Speaker 1>but it's like you don't know where to look, especially

0:46:33.120 --> 0:46:35.760
<v Speaker 1>when you can say in the situation, you don't see

0:46:35.760 --> 0:46:37.799
<v Speaker 1>anyone that looks like you. You're not walking in the

0:46:37.840 --> 0:46:40.640
<v Speaker 1>store where the first person you see or the mannequin

0:46:40.719 --> 0:46:43.480
<v Speaker 1>you see looks like somebody that that that will wear

0:46:43.600 --> 0:46:45.920
<v Speaker 1>something that you have one. Yeah, and I and I

0:46:46.000 --> 0:46:49.160
<v Speaker 1>had to. I had to to find designers that wanted

0:46:49.200 --> 0:46:51.839
<v Speaker 1>to work with us, who wanted to be a part

0:46:51.920 --> 0:46:55.360
<v Speaker 1>of the conversation. And I would go into the showrooms

0:46:55.360 --> 0:46:57.520
<v Speaker 1>in New York and difference, Oh make that right there

0:46:57.520 --> 0:47:00.399
<v Speaker 1>in the size, make that do that because able look

0:47:00.400 --> 0:47:02.040
<v Speaker 1>at me and said, oh that'll work. I said, it

0:47:02.120 --> 0:47:07.719
<v Speaker 1>absolutely work, because when you have when you have just one.

0:47:07.960 --> 0:47:11.440
<v Speaker 1>Sometimes I wouldn't allow my assistance for certain clients go

0:47:11.640 --> 0:47:14.800
<v Speaker 1>shop for them because they didn't have the eye to

0:47:14.960 --> 0:47:18.160
<v Speaker 1>see beyond what they see, because sometimes you have to

0:47:18.200 --> 0:47:21.080
<v Speaker 1>look at something and know the possible. You gotta have

0:47:21.120 --> 0:47:23.880
<v Speaker 1>the vision. You gotta have the vision for where you

0:47:23.920 --> 0:47:27.040
<v Speaker 1>can take it and where it can go on. And

0:47:27.120 --> 0:47:30.240
<v Speaker 1>for me, I've always had the vision of a life

0:47:31.120 --> 0:47:34.680
<v Speaker 1>for my clients that they would be exceptional no matter

0:47:34.719 --> 0:47:37.920
<v Speaker 1>who they are. But the love of curvy is natural

0:47:37.960 --> 0:47:40.680
<v Speaker 1>to me. You know, I'm a big guy. I have

0:47:40.800 --> 0:47:44.680
<v Speaker 1>to dress myself in imagination, you know, and things to

0:47:44.880 --> 0:47:48.480
<v Speaker 1>make myself look cool that are not your typical or

0:47:48.520 --> 0:47:50.560
<v Speaker 1>your norm because I know how I want to look.

0:47:50.719 --> 0:47:53.000
<v Speaker 1>So it just all kind of kind of just gotta

0:47:53.040 --> 0:47:56.200
<v Speaker 1>flows over to the to the curvy girl as well.

0:47:56.239 --> 0:47:59.200
<v Speaker 1>I love that because you know, when you talk about,

0:47:59.360 --> 0:48:02.080
<v Speaker 1>you know, having the vision, and it sounds like you're

0:48:02.120 --> 0:48:05.160
<v Speaker 1>talking about creating a being livingless And I feel the

0:48:05.200 --> 0:48:09.080
<v Speaker 1>offensives where you think about being in the plus size realm,

0:48:09.160 --> 0:48:12.279
<v Speaker 1>you're in a box, you're contained, but instead you have

0:48:12.400 --> 0:48:15.160
<v Speaker 1>the outlook of how much more and how much more

0:48:15.200 --> 0:48:18.799
<v Speaker 1>you can do. And I'm just wondering, um, looking at

0:48:18.840 --> 0:48:23.080
<v Speaker 1>the plus size industry now and even looking back then,

0:48:23.160 --> 0:48:26.839
<v Speaker 1>why do you feel that or maybe it's still you know,

0:48:27.120 --> 0:48:29.600
<v Speaker 1>having out Why do you feel that there are limitations

0:48:29.600 --> 0:48:32.640
<v Speaker 1>on plus eye clothing? Is it bigger than just I

0:48:32.680 --> 0:48:36.640
<v Speaker 1>don't want to make anything for you? Is there something underline?

0:48:36.680 --> 0:48:39.600
<v Speaker 1>Is it about materials? About production? Like? There are a

0:48:39.640 --> 0:48:41.680
<v Speaker 1>couple of different stories with that. First of all, you

0:48:41.719 --> 0:48:43.680
<v Speaker 1>have to think each designer has an image of how

0:48:43.719 --> 0:48:47.080
<v Speaker 1>they want their their brand to look. And if they

0:48:47.080 --> 0:48:49.080
<v Speaker 1>don't want to share that brand with the plus sized

0:48:49.160 --> 0:48:52.399
<v Speaker 1>woman that's there, that's their vision, that's their thing. That's

0:48:52.400 --> 0:48:55.520
<v Speaker 1>why we have to create the new bodyguards of curvy fashion.

0:48:55.800 --> 0:48:58.360
<v Speaker 1>That's why we have to look for and find people

0:48:58.840 --> 0:49:02.360
<v Speaker 1>who are willing and wanted to design for that body type.

0:49:03.120 --> 0:49:05.960
<v Speaker 1>So there are more opportunities, and they're more there's much

0:49:06.000 --> 0:49:10.200
<v Speaker 1>more clothing to pick from. Just saying, for instance, well

0:49:10.200 --> 0:49:12.239
<v Speaker 1>there are enough curvy designers out there's what do you

0:49:12.239 --> 0:49:15.000
<v Speaker 1>mean enough curvy designers that the thousands of designers that

0:49:15.040 --> 0:49:18.080
<v Speaker 1>are designing straight sizes, why can't they just be thousands

0:49:18.080 --> 0:49:21.719
<v Speaker 1>of designers designing plus size women's clothing? Why are you

0:49:21.800 --> 0:49:24.480
<v Speaker 1>making it? Why do we have to put a Muslim

0:49:24.520 --> 0:49:26.200
<v Speaker 1>and why do we got why do we have to do?

0:49:26.239 --> 0:49:29.680
<v Speaker 1>We don't have to because I live in the possibility

0:49:29.760 --> 0:49:32.160
<v Speaker 1>and what the possibility is that I see it bigger

0:49:32.200 --> 0:49:34.280
<v Speaker 1>than what it is. I see it on a bigger

0:49:34.280 --> 0:49:37.080
<v Speaker 1>on a larger scale, and on a bigger level. I've

0:49:37.320 --> 0:49:41.280
<v Speaker 1>um wrote some shows and stuff that I based around

0:49:41.680 --> 0:49:43.640
<v Speaker 1>things like this and stuff like that, and I've done

0:49:43.680 --> 0:49:45.319
<v Speaker 1>pitch meetings and I'm looking to do more. So if

0:49:45.320 --> 0:49:46.920
<v Speaker 1>you're out there listening and you want to meet with

0:49:46.960 --> 0:49:49.480
<v Speaker 1>me to do a pitch meeting about TV shows, please

0:49:49.520 --> 0:49:54.040
<v Speaker 1>give me a call, Please hit me up. Um, I

0:49:54.160 --> 0:49:58.600
<v Speaker 1>just think that we have to. Let me say this,

0:49:58.680 --> 0:50:02.680
<v Speaker 1>the plus size market is a very personal space. The

0:50:02.719 --> 0:50:05.759
<v Speaker 1>girls know each other, the people know each other, they

0:50:06.440 --> 0:50:09.680
<v Speaker 1>network with each other, they're friendly with each other, they're

0:50:09.719 --> 0:50:14.799
<v Speaker 1>cool with each other. And um, I think outsiders coming

0:50:14.840 --> 0:50:17.719
<v Speaker 1>in sometimes can be a little bit too much, especially

0:50:17.920 --> 0:50:20.280
<v Speaker 1>when they know they're not in it for the whole

0:50:20.480 --> 0:50:23.360
<v Speaker 1>overall personal kind of thing. And when you say outsiders,

0:50:23.360 --> 0:50:25.279
<v Speaker 1>what we what do we mean? But people who really

0:50:25.320 --> 0:50:29.200
<v Speaker 1>don't understand the they don't understand the brand, don't even

0:50:29.239 --> 0:50:32.120
<v Speaker 1>know the body type. They're just getting the check, you

0:50:32.160 --> 0:50:34.160
<v Speaker 1>know what I mean. It's all interesting because you've I've

0:50:34.160 --> 0:50:36.440
<v Speaker 1>heard you say this before. I mentioned in the episode

0:50:36.440 --> 0:50:39.720
<v Speaker 1>of just having this curvy conversation because it's like curves

0:50:39.719 --> 0:50:43.160
<v Speaker 1>have something to say to and it's that language is saying, hey,

0:50:43.320 --> 0:50:46.400
<v Speaker 1>I'm here, can you see me? Well, I think the

0:50:46.400 --> 0:50:49.200
<v Speaker 1>word curvy has changed, and I think that it's all

0:50:49.239 --> 0:50:52.719
<v Speaker 1>inclusive now. And I think and I think that I

0:50:52.800 --> 0:50:55.960
<v Speaker 1>just feel like it's that word is not as it

0:50:56.040 --> 0:50:59.080
<v Speaker 1>is important and a lot of women love using the word.

0:50:59.440 --> 0:51:01.880
<v Speaker 1>But I think even the way the retailers try and

0:51:01.920 --> 0:51:05.200
<v Speaker 1>have been trying to mix clothing sizes amongst everybody else,

0:51:05.440 --> 0:51:08.080
<v Speaker 1>I think there's nothing more special than a woman who

0:51:08.160 --> 0:51:10.000
<v Speaker 1>was a size zero X or a woman who was

0:51:10.040 --> 0:51:12.239
<v Speaker 1>a size four x five X. Or she can go

0:51:12.320 --> 0:51:15.399
<v Speaker 1>to a too, she can go to a place within

0:51:15.440 --> 0:51:18.560
<v Speaker 1>the department store this fabulous and feel like nothing but

0:51:18.640 --> 0:51:21.080
<v Speaker 1>her size is going to be around her, which which

0:51:21.080 --> 0:51:24.840
<v Speaker 1>brings is a huge comfort ability. What makes you feel

0:51:24.880 --> 0:51:27.640
<v Speaker 1>power in numbers? Why do you want to feel like

0:51:27.680 --> 0:51:30.080
<v Speaker 1>you're included? So? What do you feel are some of

0:51:30.120 --> 0:51:34.840
<v Speaker 1>the challenges that brands do face otherwise other than you

0:51:34.880 --> 0:51:37.600
<v Speaker 1>may not see your clothing on that type of body type.

0:51:37.840 --> 0:51:40.640
<v Speaker 1>To make sure that the clothing is more inclusive for everybody.

0:51:41.000 --> 0:51:44.520
<v Speaker 1>What's happened? I think that I think brands, especially designers

0:51:44.520 --> 0:51:46.839
<v Speaker 1>who want to design for plus women, they need opportunity.

0:51:47.080 --> 0:51:49.279
<v Speaker 1>They need department stores and stores to get behind them

0:51:49.280 --> 0:51:51.319
<v Speaker 1>and bring them into stories and take chances on them.

0:51:51.480 --> 0:51:54.439
<v Speaker 1>Opportunities have to be created for them to come into

0:51:54.480 --> 0:51:59.160
<v Speaker 1>the stores and do capsule collections through introduction and stuff

0:51:59.160 --> 0:52:00.600
<v Speaker 1>like that. That's why you see a lot of people

0:52:00.600 --> 0:52:03.160
<v Speaker 1>doing stuff on Instagram. They're doing their own stuff, got

0:52:03.160 --> 0:52:06.680
<v Speaker 1>their own websites, right because I guess if they're they're

0:52:06.680 --> 0:52:08.040
<v Speaker 1>not going to move, then you might as well just

0:52:08.080 --> 0:52:10.239
<v Speaker 1>be the person that moves as well. Right, Yes, but

0:52:10.280 --> 0:52:14.480
<v Speaker 1>there is people are also looking for experiences. There is

0:52:14.520 --> 0:52:18.560
<v Speaker 1>nothing like an experience to go Okay, I have shopped everywhere,

0:52:18.600 --> 0:52:24.239
<v Speaker 1>every major boutique everywhere, London, Paris, everywhere, Beverly Hills, whatever.

0:52:24.280 --> 0:52:26.800
<v Speaker 1>There's nothing like going into the cheek being offered champagne,

0:52:26.880 --> 0:52:30.000
<v Speaker 1>water or whatever and sitting in a beautiful surrounding and

0:52:30.040 --> 0:52:32.520
<v Speaker 1>clothing is just being brought out to you for your

0:52:32.560 --> 0:52:35.200
<v Speaker 1>client or with your client or howmever like that. How

0:52:35.280 --> 0:52:38.640
<v Speaker 1>often do women of women with up size get to

0:52:38.680 --> 0:52:41.560
<v Speaker 1>experience that and have the experience givesually, we just said

0:52:41.600 --> 0:52:43.080
<v Speaker 1>how you got to go back in the corner. They

0:52:43.160 --> 0:52:46.160
<v Speaker 1>just see what's the only one boutique in Beverly Hills

0:52:46.200 --> 0:52:49.040
<v Speaker 1>that really does that? And I've worked with them before

0:52:49.160 --> 0:52:51.719
<v Speaker 1>many many times and done U parties with them. Is

0:52:51.840 --> 0:52:55.400
<v Speaker 1>Um and events is Marina Ronaldi who is a family

0:52:55.440 --> 0:53:01.040
<v Speaker 1>with Max Mara. So it's happening, it is becoming big,

0:53:01.880 --> 0:53:06.240
<v Speaker 1>it's it's changing. But we have to support the women

0:53:06.280 --> 0:53:09.279
<v Speaker 1>with these voices that are saying what their needs are

0:53:09.320 --> 0:53:11.279
<v Speaker 1>and we have to pay attention to that. And how

0:53:11.320 --> 0:53:14.839
<v Speaker 1>do we do that but to keep listening to people

0:53:14.880 --> 0:53:16.759
<v Speaker 1>and people with the coin gotta come up and give,

0:53:17.000 --> 0:53:19.279
<v Speaker 1>gotta give the bread to make it happen. So if

0:53:19.280 --> 0:53:21.920
<v Speaker 1>you here, if you know of a curvy designer or

0:53:21.920 --> 0:53:24.040
<v Speaker 1>style is out there, what would you side to them?

0:53:24.080 --> 0:53:27.000
<v Speaker 1>I would say, stay steadfast, keep doing what you do,

0:53:27.360 --> 0:53:30.360
<v Speaker 1>follow the market to thine stuff, be true with your designs.

0:53:30.400 --> 0:53:32.120
<v Speaker 1>Don't try to be like somebody else, Be like you

0:53:32.160 --> 0:53:34.360
<v Speaker 1>because that's gonna make you stand out and be more unique.

0:53:35.000 --> 0:53:38.920
<v Speaker 1>And it's already done. So let me answer this. You

0:53:38.960 --> 0:53:41.040
<v Speaker 1>know you talked about we did us listen out there

0:53:41.080 --> 0:53:42.880
<v Speaker 1>talking about you have the ideas for the show. But

0:53:43.320 --> 0:53:46.359
<v Speaker 1>you and I met on your premier show A show

0:53:46.400 --> 0:53:49.239
<v Speaker 1>that's never been done anything, like never the first time

0:53:49.280 --> 0:53:52.200
<v Speaker 1>ever they had a show on television that focused on

0:53:52.200 --> 0:53:55.000
<v Speaker 1>nothing but curvy women makeovers and curvy women's bodies and

0:53:55.080 --> 0:54:00.160
<v Speaker 1>needs curvy style with Timothy's curvy style, with Timothy's now

0:54:00.239 --> 0:54:02.680
<v Speaker 1>be et. To this day, I still get women to

0:54:02.760 --> 0:54:05.440
<v Speaker 1>hit me up on Instagram. I wish we're you know

0:54:05.520 --> 0:54:07.920
<v Speaker 1>it's it's it's in reruns right now. I get hit up.

0:54:07.920 --> 0:54:09.399
<v Speaker 1>Oh my god, I just saw your show. I didn't

0:54:09.400 --> 0:54:11.520
<v Speaker 1>know I was out there. It's amazing. When it's the

0:54:11.560 --> 0:54:14.880
<v Speaker 1>second season coming in, When is this happen? K like,

0:54:14.920 --> 0:54:16.520
<v Speaker 1>oh my gosh, I just saw you on TV. I

0:54:16.560 --> 0:54:19.399
<v Speaker 1>was like yeah, and that was a few years ago now.

0:54:19.440 --> 0:54:23.040
<v Speaker 1>So my question to you is is, um, do you

0:54:23.080 --> 0:54:26.439
<v Speaker 1>remember how we met? Remember? Tell them how we miss

0:54:26.520 --> 0:54:31.520
<v Speaker 1>Now who have it? But the show runner mother, make

0:54:31.560 --> 0:54:35.759
<v Speaker 1>sure they know Mother Mary Mary. I said, I have

0:54:35.880 --> 0:54:40.120
<v Speaker 1>this girl I want you to meet. And I'm somebody

0:54:40.120 --> 0:54:42.239
<v Speaker 1>who has a hard time with somebody trying to tell

0:54:42.280 --> 0:54:46.560
<v Speaker 1>me what to do. He's a sad Yeah, I'm sad

0:54:46.640 --> 0:54:48.920
<v Speaker 1>through and through. So I was like, huh, you want

0:54:48.920 --> 0:54:51.200
<v Speaker 1>to meet this girl? Yeah? I think she's pryingfect on

0:54:51.280 --> 0:54:54.280
<v Speaker 1>Tam she'll be right. So I'm like, oh my god,

0:54:55.640 --> 0:55:00.480
<v Speaker 1>I mean okay, okay, okay. So you showed up and

0:55:00.560 --> 0:55:03.520
<v Speaker 1>I have the picture and we were sitting there on

0:55:03.520 --> 0:55:07.200
<v Speaker 1>the couch with the camera on us what our chemistry

0:55:07.239 --> 0:55:09.520
<v Speaker 1>would be like. And I had to tell you to

0:55:09.560 --> 0:55:12.640
<v Speaker 1>be quiet because I said, listen, who's interviewing Hugh? Here?

0:55:13.239 --> 0:55:18.160
<v Speaker 1>Slow your roll? This one here, slow your roll, everybody,

0:55:18.680 --> 0:55:25.719
<v Speaker 1>slow your roll. Slow down. So basically I said, Okay,

0:55:25.880 --> 0:55:28.120
<v Speaker 1>there is a light in her, there is a spark,

0:55:28.280 --> 0:55:31.719
<v Speaker 1>and she's funny, and she's pretty and she is a

0:55:31.760 --> 0:55:34.879
<v Speaker 1>true curvy girl. Okay, absolutely, whatever mayre, let's just roll

0:55:34.960 --> 0:55:36.600
<v Speaker 1>with it. We got a show to do. Let's make

0:55:36.600 --> 0:55:39.520
<v Speaker 1>it happy, let's make it powerful. And we had a

0:55:39.520 --> 0:55:43.440
<v Speaker 1>good time. We we We were the first, the first,

0:55:43.560 --> 0:55:45.600
<v Speaker 1>We were the first. I can always say I was

0:55:45.640 --> 0:55:49.839
<v Speaker 1>the first. I had a billboard in Times Square. We

0:55:49.880 --> 0:55:53.080
<v Speaker 1>did a great BT, they did a great commercial for us.

0:55:53.160 --> 0:55:56.120
<v Speaker 1>We had a whole premiere in New York. Okay, it

0:55:56.200 --> 0:55:59.200
<v Speaker 1>was fat was you brought out everyone? It was. I

0:55:59.280 --> 0:56:02.239
<v Speaker 1>had so many supportive people coming out to support this

0:56:02.360 --> 0:56:04.960
<v Speaker 1>because it matters, and it's still matters. It matters so much,

0:56:05.080 --> 0:56:07.840
<v Speaker 1>and I want back in on television in this venue

0:56:07.880 --> 0:56:12.439
<v Speaker 1>because this is very important and we have to keep celebrating.

0:56:12.760 --> 0:56:14.560
<v Speaker 1>And you know, I had already worked out the second

0:56:14.600 --> 0:56:16.239
<v Speaker 1>season how different it was going to be and what

0:56:16.320 --> 0:56:18.400
<v Speaker 1>it was gonna look like, and we did get picked up.

0:56:18.400 --> 0:56:21.360
<v Speaker 1>But things happen. Think you know things. It's always working

0:56:21.360 --> 0:56:23.759
<v Speaker 1>for a greater good, right, you know what? Because I

0:56:23.760 --> 0:56:27.040
<v Speaker 1>don't look back, I look forward. So whatever's coming forward,

0:56:27.040 --> 0:56:28.799
<v Speaker 1>it's going to be bigger and better than that. Well,

0:56:28.840 --> 0:56:32.080
<v Speaker 1>let me look back real quick. Did I tell you

0:56:32.120 --> 0:56:35.080
<v Speaker 1>how I appeared in front of you? Don't tell you

0:56:35.080 --> 0:56:40.640
<v Speaker 1>about that moment? Back down memory? Late? All right, let

0:56:40.640 --> 0:56:43.279
<v Speaker 1>me tell y'all, well happened? First of all, kind of

0:56:43.320 --> 0:56:47.319
<v Speaker 1>like how Snell has talked about how Latifa, I'm sorry

0:56:47.400 --> 0:56:50.160
<v Speaker 1>with Houston, Whitney Houston, how you just put it out

0:56:50.200 --> 0:56:52.959
<v Speaker 1>there and left it alone. It's interesting because I'm looking

0:56:53.000 --> 0:56:56.120
<v Speaker 1>at my journey and how you've encompassed you know, how

0:56:56.160 --> 0:56:58.760
<v Speaker 1>have you made your way in my dream? Because probably

0:56:58.760 --> 0:57:01.080
<v Speaker 1>who you're a Whitney Houston? This my queen lat teeth.

0:57:01.320 --> 0:57:07.440
<v Speaker 1>So this whole moment, this this this huge. Okay, if

0:57:07.480 --> 0:57:10.520
<v Speaker 1>anybody knows me, knows how much I admire that woman.

0:57:10.560 --> 0:57:13.720
<v Speaker 1>So let me tell you what happened. I was working

0:57:13.760 --> 0:57:17.080
<v Speaker 1>at this production company and after I moved out to

0:57:17.240 --> 0:57:19.960
<v Speaker 1>l A. And this wasn't the fulfillment for Dawn, and

0:57:20.000 --> 0:57:22.200
<v Speaker 1>I said I had to do more. So I actually resigned.

0:57:22.480 --> 0:57:25.400
<v Speaker 1>I asked to be released from the job, which I

0:57:25.480 --> 0:57:27.800
<v Speaker 1>was granted. So I was out there doing uber, you know.

0:57:28.240 --> 0:57:31.160
<v Speaker 1>And I had just recently moved or relocated from New

0:57:31.240 --> 0:57:33.080
<v Speaker 1>York to l A. So I had signed up for

0:57:33.120 --> 0:57:36.240
<v Speaker 1>all these casting agencies, backstage whatever, and so they were

0:57:36.280 --> 0:57:40.720
<v Speaker 1>looking for people to have a makeover. And it's just

0:57:40.800 --> 0:57:45.320
<v Speaker 1>so interesting everything that you've been talking about, vision, dreaming, possibility.

0:57:46.000 --> 0:57:48.160
<v Speaker 1>They said they were looking for some plus size women

0:57:48.200 --> 0:57:50.280
<v Speaker 1>to make over. Well, if anybody has met me, you

0:57:50.280 --> 0:57:52.520
<v Speaker 1>know I'm a plus sized girl, but you know i'm

0:57:52.680 --> 0:57:54.720
<v Speaker 1>five four and a half on a good day. But

0:57:54.760 --> 0:57:56.480
<v Speaker 1>you know, when you think of models, you're thinking five

0:57:56.560 --> 0:58:00.000
<v Speaker 1>seven oh, not five seven five and eleven ten six ft.

0:57:59.840 --> 0:58:02.760
<v Speaker 1>And so what happened was I have received an email

0:58:02.800 --> 0:58:06.680
<v Speaker 1>notification from backstage dot com. Not traditionally the email comes

0:58:06.720 --> 0:58:09.080
<v Speaker 1>in and it's like a solicit like, oh, we have

0:58:09.120 --> 0:58:13.400
<v Speaker 1>an awesome opportunity click here. I'm grateful for whoever made

0:58:13.400 --> 0:58:16.160
<v Speaker 1>the flyer. All the information um to be on the

0:58:16.200 --> 0:58:19.480
<v Speaker 1>show was listed, and so I initially were coming in

0:58:19.680 --> 0:58:22.400
<v Speaker 1>to be a person to be made over. And when

0:58:22.440 --> 0:58:25.280
<v Speaker 1>we talk about possibility, I had gotten there. Had the

0:58:25.320 --> 0:58:28.400
<v Speaker 1>conversation they said, wait a minute, well you already condressed

0:58:28.440 --> 0:58:31.120
<v Speaker 1>and oh we love your personality. How would you like

0:58:31.200 --> 0:58:33.960
<v Speaker 1>to have potentially be on the show. And then that's

0:58:33.960 --> 0:58:36.560
<v Speaker 1>when everything unfolded. I was like, oh my gosh, this

0:58:36.600 --> 0:58:39.120
<v Speaker 1>man is a stylist for Queen Lativa. Oh my gosh,

0:58:39.280 --> 0:58:43.000
<v Speaker 1>he's done so much. But more importantly, you spoke to

0:58:43.000 --> 0:58:46.040
<v Speaker 1>the little girl of Dawn, who you know. I've one

0:58:46.080 --> 0:58:49.160
<v Speaker 1>that's always been confident and probably really confident in my dreams.

0:58:49.160 --> 0:58:51.400
<v Speaker 1>But as far as my size and is something that

0:58:51.440 --> 0:58:53.800
<v Speaker 1>has a strong hold because when you are twelve and

0:58:53.840 --> 0:58:56.560
<v Speaker 1>thirteen years old and you are going to Lord and

0:58:56.640 --> 0:58:59.880
<v Speaker 1>Taylor to find your out your Easter suit, when you

0:59:00.040 --> 0:59:05.440
<v Speaker 1>looks like a miniature grown woman is comfortable comfortable, it

0:59:05.480 --> 0:59:08.560
<v Speaker 1>doesn't feel good. And to be in the presence of

0:59:08.600 --> 0:59:12.440
<v Speaker 1>somebody that you make the impossible possible. You make it

0:59:12.480 --> 0:59:15.280
<v Speaker 1>so that I step in and say that I'm impossible

0:59:15.320 --> 0:59:19.880
<v Speaker 1>and I'm beautiful. Well, it's just me just understanding that

0:59:19.920 --> 0:59:22.680
<v Speaker 1>everybody needs to wants to be a part of the conversation.

0:59:23.400 --> 0:59:26.520
<v Speaker 1>Everybody wants to dress nice, everybody wants to look beautiful,

0:59:26.560 --> 0:59:29.440
<v Speaker 1>and everybody wants to feel good. And when you put

0:59:29.640 --> 0:59:32.560
<v Speaker 1>when you put those three things together, just think about

0:59:32.680 --> 0:59:37.080
<v Speaker 1>how how okay when you don't have to worry about

0:59:37.080 --> 0:59:42.840
<v Speaker 1>how you look or how you feel, how you talk

0:59:42.920 --> 0:59:45.200
<v Speaker 1>or whatever like that, how or whatever your worry is,

0:59:45.520 --> 0:59:47.320
<v Speaker 1>you can sore because you don't have that in the

0:59:47.320 --> 0:59:50.120
<v Speaker 1>back of your head because you're packing light. Yeah, you

0:59:50.360 --> 0:59:52.080
<v Speaker 1>don't have that in the back of your head thinking

0:59:52.080 --> 0:59:54.360
<v Speaker 1>about that when somebody is looking at you up and

0:59:54.400 --> 0:59:59.800
<v Speaker 1>down as you know, you're thinking, um, you know negative,

1:00:00.040 --> 1:00:02.680
<v Speaker 1>you should be thinking powerfully, you know what I mean.

1:00:02.680 --> 1:00:06.040
<v Speaker 1>And that's what I want. And your show said all

1:00:06.080 --> 1:00:08.720
<v Speaker 1>of that. Carving style with Timothy Snow was an outside

1:00:08.800 --> 1:00:11.160
<v Speaker 1>and job because you know, I think oftentimes people can

1:00:11.200 --> 1:00:13.240
<v Speaker 1>look at like a stylist like it's so vain, it's

1:00:13.240 --> 1:00:15.560
<v Speaker 1>on the outside, but it's like, it's true. When you

1:00:15.680 --> 1:00:18.200
<v Speaker 1>show up and you feel like you look good, you

1:00:18.280 --> 1:00:20.480
<v Speaker 1>are good, like you said, that's one less thing for

1:00:20.520 --> 1:00:22.280
<v Speaker 1>me to worry about. So whether they feeling like I

1:00:22.320 --> 1:00:24.560
<v Speaker 1>gotta push my shirt down. I gotta pull the pain.

1:00:25.720 --> 1:00:28.439
<v Speaker 1>I'm comfortable to just be done because the clothes fit.

1:00:28.760 --> 1:00:30.640
<v Speaker 1>The clothes come in my side. I'm not trying to

1:00:30.680 --> 1:00:32.720
<v Speaker 1>wear something that doesn't fit me. I'm not trying to

1:00:32.720 --> 1:00:36.440
<v Speaker 1>wear something that I that that's where I want to be,

1:00:36.960 --> 1:00:38.600
<v Speaker 1>but they don't make it where I want to be.

1:00:38.800 --> 1:00:41.080
<v Speaker 1>So all of that's important. It's like you you are

1:00:41.200 --> 1:00:44.760
<v Speaker 1>literally the language that can speak with plus size woman

1:00:44.960 --> 1:00:49.680
<v Speaker 1>and and and clothing. Well definitely, you know, speaking speaking

1:00:49.760 --> 1:00:53.160
<v Speaker 1>power into a person's life. That's not also sometimes just

1:00:53.280 --> 1:00:56.040
<v Speaker 1>include where the head is, it decludes. It also includes

1:00:56.080 --> 1:00:59.000
<v Speaker 1>how your garments are too, because you know, I was

1:00:59.000 --> 1:01:02.320
<v Speaker 1>telling Jeremiah as we were just preparing for this interview,

1:01:02.600 --> 1:01:04.520
<v Speaker 1>and I was saying, like we all have our gifts

1:01:04.520 --> 1:01:06.600
<v Speaker 1>that comes out in different ways, like mine maybe up

1:01:06.640 --> 1:01:08.920
<v Speaker 1>out of my mouth, my words. Some people having in

1:01:08.960 --> 1:01:11.600
<v Speaker 1>their hands they're building, they're making, they're putting on clothes.

1:01:11.680 --> 1:01:15.160
<v Speaker 1>Some people have it with songs, drawings. But it's like

1:01:15.240 --> 1:01:17.880
<v Speaker 1>wherever your song is, and I have my personal trainer

1:01:17.960 --> 1:01:20.320
<v Speaker 1>on here. And he was saying it was a quote

1:01:20.320 --> 1:01:23.560
<v Speaker 1>that he couldn't necessarily PenPoint, but he said that making

1:01:23.600 --> 1:01:25.760
<v Speaker 1>sure that when you have your song, you sing your

1:01:25.760 --> 1:01:28.640
<v Speaker 1>song that you're dying on empty, so you're not hoarding

1:01:28.680 --> 1:01:31.000
<v Speaker 1>all these I wish I could have or I should

1:01:31.040 --> 1:01:33.120
<v Speaker 1>have based on because what you feel like on the

1:01:33.160 --> 1:01:37.560
<v Speaker 1>outside of your size, Yeah, I think it's important even

1:01:37.600 --> 1:01:40.160
<v Speaker 1>if you're a size fourteen or a sixteen or eighteen

1:01:40.240 --> 1:01:42.560
<v Speaker 1>or twenty or twenty two, if you feel good about

1:01:42.640 --> 1:01:44.840
<v Speaker 1>yourself and you can go out there and find what

1:01:44.880 --> 1:01:47.640
<v Speaker 1>you're looking for the wear, it just manifests so much

1:01:47.680 --> 1:01:51.480
<v Speaker 1>beauty and so much light because you feel good and

1:01:51.520 --> 1:01:54.040
<v Speaker 1>you and you give other people permission to feel good.

1:01:54.040 --> 1:01:57.320
<v Speaker 1>You're walking out, Hey, you're smiling and bouncing on your way.

1:01:57.360 --> 1:02:00.640
<v Speaker 1>I'm smiling and bouncing on It's true. So I have

1:02:00.760 --> 1:02:04.240
<v Speaker 1>to say that it really really speaks to a lot

1:02:04.280 --> 1:02:06.960
<v Speaker 1>of things. When people feel good, they do good. And

1:02:07.000 --> 1:02:09.960
<v Speaker 1>that's why, you know, even talking about Curvey Style with

1:02:10.000 --> 1:02:11.960
<v Speaker 1>Timothy Snail Mixture, you just check it out just to

1:02:11.960 --> 1:02:14.360
<v Speaker 1>see what's about, because there was a lot of work

1:02:14.440 --> 1:02:16.760
<v Speaker 1>that you were doing. Yeah, we were out there busting

1:02:16.800 --> 1:02:19.600
<v Speaker 1>out the streets of alle P on the pump, don't

1:02:19.640 --> 1:02:23.480
<v Speaker 1>forgive Miss Nag and Mackenzie and we were out there

1:02:23.480 --> 1:02:25.160
<v Speaker 1>in the streets trying to get the clothing. But there

1:02:25.160 --> 1:02:27.800
<v Speaker 1>were times that whether you were with your celebrity clients

1:02:27.880 --> 1:02:31.040
<v Speaker 1>or with the everyday people, you had this conversation kind

1:02:31.040 --> 1:02:33.440
<v Speaker 1>of like does breakthrough of talking about their relationship with

1:02:33.480 --> 1:02:37.919
<v Speaker 1>their clothing, what their aspirations, what's in your closet? What

1:02:37.920 --> 1:02:40.520
<v Speaker 1>what's your relationship to your clothes? What's in your closet?

1:02:40.840 --> 1:02:43.640
<v Speaker 1>Um are you? Do you have things in your closet

1:02:43.680 --> 1:02:45.920
<v Speaker 1>that you have in wore five six years ago? Why

1:02:46.000 --> 1:02:47.520
<v Speaker 1>is it in your closet? How long will we be

1:02:47.640 --> 1:02:50.160
<v Speaker 1>keeping closing there? Well? I think it depends on your

1:02:50.160 --> 1:02:52.240
<v Speaker 1>style and your trend and your body weight and how

1:02:52.480 --> 1:02:55.560
<v Speaker 1>what you feel comfortable with wearing. I think there there

1:02:55.560 --> 1:02:59.720
<v Speaker 1>are what I call investment pieces. Investment pieces or pieces

1:02:59.760 --> 1:03:03.680
<v Speaker 1>that made out of luxury fabrics that are fabrication that

1:03:03.760 --> 1:03:06.360
<v Speaker 1>you may get for a higher end designer, or something

1:03:06.640 --> 1:03:08.920
<v Speaker 1>that would be in a slack, a skinny pant and

1:03:08.960 --> 1:03:11.520
<v Speaker 1>maybe in a beautiful trench coat. It may be in

1:03:11.560 --> 1:03:15.240
<v Speaker 1>a beautiful black dress that's made out of exceptional fabric something.

1:03:15.320 --> 1:03:18.640
<v Speaker 1>These are called staples in your closet. Everybody should have

1:03:18.680 --> 1:03:23.160
<v Speaker 1>their staples. Yeah, a crisp shirt or something, pants, blazer, said,

1:03:23.280 --> 1:03:27.919
<v Speaker 1>or pants, a blaze, a skirt, a dress. I mean,

1:03:28.440 --> 1:03:31.160
<v Speaker 1>those are just the piggyback to tap on what the

1:03:31.160 --> 1:03:33.880
<v Speaker 1>basics are in a closet. For instance, when I did

1:03:33.880 --> 1:03:36.680
<v Speaker 1>the Queen Latifa show, I built her closet, and I

1:03:36.760 --> 1:03:42.160
<v Speaker 1>built her closet around the basics jeans, slacks, blazers, blouses,

1:03:42.880 --> 1:03:46.400
<v Speaker 1>um dresses, etcetera. And then what I called the wink

1:03:46.880 --> 1:03:51.120
<v Speaker 1>or call like the style or call like the throwaway fashion,

1:03:51.400 --> 1:03:54.280
<v Speaker 1>was the inexpensive stuff that I would just get and

1:03:54.320 --> 1:03:57.480
<v Speaker 1>pop in for for that week, for that special appear

1:03:57.920 --> 1:04:01.240
<v Speaker 1>that wasn't necessarily an investment piece, but it made a statement.

1:04:01.840 --> 1:04:05.160
<v Speaker 1>M H. And that's where your stories come in, like

1:04:05.320 --> 1:04:08.400
<v Speaker 1>H and M and Zara and all of those solds

1:04:08.520 --> 1:04:11.160
<v Speaker 1>and Fashion Nova and all of these stories like this

1:04:11.280 --> 1:04:13.920
<v Speaker 1>in these young upcoming urban designers and stuff, because you're

1:04:13.960 --> 1:04:18.000
<v Speaker 1>investing in them to get the fashion pieces. So if

1:04:18.000 --> 1:04:20.080
<v Speaker 1>you were to think of all, what's one secret thing

1:04:20.120 --> 1:04:22.680
<v Speaker 1>that you may have in your styling kit that you

1:04:22.760 --> 1:04:29.560
<v Speaker 1>feel like every man, woman, child hoomever. Take double double

1:04:29.600 --> 1:04:34.000
<v Speaker 1>stick makeup white. But that's my second one. But your

1:04:34.040 --> 1:04:36.080
<v Speaker 1>double stick tape. Because you can tape your belt down,

1:04:36.160 --> 1:04:39.320
<v Speaker 1>you can keep your your blouses from falling open. If

1:04:39.360 --> 1:04:41.880
<v Speaker 1>you're missing a button, you can tape a cuff, all

1:04:41.920 --> 1:04:44.400
<v Speaker 1>of that type of stuff. But then the Ponds makeup

1:04:44.440 --> 1:04:48.800
<v Speaker 1>removers are my go to thing. The Plons makeup move

1:04:48.880 --> 1:04:51.080
<v Speaker 1>was a wipe that you remove makeup with. It will

1:04:51.160 --> 1:04:53.840
<v Speaker 1>take anything out of clothes and will not leave a stand.

1:04:53.920 --> 1:04:55.760
<v Speaker 1>And I've witnessed it because on the show there would

1:04:55.760 --> 1:04:59.280
<v Speaker 1>be moments Snell Is like, pull out the Ponds white white.

1:04:59.320 --> 1:05:02.600
<v Speaker 1>There you go, and it's just it drives beautifully and

1:05:02.680 --> 1:05:05.640
<v Speaker 1>it doesn't leave a stain and it takes the UM.

1:05:05.680 --> 1:05:09.240
<v Speaker 1>I found this out from a makeup artist because she

1:05:09.440 --> 1:05:12.280
<v Speaker 1>was UM. We had an early call time for Good

1:05:12.280 --> 1:05:14.240
<v Speaker 1>Morning America. We went down, went back to the hotel,

1:05:14.280 --> 1:05:18.160
<v Speaker 1>had breakfast. She wasted raspberry syrup down her white blouse.

1:05:18.280 --> 1:05:19.720
<v Speaker 1>She said, oh, I'm not worried about I get it out.

1:05:19.760 --> 1:05:20.880
<v Speaker 1>And I said, how are you gonna get that out?

1:05:21.240 --> 1:05:24.560
<v Speaker 1>Hans makeup white remover? Now, what about you know, just

1:05:24.600 --> 1:05:26.400
<v Speaker 1>as a curby girl, what are some of the things

1:05:26.480 --> 1:05:29.920
<v Speaker 1>as far as undergarments that everyone should have. Well, everything

1:05:30.000 --> 1:05:34.960
<v Speaker 1>begins with a good foundation, life, your house, everything begins

1:05:35.000 --> 1:05:38.439
<v Speaker 1>with a good foundation. So I think that that's where

1:05:38.480 --> 1:05:41.840
<v Speaker 1>you should start with a good brawl with a good

1:05:41.840 --> 1:05:46.560
<v Speaker 1>body shaper um with a good panti. That's a good investment.

1:05:46.800 --> 1:05:48.840
<v Speaker 1>Go to your go to your local macy, go to

1:05:48.880 --> 1:05:52.120
<v Speaker 1>the macy store, go to a department store, look around,

1:05:52.200 --> 1:05:54.280
<v Speaker 1>see what will work for you. When I was on

1:05:54.320 --> 1:05:56.800
<v Speaker 1>the Steve Harvey Show one time, I said, I a

1:05:56.840 --> 1:05:58.640
<v Speaker 1>woman she lost a lot of weight, and she wanted

1:05:58.680 --> 1:06:01.560
<v Speaker 1>to know what could I where, how should I look

1:06:01.600 --> 1:06:03.880
<v Speaker 1>going forward? I said, Well, first of all, congratulations on

1:06:03.920 --> 1:06:06.480
<v Speaker 1>your weight loss. You're also a hundred and some pounds.

1:06:06.520 --> 1:06:09.440
<v Speaker 1>The second thing you should do, take a friend, go

1:06:09.600 --> 1:06:12.360
<v Speaker 1>to the mall, go to a department store, pull all

1:06:12.400 --> 1:06:14.560
<v Speaker 1>the clothes you want to try, try them on, and

1:06:14.600 --> 1:06:17.080
<v Speaker 1>take pictures of yourself to see before you buy anything,

1:06:17.120 --> 1:06:19.920
<v Speaker 1>to see what works on your new body. And you're

1:06:19.960 --> 1:06:22.680
<v Speaker 1>not paying for nothing, right, Maybe I shouldn't say that,

1:06:22.720 --> 1:06:25.720
<v Speaker 1>but you're not because you're not sure yet. But that's

1:06:25.720 --> 1:06:29.720
<v Speaker 1>a that's just like a wardrobe. That's like a wardrobe room,

1:06:29.800 --> 1:06:32.200
<v Speaker 1>and it gives you a visual representation of you know,

1:06:32.360 --> 1:06:34.640
<v Speaker 1>just to wardrob room. You're walking through a Macy's, you're

1:06:34.680 --> 1:06:38.080
<v Speaker 1>walking through a Bloomingdale's, you're walking through you're trying on,

1:06:38.360 --> 1:06:40.160
<v Speaker 1>you can go on into the dressing room. You're getting

1:06:40.200 --> 1:06:42.520
<v Speaker 1>an idea of what your new body will do for

1:06:42.560 --> 1:06:46.000
<v Speaker 1>you and how you feel, and then make a decision

1:06:46.040 --> 1:06:47.800
<v Speaker 1>on what works for you and what you'd like to

1:06:47.840 --> 1:06:50.320
<v Speaker 1>add to your closet as you're throwing the old things away.

1:06:51.200 --> 1:06:54.840
<v Speaker 1>So um, with all this expertise coming down to just

1:06:55.120 --> 1:06:59.000
<v Speaker 1>your schooling, down to working with your celebrity clients, down

1:06:59.080 --> 1:07:02.520
<v Speaker 1>to just annoying what works. You had a swimsup line

1:07:02.720 --> 1:07:05.920
<v Speaker 1>always for me, not always for me. Yes, yes, Timothy

1:07:06.000 --> 1:07:09.200
<v Speaker 1>Snow collaboration. I was very proud of it. It was

1:07:09.320 --> 1:07:13.640
<v Speaker 1>very beautiful. Um it did Okay, I just think it

1:07:13.760 --> 1:07:17.800
<v Speaker 1>was we needed more pr behind it. But it's beautiful

1:07:17.920 --> 1:07:19.800
<v Speaker 1>and I was just looking online. It's still up there now.

1:07:19.800 --> 1:07:21.240
<v Speaker 1>If you want to take a look at it and

1:07:21.280 --> 1:07:24.040
<v Speaker 1>if you want to check it out, okay, always and

1:07:24.280 --> 1:07:25.560
<v Speaker 1>tell us a little bit. It's kind of like a

1:07:25.640 --> 1:07:28.560
<v Speaker 1>it's a sporty it's a sporty It's a sporty kind

1:07:28.560 --> 1:07:31.840
<v Speaker 1>of swimsuit line. I have. I have pieces in there

1:07:31.920 --> 1:07:35.000
<v Speaker 1>with the high cut bathing suit bottom, with the crop

1:07:35.040 --> 1:07:38.560
<v Speaker 1>tops with zippers and um, like a wet suit that

1:07:38.600 --> 1:07:41.760
<v Speaker 1>you'd have for a it's a it's a legless wet

1:07:41.760 --> 1:07:45.160
<v Speaker 1>suit that you would have in black, but a long zipper. Um.

1:07:45.200 --> 1:07:48.440
<v Speaker 1>I have one pieces that are color blocked and stuff.

1:07:48.480 --> 1:07:53.520
<v Speaker 1>It's really cool. I'm the beach to the beach. I

1:07:53.560 --> 1:07:55.640
<v Speaker 1>love it. And then there's some cover ups that are mashing,

1:07:55.800 --> 1:07:57.640
<v Speaker 1>light weight and stuff that you can just throw over,

1:07:57.720 --> 1:08:00.240
<v Speaker 1>stuff cute that you can just look cute in and

1:08:00.240 --> 1:08:01.760
<v Speaker 1>look at me comfortable. And you know what I loved

1:08:01.760 --> 1:08:03.840
<v Speaker 1>about it too, is that it gave me that support,

1:08:03.920 --> 1:08:06.400
<v Speaker 1>Like I felt like I was being supported. I felt smooth.

1:08:06.800 --> 1:08:08.880
<v Speaker 1>I feel like there's something that I learned from you,

1:08:09.480 --> 1:08:12.560
<v Speaker 1>especially with clothing. So Carvet Girls, tech note is about

1:08:12.680 --> 1:08:16.040
<v Speaker 1>the importance of grazing the body. Yeah, sometimes closed should

1:08:16.040 --> 1:08:18.760
<v Speaker 1>graze the body and not necessarily suck the body. But

1:08:18.840 --> 1:08:21.240
<v Speaker 1>that's why you shape slim and smooth. That's your beginning.

1:08:21.320 --> 1:08:24.280
<v Speaker 1>Did you catch that you shape slim and you smooth.

1:08:24.360 --> 1:08:27.680
<v Speaker 1>That's how that's the that's the foundation. That's where you

1:08:27.720 --> 1:08:30.519
<v Speaker 1>start with the underpinning. That's where underpinnings are important. You

1:08:30.600 --> 1:08:33.080
<v Speaker 1>shape slim and smooth. And then after you shape slim

1:08:33.120 --> 1:08:35.720
<v Speaker 1>and food, that's when you try the clothing on to

1:08:35.760 --> 1:08:37.960
<v Speaker 1>see how it works. And what it works for your body,

1:08:38.280 --> 1:08:40.600
<v Speaker 1>what works for your body. But the clothing line, but

1:08:40.640 --> 1:08:43.360
<v Speaker 1>the but the swimwear. I mean to every woman that

1:08:43.479 --> 1:08:46.080
<v Speaker 1>wears that. I have had women to call me and

1:08:46.080 --> 1:08:48.120
<v Speaker 1>it's good to know. Is it still is It's still

1:08:49.040 --> 1:08:52.519
<v Speaker 1>always from me. I gotta tell some people because because

1:08:53.520 --> 1:08:55.599
<v Speaker 1>what I got from People, it was featured in People

1:08:55.640 --> 1:08:58.000
<v Speaker 1>magazine is one of the best swimsuits that year that

1:08:58.040 --> 1:09:00.479
<v Speaker 1>it came out to the plus size one into where

1:09:00.520 --> 1:09:02.400
<v Speaker 1>I have that in my press kit, one of the

1:09:02.439 --> 1:09:04.559
<v Speaker 1>best one. It was featured in People for one of

1:09:04.560 --> 1:09:07.120
<v Speaker 1>the best whimsuits to wear because what it does was

1:09:07.280 --> 1:09:10.479
<v Speaker 1>it was put together no underwire, but it was made

1:09:10.479 --> 1:09:12.880
<v Speaker 1>in a way where it supports you and it held you,

1:09:14.240 --> 1:09:17.519
<v Speaker 1>and it it ran over the cheek the right way

1:09:17.520 --> 1:09:21.360
<v Speaker 1>and everything like that phenomenal. And I'll say this, I

1:09:21.479 --> 1:09:23.559
<v Speaker 1>felt so good, like it was something that I could

1:09:23.600 --> 1:09:26.200
<v Speaker 1>put on. You know, I had the Tankini and I

1:09:26.240 --> 1:09:28.280
<v Speaker 1>had the Baybens, but I could put on some slacks.

1:09:28.320 --> 1:09:30.240
<v Speaker 1>I can put on a lot more with it. It

1:09:30.360 --> 1:09:32.920
<v Speaker 1>was something that the Tankini type you could put on

1:09:32.960 --> 1:09:37.800
<v Speaker 1>with a huge ruffle um ruffle border Maxi skirt or

1:09:37.840 --> 1:09:39.719
<v Speaker 1>some flip flops and just wear it at the beach

1:09:39.760 --> 1:09:41.439
<v Speaker 1>after you said at the beach and lounge just to

1:09:41.479 --> 1:09:42.880
<v Speaker 1>beat you want to go to the bar and drink.

1:09:42.920 --> 1:09:45.439
<v Speaker 1>There were so many different ways to wear it because

1:09:45.479 --> 1:09:47.439
<v Speaker 1>I think when you design stuff for people, we have

1:09:47.520 --> 1:09:50.200
<v Speaker 1>to be versatility with design because people have a lot

1:09:50.200 --> 1:09:52.080
<v Speaker 1>of times if it's not a wedding dress, an evening

1:09:52.080 --> 1:09:57.040
<v Speaker 1>gown or black tithan. You need versatility within clothing so

1:09:57.120 --> 1:09:59.559
<v Speaker 1>you can wear your items more often and get your

1:09:59.560 --> 1:10:03.280
<v Speaker 1>money's come on. So let me ask you this now.

1:10:03.320 --> 1:10:06.160
<v Speaker 1>In design school, while you learn the colors, of textures,

1:10:06.160 --> 1:10:08.160
<v Speaker 1>of patterns and all that kind of stuff, are can

1:10:08.240 --> 1:10:11.000
<v Speaker 1>you design clothing like I don't know the proper term

1:10:11.000 --> 1:10:13.680
<v Speaker 1>cut it out. I haven't sold in years. When we

1:10:13.680 --> 1:10:16.639
<v Speaker 1>were in design school, we were responsible to make our

1:10:16.640 --> 1:10:20.360
<v Speaker 1>own sketch, make our own patterns, design, create our own

1:10:20.400 --> 1:10:23.120
<v Speaker 1>textile prints if we wanted to create prints. But yes,

1:10:23.160 --> 1:10:24.759
<v Speaker 1>I know how to make patterns and all that stuff.

1:10:24.760 --> 1:10:26.759
<v Speaker 1>That's why when I'm with the taylor and the taylor

1:10:26.760 --> 1:10:28.519
<v Speaker 1>in session with the client, I can look at the

1:10:28.520 --> 1:10:30.640
<v Speaker 1>garment and tell exactly what needs to be done right

1:10:30.640 --> 1:10:34.599
<v Speaker 1>away because I understand fit. So the question is is, now,

1:10:35.080 --> 1:10:36.640
<v Speaker 1>are you going to take us on the beach to

1:10:36.680 --> 1:10:38.880
<v Speaker 1>the streets. Can we expect in the clothing line from

1:10:38.880 --> 1:10:43.240
<v Speaker 1>some working on something to drop for this fall? I

1:10:43.280 --> 1:10:45.240
<v Speaker 1>want to get my feet wet and I want to

1:10:45.360 --> 1:10:47.479
<v Speaker 1>again and I want to drop something this fall that

1:10:47.560 --> 1:10:51.160
<v Speaker 1>I'm going to do through Instagram and through online give us.

1:10:51.960 --> 1:10:56.200
<v Speaker 1>I'm just coming. It's coming and it's universal for all

1:10:56.360 --> 1:10:58.639
<v Speaker 1>curvy women's body types, and I really believe they're gonna

1:10:58.680 --> 1:11:01.519
<v Speaker 1>love it. Oh well, because I try to think, what's

1:11:01.520 --> 1:11:03.240
<v Speaker 1>an important that I could drop that a lot of

1:11:03.280 --> 1:11:06.479
<v Speaker 1>women would want to wear, even the smaller women, but

1:11:06.560 --> 1:11:10.920
<v Speaker 1>especially my curvy dolls, my curvy superstar, Carvey super Star

1:11:11.840 --> 1:11:16.280
<v Speaker 1>what I call them. Now that is truly that's truly exciting. Okay,

1:11:16.479 --> 1:11:18.040
<v Speaker 1>So now that we know that you did the swim suit,

1:11:18.080 --> 1:11:20.479
<v Speaker 1>that you're planning on another line, what else is in

1:11:20.600 --> 1:11:22.519
<v Speaker 1>store for you? Well, you know, I'd really like to

1:11:22.520 --> 1:11:25.160
<v Speaker 1>pin a book, and I would like to pin a

1:11:25.160 --> 1:11:30.160
<v Speaker 1>book of great makeovers and my and my before and

1:11:30.240 --> 1:11:35.280
<v Speaker 1>afters and my journey as being a big person and

1:11:35.400 --> 1:11:39.920
<v Speaker 1>how that's how I got inspired and how I come

1:11:39.960 --> 1:11:44.680
<v Speaker 1>to the position to inspire others and share what what

1:11:44.720 --> 1:11:46.960
<v Speaker 1>I did. Because I want to do an illustration book

1:11:47.000 --> 1:11:50.719
<v Speaker 1>on like what I did before and after. The before

1:11:51.200 --> 1:11:53.360
<v Speaker 1>I want to write on the page, but the before

1:11:53.360 --> 1:11:55.840
<v Speaker 1>I have to say I changed this, I did this,

1:11:55.840 --> 1:11:58.160
<v Speaker 1>this is. I want to give you exactly what I

1:11:58.200 --> 1:12:00.680
<v Speaker 1>did to improve the shape and the box, like the

1:12:00.720 --> 1:12:04.479
<v Speaker 1>curvy script, all inclusive script, all inclusive. I just wanted.

1:12:04.840 --> 1:12:08.200
<v Speaker 1>I wanted to be readable, lightweight, and I just you know,

1:12:08.280 --> 1:12:11.080
<v Speaker 1>I need a publisher and somebody who believes in it,

1:12:11.120 --> 1:12:13.960
<v Speaker 1>because I really think it's important that a lot of

1:12:14.000 --> 1:12:17.640
<v Speaker 1>times women have a style bible that are curvy on

1:12:17.680 --> 1:12:20.840
<v Speaker 1>where to go, how to go. This gene works on

1:12:20.880 --> 1:12:23.639
<v Speaker 1>my body type, look for that gene. This blazer works

1:12:23.640 --> 1:12:26.000
<v Speaker 1>on my body type. That a line skirt works on

1:12:26.080 --> 1:12:28.640
<v Speaker 1>my body type better than the pencil skirt. This is.

1:12:28.680 --> 1:12:30.840
<v Speaker 1>These are the things that should be tools that should

1:12:30.840 --> 1:12:34.400
<v Speaker 1>just be on your body type, what works best on you.

1:12:34.520 --> 1:12:36.080
<v Speaker 1>So when you go shop and stuff, when you look

1:12:36.120 --> 1:12:38.120
<v Speaker 1>for those items, you try it on, you're like, wow,

1:12:38.160 --> 1:12:41.360
<v Speaker 1>that looks great, right, And there's nothing better than that

1:12:41.479 --> 1:12:44.559
<v Speaker 1>feeling of being able to go into the store, put

1:12:44.640 --> 1:12:47.879
<v Speaker 1>something on and feel good when you look at yourself.

1:12:48.080 --> 1:12:50.400
<v Speaker 1>I can't tell you just being transparent, the amount of

1:12:50.479 --> 1:12:53.080
<v Speaker 1>times that I've walked into a store, I passed by

1:12:53.080 --> 1:12:56.640
<v Speaker 1>a mirror and I just said, and not because um no,

1:12:57.000 --> 1:12:59.160
<v Speaker 1>just simply because I didn't feel the best on what

1:12:59.200 --> 1:13:01.679
<v Speaker 1>I had on, but because I didn't know what it looks.

1:13:01.680 --> 1:13:05.120
<v Speaker 1>So or you and I, I have styled you for

1:13:05.160 --> 1:13:07.280
<v Speaker 1>stuff and I could, and I've gotten you to buy

1:13:07.320 --> 1:13:09.040
<v Speaker 1>things that you didn't think. I never would have looked

1:13:09.040 --> 1:13:10.800
<v Speaker 1>at that, honey, star has got me a couple of

1:13:10.840 --> 1:13:13.400
<v Speaker 1>you on several occasions. In fact, I was just showing

1:13:13.760 --> 1:13:16.599
<v Speaker 1>Jeremiah when we did the premiere for Carvey Style Timothy Snail,

1:13:16.640 --> 1:13:19.080
<v Speaker 1>and then you had me in that cape down, Honey,

1:13:19.120 --> 1:13:23.080
<v Speaker 1>I was cascading around that. It was everything. And to

1:13:23.200 --> 1:13:26.080
<v Speaker 1>know that you just whip whip bam, thank you man.

1:13:26.240 --> 1:13:27.840
<v Speaker 1>I knew it would work on you, and it did.

1:13:28.000 --> 1:13:29.840
<v Speaker 1>It just made you look like a column. It made

1:13:29.880 --> 1:13:32.640
<v Speaker 1>you look taller, which is definitely what I need. But

1:13:33.000 --> 1:13:35.400
<v Speaker 1>is there any is there like a basic like or

1:13:35.439 --> 1:13:39.599
<v Speaker 1>a few body standard body types that you know, there's

1:13:39.640 --> 1:13:43.920
<v Speaker 1>a pear shape, there's a trump shape traditionally, well, she

1:13:44.000 --> 1:13:45.880
<v Speaker 1>has a small waist, so a lot of times she

1:13:45.920 --> 1:13:47.600
<v Speaker 1>could wear a lot of things that you want to

1:13:47.680 --> 1:13:49.280
<v Speaker 1>send you in the waist. If you want to accent

1:13:49.400 --> 1:13:52.040
<v Speaker 1>your waist, you're and then you have the triangle to

1:13:52.080 --> 1:13:54.840
<v Speaker 1>your heavier on top. So if you're having on top

1:13:54.880 --> 1:13:57.200
<v Speaker 1>of sometimes I like to go with a bigger bottom

1:13:57.560 --> 1:13:59.720
<v Speaker 1>or a triangle shape to balance the body so you

1:13:59.760 --> 1:14:02.000
<v Speaker 1>don't look like you have two sticks and you're just

1:14:02.040 --> 1:14:04.719
<v Speaker 1>a big square on top. That's a that's a body

1:14:04.720 --> 1:14:07.799
<v Speaker 1>type to play with there. And then there's the oval.

1:14:07.920 --> 1:14:11.080
<v Speaker 1>She's just round all over. That's somebody that you may

1:14:11.080 --> 1:14:12.920
<v Speaker 1>need to add a shoulder pad too that you may

1:14:12.960 --> 1:14:15.960
<v Speaker 1>need to add some gathering and some pleading in different

1:14:16.000 --> 1:14:18.360
<v Speaker 1>areas just to create some volume to kind of just

1:14:18.640 --> 1:14:20.720
<v Speaker 1>or or things just to slim it down. But one

1:14:20.720 --> 1:14:22.479
<v Speaker 1>of the things that I was my sister was telling

1:14:22.520 --> 1:14:23.960
<v Speaker 1>me about it, and I find this and I was

1:14:24.000 --> 1:14:28.720
<v Speaker 1>talking to was doing some consulting with someone. A lot

1:14:28.760 --> 1:14:31.559
<v Speaker 1>of times curvy, young curvy girls gonna show their arms,

1:14:31.560 --> 1:14:33.400
<v Speaker 1>they're gonna show their body, they're gonna show whatever they

1:14:33.439 --> 1:14:38.320
<v Speaker 1>want to show because they're in that um lizzo thing

1:14:38.439 --> 1:14:40.519
<v Speaker 1>in your head at that point, which is dope. But

1:14:40.600 --> 1:14:42.800
<v Speaker 1>when a woman gets to be about thirty five, a

1:14:42.800 --> 1:14:45.400
<v Speaker 1>lot of them and up curvy women they don't like

1:14:45.439 --> 1:14:47.519
<v Speaker 1>to show their arms. So you have to be creative

1:14:47.560 --> 1:14:49.400
<v Speaker 1>and how you put a sleeve in something that still

1:14:49.400 --> 1:14:53.160
<v Speaker 1>shows skin without making you look old. Wait, hold on,

1:14:54.160 --> 1:14:58.519
<v Speaker 1>hold on, wait a minute. When you're at thirty five,

1:14:58.680 --> 1:15:01.320
<v Speaker 1>the show arms, that means you you look older. Wait,

1:15:01.479 --> 1:15:05.759
<v Speaker 1>I'm saying that some women beyond thirty five that are curvy,

1:15:05.920 --> 1:15:08.680
<v Speaker 1>they have bigger arms sometimes and they don't want to

1:15:08.680 --> 1:15:11.160
<v Speaker 1>be fleshy. Even some younger they don't want to show it,

1:15:11.280 --> 1:15:13.519
<v Speaker 1>you know. The Actually they don't want to show the

1:15:13.560 --> 1:15:16.920
<v Speaker 1>flap or something that's jiggling. They want to show something

1:15:16.920 --> 1:15:19.599
<v Speaker 1>that's covered up. But maybe they need a cold shoulder

1:15:19.640 --> 1:15:21.599
<v Speaker 1>with the skin showing here. Maybe need just to get

1:15:22.400 --> 1:15:24.679
<v Speaker 1>down the shoulder to the elbow the shows it opens

1:15:24.760 --> 1:15:27.840
<v Speaker 1>up and shows some skin. Or maybe it's a a

1:15:27.960 --> 1:15:31.439
<v Speaker 1>ruffle sleeve that's just over butterfly. This I'm just saying,

1:15:31.600 --> 1:15:35.320
<v Speaker 1>we have to we have to design with everybody in mind,

1:15:35.360 --> 1:15:39.160
<v Speaker 1>but with your design, design with everyone, and to design

1:15:39.200 --> 1:15:41.120
<v Speaker 1>with everyone in mind. But you have to be true

1:15:41.120 --> 1:15:46.280
<v Speaker 1>to yourself when you create your collection. So it isn't

1:15:46.280 --> 1:15:48.479
<v Speaker 1>about discrimination. It's just about any art. It's just like

1:15:49.040 --> 1:15:50.599
<v Speaker 1>I'm so great, you know. The first thing I thought

1:15:50.600 --> 1:15:53.880
<v Speaker 1>about was food. Yeah, do you put the egg in

1:15:53.880 --> 1:15:56.559
<v Speaker 1>your mac and cheese or don't you? It's just personal

1:15:56.600 --> 1:15:59.400
<v Speaker 1>post personal, and it's just how you want the presentation

1:15:59.439 --> 1:16:01.479
<v Speaker 1>of your meal or in this class, how you want

1:16:01.520 --> 1:16:04.640
<v Speaker 1>your clothes, you want your close to being. But I

1:16:04.640 --> 1:16:06.320
<v Speaker 1>I think they're clothes are just like I said, a

1:16:06.439 --> 1:16:09.120
<v Speaker 1>universal language. They speak to all of us. Can clothes

1:16:09.200 --> 1:16:12.240
<v Speaker 1>tell a story about people? So, uh, what's the story

1:16:12.280 --> 1:16:14.120
<v Speaker 1>that you want to leave with people? Well, I just

1:16:14.200 --> 1:16:16.120
<v Speaker 1>want to leave with people that you know what, I

1:16:16.160 --> 1:16:18.200
<v Speaker 1>think to dono self be true And I think that

1:16:18.280 --> 1:16:22.720
<v Speaker 1>when it comes down to style, stylar is something that

1:16:22.800 --> 1:16:25.400
<v Speaker 1>people can teach you. You either have it or you don't,

1:16:25.720 --> 1:16:28.640
<v Speaker 1>but don't be afraid to play with different things to

1:16:28.720 --> 1:16:34.240
<v Speaker 1>find your own style. Catch Now, if somebody's listening and

1:16:34.640 --> 1:16:37.720
<v Speaker 1>they want to keep a contact with you and follow up,

1:16:37.760 --> 1:16:39.519
<v Speaker 1>how do they do that? They can hit me up

1:16:39.520 --> 1:16:42.160
<v Speaker 1>on my Instagram, which is Timothy snell o n E

1:16:42.479 --> 1:16:45.920
<v Speaker 1>one Timothy snell one, oh Ny And all of my

1:16:46.000 --> 1:16:50.639
<v Speaker 1>information is there, my business email addresses there and um,

1:16:50.680 --> 1:16:53.600
<v Speaker 1>I'm on Twitter the same thing. Timothy snw one o

1:16:53.880 --> 1:17:00.120
<v Speaker 1>n e UM website website, Modern Curves dot com. So

1:17:00.200 --> 1:17:03.880
<v Speaker 1>reach out to me, say hello, ask me questions, UM,

1:17:04.120 --> 1:17:09.479
<v Speaker 1>DM me, um, hit me up. I got a lot

1:17:09.520 --> 1:17:11.280
<v Speaker 1>to say, as you can tell. But I have a

1:17:11.280 --> 1:17:13.800
<v Speaker 1>lot to say that I think will help people to

1:17:14.439 --> 1:17:16.280
<v Speaker 1>rise to the occasion to be the best you can

1:17:16.320 --> 1:17:19.880
<v Speaker 1>be in your curvy body. For all curvy superstars need

1:17:19.920 --> 1:17:21.680
<v Speaker 1>to feel amazing. You need to feel like a star

1:17:21.760 --> 1:17:24.639
<v Speaker 1>that's gonna shine. Yeah, every day it's your life. You're

1:17:24.840 --> 1:17:27.800
<v Speaker 1>let me tell you. Somebody said this to me one day.

1:17:28.200 --> 1:17:30.000
<v Speaker 1>Your life is a movie. You have to make a

1:17:30.080 --> 1:17:31.760
<v Speaker 1>choice whether you're going to be the victim or you're

1:17:31.760 --> 1:17:34.599
<v Speaker 1>going to be the star. Your life is a movie.

1:17:34.640 --> 1:17:36.840
<v Speaker 1>You have to make a choice. I choose to be

1:17:36.880 --> 1:17:38.160
<v Speaker 1>a star in my movie. I don't want to be

1:17:38.200 --> 1:17:45.280
<v Speaker 1>a victim in that lights camera catch it, catch it. Well,

1:17:45.320 --> 1:17:47.040
<v Speaker 1>you kind of already said it, but you know, just

1:17:47.120 --> 1:17:50.280
<v Speaker 1>as a standard protocol, I always ask people, um, you know,

1:17:50.320 --> 1:17:52.160
<v Speaker 1>if they want to leave something adults of Vitamin D.

1:17:52.320 --> 1:17:54.960
<v Speaker 1>It can be a song, lyric, it can be a quote,

1:17:55.360 --> 1:17:57.639
<v Speaker 1>it could be something that you whatever, could just shed

1:17:57.720 --> 1:18:01.400
<v Speaker 1>some light, give some inspiration. What what you say? I

1:18:01.400 --> 1:18:05.120
<v Speaker 1>don't know. I think for me what I would say.

1:18:05.160 --> 1:18:11.040
<v Speaker 1>We all wear a crown. Just let your shine drop

1:18:11.120 --> 1:18:14.400
<v Speaker 1>it bars did you catch it? The man behind the

1:18:14.439 --> 1:18:18.679
<v Speaker 1>curves themselves. It's saying walking your authority, walk in your

1:18:18.880 --> 1:18:21.400
<v Speaker 1>in yourself. We all have a crown on our head.

1:18:21.960 --> 1:18:24.720
<v Speaker 1>Just just let it shine, Just let it sparkle if

1:18:24.720 --> 1:18:26.479
<v Speaker 1>you want to, tilt it to the side, tilted to

1:18:26.520 --> 1:18:28.800
<v Speaker 1>the side, but just don't wear the crowd on. Let

1:18:28.880 --> 1:18:32.719
<v Speaker 1>the light go dimn on it, let it shine. Wow,

1:18:34.640 --> 1:18:39.479
<v Speaker 1>you all, bundle of inspiration. I'm so grateful for Mother Mary.

1:18:39.640 --> 1:18:42.800
<v Speaker 1>I'm so grate for for our friendship. You know you

1:18:42.800 --> 1:18:45.439
<v Speaker 1>you really opens up a huge limb for me, not

1:18:45.520 --> 1:18:47.640
<v Speaker 1>only of just what's possible in my body, but just

1:18:47.760 --> 1:18:50.559
<v Speaker 1>even the possibility of dreams. Because it's one thing like

1:18:50.600 --> 1:18:52.160
<v Speaker 1>when we say we have our own dreams, but it's

1:18:52.160 --> 1:18:54.519
<v Speaker 1>another to witness it and just down to you, just

1:18:54.560 --> 1:18:58.000
<v Speaker 1>speak in existence of Whitney and then just how it

1:18:58.120 --> 1:19:01.200
<v Speaker 1>manifested and just how many conversations you've been a part

1:19:01.240 --> 1:19:03.000
<v Speaker 1>of because you allowed your voice to be heard, and

1:19:03.000 --> 1:19:06.000
<v Speaker 1>you also have been a megaphone for so many women

1:19:06.520 --> 1:19:11.200
<v Speaker 1>just like me. I feel blessed and I'm just beginning,

1:19:11.280 --> 1:19:14.479
<v Speaker 1>so we'll see what happens. You know, they say it's

1:19:14.479 --> 1:19:16.160
<v Speaker 1>not over until it's over, and as long as you

1:19:16.280 --> 1:19:19.479
<v Speaker 1>listen to it, it ain't over. Um, So Snow, I

1:19:19.479 --> 1:19:22.800
<v Speaker 1>want to thank you. Thank you for sharing a conversation.

1:19:23.000 --> 1:19:25.760
<v Speaker 1>Conversation I enjoyed myself. You got me to talk about

1:19:25.800 --> 1:19:28.160
<v Speaker 1>a lot of stuff. I hope I didn't bore anyone.

1:19:28.280 --> 1:19:30.880
<v Speaker 1>But this is my journey and here, this is where

1:19:30.920 --> 1:19:34.719
<v Speaker 1>I'm at. And um, you know, it's been incredible highs

1:19:34.800 --> 1:19:37.760
<v Speaker 1>and lows in this journey, but I'm grateful for all. Well,

1:19:37.800 --> 1:19:40.599
<v Speaker 1>I hope all of you are grateful for this time

1:19:40.600 --> 1:19:42.679
<v Speaker 1>with Snow and that you walked the way of knowing

1:19:42.680 --> 1:19:45.280
<v Speaker 1>that you have a ground and it's your duty to shine.

1:19:45.520 --> 1:19:49.559
<v Speaker 1>You're starting in your movie lights, camera action. This is

1:19:49.560 --> 1:19:52.160
<v Speaker 1>the man behind the curves, the one that extends the

1:19:52.200 --> 1:19:55.240
<v Speaker 1>conversation so that it can be received and communicated with all.

1:19:55.760 --> 1:19:57.800
<v Speaker 1>A person that has still for to say they want

1:19:57.800 --> 1:19:59.720
<v Speaker 1>to be an example and to be a voice for

1:19:59.760 --> 1:20:02.040
<v Speaker 1>the waste less. So not it's just your turn to

1:20:02.040 --> 1:20:04.400
<v Speaker 1>step up. Make sure that you go ahead and check

1:20:04.439 --> 1:20:07.160
<v Speaker 1>out the website Modern Curves. Make sure you follow him

1:20:07.200 --> 1:20:10.599
<v Speaker 1>on social media, Timothy Snell one and um check out

1:20:10.600 --> 1:20:13.240
<v Speaker 1>the tim tips. Make sure you understand the importance of

1:20:13.280 --> 1:20:16.760
<v Speaker 1>the shape, the slim, the smooth, get the foundation, because

1:20:16.800 --> 1:20:19.559
<v Speaker 1>when you've got great foundation, you've got so many things

1:20:19.560 --> 1:20:23.200
<v Speaker 1>to build upon. And more importantly, the more curves you have,

1:20:23.280 --> 1:20:26.720
<v Speaker 1>the more possibility you have. Live a life that's limiteds

1:20:26.760 --> 1:20:29.439
<v Speaker 1>and make sure it gets you step into the possibility

1:20:29.520 --> 1:20:33.519
<v Speaker 1>and step into the realm of creating your imagination. Life

1:20:33.600 --> 1:20:36.880
<v Speaker 1>is for the living, so let's live. I appreciate you, Snail,

1:20:37.000 --> 1:20:39.920
<v Speaker 1>I love you, and I appreciate each and every one

1:20:39.920 --> 1:20:41.760
<v Speaker 1>of you that have been tuned in to Vitamin D.

1:20:42.080 --> 1:20:44.880
<v Speaker 1>And guess what, if you enjoyed this conversation, you gotta

1:20:44.960 --> 1:20:47.559
<v Speaker 1>check it out on YouTube. Yes, on YouTube where you

1:20:47.600 --> 1:20:51.200
<v Speaker 1>can actually see what's going on in the studio. Um. Also,

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<v Speaker 1>I want to encourage you that if you want some

1:20:53.160 --> 1:20:56.200
<v Speaker 1>more Vitamin D outside of this, make sure you follow

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<v Speaker 1>me at Dawn Day Speaks and in the meantime in

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<v Speaker 1>between time until next time, I want you to always

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<v Speaker 1>remember that you are your greatest status act mm HM