1
00:00:19,600 --> 00:00:23,880
Speaker 1: Podcast starts now, Hi everyone, this is George coming at

2
00:00:23,880 --> 00:00:27,040
Speaker 1: you live from Brooklyn, New York. Sam is on a

3
00:00:27,080 --> 00:00:29,600
Speaker 1: business trip in a gay campground in Vermont, but he

4
00:00:29,680 --> 00:00:32,000
Speaker 1: sends his love and I just wanted to say that.

5
00:00:32,040 --> 00:00:35,080
Speaker 1: For today's episode, we decided to, for the first time ever,

6
00:00:35,479 --> 00:00:38,040
Speaker 1: publish a recording of a live show on the main feed.

7
00:00:38,560 --> 00:00:40,240
Speaker 1: This is our most recent live show. It's at the

8
00:00:40,240 --> 00:00:43,280
Speaker 1: Bellhouse in Brooklyn a few weeks ago, and it was

9
00:00:43,280 --> 00:00:45,560
Speaker 1: with some of our favorite people were talking, Josh Sharp,

10
00:00:45,600 --> 00:00:49,519
Speaker 1: Aaron Jackson, Sabrino Wu and Pulitzer Prize winner Andrew Longshu,

11
00:00:49,520 --> 00:00:51,839
Speaker 1: who think should actually get a second Pulitzer for her

12
00:00:51,880 --> 00:00:55,120
Speaker 1: performance at that show. And you'll see why I want

13
00:00:55,120 --> 00:00:57,480
Speaker 1: to say. We already released this recording on the Patreon

14
00:00:57,560 --> 00:00:59,160
Speaker 1: last week, so if you're a patron, I'm sorry you're

15
00:00:59,160 --> 00:01:01,520
Speaker 1: not getting a new episode today, But we wanted to

16
00:01:01,520 --> 00:01:04,080
Speaker 1: put it in the main feed for two reasons. One,

17
00:01:04,160 --> 00:01:06,520
Speaker 1: we just wanted everyone to have sort of a peak

18
00:01:07,000 --> 00:01:08,920
Speaker 1: into the kind of stuff you would be getting if

19
00:01:08,920 --> 00:01:11,840
Speaker 1: you subscribe to our Patreon. We have had the Patreon

20
00:01:11,880 --> 00:01:13,560
Speaker 1: for a while, but we always forget to promote it.

21
00:01:13,560 --> 00:01:16,080
Speaker 1: It's very if you know you know, but we would

22
00:01:16,080 --> 00:01:18,640
Speaker 1: love for more people to sign up. We're trying to

23
00:01:18,640 --> 00:01:22,480
Speaker 1: do sort of like newer, more exciting stuff in the

24
00:01:22,520 --> 00:01:24,920
Speaker 1: next few months, so I think it'll be really fun.

25
00:01:24,920 --> 00:01:27,200
Speaker 1: It's only five dollars a month, and you get two

26
00:01:27,240 --> 00:01:31,560
Speaker 1: extra episodes a month, including mini earnestness bonanzas with just

27
00:01:31,680 --> 00:01:34,200
Speaker 1: me and Sam. You get all the live show recordings,

28
00:01:34,240 --> 00:01:36,679
Speaker 1: you get episodes where we talk about straight movies. Sometimes

29
00:01:36,680 --> 00:01:39,120
Speaker 1: we have special guests we had Chris File from this

30
00:01:39,160 --> 00:01:42,440
Speaker 1: hat Oscar bas On last year. And you also get

31
00:01:42,480 --> 00:01:45,600
Speaker 1: access to our discord server, which is extremely active and

32
00:01:45,720 --> 00:01:48,440
Speaker 1: very fun and has resulted in actual real life friendships

33
00:01:48,480 --> 00:01:53,000
Speaker 1: across the country, actually in multiple cities, So please consider subscribing.

34
00:01:53,520 --> 00:01:55,640
Speaker 1: And then also, the second reason we wanted to release

35
00:01:55,680 --> 00:01:57,560
Speaker 1: this episode is because we want everyone to get to

36
00:01:57,600 --> 00:02:00,200
Speaker 1: hear what a live show sounds like or sorry live

37
00:02:00,280 --> 00:02:01,440
Speaker 1: show is like as.

38
00:02:01,280 --> 00:02:02,280
Speaker 2: We prepare for our tour.

39
00:02:02,880 --> 00:02:05,480
Speaker 1: So if you like what you're listening to, please consider

40
00:02:05,520 --> 00:02:07,640
Speaker 1: buying tickets to see us on tour or telling your

41
00:02:07,640 --> 00:02:10,000
Speaker 1: friends who live in other cities to come. We really

42
00:02:10,040 --> 00:02:11,800
Speaker 1: want to keep doing shows that aren't just in New

43
00:02:11,880 --> 00:02:14,079
Speaker 1: York and LA, so we really want this first tour

44
00:02:14,160 --> 00:02:16,640
Speaker 1: to be a huge smash and once again, all tickets

45
00:02:16,639 --> 00:02:20,120
Speaker 1: are available on linktree dot com slash Stradio Lab, which

46
00:02:20,160 --> 00:02:23,520
Speaker 1: is also in our Instagram bio, and please post about going,

47
00:02:23,560 --> 00:02:26,720
Speaker 1: tell your friends to go. Spread the word. We just

48
00:02:26,840 --> 00:02:28,320
Speaker 1: I think it's going to be so much fun. We're

49
00:02:28,360 --> 00:02:30,480
Speaker 1: so excited to be going to all these cities. And

50
00:02:30,520 --> 00:02:35,959
Speaker 1: once again it's Boston, Philly, DC, Chicago, Minneapolis, Seattle, Portland,

51
00:02:36,000 --> 00:02:38,120
Speaker 1: San Francisco, Los Angeles.

52
00:02:38,160 --> 00:02:39,880
Speaker 2: So hope to see you there. That's enough for me.

53
00:02:40,240 --> 00:03:00,320
Speaker 1: Enjoy Stradio Lab live from the Bellhouse. Who Do Who? Okay,

54
00:03:00,880 --> 00:03:03,359
Speaker 1: live show starts now.

55
00:03:04,800 --> 00:03:09,320
Speaker 3: Oh my goodness, wow, wow wow.

56
00:03:09,360 --> 00:03:10,600
Speaker 2: The energy here is electric.

57
00:03:10,840 --> 00:03:18,000
Speaker 3: I'm wow, wow, wow wow, Oh my goodness.

58
00:03:18,080 --> 00:03:23,399
Speaker 1: I feel like I'm on cocaine just because I am.

59
00:03:23,480 --> 00:03:24,080
Speaker 4: I'm kidding.

60
00:03:24,880 --> 00:03:25,360
Speaker 2: I'm kidding.

61
00:03:25,360 --> 00:03:28,560
Speaker 5: I've never done looking never. That's so bad. We actually kidding,

62
00:03:28,560 --> 00:03:34,360
Speaker 5: by the way, right, Yeah we're kidding.

63
00:03:34,520 --> 00:03:39,200
Speaker 4: Yeah, we're joking. We're one hundred percent kidding.

64
00:03:43,560 --> 00:03:45,440
Speaker 1: Can you believe that it's been two years since our

65
00:03:45,480 --> 00:03:48,600
Speaker 1: first live show?

66
00:03:48,920 --> 00:03:50,040
Speaker 4: Okay? Very hesitant?

67
00:03:50,280 --> 00:03:54,640
Speaker 2: Who? Well now they're like, what is true? What is live? Right? See?

68
00:03:54,640 --> 00:04:01,440
Speaker 5: This is what Chernobyl was all about. Okay, sorry, I.

69
00:04:01,360 --> 00:04:04,040
Speaker 4: Literally was looking up Chernobyl memes today.

70
00:04:04,760 --> 00:04:07,080
Speaker 2: Wait, why were you looking up Chernobyl? George?

71
00:04:07,320 --> 00:04:10,560
Speaker 5: Okay, okay, you brought it up. Okay, I'm gonna be honest.

72
00:04:10,600 --> 00:04:18,960
Speaker 5: It's because someone on Instagram who might be here said, oh,

73
00:04:19,000 --> 00:04:20,839
Speaker 5: I'm looking at the website and doesn't say the show

74
00:04:20,880 --> 00:04:23,200
Speaker 5: is sold out, and I was like, no, it is.

75
00:04:24,240 --> 00:04:25,960
Speaker 5: And then I was like, you're lying to me. And

76
00:04:26,000 --> 00:04:27,880
Speaker 5: then they were like then they made like then they

77
00:04:27,920 --> 00:04:29,960
Speaker 5: like literally photoshop something to make it look like it

78
00:04:30,040 --> 00:04:30,680
Speaker 5: wasn't sold out.

79
00:04:31,960 --> 00:04:32,239
Speaker 2: What?

80
00:04:32,800 --> 00:04:34,679
Speaker 5: And I was like, stop doing this to me someone

81
00:04:34,720 --> 00:04:39,880
Speaker 5: we know well vaguely, I mean I'm Internet friends with them.

82
00:04:39,560 --> 00:04:41,240
Speaker 2: Sure, but photoshop friends.

83
00:04:43,279 --> 00:04:44,520
Speaker 5: And so then I was like, okay, well, if we're

84
00:04:44,520 --> 00:04:46,560
Speaker 5: doing bits, then I'm gonna do a bit back. And

85
00:04:46,600 --> 00:04:51,680
Speaker 5: I then I sent him a Chernobyl meme that said

86
00:04:51,720 --> 00:04:54,039
Speaker 5: what is the cost of your lives? Somehow I have

87
00:04:54,760 --> 00:04:57,000
Speaker 5: Why did it say what is the cost of your lives?

88
00:04:57,240 --> 00:04:58,760
Speaker 3: Ah?

89
00:04:58,800 --> 00:05:00,000
Speaker 4: Okay, okay, okay, that's good.

90
00:05:00,240 --> 00:05:01,719
Speaker 2: I don't know if you saw Chernobyl, but that was

91
00:05:01,720 --> 00:05:03,520
Speaker 2: sort of the central theme. I didn't realize that.

92
00:05:04,000 --> 00:05:05,880
Speaker 1: I didn't realize that you were talking about Chernobyl the

93
00:05:05,880 --> 00:05:08,080
Speaker 1: television series rather than just the historical event.

94
00:05:08,920 --> 00:05:13,560
Speaker 5: George, it's a television series first and foremost.

95
00:05:15,000 --> 00:05:17,240
Speaker 2: Wow, I cannot believe you watched Chernobyl.

96
00:05:18,160 --> 00:05:20,440
Speaker 5: I actually have the craziest thing to say, what I

97
00:05:20,480 --> 00:05:21,280
Speaker 5: watched it twice?

98
00:05:21,440 --> 00:05:22,120
Speaker 2: What the fuck?

99
00:05:23,000 --> 00:05:25,440
Speaker 5: I have no idea why Chernobyl spoke to me in

100
00:05:25,480 --> 00:05:28,240
Speaker 5: such a deep way. I literally was like, chernobyls my

101
00:05:28,240 --> 00:05:32,520
Speaker 5: favorite show. Wow, Yeah, it's weird. I actually think it's

102
00:05:32,560 --> 00:05:33,840
Speaker 5: weird that I never told you that.

103
00:05:33,839 --> 00:05:36,360
Speaker 2: That is crazy. It was it because of shame, do

104
00:05:36,400 --> 00:05:40,039
Speaker 2: you think? Yeah? I think I let Brandon get ahead

105
00:05:40,040 --> 00:05:41,680
Speaker 2: of me. Yeah. And I was like, this will hurt

106
00:05:41,720 --> 00:05:43,680
Speaker 2: the brand, so talk about talk about as well.

107
00:05:43,720 --> 00:05:45,680
Speaker 1: In fact, it would help the talk about a straight

108
00:05:45,800 --> 00:05:49,440
Speaker 1: show Chernobyl. Now SAMs like, what are you talking about?

109
00:05:50,560 --> 00:05:54,280
Speaker 1: He's like, the entire cast is LGBTQ plus George, it's

110
00:05:54,279 --> 00:05:56,320
Speaker 1: about the cost of lives. That sounds such ridiculous to me,

111
00:06:00,839 --> 00:06:03,680
Speaker 1: because they said they understand that we talked backstage. We

112
00:06:03,680 --> 00:06:05,320
Speaker 1: were like, oh, what should we talk about? Maybe like

113
00:06:05,360 --> 00:06:07,240
Speaker 1: it's been two years, Like what has happened in those years?

114
00:06:07,440 --> 00:06:09,159
Speaker 1: The fact that we are now on minute eight of

115
00:06:09,160 --> 00:06:10,680
Speaker 1: talking about Chernobyl.

116
00:06:12,040 --> 00:06:13,480
Speaker 2: No Okay, I had to tell you.

117
00:06:13,520 --> 00:06:22,440
Speaker 5: I watched Chernobyl uh huh on an airplane on March thirteenth,

118
00:06:22,480 --> 00:06:26,760
Speaker 5: twenty twenty okay, and I got off the airplane and

119
00:06:26,760 --> 00:06:28,640
Speaker 5: people were coming at me with swabs.

120
00:06:29,600 --> 00:06:31,680
Speaker 1: It was truly That's why it made an impact. And

121
00:06:31,720 --> 00:06:33,680
Speaker 1: then you went back and watched it again.

122
00:06:33,400 --> 00:06:35,360
Speaker 2: Two weeks later. Two weeks later.

123
00:06:38,800 --> 00:06:39,360
Speaker 3: Wow.

124
00:06:39,600 --> 00:06:41,480
Speaker 2: Yeah, I'm kind of obsessed with Chernobyl.

125
00:06:42,320 --> 00:06:45,720
Speaker 1: So how here's my question for you, as someone who

126
00:06:45,760 --> 00:06:48,839
Speaker 1: has seen Chernobyl twice, how can we avoid that happening

127
00:06:48,880 --> 00:06:54,080
Speaker 1: again in the future. We're nearing an election, Yeah, we're

128
00:06:54,120 --> 00:07:01,440
Speaker 1: sort of in a democratic crisis, and so how can

129
00:07:01,480 --> 00:07:02,880
Speaker 1: we avoid a second Chernobyl?

130
00:07:03,080 --> 00:07:03,320
Speaker 2: Yeah?

131
00:07:03,600 --> 00:07:08,960
Speaker 5: Second that we know of, by the way, Well, first

132
00:07:09,000 --> 00:07:10,920
Speaker 5: of all, I think it starts at the ground level.

133
00:07:11,120 --> 00:07:13,040
Speaker 5: And if you're doing a bit with someone that you

134
00:07:13,160 --> 00:07:16,000
Speaker 5: mostly know only from the internet, right, don't get on

135
00:07:16,040 --> 00:07:19,920
Speaker 5: photoshops to sort of complete that bit, because that is

136
00:07:19,920 --> 00:07:21,119
Speaker 5: where democracy falls.

137
00:07:21,160 --> 00:07:24,120
Speaker 1: Okay, okay, okay, okay. So it's a breakdown of communication,

138
00:07:24,200 --> 00:07:24,800
Speaker 1: is what you're saying.

139
00:07:24,840 --> 00:07:25,400
Speaker 2: Basically.

140
00:07:25,520 --> 00:07:29,760
Speaker 1: Okay, Well, you know, if anyone in the government is here,

141
00:07:30,440 --> 00:07:33,440
Speaker 1: take that with you back home to Washington, DC.

142
00:07:37,480 --> 00:07:38,600
Speaker 2: Did you see Chernobyl.

143
00:07:39,360 --> 00:07:44,360
Speaker 1: No, it would be crazy if this whole time I

144
00:07:44,360 --> 00:07:46,240
Speaker 1: had nothing to say about it. And then I was like, yeah,

145
00:07:46,240 --> 00:07:49,240
Speaker 1: it's actually my favorite show. I've seen it four times.

146
00:07:49,280 --> 00:07:50,200
Speaker 2: I've seen it four times.

147
00:07:50,720 --> 00:07:52,920
Speaker 1: Okay, can I just say something about Chernobyl because we're

148
00:07:52,920 --> 00:07:53,400
Speaker 1: talking about it?

149
00:07:53,400 --> 00:07:54,040
Speaker 2: I think you have to.

150
00:07:54,200 --> 00:07:55,880
Speaker 1: I am alienated by the fact that I can't name

151
00:07:55,920 --> 00:08:00,480
Speaker 1: a single actor on that show. Uh, exactly, and so

152
00:08:01,280 --> 00:08:04,040
Speaker 1: I'm like, I put Sarah Snook in there.

153
00:08:05,240 --> 00:08:08,080
Speaker 5: Well, you couldn't have named her before Succession? What is

154
00:08:08,360 --> 00:08:10,440
Speaker 5: That's a good point. That's a good point. Wait, what

155
00:08:10,600 --> 00:08:10,800
Speaker 5: is his?

156
00:08:10,920 --> 00:08:14,240
Speaker 2: Jennifer Anison? Jared harre Stop?

157
00:08:14,360 --> 00:08:17,040
Speaker 4: Who who Jared Harris?

158
00:08:17,840 --> 00:08:20,680
Speaker 2: He was in Mad Men? He killed himself.

159
00:08:22,160 --> 00:08:25,480
Speaker 4: I don't think that's in the show. I don't think

160
00:08:25,480 --> 00:08:26,440
Speaker 4: that's enough star power.

161
00:08:26,520 --> 00:08:29,440
Speaker 5: I gotta say he's actually really amazing and you'd love

162
00:08:29,480 --> 00:08:31,040
Speaker 5: him and know his name if you saw Gernobyl.

163
00:08:32,400 --> 00:08:35,080
Speaker 2: Okay, I think we need to move on from Noble.

164
00:08:36,760 --> 00:08:38,720
Speaker 2: I actually don't think you've learned the lessons. No, I

165
00:08:38,760 --> 00:08:44,480
Speaker 2: actually haven't, and that's what stresses me out.

166
00:08:43,080 --> 00:08:48,240
Speaker 5: I actually am relishing in this because so often in

167
00:08:48,280 --> 00:08:53,200
Speaker 5: our dynamic, George is referencing these films, and it's always like, well,

168
00:08:53,240 --> 00:08:57,160
Speaker 5: this is just like Jennifer Blah blah blah in The

169
00:08:57,559 --> 00:09:01,760
Speaker 5: Cool Girl, And I'm like, well I never saw the

170
00:09:01,760 --> 00:09:02,760
Speaker 5: Cool Girl, he said.

171
00:09:02,600 --> 00:09:09,920
Speaker 1: For Aniston and the Good Girl. Okay, and so now

172
00:09:09,960 --> 00:09:10,760
Speaker 1: this is your show.

173
00:09:10,840 --> 00:09:12,840
Speaker 2: Now it's it's it's Sam's Revenge.

174
00:09:13,080 --> 00:09:16,400
Speaker 5: Yeah, I get to sort of talk about my favorite show.

175
00:09:17,760 --> 00:09:19,720
Speaker 1: Well, I'm really happy that you allowed me into that,

176
00:09:23,200 --> 00:09:25,680
Speaker 1: but I am sort of thinking like in those in

177
00:09:25,760 --> 00:09:29,480
Speaker 1: these two years, oh, right back to that. Yeah, which,

178
00:09:29,520 --> 00:09:30,720
Speaker 1: by the way I'm talking, is that we have a

179
00:09:30,760 --> 00:09:31,360
Speaker 1: prepared bit.

180
00:09:31,679 --> 00:09:32,000
Speaker 2: Nope.

181
00:09:32,240 --> 00:09:41,200
Speaker 1: No, So two years ago, I want to say Obama

182
00:09:41,240 --> 00:09:41,800
Speaker 1: was president.

183
00:09:42,160 --> 00:09:49,040
Speaker 5: Yeah, yeah, yeah, we were just a couple of indie musicians, musicians.

184
00:09:49,679 --> 00:09:52,280
Speaker 2: It was a very guitar heavy set.

185
00:09:52,360 --> 00:09:52,520
Speaker 4: Yeah.

186
00:09:52,559 --> 00:10:02,319
Speaker 1: We were in the military banditary band band, Franz Ferdinand.

187
00:10:05,040 --> 00:10:09,720
Speaker 1: We were in the military band, Franz Ferdinand. Obama was president.

188
00:10:10,480 --> 00:10:11,520
Speaker 2: And marriage.

189
00:10:16,200 --> 00:10:22,160
Speaker 5: Bring take it back, bring it back, That's what was said.

190
00:10:22,600 --> 00:10:25,599
Speaker 1: I do actually think if we brought okay, hear me out,

191
00:10:25,800 --> 00:10:28,160
Speaker 1: if we uh oh took.

192
00:10:27,960 --> 00:10:30,280
Speaker 2: Away a game marriage.

193
00:10:31,440 --> 00:10:33,520
Speaker 1: Only so that we can then rally around it again

194
00:10:33,559 --> 00:10:35,439
Speaker 1: and bring it back, I think that would be great

195
00:10:35,480 --> 00:10:38,160
Speaker 1: for unity. You want like a reboot of that church. Yeah,

196
00:10:38,240 --> 00:10:39,679
Speaker 1: because you know what I was thinking. You know how

197
00:10:39,679 --> 00:10:43,320
Speaker 1: this year there are no pride campaigns because everyone hates

198
00:10:43,920 --> 00:10:47,320
Speaker 1: queer people again. It's like it's like, you know, maybe

199
00:10:47,360 --> 00:10:50,120
Speaker 1: Sam and me into to Brooklyn intellectuals. You know, we

200
00:10:50,200 --> 00:10:52,920
Speaker 1: used to be like, what are these corporations doing putting

201
00:10:53,160 --> 00:10:57,440
Speaker 1: rainbows on shoes? They should be marching or whatever. But

202
00:10:57,600 --> 00:11:00,360
Speaker 1: now that there are no pride campaigns, we're like, while

203
00:11:00,400 --> 00:11:04,480
Speaker 1: we stand with Target and it brought the community together,

204
00:11:04,520 --> 00:11:07,120
Speaker 1: and I think if we outlawed gay marriage then everyone

205
00:11:07,120 --> 00:11:08,800
Speaker 1: would be united again to bring it back.

206
00:11:10,000 --> 00:11:11,839
Speaker 2: Yeah. Basically, there's just always gonna be a push and

207
00:11:11,880 --> 00:11:12,600
Speaker 2: pull and people need.

208
00:11:12,520 --> 00:11:14,960
Speaker 1: Something exactly and people need to learn that and honestly

209
00:11:15,000 --> 00:11:18,280
Speaker 1: get over it. I was, and if you care about

210
00:11:18,280 --> 00:11:22,880
Speaker 1: any political issue, shut up because it all comes in

211
00:11:22,920 --> 00:11:25,120
Speaker 1: waves and once you learn that, you can just sit back,

212
00:11:25,240 --> 00:11:26,600
Speaker 1: relax on the broiler show.

213
00:11:29,080 --> 00:11:29,320
Speaker 2: Wait.

214
00:11:29,360 --> 00:11:32,199
Speaker 5: I have something that I was kind of thinking about recently,

215
00:11:32,600 --> 00:11:35,760
Speaker 5: which is the like on like a gay app. I

216
00:11:35,840 --> 00:11:40,000
Speaker 5: remember like a decade ago, being like like someone would

217
00:11:40,000 --> 00:11:43,360
Speaker 5: be like married and I'd be like, ooh, this guy's

218
00:11:43,440 --> 00:11:46,200
Speaker 5: closeted and married to a woman, And you could just

219
00:11:46,240 --> 00:11:48,679
Speaker 5: sort of safely assume that. Yeah, and now I'm seeing

220
00:11:48,760 --> 00:11:50,920
Speaker 5: married married married, and it's like, so none of you

221
00:11:50,960 --> 00:11:51,600
Speaker 5: are closeted.

222
00:11:52,600 --> 00:11:53,960
Speaker 2: Doesn't sound very married to me.

223
00:11:55,840 --> 00:12:09,040
Speaker 1: Yeah, that's a good point. I mean it's a good

224
00:12:09,040 --> 00:12:13,480
Speaker 1: point because because it's like the wedding ring should be.

225
00:12:14,559 --> 00:12:16,960
Speaker 1: It's like a danger. It's like an invitation to do

226
00:12:17,000 --> 00:12:20,120
Speaker 1: something illicit, you know what I mean. Yes, and then

227
00:12:20,160 --> 00:12:22,160
Speaker 1: now it's like, oh, my husband's in the other room,

228
00:12:22,200 --> 00:12:23,600
Speaker 1: do you want some Dorito's.

229
00:12:25,120 --> 00:12:33,800
Speaker 2: No, I don't expect.

230
00:12:36,679 --> 00:12:38,640
Speaker 1: This is how we find out I'm a virgin. It's

231
00:12:38,679 --> 00:12:40,720
Speaker 1: like I'm like describing sex. I'm like, yeah, so you

232
00:12:40,760 --> 00:12:43,600
Speaker 1: go to someone's house and there's Dorrito's and the husband

233
00:12:43,679 --> 00:12:46,679
Speaker 1: is offering Dorito's and so yeah, and then basically you're

234
00:12:46,679 --> 00:12:51,520
Speaker 1: like and then you leave and you're like okay, Amil

235
00:12:51,679 --> 00:12:52,400
Speaker 1: and a show.

236
00:12:57,240 --> 00:13:00,880
Speaker 5: That was shocking, yeah, because he really had a moment

237
00:13:00,920 --> 00:13:03,520
Speaker 5: where it's like, well, he's gonna say something sexy now.

238
00:13:03,480 --> 00:13:05,439
Speaker 1: Right, Oh, I say what we're saying. No, But that

239
00:13:05,880 --> 00:13:07,840
Speaker 1: was my point is that now it's not sexy.

240
00:13:07,920 --> 00:13:10,839
Speaker 5: Now it's like, now it's just your friends with someone's husbands.

241
00:13:10,480 --> 00:13:12,959
Speaker 1: Exactly, and the husband knows about it. It's not illicit.

242
00:13:13,040 --> 00:13:14,720
Speaker 1: No one's cheating on anyone, well.

243
00:13:14,559 --> 00:13:16,000
Speaker 2: Because they're eating doritos. I think.

244
00:13:17,400 --> 00:13:19,000
Speaker 5: I think no one's cheating on anyone because they're not

245
00:13:19,000 --> 00:13:28,640
Speaker 5: having sex, right Yeah, not to poke holes in it.

246
00:13:28,840 --> 00:13:32,480
Speaker 1: No, for some people, douredo eating is sex. Yeah, and

247
00:13:32,480 --> 00:13:33,920
Speaker 1: by the way, that's valid.

248
00:13:35,280 --> 00:13:38,680
Speaker 5: As valid as anything else. Yeah, So what is sex,

249
00:13:38,760 --> 00:13:39,680
Speaker 5: you guys tell us?

250
00:13:39,880 --> 00:13:40,679
Speaker 4: Yeah?

251
00:13:40,760 --> 00:13:41,080
Speaker 2: Okay.

252
00:13:41,240 --> 00:13:45,319
Speaker 1: Does anyone think dorito's can be sexyquol ranch only?

253
00:13:46,000 --> 00:13:49,440
Speaker 4: All right, that's a sexy one. Yeah, yeah, I get that.

254
00:13:51,320 --> 00:13:53,560
Speaker 1: If I'm making out with someone and they smell like

255
00:13:53,559 --> 00:13:56,319
Speaker 1: cool ranch currito's, honey, that's.

256
00:13:56,120 --> 00:13:57,520
Speaker 4: Half the battle right there.

257
00:14:00,800 --> 00:14:05,200
Speaker 2: Yeah. I mean if we're being honest, yeah, and we

258
00:14:05,360 --> 00:14:06,520
Speaker 2: have to. We have to.

259
00:14:06,640 --> 00:14:11,199
Speaker 5: That's our job as podcasters.

260
00:14:11,240 --> 00:14:13,440
Speaker 2: It is there it.

261
00:14:14,280 --> 00:14:18,160
Speaker 5: There could be something horny about eating thrito's.

262
00:14:17,559 --> 00:14:19,600
Speaker 1: Okay, I just want to reiterate that. My point was

263
00:14:19,640 --> 00:14:23,240
Speaker 1: that it's not horny. My point was like it used

264
00:14:23,280 --> 00:14:26,960
Speaker 1: to be, Oh, someone's married and they're closeted and and

265
00:14:27,000 --> 00:14:30,480
Speaker 1: you're meeting them in a dark alley hot. Now someone's married,

266
00:14:30,720 --> 00:14:32,840
Speaker 1: Oh they're you know, like the husband knows about it.

267
00:14:32,880 --> 00:14:36,400
Speaker 1: There's no listen, does anyone get what I'm saying, okay.

268
00:14:36,160 --> 00:14:38,320
Speaker 2: Get it. They're just there's another side to the stuff.

269
00:14:38,800 --> 00:14:40,880
Speaker 1: You're Okay, what you're trying to do is to you

270
00:14:40,920 --> 00:14:42,920
Speaker 1: are desperate to make that horny as well.

271
00:14:43,440 --> 00:14:48,760
Speaker 5: Right, well, we just said it was sex. So now

272
00:14:48,800 --> 00:14:50,400
Speaker 5: I'm saying how that could be true?

273
00:14:50,760 --> 00:14:51,920
Speaker 2: Oh I see, I say, I see.

274
00:14:51,960 --> 00:14:56,880
Speaker 1: So how can we make picture it two people hooking

275
00:14:56,960 --> 00:14:59,720
Speaker 1: up and one of their husbands and in the other

276
00:14:59,760 --> 00:15:03,320
Speaker 1: room offerings and so the challenge here is how do we.

277
00:15:03,280 --> 00:15:09,640
Speaker 2: Make that scene sexy? Okay? Well, name is Kevin James. No, no, no,

278
00:15:09,760 --> 00:15:12,040
Speaker 2: I think it's like the Doritos.

279
00:15:12,160 --> 00:15:16,360
Speaker 5: Imply to me, a clear role play where it's like

280
00:15:16,640 --> 00:15:18,680
Speaker 5: you are like boys in a basement.

281
00:15:19,320 --> 00:15:20,000
Speaker 2: You are.

282
00:15:21,800 --> 00:15:26,840
Speaker 5: Wearing basketball shorts, you're like talking about like playing video games,

283
00:15:27,560 --> 00:15:28,720
Speaker 5: and then one of you is like.

284
00:15:29,000 --> 00:15:31,600
Speaker 2: Wouldn't be crazy, I don't know, jerked off.

285
00:15:33,240 --> 00:15:36,200
Speaker 5: And you're eating Dorito's and then it is fully part

286
00:15:36,240 --> 00:15:39,120
Speaker 5: of the scene and it is horny and I'm rock hard.

287
00:15:39,440 --> 00:15:40,160
Speaker 4: Wow.

288
00:15:42,360 --> 00:15:44,680
Speaker 2: I mean that worked, right? I think that works? Yeah?

289
00:15:45,720 --> 00:15:47,360
Speaker 2: Why not work for anyone who's soft?

290
00:15:49,920 --> 00:15:54,200
Speaker 1: The fact that you landed that plane like Tom Hanks

291
00:15:54,240 --> 00:15:59,640
Speaker 1: with the geese we were about to go down, is

292
00:15:59,680 --> 00:16:02,840
Speaker 1: that you're Chernobyl. What is that your Chernobyl? That is

293
00:16:02,880 --> 00:16:07,520
Speaker 1: how Chernobyl started. The plane was literally going down. The

294
00:16:07,560 --> 00:16:10,200
Speaker 1: geese were literally being cut into a billion different little

295
00:16:10,200 --> 00:16:12,720
Speaker 1: pieces in the wings, and Tom Hanks was like, you

296
00:16:12,760 --> 00:16:14,520
Speaker 1: know what, I trained.

297
00:16:14,200 --> 00:16:17,320
Speaker 4: For this, and he landed it.

298
00:16:18,000 --> 00:16:19,560
Speaker 2: He landed the plane in the river no longer.

299
00:16:19,680 --> 00:16:21,960
Speaker 1: And then that other guy was like, I am the captain.

300
00:16:22,000 --> 00:16:27,440
Speaker 1: Now different movie. I'm trying to do as many references

301
00:16:27,440 --> 00:16:29,920
Speaker 1: as possible to Tom you after the Chernobyl incident.

302
00:16:32,160 --> 00:16:34,680
Speaker 2: That will be forever known as a Chernobyl incident.

303
00:16:34,840 --> 00:16:39,360
Speaker 5: Yeah, the part where I knew a piece of media

304
00:16:40,280 --> 00:16:40,960
Speaker 5: Chakespeare left.

305
00:16:46,440 --> 00:16:48,840
Speaker 1: Should we address our physical appearances?

306
00:16:50,080 --> 00:16:53,560
Speaker 5: I do think as a well, I would say an

307
00:16:53,600 --> 00:16:57,480
Speaker 5: audio only medium, but that's not true because we're on Instagram.

308
00:16:57,880 --> 00:16:59,840
Speaker 5: Needs will say you all know us from Instagram reels. Yeah,

309
00:17:01,680 --> 00:17:05,080
Speaker 5: I do want to say something about Instagram reels plummeting.

310
00:17:06,920 --> 00:17:09,040
Speaker 5: I think Instagram reels are so funny because it's like

311
00:17:09,359 --> 00:17:11,840
Speaker 5: you see the people that like completely blow up on

312
00:17:11,880 --> 00:17:14,400
Speaker 5: Instagram reals and you're like, okay, well their brain dead,

313
00:17:14,480 --> 00:17:15,359
Speaker 5: so this will work for me.

314
00:17:16,560 --> 00:17:19,280
Speaker 2: And then we post like dumb shit and it's like

315
00:17:19,760 --> 00:17:21,760
Speaker 2: poo and it's.

316
00:17:21,680 --> 00:17:28,360
Speaker 1: Like, huh, all my Instagram reels are Greek people doing

317
00:17:28,400 --> 00:17:31,600
Speaker 1: impressions of their Greek mothers, and you would think like, oh,

318
00:17:31,720 --> 00:17:35,480
Speaker 1: that's one person and he owns that market. No, no, no, no,

319
00:17:36,320 --> 00:17:39,720
Speaker 1: there's someone in Sweden who does it, and guess what,

320
00:17:40,119 --> 00:17:40,960
Speaker 1: I now follow him.

321
00:17:42,880 --> 00:17:43,080
Speaker 2: Yeah.

322
00:17:43,200 --> 00:17:45,520
Speaker 5: Meanwhile, all my Instagram reels are like a guy being

323
00:17:45,640 --> 00:17:47,280
Speaker 5: like these shorts are two.

324
00:17:49,400 --> 00:17:50,119
Speaker 4: Well, that's sexy.

325
00:17:50,200 --> 00:17:51,760
Speaker 1: I mean, it is true that when you're a gay

326
00:17:51,880 --> 00:17:56,920
Speaker 1: guy Instagram, like your explorer pages either literally someone like

327
00:17:57,600 --> 00:17:58,640
Speaker 1: an outline of a cock.

328
00:17:59,400 --> 00:18:03,800
Speaker 4: Yeah, it's a drag queen doing like you know Ashley

329
00:18:03,880 --> 00:18:05,040
Speaker 4: Oh from Black Mirror.

330
00:18:08,040 --> 00:18:10,000
Speaker 1: And the other day I actually I didn't even tell

331
00:18:10,000 --> 00:18:11,879
Speaker 1: you this. I got served. I got served.

332
00:18:12,440 --> 00:18:12,600
Speaker 2: You know.

333
00:18:12,680 --> 00:18:15,359
Speaker 1: It's a picture of like three sort of hot looking

334
00:18:16,000 --> 00:18:17,480
Speaker 1: gay guys and I was like, oh, it's probably some

335
00:18:17,600 --> 00:18:20,520
Speaker 1: influencer and I was like, I clicks on it. It

336
00:18:20,680 --> 00:18:25,560
Speaker 1: was literally a random guy with like one thousand followers.

337
00:18:26,280 --> 00:18:29,959
Speaker 1: I know, no one who follows him. I think they

338
00:18:30,080 --> 00:18:31,840
Speaker 1: ran out of influencers or served me. And they were

339
00:18:31,880 --> 00:18:32,920
Speaker 1: like here just gay guys.

340
00:18:36,640 --> 00:18:39,960
Speaker 2: Wow. Yeah, And yet our reels flop, right, So.

341
00:18:41,080 --> 00:18:47,480
Speaker 4: But you were saying about reels as I was saying, like,

342
00:18:47,560 --> 00:18:48,880
Speaker 4: what were we saying about our appearents?

343
00:18:49,080 --> 00:18:51,240
Speaker 5: Oh, we have to address our appearances because we're an

344
00:18:51,240 --> 00:18:54,000
Speaker 5: audio based media, right, so it could I bet some

345
00:18:54,080 --> 00:18:55,960
Speaker 5: of you are shaking and crying and be like I

346
00:18:56,119 --> 00:18:56,720
Speaker 5: had no idea.

347
00:18:57,920 --> 00:19:01,080
Speaker 1: Well, Sam's famous thing he has. Sam is one of

348
00:19:01,119 --> 00:19:06,000
Speaker 1: the most liberated people I know, sexually, socially, politically. He

349
00:19:06,160 --> 00:19:09,560
Speaker 1: has one hang up, and that is that he can't

350
00:19:09,760 --> 00:19:13,800
Speaker 1: match with someone who is near him, so much so

351
00:19:13,880 --> 00:19:15,280
Speaker 1: that I have to text him what I'm wearing every

352
00:19:15,320 --> 00:19:16,440
Speaker 1: time we're out together.

353
00:19:16,840 --> 00:19:20,000
Speaker 5: And this time we as people that have been to

354
00:19:20,040 --> 00:19:22,159
Speaker 5: our lives was before, We often have to address it

355
00:19:22,240 --> 00:19:24,680
Speaker 5: because we often accidentally match.

356
00:19:25,400 --> 00:19:28,200
Speaker 1: And by the way, sorry, sorry once again, cut you off.

357
00:19:28,480 --> 00:19:30,639
Speaker 1: Sam's definition of matching is very liberal.

358
00:19:33,080 --> 00:19:40,040
Speaker 2: Well, it's the same silhouette. It's the same silhouette. And

359
00:19:40,160 --> 00:19:41,639
Speaker 2: today George texts.

360
00:19:41,400 --> 00:19:44,480
Speaker 5: Me, Okay, I'm wearing, you know, a purple shirt, blue

361
00:19:45,160 --> 00:19:49,280
Speaker 5: black pants. Sorry, I'm color deficient and Doc Bartons and

362
00:19:49,359 --> 00:19:51,600
Speaker 5: I say, okay, that's so different than me.

363
00:19:52,040 --> 00:19:54,320
Speaker 2: Yeah, but he forgot to mention the silhouette.

364
00:19:56,280 --> 00:19:58,360
Speaker 5: Yeah, because I roll up and we're both wearing sort

365
00:19:58,400 --> 00:20:01,880
Speaker 5: of a short sleeve collared Sure, with a little white

366
00:20:01,920 --> 00:20:02,880
Speaker 5: tank to tank.

367
00:20:02,760 --> 00:20:07,879
Speaker 2: Top and a little chain and I do.

368
00:20:08,160 --> 00:20:10,080
Speaker 5: I mean, there's six gay guy outfits to choose from.

369
00:20:10,200 --> 00:20:12,560
Speaker 5: But here's the thing, So that's gonna happen. This is

370
00:20:12,600 --> 00:20:13,360
Speaker 5: why I want to check.

371
00:20:13,440 --> 00:20:15,879
Speaker 1: I just want to say, this has happened before. Oh

372
00:20:15,960 --> 00:20:19,560
Speaker 1: it's happened almost every time, right, So because this has

373
00:20:19,600 --> 00:20:22,439
Speaker 1: happened before, I know how to appease sandwiches that I said, Oh,

374
00:20:22,480 --> 00:20:26,960
Speaker 1: I'll button mine, and you're and you finally got to

375
00:20:27,040 --> 00:20:27,760
Speaker 1: exhale Simon.

376
00:20:33,040 --> 00:20:38,920
Speaker 5: You know, fashion is all about nuance, but thank you

377
00:20:39,000 --> 00:20:40,400
Speaker 5: for making the great sacrifices.

378
00:20:41,119 --> 00:20:42,359
Speaker 1: And I do feel like, you know, we talk a

379
00:20:42,359 --> 00:20:44,960
Speaker 1: lot about how a big decision that a gay guy

380
00:20:45,240 --> 00:20:46,680
Speaker 1: has to make in their thirties is whether or not

381
00:20:46,680 --> 00:20:51,160
Speaker 1: they're going to go mugatu. And that is going mugatu

382
00:20:51,320 --> 00:20:53,480
Speaker 1: is when you decide to like out of nowhere, start

383
00:20:53,600 --> 00:20:57,600
Speaker 1: dressing like Timothy shallow May and like on a red carpet.

384
00:20:57,920 --> 00:21:02,800
Speaker 1: Yeah in twenty eighteen, Yeah, yeah, And I feel like

385
00:21:03,000 --> 00:21:05,720
Speaker 1: it's a danger somethings that can happen even subconsciously. And

386
00:21:05,840 --> 00:21:07,240
Speaker 1: I do feel like when I was looking at myself

387
00:21:07,280 --> 00:21:08,359
Speaker 1: in the mirror on my way here and I was like,

388
00:21:08,880 --> 00:21:15,200
Speaker 1: I am one accessory away from going Mugatu, and I said,

389
00:21:15,400 --> 00:21:18,760
Speaker 1: you're sort of like the first evolution. I'm the Pikachu,

390
00:21:18,840 --> 00:21:20,040
Speaker 1: not the right show exactly.

391
00:21:20,640 --> 00:21:24,280
Speaker 2: Yeah. Yeah, have you considered going Mugatchu? You know, the

392
00:21:25,160 --> 00:21:29,000
Speaker 2: the older you get, the more Mugatu calls. Yeah. I

393
00:21:29,040 --> 00:21:30,440
Speaker 2: would think it would call less.

394
00:21:30,359 --> 00:21:31,760
Speaker 5: You would think it of a call less, but actually

395
00:21:31,840 --> 00:21:34,520
Speaker 5: it calls more because when you're like twenty one, you're

396
00:21:34,600 --> 00:21:37,159
Speaker 5: like that, You're you're on trend in a way that

397
00:21:37,240 --> 00:21:39,840
Speaker 5: is inherent because you are the trend. But then when

398
00:21:39,880 --> 00:21:42,560
Speaker 5: you're thirty three, you're like, Okay, well now I'm just

399
00:21:42,600 --> 00:21:44,320
Speaker 5: seeing the trend and sort of seeing how I can

400
00:21:44,359 --> 00:21:47,200
Speaker 5: interpret it. And so when you're interpreting it, you often

401
00:21:47,480 --> 00:21:48,359
Speaker 5: overinterpret it.

402
00:21:48,560 --> 00:21:48,800
Speaker 2: Yeah.

403
00:21:48,960 --> 00:21:51,480
Speaker 5: So you'll see the big pant trend and you'll be like, okay,

404
00:21:51,520 --> 00:21:53,240
Speaker 5: well then I'll have the biggest fucking pants I can have.

405
00:21:55,600 --> 00:21:58,320
Speaker 2: I'm not old on twenty one, I'm twenty one. Yeah,

406
00:21:59,400 --> 00:22:00,440
Speaker 2: like big pants, little shirt.

407
00:22:00,480 --> 00:22:00,840
Speaker 4: I got it.

408
00:22:01,280 --> 00:22:01,520
Speaker 2: Yeah.

409
00:22:03,560 --> 00:22:06,080
Speaker 1: Well, I do think we sort of were We survived,

410
00:22:06,240 --> 00:22:07,840
Speaker 1: or at least on the way out of the limited

411
00:22:07,880 --> 00:22:09,240
Speaker 1: to moment, which was scary.

412
00:22:10,359 --> 00:22:12,119
Speaker 5: Well, what was scarier was when I tried to do

413
00:22:12,240 --> 00:22:16,400
Speaker 5: it and it was like, I don't look like they look. Yeah,

414
00:22:17,560 --> 00:22:19,760
Speaker 5: And that was crazy because I just sort of thought,

415
00:22:20,000 --> 00:22:20,720
Speaker 5: just put the clothes on.

416
00:22:21,040 --> 00:22:23,800
Speaker 4: Well, it kept it kept they're kept being more and more.

417
00:22:24,080 --> 00:22:25,960
Speaker 1: It kept becoming more and more limited to where at

418
00:22:25,960 --> 00:22:28,840
Speaker 1: first it was like, Okay, you know, this twink is

419
00:22:28,920 --> 00:22:33,399
Speaker 1: wearing like, you know, big cargo, big pants, maybe a

420
00:22:33,520 --> 00:22:36,280
Speaker 1: camo pant, and then like a white tank and you're like, okay,

421
00:22:36,320 --> 00:22:38,919
Speaker 1: you're limited to but it's dignified.

422
00:22:40,200 --> 00:22:42,160
Speaker 5: You can wear it to a wedding, a funeral. It's fine,

423
00:22:42,240 --> 00:22:44,760
Speaker 5: So you can dress it up, put a a lazer

424
00:22:44,840 --> 00:22:46,320
Speaker 5: on it. You can wear it from work to the

425
00:22:46,400 --> 00:22:48,560
Speaker 5: restaurant to client drinks.

426
00:22:49,000 --> 00:22:49,200
Speaker 2: Yeah.

427
00:22:50,200 --> 00:22:53,560
Speaker 1: And then it started being like okay, colorful beaded jewelry

428
00:22:53,640 --> 00:22:57,760
Speaker 1: and you're like okay, and then.

429
00:22:57,680 --> 00:23:02,320
Speaker 2: It was like jelly and now the top is lined

430
00:23:02,359 --> 00:23:04,880
Speaker 2: and the top is up here. Yeah.

431
00:23:06,680 --> 00:23:10,040
Speaker 1: And then it suddenly was like little plastic berets. When

432
00:23:10,080 --> 00:23:13,239
Speaker 1: did you grow pigtails? It's literally like your little red

433
00:23:13,320 --> 00:23:18,240
Speaker 1: riding hood. You're like, hi, mommy, who had the doritos?

434
00:23:18,840 --> 00:23:19,679
Speaker 1: I'm here to ack up.

435
00:23:25,600 --> 00:23:26,240
Speaker 2: But we're out of that.

436
00:23:26,359 --> 00:23:29,440
Speaker 5: But I don't really know quite where the next day

437
00:23:29,480 --> 00:23:31,680
Speaker 5: is yeah, yeah, because limited To is dead.

438
00:23:31,840 --> 00:23:33,879
Speaker 2: Limited To is dead, but Mugatu is alive.

439
00:23:34,760 --> 00:23:35,680
Speaker 4: It's just evolving.

440
00:23:36,600 --> 00:23:40,320
Speaker 2: Yeah, is anyone Mugatu here tonight?

441
00:23:41,640 --> 00:23:44,240
Speaker 1: I gotta say, I think everyone looks incredibly good tonight.

442
00:23:44,320 --> 00:23:46,080
Speaker 1: I think it is a very attractive audience. I'm not

443
00:23:46,160 --> 00:23:47,320
Speaker 1: seeing full Mugatu.

444
00:23:48,000 --> 00:23:57,240
Speaker 5: No, I'm sure of seeing. I'm gonna be honest. I'm

445
00:23:57,280 --> 00:23:59,400
Speaker 5: seeing like college orientation.

446
00:23:59,680 --> 00:24:17,719
Speaker 1: Oh, oh my god, you are being Miley. You are

447
00:24:17,800 --> 00:24:20,200
Speaker 1: being Miley with a foam finger, and you are grinding

448
00:24:20,320 --> 00:24:23,639
Speaker 1: up on Robin Thick and you are saying I'm no

449
00:24:23,760 --> 00:24:29,080
Speaker 1: longer a little girl, bitch. I don't get orientation. I mean, obviously,

450
00:24:29,080 --> 00:24:39,840
Speaker 1: our listeners are predominantly bisexual grad students, nonprofit nbs, and

451
00:24:40,000 --> 00:24:42,280
Speaker 1: gay guys who worked in digital media in the twenty tens.

452
00:24:44,000 --> 00:24:45,800
Speaker 2: Damn, that is a clean wrap up.

453
00:24:50,000 --> 00:24:52,399
Speaker 4: Three groups that do kind of dress like they're at

454
00:24:52,440 --> 00:24:53,280
Speaker 4: college orientation.

455
00:24:54,840 --> 00:24:58,560
Speaker 2: It's certainly not Mogatu. Yeah, but I think that's good

456
00:24:58,560 --> 00:25:01,760
Speaker 2: because we're not Mogato. Yeah. No, I'm not saying I'm

457
00:25:01,760 --> 00:25:06,560
Speaker 2: move out to. Yeah, I'm today. What I was trying

458
00:25:06,600 --> 00:25:12,000
Speaker 2: to signal was the like, like this is sort of

459
00:25:12,680 --> 00:25:15,440
Speaker 2: I was sort of trying to say it's summer, right,

460
00:25:18,359 --> 00:25:19,240
Speaker 2: and I'm getting.

461
00:25:19,000 --> 00:25:21,440
Speaker 1: That actually from a lot of people here. And that's

462
00:25:21,840 --> 00:25:24,760
Speaker 1: where the orientation part comes in. It's like orientation is

463
00:25:24,760 --> 00:25:27,760
Speaker 1: awkward because it is still summer. It's also you want

464
00:25:27,800 --> 00:25:29,680
Speaker 1: to be professional and you also want to show the

465
00:25:29,840 --> 00:25:32,040
Speaker 1: new you. You're sort of like high school means dead.

466
00:25:32,359 --> 00:25:37,680
Speaker 1: Yeah this summer. Okay, everyone here, Okay, everyone hears an orientation,

467
00:25:37,880 --> 00:25:40,800
Speaker 1: but everyone knows to like not wear the lanyard.

468
00:25:41,480 --> 00:25:43,760
Speaker 2: Yeah they know, they know that. You take it out,

469
00:25:43,760 --> 00:25:45,159
Speaker 2: maybe you even put it in your back pocket and

470
00:25:45,200 --> 00:25:46,000
Speaker 2: it hangs.

471
00:25:48,640 --> 00:25:51,840
Speaker 1: And yeah, you're going to like the LGBT mixer, but

472
00:25:51,960 --> 00:25:54,080
Speaker 1: that's not like where you're going to make all your friends.

473
00:25:55,960 --> 00:25:57,280
Speaker 2: Because you love straight people.

474
00:25:57,480 --> 00:26:01,080
Speaker 5: Yeah, because you're closeted and depressed and you're going to

475
00:26:01,119 --> 00:26:03,040
Speaker 5: the LGBTQ plus mixer as an ally.

476
00:26:03,520 --> 00:26:06,120
Speaker 2: Yeah. Yeah, you're going there because you want to check

477
00:26:06,119 --> 00:26:06,320
Speaker 2: it out.

478
00:26:06,320 --> 00:26:10,520
Speaker 1: But you take this like giant button that says ally parentheses,

479
00:26:10,520 --> 00:26:13,480
Speaker 1: I'm straight, and then you wear that all around and

480
00:26:13,520 --> 00:26:17,040
Speaker 1: you're like, these gays are cute, my brother is gay,

481
00:26:17,560 --> 00:26:29,480
Speaker 1: wishing you the best? Wow, Well, I mean, should we

482
00:26:29,880 --> 00:26:30,800
Speaker 1: start the show.

483
00:26:35,680 --> 00:26:37,240
Speaker 2: I think that would be an incredible idea.

484
00:26:37,320 --> 00:26:40,280
Speaker 4: George. Yeah, you know, I gotta say, this first guest

485
00:26:40,600 --> 00:26:45,160
Speaker 4: kind of a heavy hitter. Yeah, I mean certainly heavily awarded, Yes,

486
00:26:46,040 --> 00:26:47,080
Speaker 4: with multiple awards.

487
00:26:49,520 --> 00:26:49,920
Speaker 2: This guest.

488
00:26:50,000 --> 00:26:52,320
Speaker 1: I gotta say, you know, usually we have comedians in

489
00:26:52,440 --> 00:26:55,440
Speaker 1: these shows. This first guest that we have is a

490
00:26:55,520 --> 00:26:59,040
Speaker 1: book critic. And I know what you're thinking, a lot ryot,

491
00:27:00,320 --> 00:27:06,600
Speaker 1: but I thought that would crush. Can I tell everyone something?

492
00:27:07,000 --> 00:27:09,720
Speaker 1: Every single other thing you heard today was improvised that

493
00:27:10,160 --> 00:27:12,720
Speaker 1: I thought about doing, and.

494
00:27:12,840 --> 00:27:14,880
Speaker 2: He told me literally ran it by our.

495
00:27:14,800 --> 00:27:17,520
Speaker 4: Guest backstage, and I was like, guess what I'm gonna say.

496
00:27:17,680 --> 00:27:18,320
Speaker 4: Isn't that funny?

497
00:27:18,800 --> 00:27:20,600
Speaker 5: And the thing is we all laughed and I said,

498
00:27:20,640 --> 00:27:22,600
Speaker 5: that's gonna crush. Yeah, I said, you're a genius.

499
00:27:23,000 --> 00:27:23,200
Speaker 2: Yeah.

500
00:27:23,240 --> 00:27:25,560
Speaker 5: But I think what happened was actually like when you're

501
00:27:25,720 --> 00:27:29,720
Speaker 5: actually introducing the person, people are like, hey, don't be mean, Yeah,

502
00:27:29,760 --> 00:27:30,240
Speaker 5: don't be mean.

503
00:27:31,600 --> 00:27:33,800
Speaker 2: So you should have been like, hey, just for the record,

504
00:27:33,880 --> 00:27:36,359
Speaker 2: what I'm about to say is scripted, and the guest.

505
00:27:37,200 --> 00:27:39,800
Speaker 2: They should do that. They should do that for every

506
00:27:39,840 --> 00:27:43,840
Speaker 2: scripted show. I think I think that would be really nice. Yeah.

507
00:27:44,000 --> 00:27:45,920
Speaker 1: It's just like how when you read an article, everyone's

508
00:27:45,960 --> 00:27:47,520
Speaker 1: like First of all, let's get one thing straight. I'm

509
00:27:47,520 --> 00:27:49,560
Speaker 1: not able to racist, sexist, or homophobic, but I have

510
00:27:49,600 --> 00:27:50,920
Speaker 1: an opinion about drag race.

511
00:27:55,480 --> 00:27:59,399
Speaker 4: Okay, I'm being so provocative tonight. No, here's the thing.

512
00:28:00,480 --> 00:28:01,840
Speaker 4: We have to just bring out our first guest.

513
00:28:01,920 --> 00:28:03,760
Speaker 1: I mean, I gotta say, this is maybe one of

514
00:28:03,800 --> 00:28:06,440
Speaker 1: the smartest people, if not these smartest people we know,

515
00:28:07,520 --> 00:28:09,240
Speaker 1: it's multiple people because she's so smart.

516
00:28:09,720 --> 00:28:12,399
Speaker 5: Yeah, I mean, quite frankly, I'm scared of what the

517
00:28:12,560 --> 00:28:14,520
Speaker 5: insights that will happen because quite frankly, I won't be

518
00:28:14,520 --> 00:28:14,760
Speaker 5: able to.

519
00:28:14,760 --> 00:28:16,840
Speaker 2: Keep up, and we will and and and I think

520
00:28:16,880 --> 00:28:19,120
Speaker 2: we have to just bring her out. Do the honors.

521
00:28:19,240 --> 00:28:24,280
Speaker 1: Okay, please give a warm glamor girl hoodie who to

522
00:28:24,359 --> 00:28:27,680
Speaker 1: our first guest, the book critic of New York Magazine

523
00:28:28,160 --> 00:28:32,359
Speaker 1: and the cultural critic we all love to read, Andrew

524
00:28:32,440 --> 00:28:33,120
Speaker 1: long Cheu.

525
00:28:48,440 --> 00:28:48,640
Speaker 2: Chair.

526
00:28:49,520 --> 00:28:58,880
Speaker 4: What if I set here? That will be crazy? We

527
00:28:59,040 --> 00:29:01,120
Speaker 4: both at the same time across our little legs.

528
00:29:01,200 --> 00:29:04,920
Speaker 1: I know, yeah, you are matching you know you today

529
00:29:05,000 --> 00:29:08,640
Speaker 1: And by the way, Andrew, I think Andrew similar slot.

530
00:29:10,560 --> 00:29:11,720
Speaker 4: It's true as.

531
00:29:11,640 --> 00:29:14,040
Speaker 2: Long as it's not a little white tank top. Yeah, okay, okay,

532
00:29:14,080 --> 00:29:17,320
Speaker 2: that does a lot for me, So Andrew, what's up?

533
00:29:18,880 --> 00:29:20,440
Speaker 4: I mean, not a whole lot.

534
00:29:21,680 --> 00:29:25,440
Speaker 6: Mainly, what I'm doing right now is checking to make

535
00:29:25,480 --> 00:29:27,160
Speaker 6: sure that I don't hear too many of my own

536
00:29:27,240 --> 00:29:30,200
Speaker 6: like mouth sounds in the mike because I have a

537
00:29:30,440 --> 00:29:34,800
Speaker 6: very I'm on like seven different medications that give me

538
00:29:34,880 --> 00:29:35,320
Speaker 6: dry mouth.

539
00:29:37,120 --> 00:29:39,280
Speaker 4: So is everyone else? That's right?

540
00:29:39,720 --> 00:29:45,320
Speaker 6: Yeah, this is a queer experience. And uh it's dry

541
00:29:45,440 --> 00:29:49,640
Speaker 6: mouth or raging depression. And so I have the dry mouth,

542
00:29:49,800 --> 00:29:56,080
Speaker 6: but I also I also refuse to hydrate. Yeah, so

543
00:29:56,240 --> 00:29:59,440
Speaker 6: those things together kind of is just like it just

544
00:29:59,560 --> 00:30:02,640
Speaker 6: means that whenever I hear myself back after I go

545
00:30:02,720 --> 00:30:05,200
Speaker 6: on a podcast or something, all I can hear is.

546
00:30:07,880 --> 00:30:10,640
Speaker 4: So it's just sandpaper in there.

547
00:30:11,320 --> 00:30:13,200
Speaker 1: We were having, first of all, a straight shooter, a

548
00:30:13,320 --> 00:30:17,560
Speaker 1: dry mouth or raging depression. I love that we were

549
00:30:17,640 --> 00:30:21,680
Speaker 1: having this debate the other day. Is hydrating gay or straight?

550
00:30:22,120 --> 00:30:23,640
Speaker 1: I think you could make an argument either way.

551
00:30:23,960 --> 00:30:27,200
Speaker 4: Well, see, for me, it's not as big a deal

552
00:30:27,240 --> 00:30:27,920
Speaker 4: because I'm a top.

553
00:30:28,960 --> 00:30:39,920
Speaker 7: But wait, say more about no, no, No, that's it. Okay,

554
00:30:42,040 --> 00:30:45,120
Speaker 7: I think that reads loud and clear. Is hydration gayer?

555
00:30:45,240 --> 00:30:45,520
Speaker 4: Straight?

556
00:30:46,120 --> 00:30:51,320
Speaker 1: Well I'm a top, sweetie, But I see you don't

557
00:30:51,360 --> 00:30:52,840
Speaker 1: need to be hydrated because you're a top.

558
00:30:55,280 --> 00:30:58,160
Speaker 4: I'm saying it. Yeah, yeah, I'm gonna spell it. Ever, no, no, no,

559
00:30:58,320 --> 00:30:59,640
Speaker 4: I get it. I think Sam gets it.

560
00:31:01,680 --> 00:31:03,960
Speaker 1: Okay, So hydrating is bottom behavior.

561
00:31:06,200 --> 00:31:09,160
Speaker 4: That's okay, Okay. That is backed up by the fact

562
00:31:09,560 --> 00:31:11,440
Speaker 4: that straight men refuse to hydrate.

563
00:31:11,800 --> 00:31:12,440
Speaker 2: That's true.

564
00:31:12,520 --> 00:31:15,800
Speaker 4: It's because if they hydrate too much, someone might put

565
00:31:15,800 --> 00:31:16,480
Speaker 4: a dick in their mouth.

566
00:31:17,480 --> 00:31:17,680
Speaker 2: Wow.

567
00:31:17,760 --> 00:31:19,720
Speaker 1: Yeah, they don't want to lubricate themselves too much. Yeah,

568
00:31:19,720 --> 00:31:21,960
Speaker 1: they'll be too wet and want Yeah, they're like slipping

569
00:31:22,000 --> 00:31:22,640
Speaker 1: all over the place.

570
00:31:23,720 --> 00:31:24,880
Speaker 4: They're like, you're not going to make.

571
00:31:27,800 --> 00:31:28,040
Speaker 2: Huh.

572
00:31:28,680 --> 00:31:30,640
Speaker 5: Yeah, you know you're pointing to I think we thought

573
00:31:30,640 --> 00:31:33,320
Speaker 5: it was straight because it's like, you know, like La

574
00:31:33,560 --> 00:31:37,600
Speaker 5: Hiker Girl takes the big jug of water. But you're

575
00:31:37,680 --> 00:31:40,840
Speaker 5: pointing out that we are now in a bubble of

576
00:31:41,640 --> 00:31:43,440
Speaker 5: let's face it, La hiker girls.

577
00:31:44,120 --> 00:31:46,000
Speaker 4: All our friends are La Hiker girls.

578
00:31:46,560 --> 00:31:48,920
Speaker 2: And they're always asking us going big hikes in La Yeah, and.

579
00:31:48,920 --> 00:31:51,480
Speaker 1: We're always like, no, sweetie, Yeah, we have to do

580
00:31:51,560 --> 00:31:52,600
Speaker 1: a podcast, live show.

581
00:31:56,080 --> 00:31:58,320
Speaker 4: I think we got to introduce what we're doing.

582
00:31:58,440 --> 00:31:59,720
Speaker 2: I think that would be so smart. Yeah.

583
00:32:00,080 --> 00:32:03,040
Speaker 1: You know, Andrea is a member of the press Boom, and.

584
00:32:06,080 --> 00:32:11,360
Speaker 2: So we thought it would be okay that eight.

585
00:32:15,440 --> 00:32:16,960
Speaker 1: So we thought it would be a good idea to

586
00:32:17,080 --> 00:32:20,360
Speaker 1: sort of like do a little roundup of recent news.

587
00:32:20,600 --> 00:32:23,400
Speaker 1: And so we found some headlines out there and we're

588
00:32:23,480 --> 00:32:25,520
Speaker 1: gonna sort of go through them, just things that have happened.

589
00:32:25,560 --> 00:32:29,160
Speaker 2: And these are real I'm not I'm serious. It's not

590
00:32:29,200 --> 00:32:30,000
Speaker 2: the onion over here.

591
00:32:30,000 --> 00:32:31,360
Speaker 1: You're also not even funny. So I don't know why

592
00:32:31,360 --> 00:32:33,200
Speaker 1: I'm saying that. It would be crazy if I wrote them,

593
00:32:33,240 --> 00:32:37,160
Speaker 1: And it's like succession ends. These are just like headlines,

594
00:32:37,640 --> 00:32:41,760
Speaker 1: and we want to sort of, along with Andrea, figure

595
00:32:41,800 --> 00:32:44,040
Speaker 1: out if they are if the stories are describing are

596
00:32:44,080 --> 00:32:46,280
Speaker 1: gay or straight, like if a certain cultural moment is

597
00:32:46,320 --> 00:32:49,120
Speaker 1: gay or straight or bisexual.

598
00:32:50,000 --> 00:32:51,520
Speaker 4: Or wherever else on the Kinsey scale.

599
00:32:51,560 --> 00:32:53,680
Speaker 6: I mean, I was gonna say that, you know, asking

600
00:32:53,760 --> 00:32:57,280
Speaker 6: me to choose between gay and it just feels like

601
00:32:57,400 --> 00:32:58,680
Speaker 6: pretty headonormative.

602
00:32:59,040 --> 00:32:59,240
Speaker 3: Yeah.

603
00:32:59,760 --> 00:33:02,280
Speaker 2: Yeah, and by the way, that's my design. Okay. I mean, now.

604
00:33:04,720 --> 00:33:08,000
Speaker 6: I'm just saying, if I if you let me say

605
00:33:08,120 --> 00:33:11,520
Speaker 6: this headline is gay and straight and uses she they

606
00:33:11,600 --> 00:33:15,720
Speaker 6: pronounced and has just like a totally unremarkable boyfriend, that

607
00:33:15,840 --> 00:33:17,000
Speaker 6: would be a queer culture.

608
00:33:17,400 --> 00:33:18,200
Speaker 4: Okay, let's do that.

609
00:33:18,320 --> 00:33:18,840
Speaker 2: Okay, done.

610
00:33:19,640 --> 00:33:22,320
Speaker 4: Yeah, we're gonna be here all night, folks. Okay, let's

611
00:33:22,360 --> 00:33:28,480
Speaker 4: go first line. Okay, so this is scientists discover a

612
00:33:28,640 --> 00:33:30,200
Speaker 4: virgin birth and a crocodile.

613
00:33:30,440 --> 00:33:31,920
Speaker 1: You don't really know what needs to know the details.

614
00:33:32,040 --> 00:33:35,440
Speaker 1: A virgin crocodile gave birth. Well, that's not what it says, George.

615
00:33:40,560 --> 00:33:44,440
Speaker 2: Oh yeah, she spilled spelled.

616
00:33:45,800 --> 00:33:49,320
Speaker 6: Because this could also be a sort of crocodile crocodile

617
00:33:49,840 --> 00:33:53,040
Speaker 6: ate the baby Jesus uh situation.

618
00:33:53,400 --> 00:33:56,400
Speaker 1: And then they they did surgery and they were like,

619
00:33:56,600 --> 00:33:58,160
Speaker 1: when did she eat baby Jesus?

620
00:34:00,720 --> 00:34:05,840
Speaker 4: Okay, and that would be on the spectron and gay right,

621
00:34:05,880 --> 00:34:07,400
Speaker 4: I mean this is part of the genesis.

622
00:34:07,960 --> 00:34:13,640
Speaker 6: It's it's lady crocodile saying I don't need a man crocodile,

623
00:34:16,480 --> 00:34:17,360
Speaker 6: but they lay eggs.

624
00:34:17,480 --> 00:34:20,040
Speaker 2: Right, you can't ask us stuff like that.

625
00:34:23,040 --> 00:34:24,120
Speaker 4: Wait never, wait, I.

626
00:34:25,680 --> 00:34:28,960
Speaker 2: You're the one. You're the one that was an academia.

627
00:34:29,640 --> 00:34:29,759
Speaker 2: I know.

628
00:34:29,920 --> 00:34:33,680
Speaker 6: I was impression that both of you have PhDs and

629
00:34:33,920 --> 00:34:35,520
Speaker 6: in at least one science.

630
00:34:35,880 --> 00:34:39,120
Speaker 1: Well, we're both engineers. We build bridges for a living,

631
00:34:39,160 --> 00:34:42,560
Speaker 1: bild bridges for a living, and they're all crumbling.

632
00:34:42,760 --> 00:34:46,359
Speaker 2: Right, Yeah, the iselinety five collapse that was us.

633
00:34:48,480 --> 00:34:48,680
Speaker 4: Yeah.

634
00:34:48,680 --> 00:34:50,760
Speaker 2: And by the way, that was the queer art of failure.

635
00:34:52,960 --> 00:34:59,919
Speaker 2: The Highway keeps the score. That was good.

636
00:35:02,120 --> 00:35:04,920
Speaker 6: Okay, it's it's you know, for me, it's it's the

637
00:35:05,640 --> 00:35:09,120
Speaker 6: so parthionent genesis obviously getting sure, that's sort of like

638
00:35:09,600 --> 00:35:14,200
Speaker 6: just you know, but it's the scientists discovering it that

639
00:35:14,480 --> 00:35:19,480
Speaker 6: is potentially straight totally like you're right, well, it could

640
00:35:19,560 --> 00:35:25,520
Speaker 6: just be like scientists discover like girl's finger banging in bathroom.

641
00:35:26,080 --> 00:35:26,279
Speaker 8: Yeah.

642
00:35:26,400 --> 00:35:30,160
Speaker 1: Yeah, it's given girls gone wild, which they haven't done yet.

643
00:35:31,760 --> 00:35:35,759
Speaker 6: Don't tell science. Yeah, but so I think I'm gonna

644
00:35:35,760 --> 00:35:38,600
Speaker 6: have to land for me on straight.

645
00:35:38,840 --> 00:35:39,440
Speaker 4: I get that.

646
00:35:39,640 --> 00:35:41,839
Speaker 2: That makes sense to me. Yeah, I mean yeah, let's

647
00:35:41,960 --> 00:35:43,600
Speaker 2: let's move on. Let's say the next lide.

648
00:35:45,600 --> 00:35:48,960
Speaker 1: Drag Queen Patty Gonia says, come out in north face

649
00:35:49,040 --> 00:35:49,760
Speaker 1: summer of pride.

650
00:35:49,800 --> 00:36:01,879
Speaker 2: Ad oh, no, George. To be fair, this does seem

651
00:36:01,920 --> 00:36:06,719
Speaker 2: like you could have made it up if only you

652
00:36:06,840 --> 00:36:07,759
Speaker 2: know how much they pay me.

653
00:36:10,640 --> 00:36:15,320
Speaker 6: Oh well, okay, let's see first, it's categorized business.

654
00:36:16,040 --> 00:36:16,279
Speaker 2: Yeah.

655
00:36:17,520 --> 00:36:20,359
Speaker 1: And by the way, the business section of page six.

656
00:36:22,680 --> 00:36:25,640
Speaker 1: I didn't you can't see the name, but it is

657
00:36:25,680 --> 00:36:26,560
Speaker 1: from page six.

658
00:36:28,440 --> 00:36:33,800
Speaker 6: Says, is strange to me. Like it's a says, is

659
00:36:33,920 --> 00:36:41,160
Speaker 6: not how you communicate a command. So yeah, it's very passive, right,

660
00:36:42,160 --> 00:36:46,839
Speaker 6: so says makes it sound like someone has forced her

661
00:36:47,719 --> 00:36:49,240
Speaker 6: that she's like reading the words.

662
00:36:50,040 --> 00:36:50,239
Speaker 2: You know.

663
00:36:56,440 --> 00:36:59,720
Speaker 4: Oh, it's a tough one in this climate.

664
00:36:59,800 --> 00:37:04,360
Speaker 6: Wait, okay, okay, I don't know enough about Jackets, but

665
00:37:06,000 --> 00:37:07,800
Speaker 6: and her name is Patty.

666
00:37:08,880 --> 00:37:12,080
Speaker 1: The dragon's name is Patty Gonia. But she's doing she's

667
00:37:12,120 --> 00:37:14,360
Speaker 1: doing an ad for north Face subversive. So it's a

668
00:37:14,440 --> 00:37:15,640
Speaker 1: little bit like that guy.

669
00:37:15,520 --> 00:37:18,160
Speaker 6: Who is doing that one phone company commercials and then

670
00:37:18,280 --> 00:37:24,120
Speaker 6: was doing the other commercials. Wow, that's actually very like Cattie, Like,

671
00:37:24,239 --> 00:37:29,560
Speaker 6: that's very clever. Yeah, Like the first pitch was like.

672
00:37:29,640 --> 00:37:32,279
Speaker 4: Can we find a drag queen named north Face?

673
00:37:32,960 --> 00:37:33,080
Speaker 2: Right?

674
00:37:34,040 --> 00:37:36,680
Speaker 1: Yeah, they're they're they're you could say they're throwing shade,

675
00:37:37,800 --> 00:37:40,239
Speaker 1: that's right, and keeping warm.

676
00:37:43,840 --> 00:37:48,759
Speaker 4: Sort of cross purposes. Actually, so I guess I guess

677
00:37:48,880 --> 00:37:50,000
Speaker 4: gay gay gay.

678
00:37:50,360 --> 00:37:54,960
Speaker 2: Let's say the next slide. Okay, would you would you

679
00:37:55,080 --> 00:37:56,799
Speaker 2: like to read this one? Sure? This is a tough one,

680
00:37:56,920 --> 00:38:02,760
Speaker 2: but I can handle it. Exclusive CNN boss Chris.

681
00:38:04,040 --> 00:38:07,799
Speaker 1: Licked bragged about taking ozembic for weight loss as far

682
00:38:07,920 --> 00:38:10,560
Speaker 1: back as twenty twenty one, despite claiming a lengthy profile.

683
00:38:10,640 --> 00:38:13,040
Speaker 1: He's a machine who shid fifty pounds through grueling diet

684
00:38:13,040 --> 00:38:13,759
Speaker 1: and exercise.

685
00:38:15,600 --> 00:38:17,879
Speaker 4: This is a tough one actually, I mean.

686
00:38:17,840 --> 00:38:24,800
Speaker 6: I'm I'm so invested in the in the Chris Lischt storyline.

687
00:38:26,280 --> 00:38:28,239
Speaker 6: I mean, okay. The first thing is that if it

688
00:38:28,320 --> 00:38:32,640
Speaker 6: indeed is pronounced Chris licked, we can just say gay

689
00:38:32,719 --> 00:38:33,400
Speaker 6: and move on.

690
00:38:36,000 --> 00:38:44,000
Speaker 4: But exclusive. Yeah, and by the way, Daily.

691
00:38:43,840 --> 00:38:48,120
Speaker 2: Mail, I love exclusive. It's very VIP. Yeah. I must

692
00:38:48,160 --> 00:38:49,800
Speaker 2: have wristband to read this headline.

693
00:38:51,440 --> 00:38:54,080
Speaker 6: He's been bragging about it for years. Everyone new and

694
00:38:54,239 --> 00:38:56,760
Speaker 6: we have the exclusive scoop.

695
00:38:58,719 --> 00:38:59,719
Speaker 2: Yeah, it was.

696
00:39:00,120 --> 00:39:02,560
Speaker 1: But the whole time, there's a lot of narrative. It's

697
00:39:02,760 --> 00:39:06,600
Speaker 1: it's basically a book. Yeah, I mean it's sort of.

698
00:39:06,680 --> 00:39:10,919
Speaker 1: It's it's a it's a deeply sad and pathetic right yeah,

699
00:39:11,680 --> 00:39:18,520
Speaker 1: sympathetic or sad and path sad empathetic. Yeah right, Well,

700
00:39:18,560 --> 00:39:21,080
Speaker 1: anytime a man is aware of his own body, it's

701
00:39:21,160 --> 00:39:28,640
Speaker 1: like you did not understand the assignment, right right, I mean,

702
00:39:30,880 --> 00:39:33,680
Speaker 1: but he's also sort of serving metrosexual.

703
00:39:37,760 --> 00:39:40,040
Speaker 4: Well, he also just got fired from his job, which

704
00:39:40,120 --> 00:39:45,719
Speaker 4: is gay. That is gay. That's good from his media job.

705
00:39:46,080 --> 00:39:52,719
Speaker 2: Yeah, bury me. Actually it's George codis. It's very George codin.

706
00:39:55,840 --> 00:39:56,719
Speaker 4: Well, also.

707
00:39:58,320 --> 00:40:01,160
Speaker 6: Also bragging it like I don't know, like bragging about

708
00:40:01,280 --> 00:40:05,200
Speaker 6: his body, which in that profile, if you read the profile,

709
00:40:05,520 --> 00:40:09,040
Speaker 6: is he's doing with his Like he's talking to the

710
00:40:09,200 --> 00:40:15,080
Speaker 6: interviewer this guy gave way too much access to which

711
00:40:15,280 --> 00:40:20,560
Speaker 6: a man giving another man too much access gay. He's

712
00:40:20,760 --> 00:40:25,040
Speaker 6: talking to him while he has this personal trainer that

713
00:40:25,600 --> 00:40:30,120
Speaker 6: he found, who's like does other celebrities is like yelling

714
00:40:30,320 --> 00:40:35,960
Speaker 6: in Chris Lickt's face while he's saying to the interview yeah,

715
00:40:35,960 --> 00:40:41,919
Speaker 6: I'm a machine. So all of that situation is gay

716
00:40:42,120 --> 00:40:44,640
Speaker 6: gay right, and the fact that none of them know

717
00:40:44,760 --> 00:40:46,840
Speaker 6: it makes it gay right, and lying is gay and

718
00:40:46,960 --> 00:40:47,560
Speaker 6: lying is gay.

719
00:40:48,680 --> 00:40:51,279
Speaker 2: Well, I think that about settles it should move on. Yeah,

720
00:40:51,280 --> 00:40:52,799
Speaker 2: he's sort of an LGBTQ icon.

721
00:40:52,880 --> 00:40:57,239
Speaker 4: I guess all right, okay, oh wow.

722
00:40:58,400 --> 00:40:59,440
Speaker 2: Yes, okay.

723
00:41:00,200 --> 00:41:03,200
Speaker 1: Hannah Gad's piece Picasso Show was meant to ignite debate

724
00:41:03,600 --> 00:41:07,400
Speaker 1: and it did period pally pally.

725
00:41:10,120 --> 00:41:13,759
Speaker 4: So is this okay? Wait, is this Jason Farrago's piece

726
00:41:13,840 --> 00:41:14,320
Speaker 4: or is it? So?

727
00:41:14,480 --> 00:41:15,400
Speaker 2: I was from today?

728
00:41:15,719 --> 00:41:18,200
Speaker 1: So this is like recapping the whole situation because it

729
00:41:18,239 --> 00:41:20,440
Speaker 1: made more sense as the headline because sort of what

730
00:41:20,600 --> 00:41:24,439
Speaker 1: we're The story we're talking about is like the fact

731
00:41:24,480 --> 00:41:27,000
Speaker 1: that the show happened, and then people talk right, right, right,

732
00:41:27,080 --> 00:41:29,160
Speaker 1: And of course Jason Farrago's review is part of that.

733
00:41:29,520 --> 00:41:29,680
Speaker 2: Right.

734
00:41:30,120 --> 00:41:32,120
Speaker 6: This was the one by the by the lady from

735
00:41:32,200 --> 00:41:36,279
Speaker 6: like yesterday or something. Probably, well this is this is

736
00:41:36,360 --> 00:41:37,000
Speaker 6: a real treat.

737
00:41:37,200 --> 00:41:42,520
Speaker 4: Yeah, I knew you'd like well, so so I am

738
00:41:42,600 --> 00:41:45,000
Speaker 4: no longer very on on Twitter. But when I was,

739
00:41:45,239 --> 00:41:51,640
Speaker 4: and when Nanette came out, I tweeted about.

740
00:41:51,400 --> 00:41:55,400
Speaker 2: It so much that and I guess we showed up

741
00:41:55,400 --> 00:42:01,400
Speaker 2: to your house. Yeah, I I.

742
00:42:01,840 --> 00:42:04,719
Speaker 6: Tweeted about it so much that when you googled me,

743
00:42:05,040 --> 00:42:09,640
Speaker 6: Google would suggest Andrew long Chunin a net because I

744
00:42:09,719 --> 00:42:12,000
Speaker 6: guess people had been like googling to see if I

745
00:42:12,040 --> 00:42:13,240
Speaker 6: had written about it, which.

746
00:42:13,080 --> 00:42:14,880
Speaker 2: I had not and have not.

747
00:42:16,120 --> 00:42:22,960
Speaker 4: Well, that's your chance, is this it's problematic? Right?

748
00:42:23,080 --> 00:42:24,600
Speaker 2: So you know I for anyone who.

749
00:42:24,520 --> 00:42:31,920
Speaker 1: Doesn't know hannahgats Be the Australian uh monologuist wow.

750
00:42:31,840 --> 00:42:37,080
Speaker 6: Like the Australian The Australian Mike Daisy Mike Yeah.

751
00:42:38,400 --> 00:42:40,840
Speaker 1: Is curated to show at the Brooklyn Museum about how

752
00:42:40,920 --> 00:42:44,200
Speaker 1: Pablo Picasso is problematic and it is called It's problematic.

753
00:42:47,719 --> 00:42:50,360
Speaker 2: I mean, so I'm kind of stradio up coded to

754
00:42:50,440 --> 00:42:50,880
Speaker 2: be honest.

755
00:42:51,040 --> 00:42:55,400
Speaker 1: By the way, that is what we would call a

756
00:42:55,480 --> 00:42:57,560
Speaker 1: museum show if you're ever called, if we're so lucky,

757
00:42:57,600 --> 00:42:59,880
Speaker 1: it'd be called to curate a museum show at Brooklyn.

758
00:43:01,640 --> 00:43:05,360
Speaker 6: Well, okay, that's gosh. The thing is the thing about

759
00:43:05,520 --> 00:43:09,440
Speaker 6: Hannah Gadsby, like there is a sense in which this

760
00:43:09,719 --> 00:43:14,080
Speaker 6: is it's like so outrageously straight because the people who

761
00:43:14,120 --> 00:43:19,719
Speaker 6: are around hannagasmy enabling Hannah Gadsby are all like middle aged,

762
00:43:20,200 --> 00:43:23,520
Speaker 6: right straight women who are like frominism.

763
00:43:23,080 --> 00:43:25,439
Speaker 4: Still with her and oh they're still with her.

764
00:43:27,320 --> 00:43:32,360
Speaker 6: Absolutely like you know, and and so to that extent

765
00:43:33,200 --> 00:43:37,200
Speaker 6: it is it also is as as as it has

766
00:43:37,280 --> 00:43:39,560
Speaker 6: been pointed out about the show, it's also just like

767
00:43:39,960 --> 00:43:43,600
Speaker 6: obviously reducing the other women artists who are in the

768
00:43:43,640 --> 00:43:45,719
Speaker 6: show to the fact that they're women is supposed to

769
00:43:45,960 --> 00:43:49,080
Speaker 6: talking about their actual work whatever. The other thing though,

770
00:43:49,440 --> 00:43:53,120
Speaker 6: and the reason that Hannah Gadsby is is what Hannah

771
00:43:53,160 --> 00:43:57,080
Speaker 6: Gadsby is to us as a community, A term that

772
00:43:57,160 --> 00:44:02,960
Speaker 6: I use very strictly is that there is something so

773
00:44:03,520 --> 00:44:08,000
Speaker 6: fucking gay about them, Like there's some it's a very

774
00:44:08,080 --> 00:44:09,520
Speaker 6: specific type of.

775
00:44:10,280 --> 00:44:16,880
Speaker 4: Like moral butchness that is that afflicts our community.

776
00:44:18,080 --> 00:44:22,160
Speaker 2: And yeah, wow, And.

777
00:44:24,480 --> 00:44:27,759
Speaker 6: You know that's the thing that I was thinking. I

778
00:44:27,920 --> 00:44:31,279
Speaker 6: was having this conversation with myself the other day walking home.

779
00:44:31,440 --> 00:44:33,440
Speaker 6: I was walking home with groceries, and I was thinking,

780
00:44:34,120 --> 00:44:35,480
Speaker 6: why do I hate Hannah Gaspy so much?

781
00:44:35,960 --> 00:44:40,840
Speaker 4: And like, is that is that sexist to me?

782
00:44:40,920 --> 00:44:41,320
Speaker 2: Am?

783
00:44:41,360 --> 00:44:45,120
Speaker 6: I one of those people who, as Hannagasby's defenders, will say,

784
00:44:45,680 --> 00:44:50,279
Speaker 6: just like doesn't like women and or women in associated

785
00:44:50,360 --> 00:44:58,200
Speaker 6: ax and and I would say, like, the thing that

786
00:44:58,280 --> 00:45:02,080
Speaker 6: I find so infuriating is that it's too hard to

787
00:45:02,239 --> 00:45:06,239
Speaker 6: explain to straight people exactly what that type is. When

788
00:45:06,280 --> 00:45:07,640
Speaker 6: all you have to do is be in a room

789
00:45:07,719 --> 00:45:11,200
Speaker 6: with that person what like that kind of person, like

790
00:45:11,440 --> 00:45:14,520
Speaker 6: for two three minutes, sit next to them at at

791
00:45:14,560 --> 00:45:17,160
Speaker 6: a group dinner or something like that, and it's just

792
00:45:17,320 --> 00:45:20,160
Speaker 6: like it completely snaps into place. And part of the

793
00:45:20,200 --> 00:45:22,520
Speaker 6: problem is that we lack a good vocabulary for it.

794
00:45:22,920 --> 00:45:25,239
Speaker 1: If I had a way to just say, yeah, I

795
00:45:25,320 --> 00:45:27,319
Speaker 1: think moral butch is going to catch on those well,

796
00:45:27,520 --> 00:45:28,680
Speaker 1: I think that's kind of huge.

797
00:45:29,000 --> 00:45:34,880
Speaker 4: Yeah, so I'm going to say unfortunately gay, Yeah.

798
00:45:35,000 --> 00:45:43,840
Speaker 1: Gay next slide, Wow, Okay, al Pacino eighty three is

799
00:45:43,920 --> 00:45:45,239
Speaker 1: said to become a father again.

800
00:45:45,520 --> 00:45:50,319
Speaker 2: Right may did I say more?

801
00:45:53,320 --> 00:45:56,000
Speaker 6: This picture right here makes it look like the question

802
00:45:56,200 --> 00:46:01,560
Speaker 6: is whether al Pacino is gay or so, and as

803
00:46:01,600 --> 00:46:04,440
Speaker 6: if the headline is a sort of feudile attempt to

804
00:46:04,560 --> 00:46:05,040
Speaker 6: prove that.

805
00:46:05,120 --> 00:46:05,840
Speaker 4: He is straight.

806
00:46:06,080 --> 00:46:09,240
Speaker 2: Ye. Wow, overcompensating.

807
00:46:10,760 --> 00:46:13,120
Speaker 4: I mean it is giving. Just when I think I

808
00:46:13,200 --> 00:46:14,279
Speaker 4: got out, they pulled me back in.

809
00:46:14,800 --> 00:46:24,359
Speaker 2: Right, Yeah, that's actually why is okay? I mean that's

810
00:46:24,400 --> 00:46:27,160
Speaker 2: literally my coming on story. Right.

811
00:46:27,360 --> 00:46:30,399
Speaker 1: Well, anything that's the spectrum is gay. So the fact

812
00:46:30,440 --> 00:46:32,080
Speaker 1: that someone can be out and then pulled back in,

813
00:46:32,360 --> 00:46:37,240
Speaker 1: that's gay thoughts I think, I think.

814
00:46:39,200 --> 00:46:42,040
Speaker 6: And keep looking back like, yeah, it's not gonna he's

815
00:46:42,120 --> 00:46:43,719
Speaker 6: set to become a father again.

816
00:46:43,800 --> 00:46:46,920
Speaker 4: And that picture. Are we allowed to include visual analysis?

817
00:46:47,160 --> 00:46:47,399
Speaker 2: Sure?

818
00:46:47,719 --> 00:46:47,959
Speaker 4: Sure?

819
00:46:48,400 --> 00:46:50,840
Speaker 1: Because what do you think about the visual semiotics of

820
00:46:50,960 --> 00:46:51,600
Speaker 1: what's behind you?

821
00:46:52,719 --> 00:46:57,279
Speaker 6: I mean he looks like he like just was set

822
00:46:57,360 --> 00:46:59,560
Speaker 6: to become a father again, like five minutes he was

823
00:46:59,680 --> 00:47:04,360
Speaker 6: draft it, you know. I mean I think it's I

824
00:47:04,480 --> 00:47:06,160
Speaker 6: think it's straight. I don't know how it could be

825
00:47:06,239 --> 00:47:08,240
Speaker 6: anything anything but straight.

826
00:47:10,800 --> 00:47:11,319
Speaker 4: H okay.

827
00:47:11,400 --> 00:47:13,840
Speaker 1: So this is basically HBO Max is no more with

828
00:47:13,960 --> 00:47:17,640
Speaker 1: rebrand to Max HBO Max transitioned to Max.

829
00:47:17,680 --> 00:47:20,319
Speaker 4: Right right, right, right, right right right right?

830
00:47:22,239 --> 00:47:28,040
Speaker 2: Uh huh, because like Aiden was Aiden was taken right? Yeah?

831
00:47:30,600 --> 00:47:34,239
Speaker 4: Yeah, Well, I think the.

832
00:47:34,320 --> 00:47:38,400
Speaker 6: Question is right if you have your your like prestige

833
00:47:38,680 --> 00:47:44,040
Speaker 6: fair that you're in your little like liberal bubble, you're

834
00:47:44,080 --> 00:47:48,400
Speaker 6: a coastal elite, you're filthy, disgusting, dirty coastal elite, and

835
00:47:48,520 --> 00:47:51,680
Speaker 6: you have your beautiful prestige fair all laid out for

836
00:47:51,760 --> 00:47:54,520
Speaker 6: you on HBO Max. And someone comes and they tear

837
00:47:54,600 --> 00:47:56,360
Speaker 6: away the HBO. They say, I don't want to be

838
00:47:56,440 --> 00:48:00,960
Speaker 6: HBO Max anymore, mom, dad, And and they introduce you

839
00:48:01,239 --> 00:48:06,160
Speaker 6: to not just one, but both of the property brothers.

840
00:48:11,480 --> 00:48:13,520
Speaker 6: Is that a move in a straight direction or a

841
00:48:13,560 --> 00:48:14,120
Speaker 6: gay direction?

842
00:48:14,480 --> 00:48:14,600
Speaker 2: Right?

843
00:48:14,960 --> 00:48:17,000
Speaker 4: And it does it matter that they're twins, because it

844
00:48:17,080 --> 00:48:17,560
Speaker 4: probably does.

845
00:48:20,040 --> 00:48:23,480
Speaker 5: I mean the narrative, your painting feels very queer, and

846
00:48:23,600 --> 00:48:29,760
Speaker 5: it feels very Oscar winning, Oscar winning. I'm I'm seeing

847
00:48:29,840 --> 00:48:36,560
Speaker 5: like prestige erased, like a very like moving movie prestige erased.

848
00:48:36,760 --> 00:48:38,200
Speaker 2: Yeah, like boy erased, but prestige.

849
00:48:38,360 --> 00:48:38,480
Speaker 8: Oh.

850
00:48:39,520 --> 00:48:41,759
Speaker 2: They're like, you're an HBO property and they're like, I

851
00:48:41,800 --> 00:48:42,840
Speaker 2: don't want to be anymore.

852
00:48:43,040 --> 00:48:45,600
Speaker 4: Oh that's fine, okay, I want to be I want

853
00:48:45,640 --> 00:48:45,759
Speaker 4: to be.

854
00:48:46,600 --> 00:48:50,640
Speaker 6: My name is Max, and these are my boyfriends property

855
00:48:50,800 --> 00:48:51,680
Speaker 6: and brothers.

856
00:48:52,040 --> 00:48:55,200
Speaker 1: So HBO Max is like growing up in a small

857
00:48:55,280 --> 00:48:57,520
Speaker 1: town but has always felt prestige.

858
00:48:57,680 --> 00:49:00,640
Speaker 5: Well, they've been like the Kennedy's of their town, you know,

859
00:49:00,760 --> 00:49:02,840
Speaker 5: like it's always like, well, we act differently.

860
00:49:02,520 --> 00:49:02,920
Speaker 4: That's right.

861
00:49:03,880 --> 00:49:06,440
Speaker 6: It's a it's a because it's a down because the

862
00:49:06,520 --> 00:49:09,840
Speaker 6: Property brothers are bringing out as prestige.

863
00:49:09,960 --> 00:49:16,000
Speaker 1: But it's like I actually am a populist and I'm

864
00:49:16,040 --> 00:49:18,880
Speaker 1: giving away our wealth. I'm actually bankrupting us.

865
00:49:22,160 --> 00:49:22,839
Speaker 4: Oh my god.

866
00:49:25,520 --> 00:49:28,120
Speaker 6: Okay, So well, on the other hand of this, Zoey

867
00:49:28,160 --> 00:49:30,480
Speaker 6: Deschanel is married to one of the Property brothers, and

868
00:49:30,719 --> 00:49:34,360
Speaker 6: the fact which is so just like mind obliterating to me,

869
00:49:35,239 --> 00:49:38,200
Speaker 6: and that they met on carpal karaoke, all of that

870
00:49:38,600 --> 00:49:40,800
Speaker 6: just by by like proximity.

871
00:49:41,360 --> 00:49:43,520
Speaker 4: I think there's just a just.

872
00:49:43,600 --> 00:49:48,640
Speaker 6: A field, a a a fallout if you were a

873
00:49:48,760 --> 00:49:50,840
Speaker 6: kind of nuclear fallout field for.

874
00:49:53,400 --> 00:49:54,400
Speaker 4: Heterosexuality.

875
00:49:55,040 --> 00:49:56,240
Speaker 2: Wait, I have something.

876
00:49:57,840 --> 00:50:02,920
Speaker 5: What we're seeing is actually HBO HBO is the gay

877
00:50:03,120 --> 00:50:07,400
Speaker 5: parents of HBO Max, and they are in a liberal town,

878
00:50:08,040 --> 00:50:13,680
Speaker 5: and Max is doing right wing reactionary becoming straight yeah,

879
00:50:13,760 --> 00:50:17,440
Speaker 5: and becoming conservative and saying these are the property Brothers

880
00:50:17,480 --> 00:50:19,240
Speaker 5: and they're gonna flip your house.

881
00:50:19,480 --> 00:50:27,200
Speaker 1: Yeah, okay, straight straight, moving on, Okay, I'll read this one.

882
00:50:28,600 --> 00:50:29,120
Speaker 2: Robert F.

883
00:50:29,239 --> 00:50:33,160
Speaker 4: Kennedy Junior wants to be president. Cheryl Hines is along

884
00:50:33,239 --> 00:50:33,719
Speaker 4: for the ride.

885
00:50:34,280 --> 00:50:36,440
Speaker 1: So and I can explain for people who might not know,

886
00:50:37,000 --> 00:50:40,160
Speaker 1: Robert F. Kennedy Junior is a is A Kennedy and

887
00:50:40,440 --> 00:50:45,200
Speaker 1: is an is an anti vaccine activist and lawyer. And

888
00:50:45,600 --> 00:50:48,960
Speaker 1: his wife is none other than Curb Your Enthusiasm's Cheryl Hines.

889
00:50:49,840 --> 00:50:52,279
Speaker 1: So she is and he's running for president, and so

890
00:50:52,440 --> 00:50:55,440
Speaker 1: she is in this position where she's like, keep.

891
00:50:55,280 --> 00:50:55,759
Speaker 2: Me out of this.

892
00:50:57,200 --> 00:50:59,800
Speaker 1: I'm just trying to sell my skincare line and collect

893
00:50:59,840 --> 00:51:04,960
Speaker 1: my check on Max. And So I do think it's

894
00:51:04,960 --> 00:51:07,440
Speaker 1: a very rich narrative. I mean it is supportive wife

895
00:51:08,160 --> 00:51:10,480
Speaker 1: but also has has a mind of her own but

896
00:51:10,600 --> 00:51:11,400
Speaker 1: is afraid to speak up.

897
00:51:12,280 --> 00:51:17,040
Speaker 6: Yeah yeah, yeah yeah. Do we remember what the name

898
00:51:17,200 --> 00:51:19,520
Speaker 6: of her skincare business is?

899
00:51:20,120 --> 00:51:20,160
Speaker 4: No?

900
00:51:20,680 --> 00:51:20,719
Speaker 5: No.

901
00:51:23,000 --> 00:51:24,759
Speaker 6: I read the article and it was like she kept

902
00:51:24,800 --> 00:51:31,600
Speaker 6: pushing her skincare line to the interviewer, which on its own,

903
00:51:32,200 --> 00:51:34,000
Speaker 6: I don't know if that's care straight.

904
00:51:34,000 --> 00:51:43,600
Speaker 1: Well entrepreneurship, straight lean in feminism straight right right, right.

905
00:51:43,920 --> 00:51:48,160
Speaker 2: And kind of taking the passenger seat straight straight.

906
00:51:48,960 --> 00:51:50,840
Speaker 4: I mean it's really like it was.

907
00:51:51,000 --> 00:51:55,480
Speaker 6: It was honestly like upsetting to read this article because

908
00:51:56,320 --> 00:51:59,719
Speaker 6: she's so clearly uncomfortable, but also.

909
00:51:59,680 --> 00:52:00,920
Speaker 4: Is like letting it happen.

910
00:52:02,280 --> 00:52:04,280
Speaker 2: You know, well, marriage is all about compromise.

911
00:52:04,400 --> 00:52:08,360
Speaker 5: Yeah's me and the guys I hate Dorito's with know

912
00:52:08,480 --> 00:52:12,840
Speaker 5: all about that, and those guys are the property brothers.

913
00:52:17,520 --> 00:52:21,400
Speaker 4: Yeah, I think it. I think it is just straight. Also,

914
00:52:21,880 --> 00:52:26,400
Speaker 4: I think along for the Ride as a phrase is straight.

915
00:52:26,600 --> 00:52:26,799
Speaker 2: Yeah.

916
00:52:26,880 --> 00:52:29,600
Speaker 6: Yeah, because it's like a dick joke, but it's too

917
00:52:29,719 --> 00:52:33,800
Speaker 6: obvious of a dick joke. And then it also like

918
00:52:33,920 --> 00:52:36,040
Speaker 6: does make me picture something that I don't want to picture?

919
00:52:36,400 --> 00:52:42,600
Speaker 1: Yeah, well, Cheryl, you're flopping tonight howny all right, next line?

920
00:52:46,000 --> 00:52:50,480
Speaker 2: Okay, Oh this is this is phenomenal.

921
00:52:51,800 --> 00:52:53,080
Speaker 4: This is incredible.

922
00:52:54,200 --> 00:52:57,680
Speaker 5: So Demi Levado got tired of using they them pronouns.

923
00:52:58,120 --> 00:52:59,560
Speaker 5: It was absolutely exhausting.

924
00:53:00,680 --> 00:53:05,320
Speaker 4: By Francesca Baccardi. Oh, by the way, I went to

925
00:53:05,360 --> 00:53:06,040
Speaker 4: middle school with.

926
00:53:07,520 --> 00:53:10,000
Speaker 1: In New Jersey. Sphere to God, that's not a bit,

927
00:53:10,600 --> 00:53:14,840
Speaker 1: not a bit. She is, I think a sort of

928
00:53:15,520 --> 00:53:17,120
Speaker 1: distant heiress of the Bacardi fortune.

929
00:53:17,680 --> 00:53:21,520
Speaker 4: Did you did you go to school with any other

930
00:53:22,840 --> 00:53:29,960
Speaker 4: like spirits or liquors, not that I know, just the

931
00:53:30,040 --> 00:53:32,320
Speaker 4: one old Jimmy Greg Goose.

932
00:53:34,760 --> 00:53:35,799
Speaker 2: Oh, Jimmy Greg Goose.

933
00:53:35,920 --> 00:53:41,600
Speaker 1: Yeah, Well this is just I mean, this is phenomenal.

934
00:53:41,840 --> 00:53:45,319
Speaker 1: It's incredible, and it actually is really unclear whether it's

935
00:53:45,360 --> 00:53:45,920
Speaker 1: carried straight.

936
00:53:46,080 --> 00:53:49,439
Speaker 6: It's also it's on if you didn't know who Demi

937
00:53:49,520 --> 00:53:53,080
Speaker 6: Lovado was, you would again have this question. This goes

938
00:53:53,120 --> 00:53:55,560
Speaker 6: back to the Jesus crocodile question. You have this question

939
00:53:55,680 --> 00:54:02,239
Speaker 6: about whether I don't know what is it she now yes,

940
00:54:03,480 --> 00:54:09,719
Speaker 6: whether whether she's she is she is exhausted, she comma exhausted.

941
00:54:13,160 --> 00:54:16,400
Speaker 6: It's it's sort of Hannah Gatsby saying I identify as tired.

942
00:54:17,880 --> 00:54:20,960
Speaker 4: From a famous joke.

943
00:54:21,600 --> 00:54:24,839
Speaker 6: Right, Well, I was gonna say, it's not clear whether

944
00:54:25,040 --> 00:54:29,640
Speaker 6: she's exhausted with using them for herself or for other.

945
00:54:29,600 --> 00:54:44,000
Speaker 4: People being exhausted, because ray, I mean, and and that's

946
00:54:44,200 --> 00:54:47,800
Speaker 4: just like a tiny bit relatable.

947
00:54:50,000 --> 00:54:53,480
Speaker 1: Like so you're it would be funny if what she

948
00:54:53,640 --> 00:54:57,120
Speaker 1: was saying was like, I am no longer going to

949
00:54:57,160 --> 00:54:58,280
Speaker 1: respect people's pronouns.

950
00:54:58,719 --> 00:55:00,319
Speaker 2: That sounds exhaust thing.

951
00:55:02,719 --> 00:55:04,719
Speaker 6: That is what they that's like that you know that

952
00:55:04,920 --> 00:55:07,560
Speaker 6: that is what the like on on the you know,

953
00:55:08,000 --> 00:55:12,680
Speaker 6: uh uh right wing TikTok comedy. That's like the kind

954
00:55:12,680 --> 00:55:14,640
Speaker 6: of like the guy who's like getting out of the

955
00:55:14,680 --> 00:55:16,879
Speaker 6: car and going to Whole Foods or whatever, Like that's

956
00:55:16,960 --> 00:55:18,680
Speaker 6: exactly the kind of jokes that they're making.

957
00:55:18,840 --> 00:55:21,000
Speaker 1: Yeah, well, maybe Demi Levana has a future in right

958
00:55:21,040 --> 00:55:25,600
Speaker 1: wing comedy. Let me tell you those songs the ain't

959
00:55:25,680 --> 00:55:29,120
Speaker 1: hit Now. I think I think this is she still

960
00:55:29,200 --> 00:55:29,520
Speaker 1: got it.

961
00:55:29,960 --> 00:55:31,080
Speaker 2: This is this is what I think.

962
00:55:31,280 --> 00:55:32,600
Speaker 1: Like the the.

963
00:55:36,760 --> 00:55:40,080
Speaker 6: I mean, I understand, so okay, there's like the serious read,

964
00:55:40,080 --> 00:55:42,279
Speaker 6: which is like she got annoyed with like having to

965
00:55:42,360 --> 00:55:45,279
Speaker 6: constantly explain it to people, and like people were you know,

966
00:55:45,440 --> 00:55:47,440
Speaker 6: like aggressing her and whatever and all of that is

967
00:55:47,560 --> 00:55:52,800
Speaker 6: like like totally. But like the way that I do

968
00:55:53,000 --> 00:55:56,400
Speaker 6: think it's actually gay, this particular hard line is that

969
00:55:57,160 --> 00:56:03,000
Speaker 6: like in it, I find like there's a queer understanding

970
00:56:03,120 --> 00:56:06,560
Speaker 6: that like other people's genders can be both valid and

971
00:56:07,200 --> 00:56:15,480
Speaker 6: just like so much and like it's not invalidating necessary

972
00:56:15,600 --> 00:56:18,520
Speaker 6: like like I don't know, like like hanging out with

973
00:56:18,560 --> 00:56:20,399
Speaker 6: a six year old is exhausting, Like it doesn't mean

974
00:56:20,440 --> 00:56:21,319
Speaker 6: you have to like I.

975
00:56:21,320 --> 00:56:30,160
Speaker 1: Mean they're not six, Oh my god, genius Wow, they're six.

976
00:56:31,440 --> 00:56:36,520
Speaker 4: Like I guess like queer people know just how much like.

977
00:56:38,320 --> 00:56:44,520
Speaker 6: Small social hostility we can like cram in under the

978
00:56:44,680 --> 00:56:49,279
Speaker 6: banner of like validating each other hm and so like

979
00:56:49,920 --> 00:56:55,000
Speaker 6: I don't know, like that like being exhausted with with

980
00:56:55,520 --> 00:56:57,640
Speaker 6: the people that are supposed to be supporting you and

981
00:56:57,719 --> 00:56:59,759
Speaker 6: that you're supposed to be supporting that's gay.

982
00:57:00,320 --> 00:57:00,640
Speaker 1: Wow.

983
00:57:01,080 --> 00:57:07,440
Speaker 2: Wow Okay I heard it next time. Wow. Incredible get

984
00:57:07,520 --> 00:57:09,000
Speaker 2: up for Andrew Luncho.

985
00:57:16,520 --> 00:57:16,760
Speaker 7: Wow.

986
00:57:16,920 --> 00:57:24,680
Speaker 4: Wow wow. I have never learned that much and that

987
00:57:24,880 --> 00:57:25,880
Speaker 4: short of a period of time.

988
00:57:26,240 --> 00:57:28,240
Speaker 5: You know, we make these segments and being like, well,

989
00:57:28,280 --> 00:57:31,120
Speaker 5: everyone they're stupid. Everyone knows they're stupid, and then you

990
00:57:31,240 --> 00:57:35,200
Speaker 5: see someone interact with it in a true honest way

991
00:57:35,360 --> 00:57:37,240
Speaker 5: and you're like, what the fuck?

992
00:57:38,720 --> 00:57:40,680
Speaker 2: We could have been doing that all along. Yeah, it's

993
00:57:40,720 --> 00:57:46,640
Speaker 2: like you mean you can sort of unpack anything. Wow. Wow.

994
00:57:46,880 --> 00:57:50,720
Speaker 1: I we are running approximately three hours behind, so we

995
00:57:50,880 --> 00:57:53,800
Speaker 1: should yeah, bring out maybe we should just like I think,

996
00:57:54,480 --> 00:57:55,440
Speaker 1: run to the next game.

997
00:57:55,520 --> 00:57:56,920
Speaker 2: You know what, let's just bring out the next guys.

998
00:57:56,960 --> 00:57:57,640
Speaker 2: Do you want to introduce them?

999
00:57:57,640 --> 00:58:00,560
Speaker 5: I would love to. They are so funny, they're incredible.

1000
00:58:00,640 --> 00:58:02,440
Speaker 5: Please give it up for Sabrina Wood.

1001
00:58:13,080 --> 00:58:13,360
Speaker 2: Wow.

1002
00:58:13,680 --> 00:58:17,400
Speaker 1: Sabrina, what are the vibes like backstage? Are they completely electric?

1003
00:58:19,520 --> 00:58:23,240
Speaker 8: Your other two guests are on their phone, But but

1004
00:58:23,440 --> 00:58:25,240
Speaker 8: I was hanging on every word.

1005
00:58:27,040 --> 00:58:28,320
Speaker 2: That's so kind of you.

1006
00:58:29,920 --> 00:58:31,280
Speaker 8: I'm not being sarcastic.

1007
00:58:31,480 --> 00:58:35,120
Speaker 2: No, that was that was impressive and I liked.

1008
00:58:35,280 --> 00:58:39,000
Speaker 8: I can't even tell you all the bits that I liked. Yeah, okay,

1009
00:58:39,200 --> 00:58:40,600
Speaker 8: so and I'll do it in order.

1010
00:58:41,120 --> 00:58:44,600
Speaker 1: Oh great, yeah, top five please, top five moments of

1011
00:58:44,680 --> 00:58:45,160
Speaker 1: that segment.

1012
00:58:45,880 --> 00:58:51,600
Speaker 8: Okay. There was definitely something so funny about Max transitioning,

1013
00:58:53,400 --> 00:58:57,480
Speaker 8: and it was like, oh, Aiden is taken and I'm

1014
00:58:57,640 --> 00:59:01,240
Speaker 8: trans And that took me a second, but when it hit,

1015
00:59:01,360 --> 00:59:02,360
Speaker 8: it hit really hard.

1016
00:59:07,320 --> 00:59:12,840
Speaker 2: Now, a lot of our podcast is trans people being transphobic. Well,

1017
00:59:12,880 --> 00:59:15,960
Speaker 2: they need a space to let it out. Yeah, you

1018
00:59:16,000 --> 00:59:17,320
Speaker 2: actually don't have to do a top five if you

1019
00:59:17,360 --> 00:59:17,760
Speaker 2: don't want to.

1020
00:59:18,720 --> 00:59:22,200
Speaker 5: I don't want to, okay, and I and I'm just

1021
00:59:22,200 --> 00:59:24,240
Speaker 5: speaking because it's like and yeah, I think like people

1022
00:59:24,240 --> 00:59:26,360
Speaker 5: will be like, Okay, I guess if we're actually recapping,

1023
00:59:26,480 --> 00:59:28,920
Speaker 5: like this is what just happened on stradio, but it's

1024
00:59:28,920 --> 00:59:31,560
Speaker 5: probably like it's like, okay, we're gonna go in a drink.

1025
00:59:33,720 --> 00:59:36,880
Speaker 1: You could just call it an intermission yeah, which yeah,

1026
00:59:37,000 --> 00:59:38,960
Speaker 1: which they asked us if we wanted We were like, no, no,

1027
00:59:40,000 --> 00:59:42,640
Speaker 1: really quick, don't worry, we'll be in and out, doll.

1028
00:59:44,000 --> 00:59:47,560
Speaker 2: So, Sabrina, we brought you on to do.

1029
00:59:47,800 --> 00:59:49,840
Speaker 1: This is a sort of like what if the podcast

1030
00:59:50,040 --> 00:59:51,920
Speaker 1: was just a live show, like this is a This

1031
00:59:52,040 --> 00:59:54,240
Speaker 1: segment is very like you're bringing a straight topic and

1032
00:59:54,360 --> 00:59:58,520
Speaker 1: we are discussing it, and I feel like you are.

1033
00:59:59,320 --> 01:00:01,680
Speaker 1: Your episode was so memorable. You're one of the smartest

1034
01:00:01,680 --> 01:00:02,040
Speaker 1: people we.

1035
01:00:02,080 --> 01:00:02,520
Speaker 4: Ever had on.

1036
01:00:02,720 --> 01:00:03,160
Speaker 2: That's true.

1037
01:00:03,560 --> 01:00:06,760
Speaker 1: You're, I would say, a common presence, and so we

1038
01:00:07,240 --> 01:00:11,200
Speaker 1: wanted you to what calming present.

1039
01:00:12,560 --> 01:00:15,800
Speaker 2: The ls silent. Sorry I thought you said. I thought

1040
01:00:15,800 --> 01:00:17,120
Speaker 2: you said common presence.

1041
01:00:17,840 --> 01:00:19,120
Speaker 4: You're You're very common.

1042
01:00:21,800 --> 01:00:23,800
Speaker 2: You're what we'd call you. Remind me of commons.

1043
01:00:24,480 --> 01:00:30,120
Speaker 8: I'm I'm I'm of the people. I actually try really

1044
01:00:30,160 --> 01:00:32,120
Speaker 8: hard to be of the people. I used to literally

1045
01:00:32,200 --> 01:00:34,880
Speaker 8: be like I can't look too hot, like on stage

1046
01:00:35,160 --> 01:00:37,000
Speaker 8: and if I was wearing a chain, I would tuck

1047
01:00:37,080 --> 01:00:37,240
Speaker 8: it in.

1048
01:00:38,280 --> 01:00:38,480
Speaker 4: Yeah.

1049
01:00:39,440 --> 01:00:40,840
Speaker 8: Now I'm ready to do comedy.

1050
01:00:41,960 --> 01:00:47,479
Speaker 2: But have you considered going mugatu? We sorry, it's okay.

1051
01:00:47,520 --> 01:00:49,440
Speaker 2: You might not have been listening to the first part.

1052
01:00:49,800 --> 01:00:54,280
Speaker 1: So going mugatu is when basically like a gay guy

1053
01:00:54,640 --> 01:00:56,840
Speaker 1: or anyone who like is in the realm of being

1054
01:00:56,880 --> 01:01:01,760
Speaker 1: a gay guy, eyes that they're gonna start dressing like

1055
01:01:02,040 --> 01:01:05,440
Speaker 1: red carpet Timothy Shallomey Like, it's like you wake up

1056
01:01:05,480 --> 01:01:07,080
Speaker 1: one day and you're like, I'm gonna be Mugatchu.

1057
01:01:07,720 --> 01:01:10,760
Speaker 8: No, I'm not not doing Yeah I was. I had

1058
01:01:10,800 --> 01:01:12,240
Speaker 8: a change of heart because someone was like, oh my god,

1059
01:01:12,280 --> 01:01:14,000
Speaker 8: you dressed so Sandler cor.

1060
01:01:16,400 --> 01:01:16,680
Speaker 5: Wow.

1061
01:01:16,920 --> 01:01:17,120
Speaker 2: Wow.

1062
01:01:17,760 --> 01:01:19,280
Speaker 5: You know that just goes to show even if you're

1063
01:01:19,320 --> 01:01:20,920
Speaker 5: like pretending to be out of it, you're in it

1064
01:01:20,960 --> 01:01:21,640
Speaker 5: in a different way.

1065
01:01:21,840 --> 01:01:22,040
Speaker 2: Yeah.

1066
01:01:23,520 --> 01:01:25,600
Speaker 1: And by the way, for many people, we know, Sandler

1067
01:01:25,720 --> 01:01:28,919
Speaker 1: Corp is much hotter than Mugatu. I guess why both

1068
01:01:28,960 --> 01:01:29,600
Speaker 1: of us included.

1069
01:01:32,280 --> 01:01:34,720
Speaker 5: Wait, but that being said, I want to hear the

1070
01:01:34,800 --> 01:01:38,000
Speaker 5: topic that you brought because, to be completely honest, you already.

1071
01:01:37,720 --> 01:01:38,600
Speaker 2: Told us and it's genius.

1072
01:01:40,400 --> 01:01:44,480
Speaker 8: Okay, well, I thought it was nothing, but it's my

1073
01:01:45,000 --> 01:01:47,240
Speaker 8: my sort of straight topic. It's something that's been really

1074
01:01:47,320 --> 01:01:50,680
Speaker 8: like weighing on me. I guess I don't need to

1075
01:01:50,720 --> 01:01:55,680
Speaker 8: do this huge long intro, but no, okay, it's sort

1076
01:01:55,680 --> 01:01:59,200
Speaker 8: of I guess something that I've been thinking about is like, oh,

1077
01:01:59,280 --> 01:02:01,600
Speaker 8: I would love to have sex with a man before

1078
01:02:01,640 --> 01:02:04,840
Speaker 8: I die, because everyone's always talking about it, and.

1079
01:02:14,360 --> 01:02:16,080
Speaker 2: I did not expect this to be part of the intro.

1080
01:02:16,400 --> 01:02:19,480
Speaker 8: Yeah, I know, I'm gonna try really hard to tie

1081
01:02:19,560 --> 01:02:22,520
Speaker 8: into a neat bo but like, okay, so I'm sort

1082
01:02:22,560 --> 01:02:25,280
Speaker 8: of and and can I and this you said this,

1083
01:02:25,640 --> 01:02:29,600
Speaker 8: this podcast is where trans people get to be transphoped.

1084
01:02:29,720 --> 01:02:32,840
Speaker 8: I can't be nuanced and tell you my thoughts right now.

1085
01:02:32,880 --> 01:02:34,600
Speaker 8: It's just give me a break.

1086
01:02:35,040 --> 01:02:37,440
Speaker 4: No, no, by the way, we're on board, hanging by

1087
01:02:37,480 --> 01:02:39,280
Speaker 4: you everywhere. Okay there keep going.

1088
01:02:39,680 --> 01:02:44,760
Speaker 8: Yeah, you know, like and right, like, okay, so body gender,

1089
01:02:44,960 --> 01:02:47,840
Speaker 8: not all this, but for the reductive purpose of this

1090
01:02:48,480 --> 01:02:49,840
Speaker 8: of comedy, Okay.

1091
01:02:49,840 --> 01:02:51,160
Speaker 2: Yeah, we're very reductive here.

1092
01:02:52,520 --> 01:02:54,840
Speaker 8: I've just been asking around being like, you know, like

1093
01:02:55,040 --> 01:02:58,040
Speaker 8: what's what sex like? What is what does a man

1094
01:02:58,440 --> 01:03:02,280
Speaker 8: like taste like? Or like I'm reading books by anyways,

1095
01:03:02,360 --> 01:03:05,680
Speaker 8: and and I just have noticed that, like I just

1096
01:03:05,760 --> 01:03:08,760
Speaker 8: think there is something that is very straight straight women.

1097
01:03:09,080 --> 01:03:11,800
Speaker 8: It's it's a core portustree culture. And it's to vocally

1098
01:03:12,040 --> 01:03:18,600
Speaker 8: hate on dick like I've never because I'm a lesbian

1099
01:03:18,680 --> 01:03:22,240
Speaker 8: and I'm like my range of emotions, it's just not

1100
01:03:22,400 --> 01:03:27,880
Speaker 8: that why like I would never like hate dick. I'm like, I.

1101
01:03:29,600 --> 01:03:31,320
Speaker 2: Don't even I'm not sure where to jump in.

1102
01:03:31,920 --> 01:03:36,560
Speaker 4: So, okay, it's this topic.

1103
01:03:36,880 --> 01:03:38,440
Speaker 2: This is great, keep going, keep going, keep going.

1104
01:03:38,680 --> 01:03:39,840
Speaker 4: The topic is hating dick.

1105
01:03:40,560 --> 01:03:42,880
Speaker 2: Right the fuck I fucked that up?

1106
01:03:42,920 --> 01:03:44,919
Speaker 8: Okay, yeah, the topic is hating dick.

1107
01:03:46,000 --> 01:03:46,600
Speaker 2: You're nailing this.

1108
01:03:47,040 --> 01:03:50,880
Speaker 8: And like vocally it's just about being so like loudly

1109
01:03:51,120 --> 01:03:55,600
Speaker 8: like ill like ah, like why are people putting this

1110
01:03:55,960 --> 01:03:56,240
Speaker 8: in me?

1111
01:03:56,760 --> 01:03:57,160
Speaker 2: Or like.

1112
01:04:05,120 --> 01:04:10,960
Speaker 1: Yeah, it's like women being like I've never seen an

1113
01:04:10,960 --> 01:04:12,160
Speaker 1: attractive penis in my life.

1114
01:04:14,560 --> 01:04:16,480
Speaker 2: Yes, yeah, And.

1115
01:04:16,520 --> 01:04:17,920
Speaker 8: Then I'm like, what have you been up to?

1116
01:04:18,200 --> 01:04:23,560
Speaker 2: Right, like putting a lot of peace? Wow, you see what?

1117
01:04:23,600 --> 01:04:24,200
Speaker 8: I'm curious.

1118
01:04:24,280 --> 01:04:26,200
Speaker 2: I'm like, I got it, try and like what yeah?

1119
01:04:27,760 --> 01:04:30,560
Speaker 5: Well, And I do think I think this is almost

1120
01:04:30,560 --> 01:04:34,360
Speaker 5: where like dick size comes into the conversation, because I

1121
01:04:34,520 --> 01:04:37,560
Speaker 5: do think people love to be like eude, Like women

1122
01:04:37,640 --> 01:04:40,360
Speaker 5: will be like dicks are so gross, but then they're

1123
01:04:40,400 --> 01:04:42,080
Speaker 5: having sex with someone that they like, they're like, his

1124
01:04:42,280 --> 01:04:43,439
Speaker 5: dick is gigantic.

1125
01:04:44,120 --> 01:04:46,600
Speaker 1: That way, it doesn't negate the fact that the dick

1126
01:04:46,720 --> 01:04:50,320
Speaker 1: is gross. It's good because it's big, not because it's nice.

1127
01:04:50,600 --> 01:04:51,160
Speaker 2: It's interesting.

1128
01:04:51,200 --> 01:04:53,320
Speaker 1: It's very much like dicks are gross and such small

1129
01:04:53,360 --> 01:04:59,320
Speaker 1: portions like it doesn't there's a paradox there.

1130
01:04:59,320 --> 01:05:01,720
Speaker 5: There's a paradox there, but it's almost like it's like

1131
01:05:02,000 --> 01:05:04,160
Speaker 5: legal language where it's like, no, I'm not I'm not

1132
01:05:04,280 --> 01:05:05,240
Speaker 5: disagreeing with myself.

1133
01:05:05,360 --> 01:05:08,960
Speaker 2: Right, dicks are ugly and when they're giant, it's good. Yeah, exactly.

1134
01:05:10,440 --> 01:05:14,400
Speaker 2: I rest my case, your honor Tyler. Let's go.

1135
01:05:16,560 --> 01:05:19,280
Speaker 8: Whoa hold on. I think there's more to the story

1136
01:05:19,400 --> 01:05:19,880
Speaker 8: than just that.

1137
01:05:20,640 --> 01:05:21,560
Speaker 2: No, that's the show.

1138
01:05:24,840 --> 01:05:28,880
Speaker 8: I feel like there's also like, ah, it's this is

1139
01:05:28,960 --> 01:05:32,920
Speaker 8: so no no, keep going okay, well we all heard it, like, ah,

1140
01:05:33,080 --> 01:05:35,080
Speaker 8: this is not big is too big?

1141
01:05:35,520 --> 01:05:35,720
Speaker 1: Yeah?

1142
01:05:36,000 --> 01:05:38,320
Speaker 4: No, you're right, yeah, yeah, it's really not this same.

1143
01:05:38,360 --> 01:05:40,040
Speaker 2: I just don't all women are Goldilocks.

1144
01:05:42,160 --> 01:05:42,760
Speaker 8: I agree.

1145
01:05:47,400 --> 01:05:49,920
Speaker 2: I do think Goldilocks is the prototypical.

1146
01:05:51,080 --> 01:05:51,360
Speaker 4: Woman.

1147
01:05:55,120 --> 01:05:57,800
Speaker 8: And I mean, I guess while I'm here with the

1148
01:05:57,840 --> 01:06:02,600
Speaker 8: two of you, can I ask you about like, huh, like.

1149
01:06:04,960 --> 01:06:08,480
Speaker 5: Well, I think you gay guys love to be like

1150
01:06:09,000 --> 01:06:11,840
Speaker 5: like almost in an opposite way that's also annoying, where

1151
01:06:11,840 --> 01:06:14,440
Speaker 5: it's like, God, you have such a pretty dick, and

1152
01:06:14,560 --> 01:06:16,240
Speaker 5: it's like, oh, God, a gorgeous dick.

1153
01:06:16,280 --> 01:06:21,480
Speaker 2: I mean maybe it's just me. No, no, no, you know,

1154
01:06:21,640 --> 01:06:25,280
Speaker 2: gay guys do like to say that, pretty dick, it's

1155
01:06:25,320 --> 01:06:25,920
Speaker 2: well to do that.

1156
01:06:26,600 --> 01:06:28,920
Speaker 8: Wait, can I have you Okay, I actually have never

1157
01:06:28,960 --> 01:06:33,520
Speaker 8: seen this show, but everybody knows mad Men, right yeah, yeah, Okay, George.

1158
01:06:33,320 --> 01:06:33,400
Speaker 2: Like.

1159
01:06:35,400 --> 01:06:36,600
Speaker 8: Sell me on this piece.

1160
01:06:37,360 --> 01:06:42,600
Speaker 1: Okay, okay, okay, what yeah, what's the appeal of as?

1161
01:06:43,000 --> 01:06:45,920
Speaker 1: What is the appeal of the penist? Okay, I'll say

1162
01:06:46,000 --> 01:06:54,360
Speaker 1: this just historically speaking, straightforward and not finicky compared to

1163
01:06:54,400 --> 01:06:59,000
Speaker 1: the alternative, like compared to sorry, media por trails of

1164
01:06:59,040 --> 01:07:02,120
Speaker 1: the alternative, compared to like media portrayals of the alternative.

1165
01:07:02,120 --> 01:07:04,640
Speaker 4: You know what I mean? Very like it's very like,

1166
01:07:05,320 --> 01:07:08,320
Speaker 4: it's very like, well it's it's very like women.

1167
01:07:08,560 --> 01:07:10,760
Speaker 2: It's linear. And we've said this on the podcast.

1168
01:07:10,880 --> 01:07:15,280
Speaker 5: Yeah, dicks are very linear, and like vaginas are very

1169
01:07:15,360 --> 01:07:16,120
Speaker 5: like metaphorical.

1170
01:07:16,320 --> 01:07:21,240
Speaker 8: Yeah, they exist in the abstract. But noah, I just

1171
01:07:21,480 --> 01:07:24,240
Speaker 8: I am. I'm starting to see like it. You're sort

1172
01:07:24,280 --> 01:07:27,840
Speaker 8: of like, Dick is math, vagina is the humanities.

1173
01:07:30,000 --> 01:07:32,280
Speaker 4: And by the way, like and by the way, we're

1174
01:07:32,360 --> 01:07:33,200
Speaker 4: pro humanities.

1175
01:07:33,320 --> 01:07:35,360
Speaker 2: We love we're both humanities. Major all of this.

1176
01:07:35,440 --> 01:07:37,520
Speaker 1: It's like even when before when everyone's churning on me

1177
01:07:37,520 --> 01:07:39,400
Speaker 1: and I was like Oh, it's it's like, yeah, it's

1178
01:07:39,480 --> 01:07:41,720
Speaker 1: good for something to be complicated, Like Georgia o'keeff would

1179
01:07:41,760 --> 01:07:47,400
Speaker 1: not draw dicks for whole life, Like it is more beautiful,

1180
01:07:47,480 --> 01:07:54,080
Speaker 1: it is more interesting, it is more artistic, I.

1181
01:07:54,120 --> 01:07:56,800
Speaker 5: Guess on you know, not in even comparison to the

1182
01:07:56,920 --> 01:08:06,640
Speaker 5: other A dick is like there's something. So it's the

1183
01:08:06,800 --> 01:08:09,880
Speaker 5: fact that it's been and maybe this is obviously it's cultural,

1184
01:08:10,640 --> 01:08:12,800
Speaker 5: the fact that it's been all my life. I've been

1185
01:08:12,880 --> 01:08:15,720
Speaker 5: like been told dicks are so gross, dicks are horrible.

1186
01:08:15,800 --> 01:08:16,920
Speaker 5: Don't do not see a dick.

1187
01:08:17,040 --> 01:08:19,719
Speaker 1: Yeah, we teach ours, we teach dicks to make themselves smaller.

1188
01:08:24,600 --> 01:08:26,200
Speaker 5: But now when I see a dick, I'm like, Okay,

1189
01:08:26,240 --> 01:08:28,360
Speaker 5: that's the crazy I'm doing. I'm being so bad right now,

1190
01:08:28,439 --> 01:08:29,960
Speaker 5: Like I'm looking at a dick. I'm being the worst

1191
01:08:30,000 --> 01:08:32,880
Speaker 5: fucking turbot on earth. And so that makes it really

1192
01:08:32,920 --> 01:08:34,799
Speaker 5: hot for me. And also it kind of looks alien.

1193
01:08:35,320 --> 01:08:37,880
Speaker 5: It does look alien. Well all gendit talor looks alien.

1194
01:08:38,160 --> 01:08:44,320
Speaker 5: Oh so true aliens are based on genitals, so.

1195
01:08:48,080 --> 01:08:52,200
Speaker 2: Yeah, yeah, UFOs are here and they're called cock and pussy.

1196
01:08:56,360 --> 01:08:57,320
Speaker 4: So does that help.

1197
01:09:00,520 --> 01:09:04,519
Speaker 8: Honestly? Yeah, Like I'm sorry, I just keep hearing in

1198
01:09:04,520 --> 01:09:05,760
Speaker 8: my head. You'd be like you were one of our

1199
01:09:05,840 --> 01:09:06,639
Speaker 8: smartest guests.

1200
01:09:07,800 --> 01:09:10,639
Speaker 2: This is a very smart commersa. This is okay.

1201
01:09:11,880 --> 01:09:14,040
Speaker 4: I think literally hating Dick is one of our best

1202
01:09:14,040 --> 01:09:17,640
Speaker 4: straight topics. Yeah, thank you.

1203
01:09:19,920 --> 01:09:21,200
Speaker 8: Yeah, I'm sort of getting it.

1204
01:09:21,479 --> 01:09:24,479
Speaker 2: Do you hate Dick? Well?

1205
01:09:24,680 --> 01:09:29,160
Speaker 4: I like math, and I think like it's complicated.

1206
01:09:29,400 --> 01:09:34,080
Speaker 8: I'm not like anti, but I guess I ultimately, you know,

1207
01:09:34,160 --> 01:09:37,759
Speaker 8: it's so interesting because you know, I'm also an Asian

1208
01:09:37,840 --> 01:09:41,160
Speaker 8: person and there's sort of there's no news.

1209
01:09:42,320 --> 01:09:44,040
Speaker 2: Yeah, what's wrong with that? No one's big?

1210
01:09:44,080 --> 01:09:47,800
Speaker 8: Who? Hello?

1211
01:09:48,040 --> 01:09:48,479
Speaker 2: Is anyone?

1212
01:09:49,479 --> 01:09:49,719
Speaker 1: Hello?

1213
01:09:50,280 --> 01:09:51,040
Speaker 2: He was christ?

1214
01:09:51,840 --> 01:09:54,400
Speaker 4: Okay, well, so you're also an Asian person.

1215
01:09:56,120 --> 01:09:58,200
Speaker 8: No, it's my sort of I'm okay, here's where my

1216
01:09:58,320 --> 01:10:02,080
Speaker 8: brain's at and it's not queer. But it's like I

1217
01:10:02,160 --> 01:10:03,880
Speaker 8: could see how I felt a lot of pressure to

1218
01:10:04,000 --> 01:10:09,320
Speaker 8: be good at like loving Dick or like right, but

1219
01:10:09,920 --> 01:10:13,680
Speaker 8: like and I even was pretty good at math. But like, ultimately,

1220
01:10:13,760 --> 01:10:15,720
Speaker 8: I'm you know, doing comic. I think I am very

1221
01:10:15,800 --> 01:10:17,320
Speaker 8: drawn to the art. I think it's just like it

1222
01:10:17,479 --> 01:10:22,000
Speaker 8: it it it like fills me with something different.

1223
01:10:24,920 --> 01:10:27,960
Speaker 4: Yeah, like a Dick would That was.

1224
01:10:28,920 --> 01:10:30,360
Speaker 8: What was the fucking question?

1225
01:10:31,000 --> 01:10:32,840
Speaker 4: It was like I want to know.

1226
01:10:32,960 --> 01:10:35,519
Speaker 5: I guess, well, well, I think the craziest part was

1227
01:10:35,520 --> 01:10:36,599
Speaker 5: we weren't asking anything.

1228
01:10:37,000 --> 01:10:41,880
Speaker 8: No, although totally honest, I mean, I think it hasn't

1229
01:10:41,920 --> 01:10:44,519
Speaker 8: answered the question. Like it's again, we're just always like

1230
01:10:44,920 --> 01:10:46,920
Speaker 8: it's all within the window of like what I feel,

1231
01:10:46,920 --> 01:10:49,360
Speaker 8: which is like, oh, very neutral or curious or like whatever,

1232
01:10:49,479 --> 01:10:52,439
Speaker 8: like I haven't quite understood like what is so fucking

1233
01:10:52,560 --> 01:10:56,120
Speaker 8: like disgusting? Like what is so like I want to

1234
01:10:56,240 --> 01:11:00,160
Speaker 8: scream or like And maybe it's because I'm like, you know,

1235
01:11:00,439 --> 01:11:02,560
Speaker 8: like I'm a lesbian experience. Like every time I do

1236
01:11:02,680 --> 01:11:04,240
Speaker 8: talk to a straight woman, it's always.

1237
01:11:04,760 --> 01:11:06,320
Speaker 4: Maybe they're they're trying to impress you.

1238
01:11:07,040 --> 01:11:11,000
Speaker 8: Oh they were pitying me. But we can all talk.

1239
01:11:11,400 --> 01:11:13,640
Speaker 8: I think we should definitely figure out the causal mechanism

1240
01:11:13,840 --> 01:11:16,479
Speaker 8: for sure. Like I thought it was like, oh, you're

1241
01:11:16,520 --> 01:11:17,360
Speaker 8: not missing out.

1242
01:11:17,560 --> 01:11:23,040
Speaker 4: It's fucking shit in there. Yeah, it's disgust thing. I'm

1243
01:11:23,040 --> 01:11:24,320
Speaker 4: crying myself a sleep every night.

1244
01:11:24,439 --> 01:11:28,000
Speaker 5: Well that's interesting, as do you feel that women when

1245
01:11:28,120 --> 01:11:29,880
Speaker 5: are trying to relate to you and being like Dick

1246
01:11:30,000 --> 01:11:32,360
Speaker 5: rules and Dick is so awesome and Dick's slays.

1247
01:11:35,800 --> 01:11:36,120
Speaker 4: You know what?

1248
01:11:36,400 --> 01:11:37,880
Speaker 2: Yeah, yeah, I actually think so.

1249
01:11:38,240 --> 01:11:40,559
Speaker 1: I think gay guys. It's a classic like gay best

1250
01:11:40,600 --> 01:11:42,000
Speaker 1: friend thing. We're like, with your gay best friend, you

1251
01:11:42,000 --> 01:11:43,040
Speaker 1: can be as dirty as you want.

1252
01:11:43,240 --> 01:11:43,479
Speaker 2: Yeah.

1253
01:11:43,920 --> 01:11:45,439
Speaker 5: I think that's where I get the sort of like

1254
01:11:46,320 --> 01:11:49,000
Speaker 5: so many women when they talked about and his dick was.

1255
01:11:49,800 --> 01:11:51,519
Speaker 9: Yeah, but then they go to you and they're like,

1256
01:11:52,360 --> 01:12:01,240
Speaker 9: maybe huge, so big, So it's just about bias.

1257
01:12:01,640 --> 01:12:03,439
Speaker 1: Yeah, maybe it's about unconscious bias.

1258
01:12:03,600 --> 01:12:05,360
Speaker 8: And it's a lot of like thick, and it's.

1259
01:12:08,040 --> 01:12:11,080
Speaker 1: Like, oh my god, you're like naturally curious about this

1260
01:12:11,120 --> 01:12:12,720
Speaker 1: thing and you want to discover it, but everything you

1261
01:12:12,840 --> 01:12:13,320
Speaker 1: hear about it.

1262
01:12:13,439 --> 01:12:20,720
Speaker 2: Is like it is it almost killed me? Huh, Well,

1263
01:12:22,800 --> 01:12:24,400
Speaker 2: I mean, do you feel we've gotten to the bottom

1264
01:12:24,439 --> 01:12:24,600
Speaker 2: of it.

1265
01:12:26,080 --> 01:12:28,240
Speaker 8: Well, yeah, maybe to this question, but you you brought

1266
01:12:28,320 --> 01:12:30,560
Speaker 8: up something backstage to like another sort of way in

1267
01:12:30,600 --> 01:12:32,600
Speaker 8: which straight women relates it.

1268
01:12:32,720 --> 01:12:34,800
Speaker 4: If you want, I don't remember it, I do.

1269
01:12:35,160 --> 01:12:35,519
Speaker 2: What is it?

1270
01:12:36,760 --> 01:12:40,320
Speaker 5: You said, Well, it relates to someone saying like a

1271
01:12:40,360 --> 01:12:42,120
Speaker 5: woman saying they're strictly dicky.

1272
01:12:42,479 --> 01:12:42,679
Speaker 1: Oh.

1273
01:12:46,920 --> 01:12:48,960
Speaker 4: People did not react well to that backstage either.

1274
01:12:50,880 --> 01:12:52,720
Speaker 1: I just felt like that was such a nineties thing

1275
01:12:53,479 --> 01:12:57,680
Speaker 1: that women would be like it was before being LGBTQ

1276
01:12:57,880 --> 01:13:01,320
Speaker 1: plus was cool, and so when like I'm strictly Dickley,

1277
01:13:01,600 --> 01:13:02,800
Speaker 1: Like I don't care what anyone else does.

1278
01:13:02,840 --> 01:13:03,679
Speaker 2: I'm strictly Dickley.

1279
01:13:03,920 --> 01:13:06,120
Speaker 1: Sure, sure, sure, But I sort of feel like that's

1280
01:13:06,200 --> 01:13:10,880
Speaker 1: the opposite of hating Dick. Although maybe it's overcompensating by

1281
01:13:10,920 --> 01:13:12,840
Speaker 1: being like this thing that I hate that scares me

1282
01:13:12,960 --> 01:13:14,960
Speaker 1: so much, I'm gonna make my whole personality.

1283
01:13:15,280 --> 01:13:17,240
Speaker 8: I actually did have a thought in the bathroom, as

1284
01:13:17,280 --> 01:13:20,120
Speaker 8: you said, strictly Dickley, where I was like, well, like,

1285
01:13:20,320 --> 01:13:23,880
Speaker 8: hating on Dick is so straight that actually, like I

1286
01:13:23,920 --> 01:13:26,960
Speaker 8: would say, a lot of lesbians, like I would say

1287
01:13:26,960 --> 01:13:30,320
Speaker 8: it's borderline gay to be like I love Dick, like

1288
01:13:31,280 --> 01:13:35,799
Speaker 8: I remember like so many like lesbians in high school

1289
01:13:36,000 --> 01:13:38,920
Speaker 8: that they are out now and then I knew they

1290
01:13:39,160 --> 01:13:41,880
Speaker 8: but like or it's like, really, it's a there's a

1291
01:13:41,920 --> 01:13:43,760
Speaker 8: lot of lesbians I know who are like, ah, like

1292
01:13:43,880 --> 01:13:45,640
Speaker 8: they'd be like I would so be.

1293
01:13:45,640 --> 01:13:48,120
Speaker 1: Gay, but I love Dick like that is like a

1294
01:13:49,439 --> 01:13:51,840
Speaker 1: and that's such a tell because if they were actually straight,

1295
01:13:51,960 --> 01:13:54,360
Speaker 1: they'd hate Dick vocally.

1296
01:13:56,640 --> 01:14:00,439
Speaker 4: Should we Yeah, I think we have to do our

1297
01:14:00,760 --> 01:14:02,679
Speaker 4: famous segment with you while.

1298
01:14:02,560 --> 01:14:06,519
Speaker 2: You're here, So, Sabrina.

1299
01:14:06,600 --> 01:14:08,439
Speaker 5: The segment is called straight Shooters and In it, we

1300
01:14:08,520 --> 01:14:10,439
Speaker 5: ask you a series of rapid fire questions to gage

1301
01:14:10,439 --> 01:14:13,439
Speaker 5: your familiarity with and complicity in straight culture.

1302
01:14:13,720 --> 01:14:16,080
Speaker 2: The only rule is you can't ask any follow up questions.

1303
01:14:16,200 --> 01:14:16,920
Speaker 2: Are you prepared?

1304
01:14:17,400 --> 01:14:17,639
Speaker 4: Yeah?

1305
01:14:17,680 --> 01:14:25,160
Speaker 8: I have my own straight shooters, but law, but you know,

1306
01:14:25,280 --> 01:14:28,120
Speaker 8: I am your guest, and if they're not in your voice,

1307
01:14:28,160 --> 01:14:28,720
Speaker 8: you can't say.

1308
01:14:30,560 --> 01:14:33,840
Speaker 1: And we are elevating queer voices of all kinds. So

1309
01:14:33,960 --> 01:14:37,040
Speaker 1: I think let's each do four and we'll keep going

1310
01:14:37,080 --> 01:14:39,040
Speaker 1: around in a circle. Right.

1311
01:14:39,200 --> 01:14:40,200
Speaker 2: I love that. Yeah, let's do it.

1312
01:14:40,280 --> 01:14:43,040
Speaker 1: Okay, you start, Okay, and and sort of either of

1313
01:14:43,120 --> 01:14:48,320
Speaker 1: us can answer, Okay, team m hm.

1314
01:14:50,439 --> 01:14:55,120
Speaker 5: Living in unprecedented times or living for oblivion by grimes?

1315
01:15:01,600 --> 01:15:07,840
Speaker 1: Living in unpressed said, no, you would disagree. You want

1316
01:15:07,840 --> 01:15:09,160
Speaker 1: to live for oblivion by grimes?

1317
01:15:10,000 --> 01:15:10,200
Speaker 2: Yeah?

1318
01:15:10,320 --> 01:15:15,719
Speaker 1: Because yeah, Okay, this is plurality. You go next, Okay,

1319
01:15:16,200 --> 01:15:20,040
Speaker 1: no country for old men? Or yes, hunty she's a comedian,

1320
01:15:26,760 --> 01:15:28,599
Speaker 1: Yes she's a comedian again.

1321
01:15:28,800 --> 01:15:34,400
Speaker 8: Yeah, okay, this is my first time doing this. Okay,

1322
01:15:34,960 --> 01:15:39,760
Speaker 8: a big juicy rack or the Iraq War.

1323
01:15:49,080 --> 01:16:03,160
Speaker 2: Yeah, the Iraq War Okay, Yeah, being eroticized by the

1324
01:16:03,280 --> 01:16:06,280
Speaker 2: press or being euthanized by doctor death.

1325
01:16:10,479 --> 01:16:11,360
Speaker 4: I think being.

1326
01:16:13,640 --> 01:16:22,160
Speaker 1: Yeah, okay, boycotting a problematic brand, or boys plotting to

1327
01:16:22,320 --> 01:16:24,240
Speaker 1: form an enigmatic band.

1328
01:16:26,800 --> 01:16:28,000
Speaker 2: Problematic brand for me.

1329
01:16:29,400 --> 01:16:32,360
Speaker 8: Yeah yeah, an enigmatic band for me.

1330
01:16:33,439 --> 01:16:33,960
Speaker 4: It's a tie.

1331
01:16:36,080 --> 01:16:40,720
Speaker 8: I'm actually almost out. If this one doesn't work, I

1332
01:16:40,760 --> 01:16:47,240
Speaker 8: think I should stop. Okay, Asian rug or Asian people.

1333
01:16:50,400 --> 01:16:52,920
Speaker 4: I think that's Asian people people.

1334
01:16:53,280 --> 01:17:11,320
Speaker 5: Let's go people, Okay, all right, knowing when to quit,

1335
01:17:12,120 --> 01:17:15,639
Speaker 5: or knowing when to pit two powerful women against each other,

1336
01:17:19,080 --> 01:17:19,799
Speaker 5: I think.

1337
01:17:20,080 --> 01:17:23,840
Speaker 4: Knowing when to pit two powerful each other.

1338
01:17:25,720 --> 01:17:30,800
Speaker 1: Okay, all right, ready, mister Gorbachev, tear down this wall,

1339
01:17:32,280 --> 01:17:33,840
Speaker 1: or sister, take that off.

1340
01:17:33,960 --> 01:17:34,880
Speaker 4: We're going to the mall.

1341
01:17:40,800 --> 01:17:45,040
Speaker 1: Sister, mister, we're going to the mall. Okay, do you

1342
01:17:45,160 --> 01:17:48,679
Speaker 1: have another you don't have to, Okay, Okay, we'll finish.

1343
01:17:48,880 --> 01:17:53,000
Speaker 1: We'll do our last ones. Okay, being left of center,

1344
01:17:53,720 --> 01:17:57,439
Speaker 1: being right of center, or being Nicole hall of Center.

1345
01:18:00,320 --> 01:18:05,479
Speaker 1: That's good, being Nicole Holli center. Okay, being upgraded to

1346
01:18:05,560 --> 01:18:08,639
Speaker 1: first class, or being paraded around like a cheap piece

1347
01:18:08,680 --> 01:18:09,040
Speaker 1: of ass.

1348
01:18:14,320 --> 01:18:14,880
Speaker 4: Are we done?

1349
01:18:15,160 --> 01:18:15,400
Speaker 1: Wow?

1350
01:18:15,720 --> 01:18:15,960
Speaker 6: Wow?

1351
01:18:27,120 --> 01:18:30,599
Speaker 4: Wow? Wow, this is insane.

1352
01:18:30,720 --> 01:18:37,400
Speaker 2: This is insane. Well what and I can't believe we

1353
01:18:37,479 --> 01:18:38,080
Speaker 2: forgot to do that?

1354
01:18:39,600 --> 01:18:41,960
Speaker 1: I mean, so we rank each guest's performance on a

1355
01:18:42,000 --> 01:18:43,400
Speaker 1: scale of one to one thousand doves.

1356
01:18:43,800 --> 01:18:48,240
Speaker 5: Yeah, I think as we have to rank as a group. Yeah,

1357
01:18:48,800 --> 01:18:51,160
Speaker 5: and I think as a group. Well, if I was

1358
01:18:51,200 --> 01:18:54,439
Speaker 5: part of it was perfect, it was perfect. Perfect, say

1359
01:18:54,479 --> 01:18:54,880
Speaker 5: one thousand.

1360
01:19:00,040 --> 01:19:03,080
Speaker 1: I think we have one more segment, our famous final segment,

1361
01:19:03,160 --> 01:19:04,800
Speaker 1: and and we have to keep it moving.

1362
01:19:05,600 --> 01:19:08,280
Speaker 2: Yeah, we're very business oriented to I hope that's okay?

1363
01:19:08,520 --> 01:19:09,439
Speaker 4: Sorry, all right?

1364
01:19:09,479 --> 01:19:17,400
Speaker 1: Is everyone having a good time? Okay, that's really good. Yeah,

1365
01:19:17,640 --> 01:19:20,160
Speaker 1: that's so good. Okay everyone. At the same time, what

1366
01:19:20,240 --> 01:19:26,120
Speaker 1: are your top five moments? I agree, so true.

1367
01:19:30,040 --> 01:19:32,920
Speaker 5: Do you want to do the honors? Without further ado?

1368
01:19:33,360 --> 01:19:38,439
Speaker 5: These next two comedians are some of the I won't

1369
01:19:38,479 --> 01:19:45,200
Speaker 5: say smartest people, no, why lie, but I will say nastiest, disgustingest,

1370
01:19:45,320 --> 01:19:46,920
Speaker 5: pervertedest people on earth.

1371
01:19:47,439 --> 01:19:49,679
Speaker 2: Please, without further ado, give it up for Josh Sharp

1372
01:19:49,720 --> 01:19:50,519
Speaker 2: and Aaron Jackson.

1373
01:20:04,280 --> 01:20:08,160
Speaker 4: Wow, let's get loud.

1374
01:20:09,520 --> 01:20:14,040
Speaker 2: And now we said it. So, what's the vibe like backstage?

1375
01:20:14,120 --> 01:20:17,040
Speaker 2: Is an electric? It is electric? I just got off

1376
01:20:17,120 --> 01:20:17,599
Speaker 2: my toes.

1377
01:20:17,720 --> 01:20:21,280
Speaker 1: Yeah, we were dragged from being on our I'm a doctor,

1378
01:20:21,360 --> 01:20:24,560
Speaker 1: I was practicing telemedicine. You should be hanging out of

1379
01:20:24,600 --> 01:20:26,720
Speaker 1: your windows bringing pops and pants for me.

1380
01:20:28,840 --> 01:20:34,960
Speaker 2: That's still a thing. We do it every day. Thank you.

1381
01:20:35,880 --> 01:20:39,040
Speaker 1: I want to say I watched the whole Chernobyl section

1382
01:20:39,320 --> 01:20:42,519
Speaker 1: out here in the crowd, and that was an hour of.

1383
01:20:42,760 --> 01:20:45,439
Speaker 2: The shut That was it was longer the crowd to

1384
01:20:45,520 --> 01:20:49,760
Speaker 2: get on. The Chernobyl is six eight minutes episodes. It

1385
01:20:49,840 --> 01:20:52,200
Speaker 2: was a quibi. Yeah, it was a quibi. Chernobyl was

1386
01:20:52,200 --> 01:20:56,439
Speaker 2: a quibi. All right, thank you?

1387
01:20:56,640 --> 01:21:01,679
Speaker 5: All right, Quibi's coming. Quibi's got a lot of money

1388
01:21:01,680 --> 01:21:02,320
Speaker 5: and quibbi too.

1389
01:21:04,560 --> 01:21:08,960
Speaker 4: Are sure nobody would have loved quidamnmn.

1390
01:21:10,080 --> 01:21:12,519
Speaker 1: I mean as much as I literally would like nothing

1391
01:21:12,640 --> 01:21:14,719
Speaker 1: less than, nothing more than to keep chatting.

1392
01:21:16,200 --> 01:21:20,960
Speaker 2: What's stopping? I would love to We're not smart, you

1393
01:21:21,160 --> 01:21:23,799
Speaker 2: don't want to talk. What do we even talked? In years?

1394
01:21:24,680 --> 01:21:27,160
Speaker 2: Why can't we chat? I asked you how the vibe

1395
01:21:27,320 --> 01:21:28,639
Speaker 2: was backstage? Isn't that enough?

1396
01:21:30,000 --> 01:21:32,439
Speaker 4: That's our famous question that we ask all our guests,

1397
01:21:32,920 --> 01:21:34,120
Speaker 4: because I actually.

1398
01:21:33,840 --> 01:21:35,200
Speaker 5: Do when I'm on stage. I'm like, I bet they're

1399
01:21:35,200 --> 01:21:38,000
Speaker 5: having so much fun back there. I'm always like, I

1400
01:21:38,080 --> 01:21:39,240
Speaker 5: bet the vibes are immaculate.

1401
01:21:39,920 --> 01:21:40,800
Speaker 2: It was immaculate.

1402
01:21:41,880 --> 01:21:45,240
Speaker 1: Slurping down seltzer waters, Oh mom, damn, where'd you get

1403
01:21:45,240 --> 01:21:46,320
Speaker 1: Seltzer from the bar.

1404
01:21:47,160 --> 01:21:51,080
Speaker 2: I tip your bike over there.

1405
01:21:51,120 --> 01:21:53,200
Speaker 5: They got a little gun. It'll make you whatever soda

1406
01:21:53,280 --> 01:21:57,560
Speaker 5: you want. They got a little gun. It'll make you

1407
01:21:57,640 --> 01:22:00,840
Speaker 5: whatever soda you want. I take back what I said.

1408
01:22:00,840 --> 01:22:04,760
Speaker 5: You guys are the smartest people I know. Now I

1409
01:22:04,840 --> 01:22:07,519
Speaker 5: know where to get Seltzer. I'm gonna have to check

1410
01:22:07,520 --> 01:22:11,960
Speaker 5: that out later. Yeah, should we let's uh will you

1411
01:22:12,000 --> 01:22:13,200
Speaker 5: introduced them?

1412
01:22:13,360 --> 01:22:17,720
Speaker 1: So this is you know, we always like to leave

1413
01:22:17,880 --> 01:22:21,600
Speaker 1: our craziest, cookiest guests for last, so we can do

1414
01:22:21,680 --> 01:22:23,960
Speaker 1: our famous segment, Is she there yet?

1415
01:22:25,360 --> 01:22:25,559
Speaker 2: Yeah?

1416
01:22:25,880 --> 01:22:29,240
Speaker 1: And so for anyone who has been to a live

1417
01:22:29,280 --> 01:22:32,920
Speaker 1: show before, I can I always give the backstory of

1418
01:22:33,240 --> 01:22:36,679
Speaker 1: the genesis of this segment. And so past guest Celeste

1419
01:22:36,720 --> 01:22:38,720
Speaker 1: Yim who we all love and who is one of

1420
01:22:38,800 --> 01:22:42,680
Speaker 1: the first guests, was in our first live show. They

1421
01:22:42,800 --> 01:22:45,240
Speaker 1: once told us a story that really stuck with us.

1422
01:22:46,280 --> 01:22:49,160
Speaker 1: And in this story, Celeste was at the Toronto International

1423
01:22:49,240 --> 01:22:54,400
Speaker 1: Film Festival TIFF and they were at the premiere of

1424
01:22:54,479 --> 01:22:56,880
Speaker 1: the Grace Jones documentary and then there was a talk

1425
01:22:57,000 --> 01:22:59,920
Speaker 1: back with the writer and the director and and other

1426
01:23:00,000 --> 01:23:01,040
Speaker 1: people that were involved in the film.

1427
01:23:01,120 --> 01:23:01,439
Speaker 2: Catering.

1428
01:23:03,240 --> 01:23:05,479
Speaker 1: Yeah, it was a really pro labor Q and A.

1429
01:23:05,760 --> 01:23:08,479
Speaker 1: They had all the grips on stage. The grip brought

1430
01:23:08,520 --> 01:23:12,400
Speaker 1: me to tears. Actually, yeah, yeah, exactly. He had an

1431
01:23:12,439 --> 01:23:15,639
Speaker 1: incredible story about Grace. She was rude to him once.

1432
01:23:17,080 --> 01:23:20,800
Speaker 1: So basically one of the questions was, oh no, So

1433
01:23:20,960 --> 01:23:24,040
Speaker 1: so someone on stage goes, you know, the thing why

1434
01:23:24,080 --> 01:23:25,800
Speaker 1: I wanted to make the secramentaries because we just don't

1435
01:23:25,840 --> 01:23:28,000
Speaker 1: have icons like Grace Jones anymore. We just don't have

1436
01:23:28,120 --> 01:23:31,960
Speaker 1: people that are such icons, such like timeless icons. And

1437
01:23:32,080 --> 01:23:35,840
Speaker 1: so then someone in the audience said, what about Janelle Manet?

1438
01:23:37,560 --> 01:23:43,400
Speaker 1: And then the director said, she's not there yet. Not

1439
01:23:43,520 --> 01:23:47,519
Speaker 1: even Grace said that, No, not Grace. Grace was silent

1440
01:23:47,600 --> 01:23:51,680
Speaker 1: the entire time. And listen, it is not up to

1441
01:23:51,800 --> 01:23:53,920
Speaker 1: us to say whether Janelle is or is not there,

1442
01:23:54,040 --> 01:23:55,160
Speaker 1: and that's not what this is about.

1443
01:23:55,240 --> 01:23:57,320
Speaker 5: But we're about to say it about a bunch of

1444
01:23:58,400 --> 01:24:00,840
Speaker 5: in this story. First of all, she used gender neutral

1445
01:24:00,920 --> 01:24:03,759
Speaker 5: in this capacity. She means every.

1446
01:24:03,800 --> 01:24:07,960
Speaker 1: Person right the pronouns she can mean anyone from Donald

1447
01:24:08,040 --> 01:24:13,679
Speaker 1: Trump to Timothy Challomey and the two jen spectrum.

1448
01:24:13,880 --> 01:24:18,360
Speaker 2: That's the binary. Are you a Trump or a challame.

1449
01:24:20,160 --> 01:24:22,600
Speaker 1: So basically, you know, in this segment, we sort of

1450
01:24:22,840 --> 01:24:25,400
Speaker 1: ask you, we give you a person or a thing,

1451
01:24:25,520 --> 01:24:26,720
Speaker 1: and we ask is she there yet?

1452
01:24:26,840 --> 01:24:28,439
Speaker 2: Is she there yet? And we have to you know,

1453
01:24:28,640 --> 01:24:30,360
Speaker 2: and feel free to play with it.

1454
01:24:33,200 --> 01:24:33,519
Speaker 4: Around.

1455
01:24:34,000 --> 01:24:36,000
Speaker 2: I love having you tell these two to be like

1456
01:24:36,120 --> 01:24:41,040
Speaker 2: and have fun. Yeah, but no chatting.

1457
01:24:42,800 --> 01:24:46,400
Speaker 1: Okay, So first first line, we get to look here,

1458
01:24:47,360 --> 01:24:48,480
Speaker 1: Margot Roby.

1459
01:24:48,520 --> 01:24:51,080
Speaker 2: Is she there? She there yet? I think not yet?

1460
01:24:51,280 --> 01:24:51,639
Speaker 4: Not yet.

1461
01:24:52,640 --> 01:24:57,160
Speaker 10: Grace Jones is the level we're calling Grace Jones there? Well,

1462
01:24:57,560 --> 01:25:02,360
Speaker 10: Chanelle not there? So Margo's not even Margo's below Janelle.

1463
01:25:04,280 --> 01:25:07,400
Speaker 10: Janelle's not there. Margot hasn't even heard there is a

1464
01:25:07,479 --> 01:25:11,000
Speaker 10: there you know. Yeah, Margot's not even going on a trip.

1465
01:25:11,160 --> 01:25:16,560
Speaker 2: No, she's in movie. She's in big movies. We have

1466
01:25:16,720 --> 01:25:17,920
Speaker 2: friends in movies.

1467
01:25:17,680 --> 01:25:20,639
Speaker 1: That they're not there. They're not there, they're not there

1468
01:25:21,160 --> 01:25:23,120
Speaker 1: on her way. Would you say, I'd say she's on

1469
01:25:23,200 --> 01:25:29,679
Speaker 1: her way. She probably has a production company. All right, Okay,

1470
01:25:29,800 --> 01:25:32,680
Speaker 1: So all right, so no for me, a firm not.

1471
01:25:32,840 --> 01:25:37,679
Speaker 1: I think that's a wow. Okay, next line, respect Arianna Debos.

1472
01:25:37,880 --> 01:25:42,439
Speaker 2: She's there. I think he's there. She I think she's there.

1473
01:25:43,400 --> 01:25:47,200
Speaker 2: I think she's a meme. I think she's there.

1474
01:25:47,280 --> 01:25:49,720
Speaker 4: You know, in her Internet based culture is a meme there.

1475
01:25:50,240 --> 01:25:54,160
Speaker 2: Yeah, I don't. Here's here's another where she's going. She's there,

1476
01:25:54,600 --> 01:25:56,320
Speaker 2: do you know what I mean? She has arrived at

1477
01:25:56,320 --> 01:26:00,280
Speaker 2: where she was going, where she is going. She's there.

1478
01:26:01,960 --> 01:26:04,200
Speaker 1: That's true, do you know what I mean? I just also,

1479
01:26:04,360 --> 01:26:08,160
Speaker 1: there's there's a like level of fame, like uh. The

1480
01:26:08,240 --> 01:26:11,080
Speaker 1: way I sometimes test fame is like, would my dad

1481
01:26:11,479 --> 01:26:13,360
Speaker 1: have even a clue who they were?

1482
01:26:13,720 --> 01:26:17,400
Speaker 4: And he would he would have no who? So she's there,

1483
01:26:17,439 --> 01:26:19,000
Speaker 4: but your dad is not living.

1484
01:26:19,080 --> 01:26:22,479
Speaker 2: Your dad's not there, my dad's I will Okay, Oh

1485
01:26:22,640 --> 01:26:24,519
Speaker 2: I can't say no, she's not there. She's not there.

1486
01:26:24,560 --> 01:26:27,599
Speaker 4: Okay, So disagreement, that's healthy, that's really hell. She's there,

1487
01:26:27,840 --> 01:26:28,280
Speaker 4: she's there.

1488
01:26:28,760 --> 01:26:31,439
Speaker 2: What do you think? I kind of think she's there.

1489
01:26:31,560 --> 01:26:34,560
Speaker 5: I agree, Like I actually think when someone only is

1490
01:26:34,640 --> 01:26:37,720
Speaker 5: like successful, they're not there because to be there you

1491
01:26:37,840 --> 01:26:41,760
Speaker 5: have to be a full And she's hit like high

1492
01:26:41,840 --> 01:26:43,760
Speaker 5: peaks and lo loos in such a short period of time.

1493
01:26:44,080 --> 01:26:46,280
Speaker 5: She was like I'm going literally like four weeks, Like

1494
01:26:46,360 --> 01:26:47,799
Speaker 5: I feel like one knew.

1495
01:26:47,720 --> 01:26:52,280
Speaker 2: Of hers to be on Broadway. That is so shameful.

1496
01:26:52,560 --> 01:26:57,840
Speaker 2: So yeah, that so bad. But awards for.

1497
01:26:57,920 --> 01:27:00,720
Speaker 5: A thing that you should hide, holy, you should be

1498
01:27:00,840 --> 01:27:03,840
Speaker 5: like I swear I wasn't on Broadway. You know, it's

1499
01:27:03,880 --> 01:27:05,679
Speaker 5: always when someone's in a movie that was on Broadway,

1500
01:27:05,720 --> 01:27:08,360
Speaker 5: people like, no, she was amazing on Broadway. It's always like,

1501
01:27:08,400 --> 01:27:09,840
Speaker 5: well then why do they let her on set?

1502
01:27:11,160 --> 01:27:16,760
Speaker 2: Like like what's it's probably opposite acting. That's the truth.

1503
01:27:16,760 --> 01:27:18,680
Speaker 5: When they're like want one person from Broaday to you

1504
01:27:18,760 --> 01:27:20,680
Speaker 5: in movies, it's like, are you kidding? Playing for the

1505
01:27:20,760 --> 01:27:23,280
Speaker 5: back row and fucking the lens? These are different jobs,

1506
01:27:24,080 --> 01:27:27,400
Speaker 5: you know. All right, Okay, I think I've heard enough.

1507
01:27:29,080 --> 01:27:29,360
Speaker 4: Okay.

1508
01:27:30,000 --> 01:27:33,639
Speaker 5: RD ODT as presented by od t A was presented

1509
01:27:33,680 --> 01:27:34,400
Speaker 5: by Lady Gaga.

1510
01:27:35,120 --> 01:27:35,960
Speaker 2: Is that that ad?

1511
01:27:36,120 --> 01:27:38,759
Speaker 1: That the ad that Lady Gaga did for a Pfizer

1512
01:27:38,920 --> 01:27:41,200
Speaker 1: produced migraine medicine.

1513
01:27:40,840 --> 01:27:43,400
Speaker 5: Migraine medicine? Well, I didn't know it was the migraine medicines.

1514
01:27:43,479 --> 01:27:45,559
Speaker 5: That feels like it's not there, that's there.

1515
01:27:47,840 --> 01:27:55,519
Speaker 1: I mean, this is Grace Jones. Level mean they took

1516
01:27:56,640 --> 01:27:59,240
Speaker 1: banging at the door. She's like, me, do the ad,

1517
01:28:01,240 --> 01:28:01,800
Speaker 1: Lady God?

1518
01:28:02,040 --> 01:28:06,599
Speaker 5: I love her credit is actually that's such a fabulous credit.

1519
01:28:07,439 --> 01:28:07,880
Speaker 4: That's good.

1520
01:28:07,960 --> 01:28:09,960
Speaker 2: Yeah, but I bring you up on stage. You want

1521
01:28:09,960 --> 01:28:12,760
Speaker 2: me anything you want me to say? Yeah? Actual, that's

1522
01:28:12,760 --> 01:28:14,880
Speaker 2: what I'm gonna say, A comedy shows. Now my credit

1523
01:28:15,920 --> 01:28:20,519
Speaker 2: actually gets headaches. Yeah, I mean the ad. Have you

1524
01:28:20,560 --> 01:28:21,040
Speaker 2: guys seen it?

1525
01:28:21,600 --> 01:28:22,280
Speaker 5: I have?

1526
01:28:22,520 --> 01:28:24,280
Speaker 2: Oh my god, you're right now.

1527
01:28:24,760 --> 01:28:27,320
Speaker 5: Yeah, well it's it's actually incredible because she's truly like

1528
01:28:27,520 --> 01:28:30,080
Speaker 5: they took footage from the Chromatic concert, but you're not

1529
01:28:30,360 --> 01:28:34,439
Speaker 5: hearing a CHROMATICA song. It's like just like like general

1530
01:28:34,439 --> 01:28:39,080
Speaker 5: pharmaceutical music, and like they couldn't get the rights. It's

1531
01:28:39,080 --> 01:28:42,240
Speaker 5: probably cheaper to book her than get the rights to CHROMATICA. Man.

1532
01:28:42,960 --> 01:28:45,160
Speaker 1: She has like a little lazy voiceover and it's like

1533
01:28:45,280 --> 01:28:47,560
Speaker 1: nerd T echo TD and it's like, oh, like I

1534
01:28:47,640 --> 01:28:49,320
Speaker 1: get migraines and I'm Italian American.

1535
01:28:49,560 --> 01:28:53,160
Speaker 2: Yeah, she says that. No, she doesn't say that she

1536
01:28:53,479 --> 01:28:55,479
Speaker 2: secures one of them, and I won't tell you which

1537
01:28:55,720 --> 01:29:01,640
Speaker 2: she says. She says that, Well, my final word on

1538
01:29:01,680 --> 01:29:04,360
Speaker 2: this is she did that. She did that. She did that.

1539
01:29:07,760 --> 01:29:09,120
Speaker 2: We love, We Love.

1540
01:29:09,439 --> 01:29:17,600
Speaker 1: He's damn Timone, that's him, motherfucker.

1541
01:29:17,840 --> 01:29:21,840
Speaker 2: Yeah bitch, he pierced the toast, you know, all right,

1542
01:29:22,640 --> 01:29:27,000
Speaker 2: he's there. Well I want it. Would you be allowed

1543
01:29:27,080 --> 01:29:30,720
Speaker 2: to share sort of a tale or no? Oh? Yeah,

1544
01:29:30,760 --> 01:29:31,639
Speaker 2: what should we share?

1545
01:29:32,439 --> 01:29:35,160
Speaker 4: I think we need to maybe inform, Well only only

1546
01:29:35,200 --> 01:29:35,840
Speaker 4: if it's allowed.

1547
01:29:36,560 --> 01:29:40,160
Speaker 2: I think it's allowed. Yeah, what we did? What that

1548
01:29:40,280 --> 01:29:48,439
Speaker 2: we worked with Nathan? Yeah, They're all like, great, it's allowed,

1549
01:29:50,400 --> 01:29:51,160
Speaker 2: But is there a.

1550
01:29:52,960 --> 01:29:55,160
Speaker 1: There's a there There is a funny Nathan Lane story

1551
01:29:55,560 --> 01:29:58,439
Speaker 1: because it was like a very little ship box movie.

1552
01:29:58,600 --> 01:30:00,120
Speaker 2: And you know, and.

1553
01:30:05,280 --> 01:30:10,080
Speaker 1: The union the act, the SAG union rep comes and

1554
01:30:10,280 --> 01:30:11,599
Speaker 1: is like, hey, as every you know are you being

1555
01:30:11,680 --> 01:30:13,400
Speaker 1: This happens on every show, you know, the union rep

1556
01:30:13,439 --> 01:30:13,880
Speaker 1: always comes.

1557
01:30:13,920 --> 01:30:17,479
Speaker 2: So the union rep cave and was asking us like, hey,

1558
01:30:17,560 --> 01:30:19,160
Speaker 2: I'm the SAG union rep. And I just wanted to

1559
01:30:19,200 --> 01:30:21,559
Speaker 2: make sure everything's going okay. And Nathan just went, you're

1560
01:30:21,600 --> 01:30:27,360
Speaker 2: too late and walk to his trailer. I have one.

1561
01:30:27,760 --> 01:30:28,920
Speaker 2: I'm what I can definitely tell.

1562
01:30:29,040 --> 01:30:31,080
Speaker 5: Nathan told a story one time of being at a

1563
01:30:31,160 --> 01:30:33,719
Speaker 5: dinner party with a Lane stretch in like the nineties

1564
01:30:33,800 --> 01:30:35,040
Speaker 5: at someone famous' house.

1565
01:30:35,080 --> 01:30:36,639
Speaker 2: I forget who, and he's like, we're all.

1566
01:30:36,640 --> 01:30:39,240
Speaker 5: Having dinner and I go into the kitchen and Elaine's there,

1567
01:30:39,280 --> 01:30:41,479
Speaker 5: this this beautiful bowl in the kitchen full of fruit

1568
01:30:41,680 --> 01:30:42,439
Speaker 5: and she's taking it.

1569
01:30:42,520 --> 01:30:45,040
Speaker 1: She's putting it in her purse and I go, Elaine,

1570
01:30:45,080 --> 01:30:47,840
Speaker 1: what are you doing? And Elaine like a raccoon caught

1571
01:30:47,920 --> 01:30:52,479
Speaker 1: digging fruit trash. She goes, what I need fruit, Nathan.

1572
01:30:55,479 --> 01:30:58,720
Speaker 2: I mean she's there. You don't have tales like that

1573
01:30:58,800 --> 01:31:06,280
Speaker 2: without being there. Okay, next line, okay, chat GBT, CHATBT

1574
01:31:10,479 --> 01:31:17,519
Speaker 2: for half my job, strike over half my job. Ichw

1575
01:31:17,560 --> 01:31:20,360
Speaker 2: this little picture this morning really good.

1576
01:31:20,600 --> 01:31:23,120
Speaker 1: It kind of looks like the the Aice Full of

1577
01:31:23,200 --> 01:31:27,120
Speaker 1: Love music video looks like alist full of Love music videos.

1578
01:31:27,200 --> 01:31:33,400
Speaker 2: Everyone, they're all like, yes, they love the reference. Yeah,

1579
01:31:33,520 --> 01:31:36,160
Speaker 2: I mean this is a cultural moment.

1580
01:31:36,439 --> 01:31:40,760
Speaker 1: She's there, Okay there you know that you that bitch

1581
01:31:40,800 --> 01:31:44,040
Speaker 1: when you cause all this conversation absolutely text it a

1582
01:31:44,080 --> 01:31:46,760
Speaker 1: little more pushback from members of the w g A.

1583
01:31:48,600 --> 01:31:49,680
Speaker 4: No, you're like, welcome her.

1584
01:31:50,360 --> 01:31:51,160
Speaker 2: Half my job.

1585
01:31:51,880 --> 01:31:53,800
Speaker 4: She's picking with she's with me.

1586
01:31:53,920 --> 01:31:58,400
Speaker 2: He's like with the w g A, I'm with you,

1587
01:31:58,800 --> 01:32:04,839
Speaker 2: I'm with her. I okay, next live, next line stretched

1588
01:32:04,920 --> 01:32:12,599
Speaker 2: that tiny that's truly all is full of Love music video.

1589
01:32:13,880 --> 01:32:15,559
Speaker 2: I think definitely.

1590
01:32:16,640 --> 01:32:20,800
Speaker 5: Stretching, as if every one of you faggots hasn't set

1591
01:32:20,880 --> 01:32:21,800
Speaker 5: that verbatim.

1592
01:32:21,960 --> 01:32:28,519
Speaker 2: I've heard you. I know, is the weekend there yet?

1593
01:32:31,200 --> 01:32:34,160
Speaker 2: I think no, I think no. I mean it's hard.

1594
01:32:34,240 --> 01:32:36,400
Speaker 5: When she came out of the gates, so hot and

1595
01:32:36,479 --> 01:32:39,919
Speaker 5: then it's all been a disappointment. Yeah, those first EPs

1596
01:32:40,040 --> 01:32:42,080
Speaker 5: were we were like this is truth, and then it's

1597
01:32:42,080 --> 01:32:43,560
Speaker 5: gotten worse and worse, hasn't it.

1598
01:32:43,920 --> 01:32:47,560
Speaker 2: When the Weekend was an indie Chica and that was

1599
01:32:47,600 --> 01:32:48,559
Speaker 2: a really crazy time.

1600
01:32:48,680 --> 01:32:52,400
Speaker 1: Like now he's full of Mariah you know about like Pitchfork,

1601
01:32:52,479 --> 01:32:57,080
Speaker 1: I've never heard of her fully beautiful, like they raised you,

1602
01:32:57,439 --> 01:33:00,720
Speaker 1: they raised you. I actually you feel like it'll be

1603
01:33:00,760 --> 01:33:03,640
Speaker 1: crazy to tell, like like people in like fifty years that,

1604
01:33:03,840 --> 01:33:05,519
Speaker 1: Like I was like I was there for the pandemic

1605
01:33:05,720 --> 01:33:07,759
Speaker 1: and I was there when the Weekend was on Pitchfork

1606
01:33:07,760 --> 01:33:11,920
Speaker 1: in a little dark And it's sad sometimes when musicians

1607
01:33:12,200 --> 01:33:13,679
Speaker 1: like want to be actors.

1608
01:33:14,040 --> 01:33:16,080
Speaker 2: Wow, oh I hate actors.

1609
01:33:16,640 --> 01:33:19,519
Speaker 4: Yeah, it's sad when anyone wants to be an act Yeah,

1610
01:33:19,520 --> 01:33:20,360
Speaker 4: I guess it's sad.

1611
01:33:20,479 --> 01:33:22,080
Speaker 2: It's like, I don't need to be in a TV.

1612
01:33:23,520 --> 01:33:28,840
Speaker 2: It's so shameful to act. Yeah, and Nathan Lincoln to

1613
01:33:29,040 --> 01:33:36,560
Speaker 2: past but that's vaudeville truly, that song and dance, you know,

1614
01:33:36,640 --> 01:33:44,000
Speaker 2: that's wow.

1615
01:33:44,280 --> 01:33:45,160
Speaker 4: Do you have anything to add?

1616
01:33:45,880 --> 01:33:48,840
Speaker 2: No, I think I agree with the esteem Josh, and

1617
01:33:48,880 --> 01:33:49,880
Speaker 2: I think I do too.

1618
01:33:50,080 --> 01:33:59,040
Speaker 5: Yeah, okay, next thing, Okay, So so I've really been

1619
01:33:59,080 --> 01:34:00,679
Speaker 5: trying to make me thinks happen again.

1620
01:34:01,680 --> 01:34:02,920
Speaker 4: Thanks doing that.

1621
01:34:03,360 --> 01:34:05,479
Speaker 5: Me thinks it's back in a big way, and I

1622
01:34:05,520 --> 01:34:06,839
Speaker 5: think you're going to be seeing it everywhere.

1623
01:34:06,880 --> 01:34:09,000
Speaker 4: And that's why Sam is pioneering the Methinks movement.

1624
01:34:09,600 --> 01:34:14,519
Speaker 2: Yeah, me thinks. I I love that and I think

1625
01:34:14,560 --> 01:34:17,920
Speaker 2: it's stood the test of time. Timeless. I mean, what

1626
01:34:18,000 --> 01:34:21,440
Speaker 2: Shakespeare was around in the seventies, He's still here. Shakespeare

1627
01:34:21,600 --> 01:34:23,160
Speaker 2: was the Grace Jones of her time.

1628
01:34:23,800 --> 01:34:26,599
Speaker 4: We were we were with our.

1629
01:34:26,600 --> 01:34:28,800
Speaker 5: Music producer on the movie, with Nathan Lane, who worked

1630
01:34:28,840 --> 01:34:30,760
Speaker 5: on Romeo and Juliet. He told a story about how

1631
01:34:30,760 --> 01:34:32,880
Speaker 5: at the time Fox was like, we really think you

1632
01:34:32,960 --> 01:34:33,880
Speaker 5: got to change the ending.

1633
01:34:33,920 --> 01:34:35,080
Speaker 2: People aren't going to respond to that.

1634
01:34:35,240 --> 01:34:38,000
Speaker 5: It's like a Roman sort of famously responded to it

1635
01:34:38,120 --> 01:34:42,960
Speaker 5: for yes, six hundred years, which I think is so incredible.

1636
01:34:43,000 --> 01:34:46,400
Speaker 2: What a beautiful note. We people are going to respond

1637
01:34:46,520 --> 01:34:50,360
Speaker 2: to the ending. Wow. Really, there's a pretty solid proof

1638
01:34:50,400 --> 01:34:53,880
Speaker 2: of concept on that ending. It's sort of always his

1639
01:34:55,320 --> 01:34:56,519
Speaker 2: the ending slaps.

1640
01:34:57,120 --> 01:35:04,040
Speaker 5: Wow. I love our little indust the amazing damn well.

1641
01:35:04,080 --> 01:35:08,160
Speaker 5: I think the executives deserve even more money, and I stand.

1642
01:35:07,960 --> 01:35:08,960
Speaker 4: In solidarity with them.

1643
01:35:10,760 --> 01:35:14,160
Speaker 5: I think me thinks where she's going. She's there, you

1644
01:35:14,240 --> 01:35:17,160
Speaker 5: know what I mean, much like Marcot Robbie.

1645
01:35:18,600 --> 01:35:23,560
Speaker 2: All right, okay, next line, Yes, she is there, she

1646
01:35:23,760 --> 01:35:28,559
Speaker 2: is there. I think the States are just realizing she's there.

1647
01:35:28,800 --> 01:35:29,800
Speaker 4: But yes, she's been.

1648
01:35:30,479 --> 01:35:33,160
Speaker 1: Our country is not there. We need to catch Kyle,

1649
01:35:33,640 --> 01:35:36,479
Speaker 1: much like Europe. That Europe gets Kylie, and we don't.

1650
01:35:37,200 --> 01:35:39,800
Speaker 1: We very pack your bags. We're going to Australia.

1651
01:35:39,920 --> 01:35:43,800
Speaker 2: Yeah, that Australia. Australia is ahead of the curve.

1652
01:35:43,880 --> 01:35:44,839
Speaker 4: And well only.

1653
01:35:46,520 --> 01:35:50,040
Speaker 1: Hor Australia produced Hannah Gatsby, and yet there's still better

1654
01:35:50,080 --> 01:35:55,320
Speaker 1: a pop all right, next line, yes, next line, yeah,

1655
01:35:55,920 --> 01:35:59,320
Speaker 1: Ronda Santas, this is tough.

1656
01:35:59,560 --> 01:36:05,160
Speaker 5: Yeah, you know it's too soon to tell. I think

1657
01:36:05,240 --> 01:36:07,200
Speaker 5: that means she's not there yet, not there yet. And

1658
01:36:07,280 --> 01:36:09,200
Speaker 5: it's not political. I mean Trump's there, you know what

1659
01:36:09,200 --> 01:36:10,880
Speaker 5: I mean, like Trump, Some of these girls are there

1660
01:36:11,000 --> 01:36:14,519
Speaker 5: there there. Yeah, this is a Janelle Money type. This

1661
01:36:14,680 --> 01:36:17,639
Speaker 5: is a type Trump is Grace Jones.

1662
01:36:20,160 --> 01:36:23,920
Speaker 7: Because we all know this, all right, okay, okay, next line,

1663
01:36:25,080 --> 01:36:26,000
Speaker 7: part of your world.

1664
01:36:28,120 --> 01:36:30,679
Speaker 1: So I would say, here's here's the hot take. I'd

1665
01:36:30,720 --> 01:36:35,040
Speaker 1: say the riff at the end is there and the

1666
01:36:35,120 --> 01:36:38,160
Speaker 1: rest of it, no, not like it's bad. It's just

1667
01:36:38,280 --> 01:36:41,519
Speaker 1: like that the riff of that one little lick she

1668
01:36:41,680 --> 01:36:45,160
Speaker 1: does is there. It's so there though that it's like

1669
01:36:45,479 --> 01:36:48,720
Speaker 1: it's get the rest of the song. It's like the

1670
01:36:48,840 --> 01:36:53,599
Speaker 1: ending of Roman and Julia. Yeah, sixth the Landing. I mean, yeah,

1671
01:36:55,280 --> 01:36:58,880
Speaker 1: you're a soft yea or is it a soft meaning no?

1672
01:37:00,080 --> 01:37:03,720
Speaker 2: It's a soft yeah meaning no? Josh, what do you think?

1673
01:37:03,880 --> 01:37:06,479
Speaker 5: Maybe same? I still haven't seen the future film. Yeah, neither,

1674
01:37:06,800 --> 01:37:09,160
Speaker 5: and I wonder if in context I'll understand it.

1675
01:37:09,280 --> 01:37:16,960
Speaker 2: Yeah, she's underwater. Oh oh she's a fish. Oh, Mama's

1676
01:37:17,000 --> 01:37:19,720
Speaker 2: a fish. Now I get it.

1677
01:37:19,840 --> 01:37:25,559
Speaker 5: Okay, it's there. I'm listening to him like, of course

1678
01:37:25,600 --> 01:37:29,680
Speaker 5: you're part of my world. You're a human girl, I

1679
01:37:29,800 --> 01:37:30,439
Speaker 5: see the film.

1680
01:37:30,640 --> 01:37:34,519
Speaker 1: You're a recording artist Hallie Bailey. Yeah, you're part of

1681
01:37:34,640 --> 01:37:38,160
Speaker 1: my world. My question is where you're where's your little

1682
01:37:38,160 --> 01:37:43,400
Speaker 1: friend Chloe? Well this is why a part of said world.

1683
01:37:44,640 --> 01:37:45,960
Speaker 1: Aren't you all two working together?

1684
01:37:48,280 --> 01:37:48,479
Speaker 2: Well?

1685
01:37:49,000 --> 01:37:53,880
Speaker 5: Yeah, I mean a resounding not really guess what that's

1686
01:37:53,920 --> 01:37:54,960
Speaker 5: literally where we're gonna end.

1687
01:37:57,479 --> 01:38:00,639
Speaker 4: Get it up for Aaron Jackson and joshaw Up everybody.

1688
01:38:12,840 --> 01:38:16,880
Speaker 2: Well, we did it, we did it. That's our show.

1689
01:38:17,200 --> 01:38:19,720
Speaker 2: Thank you, everyone for coming give it up.

1690
01:38:19,920 --> 01:38:24,160
Speaker 7: Rch Angelon, Chew, Sabrina Wo, Josh Sharp, and Aaron Jackson.

1691
01:38:24,320 --> 01:38:27,439
Speaker 2: Thanks to the Bell House for having us give.

1692
01:38:27,280 --> 01:38:31,240
Speaker 5: It up for Sam Tiger, Juniper schor Samaras Bye.

1693
01:38:31,439 --> 01:38:32,280
Speaker 2: Thank you so much