1 00:00:00,720 --> 00:00:17,279 Speaker 1: I am all in. Oh, I kiss you. I am 2 00:00:17,320 --> 00:00:22,360 Speaker 1: all in with Scott Patterson and I heart radio podcast. Everybody. 3 00:00:22,360 --> 00:00:25,639 Speaker 1: It's Scott. How are you? How is everybody doing? We've 4 00:00:25,680 --> 00:00:31,680 Speaker 1: got uh an exciting guest, Susan Ritan, formerly of L 5 00:00:31,760 --> 00:00:33,920 Speaker 1: A Law. If you remember L A Law. What a 6 00:00:33,960 --> 00:00:40,080 Speaker 1: great series. H Emmy Award nominated actress multiple times for 7 00:00:40,240 --> 00:00:45,839 Speaker 1: her role as Corbin Burnson's assistant in that show. Uh, 8 00:00:45,880 --> 00:00:48,800 Speaker 1: and I think she's in the green room. Um, and 9 00:00:48,840 --> 00:00:54,640 Speaker 1: listen while we're waiting. Don't forget Live podcast Friends Giving, 10 00:00:55,880 --> 00:01:01,760 Speaker 1: Emily Coroda, Jackson, Douglas Grantly, Phillips Grantly, Buffalo and who's 11 00:01:01,760 --> 00:01:04,399 Speaker 1: the last one? Who's the last one? Sally Struthers. For 12 00:01:04,440 --> 00:01:08,680 Speaker 1: God's sake, I almost forgot Sally. Sally Struther is gonna 13 00:01:08,760 --> 00:01:12,160 Speaker 1: join us. The most talented, the funniest, and the strongest 14 00:01:12,319 --> 00:01:17,840 Speaker 1: woman I have ever met. Um because she's able to 15 00:01:18,160 --> 00:01:21,640 Speaker 1: leap tooll buildings in a single bound. Um and pick 16 00:01:21,720 --> 00:01:24,080 Speaker 1: me up and carry me around a set for thirty 17 00:01:24,120 --> 00:01:27,680 Speaker 1: minutes at a time. Uh and boys, and that a story. 18 00:01:27,880 --> 00:01:34,480 Speaker 1: But Susan Routan is gonna be joining us any minute. 19 00:01:34,720 --> 00:01:40,400 Speaker 1: And uh, I'm here. Hello, Hi, nice meeting you. How 20 00:01:40,440 --> 00:01:43,479 Speaker 1: are you. I'm well, thanks, how are you? I'm doing 21 00:01:43,560 --> 00:01:46,160 Speaker 1: very very well. Thanks for joining us, Thanks for being 22 00:01:46,160 --> 00:01:48,680 Speaker 1: on the podcast. We're excited to have you. We love 23 00:01:48,760 --> 00:01:51,720 Speaker 1: the episode. It's a it was a real kick in 24 00:01:51,760 --> 00:01:57,120 Speaker 1: the you know what's then the whole the whole um. 25 00:01:57,160 --> 00:02:01,960 Speaker 1: So um, you played well, you were big l a 26 00:02:02,080 --> 00:02:05,480 Speaker 1: law I mean now was a huge series and you 27 00:02:05,520 --> 00:02:10,280 Speaker 1: were nominated multiple times. And uh, I think our producers 28 00:02:10,280 --> 00:02:14,760 Speaker 1: are trying to figure out what happened between you and 29 00:02:14,840 --> 00:02:18,160 Speaker 1: Corbyn Burnson or Corbyn Burnson and other people and what 30 00:02:18,240 --> 00:02:21,960 Speaker 1: didn't he dated around? Right? He was? Oh yes, he 31 00:02:22,080 --> 00:02:30,280 Speaker 1: was a slut okay on the show. I'm not speaking personally. 32 00:02:29,800 --> 00:02:34,880 Speaker 1: I love around he did, And Roxanne and Army finally 33 00:02:35,480 --> 00:02:39,160 Speaker 1: hooked up, um, which I don't think the audience really 34 00:02:39,240 --> 00:02:43,320 Speaker 1: liked that. They felt Roxanne deserved better, didn't like why 35 00:02:43,360 --> 00:02:46,679 Speaker 1: so why didn't they like that? I think they said, 36 00:02:46,680 --> 00:02:50,040 Speaker 1: I think they felt Roxanne deserved better. Um, they kind 37 00:02:50,080 --> 00:02:53,360 Speaker 1: of liked the tension between them. You know, that's often 38 00:02:53,400 --> 00:02:56,000 Speaker 1: the case in shows when two people get together after 39 00:02:56,000 --> 00:02:59,320 Speaker 1: a long time kind of danced and the audiences go, well, 40 00:02:59,480 --> 00:03:02,400 Speaker 1: you know, we kind have preferred it the old way. Um, 41 00:03:02,480 --> 00:03:07,720 Speaker 1: so it was it was fine. Well, thanks for coming on. 42 00:03:08,120 --> 00:03:10,959 Speaker 1: Did you know did you watch Road Trip to Harvard? 43 00:03:11,000 --> 00:03:14,520 Speaker 1: Did you? Did you enjoy? I did, yes, and I 44 00:03:14,639 --> 00:03:21,600 Speaker 1: forgot how wonderful that show was. Right, Well, tell us 45 00:03:21,600 --> 00:03:25,240 Speaker 1: how you got the part for Kilmore Girls. Um, you 46 00:03:25,280 --> 00:03:28,680 Speaker 1: know for that show. I don't really remember, you know, 47 00:03:28,720 --> 00:03:31,919 Speaker 1: it might have been offered or it probably was at 48 00:03:31,960 --> 00:03:37,720 Speaker 1: that time offered um to do. Um. I don't remember 49 00:03:37,720 --> 00:03:43,320 Speaker 1: what year that was. That was two and one, okay, yeah, 50 00:03:43,360 --> 00:03:47,640 Speaker 1: that was probably it's a long time. Do you remember 51 00:03:47,680 --> 00:03:49,920 Speaker 1: do you remember about interacting with anybody on the set 52 00:03:50,000 --> 00:03:52,680 Speaker 1: or who you were? Oh? I just remember that the 53 00:03:52,720 --> 00:03:55,800 Speaker 1: people everybody on the show was really nice and really welcoming. 54 00:03:55,880 --> 00:03:57,600 Speaker 1: They really made you feel like you were a part 55 00:03:57,680 --> 00:04:00,440 Speaker 1: of it, which doesn't always happen when you're resting on 56 00:04:00,440 --> 00:04:03,960 Speaker 1: a show, but that they were really Um it comes 57 00:04:04,000 --> 00:04:06,320 Speaker 1: from the head, you know, the people that the leaders 58 00:04:06,320 --> 00:04:09,320 Speaker 1: of the show were terrific and that just extended to 59 00:04:09,360 --> 00:04:12,800 Speaker 1: everybody who came on it. M Yeah, I was very 60 00:04:12,800 --> 00:04:16,640 Speaker 1: surprised to get that role, uh, because it was you know, 61 00:04:16,720 --> 00:04:19,280 Speaker 1: that was the time when when people from film we're 62 00:04:19,400 --> 00:04:22,960 Speaker 1: crossing over into doing television, and the script was of 63 00:04:23,000 --> 00:04:25,680 Speaker 1: such quality, I figured, well, you know, it's going to 64 00:04:25,760 --> 00:04:27,599 Speaker 1: have a nice audition and that's going to be it 65 00:04:27,839 --> 00:04:30,120 Speaker 1: A big movie stars gonna right, I mean, it's gonna 66 00:04:30,160 --> 00:04:32,400 Speaker 1: be right. A name, they're going to get a name 67 00:04:32,440 --> 00:04:35,000 Speaker 1: in there, right, And uh, I think you know, the 68 00:04:35,040 --> 00:04:39,080 Speaker 1: creators fought for all of us individually, like no, well 69 00:04:39,120 --> 00:04:41,880 Speaker 1: thank you that you were like perfect. I think I 70 00:04:41,920 --> 00:04:44,080 Speaker 1: think I think you're right. I think it was like 71 00:04:44,120 --> 00:04:47,520 Speaker 1: the one thing of the thousands of auditions if I 72 00:04:47,560 --> 00:04:51,479 Speaker 1: had that that I fit perfectly in. Yeah, because because 73 00:04:51,800 --> 00:04:54,120 Speaker 1: it's nice when that happens, isn't it. You just get 74 00:04:54,160 --> 00:04:55,839 Speaker 1: this and you go, oh yeah, this is me. Yeah 75 00:04:56,120 --> 00:04:58,480 Speaker 1: right right, I can do this and I can't see 76 00:04:58,480 --> 00:05:03,000 Speaker 1: anybody else doing it and I to do this and um, 77 00:05:03,040 --> 00:05:04,680 Speaker 1: you know, and you know how it is. You go 78 00:05:04,760 --> 00:05:07,000 Speaker 1: in and you're almost right for something, but there's something 79 00:05:07,040 --> 00:05:10,560 Speaker 1: a little like you know, and you never get those jobs. 80 00:05:10,680 --> 00:05:13,680 Speaker 1: You never get those jobs. Isn't that funny how that is? 81 00:05:13,720 --> 00:05:16,880 Speaker 1: I mean, casting is so ultraspecific. It's such a difficult 82 00:05:16,880 --> 00:05:19,400 Speaker 1: thing to do, and that's the reason they see so 83 00:05:19,440 --> 00:05:21,720 Speaker 1: many people. It's different now, it's just sort of like 84 00:05:21,760 --> 00:05:26,880 Speaker 1: you go on. There's no contact now, it's just you 85 00:05:26,960 --> 00:05:30,200 Speaker 1: just put yourself on. You're just a barrel somewhere that 86 00:05:30,279 --> 00:05:33,839 Speaker 1: you put yourself send it in exactly, and it's like 87 00:05:33,880 --> 00:05:36,560 Speaker 1: there's no person to person contact, there's no getting to 88 00:05:36,600 --> 00:05:40,280 Speaker 1: know anybody, there's no no feedback. No, you know that 89 00:05:40,360 --> 00:05:43,120 Speaker 1: was great. Can we try it a different way sort 90 00:05:43,120 --> 00:05:46,040 Speaker 1: of thing? It's like you got one shot at it. Yeah, 91 00:05:46,200 --> 00:05:47,880 Speaker 1: So I think I think it would be better if 92 00:05:47,920 --> 00:05:50,640 Speaker 1: they just you know, cast you off your previous work, 93 00:05:50,680 --> 00:05:52,840 Speaker 1: because that's going to be the best possible tape you have. 94 00:05:52,960 --> 00:05:55,440 Speaker 1: I mean, you're not gonna make anything in your in 95 00:05:55,480 --> 00:05:58,360 Speaker 1: your basement. That's better than than I mean, in my case, 96 00:05:58,400 --> 00:06:06,600 Speaker 1: it's better and more girls they're looking for. I mean, 97 00:06:06,600 --> 00:06:08,640 Speaker 1: I'm not drooling out of one side of my mouth yet. 98 00:06:08,680 --> 00:06:10,280 Speaker 1: So yeah, I think I can do the part right. 99 00:06:10,600 --> 00:06:20,200 Speaker 1: That's good. You're okay anyway? Yes, things have changed? Um so, 100 00:06:20,240 --> 00:06:22,440 Speaker 1: all right, so looking back on this episode now we're 101 00:06:22,440 --> 00:06:26,000 Speaker 1: back to Gilmore. Did did you laugh out loud when 102 00:06:26,000 --> 00:06:31,320 Speaker 1: you were watching this episode? Tell about that part? You know? 103 00:06:31,440 --> 00:06:35,200 Speaker 1: I loved I love them, you know, their expressions and 104 00:06:35,200 --> 00:06:41,400 Speaker 1: their responses just fed everything I knew. I mean that person. 105 00:06:41,880 --> 00:06:45,880 Speaker 1: I mean, she's she's a relative, she's I know that person. Uh, 106 00:06:46,040 --> 00:06:49,839 Speaker 1: the person that I played. Um, that person who's so 107 00:06:49,960 --> 00:06:55,359 Speaker 1: interested in everything you do. Um. So yeah, and and 108 00:06:55,560 --> 00:06:58,119 Speaker 1: uh and I've forgotten about that haircut, which is really 109 00:06:58,480 --> 00:07:00,320 Speaker 1: the same haircut as my haircut I had in the 110 00:07:00,360 --> 00:07:05,440 Speaker 1: first grade. Um. So that made me laugh. Um yeah, 111 00:07:05,520 --> 00:07:10,040 Speaker 1: I I I just I felt really fond of the 112 00:07:10,080 --> 00:07:15,000 Speaker 1: show watching it, like, oh, yeah, I remember this, this 113 00:07:15,160 --> 00:07:18,840 Speaker 1: was great. Yeah. There was a term I read over 114 00:07:18,880 --> 00:07:23,640 Speaker 1: the weekend about there's a condition now known as positive toxicity, 115 00:07:23,760 --> 00:07:26,680 Speaker 1: where somebody is so ultra positive all of the time 116 00:07:26,720 --> 00:07:33,520 Speaker 1: it can actually be harmful. It's like, it's like, why 117 00:07:33,520 --> 00:07:36,239 Speaker 1: do you blanch when people are just so overwhelmingly positive 118 00:07:36,280 --> 00:07:38,760 Speaker 1: all the time, even in the face of, you know, 119 00:07:39,040 --> 00:07:41,840 Speaker 1: where their friend needs support or something terrible happened, They're 120 00:07:41,840 --> 00:07:43,520 Speaker 1: just like to keep your chain up, just just you 121 00:07:43,600 --> 00:07:46,240 Speaker 1: know this kind of I have to remember that. It 122 00:07:46,360 --> 00:07:49,440 Speaker 1: reminded me of those characters where they're just like completely 123 00:07:49,480 --> 00:07:51,360 Speaker 1: positive all the time. It kind of makes sense now 124 00:07:51,920 --> 00:07:54,840 Speaker 1: why why Laurel and Rory were avoiding them, because it 125 00:07:54,880 --> 00:07:56,880 Speaker 1: was there was a little level of toxicity. There was 126 00:07:56,920 --> 00:08:00,080 Speaker 1: kind of funny it was very funny. Yeah, that is 127 00:08:00,480 --> 00:08:03,320 Speaker 1: That was a great episode. I love that episode. I 128 00:08:03,360 --> 00:08:07,880 Speaker 1: love them. You know, I loved you in it when 129 00:08:08,080 --> 00:08:11,760 Speaker 1: when you found out that she wasn't going to marry him, 130 00:08:11,840 --> 00:08:15,320 Speaker 1: and it's so subtle and beautiful. Put a little zippity 131 00:08:15,400 --> 00:08:22,720 Speaker 1: back in my dude, didn't it. Yeah? It was great. 132 00:08:23,160 --> 00:08:27,200 Speaker 1: Thank you. Um. You know, I don't remember a single 133 00:08:27,240 --> 00:08:31,280 Speaker 1: thing about any of these episodes. You don't. I never 134 00:08:31,360 --> 00:08:33,920 Speaker 1: watched them, and you know, your short term memories developed 135 00:08:33,960 --> 00:08:35,400 Speaker 1: to the point where you just sort of, you know, 136 00:08:35,480 --> 00:08:37,079 Speaker 1: you get rid of the old stuff to make room 137 00:08:37,120 --> 00:08:39,319 Speaker 1: for the new dialogue, and you know what that's like. 138 00:08:39,400 --> 00:08:41,480 Speaker 1: So I don't. I don't remember these scenes. And I'm 139 00:08:41,559 --> 00:08:45,440 Speaker 1: it's like I'm watching another person. It's so odd. That's interesting, 140 00:08:45,520 --> 00:08:48,480 Speaker 1: and it's so odd because I don't know who that 141 00:08:48,640 --> 00:08:51,160 Speaker 1: is I'm watching and I'm thinking, God, he's you know, 142 00:08:51,200 --> 00:08:53,520 Speaker 1: when I'm good, I'm thinking, Wow, guy's pretty good. And 143 00:08:53,520 --> 00:08:55,400 Speaker 1: then when I'm bad, I'm like, God, that guy, really 144 00:08:55,440 --> 00:08:57,240 Speaker 1: that's stunk. You know, the should it shouldn't have kept 145 00:08:57,240 --> 00:08:58,800 Speaker 1: that take, you know, you know that kind of thing. 146 00:08:58,840 --> 00:09:01,400 Speaker 1: But I get all judge with myself, but not as myself, 147 00:09:01,400 --> 00:09:04,120 Speaker 1: but I'm looking at another person, isn't that? You know? 148 00:09:04,160 --> 00:09:06,720 Speaker 1: I don't watch what I do. I do because I 149 00:09:06,720 --> 00:09:08,080 Speaker 1: don't want to. I don't want to be in that 150 00:09:08,120 --> 00:09:11,520 Speaker 1: moment going God, why did you do that? Why do 151 00:09:11,600 --> 00:09:18,560 Speaker 1: I say? Why was my face like that? Second guesser's hell, yeah, 152 00:09:18,600 --> 00:09:20,520 Speaker 1: you can't do it. That's why I always I just 153 00:09:20,640 --> 00:09:22,560 Speaker 1: you know, I waited twenty years to to watch it, 154 00:09:22,600 --> 00:09:25,240 Speaker 1: and I'm disconnected from it now, and it's I can 155 00:09:25,280 --> 00:09:29,280 Speaker 1: sit back and really, um be critical about it and 156 00:09:29,320 --> 00:09:31,080 Speaker 1: in a constructive way, you know, I mean, not be 157 00:09:31,280 --> 00:09:34,800 Speaker 1: you know, not try to sure got anything because it's me, 158 00:09:34,920 --> 00:09:37,800 Speaker 1: because it doesn't really seem like me. It's it's it's 159 00:09:37,880 --> 00:09:41,199 Speaker 1: very odd, it's kind of fun. Um yeah, yeah, alright. 160 00:09:41,240 --> 00:09:43,559 Speaker 1: So look in this episode, you and your husband Grill, 161 00:09:43,679 --> 00:09:47,160 Speaker 1: Laurela and Rory about their lives. Did you receive any 162 00:09:47,200 --> 00:09:52,280 Speaker 1: direction that you recall on how to play that scene? No? Good? 163 00:09:53,960 --> 00:09:56,440 Speaker 1: You know, I find I don't know about you, but 164 00:09:56,520 --> 00:10:00,040 Speaker 1: I find that generally true. What you you know, what 165 00:10:00,040 --> 00:10:02,480 Speaker 1: what you bring in is generally what they want. It's 166 00:10:02,520 --> 00:10:05,880 Speaker 1: like they hired you for that reason because you gave 167 00:10:05,920 --> 00:10:07,880 Speaker 1: them what they wanted, and they don't really have to 168 00:10:07,880 --> 00:10:11,320 Speaker 1: tell you it might be you know, don't stand so close, 169 00:10:11,440 --> 00:10:13,840 Speaker 1: or you know, turn around a little bit, stay out 170 00:10:13,880 --> 00:10:15,880 Speaker 1: of the camera, you know, just you know that kind 171 00:10:15,880 --> 00:10:19,520 Speaker 1: of thing. But really it's your personality, your your nature, 172 00:10:19,600 --> 00:10:25,400 Speaker 1: your intuitive reaction to the character. Um No, I don't 173 00:10:25,440 --> 00:10:30,480 Speaker 1: recall any specific direction except sit there and that's it. 174 00:10:30,840 --> 00:10:33,640 Speaker 1: Have you ever have you ever nailed an audition gotten 175 00:10:33,640 --> 00:10:37,320 Speaker 1: the offer, got on set and you were opposite your 176 00:10:37,320 --> 00:10:40,360 Speaker 1: scene partner or partners, and it was just just felt 177 00:10:40,480 --> 00:10:44,599 Speaker 1: so wrong that you didn't know how to because the 178 00:10:44,640 --> 00:10:47,040 Speaker 1: audition was so smooth and you you connected with the 179 00:10:47,080 --> 00:10:49,160 Speaker 1: reader or whatever, and you can connect with anybody, but 180 00:10:49,200 --> 00:10:53,040 Speaker 1: then you get there. That's one job like that where 181 00:10:53,280 --> 00:10:57,199 Speaker 1: I loved the material and my audition was like, I 182 00:10:57,280 --> 00:10:59,760 Speaker 1: couldn't have done it better. The job was mine. I 183 00:11:00,000 --> 00:11:04,479 Speaker 1: at it. I went to the set the first rehearsal, 184 00:11:05,600 --> 00:11:08,200 Speaker 1: the person that I was supposed to have a strong 185 00:11:08,960 --> 00:11:14,040 Speaker 1: emotional relationship be his mother was dead in the water 186 00:11:14,920 --> 00:11:21,480 Speaker 1: and just and was hostile. Um And it was the 187 00:11:21,520 --> 00:11:25,319 Speaker 1: most unpleasant. I mean, I just wanted to walk away, 188 00:11:25,360 --> 00:11:28,520 Speaker 1: but you know, you don't do that. You keep hoping 189 00:11:28,559 --> 00:11:32,880 Speaker 1: that somebody's going to bring something out of that person 190 00:11:33,040 --> 00:11:36,000 Speaker 1: or direct them or or let them know that they 191 00:11:36,040 --> 00:11:40,280 Speaker 1: need to know. But that was that was really I 192 00:11:40,320 --> 00:11:44,840 Speaker 1: think the only really bad interaction I ever had, and 193 00:11:44,920 --> 00:11:48,400 Speaker 1: it was it was hurtful. I cried after it because 194 00:11:48,679 --> 00:11:51,280 Speaker 1: I couldn't do what I do. I couldn't. I was 195 00:11:51,360 --> 00:11:56,280 Speaker 1: it was like acting with a mean brick wall, spikes 196 00:11:56,320 --> 00:11:59,160 Speaker 1: all over it. You know, you just you know, have 197 00:11:59,240 --> 00:12:04,280 Speaker 1: you that ever have been to you? Yeah? Unfortunately, Yeah, 198 00:12:04,320 --> 00:12:08,640 Speaker 1: it happened to me over a period of time, uh, 199 00:12:09,480 --> 00:12:11,480 Speaker 1: with the same person, and it's just sort of it 200 00:12:11,600 --> 00:12:16,559 Speaker 1: started out so great and I mean just like amazingly 201 00:12:16,600 --> 00:12:21,559 Speaker 1: well and then it just devolved into this psychodrama. I 202 00:12:21,600 --> 00:12:26,240 Speaker 1: mean it was just really weird over a period of time. Um, 203 00:12:26,280 --> 00:12:31,160 Speaker 1: and it it almost put me off serious television. Yeah, 204 00:12:31,240 --> 00:12:34,840 Speaker 1: it can do that almost. I I remember saying to 205 00:12:34,880 --> 00:12:37,800 Speaker 1: my my team at the time, I said, look, I 206 00:12:37,840 --> 00:12:40,440 Speaker 1: think I'm kind of done. You know. Gilmore was great, 207 00:12:40,559 --> 00:12:43,120 Speaker 1: and but this happened and it was like, maybe we 208 00:12:43,160 --> 00:12:46,200 Speaker 1: should just take a break for a while because that 209 00:12:46,320 --> 00:12:48,400 Speaker 1: was you know, part of that is because when you're 210 00:12:48,440 --> 00:12:51,480 Speaker 1: as an actor, you're not just standing there saying lines. 211 00:12:51,480 --> 00:12:54,360 Speaker 1: You're opening up your heart to whatever who's ever next 212 00:12:54,400 --> 00:12:57,840 Speaker 1: to you, whoever you're talking to, their true emotions. They're 213 00:12:57,840 --> 00:13:01,440 Speaker 1: not it's not like fake anything. So when somebody doesn't 214 00:13:01,440 --> 00:13:04,440 Speaker 1: respond to you or blocked you, that's such a good point. 215 00:13:04,600 --> 00:13:07,720 Speaker 1: That's such a good point. It's such a good point, 216 00:13:08,240 --> 00:13:11,480 Speaker 1: you know. Yeah, that that that interaction amongst the cast 217 00:13:11,559 --> 00:13:15,560 Speaker 1: is crucial. Yeah, it's crucial. And you do form families 218 00:13:15,559 --> 00:13:19,120 Speaker 1: you I mean, they don't last. You know, maybe once 219 00:13:19,160 --> 00:13:20,960 Speaker 1: in a while you have a lasting friendship with somebody, 220 00:13:21,000 --> 00:13:24,000 Speaker 1: but they you do form these little tribes and they're important. 221 00:13:24,000 --> 00:13:27,720 Speaker 1: There important support systems that are woven together, you know, 222 00:13:27,840 --> 00:13:31,920 Speaker 1: one kindness or one gesture at a time, one successful 223 00:13:31,960 --> 00:13:34,560 Speaker 1: scene after another, and they just build and build and build. 224 00:13:34,559 --> 00:13:38,079 Speaker 1: And I mean the experience started out just wonderful. It 225 00:13:38,120 --> 00:13:41,160 Speaker 1: was just wonderful, and then all of a sudden you 226 00:13:41,160 --> 00:13:43,520 Speaker 1: could hear the screeching breaks and it just went down, 227 00:13:44,679 --> 00:13:47,079 Speaker 1: and uh, I just couldn't wait for it to end. 228 00:13:47,200 --> 00:13:49,640 Speaker 1: And I was so glad that it didn't get picked up. 229 00:13:49,760 --> 00:13:53,240 Speaker 1: You have know what, Oh yeah, to think that you 230 00:13:53,320 --> 00:13:55,920 Speaker 1: might have to do that for seven years, Oh my goodness, 231 00:13:58,360 --> 00:14:00,840 Speaker 1: I've never been so happy in my life. My manager 232 00:14:00,880 --> 00:14:03,199 Speaker 1: called me, said, I got good news and bad as 233 00:14:03,200 --> 00:14:05,080 Speaker 1: I said, what's the I said, what's the good what's 234 00:14:05,120 --> 00:14:08,520 Speaker 1: the bad news? This series got canceled. I said, that's 235 00:14:08,559 --> 00:14:13,679 Speaker 1: the best news. What's the what's the good news? She 236 00:14:13,720 --> 00:14:23,920 Speaker 1: goes the series got canceled. Let me ask you, so 237 00:14:24,000 --> 00:14:28,000 Speaker 1: you you've been constantly working? I mean, do you always 238 00:14:28,040 --> 00:14:32,600 Speaker 1: have the next job lined up? Oh? No, definitely not. 239 00:14:33,040 --> 00:14:38,800 Speaker 1: I UM, you know, I'm I don't. I don't really 240 00:14:38,920 --> 00:14:41,880 Speaker 1: work as much anymore. I mean, I work, but I 241 00:14:41,920 --> 00:14:45,680 Speaker 1: don't work like I'm. I don't want to work so 242 00:14:45,760 --> 00:14:50,320 Speaker 1: much anymore. Let me say that I I'm enjoying my life. 243 00:14:50,360 --> 00:14:54,600 Speaker 1: I'm writing, I'm working on a project, developing project. We've 244 00:14:54,600 --> 00:15:00,200 Speaker 1: got a deal on it. I'm i'm I'm. I want 245 00:15:00,200 --> 00:15:03,000 Speaker 1: to take time to do the things that I love 246 00:15:03,040 --> 00:15:08,320 Speaker 1: to do. The jobs that I take, I love doing them. Um, 247 00:15:08,320 --> 00:15:11,320 Speaker 1: but I don't want to work all the time. I'd 248 00:15:11,360 --> 00:15:14,960 Speaker 1: like to recur on things. That's that's my idea of 249 00:15:14,960 --> 00:15:20,800 Speaker 1: a good life. Call me when you need me. I 250 00:15:20,840 --> 00:15:23,760 Speaker 1: do love to work. I'm actually looking. I haven't done 251 00:15:23,760 --> 00:15:27,800 Speaker 1: a play in years, and I just worked on a show, 252 00:15:28,240 --> 00:15:31,400 Speaker 1: UM with a fellow who played my husband, David Wells 253 00:15:31,640 --> 00:15:35,960 Speaker 1: and wonderful actor, and he we became friends. When you 254 00:15:36,000 --> 00:15:38,680 Speaker 1: talk about being friends, we became friends. We had an 255 00:15:39,440 --> 00:15:43,760 Speaker 1: arduous job that we had to do um and through 256 00:15:43,760 --> 00:15:47,600 Speaker 1: that we supported each other. And and he brought me 257 00:15:47,640 --> 00:15:51,200 Speaker 1: a play that someone had written and we're gonna start 258 00:15:51,240 --> 00:15:54,840 Speaker 1: working on. Oh good, that's exciting. And you know, good 259 00:15:54,880 --> 00:15:57,760 Speaker 1: things come at you know, these things happen you. You 260 00:15:57,880 --> 00:16:00,480 Speaker 1: just keep finding the things that make you have Right. 261 00:16:01,520 --> 00:16:05,200 Speaker 1: It's like when I thought of this podcast, It's kind 262 00:16:05,240 --> 00:16:06,840 Speaker 1: of a funny story because I thought it was some 263 00:16:07,240 --> 00:16:10,000 Speaker 1: incredibly original idea that hit me in the middle of 264 00:16:10,080 --> 00:16:13,080 Speaker 1: the pandemic, right, and I was not aware that there 265 00:16:13,080 --> 00:16:16,000 Speaker 1: were like, you know, ninety thousand of these rewatch podcasts 266 00:16:16,000 --> 00:16:19,720 Speaker 1: going on at the time. So I called Amy, the 267 00:16:19,800 --> 00:16:23,720 Speaker 1: producer of this, and I said, listen, I have this idea. 268 00:16:24,360 --> 00:16:26,600 Speaker 1: Lightning is struck. I have this idea. And when when 269 00:16:26,640 --> 00:16:28,360 Speaker 1: she came back very quickly and said, look, we have 270 00:16:28,400 --> 00:16:30,840 Speaker 1: a deal, let's let's do it, I was shocked. I 271 00:16:31,240 --> 00:16:40,320 Speaker 1: was shocked. There was like or more, um, way more. Uh. 272 00:16:40,640 --> 00:16:43,760 Speaker 1: But uh, it's always nice to work. It's always nice 273 00:16:43,760 --> 00:16:47,360 Speaker 1: to have a job. Yes, it will, especially when you're 274 00:16:47,360 --> 00:16:52,360 Speaker 1: having fun with it. It's a blast. It's a blast 275 00:16:52,400 --> 00:16:54,960 Speaker 1: because I'm I'm also a producer on it, and it's like, 276 00:16:55,440 --> 00:16:59,400 Speaker 1: you know, all the guests are are so much fun 277 00:16:59,520 --> 00:17:02,440 Speaker 1: and they're so happy to be talking about the show 278 00:17:02,640 --> 00:17:05,720 Speaker 1: and their experiences, and it's just it's just really it is. 279 00:17:05,760 --> 00:17:09,239 Speaker 1: It's it's a true gift. It really is. Um. So 280 00:17:09,320 --> 00:17:12,159 Speaker 1: let me ask you. You've been on shows like Grey's, 281 00:17:12,160 --> 00:17:17,680 Speaker 1: Anatomy nine one one, and Mom, uh, and there has 282 00:17:17,720 --> 00:17:20,600 Speaker 1: there been a show that stands out more than the others, 283 00:17:20,720 --> 00:17:22,880 Speaker 1: uh in terms of the times that you spent on set, 284 00:17:22,920 --> 00:17:27,159 Speaker 1: in the memories that you took away from it. Um, 285 00:17:27,200 --> 00:17:31,359 Speaker 1: I would Mom was one of my favorite shows. Uh. 286 00:17:31,520 --> 00:17:35,119 Speaker 1: Working with Anna and and everybody else on this show, 287 00:17:35,520 --> 00:17:37,879 Speaker 1: I was really sad, you know, I was recurring on 288 00:17:37,880 --> 00:17:39,919 Speaker 1: that show, and I was really sad. Went on and 289 00:17:39,960 --> 00:17:42,679 Speaker 1: decided to to go up and do what she needed 290 00:17:42,720 --> 00:17:45,440 Speaker 1: to do, wasn't I was sad for myself, not for her. 291 00:17:45,680 --> 00:17:47,960 Speaker 1: She's you know, she had other things to happen. So 292 00:17:48,040 --> 00:17:50,800 Speaker 1: she she left the series after a couple of years, 293 00:17:50,840 --> 00:17:55,120 Speaker 1: a couple of seasons before the last season. How many 294 00:17:55,160 --> 00:17:58,760 Speaker 1: How long did it go? Uh? I think it was 295 00:17:58,880 --> 00:18:03,240 Speaker 1: six seasons, So six seasons total. She left after the fifth. Yeah, 296 00:18:03,400 --> 00:18:06,199 Speaker 1: she you know, she had whatever it was. It was 297 00:18:06,400 --> 00:18:08,680 Speaker 1: her life, you know, and she had things to do. 298 00:18:08,960 --> 00:18:10,879 Speaker 1: But I was really sad not to get to play 299 00:18:10,920 --> 00:18:14,600 Speaker 1: with her anymore on that show. Was a great relationship. 300 00:18:15,240 --> 00:18:18,440 Speaker 1: And there have been endless shows that I've had wonderful 301 00:18:19,000 --> 00:18:22,280 Speaker 1: times on. I've been working on the United States of 302 00:18:22,359 --> 00:18:26,840 Speaker 1: Al recently, and and that's a wonderful group. I mean, 303 00:18:27,040 --> 00:18:30,880 Speaker 1: Chuck Laurie, Chuck Laurie has great sets. You know, he's 304 00:18:30,920 --> 00:18:35,919 Speaker 1: a he's a terrific fellow. He's mindful of everybody's needs. 305 00:18:36,000 --> 00:18:40,159 Speaker 1: He's he's so brilliant. I'm just privileged to be a 306 00:18:40,200 --> 00:18:43,520 Speaker 1: part of that. Let me ask you, uh, since we're 307 00:18:43,520 --> 00:18:47,399 Speaker 1: talking a little bit about longevity in the business, Um, 308 00:18:47,520 --> 00:18:50,200 Speaker 1: when you got the role of Roxanne on l A Law, 309 00:18:50,480 --> 00:18:53,600 Speaker 1: did you know that you were going to be doing 310 00:18:53,640 --> 00:18:55,720 Speaker 1: that role for a hundred and fifty episodes? Did you 311 00:18:55,760 --> 00:18:59,480 Speaker 1: have any inkling? No? No, I didn't think about it. 312 00:18:59,600 --> 00:19:02,159 Speaker 1: I tell you, I never really thought of acting as 313 00:19:02,200 --> 00:19:04,960 Speaker 1: a career. Um. I just sort of fell into it. 314 00:19:05,640 --> 00:19:09,840 Speaker 1: Uh So I never thought anything about long term. I thought, oh, 315 00:19:09,880 --> 00:19:13,239 Speaker 1: this is fun, I'm doing this. Now I'm not like 316 00:19:13,400 --> 00:19:17,920 Speaker 1: UM in the Future. I just I just was there. 317 00:19:18,440 --> 00:19:22,879 Speaker 1: It was yeah, that show. You know, that Roxane, that 318 00:19:23,000 --> 00:19:27,959 Speaker 1: character UM was my other half, you know, she was. 319 00:19:28,880 --> 00:19:32,720 Speaker 1: She was that part of me that didn't get presented 320 00:19:32,760 --> 00:19:41,600 Speaker 1: all the time. Um uh yeah. Roxanne. Was sometimes hard 321 00:19:41,600 --> 00:19:45,080 Speaker 1: for me to talk about that show because emotionally, I 322 00:19:45,160 --> 00:19:49,440 Speaker 1: was so deeply connected to it. Everybody in it, everybody 323 00:19:49,520 --> 00:19:55,600 Speaker 1: was fantastic. Again a show where the set there were 324 00:19:55,640 --> 00:20:00,440 Speaker 1: no issues. Everybody genuinely liked each other. We had parties, 325 00:20:00,480 --> 00:20:02,639 Speaker 1: we had dinners, we had you know, we didn't go 326 00:20:02,720 --> 00:20:09,120 Speaker 1: home and forget about it, right. Gosh, different times, huh, 327 00:20:09,400 --> 00:20:18,000 Speaker 1: different different at different times. You know. I remember once, 328 00:20:18,520 --> 00:20:21,280 Speaker 1: uh one of my teachers in New York said to me, Scott, 329 00:20:21,359 --> 00:20:26,600 Speaker 1: be careful what you do in the business, right because 330 00:20:26,640 --> 00:20:30,280 Speaker 1: you only have so many performances inside you mm hmm. 331 00:20:31,240 --> 00:20:34,720 Speaker 1: And you know when we were all, you know, training 332 00:20:34,720 --> 00:20:37,120 Speaker 1: in New York and doing our theater in that whole deal, 333 00:20:38,320 --> 00:20:42,119 Speaker 1: we had this kind of attitude, Uh, this position we 334 00:20:42,160 --> 00:20:46,440 Speaker 1: took against TV because of the repetitive nature of it. 335 00:20:46,560 --> 00:20:47,960 Speaker 1: You have to do this care If you get a series, 336 00:20:48,000 --> 00:20:51,720 Speaker 1: you're gonna be on it for you know, potentially you know, two, three, five, 337 00:20:51,840 --> 00:20:55,840 Speaker 1: seven years, whatever it is. And you know, we were 338 00:20:55,880 --> 00:20:58,960 Speaker 1: warned about this, said, you're not going to be able 339 00:20:59,000 --> 00:21:00,920 Speaker 1: to do the great roles, not going to be able 340 00:21:00,960 --> 00:21:02,480 Speaker 1: to do the roles you want to do. You're gonna 341 00:21:02,480 --> 00:21:04,439 Speaker 1: do this one role that you want to do at 342 00:21:04,440 --> 00:21:06,600 Speaker 1: the time, but then seven years later you're gonna evolve 343 00:21:06,640 --> 00:21:09,160 Speaker 1: as a person. But you keep having to go back 344 00:21:09,560 --> 00:21:15,240 Speaker 1: and dip into the same well. And you know, careful, 345 00:21:15,280 --> 00:21:18,200 Speaker 1: it could rob you of whatever gift you have been 346 00:21:18,240 --> 00:21:22,560 Speaker 1: given to portray all these different characters. If you're so 347 00:21:22,640 --> 00:21:25,359 Speaker 1: inclined that you want to have a varied career, you 348 00:21:25,400 --> 00:21:29,920 Speaker 1: know what I mean? And man, was she right because 349 00:21:29,920 --> 00:21:32,199 Speaker 1: at the end of Gilmore, I was like, Wow, I 350 00:21:32,240 --> 00:21:36,520 Speaker 1: need a break. It's like when you get to the 351 00:21:36,560 --> 00:21:42,000 Speaker 1: point where you're right, acting shouldn't be a job. It 352 00:21:42,080 --> 00:21:45,120 Speaker 1: shouldn't be a daily job, but it is, right, So 353 00:21:45,160 --> 00:21:47,399 Speaker 1: how do you so? The hard part about TV, and 354 00:21:47,760 --> 00:21:49,520 Speaker 1: I know you went through this is how do you 355 00:21:49,600 --> 00:21:53,520 Speaker 1: keep it fresh? How do you stay inspired? And when 356 00:21:53,560 --> 00:21:56,920 Speaker 1: it becomes a burden, when it becomes like, oh, it's 357 00:21:56,960 --> 00:22:02,040 Speaker 1: my job, and yeah, you know there are those you 358 00:22:02,119 --> 00:22:05,080 Speaker 1: know you take those jobs and sometimes that's just about money. 359 00:22:05,160 --> 00:22:06,800 Speaker 1: You know, they're offering me a lot of money to 360 00:22:06,840 --> 00:22:10,960 Speaker 1: do something that may not be, you know, the biggest 361 00:22:11,320 --> 00:22:13,919 Speaker 1: heart thing in the world, but you'll do it because 362 00:22:13,960 --> 00:22:16,159 Speaker 1: sometimes you do have to do a job, or you 363 00:22:16,200 --> 00:22:19,919 Speaker 1: want to do the job or whatever. Um. But you know, 364 00:22:20,160 --> 00:22:23,000 Speaker 1: I think the thing is to keep your heart intact, 365 00:22:23,680 --> 00:22:29,399 Speaker 1: you know, to keep present emotionally with every role. UM. 366 00:22:29,880 --> 00:22:31,840 Speaker 1: In l a Law. One of the things that I 367 00:22:31,920 --> 00:22:34,960 Speaker 1: was grateful for was that the character evolved. She was 368 00:22:35,080 --> 00:22:37,040 Speaker 1: not the same person at the end of the show 369 00:22:37,040 --> 00:22:39,600 Speaker 1: as she was at the beginning. She grew as a 370 00:22:39,680 --> 00:22:45,120 Speaker 1: human being, and that that doesn't always happen on a series. UM. 371 00:22:45,200 --> 00:22:51,000 Speaker 1: So in that sense, I was extremely lucky. UM. Do 372 00:22:51,040 --> 00:22:55,000 Speaker 1: you feel like your character on on the show like 373 00:22:55,119 --> 00:22:59,720 Speaker 1: grew and without question, without question? Yeah, And that's it's 374 00:22:59,760 --> 00:23:01,879 Speaker 1: like it's like you get to live the life of 375 00:23:01,920 --> 00:23:07,560 Speaker 1: another person, um, which is amazing. Uh. That's what it's 376 00:23:07,560 --> 00:23:10,160 Speaker 1: great for actors. We get to be all these other people, 377 00:23:10,640 --> 00:23:15,080 Speaker 1: experience their trials and tribulations and loves and losses and 378 00:23:15,080 --> 00:23:18,280 Speaker 1: and uh, and then go back to our own. It's like, 379 00:23:18,320 --> 00:23:20,199 Speaker 1: if they're really bad, you could leave those behind. Now. 380 00:23:20,280 --> 00:23:22,200 Speaker 1: I think we were all excited to come back and 381 00:23:22,200 --> 00:23:24,960 Speaker 1: do the reboot reboot with Netflix in two thousand and 382 00:23:25,040 --> 00:23:29,679 Speaker 1: sixteen because there was you know, there was still a 383 00:23:29,680 --> 00:23:32,760 Speaker 1: lot of life left in the characters and in the story, 384 00:23:33,280 --> 00:23:39,000 Speaker 1: and we weren't, um, what's the term. We weren't really 385 00:23:39,200 --> 00:23:42,640 Speaker 1: artistically bankrupt as much as maybe we thought we were 386 00:23:42,680 --> 00:23:45,520 Speaker 1: at the end of the run of the series. Um 387 00:23:45,600 --> 00:23:48,800 Speaker 1: because some people had some pretty empty gas tanks artistically speaking, 388 00:23:48,840 --> 00:23:52,720 Speaker 1: and needed to, you know, explore greener pastures. And I 389 00:23:52,760 --> 00:23:56,480 Speaker 1: fully understand and support that. I wonder what you're doing this. 390 00:23:58,640 --> 00:24:01,720 Speaker 1: You know, the fans need content at they're not getting 391 00:24:01,760 --> 00:24:03,920 Speaker 1: any content. I mean, this is this is a fan 392 00:24:04,000 --> 00:24:07,720 Speaker 1: base that is so utterly devoted and for obvious reasons, 393 00:24:07,880 --> 00:24:10,600 Speaker 1: and they're not getting any content. It must be so frustrating. 394 00:24:11,080 --> 00:24:13,359 Speaker 1: And now I get how they feel. I mean, it 395 00:24:13,440 --> 00:24:16,040 Speaker 1: must be so frustrating just loving something so much and 396 00:24:16,080 --> 00:24:19,000 Speaker 1: it's just unrequited, unrequited year after year, and you live 397 00:24:19,000 --> 00:24:21,119 Speaker 1: on hope, and you live on hope and just nothing happens. 398 00:24:21,160 --> 00:24:23,080 Speaker 1: And then you get this reboot, which was kind of like, 399 00:24:23,119 --> 00:24:25,800 Speaker 1: I don't know, right, it was math a little bit. 400 00:24:26,560 --> 00:24:29,000 Speaker 1: And so they want they want more, they want better, 401 00:24:29,280 --> 00:24:33,960 Speaker 1: and so I'm well, I'm you know, I'm doing my 402 00:24:34,000 --> 00:24:37,000 Speaker 1: little part, my little part. No, we are you and 403 00:24:37,040 --> 00:24:39,439 Speaker 1: I are giving it to him. Now we're doing our 404 00:24:39,520 --> 00:24:46,800 Speaker 1: part right. Um, Listen, this has been fun. We'd love 405 00:24:46,840 --> 00:24:50,120 Speaker 1: to have you back. It was really it was really 406 00:24:50,200 --> 00:24:56,240 Speaker 1: nice talking to you. You're you're a delight and thank 407 00:24:56,280 --> 00:24:58,680 Speaker 1: you you too. And you're a You're a true artist, 408 00:24:58,760 --> 00:25:01,439 Speaker 1: you're a true actor. I can tell just from the 409 00:25:01,840 --> 00:25:05,640 Speaker 1: short conversation we had. Keeping it real, keeping it real, 410 00:25:05,800 --> 00:25:09,560 Speaker 1: keeping that flame, keeping that flame alive. So all the 411 00:25:09,600 --> 00:25:11,800 Speaker 1: best to you, Susan, and thank you for coming on 412 00:25:12,160 --> 00:25:15,120 Speaker 1: and thank you for your wonderful, wonderful work throughout your 413 00:25:15,119 --> 00:25:18,639 Speaker 1: career and especially on this show and this episode. It 414 00:25:18,680 --> 00:25:21,880 Speaker 1: was terrific. You're adul Thank you so much. Alright, sweetheart, 415 00:25:22,040 --> 00:25:53,960 Speaker 1: all the best, all right, bye, hey everybody, and don't 416 00:25:54,040 --> 00:25:57,520 Speaker 1: forget follow us on Instagram at I Am All In 417 00:25:57,800 --> 00:26:02,280 Speaker 1: podcast and email us at Gilmore at I heart radio 418 00:26:02,440 --> 00:26:04,840 Speaker 1: dot com. Oh you gil More fans. 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