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Speaker 1: The volume.

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Speaker 2: What's going on, man, I'm good. How you feeling?

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Speaker 3: I feel good. I feel like we should get right

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Speaker 3: to it. Let's get right to it.

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Speaker 2: Man.

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Speaker 3: I feel I feel in a mood today. I feel

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Speaker 3: some type of way today. I feel like you owe

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Speaker 3: the culture some push ups. I feel like you owe

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Speaker 3: ys ten push ups for what? Because on Friday nothing

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Speaker 3: dropped but another very bad.

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Speaker 2: Mad Albums dropped. No No, but one of.

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Speaker 3: The most anticipated albums of all time did not drop.

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Speaker 2: Mad Albums dropped, Mad Songs singles.

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Speaker 3: I'm so happy to see the waves free. We'll get

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Speaker 3: into the French of max V tape.

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Speaker 2: I like it a lot. I don't know. I don't know.

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Speaker 2: You didn't know, I don't know. That's what everyone is saying. Well,

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Speaker 2: not know, I know. Come on, man, don't do that.

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Speaker 2: Don't do that.

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Speaker 3: Christmas we gave you a Mulligan sample clearances or whatever. Yeah,

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Speaker 3: but you are certain that something that we have been anticipating,

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Speaker 3: which could only really be three people when you get

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Speaker 3: down to it. If we're talking rap mm hmm, if

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Speaker 3: you said across all genres, if they'll be saying there whatever,

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Speaker 3: But we were thinking, and I guessed you were talking.

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Speaker 2: About j Cole.

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Speaker 3: I don't think Iceman is done yet. I don't think

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Speaker 3: Kendrick is dropping in the first quarter, so that would

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Speaker 3: only leave one, which we assume to be based off

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Speaker 3: the clues that you gave us, was Jermaine Cole. So

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Speaker 3: I feel even though I would not speak for the

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Speaker 3: culture just in the room, I'm the only one with

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Speaker 3: the mic that wasn't wrong in this situation. I feel like, Yo,

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Speaker 3: it's ten push ups, Yeah, ten push ups for the

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Speaker 3: culture just forgetting us all excited.

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Speaker 2: Had a great weekend. R Rob Mark, we made a

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Speaker 2: good point.

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Speaker 3: I don't know if you've talk about you or not,

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Speaker 3: but I feel like as podcasters, maybe we should get

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Speaker 3: fined for misinformation. Why, Like we should put, like, you know,

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Speaker 3: a swear jar. We should do a swear jar across

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Speaker 3: the board for all podcasters.

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Speaker 2: Listen. I owe a lot of money if that's the case.

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Speaker 1: But if I said a name, that's different. But I

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Speaker 1: did think I did. I did have very good intel

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Speaker 1: that an album was dropping, that we were authenticate.

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Speaker 2: Okay, I don't know what.

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Speaker 3: I feel like this is almost like women's semantics, because

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Speaker 3: we knew based off the clues you were giving there

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Speaker 3: was really only one person that it could have been.

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Speaker 1: Okay, who else do you think it could have been? Well,

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Speaker 1: I know who I was talking about, but I wouldn't

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Speaker 1: say did they drop? No, Okay, why I don't know.

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Speaker 2: I don't know. Things happen. I don't know why it

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Speaker 2: didn't drop.

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Speaker 1: But I have very good conversations that it was supposed

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Speaker 1: to drop. But you know, things happen. So it is

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Speaker 1: what it is. Do you think I was wrong? That's

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Speaker 1: that one time. I'm sorry, y'all. I apologize. But I

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Speaker 1: didn't give that information without great resources.

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Speaker 3: That's all, which which which I understand. I've been in

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Speaker 3: that situation. Sometimes you get good information from great sources

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Speaker 3: and things change, and you already went out there and

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Speaker 3: said some ship.

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Speaker 2: It's okay.

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Speaker 1: I'm not like others in the culture where they don't,

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Speaker 1: you know what I'm saying, apologize for their mishaps.

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Speaker 2: I'm a man.

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Speaker 1: I apologize, y'all. My work's still good, my step is

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Speaker 1: still good, though, you know what I'm saying. Yeah, the

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Speaker 1: work just got intercepted at the border.

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Speaker 2: That's all. It's Trump.

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Speaker 1: Trump, Trump is being all I was your ninety two bricks.

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Speaker 1: It's okay, it's all right, it's so right, we're still here.

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Speaker 3: Do we think that that all right? I'm done playing

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Speaker 3: the guessing game. I me personally thought you were talking

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Speaker 3: about J Cole. You did not say it was Cole.

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Speaker 3: I felt like you were talking about Cole, whatever album

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Speaker 3: it is. Do you think maybe this Friday? Do we

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Speaker 3: think it's just off? It was either last Friday or

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Speaker 3: we don't even know? Is it just getting pushed a week?

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Speaker 2: I don't know about a week, but it definitely was.

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Speaker 1: Again of the information that I had, it definitely was

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Speaker 1: slated to drop of Friday.

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Speaker 3: With Okay, with the fall Off being rumored, not just

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Speaker 3: with you, there was there was you were not you

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Speaker 3: were the first person, not the only one that talked

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Speaker 3: about what an album was dropping Friday or around that time.

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Speaker 3: With Iceman, we think is almost done. I don't know,

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Speaker 3: fall Off rumored to be almost done. Do Colin Drake

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Speaker 3: drop within the same month?

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Speaker 2: No? Same day? No?

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Speaker 3: So do you think they're both playing the guessing game

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Speaker 3: with who's gonna drop? And that's maybe why things are

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Speaker 3: being pushed back? Nah?

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Speaker 2: I don't know.

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Speaker 1: I mean, you know, Drake is the algorithm. He does

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Speaker 1: what he wants to do when he wants to do.

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Speaker 1: Both of them do whatever the fuck they want to do. Yeah,

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Speaker 1: but I mean I think Drake has more of a

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Speaker 1: choke hold on the algorithm than any other artists right now.

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Speaker 1: I think more people aren't anticipating anything that Drake does

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Speaker 1: or says.

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Speaker 3: Yet, good and bad people that want to see his downfall,

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Speaker 3: and people that want to say, you are correct. Yes

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Speaker 3: he controls that, but I think Cole people want to

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Speaker 3: hear Cole is still very much in that algorithm based

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Speaker 3: off everything that's been going on people when they just

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Speaker 3: not talked about constantly because he's not so forward facing

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Speaker 3: as Drake has been, especially in the last two years.

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Speaker 2: So I still think Cole kind of moves.

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Speaker 3: They both move whenever the fuck they want, unless Taylor

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Speaker 3: Swift is dropping. I think the only other way that

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Speaker 3: would dictate their release schedule would be the two of

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Speaker 3: them with each other of when fall Off is coming,

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Speaker 3: when Iceman is coming, though I don't think like.

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Speaker 2: It matters.

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Speaker 3: I feel like both could drop the same day and

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Speaker 3: it would be fine for who both of them. I

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Speaker 3: think you get very similar sales.

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Speaker 1: I can think if Drake and j Cole dropped the

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Speaker 1: same day day, so who do you think has you know,

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Speaker 1: Cole has outsold Drake in a year before, right, I

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Speaker 1: understand it. But who do you think has the number

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Speaker 1: going into this album? Who do you think has the

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Speaker 1: number one album that week if they dropped the same day.

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Speaker 2: I don't know.

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Speaker 3: I don't know based off the directions they're taking in

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Speaker 3: the album. Where if Cole goes for a more for

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Speaker 3: your eyes only style type of album and Drake goes for.

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Speaker 2: A more I don't know View's style.

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Speaker 3: I'm taking Drake there, but I think you underestimate the

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Speaker 3: Cole stand fan base. And I don't want to say

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Speaker 3: streaming for him because that implies bots. But I'm saying

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Speaker 3: how dedicated and loyal his fan base is, and the

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Speaker 3: numbers that Cole does, I think it's neck and neck

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Speaker 3: to be. It's been neck and neck before. Neither Drake

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Speaker 3: has never completely outsold Coal like by a mile. They've

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Speaker 3: They've been very similar with numbers. So they went to

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Speaker 3: Cole's outsold Drake before they dropped on the same time.

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Speaker 3: I'm saying same year because that count for something.

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Speaker 2: No, I mean I think both of them are obviously,

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Speaker 2: you know.

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Speaker 3: To Forest Hills was the highest selling Rapou that're.

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Speaker 2: Right, I'm not. I don't remember. I couldn't tell you.

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Speaker 3: I believe that broke a bunch of fucking numbers. No, Josh,

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Speaker 3: not Forest Hills. Queen's all yeah, the type in was

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Speaker 3: Ja Cole. It's literally all you needed to He touched

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Speaker 3: in Forest Hills, New York. What the fuck is going on?

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Speaker 2: Right?

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Speaker 3: Yes, Zillow came up for sales and Forest Hills.

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Speaker 2: Yeah.

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Speaker 3: I think it's closer than we're gonna anticipate. I think Cole,

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Speaker 3: Kendrick and Drake for the most part. I mean, Drake

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Speaker 3: said more of an output so totality, because he's had

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Speaker 3: way more projects. Of course he's he's outsold both of

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Speaker 3: them in that regard. But if you're going an album

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Speaker 3: for album in the years that they both dropped.

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Speaker 2: You make a you make a very good point. It's

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Speaker 2: been it's been very close, and I can promise you

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Speaker 2: that Jake Cole doesn't want to drop the same day.

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Speaker 1: Oh.

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Speaker 3: I don't think it does either. But if they're both

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Speaker 3: looking at first order, like shit, it's already mid January,

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Speaker 3: it could end up that they're a few weeks of

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Speaker 3: park for sure. Maybe if you're Drake or cole Do

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Speaker 3: you want to drop first or second? And in this cointop,

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Speaker 3: which one are you? Are you waiting like either one

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Speaker 3: of them? Would you want to drop first?

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Speaker 1: If I'm cold, I want to drop first. Get it

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Speaker 1: out the way.

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Speaker 3: His most anticipated album, get it out of the way.

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Speaker 1: No, I'm just saying get it out. This might be

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Speaker 1: Drake's most anticipated album. Oh yeah, okay, yeah, so that's

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Speaker 1: what I'm saying. And we've been with I supposed to

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Speaker 1: get this Cold album how many years ago.

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Speaker 3: I would rather Drake drop first if I'm cold, just

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Speaker 3: to get all of the Kendrick Drake internet.

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Speaker 2: Is he replying here?

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Speaker 3: Just just let that clear out for two three weeks

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Speaker 3: and then people actually start listening iceband for the music.

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Speaker 3: It is not for what the subliminal message means. What

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Speaker 3: you said, if you're cold, you want Drake the job first. Yeah,

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Speaker 3: get get the whole Drake, Just get the iceman. She's

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Speaker 3: not going away for sure, but I'd rather I'd rather

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Speaker 3: that not take over when my album is only a

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Speaker 3: week or two old, like now, We're just this is

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Speaker 3: just going to start now.

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Speaker 2: It's so much.

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Speaker 1: It's a lot of pressure on Cold with this album, though,

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Speaker 1: it's a lot of pressure on Drake two.

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Speaker 2: Yeah, but I.

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Speaker 1: Think we've seen obviously who handles pressure better. We've seen it,

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Speaker 1: so yeah, yeah, So I.

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Speaker 3: Mean, you know, Drake has definitely made some some moves

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Speaker 3: under pressure that looked like panic, but I'm not saying

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Speaker 3: they are. But yes, and in the scope of things,

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Speaker 3: cold bout out immediately where he didn't even have the

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Speaker 3: chance to make those types of decisions but.

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Speaker 2: Couldn't sleep.

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Speaker 3: I think what what made the internet upset, which which

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Speaker 3: is again we're not going to take any accountability. We

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Speaker 3: put it on peage. We can't do that anymore, or

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Speaker 3: it's trife for sure. I think the word overrated is

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Speaker 3: what sent people off. Your point. I understand your point.

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Speaker 3: I totally get it. We can debate the point. It's

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Speaker 3: not a point that other people haven't made either. I

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Speaker 3: think everyone just reacted to the word overrated. But there's

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Speaker 3: no where where one hundred and two thousand is overrated.

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Speaker 1: Like if you have them in your top five, that's

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Speaker 1: overrating them, Okay.

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Speaker 3: I mean that's subjective to me.

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Speaker 2: To my top five. That's all you need.

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Speaker 1: So you need solo albums, as an MC, you need

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Speaker 1: solo albums it is what it is like. But that's

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Speaker 1: not a knock on him. That's not I'm not saying

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Speaker 1: he can't do it. He just didn't do it for

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Speaker 1: whatever reason. That's his creative, you know, decision. I'm just saying,

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Speaker 1: if I'm looking at all of the other rappers and

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Speaker 1: MC's that are in my Top twenty, all of them

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Speaker 1: have solo album. Yeah, you can't be the only one

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Speaker 1: that doesn't have a solo album and you're in top five.

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Speaker 2: Like it's no, no, come on man, that's unfair. You know.

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Speaker 1: Nine one had some very interesting things to say. I'm

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Speaker 1: not saying it was about me, my brother, and he

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Speaker 1: just had some very expressive things that he wanted to

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Speaker 1: get off his chest about the three thousand take. And

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Speaker 1: you know, I've read what Knife said, and I respect

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Speaker 1: ninth and he's I think he's incredibly talented.

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Speaker 2: So he's somebody who.

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Speaker 1: I would look at and listen to what they have

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Speaker 1: to say and take some you know, I would take

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Speaker 1: something from that because I respect his opinion. But yeah,

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Speaker 1: I mean, it's just my personal opinion. No disrespect to Andrew,

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Speaker 1: But like I said, you have this conversation in Atlanta.

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Speaker 1: A lot of these a lot of cats in Atlanta

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Speaker 1: don't even rever Andre the say so when people say, oh,

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Speaker 1: your regional biases, I'm from New York City. The fact

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Speaker 1: that I would even have Andndred two thousand in that

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Speaker 1: conversation means I'm not being biased. I don't think there's

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Speaker 1: plenty of other New York mcs I could have put

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Speaker 1: there in my top five, just if I'm being biased.

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Speaker 1: But the fact that I recognized with Outcast, because we're

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Speaker 1: not gonna just say Andre with Outcast did for the

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Speaker 1: culture and the music that they gave us, especially somebody

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Speaker 1: like me. That's why Andre was in that conversation. But

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Speaker 1: it's not a regional bias, like I'm not biased because

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Speaker 1: I'm from New York and I just want to I'm

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Speaker 1: not knocking Aundre.

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Speaker 2: But again, you go to Atlanta.

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Speaker 1: The disrespect that I've personally had conversations and the things

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Speaker 1: that I've heard or or or the kind of like

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Speaker 1: the knock that they give Andre in Atlanta. We're in

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Speaker 1: the city that he's from, and I'm looking at them.

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Speaker 1: I'm arguing for Andre in Atlanta.

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Speaker 3: I can co sign several times when I'm not even

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Speaker 3: been with you in studios I've been the only person

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Speaker 3: defending Andrexie thousands with a bunch of kids that were

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Speaker 3: born and raised in Atlanta.

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Speaker 1: So it's not I'm not being biased, just personally. You

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Speaker 1: don't have any solo albums.

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Speaker 3: So this was I didn't see all the Nights tweets.

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Speaker 3: He was suggesting that there was.

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Speaker 1: Oh yeahs n was saying we need to take the

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Speaker 1: microphones away.

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Speaker 2: Well, I don't think he.

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Speaker 1: Was specifically Rosenberg said that I need to take a

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Speaker 1: week off.

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Speaker 2: I'm just like, God, damn for my personal top five.

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Speaker 1: Shit. I mean, if that's if I was being if

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Speaker 1: I was being biased, I could have had Nikki in

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Speaker 1: my top five.

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Speaker 2: What's funny?

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Speaker 3: But the top five part, when you sit and think

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Speaker 3: about it, I think I'd want to ask Ninth and

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Speaker 3: Pete it's three stacks in their top five and then

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Speaker 3: naming your top five is five a small small.

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Speaker 1: You know how many rappers, but how many rappers have

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Speaker 1: come through the culture fifty.

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Speaker 3: Years of hip hop? Top five? I don't think it's disrespectful.

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Speaker 3: Someone's like, ya, I got three stacks at twelve. I

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Speaker 3: wouldn't think that's a diss at all.

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Speaker 2: It's not.

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Speaker 1: So that's what I'm saying I wasn't, and I think

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Speaker 1: for the most because again, I got a lot of

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Speaker 1: phone calls and text messages and dms from some of

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Speaker 1: your favorite rappers, artists, producers.

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Speaker 2: Where they were agreeing with me.

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Speaker 1: Yeah, they were saying, Yo, you're right, you gotta have

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Speaker 1: that solo work.

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Speaker 2: You have to.

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Speaker 1: But it's not they understood what I was saying. I'm

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Speaker 1: not knocking his skill set. That would be fucking crazy

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Speaker 1: for me to knock two thousand skill set. Like he's

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Speaker 1: a fucking a legend in every sense of the word.

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Speaker 1: He's one of the most creative, you know, people we've

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Speaker 1: had in our culture. But without that solo world, there's

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Speaker 1: too many other artists that we can fight for, and.

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Speaker 2: They have plenty of solo albums. I wouldn't.

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Speaker 3: I'd be lying if I said regency bias does not exist,

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Speaker 3: But I don't think it exists in a negative way whatsoever.

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Speaker 3: Like if I hear a rapper and I ask, you

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Speaker 3: know where they're from? If they're from New York, am

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Speaker 3: I gonna be happy about that? And be like, yeah,

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Speaker 3: of course, I probably like more New York rappers based

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Speaker 3: off where I was from, grew up listen to that

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Speaker 3: type of music. I probably have more of an affinity

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Speaker 3: for Kiss than maybe somebody in the Midwest or the South.

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Speaker 3: I get that that's in a positive light. I've never

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Speaker 3: heard someone and then they said, oh nah, they're from

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Speaker 3: Chicago and I went, I don't like them anymore.

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Speaker 2: Yeah, yeah, yeah, it doesn't make sense.

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Speaker 3: That's never Yes, there is a bias no matter what.

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Speaker 3: By proxy, wherever you grow up, you're probably gonna like

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Speaker 3: that music more because it's right there. You're gonna be

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Speaker 3: excited to champion the people that have the same experiences

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Speaker 3: as you and the same neighborhoods you grew up in.

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Speaker 3: You can identify with them more. Yes, that adds in

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Speaker 3: a piece to it. But I've never heard a rapper

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Speaker 3: that I liked and they said, nah, he's from Gwennett County, Like, oh.

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Speaker 2: Yeah, I would never hate in the top ten.

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Speaker 1: Yeah, And the thing about the top five is, you

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Speaker 1: know they say we're originally biased. There's really only two

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Speaker 1: slots that because I think I think for the most part,

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Speaker 1: most of us in the culture, guys like ninth Pete

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Speaker 1: and you know, guys that have you know, been around

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Speaker 1: or in music or created music. I think we all

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Speaker 1: have Jay Big and Nas. I think that's three that

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Speaker 1: I think I could safely say. I think ninth and

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Speaker 1: piece eras most of those guys. Most of us we

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Speaker 1: have Jay Big, and all three of those gentlemen are

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Speaker 1: from New York City. Yeah, so where does my regional

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Speaker 1: box come in if we all unanimously have three gentlemen

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Speaker 1: in our top five?

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Speaker 2: In the beginning, it.

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Speaker 3: Was mostly you know, till the early nineties, when the

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Speaker 3: West Coast came with dominance, it was New York for

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Speaker 3: the most part.

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Speaker 2: So that's what I'm saying.

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Speaker 1: So why am I now being reasonably by regionally biased

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Speaker 1: if we all collectively have at least three guys in

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Speaker 1: our top five from the city I'm from. I'm not

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Speaker 1: being biased, Like, that's what we all have too, So what.

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Speaker 2: If you're not being negative? What's wrong with that?

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Speaker 3: Like, I have no idea what it's like to be

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Speaker 3: from Atlanta and go buy a fucking Gucci mixtape in

347
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Speaker 3: five off Cleveland, Like I don't. I don't know what's saying.

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Speaker 3: It doesn't hit the same. You don't know what that's like, right?

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Speaker 2: Right?

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Speaker 3: Does that mean that I need I discredit Gucci? No?

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Speaker 3: I just don't. I don't have that experience, and I

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Speaker 3: wouldn't look at someone who has that experience and be like, nah,

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Speaker 3: it's trash.

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Speaker 2: Yeah now I wasn't there.

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Speaker 1: Yeah, we all kind of have some regional regional bias

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Speaker 1: because again, the way you live with the music, the

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Speaker 1: way you grow up with the music, what it means

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Speaker 1: personally to you, the time stamp of it, or where

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Speaker 1: it takes you back as far as being a kid

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Speaker 1: in high school, like where you're from. Yeah, that's the

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Speaker 1: music that you listen to growing up, so it has

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Speaker 1: a different meaning to you, and it holds a different

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Speaker 1: amount of weight personally to you.

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Speaker 3: And but to me, even like Gucci's an example of that.

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Speaker 3: I think three Stacks has surpassed any region. Yeah, yes,

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Speaker 3: I think so Street Sacks is Astlanta as you could come.

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Speaker 3: I've got something to say of atl That was what

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Speaker 3: we had this argument with people from all are surpassed Atlanta.

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Speaker 1: But you've had this argument with people from Atlanta who

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Speaker 1: don't feel that way about three thousand.

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Speaker 2: They don't.

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Speaker 1: They don't feel the way I feel for two thousand,

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Speaker 1: and they're from the city he's from. So that's what

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Speaker 1: I'm saying it's like, you know, reading things like what

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Speaker 1: Knife is saying, It's like I understand it, I get it,

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Speaker 1: but it's like there are people from the city that

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Speaker 1: Andre is from that don't hold him to the regard

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Speaker 1: that I hold him from it.

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Speaker 2: And I'm from New York.

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Speaker 3: And again, I don't know if he was specifically talking

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Speaker 3: about you or this podcast in general.

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Speaker 2: He was talking about me, man, Andre two thousands, like

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Speaker 2: you was talking to me as your brother.

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Speaker 3: I will reply on this POD's behalf of saying regional bias,

385
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Speaker 3: I'm from New York. In my top three, if not,

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Speaker 3: one of my personal favorite group of all time is

387
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Speaker 3: Little Brother from North Carolina.

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Speaker 2: Yeah.

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Speaker 3: Yeah, when I was about the thirteen when I picked

390
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Speaker 3: up one of the best produced albums ever the listening.

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Speaker 3: I'm not sure the producer's name right, what's his name again?

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Speaker 2: I didn't go Durham. Yeah, I would never take this

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Speaker 2: out of my head.

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Speaker 4: Oh my god, in ninth wonder, this is a great

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Speaker 4: shit I've ever heard in my life. Yeah, there was

396
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Speaker 4: no reasonable bout slum village.

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Speaker 2: I hate Detroit.

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Speaker 1: What Knight says, so and this is his conclusion, So night,

399
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Speaker 1: you know, we're just fucking around right now.

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Speaker 2: Of course we love knife.

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Speaker 1: So in conclusion, I don't care what ranking anyone puts him.

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Speaker 2: Damn, you're talking to me. Andre Benjamin is one of

403
00:17:49,440 --> 00:17:51,479
Speaker 2: the greatest ever to put pen to papers. Respect.

404
00:17:51,760 --> 00:17:53,840
Speaker 1: I've seen people put their favorites on list even with

405
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Speaker 1: the subpar album discography.

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Speaker 2: Nope, three thousand is a master of words, period.

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Speaker 3: Well, I don't agree. I don't disagree with one thing.

408
00:18:01,720 --> 00:18:03,320
Speaker 2: Neither do I. Neither do I.

409
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Speaker 1: But there's nobody on my list whose discography.

410
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Speaker 2: Is whacking my top five. I'll tell you that, not

411
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Speaker 2: in my top five.

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Speaker 3: No, and okay, nine is correct everything he said there

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Speaker 3: and again I do think right here we got to

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Speaker 3: stop reasonable bias because if three thousand was born with

415
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Speaker 3: a Northern area code into a ton of mixtapes and versus,

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Speaker 3: we aren't having this debate.

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Speaker 1: Of course, exactly if he had mixed tapes, if he

418
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Speaker 1: had solo shit, Yeah, you're right, that's my whole point

419
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Speaker 1: where you're right if he did.

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Speaker 2: That, but not if he didn't.

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Speaker 3: If if three Stacks was born in New York, No,

422
00:18:36,920 --> 00:18:38,840
Speaker 3: I actually think a lot of the genius of what

423
00:18:39,200 --> 00:18:42,800
Speaker 3: three Stacks is is his Atlanta perspective. No, matter where

424
00:18:42,840 --> 00:18:45,320
Speaker 3: you put that beautiful mind, it's going to be amazing.

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00:18:45,840 --> 00:18:49,720
Speaker 3: But that sound in Southern playlists to Cadillac like that,

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00:18:49,720 --> 00:18:53,080
Speaker 3: that's my how much I love three Stacks is based

427
00:18:53,119 --> 00:18:56,320
Speaker 3: off the sonics that he created, Like it's a style. Yeah,

428
00:18:56,359 --> 00:18:58,679
Speaker 3: and that's that's an Atlanta stack. That's why I love him.

429
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Speaker 3: It is because he's from Atlanta. And when you get

430
00:19:01,040 --> 00:19:03,520
Speaker 3: down and this is a regional bias that a lot

431
00:19:03,560 --> 00:19:06,480
Speaker 3: of people outside of New York hold to. This myth

432
00:19:06,520 --> 00:19:09,720
Speaker 3: of New York bias Northern area code, go talk to

433
00:19:09,760 --> 00:19:11,879
Speaker 3: a bunch of kids in Jersey because they'll start to

434
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Speaker 3: think if I was born in Brooklyn, people in DC,

435
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Speaker 3: if I was born you just keep going down and

436
00:19:17,680 --> 00:19:19,440
Speaker 3: down and down. It's no one's ever going to be

437
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Speaker 3: happy Northern. I'm sure the Clips thought at the time, like, damn,

438
00:19:24,920 --> 00:19:26,960
Speaker 3: we was born. Well, I guess they were, But if

439
00:19:26,960 --> 00:19:30,399
Speaker 3: we were from the Bronx Bronx legend, they are. But

440
00:19:30,440 --> 00:19:32,119
Speaker 3: that's what made the Clips the Clips is because they

441
00:19:32,119 --> 00:19:34,560
Speaker 3: were from Virginia. So I don't agree with that. If

442
00:19:34,680 --> 00:19:37,159
Speaker 3: if they were from a certain area code, they'd be

443
00:19:37,200 --> 00:19:37,800
Speaker 3: revered more.

444
00:19:37,880 --> 00:19:39,639
Speaker 1: I like what this gentleman had to say in response

445
00:19:39,640 --> 00:19:41,679
Speaker 1: to Night, he said, no, what does region have to

446
00:19:41,680 --> 00:19:44,320
Speaker 1: do with people saying he needs a solo catalog? Y'all

447
00:19:44,359 --> 00:19:46,920
Speaker 1: love screaming bias when up North folks don't agree.

448
00:19:47,000 --> 00:19:48,639
Speaker 2: I like that. I like that.

449
00:19:48,720 --> 00:19:53,840
Speaker 1: Yeah, I'm just saying, solo catalog, solo album, even if

450
00:19:53,880 --> 00:19:55,919
Speaker 1: it was just one, Even if he just gave us

451
00:19:55,960 --> 00:19:57,639
Speaker 1: one solo album. I'm not saying he had to give

452
00:19:57,720 --> 00:20:00,360
Speaker 1: us five six album. I'm just saying, even if it's

453
00:20:00,359 --> 00:20:02,720
Speaker 1: just something where we could say, Okay, this is what

454
00:20:02,960 --> 00:20:07,119
Speaker 1: three thousand looks like on his own away from Outcast. Yeah, no,

455
00:20:07,200 --> 00:20:10,160
Speaker 1: he has verses, but again his features on other people's songs,

456
00:20:10,480 --> 00:20:12,119
Speaker 1: and you know what I'm saying, like, it's just not

457
00:20:12,800 --> 00:20:16,480
Speaker 1: so low yeah, rat because people was fighting for Love

458
00:20:16,520 --> 00:20:17,800
Speaker 1: Below and all of that, and I'm just.

459
00:20:17,760 --> 00:20:19,520
Speaker 2: Like, bro, that's not rap.

460
00:20:19,640 --> 00:20:21,560
Speaker 3: It's not And I have to give some pushback to

461
00:20:22,080 --> 00:20:23,800
Speaker 3: Even though I'm on the ninth side.

462
00:20:23,640 --> 00:20:25,439
Speaker 2: With this and agree with what he said and disagree

463
00:20:25,480 --> 00:20:25,840
Speaker 2: with you.

464
00:20:26,359 --> 00:20:29,560
Speaker 3: I still if you look at nights Night was already

465
00:20:29,640 --> 00:20:33,080
Speaker 3: a young legend when he was with LB. But him

466
00:20:33,119 --> 00:20:37,640
Speaker 3: doing threats, him doing Girls for Destiny's Child and then

467
00:20:37,720 --> 00:20:40,480
Speaker 3: him going on to start his label have his own artists,

468
00:20:40,560 --> 00:20:44,600
Speaker 3: produced for other people that made Ninth the legend outside

469
00:20:44,600 --> 00:20:50,280
Speaker 3: of the group, like Primo, Gangstar raised Proofs of All Time.

470
00:20:51,280 --> 00:20:53,400
Speaker 3: Would Premo be a legend just just with Guru.

471
00:20:53,119 --> 00:20:53,440
Speaker 2: For sure?

472
00:20:53,560 --> 00:20:57,400
Speaker 3: But why prem is alien like is because he went

473
00:20:57,440 --> 00:21:00,639
Speaker 3: out and did so much stuff as DJ Premiere, and

474
00:21:01,200 --> 00:21:04,120
Speaker 3: I feel like producers go through that same thing. There's

475
00:21:04,760 --> 00:21:07,080
Speaker 3: a lot of times we've seen producers that are like

476
00:21:07,160 --> 00:21:08,920
Speaker 3: and you know, the early days when it was producer

477
00:21:09,400 --> 00:21:12,160
Speaker 3: MC group type thing, like we I got to see

478
00:21:12,160 --> 00:21:14,440
Speaker 3: what they do outside of just the group. Yeah, that's

479
00:21:14,480 --> 00:21:16,520
Speaker 3: a big thing with producers too. I think Ninth is

480
00:21:16,520 --> 00:21:19,200
Speaker 3: the legend he is based off Little Brother for sure,

481
00:21:19,280 --> 00:21:23,040
Speaker 3: but it's everything Ninth did outside of LB that made

482
00:21:23,080 --> 00:21:25,680
Speaker 3: him who he is and why we revere him so much,

483
00:21:26,000 --> 00:21:29,160
Speaker 3: because he had the range to do shit elsewhere outside

484
00:21:29,160 --> 00:21:31,240
Speaker 3: of just what he was doing in the LB bubble.

485
00:21:31,840 --> 00:21:35,720
Speaker 3: So yeah, I would say the same thing for producers.

486
00:21:36,400 --> 00:21:38,879
Speaker 3: And I hear what he's saying, he's three sacks, one

487
00:21:38,920 --> 00:21:40,280
Speaker 3: of the greatest to ever put that in paper like

488
00:21:40,280 --> 00:21:42,080
Speaker 3: that goes well saying, but that's not even what the.

489
00:21:42,119 --> 00:21:44,880
Speaker 1: Argument was exactly. He showed me where that wasn't I didn't.

490
00:21:44,920 --> 00:21:47,440
Speaker 1: I didn't say all of that. Didn't take nothing away

491
00:21:47,440 --> 00:21:51,239
Speaker 1: from just personally got to have so albums man, but

492
00:21:51,280 --> 00:21:53,600
Speaker 1: loved to three thousand. I hope he didn't see that

493
00:21:53,600 --> 00:21:55,720
Speaker 1: clip and think that, I, you know, with disrespect, it's

494
00:21:55,800 --> 00:21:58,080
Speaker 1: never that from me. Loved with two thousand one of

495
00:21:58,080 --> 00:22:00,840
Speaker 1: the greatest ever. We just need so a three thousands.

496
00:22:03,880 --> 00:22:05,680
Speaker 3: But no, I'm excited. I was hoping you were you

497
00:22:05,720 --> 00:22:08,120
Speaker 3: were correct about that. But yeah, I like to Rob

498
00:22:08,119 --> 00:22:10,840
Speaker 3: Markman's suggestion of finding podcasters.

499
00:22:12,359 --> 00:22:13,760
Speaker 1: All right, so what about when I'm right, you're gonna

500
00:22:13,760 --> 00:22:21,879
Speaker 1: pay me more? Yeah, Rob, we told about utilized me

501
00:22:21,920 --> 00:22:22,440
Speaker 1: for being wrong.

502
00:22:22,480 --> 00:22:24,600
Speaker 3: But then when the Jimmy Hoffer of the podcast.

503
00:22:25,040 --> 00:22:26,920
Speaker 1: But then when I'm that's gonna do when I'm right

504
00:22:26,960 --> 00:22:28,000
Speaker 1: then and then it's just what.

505
00:22:27,880 --> 00:22:32,160
Speaker 3: It's like, you know, bonus Like, yeah, it's the same thing. Okay,

506
00:22:32,160 --> 00:22:34,720
Speaker 3: then I need a bonus for getting Merrow right fort

507
00:22:34,800 --> 00:22:37,560
Speaker 3: ninety seven. Congrats to our brother Merrow Morning Show.

508
00:22:37,560 --> 00:22:39,880
Speaker 1: I never said you never announced that, You never said

509
00:22:39,880 --> 00:22:43,080
Speaker 1: that out your mouth, because I was you never said

510
00:22:43,119 --> 00:22:44,320
Speaker 1: Merrol's name out of your mouth.

511
00:22:44,359 --> 00:22:45,720
Speaker 2: I gave all that you said.

512
00:22:45,760 --> 00:22:48,440
Speaker 1: Whoever takes the job is somebody that has a call

513
00:22:48,800 --> 00:22:52,560
Speaker 1: all this other ship. You said, somebody from New York ship. No,

514
00:22:53,000 --> 00:22:55,720
Speaker 1: I say, I said whatever I said, whatever else you said.

515
00:22:56,320 --> 00:22:58,439
Speaker 1: You said that, right, but you never said Merrow's name.

516
00:22:58,520 --> 00:23:01,439
Speaker 3: I eluded the way you alluded to just conclude for

517
00:23:01,520 --> 00:23:04,600
Speaker 3: it to really be co When the clip went viral

518
00:23:04,680 --> 00:23:07,840
Speaker 3: on Twitter, all the comments under based off because I

519
00:23:07,840 --> 00:23:09,639
Speaker 3: I wasn't going to say Meryl's name out of respect

520
00:23:09,680 --> 00:23:11,080
Speaker 3: for him, even though he saw the clip and laughed

521
00:23:11,119 --> 00:23:13,520
Speaker 3: and give a fuck. Yeah, I gave as many clues

522
00:23:13,520 --> 00:23:18,040
Speaker 3: where it could obviously either land Onjesus or Meryl. So yeah,

523
00:23:18,080 --> 00:23:20,600
Speaker 3: and then they said this podcast is no fucking credibility

524
00:23:20,600 --> 00:23:23,359
Speaker 3: when they announced that, like Atlanta Digital team and obviously

525
00:23:23,359 --> 00:23:25,560
Speaker 3: we have no credibility. Yeah, I'm a piece of shit.

526
00:23:25,600 --> 00:23:30,359
Speaker 3: I should die, no credibility zero. But yeah, congrats to Merril.

527
00:23:30,400 --> 00:23:33,160
Speaker 3: I think, like I said mer month ago, I think

528
00:23:33,200 --> 00:23:36,199
Speaker 3: it's a great fit for where Hot is that right now?

529
00:23:36,200 --> 00:23:39,800
Speaker 2: The Bronx legend. Absolutely, Bronx Legends give him legend.

530
00:23:39,840 --> 00:23:42,760
Speaker 3: Yeah, I hope they give him as much creative freedom

531
00:23:42,800 --> 00:23:44,960
Speaker 3: as possible, you know, to turn around the Hot ninety

532
00:23:44,960 --> 00:23:47,680
Speaker 3: seven train, because you know, we've been critical of Hot,

533
00:23:47,680 --> 00:23:50,879
Speaker 3: but that still is a logo in company that has

534
00:23:50,920 --> 00:23:53,159
Speaker 3: been part of our lives forever, and we love Hot

535
00:23:53,280 --> 00:23:53,800
Speaker 3: ninety seven.

536
00:23:53,880 --> 00:23:54,960
Speaker 2: We only want the best for you.

537
00:23:54,960 --> 00:23:57,440
Speaker 3: That's why we critique, and I think I think Merril

538
00:23:57,440 --> 00:23:58,120
Speaker 3: makes the most sense.

539
00:23:58,320 --> 00:24:00,480
Speaker 2: Yeah, shout out to marrow Man, good job.

540
00:24:00,600 --> 00:24:03,240
Speaker 3: Yeah, we should go up there.

541
00:24:03,920 --> 00:24:06,920
Speaker 1: Let's do it, go kick it with Merlo six, let's

542
00:24:06,960 --> 00:24:09,720
Speaker 1: do it. I just can't go to sleep the night before. Well,

543
00:24:10,720 --> 00:24:12,399
Speaker 1: I gotta stay up all night and then just go there,

544
00:24:12,760 --> 00:24:15,040
Speaker 1: you know what I mean? Like, yeah, no sleep, but

545
00:24:15,119 --> 00:24:15,600
Speaker 1: let's do it.

546
00:24:16,359 --> 00:24:18,480
Speaker 3: How do we think Merril's gonna, like, what do we

547
00:24:18,480 --> 00:24:20,080
Speaker 3: think is his blueprint for this?

548
00:24:20,080 --> 00:24:20,560
Speaker 2: This will be?

549
00:24:20,800 --> 00:24:26,160
Speaker 3: Do you think it'll be the traditional what Ebro Rosenberg,

550
00:24:26,280 --> 00:24:30,240
Speaker 3: Laura Charlemagne ye Envy like, all right, we'll just do

551
00:24:30,359 --> 00:24:33,000
Speaker 3: our commercial break shit and then our focus will really

552
00:24:33,040 --> 00:24:35,400
Speaker 3: just be the digital interviews. Do you think Merrel would

553
00:24:35,400 --> 00:24:37,080
Speaker 3: just do that? Do we think he'll get in some

554
00:24:37,160 --> 00:24:39,760
Speaker 3: of his sketch bag? Do you think they'll focus more

555
00:24:39,760 --> 00:24:44,439
Speaker 3: on radio clips rather than long form interviews? Like I mean,

556
00:24:44,480 --> 00:24:46,920
Speaker 3: merrow is great on Deesus and merriw as far as

557
00:24:46,960 --> 00:24:49,760
Speaker 3: interviews went with everyone, But I'm curious to see the

558
00:24:50,160 --> 00:24:52,560
Speaker 3: two hours sit down interview one on one with merrill

559
00:24:52,680 --> 00:24:56,040
Speaker 3: In an artist. I just don't know if he's gonna

560
00:24:56,040 --> 00:24:57,879
Speaker 3: take that route. I mean, he does great with with

561
00:24:57,960 --> 00:25:01,520
Speaker 3: mellowing Casz in that regard to Yeah, but I just

562
00:25:01,920 --> 00:25:03,280
Speaker 3: I don't have the answer to it. This is me

563
00:25:03,320 --> 00:25:06,280
Speaker 3: more complaining without a solution. Radio just needs it needs

564
00:25:06,280 --> 00:25:09,880
Speaker 3: a revamp or something like it can't what Breakfast Club

565
00:25:09,960 --> 00:25:13,640
Speaker 3: did to kind of revamp radio. They need another one

566
00:25:13,640 --> 00:25:15,080
Speaker 3: of those. And I don't know if it's the same

567
00:25:15,080 --> 00:25:18,359
Speaker 3: blueprint of what Breakfast Club. Breakfast Club did what was

568
00:25:18,400 --> 00:25:21,320
Speaker 3: perfect for that time. Radio need to go digital and

569
00:25:21,520 --> 00:25:25,119
Speaker 3: Charlemagne smoked that shit and completely changed radio forever. I

570
00:25:25,119 --> 00:25:28,199
Speaker 3: think they need another one of those, like give us

571
00:25:28,200 --> 00:25:29,440
Speaker 3: a reason to turn on the radio.

572
00:25:29,880 --> 00:25:32,439
Speaker 1: Yeah, I think I think it'll be a different a

573
00:25:32,520 --> 00:25:35,160
Speaker 1: different version of what we've already gotten with morning radio.

574
00:25:35,240 --> 00:25:35,400
Speaker 2: Yeah.

575
00:25:35,400 --> 00:25:38,000
Speaker 3: Because right now it's a YouTube, yeah, right now, the

576
00:25:38,040 --> 00:25:41,400
Speaker 3: way he bro and then brought it, which it's fine,

577
00:25:41,440 --> 00:25:44,120
Speaker 3: their interviews were great. It was just another it's another

578
00:25:44,119 --> 00:25:46,800
Speaker 3: podcast YouTube page. That's all it really is at the

579
00:25:46,880 --> 00:25:49,040
Speaker 3: end of the day. So I don't know if that's

580
00:25:49,440 --> 00:25:51,360
Speaker 3: it going to be a solution, hopefully.

581
00:25:51,359 --> 00:25:53,399
Speaker 1: I mean I don't know, you know, I know radio

582
00:25:53,520 --> 00:25:56,840
Speaker 1: in these program directors, I hope they give Meryl more

583
00:25:56,880 --> 00:25:59,720
Speaker 1: freedom with breaking artists though hell yeah yeah, especially New

584
00:25:59,800 --> 00:26:02,240
Speaker 1: York artists. I think we need to get at least

585
00:26:02,359 --> 00:26:05,399
Speaker 1: back to that in some way. Yeah, you know radio.

586
00:26:05,480 --> 00:26:08,480
Speaker 1: Now you can be on your morning commute to work

587
00:26:08,600 --> 00:26:10,640
Speaker 1: or school or whatever, and as soon as you turn

588
00:26:10,680 --> 00:26:12,440
Speaker 1: the radio back on after your days over, it's the

589
00:26:12,480 --> 00:26:13,320
Speaker 1: same song that.

590
00:26:13,320 --> 00:26:14,479
Speaker 2: You probably left off of.

591
00:26:15,040 --> 00:26:16,960
Speaker 1: It's crazy, like we need to get more, you know,

592
00:26:17,119 --> 00:26:20,560
Speaker 1: new artists, new music on the radio. So hopefully Merrow

593
00:26:20,760 --> 00:26:22,359
Speaker 1: kind of has some saying that I know, you know,

594
00:26:22,400 --> 00:26:25,280
Speaker 1: program directors gets a little a little iffy in that

595
00:26:25,400 --> 00:26:27,600
Speaker 1: in that regard, But hopefully we get to that man

596
00:26:27,640 --> 00:26:28,680
Speaker 1: with the morning show.

597
00:26:28,880 --> 00:26:32,040
Speaker 3: Yeah, I hope they focus. I hope Meryll's able to

598
00:26:32,040 --> 00:26:36,080
Speaker 3: stream six to ten. I hope they're not so much

599
00:26:36,080 --> 00:26:37,919
Speaker 3: in that old corporate bag where it's like we have

600
00:26:38,000 --> 00:26:40,080
Speaker 3: to be on this radio frequency and on this YouTube

601
00:26:40,080 --> 00:26:43,719
Speaker 3: page and if we if he puts this on Twitch,

602
00:26:43,960 --> 00:26:45,920
Speaker 3: then it's over because corporate would lose their mind. It

603
00:26:45,960 --> 00:26:47,639
Speaker 3: all has to be under this umbrella, like I hope,

604
00:26:48,359 --> 00:26:51,399
Speaker 3: not just discovery with music, because clearly we've seen like

605
00:26:51,440 --> 00:26:55,480
Speaker 3: people like Kai, there's young content creators in New York

606
00:26:55,520 --> 00:26:58,399
Speaker 3: that do other things besides music. As much as I

607
00:26:58,440 --> 00:26:59,960
Speaker 3: want me to discovery, a lot of the younger kids

608
00:27:00,160 --> 00:27:03,280
Speaker 3: more interested in content discovery. So I hope maryl can

609
00:27:03,280 --> 00:27:06,879
Speaker 3: at least focus on like local streamers and ship and

610
00:27:06,960 --> 00:27:09,920
Speaker 3: get them involved, because I think, even like what Plackboy

611
00:27:09,920 --> 00:27:13,439
Speaker 3: Max does, I think music discovery has gotten better on

612
00:27:13,600 --> 00:27:17,520
Speaker 3: streaming that it has on any other platform. Oh for sure, Like, yeah,

613
00:27:17,640 --> 00:27:19,680
Speaker 3: radios is tough to break music because you have the

614
00:27:19,680 --> 00:27:22,040
Speaker 3: gatekeepers this and that streamers have been putting on a

615
00:27:22,080 --> 00:27:24,320
Speaker 3: bunch of new artists that that I love, and then

616
00:27:24,359 --> 00:27:26,760
Speaker 3: those those artists become streamers because they're like, well this

617
00:27:26,800 --> 00:27:28,920
Speaker 3: is where my audience is at. So yeah, I hope

618
00:27:28,920 --> 00:27:32,119
Speaker 3: Merrow just is able to to fuck with the younger

619
00:27:32,359 --> 00:27:34,199
Speaker 3: kids and that like doesn't always have to be some

620
00:27:34,240 --> 00:27:38,320
Speaker 3: kid that could freestyle well from Flatbush. Like let's you know,

621
00:27:38,400 --> 00:27:41,879
Speaker 3: diversify with with the content and maybe not just music

622
00:27:42,560 --> 00:27:44,879
Speaker 3: can help turn that entire thing away to get us

623
00:27:44,920 --> 00:27:45,960
Speaker 3: to eventually focus.

624
00:27:45,680 --> 00:27:48,600
Speaker 2: On shows great again. Yea is that maga?

625
00:27:50,800 --> 00:28:00,480
Speaker 1: It's close to this, Like Marrow, Yeah, I like them

626
00:28:01,240 --> 00:28:02,480
Speaker 1: make morning shows great again.

627
00:28:03,200 --> 00:28:05,000
Speaker 3: Who do you think is first? His first guest will

628
00:28:05,040 --> 00:28:06,600
Speaker 3: be Jesus.

629
00:28:08,280 --> 00:28:10,399
Speaker 1: I can I can promise you that won't be the

630
00:28:10,400 --> 00:28:13,280
Speaker 1: first guest. I don't know, man, I don't know who's

631
00:28:13,320 --> 00:28:16,920
Speaker 1: first guest would be. I don't even know if it'll

632
00:28:16,920 --> 00:28:17,800
Speaker 1: be a music guest.

633
00:28:18,119 --> 00:28:22,520
Speaker 3: No, well, what's that right there? It doesn't look like

634
00:28:22,560 --> 00:28:25,399
Speaker 3: the most powerful iPhone that's ever existed, this old phone

635
00:28:25,800 --> 00:28:29,720
Speaker 3: that is not the all new iPhone seventeen pro design

636
00:28:29,760 --> 00:28:32,399
Speaker 3: even those powerful iPhone of all time. But I know

637
00:28:32,440 --> 00:28:34,520
Speaker 3: why you haven't gotten it is because the traffic and

638
00:28:34,680 --> 00:28:36,280
Speaker 3: the store and transferring data.

639
00:28:36,119 --> 00:28:38,720
Speaker 2: Will do the news. Boost Mobile will.

640
00:28:38,600 --> 00:28:41,800
Speaker 3: Send an expert to your home, to work, or a

641
00:28:41,800 --> 00:28:44,640
Speaker 3: coffee shop wherever you're at. Just drop your location, bring

642
00:28:44,640 --> 00:28:46,040
Speaker 3: it right to me. Boots is going to be right

643
00:28:46,080 --> 00:28:49,640
Speaker 3: there with with the iPhone seventeen transfer everything, no hassle

644
00:28:49,800 --> 00:28:50,240
Speaker 3: at all.

645
00:28:50,400 --> 00:28:53,520
Speaker 1: Visit bootsmob dot com to get started. Delivery available, select devices,

646
00:28:53,520 --> 00:28:55,000
Speaker 1: purchase at boostmob dot com.

647
00:28:55,080 --> 00:28:55,600
Speaker 2: Terms apply.

648
00:29:01,320 --> 00:29:06,080
Speaker 3: Well, we have our senior coal correspondent from her remote

649
00:29:06,120 --> 00:29:11,680
Speaker 3: location in Fayetteville, North Carolina. First of all, Baby d

650
00:29:11,800 --> 00:29:14,719
Speaker 3: how are you feeling? We miss you dearly, The listeners

651
00:29:14,760 --> 00:29:17,360
Speaker 3: miss you dearly. How are you feeling outside of the

652
00:29:17,360 --> 00:29:20,480
Speaker 3: cold news. We just want to check on your actual health,

653
00:29:20,720 --> 00:29:23,360
Speaker 3: mental health, and then we can get to what has

654
00:29:23,480 --> 00:29:26,600
Speaker 3: cured you, which is Jermaine Cole announcing an album.

655
00:29:26,760 --> 00:29:27,720
Speaker 2: But how are you feeling?

656
00:29:28,360 --> 00:29:30,719
Speaker 5: I literally had nothing to live for and then boom

657
00:29:30,760 --> 00:29:37,920
Speaker 5: something or like this is amazing. You know, I'm doing better.

658
00:29:37,960 --> 00:29:40,280
Speaker 5: I'm doing a lot, a lot better. I'm looking forward

659
00:29:40,360 --> 00:29:43,160
Speaker 5: to going coming back to work. You always be like, oh,

660
00:29:43,200 --> 00:29:44,520
Speaker 5: I don't want to go to work, and then like

661
00:29:44,560 --> 00:29:47,200
Speaker 5: when you can't, it's like damn, Like I would like

662
00:29:47,240 --> 00:29:47,960
Speaker 5: to leave my house.

663
00:29:48,280 --> 00:29:50,600
Speaker 3: You know, so I was the house bed restpin picked

664
00:29:50,680 --> 00:29:51,600
Speaker 3: up any new hobbies.

665
00:29:52,880 --> 00:29:56,560
Speaker 5: Uh, you know, I didn't know that there were so

666
00:29:56,600 --> 00:30:00,520
Speaker 5: many seasons of Law and Order s for you, Like,

667
00:30:00,520 --> 00:30:02,440
Speaker 5: there's so many seasons the show.

668
00:30:02,640 --> 00:30:04,560
Speaker 2: That show first aired when you were three years old. Baby,

669
00:30:05,320 --> 00:30:06,320
Speaker 2: it is airing tomorrow.

670
00:30:07,000 --> 00:30:09,760
Speaker 5: I was like damn, Like like I was like, I

671
00:30:09,800 --> 00:30:11,640
Speaker 5: can't binge this from the beginning. I'm gonna start at

672
00:30:11,640 --> 00:30:13,520
Speaker 5: like season twenty. But I've been getting like I've been

673
00:30:13,520 --> 00:30:17,840
Speaker 5: getting a lot of editing done, prayer done, Like, but

674
00:30:17,920 --> 00:30:19,760
Speaker 5: I'm going stir crazy in this house.

675
00:30:19,880 --> 00:30:21,960
Speaker 2: I really am. You've been getting prayer done. It's hilarious.

676
00:30:21,960 --> 00:30:22,920
Speaker 2: How do you get prayer done?

677
00:30:23,840 --> 00:30:24,720
Speaker 5: I've been getting prayered.

678
00:30:24,960 --> 00:30:27,520
Speaker 1: You've just been praying, Like, how do you get prayer?

679
00:30:27,560 --> 00:30:29,280
Speaker 1: You started praying, you go back to it later, like

680
00:30:29,600 --> 00:30:30,240
Speaker 1: you left the.

681
00:30:30,200 --> 00:30:32,560
Speaker 2: Table that brain. You've getting prayd done?

682
00:30:32,720 --> 00:30:34,480
Speaker 5: You know when you be like because like a lot

683
00:30:34,480 --> 00:30:36,760
Speaker 5: of my prayers, you just in the moment prayers. I'm like, damn,

684
00:30:36,760 --> 00:30:38,720
Speaker 5: I need to do like some like some prayer, Like

685
00:30:38,760 --> 00:30:40,600
Speaker 5: I've been needing to some shit. I've been needing to

686
00:30:40,600 --> 00:30:41,960
Speaker 5: pray for it for a couple of years, but like

687
00:30:42,000 --> 00:30:42,640
Speaker 5: I ain't get to.

688
00:30:42,640 --> 00:30:43,600
Speaker 2: Oh, you finally got it.

689
00:30:43,760 --> 00:30:45,840
Speaker 5: Okay, yeah, you know you don't want to ask God

690
00:30:45,880 --> 00:30:47,640
Speaker 5: for too much. But now I'm like getting to the

691
00:30:47,640 --> 00:30:50,160
Speaker 5: point where it's like I can't keep praying these same prayers,

692
00:30:50,160 --> 00:30:51,239
Speaker 5: like I gotta expand it.

693
00:30:51,320 --> 00:30:55,360
Speaker 2: Did you pray for this, uh this album to drop? No?

694
00:30:55,480 --> 00:30:57,760
Speaker 2: Because you know so you should have prayed for it.

695
00:30:57,760 --> 00:30:58,480
Speaker 2: You got it.

696
00:30:58,600 --> 00:30:59,840
Speaker 3: You as soon made for times like this.

697
00:31:01,400 --> 00:31:03,560
Speaker 5: I should have. But you know, I feel like God,

698
00:31:03,640 --> 00:31:05,200
Speaker 5: when I was getting to the point where I was,

699
00:31:06,000 --> 00:31:07,960
Speaker 5: you know, looking for a reason to get out of bed,

700
00:31:08,000 --> 00:31:10,000
Speaker 5: guy said, here go on, so here we are.

701
00:31:10,280 --> 00:31:11,440
Speaker 2: I noticed that you had posted.

702
00:31:12,280 --> 00:31:13,800
Speaker 5: I don't know, y'all order job vinyls.

703
00:31:13,840 --> 00:31:17,160
Speaker 3: I noticed you purchased your your vinyl and posted the

704
00:31:17,200 --> 00:31:21,040
Speaker 3: confirmation within I don't know, maybe three minutes of the announcement.

705
00:31:21,720 --> 00:31:22,400
Speaker 5: Yes I did.

706
00:31:22,560 --> 00:31:24,479
Speaker 3: How much was it with shipping and handling?

707
00:31:25,560 --> 00:31:29,600
Speaker 5: Somewhere around seventy dollars getting on. But that's like two meals.

708
00:31:29,600 --> 00:31:31,880
Speaker 5: I can't eat this month, but it's fine. I don't care.

709
00:31:34,200 --> 00:31:36,320
Speaker 2: To six. You'll eat again in February six. You'll eat.

710
00:31:36,640 --> 00:31:39,440
Speaker 5: Yeah, I'll eat again February six. Drink again. That's gonna

711
00:31:39,440 --> 00:31:41,760
Speaker 5: be my first drink. That's also when I get off

712
00:31:41,880 --> 00:31:44,959
Speaker 5: official official bed rest HM.

713
00:31:45,480 --> 00:31:48,400
Speaker 2: So February six is your official bed rest day release

714
00:31:49,000 --> 00:31:49,280
Speaker 2: when I.

715
00:31:49,400 --> 00:31:52,840
Speaker 5: When I because I can't I can't do any heavy lifting,

716
00:31:52,880 --> 00:31:55,240
Speaker 5: I can't do any working out and I can't stick

717
00:31:55,280 --> 00:31:59,280
Speaker 5: anything in my vagina until February six. So I'll be

718
00:31:59,320 --> 00:32:02,320
Speaker 5: back to work for them. But like the important stuff

719
00:32:02,320 --> 00:32:02,800
Speaker 5: I can't do.

720
00:32:03,360 --> 00:32:05,600
Speaker 3: Uh. He just asked if you needed, like any furniture

721
00:32:05,640 --> 00:32:06,920
Speaker 3: move plus that last thing.

722
00:32:09,400 --> 00:32:12,760
Speaker 1: Plus that last things hilarious, plus that last thing, that

723
00:32:12,840 --> 00:32:15,640
Speaker 1: last thing on the liss like he said, he said,

724
00:32:15,640 --> 00:32:16,240
Speaker 1: he's a veil.

725
00:32:16,680 --> 00:32:20,560
Speaker 2: He checked his Veil. He checked his The Veils Free.

726
00:32:21,880 --> 00:32:27,960
Speaker 5: Stop I can't laugh stop for rechecked his of Veils calendar.

727
00:32:29,480 --> 00:32:32,560
Speaker 3: I was slammed wide open, wide open. Oh my god,

728
00:32:32,640 --> 00:32:36,360
Speaker 3: that's what he was suggesting. Yeah, all right, where where's

729
00:32:36,360 --> 00:32:38,600
Speaker 3: your head at with what's going to be on this album?

730
00:32:39,120 --> 00:32:42,600
Speaker 3: How'd you feel about the snippet and how you feel

731
00:32:42,720 --> 00:32:45,160
Speaker 3: as one of the most relatable rappers? She said out

732
00:32:45,200 --> 00:32:47,560
Speaker 3: like porsh and charged us seventy dollars for the vib

733
00:32:48,120 --> 00:32:49,640
Speaker 3: I remember when it was a dollar in the dream.

734
00:32:49,960 --> 00:32:54,480
Speaker 3: Now it's seventy dollars handling. You know, I'm just trying

735
00:32:54,480 --> 00:32:55,560
Speaker 3: to start shoot up to fuck with you.

736
00:32:56,320 --> 00:33:00,840
Speaker 5: The vinyl was forty something after shipping, media shipping and

737
00:33:00,880 --> 00:33:01,200
Speaker 5: all of that.

738
00:33:01,360 --> 00:33:03,440
Speaker 3: I thought Joe Biden got rid of that ship all

739
00:33:03,480 --> 00:33:06,640
Speaker 3: the charges tru Now, okay.

740
00:33:06,880 --> 00:33:09,160
Speaker 5: That's for ticketmaster. What's up?

741
00:33:09,160 --> 00:33:09,480
Speaker 2: What y'all?

742
00:33:09,480 --> 00:33:11,280
Speaker 5: I thought was snipping? Y'all know, I thought it was wonderful.

743
00:33:11,280 --> 00:33:12,040
Speaker 5: I thought it was beautiful.

744
00:33:12,760 --> 00:33:15,520
Speaker 3: It was a great snippet. I think it's a classic already.

745
00:33:16,400 --> 00:33:23,000
Speaker 5: That's five mics, Like with y'all calling me, I'll know

746
00:33:23,000 --> 00:33:24,480
Speaker 5: what I got to say, what y'all got to say?

747
00:33:24,600 --> 00:33:28,000
Speaker 3: I'm like actually really excited. It's hard to get me

748
00:33:28,400 --> 00:33:31,480
Speaker 3: like really excited for a rap album these days. Yes,

749
00:33:31,520 --> 00:33:33,920
Speaker 3: I'm very very much excited for this entire thing.

750
00:33:34,840 --> 00:33:35,800
Speaker 2: I'm just being me.

751
00:33:37,040 --> 00:33:40,160
Speaker 3: I just have this just this cloud of the internet

752
00:33:40,240 --> 00:33:43,680
Speaker 3: rap beef over me that's trying to like rain on

753
00:33:43,760 --> 00:33:46,720
Speaker 3: my parade of actually being excited for somebody that's really

754
00:33:46,720 --> 00:33:47,800
Speaker 3: good at rapping and making music.

755
00:33:47,880 --> 00:33:49,480
Speaker 1: I can't wait to do the Jay. Mean, when you're

756
00:33:49,520 --> 00:33:52,160
Speaker 1: doing this and I'm looking up is hard, you know,

757
00:33:52,200 --> 00:33:53,640
Speaker 1: I don't want to. I don't want to like this

758
00:33:53,640 --> 00:33:55,400
Speaker 1: ship fun that. I don't want to like it. I'm

759
00:33:55,400 --> 00:33:56,800
Speaker 1: just joking. But now I think it's gonna be a

760
00:33:56,840 --> 00:34:00,880
Speaker 1: good album. My prediction. I do think Cole has a

761
00:34:00,920 --> 00:34:04,000
Speaker 1: little bop on this one. I feel like he's kind

762
00:34:04,040 --> 00:34:07,920
Speaker 1: of the last two albums I felt like he's he

763
00:34:07,960 --> 00:34:09,759
Speaker 1: hasn't focused on that, which I'm fine with because I'm

764
00:34:09,800 --> 00:34:11,440
Speaker 1: usually not somebody that wants.

765
00:34:11,280 --> 00:34:13,560
Speaker 3: To bops from these types of rappers. I think there's

766
00:34:13,560 --> 00:34:15,360
Speaker 3: something on there that's going to play outside, Like I

767
00:34:15,360 --> 00:34:18,280
Speaker 3: think you and I will be on Steinway this summer

768
00:34:18,360 --> 00:34:21,439
Speaker 3: listening to something off the Falloff. I don't think he's

769
00:34:21,480 --> 00:34:24,040
Speaker 3: just giving us this whole rapidy rap reflection.

770
00:34:24,200 --> 00:34:26,200
Speaker 2: I think it's going to be there, and I want that.

771
00:34:26,800 --> 00:34:29,319
Speaker 3: I do think he has a joint on here that's

772
00:34:29,320 --> 00:34:31,280
Speaker 3: going to play outside j cole.

773
00:34:31,200 --> 00:34:33,600
Speaker 5: Bop like a Jake cole Bop in a very long time,

774
00:34:33,640 --> 00:34:34,640
Speaker 5: so I would appreciate that.

775
00:34:36,000 --> 00:34:37,759
Speaker 2: I mean, don't don't save her?

776
00:34:37,840 --> 00:34:42,640
Speaker 3: Was that the last last Bob I'm saying Bob M

777
00:34:44,120 --> 00:34:45,320
Speaker 3: solo because he's he's been.

778
00:34:45,200 --> 00:34:47,360
Speaker 5: On bos on that album, But that might.

779
00:34:48,760 --> 00:34:50,799
Speaker 3: That that plays in the hooka lounge like right now.

780
00:34:51,480 --> 00:34:52,560
Speaker 5: Yeah, yeah, probably.

781
00:34:52,600 --> 00:34:54,120
Speaker 3: I think we're getting a new one. I think he

782
00:34:54,200 --> 00:34:56,440
Speaker 3: was testing the waters with his sexy drill. I heard

783
00:34:56,480 --> 00:34:59,200
Speaker 3: it's grippy. I think he was just working on some ship.

784
00:34:59,400 --> 00:35:01,640
Speaker 3: I think that was that was his seven minute drill

785
00:35:01,760 --> 00:35:03,880
Speaker 3: for outside records. I think we're getting one of those

786
00:35:03,920 --> 00:35:04,200
Speaker 3: from Cold.

787
00:35:04,239 --> 00:35:06,040
Speaker 1: You think you have like a first person shoot a

788
00:35:06,120 --> 00:35:09,719
Speaker 1: vibe or call it first person apology.

789
00:35:10,560 --> 00:35:13,640
Speaker 5: That wasn't a joke, like.

790
00:35:15,080 --> 00:35:17,040
Speaker 2: Well, hopefully the album is better than that joke. Baby,

791
00:35:18,640 --> 00:35:20,800
Speaker 2: it will be hopefully.

792
00:35:21,000 --> 00:35:24,880
Speaker 3: Do you have any feature feature predictions?

793
00:35:24,400 --> 00:35:28,520
Speaker 5: First, have any feature predictions? Maybe it's j I D.

794
00:35:28,840 --> 00:35:31,360
Speaker 5: I don't have any feature predictions. I'm praying for a

795
00:35:31,400 --> 00:35:33,760
Speaker 5: twenty one Savage feature. As I say all the time.

796
00:35:33,880 --> 00:35:39,920
Speaker 2: Not gonna happen. Definitely not gonna happen. Okay, he chose us.

797
00:35:40,760 --> 00:35:41,759
Speaker 5: I can still pray for it.

798
00:35:41,840 --> 00:35:44,439
Speaker 1: The fuck you have more prayers to get done. So yeah,

799
00:35:44,440 --> 00:35:45,920
Speaker 1: that's that's another one you have to you know.

800
00:35:45,920 --> 00:35:46,319
Speaker 5: What I'm saying.

801
00:35:49,000 --> 00:35:50,920
Speaker 3: I just feel I mean, as much as like I

802
00:35:50,960 --> 00:35:54,480
Speaker 3: love all Return of the Dreamers, like I kind of

803
00:35:54,560 --> 00:35:59,160
Speaker 3: just want the non Dreamville cold projects. Kind of just

804
00:35:59,200 --> 00:36:03,920
Speaker 3: want Cole and he we already have two amazing twenty

805
00:36:03,920 --> 00:36:06,279
Speaker 3: one Savage records, will go. I don't know if I

806
00:36:06,280 --> 00:36:07,800
Speaker 3: want more of the same, like I don't want to

807
00:36:07,880 --> 00:36:11,120
Speaker 3: rinse and repeat of trying to redo classics, like.

808
00:36:11,960 --> 00:36:12,959
Speaker 5: I don't want another one.

809
00:36:13,040 --> 00:36:15,480
Speaker 3: But I mean, I hear you, and I don't know

810
00:36:15,520 --> 00:36:18,440
Speaker 3: if I want Cole trying to be what he's been before,

811
00:36:18,440 --> 00:36:20,880
Speaker 3: which has been great. Let me work with the younger artists.

812
00:36:20,880 --> 00:36:22,719
Speaker 3: I don't know if I want that either. I think

813
00:36:22,719 --> 00:36:25,319
Speaker 3: I kind of just want a J Cole.

814
00:36:26,080 --> 00:36:28,880
Speaker 5: Oh okay, you're on Platinum, no features.

815
00:36:29,200 --> 00:36:32,600
Speaker 3: Yeah, I thought we were debating about the Kendrick thing,

816
00:36:32,600 --> 00:36:34,960
Speaker 3: because I've said on this pod a bunch of times

817
00:36:35,000 --> 00:36:38,680
Speaker 3: that I thought there was Kendrick features. As the minutes past.

818
00:36:38,800 --> 00:36:42,400
Speaker 3: I'm leaning on a just J Cole no features album.

819
00:36:42,680 --> 00:36:44,319
Speaker 5: I don't think that's gonna happen. I think there's gonna

820
00:36:44,360 --> 00:36:45,399
Speaker 5: be a feature or three.

821
00:36:45,719 --> 00:36:47,200
Speaker 2: What you think about Freddy gabs feature?

822
00:36:48,560 --> 00:36:51,839
Speaker 3: That's not gonna happen. You'll get a twenty one Savage fea.

823
00:36:54,200 --> 00:36:56,440
Speaker 3: I'm just saying which I think it has been allegedly

824
00:36:56,480 --> 00:37:01,319
Speaker 3: dissing him for the last three years. I think he

825
00:37:01,440 --> 00:37:04,440
Speaker 3: I think he has a sub at Freddy that is debatable, like, oh,

826
00:37:04,480 --> 00:37:06,160
Speaker 3: he's not he's not talking about Freddy, but he was

827
00:37:06,200 --> 00:37:06,840
Speaker 3: talking about Freddy.

828
00:37:07,640 --> 00:37:11,200
Speaker 2: Oh my god man, what's.

829
00:37:12,239 --> 00:37:14,000
Speaker 1: I'm just here to say that it ain't no room.

830
00:37:14,040 --> 00:37:18,440
Speaker 1: It ain't no room for subs. He's Justice Smalley when

831
00:37:18,480 --> 00:37:20,640
Speaker 1: it comes to subs, there's no rooms for it.

832
00:37:20,680 --> 00:37:23,000
Speaker 3: Well that was the only truth thing in the story,

833
00:37:23,160 --> 00:37:24,160
Speaker 3: there wasn't We both up?

834
00:37:24,440 --> 00:37:27,040
Speaker 1: No, I don't want no subs, no subs. Just give

835
00:37:27,120 --> 00:37:30,839
Speaker 1: us great music, great bars, no subs. Hold this up,

836
00:37:32,080 --> 00:37:37,800
Speaker 1: hold all subs, great great songs, great rapping, great production.

837
00:37:39,120 --> 00:37:45,600
Speaker 1: We happy once you start subbing in this like no, no, no, no,

838
00:37:45,840 --> 00:37:48,440
Speaker 1: don't do that. Stay away from that, stay away from that.

839
00:37:48,760 --> 00:37:50,720
Speaker 1: Just give us to give us great bars.

840
00:37:51,400 --> 00:37:54,120
Speaker 5: Yeah, he doesn't have to. There's no there's no need

841
00:37:54,160 --> 00:37:56,440
Speaker 5: for any of that. Everybody's been waiting for this. Everybody

842
00:37:56,520 --> 00:37:59,000
Speaker 5: just wants to hear Colby Cold. And when you're exceptional

843
00:37:59,160 --> 00:38:02,680
Speaker 5: at rapping with out the gimmicks and the fake mystery

844
00:38:02,760 --> 00:38:04,920
Speaker 5: and whatever the hell is other people ship got going on,

845
00:38:04,960 --> 00:38:07,560
Speaker 5: when you're just amazing at rapping and putting words together,

846
00:38:07,640 --> 00:38:08,520
Speaker 5: we just need the music.

847
00:38:08,640 --> 00:38:09,040
Speaker 2: That's all.

848
00:38:10,120 --> 00:38:13,080
Speaker 3: I'm gonna out O our good friend Reason. I have

849
00:38:13,080 --> 00:38:15,319
Speaker 3: a group chat with Reason and some other people and

850
00:38:15,360 --> 00:38:19,360
Speaker 3: he put the Instagram trailer in there and put in

851
00:38:19,480 --> 00:38:22,440
Speaker 3: all caps a h h h h H, and I said,

852
00:38:22,520 --> 00:38:25,040
Speaker 3: this is gay.

853
00:38:26,600 --> 00:38:28,400
Speaker 2: He screamed, is that is that?

854
00:38:28,520 --> 00:38:28,680
Speaker 4: Man?

855
00:38:28,800 --> 00:38:32,799
Speaker 2: Screaming? Screaming via text? Don't scream on our text? Because

856
00:38:32,840 --> 00:38:34,719
Speaker 2: J Cole announced the album, bro, and.

857
00:38:34,680 --> 00:38:38,840
Speaker 1: You are you a rapper yourself, you can't scream because

858
00:38:38,920 --> 00:38:40,320
Speaker 1: J Cole announced the album.

859
00:38:40,480 --> 00:38:42,080
Speaker 2: He's a fan of Cold. You can be a fan.

860
00:38:42,160 --> 00:38:44,440
Speaker 2: I'm not saying you can't be. You can't scream. He

861
00:38:44,480 --> 00:38:46,400
Speaker 2: has a good relationship with Cole, it's his man. Imagine

862
00:38:46,400 --> 00:38:49,920
Speaker 2: if se no, don't nah, don't do that because because

863
00:38:49,960 --> 00:38:51,160
Speaker 2: you would also know you gay.

864
00:38:51,200 --> 00:38:56,160
Speaker 1: If the Iceman ship exactly exactly, that's that's all I'm asking.

865
00:38:56,239 --> 00:38:57,640
Speaker 2: Just keep the same energy for everyboy.

866
00:38:57,920 --> 00:39:00,680
Speaker 1: That's crazy to scream when another man and announces an

867
00:39:00,719 --> 00:39:04,080
Speaker 1: album drop, that's crazy. But if it's I don't know

868
00:39:04,200 --> 00:39:07,360
Speaker 1: what it is, you cannot scream as a grown all.

869
00:39:07,239 --> 00:39:09,160
Speaker 3: Started because we've been he claims, we've been moving the.

870
00:39:09,080 --> 00:39:13,640
Speaker 1: Goal post for gold, So dude, and it's okay, it's okay,

871
00:39:14,000 --> 00:39:14,680
Speaker 1: we understand it.

872
00:39:14,680 --> 00:39:16,399
Speaker 2: It's all right. I'm listening.

873
00:39:16,400 --> 00:39:18,399
Speaker 1: I'm looking forward to this album just like everybody else,

874
00:39:18,480 --> 00:39:19,440
Speaker 1: like I want to hear it.

875
00:39:19,440 --> 00:39:20,319
Speaker 2: I want to hear what he did.

876
00:39:21,080 --> 00:39:23,279
Speaker 5: I couldn't pick a better week to be gone from work.

877
00:39:23,400 --> 00:39:26,720
Speaker 5: Every time I log onto the internet, it's a clip

878
00:39:26,719 --> 00:39:30,000
Speaker 5: of y'all somewhere. I'm like, I'm so happy that my

879
00:39:30,120 --> 00:39:33,080
Speaker 5: body decided to fail me this month. Youas been getting

880
00:39:33,120 --> 00:39:34,520
Speaker 5: clipped up for the past.

881
00:39:34,239 --> 00:39:36,880
Speaker 2: Week, really for what? Yeah?

882
00:39:37,000 --> 00:39:40,520
Speaker 5: Fill us in old predictions, Andre three thousand is overrated.

883
00:39:40,520 --> 00:39:42,160
Speaker 5: All types of shit that been going on, and I've

884
00:39:42,160 --> 00:39:42,880
Speaker 5: been gone.

885
00:39:42,800 --> 00:39:46,520
Speaker 1: Oh okay, two for two, Yeah, yeah, sounds like we're

886
00:39:46,520 --> 00:39:48,960
Speaker 1: potting two for two.

887
00:39:50,120 --> 00:39:53,520
Speaker 3: What have you learned about your friend group Inner Circle

888
00:39:53,840 --> 00:39:55,000
Speaker 3: since you've been on better rest.

889
00:39:55,719 --> 00:39:57,880
Speaker 5: Oh my god, just say you want praise being a

890
00:39:57,880 --> 00:40:00,319
Speaker 5: good friend? Yo, you want you want to praise being

891
00:40:00,320 --> 00:40:00,840
Speaker 5: a good friend.

892
00:40:01,480 --> 00:40:03,399
Speaker 3: I swear to God, that did not even enter my mind.

893
00:40:03,440 --> 00:40:05,399
Speaker 3: It was more so the subs I've seen you've been

894
00:40:05,719 --> 00:40:10,480
Speaker 3: throwing out. I'm only talking about subs. Yeah, you think

895
00:40:10,480 --> 00:40:11,479
Speaker 3: I could have been a better friend.

896
00:40:12,880 --> 00:40:15,320
Speaker 5: You were a very good friend. You were very attentive.

897
00:40:15,360 --> 00:40:16,520
Speaker 5: You were attentive to a fault.

898
00:40:17,560 --> 00:40:19,800
Speaker 3: But I care about that. No, tell me, tell me

899
00:40:19,800 --> 00:40:20,800
Speaker 3: about the people you were subbing.

900
00:40:21,960 --> 00:40:27,960
Speaker 5: It's cool, it's everything is cope, aesthetic. It's cool. I've

901
00:40:28,000 --> 00:40:32,000
Speaker 5: seen who was there and who motherfucking wasn't. I think

902
00:40:32,440 --> 00:40:32,920
Speaker 5: I think too.

903
00:40:34,680 --> 00:40:36,560
Speaker 2: You got to go through the fire and know it's hot.

904
00:40:36,400 --> 00:40:41,600
Speaker 5: Right, Yeah, that's cool. Ship lonely over here, it's but

905
00:40:41,680 --> 00:40:43,720
Speaker 5: it's been lonely over the side. Cool.

906
00:40:43,960 --> 00:40:45,920
Speaker 2: It's not your your baby.

907
00:40:46,040 --> 00:40:48,120
Speaker 1: I don't know who you think you talking to, what

908
00:40:48,239 --> 00:40:50,520
Speaker 1: you think you're getting off right now? If you think that,

909
00:40:50,680 --> 00:40:53,399
Speaker 1: I think that it's been lonely over there. Like cut

910
00:40:53,400 --> 00:40:56,520
Speaker 1: this ship. If I can't even pull up, I will

911
00:40:56,680 --> 00:40:58,880
Speaker 1: unplug this fucking zoom and you will be out of

912
00:40:58,880 --> 00:41:01,080
Speaker 1: the ethernet in two Like get the fuck.

913
00:41:00,920 --> 00:41:03,680
Speaker 5: Out of sut to my shout out to my friends

914
00:41:03,719 --> 00:41:07,080
Speaker 5: that have that, that reached out, that were there and

915
00:41:07,080 --> 00:41:10,799
Speaker 5: not just you know ship from like me being rushed

916
00:41:10,800 --> 00:41:13,160
Speaker 5: into emergency surgery as far as this ship, I was

917
00:41:13,160 --> 00:41:15,000
Speaker 5: already going through a ship with my mom and people

918
00:41:15,080 --> 00:41:16,759
Speaker 5: knew when didn't reach out, So like, you know what

919
00:41:16,800 --> 00:41:18,880
Speaker 5: I'm saying, So like from that to that, it's like,

920
00:41:18,920 --> 00:41:21,200
Speaker 5: oh right, I see, I see what twenty twenty six

921
00:41:21,239 --> 00:41:23,200
Speaker 5: by to be. But to everybody, I did have a

922
00:41:23,280 --> 00:41:26,600
Speaker 5: huge village of people who did whole ship down. I've seen.

923
00:41:27,080 --> 00:41:29,600
Speaker 1: Well, I called you, I facetimed you, didn't text, you,

924
00:41:29,640 --> 00:41:30,680
Speaker 1: didn't get a response.

925
00:41:31,200 --> 00:41:32,760
Speaker 2: I didn't get ship off Oxy.

926
00:41:32,840 --> 00:41:34,640
Speaker 5: I was off Oxy when you called me. I was

927
00:41:34,640 --> 00:41:36,280
Speaker 5: in a lot of pain. I was off Oxy.

928
00:41:36,440 --> 00:41:37,480
Speaker 2: You know what I'm saying.

929
00:41:37,560 --> 00:41:40,759
Speaker 5: But you and I went to surgery, got out the hospital,

930
00:41:41,440 --> 00:41:45,040
Speaker 5: came home, ship kicked my feet up, got unconstapated. You

931
00:41:45,120 --> 00:41:46,160
Speaker 5: called me three days later.

932
00:41:46,440 --> 00:41:48,640
Speaker 1: Well, yeah, I was giving you time to you know,

933
00:41:48,680 --> 00:41:51,120
Speaker 1: get your feet up under you and just and then

934
00:41:51,320 --> 00:41:53,239
Speaker 1: we I went on so let meet FaceTime. Baby didn't

935
00:41:53,320 --> 00:41:57,400
Speaker 1: check on FaceTime, no response, text you, no response. I'm like,

936
00:41:57,440 --> 00:41:59,760
Speaker 1: all right now, you're sitting there hugging a J cole Vinyl.

937
00:42:00,160 --> 00:42:02,480
Speaker 1: All right, cool, say no more, you took it. I

938
00:42:02,560 --> 00:42:04,400
Speaker 1: see what twenty twenty I'm glad you said it. I

939
00:42:04,480 --> 00:42:07,680
Speaker 1: see what twenty twenty six is. These revelation This is

940
00:42:07,719 --> 00:42:12,080
Speaker 1: revelations right here. Wait till I have my surgery. So

941
00:42:12,120 --> 00:42:14,080
Speaker 1: I know you're getting I know you're getting much better.

942
00:42:14,600 --> 00:42:16,440
Speaker 3: But you could tell the doctors you're not right and

943
00:42:16,440 --> 00:42:19,480
Speaker 3: still keep all those prescriptions correct.

944
00:42:19,840 --> 00:42:22,040
Speaker 5: No, it don't. It don't even work like that, like

945
00:42:22,080 --> 00:42:22,920
Speaker 5: I'm running.

946
00:42:22,600 --> 00:42:23,600
Speaker 2: Low on zoom.

947
00:42:23,800 --> 00:42:25,479
Speaker 3: Yeah, we'll talk after.

948
00:42:25,880 --> 00:42:26,640
Speaker 2: Yeah, I don't know.

949
00:42:27,560 --> 00:42:30,000
Speaker 5: I know, God, I know, guy, I don't know how

950
00:42:30,040 --> 00:42:31,160
Speaker 5: people take them ships and like.

951
00:42:31,400 --> 00:42:34,680
Speaker 3: Park those drugs, but we can sell them.

952
00:42:34,719 --> 00:42:36,520
Speaker 5: I got low notes. They gave me like a like

953
00:42:36,680 --> 00:42:38,280
Speaker 5: you know, just enough to put me to sleep.

954
00:42:38,719 --> 00:42:39,920
Speaker 2: That's all the Dopez needs.

955
00:42:40,200 --> 00:42:44,760
Speaker 5: Yeah, naht get some of that for the office that'shit.

956
00:42:44,800 --> 00:42:49,279
Speaker 2: No, we don't. No, we do not know. Hey, I

957
00:42:49,280 --> 00:42:51,520
Speaker 2: don't know who's listening. No, we do not. There's no

958
00:42:51,600 --> 00:42:55,080
Speaker 2: fin nowhere in this office. No, it is not that.

959
00:42:54,920 --> 00:42:57,040
Speaker 5: Ship went crazy. That shit.

960
00:42:57,120 --> 00:42:58,640
Speaker 3: We no let them raid the office so we can

961
00:42:58,680 --> 00:43:01,280
Speaker 3: sue Mondammie get some money.

962
00:43:01,360 --> 00:43:01,800
Speaker 2: I don't want to.

963
00:43:03,080 --> 00:43:05,680
Speaker 3: No, I do want to try fit one day. But

964
00:43:05,760 --> 00:43:08,880
Speaker 3: with that who says that, like just one day, I

965
00:43:08,880 --> 00:43:10,960
Speaker 3: want to try it? Okay, it's not till I get

966
00:43:11,000 --> 00:43:13,439
Speaker 3: on it. But I got to see how you want.

967
00:43:13,120 --> 00:43:15,600
Speaker 5: That goes straight into your veins. Whatever they putting in

968
00:43:15,640 --> 00:43:17,960
Speaker 5: the coke, you don't want that. You want this ship

969
00:43:17,960 --> 00:43:19,799
Speaker 5: that goes straight into your veins. That ship was great.

970
00:43:20,480 --> 00:43:23,160
Speaker 3: My godfather, who I told y'all had stage four cancer,

971
00:43:23,239 --> 00:43:26,080
Speaker 3: never did any drugs, got addicted fentanyl in.

972
00:43:26,160 --> 00:43:29,000
Speaker 2: One week immediately. It was that good.

973
00:43:29,040 --> 00:43:31,120
Speaker 3: And then I was on FaceTime with the Marras yesterday,

974
00:43:31,120 --> 00:43:33,000
Speaker 3: two days ago, and she was telling me how good

975
00:43:33,000 --> 00:43:35,439
Speaker 3: the fent was. It's a drug. I gotta try.

976
00:43:35,680 --> 00:43:40,759
Speaker 1: Yeah, spoken like a true white boy, y'all miss me, Like,

977
00:43:40,840 --> 00:43:43,480
Speaker 1: damn no, not really, it's been mad. We've been having

978
00:43:43,520 --> 00:43:46,200
Speaker 1: mad activities in here. This ship been lived in here,

979
00:43:46,239 --> 00:43:48,319
Speaker 1: like we really not Like it's cool. You got another

980
00:43:48,360 --> 00:43:50,160
Speaker 1: surgery coming up in February, like you want to like

981
00:43:50,640 --> 00:43:52,560
Speaker 1: you mean, go back out for another week or two,

982
00:43:52,600 --> 00:43:53,239
Speaker 1: Like it's all good.

983
00:43:53,239 --> 00:43:56,000
Speaker 2: Take your time, take your time, Take your time, baby,

984
00:43:56,040 --> 00:43:57,360
Speaker 2: they take your time, baby.

985
00:43:57,440 --> 00:43:59,080
Speaker 3: D did we look at what day of the week

986
00:43:59,080 --> 00:44:01,880
Speaker 3: February sixth. Is he doing He's doing a Friday? Okay,

987
00:44:02,440 --> 00:44:08,120
Speaker 3: so what are we doing for the sixth. We're throwing

988
00:44:08,120 --> 00:44:08,879
Speaker 3: a party.

989
00:44:09,200 --> 00:44:14,040
Speaker 1: That's almost just as gay as reason screaming, almost not

990
00:44:14,160 --> 00:44:19,000
Speaker 1: as gay, but yo, what's up?

991
00:44:19,000 --> 00:44:23,560
Speaker 3: We're doing a listening party here in your host bag

992
00:44:23,600 --> 00:44:25,480
Speaker 3: all twenty twenty five. I felt like maybe we could.

993
00:44:26,160 --> 00:44:29,480
Speaker 5: I want to listen that really fuck with Cole. I

994
00:44:29,520 --> 00:44:31,399
Speaker 5: don't want to listen with nobody that's center there looking

995
00:44:31,440 --> 00:44:34,800
Speaker 5: for mistakes. No, I want to listen with real you me.

996
00:44:35,800 --> 00:44:39,000
Speaker 1: Yeah, yeah, I don't want to listen with cold fans either.

997
00:44:39,640 --> 00:44:44,360
Speaker 2: You'll gonna hear subpar bars like, oh my god, har bars.

998
00:44:44,440 --> 00:44:46,360
Speaker 5: Now we're gonna hear subcar bars.

999
00:44:46,680 --> 00:44:49,440
Speaker 2: Now when clouds came When clouds came.

1000
00:44:49,280 --> 00:44:54,480
Speaker 5: Out, niggas the way niggas re re route ship subpar bars.

1001
00:44:54,360 --> 00:44:56,640
Speaker 1: Yo, when clouds came out, y'all was in there going

1002
00:44:56,800 --> 00:44:58,560
Speaker 1: crazy when clouds came out?

1003
00:44:59,239 --> 00:45:01,320
Speaker 5: And then what's sup? Heart of bars?

1004
00:45:01,800 --> 00:45:04,680
Speaker 2: That was just working out, That was just working out.

1005
00:45:05,000 --> 00:45:08,960
Speaker 6: The fans that heard that was working out, and even

1006
00:45:09,440 --> 00:45:12,799
Speaker 6: he went, whoa, it's crazy or you know how many times

1007
00:45:12,880 --> 00:45:14,640
Speaker 6: Rory played that snippet or the intro you know how

1008
00:45:14,680 --> 00:45:15,560
Speaker 6: many times he played that.

1009
00:45:16,440 --> 00:45:17,719
Speaker 1: I thought it was a whole song. I didn't know,

1010
00:45:17,880 --> 00:45:19,480
Speaker 1: you know, you could loop like a tweet like I

1011
00:45:19,520 --> 00:45:20,239
Speaker 1: didn't even know that.

1012
00:45:21,000 --> 00:45:24,000
Speaker 2: Poor thing wanted the war thing M more pain.

1013
00:45:24,160 --> 00:45:27,719
Speaker 1: M How he do that like that and put the

1014
00:45:27,800 --> 00:45:36,480
Speaker 1: much poor pain in the war game head loss go

1015
00:45:36,560 --> 00:45:38,200
Speaker 1: to role gain. I know how he did that.

1016
00:45:38,840 --> 00:45:39,920
Speaker 2: I want to want to be dripping.

1017
00:45:40,040 --> 00:45:44,560
Speaker 3: Yeah, did you hear a song because actually it was

1018
00:45:44,640 --> 00:45:45,040
Speaker 3: kind of hard.

1019
00:45:47,120 --> 00:45:49,840
Speaker 5: Oh guy, man, don't worry.

1020
00:45:50,000 --> 00:45:52,400
Speaker 1: You ain't iceman coming like you got something chill that

1021
00:45:52,480 --> 00:45:53,680
Speaker 1: ain't got nothing to do with that.

1022
00:45:53,800 --> 00:45:59,000
Speaker 2: This is the fall off off off time.

1023
00:45:59,400 --> 00:46:03,600
Speaker 1: February six, two six, two six, two six to six.

1024
00:46:03,680 --> 00:46:04,319
Speaker 2: That's what we on.

1025
00:46:04,800 --> 00:46:07,200
Speaker 1: Baby, you're about to get it tatted two six, two six,

1026
00:46:08,840 --> 00:46:09,440
Speaker 1: that's what we're on.

1027
00:46:10,239 --> 00:46:11,360
Speaker 2: And he's two six.

1028
00:46:12,920 --> 00:46:13,680
Speaker 3: Went over your head.

1029
00:46:14,960 --> 00:46:23,480
Speaker 1: Yeah, that's nasty.

1030
00:46:24,280 --> 00:46:29,640
Speaker 3: That is so nasty that you said, oh he's too six.

1031
00:46:29,719 --> 00:46:33,200
Speaker 1: Oh my god, yo, y'all are crazy, man. I love

1032
00:46:33,280 --> 00:46:36,600
Speaker 1: JK know that day from Drake. Drake, listen, listen, listen.

1033
00:46:36,719 --> 00:46:37,759
Speaker 2: I agree he's.

1034
00:46:37,680 --> 00:46:41,920
Speaker 3: Taken by Hart. Part six was taken. Everything's been taken.

1035
00:46:41,920 --> 00:46:43,399
Speaker 3: There's no six is left for Drake.

1036
00:46:44,880 --> 00:46:46,920
Speaker 1: It's a beautiful day. But baby did it was good

1037
00:46:46,960 --> 00:46:48,040
Speaker 1: to see your face, good.

1038
00:46:47,840 --> 00:46:50,279
Speaker 2: To hear your voice. Hopefully you're healing up. You know

1039
00:46:50,320 --> 00:46:50,759
Speaker 2: what I'm saying.

1040
00:46:50,800 --> 00:46:53,239
Speaker 1: Get your hibiscuits, tea and all of that in you.

1041
00:46:53,239 --> 00:46:55,880
Speaker 1: You know what I'm saying, Get yourself together, and we're

1042
00:46:55,880 --> 00:46:59,080
Speaker 1: looking forward to having you back in the studio sooner

1043
00:46:59,560 --> 00:47:02,120
Speaker 1: than lay there, hopefully before.

1044
00:47:02,080 --> 00:47:03,719
Speaker 2: Hopefully for for two six, two six.

1045
00:47:05,640 --> 00:47:08,720
Speaker 5: I gotta come decorate the office ship like that decoration.

1046
00:47:08,760 --> 00:47:11,360
Speaker 5: That's the real Valentine's Day. That's the real Valentine's Day.

1047
00:47:11,640 --> 00:47:12,160
Speaker 2: Two six.

1048
00:47:12,239 --> 00:47:16,920
Speaker 1: That's the new Valentine's Day. Valentine February. February sixth is

1049
00:47:16,960 --> 00:47:21,600
Speaker 1: the new Valentine's Day.

1050
00:47:18,520 --> 00:47:18,759
Speaker 6: All.

1051
00:47:20,760 --> 00:47:23,200
Speaker 2: Respect All right, that's the new We didn't even know

1052
00:47:23,239 --> 00:47:24,200
Speaker 2: that was a new Valentine's Day.

1053
00:47:24,239 --> 00:47:24,520
Speaker 1: What is that?

1054
00:47:24,560 --> 00:47:29,640
Speaker 2: Aris no Aquarius? Which which day is to six? I

1055
00:47:29,640 --> 00:47:32,480
Speaker 2: don't know astrology with the start.

1056
00:47:34,040 --> 00:47:36,719
Speaker 3: Querious mm hmm, you didn't even think about that.

1057
00:47:36,760 --> 00:47:37,280
Speaker 2: I didn't.

1058
00:47:37,840 --> 00:47:43,399
Speaker 3: Scorpion of court like yo, it's everywhere a Quemini three

1059
00:47:43,440 --> 00:47:44,600
Speaker 3: stacks is all tied together.

1060
00:47:45,360 --> 00:47:48,200
Speaker 5: I just if you have sex, they'reing aquarious season you

1061
00:47:48,239 --> 00:47:50,280
Speaker 5: give birth to scorpios. That's all I'm.

1062
00:47:50,160 --> 00:47:53,840
Speaker 1: Saying your baby D has been good to talking to anything.

1063
00:47:55,320 --> 00:47:58,319
Speaker 1: It's been great seeing you, great talking to you, baby D.

1064
00:47:58,640 --> 00:48:02,160
Speaker 1: We love you, we see you soon. Get better, be safe,

1065
00:48:02,280 --> 00:48:04,200
Speaker 1: be blessed, and he'll up soon.

1066
00:48:04,560 --> 00:48:04,880
Speaker 2: Peace