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Speaker 1: Hey everybody, it's me Matt Rogers, letting you know. Tickets

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Speaker 1: are on sale now to see me on tour, the

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Speaker 1: Prince of Christmas Tour. That is, I'm doing my whole

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Speaker 1: album have you heard of Christmas? Plus a lot more

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Speaker 1: with the whole band all throughout December. Go to www

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Speaker 1: dot Matt rodgersofficial dot com to see me in a

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Speaker 1: city near you.

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Speaker 2: And now Lost cult drums. Look, oh, I see you

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Speaker 2: my own and look over there is that the culture? Yes, goodness,

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Speaker 2: Lost culture ding dong, lost culting. This is breaking bread culture.

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Speaker 3: We are breaking absolute chabada back get Pacaca. Tonight is

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Speaker 3: the friends giving episode of Lost Coat.

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Speaker 2: How about that? How about that?

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Speaker 3: It's giving friends. You are all invited, you know, auditorily

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Speaker 3: in a sense. Don't come to my house please, there's

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Speaker 3: not room. It would be too much if you guys

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Speaker 3: all came over, but one at a time, one at

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Speaker 3: a time. Please, you're invited to this whole up based down.

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Speaker 2: Oh my god, now you're getting horny. Not you insinuating?

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Speaker 2: You like to be stuffed before all this stuff. They're

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Speaker 2: all I like to be sniffied and sniffed. Have you

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Speaker 2: ever gotten on Sniffy's. Oh of course I brows. I'm

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Speaker 2: I'm not.

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Speaker 3: I don't have the gumption, the bravery to the braver

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Speaker 3: to post up on it, to literally post on.

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Speaker 2: Yeah, I don't. I've never downloaded Sniffies. I've never went there.

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Speaker 2: You know my download it's a website. Oh is it

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Speaker 2: a website? I didn't even know experience. You were so innocent.

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Speaker 2: I'm so I'm like the young Doe. I'm like the

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Speaker 2: young Lamb, young Lamb, a female de Wait, that would

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Speaker 2: be a good rendition, a female de Yeah, but this

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Speaker 2: isn't that kind of No, it's not beside the point

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Speaker 2: because Dough is still the like Dough, ray me. What

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Speaker 2: are you trying to get out? What I'm trying to

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Speaker 2: get at is if you sort of did alterations with

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Speaker 2: that melody, it was sort of like, no, as long

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Speaker 2: as you hit the as a long as you get

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Speaker 2: each first exactly. Oh yeah, yeah, yeah, don't worry, Please

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Speaker 2: take the liberty, do d I'm sorry, this is now

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Speaker 2: music theory podcast. Oh my god, what's your experience of music?

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Speaker 2: That shit is hard. I don't know how y'all memorize

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Speaker 2: the circle of fifths, you know, music theory girls. It's

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Speaker 2: actually something I never thought I would be able to understand.

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Speaker 2: And now I'm in my I'm in three times a

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Speaker 2: week vocal lessons, getting ready for this. You hear it

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Speaker 2: and I'm now understanding. Oh, it's just about like it's

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Speaker 2: just something to learn. It's something to learn. It's math,

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Speaker 2: it's something that half the back of your head. Right.

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Speaker 2: Do you think you can develop perfect pitch? I think

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Speaker 2: you could hear a tone and then call it. Call it.

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Speaker 2: I'd be like, that's any sharp. You definitely could, No,

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Speaker 2: I can be definitely could.

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Speaker 3: I can call an a just because I grew up

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Speaker 3: with my One of my only toys as a young

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Speaker 3: cable list child was the metronomey, So you're just playing

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Speaker 3: around with the metronome, went, was that me? That's I

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Speaker 3: think that's an a readers case. Pulps is finalists, perfect

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Speaker 3: pictures for anyone to have perfect picture finalists?

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Speaker 2: Absolutely? Yeah, yeah, you know, speaking of finalists, tons of finalists,

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Speaker 2: kind of storming the culture. Look at this list of

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Speaker 2: things that have happened in culture. Hit all. Look at

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Speaker 2: this list. What you see what's number two on hot ones? Bow?

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Speaker 2: And on hot ones? You have to talk about your experience.

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Speaker 2: Well you want to go in order on the list, Well, literally,

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Speaker 2: the first thing is this is what I wrote down.

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Speaker 2: Wicket is out, critically beloved, huge at the box office.

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Speaker 2: Hold space for that old space with the lyrics, hold

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Speaker 2: space with let's talk about success, because can I just say,

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Speaker 2: let's talk about it, Tracy Gilchrist, if you're listening, I've

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Speaker 2: had the privilege of talking to Tracy before. She is

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Speaker 2: a wonderful journalist. She holds space.

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Speaker 3: She does, and that's exactly what she was doing. Yeah,

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Speaker 3: and this was again important context. I think it's really

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Speaker 3: vital for people to know that this was the week

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Speaker 3: of the election that was recorded the weekly Election. Yes,

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Speaker 3: emotions were high, feelings were raw, Like I think that

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Speaker 3: really touched Cynthia, even if Tracy only saw it on

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Speaker 3: two posts.

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Speaker 2: That well, I work in Crimitius. I have seen a

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Speaker 2: couple of posts the whole thing of the pinky too.

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Speaker 2: It's all funny to me, all so good.

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Speaker 3: Everyone's having fun with it, and you know, like you're

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Speaker 3: gonna get that moment in the press tour with a

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Speaker 3: queer outlet, like out with someone like Tracy who looked fabulous,

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Speaker 3: and she did, she looks great and Also, I just

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Speaker 3: I love that we all kind of got on board

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Speaker 3: with it and lost our minds just a little bit,

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Speaker 3: because God, baldan Down is out here posting it. Tweeting

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Speaker 3: about bald end Down is an icon.

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Speaker 2: The biggest preda is.

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Speaker 3: What I found out after the fact that she was

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Speaker 3: trying to get in on the John Mlaney Chopper own

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Speaker 3: episode of S and Now and I could have so

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Speaker 3: easily on her ticket.

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Speaker 2: Oh that will be made up, and we will make

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Speaker 2: that up to you.

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Speaker 3: Bald end Down, any show you want the season, Please

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Speaker 3: let me know what would happily have you arrived.

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Speaker 2: Come.

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Speaker 3: I'm I'm so sorry. I can make schaple happen. But

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Speaker 3: you are so important to the culture. Balding ePAT, She's

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Speaker 3: accurate tweeting this video is changing the way I talk.

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Speaker 2: Yep was bald Endaud the one that was like, it's

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Speaker 2: a language I don't understand, but they do. Someone was

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Speaker 2: like they are speaking a language fluently with each other

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Speaker 2: that I do not speak, and like breaking down every

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Speaker 2: single thing of it. The holding of just the pinky,

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Speaker 2: the accepting of the compliment as if she wrote the song.

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Speaker 2: That's really powerful. That's really that's what I wanted. That's

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Speaker 2: what I wanted to have. Every element of it is

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Speaker 2: part of a larger conversation that I want to have

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Speaker 2: about the wicked press stour, which is it's incredible, it

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Speaker 2: is so funny and like, it's amazing, it is funny,

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Speaker 2: and the fact that we will think back on this

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Speaker 2: press stour, this is so fun and the image we

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Speaker 2: will have in our brains is Ariana wiping away at

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Speaker 2: the air around her face so she doesn't cry. And

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Speaker 2: that image of them running away from just like them

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Speaker 2: hiding from their own tears, sorates this presstur And the

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Speaker 2: same way that there could be one hundred people in

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Speaker 2: a room serrated the Star Wars press story, we would

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Speaker 2: always remember this press store. And if it's irritating you, honey, honey,

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Speaker 2: you don't want it, it's gonna be. It's gonna be

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Speaker 2: over very soon. We're gonna do it again, and we're

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Speaker 2: gonna do it again next year, who knows, who knows,

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Speaker 2: who knows, But thank you so much for saying that

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Speaker 2: it's funny. It's so funny.

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Speaker 3: Everyone's also like it is sitting next to the fact

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Speaker 3: that they are both giving Oscar worthy performances and.

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Speaker 2: Now we can say it because now they've said it,

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Speaker 2: they being all the critics and everything, like I was

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Speaker 2: saying in the beginning, I was everyone that was kind

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Speaker 2: of like being very gay about it and being like

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Speaker 2: it will be nominated for Oscar Lily, Like, now let's

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Speaker 2: not set a bar that's crazy high totally. But then

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Speaker 2: having seen it, I left being like, Oh, this movie's

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Speaker 2: got it, like it can go the distance because it

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Speaker 2: emotionally works at every emotional beat. Heads. Yes, and the

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Speaker 2: performances are very rich, and the characters are complex and dynamic,

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Speaker 2: and you know the world is so fun. Yes, and

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Speaker 2: now you're seeing I think on gold Derby. As of today,

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Speaker 2: Arianna is in the two spot in Supporting Actress and

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Speaker 2: Cynthia is at seven, And suddenly that best Actress category

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Speaker 2: looks very crowded, dacked, stacked, sacked category.

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Speaker 3: Can I just say when we're thinking about the of course,

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Speaker 3: the crying, Yeah, we got to experience that individually, yes,

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Speaker 3: on this podcast, And let's just say like in the

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Speaker 3: room it gets you. Yeah, And it's and watching Cynthia

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Speaker 3: tear up about this character that she obviously has has

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Speaker 3: sat with for years. Yeah, just let her Yeah, like

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Speaker 3: she delivered. Everything else is just fun, is just fluff basically,

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Speaker 3: you know what I mean, it's actually really Coach number six.

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Speaker 3: Let actresses be actresses. Let actresses be actresses. That's what's

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Speaker 3: what's what they're going to do. And it can confirm

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Speaker 3: from us. I think maybe being the first interview where

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Speaker 3: there were tears shed and this wasn't even when they

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Speaker 3: were together. We separated them.

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Speaker 2: We separated them. The emotions are real, they are very real.

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Speaker 2: Like I'm mom, am I out here just like crying.

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Speaker 2: I was about to say I'm not out here just

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Speaker 2: like crying, but I guess I kind of am. Anytime

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Speaker 2: you do.

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Speaker 3: It's so, it's real, it's real, it's wonderful, it's earned.

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Speaker 3: I don't have the capacity to cry the way that

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Speaker 3: I used to. If something's going on, it's just because

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Speaker 3: I'm tired. Oh you feel too tired to cry? Oh yeah,

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Speaker 3: see when I'm tired, that's when it happened. Oh fun,

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Speaker 3: I'm not classic like.

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Speaker 2: Yeah, yeah, yeah, no, that's great. Let me. I'm just

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Speaker 2: gonna veer away from the tea word. The tea word.

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Speaker 2: Let's go, let's move on. We're not holding space for

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Speaker 2: t word. We're not holding space for TEA word hot ones.

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Speaker 2: I want to hear all about hot ones, because of

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Speaker 2: course all the conversation, you know, as it should be,

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Speaker 2: is all about them doing their press store. You have

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Speaker 2: turned some l e wks and I specifically want to

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Speaker 2: say kudos to you and the number one in the game,

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Speaker 2: Michael Fisher, the number what you wore on the tonight show, Bitch,

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Speaker 2: that suit was everything. Speak about that one. Thank you.

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Speaker 2: Valentino had to toe Valentino very good.

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Speaker 3: They they would not make a single session adjustment because

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Speaker 3: it's Valentine. They go, no, you're wearing You had to

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Speaker 3: tell Valentino he's not wearing anything else.

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Speaker 2: When a house says we're dressing you, you listen to that.

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Speaker 2: Oh my god, period, I'm not. I am not pushing back.

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Speaker 2: That was amazing. That was a great look, Michael Fisher,

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Speaker 2: the king that you are dressing me for my tour.

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Speaker 3: I mean this. This man doesen fu dressed Josh Nira

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Speaker 3: and for the Dick's press tour.

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Speaker 2: Dressing Sebastian Stan for all his stuff. By the way,

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Speaker 2: can we say, can someone fucking up? Maybe this will

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Speaker 2: be my I don't think so, honey, Yeah, but let

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Speaker 2: me just say like right now, actually, you know, I'm

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Speaker 2: gonna hold space on this one. It's Sebastian Stan related

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Speaker 2: at the end of the episode, but that's kind about

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Speaker 2: how it thinks to Honey talk about hot ones.

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Speaker 3: So this is a dream, this is this is like

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Speaker 3: such a cool opportunity. I'm hot, dusk culture down. You

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Speaker 3: did amazing, Thank you. That was so much fun. I

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Speaker 3: left buzzing. My stomach lining was only ruined for like

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Speaker 3: one day. The rest of the day. Then I woke

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Speaker 3: up the next day being like, oh I was I

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Speaker 3: feel fine, but it was an experience on the toilet later,

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Speaker 3: not even on the toilet, it was just like because

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Speaker 3: I had a full like I had a day, I

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Speaker 3: was running around and then it was.

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Speaker 2: Just like, oh my stomach feels awful. So did you

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Speaker 2: have more stuff to do after that? Yeah? Yeah, okay,

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Speaker 2: So they say people that have done it were like,

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Speaker 2: I'm so unhappy that I scheduled more things after that

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Speaker 2: because of the way it fucked me up. You didn't

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Speaker 2: experience all. I didn't experience that.

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Speaker 3: I was just my bowels were irritated, and that was

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Speaker 3: the syndrome I had.

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Speaker 2: IBS.

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Speaker 3: I hear you in that moment, and then just in general,

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Speaker 3: I was worried about you as someone whose stomach is volatile.

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Speaker 2: Wait, is this a thing about me? Because I have

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Speaker 2: multiple toilet with you, in a room with you so

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Speaker 2: many times.

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Speaker 3: Sure, multiple people are like you are king of my

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Speaker 3: tummy hurts, and I'm like, I don't say those words.

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Speaker 2: No, I don't think you ever say that. I just

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Speaker 2: think you will have an intense bowel reaction. Well, I

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Speaker 2: got my got biown checks. There, you got.

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Speaker 3: What's the I'm so, I'm overall fine. I have a

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Speaker 3: huge overpopulation of one fauna, which is the bacteria that

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Speaker 3: creates all I guess.

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Speaker 2: This is going to connect you with a lot of people.

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Speaker 2: Oh yeah, yeah, yeah, guys. This is not for the

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Speaker 2: first time I've said this. Look it up.

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Speaker 3: This is not sponsored Florea dot com f L O

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Speaker 3: r E not dot com.

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Speaker 2: Just Google Florea, got buy dot gov? It should dot gov.

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Speaker 3: Well, and the Biden administration because it's RFK Junior.

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Speaker 2: Sure ain't touching that. No, we can't talk about it.

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Speaker 2: But poop in the tube. Send it in. It will

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Speaker 2: show you the world. Oh this is this is a

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Speaker 2: call back to your poop in the tube. This is

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Speaker 2: the poop and the two. Oh, so this is what

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Speaker 2: it ended up saying, yes, and it's it was very

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Speaker 2: valuable information, especially because you were going on the Hot

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Speaker 2: one show.

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Speaker 3: Yes, and I'm taking my you did custom made me

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Speaker 3: pre biotic.

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Speaker 2: How much of the experience was enjoyable from a taste perspective,

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Speaker 2: so enjoyable, I would say.

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Speaker 3: They're all very good hot tosses except Debam, which I

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Speaker 3: always knew was that girl when Charlie's there and described

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Speaker 3: it as battery acid. I said, well, now I know

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Speaker 3: exactly what I'm in for. And it was even worse

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Speaker 3: than I thought.

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Speaker 2: Even worse than No, I have some? Do you want to

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Speaker 2: try some? Oh? Kind of? Is it going to ruin

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Speaker 2: my night? They let you take it with you. Part

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Speaker 2: of the gift bag, part of this back bag is

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Speaker 2: they give you one bottle of each. Do you want to?

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Speaker 2: Are you kidding me? And we're having chicken tonight? Right?

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Speaker 2: We're having chicken tonight? But should I wait? Or should

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Speaker 2: I do it? Should I do want a dap just

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Speaker 2: a little bit? Yeah, let's do a little dab episode,

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Speaker 2: just one little dap. I don't want you. I'm gonna

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Speaker 2: I swear to God, no this is a huge moment.

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Speaker 2: I don't need milk. You don't have any milk. You

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Speaker 2: know what's funny about the milk of it all? I

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Speaker 2: actually love drinking milk. Yes, me too, I love milk.

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Speaker 2: That would be one of my favorite parts of being on.

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Speaker 2: It's the case and washes away the spice. Do you

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Speaker 2: want to try it? You know what, I'm actually not

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Speaker 2: gonna try it, just because we have a full night

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Speaker 2: of friends coming over and if I react badly, I

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Speaker 2: don't know. I want that. And also I'm going to

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Speaker 2: hold space for my opportunity to one day do the show. Yes, no, man,

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Speaker 2: So I'm gonna let I'm gonna kick it down that

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Speaker 2: I'm gonna keep this way for myself that I wanted

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Speaker 2: to get the opportunity to go. You will show, absolutely will, Matt.

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Speaker 2: You are you are literally the superstar of my life. Okay,

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Speaker 2: that's enough. More on.

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Speaker 3: More on Sean Evan and chemistry with that was there chemistry?

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Speaker 3: I just find him to be so charming and he's

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Speaker 3: so thoughtful, such a great interviewer.

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Speaker 2: Just comment below if you think that there was chemistry.

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Speaker 2: Clip if you think she should suffer.

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Speaker 3: Handsome guy, very handsome man, he is very handsome, and

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Speaker 3: I bet in person it's even better.

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Speaker 2: Yeah, totally.

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Speaker 3: But like, listen, you know me, like when I see someone,

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Speaker 3: I'm not a big flirt. You don't think unless I

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Speaker 3: really call my target, I'm like, I want to flirt

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Speaker 3: with that person. M I'm just like, no, I'm a

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Speaker 3: big flirt. I know you are who who loves that?

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Speaker 3: Does someone knock?

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Speaker 2: Okay, while he goes and checks and sees if someone

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Speaker 2: just knocked, even though it's an hour before someone is

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Speaker 2: supposed to be here, I'm gonna say so, he asked

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Speaker 2: you actually this act, so it was all a great experience.

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Speaker 2: You definitely were flirting. You said that he mirrors, he mirrors,

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Speaker 2: so he so whatever you just by the way, let's

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Speaker 2: just get this out of the way. I chose tenders. Yes, yes, yes,

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Speaker 2: people are a wonder I love. I love a way.

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Speaker 3: I didn't want to deal with bones that day because

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Speaker 3: that just gets my my fingers get too oily and

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Speaker 3: it just becomes a whole.

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Speaker 2: I think you in even closer to legendary status when

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Speaker 2: you chose tenders. Why why do you say something? Because

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Speaker 2: I feel like a lot of people don't do that.

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Speaker 2: I feel like people are just like, oh, no, I'll

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Speaker 2: do the wing thing. Because I also think there is

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Speaker 2: this ideology that like you're gonna go do the wing show,

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Speaker 2: and like maybe this is like, you know, the patriarchy speaking,

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Speaker 2: but it's like a real wing is on the bone,

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Speaker 2: but you queer culture, you'll take it on the tender.

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Speaker 3: Absolutely taken on the tender. Plus it's it's a bigger bite.

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Speaker 3: It's more surface area. Like yeah, with a wing, you're

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Speaker 3: kind of just like what puncturing the skin with your

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Speaker 3: teeth and then you nibble this a little bit off

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Speaker 3: and then it just kind of like it's a little

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Speaker 3: I don't.

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Speaker 2: Know something about a tender. It's like you are. Yeah,

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Speaker 2: I took some bites and I wouldn't understand that with

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Speaker 2: a wing. Did you eat a lot of them? Or

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Speaker 2: is a bite of each bite eight about a half

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Speaker 2: of each And for some of them, like those early ones,

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Speaker 2: I was like little dicks. It's the pair one. Yeah,

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Speaker 2: oh that was interesting. I don't think i'd seen that one.

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Speaker 3: But paar and ghost pepper or pair and habernaro. That's

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Speaker 3: a wonderful sauce. I'm so excited to have it in

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Speaker 3: my pantry.

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Speaker 2: So you are one who has the bomb in your house.

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Speaker 2: Now you have a weapon in your home. I have

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Speaker 2: a weapon. You don't need to get a gun. Oh yeah,

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Speaker 2: I'm someone comes into my house, I'm throwing that in

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Speaker 2: their eyes. It's the bomb on site. Beyond ins beyond insanity.

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Speaker 2: It's that bad. That bad. And the last dab delicious

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Speaker 2: really okay good because it really, it really does.

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Speaker 3: It peaks at the bomb and then like the last

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Speaker 3: stabbed so but I noticed you did have a hard.

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Speaker 2: Time with the second and last one too, like it

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Speaker 2: was it wasn't food after it wasn't good.

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Speaker 3: I would have tolerated it if the order had been

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Speaker 3: the second life, if the bomb was the second last,

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Speaker 3: you know what I mean?

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Speaker 2: Like I hear you like all the way up to

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Speaker 2: de bomb, I was like, this isn't that bad? I

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Speaker 2: love you know, like my my sesshwenties food. I love

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Speaker 2: my spices.

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Speaker 3: I I look up hot sauce production videos when I'm

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Speaker 3: eating a spicy meal at home by my lonesome.

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Speaker 2: You were a legend on that thank you, and you

350
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Speaker 2: were dragging your outside. But I thought, again, Michael Fisher

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Speaker 2: killed Michael Fisher. That was a ware. It's so fun. Yeah,

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Speaker 2: it was good.

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Speaker 3: That was a great time. I'm so grateful I got

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Speaker 3: to do it and that whole crew, that staff. There

355
00:16:07,240 --> 00:16:12,760
Speaker 3: loveliest people, the loveliest people in digital media, and we

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Speaker 3: love First we faced a lot of people in the

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Speaker 3: comments saying who is this guy?

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Speaker 2: And I go, really, at this point, this is my

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Speaker 2: this is my thing. I go, no one can possibly

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Speaker 2: know who everyone is in the culture. Oh yeah, I

361
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Speaker 2: really don't think so nothing, Like I don't even know

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Speaker 2: who this is. It's like, okay, I don't know who

363
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Speaker 2: half of the girls are and I don't know either,

364
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Speaker 2: So like it's that's not a it's not a thing

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Speaker 2: worth spending your thumb muscle energy typing. Oh so, it's like,

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Speaker 2: if you're commenting on a video, who is this person?

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Speaker 2: And the person you're talking about is in the video.

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Speaker 2: Maybe if you watch the video you'll find a little

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Speaker 2: bit of it, maybe you're about maybe you learn more

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Speaker 2: about the person that you're Yeah, yeah, yeah, but you're

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Speaker 2: in lack in terms of knowledge about I thought it

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Speaker 2: was a wonderful appearance. And when he asked you your

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Speaker 2: mount rushmore of albums for the year, I did not

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00:16:59,440 --> 00:17:01,560
Speaker 2: leave that brap either way. They cut around that you

375
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Speaker 2: definitely didn't have Brat in the episode.

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Speaker 3: Yeah, that like it was, and people are calling me

377
00:17:06,160 --> 00:17:08,600
Speaker 3: on it and rightfully, but I think what we must

378
00:17:08,920 --> 00:17:10,879
Speaker 3: what you must understand, is that I did, of course

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Speaker 3: give Bratt's flowers.

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Speaker 2: Do you want to in an episode that we will

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Speaker 2: not edit because this episode never has had its one

382
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Speaker 2: every time? What is your actual amount? Rushmore of pop albums?

383
00:17:20,600 --> 00:17:23,359
Speaker 2: And they're before so this will lead us into the

384
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Speaker 2: Grammy nominations category. But I mean because we didn't get

385
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Speaker 2: to talk.

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Speaker 3: About it, I think you didn't get to talk about it.

387
00:17:28,119 --> 00:17:32,840
Speaker 3: And things have since changed with Beyonce with this Christmas

388
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Speaker 3: Yes performance. Yes, So I'm very excited about that. Me Zoo,

389
00:17:36,680 --> 00:17:38,639
Speaker 3: that does change things for me. I'm like, thank you,

390
00:17:38,760 --> 00:17:40,960
Speaker 3: She's giving us a moment with Cowboy Carter. I would

391
00:17:40,960 --> 00:17:44,159
Speaker 3: put Cowboy Carter up there Brat for sure. See this

392
00:17:44,200 --> 00:17:46,440
Speaker 3: is where it gets hard. I got two more slots.

393
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Speaker 3: I'm gonna say short and Sweet.

394
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Speaker 2: Which didn't make it in the episode, and I revisited

395
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Speaker 2: this week because I'm just like, this woman has the

396
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Speaker 2: number one movie, the number one album, has had a

397
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Speaker 2: number one album this year, and when single Eternal sentine

398
00:18:01,760 --> 00:18:05,200
Speaker 2: is still so fucking Eternal Sunshine is fucking phenomenal. In fact,

399
00:18:05,240 --> 00:18:07,440
Speaker 2: I was wearing like the sweatshirt the other day, and

400
00:18:07,760 --> 00:18:10,600
Speaker 2: the merch goes off to speaking of a merch, I

401
00:18:10,680 --> 00:18:14,040
Speaker 2: have Sabrina Carpenter Short and Sweet. I'm happy you said

402
00:18:14,240 --> 00:18:16,840
Speaker 2: it has now re emerged back in the I don't

403
00:18:16,840 --> 00:18:19,160
Speaker 2: know why I pit that against Eternal Sunshine. They're both

404
00:18:19,560 --> 00:18:21,919
Speaker 2: excellent albums and very emblematic of the year I went

405
00:18:21,960 --> 00:18:23,560
Speaker 2: to the tour. Please tell me you were there when

406
00:18:23,600 --> 00:18:26,760
Speaker 2: Domingo was there. I was there when Domingo was arrested,

407
00:18:26,960 --> 00:18:29,360
Speaker 2: and it was he was arrested for being too hot.

408
00:18:29,920 --> 00:18:34,480
Speaker 2: Like the show was great. Of this show funny, so funny.

409
00:18:34,640 --> 00:18:37,640
Speaker 2: Every song is good. Also, not only is every song

410
00:18:37,720 --> 00:18:39,840
Speaker 2: and Short and Sweet good, And obviously in the show

411
00:18:40,720 --> 00:18:44,240
Speaker 2: Justice for Tornado warnings. Oh, go back and listen to

412
00:18:44,400 --> 00:18:50,200
Speaker 2: Tornado Walls. Yes, she knows, she knows how. It's like

413
00:18:50,280 --> 00:18:52,840
Speaker 2: a really fun part of the show and just like

414
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Speaker 2: I don't know, just the whole thing is a blast.

415
00:18:55,119 --> 00:18:58,120
Speaker 2: Like Marcelo being up there as Domingo was so fun.

416
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Speaker 2: Did you know what that guy did? Yeah, he flew

417
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Speaker 2: out the writer writers.

418
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Speaker 3: He spent his own coin and flew out the writers

419
00:19:04,000 --> 00:19:07,040
Speaker 3: good and flew out on Kara and Hair the amazing

420
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Speaker 3: Karen the wig Maker.

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Speaker 2: What a fun moment. It was great. I was really

422
00:19:10,680 --> 00:19:12,000
Speaker 2: happy to be there for that, and it was a

423
00:19:12,040 --> 00:19:15,720
Speaker 2: really fun concert, really really just like a oh. Then

424
00:19:15,760 --> 00:19:19,760
Speaker 2: I turned around, who's sitting next to each other behind me?

425
00:19:19,880 --> 00:19:22,920
Speaker 2: And literally the entire I felt so weird about this

426
00:19:23,000 --> 00:19:26,480
Speaker 2: because the entire stadium turns around and looks at the

427
00:19:26,560 --> 00:19:31,240
Speaker 2: fact that je Jeffreys were there. Oh my god, I

428
00:19:31,320 --> 00:19:33,960
Speaker 2: knew when they were catching up. Oh, and he was like,

429
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Speaker 2: how do you spell your name again? It's coming up

430
00:19:36,480 --> 00:19:38,560
Speaker 2: on the holidays. It's like, what the three year anniversary

431
00:19:38,600 --> 00:19:41,600
Speaker 2: of our Gaylayan episode? You gotta try tois That's some

432
00:19:41,720 --> 00:19:44,680
Speaker 2: of my proudest words, honestly, the Twelve Days of Christmas,

433
00:19:44,840 --> 00:19:48,040
Speaker 2: the McDonald's episode, and the Gilayan episode and the Mary

434
00:19:48,160 --> 00:19:50,840
Speaker 2: m Cosbia But twelve Days of chres The culture should

435
00:19:50,920 --> 00:19:55,120
Speaker 2: do that again. Maybe we should yea four years has

436
00:19:55,200 --> 00:19:59,680
Speaker 2: it been? I guess yeah, because that was twenty twenty twenty. Okay,

437
00:19:59,760 --> 00:20:02,560
Speaker 2: so what was I saying? Oh? John Mayer and oh

438
00:20:02,640 --> 00:20:06,120
Speaker 2: John Mayer and Katy Perry in the same but well,

439
00:20:06,240 --> 00:20:08,440
Speaker 2: they clearly didn't know what was happening. And then I

440
00:20:08,520 --> 00:20:11,480
Speaker 2: felt weird because everyone was turned with their phones out

441
00:20:11,520 --> 00:20:13,399
Speaker 2: facing them, watching them talk, and I was just like

442
00:20:13,480 --> 00:20:16,040
Speaker 2: facing forward, like you guys, please don't like.

443
00:20:16,160 --> 00:20:18,719
Speaker 3: That's not But in the words of Jenner Maroney, respect

444
00:20:18,760 --> 00:20:20,400
Speaker 3: celebrity privacy, respect.

445
00:20:20,080 --> 00:20:25,760
Speaker 2: Celebrity privacy, celebrity rights. But everyone was enjoying the short

446
00:20:25,800 --> 00:20:28,880
Speaker 2: and sweet tour. How did Juno go? Juno was amazing?

447
00:20:29,920 --> 00:20:33,680
Speaker 2: Bad can looked so chem is great? Is Juno is

448
00:20:33,760 --> 00:20:38,560
Speaker 2: probably now? Nowadays? Yeah, this song I listened to the

449
00:20:38,680 --> 00:20:41,959
Speaker 2: Oh it's fantastic. By the way, Nonsense Christmas looks so fun,

450
00:20:42,440 --> 00:20:45,920
Speaker 2: Lauren Mandell Culture Awards. The only reason you produced that

451
00:20:46,119 --> 00:20:50,120
Speaker 2: to produce that down she produced nonsense Christmas. Yeah, we say, yeah,

452
00:20:50,160 --> 00:20:51,760
Speaker 2: we can say. I mean, we try to move heaven

453
00:20:51,760 --> 00:20:53,960
Speaker 2: and Earth to do everywhere asked, asked to be in it.

454
00:20:54,680 --> 00:20:57,280
Speaker 2: We can make it work. We're so to be lovey Sabrina.

455
00:20:57,440 --> 00:21:01,320
Speaker 2: We were actually doing a Culture Awards related thing in

456
00:21:01,600 --> 00:21:03,920
Speaker 2: la and she was shooting it in New York and

457
00:21:04,040 --> 00:21:06,399
Speaker 2: we heard we got the ask and that would have

458
00:21:06,440 --> 00:21:08,880
Speaker 2: been so fun. But it's been so fun. Oh well,

459
00:21:09,280 --> 00:21:12,600
Speaker 2: next year is none sense? Christmas, Christmas. She's the perfect

460
00:21:12,720 --> 00:21:16,400
Speaker 2: person to do a Christmas special. It's the humor. It's

461
00:21:16,480 --> 00:21:18,320
Speaker 2: the Oh my god, if I just had the word

462
00:21:18,400 --> 00:21:21,159
Speaker 2: humor after that, Oh my god, that was such a

463
00:21:21,240 --> 00:21:23,440
Speaker 2: fun episode. Wasn't that fun? I listened back and I

464
00:21:23,480 --> 00:21:25,040
Speaker 2: was like, Wow, this is even more fun than I remember.

465
00:21:25,359 --> 00:21:29,920
Speaker 2: It's also about a pancake berk. Okay, what else is

466
00:21:29,960 --> 00:21:32,639
Speaker 2: on the list? I have Charlie XCX on SNL. So

467
00:21:32,960 --> 00:21:35,080
Speaker 2: that episode was so much fun. I have to say

468
00:21:35,240 --> 00:21:42,640
Speaker 2: Shrek oh actually is back. Shrek is now permanent relevant monoculture.

469
00:21:42,720 --> 00:21:45,399
Speaker 2: It's actually a rural culture. Number fifteen. Shrek is now

470
00:21:46,119 --> 00:21:50,680
Speaker 2: permanent relevant monoculture. There's never a time because by the

471
00:21:50,680 --> 00:21:52,400
Speaker 2: way they keep coming out with shreks.

472
00:21:52,760 --> 00:21:56,680
Speaker 3: Yes, Rerek Five's coming, and also Puss in boots is oh,

473
00:21:57,520 --> 00:22:02,200
Speaker 3: beIN off, come on, but Shrek will never not. What

474
00:22:02,280 --> 00:22:05,200
Speaker 3: about you sent me a Lord Farquad.

475
00:22:04,840 --> 00:22:08,280
Speaker 2: Thing the other day. I don't know why this is.

476
00:22:08,440 --> 00:22:12,280
Speaker 2: So I don't know why this happened, but I found

477
00:22:12,359 --> 00:22:16,159
Speaker 2: myself I like woke up from a blackout and was like,

478
00:22:16,400 --> 00:22:21,640
Speaker 2: on Lord Farquad's Wikipedia, like looking at like information about

479
00:22:21,680 --> 00:22:23,320
Speaker 2: his past, and I just like was like, I don't

480
00:22:23,320 --> 00:22:25,240
Speaker 2: know why I'm here. I'm screenshotting this and putting this

481
00:22:25,359 --> 00:22:29,720
Speaker 2: on my story. But it was basically like it was

482
00:22:29,800 --> 00:22:32,560
Speaker 2: like farquad like like but I forget. It was like

483
00:22:32,600 --> 00:22:36,000
Speaker 2: his basic info and I was just like, I don't

484
00:22:36,040 --> 00:22:39,640
Speaker 2: know why I'm here, But the reason is because Shrek

485
00:22:39,760 --> 00:22:42,000
Speaker 2: is on the plane. Shrek is never gonna be far

486
00:22:42,280 --> 00:22:47,320
Speaker 2: from top of mind. Everyone. Not everyone. I had the privilege.

487
00:22:47,760 --> 00:22:50,200
Speaker 2: Oh my god, I go to the Today Show and

488
00:22:50,280 --> 00:22:52,600
Speaker 2: then I'm here going tomorrow morning. Huh, I'm actually going

489
00:22:52,600 --> 00:22:55,679
Speaker 2: tomorrow morning. Yeah, I'm on the nine am hour. Oh

490
00:22:55,800 --> 00:22:58,880
Speaker 2: my god, we're talking to hold on Johnna. No, I'm

491
00:22:58,920 --> 00:23:01,680
Speaker 2: talking to reading. I'm reading the Now from Now and

492
00:23:01,760 --> 00:23:05,439
Speaker 2: Crag and everybody. Oh yeahell crag Auroker. If you can

493
00:23:05,480 --> 00:23:08,320
Speaker 2: talk to Sean Hickey today, Jenna Enhota want us to

494
00:23:08,359 --> 00:23:10,640
Speaker 2: do something? What do they want us to do? Because

495
00:23:10,640 --> 00:23:12,159
Speaker 2: you said at the end of segment there's going to

496
00:23:12,200 --> 00:23:14,760
Speaker 2: be a surprise and a surprise for Hoda but Hoota

497
00:23:14,840 --> 00:23:16,440
Speaker 2: kind of knows about it. But I'm gonna tell you

498
00:23:16,480 --> 00:23:19,720
Speaker 2: off link. Okay, I'm into it. I'm interested because I

499
00:23:19,800 --> 00:23:24,080
Speaker 2: keep wanting to go involve us recording something in the studio. Wow.

500
00:23:24,840 --> 00:23:27,600
Speaker 2: Oh okay, Now I think I have an idea about

501
00:23:27,640 --> 00:23:29,600
Speaker 2: what this might be. And obviously you know I'm interested.

502
00:23:29,720 --> 00:23:32,359
Speaker 3: I'm so interested to send off hote Kodby Are you

503
00:23:32,440 --> 00:23:36,080
Speaker 3: kidding me? WHOA, Sorry, I'm saying too much. Hote a legend,

504
00:23:36,200 --> 00:23:36,800
Speaker 3: hote a legend.

505
00:23:37,200 --> 00:23:38,080
Speaker 2: She is a legend.

506
00:23:38,280 --> 00:23:40,080
Speaker 3: Oh my god, I can't believe I got to look

507
00:23:40,080 --> 00:23:41,720
Speaker 3: her in the eyes and say thank you so much

508
00:23:42,200 --> 00:23:44,479
Speaker 3: for the years you put in and for sharing everything

509
00:23:44,480 --> 00:23:46,800
Speaker 3: about your life with us, about Hope and with and

510
00:23:46,920 --> 00:23:48,760
Speaker 3: Haley like that is so special.

511
00:23:49,480 --> 00:23:51,919
Speaker 2: God, I love her just the best? Would it be? Oh?

512
00:23:52,119 --> 00:23:53,040
Speaker 2: I was on Today's show?

513
00:23:53,440 --> 00:23:58,080
Speaker 3: And then in between segments, first of all, the stunning, wonderful,

514
00:23:58,920 --> 00:24:00,200
Speaker 3: incredible pal Mescal.

515
00:24:00,560 --> 00:24:02,680
Speaker 2: And I are next to each other in the dressing rooms.

516
00:24:02,720 --> 00:24:04,639
Speaker 2: Oh my god, she got to introduce herself to each other.

517
00:24:04,800 --> 00:24:07,040
Speaker 2: He's so excited, He's I can't wait for him to host.

518
00:24:07,160 --> 00:24:08,600
Speaker 2: Oh yes, he's show.

519
00:24:09,119 --> 00:24:13,240
Speaker 3: And then lovely staff member on Today goes. But when

520
00:24:13,840 --> 00:24:17,200
Speaker 3: John Liftgo would like for you to say hello, John Liftket,

521
00:24:17,320 --> 00:24:19,560
Speaker 3: Lord Farquad himself, Wow, this is.

522
00:24:22,680 --> 00:24:24,960
Speaker 2: Couldn't have been nice. John liftg would like for you

523
00:24:25,080 --> 00:24:27,040
Speaker 2: to say hello. I was like I was being invited

524
00:24:27,080 --> 00:24:28,760
Speaker 2: to meet the King. Wow, I mean in a way,

525
00:24:28,880 --> 00:24:31,760
Speaker 2: in a way I've met him years ago. I interviewed

526
00:24:31,840 --> 00:24:34,680
Speaker 2: him and Blithe Danner about a movie at Sundance, and

527
00:24:34,800 --> 00:24:38,000
Speaker 2: they do they have the gravitas. They are like Americ.

528
00:24:38,320 --> 00:24:41,680
Speaker 3: People constantly think he's British, Yeah, even though he's American.

529
00:24:41,840 --> 00:24:43,639
Speaker 2: Yes, probably because the Churchill of it all is the

530
00:24:43,680 --> 00:24:44,239
Speaker 2: Churchill of it all.

531
00:24:44,280 --> 00:24:47,440
Speaker 3: But anyway, Shrek is on the brain farqquad. You know,

532
00:24:47,560 --> 00:24:49,720
Speaker 3: I never got until years later that it's supposed to

533
00:24:49,720 --> 00:24:50,800
Speaker 3: be like a play on fuquad.

534
00:24:51,400 --> 00:24:53,960
Speaker 2: Oh is it really? Yes? See the thing about Shrek

535
00:24:54,240 --> 00:24:57,560
Speaker 2: it was subversive, very subversive. I'll never forget. Like my

536
00:24:57,680 --> 00:25:01,040
Speaker 2: grandfather was fighting me and when we was a kid,

537
00:25:01,560 --> 00:25:03,760
Speaker 2: he was like, you really want to see this movie? Yes?

538
00:25:04,359 --> 00:25:05,719
Speaker 2: I was like, I want to see it. It has

539
00:25:05,760 --> 00:25:09,000
Speaker 2: a good review in Newsday, which was the Long Island newspaper.

540
00:25:09,160 --> 00:25:11,000
Speaker 2: I was like, it has three stars, and newspaper, we're

541
00:25:11,040 --> 00:25:13,600
Speaker 2: going it might even have four stars because whoever was

542
00:25:13,680 --> 00:25:18,159
Speaker 2: reviewing that Newsday fucking understood the assignment. Yes, And my

543
00:25:18,240 --> 00:25:19,879
Speaker 2: grandfather was like, all right, I can't believe we're going

544
00:25:19,920 --> 00:25:22,720
Speaker 2: to see Shriek. And so we go there and immediately

545
00:25:22,800 --> 00:25:27,040
Speaker 2: it starts giving this most biting humor. Yes, and he

546
00:25:27,160 --> 00:25:31,200
Speaker 2: was Monday said, du luck is oh perfect, Please please

547
00:25:31,280 --> 00:25:33,439
Speaker 2: keepop up at the grasshand your shoes wipe her face.

548
00:25:34,320 --> 00:25:38,320
Speaker 2: So come on, this is great comedic work.

549
00:25:38,400 --> 00:25:40,920
Speaker 3: Jennifer Saunders thinging holding out for a hero in the

550
00:25:41,000 --> 00:25:45,520
Speaker 3: second one, Yes, Rupert Everett playing Prince Charming. That was

551
00:25:45,560 --> 00:25:47,399
Speaker 3: the first time they let a gay man really go

552
00:25:47,520 --> 00:25:48,480
Speaker 3: off into Fantasy world.

553
00:25:48,960 --> 00:25:53,760
Speaker 2: Rupert Everett walked. So Jonathan Billy, Oh good period, twirl

554
00:25:53,920 --> 00:25:56,199
Speaker 2: his ass. Thank you for that close up shop by

555
00:25:56,240 --> 00:25:58,400
Speaker 2: the way, you know the shot I'm talking about, y'all. Yeah,

556
00:25:58,480 --> 00:26:00,560
Speaker 2: you know Dance in your Life where he yeah, really

557
00:26:00,640 --> 00:26:02,080
Speaker 2: has asked in face If you get to see that

558
00:26:02,160 --> 00:26:04,240
Speaker 2: twenty feet tall at Imax, I'm so happy for you.

559
00:26:04,359 --> 00:26:06,560
Speaker 2: It's wonderful. But I've been a fan of Jonathan Billy's

560
00:26:06,560 --> 00:26:09,879
Speaker 2: Austince Bridgerton since Bridgerton in the first episode. You see it,

561
00:26:10,000 --> 00:26:13,639
Speaker 2: and it's all it's going since crashing, since Final Fantasy fourteen.

562
00:26:13,680 --> 00:26:16,199
Speaker 2: I'm going to keep saying it. Fellow travelers too. I mean,

563
00:26:16,280 --> 00:26:20,200
Speaker 2: the sex scenes and fellow travelers are real and intense.

564
00:26:20,960 --> 00:26:23,760
Speaker 2: Happy for everyone involved. It's so happy for those boys

565
00:26:23,880 --> 00:26:27,360
Speaker 2: that they got to live their dream. But no, what else?

566
00:26:27,400 --> 00:26:30,000
Speaker 2: What else about? I oh so so so so that

567
00:26:30,080 --> 00:26:32,240
Speaker 2: we changed to distrect the musical and then she was

568
00:26:32,440 --> 00:26:35,159
Speaker 2: so fun. So did you know from Charlie that she

569
00:26:35,320 --> 00:26:37,000
Speaker 2: was doing Coachella? Did she tell you that? We know

570
00:26:37,280 --> 00:26:40,520
Speaker 2: she didn't. It's a very close. Now they've announced Coachella

571
00:26:40,560 --> 00:26:44,800
Speaker 2: for next year Daga headline. And when she took to

572
00:26:44,880 --> 00:26:48,639
Speaker 2: Instagram and said I have long dreamed of hosting a

573
00:26:48,760 --> 00:26:51,160
Speaker 2: night of Chaos in the desert, I said, you better

574
00:26:51,280 --> 00:26:53,440
Speaker 2: talk to us about what you've long dreamed about.

575
00:26:53,760 --> 00:26:56,280
Speaker 3: I'm long dreamed of toasting a night of chaos in

576
00:26:56,320 --> 00:26:59,920
Speaker 3: the desert, right right, right, right, So the desert is

577
00:27:00,080 --> 00:27:04,960
Speaker 3: the place for chaos, right, Gaga ending every sentence with right, perfect,

578
00:27:05,119 --> 00:27:05,439
Speaker 3: It's right.

579
00:27:06,880 --> 00:27:08,679
Speaker 2: She's going to be out there. So it's first of all,

580
00:27:08,760 --> 00:27:12,959
Speaker 2: Friday Night is going to be freakish. Missy Elliott into Gaga.

581
00:27:13,200 --> 00:27:15,920
Speaker 2: I can't believe. So, I can't believe you're working. I

582
00:27:16,000 --> 00:27:17,560
Speaker 2: can go to second week, I can't for the first.

583
00:27:17,920 --> 00:27:21,800
Speaker 2: Oh God, literally flying in Sunday to go to Are

584
00:27:21,840 --> 00:27:24,159
Speaker 2: you actually going to get that? But do you know

585
00:27:24,240 --> 00:27:27,439
Speaker 2: I haven't, mister Malone, Yes, oh, post Malone on Sundays,

586
00:27:27,920 --> 00:27:29,520
Speaker 2: Megan the Stallion, I am.

587
00:27:29,520 --> 00:27:32,159
Speaker 3: Just devastated to miss Charlie and Gaga and Missy Like,

588
00:27:32,240 --> 00:27:34,480
Speaker 3: I'm like, that is really Green Day.

589
00:27:34,480 --> 00:27:36,680
Speaker 2: I love Green Day. It's a pretty tough series of

590
00:27:36,760 --> 00:27:39,960
Speaker 2: acts Tomists, but it's going to be worth it. Sunday

591
00:27:40,040 --> 00:27:41,920
Speaker 2: is going to be amazing. We're gonna have a great time,

592
00:27:42,080 --> 00:27:45,480
Speaker 2: Yes we will. I'm so excited about Twigs, Oh my god.

593
00:27:45,800 --> 00:27:48,120
Speaker 2: Like the lineup is good, like I would say it's

594
00:27:48,560 --> 00:27:51,440
Speaker 2: more exciting in the headliner space. But the thing about

595
00:27:51,480 --> 00:27:53,320
Speaker 2: like not knowing a lot of the people on the

596
00:27:53,520 --> 00:27:55,760
Speaker 2: because I'm not familiar with a lot of the acts,

597
00:27:55,880 --> 00:27:59,439
Speaker 2: like below the line, below the line is you discover

598
00:27:59,560 --> 00:28:01,520
Speaker 2: them and it's gonna be fun. It's gonna be great.

599
00:28:01,560 --> 00:28:03,560
Speaker 2: I'm really That's that's how Chapel blew up.

600
00:28:03,840 --> 00:28:06,560
Speaker 3: Yes, so you know, like that is Coachella at its

601
00:28:06,680 --> 00:28:09,040
Speaker 3: best when it's like, oh this is a place where

602
00:28:09,080 --> 00:28:10,800
Speaker 3: people like find someone.

603
00:28:11,080 --> 00:28:14,400
Speaker 2: Yeah, Chapel roon and the Gobi tent going absolutely off.

604
00:28:14,560 --> 00:28:16,640
Speaker 2: You better go see Tea Pain this year. Oh there's

605
00:28:16,680 --> 00:28:18,880
Speaker 2: no way I'm missing Tea Pain. My story last year,

606
00:28:19,000 --> 00:28:21,480
Speaker 2: Dave Mazzoni and I were all we wanted was to

607
00:28:21,520 --> 00:28:23,920
Speaker 2: see Tea Pain, but the Heineken House where he was

608
00:28:23,960 --> 00:28:28,879
Speaker 2: performing was absolutely it's give. We had to do te

609
00:28:29,000 --> 00:28:33,280
Speaker 2: Pain in the Coachella. I was there for my absolute sponsorship. Like,

610
00:28:33,400 --> 00:28:35,960
Speaker 2: listen to this fucking sentence, you got to go. That's

611
00:28:36,040 --> 00:28:38,240
Speaker 2: I did. I did get to go. I'm so excited.

612
00:28:38,280 --> 00:28:50,320
Speaker 2: I cannot wait. I cannot wait. I was hanging out

613
00:28:50,320 --> 00:28:52,160
Speaker 2: with some friends the other night and just doing gay

614
00:28:52,240 --> 00:28:54,920
Speaker 2: music videos and Disease came on and I go, this

615
00:28:55,160 --> 00:28:59,000
Speaker 2: fucking video rules. It really does rules. It's so good.

616
00:28:59,400 --> 00:29:01,880
Speaker 3: Yeah, it's like like something's going on in the culture

617
00:29:01,920 --> 00:29:03,800
Speaker 3: right now where a lot of people are doing stuff

618
00:29:03,840 --> 00:29:04,480
Speaker 3: in the suburbs.

619
00:29:05,280 --> 00:29:08,400
Speaker 2: Yeah, in the music video space, what do you think

620
00:29:08,760 --> 00:29:09,560
Speaker 2: is it to appeal?

621
00:29:10,120 --> 00:29:13,280
Speaker 3: No, no, no, I think it's just it's just a

622
00:29:13,360 --> 00:29:16,160
Speaker 3: fun backdrop always, especially when you have Debactri going on.

623
00:29:16,840 --> 00:29:19,680
Speaker 2: Do you have any thoughts on, speaking of the music space,

624
00:29:19,760 --> 00:29:21,520
Speaker 2: any thoughts on the Grammy nominations.

625
00:29:21,960 --> 00:29:25,400
Speaker 3: I'm very excited. I Awards season is upon Awards, season

626
00:29:25,480 --> 00:29:29,400
Speaker 3: is upon us. I think for the most part, like

627
00:29:29,560 --> 00:29:32,800
Speaker 3: what we wanted. Yeah, I think exactly what I wanted.

628
00:29:33,000 --> 00:29:37,720
Speaker 3: But obviously Ari was snubbed. Barri snubs and she's like,

629
00:29:37,760 --> 00:29:39,360
Speaker 3: I don't care. She's like, I've got Well, it's not

630
00:29:39,440 --> 00:29:41,640
Speaker 3: that she doesn't care. I think she's just like, I'm

631
00:29:41,680 --> 00:29:44,440
Speaker 3: on a totally different journey. I'm so proud of that album,

632
00:29:45,240 --> 00:29:47,600
Speaker 3: but it's not top of mind, and in a way

633
00:29:47,640 --> 00:29:48,560
Speaker 3: that I think is so healthy.

634
00:29:48,960 --> 00:29:51,720
Speaker 2: My thing is like she's gonna get an OSCAR nomination,

635
00:29:52,000 --> 00:29:54,560
Speaker 2: and of the nominations she did get, she can now

636
00:29:54,640 --> 00:29:58,160
Speaker 2: say that she's nominated for a Grammy alongside Brandy and Monica,

637
00:29:58,840 --> 00:30:01,560
Speaker 2: Like to me, it's me the morning was a wain dream,

638
00:30:02,200 --> 00:30:04,000
Speaker 2: like to look at the list and see there is

639
00:30:04,120 --> 00:30:06,360
Speaker 2: my name next to Brandy and Monica, as it should be.

640
00:30:06,680 --> 00:30:09,320
Speaker 2: But like, I was so happy with that nomination because

641
00:30:09,320 --> 00:30:13,600
Speaker 2: their vocal in that altogether was so crazy. That song

642
00:30:13,720 --> 00:30:17,120
Speaker 2: is great, but I just that album is really spectacular.

643
00:30:17,360 --> 00:30:19,960
Speaker 2: It's crazy to see all of the Album of the

644
00:30:20,080 --> 00:30:24,080
Speaker 2: Year nominees six of the pop girl least and then

645
00:30:24,200 --> 00:30:27,120
Speaker 2: Jacob Collier and Andrews two thousand for an instrumental album

646
00:30:27,520 --> 00:30:29,520
Speaker 2: like it's a cuckoo year, like that they would do that,

647
00:30:29,720 --> 00:30:32,800
Speaker 2: like and I guess, I guess the one big pop

648
00:30:33,040 --> 00:30:34,760
Speaker 2: girl who missed out on the Album of the year

649
00:30:34,840 --> 00:30:38,080
Speaker 2: nine was Arianna, maybe because it came out super early

650
00:30:38,200 --> 00:30:44,080
Speaker 2: or March March, it feels earlier than everything else. It

651
00:30:44,200 --> 00:30:47,200
Speaker 2: was September of last year, right, what are your what

652
00:30:47,240 --> 00:30:49,640
Speaker 2: are your thoughts? Well, the thing that I had hoped,

653
00:30:49,760 --> 00:30:52,400
Speaker 2: my predictions for winners, or at least my hopes for winners,

654
00:30:52,520 --> 00:30:55,480
Speaker 2: can all happen. Yeah, and I hope they spread the wealth.

655
00:30:55,520 --> 00:30:56,640
Speaker 2: I don't know that they will. I don't know that

656
00:30:56,680 --> 00:31:00,280
Speaker 2: they will. My dream would be Album of the Year, BRAT,

657
00:31:01,080 --> 00:31:06,400
Speaker 2: Record of the Year, Espresso, Song of the Year either

658
00:31:06,520 --> 00:31:10,760
Speaker 2: Good Luck Babe or Birds of a Feather Chapel roon

659
00:31:11,480 --> 00:31:16,840
Speaker 2: Best New Artist Pop Vocal Album. That is where Arianna

660
00:31:16,880 --> 00:31:18,440
Speaker 2: could win. I would give it to her now that

661
00:31:18,560 --> 00:31:21,120
Speaker 2: she isn't up for the other big ones, but I

662
00:31:21,160 --> 00:31:24,040
Speaker 2: could see Sabrina taking it also Chapel that category stacked

663
00:31:24,800 --> 00:31:26,880
Speaker 2: pop duo. I think you have to give it to

664
00:31:26,960 --> 00:31:29,840
Speaker 2: Lady Gaga and Bruno Mars, but I could also sing it.

665
00:31:29,960 --> 00:31:33,640
Speaker 2: I could also see it being Billy and Charlie because

666
00:31:33,640 --> 00:31:36,520
Speaker 2: that song is fucking huge. It comes on and you

667
00:31:36,600 --> 00:31:38,920
Speaker 2: feel so excited. Of course, it's so exciting. I do

668
00:31:39,160 --> 00:31:44,480
Speaker 2: think Diaret a smile, Yeah, Diet the smile fastest billion

669
00:31:44,760 --> 00:31:46,680
Speaker 2: and it's number one. Now I think it's like that

670
00:31:46,920 --> 00:31:49,760
Speaker 2: song could could win a lot more than we think.

671
00:31:50,240 --> 00:31:53,120
Speaker 2: And also I realize I didn't say Beyonce in any

672
00:31:53,160 --> 00:31:57,760
Speaker 2: of that, but watch out for this Christmas Christmas thing.

673
00:31:58,400 --> 00:32:00,600
Speaker 2: I didn't even know there was a football game on Christmas?

674
00:32:00,800 --> 00:32:01,520
Speaker 2: Did you know about that?

675
00:32:02,080 --> 00:32:04,920
Speaker 3: I know that classically very big footbuckins on Thanksgiving and Christmas,

676
00:32:05,040 --> 00:32:08,200
Speaker 3: But otherwise if it's part of her Netflix deal, yes,

677
00:32:08,280 --> 00:32:10,240
Speaker 3: because it's it's the live game on Netflix.

678
00:32:10,360 --> 00:32:13,600
Speaker 2: Okay, So people are all up in arms about the

679
00:32:13,920 --> 00:32:16,480
Speaker 2: potential for this to be a nightmare because I guess

680
00:32:16,720 --> 00:32:19,600
Speaker 2: big glitches with the Jake Paul Yeah, Jake Paul love

681
00:32:19,760 --> 00:32:23,000
Speaker 2: blind stuff, like like Netflix is live. Thing is just

682
00:32:23,080 --> 00:32:26,400
Speaker 2: always technically a little we gotta get it together. You

683
00:32:26,440 --> 00:32:30,400
Speaker 2: gotta get it together for Beyonce. Comm on heed Head.

684
00:32:32,040 --> 00:32:35,000
Speaker 2: Speaking of awards, have you been seeing any Oscar movies?

685
00:32:35,160 --> 00:32:38,800
Speaker 2: I'm so behind? The answer is no, I have recently.

686
00:32:39,040 --> 00:32:40,640
Speaker 3: Last time, I watched to Look Back, which I think

687
00:32:40,680 --> 00:32:43,600
Speaker 3: will probably get nominated for It's Gonna be Time, but

688
00:32:43,600 --> 00:32:45,280
Speaker 3: it's an only an hour long, it's a it's an

689
00:32:45,320 --> 00:32:49,080
Speaker 3: anime movie. But I certainly think it might it's it's

690
00:32:49,080 --> 00:32:50,920
Speaker 3: gonna be hard to categorize either. I need to do

691
00:32:51,000 --> 00:32:52,360
Speaker 3: some more reading on this too. Like it should be

692
00:32:52,440 --> 00:32:55,240
Speaker 3: up for Best Animated Film. It has a chance of

693
00:32:55,320 --> 00:32:57,040
Speaker 3: being foreign Yeah, for sure.

694
00:32:57,200 --> 00:32:59,120
Speaker 2: I don't know. I got to look into like the

695
00:32:59,200 --> 00:33:01,880
Speaker 2: criteria for short film. I actually don't know. I feel

696
00:33:01,880 --> 00:33:04,960
Speaker 2: like it usually they are less than like okay, then yeah,

697
00:33:05,360 --> 00:33:07,240
Speaker 2: I don't know that. I don't know the ins and

698
00:33:07,320 --> 00:33:09,440
Speaker 2: outs of that. Like I haven't been looking in I

699
00:33:09,520 --> 00:33:13,000
Speaker 2: haven't been in that animated short space. I've been there

700
00:33:13,120 --> 00:33:15,680
Speaker 2: the year that I really kind of go all the

701
00:33:15,720 --> 00:33:18,880
Speaker 2: way down the ball. Are you a member of the Academy? Girl?

702
00:33:19,040 --> 00:33:21,000
Speaker 3: If I were a member of the Academy, I would

703
00:33:21,040 --> 00:33:22,960
Speaker 3: not leave the house. I would I would be on

704
00:33:23,160 --> 00:33:26,680
Speaker 3: the app, the Academy app all day, all night. It's

705
00:33:26,680 --> 00:33:27,800
Speaker 3: probably not far away for you.

706
00:33:28,080 --> 00:33:31,120
Speaker 2: I listen. Janet Yang, the legend you. Oh my god.

707
00:33:31,160 --> 00:33:33,400
Speaker 2: I got to meet Janet Yang at this event, and

708
00:33:33,480 --> 00:33:35,040
Speaker 2: she was so nice to my parents. She spoke to

709
00:33:35,120 --> 00:33:38,560
Speaker 2: my parents. I was like this, this woman can take

710
00:33:38,600 --> 00:33:40,600
Speaker 2: over the world if she wants. Yeah, President of the Academy,

711
00:33:41,040 --> 00:33:43,760
Speaker 2: the cheakest woman. Oh you're not. Your invitation is not

712
00:33:43,840 --> 00:33:45,880
Speaker 2: far away, Well, I don't. I don't know you'll be

713
00:33:45,960 --> 00:33:49,760
Speaker 2: getting one. But I'm really only in it for the app.

714
00:33:49,800 --> 00:33:51,960
Speaker 2: I'll be transparent. I just want the Academy app on

715
00:33:52,000 --> 00:33:54,640
Speaker 2: my Apple TV. I get that. I've seen a few things.

716
00:33:54,760 --> 00:33:57,200
Speaker 2: I saw a real pain, yes Jesse the Eyes and

717
00:33:57,240 --> 00:33:59,760
Speaker 2: Breaking Karen Culkin. I thought it was good. I mean

718
00:33:59,840 --> 00:34:02,840
Speaker 2: I thought it was like, it's a great examination of

719
00:34:02,960 --> 00:34:08,920
Speaker 2: that relationship, like a brotherly relationship, but you know, complicated

720
00:34:08,960 --> 00:34:12,000
Speaker 2: and estranged. It's bizarre to me that people are saying

721
00:34:12,080 --> 00:34:14,040
Speaker 2: like So I went and saw it because it had

722
00:34:14,120 --> 00:34:16,120
Speaker 2: Oscar buzzed, and I was like, oh, Kieran Culkin is

723
00:34:16,200 --> 00:34:19,600
Speaker 2: in the one spot on gold Derby for Supporting Best

724
00:34:19,600 --> 00:34:23,759
Speaker 2: Supporting Actor. You go see it. He's in ninety five

725
00:34:23,880 --> 00:34:26,040
Speaker 2: percent of theirs. So this is the theme of This

726
00:34:26,160 --> 00:34:27,399
Speaker 2: is gonna be a theme of the year, I think.

727
00:34:27,560 --> 00:34:31,160
Speaker 2: And then I was looking at Best Supporting Actress and

728
00:34:31,520 --> 00:34:34,040
Speaker 2: Zoey's Heldonna is in the one spot and they're saying

729
00:34:34,160 --> 00:34:37,480
Speaker 2: she's the lead of that movie. So I'm like, and

730
00:34:37,719 --> 00:34:40,480
Speaker 2: I think there are very few people in that business

731
00:34:40,600 --> 00:34:43,400
Speaker 2: as talented as Kieran Culkin and zoweys Hel Donna. Absolutely,

732
00:34:43,480 --> 00:34:47,279
Speaker 2: I think that like, if their performance is like that consideration,

733
00:34:47,480 --> 00:34:51,000
Speaker 2: they should be in the Austar conversation. But the problem

734
00:34:51,200 --> 00:34:56,319
Speaker 2: with just throwing rules to the side in a post

735
00:34:56,360 --> 00:35:01,040
Speaker 2: Olivia Coleman world. Yes, my thing with when a lead

736
00:35:01,200 --> 00:35:05,800
Speaker 2: performance wins or is nominated for a supporting category, it

737
00:35:06,040 --> 00:35:10,719
Speaker 2: really just like it robs all those character actors and

738
00:35:11,000 --> 00:35:14,759
Speaker 2: those supporting players of the opportunity to get that shine. Yes,

739
00:35:14,840 --> 00:35:16,840
Speaker 2: you know what I mean, Like, it's just it's actually

740
00:35:17,000 --> 00:35:21,600
Speaker 2: really because why even have a supporting category if you're

741
00:35:21,800 --> 00:35:24,080
Speaker 2: just going to ignore the rules? And I can't help

742
00:35:24,120 --> 00:35:29,560
Speaker 2: but wonder, like what exactly makes them feel like they

743
00:35:29,600 --> 00:35:33,880
Speaker 2: can make those decisions sometimes, Like if Zoe Seldanna, the

744
00:35:34,080 --> 00:35:38,040
Speaker 2: lead of Amelia Perez, who is also the lead of

745
00:35:38,760 --> 00:35:43,480
Speaker 2: not just Avatar but also the Marvel series at large

746
00:35:43,760 --> 00:35:47,640
Speaker 2: in Guardians, who has been a star since the late nineties,

747
00:35:48,160 --> 00:35:52,759
Speaker 2: who has consistently worked year in and year out, why

748
00:35:53,080 --> 00:35:55,120
Speaker 2: do they feel like they can bump her down to

749
00:35:55,160 --> 00:35:58,400
Speaker 2: supporting bummer for everybody, because yeah, supporting ends up being

750
00:35:58,440 --> 00:36:01,719
Speaker 2: this repository now it feels like, Oh, don't worry, we're

751
00:36:01,760 --> 00:36:04,120
Speaker 2: gonna campaign you for the oscar, just not the one

752
00:36:04,200 --> 00:36:06,919
Speaker 2: that is like the one, everyone's gonna be talking about

753
00:36:07,000 --> 00:36:11,680
Speaker 2: why if Zoe Saldana is brilliant and Amelia Perez and

754
00:36:11,760 --> 00:36:13,800
Speaker 2: I haven't sitting yet, but by all accounts she is

755
00:36:14,040 --> 00:36:16,920
Speaker 2: like ferocious, her best performance whatever, then why aren't you

756
00:36:17,000 --> 00:36:22,200
Speaker 2: campaigning Zoe Saldana. Yeah, someone literally everyone in America in

757
00:36:22,239 --> 00:36:24,920
Speaker 2: the world has seen her movies. Why isn't she competing

758
00:36:24,920 --> 00:36:26,680
Speaker 2: in Lead Actress if she's the lead of that movie.

759
00:36:27,160 --> 00:36:32,399
Speaker 2: I just don't understand why they have. Like, obviously it's

760
00:36:32,400 --> 00:36:35,560
Speaker 2: a studio decision so they can hopefully maximize their opportunities

761
00:36:35,640 --> 00:36:38,120
Speaker 2: to win more Oscars. But like you know, if you

762
00:36:38,200 --> 00:36:40,879
Speaker 2: move Zoe to lead, maybe you do get two nominations

763
00:36:40,920 --> 00:36:44,040
Speaker 2: and Best Actress with her, and you know Royla Sophia

764
00:36:44,160 --> 00:36:48,200
Speaker 2: gascon Now they're talking about nominating Isabella Rossolini in Conclave,

765
00:36:48,320 --> 00:36:51,320
Speaker 2: a movie I saw on Election Day God, which was

766
00:36:51,480 --> 00:36:54,719
Speaker 2: rough to watch old white Catholic men count votes on

767
00:36:54,920 --> 00:36:58,040
Speaker 2: election day and then check my phone. But Isabella at

768
00:36:58,080 --> 00:37:01,680
Speaker 2: for supporting She has like maybe three scenes, doesn't really

769
00:37:01,800 --> 00:37:06,160
Speaker 2: do much. Yeah, but she's gonna compete with Zoe Saldana

770
00:37:06,280 --> 00:37:08,399
Speaker 2: the lead of the movie, and Ariana Grande, the lead

771
00:37:08,440 --> 00:37:11,399
Speaker 2: of the movie. Like if these performances are good enough

772
00:37:11,440 --> 00:37:13,279
Speaker 2: to be in lead, which they are. Put them there,

773
00:37:13,800 --> 00:37:14,319
Speaker 2: put them there.

774
00:37:14,560 --> 00:37:17,560
Speaker 3: It is interesting right now currently Golder because Mikey Madison

775
00:37:18,200 --> 00:37:19,800
Speaker 3: the favorite for Best Actress.

776
00:37:19,960 --> 00:37:20,720
Speaker 2: Have you seen Anura?

777
00:37:20,880 --> 00:37:24,280
Speaker 3: I have not, I have, I'm meant to. I'm very behind,

778
00:37:24,360 --> 00:37:26,960
Speaker 3: like I said, But yeah, it's like you're seeing your

779
00:37:26,960 --> 00:37:30,000
Speaker 3: Angelina's and your Nicole's and you wonder if all the

780
00:37:30,080 --> 00:37:32,000
Speaker 3: shuffling is just to make room for them.

781
00:37:33,120 --> 00:37:36,759
Speaker 2: Where yeah, you must have wondered how they feel about it?

782
00:37:36,840 --> 00:37:39,320
Speaker 2: Where I don't know. I mean, their feelings are important,

783
00:37:39,360 --> 00:37:41,719
Speaker 2: but also like not the most important thing. But for me,

784
00:37:42,040 --> 00:37:44,080
Speaker 2: the thing I'm thinking about the most is it's like

785
00:37:44,440 --> 00:37:50,560
Speaker 2: you just want the opportunity to reward character work, and

786
00:37:50,760 --> 00:37:54,719
Speaker 2: especially with someone like Hiaran Kulkin, who is a character actress.

787
00:37:55,160 --> 00:37:58,480
Speaker 2: His entire career has played character roles, and he has

788
00:37:58,600 --> 00:38:01,520
Speaker 2: built his career playing roles like this, and then he's

789
00:38:01,560 --> 00:38:04,840
Speaker 2: a lead in the movie, especially after he wins a

790
00:38:05,120 --> 00:38:10,879
Speaker 2: lead Emmy for a show that has three arguably four leads. Yes, yes, yes,

791
00:38:11,600 --> 00:38:13,279
Speaker 2: they did the right thing with him there put him

792
00:38:13,280 --> 00:38:15,719
Speaker 2: in the lead category. He wanted, deserved lead Emmy for that,

793
00:38:16,320 --> 00:38:18,880
Speaker 2: Like why are you putting him in the supporting category.

794
00:38:18,960 --> 00:38:21,279
Speaker 2: He's not a supporting role or a supporting actor. So

795
00:38:21,360 --> 00:38:22,720
Speaker 2: the direction of this matters.

796
00:38:22,719 --> 00:38:24,800
Speaker 3: Where it's on Olivia Coleman thing where she gets bumped

797
00:38:24,840 --> 00:38:25,959
Speaker 3: up from supporting to lee.

798
00:38:26,000 --> 00:38:28,359
Speaker 2: Yeah, when the true leads were bumped to supporting. Well yeah,

799
00:38:28,360 --> 00:38:30,040
Speaker 2: so it goes both ways in that situation.

800
00:38:30,120 --> 00:38:33,759
Speaker 3: But like you're talking about how it moves from top down, yeah,

801
00:38:33,840 --> 00:38:36,080
Speaker 3: I mean it moves down. Yes, you need to read

802
00:38:36,120 --> 00:38:38,400
Speaker 3: Oscar Wars by Michael Shulman, Right, I do. I do

803
00:38:38,480 --> 00:38:41,120
Speaker 3: idea you would love, you would eat it up.

804
00:38:41,400 --> 00:38:44,239
Speaker 2: But I guess my point is, like, if we can

805
00:38:45,360 --> 00:38:50,520
Speaker 2: lift like for example, Viola Davis in doubt Great Supporting

806
00:38:50,600 --> 00:38:54,440
Speaker 2: nomination one amazing scene sequence if you want to call

807
00:38:54,520 --> 00:38:58,279
Speaker 2: it that, she becomes a superstar and then years later

808
00:38:58,400 --> 00:39:00,680
Speaker 2: she gets to commit her own category and win Best

809
00:39:00,680 --> 00:39:03,719
Speaker 2: Supporting Actress for Fences. You know what I mean. It's like, so,

810
00:39:04,520 --> 00:39:07,280
Speaker 2: but you wouldn't have the superstar that is Viola Davis

811
00:39:07,400 --> 00:39:10,799
Speaker 2: is what I'm saying with without the nomination making room

812
00:39:10,840 --> 00:39:13,360
Speaker 2: for a nomination like that, and that's why it's important.

813
00:39:13,400 --> 00:39:17,239
Speaker 2: You wouldn't have like, you know, Octavius Spencer, like as

814
00:39:17,320 --> 00:39:20,160
Speaker 2: this like Marquee name. It's it's important to make room

815
00:39:21,320 --> 00:39:25,279
Speaker 2: the supporting work because it actually opens up a door

816
00:39:25,360 --> 00:39:29,080
Speaker 2: to interesting actors who are doing interesting work in these

817
00:39:29,120 --> 00:39:32,800
Speaker 2: types of roles, who are crucial functionally to these movies.

818
00:39:33,239 --> 00:39:37,880
Speaker 2: You need to run this business. But if I did

819
00:39:38,000 --> 00:39:39,640
Speaker 2: run the business, they'd be like, oh, we can't do

820
00:39:39,719 --> 00:39:42,200
Speaker 2: that because money. I'd be like, Okay, I think this

821
00:39:42,360 --> 00:39:44,560
Speaker 2: is what I would do. If you're in more than

822
00:39:44,680 --> 00:39:47,800
Speaker 2: seventy percent of a movie, a jury looks at it.

823
00:39:49,360 --> 00:39:52,719
Speaker 2: For example, a lot of movies have ensembles that are

824
00:39:52,760 --> 00:39:55,000
Speaker 2: in the whole movie. Think about Who's Afraid of Virginia

825
00:39:55,040 --> 00:39:56,800
Speaker 2: Wolf Right, It's an ensemble of four people. They're in

826
00:39:56,840 --> 00:39:59,560
Speaker 2: the movie the whole time. You would look at the

827
00:39:59,680 --> 00:40:02,520
Speaker 2: role of Honey, A jury would look at it. She's

828
00:40:02,560 --> 00:40:04,279
Speaker 2: in more than seventy percent of the movie, and they

829
00:40:04,320 --> 00:40:07,000
Speaker 2: could decide this is a supporting role because Elizabeth Taylor

830
00:40:07,080 --> 00:40:09,959
Speaker 2: is the lead, and that I think would be fair.

831
00:40:10,400 --> 00:40:12,880
Speaker 2: I'm not even saying if you're in more than seventy

832
00:40:12,920 --> 00:40:14,879
Speaker 2: percent of the movie you must be considered a lead.

833
00:40:14,920 --> 00:40:17,520
Speaker 2: I'm like, if that's the case, let's at least look

834
00:40:17,600 --> 00:40:21,400
Speaker 2: at it so that this can hold some like fairness,

835
00:40:21,760 --> 00:40:25,800
Speaker 2: because there needs to be something in place to achieve fairness,

836
00:40:25,840 --> 00:40:29,440
Speaker 2: because the current system is not fair Yang Legend, take note,

837
00:40:29,680 --> 00:40:32,640
Speaker 2: Hire Matt ninety. I think it's a pretty easy fix

838
00:40:32,719 --> 00:40:35,680
Speaker 2: and a pretty reasonable say, and it doesn't even change things.

839
00:40:36,120 --> 00:40:39,279
Speaker 2: Is afraid of Virgina for example? It's perfect too, Like, Okay,

840
00:40:39,320 --> 00:40:43,279
Speaker 2: so she's in the movie, but it's it's Richard, right,

841
00:40:43,480 --> 00:40:46,920
Speaker 2: But you can create new stars with Oscar nominations, so

842
00:40:47,080 --> 00:40:49,720
Speaker 2: do that. I am very happy to see Clarence Macklin

843
00:40:49,840 --> 00:40:53,239
Speaker 2: be number four for Best Supporting, but he should win, right,

844
00:40:53,440 --> 00:40:57,440
Speaker 2: That's exact exactly. Slarence Macklin, for in Sing Sing should

845
00:40:57,600 --> 00:41:01,839
Speaker 2: win that award, and because because Kiaran Colkin is there,

846
00:41:01,960 --> 00:41:04,680
Speaker 2: who by the way, it's nothing against him. I think

847
00:41:04,719 --> 00:41:08,279
Speaker 2: he's so talented and he's terrific in the movie as

848
00:41:08,360 --> 00:41:10,920
Speaker 2: a lead. It's it's the system of it all, and

849
00:41:11,400 --> 00:41:16,880
Speaker 2: that Clarence Macklin's performance is a supporting revelation definition of

850
00:41:17,000 --> 00:41:20,120
Speaker 2: what should be highlight by that category. And he's in

851
00:41:20,280 --> 00:41:24,000
Speaker 2: the four spot, you know what I mean? Like that

852
00:41:24,239 --> 00:41:27,839
Speaker 2: is the category for the scenes stealing work. How much

853
00:41:27,920 --> 00:41:30,680
Speaker 2: is Denzel in Gladiator too? I don't know, but I

854
00:41:30,800 --> 00:41:33,879
Speaker 2: apparently he tears it up. Yeah, I hear he's having fun, Yeah,

855
00:41:34,760 --> 00:41:36,880
Speaker 2: putting on these rings on the stress and going crazy.

856
00:41:38,600 --> 00:41:43,120
Speaker 2: It was his line I saw Saturday Night. Yes, I

857
00:41:43,200 --> 00:41:45,560
Speaker 2: think it would be better if it were all Muppets.

858
00:41:46,120 --> 00:41:49,600
Speaker 2: You're so right. I don't know why I'm there. Like

859
00:41:49,800 --> 00:41:51,840
Speaker 2: the way that it moves throughout thirty Rock in different

860
00:41:51,880 --> 00:41:54,840
Speaker 2: characters comes in literally uppet, it's the Muppets, and I

861
00:41:55,000 --> 00:41:56,600
Speaker 2: was like, this should have been the moment.

862
00:41:56,719 --> 00:41:59,200
Speaker 3: It's like the moment in thirty Rock when you see

863
00:41:59,239 --> 00:42:01,440
Speaker 3: the world through can size and he sees Liz walking

864
00:42:01,520 --> 00:42:02,760
Speaker 3: around as a muppet.

865
00:42:02,880 --> 00:42:06,360
Speaker 2: Literally, that's the entry shape. Like Belushi's behavior of the

866
00:42:06,440 --> 00:42:09,920
Speaker 2: movie Muppet Assma even Chevy like where he's like like

867
00:42:10,040 --> 00:42:12,399
Speaker 2: a cat and everything. Like, I just think the way

868
00:42:12,480 --> 00:42:14,359
Speaker 2: the characters moved in and out and like they all

869
00:42:14,520 --> 00:42:17,360
Speaker 2: just like popped in their little moments, like this is Muppets,

870
00:42:17,520 --> 00:42:21,200
Speaker 2: and this movie would be more memorable if if they

871
00:42:21,280 --> 00:42:22,919
Speaker 2: just committed to it. And maybe it was the fact

872
00:42:22,960 --> 00:42:26,280
Speaker 2: that Jim Henson is there in the movie mentioning the Muppets,

873
00:42:26,320 --> 00:42:31,160
Speaker 2: and I was like, oh, this should all be Muppets. Yeah, totally,

874
00:42:31,680 --> 00:42:36,000
Speaker 2: like that scene where little Mama, Andrew bars Feldman gets

875
00:42:36,040 --> 00:42:38,320
Speaker 2: too high. I'm like, this is a Muppets, this is

876
00:42:38,400 --> 00:42:40,319
Speaker 2: the Muppet and he's given kind of like a muf

877
00:42:40,440 --> 00:42:42,400
Speaker 2: I love him. He's giving kind of like a Muppet performance.

878
00:42:42,440 --> 00:42:46,360
Speaker 2: I love and no, he's great, fantastic Andrew bars Feldman

879
00:42:46,440 --> 00:42:49,800
Speaker 2: and no hard feelings. Oh he's so good. He's so

880
00:42:50,000 --> 00:42:53,560
Speaker 2: good in that movie greatness movie too nol. Muppets should

881
00:42:53,560 --> 00:42:56,040
Speaker 2: be an Anora Honora is one of the great movies

882
00:42:56,080 --> 00:43:00,239
Speaker 2: of the year. You're gonna love it. I'm so hi,

883
00:43:00,760 --> 00:43:04,120
Speaker 2: she's She's incredible. That's that. I saw myself on Scream

884
00:43:04,160 --> 00:43:06,239
Speaker 2: When I saw her, well, oh yeah, I did like

885
00:43:06,320 --> 00:43:09,320
Speaker 2: a Staten Island stripper. They're like, come on, let's go

886
00:43:09,360 --> 00:43:13,600
Speaker 2: to the ATM. I was like, I I get her.

887
00:43:14,360 --> 00:43:18,680
Speaker 2: She's a hog you guard character, Oh definitely, definitely. Oh wait,

888
00:43:18,719 --> 00:43:21,480
Speaker 2: didn't she do did she did eighties cocaine? Why? Wait? No?

889
00:43:22,000 --> 00:43:26,560
Speaker 2: She played Mike? Yeah, yeah, yeah. I was like, well,

890
00:43:26,640 --> 00:43:29,840
Speaker 2: we really went niche with this. No, people people loved it.

891
00:43:31,080 --> 00:43:34,440
Speaker 3: I see Conclnes the brutal ass Nickel Boys is the

892
00:43:34,480 --> 00:43:35,879
Speaker 3: first time I heard.

893
00:43:35,880 --> 00:43:37,719
Speaker 2: It's really good hearing this. Oh, based of the book

894
00:43:37,760 --> 00:43:41,839
Speaker 2: of course, Ellis Taylor tears it up. She's and she's

895
00:43:41,960 --> 00:43:45,560
Speaker 2: she's listed as well. Well, this is an interesting year. Yeah,

896
00:43:45,760 --> 00:43:47,319
Speaker 2: and then I went to the theater last night.

897
00:43:48,000 --> 00:43:52,000
Speaker 3: You need to tell everyone about Gypsy, Audren So when

898
00:43:52,120 --> 00:43:54,680
Speaker 3: you also saw Sunset Boulevard. I saw them at Boulevard, Yes,

899
00:43:54,760 --> 00:43:57,960
Speaker 3: so across the street from Sunset Bulevard. Audra McDonald is

900
00:43:58,040 --> 00:44:00,440
Speaker 3: in Gypsy. And I went to the third preview.

901
00:44:00,920 --> 00:44:02,840
Speaker 2: I'm gonna take the tone that I took when I

902
00:44:02,880 --> 00:44:05,600
Speaker 2: saw Sweeney Todd in previews and say, I'm going to

903
00:44:05,640 --> 00:44:07,560
Speaker 2: give this all the benefit of the doubt. It was

904
00:44:07,640 --> 00:44:10,800
Speaker 2: the third preview, and I've also heard this director in

905
00:44:10,880 --> 00:44:14,759
Speaker 2: particular works a lot out in previews, because from what

906
00:44:14,880 --> 00:44:16,640
Speaker 2: I saw, a lot needed to be worked out in

907
00:44:16,719 --> 00:44:19,520
Speaker 2: previous and they worked it out with Sweeny Toddamy absolutely,

908
00:44:19,680 --> 00:44:21,080
Speaker 2: I mean, and I think that that's kind of the

909
00:44:21,200 --> 00:44:24,040
Speaker 2: thing with previews is you see, at least from a distance,

910
00:44:24,120 --> 00:44:26,840
Speaker 2: like what's working, like things are in process. I get it.

911
00:44:27,360 --> 00:44:31,400
Speaker 2: She is spectacular, she Audre McDonald. I happened to have

912
00:44:31,600 --> 00:44:33,239
Speaker 2: like a seat where I was pretty close to her,

913
00:44:33,320 --> 00:44:37,440
Speaker 2: and she kind of comes very forward and gives roses

914
00:44:37,560 --> 00:44:42,960
Speaker 2: turn like right in the first row. It's the highest

915
00:44:43,120 --> 00:44:46,000
Speaker 2: quality acting on Broadway. I would say, yeah it is,

916
00:44:46,800 --> 00:44:51,160
Speaker 2: and it's her roses very interesting. It's almost like pathological.

917
00:44:51,880 --> 00:44:56,080
Speaker 2: It's almost like she's playing Rose's mental illness more than

918
00:44:56,120 --> 00:44:58,800
Speaker 2: we've ever seen because like because a lot of actors

919
00:44:58,840 --> 00:45:02,399
Speaker 2: will love to play to the break. Yes, I feel

920
00:45:02,520 --> 00:45:08,719
Speaker 2: like Bernadette is giving like seductive narcissists. Yes, Patty is

921
00:45:08,880 --> 00:45:12,319
Speaker 2: giving like bombass, bombass bull of a woman. I don't

922
00:45:12,320 --> 00:45:14,560
Speaker 2: take no for an answer. This like almost like it's

923
00:45:14,960 --> 00:45:17,719
Speaker 2: born in her culture to take over. And then the

924
00:45:17,800 --> 00:45:20,719
Speaker 2: despondency when she realizes she's gone too far does it

925
00:45:20,880 --> 00:45:23,680
Speaker 2: just gives me like it's an attitude issue that goes

926
00:45:23,680 --> 00:45:29,279
Speaker 2: out of control. Audra, in her quiet moments, you see

927
00:45:29,360 --> 00:45:35,600
Speaker 2: her like processing and working out disappointments and make her angry,

928
00:45:36,080 --> 00:45:39,320
Speaker 2: and then she leaps into action in a way that

929
00:45:39,560 --> 00:45:43,279
Speaker 2: you know her brain is telling her, you'll die if

930
00:45:43,320 --> 00:45:49,200
Speaker 2: you don't fix this, and it's thrilling to watch. You

931
00:45:49,360 --> 00:45:53,160
Speaker 2: can't have a more special experience than watching her do

932
00:45:53,320 --> 00:45:57,600
Speaker 2: roses turn. From an acting standpoint, hmm. Everyone that's wondering

933
00:45:57,640 --> 00:46:00,640
Speaker 2: about how her voice is gonna fit the music, it

934
00:46:00,800 --> 00:46:04,240
Speaker 2: really just depends how married you are to Patty Lapone

935
00:46:04,280 --> 00:46:08,919
Speaker 2: and Bernadette's like, you know what I mean? And yeah,

936
00:46:09,120 --> 00:46:11,920
Speaker 2: it depends how married you are to like a brassy

937
00:46:12,239 --> 00:46:16,040
Speaker 2: belty Rose. If you're married to that, this is gonna

938
00:46:16,040 --> 00:46:19,000
Speaker 2: feel weird to you because it's it's very audra, it's

939
00:46:19,160 --> 00:46:22,640
Speaker 2: very legit sounding. It is mixed, you know what I mean. Yeah,

940
00:46:22,680 --> 00:46:22,920
Speaker 2: I guess.

941
00:46:22,920 --> 00:46:24,759
Speaker 3: I guess we're splitting in the culture as to what

942
00:46:24,960 --> 00:46:27,040
Speaker 3: we want, which is some people might be married to

943
00:46:27,280 --> 00:46:31,120
Speaker 3: the classic roses and then others might be like, maybe

944
00:46:31,160 --> 00:46:32,279
Speaker 3: it is time for something new.

945
00:46:32,480 --> 00:46:34,800
Speaker 2: Yeah, how has you got to get a gimmick? Amazing?

946
00:46:34,880 --> 00:46:37,200
Speaker 2: I love that song. It is a Act two of

947
00:46:37,280 --> 00:46:41,040
Speaker 2: Gypsy really source Yeah, like Act one is good, but

948
00:46:41,200 --> 00:46:45,279
Speaker 2: Act two of Gypsy is incredible. The gimmick ladies or

949
00:46:45,719 --> 00:46:48,680
Speaker 2: it's always like my favorite part of Gypsy. Yeah, and

950
00:46:48,840 --> 00:46:51,120
Speaker 2: besides like the big show stoppers, but you gotta get

951
00:46:51,160 --> 00:46:53,719
Speaker 2: it get I'm just like, this is so fun. It's

952
00:46:53,800 --> 00:46:57,279
Speaker 2: just a three it's three charm songs in one yep. Yeah,

953
00:46:57,560 --> 00:46:59,440
Speaker 2: it's so good. And the costumes are great, like the

954
00:46:59,520 --> 00:47:02,720
Speaker 2: perform the actresses are so good. It's just so crazy

955
00:47:02,800 --> 00:47:08,600
Speaker 2: because across the street and Nicole is so different, so different,

956
00:47:08,760 --> 00:47:12,800
Speaker 2: like doing this like avant garde abstract, like almost like

957
00:47:12,960 --> 00:47:18,879
Speaker 2: multiple personality performances, like a disordered singing down. But now

958
00:47:18,920 --> 00:47:21,400
Speaker 2: I think she made it really fucking tough her. And

959
00:47:21,480 --> 00:47:24,120
Speaker 2: can I say my note my critique for Nicole what

960
00:47:24,520 --> 00:47:28,080
Speaker 2: the moments that are played for comedy pushed pushed, No

961
00:47:28,239 --> 00:47:30,359
Speaker 2: need to do the Vali girl voice. It doesn't need it. Yeah,

962
00:47:30,360 --> 00:47:32,920
Speaker 2: you're putting too much sauce on it. I think they

963
00:47:32,920 --> 00:47:35,960
Speaker 2: here's the thing, it's like Audra is so it's it's

964
00:47:36,080 --> 00:47:40,520
Speaker 2: crazy because like you cannot deny the performance, the power

965
00:47:41,280 --> 00:47:46,360
Speaker 2: of like Nicole's performance, like she is spellbinding and amazing,

966
00:47:46,480 --> 00:47:49,600
Speaker 2: and her singing is out of control. It's almost like

967
00:47:49,960 --> 00:47:52,360
Speaker 2: you've never heard the songs like this in an amazing

968
00:47:52,440 --> 00:47:56,840
Speaker 2: way on the street. Audre sings the songs from Gypsy

969
00:47:56,880 --> 00:47:59,720
Speaker 2: and Audre McDonald is one of the greatest singers alive.

970
00:48:00,360 --> 00:48:03,640
Speaker 2: But the style of singing is so different from what

971
00:48:03,760 --> 00:48:06,640
Speaker 2: people are accustomed to that you're also hearing those songs

972
00:48:06,680 --> 00:48:09,880
Speaker 2: like Odra to Me and the bar is kind of

973
00:48:10,719 --> 00:48:13,440
Speaker 2: whatever for Nicole. Well, now I think the bar is

974
00:48:13,600 --> 00:48:15,920
Speaker 2: so high for Nicole because everyone's talking about it, and

975
00:48:16,000 --> 00:48:18,439
Speaker 2: I think she made it really difficult for herself saying

976
00:48:18,480 --> 00:48:22,560
Speaker 2: this stupid comment about the hat on Russell Brand's Instagram

977
00:48:23,239 --> 00:48:27,040
Speaker 2: because in terms of Tony voting, No, that's alienating so

978
00:48:27,160 --> 00:48:30,040
Speaker 2: many people. Well, the Tony voting block is only eight

979
00:48:30,160 --> 00:48:33,160
Speaker 2: hundred people, so that's a community of people. So you

980
00:48:33,320 --> 00:48:37,040
Speaker 2: really do need a community to rally around you, and

981
00:48:37,200 --> 00:48:41,120
Speaker 2: I don't know that they rally around her after even

982
00:48:41,200 --> 00:48:44,280
Speaker 2: an explained comment like that when they have other options,

983
00:48:44,320 --> 00:48:46,279
Speaker 2: And the way that the comment was explained also could

984
00:48:46,280 --> 00:48:48,120
Speaker 2: have gone better. In my opinion, here's what I'll say.

985
00:48:48,640 --> 00:48:51,560
Speaker 2: I believe her when she says I'm just a religious person,

986
00:48:52,120 --> 00:48:55,279
Speaker 2: but that's not really an excuse. I mean, like, I

987
00:48:55,320 --> 00:48:56,799
Speaker 2: don't know, I don't know a lot of it's weird

988
00:48:56,840 --> 00:48:59,239
Speaker 2: to me, but like it's a shame because I'm a

989
00:48:59,360 --> 00:49:02,080
Speaker 2: huge fan of her performance, and I still do think

990
00:49:02,120 --> 00:49:04,920
Speaker 2: everyone should go see this production, which I think is incredible.

991
00:49:05,040 --> 00:49:08,000
Speaker 3: I want to go see a Manny Gonzales on Tuesdays

992
00:49:08,040 --> 00:49:11,839
Speaker 3: because I hear she is incredible. It's a different take

993
00:49:12,840 --> 00:49:16,440
Speaker 3: with the same production. Obviously she does every Tuesday. She

994
00:49:16,520 --> 00:49:17,040
Speaker 3: does Tuesdays.

995
00:49:17,040 --> 00:49:18,040
Speaker 2: Okay, we should, we should go.

996
00:49:18,080 --> 00:49:20,800
Speaker 3: I would love to see her and I mean just

997
00:49:20,920 --> 00:49:22,720
Speaker 3: I mean the direction of the show I think is phenomenal.

998
00:49:22,920 --> 00:49:25,440
Speaker 2: It's I mean, you did enjoy it. I really enjoy it.

999
00:49:25,480 --> 00:49:28,440
Speaker 2: It was amazing. That's my thing is it's like as

1000
00:49:28,480 --> 00:49:30,759
Speaker 2: it stands right now, like if you're picking between the

1001
00:49:30,800 --> 00:49:34,600
Speaker 2: two performances, like the one production is just way more memorable.

1002
00:49:34,760 --> 00:49:38,319
Speaker 2: But again, maybe Gypsy will get there. But I'm saying

1003
00:49:38,360 --> 00:49:41,879
Speaker 2: death becomes Her next month, and I'm I heard it's

1004
00:49:42,520 --> 00:49:43,120
Speaker 2: to die for.

1005
00:49:43,360 --> 00:49:48,040
Speaker 3: And we, of course, can we give respect to the

1006
00:49:48,120 --> 00:49:52,839
Speaker 3: name Megan Hilty obviously period, but the are yes one

1007
00:49:52,920 --> 00:49:54,040
Speaker 3: of our best.

1008
00:49:54,440 --> 00:49:57,799
Speaker 2: Yeah. No, I all I'm hearing is that they tear

1009
00:49:58,160 --> 00:50:00,879
Speaker 2: it up and the show is so fun. Oh my god,

1010
00:50:00,960 --> 00:50:03,360
Speaker 2: I love it. No. And also to say nothing of

1011
00:50:03,440 --> 00:50:06,440
Speaker 2: Michelle Williams, of of course, like when you see Michelle

1012
00:50:06,440 --> 00:50:10,280
Speaker 2: Williams the day after Beyonce on TV. Oh my god, yeah, wow, wow.

1013
00:50:10,920 --> 00:50:13,880
Speaker 2: I'll have to do something with Kelly. Absolutely have to

1014
00:50:13,880 --> 00:50:15,520
Speaker 2: play Lay It on Me for my parents. The music

1015
00:50:15,640 --> 00:50:22,040
Speaker 2: video la Lay It on Me, Death Becomes Her will

1016
00:50:22,040 --> 00:50:25,279
Speaker 2: be a gag. I mean, I mean that we've been

1017
00:50:25,360 --> 00:50:28,440
Speaker 2: asking for it as a cold but the great cast.

1018
00:50:28,840 --> 00:50:31,040
Speaker 2: I love Meghan healthy, Oh my god, love she was

1019
00:50:31,200 --> 00:50:33,600
Speaker 2: great on watching It Happens Live. Yeah, she's great. She's

1020
00:50:33,840 --> 00:50:38,120
Speaker 2: so fun. Watch Smash again, Watch Smash again. She even

1021
00:50:38,160 --> 00:50:40,640
Speaker 2: when the third graders, because the original third graders were

1022
00:50:40,640 --> 00:50:43,719
Speaker 2: writing Smash. Those third graders are now they're like they've

1023
00:50:43,760 --> 00:50:46,440
Speaker 2: grown up, they have kids. But when they were in

1024
00:50:46,560 --> 00:50:49,640
Speaker 2: third grade writing Smash, it didn't matter to Megan. She

1025
00:50:49,800 --> 00:50:53,560
Speaker 2: tore up no matter what the storyline was and always

1026
00:50:54,480 --> 00:50:59,919
Speaker 2: sang her tits off, of course, and she was dealing

1027
00:51:00,120 --> 00:51:10,160
Speaker 2: with Republican leads before anyone else. Kathy mcfuugh mcfuk were

1028
00:51:10,280 --> 00:51:10,959
Speaker 2: Jensen Mard.

1029
00:51:12,080 --> 00:51:14,520
Speaker 3: Oh my god, I just I just got to say.

1030
00:51:14,640 --> 00:51:16,239
Speaker 3: I got to meet her at the Tony's and it

1031
00:51:16,360 --> 00:51:18,880
Speaker 3: was I was gagged. She was my favorite part of Company,

1032
00:51:19,440 --> 00:51:22,240
Speaker 3: my favorite part of Company. I had to see company.

1033
00:51:22,480 --> 00:51:26,839
Speaker 3: She was fabulastic company. She was making my ass laugh.

1034
00:51:27,000 --> 00:51:29,520
Speaker 2: I love. I mean, like everything I've seen her do,

1035
00:51:29,640 --> 00:51:31,919
Speaker 2: I do love. I was super excited when I found

1036
00:51:31,920 --> 00:51:33,799
Speaker 2: out it was the two of them, because I was like, oh,

1037
00:51:33,880 --> 00:51:36,200
Speaker 2: that's really fun. They found people that are really gonna

1038
00:51:36,360 --> 00:51:39,360
Speaker 2: give it yes, yes, like like that would be so

1039
00:51:39,480 --> 00:51:42,239
Speaker 2: easy to like cast Stundy totally, but they found like

1040
00:51:42,840 --> 00:51:53,759
Speaker 2: some of the real girls. Here you go. Here's what

1041
00:51:53,840 --> 00:51:56,640
Speaker 2: I have. I have housewife. There's a whole ton of

1042
00:51:56,680 --> 00:51:59,880
Speaker 2: stuff happening with the house. Of course, let's do quickeats quickets.

1043
00:52:00,840 --> 00:52:04,160
Speaker 2: Team to Eat or Team Kyle. I'm gonna go Team

1044
00:52:04,160 --> 00:52:06,040
Speaker 2: to Read. Even though she's going through something. She's more

1045
00:52:06,080 --> 00:52:07,320
Speaker 2: fun to root for in this moment.

1046
00:52:07,200 --> 00:52:10,360
Speaker 3: Because Kyle, I don't know what to feel because she

1047
00:52:10,680 --> 00:52:13,120
Speaker 3: is not really she's being vague in the information when

1048
00:52:13,160 --> 00:52:14,320
Speaker 3: she was every right to be. I just I'm like,

1049
00:52:14,360 --> 00:52:16,080
Speaker 3: I don't know, well, my few things are on this

1050
00:52:16,400 --> 00:52:18,040
Speaker 3: like I I don't know.

1051
00:52:19,000 --> 00:52:21,000
Speaker 2: I think I'm toom to Eat. Yeah, I think I

1052
00:52:21,120 --> 00:52:22,680
Speaker 2: have to be Team to Read because as much as

1053
00:52:22,680 --> 00:52:25,279
Speaker 2: I love Kyle, and I as much as I give

1054
00:52:25,480 --> 00:52:28,680
Speaker 2: her name when I order at Starbucks, something about dere

1055
00:52:28,719 --> 00:52:32,440
Speaker 2: eats I like on the verge, flying down the canyon

1056
00:52:32,520 --> 00:52:35,040
Speaker 2: smoking a cigarette. I'm like, this woman has no fucks

1057
00:52:35,120 --> 00:52:37,360
Speaker 2: to give, and therefore I believe she's gonna come and

1058
00:52:37,480 --> 00:52:40,120
Speaker 2: be honest, that's what you want to see on housewives,

1059
00:52:40,320 --> 00:52:41,239
Speaker 2: and you don't.

1060
00:52:41,280 --> 00:52:45,200
Speaker 3: It's not fun and not that it's for fun or entertainment,

1061
00:52:45,200 --> 00:52:46,920
Speaker 3: even it's a show, but it's like, and she's done

1062
00:52:46,920 --> 00:52:49,759
Speaker 3: a deeply personal painful thing, not painful, but.

1063
00:52:49,840 --> 00:52:52,680
Speaker 2: Just sensitive thing. It's not fun for someone to be

1064
00:52:52,800 --> 00:52:55,960
Speaker 2: cagey about something that. Yeah, yeah, yeah. I will also say,

1065
00:52:56,080 --> 00:52:58,000
Speaker 2: like when they were picking on her hat that she

1066
00:52:58,120 --> 00:53:01,040
Speaker 2: wore for this surreal party, I'm like, you guys know

1067
00:53:01,200 --> 00:53:03,760
Speaker 2: that she's one of the only ones that's like actually

1068
00:53:03,880 --> 00:53:07,359
Speaker 2: kind of doing the surreal assignment. Sure, y'all are dressed

1069
00:53:07,360 --> 00:53:10,960
Speaker 2: as woodland creatures, you' all being like goofy? Yeah, wait,

1070
00:53:11,000 --> 00:53:13,839
Speaker 2: you're talking about we're about retap. Yeah, her her thing

1071
00:53:13,920 --> 00:53:16,120
Speaker 2: that she wore to the surrealism. I thought it worked.

1072
00:53:16,280 --> 00:53:19,440
Speaker 2: I thought antlers didn't really make and why were they

1073
00:53:19,520 --> 00:53:20,560
Speaker 2: all in them? I don't know.

1074
00:53:20,920 --> 00:53:24,880
Speaker 3: We're talking about like Dali surrealism, right, mac greet surreal

1075
00:53:25,560 --> 00:53:29,759
Speaker 3: margreet surreal, like wear an apple, put an apple on

1076
00:53:29,840 --> 00:53:32,000
Speaker 3: your face, you know, like do that. Yeah, some many

1077
00:53:32,000 --> 00:53:34,000
Speaker 3: people were ringing goofy and random.

1078
00:53:34,280 --> 00:53:37,000
Speaker 2: It was too goofy for me. No bows, I love

1079
00:53:37,200 --> 00:53:39,800
Speaker 2: I'd like bows. I likes the vibe, even though like

1080
00:53:40,080 --> 00:53:42,719
Speaker 2: whatever her like career history is is kind of weird

1081
00:53:42,760 --> 00:53:44,759
Speaker 2: and checkered. I don't know if it's checkered or not.

1082
00:53:45,000 --> 00:53:48,279
Speaker 2: My question is just like why it's like when she

1083
00:53:48,480 --> 00:53:50,279
Speaker 2: was like, I worked here and here and here and

1084
00:53:50,440 --> 00:53:53,080
Speaker 2: here and here and here, you and I don't know

1085
00:53:53,239 --> 00:53:55,799
Speaker 2: any companies. Usually when someone has worked at a lot

1086
00:53:55,880 --> 00:53:57,440
Speaker 2: of places, it means they've had to leave a lot

1087
00:53:57,480 --> 00:53:59,719
Speaker 2: of places. But I also don't want to take anything

1088
00:53:59,760 --> 00:54:02,840
Speaker 2: away from her because she's clearly a very dynamic, compelling,

1089
00:54:03,920 --> 00:54:07,719
Speaker 2: ironic person. I'm very I think this is the right vibe.

1090
00:54:07,760 --> 00:54:11,200
Speaker 2: And I don't really miss You're Crystal calling Minkow. Oh.

1091
00:54:11,239 --> 00:54:13,959
Speaker 2: I didn't even think about her. I don't think about

1092
00:54:14,000 --> 00:54:16,239
Speaker 2: any of the housewives that aren't on anymore. That's why

1093
00:54:16,320 --> 00:54:18,560
Speaker 2: whenever anyone's like, oh, we miss so and so, I'm like,

1094
00:54:18,840 --> 00:54:20,400
Speaker 2: we're gonna miss so and so. I'm like, you're not.

1095
00:54:20,600 --> 00:54:24,640
Speaker 2: Though the only exception is because maybe it's a full reboot,

1096
00:54:24,760 --> 00:54:27,880
Speaker 2: is is Ronnie, because then we'll talk about Ronnie's Roney

1097
00:54:28,000 --> 00:54:32,319
Speaker 2: is nothing. It is tough. I was rooting for them,

1098
00:54:32,440 --> 00:54:38,040
Speaker 2: we were all daring this whole fucking Aaron Aaron.

1099
00:54:38,120 --> 00:54:41,840
Speaker 3: I'm just like, girl, what are you doing to me?

1100
00:54:42,000 --> 00:54:43,600
Speaker 3: She's not even the pro she's not even the problem.

1101
00:54:43,640 --> 00:54:46,120
Speaker 3: But like the Rebecca Minco the prank quote unquote, I'm like,

1102
00:54:46,280 --> 00:54:50,040
Speaker 3: I hated the prank Duck's Ball. Yeah, I hated the prank.

1103
00:54:50,080 --> 00:54:52,440
Speaker 2: Aaron didn't even need to do the prank because I

1104
00:54:52,560 --> 00:54:55,800
Speaker 2: was like, you're one of the ones actually giving a storyline. Meanwhile,

1105
00:54:55,880 --> 00:54:58,000
Speaker 2: like so many of them are not, and they can't

1106
00:54:58,040 --> 00:55:00,120
Speaker 2: get me to care about Rakau. They can't get to

1107
00:55:00,160 --> 00:55:02,080
Speaker 2: care about recD. I dodn't even know the women from

1108
00:55:02,160 --> 00:55:04,960
Speaker 2: last season. Really, It's like, why are you suddenly doing raquel.

1109
00:55:05,000 --> 00:55:07,040
Speaker 2: It's like I don't know the girls that we have

1110
00:55:07,239 --> 00:55:09,800
Speaker 2: on the show already, right, I'm like, sorry, what is it?

1111
00:55:09,920 --> 00:55:12,160
Speaker 2: What is uba about? Again? Like what happened to the

1112
00:55:12,200 --> 00:55:14,080
Speaker 2: hot sauce? Like I would love to know what happened

1113
00:55:14,080 --> 00:55:14,760
Speaker 2: with the hot sauce?

1114
00:55:15,080 --> 00:55:19,080
Speaker 3: And I like the hot sauce Jessel I'm rooting for

1115
00:55:19,400 --> 00:55:22,880
Speaker 3: still in a way, Puvet makes it very tough. That

1116
00:55:23,040 --> 00:55:26,200
Speaker 3: is one of the lamest motherfuckers to ever be on television.

1117
00:55:26,360 --> 00:55:30,000
Speaker 2: Yeah, he I said that thing of like when straight

1118
00:55:30,080 --> 00:55:34,239
Speaker 2: men like negative lives, like the like thing of like, oh,

1119
00:55:34,400 --> 00:55:37,320
Speaker 2: I'm going to be annoying as a funny thing and

1120
00:55:37,560 --> 00:55:39,800
Speaker 2: eat on our therapy zoom. I would turn to my

1121
00:55:39,920 --> 00:55:43,439
Speaker 2: husband and say, you better close your mouth and put

1122
00:55:43,560 --> 00:55:47,399
Speaker 2: that snack away, right, now you're embarrassing so disrespect. You're

1123
00:55:47,400 --> 00:55:49,879
Speaker 2: embarrassing me while the cameras are on. Here's the thing.

1124
00:55:50,280 --> 00:55:52,799
Speaker 2: The reason why you're embarrassing me is because you are

1125
00:55:52,880 --> 00:55:56,279
Speaker 2: embarrassing yourself. Yes, and now I'm on this television show

1126
00:55:56,400 --> 00:55:59,480
Speaker 2: on therapy and you are not being funny and you

1127
00:55:59,520 --> 00:56:03,120
Speaker 2: think you will and it's humiliating. And his thing of

1128
00:56:03,320 --> 00:56:07,000
Speaker 2: like constantly minimizing her. I get that she's no saint,

1129
00:56:07,080 --> 00:56:09,680
Speaker 2: and like obviously like of course, of course their relationship

1130
00:56:09,800 --> 00:56:13,279
Speaker 2: was established as being very like the meanness to each other.

1131
00:56:13,440 --> 00:56:15,520
Speaker 2: It is like a fore play that they do. But

1132
00:56:15,640 --> 00:56:20,600
Speaker 2: it's like, dude, come on, come on now, I'm like, oh,

1133
00:56:20,800 --> 00:56:25,880
Speaker 2: you're you're just like a wanna be tech bro. She

1134
00:56:26,000 --> 00:56:27,920
Speaker 2: wouldn't want the daughter to be Taylor stuff, but he

1135
00:56:27,960 --> 00:56:30,680
Speaker 2: would want his daughter, his son to be like like

1136
00:56:30,760 --> 00:56:34,000
Speaker 2: you said it all and I'm like, you Jack op

1137
00:56:34,080 --> 00:56:36,960
Speaker 2: to the cyber truck or something like he literally he's like,

1138
00:56:36,960 --> 00:56:38,960
Speaker 2: I want a cyber truck. I'm like, this is this

1139
00:56:39,120 --> 00:56:41,400
Speaker 2: is our guy, not our guy, but I'm just this

1140
00:56:41,520 --> 00:56:47,120
Speaker 2: is the guy it's given cabinet appointment. Okay, so oh see,

1141
00:56:47,719 --> 00:56:52,120
Speaker 2: I thought Simpson won. The reason Simpson, you're the dumbest girl.

1142
00:56:52,360 --> 00:56:55,680
Speaker 2: Don't don't you ever call me your dumbest girl I met,

1143
00:56:56,160 --> 00:57:03,760
Speaker 2: I've ever fucking I ever fucking metal lies told sorry, Alexis, Sorry,

1144
00:57:04,120 --> 00:57:08,240
Speaker 2: you're a wonderful mother. I'm sure they're all wonderful mothers.

1145
00:57:08,640 --> 00:57:12,120
Speaker 2: Like these people they come on and I just wonder, like,

1146
00:57:12,800 --> 00:57:15,800
Speaker 2: what did Alexis think this was going to be? Like,

1147
00:57:16,760 --> 00:57:20,480
Speaker 2: what exactly did she think was gonna happen when she

1148
00:57:20,720 --> 00:57:24,560
Speaker 2: went fresh off getting together with the star of the

1149
00:57:24,640 --> 00:57:32,160
Speaker 2: show's like and like have no like contrition about it?

1150
00:57:32,480 --> 00:57:34,400
Speaker 2: Did you expect it to have like a future on

1151
00:57:34,520 --> 00:57:39,040
Speaker 2: the show? You're in, You're out defense against the Dark Arts, Katie,

1152
00:57:40,440 --> 00:57:43,080
Speaker 2: that was top I wanted to come back though, I

1153
00:57:43,160 --> 00:57:45,200
Speaker 2: do I want I want that as well. I think

1154
00:57:45,200 --> 00:57:48,160
Speaker 2: there's extrapolation there. I thought one of the lowest parts

1155
00:57:48,200 --> 00:57:51,080
Speaker 2: of the reunion was that I think it was Heather

1156
00:57:51,160 --> 00:57:54,720
Speaker 2: Debro who I do like brought up that years before

1157
00:57:55,720 --> 00:57:58,320
Speaker 2: that legal situation that I was like, this is like

1158
00:57:58,600 --> 00:58:01,280
Speaker 2: not relevant and feels pad so petty, And I think

1159
00:58:01,320 --> 00:58:03,160
Speaker 2: she she felt bad, how she feel bad? And then

1160
00:58:03,160 --> 00:58:04,560
Speaker 2: that's where she went over. I don't know that's part

1161
00:58:04,560 --> 00:58:06,080
Speaker 2: of the reason why she went over and then you know,

1162
00:58:06,480 --> 00:58:09,920
Speaker 2: and Tamra, I don't. I don't buy it needs to

1163
00:58:10,000 --> 00:58:13,160
Speaker 2: be a three times a week therapy for so many reasons.

1164
00:58:13,840 --> 00:58:16,400
Speaker 2: Potomac I am so on board with. Oh my god.

1165
00:58:16,560 --> 00:58:18,240
Speaker 3: Someone stopping today in the street as I was getting

1166
00:58:18,280 --> 00:58:20,280
Speaker 3: into an uber she was like, old time your word.

1167
00:58:20,280 --> 00:58:22,320
Speaker 2: I was like, Okay, what's she gonna say? She goes,

1168
00:58:23,160 --> 00:58:26,440
Speaker 2: I just want to let you know I love Gizelle.

1169
00:58:26,640 --> 00:58:28,160
Speaker 2: That you wouldn't have changed my mind on it, And

1170
00:58:28,240 --> 00:58:30,960
Speaker 2: I said, but wait, she's fun again. I like her again.

1171
00:58:31,000 --> 00:58:32,760
Speaker 3: I was like, really, I'm gonna sorry, I need to

1172
00:58:32,800 --> 00:58:35,360
Speaker 3: start watching Potomac. So this, I never drew down to

1173
00:58:35,440 --> 00:58:38,560
Speaker 3: share a partial to share that like we had helped

1174
00:58:38,600 --> 00:58:42,000
Speaker 3: her change her mind on Gizelle, because if anyone knows

1175
00:58:42,080 --> 00:58:45,680
Speaker 3: the history of our podcast in Gizelle being very anti yes,

1176
00:58:45,840 --> 00:58:47,120
Speaker 3: now with the Robin digs out of picture, now that

1177
00:58:47,120 --> 00:58:48,960
Speaker 3: I think the producers and then I think Gizel might

1178
00:58:49,000 --> 00:58:52,400
Speaker 3: have been a little you know, scared buyer under her ass.

1179
00:58:52,520 --> 00:58:56,080
Speaker 2: Something happened. Now she is. I think she's very enjoyable.

1180
00:58:56,120 --> 00:58:58,280
Speaker 2: And I never thought I would say those words. I'm

1181
00:58:58,440 --> 00:59:02,080
Speaker 2: enjoying Gizelle. I'm in even enjoying Ashley like, I'm actually

1182
00:59:02,280 --> 00:59:05,040
Speaker 2: I'm actually enjoying the group as a whole. And I've

1183
00:59:05,040 --> 00:59:07,160
Speaker 2: also I think Wendy is so much better when she's

1184
00:59:07,200 --> 00:59:09,640
Speaker 2: not filming. She has to anxiously be on the defensive

1185
00:59:09,800 --> 00:59:14,360
Speaker 2: all the time. Miss Stacey is I have obsessed. She's

1186
00:59:15,160 --> 00:59:18,440
Speaker 2: She's here to stay. I said, I want Stacy in

1187
00:59:18,520 --> 00:59:21,680
Speaker 2: a confessional after every scene, even when she's not in.

1188
00:59:22,000 --> 00:59:24,960
Speaker 2: I want her reacting to every single thing that happens

1189
00:59:25,040 --> 00:59:28,640
Speaker 2: on the show. The boyfriend is, Oh, I love it,

1190
00:59:28,880 --> 00:59:29,560
Speaker 2: It's too good.

1191
00:59:29,640 --> 00:59:32,520
Speaker 3: No, I'm just can I just say, like, none of

1192
00:59:32,560 --> 00:59:36,120
Speaker 3: it is embarrassing, none of it like lowers any sort

1193
00:59:36,200 --> 00:59:37,760
Speaker 3: of thing I have.

1194
00:59:37,840 --> 00:59:40,720
Speaker 2: For Stacy, Like she is, I am well, I will

1195
00:59:40,800 --> 00:59:41,880
Speaker 2: follow her to the end of the year.

1196
00:59:42,080 --> 00:59:44,760
Speaker 3: I'm a Stacey's Sarah and are like, that is the

1197
00:59:44,800 --> 00:59:48,240
Speaker 3: most beautiful woman Sarah and I are she she she.

1198
00:59:48,480 --> 00:59:51,240
Speaker 2: Now takes the crown away from Lisa Barlow A. Lisa

1199
00:59:51,320 --> 00:59:53,720
Speaker 2: has not been doing it for me lately. I'm so sorry.

1200
00:59:54,200 --> 00:59:57,720
Speaker 2: Transitioning to salt Lake, Yeah, we are. We are sort

1201
00:59:57,760 --> 01:00:00,280
Speaker 2: of at an impasse, you and I with Bronwyn. I'm

1202
01:00:00,520 --> 01:00:04,920
Speaker 2: very pro Bronwin and I'm not to draw comparison to pubbots,

1203
01:00:05,000 --> 01:00:08,760
Speaker 2: like rich people being funny and quirky is like taking

1204
01:00:08,800 --> 01:00:10,800
Speaker 2: a plane and going to Vietnam to eat a bond

1205
01:00:10,880 --> 01:00:12,960
Speaker 2: me and I don't know if this is fair to

1206
01:00:13,080 --> 01:00:16,000
Speaker 2: like to drop parallel, but it's like you dress up

1207
01:00:16,000 --> 01:00:18,640
Speaker 2: in an inflabled dinosaur costume to go greeg your husband

1208
01:00:19,560 --> 01:00:24,360
Speaker 2: or you have I don't know, like tacky pe days

1209
01:00:24,760 --> 01:00:27,160
Speaker 2: and you have dog trds around the house. I'm like,

1210
01:00:27,480 --> 01:00:31,800
Speaker 2: something is off. You revealed what it really is about

1211
01:00:31,800 --> 01:00:33,680
Speaker 2: Broadway though for you one of the things. That's not

1212
01:00:33,760 --> 01:00:34,400
Speaker 2: the main reason.

1213
01:00:34,480 --> 01:00:38,000
Speaker 3: But she does trigger me and for lack of a

1214
01:00:38,040 --> 01:00:42,760
Speaker 3: better word, to this awful person that I knew growing up, and.

1215
01:00:42,840 --> 01:00:46,440
Speaker 2: It's because like this and the way she confronts is

1216
01:00:46,560 --> 01:00:49,400
Speaker 2: with this, I don't like that tone of voice. Yeah,

1217
01:00:49,520 --> 01:00:52,360
Speaker 2: fucking hate it. I will say. For me, my like

1218
01:00:52,480 --> 01:00:55,320
Speaker 2: of Bronwyn is because I do think that she's able

1219
01:00:55,400 --> 01:00:59,800
Speaker 2: to explain her perspective in a way that I've noticed

1220
01:00:59,840 --> 01:01:03,440
Speaker 2: some thing about the Salt Lake women. They often don't

1221
01:01:04,120 --> 01:01:06,840
Speaker 2: get it. They can't they can't explain their own point

1222
01:01:06,840 --> 01:01:09,400
Speaker 2: of view. They can't see the forest for their trees. Emotionally,

1223
01:01:09,480 --> 01:01:11,720
Speaker 2: like at lista ball of most of all. Yeah, and

1224
01:01:11,800 --> 01:01:14,080
Speaker 2: it's funny and it's great. I feel like Bronwin is

1225
01:01:14,120 --> 01:01:16,880
Speaker 2: the most grounded, and she's like, no, I know how

1226
01:01:16,920 --> 01:01:20,000
Speaker 2: I feel. My moral compass is what it is. You

1227
01:01:20,120 --> 01:01:22,280
Speaker 2: might not agree with it, but I'm going to eloquently

1228
01:01:22,320 --> 01:01:24,960
Speaker 2: and intelligently dress you down and get you together. No.

1229
01:01:25,200 --> 01:01:29,720
Speaker 2: And she's like the first like good, like on the spot,

1230
01:01:30,080 --> 01:01:32,760
Speaker 2: like conversational, like high EQ.

1231
01:01:33,320 --> 01:01:37,400
Speaker 3: Yes, sure, And then sometimes she lets things slip in

1232
01:01:37,440 --> 01:01:40,560
Speaker 3: a way that I'm like, WHOA, Well, she's like, have

1233
01:01:40,640 --> 01:01:43,680
Speaker 3: an I bogger loyalty. I sign in first class because

1234
01:01:43,680 --> 01:01:45,200
Speaker 3: I because it was my credit card, which.

1235
01:01:45,160 --> 01:01:46,880
Speaker 2: You know, I guess the first class of it all.

1236
01:01:47,240 --> 01:01:49,120
Speaker 2: I don't know, like when she's when she's backed into

1237
01:01:49,160 --> 01:01:51,760
Speaker 2: a corner in a real way, I think she kind

1238
01:01:51,840 --> 01:01:55,520
Speaker 2: of it's tough. Yeah, But I do think though, like

1239
01:01:55,720 --> 01:01:58,960
Speaker 2: if you take all of your friends on a private

1240
01:01:59,080 --> 01:02:04,480
Speaker 2: plane to your home for your anniversary with your husband,

1241
01:02:04,920 --> 01:02:07,200
Speaker 2: you do get to say to someone that they're being

1242
01:02:07,240 --> 01:02:09,280
Speaker 2: an asshole and it's fucked up when you paid for shit.

1243
01:02:09,880 --> 01:02:13,200
Speaker 2: I do think you get to say that. As a

1244
01:02:13,280 --> 01:02:16,320
Speaker 2: real housewife of Salt Lake City, I think she's within

1245
01:02:16,440 --> 01:02:18,040
Speaker 2: her rights now. Todd scares me though.

1246
01:02:18,400 --> 01:02:21,320
Speaker 3: Todd's and I think we're gonna see that marriage really

1247
01:02:21,560 --> 01:02:23,440
Speaker 3: kind of the hood of that pop up.

1248
01:02:23,600 --> 01:02:26,400
Speaker 2: But that's gerardy Ish as fuss. Yeah, but I think

1249
01:02:26,600 --> 01:02:28,720
Speaker 2: not in a legal way, in like a that's set

1250
01:02:28,800 --> 01:02:31,560
Speaker 2: up is giving me. I have not made up my

1251
01:02:31,640 --> 01:02:36,040
Speaker 2: mind on Bronwyn. I'm just and I see potential for Giselle.

1252
01:02:36,160 --> 01:02:38,280
Speaker 2: If I can get it, just can get me to

1253
01:02:38,480 --> 01:02:42,400
Speaker 2: like her. Anything's possible. So and Bromwin just seems very,

1254
01:02:42,520 --> 01:02:47,400
Speaker 2: very very interesting, and that's what the show thrives on.

1255
01:02:47,640 --> 01:02:50,439
Speaker 2: I think the fact that Heather is so pressed about

1256
01:02:50,480 --> 01:02:54,360
Speaker 2: Bronwin is because I think Heather Heather doesn't realize the

1257
01:02:54,440 --> 01:02:57,240
Speaker 2: audience can tell. Like Heather's trying to make it about

1258
01:02:57,320 --> 01:03:00,439
Speaker 2: like I am very protective of this group because we've

1259
01:03:00,480 --> 01:03:03,440
Speaker 2: been through a lot. Yes, And it's like, Okay, that

1260
01:03:03,680 --> 01:03:06,160
Speaker 2: might be true, but what you're protective of is the

1261
01:03:06,280 --> 01:03:11,720
Speaker 2: dynamic of the groups, yes, and your status and Bronwin

1262
01:03:11,800 --> 01:03:14,280
Speaker 2: makes the show better. But I don't know if in

1263
01:03:14,400 --> 01:03:19,200
Speaker 2: Heather's mind that's true, because I think Bronwyn brings a

1264
01:03:19,280 --> 01:03:21,920
Speaker 2: big personality and takes up a lot of space and

1265
01:03:22,040 --> 01:03:24,040
Speaker 2: when you're there. That's something I was thinking about like,

1266
01:03:24,120 --> 01:03:26,720
Speaker 2: I didn't even think about that with like Housewives. I

1267
01:03:26,840 --> 01:03:30,320
Speaker 2: was actually watching an interview with Bosima on Kelly Clarkson

1268
01:03:30,720 --> 01:03:33,320
Speaker 2: and Kelly was like, so, what's been your experience of

1269
01:03:33,400 --> 01:03:36,640
Speaker 2: being on Housewives? And Bozema goes, you know, it's not

1270
01:03:36,880 --> 01:03:40,120
Speaker 2: dissimilar to being in the boardroom. Uh huh. She was like,

1271
01:03:40,640 --> 01:03:43,480
Speaker 2: you're all sitting there and you're trying to work out

1272
01:03:43,520 --> 01:03:46,480
Speaker 2: a problem or a solution, and people are very convinced

1273
01:03:46,520 --> 01:03:48,840
Speaker 2: of themselves and you have to be able to broke

1274
01:03:48,880 --> 01:03:53,040
Speaker 2: her communications and conflict and resolve and everyone has different

1275
01:03:53,080 --> 01:03:54,960
Speaker 2: things that they want. She was like, I can liken

1276
01:03:55,040 --> 01:03:57,520
Speaker 2: it to that. And I was thinking about that, and

1277
01:03:57,640 --> 01:04:01,320
Speaker 2: I was like, you know, braun Win brings a new

1278
01:04:01,560 --> 01:04:05,760
Speaker 2: element to that boardroom, and you don't have a great

1279
01:04:06,560 --> 01:04:09,880
Speaker 2: set of minds on Salt Lake City. I think in

1280
01:04:09,960 --> 01:04:11,520
Speaker 2: a boardroom sense, I think you have a lot of

1281
01:04:11,880 --> 01:04:17,400
Speaker 2: people screaming, very convinced to themselves entertainment. But Ronin is

1282
01:04:17,440 --> 01:04:19,160
Speaker 2: just bringing a new element to the boardroom and Heather

1283
01:04:19,280 --> 01:04:20,240
Speaker 2: is uncomfortable with that.

1284
01:04:21,040 --> 01:04:23,600
Speaker 3: But she should get totally. She should get comfortable. Bron

1285
01:04:23,640 --> 01:04:25,960
Speaker 3: Win's here to say, I do kind of bristle a

1286
01:04:26,040 --> 01:04:32,960
Speaker 3: bit at like the vernacular who definitely makes the show better.

1287
01:04:33,000 --> 01:04:35,800
Speaker 3: I don't know if the vernacular she possesses, the vaca

1288
01:04:35,920 --> 01:04:38,400
Speaker 3: she possessed she does not have. But I think Bronwyn,

1289
01:04:38,960 --> 01:04:40,760
Speaker 3: I don't know if I agree with you yet that

1290
01:04:40,800 --> 01:04:41,640
Speaker 3: she makes the show better.

1291
01:04:41,920 --> 01:04:42,840
Speaker 2: Who makes the.

1292
01:04:42,880 --> 01:04:47,480
Speaker 3: Show objectively better? Talk about it, angiek, Angie katanaevis we

1293
01:04:48,680 --> 01:04:51,920
Speaker 3: this is a standic. This is a stand account for ANGIEK.

1294
01:04:52,960 --> 01:04:57,000
Speaker 3: You have shown vulnerability this season. You've also pulled the

1295
01:04:57,120 --> 01:04:59,240
Speaker 3: campiest stunts that loop all the way back around to

1296
01:04:59,680 --> 01:05:04,240
Speaker 3: them working the scroll is so stupid. You executed it

1297
01:05:04,360 --> 01:05:07,480
Speaker 3: so beautifully, and timing and the timing of it was

1298
01:05:07,600 --> 01:05:09,600
Speaker 3: so bad that it was good.

1299
01:05:10,440 --> 01:05:11,880
Speaker 2: It was brilliant. But I'm just saying, like it was

1300
01:05:12,280 --> 01:05:14,040
Speaker 2: so bad that it was good. You know, she when

1301
01:05:14,080 --> 01:05:17,080
Speaker 2: she does like can't be housewipe thinks like when she

1302
01:05:17,280 --> 01:05:19,200
Speaker 2: shows up and it's so clear she knows she's on

1303
01:05:19,320 --> 01:05:22,520
Speaker 2: camera for me with her with almost no one else,

1304
01:05:22,640 --> 01:05:26,480
Speaker 2: it's charming. The awareness works. Yes, it's like, well, Meredith,

1305
01:05:27,040 --> 01:05:30,040
Speaker 2: I actually was gonna want to talk to you about this. Meredith.

1306
01:05:30,280 --> 01:05:35,240
Speaker 2: I'm like, yes, Angie, wind up, it's so beautiful. Oh Lisa,

1307
01:05:35,800 --> 01:05:38,920
Speaker 2: you you are not a good friend to me, and

1308
01:05:39,040 --> 01:05:42,440
Speaker 2: I think it's shown Lisa. I'm speaking like, I'm just

1309
01:05:42,520 --> 01:05:45,080
Speaker 2: like you better be a housewife, Lauren. Matt's got an

1310
01:05:45,120 --> 01:05:48,080
Speaker 2: Andrew k Or. They gave me another shot and I

1311
01:05:48,160 --> 01:05:50,440
Speaker 2: go in there with just Angie k If. I go

1312
01:05:50,600 --> 01:05:53,320
Speaker 2: back in there years and years and years later for

1313
01:05:53,440 --> 01:05:57,080
Speaker 2: my third screens as ad SNL after You're gone, Oh

1314
01:05:57,200 --> 01:05:59,520
Speaker 2: my god, this I'm Matt Rogers and today I'll be

1315
01:05:59,600 --> 01:06:02,480
Speaker 2: doing Andreie cats nave us immedia and I just do

1316
01:06:02,600 --> 01:06:04,400
Speaker 2: her for five minutes of the media. Actually no, I

1317
01:06:04,440 --> 01:06:06,920
Speaker 2: say for fifteen. I refused. Lease, yeah, don't leave. You're

1318
01:06:06,960 --> 01:06:09,000
Speaker 2: doing it. She's like Edie Cale with it. Oh my god,

1319
01:06:09,040 --> 01:06:11,320
Speaker 2: we love you Andree so much. Can we come stay

1320
01:06:11,320 --> 01:06:14,240
Speaker 2: at your places? Hotlake? I got the invite. Oh I know,

1321
01:06:14,360 --> 01:06:16,040
Speaker 2: but I want to come to No. Can we both

1322
01:06:16,080 --> 01:06:27,480
Speaker 2: tell me, Angie there's room in that house. This is

1323
01:06:27,520 --> 01:06:28,400
Speaker 2: I don't think the honey.

1324
01:06:28,560 --> 01:06:30,960
Speaker 3: This is the segment where we take one minute to

1325
01:06:31,160 --> 01:06:35,360
Speaker 3: rail against something in culture, and we are going to

1326
01:06:35,440 --> 01:06:36,480
Speaker 3: do just that right now.

1327
01:06:36,760 --> 01:06:39,960
Speaker 2: Okay, Yes, I have something. I alluded to it earlier

1328
01:06:40,040 --> 01:06:43,840
Speaker 2: in the episode, and I just yeah, I'm ready to Okay,

1329
01:06:43,880 --> 01:06:45,680
Speaker 2: this is not rogers. Don't think so many time starts. Now,

1330
01:06:45,800 --> 01:06:48,080
Speaker 2: I don't think so, honey, that Sebastian Stan doesn't get

1331
01:06:48,120 --> 01:06:50,160
Speaker 2: to do an Actor's on actress for the Apprentice for

1332
01:06:50,280 --> 01:06:53,280
Speaker 2: Variety because no one would sit with him and talk

1333
01:06:53,400 --> 01:06:56,360
Speaker 2: about that movie crazy. He was quoted as saying that

1334
01:06:56,760 --> 01:06:58,880
Speaker 2: no actor would agree to sit down with him and

1335
01:06:58,960 --> 01:07:01,640
Speaker 2: talk about the Donald Trump biopic that he is in.

1336
01:07:02,200 --> 01:07:06,120
Speaker 2: That is so cowardly and stupid. I don't know if

1337
01:07:06,160 --> 01:07:09,240
Speaker 2: it's the publicists. I don't know if it's the actors themselves.

1338
01:07:09,800 --> 01:07:11,720
Speaker 2: Just sit down and talk with this man about his

1339
01:07:11,800 --> 01:07:14,000
Speaker 2: good work. And he's also in another movie called A

1340
01:07:14,040 --> 01:07:16,360
Speaker 2: Different Man, which was getting rave reviews. He apparently gives

1341
01:07:16,400 --> 01:07:18,960
Speaker 2: a terrific performance. Like this guy is a great actor.

1342
01:07:19,360 --> 01:07:24,720
Speaker 2: He takes himself seriously, Like, because you're what scared of blowback?

1343
01:07:25,000 --> 01:07:27,960
Speaker 2: Trump vhoters aren't watching the Variety Actors on Actors. I

1344
01:07:28,080 --> 01:07:31,919
Speaker 2: agree with you. I don't think so, honey. I'm just saying,

1345
01:07:32,200 --> 01:07:34,880
Speaker 2: Sebastian Stan, if I had a movie out there, I

1346
01:07:34,920 --> 01:07:37,440
Speaker 2: would sit down with you. You were going hot ones,

1347
01:07:37,640 --> 01:07:39,760
Speaker 2: you would do Actors on actors with Sebastian. I would

1348
01:07:39,800 --> 01:07:44,000
Speaker 2: do anything. Michael Fisher address you both. I love Sebastian

1349
01:07:44,080 --> 01:07:46,720
Speaker 2: Stan and I didn't like seeing him be disrespected because

1350
01:07:47,000 --> 01:07:49,360
Speaker 2: he shows up, you know, he looks like he does

1351
01:07:49,360 --> 01:07:51,000
Speaker 2: a great job and his stuff. He seems like a

1352
01:07:51,080 --> 01:07:53,160
Speaker 2: nice guy. I've we've heard that he's such a sweet,

1353
01:07:53,280 --> 01:07:56,240
Speaker 2: nice guy, and I think it was incredibly brave of

1354
01:07:56,360 --> 01:07:59,720
Speaker 2: him to do that movie. Yes, and someone should step

1355
01:07:59,840 --> 01:08:03,480
Speaker 2: up and not be a loser, and especially now, you

1356
01:08:03,520 --> 01:08:05,479
Speaker 2: would get a lot of credit for doing it. Of course,

1357
01:08:05,640 --> 01:08:09,120
Speaker 2: so because he called it out, Yeah, and I'm happy

1358
01:08:09,160 --> 01:08:11,480
Speaker 2: that he did. Yeah, me too, because because that is

1359
01:08:11,520 --> 01:08:14,800
Speaker 2: really important, because are you telling me that we're we're

1360
01:08:14,920 --> 01:08:16,960
Speaker 2: just now we're going to take what's happened and move

1361
01:08:17,080 --> 01:08:18,040
Speaker 2: forward in fear.

1362
01:08:18,680 --> 01:08:23,200
Speaker 3: No, no fucking way that implies the mandate and let

1363
01:08:23,280 --> 01:08:24,160
Speaker 3: him host desen l.

1364
01:08:25,000 --> 01:08:27,960
Speaker 2: Yeah, I don't know if do you think he would

1365
01:08:27,960 --> 01:08:28,400
Speaker 2: want to do that.

1366
01:08:28,560 --> 01:08:31,280
Speaker 3: I've heard that he wants to. Oh great, and I

1367
01:08:31,320 --> 01:08:33,599
Speaker 3: would love for him to do that. He would be fantastic.

1368
01:08:33,640 --> 01:08:35,760
Speaker 3: I mean for him and I Tanya. It's like he

1369
01:08:35,840 --> 01:08:38,400
Speaker 3: can do a fun voice, a fun accident, he can commit.

1370
01:08:38,640 --> 01:08:41,280
Speaker 3: He's my favorite actor. I'm on record on this podcast

1371
01:08:41,320 --> 01:08:44,519
Speaker 3: He's my favorite actor. Sebastian I watch you before I audition.

1372
01:08:45,000 --> 01:08:48,439
Speaker 2: Oh that's so beautiful and it works because she books

1373
01:08:49,600 --> 01:08:52,040
Speaker 2: one really quickly. Yes, okay, so this is Bowen Yang's

1374
01:08:52,040 --> 01:08:55,320
Speaker 2: I don't think so funny. On the Friends Giving episode

1375
01:08:55,320 --> 01:08:57,920
Speaker 2: of wats cluse, we hope you've all enjoyed and celebrating

1376
01:08:57,960 --> 01:08:59,840
Speaker 2: Thanksgiving with us. We hope you had a sanak and

1377
01:09:00,080 --> 01:09:04,479
Speaker 2: cocktail or not or not? Ah, this is bonetings. I

1378
01:09:04,520 --> 01:09:06,040
Speaker 2: don't think as many as time starts now, I don't

1379
01:09:06,040 --> 01:09:10,040
Speaker 2: think so many pejorative on theater kids at this point,

1380
01:09:10,120 --> 01:09:12,920
Speaker 2: it's like we get it, like it's fun to make

1381
01:09:12,960 --> 01:09:17,960
Speaker 2: fun of them, but also like what's the alternative? These

1382
01:09:18,040 --> 01:09:20,240
Speaker 2: people grow up and have no outlet.

1383
01:09:20,040 --> 01:09:23,360
Speaker 3: For their creativity, the innate creativity at all human beings have,

1384
01:09:24,479 --> 01:09:26,439
Speaker 3: and what they grew up to be a fucking like

1385
01:09:27,040 --> 01:09:29,519
Speaker 3: mass shooter, Like shut up, like stop it.

1386
01:09:29,640 --> 01:09:31,839
Speaker 2: Don't don't like stop this culture.

1387
01:09:31,960 --> 01:09:34,960
Speaker 3: Like, look, you got two theater kids in front of

1388
01:09:35,000 --> 01:09:36,760
Speaker 3: your well, I'm one of them, not you, Like I

1389
01:09:36,840 --> 01:09:39,599
Speaker 3: think you were late, but I count you do count.

1390
01:09:39,800 --> 01:09:41,760
Speaker 2: We booked you buff the I'm a late in life

1391
01:09:41,760 --> 01:09:43,000
Speaker 2: theater kid. This is this is the thing.

1392
01:09:43,080 --> 01:09:47,360
Speaker 3: It's like, you know, the alternative is bad okay, right,

1393
01:09:47,479 --> 01:09:50,400
Speaker 3: so like not too much on the theater kid, you know,

1394
01:09:50,680 --> 01:09:54,920
Speaker 3: put nonsense, like it's not even that Like I am

1395
01:09:54,920 --> 01:09:56,200
Speaker 3: annoyed that people are making fun of them.

1396
01:09:56,200 --> 01:09:58,200
Speaker 2: I'm just like, can't we do better as a culture.

1397
01:09:58,280 --> 01:10:00,920
Speaker 2: It's like the least original thing when people like five

1398
01:10:00,960 --> 01:10:04,519
Speaker 2: second one and I'm like, you don't really know me

1399
01:10:04,640 --> 01:10:07,240
Speaker 2: that well, I have sex and I play video games

1400
01:10:07,280 --> 01:10:10,679
Speaker 2: as well. Yeah that's one minute. He fucks he plays

1401
01:10:10,800 --> 01:10:14,040
Speaker 2: video games and he's a theater kid bowing, and I'm

1402
01:10:14,080 --> 01:10:17,920
Speaker 2: a dancer period, and he danced down in Wicked. The

1403
01:10:18,040 --> 01:10:24,040
Speaker 2: discourse online has gotten so bad that everyone's going to

1404
01:10:24,080 --> 01:10:26,599
Speaker 2: Blue Sky now, like this is gonna become garbage too,

1405
01:10:26,800 --> 01:10:31,439
Speaker 2: though this is either a social media platform becomes for

1406
01:10:31,720 --> 01:10:38,400
Speaker 2: like suburban people who don't really give a fuck about

1407
01:10:39,040 --> 01:10:39,840
Speaker 2: It's a funny little bit.

1408
01:10:39,960 --> 01:10:42,280
Speaker 3: Yeah, well it's like it's like Facebook is for moms,

1409
01:10:42,520 --> 01:10:46,439
Speaker 3: we love moms, Instagram is for like as am all now,

1410
01:10:46,840 --> 01:10:49,280
Speaker 3: like like like social media always no, but it's not

1411
01:10:49,320 --> 01:10:52,599
Speaker 3: even for millennials. It just it's always every platform veers

1412
01:10:52,640 --> 01:10:57,320
Speaker 3: off into some yeah, crazy new identity that was has

1413
01:10:57,439 --> 01:10:59,200
Speaker 3: nothing that had nothing to do with what it originally

1414
01:10:59,320 --> 01:11:02,479
Speaker 3: was meant to do. Yeah, like the Facebook being for moms,

1415
01:11:02,520 --> 01:11:04,920
Speaker 3: it's like not nothing against moms. It was for cool

1416
01:11:04,960 --> 01:11:07,479
Speaker 3: college students. Yeah, and then it became something totally different,

1417
01:11:07,520 --> 01:11:07,760
Speaker 3: like it.

1418
01:11:08,000 --> 01:11:14,400
Speaker 2: Just will always fall off a cliff, and like podcasting

1419
01:11:14,520 --> 01:11:16,320
Speaker 2: is kind of not that it's a social media platform,

1420
01:11:16,320 --> 01:11:18,639
Speaker 2: but podcasting sort it's so funny and I'm like, god,

1421
01:11:18,720 --> 01:11:21,040
Speaker 2: like Matt and I are kind of like keeping an

1422
01:11:21,040 --> 01:11:23,719
Speaker 2: old school Oh, this is for sure an old school podcast.

1423
01:11:23,800 --> 01:11:26,200
Speaker 2: So weird. We gotta we gotta end the podcast. The

1424
01:11:26,320 --> 01:11:29,479
Speaker 2: chef is coming. We're having a chef cook us, our

1425
01:11:29,640 --> 01:11:33,559
Speaker 2: our our friend. I was gifted a shut a chef,

1426
01:11:33,640 --> 01:11:37,679
Speaker 2: so it's a lovely gift, you know, Happy friends giving everyone.

1427
01:11:37,760 --> 01:11:41,240
Speaker 2: This is our episode, Happy Thanksgiving tomorrow. I apologize on

1428
01:11:41,320 --> 01:11:43,160
Speaker 2: this episode. I'm a little nasal. I have little allergies,

1429
01:11:43,240 --> 01:11:44,960
Speaker 2: but we still are going to soldier on and end

1430
01:11:45,000 --> 01:11:49,400
Speaker 2: every episode with we love you so much. Holy quite

1431
01:11:49,439 --> 01:11:58,799
Speaker 2: an impression. Happy to beyone you want to? I was close.

1432
01:11:59,000 --> 01:12:05,240
Speaker 2: I don't miss it. If you are lucky enough to

1433
01:12:05,280 --> 01:12:07,960
Speaker 2: go see the Short and Sweet Tour internationally, go do it.

1434
01:12:08,080 --> 01:12:16,280
Speaker 2: It's the first song Sabina before Last. Culture Racis is

1435
01:12:16,360 --> 01:12:18,160
Speaker 2: the production by Will Ferrell's Big Many Players in My

1436
01:12:18,200 --> 01:12:21,240
Speaker 2: Heart Radio podcasts. It's created and hosted by Matt Rodgers

1437
01:12:21,320 --> 01:12:25,040
Speaker 2: and Bowen Yank Executive produced by Ana Hasnier and Hans Sony,

1438
01:12:25,200 --> 01:12:28,559
Speaker 2: produced by Becker Ramos, editing mixed by Doug Bamimimi for board,

1439
01:12:28,800 --> 01:12:38,160
Speaker 2: and our music is by Henry Kmerski. Hey everybody, it's

1440
01:12:38,240 --> 01:12:39,560
Speaker 2: me Matt Rodgers, letting you know.

1441
01:12:39,640 --> 01:12:42,000
Speaker 1: Tickets are on sale now to see me on tour,

1442
01:12:42,439 --> 01:12:44,880
Speaker 1: the Prince of Christmas Tour, that is, I'm doing my

1443
01:12:44,960 --> 01:12:47,320
Speaker 1: whole album Have You Heard of Christmas, plus a lot

1444
01:12:47,400 --> 01:12:49,920
Speaker 1: more with the whole band all throughout December. Go to

1445
01:12:50,120 --> 01:12:53,720
Speaker 1: www dot Matt rodgersofficial dot com to see me in

1446
01:12:53,800 --> 01:12:54,560
Speaker 1: a city near you