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Speaker 1: So it's me and I'm in there with.

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Speaker 2: Sneaky Pete and uh.

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Speaker 3: It's me and it's Sneaky Pee and it's I love

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Speaker 3: Sneaky Pete story.

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Speaker 2: It's yes, Geo, Uh, Sneaky Pee and.

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Speaker 1: Chromo and Pippa.

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Speaker 2: Middleton and we're making a flag.

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Speaker 1: We're I mean, we're we're starting.

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Speaker 2: We're starting on country, starting on a country flag first,

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Speaker 2: and it's not going well square.

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Speaker 1: Uh, well, now you're basically here with.

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Speaker 2: Us, because I'm going everybody else flakes basically almost square.

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Speaker 1: Light we do me.

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Speaker 2: Remind me again, every square is a rectangle, but every

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Speaker 2: right tangle is a shape.

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Speaker 1: Square. Yeah, so I'm.

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Speaker 2: Going let's make the flag like fucked up right, curl cues,

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Speaker 2: you know what i mean, make it looko animal? Yes,

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Speaker 2: what if it's an animal?

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Speaker 3: Curly cues, curl cues. Well, because it's could be like

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Speaker 3: a monster. Like how you're always drawing monsters.

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Speaker 2: Well, yeah, I'm always creating creatures. Well I'm a little

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Speaker 2: bit like who's spooky director?

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Speaker 1: Uh Tim Burton?

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Speaker 2: Yes, my mind is a portal to uh fantasy world

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Speaker 2: where creatures reign supreme and.

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Speaker 1: Could grab you eat you. Yeah.

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Speaker 3: Anything, I'm sorry is there a more interesting stories on

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Speaker 3: what's on the phone.

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Speaker 4: I thought this was part of the I'm not supposed

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Speaker 4: to pay attention to and then you kind.

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Speaker 3: Of well, he's talking about how is mine is a

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Speaker 3: freaking fantasy world full of creatures and monsters.

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Speaker 1: It's like, you may not you may want to know

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Speaker 1: you and you.

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Speaker 3: Are and you supposedly are part of a creative field

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Speaker 3: and you supposedly have to use your imagine.

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Speaker 2: You're listening to this part, Yes, okay, when we throw

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Speaker 2: to you, yes, you immediately must be ready.

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Speaker 4: Yeah, no, I'm I'm ready.

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Speaker 1: We're not going to throw dead air on the fucking show.

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Speaker 4: I'm ready when you throw to me.

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Speaker 1: Yeah. And this is all sort of in response.

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Speaker 3: We are trying to get it right this time because you,

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Speaker 3: of course did the show three years ago. Supposedly the

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Speaker 3: tree falls in forest and does brutal numbers yesting.

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Speaker 1: Did anybody ever do the podcast?

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Speaker 4: Interesting?

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Speaker 1: You know what I mean? Right, old that old zen Cohen.

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Speaker 4: Got it, got it, got it. Are you suggesting to

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Speaker 4: me that my episode of your podcast.

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Speaker 3: Please Don't Blow By was low rated?

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Speaker 4: Was that the.

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Speaker 1: Strong word?

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Speaker 4: What was the strong word?

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Speaker 1: Rated? Don't necessarily say what we rated? Is a little

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Speaker 1: too high. I would say it was highly solicit to

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Speaker 1: that's right.

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Speaker 4: So what happens there? You you guys? Get you guys?

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Speaker 1: Do we get sat down?

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Speaker 4: You got sat down?

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Speaker 1: Yes?

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Speaker 4: What's that meeting?

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Speaker 1: We get called in? Right? Yeah? Do you for just

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Speaker 1: a minute, we just have a.

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Speaker 4: Quick We brought you in here because we thought you

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Speaker 4: knew more famous people.

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Speaker 3: Yes, and so we're like, this is like episode where

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Speaker 3: does not We're not bringing Jared in for like episode

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Speaker 3: freaking two? Right, this is in like the one fifties, right,

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Speaker 3: it should be okay, we should get one of these, right,

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Speaker 3: but it turns out the other ones are also not.

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Speaker 4: You still got in trouble?

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Speaker 1: Yes, got it? Yeah, it's it's interesting.

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Speaker 2: You would think it would be less dramatic for an

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Speaker 2: episode to crater numbers wise because the show itself was

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Speaker 2: not doing great in the first place, but it actually

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Speaker 2: made them even more pissed interesting on.

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Speaker 3: A low average, what's the solution? And this is Hollywood Handbook.

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Speaker 3: If you're listening to this, of course you already know

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Speaker 3: that you're not coming for Jared Insider's guide to the

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Speaker 3: It's Hollywood and Hollywood. Yes, so Jared Paul is back.

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Speaker 2: Jared Paul's here and we have and as part of

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Speaker 2: the negotiation to bring Jared back, we of course needed

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Speaker 2: a second guest, you will not to prove us doing

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Speaker 2: a show with just Jared again.

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Speaker 1: So of course, in order to.

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Speaker 2: Sort of buoy the numbers, we have author, comedian, provocateur

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Speaker 2: Julius Goldie.

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Speaker 4: And this doesn't and we're throwing to but but this

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Speaker 4: adds to the.

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Speaker 1: And what we just did was introduced Goldie. So he'll

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Speaker 1: talk questions after What's what's the follower count these days? Oh,

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Speaker 1: it's going down. Okay, it's only one hundred and fifty nine.

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Speaker 3: One hundred and fifty nine thousand, and Jared, you are

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Speaker 3: going down?

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Speaker 1: Unify well on Twitter?

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Speaker 4: Right, Yes, no one Twitter anymore.

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Speaker 1: It is certainly clear for your feed. That's definitely the don't.

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Speaker 4: Really that I don't think Twitter is a thing in

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Speaker 4: our culture, is it.

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Speaker 1: I still don't feel as though I've been properly introduced.

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Speaker 3: Well, yeah, I yes, I think that's true. You okay,

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Speaker 3: you you left off on provocateur.

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Speaker 1: Provocateur.

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Speaker 2: Yeah, uh, I said author, right, I said comedian, Sure,

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Speaker 2: I said wrote a book, that's right, show showrunner, book writer?

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Speaker 1: Yeah, right, but I was brought here. I thought this

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Speaker 1: was gonna be a panel, showrunners panel, right, and then

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Speaker 1: I should do that. Let's do that. It's a podcast

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Speaker 1: showrunners panel, and there's no audience. You thought it was

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Speaker 1: pale Fest.

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Speaker 4: But if it's a showrunners panels, right, Sean, I'm not

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Speaker 4: sure I.

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Speaker 1: Show what's that running? Effectively?

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Speaker 4: So this is the show that you run?

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Speaker 5: Oh?

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Speaker 4: Interesting? Okay?

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Speaker 1: Cool?

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Speaker 5: All right.

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Speaker 1: I'm a showrunner for Hollywood Him Book, the podcast How's that?

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Speaker 1: How's that not good?

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Speaker 4: How's that?

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Speaker 2: No?

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Speaker 1: Not good? Uh? Last year was another down year for us. Oh,

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Speaker 1: it's just hard to really sell my followers that like,

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Speaker 1: this is what they should be doing now. So for

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Speaker 1: me to leverage my brand in this way, I already seen.

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Speaker 3: I appreciate the implication that you are going to tweet

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Speaker 3: about this.

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Speaker 1: Well, I mean it's in the drafts. Whether it gets

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Speaker 1: sent already in the drafts okay? Wow?

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Speaker 3: Is there a bit like are you doing like a

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Speaker 3: little bit as part of the promotion or just.

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Speaker 2: Straight out self deprecating? Are we the target or are

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Speaker 2: you the target of the tweet?

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Speaker 1: I think it might just be a casual like, hey, guys,

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Speaker 1: check it out. I did this, but maybe like a

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Speaker 1: month after the fact. That would be a little second

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Speaker 1: bump for us, a little lead time. It would be great.

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Speaker 1: That would be really nice. Jared.

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Speaker 3: I'm looking at your most recent non reply post Twitter

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Speaker 3: post and I'm seeing zero retweets or likes and one

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Speaker 3: reply that is negative.

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Speaker 2: Okay, are you when you say that you don't think

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Speaker 2: Twitter is a thing? Are you more exclusively going off Instagram?

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Speaker 4: Because I'll look, I really don't partake in the social

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Speaker 4: media of it all, Okay, and if I used to,

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Speaker 4: you guys know that you built this show off of it. Uh,

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Speaker 4: you know, I do it as a as a you know, yeah,

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Speaker 4: I don't when inspiration strike. When inspiration strikes, I you know.

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Speaker 4: But here's the thing about me and you guys are

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Speaker 4: all about followers. Who's following your posts? I do my

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Speaker 4: posts for one person and that's me.

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Speaker 1: Yeah. So I so I did go to you Instagram.

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Speaker 4: You know what I'm saying.

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Speaker 1: I know that you're talking.

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Speaker 4: I'm just saying this post that you're gonna read. It's

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Speaker 4: for me. It's not freverdyone else.

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Speaker 3: So I did go to They are to understand that,

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Speaker 3: Oh no, they do, And that's part of you guys

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Speaker 3: are on the same page.

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Speaker 4: Yeah, that's part of my audience knows it. So they

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Speaker 4: don't like things on PIO.

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Speaker 2: This isn't and this isn't about likes. But you're being

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Speaker 2: modest because it's not just for you. Because there is

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Speaker 2: a comment on this post and it says, Jared, I

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Speaker 2: work for Eddie and absolutely adore your mom.

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Speaker 4: This, this was this is a great this is a

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Speaker 4: this is a great follower. This is a great response

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Speaker 4: on my.

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Speaker 5: I always thought Eddie was just bragging out of sentimental obligation,

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Speaker 5: but damn, dude, I am legit excited to check out

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Speaker 5: your work as a friend of theirs, I'm already proud

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Speaker 5: of you.

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Speaker 1: You go not Glenn Coco. Oh yeah, so comedy fan.

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Speaker 1: I'm also a fan of.

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Speaker 4: Your mom, Yes, a big of my mom.

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Speaker 2: So this so so when you say it's just for you,

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Speaker 2: well that's sort of rude.

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Speaker 1: Then to the shanonator, it's just who left this comment.

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Speaker 4: It's just for me, and it's for and it's for

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Speaker 4: those people, It's for Eddie's friends, it's for my mom's friends.

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Speaker 3: Can we return to this is of course with the

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Speaker 3: shore Runners panel, we do want to return to Goldie

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Speaker 3: who has a book?

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Speaker 1: That's right, Do you want to hold it up? Yeah,

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Speaker 1: so people can see it. Yes, it's called so You're

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Speaker 1: Going Bald. It's the first ever manual for manual for

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Speaker 1: the forty million bald and balding men in the United States,

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Speaker 1: of which I am one. H I notice I'm the

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Speaker 1: only one to hear bald. Jarry's wearing a hat. He's

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Speaker 1: I've seen he's. I would kill for what he has.

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Speaker 1: It was suggested that I wear a hat by some people.

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Speaker 2: Online when we did the like A one Live Feet

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Speaker 2: episode where they had a camera angle at the top

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Speaker 2: of my head. Yeah, any suggest that hasn't come up

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Speaker 2: at present, but.

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Speaker 1: I am ready for it.

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Speaker 2: A lot of the comments I'm getting on my thing

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Speaker 2: are from direct fans of my ship, and not necessarily

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Speaker 2: from people who work with a friend of my mom.

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Speaker 3: It seems like the book would be a great gift

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Speaker 3: for balls, like a funny dad dad's.

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Speaker 1: I mean, it's if your dad, you know, comes to

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Speaker 1: you for reading material for toilet stuff. It's just perfect.

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Speaker 1: You know. The chapters are short, there's not a word

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Speaker 1: longer than three syllables, and the whole thing it's in

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Speaker 1: the Humor section at Barnes and Noble. Well, it's in

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Speaker 1: the new releases, so like, okay with but it's got.

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Speaker 5: It.

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Speaker 1: It's with him. He and I are both new authors.

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Speaker 1: Your book is next to pre Baharira, that's right, and

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Speaker 1: we're both held in similar esteem throughout the country. Wow, yeah,

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Speaker 1: we're both authors.

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Speaker 4: Does it offer advice to those losing their hair? A

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Speaker 4: younger a ton? Yeah, well I got it to pay.

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Speaker 4: I discuted that right. How old were you when you

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Speaker 4: started losing your.

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Speaker 1: I mean, if you'd even made it to chapter two

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Speaker 1: of the book. There's a chapter called I went bald

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Speaker 1: on nine to eleven, So you know, my birthday's publicly

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Speaker 1: available information and people didn't calculate.

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Speaker 4: So the book is available now for people to read.

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Speaker 4: I didn't realize that.

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Speaker 1: Yeah, I mean they could go into a store.

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Speaker 4: I could.

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Speaker 1: I could go into a store, right, just buy the

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Speaker 1: book and read it next to the giant pret Bajarira display.

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Speaker 1: Got it.

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Speaker 4: I didn't realize that. I thought you were bringing it.

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Speaker 4: I thought you're bringing it here.

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Speaker 1: I brought it here because I figured I would gift

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Speaker 1: it to whoever was nicest to me on this podcast.

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Speaker 1: We I already have one. Right. That was a desperate

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Speaker 1: move on my part after you cornered me at Trader

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Speaker 1: Joe's just came through the mail slot one day. That's right.

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Speaker 1: I was five dollars on your stoop also, which I

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Speaker 1: deposited in the mail slot.

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Speaker 3: That was for you to pay for the book. We

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Speaker 3: have to do, Showrunner panel.

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Speaker 1: We must.

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Speaker 3: We are an inflection point in this industry. We are

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Speaker 3: we are deciding the future of being a writer at

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Speaker 3: this moment.

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Speaker 1: We are this, We're deciding. It was we all fired

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Speaker 1: our agents.

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Speaker 2: Everyone had to. We all in this room stand with

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Speaker 2: the w g A with some reservations.

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Speaker 3: Yes, where do we go from? None of us changing

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Speaker 3: our profile picture necessarily.

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Speaker 4: It's it's tonight at midnight, is it not?

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Speaker 1: I think it was last last night, last night anyway,

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Speaker 1: and the timing's not necessarily important.

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Speaker 4: Well, I was gathering that letter together. I didn't realize

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Speaker 4: the one form letter.

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Speaker 1: You're gathering it together. It's only one page.

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Speaker 4: Ye, yeah, but I was gathered.

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Speaker 5: I was.

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Speaker 4: I was gathering together.

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Speaker 1: To I I was trying to think of the perfect

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Speaker 1: PS for the letter, like PS, happy birthday, PS you

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Speaker 1: something nice? Right, take the stays out and they'll, you know,

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Speaker 1: because we're all people, right. Well, I still imagine getting

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Speaker 1: that letter and having no PS and it's like, did

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Speaker 1: the previous fifteen years happen?

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Speaker 2: Yeah, it is crazy to think about.

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Speaker 1: And for my agent to get a letter from me

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Speaker 1: is unusual. We don't usually send letters, do we, guys?

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Speaker 2: No, No, that's something I don't think people realize that

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Speaker 2: it's going to be weird to get a letter from me.

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Speaker 3: I don't even know if they are looking for are

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Speaker 3: they checking their milk?

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Speaker 1: Well, I feel like I don't know if they get

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Speaker 1: my correspondence at all. A good gift for any agent

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Speaker 1: would be a letter opener, Yeah, because most people don't

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Speaker 1: tend to have those younger people in their thirties. Yeah,

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Speaker 1: alpha types and it's like, here's a monogram letter opener,

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Speaker 1: because you're going to be opening these letters and couldn't

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Speaker 1: look like a sword or something like that. Glory. Yeah. Yeah.

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Speaker 3: Now, this show is of course a UTA package. This

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Speaker 3: is existing business. Uh, this is all.

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Speaker 2: This will continue to function as always. This show has

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Speaker 2: been a UTA package. It has all the trademarks of

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Speaker 2: a UTA package, and we've got all the moves. Obviously

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Speaker 2: we've said this on an episode that isn't released yet.

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Speaker 2: But if you think that you can make a show

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Speaker 2: of this quality without the stewardship of Susie Fox, et cetera,

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Speaker 2: good luck to you.

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Speaker 1: I would like to see that. I haven't seen it yet. Yeah,

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Speaker 1: that would be nice.

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Speaker 4: Yeah, you mean without the package.

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Speaker 1: Without the package? Right, Well, that's without the steady hand

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Speaker 1: at the till.

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Speaker 4: Well, I think what the WGA is suggesting is that

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Speaker 4: Susie Fox could do this without the package.

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Speaker 1: She could do the show, this show.

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Speaker 4: She can put together this show without the package and

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Speaker 4: just take ten percent from everybody. That's what the R

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Speaker 4: him it is. I think.

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Speaker 1: Okay, let me back up.

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Speaker 2: She's so she's doing she's planning one of.

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Speaker 1: Her marquee clients. Is that important? Thank you for using

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Speaker 1: my agent? Right, I don't know my agency.

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Speaker 2: She's planning one of her market clients. He's to have

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Speaker 2: import into this show. Yeah, and she gets what just

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Speaker 2: ten percent of the dough?

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Speaker 1: I don't know.

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Speaker 2: It doesn't seem like a big enough piece of the pie.

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Speaker 3: I hear you, especially since very no there is a pie.

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Speaker 3: It's just instead it is the same pie as last year.

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Speaker 4: Got it?

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Speaker 1: Yeah? Yeah, yeah, what does the agreement say about podcasts,

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Speaker 1: the forty year old agreement that ran out last night,

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Speaker 1: what where it must have some stipulation. See, this is

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Speaker 1: what I'm worried about now that we're opening this up right,

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Speaker 1: that podcast one going to anticipated podcast. It's kind of

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Speaker 1: blown up the whole business model that like, you guys

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Speaker 1: are making so much from this, and it's like the

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Speaker 1: flavor ones is making everyone shiver in their boots. Right,

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Speaker 1: there's so much podcast money and it's like, how do

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Speaker 1: we divide this in an equitable way. It's a great

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Speaker 1: problem to have. Oh sure, right, I don't have the solution.

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Speaker 1: You guys are looking at me like I can't. You're

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Speaker 1: you're just asking the question I I You know, my

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00:16:30,440 --> 00:16:34,160
Speaker 1: followers will probably start tweeting out really creative solutions that

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Speaker 1: we could then read on a later, more highly rated podcast.

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Speaker 1: Once it gets around that this was what we're doing

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Speaker 1: that we then took the followers feedback. We then amplified

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Speaker 1: the followers feedback so they in turn it became signal

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Speaker 1: boosters and could may each their own and they get

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Speaker 1: that's right, and power of virality that creates a more

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Speaker 1: and more pie. It's a pie factory and then how

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Speaker 1: do we split it? We don't know.

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Speaker 4: I can't even imagine how enraged my followers are going

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Speaker 4: to get from this.

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Speaker 3: You yet again, and imagine if they it was since

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Speaker 3: they will soon be having a conversation in person with

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Speaker 3: your mom, they couldn't even tell her.

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Speaker 1: They're gonna tell Eddie and then who who? And it's

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Speaker 1: potentially unstable. We have to navigate this brave new world.

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Speaker 3: We do need agents, uh to I'm not going to

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Speaker 3: receive a phone call offering myself a job. I'm certainly not.

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Speaker 3: I'm not in the business of doing that. I need

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Speaker 3: someone else to take that call for me and then

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Speaker 3: tell me about it. So we this is the plan.

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Speaker 3: We all have to help each other. We have to

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Speaker 3: hold each other up now. And this is it's not

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Speaker 3: just a guild and like a shared industry where a

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Speaker 3: part of it is h It is a brotherhood and

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Speaker 3: increasingly a sisterhood.

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Speaker 1: So we need.

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Speaker 3: To support each other and become each other's agents.

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Speaker 2: Yes, and so I would like to pitch myself to

355
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Speaker 2: be one of your agents.

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Speaker 4: I here's whipped out of that.

357
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Speaker 1: You haven't heard.

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00:18:11,400 --> 00:18:11,880
Speaker 4: I have heard.

359
00:18:13,280 --> 00:18:15,840
Speaker 1: I have my attorney's handling everything. So I'll listen to it,

360
00:18:15,880 --> 00:18:18,760
Speaker 1: but I can't guarantee that. Like I'm I'm really not

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00:18:18,800 --> 00:18:21,120
Speaker 1: going to act on it today. I'm willing to sign

362
00:18:21,160 --> 00:18:22,720
Speaker 1: the code of conduct and let me say what I

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00:18:22,720 --> 00:18:32,120
Speaker 1: will do. Okay, every eighteen weeks I will call you. Hey,

364
00:18:32,160 --> 00:18:35,280
Speaker 1: how's it going, buddy? Just checking in? It's fine.

365
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Speaker 4: I think that's all right.

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Speaker 2: All right, Well we're tracking some stuff for you right now.

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00:18:41,520 --> 00:18:42,840
Speaker 2: Just wanted to keep you posted.

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Speaker 1: Have you heard of the show? Uh? Uh Banana Man,

369
00:18:50,600 --> 00:18:53,480
Speaker 1: I don't. I don't watch anything because I actually work

370
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Speaker 1: in this industry.

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Speaker 2: So can say, all right, well it's well, you wouldn't

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00:18:56,400 --> 00:18:59,720
Speaker 2: be watching this. It's uh, it's coming up. HBO's trying

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Speaker 2: to dive helop it with Diablo Cody.

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Speaker 1: And Will Ferrell.

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Speaker 2: It is animated, right, It's animated, and it's animated and

376
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Speaker 2: it sucks.

377
00:19:10,000 --> 00:19:12,480
Speaker 1: So what So what I'm gonna do.

378
00:19:12,680 --> 00:19:16,360
Speaker 2: Is, uh, if you're cool, I'm going to submit you

379
00:19:17,200 --> 00:19:19,320
Speaker 2: for this. And I was wondering, do you have a script?

380
00:19:19,359 --> 00:19:20,840
Speaker 2: Do you want me to send or anything? I don't

381
00:19:20,880 --> 00:19:22,000
Speaker 2: have anything on file here.

382
00:19:23,760 --> 00:19:27,000
Speaker 1: I'm so confident everything I'm done. Just send my resume

383
00:19:27,359 --> 00:19:31,159
Speaker 1: and you know, making history will be on that. Uh,

384
00:19:31,680 --> 00:19:37,080
Speaker 1: Christella will be on that the Late Late Show, The

385
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Speaker 1: Grinder will be on that.

386
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Speaker 3: Does it just say the Late Late Show or does

387
00:19:40,600 --> 00:19:42,240
Speaker 3: it say the Late Late Show with Craig Killboard.

388
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Speaker 4: I mean you are obligated.

389
00:19:44,400 --> 00:19:46,719
Speaker 1: I write the Late Late Show with Craig Kilbourne. Then

390
00:19:46,720 --> 00:19:48,919
Speaker 1: I write the Late Late Show with Craig Fergus and

391
00:19:48,960 --> 00:19:57,480
Speaker 1: parents of the seas fired. I got fired in Scottish.

392
00:19:57,040 --> 00:20:02,119
Speaker 3: Fired by Craig personally though, Oh no, okay, yeah no,

393
00:20:02,640 --> 00:20:03,840
Speaker 3: they send that down the chain.

394
00:20:04,320 --> 00:20:09,880
Speaker 1: Yeah, and you know it's it's it stings as bad

395
00:20:09,920 --> 00:20:11,600
Speaker 1: as it did. But as my new agent, I feel

396
00:20:11,600 --> 00:20:13,280
Speaker 1: like maybe you can call them up and let them

397
00:20:13,280 --> 00:20:14,439
Speaker 1: know I was really offended.

398
00:20:14,560 --> 00:20:16,879
Speaker 3: Well, we haven't figured out who is whose agent, so

399
00:20:16,960 --> 00:20:19,399
Speaker 3: like shot, I was just I was just pitching myself

400
00:20:19,440 --> 00:20:21,000
Speaker 3: to go, hey, does anybody want to take me up

401
00:20:21,040 --> 00:20:21,400
Speaker 3: on this?

402
00:20:21,880 --> 00:20:24,280
Speaker 1: Then maybe I get I go agent hunting. Let's see

403
00:20:24,280 --> 00:20:25,920
Speaker 1: how you do with a late late show thing where

404
00:20:25,960 --> 00:20:29,120
Speaker 1: you tell them how unhappy I am. And then if

405
00:20:29,119 --> 00:20:32,560
Speaker 1: that works, I'll look in a banana man certainly. Yeah,

406
00:20:32,720 --> 00:20:34,879
Speaker 1: and now I am just I can't stress enough this.

407
00:20:35,720 --> 00:20:42,000
Speaker 2: The I just have really a drawing to go off

408
00:20:42,040 --> 00:20:44,440
Speaker 2: of here I can send you. It's a rough drawing.

409
00:20:44,440 --> 00:20:46,359
Speaker 2: I think there is a newer version of the drawing.

410
00:20:46,400 --> 00:20:48,640
Speaker 1: Wait, is this like that Johnny Bananas drawing they had

411
00:20:48,640 --> 00:20:51,120
Speaker 1: on Entourage? Is it that good? No?

412
00:20:52,800 --> 00:20:55,000
Speaker 2: But I think there is a newer version. I have

413
00:20:55,119 --> 00:20:58,600
Speaker 2: the original one. It's rough, but you can get a

414
00:20:58,640 --> 00:21:03,120
Speaker 2: sense of what they're going for. Uh, and it sucks.

415
00:21:05,080 --> 00:21:09,439
Speaker 1: The drawing also got wet. The drawing I was, and

416
00:21:09,480 --> 00:21:12,160
Speaker 1: that's my fault. I put a sprite down on it,

417
00:21:12,640 --> 00:21:15,400
Speaker 1: and I did knock the sprite over. So is Diablo

418
00:21:15,520 --> 00:21:17,920
Speaker 1: going to be day to day on this or is

419
00:21:17,960 --> 00:21:22,760
Speaker 1: this just she's supervising me? Am I supervising? She dropped out?

420
00:21:23,160 --> 00:21:26,200
Speaker 1: Oh yeah, I just got email. I'm a little more.

421
00:21:26,359 --> 00:21:32,200
Speaker 1: She's out then, and Will's out as well. Okay, I'm

422
00:21:32,359 --> 00:21:37,240
Speaker 1: still interested and all right, I'll forward you the drawing

423
00:21:37,359 --> 00:21:39,439
Speaker 1: and just get back to me. Yeah. I do have

424
00:21:39,480 --> 00:21:41,679
Speaker 1: a personal connection with Craig Ferguson. I can run it

425
00:21:41,720 --> 00:21:45,760
Speaker 1: by him. Perfect.

426
00:21:46,440 --> 00:21:48,840
Speaker 2: Uh so I'll be I guess I'm going to be

427
00:21:48,880 --> 00:21:49,560
Speaker 2: Goldies agents.

428
00:21:49,600 --> 00:21:53,200
Speaker 3: I so appreciate that just being like decided just because

429
00:21:53,200 --> 00:21:55,160
Speaker 3: you like got on the phone and offered him a job.

430
00:21:55,200 --> 00:21:57,600
Speaker 3: I don't want happen with The terms of this deal are.

431
00:21:57,640 --> 00:22:00,560
Speaker 3: First of all, does your agent like is the book

432
00:22:00,600 --> 00:22:02,080
Speaker 3: a separate thing?

433
00:22:02,480 --> 00:22:04,720
Speaker 1: Yeah? I retain all rights to the book, which are

434
00:22:04,880 --> 00:22:08,720
Speaker 1: very potentially very very very lucra. That's old business.

435
00:22:08,520 --> 00:22:10,880
Speaker 3: That's old, but not but not if it gets option

436
00:22:10,960 --> 00:22:11,960
Speaker 3: Has it been optioned yet?

437
00:22:12,600 --> 00:22:14,760
Speaker 1: It hasn't been optioned, but there's been a lot of

438
00:22:14,800 --> 00:22:19,040
Speaker 1: interest from a lot equal to wild Hogs. Bald hogs.

439
00:22:19,320 --> 00:22:21,800
Speaker 1: We weren't supposed to talk about that, and I thought

440
00:22:21,920 --> 00:22:24,280
Speaker 1: that was clear on the text chain.

441
00:22:24,800 --> 00:22:27,280
Speaker 3: But you don't want to, Okay, you don't want to

442
00:22:27,320 --> 00:22:28,439
Speaker 3: talk about bald hogs.

443
00:22:28,440 --> 00:22:32,240
Speaker 1: But I don't have an agent. So bald hogs bald

444
00:22:33,080 --> 00:22:36,159
Speaker 1: We could sell that quickly. No, it is being sold quickly.

445
00:22:36,320 --> 00:22:39,080
Speaker 1: But I don't have an agent to, you know, create

446
00:22:39,119 --> 00:22:43,040
Speaker 1: the bidding war for bald hogs that obviously it deserves.

447
00:22:43,520 --> 00:22:46,720
Speaker 1: I don't have a manager, right, I have a book

448
00:22:46,840 --> 00:22:50,200
Speaker 1: and the idea of bald hogs, and maybe a gig

449
00:22:50,240 --> 00:22:51,840
Speaker 1: on banana man that's pending.

450
00:22:52,920 --> 00:22:55,480
Speaker 2: You want me to put in a call to Tobolowski.

451
00:22:55,520 --> 00:22:58,640
Speaker 2: I also represent him well, like he was in wild Hogs,

452
00:22:58,640 --> 00:23:00,760
Speaker 2: so he knows the landscape a bald hog.

453
00:23:00,840 --> 00:23:04,320
Speaker 3: Yeah, he wasn't in ground in Groundhog's Day, he's one

454
00:23:04,359 --> 00:23:07,119
Speaker 3: of the groundhogs, and he is a bald so he

455
00:23:07,240 --> 00:23:09,480
Speaker 3: was effectively bald hogs or very bald.

456
00:23:09,880 --> 00:23:13,000
Speaker 1: Before this goes anywhere, I am to my understanding, my

457
00:23:13,040 --> 00:23:15,600
Speaker 1: agent first position on banana man. So I don't know

458
00:23:15,640 --> 00:23:19,760
Speaker 1: that I can carve out bald hogs. We'll cross that

459
00:23:19,800 --> 00:23:20,840
Speaker 1: bridge when we come to it.

460
00:23:20,920 --> 00:23:23,719
Speaker 2: Okay, But if I am providing Steve for the project

461
00:23:23,760 --> 00:23:26,679
Speaker 2: as well, I do not just want the traditional ten percent.

462
00:23:27,480 --> 00:23:29,560
Speaker 2: I'm bringing so much at this point that I do

463
00:23:29,640 --> 00:23:30,960
Speaker 2: think I am an active producer.

464
00:23:32,200 --> 00:23:34,119
Speaker 1: This is where it gets a little bit What are

465
00:23:34,119 --> 00:23:34,760
Speaker 1: you talking about?

466
00:23:34,840 --> 00:23:38,520
Speaker 4: This is where I feel like it goes into weirdness.

467
00:23:38,560 --> 00:23:40,679
Speaker 1: No, in what way? Well, you did bring Steve that

468
00:23:40,920 --> 00:23:43,159
Speaker 1: I mean, I would call that like a package or something,

469
00:23:43,160 --> 00:23:47,240
Speaker 1: whereas oh, yeah, elements, it be a pacticable element, right,

470
00:23:47,760 --> 00:23:56,280
Speaker 1: and you take a fee on a talk studio.

471
00:23:56,680 --> 00:23:59,199
Speaker 4: But honestly, you know, so if you gave what if

472
00:23:59,240 --> 00:24:02,960
Speaker 4: you didn't take commission and you just took a fee.

473
00:24:02,920 --> 00:24:06,000
Speaker 2: Okay separately, well that's good for you have to pay,

474
00:24:06,119 --> 00:24:07,800
Speaker 2: that is good for you, right, So you just take

475
00:24:07,800 --> 00:24:08,800
Speaker 2: a fee from the studio.

476
00:24:09,320 --> 00:24:12,439
Speaker 1: Yeah, ship studios paying me instead of you, and all

477
00:24:12,560 --> 00:24:15,359
Speaker 1: that happens is like, what's wrong with that? Is like

478
00:24:15,520 --> 00:24:18,560
Speaker 1: the budget is listened, so it's worse. Like that's a

479
00:24:18,600 --> 00:24:22,040
Speaker 1: problem for me. He's not gonna go on screen, right,

480
00:24:23,280 --> 00:24:26,760
Speaker 1: Like I'm supposed to care how good it is in

481
00:24:26,840 --> 00:24:29,800
Speaker 1: this scenario. Well, it already sucks ship, but I don't

482
00:24:29,840 --> 00:24:32,639
Speaker 1: own it, so like I'm supposed to care how good something.

483
00:24:34,320 --> 00:24:36,000
Speaker 3: So one thing we should point out is that one

484
00:24:36,000 --> 00:24:37,480
Speaker 3: of the wild Hogs is William H.

485
00:24:37,520 --> 00:24:40,040
Speaker 1: Macy. So the movie will have to be filmed in jail,

486
00:24:42,160 --> 00:24:45,720
Speaker 1: but the Hogs, their mischief could easily land on the guy. Yeah,

487
00:24:45,920 --> 00:24:49,760
Speaker 1: are you kidding? It's amazing that you could open one. Yeah,

488
00:24:49,840 --> 00:24:51,600
Speaker 1: how'd you get here? You have? How'd you get what

489
00:24:51,680 --> 00:24:56,560
Speaker 1: was this character's name? Bill? How'd you get here? Bill?

490
00:24:56,680 --> 00:24:59,040
Speaker 3: And the fiction of the show, right, it does have

491
00:24:59,119 --> 00:25:01,800
Speaker 3: to be riding a motorcycle.

492
00:25:02,920 --> 00:25:05,480
Speaker 1: Well, his character was like a computery guy, so it's

493
00:25:05,520 --> 00:25:08,840
Speaker 1: like I hacked into the system, becomes like very tough

494
00:25:08,880 --> 00:25:11,320
Speaker 1: and stuff. Well you think he punches out again, beats

495
00:25:11,400 --> 00:25:14,919
Speaker 1: up all those del Fuegos, right, and then yeah, you

496
00:25:14,920 --> 00:25:18,760
Speaker 1: know the retribution for the del Fuegos not letting them

497
00:25:18,800 --> 00:25:21,040
Speaker 1: have a drink. There is like they get their bar

498
00:25:21,200 --> 00:25:23,720
Speaker 1: blown up and their bikes destroyed, and that seat we're

499
00:25:23,720 --> 00:25:27,120
Speaker 1: supposed to be on the other guy's side. Jared, Yeah,

500
00:25:27,160 --> 00:25:30,199
Speaker 1: would you like to be my agent? Would you like

501
00:25:30,240 --> 00:25:30,680
Speaker 1: to be agent?

502
00:25:30,800 --> 00:25:32,800
Speaker 4: I was just honestly thinking about I had a meeting

503
00:25:32,840 --> 00:25:35,399
Speaker 4: about wild hogs too, and figure out to.

504
00:25:35,480 --> 00:25:38,160
Speaker 1: Take on it. Ah, yes, what was your age?

505
00:25:38,520 --> 00:25:42,120
Speaker 4: I forget what it was. But they came back together somehow,

506
00:25:42,160 --> 00:25:44,160
Speaker 4: and yeah, I forget.

507
00:25:44,280 --> 00:25:47,119
Speaker 1: But well, I mean maybe that's they calmed down.

508
00:25:47,640 --> 00:25:51,200
Speaker 4: Maybe maybe they just said, you know what, guys, I

509
00:25:51,200 --> 00:25:51,760
Speaker 4: don't want to.

510
00:25:51,720 --> 00:25:55,919
Speaker 1: Be so wild. You want Jared to be your agent?

511
00:25:58,480 --> 00:26:00,399
Speaker 1: I think he knows a lot of people, do you have?

512
00:26:00,560 --> 00:26:04,280
Speaker 2: He could get me in touch with Eddie, And Eddie

513
00:26:04,280 --> 00:26:07,040
Speaker 2: and his mom are breaking bread together, cooking up ideas,

514
00:26:07,560 --> 00:26:09,320
Speaker 2: throwing it against the walls and what sticks.

515
00:26:09,480 --> 00:26:13,200
Speaker 1: Yeah, all of a sudden, you know, you never know.

516
00:26:13,480 --> 00:26:17,479
Speaker 2: That sounds like the kind of familial environment I've been

517
00:26:17,520 --> 00:26:21,439
Speaker 2: looking to ground because Shub is currogate family for me.

518
00:26:21,560 --> 00:26:28,840
Speaker 4: Here's the thing. Eddie Steinfeld is looking to get into producing.

519
00:26:29,080 --> 00:26:32,560
Speaker 1: Okay, I see see the show.

520
00:26:33,200 --> 00:26:35,600
Speaker 4: You know he knows the show about the.

521
00:26:35,600 --> 00:26:37,959
Speaker 1: Show could be called Steinfeld.

522
00:26:37,560 --> 00:26:41,040
Speaker 4: Is looking to get into producing, and you know, yeah,

523
00:26:41,160 --> 00:26:45,000
Speaker 4: I could put in a good word and say here's

524
00:26:45,040 --> 00:26:50,160
Speaker 4: a guy hasn't done much. No, uh, he has a

525
00:26:51,640 --> 00:26:56,280
Speaker 4: you know podcast, but the podcast and an idea. Yeah,

526
00:26:56,320 --> 00:26:59,840
Speaker 4: well sure ish, and he could pitch it to you. Now,

527
00:27:00,040 --> 00:27:02,320
Speaker 4: Eddie won't know what a pitch is.

528
00:27:02,320 --> 00:27:04,639
Speaker 1: Is that and that's not I'm not about the but

529
00:27:04,680 --> 00:27:05,120
Speaker 1: that's okay.

530
00:27:05,119 --> 00:27:08,000
Speaker 4: We can explain it to him vocab. We tell Eddie,

531
00:27:08,080 --> 00:27:10,560
Speaker 4: We tell Eddie it's the it's the idea for the show,

532
00:27:10,600 --> 00:27:12,520
Speaker 4: and he goes, okay, what's the show?

533
00:27:12,720 --> 00:27:17,320
Speaker 1: Well, Eddie understands the power of holding all the cards. Oh, absolutely,

534
00:27:17,640 --> 00:27:22,520
Speaker 1: which he is because Sean is pitching him Eddie. Yeah,

535
00:27:22,560 --> 00:27:25,000
Speaker 1: you get a better impress Eddie who doesn't know what

536
00:27:25,080 --> 00:27:27,520
Speaker 1: a pitch is. So you have to within the pitch

537
00:27:27,560 --> 00:27:29,439
Speaker 1: and you can't go in going Eddie, you don't know

538
00:27:29,440 --> 00:27:30,919
Speaker 1: what a pitch is, You're a fucking idiot. You have

539
00:27:31,040 --> 00:27:33,200
Speaker 1: to make him think he knows what a pitch is. Yeah,

540
00:27:33,440 --> 00:27:35,560
Speaker 1: and then make him think it was his idea. Then

541
00:27:35,640 --> 00:27:38,280
Speaker 1: give him the pitch knowing he holds all the cards

542
00:27:38,320 --> 00:27:39,440
Speaker 1: and get the right decision.

543
00:27:40,000 --> 00:27:43,080
Speaker 3: And you also have to fly to where does he

544
00:27:43,119 --> 00:27:43,840
Speaker 3: live somewhere else.

545
00:27:44,840 --> 00:27:50,200
Speaker 1: Oh okay, it's really nice. He's got a great spot there,

546
00:27:50,960 --> 00:27:57,520
Speaker 1: beautiful beautiful. Yeah oyster what oyster? Yeah? I mean he

547
00:27:57,680 --> 00:27:59,280
Speaker 1: Eddie likes oysters or yeah.

548
00:27:59,200 --> 00:28:02,520
Speaker 4: Yeah, good, I think so. I don't know much about

549
00:28:02,560 --> 00:28:04,359
Speaker 4: what he liked. That's the thing. I don't know if

550
00:28:04,359 --> 00:28:05,960
Speaker 4: he's the right producer for you.

551
00:28:06,040 --> 00:28:08,160
Speaker 1: Well, but but he's a producer.

552
00:28:08,320 --> 00:28:10,639
Speaker 2: It's one option that's out there and you and you

553
00:28:10,680 --> 00:28:11,960
Speaker 2: have a direct connection to him.

554
00:28:12,280 --> 00:28:14,800
Speaker 4: I have a very direct direct connection with him on

555
00:28:14,840 --> 00:28:16,720
Speaker 4: my social media as you as you saw.

556
00:28:17,320 --> 00:28:19,679
Speaker 1: Yeah, so that's perfect for me.

557
00:28:19,960 --> 00:28:20,200
Speaker 4: Yeah.

558
00:28:20,320 --> 00:28:23,880
Speaker 1: And my agent now is really doing some work.

559
00:28:24,280 --> 00:28:27,720
Speaker 3: Yeah, Jared, I'm exploring becoming your agent.

560
00:28:28,359 --> 00:28:29,560
Speaker 4: Oh okay, what.

561
00:28:29,400 --> 00:28:30,280
Speaker 1: Do we have going on?

562
00:28:31,160 --> 00:28:32,040
Speaker 4: What do we have going on?

563
00:28:32,160 --> 00:28:32,400
Speaker 1: Yeah?

564
00:28:32,480 --> 00:28:37,560
Speaker 4: Oh god, if you don't know that answer that, I

565
00:28:37,600 --> 00:28:39,040
Speaker 4: don't know if I want you to be my agent

566
00:28:40,320 --> 00:28:43,040
Speaker 4: or do It's weird when my agent goes, what do

567
00:28:43,080 --> 00:28:44,320
Speaker 4: you have going on? Well?

568
00:28:44,400 --> 00:28:47,680
Speaker 3: I mean, I'm I'm exploring a relationship and also giving

569
00:28:47,680 --> 00:28:49,880
Speaker 3: you the opportunity to plug your fucking.

570
00:28:49,560 --> 00:28:52,360
Speaker 4: Show, right, But it would have been nice if you

571
00:28:52,560 --> 00:28:57,880
Speaker 4: said I love you, I love what you have going on,

572
00:28:59,360 --> 00:29:01,040
Speaker 4: because I'm I'm.

573
00:29:00,880 --> 00:29:01,840
Speaker 1: Just happy to move on.

574
00:29:01,960 --> 00:29:04,479
Speaker 3: It is his first day doing this, so sorry, and

575
00:29:04,520 --> 00:29:07,520
Speaker 3: I think we should skip the whole subject just and

576
00:29:07,600 --> 00:29:11,200
Speaker 3: just move on to go. Okay, so you Jared is

577
00:29:11,240 --> 00:29:14,440
Speaker 3: your Shawn's agent, and I'm Goldies agent, your Goldie.

578
00:29:14,440 --> 00:29:17,240
Speaker 4: There's my question here? Can I ask your question? What

579
00:29:17,280 --> 00:29:18,800
Speaker 4: would you do for me as my agent?

580
00:29:19,920 --> 00:29:23,120
Speaker 1: Okay? Wow? I should have asked this.

581
00:29:24,800 --> 00:29:30,520
Speaker 3: Your acting work? No, well, this is this is what

582
00:29:30,560 --> 00:29:32,760
Speaker 3: I'm saying. What would you we're giving up? What would

583
00:29:32,760 --> 00:29:33,000
Speaker 3: you do?

584
00:29:34,480 --> 00:29:36,440
Speaker 1: Well? You play a creepy pervert in your own show?

585
00:29:36,520 --> 00:29:37,959
Speaker 4: Right, I do play a creepy pervert.

586
00:29:38,080 --> 00:29:39,280
Speaker 1: First order of business?

587
00:29:39,320 --> 00:29:40,680
Speaker 4: Do you have any creepy pervert stuff?

588
00:29:42,320 --> 00:29:44,760
Speaker 1: Can Hayes get you that gig? And you should be

589
00:29:44,760 --> 00:29:47,920
Speaker 1: commissioning as his agent when he appears on his show.

590
00:29:48,960 --> 00:29:51,240
Speaker 1: That's an additional revenue stream that I feel you owe

591
00:29:51,320 --> 00:29:55,120
Speaker 1: to Hayes if he's your agent. Interesting that when he's

592
00:29:55,120 --> 00:29:57,800
Speaker 1: appearing on his own show. Right, it's almost like a

593
00:29:57,840 --> 00:29:59,959
Speaker 1: way for you to generate a pie like we were

594
00:30:00,040 --> 00:30:03,280
Speaker 1: talking about earlier, Right, he you send him out in

595
00:30:03,280 --> 00:30:05,840
Speaker 1: the world to create these things ten percent, put him

596
00:30:05,840 --> 00:30:07,920
Speaker 1: on these things another ten I know, But then I

597
00:30:07,920 --> 00:30:10,880
Speaker 1: put him on a wig another different character another ten percent.

598
00:30:11,040 --> 00:30:15,240
Speaker 4: How would you sell me? I want to hear the sale. Okay,

599
00:30:15,400 --> 00:30:17,800
Speaker 4: you're on the phone. Let's can we can we do this?

600
00:30:17,920 --> 00:30:18,960
Speaker 4: Do we have time for this?

601
00:30:19,120 --> 00:30:21,480
Speaker 1: I've got all the time. He's on the phone. Your

602
00:30:21,560 --> 00:30:23,240
Speaker 1: career is so important to me.

603
00:30:23,320 --> 00:30:30,080
Speaker 4: Okay, he's on the phone, yes with uh, let's say, uh,

604
00:30:32,320 --> 00:30:34,480
Speaker 4: he's on the he's on the phone with Thorn, Michael.

605
00:30:34,240 --> 00:30:35,200
Speaker 1: For Michael Thorne.

606
00:30:35,240 --> 00:30:39,320
Speaker 3: Michael Thorne runs Fox Runs Fox, right, yes, which is

607
00:30:39,360 --> 00:30:41,240
Speaker 3: which is maybe still doing shows?

608
00:30:41,320 --> 00:30:45,080
Speaker 4: Right maybe? So that could be huge. So you're on

609
00:30:45,160 --> 00:30:48,760
Speaker 4: the phone with Michael Thorne. What do you say?

610
00:30:49,040 --> 00:30:54,800
Speaker 3: Okay, you know Rick Glassman, the guy, he was one

611
00:30:54,840 --> 00:30:57,640
Speaker 3: of the guys, and he's a guy.

612
00:30:57,960 --> 00:31:03,000
Speaker 2: He wore glasses, right, Rick Glassman, yes, right right, yeah.

613
00:31:02,600 --> 00:31:07,400
Speaker 3: It was him, fungus yeah, Delia, of course. Brent Moran,

614
00:31:07,840 --> 00:31:08,520
Speaker 3: Brent Moran.

615
00:31:10,120 --> 00:31:11,880
Speaker 1: But the one I think of is Rick Lastman.

616
00:31:11,960 --> 00:31:12,800
Speaker 4: Okay, Rick Lastman.

617
00:31:13,040 --> 00:31:17,640
Speaker 3: Yeah, just add about a gallon of water to what

618
00:31:17,760 --> 00:31:21,000
Speaker 3: Rick Lastman to Rick Lastman's energy. Just water it down

619
00:31:21,200 --> 00:31:22,880
Speaker 3: water like about a gallon?

620
00:31:23,080 --> 00:31:25,760
Speaker 1: Yeah, Glassman half full?

621
00:31:26,360 --> 00:31:31,120
Speaker 3: Yes, yeah, yeah, And I give you Jared Paul.

622
00:31:31,520 --> 00:31:36,240
Speaker 4: You're telling me that Jared that so.

623
00:31:36,160 --> 00:31:39,520
Speaker 1: It's a if Rick Lassman got caught in like a hurricane.

624
00:31:39,600 --> 00:31:43,120
Speaker 4: You're telling me that I'm a half glass Rick Lastman.

625
00:31:43,480 --> 00:31:46,440
Speaker 3: I tell you, yes, if you took the glass of water,

626
00:31:46,520 --> 00:31:53,200
Speaker 3: that the glass of really uh like hot cold hot colbret,

627
00:31:53,200 --> 00:31:57,080
Speaker 3: which is effectively coffee. That is Rick Lassman a little

628
00:31:57,120 --> 00:32:00,680
Speaker 3: too strong for some people, little for some shows, especially

629
00:32:00,680 --> 00:32:03,840
Speaker 3: like Network. Now he's more of a cable energy and

630
00:32:03,840 --> 00:32:07,640
Speaker 3: that's part of why undableed didn't work. You're taking that's

631
00:32:07,680 --> 00:32:09,960
Speaker 3: the only reason a gallon of water and had to

632
00:32:10,000 --> 00:32:11,320
Speaker 3: get to a cup of coffee.

633
00:32:11,440 --> 00:32:13,080
Speaker 1: But are we saying he's datable?

634
00:32:14,000 --> 00:32:15,680
Speaker 3: Yeah, And so this is the thing. He's a little

635
00:32:15,720 --> 00:32:17,760
Speaker 3: more to. This is someone that you can bring home,

636
00:32:17,800 --> 00:32:19,600
Speaker 3: totally accessible to his own mom.

637
00:32:19,760 --> 00:32:22,000
Speaker 2: Well, because you don't feel like shit when you're watching him.

638
00:32:22,040 --> 00:32:23,880
Speaker 2: You go like he's doing that, I must be doing

639
00:32:23,880 --> 00:32:24,240
Speaker 2: all right.

640
00:32:24,320 --> 00:32:25,880
Speaker 1: Yeah.

641
00:32:26,280 --> 00:32:29,360
Speaker 4: But I I think I'm not sure Thorn buys this.

642
00:32:29,440 --> 00:32:30,840
Speaker 1: But it's the Glass movie.

643
00:32:30,920 --> 00:32:33,360
Speaker 2: I think you're onto something. But I think it's like

644
00:32:33,440 --> 00:32:38,400
Speaker 2: if Rick Glassman went through some sort of tragedy. I

645
00:32:38,400 --> 00:32:41,440
Speaker 2: don't know what it is, a natural disaster, but something Yeah,

646
00:32:41,720 --> 00:32:45,160
Speaker 2: and just a hurt like a hurricane, but just.

647
00:32:44,680 --> 00:32:47,320
Speaker 4: Just to bring it back to my to my last show,

648
00:32:47,560 --> 00:32:48,920
Speaker 4: and and your guys.

649
00:32:49,440 --> 00:32:50,600
Speaker 1: This is going to be your last show.

650
00:32:50,640 --> 00:32:54,360
Speaker 4: No accusing, accusing, accusing the show of not getting listeners?

651
00:32:54,400 --> 00:32:57,240
Speaker 4: Is it because we talk about Rick Lassman?

652
00:32:57,640 --> 00:32:59,200
Speaker 1: Oh I thought you were talking about Huge in France

653
00:32:59,200 --> 00:32:59,720
Speaker 1: being your last.

654
00:32:59,760 --> 00:33:07,959
Speaker 4: No, No, is Rick Glassman. The problem in terms of

655
00:33:08,240 --> 00:33:11,280
Speaker 4: in terms of the ratings from you know what I

656
00:33:11,360 --> 00:33:12,600
Speaker 4: mean this show, last show?

657
00:33:12,640 --> 00:33:16,040
Speaker 2: Do you think people are not tuning it, like they're

658
00:33:16,040 --> 00:33:17,840
Speaker 2: not pressing the download.

659
00:33:17,920 --> 00:33:20,440
Speaker 1: But I also told you I'm bringing the followers. So

660
00:33:20,520 --> 00:33:25,280
Speaker 1: that's what stressing over Rick. He may have followers who

661
00:33:25,320 --> 00:33:27,440
Speaker 1: are now by this point really intrigued, because that's true.

662
00:33:27,480 --> 00:33:30,720
Speaker 1: The amount of Rick Glassman content you know, in the

663
00:33:30,720 --> 00:33:33,480
Speaker 1: podcast world as far as I know, And I'm just

664
00:33:33,640 --> 00:33:35,720
Speaker 1: this is so fresh me. It all came as a surprise.

665
00:33:35,760 --> 00:33:37,160
Speaker 1: This is where this was going. Again, I thought it

666
00:33:37,200 --> 00:33:42,520
Speaker 1: was a panel, right, So for now this is like

667
00:33:42,680 --> 00:33:45,280
Speaker 1: just a gold mine for all the undatable fans, right

668
00:33:46,000 --> 00:33:49,040
Speaker 1: that's been off the air now and they're craving the content.

669
00:33:49,280 --> 00:33:50,840
Speaker 1: And I think this is part of the pitch to

670
00:33:50,880 --> 00:33:53,920
Speaker 1: Michael Thorne, right, is that there were these fans of

671
00:33:54,000 --> 00:33:59,240
Speaker 1: undatable who we discovered through this podcast because Rick Glassman's

672
00:33:59,320 --> 00:34:02,760
Speaker 1: name came up in reference to Jared Paul, who can

673
00:34:02,800 --> 00:34:06,440
Speaker 1: now bring you this cheaper version of Rick Glassman without

674
00:34:06,440 --> 00:34:10,279
Speaker 1: all the baggage of Rick glass which is legendary.

675
00:34:10,520 --> 00:34:16,720
Speaker 4: That's a pitch, right, which is I that's an agent, and.

676
00:34:16,600 --> 00:34:20,840
Speaker 1: That's a witch. And Goldie has now become Jared's agent. Yeah, okay,

677
00:34:21,000 --> 00:34:23,080
Speaker 1: and that was a competitive situation and.

678
00:34:23,080 --> 00:34:26,240
Speaker 3: I yeah, and the person in this room who doesn't

679
00:34:26,280 --> 00:34:26,640
Speaker 3: have an.

680
00:34:26,560 --> 00:34:30,759
Speaker 2: Agent, well, because I'm Goldies agent and Goldies Jared No.

681
00:34:30,840 --> 00:34:33,959
Speaker 3: I just I know, I've done the I've done the math,

682
00:34:34,040 --> 00:34:35,800
Speaker 3: and so so I.

683
00:34:35,680 --> 00:34:38,680
Speaker 4: Think what's happening is here is I am your agent.

684
00:34:39,719 --> 00:34:45,120
Speaker 1: But Jared, you're also Sean's. I'm feeling underrepresented in that situation,

685
00:34:45,239 --> 00:34:47,719
Speaker 1: I said. I was shown only Sean is represented. He

686
00:34:47,800 --> 00:34:49,560
Speaker 1: has two agents. Then I feel like maybe I need

687
00:34:49,600 --> 00:34:52,560
Speaker 1: to he is being he doesn't he is being too

688
00:34:53,280 --> 00:34:55,200
Speaker 1: feel two clients.

689
00:34:55,320 --> 00:34:56,960
Speaker 4: I didn't realize I was your agent already.

690
00:34:56,960 --> 00:34:59,080
Speaker 1: I was have you Yeah, I can't have you representing

691
00:34:59,120 --> 00:34:59,840
Speaker 1: both sides.

692
00:34:59,640 --> 00:35:02,400
Speaker 3: Of this, right, Okay, yeah, yeah, You're going to be

693
00:35:02,480 --> 00:35:04,439
Speaker 3: negotiating against yourself, right.

694
00:35:04,600 --> 00:35:07,960
Speaker 1: I'd like to pitch myself to thorn okay to be

695
00:35:08,080 --> 00:35:11,680
Speaker 1: his agent, right, because it's like he needs some sort

696
00:35:11,719 --> 00:35:13,960
Speaker 1: of filter as to what gets to him, you know,

697
00:35:14,040 --> 00:35:17,160
Speaker 1: because it's like, obviously this Glassman light thing is a

698
00:35:17,239 --> 00:35:19,720
Speaker 1: high quality thing that like needs to cut through the noise.

699
00:35:20,120 --> 00:35:23,440
Speaker 1: And I'm concerned that due to our our the newness

700
00:35:23,440 --> 00:35:26,600
Speaker 1: of our business, that we might not be taken seriously.

701
00:35:26,800 --> 00:35:30,239
Speaker 1: And do you understand what I'm saying is a way, like, yeah,

702
00:35:30,360 --> 00:35:33,879
Speaker 1: to get prioritized due to the quality. Like people don't

703
00:35:33,920 --> 00:35:38,080
Speaker 1: recognize our brand, so they don't realize how high quality

704
00:35:38,120 --> 00:35:42,040
Speaker 1: our stuff is. And so for Michael Thorn like to

705
00:35:42,080 --> 00:35:44,680
Speaker 1: make this decision, he needs someone on his side who's

706
00:35:44,760 --> 00:35:47,040
Speaker 1: looking at the whole landscape to go, this is a

707
00:35:47,080 --> 00:35:49,120
Speaker 1: cool new thing that's about to take off. You can

708
00:35:49,160 --> 00:35:51,920
Speaker 1: be in on it, you know. Let me set you up.

709
00:35:51,960 --> 00:35:54,799
Speaker 1: And you want people to say that about you, right,

710
00:35:55,200 --> 00:35:59,479
Speaker 1: Because I'm bringing high quality material and I'm not quite

711
00:35:59,640 --> 00:36:02,800
Speaker 1: known enough to be on his radar as an agent yet.

712
00:36:03,719 --> 00:36:06,480
Speaker 1: But if I'm the writer, the showrunner who became an agent,

713
00:36:06,840 --> 00:36:08,600
Speaker 1: I think that's a really compelling pitch.

714
00:36:09,200 --> 00:36:11,880
Speaker 2: Now, I just want to double back to Jared feeling

715
00:36:12,000 --> 00:36:15,840
Speaker 2: like bringing up Rick Glassman was an issue with the

716
00:36:15,880 --> 00:36:18,440
Speaker 2: show when he brought up Michael Thorne.

717
00:36:18,800 --> 00:36:23,880
Speaker 4: Uh huh, Michael Thorne, what is the thinking here, Michael,

718
00:36:24,400 --> 00:36:29,239
Speaker 4: Michael Thorne is a president of a network. No, that

719
00:36:29,239 --> 00:36:31,400
Speaker 4: that that's that's that's that's.

720
00:36:31,280 --> 00:36:33,480
Speaker 2: And this goes to your not paying attention to like

721
00:36:33,600 --> 00:36:35,279
Speaker 2: followers philosophy.

722
00:36:36,360 --> 00:36:39,000
Speaker 4: I guess not. I guess I'm not a big I'm

723
00:36:39,080 --> 00:36:43,920
Speaker 4: sorry that I don't you know, I'm not jumping into

724
00:36:43,960 --> 00:36:48,480
Speaker 4: the whole followers thing. I feel like social media is

725
00:36:48,560 --> 00:36:54,200
Speaker 4: going away and it's so obviously almost like done well.

726
00:36:54,040 --> 00:36:57,360
Speaker 1: As your agent. Now, I'm now feeling like Eddie is

727
00:36:57,400 --> 00:36:59,719
Speaker 1: getting lost in the mix here and that maybe this

728
00:36:59,880 --> 00:37:02,800
Speaker 1: is part of the solution, is we bring Eddie to

729
00:37:03,040 --> 00:37:07,160
Speaker 1: give Shawn's pitch to Michael Thorne with you attached. I'm

730
00:37:07,239 --> 00:37:11,040
Speaker 1: now I'm I think I'm packaging. I'm not sure, but yeah,

731
00:37:11,239 --> 00:37:13,680
Speaker 1: but and I'm feeling like I don't want commission from

732
00:37:13,680 --> 00:37:16,440
Speaker 1: any of you guys anymore. I love you guys. That's great,

733
00:37:16,480 --> 00:37:19,239
Speaker 1: and that I will just take you know, a percentage

734
00:37:19,320 --> 00:37:22,400
Speaker 1: of because I'm representing Thorn as well, so really I

735
00:37:22,440 --> 00:37:24,000
Speaker 1: can just wrap up this whole deal. I think I'm

736
00:37:24,040 --> 00:37:28,160
Speaker 1: representing in that scenario everyone and it just like that

737
00:37:28,200 --> 00:37:30,120
Speaker 1: frees you guys up to do what you do, which

738
00:37:30,160 --> 00:37:36,279
Speaker 1: is this? I mean to me, this sounds pretty appealing. Yeah,

739
00:37:37,040 --> 00:37:41,319
Speaker 1: it does. And I'm not paying this guy. He loves me.

740
00:37:41,640 --> 00:37:44,080
Speaker 1: What does Goodman think of all this? Though? Like if

741
00:37:44,080 --> 00:37:45,600
Speaker 1: we could get him to call in, that would be

742
00:37:45,640 --> 00:37:49,000
Speaker 1: the guilt the Guild president. Guild President, do you have

743
00:37:49,040 --> 00:37:51,879
Speaker 1: a call in the situation? Yeah? Right?

744
00:37:52,080 --> 00:37:54,520
Speaker 3: Can we can we set that up? Yeah, let's call

745
00:37:54,560 --> 00:37:55,879
Speaker 3: him right now, Let's call g.

746
00:37:56,880 --> 00:37:59,080
Speaker 4: I think called David Goodman self.

747
00:38:00,160 --> 00:38:02,560
Speaker 3: Who's the question is whose number is going to show

748
00:38:02,640 --> 00:38:05,480
Speaker 3: up on his phone when when he's called?

749
00:38:06,920 --> 00:38:09,960
Speaker 1: You know what? We can use yours? Okay? Ared, You're

750
00:38:09,960 --> 00:38:12,120
Speaker 1: gonna give him a ring, you can use one, okay, great,

751
00:38:12,160 --> 00:38:15,640
Speaker 1: Well just do it. Uh you just hold it up

752
00:38:15,640 --> 00:38:16,000
Speaker 1: to the mic.

753
00:38:16,040 --> 00:38:17,000
Speaker 4: Ye, just hold his bike.

754
00:38:19,280 --> 00:38:22,200
Speaker 3: And so what are we gonna We're gonna ask what

755
00:38:22,280 --> 00:38:24,680
Speaker 3: we're gonna ask if it is okay, if we are

756
00:38:25,560 --> 00:38:27,760
Speaker 3: all of each other's agents, yes.

757
00:38:27,840 --> 00:38:29,399
Speaker 4: Let's I'll hold it up to Mike.

758
00:38:29,600 --> 00:38:31,440
Speaker 1: Yes, in the event that it is okay.

759
00:38:32,120 --> 00:38:34,560
Speaker 3: Hey, guys, So this is the part of the podcast

760
00:38:34,680 --> 00:38:38,759
Speaker 3: where we called the president of the Writers Guild and

761
00:38:38,800 --> 00:38:43,160
Speaker 3: he answered, David Goodman and he did answer, uh, And

762
00:38:43,239 --> 00:38:44,520
Speaker 3: we had a great conversation.

763
00:38:44,719 --> 00:38:49,759
Speaker 1: We touch it for about ten minutes. It was very funny, uh,

764
00:38:49,800 --> 00:38:51,600
Speaker 1: and he sort of explained what was going on with

765
00:38:51,640 --> 00:38:55,279
Speaker 1: the guild stuff. I thought it was very informative, yes, uh.

766
00:38:55,480 --> 00:38:58,160
Speaker 3: And then he told us that he does not want

767
00:38:58,239 --> 00:39:05,160
Speaker 3: to be on podcast joking about this thing, that it's a.

768
00:39:05,160 --> 00:39:08,120
Speaker 2: Very serious matter. Well he said, he said, he doesn't

769
00:39:08,120 --> 00:39:10,040
Speaker 2: want it to seem like he's joking about it. He

770
00:39:10,160 --> 00:39:13,160
Speaker 2: was pretty Uh, he wasn't really.

771
00:39:13,080 --> 00:39:14,879
Speaker 1: Joking about it. Even when we talked to him.

772
00:39:14,920 --> 00:39:15,239
Speaker 5: He was.

773
00:39:15,320 --> 00:39:17,799
Speaker 1: He insisted on dryly explaining all of the points of

774
00:39:17,800 --> 00:39:20,799
Speaker 1: the guild. But but we were being very we were

775
00:39:20,840 --> 00:39:21,680
Speaker 1: being really funny.

776
00:39:21,680 --> 00:39:23,800
Speaker 2: And unfortunately we do have to cut out our funny

777
00:39:23,880 --> 00:39:28,319
Speaker 2: jokes because I guess, yeah, he like to me, all

778
00:39:28,400 --> 00:39:29,319
Speaker 2: this stuff is a joke.

779
00:39:30,160 --> 00:39:33,200
Speaker 1: The really all of life is one of the jokes.

780
00:39:33,239 --> 00:39:36,480
Speaker 2: I'll say one of Haes's jokes, which is David Goodman

781
00:39:36,520 --> 00:39:38,279
Speaker 2: said to him, and he putting me in a very.

782
00:39:38,239 --> 00:39:44,080
Speaker 1: Uncomfortable position, and he said, likewise, thank you so much. Uh.

783
00:39:44,360 --> 00:39:49,440
Speaker 3: And I'll say one of your funny jokes, which was

784
00:39:50,480 --> 00:39:53,640
Speaker 3: he said, when is this episode coming out? That's gonna

785
00:39:53,680 --> 00:39:56,520
Speaker 3: end my career as guild president. Ed Shod said, oh,

786
00:39:56,560 --> 00:40:02,719
Speaker 3: we're doing that. I think that was the phrasing. But well,

787
00:40:02,800 --> 00:40:04,520
Speaker 3: I don't think he said as guild president.

788
00:40:04,640 --> 00:40:06,279
Speaker 1: I thought he did. I thought he said, that's going

789
00:40:06,360 --> 00:40:09,799
Speaker 1: to end my career. Okay. And my joke was that

790
00:40:09,920 --> 00:40:13,560
Speaker 1: him going Ken, him going up against the agencies was

791
00:40:13,600 --> 00:40:15,160
Speaker 1: in fact what was in his career.

792
00:40:15,320 --> 00:40:17,560
Speaker 3: Yeah, so we said a lot of really funny stuff,

793
00:40:18,560 --> 00:40:20,359
Speaker 3: but at least you've got to hear a little piece

794
00:40:20,400 --> 00:40:22,839
Speaker 3: of it because we supported each other by telling each

795
00:40:22,880 --> 00:40:23,520
Speaker 3: other's jokes.

796
00:40:23,600 --> 00:40:28,040
Speaker 1: Now back to the show, Well, is this an interesting point?

797
00:40:28,120 --> 00:40:31,680
Speaker 2: Is this accidentally the most informative episode?

798
00:40:31,880 --> 00:40:32,200
Speaker 1: Tell me?

799
00:40:32,280 --> 00:40:35,480
Speaker 3: And it feels very intentional that we did this. It

800
00:40:35,480 --> 00:40:39,799
Speaker 3: feels like a great contribution. It was a news It was.

801
00:40:39,800 --> 00:40:42,600
Speaker 1: A very good, very good panel. Yeah, it was a

802
00:40:42,640 --> 00:40:46,560
Speaker 1: great panel. There was a really good episode. Chelsea. Thank

803
00:40:46,600 --> 00:40:51,239
Speaker 1: you for for being here, Chelsea, you want to say

804
00:40:51,280 --> 00:40:55,359
Speaker 1: anything to the people who are listening, just thank you,

805
00:40:55,560 --> 00:40:57,920
Speaker 1: Thank you guys for thank you guys. I just want

806
00:40:57,960 --> 00:41:01,280
Speaker 1: to give a shout out to my followers. That's really nice.

807
00:41:01,520 --> 00:41:04,640
Speaker 3: Wow, they're gonna be and Juice hey and here and

808
00:41:04,719 --> 00:41:08,640
Speaker 3: I'm here. I am saying, hey, thanks for the shout out,

809
00:41:08,800 --> 00:41:10,120
Speaker 3: because I am following.

810
00:41:09,960 --> 00:41:12,280
Speaker 2: And I've been following for a while, and I would

811
00:41:12,280 --> 00:41:15,080
Speaker 2: like to also say, hey, thank you for acknowledging me.

812
00:41:15,800 --> 00:41:20,720
Speaker 1: And I'm just at replying both of you. No problem, guys. Nice, Okay,

813
00:41:20,840 --> 00:41:22,360
Speaker 1: that'll get me a lot of attention.

814
00:41:22,480 --> 00:41:25,279
Speaker 2: I'm quote tweeting that and I'm going, WHOA one of

815
00:41:25,280 --> 00:41:25,920
Speaker 2: my heroes?

816
00:41:27,320 --> 00:41:30,440
Speaker 1: And thank you, Chef Kevin. What what are we looking at?

817
00:41:30,480 --> 00:41:33,560
Speaker 1: What do we just x out of on your phone? Hey, guys,

818
00:41:33,640 --> 00:41:35,719
Speaker 1: Chef Kevin. Here, my friend Kelly is going on this

819
00:41:35,840 --> 00:41:38,719
Speaker 1: road trip right now. She's posting the whole thing on Instagram.

820
00:41:38,760 --> 00:41:42,480
Speaker 2: It's pretty funny, funny road trip, very funny.

821
00:41:42,560 --> 00:41:47,920
Speaker 1: Does she have reps? No, I'll get her in for

822
00:41:48,400 --> 00:41:48,840
Speaker 1: after this.

823
00:41:49,600 --> 00:41:52,640
Speaker 2: Well, please do buy the books. So You're Going Bald

824
00:41:52,640 --> 00:41:55,680
Speaker 2: by Julius Sharp and Huge in France is on Netflix

825
00:41:55,760 --> 00:42:00,640
Speaker 2: right now. I am binging this thing so the point

826
00:42:00,680 --> 00:42:03,080
Speaker 2: where I'm worried about myself?

827
00:42:03,239 --> 00:42:09,360
Speaker 1: Yeah, dangerously addictive? Yeah? Do you wanna talk about the

828
00:42:09,400 --> 00:42:10,200
Speaker 1: show a little bit?

829
00:42:10,719 --> 00:42:13,320
Speaker 4: Uh? Like what about it?

830
00:42:13,480 --> 00:42:16,080
Speaker 3: Just like what it's just like a concept, like what

831
00:42:16,160 --> 00:42:18,840
Speaker 3: it's about so people can pitch it, pretend I'm in

832
00:42:19,160 --> 00:42:21,960
Speaker 3: Just pitch it, pretend your thorn, just get people excited

833
00:42:21,960 --> 00:42:25,239
Speaker 3: about that. Just like, yeah, just like talk about what

834
00:42:25,280 --> 00:42:25,760
Speaker 3: the show.

835
00:42:25,600 --> 00:42:26,680
Speaker 4: Is, talking about what the show is about.

836
00:42:26,719 --> 00:42:28,520
Speaker 1: You remember, I don't know what a pitch is, right.

837
00:42:30,920 --> 00:42:35,160
Speaker 4: Uh, this is really putting me on the spot. I

838
00:42:35,200 --> 00:42:37,239
Speaker 4: don't like explaining.

839
00:42:36,600 --> 00:42:39,640
Speaker 1: This is how good Men felt. The show is out already.

840
00:42:39,760 --> 00:42:42,560
Speaker 4: The show is out already, and you know, guys, I like.

841
00:42:45,000 --> 00:42:46,759
Speaker 1: Just like the concept, just like a one I like.

842
00:42:46,800 --> 00:42:49,520
Speaker 4: Putting it out there. I like putting it out there,

843
00:42:50,000 --> 00:42:52,719
Speaker 4: you know what I mean? But as opposed to but

844
00:42:53,320 --> 00:42:55,360
Speaker 4: talking about it isn't.

845
00:42:55,239 --> 00:42:56,600
Speaker 1: Even just like a one liner.

846
00:42:56,920 --> 00:42:59,080
Speaker 3: Just like it's It's a pretty easy show to describe

847
00:42:59,400 --> 00:43:01,600
Speaker 3: it is it is and people I think people would

848
00:43:01,680 --> 00:43:04,920
Speaker 3: enjoy this hearing what the cleaning it ruins it though.

849
00:43:04,880 --> 00:43:07,359
Speaker 4: Yeah, that's the thing I worry about. No, it's this

850
00:43:07,400 --> 00:43:10,280
Speaker 4: guy who is a very famous French committee