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Speaker 1: Hey, everybody, it's me Matt. I just wanted to hop

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Speaker 1: on here. So let you know that new episodes of

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Speaker 1: Hot Dog on HBO Max are actually airing as of

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Speaker 1: February four. So if you're listening to this after February four,

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Speaker 1: you can watch Hot Dog, the show that I host,

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Speaker 1: which is a grooming competition, a dog grooming competition that

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Speaker 1: is um five new episodes are out. It's got me,

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Speaker 1: Robin Deady, Jess, Rhona, and a whole host of talented groomers.

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Speaker 1: Right now that is available for you. And if you're

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Speaker 1: listening on Wednesday, February three, well midnight is gonna be

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Speaker 1: the stroke of fortune for you. But yes, would love

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Speaker 1: if you watched it again. February four. New episodes of

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Speaker 1: Hot Dog on HBO Max. You'll love it. You'll enjoy it,

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Speaker 1: just like you'll enjoy this episode, which starts actually right now.

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Speaker 1: Look man, oh, I see you? Why and look over there?

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Speaker 1: How is that culture? Yes? Goodness, let's call ding dong

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Speaker 1: cultures calling man. I don't know how to say it

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Speaker 1: other than to just sort of say it. Just come

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Speaker 1: out and say what happened, which is three hours ago

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Speaker 1: I was in a car accident I'm fine. My car

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Speaker 1: is totaled. It was not my fault. I was driving

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Speaker 1: down the road. I've approached the intersection and the person

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Speaker 1: that was crossing the intersection in front of me had

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Speaker 1: to completely run a stop sign. I had no time

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Speaker 1: to stop. It was just like it's one of those

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Speaker 1: nightmare intersections that are somehow existing and they're rampant. It's

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Speaker 1: the beginning of Aaron Bracovitch. That asshole smashed in my

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Speaker 1: fucking neck. I'm so sorry, like a bad out of

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Speaker 1: hell in that, in that calm demeanor. This is why

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Speaker 1: she won the oscar, Like a bad out of hell. Wait,

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Speaker 1: we're not talking about Julia. We're talking about you. The

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Speaker 1: Julia of today was certainly me because of the way

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Speaker 1: what just happened happened. Luckily, I'm fine. All I have

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Speaker 1: is my air bags both blasted off. And let me

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Speaker 1: tell you saw the photo you sent me, the photo

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Speaker 1: airbag culture. No one talks about, No one talks about

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Speaker 1: the force. I feel like we've erased air bags from

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Speaker 1: the conversation in the last I don't know, fifteen years.

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Speaker 1: It's like I forgot the airbags existed until today. When

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Speaker 1: you show me the pictures. I was like, oh, yeah,

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Speaker 1: those those those giant things are in the car. Oh

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Speaker 1: and when they What they don't tell you is after

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Speaker 1: the airbag explodes in your face and on your legs,

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Speaker 1: because that's where I got my little contusion and was

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Speaker 1: cut open the aag. What they don't tell you was

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Speaker 1: then after it goes, the air bag is like smoke

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Speaker 1: is coming from it, and it smells like something that

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Speaker 1: you shouldn't be smelling in a car. That smells like hospital.

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Speaker 1: It smells like hospital. Unfortunately, the guy who caused the

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Speaker 1: accident was hot. No we do. He looked like John Legend.

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Speaker 1: He looked exactly like John Legend. He almost killed you.

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Speaker 1: I don't care how he looks, but can you imagine

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Speaker 1: if it had been John Legend? I would have been like,

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Speaker 1: fuck you, John Legend. You hurt my friend. I'm sort

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Speaker 1: of speaking to you now from the perspective of someone

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Speaker 1: who's just been through that. I'm so glad you're okay.

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Speaker 1: I'm so glad. I'm so sorry about your car. The

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Speaker 1: car is unfortunately busted. I may post a picture about

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Speaker 1: it tomorrow. I just I want to. I didn't want

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Speaker 1: to freak my mother out. The most thing about it

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Speaker 1: before I told her, which would be you are that.

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Speaker 1: You are the Julia Roberts of February one, You are

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Speaker 1: the Julia Roberts of today. I guess I'll do my

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Speaker 1: best too from this point going forward to continue to

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Speaker 1: honor that legacy and like save a bunch of people

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Speaker 1: in a small town from hexavalent chromium. That has to

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Speaker 1: be my next move, I think, is that's Matt Rodgers

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Speaker 1: next move. But Matt, I'm so glad you're here. Are you?

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Speaker 1: Are you good? Are you okay? Well? What do you

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Speaker 1: need from me? What I need from you is just

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Speaker 1: exactly what you're doing right now, because you are a

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Speaker 1: real sister, and I want to say you are here

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Speaker 1: for me, and you you were very concerned, and you

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Speaker 1: texted and you were you were very concerned. My my

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Speaker 1: whereabouts shout out to grant a title. Then my other

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Speaker 1: real sister who came and picking it up was there

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Speaker 1: in minutes. And I'll tell you what was keeping me

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Speaker 1: going throughout the ordeal that this episode was happening today,

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Speaker 1: and literally right before I died, I did see our

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Speaker 1: guests before death. Yeah, and she was like teasing me.

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Speaker 1: She was like an angel of death. That was like

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Speaker 1: to say that if you don't really mean it. I

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Speaker 1: first of all, it's not about meaning it. It's about

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Speaker 1: what I experienced. Let him, let him say it only

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Speaker 1: if it really happened. It happened, and it's my experience.

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Speaker 1: And you you don't exist yet because we haven't introduced you. Okay.

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Speaker 1: The only way you exist right now is in my

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Speaker 1: dream that I say, just saying, I hope you're not improvising.

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Speaker 1: I hope it really happen. To stop it now. I

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Speaker 1: don't improv I don't do improvise, doesn't improv He doesn't improvise,

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Speaker 1: doesn't improved. I only say my experience. I'm like Lena Dunham. Yes,

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Speaker 1: this is my life. That's what Lena says. Whatever she

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Speaker 1: does a project, she says, this is my life. It's

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Speaker 1: rule of culture. Number twenty two says this is my

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Speaker 1: life in all her projects and all her projects. Okay,

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Speaker 1: my lips theresiped so as division. Yes, I'm saying I

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Speaker 1: saw our guest sort of beckoning me or teasing me

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Speaker 1: to come into heaven, and I was like, no, I'm

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Speaker 1: not gonna let her trick me there. She's very tricky.

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Speaker 1: The guest she if she can talk you into doing

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Speaker 1: anything and really convince you that she's anyone, It's true.

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Speaker 1: I was thinking about the range today. I was like,

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Speaker 1: she's played everyone from from Demilovado to to the to

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Speaker 1: the met the girl down the street to the girl

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Speaker 1: down down the street, and you know what, every time,

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Speaker 1: I just find it very tricky and untrustworthy. It's like,

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Speaker 1: if she can trust if she's Meg, why are we

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Speaker 1: seeing all these other people and why does she know

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Speaker 1: what it's like to be them so much and so good? Yeah,

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Speaker 1: you're right. The questions remain, No questions remain. Okay, front runner,

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Speaker 1: the questions. She she's truly sensational. We love her, You

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Speaker 1: love her. Doesn't have a lot of credits, but she

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Speaker 1: does wear a lot of lipsticks. What she lacks in credit,

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Speaker 1: she makes up portant gloss and gloss. Well. She's She's

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Speaker 1: on i G. She's the Queen of i G Live.

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Speaker 1: She's the Queen of her podcast, Confronting Demons. We love

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Speaker 1: her so much she is. She's the queen of her podcast.

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Speaker 1: She's the queen of her podcast, queen of her own podcast.

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Speaker 1: She's but still a queen. You can still rain on

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Speaker 1: a hiatus and during a break. Yes, that's what balmorl

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Speaker 1: is for. That's what Balmorle is for. She's the queen

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Speaker 1: of the Bicons. Everyone welcome and the America Worker and

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Speaker 1: dropped out, everyone welcome into your ears mag You guys,

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Speaker 1: I don't normally I don't normally come in before I'm announced,

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Speaker 1: but I was listening to just to tell episode and

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Speaker 1: you know what she said, a bad example of stupid bitch,

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Speaker 1: And you guys were like, yeah, we want to experiment.

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Speaker 1: I was like, Okay, well I guess I'll come in.

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Speaker 1: Oh my god, you're just pushing us forward. Thank you.

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Speaker 1: I'm so sorry you got in a car crash today.

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Speaker 1: I really wouldn't have wore this like crazy hairstyle if

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Speaker 1: I knew. I just feel like I would have worn

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Speaker 1: something different. What would you have worn? Like what would

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Speaker 1: have been different? That kind of like, oh god, honey,

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Speaker 1: what do you think that's could sort of be like

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Speaker 1: a comforting like discinal image for me right now, like

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Speaker 1: you would like a glorious sun at or hair is

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Speaker 1: like back or something. I'm like ready to part and

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Speaker 1: then well you know what, and I'm gonna I know

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Speaker 1: I'm talking too much because I'm so excited, but it's

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Speaker 1: reminded me of there's this guy that I'm kind of

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Speaker 1: sexting and the other day he was like, Hey, um,

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Speaker 1: I just got in a car crash. To tell me

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Speaker 1: about the day, Babe was like like like, didn't really

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Speaker 1: want to talk about it, but was like, oh, I

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Speaker 1: got a car crash, L O L. How I can't

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Speaker 1: wait to be seeing like not that we're seeing each

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Speaker 1: other obviously quarantine, but it was really making me worry

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Speaker 1: that they would present that information like that because honestly,

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Speaker 1: it's like you don't know people you can't always get

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Speaker 1: tone across with. So he could be like I was

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Speaker 1: just in a car crash and be in a hospital.

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Speaker 1: Just be like I was in a car crash and

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Speaker 1: be at home sort of making dinner. Like you don't

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Speaker 1: know what is physical whereabout? All you know is he

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Speaker 1: said L O L. But like he couldn't possibly be

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Speaker 1: laughing about it, even if it was small. Even if

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Speaker 1: it was small, what is that called? Should we name

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Speaker 1: this thing where we're let's just say, guys, anyone, anyone's

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Speaker 1: like this horrible thing happened to me, tell me what's

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Speaker 1: going on with you? It's like it's not it's like

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Speaker 1: deflection meets like burying the lead, or it's not it's

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Speaker 1: not those things. But if people do this all the time,

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Speaker 1: and I'm like, we have to like name this for

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Speaker 1: what it is and actually be like wait wait wait,

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Speaker 1: no, no no, no no, no, we have to talk about the

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Speaker 1: thing that happened to you because they want to write

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Speaker 1: like they don't want to us to really be like

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Speaker 1: l O L that's crazy. I had like such a

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Speaker 1: weird day, Like they don't really want us to ignore that, right, No,

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Speaker 1: you know what it is. It's them feeling like they

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Speaker 1: have to do their due diligence of letting you know

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Speaker 1: what happened, but they don't want to explore and that

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Speaker 1: is something that's sorry but seek treatment. Yeah, yeah, really

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Speaker 1: is back? Should we start ignoring? Like if someone says that,

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Speaker 1: should we ignore what they said at first? Like you

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Speaker 1: know what, if you want to move on? Doesn't they're

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Speaker 1: ask They're like it's like a test almost, you know

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Speaker 1: of course, like my god, are you okay? Yeah? Okay?

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Speaker 1: He was okay, totally totally as they say, as they

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Speaker 1: say all over, as they say it everywhere in the world,

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Speaker 1: he was totally okay. What Christel, Can you talk about him?

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Speaker 1: You know, it's somebody that I haven't met since quarantine.

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Speaker 1: You know, we're all quarantined, of course because little pandemic. Yes,

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Speaker 1: And you know, so if you're listening to this years

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Speaker 1: from now, it is the pandemic. If this is sort

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Speaker 1: of it needs to be a time capsule for you.

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Speaker 1: We're totally within the clutches of the pandemics. Though. Yes,

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Speaker 1: if you haven't heard of the coronavirus, it's sort of

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Speaker 1: the sort of like the flip why worse. Yeah, But

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Speaker 1: he's just this. So I've always I always have like,

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Speaker 1: oh I have to date somebody in the entertainment. I

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Speaker 1: have to date someone a comedian. They're the only people

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Speaker 1: that get me. So this is the first person I've

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Speaker 1: talked to that's a firefighter and not in comedy. And

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Speaker 1: I think it's so hot and he's really he's a firefighter.

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Speaker 1: I think that might be the hottest. And weake face

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Speaker 1: his face time, and he's like so hot it can

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Speaker 1: barely speak. But then it's like, I know, I used

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Speaker 1: to like that, I don't know, kind of weird and

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Speaker 1: they're hot to me, you know what I mean. I

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Speaker 1: used to like you're hot to me because you're lucky

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Speaker 1: snake on freak. Yeah, but he's like actually hot, He's like,

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Speaker 1: he's like someone, Samantha, what on sex and the yes, yes, exactly, yes, yes.

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Speaker 1: She'd be like, come on, honey, come on me. He

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Speaker 1: speaks like he's a hot firefighter he speaks. I was like, sure, yeah, no,

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Speaker 1: that would be me. But that would be so I mean,

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Speaker 1: I guess takes the datum firefighter who talked Samantha. Absolutely,

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Speaker 1: we're gonna go put out the fire and then put

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Speaker 1: out myself all over town. The only replacement I know

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Speaker 1: we talked about this, that there's no replacement for Samantha.

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Speaker 1: I think it's the only option. Is mag is mad.

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Speaker 1: You don't even explain Amantha exactly like yeah, opening line.

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Speaker 1: I think that's the only thing that makes sense. That's

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Speaker 1: the only thing that makes sense everyone. I think to everyone,

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Speaker 1: no one will question it. Because my cousin dead from whatever. Sure, yeah,

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Speaker 1: you're there. You're there to pick up her dead body,

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Speaker 1: and you just never that's the that's the reason why

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Speaker 1: you're there, and you just don't leave to pick up

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Speaker 1: dragging her body. Someone's gonna go pick her uf you

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Speaker 1: the closest family member. They make them pick that. Yes,

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Speaker 1: and you were the closest cousin by bluff And I

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Speaker 1: explained that, and you explained that the series takes place

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Speaker 1: over the course of two years, and the entire two

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Speaker 1: years you are dragging the body around. Yeah, that's like that.

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Speaker 1: That's like the diagetic of the show is like it

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Speaker 1: starts where she starts dragging the body, and it's only

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Speaker 1: when she has dragged the body all the way home

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Speaker 1: and they in the show Samantha really find her resting place.

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Speaker 1: That's that's how they involved love that. But I'm also

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Speaker 1: always looking for sex to define the show. Where can

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Speaker 1: I get late and lay this body? You know? And

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Speaker 1: the guys are always like, what's with that? And You're like,

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Speaker 1: don't worry about it, shush up. I have a blonde wig,

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Speaker 1: but it's on top of my head, no hair tucked

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Speaker 1: in it. It's becoming clearer and clearer that this is

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Speaker 1: the only thing that makes sense. You guys saying that

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Speaker 1: makes me think maybe I have a chance. But I'm like,

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Speaker 1: I know that they don't. I'm not Matt Rogers over

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Speaker 1: here being not meaning it. I mean it. I mean

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Speaker 1: it all the way, this is the campaign. This is

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Speaker 1: what you don't understand. Buzz does start here like Buzz starts.

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Speaker 1: We start all the time. Like when we were in

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Speaker 1: the final round. We were in the final round, Disney

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Speaker 1: was we're about to time of contract with Disney to

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Speaker 1: be Flotsam and jets serious, we were about the time

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Speaker 1: of contract and basically Disney at the last second decide

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Speaker 1: they didn't want to do the characters at all. I

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Speaker 1: believe for real. I know Bone's taken no, but I'm like, yeah,

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Speaker 1: that sounds like it was real. I'm shaking my head

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Speaker 1: because I'm remembering the chemistry we did. Yea his head

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Speaker 1: like it couldn't have been better than the loved us.

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Speaker 1: Hally was obsessed with us. Everyone was so obsessed. They

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Speaker 1: were all running over even assistance being like, we are

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Speaker 1: obsessed with you. Everyone was telling us we are so

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Speaker 1: obsessed with you. Everyone is no one is talking about

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Speaker 1: anything else because of the obsession. That is was it's

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Speaker 1: a big problem. And we're like, okay, okay, give us

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Speaker 1: the contract. And then in the costumes already Bowen knows this.

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Speaker 1: Um Bowen basically called ahead and really graphic because the

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Speaker 1: more graphics, so he designed the costumes, and what was

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Speaker 1: your take on Flotsam and Jetsam. You had a very

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Speaker 1: strong aesthetic take. My take on Flotsam and Jetson was

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Speaker 1: like very like Iris van Herpin, like a lot of

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Speaker 1: like flowy lines. But then but then, but then you

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Speaker 1: can see clear anus. There's a clear ans on both

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Speaker 1: of them. Because remember the movie, that's when they were

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Speaker 1: like where's the so for this movie they were like,

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Speaker 1: We're really we're not going to have anyone asking the

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Speaker 1: question where's the butt hole. It's gonna be do your

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Speaker 1: own costumes for it. These are That's how all movies are.

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Speaker 1: I have really for a real thought about being like,

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Speaker 1: should I just ask my manager if you can get

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Speaker 1: me an audition for any part in Sex and the City,

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Speaker 1: maybe get me in them. I want to be in

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Speaker 1: the writer's room and just like, I don't know, you

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Speaker 1: need to be the star. You're in it in a

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Speaker 1: huge way. I really feel like I need audition for

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Speaker 1: something a barista, a bartender. You're Samantha Jones, but I

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Speaker 1: don't know what add the sex to. I want to

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Speaker 1: be the new sex pop character. Oh god, she's bringing

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Speaker 1: even more sex than ever before. Was bisexual on the

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Speaker 1: show besides that one, right, it's but it's like it's

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Speaker 1: it's like you, as the bisexual of the show. The

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Speaker 1: audience at home will just be hooked because they don't

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Speaker 1: know who's going to get next. You know, it could

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Speaker 1: be anyone. I really do think it's a good idea.

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Speaker 1: I know we're joking, but I'm like, I'm not joking.

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Speaker 1: I didn't make this show. I think people could would

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Speaker 1: watch it. Wait, Meg, we're not fucking joking, and Bone

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Speaker 1: and I are upset. I mean, I don't think they're

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Speaker 1: gonna let me drag your dead body around. But I

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Speaker 1: do think that to get edited, that get rewritten. Can

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Speaker 1: I say something earlier? Matt was like illustrating the scenario

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Speaker 1: where like, you know, the Disney exects ran out of

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Speaker 1: their rooms and we're like, we're obsessed to be We're

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Speaker 1: obsessed to you. That is like that is like my

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Speaker 1: that's like everyone's dream right to be, like to walk

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Speaker 1: into a meeting like that and have them run out

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Speaker 1: to you and be like, we feel so obsessed with

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Speaker 1: I don't think that's ever going to happen in my life,

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Speaker 1: but I feel like Meg. I feel like Meg. Once

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00:17:50,160 --> 00:17:54,359
Speaker 1: general start happening once meetings and general season begins again

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Speaker 1: after when we can finally start, because it's the it's

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00:17:59,000 --> 00:18:01,280
Speaker 1: the thing we missed the most. But Meg is gonna

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00:18:01,280 --> 00:18:04,199
Speaker 1: be about MEXICOA walked into the Mexica walk into these meetings,

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Speaker 1: and they're gonna run out before she even gets to

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00:18:06,520 --> 00:18:10,400
Speaker 1: the reception, and they say, we're obsessed with you. Can

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Speaker 1: I tell you the truth? I got to be honest

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Speaker 1: with you. Generals have happened, and let me tell you this.

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Speaker 1: They'll be I'm gonna be honest with you because we

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Speaker 1: should be confident, confident, confident. Honestly, they're extremely excited when

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Speaker 1: it starts, and then then the meeting goes on and

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Speaker 1: I go, yes, so I live in l A And

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Speaker 1: I used to live in New York. Same thing every

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Speaker 1: time in every meeting, and I think they're expecting a

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Speaker 1: wacky girl. And I'm smiling and laughing, but I'm not

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Speaker 1: going in there like, hello, God, you know what I mean.

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Speaker 1: You're not in there just saying more answers. Yeah, you're

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Speaker 1: just being a human being. So I don't think they

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Speaker 1: don't like me. But it's like they're so excited in

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Speaker 1: the beginning, you know, what I mean, why wasn't she

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Speaker 1: spouting more coherence and spouting all over the place. But

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Speaker 1: it's terrible to me that, like they like that would

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Speaker 1: be the normal thing to them for for any one

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Speaker 1: of us to go in there and be like a goofball.

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Speaker 1: And it's like, that's not that's not how we that's

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Speaker 1: not how anyone talks to each other. Yeah, but you

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Speaker 1: know what I love. You know what I love about

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Speaker 1: those meetings. They they really, they really are just girl

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Speaker 1: talk talk. Yeah, let's get down to it, a girl

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Speaker 1: it's a girl talk. Okay, So if you could excel

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00:19:28,840 --> 00:19:32,600
Speaker 1: at girl talk, you're going to be scoring in generals.

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00:19:35,040 --> 00:19:37,000
Speaker 1: Watch I go Sex in the City. I'm still watching

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00:19:37,040 --> 00:19:38,879
Speaker 1: Sex in the City. I'm not kidding you. I like,

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00:19:38,960 --> 00:19:40,679
Speaker 1: I'm know, I know it doesn't hold up. I know

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00:19:40,760 --> 00:19:43,399
Speaker 1: it's bad, but it's so comforting. But the thing is,

338
00:19:43,440 --> 00:19:46,600
Speaker 1: it's most of it is just like a great old

339
00:19:46,640 --> 00:19:52,040
Speaker 1: show like that are like like products of the nineties.

340
00:19:52,320 --> 00:19:54,359
Speaker 1: But the fact of the matter is, like that show,

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00:19:54,520 --> 00:19:57,280
Speaker 1: people still talk about the content, like people still talk

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00:19:57,320 --> 00:20:01,080
Speaker 1: about the characters. It is like lasting, and I'm not

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00:20:01,200 --> 00:20:05,600
Speaker 1: surprised people want to keep doing it. But I without Samantha,

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00:20:05,960 --> 00:20:09,920
Speaker 1: but without Samantha. Truly we were talking about this when

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00:20:09,920 --> 00:20:11,840
Speaker 1: we're talking about this last week, Matt, you and I, Oh,

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00:20:11,880 --> 00:20:15,119
Speaker 1: we're gonna be talking about it for decades, And we

347
00:20:15,200 --> 00:20:17,760
Speaker 1: talked about it last week, We're talking about it this week.

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00:20:17,960 --> 00:20:20,840
Speaker 1: Does this is going to be the cultural conversation going forward?

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00:20:21,040 --> 00:20:24,880
Speaker 1: Never started talking about the show either, No, no, no,

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00:20:25,000 --> 00:20:27,560
Speaker 1: But I mean we we are all I mean, we're

351
00:20:27,560 --> 00:20:29,239
Speaker 1: all obsessed with the show. I mean like it was

352
00:20:29,280 --> 00:20:31,520
Speaker 1: like the whole thing that like got me to do

353
00:20:31,600 --> 00:20:33,399
Speaker 1: like shows. This sounds so obnoxious, but it was the

354
00:20:33,440 --> 00:20:36,160
Speaker 1: thing that got me to do shows and like brookle

355
00:20:36,240 --> 00:20:38,119
Speaker 1: In in in New York and like Little Field where it

356
00:20:38,200 --> 00:20:40,560
Speaker 1: was like me and me and me and Sam Taggart,

357
00:20:40,600 --> 00:20:42,600
Speaker 1: like doing a sex in the in the City show.

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00:20:42,640 --> 00:20:45,680
Speaker 1: I'm like, which sounds so stupid, but it's like it's

359
00:20:45,720 --> 00:20:48,800
Speaker 1: so it's like everyone knows the language around sex in

360
00:20:48,840 --> 00:20:51,760
Speaker 1: the City that it doesn't hold up anymore. I don't know,

361
00:20:51,960 --> 00:20:55,399
Speaker 1: there's something special about it. Even even the second movie,

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00:20:55,440 --> 00:20:57,959
Speaker 1: which was off I've seen five thousand times and I

363
00:20:57,960 --> 00:21:02,880
Speaker 1: love Yeah. When when when Kristin Davis goes, I think

364
00:21:02,920 --> 00:21:08,800
Speaker 1: you're playing fire. I think you're playing fire think, can

365
00:21:08,840 --> 00:21:12,600
Speaker 1: we just talk about what a wacko Charlotte is? Sure,

366
00:21:14,640 --> 00:21:18,440
Speaker 1: and they're they're cruel, they hate her, they shipped on her,

367
00:21:18,480 --> 00:21:21,680
Speaker 1: and she's like, these are my best friends. And she's

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00:21:21,720 --> 00:21:26,560
Speaker 1: like when she screams, no, no, I cry every time,

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Speaker 1: I'm trying every time. I'm crying. Right now, she's crying.

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00:21:32,000 --> 00:21:34,560
Speaker 1: Mega's crying so hard. I've never seen anything like this.

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00:21:34,880 --> 00:21:37,639
Speaker 1: It's like she's watching the movie Big Fish. She's crying

372
00:21:37,720 --> 00:21:42,240
Speaker 1: so hard. Um. But what's crazy about how the passion

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00:21:42,280 --> 00:21:44,320
Speaker 1: with which she screams that is the fact that the

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00:21:44,480 --> 00:21:48,400
Speaker 1: entire series long, they're so sh I know, there's so

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00:21:48,520 --> 00:21:51,440
Speaker 1: mean to her. I was literally just the other day

376
00:21:51,440 --> 00:21:54,520
Speaker 1: talking about this. There's a scene where Carrie starts dating

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00:21:54,640 --> 00:22:00,080
Speaker 1: the old the old artists, right, the Russian guy, and

378
00:22:00,080 --> 00:22:03,720
Speaker 1: they're in this perfume store and Charlotte's trying so hard

379
00:22:03,760 --> 00:22:06,280
Speaker 1: to like do jokes and they literally could not care less.

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00:22:06,280 --> 00:22:08,600
Speaker 1: They're actually like she works there, and she's like, are

381
00:22:08,600 --> 00:22:12,119
Speaker 1: you going to get a perfume And she's like, no,

382
00:22:12,840 --> 00:22:16,359
Speaker 1: I'm not. She's like, I don't want to date him,

383
00:22:16,520 --> 00:22:19,240
Speaker 1: and then like I haven't. Did you not eat her?

384
00:22:19,680 --> 00:22:25,280
Speaker 1: She doesn't want to say, and she's Charlotte even Miranda

385
00:22:25,359 --> 00:22:29,000
Speaker 1: yet who was an evil person? Oh no, don't shoot

386
00:22:29,000 --> 00:22:33,240
Speaker 1: on Miranda. But here and do I think you probably

387
00:22:33,280 --> 00:22:37,400
Speaker 1: identify as the Miranda of course? Yeah? Absolutely. I think

388
00:22:37,520 --> 00:22:44,440
Speaker 1: most most I was gonna say most normal people. I'm

389
00:22:44,480 --> 00:22:47,680
Speaker 1: not normal. I feel like Miranda, out of the four

390
00:22:47,680 --> 00:22:49,960
Speaker 1: of them, is the is Like I think she is

391
00:22:50,000 --> 00:22:52,520
Speaker 1: like the surrogate for the audience, where it's like she's

392
00:22:52,520 --> 00:22:56,800
Speaker 1: the only way. Yeah, you know, I think that that

393
00:22:56,960 --> 00:22:59,960
Speaker 1: is very much carry because I think that Miranda represent

394
00:23:00,160 --> 00:23:02,040
Speaker 1: but she's not. But she's actually not. Well. I think

395
00:23:02,080 --> 00:23:06,119
Speaker 1: she has definitely like personality traits that set her further

396
00:23:06,200 --> 00:23:09,960
Speaker 1: away from what our usual surrogate is. Like, she's definitely

397
00:23:10,000 --> 00:23:13,680
Speaker 1: more self involved. She's definitely like makes choices that we

398
00:23:13,800 --> 00:23:17,400
Speaker 1: don't answer, like what yes, Carrie, um. But I think

399
00:23:17,680 --> 00:23:20,240
Speaker 1: Miranda is more heightened in the fact that, like she

400
00:23:20,520 --> 00:23:24,160
Speaker 1: is so rational and fact driven and by the book

401
00:23:24,280 --> 00:23:27,639
Speaker 1: and strict with herself and about rules that she is

402
00:23:27,720 --> 00:23:31,320
Speaker 1: like I always think, like this isn't perfect, but carries

403
00:23:31,680 --> 00:23:35,160
Speaker 1: it super Ego and ego are represented in those three characters,

404
00:23:35,680 --> 00:23:38,560
Speaker 1: like they're different parts of her that she can choose

405
00:23:38,600 --> 00:23:42,800
Speaker 1: to instinctually be they're different girls that she could be,

406
00:23:43,200 --> 00:23:46,240
Speaker 1: and the show is about her navigating all those types

407
00:23:46,280 --> 00:23:51,600
Speaker 1: of women that that that's what I think. So I

408
00:23:51,640 --> 00:23:54,199
Speaker 1: think that Miranda does irrational things like how mean she

409
00:23:54,320 --> 00:23:57,680
Speaker 1: is to Steve her like you know what I mean. Like, so,

410
00:23:57,880 --> 00:24:01,640
Speaker 1: I don't think Miranda is a normal character for us

411
00:24:01,680 --> 00:24:04,840
Speaker 1: to identify with unless you are deeply in Miranda. Isn't

412
00:24:04,840 --> 00:24:06,879
Speaker 1: there a thing where it's like the four of them

413
00:24:06,920 --> 00:24:10,000
Speaker 1: each represent like one like of the and this is

414
00:24:10,000 --> 00:24:18,399
Speaker 1: a word that like the seasons. But she's like that

415
00:24:18,480 --> 00:24:20,199
Speaker 1: they're like one of like the like the like the

416
00:24:20,240 --> 00:24:25,320
Speaker 1: four crones and storytelling or something or or like not

417
00:24:25,440 --> 00:24:27,360
Speaker 1: thrones or something. But it's like there's like a term

418
00:24:27,440 --> 00:24:30,280
Speaker 1: for it, but that makes sense. Yeah, but each of

419
00:24:30,320 --> 00:24:32,920
Speaker 1: them like but like yes, carries the center and then

420
00:24:32,960 --> 00:24:37,160
Speaker 1: like Miranda's about career, Charlotte's about family, family, and then

421
00:24:37,240 --> 00:24:41,960
Speaker 1: Santa Samantha's. This is all well trod, everyone knows this, um,

422
00:24:42,000 --> 00:24:44,080
Speaker 1: but I guess we have to ask meg who who

423
00:24:44,160 --> 00:24:47,040
Speaker 1: who do you identify? As we must A lot of

424
00:24:47,119 --> 00:24:50,719
Speaker 1: my girlfriends will say like, oh, we're all Miranda's right,

425
00:24:50,760 --> 00:24:53,280
Speaker 1: But I'm like, I don't know. I think there's I

426
00:24:53,320 --> 00:24:56,320
Speaker 1: think I'm I used to when I was younger. I mean,

427
00:24:56,400 --> 00:24:58,120
Speaker 1: I watched this show when I was like a kid,

428
00:24:59,200 --> 00:25:02,200
Speaker 1: and I think I thought I was like Charlotte. I'm like, well,

429
00:25:01,960 --> 00:25:03,960
Speaker 1: I want to be a mom and stuff, and obviously

430
00:25:03,960 --> 00:25:06,800
Speaker 1: I'm not. I'm so far from Charlotte. Even though I

431
00:25:06,800 --> 00:25:08,560
Speaker 1: do want kids, I go into it, I start crying,

432
00:25:08,920 --> 00:25:16,959
Speaker 1: But I do want kids. Yesterday we're going to get

433
00:25:16,760 --> 00:25:21,879
Speaker 1: I know I will have kids. Good. You know, I

434
00:25:21,920 --> 00:25:24,240
Speaker 1: do think I want Here's this is just a side note.

435
00:25:24,480 --> 00:25:26,280
Speaker 1: I really want kids one day, but I don't know

436
00:25:26,280 --> 00:25:28,359
Speaker 1: if I want to be pregnant. That's really scary to me.

437
00:25:28,480 --> 00:25:31,840
Speaker 1: That's fine, definitely want to adopt. Well. As you get older,

438
00:25:31,880 --> 00:25:34,160
Speaker 1: I feel like the more and more common it becomes

439
00:25:34,200 --> 00:25:36,679
Speaker 1: because women are being honest about how pregnancy is, like

440
00:25:36,760 --> 00:25:39,960
Speaker 1: it's scary, Like, yeah, when I hear about how difficult

441
00:25:39,960 --> 00:25:42,840
Speaker 1: some pregnancies are, I'm like, that must be like a

442
00:25:42,960 --> 00:25:46,880
Speaker 1: harrowing thing to be a woman who is pregnant, has

443
00:25:46,920 --> 00:25:49,159
Speaker 1: had babies or wants to have a baby. To know that,

444
00:25:49,200 --> 00:25:51,920
Speaker 1: like you're going to have to like really sacrifice physically

445
00:25:52,400 --> 00:25:54,480
Speaker 1: and a lot of your comfort for a long time

446
00:25:54,560 --> 00:25:57,640
Speaker 1: and ultimately, like, you know, it's a lot. I understand

447
00:25:58,560 --> 00:26:00,600
Speaker 1: why there's a depression after words, A lot of the

448
00:26:00,640 --> 00:26:03,760
Speaker 1: time because it's so crazy. And I feel like when

449
00:26:03,840 --> 00:26:08,040
Speaker 1: we were young, it was just like she's pregnant, like

450
00:26:08,359 --> 00:26:13,000
Speaker 1: she might have to eat the pickler too, like, and

451
00:26:13,080 --> 00:26:21,800
Speaker 1: now my babies are here and they're healthy too, like

452
00:26:21,880 --> 00:26:25,040
Speaker 1: that's not Yes, I passed out when my sister gave birth,

453
00:26:25,359 --> 00:26:31,040
Speaker 1: passed out real, got a concussion. I'm not kidding you.

454
00:26:31,119 --> 00:26:34,240
Speaker 1: Literally couldn't stay awake the next day, and nobody believed

455
00:26:34,240 --> 00:26:36,320
Speaker 1: me that. Like my mom was like, I caught your

456
00:26:36,320 --> 00:26:38,560
Speaker 1: head before it fell. I was like, there's no way

457
00:26:39,040 --> 00:26:45,000
Speaker 1: you did. I'm like, really passed out from because I

458
00:26:45,040 --> 00:26:50,040
Speaker 1: was holding one of her legs up. Oh my god.

459
00:26:50,160 --> 00:26:52,200
Speaker 1: She wanted me in the room, so I was like, okay,

460
00:26:52,400 --> 00:26:54,120
Speaker 1: I mean, it's my first nephew. You know, I don't

461
00:26:54,359 --> 00:26:57,640
Speaker 1: we ya, Yeah, I'm excited. I've never seen anyone give birth.

462
00:26:58,480 --> 00:27:03,320
Speaker 1: This is gross. Like I was driving from Chicago to

463
00:27:03,400 --> 00:27:07,560
Speaker 1: Ohio to watch her give birth. I didn't really eat

464
00:27:07,600 --> 00:27:10,400
Speaker 1: that much that day, So there's that that's already shaky

465
00:27:11,520 --> 00:27:15,520
Speaker 1: leg up, blood sugar low. I'm literally stuttering at the

466
00:27:15,520 --> 00:27:19,080
Speaker 1: thought of this again. It was so traumatizing. But then,

467
00:27:19,160 --> 00:27:23,000
Speaker 1: of course my favorite person is born. But yeah, I'm shaky.

468
00:27:23,040 --> 00:27:25,240
Speaker 1: You haven't really eaten holding her leg up, the nurses

469
00:27:25,240 --> 00:27:27,760
Speaker 1: holding her other leg, and I feel dizzy, and I

470
00:27:27,800 --> 00:27:29,640
Speaker 1: look at my mom, who's all the way across the room,

471
00:27:29,880 --> 00:27:31,800
Speaker 1: and I say, I think I'm about to pass out,

472
00:27:31,800 --> 00:27:37,120
Speaker 1: and she goes, oh, my sister needs you. I'm like, yes,

473
00:27:37,160 --> 00:27:40,120
Speaker 1: you did. The second she said that, my body, it's incredible,

474
00:27:40,440 --> 00:27:43,720
Speaker 1: bodies will work like that. Well, my body knew, oh,

475
00:27:43,760 --> 00:27:45,959
Speaker 1: she's not gonna help me. Passed out onto the floor

476
00:27:46,320 --> 00:27:50,560
Speaker 1: right when she said that, because you're honestly you need

477
00:27:50,640 --> 00:27:55,040
Speaker 1: to rest now. Literally, Yeah, oh my god. That is crazy.

478
00:27:55,119 --> 00:27:58,080
Speaker 1: And so were you physically out for when the moment

479
00:27:58,119 --> 00:28:02,680
Speaker 1: of birth hues. It's so long when people give birth.

480
00:28:03,680 --> 00:28:07,160
Speaker 1: Don't realize you don't realize. No, it's hours of holding

481
00:28:07,200 --> 00:28:09,600
Speaker 1: her leg up and I was just sitting in a

482
00:28:09,680 --> 00:28:12,080
Speaker 1: rocking chair the rest of the night. Started taking in

483
00:28:12,080 --> 00:28:15,600
Speaker 1: the sights from from so if I had seen that,

484
00:28:15,760 --> 00:28:18,600
Speaker 1: I feel like that would that would make me anxious?

485
00:28:18,640 --> 00:28:24,600
Speaker 1: About the smells? Did I get to that? That's that's

486
00:28:24,640 --> 00:28:27,159
Speaker 1: the gross part is the smell of the blood, like

487
00:28:27,240 --> 00:28:30,080
Speaker 1: the blood. It's like, this is the most dangerous thing

488
00:28:30,080 --> 00:28:33,040
Speaker 1: of someone could do. It is so wild. You are

489
00:28:33,240 --> 00:28:37,920
Speaker 1: leaking fluid out of it, like goshing blood. Oh my god.

490
00:28:37,920 --> 00:28:41,520
Speaker 1: And I remember when my mom she she explained to

491
00:28:41,520 --> 00:28:44,440
Speaker 1: me that sometimes women poop when they give birth, and

492
00:28:46,480 --> 00:28:48,480
Speaker 1: like a little I don't feel like a little fact

493
00:28:48,520 --> 00:28:52,640
Speaker 1: feel like you that's disgusting. Why are they that's sucking gross?

494
00:28:52,680 --> 00:28:55,640
Speaker 1: They should not poop. They should not do it. Just

495
00:28:55,760 --> 00:28:58,080
Speaker 1: doesn't this poop. And then you actually see it and

496
00:28:58,120 --> 00:29:01,280
Speaker 1: it's like fucking the poop. At the least they aren't

497
00:29:01,280 --> 00:29:05,880
Speaker 1: worries so truly, like what can't smell poop? It is blood.

498
00:29:05,960 --> 00:29:10,440
Speaker 1: It is like a blood. You are metally blood smell,

499
00:29:11,160 --> 00:29:13,600
Speaker 1: lily blood smell, and you're saying that it's it overpowers

500
00:29:13,600 --> 00:29:15,640
Speaker 1: the poop smell. I don't even know if there was

501
00:29:15,680 --> 00:29:20,040
Speaker 1: any poop involved. Forget she was and she was isolated

502
00:29:20,160 --> 00:29:25,360
Speaker 1: to just one experience. Yeah, I think did that though,

503
00:29:25,640 --> 00:29:29,000
Speaker 1: But I again, like I bet you wouldn't even know,

504
00:29:28,840 --> 00:29:32,200
Speaker 1: you wouldn't, I mean, but anyway, Okay, so then you're

505
00:29:32,200 --> 00:29:34,880
Speaker 1: watching this happen, and then the baby is born and

506
00:29:35,040 --> 00:29:39,640
Speaker 1: the actual act of the baby coming out of the

507
00:29:39,720 --> 00:29:43,040
Speaker 1: vagina is the craziest thing ever, because I have seen

508
00:29:43,080 --> 00:29:46,280
Speaker 1: this happen, like in health class, that baby shoots out

509
00:29:46,640 --> 00:29:54,120
Speaker 1: sometimes yeah, yeah, I can't really yep. And some videos

510
00:29:54,160 --> 00:29:58,160
Speaker 1: you can look up videos of births, they go, how

511
00:29:58,160 --> 00:30:00,960
Speaker 1: did they catch them? How did they there? The woman

512
00:30:01,040 --> 00:30:03,480
Speaker 1: is there, she's in the pose, she's in the crouch

513
00:30:03,520 --> 00:30:05,680
Speaker 1: pose at the very foot of the as a midwife,

514
00:30:05,680 --> 00:30:12,200
Speaker 1: not always a woman. Wow, thank you and thank you

515
00:30:14,480 --> 00:30:22,000
Speaker 1: literally literally sister life that you only accountable hashtag after after.

516
00:30:23,520 --> 00:30:27,040
Speaker 1: So I we're talking about this. I don't want to

517
00:30:27,040 --> 00:30:29,040
Speaker 1: have kids either. I mean I wasn't like in that

518
00:30:29,120 --> 00:30:32,080
Speaker 1: space to begin with, but now I'm like, yeah, I

519
00:30:32,080 --> 00:30:34,640
Speaker 1: don't think I would want I would want to put

520
00:30:34,680 --> 00:30:37,680
Speaker 1: someone else through that either. I wouldn't want to hire someone.

521
00:30:38,120 --> 00:30:40,760
Speaker 1: I don't think if I was Bow and Yang I

522
00:30:40,800 --> 00:30:44,320
Speaker 1: would I would just want to notice my fabulous life. No, seriously,

523
00:30:44,480 --> 00:30:46,040
Speaker 1: because I think that your life is going to be

524
00:30:46,080 --> 00:30:48,680
Speaker 1: so fabulous that I think that you should just be

525
00:30:48,960 --> 00:30:52,040
Speaker 1: living that fabulous life. And I don't think you should

526
00:30:52,080 --> 00:30:54,320
Speaker 1: have a kid to have to give any attention to

527
00:30:54,360 --> 00:30:56,360
Speaker 1: our care too, because I think you need to live

528
00:30:56,400 --> 00:31:01,320
Speaker 1: your guiche for the rest of your day. It changes.

529
00:31:02,120 --> 00:31:04,560
Speaker 1: I've actually like, I've never heard of kids before. It

530
00:31:04,680 --> 00:31:08,960
Speaker 1: changes every changes everything, just yourself. You live for someone

531
00:31:09,000 --> 00:31:10,720
Speaker 1: else at that point. How many women have had to

532
00:31:10,760 --> 00:31:12,840
Speaker 1: men in the eyes and say, when you give birth,

533
00:31:12,920 --> 00:31:15,800
Speaker 1: you start living for someone else. That's what that's the

534
00:31:15,800 --> 00:31:20,280
Speaker 1: sacrifice do you make? Really know, some women on Long

535
00:31:20,280 --> 00:31:23,120
Speaker 1: Island have said that to me. Stop living for yourself.

536
00:31:23,440 --> 00:31:33,560
Speaker 1: Oh god, this is dark. I nanny for a long time,

537
00:31:33,600 --> 00:31:36,600
Speaker 1: for years, full time nanny, and I got so close

538
00:31:36,640 --> 00:31:39,520
Speaker 1: to them. But I'm like, I would like to have kids,

539
00:31:39,560 --> 00:31:42,120
Speaker 1: like when I can afford a really nice nanny who

540
00:31:42,120 --> 00:31:44,560
Speaker 1: can help, because it's so much. It really not to

541
00:31:44,720 --> 00:31:47,520
Speaker 1: raise them fully, but like you need help in God,

542
00:31:47,760 --> 00:31:50,160
Speaker 1: I just it's so much. If I'm gonna be married

543
00:31:50,160 --> 00:31:52,160
Speaker 1: to a firefighter, he's going to be gone during the

544
00:31:52,240 --> 00:31:58,320
Speaker 1: day at night some nights, oh nights, totally, totally. Oh yeah,

545
00:31:58,360 --> 00:32:02,040
Speaker 1: he works nights too, a partners, they do both. He's

546
00:32:02,040 --> 00:32:04,680
Speaker 1: working all the time. And or it's either that or

547
00:32:04,680 --> 00:32:08,160
Speaker 1: what I'm gonna marry someone really like famous actor. He's

548
00:32:08,160 --> 00:32:18,920
Speaker 1: gonna be on shoots when you're a shot, right believes

549
00:32:18,960 --> 00:32:21,760
Speaker 1: I'm not. I love this so much. I love working

550
00:32:21,800 --> 00:32:23,320
Speaker 1: so much. I'm not going to be a stay at

551
00:32:23,360 --> 00:32:25,920
Speaker 1: home mom, which is what I thought I would when

552
00:32:25,960 --> 00:32:28,280
Speaker 1: I was little. I don't know, I was like actress

553
00:32:28,320 --> 00:32:30,800
Speaker 1: or stay at home mom, you know, right, Well that's

554
00:32:30,800 --> 00:32:32,560
Speaker 1: the whole that's another whole part of it they don't

555
00:32:32,560 --> 00:32:34,200
Speaker 1: tell you about. It's just how hard it is to

556
00:32:34,400 --> 00:32:37,840
Speaker 1: be a mother or a parent at all. Oh my god,

557
00:32:38,400 --> 00:32:42,280
Speaker 1: I could cry. I see it's all my parents. I've

558
00:32:42,280 --> 00:32:45,920
Speaker 1: talked to man about this. My parents have skipped all

559
00:32:45,960 --> 00:32:49,040
Speaker 1: the way to the end where they're like, you should

560
00:32:49,040 --> 00:32:52,000
Speaker 1: find a partner so you can raise a child. But

561
00:32:52,120 --> 00:32:54,160
Speaker 1: they they've never asked me about anyone I've dated. And

562
00:32:54,200 --> 00:32:56,760
Speaker 1: I like yelled at them one time and over the summer,

563
00:32:56,760 --> 00:32:59,680
Speaker 1: I was like, it really fucking sucks, and it's hurtful

564
00:32:59,720 --> 00:33:03,080
Speaker 1: that you like are like weirdly like ashamed of like

565
00:33:03,680 --> 00:33:06,400
Speaker 1: butt secks for me. But you're like, but when are

566
00:33:06,440 --> 00:33:08,120
Speaker 1: you going to have a kid. It's like it's still

567
00:33:08,160 --> 00:33:12,240
Speaker 1: about like reproduction in a way, and it's like, well, sorry,

568
00:33:12,320 --> 00:33:15,000
Speaker 1: like my what I do doesn't do that. I don't know,

569
00:33:15,240 --> 00:33:18,600
Speaker 1: what I do doesn't do doesn't do that. My mom's

570
00:33:18,680 --> 00:33:21,800
Speaker 1: kind of like she knows that I'm by and she'll say, now,

571
00:33:21,880 --> 00:33:25,040
Speaker 1: like I know she knows that I'm gonna like eventually

572
00:33:25,040 --> 00:33:27,280
Speaker 1: be with someone, but I just love being single and

573
00:33:27,320 --> 00:33:30,000
Speaker 1: have been for so long that now she knows I

574
00:33:30,040 --> 00:33:32,160
Speaker 1: love it so much that she's like, don't you want

575
00:33:32,200 --> 00:33:35,000
Speaker 1: to just get a kid yourself? Like she's not, it

576
00:33:35,040 --> 00:33:37,760
Speaker 1: doesn't even care about the partner, but she's like, why

577
00:33:37,760 --> 00:33:41,600
Speaker 1: don't you like adopt right now? Wouldn't how wild of

578
00:33:41,600 --> 00:33:47,200
Speaker 1: a move. My guests would be that it's so much

579
00:33:47,280 --> 00:33:51,840
Speaker 1: more about grandchildren that we realized it's about, Like because

580
00:33:51,880 --> 00:33:54,640
Speaker 1: I wanted to ask you Bowen, like when when they say,

581
00:33:54,680 --> 00:33:56,880
Speaker 1: like time for you to get a partner and like

582
00:33:57,240 --> 00:34:00,000
Speaker 1: to have a kid settled down? Are they saying partner

583
00:34:00,000 --> 00:34:02,960
Speaker 1: are like with the assumption that that this could be

584
00:34:03,000 --> 00:34:05,080
Speaker 1: male or female? Or are they saying are they saying

585
00:34:05,600 --> 00:34:09,560
Speaker 1: like a girlfriend? There's at this point they have they're

586
00:34:09,640 --> 00:34:13,760
Speaker 1: they're like, he's going to be with a guy, which

587
00:34:13,800 --> 00:34:17,040
Speaker 1: is a step forward. But then but then it is

588
00:34:17,120 --> 00:34:20,440
Speaker 1: like it only is complete, it's and then it's that

589
00:34:20,480 --> 00:34:22,719
Speaker 1: classic thing. This is like not unique to me, but

590
00:34:22,760 --> 00:34:24,680
Speaker 1: it's like that classic thing, like it's not a it's

591
00:34:24,680 --> 00:34:27,640
Speaker 1: not a real unit until there's a kid involved. And

592
00:34:27,680 --> 00:34:29,360
Speaker 1: I'm like, I don't. I'm like, I don't think. I

593
00:34:29,400 --> 00:34:31,680
Speaker 1: don't think I want that. Um. But then my mom

594
00:34:31,760 --> 00:34:35,000
Speaker 1: was like, well, you should maybe think about like hushed tones,

595
00:34:35,080 --> 00:34:38,560
Speaker 1: being like you should maybe think about storing your sperm.

596
00:34:38,640 --> 00:34:40,239
Speaker 1: Just so it's like I don't, like, mom, like, we

597
00:34:40,239 --> 00:34:43,640
Speaker 1: don't have to get to that level yet. It's a

598
00:34:43,640 --> 00:34:47,719
Speaker 1: real concern for that generation sometimes, like I haven't heard

599
00:34:47,760 --> 00:34:51,040
Speaker 1: that from my parents yet, but I think in a

600
00:34:51,120 --> 00:34:52,880
Speaker 1: in a world where I was ready for that, it

601
00:34:52,920 --> 00:34:57,760
Speaker 1: would it would probably be like a good thing. Yeah, Meg,

602
00:34:58,000 --> 00:35:00,000
Speaker 1: have you noticed that your mom has had this conversation

603
00:35:00,239 --> 00:35:02,360
Speaker 1: with you since your nephew was born or has it

604
00:35:02,440 --> 00:35:05,120
Speaker 1: been that way the whole time? I think it's chilled

605
00:35:05,120 --> 00:35:07,600
Speaker 1: out a little bit. But she'll still be like, why

606
00:35:07,600 --> 00:35:09,719
Speaker 1: didn't she just move? Sometimes she'll be like why don't

607
00:35:09,719 --> 00:35:12,879
Speaker 1: she moving with me? And we'll have a kid, like

608
00:35:13,480 --> 00:35:15,960
Speaker 1: obviously not as a couple, that's my mom, but being

609
00:35:16,000 --> 00:35:21,040
Speaker 1: like I think for her, she really doesn't kid row.

610
00:35:21,800 --> 00:35:30,279
Speaker 1: I don't get it, Like, yeah, I think with kids,

611
00:35:30,400 --> 00:35:34,280
Speaker 1: someone else's kids. Like it's weird because I love kids

612
00:35:34,280 --> 00:35:37,000
Speaker 1: and always thought I would have like four or five,

613
00:35:37,080 --> 00:35:39,440
Speaker 1: But now that I'm older, I'm like I would be

614
00:35:39,480 --> 00:35:42,840
Speaker 1: really happy as an older woman with like two kids,

615
00:35:42,840 --> 00:35:45,359
Speaker 1: but also like if it doesn't happen, I still feel

616
00:35:45,400 --> 00:35:48,719
Speaker 1: like I've I don't know, I have enough love. I

617
00:35:48,719 --> 00:35:51,440
Speaker 1: don't know, like I feel like I'm still fine. I've

618
00:35:51,480 --> 00:35:55,200
Speaker 1: went after I'm going after everything I want. You know, well,

619
00:35:55,480 --> 00:35:59,920
Speaker 1: you know what that makes you? And Miranda, I was

620
00:36:00,000 --> 00:36:02,600
Speaker 1: gonna say, we didn't talk about it. I think I'm

621
00:36:02,600 --> 00:36:05,360
Speaker 1: Miranda with a little bit of um, with like some

622
00:36:05,480 --> 00:36:10,600
Speaker 1: Samantha too. Oh yeah, I was gonna pag you first, Samantha.

623
00:36:10,600 --> 00:36:12,680
Speaker 1: I was gonna pack you first, Samantha. I think there's

624
00:36:12,680 --> 00:36:15,360
Speaker 1: a well, you know what, to be honest, like Samantha

625
00:36:15,400 --> 00:36:17,480
Speaker 1: does go after what she wants, right, and she doesn't

626
00:36:17,520 --> 00:36:20,120
Speaker 1: let anyone be in the way. So maybe I'm Samantha

627
00:36:20,160 --> 00:36:23,000
Speaker 1: with a little bit of Miranda. And of course a

628
00:36:23,160 --> 00:36:27,080
Speaker 1: late night after a breakup, I'm a carry. Everyone has

629
00:36:27,120 --> 00:36:31,040
Speaker 1: carry moments where they do something, you know. You know

630
00:36:31,080 --> 00:36:34,040
Speaker 1: what I'm realizing right now, Like we said that Miranda

631
00:36:34,760 --> 00:36:41,680
Speaker 1: was the career one, Samantha is also a career Yeah

632
00:36:41,760 --> 00:36:48,760
Speaker 1: that's why I'm thinking she goes out. Yeah she sucks.

633
00:36:49,160 --> 00:36:51,719
Speaker 1: So the thing the difference of if you're deciding if

634
00:36:51,719 --> 00:36:55,839
Speaker 1: you're a Miranda. There's something about like a taking seriously

635
00:36:55,960 --> 00:36:59,160
Speaker 1: of life. Like Samantha is just a more she's more

636
00:36:59,280 --> 00:37:01,560
Speaker 1: like I don't know what it's about. A sign. It's

637
00:37:01,560 --> 00:37:04,640
Speaker 1: about assigning value to one thing over the other. Miranda

638
00:37:04,760 --> 00:37:06,920
Speaker 1: signs value to her work. She's not she's less like

639
00:37:07,000 --> 00:37:09,160
Speaker 1: she's like her like like she's the one who gets

640
00:37:09,200 --> 00:37:11,399
Speaker 1: her her butt eaten right, and she's like, I don't

641
00:37:11,440 --> 00:37:15,160
Speaker 1: like that, So she's like, so she she sucks, but

642
00:37:15,200 --> 00:37:18,719
Speaker 1: she's like I have a lot of like weird hang

643
00:37:18,840 --> 00:37:22,040
Speaker 1: ups around fucking, where Samantha has no hang ups around

644
00:37:22,080 --> 00:37:24,120
Speaker 1: fucking and doesn't really give a shit about her She

645
00:37:24,120 --> 00:37:25,640
Speaker 1: doesn't not that she doesn't give a shit about her dub,

646
00:37:25,680 --> 00:37:29,120
Speaker 1: but she's secure. She's not like living day to day

647
00:37:29,360 --> 00:37:32,759
Speaker 1: motivated by her career. That's where my Miranda comes in

648
00:37:32,800 --> 00:37:36,040
Speaker 1: around like constantly every day, you know what I mean.

649
00:37:36,560 --> 00:37:39,879
Speaker 1: But there's part of me, not the annoyance. This isn't

650
00:37:40,000 --> 00:37:43,400
Speaker 1: the annoying part of Charlotte. But like I am a romantic,

651
00:37:43,440 --> 00:37:47,040
Speaker 1: like even with like cookouts or people, I really romanticize

652
00:37:47,080 --> 00:37:50,319
Speaker 1: things I really like, even though I haven't. I've been

653
00:37:50,320 --> 00:37:52,560
Speaker 1: single for so long. I am like a romantic at heart,

654
00:37:52,719 --> 00:37:55,719
Speaker 1: not realistic when you know, I I just came out

655
00:37:55,760 --> 00:37:59,080
Speaker 1: of like a long distance like sort of thing where

656
00:37:59,080 --> 00:38:01,320
Speaker 1: we never met but during quarantine talk for months, and

657
00:38:01,360 --> 00:38:04,040
Speaker 1: I was so about it. But like they were realistic

658
00:38:04,080 --> 00:38:06,160
Speaker 1: and they were like, you know, even though I think

659
00:38:06,160 --> 00:38:08,319
Speaker 1: they could have went about it differently, and I act

660
00:38:08,360 --> 00:38:11,040
Speaker 1: like they're listening, but like they were realistic, being like

661
00:38:11,040 --> 00:38:13,560
Speaker 1: we don't live by each other. It's a pandemic, like

662
00:38:13,680 --> 00:38:15,160
Speaker 1: let's try to talk to people that live by this.

663
00:38:15,560 --> 00:38:18,719
Speaker 1: But I'm like, I'm so into you, like I could

664
00:38:18,800 --> 00:38:21,520
Speaker 1: do this whatever. But part of me is you know

665
00:38:21,520 --> 00:38:23,799
Speaker 1: what I mean, Like it's romantic of me to think

666
00:38:23,880 --> 00:38:26,600
Speaker 1: that way. Yeah, what what is what is getting in

667
00:38:26,640 --> 00:38:29,799
Speaker 1: the way of you and firefighter meeting up? Like what's

668
00:38:29,800 --> 00:38:33,399
Speaker 1: what's happening there? So well, this is really new with him.

669
00:38:33,520 --> 00:38:35,400
Speaker 1: But he just seems a little bit different than the

670
00:38:35,440 --> 00:38:37,440
Speaker 1: people I've talked to, which is nice. He's kind of like,

671
00:38:37,480 --> 00:38:39,600
Speaker 1: I'm not going to waste your time like into like

672
00:38:39,960 --> 00:38:42,280
Speaker 1: sort of more. Um, I don't know, it just seems

673
00:38:42,280 --> 00:38:44,719
Speaker 1: like he knows what he wants. I think the thing

674
00:38:45,280 --> 00:38:47,960
Speaker 1: of meeting up is just being a pandemic and like

675
00:38:48,040 --> 00:38:50,760
Speaker 1: what do you what is everyone doing or people getting

676
00:38:50,760 --> 00:38:54,759
Speaker 1: tested or are they meeting once? Like I just I've

677
00:38:54,800 --> 00:38:58,560
Speaker 1: only online dated during quarantine, like I really haven't, So

678
00:38:58,800 --> 00:39:02,120
Speaker 1: it's kind of scary to me. He is in l

679
00:39:02,160 --> 00:39:05,799
Speaker 1: A and he doesn't want to get tested in me um,

680
00:39:05,840 --> 00:39:08,360
Speaker 1: But yeah, I'm a little nervous. I want to, But

681
00:39:08,440 --> 00:39:14,000
Speaker 1: I'm also like really really like COVID safe of course,

682
00:39:14,120 --> 00:39:16,279
Speaker 1: of course in a good way, A good freak, no

683
00:39:16,800 --> 00:39:20,160
Speaker 1: good freak. I think that for me what I do

684
00:39:20,160 --> 00:39:21,839
Speaker 1: when I'm going to see other people as I just

685
00:39:22,080 --> 00:39:25,600
Speaker 1: make sure that I haven't like left that pod for

686
00:39:25,719 --> 00:39:29,040
Speaker 1: two weeks and have literally nothing can happen at that point.

687
00:39:29,080 --> 00:39:31,000
Speaker 1: So if I feel like if he was into it,

688
00:39:31,040 --> 00:39:34,839
Speaker 1: you could just be like quarantine the timer on the

689
00:39:34,880 --> 00:39:39,200
Speaker 1: fuck two weeks starting from now. We've talked about that.

690
00:39:39,239 --> 00:39:41,640
Speaker 1: We've talked about being like I'll test like whatever you

691
00:39:41,680 --> 00:39:44,799
Speaker 1: need me to do to be comfortable. The thing is,

692
00:39:45,160 --> 00:39:47,239
Speaker 1: then you have to do it. You have to put

693
00:39:47,239 --> 00:39:49,839
Speaker 1: it on the books, because then you know it's it's

694
00:39:49,840 --> 00:39:52,279
Speaker 1: you're being nervous for other reasons that you actually don't

695
00:39:52,320 --> 00:39:54,400
Speaker 1: want to do. Kind of talked about like in another

696
00:39:54,680 --> 00:39:59,239
Speaker 1: week or so perfect, but only because I've like fully quarantine.

697
00:39:59,320 --> 00:40:01,719
Speaker 1: And the other thing was I told him, like, what's

698
00:40:01,760 --> 00:40:04,759
Speaker 1: weird about dating right now is that I've had to say, like,

699
00:40:05,040 --> 00:40:06,920
Speaker 1: I know, I'm not asking you to be exclusive, but

700
00:40:06,960 --> 00:40:09,719
Speaker 1: if you're hooking up with people like I don't, I'm

701
00:40:09,760 --> 00:40:12,440
Speaker 1: so safe about it that I don't. And he's like, no,

702
00:40:12,520 --> 00:40:15,320
Speaker 1: I'm not meeting anybody else, and like I would and

703
00:40:16,600 --> 00:40:25,480
Speaker 1: I'm eating anybody. But this was recording. We weren't just

704
00:40:25,520 --> 00:40:33,000
Speaker 1: hanging out. But that's how the truth, and he is saying,

705
00:40:33,480 --> 00:40:37,160
Speaker 1: my body only belongs to one one. I just think

706
00:40:37,200 --> 00:40:39,480
Speaker 1: if you are casual dating right now, you have to

707
00:40:39,600 --> 00:40:42,040
Speaker 1: really plan it out, Like you can't just you absolutely

708
00:40:42,719 --> 00:40:44,960
Speaker 1: one person. You can't be hooking up with different people.

709
00:40:45,160 --> 00:40:47,399
Speaker 1: You can talk to whoever you want, but to meet

710
00:40:47,520 --> 00:40:51,520
Speaker 1: up you can't right now. You can't. You can't, you can't. Yeah, Okay,

711
00:40:51,520 --> 00:40:53,200
Speaker 1: we're about to say something about Miranda that you're like

712
00:40:53,320 --> 00:40:56,120
Speaker 1: Miranda in the in the ambition sense in terms of

713
00:40:56,320 --> 00:40:59,160
Speaker 1: career stuff. I think that I think that's it. It's

714
00:40:59,200 --> 00:41:01,560
Speaker 1: like I think I have the attitude of like do

715
00:41:01,600 --> 00:41:05,120
Speaker 1: what you really want to know? Rule Samantha Grandon The

716
00:41:05,160 --> 00:41:08,319
Speaker 1: work and then Charlotte Romance, the like a little bit

717
00:41:08,360 --> 00:41:11,400
Speaker 1: of the romantic sort of do anything, you know, like

718
00:41:11,480 --> 00:41:14,399
Speaker 1: it'll work out. It just will. It's the delusion which

719
00:41:14,400 --> 00:41:16,480
Speaker 1: has gotten me this foreign comedy. You know what I mean.

720
00:41:16,719 --> 00:41:20,640
Speaker 1: You have to you have to believe it. Yeah, I was.

721
00:41:20,719 --> 00:41:22,880
Speaker 1: I was just gonna remark on how I think, and

722
00:41:23,120 --> 00:41:25,520
Speaker 1: I think you agree with me. And it's not that

723
00:41:25,560 --> 00:41:29,040
Speaker 1: I have the full of the land, especially anymore, but

724
00:41:29,080 --> 00:41:31,360
Speaker 1: I'm just like I think Megan is like the hardest

725
00:41:31,440 --> 00:41:34,640
Speaker 1: working person just period right now. I mean, well, the

726
00:41:34,680 --> 00:41:40,080
Speaker 1: thing is, the thing is you are No you can

727
00:41:40,120 --> 00:41:43,799
Speaker 1: say it, bitch, because you still doing it. Yeah, but

728
00:41:43,840 --> 00:41:46,520
Speaker 1: it's one thing to have consistent output, and it's such

729
00:41:46,600 --> 00:41:49,480
Speaker 1: completely other thing for it to be consistent output. That

730
00:41:49,600 --> 00:41:54,200
Speaker 1: is always so funny, always, pets, always you really are

731
00:41:54,320 --> 00:41:57,760
Speaker 1: just like you are. You are good for everyone's health

732
00:41:58,600 --> 00:42:06,680
Speaker 1: to you last and Jesus said you need to Jesus

733
00:42:06,680 --> 00:42:10,640
Speaker 1: said you need to laugh. That is one of the

734
00:42:10,680 --> 00:42:19,840
Speaker 1: most famous religious songs. Jesus sad you need you know,

735
00:42:20,000 --> 00:42:22,640
Speaker 1: someone commented on a video today, So I really need

736
00:42:22,640 --> 00:42:24,600
Speaker 1: that because someone commented on a video and goes and

737
00:42:24,600 --> 00:42:27,319
Speaker 1: this didn't hurt because it was so crazy. But the

738
00:42:27,400 --> 00:42:30,000
Speaker 1: comment goes, this video is not as good as your

739
00:42:30,000 --> 00:42:34,239
Speaker 1: old stuff. She goes, you need to go back and

740
00:42:34,280 --> 00:42:41,600
Speaker 1: watch your old stuff and watch your timing. She she

741
00:42:41,719 --> 00:42:45,120
Speaker 1: was suggesting that you go off and watch tapes of yourself. Yes,

742
00:42:45,120 --> 00:42:47,440
Speaker 1: because she's like this, this requires some editing. It was

743
00:42:47,480 --> 00:42:49,160
Speaker 1: basically one of the things where it was a video.

744
00:42:49,360 --> 00:42:51,440
Speaker 1: You know, you have Okay, you have the videos where

745
00:42:51,440 --> 00:42:54,000
Speaker 1: you cut it a bunch and there's all. Then you

746
00:42:54,080 --> 00:42:57,600
Speaker 1: have the longer video where it's one take, which that's

747
00:42:57,600 --> 00:43:00,399
Speaker 1: supposed to be like, it's a totally different feeling. That's

748
00:43:00,400 --> 00:43:03,920
Speaker 1: the point to style the girl getting a toast of

749
00:43:04,000 --> 00:43:06,680
Speaker 1: the birthday. Yes you can, then you can't. You can't

750
00:43:06,680 --> 00:43:09,760
Speaker 1: cut around that. And I thought it was I gifoed

751
00:43:10,000 --> 00:43:13,240
Speaker 1: multiple times throughout the fucking thing what she's talking about.

752
00:43:13,239 --> 00:43:16,960
Speaker 1: It was phenomenal and she's obviously very ill. I want

753
00:43:17,000 --> 00:43:23,120
Speaker 1: to ask you, though, what do you say to your critics? Oh?

754
00:43:24,360 --> 00:43:27,400
Speaker 1: What what do you say to them? What I say is,

755
00:43:28,239 --> 00:43:31,959
Speaker 1: you know what, it's okay, I'm not everyone's cup of tea,

756
00:43:32,280 --> 00:43:36,400
Speaker 1: and I would rather be like, have people really myself

757
00:43:36,400 --> 00:43:40,239
Speaker 1: means something to a smaller group than everyone. Yeah, yeah,

758
00:43:40,400 --> 00:43:43,680
Speaker 1: And so that's that's what you would tell them. But

759
00:43:43,800 --> 00:43:47,160
Speaker 1: when what do you say to your critics? I say,

760
00:43:47,160 --> 00:43:48,880
Speaker 1: to my credit, I had the thought today where it

761
00:43:49,000 --> 00:43:53,640
Speaker 1: was like, because I'm getting it from these like I'm

762
00:43:53,640 --> 00:43:58,000
Speaker 1: just gonna say it like pro CCP, like people who

763
00:43:58,000 --> 00:44:00,759
Speaker 1: are like like the equivalent of like teps in like

764
00:44:00,880 --> 00:44:05,759
Speaker 1: black Twitter, but they're Asians and they're like they're they're

765
00:44:05,760 --> 00:44:08,160
Speaker 1: just truly warmed in the rain and they say shipped

766
00:44:08,160 --> 00:44:10,439
Speaker 1: to me like they're they're classic thing to me, I'm sorry,

767
00:44:10,480 --> 00:44:13,000
Speaker 1: I'm getting a little real here. Is like like oh,

768
00:44:13,120 --> 00:44:16,959
Speaker 1: Bowen's like long Duck dong one like he's like he's

769
00:44:17,000 --> 00:44:19,759
Speaker 1: like he's like doing like all these characters. And I'm

770
00:44:19,760 --> 00:44:22,399
Speaker 1: just like and I literally said out loud today because

771
00:44:22,400 --> 00:44:24,520
Speaker 1: like I saw one of these and I was just like,

772
00:44:25,680 --> 00:44:32,359
Speaker 1: you ugly motherfuckers never talk to me ever, Never talk

773
00:44:32,480 --> 00:44:37,760
Speaker 1: about me, You never think about me, live your pathetic lives.

774
00:44:38,440 --> 00:44:40,920
Speaker 1: That makes me so mad. It's it's just like I

775
00:44:41,280 --> 00:44:43,120
Speaker 1: get a little angry and hateful. But at the end,

776
00:44:43,080 --> 00:44:45,120
Speaker 1: and then I used to feel guilty about the anger.

777
00:44:45,160 --> 00:44:47,040
Speaker 1: But then like lately, therapy has been all about like

778
00:44:47,080 --> 00:44:49,120
Speaker 1: accessing it or whatever. We don't need to talk about

779
00:44:49,160 --> 00:44:53,799
Speaker 1: the reason. The reason why I'm I completely understand is

780
00:44:53,800 --> 00:44:56,680
Speaker 1: because they're gaslighting you because you're you don't yet that's

781
00:44:56,719 --> 00:45:00,319
Speaker 1: not even close to the reality of the situation. They're

782
00:45:00,360 --> 00:45:04,960
Speaker 1: just jealous literally comes from jealousy. While jealousy, I don't

783
00:45:04,960 --> 00:45:06,960
Speaker 1: even think it's jealousy, but I think it's them like

784
00:45:07,760 --> 00:45:11,800
Speaker 1: believing something about the way the world works. Yeah. Short

785
00:45:11,840 --> 00:45:15,760
Speaker 1: answer is, um, yeah, I just it's terrible, Matt. Matt,

786
00:45:15,760 --> 00:45:19,279
Speaker 1: what do you say to your critics? I always say

787
00:45:19,320 --> 00:45:21,800
Speaker 1: the same thing to them, which is I just because

788
00:45:21,880 --> 00:45:25,560
Speaker 1: I just I went. I always give kisses to my critics. Yeah,

789
00:45:25,600 --> 00:45:27,919
Speaker 1: I always just building a kiss. And I actually did

790
00:45:27,960 --> 00:45:31,320
Speaker 1: have a lot of haters this week because I unfortunately

791
00:45:31,400 --> 00:45:39,759
Speaker 1: did stir the pot with a tweet. I tweeted, if

792
00:45:39,800 --> 00:45:44,000
Speaker 1: you think wand Division is boring, but watched The Irishman

793
00:45:44,080 --> 00:45:49,360
Speaker 1: to the end, I don't think so, honey. And I

794
00:45:49,440 --> 00:45:57,839
Speaker 1: forgot I forgot Marvel and Scorsese had that whole thing

795
00:45:58,480 --> 00:46:01,759
Speaker 1: that Scorsese says that all Hollywood is Marvel. Now, well, no,

796
00:46:01,920 --> 00:46:03,799
Speaker 1: he says that Marvel movies are not art like He's

797
00:46:03,800 --> 00:46:06,960
Speaker 1: like films, they're like they're like theme park entertainment. Like

798
00:46:07,000 --> 00:46:09,080
Speaker 1: that's what he says that, and so he picked a

799
00:46:09,160 --> 00:46:11,840
Speaker 1: fight with the Marvel community, and the Marvel community was like,

800
00:46:11,920 --> 00:46:15,880
Speaker 1: fuck this guy. And it just was very that I

801
00:46:15,920 --> 00:46:18,359
Speaker 1: didn't mean it in an anti scores as the way.

802
00:46:18,719 --> 00:46:21,920
Speaker 1: What I meant was like people will watch any people

803
00:46:21,960 --> 00:46:25,200
Speaker 1: will literally watch fifteen Oscar movies in a row about

804
00:46:25,239 --> 00:46:28,640
Speaker 1: like we're lesbian cave diggers who fall in love and

805
00:46:28,680 --> 00:46:31,440
Speaker 1: it's the eighteen hundreds and we're both a little sick.

806
00:46:32,239 --> 00:46:34,960
Speaker 1: It's very cold to it's very cold, or like this

807
00:46:35,000 --> 00:46:38,360
Speaker 1: is a movie about a whale researcher who finds out

808
00:46:38,440 --> 00:46:41,800
Speaker 1: he's losing his mind and he needs to still research

809
00:46:41,880 --> 00:46:44,479
Speaker 1: the whales, and these movies will be nineteen hours long

810
00:46:44,840 --> 00:46:47,839
Speaker 1: and people will be like did you see the Manchurian

811
00:46:48,440 --> 00:46:51,640
Speaker 1: Bitch or whatever, and like people will be like yes,

812
00:46:51,719 --> 00:46:55,239
Speaker 1: and did you see mank on Netflix? Of course, and

813
00:46:55,280 --> 00:46:58,480
Speaker 1: they'll absorb all these screw movies saying people will be

814
00:46:58,520 --> 00:47:00,640
Speaker 1: like I turned one division off of a second episode.

815
00:47:00,680 --> 00:47:02,480
Speaker 1: I thought it was boring. I was like, are you

816
00:47:02,560 --> 00:47:05,279
Speaker 1: kidding me? Like this, like like what do you mean?

817
00:47:05,400 --> 00:47:09,160
Speaker 1: And so I tweeted that just using the irishman as

818
00:47:09,200 --> 00:47:12,520
Speaker 1: a substitute for an ostro film. Twitter people came after you,

819
00:47:12,600 --> 00:47:15,759
Speaker 1: and so all the Cinophiles, of course, had a great

820
00:47:15,800 --> 00:47:18,800
Speaker 1: sense of humor about this one, and we're like wow.

821
00:47:18,840 --> 00:47:21,319
Speaker 1: They kept repeating this, which makes me feel like they

822
00:47:21,320 --> 00:47:25,360
Speaker 1: were like, wow, Scorsese lives in Marvel's fans heads, rent free,

823
00:47:25,640 --> 00:47:28,960
Speaker 1: Scorsese living in your head, rent free, well, Marty living

824
00:47:29,040 --> 00:47:32,200
Speaker 1: up absolutely rent free, and this guy's head, this goof.

825
00:47:32,400 --> 00:47:34,440
Speaker 1: I was like, what is with you guys? And I

826
00:47:34,480 --> 00:47:36,160
Speaker 1: did start in with one of them, and it was

827
00:47:36,239 --> 00:47:40,520
Speaker 1: just the most frustrated exchange and I ended up just

828
00:47:40,560 --> 00:47:52,319
Speaker 1: deleting the tweet, even though it was getting anxious, it

829
00:47:52,400 --> 00:47:54,600
Speaker 1: was becoming a thing of like it was becoming a

830
00:47:54,600 --> 00:47:58,240
Speaker 1: little bit of a thing of like fuck this fag

831
00:47:58,360 --> 00:48:00,839
Speaker 1: with no taste. And I was just like, I don't know,

832
00:48:01,040 --> 00:48:03,040
Speaker 1: because I know that's not how I meant it. I

833
00:48:03,080 --> 00:48:05,560
Speaker 1: know that's not how I meant it. See this is

834
00:48:05,600 --> 00:48:08,000
Speaker 1: really telling, like this is we are all three distinctly

835
00:48:08,000 --> 00:48:11,000
Speaker 1: different people. Because Meg's answer is very graceful, like I'm

836
00:48:11,000 --> 00:48:14,200
Speaker 1: not everyone's cup of tea. Matt's answer is I don't

837
00:48:14,239 --> 00:48:19,680
Speaker 1: give a ship Christmas. Mine is fuck you. You are disgusting,

838
00:48:20,120 --> 00:48:23,160
Speaker 1: vile people. But I by it. I did leave up

839
00:48:23,160 --> 00:48:31,120
Speaker 1: a video recently. I got attacked for days, like the

840
00:48:31,280 --> 00:48:34,560
Speaker 1: biggest mistake ever. You mess with the law of things there,

841
00:48:34,760 --> 00:48:37,239
Speaker 1: So I will never again. I will never do another

842
00:48:37,239 --> 00:48:40,360
Speaker 1: pariod of And people are like, just you know, cool,

843
00:48:40,920 --> 00:48:43,600
Speaker 1: like keep doing keep doing the videos like, but I'm

844
00:48:43,640 --> 00:48:46,920
Speaker 1: like no, because I'm it was too stressful. I love

845
00:48:47,000 --> 00:48:49,160
Speaker 1: the video aside, because I was like, I didn't mean

846
00:48:49,200 --> 00:48:52,719
Speaker 1: it meanly, and I obviously wasn't making fun of her

847
00:48:52,760 --> 00:48:56,480
Speaker 1: mental health. I love I love her stuff. And people

848
00:48:56,560 --> 00:48:59,880
Speaker 1: kept sending me the video. Fifty people sent it to me, like,

849
00:49:00,440 --> 00:49:04,480
Speaker 1: I mean, but these children were so mean online their kids,

850
00:49:04,520 --> 00:49:06,839
Speaker 1: and that's the thing is they are children. I left

851
00:49:06,840 --> 00:49:08,480
Speaker 1: it up though, because I was like, you're not gonna

852
00:49:08,480 --> 00:49:10,840
Speaker 1: make me delete a video that a lot of people

853
00:49:10,920 --> 00:49:14,080
Speaker 1: ask for that like, I didn't mean it meanly, I'm

854
00:49:14,080 --> 00:49:15,640
Speaker 1: not If I delete it now, they're just gonna be like,

855
00:49:15,719 --> 00:49:18,400
Speaker 1: look at this bitch who deleted it. Like I couldn't

856
00:49:18,400 --> 00:49:21,080
Speaker 1: win with them. Can you imagine if an actual kid

857
00:49:21,600 --> 00:49:23,600
Speaker 1: came up to you and said some of the ship

858
00:49:23,719 --> 00:49:26,640
Speaker 1: that they say the meanest stuff. I just blocked block,

859
00:49:26,719 --> 00:49:30,000
Speaker 1: blocked block. I really hope you kill yourself. It's like

860
00:49:30,000 --> 00:49:33,880
Speaker 1: an eight year old. It's an eight year old literally

861
00:49:34,239 --> 00:49:36,880
Speaker 1: literally just the meanest stuff they can think of. I

862
00:49:36,880 --> 00:49:38,960
Speaker 1: would if the kids said that to me in person,

863
00:49:39,000 --> 00:49:43,480
Speaker 1: I would laugh and exactly, yeah, So you just have

864
00:49:43,560 --> 00:49:45,799
Speaker 1: to imagine that that's them. Every single one of them

865
00:49:45,840 --> 00:49:49,080
Speaker 1: had her picture their avatar. Oh, the avatars are insane.

866
00:49:49,160 --> 00:49:51,600
Speaker 1: Avatars are like a little picture of a counterfillar, like

867
00:49:51,640 --> 00:49:54,640
Speaker 1: with a big dick, and it's just like what, like

868
00:49:54,880 --> 00:49:58,640
Speaker 1: it's it's it's. It adds to the scariness of it

869
00:49:58,760 --> 00:50:01,799
Speaker 1: because it does feel a little bit like who are you?

870
00:50:01,880 --> 00:50:05,200
Speaker 1: What are you? When there's so many too, You're like

871
00:50:05,200 --> 00:50:09,240
Speaker 1: where did they all come from? Like how so scary?

872
00:50:09,320 --> 00:50:13,000
Speaker 1: And the stand culture with her is just so like

873
00:50:13,080 --> 00:50:18,120
Speaker 1: it's too much. I'll never again. I think we've talked

874
00:50:18,120 --> 00:50:20,640
Speaker 1: about it at length. No, I mean we're we're just

875
00:50:20,719 --> 00:50:22,960
Speaker 1: examining it for what it is, because I think I

876
00:50:22,960 --> 00:50:25,799
Speaker 1: think a lot of a lot of people in our

877
00:50:25,800 --> 00:50:27,760
Speaker 1: circle are figuring out like oh, if you talk about

878
00:50:27,760 --> 00:50:32,719
Speaker 1: any musician at all, you can't do it, or if

879
00:50:32,800 --> 00:50:35,839
Speaker 1: you stand one, they will be with you forever. Like

880
00:50:35,960 --> 00:50:38,440
Speaker 1: do you know who calls me king? In my d

881
00:50:38,600 --> 00:50:44,120
Speaker 1: M box? Every day? Brazilian Katie Perry fans are obsessed

882
00:50:44,560 --> 00:50:50,920
Speaker 1: because Katie, I guess is still massive and like they're prints,

883
00:50:50,960 --> 00:50:53,920
Speaker 1: they're they're just like, you have to come to Brazil.

884
00:50:55,560 --> 00:50:58,200
Speaker 1: What is it? Do they do? They think the lawn

885
00:50:58,239 --> 00:51:00,160
Speaker 1: of fans? Did they think that she was going to

886
00:51:00,200 --> 00:51:02,719
Speaker 1: see that and be like, yeah, be mean to this

887
00:51:02,920 --> 00:51:06,560
Speaker 1: bit tell her to herself like I love minded babies,

888
00:51:06,640 --> 00:51:09,960
Speaker 1: Like she would not say that to them, like what

889
00:51:10,360 --> 00:51:12,799
Speaker 1: they feel like they know her, They were defending her

890
00:51:12,840 --> 00:51:15,959
Speaker 1: like she was their sister. Yeah. Well, it's this thing

891
00:51:16,040 --> 00:51:18,560
Speaker 1: that like we've talked about where it's like people are

892
00:51:18,719 --> 00:51:23,239
Speaker 1: so attached to musicians specifically over like filmmakers and like

893
00:51:23,280 --> 00:51:27,040
Speaker 1: comedians obviously or sometimes. But it's like but because like

894
00:51:27,080 --> 00:51:29,040
Speaker 1: it's this thing where like music is this thing that

895
00:51:29,080 --> 00:51:31,600
Speaker 1: we all emotionally process stuff through it, and we're like,

896
00:51:31,640 --> 00:51:34,040
Speaker 1: are so like the music we love is the music

897
00:51:34,080 --> 00:51:36,960
Speaker 1: we love. So if you come for a musician, I like,

898
00:51:37,200 --> 00:51:39,080
Speaker 1: you're coming for me, And I think I think that's

899
00:51:39,080 --> 00:51:42,440
Speaker 1: how they rationalize it. Yeah, But honestly, music is so

900
00:51:42,560 --> 00:51:47,279
Speaker 1: personal because it happens with your listening experiences within you.

901
00:51:47,600 --> 00:51:51,000
Speaker 1: So some people develop an attachment attachment to that that

902
00:51:51,120 --> 00:51:56,160
Speaker 1: feels personal and like. But and sometimes I do find

903
00:51:56,719 --> 00:51:59,839
Speaker 1: that if I'm ever like hurt that someone like makes

904
00:51:59,840 --> 00:52:02,359
Speaker 1: it comment about my taste, which happens all the time.

905
00:52:02,800 --> 00:52:05,719
Speaker 1: But like if people say, like, I really don't like

906
00:52:05,920 --> 00:52:08,480
Speaker 1: this music you like, it does hurt a little bit

907
00:52:08,560 --> 00:52:11,400
Speaker 1: more than than like we both liked a different movie.

908
00:52:11,440 --> 00:52:15,200
Speaker 1: Like it feels personal. Like sometimes like the way some

909
00:52:15,360 --> 00:52:19,720
Speaker 1: people I know go about sharing their feelings about certain

910
00:52:19,760 --> 00:52:22,440
Speaker 1: things like feels like they're trying to get you a

911
00:52:22,480 --> 00:52:24,400
Speaker 1: little bit with the way that they're saying you know

912
00:52:24,440 --> 00:52:27,440
Speaker 1: what I mean? Yeah, And if they have her picture

913
00:52:27,440 --> 00:52:29,960
Speaker 1: as their profile, it's part of their personality a little

914
00:52:30,440 --> 00:52:37,000
Speaker 1: like it's like, no, we're the Launa girls. Did you

915
00:52:37,040 --> 00:52:39,840
Speaker 1: get Did you get any guff from from Demi fans

916
00:52:39,840 --> 00:52:45,200
Speaker 1: after your Demi video? None? It's probably a worst sign

917
00:52:45,239 --> 00:52:48,080
Speaker 1: for Demi. It's not wrong people found it though, because

918
00:52:48,120 --> 00:52:50,600
Speaker 1: I think early on the Lana del Rey found fans

919
00:52:50,680 --> 00:52:53,359
Speaker 1: found the video and shared it to all they're like

920
00:52:53,520 --> 00:52:57,279
Speaker 1: the people, and so Demi just they signed like they

921
00:52:57,320 --> 00:53:00,239
Speaker 1: know where to be found. Isn't it funny that how

922
00:53:00,280 --> 00:53:02,560
Speaker 1: like there are some people in the stand communities for

923
00:53:02,640 --> 00:53:05,239
Speaker 1: a musician who are like who have the followings and

924
00:53:05,320 --> 00:53:08,600
Speaker 1: are the authorities on Lana del Rey. Let's say like

925
00:53:08,800 --> 00:53:11,360
Speaker 1: there's there's like two Lana del Rey accounts that have

926
00:53:11,440 --> 00:53:13,359
Speaker 1: like tens of thousands of followers, and then the rest

927
00:53:13,360 --> 00:53:14,960
Speaker 1: of them are like little fan accounts that have like

928
00:53:15,000 --> 00:53:18,480
Speaker 1: twenty There's like there's like a few respected names in

929
00:53:18,600 --> 00:53:23,240
Speaker 1: Lana del Yes, they're one of the sources. It's also

930
00:53:23,480 --> 00:53:26,480
Speaker 1: reminds me of the a A da Armist Updates Twitter?

931
00:53:26,760 --> 00:53:30,800
Speaker 1: Do you guys call on Armist updates? Wait, it's so funny.

932
00:53:30,840 --> 00:53:33,600
Speaker 1: It's like Ana da Armas has has deactivated her Twitter.

933
00:53:34,600 --> 00:53:38,759
Speaker 1: It all started because Anna da armis unfollowed the arms

934
00:53:38,920 --> 00:53:41,799
Speaker 1: updates Twitter, and it was just like the Ana da

935
00:53:41,880 --> 00:53:45,080
Speaker 1: armost updates Twitter, being like Anna da Armas has unfollowed

936
00:53:45,160 --> 00:53:47,759
Speaker 1: on the armist updates and just like all these on

937
00:53:47,920 --> 00:53:50,200
Speaker 1: a da Armist films that were like up in arms

938
00:53:50,200 --> 00:53:55,160
Speaker 1: and so now that she's unfollowed, the kind of troller. Oh,

939
00:53:56,160 --> 00:53:59,719
Speaker 1: like they were spotted walking arm in arm barely being

940
00:53:59,760 --> 00:54:02,160
Speaker 1: able to hold their coffees while they got to their house.

941
00:54:03,080 --> 00:54:05,319
Speaker 1: And it's just like it like updates on her and

942
00:54:05,360 --> 00:54:09,839
Speaker 1: this while she's in quarantine and it's insane. But yeah,

943
00:54:10,120 --> 00:54:13,840
Speaker 1: that's probably my favorite account. Wait, do you know what

944
00:54:14,000 --> 00:54:16,880
Speaker 1: that reminds me of? There is a comedian whose fans

945
00:54:16,920 --> 00:54:19,560
Speaker 1: turned against me and I love her because we did

946
00:54:19,560 --> 00:54:21,279
Speaker 1: a video together and they didn't know it was a joke.

947
00:54:21,360 --> 00:54:23,080
Speaker 1: And this was another thing where it's like these are

948
00:54:23,160 --> 00:54:27,600
Speaker 1: kids that love her. So do you guys remember Miranda sings?

949
00:54:28,239 --> 00:54:29,799
Speaker 1: I love her? She's so sweet And we did a

950
00:54:29,880 --> 00:54:32,040
Speaker 1: video where it's like it was it was like me

951
00:54:32,200 --> 00:54:35,400
Speaker 1: her and Denny drama, like doing like Influencer Day, and

952
00:54:35,440 --> 00:54:37,000
Speaker 1: I was really annoying to them. It was like a

953
00:54:37,000 --> 00:54:41,920
Speaker 1: whole set and all her fans were like this girl,

954
00:54:42,000 --> 00:54:48,480
Speaker 1: they Colleen, this crazy girl is being weird to her

955
00:54:48,520 --> 00:54:50,960
Speaker 1: and making her uncomfortable. You can tell calling doesn't want

956
00:54:50,960 --> 00:54:54,520
Speaker 1: to be in the video. The same thing, like she

957
00:54:54,640 --> 00:54:57,600
Speaker 1: has these mega fans who were like much younger, and

958
00:54:57,640 --> 00:55:01,239
Speaker 1: they are totally totally like a start, what is it

959
00:55:01,320 --> 00:55:05,239
Speaker 1: a fandom? There's there's bigger people in it that like

960
00:55:05,480 --> 00:55:08,319
Speaker 1: you know, everyone follows them, and then like now some

961
00:55:08,400 --> 00:55:10,160
Speaker 1: of them do follow me because then they realized it

962
00:55:10,200 --> 00:55:12,560
Speaker 1: was a joke. So like I have some of her

963
00:55:12,600 --> 00:55:15,920
Speaker 1: fans and they're yeah, really it's really wild. It's dark

964
00:55:16,040 --> 00:55:18,960
Speaker 1: and it is. It is an age. No one over

965
00:55:19,040 --> 00:55:21,880
Speaker 1: the age of twelve. I want to say, like, what

966
00:55:22,000 --> 00:55:25,600
Speaker 1: would have that impassioned response. I don't. I don't know.

967
00:55:25,719 --> 00:55:28,680
Speaker 1: It's just it fills me with drad and um. But

968
00:55:28,719 --> 00:55:31,200
Speaker 1: it helps you think about it like that, that they're kids,

969
00:55:31,320 --> 00:55:34,719
Speaker 1: Like it doesn't calm myself down to know that their

970
00:55:34,840 --> 00:55:37,759
Speaker 1: kids also. I can't stop laughing at the fact that,

971
00:55:37,800 --> 00:55:41,719
Speaker 1: like when you made that mean video about Demilvada, when

972
00:55:41,760 --> 00:55:47,640
Speaker 1: you made that anyone come for you? No, no, I

973
00:55:47,719 --> 00:55:50,560
Speaker 1: made a video setting I wanted to set bb REX

974
00:55:50,719 --> 00:55:54,719
Speaker 1: on fire and no one said anything like silent totally

975
00:55:54,960 --> 00:55:57,600
Speaker 1: like where's your fans? Where are they? They're not looking

976
00:55:57,600 --> 00:56:00,680
Speaker 1: at my stuff? I guess because it was just yeah.

977
00:56:00,800 --> 00:56:04,319
Speaker 1: I don't know why. The Demi people, maybe because den

978
00:56:04,600 --> 00:56:06,920
Speaker 1: Demi was getting it from all sides that way, because

979
00:56:06,920 --> 00:56:09,520
Speaker 1: it was maybe that's it is, like the Launago Ray

980
00:56:09,560 --> 00:56:12,440
Speaker 1: fans were like, she made that video defending herself and

981
00:56:12,480 --> 00:56:15,319
Speaker 1: she was like not doing well. But then I don't know,

982
00:56:15,360 --> 00:56:17,960
Speaker 1: there's something still scary about the way they acted. I

983
00:56:18,719 --> 00:56:20,839
Speaker 1: just didn't mean the video. Mainly, I would never make

984
00:56:20,840 --> 00:56:24,960
Speaker 1: fun of someone in a mean way. You are Megan's

985
00:56:24,960 --> 00:56:28,480
Speaker 1: truly like pure of heart in that way, in that

986
00:56:28,520 --> 00:56:38,640
Speaker 1: way should we ask the question we need to we

987
00:56:38,680 --> 00:56:41,920
Speaker 1: desperately need to ask the question. Um, it's really the

988
00:56:42,040 --> 00:56:45,080
Speaker 1: touchstone of our podcast, you know, this question, which is

989
00:56:45,520 --> 00:56:49,040
Speaker 1: what was the culture that made you say culture was

990
00:56:49,440 --> 00:56:53,040
Speaker 1: for you? Meg's talter. Okay, So I have two things

991
00:56:53,040 --> 00:56:55,120
Speaker 1: that kind of tied together. So the first thing that

992
00:56:55,200 --> 00:57:00,080
Speaker 1: had that was absolutely was the movie Greece. Greece and

993
00:57:00,200 --> 00:57:01,799
Speaker 1: I when we saw it at the movie theater, I

994
00:57:01,800 --> 00:57:03,319
Speaker 1: thought it was a new movie, like it was just

995
00:57:03,360 --> 00:57:05,760
Speaker 1: like a show of it and I was a little

996
00:57:06,320 --> 00:57:09,799
Speaker 1: and so that was really big for me. We would

997
00:57:09,840 --> 00:57:12,920
Speaker 1: like reenact it. And I just have always loved a

998
00:57:13,080 --> 00:57:16,640
Speaker 1: show like I love like, oh you're going to a

999
00:57:16,680 --> 00:57:20,760
Speaker 1: show like and so dinner theater in like Gatlinburg, Tennessee

1000
00:57:20,880 --> 00:57:24,040
Speaker 1: was huge for me because we'd go every summer really

1001
00:57:24,040 --> 00:57:27,880
Speaker 1: bad shows. Tennessee was before Ohio, no, no, like we

1002
00:57:27,960 --> 00:57:31,439
Speaker 1: lived in Ohio, but we would go on of course

1003
00:57:31,560 --> 00:57:34,840
Speaker 1: Dollarwood and like all the little country dinner theater shows,

1004
00:57:35,040 --> 00:57:39,000
Speaker 1: like there's something called the comedy barn obsessed. Just wanted

1005
00:57:39,040 --> 00:57:41,680
Speaker 1: to be on stage, was just watching being like, oh,

1006
00:57:41,680 --> 00:57:44,040
Speaker 1: like shitty shows are still good, you know, what I mean,

1007
00:57:44,120 --> 00:57:49,280
Speaker 1: like it's great even if it's bad. It doesn't have

1008
00:57:49,320 --> 00:57:55,600
Speaker 1: to have a storyline anything. Costumes. Yeah, every summer we

1009
00:57:55,640 --> 00:57:59,880
Speaker 1: would go to everything there, Dollarywood, um, the Dixie Stamp

1010
00:58:00,000 --> 00:58:03,400
Speaker 1: heat which I know is like has bad connotations, but

1011
00:58:03,760 --> 00:58:06,040
Speaker 1: you drank a slushy out of a boot and like

1012
00:58:06,160 --> 00:58:10,240
Speaker 1: just you know, airbrush shirts, like tons of theater around,

1013
00:58:10,320 --> 00:58:13,080
Speaker 1: just like really crappy, like twenty minutes shows. But I

1014
00:58:13,160 --> 00:58:17,320
Speaker 1: was obsessed Dolly kinds of stuff in there. That's that. Yeah,

1015
00:58:17,360 --> 00:58:20,240
Speaker 1: Dollywood is like legit amusement park. They have some great

1016
00:58:20,320 --> 00:58:23,800
Speaker 1: roller coasters too, amazing amusement park. I always wanted to

1017
00:58:23,800 --> 00:58:26,200
Speaker 1: watch the shows, like I loved roller coasters, but if

1018
00:58:26,240 --> 00:58:29,680
Speaker 1: there was a show, but it's about the performance. Yes,

1019
00:58:30,200 --> 00:58:32,360
Speaker 1: I love these shows that like six Flags. I actually

1020
00:58:32,400 --> 00:58:35,040
Speaker 1: auditioned for one when I was in high school. Um

1021
00:58:35,080 --> 00:58:37,760
Speaker 1: with me and my gay boyfriend, like made our friend's

1022
00:58:37,800 --> 00:58:42,320
Speaker 1: mom drive us, and I sang Taylor Swift really bad

1023
00:58:42,560 --> 00:58:46,560
Speaker 1: for those I think it was a slow one of

1024
00:58:46,680 --> 00:58:49,920
Speaker 1: her slowes songs. I couldn't even show any of my range.

1025
00:58:50,800 --> 00:58:54,640
Speaker 1: It was like it was like, you know, what's the

1026
00:58:54,760 --> 00:58:59,600
Speaker 1: tear drops? Maybe then I think I started with the

1027
00:58:59,600 --> 00:59:06,360
Speaker 1: opening of it, like I didn't even start like seconds true,

1028
00:59:06,600 --> 00:59:15,000
Speaker 1: like they're like, wow, I get I'm sorry, I feel

1029
00:59:15,000 --> 00:59:17,840
Speaker 1: like it ties in you know the no, I don't

1030
00:59:18,080 --> 00:59:26,200
Speaker 1: show this makes deep sense. I have to say. Greece

1031
00:59:26,560 --> 00:59:28,520
Speaker 1: is one of those things Bowen, did you grow up

1032
00:59:28,520 --> 00:59:30,720
Speaker 1: with with a cultural understanding of Greece? Like or did

1033
00:59:30,840 --> 00:59:33,800
Speaker 1: Grease come later? Because with Jaws? I don't know anymore? No,

1034
00:59:33,800 --> 00:59:36,640
Speaker 1: no, no no, right. My sister rented Greece in the library

1035
00:59:36,720 --> 00:59:39,320
Speaker 1: and one day and I know exactly what Meg's talking

1036
00:59:39,320 --> 00:59:41,160
Speaker 1: about because I saw it and I was like, this

1037
00:59:41,200 --> 00:59:43,200
Speaker 1: is so exciting and fresh. It felt like a movie

1038
00:59:43,200 --> 00:59:46,480
Speaker 1: that I just come out. Yeah, it's it's truly, it's

1039
00:59:46,560 --> 00:59:48,120
Speaker 1: It's one of those movies that you can put on

1040
00:59:48,160 --> 00:59:50,160
Speaker 1: and like for some reason, I don't know why, but

1041
00:59:50,240 --> 00:59:54,640
Speaker 1: I do know so much of the dialogue, like it

1042
00:59:54,720 --> 00:59:57,960
Speaker 1: just stays with you. It's what, So who are you

1043
00:59:58,000 --> 01:00:00,840
Speaker 1: in Greece? Who? Who did you want to be? Bad?

1044
01:00:00,960 --> 01:00:03,800
Speaker 1: I still just like can't at the moment, I still

1045
01:00:03,840 --> 01:00:06,120
Speaker 1: can't like accept the fact that I probably will never

1046
01:00:06,160 --> 01:00:08,439
Speaker 1: be in Greece in a life that's not true? Would

1047
01:00:08,480 --> 01:00:12,240
Speaker 1: you do Rizzo? I think you as an adult, I'm

1048
01:00:12,280 --> 01:00:14,240
Speaker 1: like I would die to play Rizzo, but as a kid,

1049
01:00:14,280 --> 01:00:16,200
Speaker 1: I just wanted to be the main one, you know

1050
01:00:16,200 --> 01:00:19,920
Speaker 1: what I mean, Sandy, So anytime we pretend, played pretend

1051
01:00:20,280 --> 01:00:22,600
Speaker 1: and I was in love with John Travolta, so like

1052
01:00:22,760 --> 01:00:25,120
Speaker 1: I was Sandy. But now like Rizzo is the part

1053
01:00:26,240 --> 01:00:29,760
Speaker 1: is the only part, the only part. But then Sandy,

1054
01:00:29,800 --> 01:00:32,160
Speaker 1: But then U s Sandy is perfect too because it

1055
01:00:32,200 --> 01:00:34,880
Speaker 1: goes you can play the good girl gone bad by

1056
01:00:34,880 --> 01:00:37,760
Speaker 1: the end very well too. And I think I think

1057
01:00:37,800 --> 01:00:39,800
Speaker 1: there's I think there's like a potential to do like

1058
01:00:40,480 --> 01:00:43,640
Speaker 1: flipped casts on alternating nights, you know, where you play

1059
01:00:43,720 --> 01:00:46,320
Speaker 1: Sandy one and rise open Max. And I want to

1060
01:00:46,320 --> 01:00:48,120
Speaker 1: say this that it's not it's not to give you.

1061
01:00:48,320 --> 01:00:51,280
Speaker 1: I agree with everything that my sweet sister is saying,

1062
01:00:51,360 --> 01:00:55,200
Speaker 1: my sister soldier just saying. But I also want to say,

1063
01:00:55,280 --> 01:00:57,040
Speaker 1: and this is not to reduce you, but just to

1064
01:00:57,120 --> 01:01:01,680
Speaker 1: maximize the project. You would be an incredib a bold Marty.

1065
01:01:02,000 --> 01:01:08,960
Speaker 1: Which one's Marty. Yes, I thought sexy was literally I

1066
01:01:09,000 --> 01:01:11,560
Speaker 1: think that you would be an incredible Marty. It just

1067
01:01:11,640 --> 01:01:14,040
Speaker 1: needs more lines, like if that was a meteor role.

1068
01:01:14,080 --> 01:01:20,960
Speaker 1: That's why I would bigger Okay on the stage you

1069
01:01:21,040 --> 01:01:29,080
Speaker 1: can in the I did see one. Okay, so my

1070
01:01:29,200 --> 01:01:31,800
Speaker 1: friend's school, this is something that could get in trouble

1071
01:01:31,840 --> 01:01:33,320
Speaker 1: for talking about because he might get mad at me.

1072
01:01:33,720 --> 01:01:37,680
Speaker 1: But he at his school they did Greece and he

1073
01:01:37,720 --> 01:01:40,760
Speaker 1: wasn't in it. But like they have there's online on YouTube.

1074
01:01:40,800 --> 01:01:44,000
Speaker 1: We watched. We've watched this multiple times. At one point,

1075
01:01:44,160 --> 01:01:46,360
Speaker 1: um and all the graduates came back to do the

1076
01:01:47,160 --> 01:01:50,680
Speaker 1: musical Greece just on Risers and it's really sad and

1077
01:01:50,720 --> 01:01:54,960
Speaker 1: like and I you know, but it's so good. It's

1078
01:01:54,960 --> 01:01:57,240
Speaker 1: like they're amazing, but like, why are they doing in

1079
01:01:57,280 --> 01:02:00,000
Speaker 1: the cafeteria and you guys are older and they're clearly

1080
01:02:00,120 --> 01:02:02,320
Speaker 1: kind of show off. But here's the thing is I

1081
01:02:02,480 --> 01:02:05,800
Speaker 1: posted a video one of those on Instagram. You know

1082
01:02:05,840 --> 01:02:10,000
Speaker 1: those videos where that's a second of the day video. Yeah, yeah, yeah,

1083
01:02:10,120 --> 01:02:13,560
Speaker 1: so in one of the videos, yeah, I posted one

1084
01:02:13,600 --> 01:02:16,880
Speaker 1: and in the background we're watching it and someone commented,

1085
01:02:16,920 --> 01:02:19,680
Speaker 1: oh my god, I was in that, like and someone

1086
01:02:19,760 --> 01:02:27,400
Speaker 1: following me on Instagram was the performance. But video in

1087
01:02:27,480 --> 01:02:30,520
Speaker 1: the background about one of those second of the day videos.

1088
01:02:30,600 --> 01:02:34,040
Speaker 1: How how did they pay attention that close? I think

1089
01:02:34,080 --> 01:02:37,280
Speaker 1: it's because they they've watched it. They watched that video

1090
01:02:37,280 --> 01:02:41,040
Speaker 1: of them enough times to recognize the literal frame at

1091
01:02:41,040 --> 01:02:44,560
Speaker 1: a glance to be like that, Wait, whoa, that's me

1092
01:02:45,040 --> 01:02:47,680
Speaker 1: and she's she was watching me fully in the background,

1093
01:02:47,680 --> 01:02:49,480
Speaker 1: like you see how my screen is? If the TV

1094
01:02:49,640 --> 01:02:52,280
Speaker 1: was all the way bah? Could you someone you followed

1095
01:02:52,320 --> 01:02:56,200
Speaker 1: on Instagram was watching your Grease performance where you went

1096
01:02:56,240 --> 01:02:59,400
Speaker 1: back to your high school and performed Greece psych I

1097
01:02:59,440 --> 01:03:02,120
Speaker 1: look psycho. But to be fair of that person, if

1098
01:03:02,120 --> 01:03:05,280
Speaker 1: I if I was, I would you like I was

1099
01:03:05,320 --> 01:03:07,960
Speaker 1: in that video? Yes she didn't she was, but if

1100
01:03:08,000 --> 01:03:09,560
Speaker 1: she's listening now, I want to say, you guys did

1101
01:03:09,560 --> 01:03:12,880
Speaker 1: an amazing job. The vocals were totally. The reason we're

1102
01:03:12,920 --> 01:03:17,480
Speaker 1: watching is it's funny that's my friend's school, Yes, but

1103
01:03:17,720 --> 01:03:21,360
Speaker 1: the reasoning it's you guys literally saying perfect costumes, out

1104
01:03:21,360 --> 01:03:24,400
Speaker 1: of control. You all have headset. Mike, I loved it, stunning,

1105
01:03:24,960 --> 01:03:27,240
Speaker 1: pure of heart. She would never watch it out of no.

1106
01:03:27,920 --> 01:03:30,160
Speaker 1: And I also love Greece, so anyone performing and I

1107
01:03:30,160 --> 01:03:32,720
Speaker 1: would love to watch fully the whole performance. I'm not kidding.

1108
01:03:33,400 --> 01:03:36,200
Speaker 1: What's the story behind you being the fill in for

1109
01:03:36,320 --> 01:03:40,040
Speaker 1: a miracle worker? Oh so in high school? I just

1110
01:03:40,080 --> 01:03:42,360
Speaker 1: never my drama teachers didn't like me. Everyone else thought

1111
01:03:42,360 --> 01:03:45,200
Speaker 1: I was saynny, but I never got the parts. There

1112
01:03:45,280 --> 01:03:49,200
Speaker 1: was one time I was an understudy and someone literally

1113
01:03:49,480 --> 01:03:51,160
Speaker 1: went out of the performance and I was like, oh,

1114
01:03:51,160 --> 01:03:53,120
Speaker 1: I get the part, and they were like, no, we're

1115
01:03:53,160 --> 01:03:54,680
Speaker 1: still not gonna give it to you, even though you're

1116
01:03:54,720 --> 01:03:58,160
Speaker 1: the understudy. Yeah, literally gave it someone else and I

1117
01:03:58,200 --> 01:04:02,560
Speaker 1: had a small part it. That was blinthe Spirit we

1118
01:04:02,600 --> 01:04:08,760
Speaker 1: did Spirit? What the funk? They couldn't even trust me

1119
01:04:08,760 --> 01:04:12,960
Speaker 1: to be the ghosts in Blithe Spirit? Really crazy way

1120
01:04:13,960 --> 01:04:16,880
Speaker 1: where did So this is something that I have to

1121
01:04:16,880 --> 01:04:19,400
Speaker 1: wrap my head around sometimes. So like there was a

1122
01:04:19,440 --> 01:04:23,560
Speaker 1: high school really doing Blithe Spirit Spirit? What musicals would

1123
01:04:23,560 --> 01:04:24,840
Speaker 1: they do? Like what we what were some of the

1124
01:04:24,840 --> 01:04:29,000
Speaker 1: ones that we did? Oh god, we did um Little Abner.

1125
01:04:29,880 --> 01:04:32,080
Speaker 1: The one that's a little like we shouldn't have been

1126
01:04:32,120 --> 01:04:34,560
Speaker 1: doing this was Aida because there was that one so

1127
01:04:34,800 --> 01:04:41,240
Speaker 1: many learning white kids. That's humiliating. Like I was a

1128
01:04:41,320 --> 01:04:43,360
Speaker 1: kid at the time being one of the singers, but

1129
01:04:44,840 --> 01:04:47,120
Speaker 1: we did the sound of music. I was a nun.

1130
01:04:47,400 --> 01:04:50,320
Speaker 1: Anything goes, I was an old woman, just total horrible

1131
01:04:50,360 --> 01:04:54,360
Speaker 1: parts was getting a chance? Is? It's like I was

1132
01:04:54,400 --> 01:04:56,720
Speaker 1: just curious because sometimes like when when I was at

1133
01:04:56,800 --> 01:04:57,800
Speaker 1: n y U and I knew it a lot of

1134
01:04:57,840 --> 01:05:01,520
Speaker 1: musical theater kids like like this Southern kids like from

1135
01:05:01,680 --> 01:05:04,400
Speaker 1: where I guess, from schools that did things like with

1136
01:05:04,480 --> 01:05:06,560
Speaker 1: big budgets. Like I went to school with this girl

1137
01:05:06,800 --> 01:05:09,640
Speaker 1: who was from Texas outside of Dallas, and she was like, yeah,

1138
01:05:09,720 --> 01:05:11,800
Speaker 1: last year we did the Scarlet Pimpernel and she would

1139
01:05:11,800 --> 01:05:17,200
Speaker 1: show me like full Broadway scale costumes, like you've never

1140
01:05:17,240 --> 01:05:19,120
Speaker 1: seen anything like it, Like I'm sure you know the

1141
01:05:19,200 --> 01:05:22,000
Speaker 1: Jimmy Awards, like when those kids come from those schools

1142
01:05:22,040 --> 01:05:24,520
Speaker 1: and they have the costumes and like, but ever the

1143
01:05:24,560 --> 01:05:27,840
Speaker 1: whole production is like that, like some of the southern schools.

1144
01:05:27,840 --> 01:05:30,000
Speaker 1: So when you said that your school did Blithe Spirit,

1145
01:05:30,560 --> 01:05:32,600
Speaker 1: I was like, maybe they were one of those schools

1146
01:05:32,640 --> 01:05:36,120
Speaker 1: who did these we did in a low budget, like

1147
01:05:36,200 --> 01:05:39,720
Speaker 1: we we traveled traveled with the Miracle Worker, and I

1148
01:05:39,800 --> 01:05:44,560
Speaker 1: was the mom like where did you God? It was

1149
01:05:44,600 --> 01:05:46,720
Speaker 1: one of those things where like everyone comes with their

1150
01:05:46,720 --> 01:05:49,360
Speaker 1: best performance if you get in, and like everyone else

1151
01:05:49,480 --> 01:05:53,480
Speaker 1: had performances like what you're talking about ful costumes like

1152
01:05:53,760 --> 01:05:56,439
Speaker 1: are set full apart. We were in a cafeteria doing

1153
01:05:56,480 --> 01:06:05,400
Speaker 1: it a serious play like it's just serious play. Oh

1154
01:06:05,440 --> 01:06:08,160
Speaker 1: my god, that is that's crazy. And so wait, you

1155
01:06:08,160 --> 01:06:11,080
Speaker 1: said you were the mom in the middle for my

1156
01:06:11,120 --> 01:06:14,200
Speaker 1: best role, Helen's mom, so you were not Helen or

1157
01:06:14,520 --> 01:06:17,560
Speaker 1: still not a lead, but like I was, like, it

1158
01:06:17,720 --> 01:06:20,320
Speaker 1: still had lines. I mean, I got the worst parts.

1159
01:06:20,680 --> 01:06:23,640
Speaker 1: So that was like my big senior part. Do you

1160
01:06:23,680 --> 01:06:26,120
Speaker 1: feel this way because I feel like I feel like

1161
01:06:26,120 --> 01:06:28,000
Speaker 1: it's it was a blessing that I never got parts

1162
01:06:28,040 --> 01:06:30,200
Speaker 1: in high school, because truly, I do think it's one

1163
01:06:30,200 --> 01:06:32,200
Speaker 1: of those it's the drama kid version of you. You

1164
01:06:32,240 --> 01:06:35,080
Speaker 1: peaked at that time interesting because it gave me. It

1165
01:06:35,120 --> 01:06:37,120
Speaker 1: gave me a fire to be like, I want to

1166
01:06:37,600 --> 01:06:39,840
Speaker 1: not do this. I don't want to be in this

1167
01:06:39,880 --> 01:06:42,920
Speaker 1: state for the rest of my life. Yes, and of you, like,

1168
01:06:43,000 --> 01:06:44,440
Speaker 1: think of some of the stuff we get to now

1169
01:06:44,480 --> 01:06:46,640
Speaker 1: and be like, oh my god, high school Megan would

1170
01:06:46,640 --> 01:06:50,240
Speaker 1: be so happy, you know what I mean. I remember

1171
01:06:50,280 --> 01:06:52,600
Speaker 1: thinking when I was like seventeen that it was too

1172
01:06:52,720 --> 01:06:54,520
Speaker 1: late for me to ever become an actor because I

1173
01:06:54,560 --> 01:06:56,440
Speaker 1: didn't start when I was like in middle school with

1174
01:06:56,480 --> 01:06:58,520
Speaker 1: the rest of the serious kids at the theater. And

1175
01:06:58,560 --> 01:07:00,600
Speaker 1: I remember thinking like I be able to go to

1176
01:07:00,600 --> 01:07:03,320
Speaker 1: school for acting because I didn't do it in high school,

1177
01:07:03,360 --> 01:07:07,480
Speaker 1: and like I always felt like, yeah, it is kind

1178
01:07:07,480 --> 01:07:10,000
Speaker 1: of nice to know that, like you can reassure that

1179
01:07:10,120 --> 01:07:12,520
Speaker 1: version of yourself that that that it wasn't true really

1180
01:07:12,880 --> 01:07:15,000
Speaker 1: and it didn't. I would rather be like this where

1181
01:07:15,080 --> 01:07:17,440
Speaker 1: you decided as an adult, I don't think anyone should

1182
01:07:17,480 --> 01:07:20,760
Speaker 1: be famous for their thirty When did you decide you

1183
01:07:20,800 --> 01:07:25,120
Speaker 1: wanted to like you know what I mean? Yeah, when

1184
01:07:25,120 --> 01:07:29,120
Speaker 1: did you decide you wanted to hashtag do this? I've

1185
01:07:29,400 --> 01:07:33,000
Speaker 1: always always wanted to act always, but I just didn't.

1186
01:07:33,200 --> 01:07:34,840
Speaker 1: I felt like you had to have like I was,

1187
01:07:35,000 --> 01:07:36,200
Speaker 1: you know, in high school, being like I don't have

1188
01:07:36,200 --> 01:07:37,720
Speaker 1: money to move to l A or New York, Like

1189
01:07:37,840 --> 01:07:40,880
Speaker 1: I didn't know. And I also I think not getting

1190
01:07:40,920 --> 01:07:43,400
Speaker 1: parts made me a comedian because like I was being

1191
01:07:43,400 --> 01:07:46,280
Speaker 1: so funny backstage with my friends, you know what I

1192
01:07:46,280 --> 01:07:49,480
Speaker 1: mean a lot of time to like find find a

1193
01:07:49,480 --> 01:07:51,760
Speaker 1: way to make people laugh. Yeah, you just have so

1194
01:07:51,840 --> 01:07:53,240
Speaker 1: much time to be like, well, we might as well

1195
01:07:53,280 --> 01:07:55,680
Speaker 1: have fun because we're like stuck here in hell? Can

1196
01:07:55,680 --> 01:07:57,320
Speaker 1: we don't have any lines? You know what I mean?

1197
01:07:59,120 --> 01:08:01,080
Speaker 1: Like I want to be I couldn't take it seriously,

1198
01:08:01,120 --> 01:08:04,040
Speaker 1: Like I remember laughing so hard during the Miracle Worker

1199
01:08:04,160 --> 01:08:08,560
Speaker 1: during practice, like crying, laughing, like I shouldn't have had

1200
01:08:08,600 --> 01:08:10,800
Speaker 1: a lead role probably, you know, like I probably would have.

1201
01:08:10,920 --> 01:08:13,320
Speaker 1: I don't know, this was more fun, but yeah, I've

1202
01:08:13,360 --> 01:08:15,800
Speaker 1: always I was in one play when I was in

1203
01:08:15,800 --> 01:08:18,040
Speaker 1: middle school. Was it was Peter Pan. I did it

1204
01:08:18,040 --> 01:08:19,600
Speaker 1: when I was in seventh grade, and I had like

1205
01:08:19,960 --> 01:08:21,280
Speaker 1: I was one of the pirates, and I had like

1206
01:08:21,320 --> 01:08:23,559
Speaker 1: a very small part, and I would constantly funk around

1207
01:08:23,560 --> 01:08:26,000
Speaker 1: with these other two girls who were castless pirates. And

1208
01:08:26,040 --> 01:08:28,240
Speaker 1: then during hell Week, one of them her and I'll

1209
01:08:28,280 --> 01:08:30,960
Speaker 1: never forget her name was Alicia Barbera. She turned to

1210
01:08:30,960 --> 01:08:33,799
Speaker 1: me while I was messing around, and she said, Matt,

1211
01:08:34,280 --> 01:08:37,920
Speaker 1: it really doesn't feel like you're taking this seriously and

1212
01:08:38,160 --> 01:08:41,960
Speaker 1: you seriously, and if you're not going to take it seriously,

1213
01:08:42,280 --> 01:08:44,760
Speaker 1: then you probably shouldn't hang out with us, because we

1214
01:08:44,800 --> 01:08:47,080
Speaker 1: are going to take it seriously going forward, because we

1215
01:08:47,120 --> 01:08:49,720
Speaker 1: actually want to act. And I was just like and

1216
01:08:49,840 --> 01:08:52,479
Speaker 1: she she had up until that point messed around just

1217
01:08:52,600 --> 01:08:55,080
Speaker 1: as much as me, and we would we we were

1218
01:08:55,160 --> 01:08:59,200
Speaker 1: goons together. And I looked at her and I was like, wow,

1219
01:08:59,360 --> 01:09:02,360
Speaker 1: you really just flipped on a switch and it affected

1220
01:09:02,439 --> 01:09:04,840
Speaker 1: us for the entire rest of middle school and high school.

1221
01:09:06,600 --> 01:09:10,680
Speaker 1: You can't look at someone different the same way after that, No,

1222
01:09:10,920 --> 01:09:13,120
Speaker 1: after she turned on me emotionally in that way, and

1223
01:09:13,120 --> 01:09:14,720
Speaker 1: also she said this in front of like four or

1224
01:09:14,720 --> 01:09:17,439
Speaker 1: five other people, and it was really hurtful because I

1225
01:09:17,439 --> 01:09:19,920
Speaker 1: thought we were fun friends in like this stupid play.

1226
01:09:20,240 --> 01:09:22,040
Speaker 1: And then she turned around and maybe she was self

1227
01:09:22,040 --> 01:09:24,120
Speaker 1: conscious about the fact that she had been messing around too,

1228
01:09:24,160 --> 01:09:26,880
Speaker 1: because all of a sudden she dressed me down. And

1229
01:09:26,920 --> 01:09:29,920
Speaker 1: as a result, I remember her full name. She will

1230
01:09:29,920 --> 01:09:32,000
Speaker 1: never be that kind of person. Never, never will be

1231
01:09:32,080 --> 01:09:36,080
Speaker 1: a comedian, never will be nothing, never, you know what

1232
01:09:36,120 --> 01:09:38,680
Speaker 1: I mean? Like to take it that seriously, like we're

1233
01:09:38,720 --> 01:09:43,200
Speaker 1: having fun. I don't know what she does now. At

1234
01:09:43,240 --> 01:09:47,280
Speaker 1: that age, though, I was like a kid who turned

1235
01:09:47,320 --> 01:09:50,960
Speaker 1: on a fucking dime and completely shifted emotions. And it

1236
01:09:51,120 --> 01:09:53,640
Speaker 1: was just like I decided that I'm I'm upset. I

1237
01:09:53,680 --> 01:09:56,439
Speaker 1: don't know why I'm upset, like I was. I was

1238
01:09:56,479 --> 01:10:00,400
Speaker 1: that girl. What was her name, Elsa Barbera, Elsa Ribera.

1239
01:10:01,040 --> 01:10:06,000
Speaker 1: We're naming names. Can you imagine she's listening, Like, well,

1240
01:10:06,600 --> 01:10:09,880
Speaker 1: if she is listening, it probably not. And so I

1241
01:10:09,960 --> 01:10:11,960
Speaker 1: want to remind her that she did that, like, I

1242
01:10:12,360 --> 01:10:15,000
Speaker 1: just think it's funny. How do you like that to someone?

1243
01:10:15,040 --> 01:10:18,439
Speaker 1: Even as a kid that I mean, honestly, who's the

1244
01:10:18,439 --> 01:10:22,360
Speaker 1: best version of themselves at thirteen? You know, never you've

1245
01:10:22,439 --> 01:10:24,880
Speaker 1: never said something like that to someone. I've never said

1246
01:10:24,920 --> 01:10:28,360
Speaker 1: anything like even as an adult, if you're like, okay,

1247
01:10:28,400 --> 01:10:31,000
Speaker 1: so if I'm talking to a new friend and I'm

1248
01:10:31,000 --> 01:10:33,639
Speaker 1: trying to talk like ship, but I'm not saying anything mean.

1249
01:10:33,960 --> 01:10:36,160
Speaker 1: But if they're like, I don't know, that person is

1250
01:10:36,200 --> 01:10:38,280
Speaker 1: really nice, then you can't be close to them. That's

1251
01:10:38,280 --> 01:10:41,400
Speaker 1: the same energy as that. It's the worst of me

1252
01:10:43,760 --> 01:10:45,439
Speaker 1: is be like, actually, no, I'm not going to go

1253
01:10:45,479 --> 01:10:50,320
Speaker 1: on the strow with you. Yeah. It's like oh yeah,

1254
01:10:50,640 --> 01:10:54,439
Speaker 1: but even as a as an adult, you're saying that, yeah, yeah,

1255
01:10:54,479 --> 01:10:56,759
Speaker 1: I don't know, I think they're nice. It's like we're

1256
01:10:56,800 --> 01:11:00,880
Speaker 1: never talking. Now, just make up something to like, oh, yeah,

1257
01:11:00,920 --> 01:11:03,599
Speaker 1: I know they I'm not saying anything mean. I'm just

1258
01:11:03,640 --> 01:11:08,040
Speaker 1: like be on my embarrassing me. They don't know that

1259
01:11:08,080 --> 01:11:11,400
Speaker 1: in that moment, all they've done is established the fact

1260
01:11:11,400 --> 01:11:14,680
Speaker 1: that they can't be trusted. Yes, yeah, I didn't go

1261
01:11:14,720 --> 01:11:18,120
Speaker 1: home being like wow, oh god that person is nice.

1262
01:11:18,120 --> 01:11:21,160
Speaker 1: For not talking bad about that other person. Literally, So

1263
01:11:21,360 --> 01:11:23,720
Speaker 1: if you want, the cool way to do that is

1264
01:11:23,760 --> 01:11:25,960
Speaker 1: be like, oh my god, that's funny you say that.

1265
01:11:26,000 --> 01:11:28,920
Speaker 1: I actually do really like her, but but I guess

1266
01:11:29,479 --> 01:11:35,080
Speaker 1: that though. Yeah, but at least get on their level

1267
01:11:35,120 --> 01:11:38,080
Speaker 1: to be like, yeah, girl, that's funny, but that is

1268
01:11:38,120 --> 01:11:40,080
Speaker 1: my friend, just so you know, I don't hate you though.

1269
01:11:40,479 --> 01:11:45,439
Speaker 1: That's literally that's so cool, but my stomach literally hurts. Yeah,

1270
01:11:45,439 --> 01:11:47,320
Speaker 1: but that's fine. It's it's gonna be like that for

1271
01:11:47,360 --> 01:11:49,920
Speaker 1: a second. It's the only way because then I'd be like,

1272
01:11:50,000 --> 01:11:52,479
Speaker 1: oh God, this person I'm talking to is really cool

1273
01:11:52,680 --> 01:11:55,360
Speaker 1: and really nice. I'm gonna keep talking to them. But

1274
01:11:55,439 --> 01:11:58,200
Speaker 1: if you were like, yeah, I don't know, then it's like, oh,

1275
01:11:58,280 --> 01:12:01,559
Speaker 1: I can't trust you. You're right, it's it's hot, it's cool.

1276
01:12:01,920 --> 01:12:06,439
Speaker 1: It would embarrass me, but I get, but I get

1277
01:12:06,760 --> 01:12:08,880
Speaker 1: you always talk about someone, what if that is your

1278
01:12:08,920 --> 01:12:12,840
Speaker 1: If it's someone talked about my best is your friend?

1279
01:12:13,160 --> 01:12:15,559
Speaker 1: You know, I would want the person to know, like,

1280
01:12:16,000 --> 01:12:18,160
Speaker 1: you can't really keep saying that to me because if

1281
01:12:18,160 --> 01:12:20,400
Speaker 1: you say something, actually me and I probably will tell

1282
01:12:20,439 --> 01:12:23,439
Speaker 1: them they're my clost friends. That is such a good way.

1283
01:12:23,720 --> 01:12:25,920
Speaker 1: I literally feel like it just happened even though it didn't,

1284
01:12:25,920 --> 01:12:29,760
Speaker 1: because you like, yeah, I go, yeah, you're totally right now.

1285
01:12:33,120 --> 01:12:37,400
Speaker 1: It's being in quarantine. Everything feels real when you imagine

1286
01:12:37,400 --> 01:12:40,479
Speaker 1: it now, you know what I mean? Yeah, Yes, I

1287
01:12:40,520 --> 01:12:44,120
Speaker 1: exactly you mean yeah, because you have to. You have

1288
01:12:44,160 --> 01:12:47,120
Speaker 1: to recreate those social situations that aren't around. So it's

1289
01:12:47,160 --> 01:12:49,320
Speaker 1: like sometimes I'll just be by myself in my apartment

1290
01:12:49,320 --> 01:12:52,439
Speaker 1: and I'll be like, I'm jealous of myself. Myself is

1291
01:12:52,479 --> 01:12:58,240
Speaker 1: making breakfast and I'm so stupid. Things conflict within me.

1292
01:12:59,320 --> 01:13:01,360
Speaker 1: How are you going to do? Imagine something you were

1293
01:13:01,360 --> 01:13:03,280
Speaker 1: embarrassed about in the past and you can't shake the

1294
01:13:03,280 --> 01:13:05,680
Speaker 1: feeling for hours. I just can't shake it, you know,

1295
01:13:06,280 --> 01:13:09,200
Speaker 1: God of so embarrassed? What is the time you couldn't

1296
01:13:09,200 --> 01:13:13,120
Speaker 1: shake it the most? Just a bad feeling? When when

1297
01:13:13,160 --> 01:13:14,680
Speaker 1: when did you have such a bad feeling that you

1298
01:13:14,680 --> 01:13:18,639
Speaker 1: couldn't shake? You know, I will be honest, I think

1299
01:13:18,680 --> 01:13:23,640
Speaker 1: that now I'm better than before quarantine of self comforting

1300
01:13:23,760 --> 01:13:27,120
Speaker 1: and shaking stuff off, if that makes sense. That's a

1301
01:13:27,200 --> 01:13:31,760
Speaker 1: really sufficient Yeah. Like like this Sunday, I felt like

1302
01:13:31,800 --> 01:13:35,320
Speaker 1: that Sunday sad feeling right, and I let myself feel that.

1303
01:13:35,439 --> 01:13:37,360
Speaker 1: But then I got up, like and this was hours

1304
01:13:37,360 --> 01:13:42,040
Speaker 1: of letting myself feel that I get really sad, you

1305
01:13:42,120 --> 01:13:44,720
Speaker 1: know what I mean, Like I, um, yeah, So it

1306
01:13:44,800 --> 01:13:46,639
Speaker 1: was like it was one of those sundays I don't

1307
01:13:46,640 --> 01:13:48,840
Speaker 1: I don't get sad all the time. I'm like normally

1308
01:13:48,840 --> 01:13:53,880
Speaker 1: pretty productive, happy, but they have, of course pandemic and

1309
01:13:53,880 --> 01:13:56,320
Speaker 1: then you get really sad in your if you're isolating,

1310
01:13:56,320 --> 01:13:59,400
Speaker 1: it feels so intense. But now I am better at

1311
01:13:59,479 --> 01:14:03,560
Speaker 1: shaking it off. Then in the first part of Quarantine,

1312
01:14:03,760 --> 01:14:06,519
Speaker 1: where I was like panicked, Oh my god, I can't

1313
01:14:06,520 --> 01:14:09,479
Speaker 1: shake this Sunday feeling off. I'm alone. I need to

1314
01:14:09,520 --> 01:14:12,240
Speaker 1: go to Ohio right now. But now I'm like, go

1315
01:14:12,320 --> 01:14:15,800
Speaker 1: cook something and like, you know, talk to a friend,

1316
01:14:15,920 --> 01:14:19,120
Speaker 1: and it's so much easier now. But yeah, because because

1317
01:14:19,120 --> 01:14:21,679
Speaker 1: you've practiced it, Yeah, I think so. Do you guys

1318
01:14:21,680 --> 01:14:25,320
Speaker 1: feel like that too? Or am I being psycho being

1319
01:14:25,360 --> 01:14:30,120
Speaker 1: too a little deep and dark? I think I think

1320
01:14:30,120 --> 01:14:33,880
Speaker 1: that For me anyway, it's just been It's like I did.

1321
01:14:34,160 --> 01:14:37,439
Speaker 1: There was a lot of time to look inward, and

1322
01:14:37,520 --> 01:14:39,880
Speaker 1: for me, I ended up being good because I learned

1323
01:14:39,920 --> 01:14:43,679
Speaker 1: things about myself. I'm not sure that I'm um better

1324
01:14:43,720 --> 01:14:46,559
Speaker 1: at shaking off bad feelings, but I am better at

1325
01:14:46,640 --> 01:14:49,800
Speaker 1: understanding some things about what I need and what I

1326
01:14:49,840 --> 01:14:52,040
Speaker 1: actually like. I think that's what it is. It's like

1327
01:14:52,160 --> 01:14:55,799
Speaker 1: not being letting, not like repressing the feeling, but knowing

1328
01:14:55,840 --> 01:14:57,920
Speaker 1: that you'll get out of it. Whereas in the beginning

1329
01:14:57,920 --> 01:15:01,040
Speaker 1: of Quarantine, I was like, I'm i slating alone if

1330
01:15:01,040 --> 01:15:03,880
Speaker 1: I feel really sad one day, which is always like

1331
01:15:04,000 --> 01:15:05,479
Speaker 1: the next day, I feel better, you know what I mean.

1332
01:15:05,520 --> 01:15:07,800
Speaker 1: It's not it's literally just like a little thing. But

1333
01:15:08,080 --> 01:15:11,640
Speaker 1: everyone has that right now obviously, and um knowing like,

1334
01:15:11,760 --> 01:15:14,479
Speaker 1: oh I'll get through it, and like what to do

1335
01:15:14,760 --> 01:15:18,400
Speaker 1: to give yourself I know that better now, Yeah, exactly,

1336
01:15:18,680 --> 01:15:22,559
Speaker 1: like I feel like beginning of Lockdown, we all were

1337
01:15:22,600 --> 01:15:24,800
Speaker 1: like this, I'm going to feel this sad for the

1338
01:15:24,840 --> 01:15:28,040
Speaker 1: rest of time. And it's not that over the long

1339
01:15:28,120 --> 01:15:30,200
Speaker 1: term that like we've had these huge peaks and valleys

1340
01:15:30,200 --> 01:15:33,160
Speaker 1: like like like the deviations are like that big. But

1341
01:15:33,200 --> 01:15:35,800
Speaker 1: it's like, oh no, like this is even in the

1342
01:15:35,840 --> 01:15:38,599
Speaker 1: short term, like very temporary, like I'll have a moment

1343
01:15:38,800 --> 01:15:42,960
Speaker 1: tomorrow where I'll feel relatively happy or relatively sad, but

1344
01:15:42,960 --> 01:15:45,479
Speaker 1: then I'll level back out at like this baseline that

1345
01:15:45,479 --> 01:15:49,160
Speaker 1: I'm at now, which like sucks, but it's not going

1346
01:15:49,200 --> 01:15:53,800
Speaker 1: to be for yeah, like even friends that are like, oh,

1347
01:15:53,960 --> 01:15:55,439
Speaker 1: I know, I'm gonna feel this way for a couple

1348
01:15:55,439 --> 01:15:56,920
Speaker 1: of days, but then I'll be good. Like I feel

1349
01:15:56,920 --> 01:15:59,559
Speaker 1: like people are better knowing themselves and how long as

1350
01:15:59,560 --> 01:16:02,400
Speaker 1: the last. That is really interesting. It's like an increased

1351
01:16:02,479 --> 01:16:06,200
Speaker 1: patience and tolerance for bad feelings in a weird way,

1352
01:16:06,240 --> 01:16:09,599
Speaker 1: which is like it doesn't sound good but actually is good.

1353
01:16:10,160 --> 01:16:20,679
Speaker 1: Like yeah, yeah, that yes, interesting. Sad I think everybody

1354
01:16:21,040 --> 01:16:23,360
Speaker 1: going through I mean, we all are going through the

1355
01:16:23,360 --> 01:16:26,000
Speaker 1: same thing at the same time, and I feel like, yeah,

1356
01:16:26,120 --> 01:16:29,320
Speaker 1: I just was so panicky early on and now I'm like, oh,

1357
01:16:29,400 --> 01:16:31,439
Speaker 1: I'm having a sad day. I'm just gonna let myself

1358
01:16:31,720 --> 01:16:33,720
Speaker 1: be sad until i'm not and then like get up

1359
01:16:33,720 --> 01:16:38,120
Speaker 1: and do something. Yeah. Yeah that's also And also, um,

1360
01:16:38,200 --> 01:16:43,920
Speaker 1: it's kind of like this is weird, but just getting

1361
01:16:44,160 --> 01:16:47,880
Speaker 1: better at not feeling like every single day has to

1362
01:16:47,920 --> 01:16:50,040
Speaker 1: be the day, you know what I mean, Like it

1363
01:16:50,200 --> 01:16:52,600
Speaker 1: just you give yourself more of a break. That's what

1364
01:16:52,640 --> 01:16:55,559
Speaker 1: I've liked about this. It's sort of happened when I

1365
01:16:55,600 --> 01:16:57,439
Speaker 1: moved from New York to Los Angeles. I don't know

1366
01:16:57,439 --> 01:17:01,360
Speaker 1: how you feel meg But it's like you feel like

1367
01:17:01,400 --> 01:17:03,000
Speaker 1: in New York you have to have a million things

1368
01:17:03,040 --> 01:17:05,160
Speaker 1: on your schedule every day in order to say it

1369
01:17:05,160 --> 01:17:07,400
Speaker 1: was a productive day. And then in l A that changes,

1370
01:17:07,520 --> 01:17:10,080
Speaker 1: and then with the pandemic, that's actually changed for everyone.

1371
01:17:10,439 --> 01:17:13,680
Speaker 1: People have to be okay with some days in your

1372
01:17:13,720 --> 01:17:17,920
Speaker 1: week just fully nothing is happening, and that is I

1373
01:17:17,960 --> 01:17:21,120
Speaker 1: think scary for a lot of people who haven't yet

1374
01:17:21,240 --> 01:17:23,559
Speaker 1: dealt with some things they need to look inward on.

1375
01:17:23,640 --> 01:17:26,559
Speaker 1: Like a lot of people stay busy because they don't

1376
01:17:26,560 --> 01:17:28,559
Speaker 1: want to actually sit and look at their life. But

1377
01:17:29,000 --> 01:17:33,080
Speaker 1: I found that it was ultimately helpful because there was

1378
01:17:33,120 --> 01:17:34,760
Speaker 1: a lot of things I needed to look at. So

1379
01:17:35,120 --> 01:17:38,120
Speaker 1: not I never to be like silver lining about this,

1380
01:17:38,600 --> 01:17:41,960
Speaker 1: but I do think that ultimately these are things that

1381
01:17:42,200 --> 01:17:43,840
Speaker 1: we can take from it that makes us a little

1382
01:17:43,840 --> 01:17:47,519
Speaker 1: bit better people. No, totally, we need to see that

1383
01:17:47,560 --> 01:17:50,160
Speaker 1: kind of stuff because there's so many scary things. Like

1384
01:17:50,200 --> 01:17:52,599
Speaker 1: I feel like I don't know about you guys, but

1385
01:17:52,920 --> 01:17:55,759
Speaker 1: I um, I have a lot of social anxiety now,

1386
01:17:55,880 --> 01:17:59,400
Speaker 1: Like I feel like I'm always a little anxious whatever,

1387
01:17:59,479 --> 01:18:02,320
Speaker 1: But like out if I do interact with people, not

1388
01:18:02,360 --> 01:18:04,000
Speaker 1: like this because we're friends, but like if I have

1389
01:18:04,040 --> 01:18:06,519
Speaker 1: a Zoom meeting, I get so nervous. I can't stop

1390
01:18:06,520 --> 01:18:10,080
Speaker 1: thinking about it. And it's like that's fun, Like I'm

1391
01:18:10,080 --> 01:18:14,160
Speaker 1: seeing people now, but it's it's so it's like on

1392
01:18:14,240 --> 01:18:21,280
Speaker 1: another level now because we're so used to reading alone. Now, Yeah,

1393
01:18:22,080 --> 01:18:25,440
Speaker 1: it's for me, it's like on Zoom it's always fine.

1394
01:18:25,120 --> 01:18:27,840
Speaker 1: It's it's now seeing people in person, like every now

1395
01:18:27,840 --> 01:18:30,160
Speaker 1: and then you will see someone in like some a

1396
01:18:30,200 --> 01:18:31,519
Speaker 1: friend you haven't seen in a while, and I'm kind

1397
01:18:31,560 --> 01:18:33,280
Speaker 1: of like always like what am I gonna wear? Like

1398
01:18:33,720 --> 01:18:35,519
Speaker 1: even my friend that I see like once a week,

1399
01:18:35,680 --> 01:18:37,360
Speaker 1: Like I'm like, what am I gonna wear? I gonna

1400
01:18:37,360 --> 01:18:38,880
Speaker 1: put on like my wearing shoes when they come in.

1401
01:18:39,760 --> 01:18:44,640
Speaker 1: Even coffee, I'm like shaking. I like so nervous to

1402
01:18:44,680 --> 01:18:47,000
Speaker 1: like order a coffee and go back home, like and

1403
01:18:47,040 --> 01:18:49,320
Speaker 1: I know I'll shake that off, but like it's just

1404
01:18:49,439 --> 01:18:51,760
Speaker 1: being out of practice of seeing new people. I don't

1405
01:18:51,760 --> 01:18:57,559
Speaker 1: know what. It's so weird whenever whenever, I mean, I

1406
01:18:57,560 --> 01:19:00,240
Speaker 1: don't know what. I don't know what after COVID me means.

1407
01:19:00,240 --> 01:19:03,000
Speaker 1: But it's like whenever like things start to like thaw

1408
01:19:03,600 --> 01:19:07,559
Speaker 1: back to like some normal social environment, it's like it'll

1409
01:19:07,600 --> 01:19:10,240
Speaker 1: take us. I think, like I'm gonna say like five

1410
01:19:10,360 --> 01:19:13,040
Speaker 1: months for us for us to all get used to it. Yeah,

1411
01:19:13,280 --> 01:19:17,719
Speaker 1: you know, I'm wondering if, like when dating starts again,

1412
01:19:17,840 --> 01:19:22,759
Speaker 1: if I'll be like or I'll be like, hey, I'm Tyler,

1413
01:19:22,800 --> 01:19:25,320
Speaker 1: I mean Matt, Sorry, I forgot my own name. How

1414
01:19:25,360 --> 01:19:27,000
Speaker 1: do how do I sit here? Like? Is it just

1415
01:19:27,040 --> 01:19:30,040
Speaker 1: sitting like a chair? Like and the eat fairth restaurant,

1416
01:19:30,080 --> 01:19:31,800
Speaker 1: Like I feel like that that might be me, or

1417
01:19:31,840 --> 01:19:34,519
Speaker 1: I might be like, let me smoke a starette. Let's

1418
01:19:35,400 --> 01:19:40,200
Speaker 1: I don't know what one on one meal already makes

1419
01:19:40,240 --> 01:19:43,760
Speaker 1: me nervous. Like even with friends, sometimes I want another friend.

1420
01:19:43,800 --> 01:19:48,479
Speaker 1: They're like the time because literally this is another thing.

1421
01:19:48,640 --> 01:19:50,560
Speaker 1: When you're alone with other, with one other person and

1422
01:19:50,600 --> 01:19:52,400
Speaker 1: it's been a while since you've been around anyone, you're

1423
01:19:52,479 --> 01:19:59,880
Speaker 1: kind of like, should we fuck? Always You're like it's

1424
01:20:00,439 --> 01:20:04,759
Speaker 1: just before wait are you? Are you guys like online

1425
01:20:04,840 --> 01:20:09,120
Speaker 1: dating right now? Or like I'm I'm just chatting with people.

1426
01:20:09,200 --> 01:20:13,000
Speaker 1: I'm not like I'm not really seeing anybody. It's always

1427
01:20:13,040 --> 01:20:15,160
Speaker 1: have fun to flirt with someone via text, but you're

1428
01:20:15,200 --> 01:20:18,400
Speaker 1: also working and you're you're you're needing to not see

1429
01:20:18,439 --> 01:20:22,040
Speaker 1: people it's responsible for you. Not even during the time off.

1430
01:20:22,080 --> 01:20:26,040
Speaker 1: I was like, I think I'm having fun just flirting. Yeah,

1431
01:20:26,479 --> 01:20:29,920
Speaker 1: and that's it, and like ending it there. I don't know, Yeah,

1432
01:20:30,200 --> 01:20:32,680
Speaker 1: I think it's the best part. I think. I'm like,

1433
01:20:32,720 --> 01:20:36,360
Speaker 1: I've never seen this guy. He's listening like you have

1434
01:20:36,439 --> 01:20:40,600
Speaker 1: to you have to be a firefighters. That's kind of

1435
01:20:40,600 --> 01:20:44,599
Speaker 1: the best part, you know, waiting forever. He's like listening, like, Okay,

1436
01:20:45,000 --> 01:20:48,559
Speaker 1: it's fun to wait forever. And she's like, no, to

1437
01:20:48,720 --> 01:20:52,960
Speaker 1: meet physically impatient to share space. We should wait forever.

1438
01:20:53,040 --> 01:20:59,440
Speaker 1: So we're very like, don't go seeing anyone else. We're exclusive.

1439
01:20:59,600 --> 01:21:05,479
Speaker 1: Mr Distance. Yeah, you don't even want him seeing friends.

1440
01:21:07,479 --> 01:21:10,560
Speaker 1: Stay quarantine. He's probably get vacinating soon because he I

1441
01:21:10,600 --> 01:21:13,800
Speaker 1: think he's like frontline basically, don't get into this. Yeah,

1442
01:21:14,320 --> 01:21:18,760
Speaker 1: that would be so hot. Well, I keep laughing like

1443
01:21:18,840 --> 01:21:24,439
Speaker 1: I'm pretty far down the list, like conveniens, I'm not

1444
01:21:24,520 --> 01:21:29,920
Speaker 1: getting that thing until everyone else gets it. It's so true.

1445
01:21:30,080 --> 01:21:32,519
Speaker 1: I mean, I'm praying every day too, but no one

1446
01:21:32,600 --> 01:21:38,280
Speaker 1: here has any any pre existing healthy girls. I'm so happy.

1447
01:21:38,479 --> 01:21:41,679
Speaker 1: I'm so happy that you're so healthy. But the list,

1448
01:21:42,040 --> 01:21:44,920
Speaker 1: my physicians, the physicians assistant, I say, called today and

1449
01:21:45,000 --> 01:21:47,519
Speaker 1: he was like, you know, your liver enzymes are high.

1450
01:21:47,800 --> 01:21:49,519
Speaker 1: He was like, have you been eating and drinking poorly?

1451
01:21:49,600 --> 01:21:53,920
Speaker 1: I'm like, I've not been drinking any alcohol since the pandemic,

1452
01:21:54,000 --> 01:21:56,280
Speaker 1: Like I'll have like one drink a month, So it's

1453
01:21:56,320 --> 01:21:59,599
Speaker 1: got to be eating, I guess. And then he's like, Okay, no, no,

1454
01:21:59,640 --> 01:22:02,400
Speaker 1: it's fine. But I'm saying like I guess, I guess.

1455
01:22:02,400 --> 01:22:04,080
Speaker 1: You know, this is a this is a totally different question.

1456
01:22:04,120 --> 01:22:07,519
Speaker 1: But to Meg, does him getting vaccinated? Does that help

1457
01:22:07,520 --> 01:22:09,960
Speaker 1: with anything? Are you still going to kick the can

1458
01:22:10,120 --> 01:22:15,599
Speaker 1: down the route? No? It does. I'm I'm really nervous

1459
01:22:15,640 --> 01:22:18,439
Speaker 1: because of COVID vaccinated. I'd be like, can't I put

1460
01:22:18,439 --> 01:22:23,040
Speaker 1: it anywhere? Yeah? No, I am going to probably I

1461
01:22:23,080 --> 01:22:27,080
Speaker 1: will probably safely one day meet him, and um I

1462
01:22:27,240 --> 01:22:30,880
Speaker 1: um yeah. I'm just so there was one person. Now

1463
01:22:30,880 --> 01:22:33,240
Speaker 1: I'm just giving everything. There was one person I was

1464
01:22:33,280 --> 01:22:36,120
Speaker 1: hooking up with. But this is someone I knew for sure,

1465
01:22:36,200 --> 01:22:39,759
Speaker 1: already knew, so like I knew she was home alone,

1466
01:22:39,840 --> 01:22:42,360
Speaker 1: I knew she didn't see anyone, and I knew her.

1467
01:22:42,600 --> 01:22:45,160
Speaker 1: But him, I'm like gaining trust, you know, learning like

1468
01:22:45,280 --> 01:22:51,120
Speaker 1: of course, you know, learning about him and I do

1469
01:22:51,240 --> 01:22:53,960
Speaker 1: trust him, but it is scary to question about the

1470
01:22:53,960 --> 01:22:55,799
Speaker 1: person that you were hooking up at the beginning of pandemic.

1471
01:22:55,960 --> 01:22:58,360
Speaker 1: Were they someone you were hooking up with pre pandemic

1472
01:22:58,720 --> 01:23:00,760
Speaker 1: and it rolled into the pan or was it a

1473
01:23:00,800 --> 01:23:03,560
Speaker 1: friend that you decided to start hooking up with the pandemic.

1474
01:23:03,640 --> 01:23:05,960
Speaker 1: This is good. So this is somebody who I hooked

1475
01:23:06,040 --> 01:23:09,439
Speaker 1: up with years ago, and there's not to say we

1476
01:23:09,479 --> 01:23:15,240
Speaker 1: won't start hooking up again. But here somebody who was

1477
01:23:15,280 --> 01:23:18,120
Speaker 1: like a past This is a girl who was like

1478
01:23:18,320 --> 01:23:22,920
Speaker 1: the first girl that I know I like, but she

1479
01:23:23,000 --> 01:23:25,840
Speaker 1: was dating just about to start dating someone else, so

1480
01:23:25,880 --> 01:23:28,120
Speaker 1: she was kind of already into someone. I wrote her

1481
01:23:28,120 --> 01:23:32,680
Speaker 1: a song like the most roman doing thing I've ever done.

1482
01:23:32,760 --> 01:23:35,280
Speaker 1: It was at a live show. But she's come back

1483
01:23:35,360 --> 01:23:38,639
Speaker 1: and what what I literally keep forgetting this is going live?

1484
01:23:39,560 --> 01:23:42,320
Speaker 1: But no, it's all my stuff though I haven't seen anything.

1485
01:23:43,720 --> 01:23:47,439
Speaker 1: But she's somebody who came back into my life during pandemic.

1486
01:23:47,600 --> 01:23:51,920
Speaker 1: She lives in l A. Hooking up very safely. I

1487
01:23:51,920 --> 01:23:55,559
Speaker 1: mean I'm talking tests talking, has seen no one else.

1488
01:23:55,600 --> 01:23:59,280
Speaker 1: I'm talking. We're both were looking like Arrival when it happened.

1489
01:24:00,040 --> 01:24:02,519
Speaker 1: We were in those big orange suits. Mother holding up

1490
01:24:02,560 --> 01:24:05,600
Speaker 1: the white board, holding up the white board, writing in

1491
01:24:05,760 --> 01:24:10,040
Speaker 1: I touched your breast. But this is like three years

1492
01:24:10,040 --> 01:24:13,680
Speaker 1: ago when I was like, yeah, yeah. But isn't it

1493
01:24:13,720 --> 01:24:17,360
Speaker 1: interesting how those early hookups, like, even if they weren't

1494
01:24:17,439 --> 01:24:19,759
Speaker 1: great at the time and like it ended or whatever,

1495
01:24:19,840 --> 01:24:22,719
Speaker 1: it always in retrospect years later seems like the hottest

1496
01:24:22,720 --> 01:24:25,240
Speaker 1: thing in the world. There's a couple of guys that, like,

1497
01:24:25,920 --> 01:24:28,679
Speaker 1: I get so horny for now when I think of them,

1498
01:24:28,760 --> 01:24:31,160
Speaker 1: And like I that I hooked up with like four

1499
01:24:31,280 --> 01:24:35,200
Speaker 1: or five years ago, that probably if we hooked up again,

1500
01:24:35,200 --> 01:24:37,880
Speaker 1: it wouldn't be great. But it's something about the romantization,

1501
01:24:38,680 --> 01:24:43,080
Speaker 1: romanticization of it all. You remember everything so more like

1502
01:24:43,240 --> 01:24:47,000
Speaker 1: much more romantic. I think, Oh, yeah, you just want

1503
01:24:47,040 --> 01:24:50,479
Speaker 1: you just want to extend the memory too, and maybe

1504
01:24:50,479 --> 01:24:51,880
Speaker 1: not extend it, but it's like you just want to

1505
01:24:51,880 --> 01:24:54,640
Speaker 1: like kind of like add a new volume in on

1506
01:24:54,840 --> 01:24:57,160
Speaker 1: on the shelf. You know, Oh my god, do you

1507
01:24:57,160 --> 01:25:01,360
Speaker 1: know that song by bon Jovi? You want make a memory?

1508
01:25:02,280 --> 01:25:05,400
Speaker 1: You know another song? Oh my god, I don't know

1509
01:25:05,439 --> 01:25:10,120
Speaker 1: if you want to make a memory. You want to

1510
01:25:10,200 --> 01:25:20,240
Speaker 1: steal a piece of down, Yeah, the me a couple

1511
01:25:20,320 --> 01:25:28,000
Speaker 1: of you want to make a memory. It's really good

1512
01:25:28,920 --> 01:25:31,559
Speaker 1: that I didn't know that was bon Jovi. It's such

1513
01:25:31,600 --> 01:25:34,120
Speaker 1: a good song. And the verses are like, um, it's

1514
01:25:35,080 --> 01:25:39,479
Speaker 1: it's being a wow and new it's you good times.

1515
01:25:39,720 --> 01:25:42,599
Speaker 1: It's really just like this person is from your past

1516
01:25:42,640 --> 01:25:45,240
Speaker 1: that you see again and you're like, let's make a

1517
01:25:45,360 --> 01:25:48,360
Speaker 1: memory again. But I said that to you in real life,

1518
01:25:48,880 --> 01:25:51,040
Speaker 1: let's make a memory. You might be turned off. I

1519
01:25:51,040 --> 01:25:54,400
Speaker 1: would be I think, do you guys have a weird thing?

1520
01:25:54,439 --> 01:25:56,599
Speaker 1: If someone says a weird phrase, I kind of start

1521
01:25:56,640 --> 01:25:58,240
Speaker 1: freaking out, and I'm like, well, I ever see them

1522
01:25:58,240 --> 01:26:01,160
Speaker 1: in the same way. And I'm trying to think of

1523
01:26:01,200 --> 01:26:03,400
Speaker 1: like what someone would say it's happened before where someone

1524
01:26:03,439 --> 01:26:09,680
Speaker 1: sets And I'm not judging either by the way. I

1525
01:26:09,680 --> 01:26:11,160
Speaker 1: don't know. I don't know what. I don't know what

1526
01:26:11,200 --> 01:26:13,240
Speaker 1: someone would say. And what if someone that you were

1527
01:26:13,280 --> 01:26:15,479
Speaker 1: hooking up with just turned up you looked at you

1528
01:26:15,520 --> 01:26:17,280
Speaker 1: dead in the eyes and was like, I love you.

1529
01:26:19,000 --> 01:26:21,760
Speaker 1: What would you say? I would be like, what would

1530
01:26:21,800 --> 01:26:28,200
Speaker 1: you say? I love you too? No? I would stop

1531
01:26:28,240 --> 01:26:32,559
Speaker 1: and be like, what's going on? Are you okay? And

1532
01:26:32,600 --> 01:26:35,880
Speaker 1: they'd say I love you. I'd be like, do you

1533
01:26:35,920 --> 01:26:37,880
Speaker 1: why I'd be like, why are you saying that, and

1534
01:26:39,600 --> 01:26:42,320
Speaker 1: why are you saying that someone is someone who I'm

1535
01:26:42,320 --> 01:26:44,040
Speaker 1: hooking up with it for the first time saying that

1536
01:26:44,200 --> 01:26:48,639
Speaker 1: like second or third time? Check? Please I go check please,

1537
01:26:49,200 --> 01:26:56,040
Speaker 1: I go uh uber please use. I was actually thinking

1538
01:26:56,080 --> 01:26:59,920
Speaker 1: more like when people say things like awesome sauce, you know, yeah, yeah, yeah,

1539
01:26:59,920 --> 01:27:04,479
Speaker 1: I know what you're saying. I'm thinking like just goofy text, like, oh,

1540
01:27:04,680 --> 01:27:09,880
Speaker 1: you're talking about so confused at the PROSCT thing. But

1541
01:27:11,200 --> 01:27:13,200
Speaker 1: it's like, oh no, I'm not judging any sex talk,

1542
01:27:13,720 --> 01:27:17,400
Speaker 1: but you you're saying like a cool beans, yeah, like

1543
01:27:18,600 --> 01:27:21,439
Speaker 1: to eat your ass, And I'm like the cool beans,

1544
01:27:21,479 --> 01:27:28,240
Speaker 1: but okay, they're awesome awesome sauces disgusting. What's some gross ones?

1545
01:27:28,960 --> 01:27:32,880
Speaker 1: Beck we're talking about talking about? This is ego. She

1546
01:27:33,640 --> 01:27:36,160
Speaker 1: hates the word awesome in general. If you say awesome

1547
01:27:36,280 --> 01:27:39,920
Speaker 1: at all, she hates it. And now I'm self conscious

1548
01:27:39,920 --> 01:27:41,720
Speaker 1: now like I'll never say the word awesome again in

1549
01:27:41,760 --> 01:27:44,280
Speaker 1: front of anybody. I think I say awesome a lot. Yeah,

1550
01:27:44,320 --> 01:27:47,439
Speaker 1: I'm like awesome, It doesn't like what is the word

1551
01:27:47,479 --> 01:27:52,720
Speaker 1: like wait, wait, meg ego nor um hates us No, no, no, no, no,

1552
01:27:52,800 --> 01:27:55,320
Speaker 1: it's I don't think either of you. I actually don't

1553
01:27:55,360 --> 01:27:57,400
Speaker 1: think either of you say awesome. Not much. You're not

1554
01:27:57,800 --> 01:27:59,760
Speaker 1: I've never heard you describe something like when people say, oh,

1555
01:27:59,760 --> 01:28:06,519
Speaker 1: I have this ick, like when people do this, Awesome

1556
01:28:06,680 --> 01:28:09,080
Speaker 1: is not one for me. I'm fine with awesome. I'm

1557
01:28:09,120 --> 01:28:11,680
Speaker 1: totally awesome. I caught myself a couple of people I

1558
01:28:11,720 --> 01:28:13,880
Speaker 1: know say the word rad, and I caught myself saying

1559
01:28:14,000 --> 01:28:15,479
Speaker 1: rad a couple of times, and I was like, I

1560
01:28:15,479 --> 01:28:18,439
Speaker 1: don't know if I need to say rad. I've tried

1561
01:28:18,479 --> 01:28:20,479
Speaker 1: it on. I like you guys saying rad, though, but

1562
01:28:20,520 --> 01:28:22,760
Speaker 1: if someone was like, I think it'd be rad to

1563
01:28:22,800 --> 01:28:27,280
Speaker 1: have sex with you, then it's like, maybe, I don't know,

1564
01:28:27,439 --> 01:28:30,679
Speaker 1: that's okay, it's really awesome sauce for me, that's really

1565
01:28:32,240 --> 01:28:37,960
Speaker 1: there's a couple of ries you can't think of, like, um,

1566
01:28:38,080 --> 01:28:43,639
Speaker 1: needo skitoe. That actually too so goofy that it's fun.

1567
01:28:44,160 --> 01:28:46,960
Speaker 1: I'm gonna start saying needo sketo, and if anyone says anything,

1568
01:28:46,960 --> 01:28:53,439
Speaker 1: I'll just be like everyone says that Neto sko, like

1569
01:28:55,160 --> 01:28:58,960
Speaker 1: letto sketo. My mom broke someone because he said something

1570
01:28:58,960 --> 01:29:01,040
Speaker 1: and I can't remember it was. I think it might

1571
01:29:01,040 --> 01:29:03,599
Speaker 1: have been like he said something like, oh I look

1572
01:29:03,680 --> 01:29:09,040
Speaker 1: like a goober or something like full broke up with

1573
01:29:09,120 --> 01:29:11,600
Speaker 1: him over it when I was younger, and I was like, oh,

1574
01:29:11,960 --> 01:29:13,720
Speaker 1: I guess that's a thing. Like if someone says something

1575
01:29:13,720 --> 01:29:16,439
Speaker 1: you don't like, sometimes it's hard to get past because

1576
01:29:16,439 --> 01:29:18,200
Speaker 1: you know that that's like part of who they are,

1577
01:29:18,400 --> 01:29:20,760
Speaker 1: part of part of who you are is how you're communicating,

1578
01:29:20,880 --> 01:29:22,599
Speaker 1: You press yourself. So I don't know if I could

1579
01:29:22,640 --> 01:29:24,200
Speaker 1: be with someone that said goober. You know, what's a

1580
01:29:24,280 --> 01:29:26,880
Speaker 1: pet name that I never liked, But then I heard

1581
01:29:26,960 --> 01:29:29,160
Speaker 1: people say it and they it worked for them, and

1582
01:29:29,200 --> 01:29:32,080
Speaker 1: so now I'm not opposed to it. Calling someone your boo,

1583
01:29:32,800 --> 01:29:36,400
Speaker 1: Oh I don't that might be an ick for me,

1584
01:29:36,680 --> 01:29:38,640
Speaker 1: like boo, come over here. I have I have the

1585
01:29:38,680 --> 01:29:41,960
Speaker 1: most out of all of us. Yeah, wait, I want

1586
01:29:41,960 --> 01:29:44,599
Speaker 1: to hear more. What about baby? Like do you like baby?

1587
01:29:44,600 --> 01:29:46,000
Speaker 1: Because I know friends that don't like it, and I

1588
01:29:46,080 --> 01:29:49,160
Speaker 1: kind of like baby baby. It's kind of flies out

1589
01:29:49,200 --> 01:29:51,040
Speaker 1: of my mouth. It really doesn't matter how I feel

1590
01:29:51,040 --> 01:29:53,000
Speaker 1: about it. It is how I when I have a partner,

1591
01:29:53,040 --> 01:29:55,640
Speaker 1: It is how I refer to them like it. I

1592
01:29:55,680 --> 01:29:57,800
Speaker 1: know some people think it's annoying, like but I think

1593
01:29:57,800 --> 01:30:00,680
Speaker 1: it's a cute nickname, one that I like, but I'll

1594
01:30:00,720 --> 01:30:02,800
Speaker 1: say it to friends and like in text A lot

1595
01:30:02,840 --> 01:30:05,200
Speaker 1: that I'm like could be someone else's ick is I

1596
01:30:05,240 --> 01:30:12,320
Speaker 1: like to say, like Bunny is that funny? Like flop?

1597
01:30:13,640 --> 01:30:16,160
Speaker 1: I've never said it to like someone I'm dating you,

1598
01:30:16,439 --> 01:30:31,240
Speaker 1: just sits and friends in texts. I've just been texting

1599
01:30:31,240 --> 01:30:38,200
Speaker 1: it a lot. Buy fine, it's cute. I think it's amazing.

1600
01:30:38,280 --> 01:30:41,439
Speaker 1: I think it might person I don't think I really

1601
01:30:41,479 --> 01:30:44,320
Speaker 1: say it in person though. My fifth grade teacher was

1602
01:30:44,880 --> 01:30:47,639
Speaker 1: My fifth grade teacher was named Bunny and her last

1603
01:30:47,720 --> 01:30:54,960
Speaker 1: name was Cornfield Bunny Cornfield ms, MS Cornfield, Miss Bunny,

1604
01:30:55,000 --> 01:30:59,960
Speaker 1: Cornfield woman. She was, Yeah, she was like in her

1605
01:31:00,080 --> 01:31:03,599
Speaker 1: r um late forties, not older, but she was just

1606
01:31:03,640 --> 01:31:07,400
Speaker 1: like a relative to me, being like no. Nine. Yeah,

1607
01:31:08,040 --> 01:31:12,439
Speaker 1: at the time she felt so old. To you, a

1608
01:31:13,320 --> 01:31:19,439
Speaker 1: Cornfield is what's really freaking me Outneld, Yeah, I guess,

1609
01:31:19,439 --> 01:31:22,840
Speaker 1: Like you know, here's the thing about Another thing that's

1610
01:31:22,840 --> 01:31:25,519
Speaker 1: hard about parenting is like naming a child. Like, you know,

1611
01:31:25,600 --> 01:31:27,920
Speaker 1: you have a certain last name, so it's up to

1612
01:31:27,960 --> 01:31:30,240
Speaker 1: you to pick a first name, not just that you like,

1613
01:31:30,680 --> 01:31:33,960
Speaker 1: but it's going to be a dynamic name altogether. Like,

1614
01:31:34,160 --> 01:31:37,400
Speaker 1: so if your daughter's last name is Cornfield, she could

1615
01:31:37,400 --> 01:31:41,280
Speaker 1: be Abigail Cornfield or like you know, Melissa Cornfield, or

1616
01:31:41,320 --> 01:31:44,320
Speaker 1: like Kelsey Cornfield. No, give her something that's going to

1617
01:31:44,400 --> 01:31:47,280
Speaker 1: have some character. Bunny Cornfield. We can literally see it.

1618
01:31:47,280 --> 01:31:50,880
Speaker 1: It's a bunny running through a Cornfield. Positive image with

1619
01:31:50,920 --> 01:31:54,040
Speaker 1: that person like it it does something for them down

1620
01:31:54,040 --> 01:31:56,920
Speaker 1: the road. Yeah, you want to know that middle name.

1621
01:31:58,479 --> 01:32:00,639
Speaker 1: She has the joke which she was always joking like

1622
01:32:00,760 --> 01:32:03,080
Speaker 1: everyone's like, what's your middle name is Cornfield? And she'd

1623
01:32:03,120 --> 01:32:08,880
Speaker 1: be like in a and we'd all have a big laugh. Yeah,

1624
01:32:08,920 --> 01:32:10,960
Speaker 1: maybe she doesn't have a middle name. Some people don't.

1625
01:32:11,280 --> 01:32:14,000
Speaker 1: Maybe she doesn't have one, doesn't have a middle name.

1626
01:32:15,000 --> 01:32:19,640
Speaker 1: What's your I don't classic, classic, classic. I feel like

1627
01:32:19,640 --> 01:32:22,519
Speaker 1: this have that middle name. I feel like it's it's

1628
01:32:22,720 --> 01:32:24,519
Speaker 1: and this is just like statistic. This is not me,

1629
01:32:24,600 --> 01:32:25,840
Speaker 1: Like I'm just saying I think it is the most

1630
01:32:25,880 --> 01:32:30,960
Speaker 1: common middle name for for for women. I think it's

1631
01:32:31,000 --> 01:32:35,280
Speaker 1: it's a classic for a reason. Yeah, it's absolutely beautiful,

1632
01:32:35,840 --> 01:32:38,360
Speaker 1: because it's one of the most beautiful names in the world. Marie.

1633
01:32:38,880 --> 01:32:44,639
Speaker 1: It's just so it it's a very gorgeous name. Thank you. Guys.

1634
01:32:44,760 --> 01:32:46,679
Speaker 1: You know, I used to not really like my last name,

1635
01:32:47,000 --> 01:32:50,160
Speaker 1: not like hate, but I didn't. I love it now.

1636
01:32:50,560 --> 01:32:52,479
Speaker 1: I mean I love my last name now and for

1637
01:32:52,600 --> 01:32:54,760
Speaker 1: years now have But when I was a kid, I

1638
01:32:54,840 --> 01:32:57,479
Speaker 1: feel like I didn't really like it. I never hated it,

1639
01:32:57,520 --> 01:33:00,280
Speaker 1: but just I know that I didn't love it. And

1640
01:33:00,320 --> 01:33:03,360
Speaker 1: now it's like I love it. But yeah, your your

1641
01:33:03,360 --> 01:33:06,599
Speaker 1: whole name is is perfect. It just rolls off the top.

1642
01:33:06,680 --> 01:33:09,160
Speaker 1: I think I just was like not popular in school

1643
01:33:09,160 --> 01:33:11,320
Speaker 1: and middle school, and like people would say it wrong

1644
01:33:11,439 --> 01:33:16,000
Speaker 1: like Statlers, you know, Salter, and it'd be like me

1645
01:33:16,160 --> 01:33:18,160
Speaker 1: being like it's Stalter, you know, like there was just

1646
01:33:18,520 --> 01:33:21,479
Speaker 1: it was more about me growing up than actually not

1647
01:33:21,520 --> 01:33:23,439
Speaker 1: like but I do like the name. Wow, really going

1648
01:33:23,439 --> 01:33:25,600
Speaker 1: off about my last name. But now I do like

1649
01:33:25,720 --> 01:33:32,360
Speaker 1: it though. This is what it is when you're young,

1650
01:33:32,400 --> 01:33:34,360
Speaker 1: when you're growing up and people say your full name,

1651
01:33:35,320 --> 01:33:39,680
Speaker 1: you kind of like attach all your insecurities on it

1652
01:33:39,800 --> 01:33:42,120
Speaker 1: and then as you and then maybe when you start performing,

1653
01:33:42,160 --> 01:33:44,360
Speaker 1: it's like, oh no, this is like how people know

1654
01:33:44,439 --> 01:33:48,000
Speaker 1: me definitely yeah, and being so proud they know your

1655
01:33:48,080 --> 01:33:51,240
Speaker 1: last name and you you love it now, But when

1656
01:33:51,240 --> 01:33:53,240
Speaker 1: you're not, when you're not secure and you don't like,

1657
01:33:53,280 --> 01:33:55,240
Speaker 1: you're not in love with yourself. You know what I mean?

1658
01:33:55,600 --> 01:33:57,680
Speaker 1: You're right it with all those insecurities as being in

1659
01:33:57,680 --> 01:34:00,160
Speaker 1: middle school and like, I don't know, just being like

1660
01:34:00,600 --> 01:34:04,400
Speaker 1: not popular. Imagining another kid say your lot, like your

1661
01:34:04,400 --> 01:34:06,200
Speaker 1: full name to someone else, and you'd be like, oh,

1662
01:34:06,240 --> 01:34:08,599
Speaker 1: why is there like for me, why is there shame

1663
01:34:08,640 --> 01:34:11,599
Speaker 1: attached to that? I don't know totally now love it? Yeah?

1664
01:34:11,960 --> 01:34:13,880
Speaker 1: For me, I think it was two things. It was

1665
01:34:13,920 --> 01:34:16,639
Speaker 1: like the fact that I didn't feel special. The name

1666
01:34:16,680 --> 01:34:24,599
Speaker 1: Matt Rodgers is something that thousands of people have, famous name.

1667
01:34:24,800 --> 01:34:27,800
Speaker 1: I like, I do like it now because I feel

1668
01:34:27,800 --> 01:34:31,320
Speaker 1: like I feel like, um, it's a three syllable er

1669
01:34:31,920 --> 01:34:40,559
Speaker 1: like yeah, Meg Stalter, not Rogers like, but it's like

1670
01:34:40,600 --> 01:34:43,439
Speaker 1: it's easy, it's easy to do, it's easy to do,

1671
01:34:44,439 --> 01:34:49,760
Speaker 1: sounding like a fucking absolute fool. I just think, yeah,

1672
01:34:49,960 --> 01:34:53,679
Speaker 1: three and four syllable names are fun to say. Yeah,

1673
01:34:54,920 --> 01:35:00,599
Speaker 1: it's pleasing to your ears. Yes, yes, Yang doug less

1674
01:35:00,640 --> 01:35:15,200
Speaker 1: game sonny, Anna, Anna has four, no five, Anna has well. Well. Anyway,

1675
01:35:15,240 --> 01:35:18,439
Speaker 1: I think that that was that was really important that

1676
01:35:18,479 --> 01:35:21,160
Speaker 1: we sort of like you know, found our names and

1677
01:35:21,200 --> 01:35:25,599
Speaker 1: now we're gonna find some humor with I don't think, so, honey.

1678
01:35:25,640 --> 01:35:28,760
Speaker 1: A humorous segment just to sort of spin around the

1679
01:35:28,800 --> 01:35:31,519
Speaker 1: comedy block right now with I don't think so many

1680
01:35:31,600 --> 01:35:36,840
Speaker 1: are fame segment where we take sixty seconds two rant

1681
01:35:36,920 --> 01:35:40,639
Speaker 1: against something in culture that we hate. You have something

1682
01:35:41,479 --> 01:35:45,360
Speaker 1: I do, I do, Okay, so I'll put you on

1683
01:35:45,400 --> 01:35:47,320
Speaker 1: the clock. This is Matt Rodgers. I don't think so

1684
01:35:47,400 --> 01:35:51,280
Speaker 1: many times starts now. I don't think so, honey. Intersections,

1685
01:35:51,800 --> 01:35:55,000
Speaker 1: what has ever come from them that is good? It

1686
01:35:55,120 --> 01:36:01,280
Speaker 1: is a confusing moment when honey, two, three, sometimes four

1687
01:36:01,400 --> 01:36:04,559
Speaker 1: cars arrived at an intersection and it becomes what can

1688
01:36:04,600 --> 01:36:09,160
Speaker 1: only be called a standoff, and at that point, sometimes

1689
01:36:09,200 --> 01:36:11,840
Speaker 1: it is a he said, he says, she says, she said,

1690
01:36:11,960 --> 01:36:14,519
Speaker 1: or she said, she says, she said, she said, whatever

1691
01:36:14,720 --> 01:36:19,360
Speaker 1: combination situation where some person thinks they were the first

1692
01:36:19,360 --> 01:36:22,240
Speaker 1: person at the intersection and another person is the same thing.

1693
01:36:22,640 --> 01:36:25,400
Speaker 1: Is this easy to navigate? I don't think so, honey.

1694
01:36:25,439 --> 01:36:28,640
Speaker 1: This resulted in me getting into an accident today that

1695
01:36:29,080 --> 01:36:33,240
Speaker 1: remember this moment. I'm so upset my car was totaled

1696
01:36:33,439 --> 01:36:35,800
Speaker 1: because I was at an intersection where one turn was

1697
01:36:36,040 --> 01:36:39,960
Speaker 1: not a right hand turn, or was only I can't

1698
01:36:40,000 --> 01:36:42,360
Speaker 1: even tell you how this person messed up. But they're

1699
01:36:42,400 --> 01:36:46,120
Speaker 1: too confusing, they're too hard to navigate. Make all roads

1700
01:36:46,120 --> 01:36:49,920
Speaker 1: straight or you turns or circles. That's how I feel.

1701
01:36:49,920 --> 01:36:55,080
Speaker 1: I don't think so intersections. I'm so sorry that happened

1702
01:36:55,080 --> 01:36:58,280
Speaker 1: to you. Was bringing back all the memories of earlier listen,

1703
01:36:58,560 --> 01:37:00,800
Speaker 1: and I want to say clearly what happened, which was

1704
01:37:00,840 --> 01:37:04,440
Speaker 1: we I was driving down the street. Here came an intersection.

1705
01:37:04,720 --> 01:37:07,040
Speaker 1: The person in front of me blew their stop sign,

1706
01:37:07,160 --> 01:37:10,000
Speaker 1: which by the way, was a right turn only stop sign,

1707
01:37:10,040 --> 01:37:11,760
Speaker 1: and they went straight and I had no attempt to

1708
01:37:11,760 --> 01:37:16,080
Speaker 1: break in slam. I blame intersections. I blame how confusing

1709
01:37:16,120 --> 01:37:18,160
Speaker 1: the stop sign was, and the fact that people be

1710
01:37:18,240 --> 01:37:23,280
Speaker 1: acting a fool when they approach intersections. It's just they

1711
01:37:23,280 --> 01:37:29,559
Speaker 1: need to be outlawed. Coming. I'm looking at you. This

1712
01:37:29,600 --> 01:37:36,280
Speaker 1: is what you said on one chance. That's what I

1713
01:37:36,320 --> 01:37:40,320
Speaker 1: said when Biden Harris were inaugurated. I said, one chance,

1714
01:37:41,000 --> 01:37:45,479
Speaker 1: one chance, outlawed them, outlawed the intersections. So bow and yang.

1715
01:37:45,560 --> 01:37:49,320
Speaker 1: Usually traditionally, after I go, you go mm hmmm. You're

1716
01:37:49,360 --> 01:37:53,120
Speaker 1: feeling good about that? I think, so yeah, okay, cool,

1717
01:37:53,479 --> 01:37:56,360
Speaker 1: that's perfect Because I have in my hands phone and

1718
01:37:56,400 --> 01:37:58,800
Speaker 1: I'm about to hit it, and at this time bow

1719
01:37:58,840 --> 01:38:01,799
Speaker 1: and yang, you're I don't think so any time starts now,

1720
01:38:02,680 --> 01:38:06,360
Speaker 1: I don't think so. Honey, toe nails. How come when

1721
01:38:06,400 --> 01:38:09,760
Speaker 1: i'm how come? When I'm clipping you, you smell like

1722
01:38:10,560 --> 01:38:12,439
Speaker 1: you smell like you could be a pretty good cheese.

1723
01:38:12,800 --> 01:38:16,160
Speaker 1: I shouldn't be hungry when I'm clipping my toenails. You

1724
01:38:16,160 --> 01:38:19,120
Speaker 1: know what, I'm getting vulnerable here my toe nails. I

1725
01:38:19,240 --> 01:38:21,599
Speaker 1: clip him and I go the odor on this. If

1726
01:38:21,600 --> 01:38:23,200
Speaker 1: you didn't tell me it was from a foot, I

1727
01:38:23,200 --> 01:38:26,080
Speaker 1: would be like, this smells like a gorgeous career. Isn't

1728
01:38:26,080 --> 01:38:35,240
Speaker 1: that disgusting? I'm stops, pick your jaws up off the floor, everyone,

1729
01:38:35,360 --> 01:38:39,479
Speaker 1: and listeners and readers. I have a superpower, and my

1730
01:38:39,520 --> 01:38:43,800
Speaker 1: superpower is my toe nails smell like cheese. It's not photodor.

1731
01:38:44,200 --> 01:38:46,719
Speaker 1: No stop it. You are you cannot make me feel

1732
01:38:48,000 --> 01:38:50,400
Speaker 1: I don't think so many to nails and then okay,

1733
01:38:50,400 --> 01:38:52,240
Speaker 1: but beyond that, when I collect you in my hand,

1734
01:38:52,280 --> 01:38:54,800
Speaker 1: it just feels so gross. I'm saying it's gross. I'm

1735
01:38:54,840 --> 01:38:56,760
Speaker 1: saying it's gross, and it makes me feel a shame.

1736
01:38:58,080 --> 01:39:00,720
Speaker 1: I'm like, why am I I should not want to

1737
01:39:00,760 --> 01:39:06,760
Speaker 1: eat this? And this. I'm looking you in the eyes

1738
01:39:06,840 --> 01:39:09,759
Speaker 1: right now. We all feel that way, we just don't

1739
01:39:10,000 --> 01:39:13,240
Speaker 1: say it. You don't say you feel this way. Do

1740
01:39:13,280 --> 01:39:16,439
Speaker 1: you feel to smell like the most amazing cheese? If

1741
01:39:16,479 --> 01:39:24,519
Speaker 1: I'm saying, if you're Meg, Meg, you stay hot. If

1742
01:39:24,560 --> 01:39:30,080
Speaker 1: anyone is in denial about this listening, you are the closet,

1743
01:39:30,120 --> 01:39:33,519
Speaker 1: your feet smell like the most amazing cheese, and you

1744
01:39:33,520 --> 01:39:35,599
Speaker 1: can sort of smell that. Well, there's so much body

1745
01:39:35,680 --> 01:39:43,559
Speaker 1: horror in this episode, not being a little clean girl.

1746
01:39:43,600 --> 01:39:51,759
Speaker 1: But I have never thought about that. Maybe maybe it's different, girl.

1747
01:39:51,800 --> 01:39:54,000
Speaker 1: I don't think I've never thought about your little naughty

1748
01:39:54,080 --> 01:39:57,280
Speaker 1: but I certainly didn't think that. But I'm not judging you.

1749
01:39:58,200 --> 01:40:01,559
Speaker 1: I'm just a little surprised. What part of your body

1750
01:40:01,600 --> 01:40:04,880
Speaker 1: smells the best that you might think of eating? Um?

1751
01:40:05,080 --> 01:40:10,799
Speaker 1: What part of my body's saying part of my body's body.

1752
01:40:12,680 --> 01:40:15,320
Speaker 1: What's the part of your body where you don't mind

1753
01:40:15,400 --> 01:40:17,639
Speaker 1: the smell. Well, I guess I'll say this, it's sometimes

1754
01:40:17,680 --> 01:40:21,439
Speaker 1: it's cool to smell bad if it's yourself, Like I

1755
01:40:21,439 --> 01:40:24,040
Speaker 1: would say that if my arm pits smell, it's kind

1756
01:40:24,080 --> 01:40:25,880
Speaker 1: of like And I'm just trying to be kind of

1757
01:40:26,400 --> 01:40:28,439
Speaker 1: a little bit saying a gross thing because y'all did.

1758
01:40:28,520 --> 01:40:31,720
Speaker 1: But um, but like if my arm pits smell, it's

1759
01:40:31,800 --> 01:40:33,960
Speaker 1: kind of like if I'm not going anywhere, Oh that's interesting.

1760
01:40:33,960 --> 01:40:40,240
Speaker 1: Why did that happen? It's not that I'm not even

1761
01:40:40,320 --> 01:40:43,519
Speaker 1: turned off, not to know, no end do, but it's

1762
01:40:43,560 --> 01:40:47,759
Speaker 1: almost like a science. It's kind of like a where's

1763
01:40:47,800 --> 01:40:50,639
Speaker 1: that coming from? Yeah, it's like, wow, that's my body

1764
01:40:50,840 --> 01:40:53,800
Speaker 1: can like when you have you ever had like your

1765
01:40:53,840 --> 01:40:57,080
Speaker 1: bio changed differently and you're like, what have I done different?

1766
01:40:57,400 --> 01:41:03,599
Speaker 1: It's it's more interesting then turned on. But um, what

1767
01:41:03,640 --> 01:41:07,800
Speaker 1: if I'm just making this up to like, yeah, I

1768
01:41:07,840 --> 01:41:11,439
Speaker 1: think we will smell our own bodies and sometimes want

1769
01:41:11,439 --> 01:41:14,680
Speaker 1: to eat ourselves. What about you? What part of your

1770
01:41:14,680 --> 01:41:17,519
Speaker 1: body You've got to make kind of regulation? Yes, well,

1771
01:41:17,520 --> 01:41:19,200
Speaker 1: part of your body. I just want to say I've

1772
01:41:19,240 --> 01:41:22,599
Speaker 1: never done it. I've never eaten my toe nails. Everyone stopped,

1773
01:41:22,640 --> 01:41:26,479
Speaker 1: put your pitchforks down. Oh I have put your matt Matt.

1774
01:41:28,680 --> 01:41:31,120
Speaker 1: I'm I'm like a fucking slob though. When I was

1775
01:41:31,160 --> 01:41:34,400
Speaker 1: younger and I can't talk about this. Oh my god,

1776
01:41:35,040 --> 01:41:36,840
Speaker 1: we can't talk about this. I think it's time for

1777
01:41:36,960 --> 01:41:41,000
Speaker 1: mag Okay, I'm nervous I wrote it out. I tried

1778
01:41:41,040 --> 01:41:42,760
Speaker 1: to do a real one, because remember on your show,

1779
01:41:42,960 --> 01:41:45,559
Speaker 1: Your show Live, I did like a silly one. Blood

1780
01:41:45,640 --> 01:41:48,160
Speaker 1: was coming out of my mouth like sort of was

1781
01:41:48,520 --> 01:41:54,840
Speaker 1: one of the most iconic. You really stormed the barn

1782
01:41:55,720 --> 01:41:57,600
Speaker 1: wanting to have sex with my brother? Was that, like,

1783
01:41:58,080 --> 01:42:00,439
Speaker 1: I don't think so, honey. My teeth bleeding every time

1784
01:42:00,479 --> 01:42:07,479
Speaker 1: I had something something like my doctor says, I my

1785
01:42:07,560 --> 01:42:09,479
Speaker 1: teeth cleat every time I have sex with my brother

1786
01:42:09,600 --> 01:42:12,439
Speaker 1: or something psyche. But it was like a prank that

1787
01:42:12,560 --> 01:42:14,479
Speaker 1: was blood. But I tried to do one that real

1788
01:42:14,560 --> 01:42:18,080
Speaker 1: this time where I'm really mad about this thing. You

1789
01:42:18,200 --> 01:42:20,160
Speaker 1: have the range. Okay, this is next, Dalters. I don't

1790
01:42:20,160 --> 01:42:23,280
Speaker 1: think so, honey. Her time starts now. I don't think so, honey.

1791
01:42:23,360 --> 01:42:28,559
Speaker 1: Phone calls giving me, giving me a mid day heart attack,

1792
01:42:28,720 --> 01:42:31,960
Speaker 1: just to see say see you next week, honey. I've

1793
01:42:32,040 --> 01:42:34,839
Speaker 1: never gotten a call that couldn't have worked as a text, sweetie.

1794
01:42:35,280 --> 01:42:38,200
Speaker 1: Literally while writing this out, I gotta call that lasted

1795
01:42:38,240 --> 01:42:40,639
Speaker 1: only ten seconds and almost made me throw up, Honey.

1796
01:42:41,280 --> 01:42:46,120
Speaker 1: And it's been easier, sweetie. I don't even have number sames,

1797
01:42:46,320 --> 01:42:48,560
Speaker 1: so I don't I don't know who this is so

1798
01:42:49,080 --> 01:42:50,760
Speaker 1: I let it go to voicemail, but for some reason,

1799
01:42:50,880 --> 01:42:53,240
Speaker 1: you don't leave a voicemail, and the rest of the

1800
01:42:53,320 --> 01:42:55,880
Speaker 1: day I'm having a panic attack. And one time somebody

1801
01:42:55,960 --> 01:42:57,840
Speaker 1: texted me and I paid to find out who it

1802
01:42:57,920 --> 01:43:01,000
Speaker 1: wasn't it was gen really, and I dragging. I was

1803
01:43:01,040 --> 01:43:03,439
Speaker 1: just me saying I don't save anybody's number. Now I

1804
01:43:03,680 --> 01:43:05,400
Speaker 1: did save his number, and to have some of my

1805
01:43:05,479 --> 01:43:08,080
Speaker 1: family's never said, but stop calling because I don't I

1806
01:43:08,080 --> 01:43:10,400
Speaker 1: don't know what what the number is when you call.

1807
01:43:10,520 --> 01:43:13,200
Speaker 1: And also, please don't FaceTime unless you tell me before

1808
01:43:13,200 --> 01:43:14,800
Speaker 1: they you're going to face find me. And none of

1809
01:43:14,880 --> 01:43:16,679
Speaker 1: this applies to your family or friends. But it doesn't

1810
01:43:16,680 --> 01:43:18,639
Speaker 1: make me nervous to get a call or a FaceTime

1811
01:43:18,720 --> 01:43:20,559
Speaker 1: when I don't know what's coming. So just text me before.

1812
01:43:21,800 --> 01:43:25,760
Speaker 1: And that's the one. In a minute, thank you for

1813
01:43:25,920 --> 01:43:28,559
Speaker 1: speaking truly. Don't you get nervous when you get calls?

1814
01:43:28,640 --> 01:43:32,240
Speaker 1: It just throws away literally? And I want to I

1815
01:43:32,479 --> 01:43:34,400
Speaker 1: can I can I reveal something right now? Someone has

1816
01:43:34,439 --> 01:43:36,400
Speaker 1: been knocking on my door and ringing my doorbell for

1817
01:43:36,520 --> 01:43:38,760
Speaker 1: like the whole the last two minutes, and and this

1818
01:43:38,920 --> 01:43:41,000
Speaker 1: is very this situation, So can I just go see

1819
01:43:41,000 --> 01:43:43,960
Speaker 1: who it is, and I'm like, yes, old o, my god,

1820
01:43:44,120 --> 01:43:48,120
Speaker 1: be careful. I'm scared that's someone knocking. That has to

1821
01:43:48,200 --> 01:43:57,639
Speaker 1: be like a package deliver delivered or we gotta keep

1822
01:43:57,640 --> 01:44:00,280
Speaker 1: all that. Yeah, he's only computer doing a zoom thing said,

1823
01:44:01,240 --> 01:44:03,400
Speaker 1: what could it be? What was that? What was that?

1824
01:44:03,520 --> 01:44:05,000
Speaker 1: I left my keys on the door and it was

1825
01:44:05,080 --> 01:44:12,920
Speaker 1: some good and that you hope that gives reason to

1826
01:44:13,120 --> 01:44:18,719
Speaker 1: pick up that phone to answer that door. That's the reason.

1827
01:44:18,960 --> 01:44:20,800
Speaker 1: That's what's scary about a call is that I think

1828
01:44:20,960 --> 01:44:22,920
Speaker 1: if it's not a text or an email, something must

1829
01:44:22,920 --> 01:44:26,200
Speaker 1: be important or or something. So I'm freaked out. If

1830
01:44:26,200 --> 01:44:27,960
Speaker 1: you don't leave a message, then I'm gonna wonder what

1831
01:44:28,040 --> 01:44:29,160
Speaker 1: it is. But I'm not going to answer if I

1832
01:44:29,200 --> 01:44:30,760
Speaker 1: don't know have your number saved? You know what I mean?

1833
01:44:31,160 --> 01:44:34,720
Speaker 1: I think you're for texting yourself. Yeah a question if

1834
01:44:34,760 --> 01:44:36,680
Speaker 1: you're If you're not saving some of these numbers, then

1835
01:44:37,040 --> 01:44:38,920
Speaker 1: when someone texts you from the number, you just have

1836
01:44:39,000 --> 01:44:41,240
Speaker 1: to do you prefer you just look back at the

1837
01:44:41,280 --> 01:44:43,200
Speaker 1: old text to be like, oh, it's that person getting

1838
01:44:43,200 --> 01:44:45,960
Speaker 1: a little better about saving numbers. Like, but I will

1839
01:44:46,080 --> 01:44:47,680
Speaker 1: have to a lot of times read what we just

1840
01:44:47,800 --> 01:44:49,760
Speaker 1: said to each other to like be like, yes, who.

1841
01:44:50,400 --> 01:44:54,479
Speaker 1: Sometimes I'll answer and I don't know who. I've had

1842
01:44:54,560 --> 01:44:57,120
Speaker 1: full conversations with people, um, but I don't know who

1843
01:44:57,200 --> 01:45:01,080
Speaker 1: it is and literally sometimes a way to figure out

1844
01:45:01,120 --> 01:45:03,559
Speaker 1: who we were talking to. But I want every everyone

1845
01:45:03,640 --> 01:45:06,160
Speaker 1: else there were texted with me to know it could

1846
01:45:06,240 --> 01:45:10,920
Speaker 1: be you. I've had people where I don't know where

1847
01:45:10,920 --> 01:45:12,320
Speaker 1: I know them from. They're fully talking to me and

1848
01:45:12,360 --> 01:45:14,880
Speaker 1: I slowly realize who it is who I know them from,

1849
01:45:15,439 --> 01:45:18,360
Speaker 1: and then I'm like retracing my steps. Did I react

1850
01:45:18,400 --> 01:45:19,720
Speaker 1: the way I should have? You know what I mean?

1851
01:45:21,439 --> 01:45:23,479
Speaker 1: And usually it's no, And it's like I created a

1852
01:45:23,600 --> 01:45:27,960
Speaker 1: weird vibe, right, And it's also it's also interesting to

1853
01:45:28,120 --> 01:45:31,160
Speaker 1: sort of interact with this person who you know you know,

1854
01:45:31,479 --> 01:45:34,040
Speaker 1: but but you don't because of the contact, because then

1855
01:45:34,280 --> 01:45:37,600
Speaker 1: you do start like analyzing the way they speak, like

1856
01:45:37,720 --> 01:45:41,439
Speaker 1: awesome sauce, like when someone says, hey mama, when someone

1857
01:45:41,560 --> 01:45:49,679
Speaker 1: says Chica, when someone says girly, girly, girly, girly, god,

1858
01:45:49,920 --> 01:45:52,240
Speaker 1: girly is so funny if you're doing it funny, And

1859
01:45:52,320 --> 01:45:57,360
Speaker 1: then I'm doing funny. Yeah it's and now I'm like,

1860
01:45:57,400 --> 01:45:59,320
Speaker 1: am I doing it as a joke or not, because

1861
01:45:59,360 --> 01:46:03,439
Speaker 1: now I said, well slowly over time. Yeah. The other

1862
01:46:03,560 --> 01:46:05,360
Speaker 1: thing is if you're talking to someone in person and

1863
01:46:05,400 --> 01:46:07,960
Speaker 1: you're figuring out who it is, there's a moment where

1864
01:46:08,000 --> 01:46:09,600
Speaker 1: you do realize who it is and you're trying not

1865
01:46:09,720 --> 01:46:11,720
Speaker 1: to show that excitement on your face, you know what

1866
01:46:11,760 --> 01:46:15,599
Speaker 1: I mean, Like like you're talking to someone you don't

1867
01:46:15,720 --> 01:46:17,560
Speaker 1: know where you know them from. But then then you

1868
01:46:17,680 --> 01:46:20,000
Speaker 1: finally clicks and you don't want to be like, oh

1869
01:46:20,160 --> 01:46:25,720
Speaker 1: my god, because they've thought yes, yeah, yeah, and then

1870
01:46:25,840 --> 01:46:27,720
Speaker 1: you feel bummed that you didn't act that excited from

1871
01:46:27,720 --> 01:46:32,080
Speaker 1: the beginning. Yeah, you want to go back. Yeah, it's

1872
01:46:37,520 --> 01:46:42,880
Speaker 1: so beautiful. Oh well, I'll tell you something. After a

1873
01:46:42,920 --> 01:46:46,360
Speaker 1: traumatic experience today, I was gonna ask you, how do

1874
01:46:46,439 --> 01:46:48,920
Speaker 1: you feel? I feel? Okay. I think I'm just gonna

1875
01:46:49,080 --> 01:46:53,120
Speaker 1: lay down after this and like just chill. Because it's

1876
01:46:53,120 --> 01:46:55,320
Speaker 1: so funny what happens like when you're in something like that,

1877
01:46:55,439 --> 01:46:57,720
Speaker 1: Like at first you're kind of like I'm fine, I'm fine,

1878
01:46:57,920 --> 01:46:59,680
Speaker 1: I'm totally fine, and then like an hour and a

1879
01:46:59,680 --> 01:47:02,599
Speaker 1: half later, you're like, oh no, I just that just happened.

1880
01:47:03,040 --> 01:47:04,880
Speaker 1: So I probably just laid down. But I will say

1881
01:47:05,160 --> 01:47:08,160
Speaker 1: that this flipped my whole day around, and I think

1882
01:47:08,240 --> 01:47:09,840
Speaker 1: even at the end of it, I will call it

1883
01:47:09,920 --> 01:47:14,759
Speaker 1: a good day. Oh you're not just saying that kidding

1884
01:47:15,560 --> 01:47:20,360
Speaker 1: literally not. I've been such a shockingly good food after this,

1885
01:47:20,560 --> 01:47:22,760
Speaker 1: because you really are so funny and so funny and

1886
01:47:22,800 --> 01:47:25,439
Speaker 1: good guys are so funny. I'm feel so easy to

1887
01:47:25,560 --> 01:47:28,320
Speaker 1: talk to. I can. I can listen to you talk forever. Man,

1888
01:47:28,520 --> 01:47:31,759
Speaker 1: you guys, because I get so anxious sometimes for podcasts.

1889
01:47:31,760 --> 01:47:34,320
Speaker 1: I get nervous in this. You just made me laugh.

1890
01:47:34,400 --> 01:47:39,519
Speaker 1: I think I talked too much. No, no, never, so

1891
01:47:39,880 --> 01:47:43,000
Speaker 1: fun you guys cracked me up. I'm crying, Meg, Well,

1892
01:47:43,040 --> 01:47:47,560
Speaker 1: you're crying a lot. You you test me, you go,

1893
01:47:47,960 --> 01:47:50,640
Speaker 1: you're saying that, but I don't see the tears. Know,

1894
01:47:50,800 --> 01:47:52,800
Speaker 1: you made me laugh so hard. This was like so

1895
01:47:53,000 --> 01:47:55,759
Speaker 1: much fun. You got to come back on any time?

1896
01:47:55,920 --> 01:48:01,200
Speaker 1: This is true next week? Why not? Busy? Next week?

1897
01:48:02,120 --> 01:48:04,080
Speaker 1: I got I log on every time. You're like, I

1898
01:48:04,160 --> 01:48:08,920
Speaker 1: didn't know she was coming in today. She's so funny.

1899
01:48:08,960 --> 01:48:12,280
Speaker 1: If I really did that, I guess she's been on

1900
01:48:12,360 --> 01:48:18,040
Speaker 1: in two consecutive weeks talking every We're to have another

1901
01:48:18,160 --> 01:48:20,920
Speaker 1: host kind of come in for a year. Um no,

1902
01:48:21,160 --> 01:48:23,120
Speaker 1: but like Um, I feel like one of my big

1903
01:48:23,200 --> 01:48:25,639
Speaker 1: regrets about leaving New York was that we never get

1904
01:48:25,680 --> 01:48:27,840
Speaker 1: to hang out. Really, I r L like, I feel

1905
01:48:27,880 --> 01:48:29,640
Speaker 1: like you never got to hang I never got to

1906
01:48:29,760 --> 01:48:32,160
Speaker 1: hang out with Mega. I know, we kind of missed

1907
01:48:32,200 --> 01:48:35,360
Speaker 1: each other on the goddamn scene as it were. I'm

1908
01:48:35,439 --> 01:48:37,160
Speaker 1: so obsessed with you guys, and I met you on

1909
01:48:37,200 --> 01:48:38,840
Speaker 1: the same day and was like, I need to be

1910
01:48:38,960 --> 01:48:40,920
Speaker 1: best friends with you guys, and we could. We didn't

1911
01:48:40,960 --> 01:48:43,599
Speaker 1: get to hang out in person for longer than a minute.

1912
01:48:43,640 --> 01:48:47,839
Speaker 1: But and it's also it is it is unfortunately history

1913
01:48:48,000 --> 01:48:50,759
Speaker 1: that you were We're supposed to be our guest the weekend.

1914
01:48:50,840 --> 01:48:56,680
Speaker 1: That isn't that right? Yeah that's true. Yeah, I know,

1915
01:48:56,960 --> 01:48:59,240
Speaker 1: I know. So this is this is a beautiful you know,

1916
01:49:00,000 --> 01:49:03,040
Speaker 1: azure for that. But it's also I mean, it's also

1917
01:49:03,160 --> 01:49:05,360
Speaker 1: just so special because I mean, Matt and I talked

1918
01:49:05,400 --> 01:49:07,519
Speaker 1: about you all the time and then fucking and then

1919
01:49:07,560 --> 01:49:09,680
Speaker 1: Meg did um the show that Sudy Mo and I

1920
01:49:09,800 --> 01:49:13,839
Speaker 1: did at Freehand Hotel that was like the last shows

1921
01:49:14,320 --> 01:49:18,040
Speaker 1: I did line and you and you killed. I've never

1922
01:49:18,120 --> 01:49:25,400
Speaker 1: seen anyone I know you are truly, you know, what's

1923
01:49:25,760 --> 01:49:28,280
Speaker 1: what's really, what's the real truth is that when I

1924
01:49:28,400 --> 01:49:33,400
Speaker 1: did my Christmas show and Chicago to not this last December,

1925
01:49:33,439 --> 01:49:38,439
Speaker 1: but before at the Hideout, everyone there was like you

1926
01:49:38,520 --> 01:49:41,720
Speaker 1: were so good. We came here because um, like we're

1927
01:49:41,800 --> 01:49:44,280
Speaker 1: fans of like Meg, and like we found everyone when

1928
01:49:44,439 --> 01:49:47,320
Speaker 1: like like truly like you were like they're like, how

1929
01:49:47,439 --> 01:49:50,439
Speaker 1: is Meg? Like we miss Meg? Like they love you

1930
01:49:50,560 --> 01:49:53,640
Speaker 1: at the Hideout and like that whole the Hideouts the

1931
01:49:53,800 --> 01:49:56,880
Speaker 1: best place in the whole world. That whole community missed you.

1932
01:49:57,720 --> 01:50:00,639
Speaker 1: Oh that makes me cry. I I just love Chicago

1933
01:50:00,760 --> 01:50:05,519
Speaker 1: so much and so just in the Hideout just I mean,

1934
01:50:05,600 --> 01:50:09,040
Speaker 1: it feels unreal when that room is packed. It was crazy.

1935
01:50:12,280 --> 01:50:15,680
Speaker 1: But know when that when that we had a good

1936
01:50:15,680 --> 01:50:19,320
Speaker 1: audience that night, when that space is very the energy

1937
01:50:19,439 --> 01:50:22,800
Speaker 1: is very electric, and it really felt like like like

1938
01:50:22,960 --> 01:50:25,560
Speaker 1: just a hot vibe, but it was very Yes, it

1939
01:50:25,760 --> 01:50:27,479
Speaker 1: is insane and just I don't know what it is

1940
01:50:27,800 --> 01:50:30,680
Speaker 1: people standing or the size of the room, like just

1941
01:50:30,800 --> 01:50:33,280
Speaker 1: the people that come there, it's just, oh my god.

1942
01:50:33,439 --> 01:50:36,439
Speaker 1: And then every ever been there, I've never done a

1943
01:50:36,520 --> 01:50:39,400
Speaker 1: show there. You have to when it comes back around.

1944
01:50:39,439 --> 01:50:40,720
Speaker 1: I want to, and you want to. But I just

1945
01:50:40,800 --> 01:50:43,880
Speaker 1: I was just gonna say that, like the Chicago vibe

1946
01:50:43,920 --> 01:50:45,800
Speaker 1: and the whole community and the ethos of it is

1947
01:50:46,120 --> 01:50:48,400
Speaker 1: of common like you were wearing a Sarah squirmstreet right now,

1948
01:50:48,560 --> 01:50:50,760
Speaker 1: right like I'm just like, god, like what like a

1949
01:50:50,920 --> 01:50:55,360
Speaker 1: special place my best friend just so fun coming up there,

1950
01:50:55,439 --> 01:50:58,400
Speaker 1: like because we're all doing it for fun and everyone's

1951
01:50:58,439 --> 01:51:01,040
Speaker 1: so good there because like you're just like comedy school.

1952
01:51:01,080 --> 01:51:04,000
Speaker 1: No one's watching us, you know, like no one's there's

1953
01:51:04,000 --> 01:51:07,120
Speaker 1: no job that is a that is a vibe that

1954
01:51:07,400 --> 01:51:10,479
Speaker 1: is um. It feels sad to say that. It feels

1955
01:51:10,479 --> 01:51:13,599
Speaker 1: like the end of an era, but that moment in life,

1956
01:51:13,720 --> 01:51:15,880
Speaker 1: like for us, it was that like wow, all of

1957
01:51:15,960 --> 01:51:17,600
Speaker 1: a sudden, Now we started talking about this at the

1958
01:51:17,720 --> 01:51:21,040
Speaker 1: end of the episode when it's like but like like

1959
01:51:21,200 --> 01:51:24,040
Speaker 1: that just going to UCB and like the good days

1960
01:51:24,520 --> 01:51:27,519
Speaker 1: like or like the live shows, any Brooklyn show, like

1961
01:51:27,600 --> 01:51:29,920
Speaker 1: when we were performing college but and like go to

1962
01:51:29,960 --> 01:51:32,599
Speaker 1: Skidmore and stuff like you know that that's like truly

1963
01:51:32,640 --> 01:51:35,479
Speaker 1: a moment in time, like those formative comedy years when

1964
01:51:35,479 --> 01:51:38,160
Speaker 1: everyone was just going for I've always loved it before.

1965
01:51:38,360 --> 01:51:40,600
Speaker 1: I feel like I have other people that I know

1966
01:51:40,760 --> 01:51:42,759
Speaker 1: that like are just like when's it going to happen?

1967
01:51:43,160 --> 01:51:45,519
Speaker 1: And I love before when when is it going to happen?

1968
01:51:45,560 --> 01:51:49,719
Speaker 1: Like I love waiting to see they don't realize it's happening. Yes, yeah, totally,

1969
01:51:49,880 --> 01:51:52,439
Speaker 1: Like oh my god, it was so much fun and

1970
01:51:52,880 --> 01:51:55,200
Speaker 1: and even now I'm like I can't wait to see

1971
01:51:55,240 --> 01:51:57,559
Speaker 1: what happens. Like I like the like not being famous

1972
01:51:57,640 --> 01:52:00,439
Speaker 1: and being like people can discover your stuff, like who

1973
01:52:00,520 --> 01:52:03,360
Speaker 1: wants to? I don't know. It's fun, it is, it is,

1974
01:52:03,479 --> 01:52:07,479
Speaker 1: I go, but I want to be famous, kidding. Put

1975
01:52:07,520 --> 01:52:10,559
Speaker 1: me in a film, I'm like, but get me offline, honey,

1976
01:52:10,560 --> 01:52:13,960
Speaker 1: you put me on the screen, put me in front

1977
01:52:14,000 --> 01:52:17,400
Speaker 1: of a camera. It's a big one, you know. But

1978
01:52:17,600 --> 01:52:19,920
Speaker 1: that part is obviously the dream, Like how fun to

1979
01:52:20,000 --> 01:52:23,200
Speaker 1: be like making TV and movies one day. But like

1980
01:52:23,720 --> 01:52:28,000
Speaker 1: I just think being in Chicago, no one knowing like anything,

1981
01:52:28,120 --> 01:52:30,600
Speaker 1: and even before I put stuff online, just being like

1982
01:52:31,080 --> 01:52:32,720
Speaker 1: being at a show and having to like win the

1983
01:52:32,800 --> 01:52:36,120
Speaker 1: audience over and I'm this big freak on stage and

1984
01:52:36,200 --> 01:52:38,759
Speaker 1: like they don't know me. That's so fun. I always

1985
01:52:38,800 --> 01:52:41,360
Speaker 1: love that. I always always But it's like sort of

1986
01:52:41,439 --> 01:52:43,639
Speaker 1: like ingrained in you as a performer, like the way

1987
01:52:43,720 --> 01:52:46,160
Speaker 1: to do that because I see you go up on

1988
01:52:46,320 --> 01:52:48,880
Speaker 1: I I would see you go out on stage and

1989
01:52:48,960 --> 01:52:50,680
Speaker 1: I will see you in the future where you just

1990
01:52:50,880 --> 01:52:54,600
Speaker 1: like immediately everyone's like, wow, we're key, we're keying the

1991
01:52:54,680 --> 01:52:58,160
Speaker 1: fucking you know, and yeah, you carry the light. You

1992
01:52:58,280 --> 01:53:03,519
Speaker 1: really are, Oh my god, and that's really getting the tools. Well,

1993
01:53:03,560 --> 01:53:05,439
Speaker 1: you guys know, I'm so obsessed with you guys, So

1994
01:53:05,520 --> 01:53:08,080
Speaker 1: that's so nice to say. Like, I've been a huge

1995
01:53:08,120 --> 01:53:10,080
Speaker 1: fan before I even knew who I was. I was

1996
01:53:10,200 --> 01:53:14,519
Speaker 1: obsessed with you. We're obsessed with you and we together.

1997
01:53:15,640 --> 01:53:22,519
Speaker 1: You're awesome, Sauce Bunny obsessed, like fucking awesome, Sauce Bunny.

1998
01:53:22,760 --> 01:53:26,040
Speaker 1: It was Bunny awesome. Sauce was so everyone. Everyone's talking

1999
01:53:26,080 --> 01:53:30,880
Speaker 1: about it for him. Oh god, it's really bad, isn't it.

2000
01:53:31,479 --> 01:53:33,720
Speaker 1: I'm hearing no, I'm hearing you stay it out loud

2001
01:53:33,760 --> 01:53:36,160
Speaker 1: and it makes me laughing. I think we've got to

2002
01:53:36,200 --> 01:53:39,240
Speaker 1: start calling each other Bunny. I Anny could be cute.

2003
01:53:39,720 --> 01:53:44,080
Speaker 1: Hey Bunny right on the grammar earlier to a lover.

2004
01:53:46,200 --> 01:53:49,559
Speaker 1: Maybe weird, but you know what it works shortening bunny

2005
01:53:49,640 --> 01:53:52,479
Speaker 1: to bun. Oh my god, but hey Bun. I don't

2006
01:53:52,479 --> 01:53:54,920
Speaker 1: know if it works for me. It's a confab and hon.

2007
01:53:56,640 --> 01:53:59,120
Speaker 1: I think what it works is when you're a nanny

2008
01:53:59,160 --> 01:54:01,599
Speaker 1: and you're calling the you're watching a bunny. That's cute,

2009
01:54:01,760 --> 01:54:07,640
Speaker 1: bunny bird. I say bird a lot, but to it, no, no,

2010
01:54:08,520 --> 01:54:11,280
Speaker 1: someone exactly my age. I want to call them bunny.

2011
01:54:11,840 --> 01:54:18,719
Speaker 1: You like it now. I'm like, I like you looked.

2012
01:54:18,800 --> 01:54:24,600
Speaker 1: I'm like you looked amazing, bunny, you look great. But

2013
01:54:24,840 --> 01:54:32,760
Speaker 1: I missed you, bunny. I misuny fun you killed, you killed,

2014
01:54:33,240 --> 01:54:38,280
Speaker 1: you killed. If there's my bunny kid girl, Hey bunny boy,

2015
01:54:39,080 --> 01:54:43,480
Speaker 1: funny bunny boy is actually cute, Hey bunny boy. I

2016
01:54:43,560 --> 01:54:49,240
Speaker 1: feel like work says you're a funny, funny bunny, cute,

2017
01:54:49,400 --> 01:54:52,360
Speaker 1: honestly kind of cute. And to think that he's a father,

2018
01:54:52,720 --> 01:54:57,280
Speaker 1: he could say that kids telling a kid bunny or bird,

2019
01:54:57,520 --> 01:55:00,560
Speaker 1: that's funny, adorable. I think we can all agree, and

2020
01:55:01,560 --> 01:55:04,800
Speaker 1: I think these kids and this is actually it's it's

2021
01:55:04,800 --> 01:55:07,600
Speaker 1: actually segways beautifully into the song that we finished every

2022
01:55:07,640 --> 01:55:10,720
Speaker 1: episode with, and then Meg will join us. Kids are

2023
01:55:11,080 --> 01:55:18,240
Speaker 1: like a bird. Hm hmmm, I like a bird my way.

2024
01:55:19,480 --> 01:55:31,360
Speaker 1: I don't know, my I don't know, I don't know.

2025
01:55:32,760 --> 01:55:38,560
Speaker 1: To listen to that song, you listen to Nellie Vertato, fine,