1 00:00:00,760 --> 00:00:03,760 Speaker 1: I Am all In. 2 00:00:08,200 --> 00:00:20,640 Speaker 2: I Am all In with Scott Patterson, an iHeartRadio podcast. 3 00:00:20,800 --> 00:00:23,760 Speaker 1: Hey everybody, Scott Patterson, I Am all In Podcast one 4 00:00:23,760 --> 00:00:28,920 Speaker 1: eleven productions. iHeart Radio, iHeart Media, iHeart podcasts. One on 5 00:00:28,920 --> 00:00:32,920 Speaker 1: one interview. Anyway, we're joined by Suzanne French and we 6 00:00:33,040 --> 00:00:40,520 Speaker 1: have the ubiquitous and talented and probably a cast favorite. 7 00:00:40,560 --> 00:00:45,360 Speaker 1: I would say, Robert Lee is here. He is, you know, 8 00:00:45,600 --> 00:00:50,320 Speaker 1: one of the the characters in the show. You see 9 00:00:50,400 --> 00:00:55,000 Speaker 1: him every single episode, all over every episode. He wears 10 00:00:55,080 --> 00:00:59,400 Speaker 1: many hats on that show. I wouldn't even call him 11 00:00:59,440 --> 00:01:01,680 Speaker 1: an extra. I would call him an extension of the 12 00:01:01,800 --> 00:01:05,039 Speaker 1: cast because he fills so many roles every single day. 13 00:01:05,680 --> 00:01:07,200 Speaker 1: I'll tell you a little bit about him. He's a 14 00:01:07,200 --> 00:01:11,360 Speaker 1: background performer for Gilmore Girls, and he's seen as one 15 00:01:11,360 --> 00:01:14,600 Speaker 1: of the townspeople. Then he became a waiter at Luke's Diner. 16 00:01:14,840 --> 00:01:19,240 Speaker 1: And you recognize Robert. You see him in every episode. 17 00:01:19,319 --> 00:01:28,440 Speaker 1: And we'll be right back after Robert's interview after these words. Robert, 18 00:01:28,480 --> 00:01:32,520 Speaker 1: welcome to the program. It's great to have you on, 19 00:01:32,840 --> 00:01:35,240 Speaker 1: and how are you, my friend. 20 00:01:35,400 --> 00:01:38,200 Speaker 3: Nice to see you, Nice to see you, Scott. Thank you. 21 00:01:38,240 --> 00:01:39,240 Speaker 3: That was very kind of you. 22 00:01:40,200 --> 00:01:44,840 Speaker 1: There are no small roles on Gilmore Girls, and you 23 00:01:44,920 --> 00:01:49,120 Speaker 1: are the You are the most recognized extra. How did 24 00:01:49,160 --> 00:01:52,960 Speaker 1: you start doing? And I don't even want to refer 25 00:01:53,000 --> 00:01:56,120 Speaker 1: to it as background work because you were so prominent 26 00:01:56,240 --> 00:01:59,200 Speaker 1: in every episode, But I guess, I guess technically, yes, 27 00:01:59,360 --> 00:02:02,880 Speaker 1: you're a background How did you get started that? 28 00:02:04,800 --> 00:02:07,520 Speaker 4: Back in the day, I was a or I still am, 29 00:02:07,560 --> 00:02:12,200 Speaker 4: an IT consultant. I specialized in the Apple computers. And 30 00:02:12,800 --> 00:02:16,359 Speaker 4: back in the two thousands we were brand new with computers. 31 00:02:16,400 --> 00:02:20,840 Speaker 4: The ads, the directors and producers were very kind of 32 00:02:22,639 --> 00:02:26,440 Speaker 4: using computers, but they were still a little scared of them. Man. 33 00:02:27,560 --> 00:02:30,800 Speaker 4: I was a consultant and helped out a lot of 34 00:02:30,840 --> 00:02:34,079 Speaker 4: production and helped out a lot of ads, and they 35 00:02:34,080 --> 00:02:36,840 Speaker 4: had me close by making me background on a show. 36 00:02:37,800 --> 00:02:41,320 Speaker 1: There you go. You get the good grades, you got 37 00:02:41,320 --> 00:02:43,960 Speaker 1: the big brain. They're gonna need you. 38 00:02:45,200 --> 00:02:47,320 Speaker 5: And then when something goes wrong with the computer, you're 39 00:02:47,440 --> 00:02:48,480 Speaker 5: right there to fix it. 40 00:02:48,680 --> 00:02:51,040 Speaker 3: All right, that's exactly right. 41 00:02:51,200 --> 00:02:53,240 Speaker 1: How many times did I call you because you used 42 00:02:53,240 --> 00:02:54,920 Speaker 1: to live right down the street from me when I 43 00:02:55,000 --> 00:02:58,079 Speaker 1: lived in la And how many times did I call you, Robert, 44 00:02:59,200 --> 00:03:03,240 Speaker 1: call me, please help me with my laptop, help me 45 00:03:03,360 --> 00:03:06,280 Speaker 1: with my deskto and you'd come over and solve the problem. 46 00:03:06,440 --> 00:03:07,000 Speaker 1: Pete Kids. 47 00:03:07,080 --> 00:03:08,040 Speaker 3: Absolutely No. 48 00:03:08,160 --> 00:03:10,799 Speaker 4: One of the big things that was great is that 49 00:03:11,240 --> 00:03:18,959 Speaker 4: on set show in which we had the Tarantino Quentin 50 00:03:18,960 --> 00:03:26,240 Speaker 4: Tarantino party where everybody was dressed up as one of 51 00:03:26,280 --> 00:03:30,560 Speaker 4: his movie characters. The wardrow department and the makeup department 52 00:03:30,600 --> 00:03:34,040 Speaker 4: we're having trouble getting screenshots from the movies because that 53 00:03:34,080 --> 00:03:37,800 Speaker 4: wasn't allowed on computers in those days. So I was 54 00:03:37,840 --> 00:03:41,960 Speaker 4: pulled aside and I was able to hack it, which 55 00:03:42,240 --> 00:03:44,680 Speaker 4: was part of my job, and I was able to 56 00:03:44,720 --> 00:03:47,360 Speaker 4: get the wardrobe and make up all the pictures of 57 00:03:47,400 --> 00:03:51,280 Speaker 4: the different characters that they wanted to put into that party. 58 00:03:52,440 --> 00:03:56,520 Speaker 1: That's fantastic. Look at that the fringe benefits. Yeah. Man, 59 00:03:56,920 --> 00:04:00,160 Speaker 1: you wore so many hats on that show. You were 60 00:04:00,200 --> 00:04:02,240 Speaker 1: more valuable than I was. 61 00:04:02,400 --> 00:04:05,240 Speaker 5: I was watching an episode recently. That was the episode 62 00:04:05,280 --> 00:04:11,880 Speaker 5: where Lorelei and Max had their wetting their like their 63 00:04:11,920 --> 00:04:15,400 Speaker 5: bridal shower in the town square, and you were in 64 00:04:15,440 --> 00:04:17,799 Speaker 5: the background dancing with Ms. 65 00:04:17,800 --> 00:04:18,120 Speaker 1: Patty. 66 00:04:20,040 --> 00:04:23,240 Speaker 5: So that probably wasn't part of your job description as 67 00:04:23,400 --> 00:04:24,360 Speaker 5: it consultant. 68 00:04:24,400 --> 00:04:26,680 Speaker 3: I would guess that's right. 69 00:04:27,080 --> 00:04:29,040 Speaker 4: That was a lot of fun I got to I 70 00:04:29,160 --> 00:04:33,080 Speaker 4: started off mainly in the first two seasons as a townsperson. 71 00:04:34,760 --> 00:04:38,400 Speaker 4: In season three and especially season four, they transitioned me 72 00:04:38,480 --> 00:04:41,720 Speaker 4: into being a busboy in the diner. 73 00:04:42,279 --> 00:04:46,159 Speaker 1: And so take us through a typical day. You show up, 74 00:04:46,200 --> 00:04:49,640 Speaker 1: what time you know, you get there before everybody else does. 75 00:04:49,720 --> 00:04:54,160 Speaker 1: So tell us about your interactions and what your typical 76 00:04:54,240 --> 00:04:54,719 Speaker 1: day was like. 77 00:04:55,640 --> 00:04:58,880 Speaker 4: Yeah, I usually wanted to get on set about an 78 00:04:58,880 --> 00:05:01,560 Speaker 4: hour early, and I would would. 79 00:05:01,360 --> 00:05:03,760 Speaker 1: Be about five am, six am. 80 00:05:04,360 --> 00:05:06,080 Speaker 4: Oh, I don't know if it was that or it depends, 81 00:05:06,120 --> 00:05:09,400 Speaker 4: because they would only start they started only using me 82 00:05:10,080 --> 00:05:12,600 Speaker 4: in the diner, So sometimes the diner would be in 83 00:05:12,640 --> 00:05:15,160 Speaker 4: the beginning of the day. Sometimes the diner would be 84 00:05:15,200 --> 00:05:18,720 Speaker 4: a later or middle part of the day because they 85 00:05:18,720 --> 00:05:21,960 Speaker 4: didn't want to jump cut to me walking in the 86 00:05:22,000 --> 00:05:24,080 Speaker 4: street and jump back in the diner and then all 87 00:05:24,120 --> 00:05:28,240 Speaker 4: of a sudden you see a background teleporting between two scenes. 88 00:05:28,920 --> 00:05:32,039 Speaker 4: And I would get there about an hour early, get 89 00:05:32,080 --> 00:05:35,719 Speaker 4: the sides, which were the words for the particular scene 90 00:05:35,760 --> 00:05:41,280 Speaker 4: of the day, and I would read this script, memorize it, 91 00:05:41,520 --> 00:05:44,640 Speaker 4: get to know it very well because it was real 92 00:05:44,680 --> 00:05:50,960 Speaker 4: important for me to match my crosses behind Scott Laura 93 00:05:51,000 --> 00:05:56,440 Speaker 4: Lai by Bett Mss Patty Kirk and not jump in 94 00:05:56,560 --> 00:05:59,840 Speaker 4: the shots from one scene to another where it wasn't 95 00:06:01,279 --> 00:06:04,800 Speaker 4: that I was walking from one part to another. So 96 00:06:05,400 --> 00:06:08,919 Speaker 4: it was very important to make sure I didn't screw 97 00:06:09,040 --> 00:06:10,880 Speaker 4: up the shots that. 98 00:06:10,839 --> 00:06:14,080 Speaker 1: Were Oh yeah, I mean, you know, the focus required, 99 00:06:14,480 --> 00:06:19,360 Speaker 1: the concentration required all day, and those were complicated scenes 100 00:06:19,400 --> 00:06:22,120 Speaker 1: in that diner. You know, sometimes there would be like 101 00:06:22,160 --> 00:06:25,120 Speaker 1: an an eight pager or a ten pager and it 102 00:06:25,200 --> 00:06:27,960 Speaker 1: was busy diner and you were giving me plates and 103 00:06:28,000 --> 00:06:31,000 Speaker 1: I was running over to deliver and then say lines 104 00:06:31,000 --> 00:06:33,680 Speaker 1: and come back, and it all had to be choreographed 105 00:06:33,680 --> 00:06:38,480 Speaker 1: and perfectly timed. And your job was as demanding as 106 00:06:38,520 --> 00:06:41,440 Speaker 1: anybody else's because you had to know you had your 107 00:06:41,440 --> 00:06:44,960 Speaker 1: own choreography that had to be timed perfectly so it 108 00:06:44,960 --> 00:06:48,120 Speaker 1: would match take to take to take, so the editors 109 00:06:48,120 --> 00:06:50,760 Speaker 1: could actually use this stuff because if because if you 110 00:06:50,760 --> 00:06:53,359 Speaker 1: don't cross at a certain time on a certain line, 111 00:06:53,480 --> 00:06:55,400 Speaker 1: they're not going to be able to use the take. 112 00:06:56,120 --> 00:07:00,200 Speaker 1: So an incredible amount of effort and concentration, and that 113 00:07:00,320 --> 00:07:02,160 Speaker 1: it took for you to do your job. 114 00:07:03,040 --> 00:07:05,560 Speaker 4: Well, thank you, that's kind of you, see so, but 115 00:07:06,080 --> 00:07:09,240 Speaker 4: I mean, really nothing pales in comparison to the work 116 00:07:09,279 --> 00:07:12,080 Speaker 4: that you did on set. I mean, you guys got 117 00:07:12,160 --> 00:07:16,000 Speaker 4: scripts late, your your the pages that you guys had 118 00:07:16,040 --> 00:07:20,880 Speaker 4: to memorize that the last minute was incredible, and I 119 00:07:21,000 --> 00:07:24,760 Speaker 4: always marveled at the skill and your acting ability on set. 120 00:07:24,800 --> 00:07:25,400 Speaker 1: I just I. 121 00:07:25,520 --> 00:07:28,480 Speaker 4: Always shake my head every time I on set, going 122 00:07:28,560 --> 00:07:33,160 Speaker 4: whan he just he just did like five pages, you know, 123 00:07:33,280 --> 00:07:36,480 Speaker 4: with almost no preparation. I mean, it was easier for 124 00:07:36,480 --> 00:07:38,480 Speaker 4: me to listen to it than you know, I'm sure 125 00:07:38,520 --> 00:07:39,720 Speaker 4: for you to act it. 126 00:07:39,960 --> 00:07:44,600 Speaker 1: Well. You know, the thing is is we didn't mind 127 00:07:44,720 --> 00:07:47,320 Speaker 1: so much because we knew the writing was so good, 128 00:07:48,480 --> 00:07:50,640 Speaker 1: so it was always you know, they were delivering. It's 129 00:07:50,680 --> 00:07:53,720 Speaker 1: like it's like waiting for something, anticipating something that you 130 00:07:53,840 --> 00:07:56,560 Speaker 1: know is going to be better than what you had before. 131 00:07:57,480 --> 00:08:01,000 Speaker 1: And what you had before was great, so you know, 132 00:08:01,720 --> 00:08:03,960 Speaker 1: the fascinating part was how are they going to make 133 00:08:04,000 --> 00:08:06,200 Speaker 1: this better? And then you get this, you know, yeah, 134 00:08:06,360 --> 00:08:08,800 Speaker 1: last minute sometimes and that was a little stressful, but 135 00:08:09,480 --> 00:08:13,960 Speaker 1: you know you could you could pull it off because 136 00:08:13,960 --> 00:08:16,760 Speaker 1: the writing was so great and they made it better 137 00:08:16,880 --> 00:08:21,000 Speaker 1: and they made It's just kind of magical process over there, 138 00:08:21,080 --> 00:08:27,200 Speaker 1: and and and nobody really minded so much. I know 139 00:08:27,280 --> 00:08:32,040 Speaker 1: on the show I'm doing now, there's been some freakouts 140 00:08:32,080 --> 00:08:36,160 Speaker 1: on set because script stuff comes and rewrites come in 141 00:08:36,200 --> 00:08:38,280 Speaker 1: at the last minute, and you know, there was a 142 00:08:38,320 --> 00:08:43,240 Speaker 1: big incident up there, but that I heard about, But 143 00:08:43,400 --> 00:08:48,040 Speaker 1: I never saw that on Gilmour because it was like, oh, yes, okay, 144 00:08:48,080 --> 00:08:51,560 Speaker 1: they're gonna lay some some really great stuff on us, now, 145 00:08:51,760 --> 00:08:54,199 Speaker 1: like how could they make this better? And they always 146 00:08:54,280 --> 00:08:57,679 Speaker 1: did and it was It was marvelous. It was marvelous. 147 00:08:58,120 --> 00:09:02,600 Speaker 4: So I always thought of my job as trying to 148 00:09:02,760 --> 00:09:07,280 Speaker 4: make the diner space that you could work in, that 149 00:09:07,400 --> 00:09:12,400 Speaker 4: you could concentrate on your work and try to help 150 00:09:12,440 --> 00:09:16,160 Speaker 4: out as much I can be there at the right second, 151 00:09:16,320 --> 00:09:19,319 Speaker 4: get that plate to you, get that people out of 152 00:09:19,360 --> 00:09:22,080 Speaker 4: the way, get those bins out of the way. I 153 00:09:22,200 --> 00:09:25,160 Speaker 4: just really wanted to because I just recognized them out 154 00:09:25,160 --> 00:09:27,800 Speaker 4: of work you guys were doing there, and it was marvelous. 155 00:09:28,000 --> 00:09:28,960 Speaker 3: It was really great. 156 00:09:29,200 --> 00:09:31,960 Speaker 1: I miss that. I really miss being in that diner, 157 00:09:32,120 --> 00:09:35,200 Speaker 1: and I missed doing that kind of work with all 158 00:09:35,240 --> 00:09:38,400 Speaker 1: of those physical activities that you had to do and 159 00:09:38,400 --> 00:09:40,640 Speaker 1: all the props that you had to I really miss 160 00:09:40,679 --> 00:09:44,600 Speaker 1: that stuff. It was so I don't know, I just 161 00:09:44,679 --> 00:09:48,000 Speaker 1: it really just got my juices flown. You know, the 162 00:09:48,000 --> 00:09:51,760 Speaker 1: whole competitive my whole competitive side would kick in, like 163 00:09:52,120 --> 00:09:54,760 Speaker 1: you'd really have to challenge yourself. And I'm sure you 164 00:09:54,840 --> 00:09:58,000 Speaker 1: felt the same way when a big scene was coming up, 165 00:09:58,280 --> 00:10:01,280 Speaker 1: all knowing, all the task that you had to complete 166 00:10:01,320 --> 00:10:04,040 Speaker 1: in any given scene was just as much as what 167 00:10:04,120 --> 00:10:05,720 Speaker 1: I had to do or anybody else in the scene 168 00:10:05,720 --> 00:10:07,760 Speaker 1: had to do, right, I mean, you had a million 169 00:10:07,840 --> 00:10:09,240 Speaker 1: things you had to accomplish. 170 00:10:10,360 --> 00:10:14,840 Speaker 4: Yes, it was it was hard work, but it was fun. 171 00:10:15,320 --> 00:10:17,720 Speaker 4: It was fun to be part of the process, right, 172 00:10:17,840 --> 00:10:20,520 Speaker 4: And it's grateful to be part of the process and 173 00:10:20,600 --> 00:10:23,319 Speaker 4: to be part of the scene in such. 174 00:10:23,160 --> 00:10:26,200 Speaker 1: A way, right, And it's fun nailing stuff right, I 175 00:10:26,200 --> 00:10:28,880 Speaker 1: mean when you're almost right. I mean it's like when 176 00:10:28,880 --> 00:10:31,199 Speaker 1: you almost get it and it's like, oh yeah, the 177 00:10:31,240 --> 00:10:34,160 Speaker 1: director comes out and said, listen, could you you know 178 00:10:34,360 --> 00:10:37,120 Speaker 1: on this line, you know, lay a little back on 179 00:10:37,480 --> 00:10:40,280 Speaker 1: right right or whatever, you know, or you met you 180 00:10:40,320 --> 00:10:42,240 Speaker 1: were a little late to the table and the line 181 00:10:42,320 --> 00:10:44,280 Speaker 1: was a little awkward. Yeah, you know, let's just do 182 00:10:44,360 --> 00:10:47,240 Speaker 1: another take, you know, but you're almost there, you're getting it, 183 00:10:47,280 --> 00:10:50,160 Speaker 1: you're almost getting it, and it's like ninety percent there, 184 00:10:50,880 --> 00:10:55,240 Speaker 1: and then the magical take comes and it's finished and 185 00:10:55,280 --> 00:10:57,800 Speaker 1: you're like, wow, we hit it out of the park man. 186 00:10:58,200 --> 00:11:01,319 Speaker 1: You know, we had it in our sites and it's 187 00:11:01,360 --> 00:11:05,720 Speaker 1: just it's just it's so cool. That's that is. You know. 188 00:11:06,360 --> 00:11:09,040 Speaker 1: I don't know whether I think I like the rehearsal process. 189 00:11:09,920 --> 00:11:11,960 Speaker 1: I used to think I like the rehearsal process, like 190 00:11:12,080 --> 00:11:15,000 Speaker 1: creating the dance, you know, because it is a dance. 191 00:11:15,559 --> 00:11:19,480 Speaker 1: But I mean the actual shooting of it. You know, 192 00:11:19,600 --> 00:11:22,440 Speaker 1: sometimes it was frustrating, you know, because of all the 193 00:11:22,480 --> 00:11:25,120 Speaker 1: technical glitches. And you know, you do a good take 194 00:11:25,240 --> 00:11:28,440 Speaker 1: or something and you've experienced that, You've you've gone through 195 00:11:28,520 --> 00:11:30,880 Speaker 1: a ten page scene and it took forever to do 196 00:11:30,920 --> 00:11:34,160 Speaker 1: it and all this movement and there's Sally and Liz 197 00:11:34,240 --> 00:11:38,160 Speaker 1: and Lauren and uh you know, Milo or whoever, and 198 00:11:38,200 --> 00:11:41,000 Speaker 1: everybody's like doing their thing and it's all coming together 199 00:11:41,120 --> 00:11:45,640 Speaker 1: in a master shot and uh sorry, but you know 200 00:11:45,720 --> 00:11:48,640 Speaker 1: there's we we you know, we tried to check the gate, 201 00:11:48,679 --> 00:11:51,000 Speaker 1: but the gate's not good, right, we gotta we gotta 202 00:11:51,080 --> 00:11:56,000 Speaker 1: reload the camera. Do it again. That was the perfect one. 203 00:11:56,120 --> 00:11:59,240 Speaker 1: No no, but then you go do it again, you know, 204 00:11:59,600 --> 00:12:01,800 Speaker 1: do it gun and again and again. I got I 205 00:12:01,880 --> 00:12:06,040 Speaker 1: missed that. I just that was such an intensive environment. 206 00:12:06,040 --> 00:12:08,800 Speaker 1: It was such an intense environment. It was so much fun, 207 00:12:09,160 --> 00:12:10,680 Speaker 1: such a pressure cooker. 208 00:12:11,360 --> 00:12:13,360 Speaker 4: In a great sense of accomplishment when we got the 209 00:12:13,400 --> 00:12:14,120 Speaker 4: scenes done. 210 00:12:14,280 --> 00:12:18,000 Speaker 1: Right, wasn't it though? Wasn't it? Yeah? Didn't you? Didn't 211 00:12:18,000 --> 00:12:20,240 Speaker 1: you feel like a stud when you were walking out 212 00:12:20,280 --> 00:12:23,520 Speaker 1: of the the soundstage and going to lunch and there 213 00:12:23,559 --> 00:12:26,040 Speaker 1: you were we just nailed a ten pager and feeling 214 00:12:26,080 --> 00:12:29,280 Speaker 1: pretty good about ourselves, right, I mean we're like, yeah, 215 00:12:29,600 --> 00:12:30,680 Speaker 1: let's go eat man. 216 00:12:30,840 --> 00:12:44,320 Speaker 5: You know, is there a secret to background acting? Because 217 00:12:44,360 --> 00:12:48,559 Speaker 5: sometimes as we're watching the show, some of the background actors, 218 00:12:48,720 --> 00:12:51,679 Speaker 5: they're almost to the point of being distracting. So how 219 00:12:51,720 --> 00:12:55,400 Speaker 5: do you how do you straddle that line between staying 220 00:12:55,400 --> 00:12:57,959 Speaker 5: in the background but also kind of moving things forward 221 00:12:58,000 --> 00:12:59,960 Speaker 5: like you were talking about, you know, making the diner 222 00:13:00,120 --> 00:13:03,520 Speaker 5: a functional space? Like what is how do you? How 223 00:13:03,520 --> 00:13:04,520 Speaker 5: do you walk that line? 224 00:13:05,920 --> 00:13:08,480 Speaker 4: It's It's one of the things that I like to 225 00:13:08,520 --> 00:13:11,800 Speaker 4: tell and that's what some of theTimes the ads would 226 00:13:11,840 --> 00:13:15,040 Speaker 4: ask me to help people in the diner, is that 227 00:13:15,360 --> 00:13:19,440 Speaker 4: do things with intention and if you're intending to sit 228 00:13:19,480 --> 00:13:21,640 Speaker 4: there and eat, sit there and eat, and then you 229 00:13:21,679 --> 00:13:25,160 Speaker 4: don't you you actually do what you intend to do 230 00:13:25,320 --> 00:13:29,240 Speaker 4: and it's less distracting, just like walking across the camera, 231 00:13:30,040 --> 00:13:32,920 Speaker 4: have a destination in mind and then you walk with 232 00:13:33,040 --> 00:13:35,920 Speaker 4: purpose rather than just kind of wandering way. 233 00:13:35,960 --> 00:13:41,320 Speaker 1: Basic basic acting, Basic acting tips. 234 00:13:41,400 --> 00:13:43,120 Speaker 3: Well, no one know where you're. 235 00:13:43,000 --> 00:13:47,760 Speaker 1: Coming from, and know where you're going. And if you're hungry, eat, 236 00:13:48,040 --> 00:13:51,160 Speaker 1: if you're tired, sleep, That's all you need to know 237 00:13:51,200 --> 00:13:56,040 Speaker 1: about acting. That's it. Yep, and listen. Those are the things. 238 00:13:56,120 --> 00:13:59,920 Speaker 1: And yeah, and I'll help Susan. I'll tell you Robert 239 00:14:00,000 --> 00:14:04,480 Speaker 1: it's a really strong actor too. That's why he knows 240 00:14:04,559 --> 00:14:07,199 Speaker 1: what to do. That's why he knows what to give 241 00:14:07,240 --> 00:14:10,319 Speaker 1: because all of that stuff he talked about, like the walking, 242 00:14:10,360 --> 00:14:13,360 Speaker 1: and when people don't have those instincts, you can really 243 00:14:13,720 --> 00:14:15,719 Speaker 1: they stick out like a sore thumb in the scene, right, 244 00:14:16,400 --> 00:14:19,560 Speaker 1: you know, sometimes where it's so obvious right away, and 245 00:14:19,640 --> 00:14:23,840 Speaker 1: to rehearsal, the director replaces them like could you you know, 246 00:14:23,960 --> 00:14:25,720 Speaker 1: maybe go hang outside for a little bit, and they 247 00:14:25,760 --> 00:14:28,240 Speaker 1: get somebody else, because yeah, can it can? It can 248 00:14:28,520 --> 00:14:32,200 Speaker 1: draw everybody's eye to that person that's not concentrating, right, 249 00:14:32,680 --> 00:14:34,640 Speaker 1: that's the problem. When you got you got ten people 250 00:14:34,640 --> 00:14:37,800 Speaker 1: in the scene, everybody's focused and concentrating, there's somebody in 251 00:14:37,840 --> 00:14:40,560 Speaker 1: the scene that isn't concentrating. That's where the attention goes, 252 00:14:40,600 --> 00:14:44,280 Speaker 1: and that's what kills the scene. So yeah, you know Roberts. 253 00:14:44,360 --> 00:14:45,880 Speaker 1: Roberts got the skills, man. 254 00:14:46,520 --> 00:14:46,720 Speaker 2: Yea. 255 00:14:47,760 --> 00:14:49,720 Speaker 1: We got a list of questions here. Let's get to 256 00:14:49,760 --> 00:14:51,760 Speaker 1: a couple of them. Was there ever a time that 257 00:14:51,800 --> 00:14:54,360 Speaker 1: you questioned, well, if somebody so many as a waiter, 258 00:14:54,400 --> 00:14:57,040 Speaker 1: then it might confuse the audience if you did another 259 00:14:57,200 --> 00:14:58,080 Speaker 1: background role. 260 00:14:59,120 --> 00:15:03,320 Speaker 4: No, I mean because if I was, especially later when 261 00:15:03,320 --> 00:15:07,480 Speaker 4: I was always the buzzboy, I on purposely stayed deep 262 00:15:07,760 --> 00:15:12,720 Speaker 4: because that's just bad acting to show up somewhere where 263 00:15:12,720 --> 00:15:16,000 Speaker 4: you're not supposed to be. But at the same time, 264 00:15:16,440 --> 00:15:18,560 Speaker 4: you know, there were places that they, you know, were 265 00:15:18,640 --> 00:15:21,400 Speaker 4: allowed to put me, like in the town meetings, and 266 00:15:21,480 --> 00:15:23,840 Speaker 4: you just sat there and it was okay to see 267 00:15:23,840 --> 00:15:27,400 Speaker 4: you there. So but if there was any something that 268 00:15:27,440 --> 00:15:30,720 Speaker 4: I felt a little sketchy about, I'd bury myself a 269 00:15:30,760 --> 00:15:33,240 Speaker 4: little bit further from the camera, so I wouldn't cause 270 00:15:33,240 --> 00:15:34,240 Speaker 4: a problem. 271 00:15:34,240 --> 00:15:36,240 Speaker 1: Right, But but it would makes sense to see it 272 00:15:36,440 --> 00:15:39,320 Speaker 1: outside walking around or in doses. If you're in the background, 273 00:15:39,400 --> 00:15:41,080 Speaker 1: you live in the town, you work in the town 274 00:15:41,080 --> 00:15:44,840 Speaker 1: you work. It looks why wouldn't you be seen, you know, But. 275 00:15:44,880 --> 00:15:45,880 Speaker 3: I didn't know the editing. 276 00:15:46,360 --> 00:15:49,560 Speaker 4: I wouldn't I wouldn't get script, so I didn't know 277 00:15:49,680 --> 00:15:52,160 Speaker 4: if that scene might be in or cut with something 278 00:15:52,240 --> 00:15:55,240 Speaker 4: in the diner, bad bad. 279 00:15:55,160 --> 00:15:58,920 Speaker 5: Bad but the tables and be out on the sidewalk 280 00:15:58,960 --> 00:16:00,680 Speaker 5: walking past the restaurant at the same. 281 00:16:00,480 --> 00:16:03,560 Speaker 1: Time, right. But they but they would know that, you know, 282 00:16:03,640 --> 00:16:06,240 Speaker 1: they they would get a general idea that you can't 283 00:16:06,240 --> 00:16:09,800 Speaker 1: be in in a in a scene that's occurring in 284 00:16:09,960 --> 00:16:12,920 Speaker 1: real time right before right after a diner scene, you 285 00:16:12,920 --> 00:16:13,440 Speaker 1: know what I mean? 286 00:16:14,320 --> 00:16:18,320 Speaker 4: Yeah, but you know, but sometimes they just didn't film 287 00:16:18,400 --> 00:16:21,960 Speaker 4: it in chronological orders, so they did, you know. 288 00:16:22,080 --> 00:16:26,560 Speaker 1: I never did? Yeah, yeah, right exactly. You get recognized 289 00:16:26,600 --> 00:16:28,280 Speaker 1: a lot for the show fans. 290 00:16:30,000 --> 00:16:33,520 Speaker 3: I do. I just yeah, they do? 291 00:16:33,720 --> 00:16:34,560 Speaker 1: They do? They do? 292 00:16:34,760 --> 00:16:37,240 Speaker 4: They come up and say A mother came up to 293 00:16:37,280 --> 00:16:41,240 Speaker 4: me at my dad my Catechism school just about three 294 00:16:41,240 --> 00:16:44,200 Speaker 4: weeks ago, saying I'm sorry, but do I know you? 295 00:16:44,440 --> 00:16:47,760 Speaker 3: Yeah, you know our girls. Oh that's my favorite show 296 00:16:49,880 --> 00:16:53,320 Speaker 3: and I thought you were so Yeah. I do get recognized. 297 00:16:54,080 --> 00:16:55,840 Speaker 1: Do they ask for autographs and selfies? 298 00:16:58,000 --> 00:17:00,600 Speaker 3: Not so much, but sometimes they do absolutely. 299 00:17:00,720 --> 00:17:06,119 Speaker 1: Yeah, there you go, Yeah, there you go. Well you 300 00:17:06,240 --> 00:17:11,960 Speaker 1: got You've got plenty of principal roles on your IMDb page. 301 00:17:12,040 --> 00:17:16,800 Speaker 1: Gray's Anatomy Good Trouble as Alice's dad tell us about 302 00:17:16,840 --> 00:17:17,560 Speaker 1: that experience. 303 00:17:18,840 --> 00:17:23,919 Speaker 4: Oh, that's a great experience being Alice's dad. It's a 304 00:17:24,000 --> 00:17:29,600 Speaker 4: really nice representation of the Asian culture and how parents 305 00:17:29,720 --> 00:17:32,560 Speaker 4: might deal with a daughter that was afraid of coming 306 00:17:32,560 --> 00:17:37,520 Speaker 4: out to their parents. It was very nice to play 307 00:17:37,560 --> 00:17:41,240 Speaker 4: that role, and in that role came around the time 308 00:17:41,280 --> 00:17:45,119 Speaker 4: when a lot of people were people getting attacked just 309 00:17:45,160 --> 00:17:49,320 Speaker 4: because they were Asian, and the show responded with an 310 00:17:49,480 --> 00:17:55,600 Speaker 4: actual episode just on celebrating Chinese New Year, and they 311 00:17:55,600 --> 00:17:56,960 Speaker 4: gave me this. 312 00:17:57,000 --> 00:17:59,160 Speaker 3: Long modelnologue. 313 00:18:00,960 --> 00:18:05,600 Speaker 4: Showing and telling the story of some Chinese folk tales. 314 00:18:06,119 --> 00:18:10,040 Speaker 4: So that experience was great to be able to represent. 315 00:18:12,800 --> 00:18:16,879 Speaker 1: Speaking of representing, how did you feel about how Laine 316 00:18:16,920 --> 00:18:19,240 Speaker 1: and missus Kim were represented in this show. 317 00:18:21,040 --> 00:18:23,800 Speaker 4: It was a nice contrast between that mother and dollary 318 00:18:23,840 --> 00:18:33,440 Speaker 4: relationship between them and Lauralize and Rory's relationship. And it's 319 00:18:33,560 --> 00:18:37,440 Speaker 4: true you have some dragon mothers out there. They were 320 00:18:37,480 --> 00:18:43,879 Speaker 4: real and they were very concerned about their children's upbringing 321 00:18:44,040 --> 00:18:46,200 Speaker 4: and how they were going to get on in society, 322 00:18:46,320 --> 00:18:51,600 Speaker 4: in a society they didn't quite understand sometimes, so it 323 00:18:51,680 --> 00:18:57,959 Speaker 4: was done with good taste, and I toward a celebration 324 00:18:58,359 --> 00:19:01,760 Speaker 4: of life and the relationship of a parent and child. 325 00:19:03,280 --> 00:19:06,879 Speaker 1: MM tell us about that. 326 00:19:10,080 --> 00:19:14,240 Speaker 4: Wow, I just can't. I mean, Gilmore Girls was such 327 00:19:14,320 --> 00:19:19,520 Speaker 4: a great story and all the characters that they brought in. 328 00:19:20,160 --> 00:19:23,680 Speaker 4: You know how friends are your family too, and those 329 00:19:23,720 --> 00:19:27,879 Speaker 4: relationships that you have where it takes a village to 330 00:19:28,560 --> 00:19:33,880 Speaker 4: raise a child, both Rory and Kim, and I loved 331 00:19:34,480 --> 00:19:37,240 Speaker 4: being on that show and loved telling that story and 332 00:19:37,840 --> 00:19:40,320 Speaker 4: was really proud to be part of that in that 333 00:19:40,400 --> 00:19:43,840 Speaker 4: Gilmore Girls story of just how all these how this 334 00:19:43,920 --> 00:19:47,720 Speaker 4: community can all come together and and have a great 335 00:19:47,800 --> 00:19:52,120 Speaker 4: life and celebrate life and all the festivals that they did. 336 00:19:52,400 --> 00:19:58,919 Speaker 5: It was great, well, and there was Sorry Scott, I 337 00:19:58,920 --> 00:20:01,680 Speaker 5: was just gonna say, you might have even been more 338 00:20:01,680 --> 00:20:03,600 Speaker 5: of a part of it than you realized at the time. 339 00:20:03,720 --> 00:20:05,840 Speaker 5: I don't know if you knew. There was a fan 340 00:20:06,000 --> 00:20:08,680 Speaker 5: theory at the time that you were actually mister Kim, 341 00:20:09,440 --> 00:20:12,439 Speaker 5: because we never saw him during the original run of 342 00:20:12,520 --> 00:20:15,679 Speaker 5: the show, and so there's a fan theory that you 343 00:20:15,760 --> 00:20:19,359 Speaker 5: were secretly mister Kim, which I mean that could have 344 00:20:19,359 --> 00:20:21,080 Speaker 5: been like a spinoff or something. I don't know, But 345 00:20:21,560 --> 00:20:23,600 Speaker 5: what are your what are your thoughts on that? Did 346 00:20:23,640 --> 00:20:27,120 Speaker 5: you like, were you aware of that or what did 347 00:20:27,119 --> 00:20:27,760 Speaker 5: you think about that? 348 00:20:28,280 --> 00:20:28,520 Speaker 3: Yeah? 349 00:20:28,520 --> 00:20:31,560 Speaker 4: I did hear that on the internet and I was, 350 00:20:31,720 --> 00:20:33,760 Speaker 4: you know, I was kind of hoping that that would 351 00:20:33,760 --> 00:20:35,800 Speaker 4: be a little earworm that would. 352 00:20:35,800 --> 00:20:39,360 Speaker 3: Crawl into it here and you know. 353 00:20:39,520 --> 00:20:41,880 Speaker 4: Up my role in the show. It would have been 354 00:20:42,320 --> 00:20:47,400 Speaker 4: a lot of fun to do. Yeah, And I think 355 00:20:47,880 --> 00:20:50,239 Speaker 4: at least by the later seasons I would have been 356 00:20:50,320 --> 00:20:52,359 Speaker 4: up to the task. It would have been great to do. 357 00:20:52,840 --> 00:20:54,920 Speaker 1: Wait, if they gave you a line, didn't they give 358 00:20:54,960 --> 00:20:58,359 Speaker 1: you a line or two in an alley as a 359 00:20:58,359 --> 00:21:01,000 Speaker 1: FedEx guy or a postman or something like that. Didn't 360 00:21:01,000 --> 00:21:02,399 Speaker 1: you get a line here and there? 361 00:21:03,040 --> 00:21:03,560 Speaker 3: I got? 362 00:21:04,560 --> 00:21:09,120 Speaker 4: I was able credited. I only got credited for one 363 00:21:09,200 --> 00:21:13,919 Speaker 4: line on the last episode in the last season. I 364 00:21:14,119 --> 00:21:16,680 Speaker 4: was handing something to you as we were getting ready 365 00:21:16,840 --> 00:21:19,959 Speaker 4: for the party, saying like where did you want this 366 00:21:20,080 --> 00:21:20,760 Speaker 4: or something like that. 367 00:21:20,760 --> 00:21:22,000 Speaker 1: That's it. That's all you got. 368 00:21:22,560 --> 00:21:24,840 Speaker 3: Yeah. Well, and then I think. 369 00:21:26,840 --> 00:21:29,840 Speaker 4: There was in the fourth season they threw me a 370 00:21:29,880 --> 00:21:32,679 Speaker 4: bone and they allowed me to a. 371 00:21:32,800 --> 00:21:37,360 Speaker 3: D R myself, oh, which. 372 00:21:36,080 --> 00:21:39,240 Speaker 4: Is which means I don't get credit. But I was 373 00:21:39,280 --> 00:21:43,720 Speaker 4: able to say, hey, looke coffee and you might you know. 374 00:21:44,680 --> 00:21:46,440 Speaker 4: It was one of those weird things where they had 375 00:21:46,480 --> 00:21:49,600 Speaker 4: me hold out this coffee cup to you and you 376 00:21:49,640 --> 00:21:52,000 Speaker 4: poured copy of coffee in it, and they just said 377 00:21:52,000 --> 00:21:54,679 Speaker 4: to themselves, well, he really should have asked for cof right. 378 00:21:55,280 --> 00:21:59,600 Speaker 4: So they pulled me in and they called me and said, hey, 379 00:21:59,640 --> 00:22:02,080 Speaker 4: we need you to ad R yourself. You know, were 380 00:22:02,080 --> 00:22:03,960 Speaker 4: you up for that? And I said, oh my god great. 381 00:22:04,560 --> 00:22:07,399 Speaker 3: So that was a nice little It. 382 00:22:07,480 --> 00:22:10,080 Speaker 1: Was an off camera, off camera line. You didn't have 383 00:22:10,119 --> 00:22:10,440 Speaker 1: to marry. 384 00:22:10,640 --> 00:22:11,640 Speaker 3: I went into the studio. 385 00:22:11,800 --> 00:22:13,639 Speaker 4: Yeah, I went into the studio and they had the 386 00:22:13,680 --> 00:22:17,959 Speaker 4: tape and the big old microphone and I, you know, 387 00:22:18,080 --> 00:22:22,440 Speaker 4: hey Lou coffee, Hey Lou coffee, Hey Lou coffee. Yeah. 388 00:22:23,320 --> 00:22:25,320 Speaker 1: Since Gilmore Girls, I've been in a lot of ad 389 00:22:25,480 --> 00:22:29,480 Speaker 1: R rooms, I've never been in one that nice. Oh wow, 390 00:22:29,560 --> 00:22:34,320 Speaker 1: that was very special. Those those looping stages were very 391 00:22:34,440 --> 00:22:40,600 Speaker 1: very fancy. Yeah, very very special, because I you know, 392 00:22:39,920 --> 00:22:50,679 Speaker 1: I've been in some real dark holes man. So I 393 00:22:50,760 --> 00:22:54,240 Speaker 1: have to say, if there were an Emmy Awards for it, 394 00:22:55,359 --> 00:22:58,960 Speaker 1: background you'd be winning every year. You had a lot 395 00:22:59,000 --> 00:23:03,720 Speaker 1: of work to do, and you did a tremendous job. 396 00:23:03,800 --> 00:23:07,240 Speaker 1: And and the thing you really personally speaking, I know 397 00:23:07,320 --> 00:23:09,920 Speaker 1: out the other cast feel this way. We knew we 398 00:23:10,080 --> 00:23:14,840 Speaker 1: had We knew we could trust you to be focused 399 00:23:15,080 --> 00:23:19,200 Speaker 1: and and do the job, because that's all you can 400 00:23:19,280 --> 00:23:22,560 Speaker 1: ask for from you know. And and and that's why 401 00:23:22,560 --> 00:23:24,520 Speaker 1: it was such a joy to work on that show. 402 00:23:24,600 --> 00:23:27,080 Speaker 1: Because I knew Lauren wasn't going to drop the ball. 403 00:23:27,160 --> 00:23:30,720 Speaker 1: I knew, I knew Suki was a Melissa or Yannik 404 00:23:30,880 --> 00:23:33,440 Speaker 1: or anybody, they were not going to drop the ball. 405 00:23:33,800 --> 00:23:35,720 Speaker 1: You could trust them and you could do your thing. 406 00:23:35,800 --> 00:23:38,840 Speaker 1: And and and when I saw you, when I would 407 00:23:38,880 --> 00:23:40,879 Speaker 1: see you in the diner, would give me great comfort 408 00:23:40,880 --> 00:23:44,280 Speaker 1: because you took your job very seriously. You were also 409 00:23:44,440 --> 00:23:46,840 Speaker 1: very pleasant to be around. You were a funny guy, 410 00:23:46,920 --> 00:23:49,879 Speaker 1: a loose, loose guy, but when it came time to work, 411 00:23:50,640 --> 00:23:53,160 Speaker 1: it's like, okay, you know, you put your game face 412 00:23:53,240 --> 00:24:00,400 Speaker 1: on and executed every single take and hard working good guy. 413 00:24:00,960 --> 00:24:04,880 Speaker 1: Robert Lee, Ladies and gentlemen, one of the unsung heroes 414 00:24:04,880 --> 00:24:09,080 Speaker 1: of Gilmore Girls. I'm so glad you came on. How's 415 00:24:09,119 --> 00:24:11,120 Speaker 1: the family doing everybody's doing great. 416 00:24:11,760 --> 00:24:14,560 Speaker 3: Everyone's great. Thank you, Scott. It's so kind of you. 417 00:24:23,440 --> 00:24:25,399 Speaker 1: Wait a minute, You're not getting out of here until 418 00:24:25,400 --> 00:24:29,600 Speaker 1: you do rapid fire. Oh oh oh yeah, you got 419 00:24:29,680 --> 00:24:33,480 Speaker 1: rapid fire, buddy. How do you like your coffee? Oh? 420 00:24:34,160 --> 00:24:34,639 Speaker 3: H black? 421 00:24:35,119 --> 00:24:39,119 Speaker 1: Are your team Logan Team Jess or Team Dean Team Jess? 422 00:24:39,400 --> 00:24:42,040 Speaker 1: Who is your favorite at Gilmore girls couple? Luke and 423 00:24:42,040 --> 00:24:43,520 Speaker 1: Lorelei are Emily and Richard? 424 00:24:44,720 --> 00:24:47,080 Speaker 3: Emily and Richard shocking? 425 00:24:48,680 --> 00:24:55,520 Speaker 1: Controversial, I'm shocking. What would you order it? Luke Steiner? 426 00:24:56,960 --> 00:24:58,160 Speaker 3: Oh? The Monte Christo? 427 00:24:59,480 --> 00:25:02,320 Speaker 1: And I'm gonna since you're such an Emily and Richard fan, 428 00:25:02,359 --> 00:25:04,199 Speaker 1: and why wouldn't you be? What would you what be 429 00:25:04,240 --> 00:25:06,960 Speaker 1: your preferred meal if you were at a Friday night dinner? 430 00:25:07,680 --> 00:25:11,600 Speaker 3: Oh? Wow, probably roast thief? 431 00:25:12,880 --> 00:25:16,160 Speaker 1: Oh yeah? Who would you rather hang out with? Paris 432 00:25:16,320 --> 00:25:24,720 Speaker 1: or Lane Lane that was like a still slam dunk 433 00:25:24,800 --> 00:25:30,399 Speaker 1: Lane Harvard? Or Yale? Or drop out and live in 434 00:25:30,440 --> 00:25:32,480 Speaker 1: the poolhouse? Uh? 435 00:25:32,600 --> 00:25:33,080 Speaker 3: Yale? 436 00:25:33,560 --> 00:25:36,000 Speaker 1: Why? Yale? Oh? 437 00:25:36,280 --> 00:25:38,359 Speaker 3: Just the history behind it? That's a great school. 438 00:25:39,520 --> 00:25:42,199 Speaker 1: Would you rather attend a da R event with Emily 439 00:25:42,280 --> 00:25:43,600 Speaker 1: or a town meeting with Taylor? 440 00:25:45,160 --> 00:25:46,840 Speaker 3: Oh that's hard? 441 00:25:47,160 --> 00:25:48,679 Speaker 1: Oh? Come on, you know the answer to that. 442 00:25:49,480 --> 00:25:57,680 Speaker 3: A town meeting with Taylor. Really, he's entertaining. He comes 443 00:25:57,720 --> 00:25:59,320 Speaker 3: up with the wackiest things. 444 00:25:59,440 --> 00:26:01,680 Speaker 1: Yeah, I know, but you're in there all day and 445 00:26:01,760 --> 00:26:02,680 Speaker 1: all night sweating. 446 00:26:02,720 --> 00:26:04,640 Speaker 3: Buddy. 447 00:26:05,040 --> 00:26:07,080 Speaker 1: Have you have you been in a town meeting scene? 448 00:26:07,760 --> 00:26:09,760 Speaker 3: Oh yeah, do you remember? 449 00:26:10,000 --> 00:26:10,600 Speaker 1: You remember? 450 00:26:11,600 --> 00:26:13,119 Speaker 3: Yeah? 451 00:26:13,280 --> 00:26:15,879 Speaker 1: I listen if I'm playing rapid Fire. I'm at a 452 00:26:15,960 --> 00:26:21,480 Speaker 1: da ar meeting with with Emily even though I'm a dude. 453 00:26:21,560 --> 00:26:24,480 Speaker 1: You know, I put a freaking dress on, try to 454 00:26:24,480 --> 00:26:26,840 Speaker 1: act like a daughter. Just stick it out of a 455 00:26:26,920 --> 00:26:32,399 Speaker 1: town hall meeting? Uh, gilmore, girl's character that you would 456 00:26:32,400 --> 00:26:34,200 Speaker 1: want as a roommate. 457 00:26:35,160 --> 00:26:41,080 Speaker 3: I would say, miss Patty. 458 00:26:40,640 --> 00:26:43,040 Speaker 1: Really yeah, Miss Patty? 459 00:26:43,920 --> 00:26:47,560 Speaker 3: Yeah, Miss Patty. She's she's easy. 460 00:26:47,320 --> 00:26:50,800 Speaker 4: Going, she teaches dance, she has great attitude. 461 00:26:52,480 --> 00:26:58,159 Speaker 1: Okay, uh something and you know Sally Struthers would come 462 00:26:58,200 --> 00:26:59,320 Speaker 1: over a lot and hang out. 463 00:27:00,160 --> 00:27:00,840 Speaker 3: Yeah exactly. 464 00:27:01,160 --> 00:27:04,479 Speaker 1: They sing song something in your life. You are all 465 00:27:04,520 --> 00:27:05,040 Speaker 1: in on? 466 00:27:07,240 --> 00:27:10,080 Speaker 3: Oh my children, my two boys. 467 00:27:09,960 --> 00:27:11,920 Speaker 1: Yes, indeed? How old are they now? 468 00:27:12,600 --> 00:27:14,960 Speaker 3: They are nine and eleven? 469 00:27:15,600 --> 00:27:15,919 Speaker 2: Wow? 470 00:27:16,080 --> 00:27:19,400 Speaker 1: Yeah, all they're growing fast. Nicky's going to be ten 471 00:27:19,480 --> 00:27:22,720 Speaker 1: in June. Oh man, Yeah, isn't it amazing? 472 00:27:23,440 --> 00:27:23,800 Speaker 2: Yeah? 473 00:27:24,040 --> 00:27:28,639 Speaker 1: I want to ride? Well, sounds great? You sound great? 474 00:27:28,640 --> 00:27:33,200 Speaker 1: You look great, You are great. You are the Robert Lee, 475 00:27:34,119 --> 00:27:38,800 Speaker 1: the finest extra in Hollywood history. My friend, thanks for 476 00:27:38,800 --> 00:27:41,600 Speaker 1: coming on and give us your your thoughts and sharing 477 00:27:41,640 --> 00:27:46,160 Speaker 1: your experiences. And I think you're gonna have to come 478 00:27:46,200 --> 00:27:48,480 Speaker 1: back because I think we just scratched the surface here. 479 00:27:48,720 --> 00:27:51,800 Speaker 1: Really be honest with you, you're gonna work. We're going 480 00:27:51,840 --> 00:27:55,080 Speaker 1: to book you again. So be well, my friend. All 481 00:27:55,080 --> 00:27:57,960 Speaker 1: the best of the family and appreciate your time. Buddy. 482 00:27:58,560 --> 00:28:01,320 Speaker 3: Thank you very much, Scott, Thank you, all right, take. 483 00:28:01,240 --> 00:28:32,720 Speaker 1: Care, all right, dot hey everybody, and don't forget follow 484 00:28:32,760 --> 00:28:36,639 Speaker 1: us on Instagram at I Am all In podcast and 485 00:28:36,760 --> 00:28:50,640 Speaker 1: email us at Gilmore at iHeartRadio dot com.