1 00:00:00,120 --> 00:00:02,360 Speaker 1: Coming up at the top of the hour right about 2 00:00:02,400 --> 00:00:04,920 Speaker 1: four minutes after. It's my strawberry letter for today, the 3 00:00:05,120 --> 00:00:09,960 Speaker 1: subject my friend cannot be okay with this, but right 4 00:00:09,960 --> 00:00:12,000 Speaker 1: now it is the nephew the King of Pranks with 5 00:00:12,039 --> 00:00:24,800 Speaker 1: today's prank phone call. What you got nah, it's Sebastian. Sebastian, okay, 6 00:00:24,960 --> 00:00:29,720 Speaker 1: right there, Sebastian, Hello, Hello, I wish to speak with 7 00:00:29,880 --> 00:00:36,159 Speaker 1: a Mr. Please, Hello, sir. My name is Sebastian. I 8 00:00:36,200 --> 00:00:40,319 Speaker 1: am with the Art Institute and I wanted to give 9 00:00:40,320 --> 00:00:43,800 Speaker 1: you a call about Um. I have a huge showing 10 00:00:43,880 --> 00:00:46,559 Speaker 1: coming up where I am going to be displaying my 11 00:00:46,720 --> 00:00:50,159 Speaker 1: portfolio and all of my drawings within it. But I 12 00:00:50,200 --> 00:00:52,600 Speaker 1: have one drawing that I am looking to display that 13 00:00:52,680 --> 00:00:56,120 Speaker 1: I have not put on canvas yet, and I'm looking 14 00:00:56,160 --> 00:00:59,640 Speaker 1: to take something of essence to put on canvas, and 15 00:00:59,680 --> 00:01:03,120 Speaker 1: I want to call you about getting permission. Wait, hold on, dog, 16 00:01:03,240 --> 00:01:05,039 Speaker 1: just to stop you right now. I don't do that, 17 00:01:05,120 --> 00:01:07,480 Speaker 1: all right. I'm not a model, that's not my profession, 18 00:01:08,000 --> 00:01:10,240 Speaker 1: so you would not waste your time no more. You 19 00:01:10,240 --> 00:01:13,120 Speaker 1: know what I'm saying. Just go ahead, Mr Mr. I 20 00:01:13,240 --> 00:01:16,399 Speaker 1: don't think you understand that my showing is gonna have 21 00:01:16,520 --> 00:01:20,000 Speaker 1: some very important people there. I am, like I said before, 22 00:01:20,040 --> 00:01:24,440 Speaker 1: with our institute, and I said, I don't do that. 23 00:01:24,440 --> 00:01:27,160 Speaker 1: That's not me. I mean, I hate you know what, 24 00:01:27,200 --> 00:01:29,480 Speaker 1: would you just calling folks up you as solicitor or something. 25 00:01:29,680 --> 00:01:31,960 Speaker 1: I mean, y'all just randomly picking out folks and trying 26 00:01:31,959 --> 00:01:35,920 Speaker 1: to trying to get them the model look sir, Mr. No, 27 00:01:36,160 --> 00:01:39,400 Speaker 1: I'm not just randomly calling people. I actually have done 28 00:01:39,400 --> 00:01:41,920 Speaker 1: research in order to get your number. What what I'm 29 00:01:41,959 --> 00:01:46,000 Speaker 1: doing is, I'm not calling you as for being a 30 00:01:46,040 --> 00:01:48,960 Speaker 1: model that I'm going to portray on canvas, but you 31 00:01:49,080 --> 00:01:53,080 Speaker 1: have something far more greater visually that I would like 32 00:01:53,120 --> 00:01:57,600 Speaker 1: to go hold on canvas. Now, you're married to your 33 00:01:57,640 --> 00:02:01,360 Speaker 1: wife is and my correct the whole whoa whoa dog? No? 34 00:02:01,520 --> 00:02:04,640 Speaker 1: For who is this? Seriously? Because I could give my number? 35 00:02:05,000 --> 00:02:06,720 Speaker 1: Know how you get my number because you're talking about 36 00:02:06,840 --> 00:02:09,880 Speaker 1: my wife and stuff. I know my wife. My name 37 00:02:10,000 --> 00:02:14,520 Speaker 1: is Sebastian. I am with art Institute. What I'm trying 38 00:02:14,560 --> 00:02:17,240 Speaker 1: to do with capturing and and mortalize the beauty of 39 00:02:17,360 --> 00:02:20,400 Speaker 1: essence on cana lies. Okay yo for real, thought, you 40 00:02:20,720 --> 00:02:22,960 Speaker 1: just can't. You don't talk about my wife all right? 41 00:02:23,320 --> 00:02:27,720 Speaker 1: So I'm not I'm not calling in a negative manner 42 00:02:27,800 --> 00:02:31,120 Speaker 1: towards your wife. I want to I want to mortalize 43 00:02:31,120 --> 00:02:35,440 Speaker 1: her and capture her on canvas, the beauty that she beholds. 44 00:02:35,800 --> 00:02:39,600 Speaker 1: I've seen your wife several times, you guys reside, whoa, whoa, whoa? 45 00:02:39,720 --> 00:02:41,600 Speaker 1: Do you see my wife? But wait, what do you 46 00:02:41,600 --> 00:02:43,360 Speaker 1: see my wife at? What? Why are you? Why are you? 47 00:02:43,520 --> 00:02:46,080 Speaker 1: Why are you watching my wife? I've seen her. She 48 00:02:46,080 --> 00:02:48,280 Speaker 1: she shops on a hundred and twenty street in hall Am. 49 00:02:48,320 --> 00:02:51,000 Speaker 1: I've seen her so many times there, and she holds 50 00:02:51,040 --> 00:02:53,200 Speaker 1: all the beauty that an artist would like to put 51 00:02:53,200 --> 00:02:56,080 Speaker 1: on Kansas. Like I said before, I have a huge 52 00:02:56,080 --> 00:02:58,600 Speaker 1: showing and you're welcome to come out as well. It's 53 00:02:58,639 --> 00:03:00,919 Speaker 1: gonna be so many important people there. But I wanted 54 00:03:01,320 --> 00:03:04,880 Speaker 1: to call and get permission from you about painting your wife. No, 55 00:03:05,320 --> 00:03:07,160 Speaker 1: you ain't got that permission. Play well, you just can't. 56 00:03:07,360 --> 00:03:11,000 Speaker 1: You just can't go around following my wife and trying 57 00:03:11,000 --> 00:03:13,880 Speaker 1: to mortalize or whatever. I just said. All right, so so, 58 00:03:14,800 --> 00:03:16,800 Speaker 1: but I would like to let you know I have 59 00:03:17,000 --> 00:03:23,200 Speaker 1: taken the liberty myself. I have painted your wife's head. What, Joe, 60 00:03:23,440 --> 00:03:25,520 Speaker 1: you have lost your damn mind. You can't be just 61 00:03:25,560 --> 00:03:29,040 Speaker 1: walking around here painting folks headed. You gotta get permission 62 00:03:29,040 --> 00:03:31,880 Speaker 1: for that. What's wrong with you? But if you are crazy, 63 00:03:32,080 --> 00:03:35,360 Speaker 1: you don't understand your wife holds the essence that every 64 00:03:35,440 --> 00:03:38,160 Speaker 1: artist wants to don't tell what he holds. You can't 65 00:03:38,160 --> 00:03:41,960 Speaker 1: be going around payton folks heads. Wrong with you, sir, 66 00:03:42,240 --> 00:03:44,720 Speaker 1: That's the reason why I'm calling trying to get permission 67 00:03:44,840 --> 00:03:47,840 Speaker 1: from you. I Sebastian, want to put your wife on 68 00:03:48,080 --> 00:03:51,320 Speaker 1: canvas because she holds the essence that every artist wants 69 00:03:51,360 --> 00:03:55,040 Speaker 1: to behold. She mortalized the beauty of Cannon. Whoa hold 70 00:03:55,040 --> 00:03:57,080 Speaker 1: of God? Hold of the hold of God. You're telling 71 00:03:57,080 --> 00:04:01,480 Speaker 1: me you're walking around fom painting my wife's head because 72 00:04:01,960 --> 00:04:05,160 Speaker 1: there's that. What what are you doing? Dude? A little too? 73 00:04:05,640 --> 00:04:09,920 Speaker 1: I'm only trying to complete my folio. Oh no, your 74 00:04:09,960 --> 00:04:13,080 Speaker 1: portfolio here. Listen to this. If I see my wife's 75 00:04:13,120 --> 00:04:15,200 Speaker 1: head anywhere, I don't care a new type of magazine, 76 00:04:15,200 --> 00:04:17,280 Speaker 1: I don't care where it build or whatever. Yo, I'm 77 00:04:17,320 --> 00:04:20,000 Speaker 1: gonna find your ima. Whoop you do you understand what 78 00:04:20,000 --> 00:04:22,160 Speaker 1: I'm saying to you? I'm gonna s did you you 79 00:04:22,240 --> 00:04:25,200 Speaker 1: understand that? S I don't want to have a duel 80 00:04:25,240 --> 00:04:31,000 Speaker 1: with you, sir, add here's a duel. They do what 81 00:04:31,560 --> 00:04:36,200 Speaker 1: they do. In fact, what name is a bashing name is? 82 00:04:36,279 --> 00:04:39,440 Speaker 1: That's a fashion? Sir. All I want to do is 83 00:04:39,600 --> 00:04:44,000 Speaker 1: paint your wife in her rawous and purist fol that's all. 84 00:04:44,520 --> 00:04:47,000 Speaker 1: There's a law and purists for me. What what do 85 00:04:47,560 --> 00:04:50,880 Speaker 1: you want? Seriously, I want to paint your wife. I 86 00:04:51,960 --> 00:04:55,720 Speaker 1: want to paint her in the nude. How don't watch 87 00:04:55,760 --> 00:05:00,760 Speaker 1: your my No, he's right enough. That's what you should do. 88 00:05:01,000 --> 00:05:02,800 Speaker 1: Tell me where you as you want to paint something. 89 00:05:02,960 --> 00:05:06,040 Speaker 1: I'll give you something to pay. Tell me where you are? What? 90 00:05:07,240 --> 00:05:10,640 Speaker 1: Read me? What five? That's what's up? I want to 91 00:05:10,640 --> 00:05:15,160 Speaker 1: whoop your read me, meet me, paint me, pay me? 92 00:05:15,880 --> 00:05:17,880 Speaker 1: You want your mind? Telling what you want to pay? 93 00:05:17,960 --> 00:05:20,599 Speaker 1: My wife in a new it's gonna take them brush 94 00:05:20,760 --> 00:05:23,640 Speaker 1: and stick them up to your Listen. She holds the 95 00:05:23,880 --> 00:05:26,800 Speaker 1: essence that every person should. I'll give up what she 96 00:05:27,000 --> 00:05:31,520 Speaker 1: holds asked. I'll give us an ask me some like that. 97 00:05:32,600 --> 00:05:34,440 Speaker 1: I must ask you. Do you think that you are 98 00:05:34,520 --> 00:05:37,360 Speaker 1: the only person that has seen your wife in the new? 99 00:05:37,480 --> 00:05:40,040 Speaker 1: Surely that's been men before you that have seen her 100 00:05:40,120 --> 00:05:43,720 Speaker 1: Internet day for you and my wife ain't no more 101 00:05:43,839 --> 00:05:46,160 Speaker 1: you call my wife. Is that what she's saying? Are 102 00:05:46,240 --> 00:05:49,599 Speaker 1: you fed my wife? You I want to pay your 103 00:05:49,720 --> 00:05:53,560 Speaker 1: wife and the beauty that she bought. And did you 104 00:05:53,720 --> 00:05:57,760 Speaker 1: not understand? I just said, you know, I told you 105 00:05:58,040 --> 00:06:01,360 Speaker 1: meet me on the quota or one twenty five and 106 00:06:01,560 --> 00:06:04,440 Speaker 1: clean Powell. I got one more thing. I just like 107 00:06:05,680 --> 00:06:11,240 Speaker 1: what else saying coming from the Steve arm In Morning show. 108 00:06:11,600 --> 00:06:18,320 Speaker 1: You just got paint my your boy? What what this is? 109 00:06:18,680 --> 00:06:21,360 Speaker 1: This is neverhing. This is nephew timing for the Steve 110 00:06:21,440 --> 00:06:30,599 Speaker 1: Harman Martin. Yo. Oh oh oh man, yo man. Y'all Yeah, 111 00:06:31,160 --> 00:06:35,920 Speaker 1: I was moving fushion here, dude. Time you've got me 112 00:06:36,040 --> 00:06:41,160 Speaker 1: dog oh man, y'all got it was Sebastian. Yeah, dude, 113 00:06:42,160 --> 00:06:46,000 Speaker 1: you get some bashi. I was about to move with 114 00:06:46,080 --> 00:06:51,280 Speaker 1: y'all and swebash it. I was to pay brushes and 115 00:06:51,320 --> 00:06:56,600 Speaker 1: now always about the paint autumn with your He told me, man, 116 00:06:56,680 --> 00:07:00,720 Speaker 1: he said, man, he said he loved his wife. Yeah. 117 00:07:01,880 --> 00:07:04,080 Speaker 1: I said, let me let me say this right now, 118 00:07:06,279 --> 00:07:10,680 Speaker 1: you know, let me get one more thing from you. Man. 119 00:07:10,800 --> 00:07:14,520 Speaker 1: What is the baddest I'm talking about the baddest radio 120 00:07:14,800 --> 00:07:18,320 Speaker 1: show in the land. Yeah, man, it's Steve Harvey in 121 00:07:18,400 --> 00:07:26,880 Speaker 1: the Morning Show. Baby, you gotta paint somebody's wife, you know, 122 00:07:27,200 --> 00:07:30,520 Speaker 1: paint somebody's wife something. You know that that's wrong with that? 123 00:07:30,560 --> 00:07:32,720 Speaker 1: Ain't wrong with calling somebody all right, now, let's have 124 00:07:32,840 --> 00:07:37,520 Speaker 1: an honest conversation about the game. Tommy, Yeah, I played 125 00:07:37,520 --> 00:07:41,760 Speaker 1: it last break in all honesty, which British princess said, 126 00:07:41,880 --> 00:07:45,720 Speaker 1: two sons, Harry Williams. Tommy got that first. That's in 127 00:07:45,840 --> 00:07:49,040 Speaker 1: all honest. No one's trying to be dishonest. Yes you were, 128 00:07:49,240 --> 00:07:52,440 Speaker 1: because you said, look, we all know that boy, ain't 129 00:07:52,480 --> 00:08:00,120 Speaker 1: that in here? And you're my nephew just two days now? 130 00:08:02,080 --> 00:08:07,360 Speaker 1: That's two that was wrong? Then what national restaurant chain 131 00:08:07,560 --> 00:08:13,200 Speaker 1: open cheddar Baby biscuits? Junior said, Cheddars? Tommy said something else. 132 00:08:13,720 --> 00:08:19,240 Speaker 1: Junior said lobster. Then Tommy said red lobster. So now 133 00:08:19,320 --> 00:08:22,679 Speaker 1: who you think should get that? Well, Junior said lobster. 134 00:08:23,240 --> 00:08:29,040 Speaker 1: Lobshould not name a Yeah, okay, lobster, Yeah, okay, what 135 00:08:29,240 --> 00:08:33,520 Speaker 1: does j Anthony Brown's name? They tied the Washington D. C. 136 00:08:33,720 --> 00:08:36,280 Speaker 1: Smithson and neither one of them knew it. What actor 137 00:08:36,360 --> 00:08:39,720 Speaker 1: writer plays the role of Medel and Tyler p Junior 138 00:08:39,800 --> 00:08:43,400 Speaker 1: got that piggy Wiggly grocery store. Tommy, got it. If 139 00:08:43,480 --> 00:08:50,960 Speaker 1: we come back, I'm sending this time spending all right, 140 00:08:52,640 --> 00:08:55,240 Speaker 1: We're gonna have Steve set on the game. Are you 141 00:08:55,360 --> 00:08:57,679 Speaker 1: smarter than nephew Tommy? Once and for all when we 142 00:08:57,800 --> 00:09:01,360 Speaker 1: come back, And it's time for the Strawberry Letter for today, 143 00:09:01,400 --> 00:09:04,679 Speaker 1: the subject my best friend cannot be okay with this 144 00:09:04,880 --> 00:09:06,839 Speaker 1: all that's coming up right after this