WEBVTT - How Antiques Work

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you welcome to Stuff you Should Know?

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<v Speaker 1>From House stoff Works dot com? Hey, and welcome to

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<v Speaker 1>the podcast. Yes, it's about antiques on Josh Clark. There's

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<v Speaker 1>a very eager, strangely eager Charles W. Chuck Bryant, uh,

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<v Speaker 1>and this is stuff you should know. The podcast, the

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<v Speaker 1>hundred year old podcast at least makes us an antique.

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<v Speaker 1>Do you can tell though from the hair in my

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<v Speaker 1>ears that I'm getting up there? Yeah? Nose hair, ear hair.

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<v Speaker 1>That's That's the joke about man, right, is that hair

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<v Speaker 1>leaves the places you want it and accumulates where you

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<v Speaker 1>don't want so, Chuck Um, you know how you think

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<v Speaker 1>about certain things, and uh, you come across like a

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<v Speaker 1>concept like antiques. You're collecting and buying and selling of

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<v Speaker 1>old stuff. That's my definition. But I think it's pretty

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<v Speaker 1>much dead on um And you think this has always

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<v Speaker 1>been around and you stop and think, no, that's probably

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<v Speaker 1>not true. So when did it start? And I am

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<v Speaker 1>very gratified to say we know when the popular obsession

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<v Speaker 1>with antiques began? Isn't that weird? I didn't know this

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<v Speaker 1>until I read this, and it actually ties in with

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<v Speaker 1>the other one recording today, Volcanos. So here's a little

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<v Speaker 1>piece of trivia for you that will eventually appear on

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<v Speaker 1>a quiz. How are antiques and the volcanoes podcast related?

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<v Speaker 1>Strange glue Herculaneum and Pompeii. Mount Vesuvius binds these two, right,

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<v Speaker 1>So tell them about it, Chuckers. Well, there was a

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<v Speaker 1>big old eruption in seventy nine, a d of Vesuvius,

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<v Speaker 1>and it pretty much buried Pompeii and the sister city,

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<v Speaker 1>Herculaneum between about twenty ft of junk of ash. Well,

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<v Speaker 1>we'll get to that in the vault, which is not

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<v Speaker 1>you know, that's a bad thing for all the people there,

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<v Speaker 1>but the bad thing who died screaming, but it preserved

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<v Speaker 1>them dying screaming. I used to be so obsessed with that,

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<v Speaker 1>with national anything I could get my hands on, and

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<v Speaker 1>it was like, look at that skeleton crawling towards the sea.

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<v Speaker 1>Look at this guy who was caught in a boat's yeah,

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<v Speaker 1>I loved it. So uh many years after that, Charles

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<v Speaker 1>the third of Spain and the seventeen early sevent undred

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<v Speaker 1>said hey, let's go dig this stuff up and see

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<v Speaker 1>what we can find. And it turns out they found

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<v Speaker 1>a bunch of well preserved antiques and they became like, wow,

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<v Speaker 1>old stuff is cool. Right, So these two entire cities

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<v Speaker 1>were basically frozen in time and protected from looters, and

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<v Speaker 1>they started bringing these treasures up and it actually sparked

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<v Speaker 1>the neo classical period or movement, I guess in Europe,

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<v Speaker 1>and that was like the antiques right, and then in America.

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<v Speaker 1>So that's worldwide antiques or at least western uh popularity

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<v Speaker 1>of antiques. Right, what about American? Right? We can actually

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<v Speaker 1>trace the moment where Americans get interested in antiques too.

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<v Speaker 1>It's it's I love this very cool. Once again, our

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<v Speaker 1>our seventeen seventy six. You know, America is a young,

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<v Speaker 1>budding country. A hundred years later, we celebrate our first

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<v Speaker 1>little centennial in Philadelphia and they said, hey, you know what,

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<v Speaker 1>We've got a hundred years worth of stuff we've been

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<v Speaker 1>making and let's let's showcase this. And all of a

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<v Speaker 1>sudden people were like the same thing, like wow, this

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<v Speaker 1>is kind of cool. I like this old stuff that

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<v Speaker 1>we've got. That's exactly right, And that sparked an interest

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<v Speaker 1>in early American furniture, I think to start with, right,

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<v Speaker 1>I'm gonna start buying it and I'm gonna start collecting it,

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<v Speaker 1>and it became a commodity. Right. So, Um, the the

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<v Speaker 1>eighteen seventies six exposition was what sparked an interest in

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<v Speaker 1>antiques in the US. Uh. And if you so, we're

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<v Speaker 1>going to focus mostly on American antiques, and by mostly

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<v Speaker 1>I mean exclusively, right, Well, a little Europe thrown in, Okay,

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<v Speaker 1>so not exclusively, but mostly was. Um. But if you

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<v Speaker 1>are an antique collector today, and you are a very

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<v Speaker 1>puritanical one could say antique collector, um, you're probably going

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<v Speaker 1>to say that anything prior to eighteen thirty, UM, in

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<v Speaker 1>America and probably anywhere is an antique. Anything after it's

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<v Speaker 1>kind of up in the air. And the reason being

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<v Speaker 1>is around eighteen thirty the Industrial Revolution started. People stopped

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<v Speaker 1>using like dovetailed joints that they sawed by hand or

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<v Speaker 1>whittled down by hand and using wooden pegs and started

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<v Speaker 1>using machines. Stopped. But yeah, well it fell for mass

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<v Speaker 1>manufacturing exactly. So this advent of mass manufacturing led to

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<v Speaker 1>a huge boom in um in in production. Coupled with

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<v Speaker 1>this new interest post like eighteen seventy six in early

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<v Speaker 1>American furniture, and so a revival of these styles, right,

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<v Speaker 1>So you have mass manufacturing and a revival of interest

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<v Speaker 1>in early American styles mean that you have a lot

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<v Speaker 1>of reproduction furniture being produced. Yeah, but reproduction furniture is

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<v Speaker 1>is what you want us the real deal, right, which

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<v Speaker 1>is period. So period is something made in the style

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<v Speaker 1>of the period in the age in that age like

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<v Speaker 1>Queen Anne. Sure not Queen Anne reproduction or Chippendale reproduction, which,

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<v Speaker 1>by the way, is the sexiest furniture period in American

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<v Speaker 1>history if you ask me. Those uh the little cuffs

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<v Speaker 1>and nothing. But yeah, yeah, I'll a picture when I

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<v Speaker 1>hear that is swayzy and what a classic one. Heppa White, Cheriton,

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<v Speaker 1>Duncan Fife, just a name of you, Yes, of our heroes. Yeah,

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<v Speaker 1>those are the those are the big ones. And I'm

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<v Speaker 1>sure if you're really into this you could you can

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<v Speaker 1>be like Duncan Fife. Yeah. I go for Duncan Hines. Yeah,

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<v Speaker 1>Duncan Chic. Remember that guy. It sounds really familiar. He

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<v Speaker 1>hes a singer. He had a song which one I

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<v Speaker 1>can't remember he was. He's a one hit guy. Well, Chuck, yes, Uh,

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<v Speaker 1>if you are getting in do antiques, right, you probably

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<v Speaker 1>already know all this stuff. Um way into it. But

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<v Speaker 1>let's say let's say that you are you really uh no,

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<v Speaker 1>I'm into walking around antique flea markets, but I'm not.

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<v Speaker 1>I don't know you know what I'm doing. I just

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<v Speaker 1>like tooling around and poking things. Yeah, you know, it's funny. Um.

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<v Speaker 1>I think Billy Bob Thornton wrote possibly one of the

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<v Speaker 1>greatest lines in the history of film, and he said

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<v Speaker 1>something about he made um Dwight yoakum saying sling blade

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<v Speaker 1>that he can barely drink a glass water around a

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<v Speaker 1>piece of antique furniture. So awful and so funny in

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<v Speaker 1>that movie at the same time. It's a good line. Um.

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<v Speaker 1>I like walking around antique places too. I don't like

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<v Speaker 1>encountering antique wheelchairs or antique medical equipment. I love that stuff.

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<v Speaker 1>It's so freaky. Well, I don't use it. But yeah,

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<v Speaker 1>well you really shouldn't like probably not sterile any longer. Um.

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<v Speaker 1>But okay, so let's let's say that you are not

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<v Speaker 1>completely versed in in antiques what to look for. We're

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<v Speaker 1>gonna give you a brief primer here, and since we

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<v Speaker 1>are owned by Discovery Communications aka the Discovery Channel, we

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<v Speaker 1>get to draw from the company well and talk to

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<v Speaker 1>people once in a while who have shows on Discovery,

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<v Speaker 1>specifically in this one, a guy named Paul Brown who

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<v Speaker 1>heads up a show called Auction Kings. Right, he owns

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<v Speaker 1>a Gallery sixty three which is literally just up the

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<v Speaker 1>road a piece from a San Roswell road. I'm gonna

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<v Speaker 1>have to visit that. And he is a an auction king.

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<v Speaker 1>I've seen it myself with my own eyes, and we

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<v Speaker 1>talked to him actually, so he's gonna come in a

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<v Speaker 1>little bit um here there. When you hear someone that

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<v Speaker 1>sounds like they're on the telephone and it's not us, right, yeah,

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<v Speaker 1>well we'll we'll teake him up a little better than that.

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<v Speaker 1>But that to give rule of thumb I think for

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<v Speaker 1>this one. Um. But what Paul says and what it

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<v Speaker 1>what it expresses in this article how antiques work, um,

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<v Speaker 1>is that the first way to differentiate a real antique,

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<v Speaker 1>a period piece from a reproduction piece, um and kind

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<v Speaker 1>of get an idea of how much value this thing

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<v Speaker 1>is gonna hold ultimately is just by looking it over.

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<v Speaker 1>That's the first best thing you can do is take

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<v Speaker 1>a really good hard look at it, right, So, uh,

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<v Speaker 1>what are some of the things we're looking for? Well, uh,

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<v Speaker 1>just at first glance, I would say overall condition, like

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<v Speaker 1>what kind of shape it's in. And this is not

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<v Speaker 1>to determine whether it's real or fake. This is just

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<v Speaker 1>if you're assuming it's a real antique because apparently high

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<v Speaker 1>quality fakes. Don't be afraid of that, because it's pretty

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<v Speaker 1>rare to to pass one off, to try and pass

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<v Speaker 1>one off, although Paul said in an interview that he

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<v Speaker 1>just came across one right, like he had gotten off

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<v Speaker 1>a call with a buddy who informed him that something

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<v Speaker 1>he was thinking about or somebody was trying to sell

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<v Speaker 1>him was in fact a fake faberge, like right before

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<v Speaker 1>we interviewed him. So he said, it does happen. It's

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<v Speaker 1>very uncommon, especially with furniture too. It's so difficult to

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<v Speaker 1>do this. So what you're really looking for is not

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<v Speaker 1>necessarily a counterfeit, but a reproduction, right it exactly? So,

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<v Speaker 1>um here here's here are a couple of tips that

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<v Speaker 1>Paul gave us. Right, a cursory glance will tell you'll

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<v Speaker 1>tell a lot of tales I mean even to to

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<v Speaker 1>an inexperienced eye, if you open up the doors and

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<v Speaker 1>you see there, you know, nails or uh holding it

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<v Speaker 1>together rather than dovetails in Morrison tennant joints, and you

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<v Speaker 1>know it's probably of later manufacturer. Um. You know, evenly

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<v Speaker 1>evenly cut nails were not even made until you know

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<v Speaker 1>this center. We're not this century, laugh, it's the twentieth century.

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<v Speaker 1>It's probably that the most nails were handmade. And so

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<v Speaker 1>if you've got a lot of evenly cut nails looks

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<v Speaker 1>like they were driven in there with a nail gun,

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<v Speaker 1>you know, that's that's a big that's a big tip off.

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<v Speaker 1>So there's a couple of things you look for in Yeah,

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<v Speaker 1>I mean craftsmanship, how it was put together is uh.

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<v Speaker 1>I mean they're still craftsman today doing things in the

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<v Speaker 1>old school way, but by and large when you look

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<v Speaker 1>at the joints and the tools might leave marks, yes, um,

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<v Speaker 1>hardware used like nails, Like Paul said, Yeah, so that's

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<v Speaker 1>what you're gonna look forward to determine if it was

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<v Speaker 1>you know, probably a reproduction or not. And then what

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<v Speaker 1>the stuff is made out of is actually going to

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<v Speaker 1>um leave a lot of clues to specifically with furniture. Um,

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<v Speaker 1>the wood used, it's very important. Right, So for example, chuck,

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<v Speaker 1>you've got um. Like walnut was very popular with Queen Anne,

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<v Speaker 1>which apparently ran from the early eighteenth century to about

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<v Speaker 1>seventeen fifty when Chippendale took over. Right, we know so

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<v Speaker 1>much about the wood used an antique furniture. It's a uh,

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<v Speaker 1>Mahogany came in the fashion after that, right, and then

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<v Speaker 1>a cherry, which is sort of like mahogany, it's just

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<v Speaker 1>a little paler, very strong and abundant here in the

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<v Speaker 1>old us of A. So that was pretty popular as well. Yeah,

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<v Speaker 1>oak has always been popular. Yeah. Oka is especially popular

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<v Speaker 1>among Europeans before the beginning of the eighteenth century, and

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<v Speaker 1>then it had some renewed popularity in America around nineteen hundred.

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<v Speaker 1>I personally don't go for oak that much. I like

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<v Speaker 1>either really pale blonde maple, hate wind. Do you really

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<v Speaker 1>like maple? I just don't like pale. I don't like

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<v Speaker 1>blond wood. It reminds me of ikea. Yeah, I think

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<v Speaker 1>it's one of the reasons I like it that look

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<v Speaker 1>it's like minimal and it's really cold outside. Uh. And

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<v Speaker 1>then Chuck there's also um pine, right, poor pine. Pine

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<v Speaker 1>is um. Well, let's just go ahead and say it.

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<v Speaker 1>It's the the poor person's would when you're manufacturing furniture,

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<v Speaker 1>your country folk, your rural you just want a chair

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<v Speaker 1>to sit in. Maybe you're really good at making a chair,

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<v Speaker 1>so a hundred and fifty two hundred years later, somebody

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<v Speaker 1>wants to pay top dollar for that. But for the

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<v Speaker 1>most part, pine is used for the undersides of the backings, uh,

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<v Speaker 1>the drawers, insides of of a piece of furniture. Right, yeah,

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<v Speaker 1>but wood floor is actually hard to pine floors. That's

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<v Speaker 1>what we have in our house. That's those are. Yeah,

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<v Speaker 1>those are like a find. Apparently there's a guy done

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<v Speaker 1>in Florida. Um. Apparently there's a logging operation in like

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<v Speaker 1>the nineteenth century in Florida, and they would fell this

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<v Speaker 1>pine and float it down the river to the sawmill.

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<v Speaker 1>Every once in a while, something would be Uh it

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<v Speaker 1>was so dense it would just sink. And it happened

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<v Speaker 1>a lot and they just leave them. But for some reason,

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<v Speaker 1>the composition of the water, I think it was like

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<v Speaker 1>this brackish combination of stea and fresh water. Um, somehow

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<v Speaker 1>preserve these these trees these huge trees, and there's a

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<v Speaker 1>company that brings these things up in salvages, these this

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<v Speaker 1>nineteenth century heart pine and sells it for like top

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<v Speaker 1>dollars lumber. Yeah, we haven't had this exact conversation before.

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<v Speaker 1>It was a while ago though, which which pod. It

0:12:33.040 --> 0:12:35.600
<v Speaker 1>was a long time ago, but it bears saying. I

0:12:35.679 --> 0:12:38.600
<v Speaker 1>think I think I'm going in saying this is so cool.

0:12:39.160 --> 0:12:43.240
<v Speaker 1>So it's like, why are you laughing? But I like pines,

0:12:43.280 --> 0:12:46.360
<v Speaker 1>So that's why I said, poor pine, um, plywood and

0:12:46.360 --> 0:12:49.640
<v Speaker 1>particle board. That's a dead giveaway that it's not an antique.

0:12:49.640 --> 0:12:52.520
<v Speaker 1>Don't be stupid. As our staples, we should mention staples

0:12:52.520 --> 0:12:57.520
<v Speaker 1>are a hallmark of twentieth century manufacture. Exactly, condition of

0:12:57.559 --> 0:13:00.439
<v Speaker 1>the wood you should look at that is what shrink Yeah,

0:13:00.559 --> 0:13:02.959
<v Speaker 1>so it shrinks and it leaves a lot of clues. Right,

0:13:03.080 --> 0:13:05.720
<v Speaker 1>so you know the bottom of a drawer, you know

0:13:05.760 --> 0:13:09.880
<v Speaker 1>how in a really good construction it's kind of slatted in. Yeah,

0:13:10.000 --> 0:13:12.440
<v Speaker 1>so as it shrinks, it's not going to be flush

0:13:12.480 --> 0:13:15.679
<v Speaker 1>any longer. And not only will that shrinkage be a

0:13:15.760 --> 0:13:19.840
<v Speaker 1>dead giveaway, but that that portion, that the shrunken part,

0:13:19.920 --> 0:13:22.480
<v Speaker 1>the now exposed part, should be lighter in color and

0:13:22.559 --> 0:13:24.960
<v Speaker 1>the stuff that's been exposed to underwear for the last

0:13:24.960 --> 0:13:31.640
<v Speaker 1>two years underwear. Yeah. Um. Also that you know, they

0:13:31.760 --> 0:13:33.680
<v Speaker 1>used to use a pegs a lot of times to

0:13:33.720 --> 0:13:36.640
<v Speaker 1>as simple furniture. So if if the pegs are have

0:13:36.840 --> 0:13:38.920
<v Speaker 1>worked their themselves out a little bit, that's probably a

0:13:38.920 --> 0:13:42.360
<v Speaker 1>good uh sign that there's been some shrinkage going on

0:13:43.120 --> 0:13:48.920
<v Speaker 1>in the underwear drawer. Uh. What else we talked about pegs,

0:13:48.920 --> 0:13:52.280
<v Speaker 1>dovetail joints. I think Paul mentioned dovetail joints and mortis

0:13:52.320 --> 0:13:55.880
<v Speaker 1>and tenon joints are really, you know, a hallmark of

0:13:55.880 --> 0:14:01.120
<v Speaker 1>early craftsmanship. So you look for those tools handstanding. It's

0:14:01.160 --> 0:14:04.600
<v Speaker 1>gonna look different than machine standing, as is a hand

0:14:04.760 --> 0:14:08.400
<v Speaker 1>saw rather than like the perfect straight edge of a

0:14:08.440 --> 0:14:10.520
<v Speaker 1>saw mill saw. You can actually, if you know what

0:14:10.559 --> 0:14:13.400
<v Speaker 1>you're doing, you can kind of roughly date what like

0:14:13.480 --> 0:14:18.000
<v Speaker 1>the age of your piece of furniture by the saw marks. Right. Um.

0:14:18.080 --> 0:14:19.680
<v Speaker 1>So you're gonna want to look at the back of

0:14:19.720 --> 0:14:22.680
<v Speaker 1>a chair or the drawer. It's an inconspicuous area that

0:14:22.720 --> 0:14:26.080
<v Speaker 1>they probably didn't bother to sand. Um. If there are straight,

0:14:26.120 --> 0:14:30.400
<v Speaker 1>irregular marks, that's pre eighteen thirty. Uh. If they're straight

0:14:30.520 --> 0:14:34.400
<v Speaker 1>even marks. That means that it was around eighteen thirty sawmills.

0:14:34.480 --> 0:14:39.640
<v Speaker 1>We're cutting these straight even marks, perfectly straight. And then

0:14:39.880 --> 0:14:43.240
<v Speaker 1>circular marks came in about eighteen fifty, when the Industrial

0:14:43.400 --> 0:14:46.880
<v Speaker 1>Revolution was really starting to take off. People like, our

0:14:46.960 --> 0:14:51.320
<v Speaker 1>furniture doesn't have to be square anymore. Yes, you know,

0:14:51.360 --> 0:14:53.560
<v Speaker 1>it really took me. And this one was when I

0:14:53.600 --> 0:15:00.160
<v Speaker 1>read this sentence. Nails were originally made forged individually. I mean,

0:15:00.160 --> 0:15:01.920
<v Speaker 1>does that really hit home? Do you think how many

0:15:02.000 --> 0:15:05.080
<v Speaker 1>nails it takes to build a structure, and the blacksmith

0:15:05.080 --> 0:15:07.720
<v Speaker 1>had to make every nail one at a time. That's

0:15:07.760 --> 0:15:10.000
<v Speaker 1>why the blacksmith was usually the man to go crazy

0:15:10.000 --> 0:15:11.560
<v Speaker 1>on the rest of the town and kill everyone in

0:15:11.600 --> 0:15:14.400
<v Speaker 1>their sleep. Yeah, with something made of heavy metal, probably

0:15:14.840 --> 0:15:17.840
<v Speaker 1>that's what I would use. Uh, where are we here

0:15:18.600 --> 0:15:21.040
<v Speaker 1>buying them? You wanna talk about buying antiques? Yeah, and um,

0:15:21.120 --> 0:15:23.520
<v Speaker 1>we should probably say that. You know, if you're into antiques,

0:15:23.880 --> 0:15:26.520
<v Speaker 1>especially if you're really an antiques, you're probably doing it

0:15:26.560 --> 0:15:31.720
<v Speaker 1>at least partially for profit, right, hoping to maybe make

0:15:31.720 --> 0:15:33.680
<v Speaker 1>a little money off of it. Well, Paul pointed out

0:15:33.680 --> 0:15:35.240
<v Speaker 1>that you should buy you should only buy something if

0:15:35.240 --> 0:15:37.440
<v Speaker 1>you like it. At excellent point. I thought that was

0:15:37.480 --> 0:15:39.800
<v Speaker 1>a great point. Usually you're looking you know, you think

0:15:39.800 --> 0:15:41.960
<v Speaker 1>it's worth something as well, right, And we asked him

0:15:42.000 --> 0:15:45.320
<v Speaker 1>about value, like how does an antique get valued? And

0:15:45.400 --> 0:15:47.840
<v Speaker 1>here's what he said. For worth is what you can

0:15:47.960 --> 0:15:49.920
<v Speaker 1>get somebody to pay for it on a given day,

0:15:50.240 --> 0:15:53.000
<v Speaker 1>not what in you know, insurance company or a museum

0:15:53.120 --> 0:15:55.960
<v Speaker 1>or in you know, a quote expert says it's worth.

0:15:56.440 --> 0:16:00.240
<v Speaker 1>So you know what the biggest factor is, supplying the man,

0:16:00.280 --> 0:16:02.080
<v Speaker 1>how many people in the audience want it. You know,

0:16:02.080 --> 0:16:04.240
<v Speaker 1>I bring something up that five people want, it's going

0:16:04.280 --> 0:16:06.480
<v Speaker 1>to bring more than than somebody might have thought it

0:16:06.520 --> 0:16:08.680
<v Speaker 1>was worth if it comes out and it's you know,

0:16:08.800 --> 0:16:11.120
<v Speaker 1>only one person wants it or nobody wants it, whether

0:16:11.160 --> 0:16:13.480
<v Speaker 1>it's going to bring less, but the reality is that's

0:16:13.520 --> 0:16:15.800
<v Speaker 1>that's what it was worth that day in this building.

0:16:16.000 --> 0:16:18.840
<v Speaker 1>So you know, it's it's just kind of a weird dynamic.

0:16:18.840 --> 0:16:20.840
<v Speaker 1>Worth is a is a real funny thing. It's it's

0:16:20.880 --> 0:16:24.240
<v Speaker 1>it's like trying to nail jello. So that was Paul

0:16:24.280 --> 0:16:27.880
<v Speaker 1>once again, Josh I could tell he was on the phone.

0:16:27.920 --> 0:16:30.280
<v Speaker 1>He was on the phone. Uh, if you if you

0:16:30.280 --> 0:16:32.640
<v Speaker 1>don't know anything and you want to learn something, about antiques.

0:16:32.880 --> 0:16:35.600
<v Speaker 1>Here's some advice from how staff works dot com. Just

0:16:35.640 --> 0:16:39.720
<v Speaker 1>start buying things. Will now go to a museum, because

0:16:39.880 --> 0:16:43.840
<v Speaker 1>museums are a great place to You're gonna you're gonna

0:16:43.880 --> 0:16:47.880
<v Speaker 1>know it's real, it's authenticated by pro It's probably gonna

0:16:47.880 --> 0:16:50.480
<v Speaker 1>be grouped by either the manufacturer of the period, so

0:16:50.520 --> 0:16:55.040
<v Speaker 1>you get like a really specific view of what you're

0:16:55.040 --> 0:16:58.120
<v Speaker 1>looking at it and then probably be identified by the maker.

0:16:58.200 --> 0:16:59.720
<v Speaker 1>And you might have a docent there that has some

0:16:59.800 --> 0:17:01.680
<v Speaker 1>like history. So that's a really good place to learn

0:17:01.720 --> 0:17:03.680
<v Speaker 1>about this stuff. Yeah, there's usually somebody there you can

0:17:03.720 --> 0:17:06.040
<v Speaker 1>say what does this mean? Or why is that there?

0:17:06.040 --> 0:17:09.199
<v Speaker 1>And they go move along. Yeah uh. And then the

0:17:09.240 --> 0:17:11.000
<v Speaker 1>next thing, you know, that chairs out there any longer

0:17:11.040 --> 0:17:14.120
<v Speaker 1>because you just exposed it as a fraud, much like

0:17:14.240 --> 0:17:18.640
<v Speaker 1>the um Brewster chair. Right, yes, have you heard about this?

0:17:19.200 --> 0:17:22.080
<v Speaker 1>And I talked about another podcast or something. No, that's

0:17:22.320 --> 0:17:24.840
<v Speaker 1>known as the greatest hoax of all time, greatest antique

0:17:24.880 --> 0:17:27.760
<v Speaker 1>hoax of all time, greatest antique furniture hoax of all time.

0:17:28.000 --> 0:17:31.720
<v Speaker 1>Let's get specific here, huh that let it know that well,

0:17:31.760 --> 0:17:35.200
<v Speaker 1>think about it's a chair. Surely there's other antique hoaxes. Well,

0:17:35.280 --> 0:17:38.560
<v Speaker 1>this is the greatest, This is the Ali This is

0:17:38.600 --> 0:17:41.960
<v Speaker 1>the O. J. Simpson Trial of Antiques. So the Ford

0:17:42.040 --> 0:17:46.520
<v Speaker 1>Museum was taken by a chair that was supposedly created

0:17:46.600 --> 0:17:51.040
<v Speaker 1>by pilgrims from the Massachusetts Bay Colony. Right, Yeah, but

0:17:51.080 --> 0:17:53.120
<v Speaker 1>they weren't taken by the chair. They were taken by

0:17:53.320 --> 0:17:57.120
<v Speaker 1>La Montaigne armand Lamont. He sounds like a fake furniture guy.

0:17:57.240 --> 0:18:00.680
<v Speaker 1>He sounds like a forger armand La Montaigne faked the

0:18:00.680 --> 0:18:03.400
<v Speaker 1>Brewster chair just to see if he could fool the experts.

0:18:03.400 --> 0:18:06.679
<v Speaker 1>And he did. Yeah, which apparently is quite popular and

0:18:06.800 --> 0:18:09.040
<v Speaker 1>especially was in the seventies or hoaxx all over the place.

0:18:09.040 --> 0:18:12.119
<v Speaker 1>Have you seen f is for fake? No? Okay, you

0:18:12.119 --> 0:18:15.240
<v Speaker 1>know our buddy recommended this movie. It's the Orson Wells

0:18:15.320 --> 0:18:18.520
<v Speaker 1>documentary on art forgery. Okay, so we saw it, right,

0:18:18.640 --> 0:18:24.600
<v Speaker 1>you mean I watched it. It's very interesting. It's the

0:18:24.800 --> 0:18:26.640
<v Speaker 1>Who's Well I thought he was talking about the Doors

0:18:26.680 --> 0:18:29.120
<v Speaker 1>and Walls TV show when he had Burt Reynolds on. No,

0:18:29.320 --> 0:18:32.160
<v Speaker 1>but it's in the it's in a similar stylus, really

0:18:32.560 --> 0:18:35.479
<v Speaker 1>edited very strangely, right, But the content of it is

0:18:35.600 --> 0:18:40.359
<v Speaker 1>um Clifford Irving, the guy who faked the biography of um.

0:18:40.359 --> 0:18:44.400
<v Speaker 1>Howard Hughes also wrote a biography on a great art

0:18:44.400 --> 0:18:48.280
<v Speaker 1>forger named Elmir, and Elmir is like this guy who's like,

0:18:48.400 --> 0:18:50.760
<v Speaker 1>I just do this to show that all the experts

0:18:50.760 --> 0:18:54.560
<v Speaker 1>are idiots and I've never signed anything, and I toss everything.

0:18:54.640 --> 0:18:57.199
<v Speaker 1>And his biographer, who actually turns out to be a

0:18:57.240 --> 0:19:00.240
<v Speaker 1>hoax himself, Clifford Irving, is like that, it's not true.

0:19:00.600 --> 0:19:04.320
<v Speaker 1>That guy is fraudulent and he's making money off of it.

0:19:04.359 --> 0:19:07.399
<v Speaker 1>But it makes a good point that we you said

0:19:07.920 --> 0:19:10.680
<v Speaker 1>in the museum, you're gonna be able to probably rely

0:19:10.760 --> 0:19:13.600
<v Speaker 1>on it being legitimate. That's where you can really learn

0:19:13.720 --> 0:19:17.080
<v Speaker 1>the point of this movie is that's not necessarily true.

0:19:17.119 --> 0:19:20.159
<v Speaker 1>I mean, like, if you can pass something by the experts,

0:19:20.800 --> 0:19:24.000
<v Speaker 1>then it's legitimate and in just about everyone's eyes, and

0:19:24.040 --> 0:19:27.360
<v Speaker 1>that apparently is fairly rampant in the art world. Yeah. Well,

0:19:27.400 --> 0:19:29.560
<v Speaker 1>the Brister chair, though, they put it through an X

0:19:29.640 --> 0:19:31.000
<v Speaker 1>ray and they were they were all of a sudden,

0:19:31.040 --> 0:19:34.960
<v Speaker 1>they were like, ah, yeah, La Montage, Yeah. La Montage

0:19:34.960 --> 0:19:38.400
<v Speaker 1>had said, like, you know, I faked the chair like

0:19:38.680 --> 0:19:41.200
<v Speaker 1>several a couple of decades ago, and you bought it.

0:19:41.480 --> 0:19:43.400
<v Speaker 1>Somebody bought it and then now they used that chair

0:19:43.440 --> 0:19:46.960
<v Speaker 1>though as an example of how to be not be duped.

0:19:47.000 --> 0:19:49.040
<v Speaker 1>I guess what do they? What does Oprah call that?

0:19:49.040 --> 0:19:51.520
<v Speaker 1>At a learning moment or a teaching moment? Yeah, I

0:19:51.560 --> 0:19:54.480
<v Speaker 1>think something like that. So uh, if you have learned

0:19:54.480 --> 0:19:56.480
<v Speaker 1>a few things here and you do want to buy antiques,

0:19:57.240 --> 0:19:59.880
<v Speaker 1>where should he go? H? Well, you said the museums,

0:19:59.880 --> 0:20:03.800
<v Speaker 1>and you're ready to buy and just start anywhere you can.

0:20:03.960 --> 0:20:06.199
<v Speaker 1>If you go to a small town in small in

0:20:06.320 --> 0:20:09.399
<v Speaker 1>America and you close your eyes and just start walking

0:20:09.440 --> 0:20:12.160
<v Speaker 1>forward and don't get hit by a car going around

0:20:12.200 --> 0:20:15.480
<v Speaker 1>the square, you're going to run into an antique store. Yes,

0:20:15.640 --> 0:20:17.840
<v Speaker 1>And depending on the size of the shop, if it's

0:20:17.880 --> 0:20:21.040
<v Speaker 1>like a smallest shop, then that means probably that the

0:20:21.080 --> 0:20:24.120
<v Speaker 1>shop owner picked out all the antiques because there's things

0:20:24.119 --> 0:20:25.720
<v Speaker 1>that they like in things that they think will sell.

0:20:26.359 --> 0:20:29.120
<v Speaker 1>Or like a flea market, they'll usually have little booths

0:20:29.160 --> 0:20:31.000
<v Speaker 1>and you can rent out your own little booth and

0:20:31.000 --> 0:20:33.399
<v Speaker 1>sell stuff. So you'll probably get like a big wide

0:20:33.480 --> 0:20:38.680
<v Speaker 1>variety there. That's right. Um where else? Well, auctions if

0:20:38.680 --> 0:20:39.800
<v Speaker 1>you want to, if you want to add a little

0:20:39.920 --> 0:20:43.639
<v Speaker 1>zing to your antiques or your antique buying experience, experience

0:20:43.720 --> 0:20:47.080
<v Speaker 1>right to the auction is very much like an experience,

0:20:47.880 --> 0:20:51.679
<v Speaker 1>and you get to buy stuff too, right. Um, And

0:20:51.760 --> 0:20:53.479
<v Speaker 1>we talked to Paul about this. We'll bring him back

0:20:53.520 --> 0:20:57.080
<v Speaker 1>in a second. But if you want to really kind

0:20:57.080 --> 0:21:00.360
<v Speaker 1>of hone your hangling skills or you know, just kind

0:21:00.359 --> 0:21:03.320
<v Speaker 1>of know your limits, you can start off in a

0:21:03.359 --> 0:21:06.119
<v Speaker 1>small store and just go basically abuse the store owner

0:21:06.680 --> 0:21:10.080
<v Speaker 1>and then hone and go to a couple of auctions

0:21:10.800 --> 0:21:12.800
<v Speaker 1>and by boom, by being you might be ready. But

0:21:13.200 --> 0:21:15.399
<v Speaker 1>this is what you're in for. It's not nearly as

0:21:15.560 --> 0:21:20.919
<v Speaker 1>um scary as we've been made to believe. Apparently what auctions, Yeah, listen,

0:21:21.000 --> 0:21:25.119
<v Speaker 1>listen to pul check. The auction can be Uh, it's

0:21:25.240 --> 0:21:27.280
<v Speaker 1>nature almost. I think maybe Howard did it or I

0:21:27.280 --> 0:21:29.879
<v Speaker 1>don't know what happened exactly, but um, you know, a

0:21:29.880 --> 0:21:32.280
<v Speaker 1>lot of people are intimidated by the auction process. What

0:21:32.320 --> 0:21:34.800
<v Speaker 1>I always encourage people do is come in early, you know,

0:21:34.800 --> 0:21:37.160
<v Speaker 1>maybe come in the week before and take a look around, preview,

0:21:37.480 --> 0:21:39.720
<v Speaker 1>you know, take some measurements, kick the tire, so to speak,

0:21:39.800 --> 0:21:41.720
<v Speaker 1>open the door, see if you're dovetail, see if it's

0:21:41.800 --> 0:21:44.280
<v Speaker 1>if you're buying, or if you're potentially buying what you

0:21:44.320 --> 0:21:47.159
<v Speaker 1>think you're potentially buying. Ask questions because we're always here

0:21:47.160 --> 0:21:49.600
<v Speaker 1>to answer them. And you know, if I don't know,

0:21:49.680 --> 0:21:51.600
<v Speaker 1>I'll say I don't know. But if I do know,

0:21:51.680 --> 0:21:53.560
<v Speaker 1>I'm happy to share and say so is my stuff.

0:21:53.840 --> 0:21:56.320
<v Speaker 1>But you know, and then as the auction be approaches,

0:21:56.400 --> 0:21:59.040
<v Speaker 1>you know, you come in, get settle in and kind

0:21:59.040 --> 0:22:00.720
<v Speaker 1>of watch it, kind of get a fearful. It's a

0:22:00.800 --> 0:22:03.359
<v Speaker 1>lucamic thing, and each auction is a dynamic and fluid.

0:22:03.440 --> 0:22:05.879
<v Speaker 1>It's almost organic the way it kind of grows, and

0:22:06.040 --> 0:22:08.000
<v Speaker 1>you see, okay, these things are going high, those things

0:22:08.000 --> 0:22:09.879
<v Speaker 1>are going kind of watch it a little bit and

0:22:09.920 --> 0:22:12.280
<v Speaker 1>then just don't be intimidated to to bid, don't don't

0:22:12.400 --> 0:22:14.240
<v Speaker 1>let me get you know, to your head. Just kind

0:22:14.240 --> 0:22:15.960
<v Speaker 1>of play play the game. It's like going to the

0:22:15.960 --> 0:22:17.960
<v Speaker 1>casino sort of. You kind of get a rush out

0:22:17.960 --> 0:22:20.479
<v Speaker 1>of it. It's fun. So that was some good advice.

0:22:20.520 --> 0:22:23.480
<v Speaker 1>Like they'll they'll usually have a display period where you

0:22:23.480 --> 0:22:25.480
<v Speaker 1>can go check it out up close before the auction,

0:22:26.000 --> 0:22:27.720
<v Speaker 1>and if you've never been to an auction, it can

0:22:27.760 --> 0:22:29.719
<v Speaker 1>get caught up in it. You know, have you ever

0:22:29.720 --> 0:22:33.000
<v Speaker 1>been doing auction of any kind? Silent auction at a church,

0:22:33.400 --> 0:22:35.399
<v Speaker 1>very low pressure. I mean one where the guys you

0:22:35.400 --> 0:22:38.520
<v Speaker 1>know doing the whole thing. Cattle auction, I've been to

0:22:38.560 --> 0:22:41.920
<v Speaker 1>those before. Did you buy for each catal auction? Kid?

0:22:41.960 --> 0:22:45.000
<v Speaker 1>You not? Did you buy a cow? I'm just a

0:22:45.560 --> 0:22:47.399
<v Speaker 1>do you want to check out beforehand? Know exactly what

0:22:47.480 --> 0:22:50.400
<v Speaker 1>you want, what you're willing to pay, and don't get

0:22:50.400 --> 0:22:53.840
<v Speaker 1>caught up in the auction fever because, as Paul pointed out,

0:22:53.840 --> 0:22:56.760
<v Speaker 1>and as anyone knows, something is worth what someone's gonna

0:22:56.760 --> 0:22:59.080
<v Speaker 1>pay for it. And and if you've got all these

0:22:59.080 --> 0:23:01.440
<v Speaker 1>people bidden on, it's just like eBay, it's the same thing.

0:23:02.200 --> 0:23:04.639
<v Speaker 1>You get all these I never understood the eBay people

0:23:04.640 --> 0:23:06.760
<v Speaker 1>that you know in an auctions for like a week

0:23:07.240 --> 0:23:09.800
<v Speaker 1>and on day one they start throwing bids in. Yeah,

0:23:09.960 --> 0:23:12.399
<v Speaker 1>I've never understood anything. Well. Sellers love it because it

0:23:12.440 --> 0:23:14.440
<v Speaker 1>just drives up the price. But I mean as a

0:23:14.440 --> 0:23:17.879
<v Speaker 1>as a buyer, it doesn't make none at all. On eBay.

0:23:17.920 --> 0:23:20.520
<v Speaker 1>I go in the last like second and a half

0:23:21.119 --> 0:23:23.520
<v Speaker 1>my first bid, right and we we also talked to

0:23:23.520 --> 0:23:27.359
<v Speaker 1>Paul about um, you know what what you should buy

0:23:27.440 --> 0:23:29.800
<v Speaker 1>or if there's something in your home, and he was

0:23:29.840 --> 0:23:33.760
<v Speaker 1>saying like it's very surprising how something that seems like

0:23:33.840 --> 0:23:36.280
<v Speaker 1>it would never sell, or something you take his ordinary

0:23:36.359 --> 0:23:38.320
<v Speaker 1>commonplace because you grew up around it and it's now

0:23:38.400 --> 0:23:40.160
<v Speaker 1>in your home and you walk past it every day,

0:23:40.200 --> 0:23:42.840
<v Speaker 1>that that suddenly takes on value when a guy like

0:23:42.960 --> 0:23:46.440
<v Speaker 1>him creates a market by taking a seller and putting

0:23:46.480 --> 0:23:50.080
<v Speaker 1>them together and putting his stuff in front of buyers. Right, So,

0:23:50.080 --> 0:23:52.800
<v Speaker 1>so you're absolutely right. I mean, like there, things do

0:23:52.920 --> 0:23:55.520
<v Speaker 1>have value even if they don't seem like they have value.

0:23:55.520 --> 0:23:58.159
<v Speaker 1>And you can make some dough it in auction, or

0:23:58.200 --> 0:23:59.960
<v Speaker 1>you can spend a bunch of dough it in auction.

0:24:00.200 --> 0:24:02.639
<v Speaker 1>You can also do an internet auction, which requires a

0:24:02.640 --> 0:24:06.880
<v Speaker 1>tremendous amount of faith. Yeah, I mean eBay has their

0:24:06.880 --> 0:24:09.479
<v Speaker 1>little rules of you gotta be on the upend up,

0:24:09.520 --> 0:24:11.440
<v Speaker 1>but you can really kind of do anything on there

0:24:11.440 --> 0:24:16.560
<v Speaker 1>if you want. Yeah, there's antique shows that are you know,

0:24:16.720 --> 0:24:19.840
<v Speaker 1>like this weekend and North Georgia there's a show and

0:24:20.400 --> 0:24:23.240
<v Speaker 1>the Georgia Mountain fair Grounds. It's a big deal. Everyone

0:24:23.240 --> 0:24:25.960
<v Speaker 1>brings their stuff and from them once a year and

0:24:26.000 --> 0:24:29.119
<v Speaker 1>not just made it up. And obviously a state sales.

0:24:29.200 --> 0:24:31.440
<v Speaker 1>Keep your eyes peeled in the newspaper and Craigslist and

0:24:31.440 --> 0:24:33.200
<v Speaker 1>stuff for state sales, you get some good fine and

0:24:33.400 --> 0:24:35.560
<v Speaker 1>the cool thing about the state sales, especially if you

0:24:35.760 --> 0:24:38.399
<v Speaker 1>if you find an estate sale and the sign for

0:24:38.440 --> 0:24:41.040
<v Speaker 1>it is on like a piece of poster board with

0:24:41.280 --> 0:24:43.760
<v Speaker 1>black sharpie, that means it's a yard sale. That means

0:24:43.800 --> 0:24:46.280
<v Speaker 1>that it's well, it could be there. There could be

0:24:46.320 --> 0:24:48.159
<v Speaker 1>some really great stuff there, and it's being sold by

0:24:48.160 --> 0:24:51.240
<v Speaker 1>people who don't know anything, and there's probably no reserve price,

0:24:51.280 --> 0:24:54.439
<v Speaker 1>which is the minimum bid that will be accepted. Um.

0:24:54.520 --> 0:24:57.479
<v Speaker 1>So yeah, state sales can be treasure troves, especially if

0:24:57.480 --> 0:25:01.480
<v Speaker 1>you like stuff that smell like um that elderly. Right,

0:25:02.600 --> 0:25:06.440
<v Speaker 1>let me say that, I think so mothballs. Yeah. Uh.

0:25:06.480 --> 0:25:08.840
<v Speaker 1>If you're checking things out at these places, look for

0:25:08.920 --> 0:25:12.360
<v Speaker 1>a signature of the maker to help authenticate it. That's

0:25:12.400 --> 0:25:14.159
<v Speaker 1>kind of a dead giveaway. If you see like a

0:25:14.160 --> 0:25:18.879
<v Speaker 1>brand on furniture like on the underside, or um on

0:25:18.960 --> 0:25:22.800
<v Speaker 1>glassware and ceramics is usually on the on the bottom.

0:25:23.200 --> 0:25:25.720
<v Speaker 1>What else. Well, yeah, that's a that's a good point

0:25:25.760 --> 0:25:28.760
<v Speaker 1>that there's there should be a signature there because the difference,

0:25:28.800 --> 0:25:33.800
<v Speaker 1>the only difference really between a reproduction and a counterfeit, uh,

0:25:34.040 --> 0:25:37.080
<v Speaker 1>is the stamp of the craftsman. Right, the mark of

0:25:37.119 --> 0:25:41.080
<v Speaker 1>the craftsman saying like I made this in. I'm not

0:25:41.119 --> 0:25:45.080
<v Speaker 1>trying to pass it off as something made in. Yeah. Well,

0:25:45.119 --> 0:25:47.800
<v Speaker 1>sometimes there's other documentation too that someone will include, like

0:25:47.840 --> 0:25:51.600
<v Speaker 1>this is uh a photo of my great great grandmother

0:25:51.680 --> 0:25:55.800
<v Speaker 1>with this chest of drawers or chiffer robe, and um,

0:25:55.880 --> 0:26:00.280
<v Speaker 1>here's a and then here's it's included in the ill

0:26:00.680 --> 0:26:04.200
<v Speaker 1>from too. And there's a letter um from my great

0:26:04.240 --> 0:26:06.560
<v Speaker 1>grandfather to my great grandmother about the chiff robe. And

0:26:06.600 --> 0:26:08.680
<v Speaker 1>I'm gonna give you all this saying bust up that

0:26:08.800 --> 0:26:13.199
<v Speaker 1>chiffer robe to help to help document that it is

0:26:13.240 --> 0:26:16.720
<v Speaker 1>in fact. Yes, and if you have that much documentation,

0:26:16.800 --> 0:26:20.720
<v Speaker 1>you're in like full in because apparently being able to

0:26:20.800 --> 0:26:24.560
<v Speaker 1>prove providence, especially famous providence, can apparently just drive the

0:26:24.600 --> 0:26:28.040
<v Speaker 1>price up. There's a story in this article about a

0:26:28.119 --> 0:26:32.680
<v Speaker 1>person who attended the two thousand to Tucson Antiques roadshow

0:26:32.680 --> 0:26:36.040
<v Speaker 1>of it and showed up with a you first phase

0:26:36.160 --> 0:26:38.919
<v Speaker 1>chief's blanket, which is rare enough, like this thing was

0:26:38.920 --> 0:26:42.800
<v Speaker 1>appraised that three and fifty five hundred thousand dollars, but

0:26:43.080 --> 0:26:45.600
<v Speaker 1>the person said that it once belonged to Kick Carson,

0:26:45.920 --> 0:26:48.960
<v Speaker 1>but couldn't prove it, but had he or she proven it,

0:26:49.400 --> 0:26:52.160
<v Speaker 1>then it would have increased the value by another hundred

0:26:52.160 --> 0:26:55.639
<v Speaker 1>and fifty grand just because Kick Carson slept in it

0:26:55.680 --> 0:26:58.560
<v Speaker 1>for a while. Al Right, pretty sweet. Huh. Yeah, there's

0:26:59.359 --> 0:27:01.320
<v Speaker 1>I look at a lot of Craigslist guitars, you know,

0:27:01.440 --> 0:27:03.840
<v Speaker 1>just I'm not in the market, but I always just look,

0:27:03.880 --> 0:27:05.919
<v Speaker 1>and there's always every day there's always some two that

0:27:05.960 --> 0:27:09.679
<v Speaker 1>has a really cheap CREDI guitar and he's like it

0:27:09.720 --> 0:27:13.560
<v Speaker 1>was signed by the Kip Winger and there's just the

0:27:13.720 --> 0:27:15.919
<v Speaker 1>scrawl and sharpie on it. And you know, there're as

0:27:15.960 --> 0:27:19.199
<v Speaker 1>some like five hundred bucks for hundred dollar guitar with

0:27:19.520 --> 0:27:24.600
<v Speaker 1>Inger maybe don doc into Uh what else can you

0:27:24.640 --> 0:27:26.800
<v Speaker 1>look for, Josh? If you have a CT scan in

0:27:26.840 --> 0:27:30.840
<v Speaker 1>your house, or an X ray machine or infrared analysis

0:27:30.920 --> 0:27:33.720
<v Speaker 1>or ultra violet analysis, you can do it that way, Yes,

0:27:33.880 --> 0:27:36.680
<v Speaker 1>if you're so lucky to have those kind of things

0:27:35.840 --> 0:27:39.439
<v Speaker 1>in your home or your medical clinic. Or look at

0:27:39.440 --> 0:27:41.000
<v Speaker 1>the antique dealer. If they're on the up and up,

0:27:41.000 --> 0:27:44.520
<v Speaker 1>they're probably a member of one of the professional associations.

0:27:44.920 --> 0:27:47.240
<v Speaker 1>And then also if you follow Paul Brown's advice and

0:27:47.320 --> 0:27:49.840
<v Speaker 1>buy what you like, and you're you're pretty much buying

0:27:49.880 --> 0:27:53.080
<v Speaker 1>for yourself. Uh, then you may end up using your antiques,

0:27:53.119 --> 0:27:56.160
<v Speaker 1>displaying it, keeping it out in the opening your normal house.

0:27:56.200 --> 0:27:57.480
<v Speaker 1>And if you do that, you're gonna want to keep

0:27:57.560 --> 0:27:59.960
<v Speaker 1>up with it. Right, So if you have an antique clock,

0:28:00.000 --> 0:28:02.639
<v Speaker 1>you're gonna want to wind it regularly. Uh. If you

0:28:02.680 --> 0:28:04.960
<v Speaker 1>have a rug or blanket or something like that, maybe

0:28:05.080 --> 0:28:08.680
<v Speaker 1>up on the walls better place than on the floor, right. Um.

0:28:08.960 --> 0:28:13.320
<v Speaker 1>And uh then other uh kind of more fragile stuff

0:28:13.359 --> 0:28:18.560
<v Speaker 1>like books, sheet music, manuscripts. Um, you wanna store these

0:28:18.640 --> 0:28:21.199
<v Speaker 1>upright out of the sun. Yeah, we want to make

0:28:21.200 --> 0:28:23.920
<v Speaker 1>sure there's no newspaper pressing between them. Highly acidic, bad

0:28:23.960 --> 0:28:26.000
<v Speaker 1>for an antique book. Probably not in the basement or

0:28:26.000 --> 0:28:30.679
<v Speaker 1>the attic. You want a good neutral temperature. Your books

0:28:30.680 --> 0:28:33.800
<v Speaker 1>want to be in the same climate you're in. Yeah.

0:28:34.119 --> 0:28:36.360
<v Speaker 1>Did you like that it's a T shirt right there.

0:28:36.640 --> 0:28:41.320
<v Speaker 1>Photographs you should store in their own individual envelope and

0:28:41.320 --> 0:28:44.640
<v Speaker 1>then that envelope in a box. Don't like out of

0:28:44.680 --> 0:28:47.440
<v Speaker 1>the sun. Yeah, don't stick them all together and like

0:28:47.480 --> 0:28:50.239
<v Speaker 1>put a brick on top of them. They're gonna end

0:28:50.320 --> 0:28:52.239
<v Speaker 1>up being a goooey mess. It's not a good way

0:28:52.280 --> 0:28:54.280
<v Speaker 1>to store your photos and you're also gonna want to

0:28:54.280 --> 0:28:56.600
<v Speaker 1>buy a nice pair of cotton gloves when you start

0:28:56.640 --> 0:29:00.720
<v Speaker 1>collecting antique photographs of any kind, whether it's glass or

0:29:00.880 --> 0:29:05.200
<v Speaker 1>metal degarat type. If you're into Matthew Brady or being

0:29:05.240 --> 0:29:07.920
<v Speaker 1>a mime, remember the Brady Bunch where it turned out

0:29:07.960 --> 0:29:11.440
<v Speaker 1>that Matthew Brady was related to Mr Brady and they

0:29:11.440 --> 0:29:13.840
<v Speaker 1>showed like a picture it was a de Garat type

0:29:13.880 --> 0:29:16.520
<v Speaker 1>of Abraham Lincoln in the background is Mike Brady. Yeah,

0:29:16.680 --> 0:29:19.160
<v Speaker 1>it's a good one. I do remember that. I'm like,

0:29:19.480 --> 0:29:22.640
<v Speaker 1>this is like the second Chris Farley reference. Yeah, we

0:29:22.760 --> 0:29:25.000
<v Speaker 1>did the Chip Indels thing and then like the remember

0:29:25.000 --> 0:29:31.360
<v Speaker 1>when he a text Scorsese. Do you remember you got

0:29:31.360 --> 0:29:35.320
<v Speaker 1>anything else? Set it for auctions and uh antiques and

0:29:36.440 --> 0:29:39.440
<v Speaker 1>that kind of thing. I think it is. We want

0:29:39.480 --> 0:29:42.680
<v Speaker 1>to give a hearty thanks to Paul Brown. Congratulations and

0:29:42.720 --> 0:29:45.600
<v Speaker 1>good luck. It's nice to see another Atlanta boy making

0:29:45.640 --> 0:29:49.240
<v Speaker 1>good that's right, um, And we're gonna drop by Gallery

0:29:49.240 --> 0:29:51.360
<v Speaker 1>sixty three one day, maybe a good picture made with him.

0:29:51.400 --> 0:29:53.440
<v Speaker 1>How about that he invited us so it wouldn't be

0:29:53.520 --> 0:29:56.760
<v Speaker 1>like stalking, and you know, check out auction Kings obviously

0:29:57.240 --> 0:29:59.600
<v Speaker 1>if you want to learn more about antiques. You can

0:29:59.600 --> 0:30:04.160
<v Speaker 1>type word antiques or antiquities is as it's also called

0:30:04.400 --> 0:30:08.600
<v Speaker 1>antiques is slang for antiquities. You know that that was it? Yeah,

0:30:08.680 --> 0:30:10.560
<v Speaker 1>you can type that into the search bar at how

0:30:10.600 --> 0:30:13.440
<v Speaker 1>stuff works dot com the dusty old search bar and

0:30:13.520 --> 0:30:17.240
<v Speaker 1>needed polishing found in our attic. All right, Yes, that's

0:30:17.240 --> 0:30:19.560
<v Speaker 1>what I'm trying. Now, how does it work? I think

0:30:19.560 --> 0:30:25.720
<v Speaker 1>it's great that brings up then listener male, I'm gonna

0:30:25.760 --> 0:30:32.240
<v Speaker 1>call this, uh polyamory A polyamorous young lady. Yeah, hello

0:30:32.280 --> 0:30:37.600
<v Speaker 1>from a polyamoroust. Yeah, hi, guys. Today I was feverishly

0:30:37.640 --> 0:30:40.840
<v Speaker 1>sewing tiny pieces of silk together and cursing myself for

0:30:40.880 --> 0:30:44.280
<v Speaker 1>attempting such an elaborate Christmas gift for my sister. When

0:30:44.400 --> 0:30:48.360
<v Speaker 1>why would anyone want? Multiple spouses started playing? I put

0:30:48.400 --> 0:30:50.800
<v Speaker 1>down my thumble and listen even more intently than usual

0:30:51.160 --> 0:30:55.640
<v Speaker 1>for I myself and a polyamoroust. I'm a twenty one

0:30:55.680 --> 0:30:59.480
<v Speaker 1>year old female living in Saskatoon, Saskatchewan, which I believe

0:30:59.560 --> 0:31:02.680
<v Speaker 1>is in America's hat. I've flown over that. I have

0:31:02.800 --> 0:31:07.480
<v Speaker 1>two partners, Jesse and Kumarn, and of two three and

0:31:07.560 --> 0:31:10.800
<v Speaker 1>two years, respectively. Jesse and I lived together. We all

0:31:10.840 --> 0:31:15.320
<v Speaker 1>happened to be humanitarian atheists. Jesse and Komb have been

0:31:15.360 --> 0:31:17.600
<v Speaker 1>friends since well before I met either of them, but

0:31:17.800 --> 0:31:21.440
<v Speaker 1>they do not have a physical relationship together. Both of

0:31:21.480 --> 0:31:24.720
<v Speaker 1>them are able to pursue relationships with other people, and

0:31:24.960 --> 0:31:26.960
<v Speaker 1>I have had a lady friend in the last three

0:31:27.000 --> 0:31:30.280
<v Speaker 1>years to boot as well. To minimize the risk of

0:31:30.440 --> 0:31:33.240
<v Speaker 1>s t I s, we maintain a fluid bond and

0:31:33.560 --> 0:31:38.320
<v Speaker 1>no one has intercourse with someone outside the bond without

0:31:38.360 --> 0:31:41.280
<v Speaker 1>an s t I test. Jealousy has never been an issue.

0:31:41.320 --> 0:31:44.400
<v Speaker 1>For some reason. Jesse actually encouraged me to start dating Komb,

0:31:45.000 --> 0:31:47.680
<v Speaker 1>and when Jesse was dating his lady friend, I was

0:31:47.720 --> 0:31:51.000
<v Speaker 1>really pleased and excited. All of our parents know we

0:31:51.080 --> 0:31:53.400
<v Speaker 1>are out to our co workers and friends. I have

0:31:53.520 --> 0:31:55.320
<v Speaker 1>no desire to get married, but I know of many

0:31:55.760 --> 0:31:59.000
<v Speaker 1>polyamorous families who do or are. I would say the

0:31:59.040 --> 0:32:01.320
<v Speaker 1>benefits of polyN me for us, at least, because a

0:32:01.360 --> 0:32:05.360
<v Speaker 1>twentysomething family with no children boils down to more more

0:32:05.400 --> 0:32:08.680
<v Speaker 1>people to love, more people to be loved by, more

0:32:08.680 --> 0:32:13.040
<v Speaker 1>sources of support, more ideas, more perspective or Christmas gifts.

0:32:13.360 --> 0:32:17.280
<v Speaker 1>The most importantly, more people to gun down, zombies and

0:32:17.400 --> 0:32:20.440
<v Speaker 1>left for dead. Is that one of the safe places,

0:32:20.600 --> 0:32:25.360
<v Speaker 1>one of the safe areas in the Zombie Apocalypse Saskatoon. Yeah,

0:32:25.800 --> 0:32:29.880
<v Speaker 1>I'm sure three shotguns are better than two. I would

0:32:29.880 --> 0:32:32.120
<v Speaker 1>also like to point out that living communally where everyone

0:32:32.160 --> 0:32:35.880
<v Speaker 1>has sexual access quote unquote to everyone else is relatively

0:32:35.960 --> 0:32:39.680
<v Speaker 1>rare in polyamory. More commonly it's just three or four

0:32:39.920 --> 0:32:44.720
<v Speaker 1>or four person relationships or quote unquote open relationships, or

0:32:44.760 --> 0:32:49.120
<v Speaker 1>even primary and secondary relationships. So that in tertiary is

0:32:49.240 --> 0:32:54.480
<v Speaker 1>from lydia Well, thanks a lot, lydia Um is very

0:32:54.600 --> 0:32:57.080
<v Speaker 1>nice to have that little peek into your life. Thank

0:32:57.120 --> 0:32:59.880
<v Speaker 1>you up there. Plus also she left out and say

0:33:00.040 --> 0:33:03.840
<v Speaker 1>s cartoon it gets really cold up there. Yeah, real cold.

0:33:03.880 --> 0:33:06.840
<v Speaker 1>Imagine a three person snuggle is pretty warm. It's like

0:33:06.920 --> 0:33:08.520
<v Speaker 1>three dog night, do you know? That's where that came

0:33:08.520 --> 0:33:12.080
<v Speaker 1>from the Aborigines in Australia. On a particularly cold night,

0:33:12.240 --> 0:33:14.240
<v Speaker 1>they would sleep with three dogs around him. The three

0:33:14.280 --> 0:33:16.840
<v Speaker 1>dog night is a really really cold night, and that's

0:33:16.840 --> 0:33:20.520
<v Speaker 1>where the bank got their name. Yes, okay, if you

0:33:20.560 --> 0:33:23.320
<v Speaker 1>have any cool interesting stories, we didn't really touch about

0:33:23.360 --> 0:33:24.840
<v Speaker 1>a touch on it, but if we if you have

0:33:24.880 --> 0:33:27.440
<v Speaker 1>any cool stories about something that was found in your

0:33:27.440 --> 0:33:30.480
<v Speaker 1>attic or in your neighbor's attic that turned out to

0:33:30.480 --> 0:33:33.040
<v Speaker 1>be really valuable and cool. We want to hear about it.

0:33:33.240 --> 0:33:37.120
<v Speaker 1>And in the meantime, here's a little um watching homework

0:33:37.200 --> 0:33:40.040
<v Speaker 1>for you. Everyone goes see The Red Violin, probably the

0:33:40.040 --> 0:33:43.880
<v Speaker 1>coolest auction movie of all time. You've seen it? Oh, chuck,

0:33:43.920 --> 0:33:47.720
<v Speaker 1>you gotta send a cube? Okay? Uh? Anyways, send us

0:33:47.760 --> 0:33:49.680
<v Speaker 1>your cool stories, put it in an email, spec it

0:33:49.760 --> 0:33:52.560
<v Speaker 1>on the bottom, and send it to stuffed podcast at

0:33:52.600 --> 0:33:58.840
<v Speaker 1>how stuff works dot com for moral nos and thousands

0:33:58.840 --> 0:34:01.400
<v Speaker 1>of other topics. Is how stuff works dot com. To

0:34:01.520 --> 0:34:04.360
<v Speaker 1>learn more about the podcast, click on the podcast icon

0:34:04.480 --> 0:34:07.320
<v Speaker 1>in the upper right corner of our homepage. The house

0:34:07.320 --> 0:34:10.160
<v Speaker 1>stuff Works iPhone app has a ride. Download it today

0:34:10.400 --> 0:34:15.920
<v Speaker 1>on iTunes, brought to you by the reinvented two thousand

0:34:16.000 --> 0:34:18.120
<v Speaker 1>twelve camera. It's ready, are you