1 00:00:00,920 --> 00:00:15,360 Speaker 1: Welcome to Friday's show, Morning Studio. Morning. Anna Kendrick coming 2 00:00:15,440 --> 00:00:17,200 Speaker 1: up a little bit, big Hollywood star all with us. 3 00:00:17,200 --> 00:00:21,040 Speaker 1: It would be pretty fun. Huh yeah, Okay, let's all 4 00:00:21,040 --> 00:00:22,640 Speaker 1: go around the room and share a little something. He 5 00:00:23,200 --> 00:00:25,479 Speaker 1: is in a band, he's the father of four boys. 6 00:00:26,320 --> 00:00:28,520 Speaker 1: This next person is no stranger. A loud noise here. 7 00:00:28,520 --> 00:00:31,920 Speaker 1: He is produced ready, everybody. So the other morning, I 8 00:00:32,040 --> 00:00:34,800 Speaker 1: was making a bagel, put some cream cheese on it, 9 00:00:34,840 --> 00:00:37,400 Speaker 1: and the bagel had nuts in it, and I started 10 00:00:37,400 --> 00:00:39,360 Speaker 1: eating it. Took a you know, still chewing it, and 11 00:00:39,400 --> 00:00:40,879 Speaker 1: I was like, oh, I gotta take my medicine. So 12 00:00:40,880 --> 00:00:43,560 Speaker 1: I got some sudafet because I've had some no stuff 13 00:00:43,560 --> 00:00:46,080 Speaker 1: going on. I put the suda fit in, I drink 14 00:00:46,120 --> 00:00:48,840 Speaker 1: the water, and I just keep chewing my bagel, my 15 00:00:48,840 --> 00:00:50,960 Speaker 1: my bagel. And I didn't realize that one of the 16 00:00:50,960 --> 00:00:53,080 Speaker 1: sudo feder was still in there, so I thought it 17 00:00:53,159 --> 00:00:55,640 Speaker 1: was a nut. I chew on it and it's like, yeah, 18 00:00:55,920 --> 00:00:59,360 Speaker 1: the most disgusting taste ever. And I chewed it for 19 00:00:59,480 --> 00:01:02,760 Speaker 1: like tense straight guys. I felt like I that I 20 00:01:02,800 --> 00:01:04,160 Speaker 1: could not get that taste out of my mouth for 21 00:01:04,200 --> 00:01:08,280 Speaker 1: a whole minute. Water wouldn't go down. Oh, it's just disgusting. 22 00:01:08,440 --> 00:01:11,000 Speaker 1: Have you ever chewed on an aspirin before? Awful? It's 23 00:01:11,080 --> 00:01:13,119 Speaker 1: so bad. We can all taste that in our mind 24 00:01:13,200 --> 00:01:16,400 Speaker 1: right now, where it's just like, yeah, I hated it. 25 00:01:16,600 --> 00:01:19,960 Speaker 1: So you good though? What my hangy banging? Yeah? Everything? 26 00:01:20,080 --> 00:01:21,600 Speaker 1: Are you one hundred percent back you? No? I would 27 00:01:21,600 --> 00:01:27,679 Speaker 1: say I'm about ninety five percent back. I'm never over. Yeah. 28 00:01:27,720 --> 00:01:29,920 Speaker 1: You always got a little something about age thirty five. 29 00:01:30,400 --> 00:01:32,840 Speaker 1: You don't get one hundred anymore. It is what it is, 30 00:01:32,920 --> 00:01:35,520 Speaker 1: all right, daddy, thank you very much. This next person's 31 00:01:35,640 --> 00:01:39,200 Speaker 1: game plan on making pbj's is a bit suspicious, but 32 00:01:39,280 --> 00:01:41,160 Speaker 1: in his world, even though they're gross, they're still delicious. 33 00:01:41,160 --> 00:01:44,240 Speaker 1: Here he is lunchboxed everybody. Guys. I just want to say, guys, 34 00:01:44,280 --> 00:01:47,800 Speaker 1: I'm officially the last person on my street when it's 35 00:01:47,880 --> 00:01:53,800 Speaker 1: Christmas lights still on. That's right, it is official. I 36 00:01:53,880 --> 00:01:56,080 Speaker 1: drove up and down my street yesterday and if they 37 00:01:56,120 --> 00:01:58,200 Speaker 1: have them up, they have them turned off. Mine are 38 00:01:58,400 --> 00:02:01,400 Speaker 1: up and they are on. I am the winner. I 39 00:02:01,440 --> 00:02:04,200 Speaker 1: am the world. You're the winner. Yeah. Absolutely? You know 40 00:02:04,200 --> 00:02:06,360 Speaker 1: they were playing a game against you. Absolutely not. They 41 00:02:06,400 --> 00:02:10,600 Speaker 1: had no idea. But I outlasted everybody who was your 42 00:02:10,639 --> 00:02:12,520 Speaker 1: wife say that you want you take him down? Now? 43 00:02:12,639 --> 00:02:15,200 Speaker 1: Oh yeah. She's like, all right, it's been on, like 44 00:02:15,320 --> 00:02:17,680 Speaker 1: it's over. And I'm like, but we are the winners. 45 00:02:17,800 --> 00:02:19,680 Speaker 1: Last year, I like paid him to keep him up. Yeah, 46 00:02:20,240 --> 00:02:22,720 Speaker 1: I'm not doing that this year. Last year the neighbor 47 00:02:22,760 --> 00:02:24,560 Speaker 1: came out and said, hey, it's something about it. He 48 00:02:24,600 --> 00:02:27,120 Speaker 1: said an energy shortage or something. I don't even He 49 00:02:27,160 --> 00:02:28,839 Speaker 1: just wanted to take him down. He was like, oh, 50 00:02:28,840 --> 00:02:30,960 Speaker 1: it's a little energy shortage. You still got him up 51 00:02:31,000 --> 00:02:33,280 Speaker 1: in the middle of January. And I was like, who 52 00:02:33,320 --> 00:02:36,520 Speaker 1: are you Allenstein? Like Einstein? Yeah? I didn't he have 53 00:02:36,600 --> 00:02:39,360 Speaker 1: something to do with that. No energy short I don't know, 54 00:02:39,400 --> 00:02:41,800 Speaker 1: not in anyway. Good, good for you, Yeah, thank you? 55 00:02:41,840 --> 00:02:44,080 Speaker 1: All right. Up next, she thinks ice coffee is the best, 56 00:02:44,080 --> 00:02:46,799 Speaker 1: but she comes in without a lid and sometimes she 57 00:02:46,880 --> 00:02:50,520 Speaker 1: spills it and makes a mess. Here she has Okay, 58 00:02:50,560 --> 00:02:53,280 Speaker 1: so I have a strawberry hat in case you've got 59 00:02:53,360 --> 00:02:55,680 Speaker 1: kids like mine that don't want to eat a strawberry 60 00:02:55,720 --> 00:02:58,880 Speaker 1: that just looks a little wonky. It's not moldy, it's 61 00:02:58,880 --> 00:03:00,720 Speaker 1: not bad. You don't need to throw out, but it 62 00:03:00,760 --> 00:03:04,040 Speaker 1: just looks well. You can put it in an ice 63 00:03:04,120 --> 00:03:07,800 Speaker 1: bath for twenty minutes and it comes out revived. He's 64 00:03:07,840 --> 00:03:11,480 Speaker 1: gonna do that for a strawberry ice bathad gross strawberries. Strawberries. 65 00:03:11,520 --> 00:03:14,240 Speaker 1: I'm just saying several can look that way, and instead 66 00:03:14,280 --> 00:03:16,120 Speaker 1: of throwing them out, if you want to still try 67 00:03:16,160 --> 00:03:18,160 Speaker 1: to get your kids to eat them, revive them in 68 00:03:18,200 --> 00:03:20,079 Speaker 1: the ice bath. It may work. It worked on my 69 00:03:20,160 --> 00:03:21,960 Speaker 1: kids and they ended up eating them. Let's just probably 70 00:03:22,000 --> 00:03:23,919 Speaker 1: make a smoothie. Yeah, throw them in there and something 71 00:03:23,960 --> 00:03:25,800 Speaker 1: like that. She's right, though, kids are so picky. If 72 00:03:25,800 --> 00:03:28,280 Speaker 1: they look a little damage, they won't eat them. So 73 00:03:28,280 --> 00:03:31,720 Speaker 1: what does the ice bath do though? It somehow revives 74 00:03:31,760 --> 00:03:35,240 Speaker 1: the strawberries. Yeah, it makes it. The color come back 75 00:03:35,280 --> 00:03:37,600 Speaker 1: a little bit, makes it look better. Ice bath. There's 76 00:03:37,640 --> 00:03:40,080 Speaker 1: no bold like a bowl, but there's no mold. Yes, 77 00:03:40,160 --> 00:03:42,240 Speaker 1: a bowl with ice and water. Oh, I was thinking 78 00:03:42,320 --> 00:03:46,560 Speaker 1: the bathtub me too. You gotta run a bathtub an 79 00:03:46,600 --> 00:03:49,040 Speaker 1: athlete gets after a practice. I was like, that's just 80 00:03:49,080 --> 00:03:51,880 Speaker 1: too much for as I should back up. Strawberries are 81 00:03:51,880 --> 00:03:58,240 Speaker 1: really really tiny. So strawberries, yeah, a simple like you 82 00:03:58,280 --> 00:04:01,080 Speaker 1: don't understand strawberries. Take my fingers size. They are right, 83 00:04:01,160 --> 00:04:04,080 Speaker 1: So that's all you need. Thank you, Amy, welcome it 84 00:04:04,120 --> 00:04:06,400 Speaker 1: all right, Right, let's go from Round Pine, Arkansas. He 85 00:04:06,440 --> 00:04:08,880 Speaker 1: loves laughy taffy candy and the other day he went 86 00:04:08,920 --> 00:04:14,400 Speaker 1: to Arkansas and Vandy Bobby Bones. So you know, we 87 00:04:14,480 --> 00:04:18,120 Speaker 1: lost our bet. As a show, we drew and before 88 00:04:18,160 --> 00:04:20,720 Speaker 1: the football season we all put money in and then 89 00:04:20,720 --> 00:04:24,320 Speaker 1: we drew for the Tampa Bay Buccaneers. That's who we had. 90 00:04:24,400 --> 00:04:26,920 Speaker 1: We didn't pick them. They didn't win the Super Bowl, 91 00:04:27,800 --> 00:04:31,480 Speaker 1: so I didn't pick them. Of the team's remaining this weekend, 92 00:04:31,920 --> 00:04:33,640 Speaker 1: I got a name full of them. So who once 93 00:04:33,680 --> 00:04:37,119 Speaker 1: in for twenty bucks? We're gonna draw those as a group. 94 00:04:37,240 --> 00:04:42,240 Speaker 1: I'll make the bet and if we win, we'll then win. Question. Yeah, 95 00:04:42,360 --> 00:04:43,520 Speaker 1: are we gonna do it like we did at the 96 00:04:43,560 --> 00:04:45,280 Speaker 1: beginning year where we draw the name and we decide, oh, 97 00:04:45,279 --> 00:04:46,880 Speaker 1: we don't want that when we go to the one 98 00:04:46,920 --> 00:04:50,440 Speaker 1: team we draw? Okay, it is what it is. You 99 00:04:50,480 --> 00:04:53,080 Speaker 1: can be in or not in twenty bucks. Let me 100 00:04:53,120 --> 00:04:55,000 Speaker 1: know who's it might raise your hand off your hands 101 00:04:55,040 --> 00:04:58,159 Speaker 1: on count quick, one, two, three, four, five, six, seven eight. Okay, 102 00:04:58,279 --> 00:05:01,200 Speaker 1: there's Dadavis right. Anybody lash room one, twenty bucks. I'm in. 103 00:05:01,320 --> 00:05:04,280 Speaker 1: Steve's in there. Anybody over there in the other room. 104 00:05:04,440 --> 00:05:06,839 Speaker 1: Abby's Abbey's in. Okay, all right, here we go. So 105 00:05:06,880 --> 00:05:10,200 Speaker 1: I'm gonna draw. Amy, you draw. Let me get how 106 00:05:10,279 --> 00:05:12,400 Speaker 1: boys hit the forty nine ers? Amy? We need the 107 00:05:12,440 --> 00:05:15,360 Speaker 1: forty nine because if it's a bad one, they're gonna 108 00:05:15,360 --> 00:05:18,000 Speaker 1: be mad at me. No one more. Amy. You pick Tampa, 109 00:05:18,040 --> 00:05:20,280 Speaker 1: baby like, so pick the forty nine ers. Amy, we 110 00:05:20,320 --> 00:05:22,160 Speaker 1: need the forty nine ers. Don't open it? Yeah, okay, 111 00:05:22,200 --> 00:05:24,960 Speaker 1: come on, Amy, I'm logging into my Draft Kings account. Yes, 112 00:05:25,040 --> 00:05:27,120 Speaker 1: by the way, go to DraftKings dot com and put 113 00:05:27,200 --> 00:05:30,960 Speaker 1: in Bobby sports and get the Okay, did you look 114 00:05:31,000 --> 00:05:33,880 Speaker 1: at it? You did not? Okay, So I'm pulling up 115 00:05:34,120 --> 00:05:41,400 Speaker 1: in fl Amy, what team did you draw? Come? Mom, baby, 116 00:05:42,080 --> 00:05:44,800 Speaker 1: Come mom baby. You have to give me the money 117 00:05:44,800 --> 00:05:47,520 Speaker 1: you've already committed. We're in. Okay, go ahead, open it. 118 00:05:47,760 --> 00:05:54,760 Speaker 1: I did the Yeah we want So it's plus four 119 00:05:54,920 --> 00:05:57,120 Speaker 1: fifty if I have that? Right? Wait? How'd you know 120 00:05:57,160 --> 00:06:00,840 Speaker 1: that D have written down somewhere? It's oh it is 121 00:06:01,320 --> 00:06:04,839 Speaker 1: you what I keep all that stuff for our sports 122 00:06:04,839 --> 00:06:09,040 Speaker 1: show that happens today. Okay, check it out San Francisco. 123 00:06:09,200 --> 00:06:11,000 Speaker 1: Right now, our plus four fifty and how much money 124 00:06:11,000 --> 00:06:13,960 Speaker 1: do we have total? Twenty sixty eighty one hundred, twenty 125 00:06:13,960 --> 00:06:15,840 Speaker 1: forty two hundred bucks. Well I think there's even more 126 00:06:16,160 --> 00:06:20,800 Speaker 1: nine ten eleven Okay, so that's two hundred and sixty bucks. 127 00:06:21,480 --> 00:06:23,160 Speaker 1: So if we've bet two, I need your money. But 128 00:06:23,279 --> 00:06:28,640 Speaker 1: we've got two sixty that pays fourteen hundred dollars. Okay, 129 00:06:28,720 --> 00:06:32,840 Speaker 1: everybody go vakay, guys, what eddie? Okay, fourteen hundred we're 130 00:06:32,839 --> 00:06:35,920 Speaker 1: gonna lose. We can lose our money, like this weekend immediately, 131 00:06:36,279 --> 00:06:38,840 Speaker 1: what's your play? Why do you ever get the cowboy 132 00:06:38,839 --> 00:06:41,479 Speaker 1: because they're going to get some poys so stupid this 133 00:06:41,520 --> 00:06:45,640 Speaker 1: weekend they play the Cowboys. That's in no negative energy allowed, 134 00:06:45,839 --> 00:06:48,360 Speaker 1: that's in your ally. You're gonna have it. Oh I'm out. Yeah, 135 00:06:48,480 --> 00:06:52,000 Speaker 1: this is stupid. Bet. It's the worst better already and buddy, 136 00:06:52,120 --> 00:06:53,920 Speaker 1: all right, So that's our bet. We're now forty nine. 137 00:06:53,960 --> 00:06:57,520 Speaker 1: This is a forty nine ers show. No, it's not no, 138 00:06:57,560 --> 00:07:01,320 Speaker 1: it's not either way. We still got a dog in 139 00:07:01,360 --> 00:07:04,000 Speaker 1: the race. I want to I want the Cowboys. I 140 00:07:04,000 --> 00:07:05,680 Speaker 1: know you do bones all right, So we're all or 141 00:07:05,680 --> 00:07:07,400 Speaker 1: a forty nine or show. Now, I'll take the money. 142 00:07:07,800 --> 00:07:10,360 Speaker 1: Segments over. Let's go now and start the show where 143 00:07:10,400 --> 00:07:14,480 Speaker 1: they feel good, no time to open up the mail bag. 144 00:07:18,480 --> 00:07:25,120 Speaker 1: Something we call hello, Bobby Bones. Do you have an 145 00:07:25,120 --> 00:07:28,080 Speaker 1: internal monologue? If so, can you hear the tone of 146 00:07:28,120 --> 00:07:31,880 Speaker 1: your voice, like when you're talking out loud and you're angry, 147 00:07:31,960 --> 00:07:34,480 Speaker 1: is your tone different in your thoughts? Some people do 148 00:07:34,520 --> 00:07:36,960 Speaker 1: not have an internal monologue, and this could quite possibly 149 00:07:37,000 --> 00:07:40,600 Speaker 1: validate men when they answer the famous question what are 150 00:07:40,600 --> 00:07:43,800 Speaker 1: you thinking? And they answer nothing. Some people even see 151 00:07:43,800 --> 00:07:46,400 Speaker 1: their thoughts out in front of them, like the good 152 00:07:46,480 --> 00:07:51,320 Speaker 1: doctor does what is true for you? Very respectfully, Jessica Outley, 153 00:07:51,720 --> 00:07:53,200 Speaker 1: I don't know the good doctor, but I'm assuming he 154 00:07:53,240 --> 00:07:56,640 Speaker 1: sees the words out in front of what I Yeah, 155 00:07:56,720 --> 00:08:01,680 Speaker 1: I definitely have myself if that talks to me in 156 00:08:01,840 --> 00:08:05,360 Speaker 1: my head. And if I'm thinking something, I'll do thinking 157 00:08:05,480 --> 00:08:07,760 Speaker 1: right now. So I'll go three two one and it'll 158 00:08:07,800 --> 00:08:10,920 Speaker 1: be my thinking voice, Okay, three two one? Yeah? I 159 00:08:10,920 --> 00:08:14,440 Speaker 1: wonder if you eat that cereal right now? Well, and 160 00:08:14,560 --> 00:08:16,120 Speaker 1: I really do want the cereal, and I feel like 161 00:08:16,400 --> 00:08:19,840 Speaker 1: if I I can just really limit the sugar tomorrow, 162 00:08:20,280 --> 00:08:23,960 Speaker 1: it my stomach. But you know, one, you're not gonna 163 00:08:23,960 --> 00:08:26,120 Speaker 1: feel good tomorrow. And Kaylen's gonna say I told him 164 00:08:26,120 --> 00:08:29,760 Speaker 1: I eat that sugar. I'm eating the cereal. Okay, that's 165 00:08:30,000 --> 00:08:32,920 Speaker 1: my monologue, talks to each other. I have two ames actually, 166 00:08:33,240 --> 00:08:35,199 Speaker 1: and this whole time, you're just staring into space while 167 00:08:35,200 --> 00:08:37,640 Speaker 1: you're things coming out of my mouth. Wow, it's weird 168 00:08:37,679 --> 00:08:41,160 Speaker 1: to do that out loud because I have battling monologues. 169 00:08:42,360 --> 00:08:44,320 Speaker 1: So I guess that would be a dialogue, but it 170 00:08:44,320 --> 00:08:47,200 Speaker 1: would be like two yeah, a full on debate. I 171 00:08:47,240 --> 00:08:50,520 Speaker 1: have a dot. Yeah, weird. I never thought about it 172 00:08:50,559 --> 00:08:51,800 Speaker 1: like that, but I do. It's like the Angel and 173 00:08:51,840 --> 00:08:53,360 Speaker 1: the devil in the cartoon, in one of his shoulder. 174 00:08:53,880 --> 00:08:55,760 Speaker 1: That's kind of what it feels like. I don't see 175 00:08:55,760 --> 00:08:59,800 Speaker 1: words out in front of me, but I do have 176 00:09:00,040 --> 00:09:02,480 Speaker 1: two of me is in there convincing me which way 177 00:09:02,480 --> 00:09:04,600 Speaker 1: to go, and there's always one fighting for the other thing, 178 00:09:04,600 --> 00:09:07,400 Speaker 1: even if it's very very very light. It's like, man, 179 00:09:07,440 --> 00:09:11,120 Speaker 1: I don't want to work out today, Well you probably should. Well, 180 00:09:11,160 --> 00:09:15,280 Speaker 1: since you're whispering, you probably agree, okay, right, so or 181 00:09:15,360 --> 00:09:17,840 Speaker 1: it's like, no, suck it up. You'll be much happier 182 00:09:17,840 --> 00:09:20,200 Speaker 1: when you did. But yeah, that's great. Yeah, I have 183 00:09:20,240 --> 00:09:22,720 Speaker 1: two amaes in there. Hey do you what's your deal? Oh? Yeah, 184 00:09:22,720 --> 00:09:24,680 Speaker 1: I have talked to myself all the time in my 185 00:09:24,760 --> 00:09:30,400 Speaker 1: head by myself felt loud. Oh no, that's called well, 186 00:09:30,920 --> 00:09:33,920 Speaker 1: well I do it, and I guess this interesting. I've 187 00:09:33,960 --> 00:09:36,440 Speaker 1: never really thought about my different tones. But I don't 188 00:09:36,440 --> 00:09:39,240 Speaker 1: really go back and forth with myself so much as like, 189 00:09:39,440 --> 00:09:43,120 Speaker 1: if I'm like oom, frustrated with myself, I have that 190 00:09:43,240 --> 00:09:46,800 Speaker 1: tone and then I have the fire yourself, you did it? 191 00:09:47,160 --> 00:09:49,320 Speaker 1: Or I often ask people whose English is their second 192 00:09:49,360 --> 00:09:52,760 Speaker 1: language what language they dream in. Oh. I was talking 193 00:09:52,760 --> 00:09:56,160 Speaker 1: with a guy recently who's from Mexico, and I was like, 194 00:09:56,520 --> 00:09:57,839 Speaker 1: he's been in the country like eleven years, and I 195 00:09:57,880 --> 00:09:59,440 Speaker 1: was like, you dream in English yet he was like, oh, 196 00:09:59,480 --> 00:10:01,320 Speaker 1: I've never been that before. He said, yeah, sometimes, but 197 00:10:01,360 --> 00:10:04,920 Speaker 1: mostly still Spanish. Wow, lunchbucks. Do you have anythinking I 198 00:10:05,040 --> 00:10:07,240 Speaker 1: think about, oh, here we go again whenever my wife 199 00:10:07,280 --> 00:10:09,720 Speaker 1: start staying something or you guys start. But do you have, 200 00:10:09,840 --> 00:10:12,559 Speaker 1: like you a voice inside of you that you can 201 00:10:12,880 --> 00:10:17,160 Speaker 1: you can hear but not out loud. No, No, I 202 00:10:17,200 --> 00:10:21,679 Speaker 1: thought everybody, I'm just like chilling. I don't really think 203 00:10:21,720 --> 00:10:26,000 Speaker 1: about much straight chilling. Yeah, Eddie, oh yeah, my voice 204 00:10:26,080 --> 00:10:29,760 Speaker 1: is encouraging mostly like it's kind of like my advice voice, 205 00:10:30,160 --> 00:10:32,200 Speaker 1: like it'll tell me stuff like you know, like hey, 206 00:10:32,200 --> 00:10:34,280 Speaker 1: come on, you can do that playing golf all the time, 207 00:10:34,320 --> 00:10:36,720 Speaker 1: Like hey, man, just just settle your arms down, get 208 00:10:36,720 --> 00:10:39,080 Speaker 1: your hands right and hit the ball all the time. 209 00:10:39,120 --> 00:10:41,200 Speaker 1: And it's never like slay encouragement. Mine, almost like you're 210 00:10:41,200 --> 00:10:43,000 Speaker 1: stupid uggly and everybody hates you. Yeah, I don't like that. 211 00:10:43,080 --> 00:10:45,559 Speaker 1: You guys need to see someone. If you're talking to yourself, Oh, 212 00:10:45,559 --> 00:10:48,920 Speaker 1: it's normal, like you're having a conversation head like that 213 00:10:49,120 --> 00:10:52,480 Speaker 1: is weird, Jessica. As you can see, we're all a 214 00:10:52,520 --> 00:10:54,960 Speaker 1: little different there. I appreciate that we've never talked about 215 00:10:55,000 --> 00:10:56,760 Speaker 1: that before. So thank you for the email, And if 216 00:10:56,760 --> 00:10:58,960 Speaker 1: you guys want to email us, you can at anytime. Morgan, 217 00:10:59,000 --> 00:11:01,800 Speaker 1: what's the email address? Nailback at Bobby Bones dot com. 218 00:11:01,840 --> 00:11:07,160 Speaker 1: I closed it up. We got your that was found 219 00:11:07,200 --> 00:11:15,599 Speaker 1: the clothes back. It's time for fun fact Friday Fund. 220 00:11:16,640 --> 00:11:18,720 Speaker 1: We've all found something through the week, we bring it in. 221 00:11:18,800 --> 00:11:21,480 Speaker 1: We kind of share it. Pretty fun. I like this segment. 222 00:11:21,520 --> 00:11:23,360 Speaker 1: Now mine's not super fun is and you're gonna get 223 00:11:23,360 --> 00:11:27,320 Speaker 1: some laughs. But I didn't know this so Jonestown cult. 224 00:11:27,480 --> 00:11:30,400 Speaker 1: Back in the day, there was a cult. They were 225 00:11:30,400 --> 00:11:34,360 Speaker 1: down in Mexico, South America, America. Yeah. And the big 226 00:11:34,400 --> 00:11:37,400 Speaker 1: thing is the guy made him drink the kool Aid 227 00:11:37,480 --> 00:11:39,280 Speaker 1: and they all died. That's what it's saying is don't 228 00:11:39,360 --> 00:11:41,480 Speaker 1: drink the Kolai. Correct you ever hear that? Ye Oh, 229 00:11:41,520 --> 00:11:45,640 Speaker 1: that's why. Because the cult they had him all drink oolaid. 230 00:11:45,640 --> 00:11:48,280 Speaker 1: They all died, that Jones and then he didn't drink 231 00:11:48,280 --> 00:11:50,240 Speaker 1: the kool Aid, right, I remember that now he fled. 232 00:11:50,360 --> 00:11:53,440 Speaker 1: So the hundreds of Jonestown cult members who killed themselves 233 00:11:53,480 --> 00:11:56,000 Speaker 1: in nineteen seventy eight didn't actually drink poison kool Aid. 234 00:11:56,400 --> 00:12:00,520 Speaker 1: They drank poison flavor Aid. Oh, the generic brand, and 235 00:12:00,600 --> 00:12:03,880 Speaker 1: kool Aid still got all the credit. Why but is 236 00:12:03,920 --> 00:12:07,800 Speaker 1: it good credit? And that Koolai didn't anything wrong? No? No, 237 00:12:07,840 --> 00:12:10,280 Speaker 1: but still should we change it to hold on? Hold on? 238 00:12:10,600 --> 00:12:12,719 Speaker 1: Just think if it was drink hey, don't drink the 239 00:12:12,720 --> 00:12:15,160 Speaker 1: flavor right, that would I mean people would know flavor right. 240 00:12:15,200 --> 00:12:17,679 Speaker 1: It could have rosen popularity would take over the flavor 241 00:12:17,720 --> 00:12:19,960 Speaker 1: Righted Man's busted through a house going I'm the flavor 242 00:12:20,040 --> 00:12:22,840 Speaker 1: Aid man. I didn't realize there was two different brands. 243 00:12:22,840 --> 00:12:24,640 Speaker 1: I thought kool Aid was just kool Aid, and that 244 00:12:24,720 --> 00:12:27,560 Speaker 1: was it. No, Koolaid is a brand. It's like Kleenex. Correct. 245 00:12:28,320 --> 00:12:30,520 Speaker 1: I knew that one flavor, right, is a generic kol Aid? 246 00:12:31,120 --> 00:12:35,640 Speaker 1: Yeah right, so that's mine, okay. Amy Bruce Lee had 247 00:12:35,679 --> 00:12:38,640 Speaker 1: the sweat glands removed from his under arms because he 248 00:12:38,720 --> 00:12:41,760 Speaker 1: thought that it being dark under there would look bad 249 00:12:41,800 --> 00:12:45,200 Speaker 1: on camera, and they say it was likely a contributing 250 00:12:45,240 --> 00:12:49,280 Speaker 1: factor to his death several months later. That's drastic. I 251 00:12:49,280 --> 00:12:51,200 Speaker 1: don't know you can do that, mean, I mean, neither. 252 00:12:51,360 --> 00:12:53,640 Speaker 1: That one very fun. We're over to. I mean, listen, 253 00:12:53,640 --> 00:12:58,080 Speaker 1: o man, it's oh yeah, well I just saw it. 254 00:12:58,400 --> 00:12:59,719 Speaker 1: You can remove your sweat. I mean, I guess you 255 00:12:59,720 --> 00:13:02,640 Speaker 1: can of anything. But he didn't think he'd be like 256 00:13:03,000 --> 00:13:05,760 Speaker 1: really cool as a fighter with sweaty armpits or what. 257 00:13:05,920 --> 00:13:09,160 Speaker 1: Weird guess not. All right, let's go over to Morgan. 258 00:13:09,960 --> 00:13:13,960 Speaker 1: Research found that chimpanzees recognize the butts of their relatives 259 00:13:14,000 --> 00:13:17,359 Speaker 1: just as well as humans recall familiar faces. That's hilarious. 260 00:13:18,280 --> 00:13:19,800 Speaker 1: I wonder if that's why they get up in the butt. 261 00:13:19,800 --> 00:13:22,520 Speaker 1: Obviously the smell they do like the butt, but I 262 00:13:22,520 --> 00:13:25,600 Speaker 1: wonder if that's part of it too, Like, oh right, well, yeah, 263 00:13:25,720 --> 00:13:31,240 Speaker 1: that's my cousins Willie Eddie. Yeah, did you know that 264 00:13:31,360 --> 00:13:35,560 Speaker 1: an ant cannot die from falling? So due to their 265 00:13:35,720 --> 00:13:39,040 Speaker 1: lightweight and their rock hard exoskeleton, you can go to 266 00:13:39,080 --> 00:13:41,240 Speaker 1: the top of the Empire State Building drop an ant 267 00:13:41,320 --> 00:13:44,120 Speaker 1: and they can land and just keep walking. Someone tried that. 268 00:13:44,440 --> 00:13:45,920 Speaker 1: I don't know, and how do you find it because 269 00:13:45,920 --> 00:13:50,560 Speaker 1: it's so small. I thought that was crazy that it's 270 00:13:50,600 --> 00:13:53,000 Speaker 1: so like, Wow, all right, lunchbox rap it. I'm sure 271 00:13:53,000 --> 00:13:54,640 Speaker 1: you're just a poop pee or something. It always Hayes, 272 00:13:54,640 --> 00:13:57,400 Speaker 1: go ahead, You're right onto something, don't. We all love 273 00:13:57,440 --> 00:14:00,120 Speaker 1: baby Koalas. They're so cute. But did you know what 274 00:14:00,200 --> 00:14:04,080 Speaker 1: their mom feeds them? Poop? That's right, because later in 275 00:14:04,120 --> 00:14:06,839 Speaker 1: life it helps them digest leaves, and so the poop 276 00:14:06,880 --> 00:14:13,240 Speaker 1: prepares them for later in life. That's crazy, he laughs. 277 00:14:13,280 --> 00:14:19,080 Speaker 1: Like alf Or Herman, I got this book that's called 278 00:14:19,160 --> 00:14:21,840 Speaker 1: You're Not the Worst Mom in the World, and it 279 00:14:22,000 --> 00:14:25,520 Speaker 1: shares all the things that animals do to their kids, 280 00:14:25,960 --> 00:14:27,760 Speaker 1: and it's supposed to be if you're feeling down as 281 00:14:27,760 --> 00:14:29,800 Speaker 1: a mom, you can flip through that and be like, oh, well, 282 00:14:29,840 --> 00:14:32,880 Speaker 1: at least I don't feed the kid poop exactly, But 283 00:14:33,000 --> 00:14:35,720 Speaker 1: actually I didn't know the reason behind it and they're 284 00:14:35,720 --> 00:14:38,480 Speaker 1: preparing their digestion. It helps them break down the leaves 285 00:14:38,560 --> 00:14:41,760 Speaker 1: later in life. What are these leaves? They yeah, okay, 286 00:14:41,800 --> 00:14:44,360 Speaker 1: I wonder worry friends, these just google poop. I don't. 287 00:14:44,440 --> 00:14:47,040 Speaker 1: I don't google poop facts. No, I don't google. I 288 00:14:47,040 --> 00:14:51,840 Speaker 1: don't google poop fasts. Google fun facts about fun poop facts. 289 00:14:57,920 --> 00:15:05,240 Speaker 1: It's time for the good news. A bunch of family 290 00:15:05,280 --> 00:15:08,880 Speaker 1: and friends gathered together at Napoleon's Brick Oven Pizza to 291 00:15:09,000 --> 00:15:12,120 Speaker 1: celebrate a kid that was turning two years old Maverick Kill. 292 00:15:12,600 --> 00:15:14,920 Speaker 1: These parents were putting it on for everybody. They're like, 293 00:15:14,920 --> 00:15:17,840 Speaker 1: we got this, We're gonna pay everybody and joy. They 294 00:15:17,880 --> 00:15:20,800 Speaker 1: go to pay the bill. Some strangers at the restaurant 295 00:15:20,960 --> 00:15:23,080 Speaker 1: saw that they were hosting a birthday party for their 296 00:15:23,080 --> 00:15:26,120 Speaker 1: two year old, and they covered the bill anonymously. That's 297 00:15:26,120 --> 00:15:28,120 Speaker 1: a big bill, man. They said that they had kids 298 00:15:28,120 --> 00:15:30,040 Speaker 1: of their own, they know how it can be, and 299 00:15:30,080 --> 00:15:33,240 Speaker 1: they just wanted to do something kind. And I got 300 00:15:33,280 --> 00:15:35,200 Speaker 1: a clip of the parents talking about it and really 301 00:15:35,240 --> 00:15:38,520 Speaker 1: touched us. It really just had a really big impact, 302 00:15:38,680 --> 00:15:40,560 Speaker 1: and it was just an act of kindness that you 303 00:15:40,600 --> 00:15:43,400 Speaker 1: just don't run into every day. And you know, we're 304 00:15:43,680 --> 00:15:46,600 Speaker 1: mindful to pay it forward as we can. So we 305 00:15:46,640 --> 00:15:48,920 Speaker 1: had a debate about a one year old's birthday party 306 00:15:49,120 --> 00:15:51,840 Speaker 1: because the dad said, one year old, they're not going 307 00:15:51,920 --> 00:15:54,280 Speaker 1: to remember it. Why do we have it a two 308 00:15:54,360 --> 00:15:58,400 Speaker 1: year old's birthday party? Any difference there, Eddie, I mean 309 00:15:58,440 --> 00:16:00,720 Speaker 1: they're a year older. They probably. I mean I don't 310 00:16:00,720 --> 00:16:02,560 Speaker 1: remember anything before I was five, so they're not going 311 00:16:02,600 --> 00:16:04,640 Speaker 1: to remember it. But a little more they have friends 312 00:16:04,640 --> 00:16:08,200 Speaker 1: at that point. Now two neighborhood kids whatever, any now 313 00:16:10,040 --> 00:16:13,080 Speaker 1: neighborhood kids at two you know some kids. I'm not saying, 314 00:16:13,120 --> 00:16:16,160 Speaker 1: like ten kids because your parents make you hang out. 315 00:16:16,400 --> 00:16:18,560 Speaker 1: I don't know that at that point. Are you like 316 00:16:19,400 --> 00:16:21,440 Speaker 1: I got to go? No, you don't play you you 317 00:16:21,600 --> 00:16:23,480 Speaker 1: you know who they are. But you're not like, hey, 318 00:16:23,520 --> 00:16:27,560 Speaker 1: can I go to Timmy's house? Okay, that's a great story, though, 319 00:16:27,960 --> 00:16:29,480 Speaker 1: take away from it. Thank you. That is what it's 320 00:16:29,520 --> 00:16:33,760 Speaker 1: all about. That was tell me something good. It's the 321 00:16:33,800 --> 00:16:37,280 Speaker 1: easiest trivia game in the whole wide world. It's easy trivia, 322 00:16:37,480 --> 00:16:41,880 Speaker 1: don't miss. But it's so easy. At first, Eddie, the 323 00:16:42,000 --> 00:16:46,200 Speaker 1: category is places in the city. Oh, what's the name 324 00:16:46,280 --> 00:16:48,080 Speaker 1: of a place you go to to see? A lot 325 00:16:48,120 --> 00:16:51,400 Speaker 1: of animals. Oh, you go to the zoo, correct, Morgan. 326 00:16:51,480 --> 00:16:53,080 Speaker 1: What's the name of a place you go to fuel 327 00:16:53,120 --> 00:16:56,920 Speaker 1: your car gas station? Correct? Amy. What's the name of 328 00:16:56,920 --> 00:17:02,000 Speaker 1: the place you go to to watch the movies theater? Ye, lunchbox. 329 00:17:02,080 --> 00:17:04,080 Speaker 1: What's the name of the place you go to buy groceries? 330 00:17:04,520 --> 00:17:09,480 Speaker 1: Grocery store? That's easy, man, that's so easy, right now, 331 00:17:09,720 --> 00:17:12,040 Speaker 1: Lunchbox one, Eddie one, Amy and Morgan. If you have 332 00:17:12,119 --> 00:17:14,440 Speaker 1: to score this season, but Eddie is wearing the tr 333 00:17:14,480 --> 00:17:17,240 Speaker 1: I because he is the champion here, that's right. Don't 334 00:17:17,280 --> 00:17:19,359 Speaker 1: miss it because you will get boned. And when you 335 00:17:19,359 --> 00:17:22,359 Speaker 1: get boned, you hear this right here, You've been boned. 336 00:17:23,119 --> 00:17:25,600 Speaker 1: Ready to play? Ready, Eddie your first since you are 337 00:17:25,600 --> 00:17:29,960 Speaker 1: the champion. What member of the show has an honorary 338 00:17:30,000 --> 00:17:33,040 Speaker 1: doctorate from the University of Arkansas. That is Bobby Bones. 339 00:17:33,080 --> 00:17:37,879 Speaker 1: That's correct. The category is Colleges of the Bobby Bones Show. Morgan. 340 00:17:37,920 --> 00:17:39,800 Speaker 1: What member of the show has a degree from Texas 341 00:17:39,840 --> 00:17:44,520 Speaker 1: A and N. That's Amy, correct Amy. One member of 342 00:17:44,520 --> 00:17:47,680 Speaker 1: the show went to sam Houston State University. That would 343 00:17:47,720 --> 00:17:51,920 Speaker 1: be Eddie. Correct, Am. What member of the show graduated 344 00:17:51,960 --> 00:17:55,520 Speaker 1: from Kansas State Lunchbox Morgan number two. That is correct. 345 00:17:55,600 --> 00:18:00,000 Speaker 1: Nice job, everybody. The next category is women of the nineties, 346 00:18:00,600 --> 00:18:04,760 Speaker 1: Oh Eddie, who sings my heart will go On? That 347 00:18:04,880 --> 00:18:08,440 Speaker 1: is Selene Bond. That is correct. Morgan who sings man, 348 00:18:08,560 --> 00:18:13,920 Speaker 1: I Feel like a woman? Amy over to you. Who 349 00:18:13,960 --> 00:18:19,080 Speaker 1: sings Genie in a bottle? Christina Aguilera, Yeah, Lunchbox who 350 00:18:19,119 --> 00:18:23,439 Speaker 1: sings Baby one more Time? That's my girl, Britney spears. 351 00:18:23,480 --> 00:18:25,680 Speaker 1: That is correct. Alright, we're moving on. Nobody's out yet, 352 00:18:25,720 --> 00:18:31,359 Speaker 1: It's amazing. The category is boy bands, Oh Eddie, what 353 00:18:31,600 --> 00:18:35,200 Speaker 1: nineties boy band was made up of the brothers Isaac 354 00:18:35,280 --> 00:18:40,159 Speaker 1: Taylor and Zach Oh. That is Hanson correct, Good job Morgan. 355 00:18:40,280 --> 00:18:44,960 Speaker 1: Nick Carter's a part of what boy band? Oh yeah, 356 00:18:45,080 --> 00:18:53,760 Speaker 1: Nick Carter is a part of what boy band? Backstreet Boys? Correct? Amy, 357 00:18:53,920 --> 00:18:55,680 Speaker 1: what boy band is made up of the brothers Kevin, 358 00:18:55,960 --> 00:19:05,520 Speaker 1: Joe and Nick. They're all brothers, Kevin, Joe and Nick. Incorrect, 359 00:19:07,359 --> 00:19:11,920 Speaker 1: jonas brothers. You said that I hate myself never no, no, 360 00:19:11,920 --> 00:19:14,240 Speaker 1: no no, don't be hard your yeah no no no, 361 00:19:14,480 --> 00:19:18,359 Speaker 1: You're gonna stop that this year, Lunchbox. That was your resolution. 362 00:19:18,600 --> 00:19:22,720 Speaker 1: Joey Fatone was a member of what boy band? Joey Fatone. 363 00:19:25,040 --> 00:19:29,000 Speaker 1: Oh man, he has to be in sync? Right in sync? Correct? Oh? Yes, 364 00:19:30,840 --> 00:19:37,080 Speaker 1: we are down to three. The category is Pixar. Oh yeah. 365 00:19:37,720 --> 00:19:39,919 Speaker 1: Life is a high Way by Rascal Flats is featured 366 00:19:39,920 --> 00:19:43,440 Speaker 1: in what Pixar movie that cars? Correct? Miguel is a 367 00:19:43,520 --> 00:19:47,560 Speaker 1: name of what main character the kid in twenty seventeen's 368 00:19:47,600 --> 00:19:52,600 Speaker 1: Pixar movie blank? Correct lunchbox. What's the three letter name 369 00:19:52,640 --> 00:20:00,680 Speaker 1: of Andy's scary neighbor and toy story? Andy's scary neighbor 370 00:20:00,840 --> 00:20:04,560 Speaker 1: in toy story? The three letter name of Andy's scary 371 00:20:04,600 --> 00:20:16,280 Speaker 1: neighbor in toy story dang h Man and toy story? Okay, 372 00:20:20,440 --> 00:20:25,639 Speaker 1: jed Sid you've been all right? Here we go. Did 373 00:20:25,680 --> 00:20:30,200 Speaker 1: you know that one? Guys? Sid? You two did more? Eddie? Yeah, 374 00:20:30,240 --> 00:20:33,760 Speaker 1: we didn't think so. All right, you got eliminated. I'm sorry, Hanny. 375 00:20:34,160 --> 00:20:36,919 Speaker 1: I can't talk about it. That wouldn't even a hard one. 376 00:20:37,080 --> 00:20:39,040 Speaker 1: I know, I know, I know sometimes you like complaining 377 00:20:39,040 --> 00:20:40,119 Speaker 1: at me and you're like, that was hard. I know, 378 00:20:40,200 --> 00:20:44,440 Speaker 1: I'm not complaining. Mine was hard. I actually was complaining 379 00:20:44,520 --> 00:20:47,440 Speaker 1: to myself. Mine was hard. Guys? Can we get this 380 00:20:47,520 --> 00:20:50,200 Speaker 1: game over with the category of square roots? Oh no, 381 00:20:50,680 --> 00:20:52,480 Speaker 1: why would you do that, you know, I don't know 382 00:20:52,600 --> 00:20:55,920 Speaker 1: square root Twain, Eddie and Morgan for the championship. It 383 00:20:56,080 --> 00:20:58,000 Speaker 1: was gonna be a disaster for I don't even know 384 00:20:58,040 --> 00:21:01,520 Speaker 1: what a square root is. Over you can do it. 385 00:21:01,640 --> 00:21:03,679 Speaker 1: I don't know if I do. Eddie, what's the square 386 00:21:03,720 --> 00:21:16,359 Speaker 1: root of nine? There isn't one. It's like four and 387 00:21:16,400 --> 00:21:18,520 Speaker 1: a half? Is your answer? Four and a half? Yeah, 388 00:21:18,920 --> 00:21:21,200 Speaker 1: you've been Why would you throw something out that there's 389 00:21:21,240 --> 00:21:22,879 Speaker 1: not even a chance that's right? Is nine? Have a 390 00:21:22,920 --> 00:21:24,760 Speaker 1: square root? Yes? I don't say what a square root 391 00:21:24,840 --> 00:21:29,879 Speaker 1: is though, because oh yeah, okay, yes that's incorrect, and 392 00:21:30,040 --> 00:21:32,000 Speaker 1: I lose to this again. I'll come back with an 393 00:21:32,000 --> 00:21:34,159 Speaker 1: answer in a second. I hate myself, Morgan. What's a 394 00:21:34,160 --> 00:21:44,440 Speaker 1: square rood of sixteen four? Correct? Winner, let's go a 395 00:21:44,600 --> 00:21:48,040 Speaker 1: number of times? Itself not doubled itself. So Eddie, what's 396 00:21:48,040 --> 00:21:50,680 Speaker 1: a square at thirty six? So a six? Right? So 397 00:21:50,840 --> 00:21:54,040 Speaker 1: the question was, what's the squarerood to nine? Uh three? Correct? 398 00:21:54,600 --> 00:21:58,520 Speaker 1: What's the square rood of sixty four? Eight? Yes? Idiot, Morgan? 399 00:21:58,720 --> 00:22:04,920 Speaker 1: Nice job, Wow, feels good. Everybody charts so hard against Eddie? Dude, 400 00:22:04,920 --> 00:22:06,960 Speaker 1: I know, I mean, we don't want to take You're 401 00:22:07,040 --> 00:22:14,040 Speaker 1: the Sidow a voicemail from Andy and Virginia Morning Bobby 402 00:22:14,240 --> 00:22:19,440 Speaker 1: Morning Studio. Who is employee of the month for December. Yeah, 403 00:22:19,480 --> 00:22:22,080 Speaker 1: it was some really good stuff. Can't wait for the 404 00:22:22,600 --> 00:22:26,720 Speaker 1: announcement of when that's gonna be announced. But a great job, 405 00:22:27,000 --> 00:22:29,280 Speaker 1: have fun day. I love your show. We won't hear 406 00:22:29,400 --> 00:22:32,120 Speaker 1: enough in December, about two weeks for vacation with the holidays, 407 00:22:32,280 --> 00:22:33,879 Speaker 1: there will be no employee of the month. But what 408 00:22:34,000 --> 00:22:37,560 Speaker 1: happened to December? That little slipper will roll over into January? Oh, 409 00:22:37,720 --> 00:22:40,320 Speaker 1: have the employee the month for January. At the end 410 00:22:40,359 --> 00:22:44,120 Speaker 1: of it perfect good. Dylan from Reno, Nevada left this voicemail. 411 00:22:44,680 --> 00:22:48,280 Speaker 1: My wife spent on the show three times from calling in. 412 00:22:48,359 --> 00:22:50,200 Speaker 1: It was ReBs in my face when I get home 413 00:22:50,320 --> 00:22:52,640 Speaker 1: and I'm the one that tells her she's on the show. 414 00:22:52,720 --> 00:22:55,680 Speaker 1: She doesn't even hear first. So I just wanted to 415 00:22:55,840 --> 00:22:58,960 Speaker 1: play on the radio so I can stuck to you. 416 00:22:59,000 --> 00:23:05,840 Speaker 1: Got a buddy, that's for you. You're Amy's pile of stories. 417 00:23:06,080 --> 00:23:08,159 Speaker 1: So whenever you watch Titanic, are you one of the 418 00:23:08,200 --> 00:23:10,600 Speaker 1: people that thought Jack and Rose could have both fit 419 00:23:11,080 --> 00:23:14,159 Speaker 1: on the door at the end? I think so, But 420 00:23:14,280 --> 00:23:16,240 Speaker 1: maybe I only thought that because everbody wouldn't stopped talking 421 00:23:16,240 --> 00:23:18,320 Speaker 1: about it after the movie was over. It's a huge debate. 422 00:23:18,359 --> 00:23:20,159 Speaker 1: I think mostly I was like, so where did the 423 00:23:20,160 --> 00:23:21,560 Speaker 1: me and my friend Scotty came to this movie on 424 00:23:21,680 --> 00:23:25,360 Speaker 1: Valentine's Day? That's mostly what I was thinking. That weird, 425 00:23:25,440 --> 00:23:27,600 Speaker 1: but we wanted to see it, so why. During a 426 00:23:27,680 --> 00:23:31,680 Speaker 1: recent panel discussion, James Cameron said that it's not a door, 427 00:23:32,280 --> 00:23:35,359 Speaker 1: it's a piece of wood paneling from the first class cabin. 428 00:23:35,960 --> 00:23:40,119 Speaker 1: So he also did a forensic examination to settle the 429 00:23:40,200 --> 00:23:42,720 Speaker 1: debate as to whether or not two people could have 430 00:23:43,480 --> 00:23:46,000 Speaker 1: fit on it, and it stayed buoyant and held them up. 431 00:23:46,520 --> 00:23:49,400 Speaker 1: And yeah, they spent too much money figuring this out. Yea. Well, 432 00:23:49,440 --> 00:23:51,240 Speaker 1: he just I guess it's probably tired of people being like, 433 00:23:51,400 --> 00:23:53,800 Speaker 1: why didn't you Why? Why is this how it ended? 434 00:23:53,840 --> 00:23:55,639 Speaker 1: They could have both fit? And he's like, nope, nope, 435 00:23:55,800 --> 00:23:58,479 Speaker 1: forensically they could not. I'm looking at Jack hanging off 436 00:23:58,560 --> 00:24:00,960 Speaker 1: the side of the board now and I still think 437 00:24:01,000 --> 00:24:03,560 Speaker 1: he could have fit. Oh really, so you're on that 438 00:24:03,600 --> 00:24:05,159 Speaker 1: side of the door. Well even he's holding onto it 439 00:24:05,200 --> 00:24:08,200 Speaker 1: and it's floating to hold onto it. No, but he 440 00:24:08,320 --> 00:24:10,959 Speaker 1: was cold. Yeah, you know, he should have gotten out 441 00:24:11,000 --> 00:24:12,560 Speaker 1: of the water. I think that's what killed him. But 442 00:24:12,640 --> 00:24:14,280 Speaker 1: they could have traded places. And now you get in 443 00:24:14,320 --> 00:24:16,000 Speaker 1: the water for a little bit while he warms back. Oh, 444 00:24:16,119 --> 00:24:19,200 Speaker 1: now that's smart. Nobody asked me do a little research there. 445 00:24:19,440 --> 00:24:21,520 Speaker 1: If this is interesting to you, well, there's a whole 446 00:24:21,680 --> 00:24:24,760 Speaker 1: special on National Geographic coming up on February fifth called 447 00:24:24,800 --> 00:24:27,720 Speaker 1: Titanic twenty five years later. Oh but not all about 448 00:24:27,760 --> 00:24:29,359 Speaker 1: the door. I was like, man, they're really scraping for 449 00:24:29,440 --> 00:24:33,600 Speaker 1: content for three hours. Could they fit on the door? No, 450 00:24:33,760 --> 00:24:35,560 Speaker 1: but that's kind of crazy. We were seeing the movie 451 00:24:35,600 --> 00:24:39,120 Speaker 1: twenty five years ago too, you and Scottie. Okay, I've 452 00:24:39,119 --> 00:24:41,280 Speaker 1: got a really cool story as to why you maybe 453 00:24:41,320 --> 00:24:45,520 Speaker 1: need to buy a parrot because I can't think of anything. 454 00:24:45,560 --> 00:24:47,920 Speaker 1: Parents are stupid and I like all animals, but I 455 00:24:48,800 --> 00:24:51,600 Speaker 1: I nope, Okay. I was reading about this murder trial 456 00:24:52,000 --> 00:24:55,280 Speaker 1: where this guy, Martin Durham was shot is killed in 457 00:24:55,400 --> 00:24:58,439 Speaker 1: his own home. Alongside him was his wife Glenna, who 458 00:24:58,640 --> 00:25:01,960 Speaker 1: also had a single gun shot wound, but she didn't die, 459 00:25:02,680 --> 00:25:07,000 Speaker 1: and so they concluded that like, oh, was she trying 460 00:25:07,040 --> 00:25:09,080 Speaker 1: to commit suicide? Did she kill him? And then that 461 00:25:09,200 --> 00:25:12,040 Speaker 1: was like a double thing or what happened while the 462 00:25:12,200 --> 00:25:15,400 Speaker 1: parrot went to live with his ex wife after everything, 463 00:25:15,640 --> 00:25:19,879 Speaker 1: and the parrot started saying, don't shoot, don't shoot, And 464 00:25:20,040 --> 00:25:22,320 Speaker 1: so now they know that the wife is the one 465 00:25:22,359 --> 00:25:25,240 Speaker 1: that shot him. It wasn't an intruder like it was like, well, 466 00:25:25,520 --> 00:25:27,400 Speaker 1: at least that's what they're saying. I would have trained 467 00:25:27,400 --> 00:25:29,040 Speaker 1: before the murder of the parrot to say something like, 468 00:25:30,080 --> 00:25:32,480 Speaker 1: please don't shoot me and my husband. We're in this together. 469 00:25:33,160 --> 00:25:37,200 Speaker 1: And then I've never seen you before you wearing a mask? Yeah, 470 00:25:37,280 --> 00:25:41,680 Speaker 1: I get. He also said about so that's why I 471 00:25:41,680 --> 00:25:43,320 Speaker 1: would get a parrot to cover up for whatever crime 472 00:25:43,359 --> 00:25:46,320 Speaker 1: I was going to commit. And lastly, a fun story 473 00:25:46,440 --> 00:25:49,920 Speaker 1: from Caroline Brian, Luke Brian's wife. She was sharing this 474 00:25:50,119 --> 00:25:53,080 Speaker 1: epic mom fail that she had in the school pickup line. 475 00:25:53,480 --> 00:25:55,320 Speaker 1: She was at her office and there was a bottle 476 00:25:55,320 --> 00:25:56,959 Speaker 1: of Tito's there and she wanted to take it home, 477 00:25:57,040 --> 00:25:58,320 Speaker 1: so she threw it in the back of her car, 478 00:25:58,440 --> 00:26:01,359 Speaker 1: a big handle of Tito's vodka, and when she went 479 00:26:01,400 --> 00:26:02,879 Speaker 1: to pick up the kids at school, a bunch of 480 00:26:02,960 --> 00:26:06,080 Speaker 1: kids were getting in the car and the bottle rolled 481 00:26:06,119 --> 00:26:11,800 Speaker 1: out in the pickup line, shouttered everywhere blast vodka. Yes, 482 00:26:11,880 --> 00:26:14,119 Speaker 1: And a teacher was running over to help and he's like, 483 00:26:14,400 --> 00:26:16,879 Speaker 1: she's like, no, no, I got this, and she's like, 484 00:26:17,080 --> 00:26:20,760 Speaker 1: it's vodka. And she just was mortified and embarrassed because 485 00:26:20,800 --> 00:26:22,440 Speaker 1: all these parents in line, and I mean, if you're 486 00:26:22,480 --> 00:26:24,640 Speaker 1: ever in one of those lines, there's so much anxiety 487 00:26:24,640 --> 00:26:26,560 Speaker 1: because it's efficient. You gotta keep it moving. I got 488 00:26:26,640 --> 00:26:32,640 Speaker 1: that for you in the seat that was Amy's pile 489 00:26:32,760 --> 00:26:40,880 Speaker 1: of stories. It's time for the good News lunchbox. Jennifer 490 00:26:40,960 --> 00:26:42,879 Speaker 1: want to make her this Christmas. Want to give her 491 00:26:42,960 --> 00:26:46,040 Speaker 1: kids something cool, so she grabbed some lottery tickets stuffed 492 00:26:46,080 --> 00:26:49,879 Speaker 1: them in their stockings, like, oh, Merry Christmas. Well, her 493 00:26:49,960 --> 00:26:54,080 Speaker 1: daughter Caitlin finally got around to scratching off scratch scratch 494 00:26:54,320 --> 00:26:58,120 Speaker 1: scratch and she won a million dollars. Want a million 495 00:26:58,840 --> 00:27:03,120 Speaker 1: dollars And Caitlyn said, Oh, don't worry, I'm gonna split 496 00:27:03,160 --> 00:27:06,240 Speaker 1: it with my twin sister and my parents. Why if 497 00:27:06,280 --> 00:27:07,919 Speaker 1: you got this ticket, would you split it with anybody? 498 00:27:08,000 --> 00:27:10,960 Speaker 1: No chance. No, I understand that my mom gave me 499 00:27:11,000 --> 00:27:13,080 Speaker 1: a ticket. That's her present to me. If Santa Claus 500 00:27:13,160 --> 00:27:15,000 Speaker 1: gave me the ticket, I'm not gonna call Santa and 501 00:27:15,080 --> 00:27:17,000 Speaker 1: be like, hey, Santa, you need some money because we 502 00:27:17,160 --> 00:27:19,960 Speaker 1: wont call Santa. Let's break this down. If you win 503 00:27:20,040 --> 00:27:22,200 Speaker 1: the million, you're getting about six hundred thousand bucks. Yeah, 504 00:27:22,200 --> 00:27:24,480 Speaker 1: and then you split it, you're only getting three hundred thousand. 505 00:27:24,480 --> 00:27:25,800 Speaker 1: And then she's gonna split it with her sister and 506 00:27:26,040 --> 00:27:29,160 Speaker 1: her parents getting one fifty. She went from a millionaire 507 00:27:29,240 --> 00:27:30,879 Speaker 1: to a one fifty. She wasn't ever a millionaire. She 508 00:27:30,920 --> 00:27:33,960 Speaker 1: was getting six hundred and fifty. Yes, big, she's given 509 00:27:34,000 --> 00:27:36,920 Speaker 1: up five hundred thousand dollars? What if they all need it? Though? 510 00:27:37,560 --> 00:27:39,479 Speaker 1: And for some people it feels good to come over 511 00:27:39,560 --> 00:27:43,160 Speaker 1: and visit. I'll buy him a dinner. I'm not sure 512 00:27:43,200 --> 00:27:46,879 Speaker 1: you would. It's a great story by her, a lot 513 00:27:46,960 --> 00:27:49,200 Speaker 1: of generosity. I love it. That is what it's all about. 514 00:27:49,880 --> 00:27:53,880 Speaker 1: That was tell me something good over to Amy. Let's 515 00:27:53,920 --> 00:28:00,560 Speaker 1: get in the morning Corny. The morning Corny. Why was 516 00:28:00,600 --> 00:28:05,800 Speaker 1: the mother firefly unhappy? Why because her children weren't very bright? 517 00:28:10,520 --> 00:28:16,200 Speaker 1: That was the morning Corny. On the phone, it's Sally 518 00:28:16,359 --> 00:28:18,720 Speaker 1: in Iowa, who's calling because she needs to kick in 519 00:28:18,760 --> 00:28:24,360 Speaker 1: the pants. Sally, what's going on? Hey? Well, I started 520 00:28:24,440 --> 00:28:28,840 Speaker 1: this program on January eighth, but like get healthy and 521 00:28:29,040 --> 00:28:34,639 Speaker 1: lose weight, and then like I lost eight pounds. And 522 00:28:34,720 --> 00:28:38,320 Speaker 1: then the other day I was um like companera and 523 00:28:38,560 --> 00:28:41,640 Speaker 1: the cook decided he would give me a sugar cookie 524 00:28:41,760 --> 00:28:43,760 Speaker 1: just because I had said thank you to him. I 525 00:28:43,840 --> 00:28:45,760 Speaker 1: love sugar cookie. So I get into my car, I'm 526 00:28:45,840 --> 00:28:49,920 Speaker 1: like my salad and my soup, and there was this cookie, 527 00:28:50,120 --> 00:28:53,760 Speaker 1: like dang it, like I shouldn't eat this cookie, And 528 00:28:53,960 --> 00:28:56,360 Speaker 1: of course I eat the cookie, and then the whole 529 00:28:56,480 --> 00:28:58,520 Speaker 1: day that's it, all right, weight the cookie. You might 530 00:28:58,520 --> 00:29:00,320 Speaker 1: as well just go eat whatever I want. I do 531 00:29:00,400 --> 00:29:02,880 Speaker 1: that too, Like as soon as I slide, I fall. 532 00:29:03,640 --> 00:29:06,040 Speaker 1: I have never felt like a collar more than I 533 00:29:06,080 --> 00:29:09,000 Speaker 1: feel Sally right now, Like, well, Ba's cookie might's white 534 00:29:09,080 --> 00:29:12,440 Speaker 1: every cookie? Oh that is how I live. Yeah, the same. 535 00:29:12,680 --> 00:29:14,800 Speaker 1: And sometimes if I get like a cookie and I'm 536 00:29:14,840 --> 00:29:16,640 Speaker 1: light eating cookies, a little mouth appears in the cookies, 537 00:29:16,680 --> 00:29:20,000 Speaker 1: like hello, eat me, and wouldn't you like a little 538 00:29:20,200 --> 00:29:26,280 Speaker 1: taste of me? Yeah? I would. Well, I won't hurt anything, Oh, Sally. 539 00:29:26,320 --> 00:29:28,200 Speaker 1: I felt that I'm gonna give you kicking the pants here, Sally, 540 00:29:28,280 --> 00:29:32,080 Speaker 1: because I really struggle with sugar. I want to eat 541 00:29:32,080 --> 00:29:33,960 Speaker 1: all the sugar all the time, so you're doing the 542 00:29:34,040 --> 00:29:36,400 Speaker 1: right thing. First of all, is not even just food. 543 00:29:36,400 --> 00:29:38,960 Speaker 1: But in life, we are the environment that we're in. 544 00:29:39,240 --> 00:29:41,040 Speaker 1: Sometimes we get to choose the environment. Sometimes we have 545 00:29:41,040 --> 00:29:44,280 Speaker 1: to choose to get out of an environment. And with me, 546 00:29:44,360 --> 00:29:47,960 Speaker 1: I have to get away from sugars and sweets in 547 00:29:48,120 --> 00:29:49,880 Speaker 1: my house because I will eat them all the time, NonStop. 548 00:29:49,960 --> 00:29:52,240 Speaker 1: I'll eat them put they're all the way gone. So 549 00:29:52,360 --> 00:29:55,840 Speaker 1: what I'm gonna encourage you to do is to continue 550 00:29:55,920 --> 00:29:57,560 Speaker 1: trying to stay away from these things. But there are 551 00:29:57,640 --> 00:30:00,720 Speaker 1: going to be at times the occasional Hello, Sally, it's me, 552 00:30:01,400 --> 00:30:04,640 Speaker 1: mister sugar cookie that is going to happen. And this 553 00:30:04,800 --> 00:30:06,800 Speaker 1: is what I do with myself, probably sixty five to 554 00:30:06,920 --> 00:30:10,120 Speaker 1: seventy percent success rate. I quickly go, I can eat 555 00:30:10,160 --> 00:30:12,640 Speaker 1: this cookie and I can feel real good for a 556 00:30:12,840 --> 00:30:14,840 Speaker 1: minute and seventy two seconds, which would be two minutes 557 00:30:14,840 --> 00:30:17,640 Speaker 1: and twelve seconds, or I can throw this cookie away 558 00:30:17,640 --> 00:30:20,520 Speaker 1: and be proud of myself for the next six hours. Now, 559 00:30:20,600 --> 00:30:22,120 Speaker 1: it doesn't always work, but it does for me most 560 00:30:22,160 --> 00:30:24,440 Speaker 1: of the time because I go, that's right. I got 561 00:30:24,520 --> 00:30:27,640 Speaker 1: them to basically two minutes here of enjoying this cookie. 562 00:30:27,960 --> 00:30:29,720 Speaker 1: But let me just real quickly or I can just 563 00:30:29,760 --> 00:30:32,440 Speaker 1: be like, Dame, I'm not the cookie away earlier, because 564 00:30:32,480 --> 00:30:35,080 Speaker 1: at two minutes is gonna be gone quick, and then 565 00:30:35,120 --> 00:30:36,880 Speaker 1: you're gonna be like, damn, why did I do that? 566 00:30:36,920 --> 00:30:38,840 Speaker 1: I'm as well eat the rest of them. That's but 567 00:30:39,000 --> 00:30:41,280 Speaker 1: also try too, and I say this be somebody who 568 00:30:41,320 --> 00:30:43,360 Speaker 1: tries it as well, try to. If you eat a cookie, 569 00:30:43,520 --> 00:30:46,000 Speaker 1: that's it. You eat cookie, you don't hate yourself and 570 00:30:46,080 --> 00:30:48,240 Speaker 1: you and you're not gonna eat cookie. You're not gonna 571 00:30:48,280 --> 00:30:50,440 Speaker 1: do it the rest of the day. I also have 572 00:30:50,600 --> 00:30:54,719 Speaker 1: goals on when I'm gonna eat cookies Saturdays, especially if 573 00:30:54,720 --> 00:30:55,800 Speaker 1: I'm on to like if I have a show coming 574 00:30:55,840 --> 00:30:57,360 Speaker 1: up I gotta get ready for and I'm trying to 575 00:30:57,440 --> 00:31:00,760 Speaker 1: get extremely healthy, and I don't only I don't wait anymore, 576 00:31:00,880 --> 00:31:02,400 Speaker 1: but if I'm trying to get extremely healthy because I 577 00:31:02,480 --> 00:31:04,520 Speaker 1: gotta war some tight clothes or something, I go, Okay, 578 00:31:06,120 --> 00:31:08,080 Speaker 1: Saturday is when I'm gonna eat pizza, and I have 579 00:31:08,080 --> 00:31:09,480 Speaker 1: a goal in my head the whole Time'm like, yeah, 580 00:31:09,560 --> 00:31:11,800 Speaker 1: i'd like that now, but boy, Saturday, I'm going hard. 581 00:31:11,920 --> 00:31:13,040 Speaker 1: And then you gotta make sure to give you that 582 00:31:13,080 --> 00:31:14,840 Speaker 1: pizza Saturday, because if you get to Saturday, like you 583 00:31:14,880 --> 00:31:16,200 Speaker 1: know what I'm just gonna do. I'm gonna keep going. 584 00:31:16,360 --> 00:31:18,320 Speaker 1: You're gonna deprive yourself so much that you're gonna go 585 00:31:18,440 --> 00:31:21,440 Speaker 1: off the tracks there, okay, question, Yeah, So do you 586 00:31:21,840 --> 00:31:24,440 Speaker 1: throw away the leftover pizzas? Because what happens to me 587 00:31:24,600 --> 00:31:26,760 Speaker 1: is I'd say that Saturday's pizzas, but I get a 588 00:31:26,840 --> 00:31:29,000 Speaker 1: large and I only eat four pieces and there's eight left. 589 00:31:29,040 --> 00:31:31,239 Speaker 1: There's four left, and I eat that the next day. 590 00:31:32,240 --> 00:31:34,720 Speaker 1: I would try not to throw food away. Yeah, but 591 00:31:34,800 --> 00:31:37,000 Speaker 1: if you have to, no, you can just take it 592 00:31:37,080 --> 00:31:39,000 Speaker 1: and give it, give it to someone absolutely, okay, So 593 00:31:39,080 --> 00:31:40,960 Speaker 1: don't throw food away, okay, but don't eat those leftovers 594 00:31:41,040 --> 00:31:43,280 Speaker 1: or just eat and every once a while you can, yes, 595 00:31:43,320 --> 00:31:45,160 Speaker 1: I mean you can never left over and sometimes you 596 00:31:45,200 --> 00:31:47,320 Speaker 1: do the math. You're like, Okay, if I can eat this, i' 597 00:31:47,360 --> 00:31:49,200 Speaker 1: feel good for three minutes, but I'm gonna feel guilty 598 00:31:49,280 --> 00:31:51,320 Speaker 1: for five hours. And you shouldn't feel gilty, but you 599 00:31:51,360 --> 00:31:53,680 Speaker 1: will because I do that too. So do that, Sally. 600 00:31:53,920 --> 00:31:55,960 Speaker 1: Just try to talk some sense into yourself, and that 601 00:31:56,080 --> 00:31:58,400 Speaker 1: when you can't talk sense into yourself, that's okay, just 602 00:31:58,600 --> 00:32:00,680 Speaker 1: don't do it again later that day. I will try 603 00:32:00,680 --> 00:32:02,200 Speaker 1: to do that. One cookie is not going to change 604 00:32:02,200 --> 00:32:05,280 Speaker 1: your life either way, good or bad. It's just the 605 00:32:05,400 --> 00:32:07,880 Speaker 1: twenty two cookies. I had talked to Pick for breakfast 606 00:32:07,920 --> 00:32:09,640 Speaker 1: the other day. Well, you were just gonna have one? 607 00:32:09,920 --> 00:32:11,760 Speaker 1: He said, Well, I was gonna have one bite actually, right, 608 00:32:11,840 --> 00:32:13,080 Speaker 1: and that turned into well there's the rest of this. 609 00:32:13,160 --> 00:32:15,600 Speaker 1: Don't only leave this bitten. Sally. Thank you for the call. 610 00:32:15,680 --> 00:32:18,080 Speaker 1: You can do this. You can do it. If you 611 00:32:18,120 --> 00:32:19,880 Speaker 1: want to do it, go do it. If it was easy, 612 00:32:19,920 --> 00:32:21,600 Speaker 1: everybody would do it. It ain't easy, though, but you 613 00:32:21,640 --> 00:32:23,520 Speaker 1: know you can do it. You can, so suck it 614 00:32:23,600 --> 00:32:25,040 Speaker 1: up and go get it done. All right, all right, 615 00:32:25,240 --> 00:32:28,000 Speaker 1: thank you? All right, Sally. Bye, Let's go on. Here's 616 00:32:28,000 --> 00:32:29,720 Speaker 1: a voicemail they need to kick in the pants. Go ahead, 617 00:32:30,000 --> 00:32:34,440 Speaker 1: Corning Studio. I'm about to go through a major career change. 618 00:32:34,800 --> 00:32:38,240 Speaker 1: I've been in education for the past five years, but 619 00:32:38,400 --> 00:32:41,440 Speaker 1: it's a really difficult and tiring job, especially in a 620 00:32:41,520 --> 00:32:44,440 Speaker 1: post COVID world. So I am looking at a playing 621 00:32:44,480 --> 00:32:48,200 Speaker 1: for a new job. But what's really challenging me is 622 00:32:48,280 --> 00:32:52,640 Speaker 1: how to write a good cover letter explaining the career 623 00:32:52,760 --> 00:32:56,320 Speaker 1: shift without just sounding kind of whining about leading education. 624 00:32:56,800 --> 00:32:59,960 Speaker 1: If you have any general tips for writing a tier letter. 625 00:33:00,200 --> 00:33:03,000 Speaker 1: I'd love to hear your First of all, congratulations to you. 626 00:33:03,040 --> 00:33:04,640 Speaker 1: I'm making a change that you felt was better for you. 627 00:33:04,760 --> 00:33:06,720 Speaker 1: That's awesome. Not everybody has the guts to do that. 628 00:33:07,080 --> 00:33:08,440 Speaker 1: Even if it sounds like it's the right thing, it 629 00:33:08,480 --> 00:33:09,920 Speaker 1: feels like the right thing, it still takes guts to 630 00:33:09,960 --> 00:33:12,760 Speaker 1: make any sort of change, because change is not easy. Secondly, 631 00:33:12,800 --> 00:33:14,680 Speaker 1: cover letter, Make your name real big. I'm gonna give 632 00:33:14,680 --> 00:33:16,600 Speaker 1: you really simple things. Make your name real big. They're 633 00:33:16,640 --> 00:33:18,400 Speaker 1: ten thousand cover letters this person is going to get. 634 00:33:19,080 --> 00:33:21,040 Speaker 1: Make your name big so they see your name and 635 00:33:21,120 --> 00:33:22,920 Speaker 1: remember your name and they can find it easily too. 636 00:33:23,120 --> 00:33:25,280 Speaker 1: Don't do any colors on your paper. Don't do pink. 637 00:33:25,440 --> 00:33:30,120 Speaker 1: I'll be different. They say, don't put a picture, And 638 00:33:30,240 --> 00:33:34,200 Speaker 1: if you're but ugly, I wouldn't. But what if you're beautiful. 639 00:33:34,480 --> 00:33:36,360 Speaker 1: I'm not even saying beautiful. I'm just saying it's like 640 00:33:36,360 --> 00:33:38,520 Speaker 1: you got an ear growing at your chin. Maybe you 641 00:33:38,600 --> 00:33:43,040 Speaker 1: don't bad idea. Yeah, but I'm not somebody who's against 642 00:33:43,040 --> 00:33:45,880 Speaker 1: putting a picture on there just so they have a connection. Yeah, 643 00:33:46,400 --> 00:33:48,200 Speaker 1: and there are reasons that people say don't, but you 644 00:33:48,280 --> 00:33:50,479 Speaker 1: can do that, and don't put a bunch of fluff 645 00:33:50,560 --> 00:33:54,400 Speaker 1: on there that is never going You have one page 646 00:33:54,440 --> 00:33:56,920 Speaker 1: to do it all. One page. That's it, So don't 647 00:33:56,960 --> 00:34:00,560 Speaker 1: fill it with filler, even if it's a paragraph, and 648 00:34:00,560 --> 00:34:02,360 Speaker 1: you have some space to write something interesting about yourself 649 00:34:02,400 --> 00:34:04,480 Speaker 1: that's fun and funny. Like if it were me and 650 00:34:04,520 --> 00:34:06,560 Speaker 1: I were applying for a job as an account in 651 00:34:06,600 --> 00:34:08,799 Speaker 1: the end, it'd be like once I struggle for twelve 652 00:34:08,840 --> 00:34:12,239 Speaker 1: weeks with dance and no one told me I could 653 00:34:12,320 --> 00:34:13,719 Speaker 1: I could dance, and before I knew it, I was 654 00:34:13,760 --> 00:34:15,719 Speaker 1: hoisting the Mirrorball trophy. That's right. I want dancing with 655 00:34:15,719 --> 00:34:18,359 Speaker 1: the stars back into it like there's a room. There's 656 00:34:18,440 --> 00:34:20,480 Speaker 1: room for that. Just because it's always been done a 657 00:34:20,480 --> 00:34:22,000 Speaker 1: certain way a cover letter doesn't mean it has to be. 658 00:34:22,160 --> 00:34:23,839 Speaker 1: You want to list your requirements, your skills, you want 659 00:34:23,880 --> 00:34:25,520 Speaker 1: to list all it. But then if you have some room, 660 00:34:25,600 --> 00:34:27,279 Speaker 1: don't fill it a fluff. Fill it with something cool 661 00:34:27,280 --> 00:34:28,919 Speaker 1: and fun about you that they'll remember. It's all about 662 00:34:29,280 --> 00:34:31,040 Speaker 1: remembering who you are. Because there are ten thousand people, 663 00:34:31,120 --> 00:34:32,880 Speaker 1: they're all probably qualified for the job. So how do 664 00:34:32,920 --> 00:34:36,080 Speaker 1: you separate yourself. You do it by being different, big name, 665 00:34:37,640 --> 00:34:40,480 Speaker 1: don't fluff it, and no multiple pages. She doesn't have 666 00:34:40,560 --> 00:34:43,200 Speaker 1: to bring up the whole education for five years sto. 667 00:34:43,440 --> 00:34:45,719 Speaker 1: But if that's required, but you don't need to put 668 00:34:45,800 --> 00:34:48,080 Speaker 1: that you worked the counter at Jason's Delhi for a 669 00:34:48,160 --> 00:34:50,360 Speaker 1: year and a half when you were seventeen. Why not 670 00:34:50,680 --> 00:34:53,960 Speaker 1: instead you can pick you're a Pisces and you agree 671 00:34:54,560 --> 00:34:57,480 Speaker 1: do fun stuff instead of stuff that doesn't matter. So 672 00:34:57,800 --> 00:34:59,319 Speaker 1: that's my tip to you. You just got to stand 673 00:34:59,360 --> 00:35:01,160 Speaker 1: out to get to the next level. You're not gonna 674 00:35:01,160 --> 00:35:02,480 Speaker 1: get a job from a cover letter. You're just trying 675 00:35:02,480 --> 00:35:04,839 Speaker 1: to get to the next level. Thank you very much. 676 00:35:04,880 --> 00:35:07,919 Speaker 1: As you're kicking the pants boom, we gotta go because 677 00:35:07,920 --> 00:35:10,560 Speaker 1: Anna Kendrick's about to be on. Yes, we'll do more 678 00:35:10,560 --> 00:35:12,320 Speaker 1: of that. Leave us a voice melody. Why do you 679 00:35:12,360 --> 00:35:13,640 Speaker 1: need kick in the pants? I'll give you one. May 680 00:35:13,719 --> 00:35:16,719 Speaker 1: kick you the wrong way, but I'll kick you on 681 00:35:16,880 --> 00:35:20,480 Speaker 1: the Bobby Bones Show now, Anna Kendrick, Anna Bob. You 682 00:35:20,560 --> 00:35:22,080 Speaker 1: good to see you. How are you? Hey? You're doing 683 00:35:22,160 --> 00:35:24,080 Speaker 1: pretty good. I have a couple of questions for you. 684 00:35:24,120 --> 00:35:25,719 Speaker 1: When I heard we were going to talk, and I 685 00:35:26,320 --> 00:35:29,920 Speaker 1: was reading about this movie, how and I because this 686 00:35:30,080 --> 00:35:33,560 Speaker 1: is such a dramatic role. Do you have to go 687 00:35:33,760 --> 00:35:38,840 Speaker 1: in that morning already preparing to be sad or angry 688 00:35:39,000 --> 00:35:41,440 Speaker 1: or hurt, because you know, I come in, I do 689 00:35:41,520 --> 00:35:43,080 Speaker 1: the show for five hours, and I got to come 690 00:35:43,080 --> 00:35:44,600 Speaker 1: in with some sort of mindset when you're playing a 691 00:35:44,680 --> 00:35:47,759 Speaker 1: role like this, is it different? Yeah, I mean it's 692 00:35:48,440 --> 00:35:51,359 Speaker 1: it's funny. I do think like the idea of coming 693 00:35:51,400 --> 00:35:53,160 Speaker 1: into work and being like, man, I gotta be sad 694 00:35:53,239 --> 00:35:58,120 Speaker 1: today is like a kind of hilarious and perfect way 695 00:35:58,160 --> 00:36:01,719 Speaker 1: to think about. But yeah, I think that there were 696 00:36:03,000 --> 00:36:06,640 Speaker 1: there were some scenes that I was a little bit 697 00:36:06,760 --> 00:36:10,080 Speaker 1: like you have to ramp yourself into it. You know. 698 00:36:10,160 --> 00:36:12,880 Speaker 1: It's also it's a weird thing because you are at work, 699 00:36:13,080 --> 00:36:17,160 Speaker 1: you know, Like I think that there's a myth around 700 00:36:17,320 --> 00:36:21,520 Speaker 1: film sets as these perfect artistic bubbles, but they are 701 00:36:21,680 --> 00:36:24,080 Speaker 1: like just an outdoor office at the end of the day. 702 00:36:24,320 --> 00:36:26,400 Speaker 1: So it's a really bizarre thing to like go to 703 00:36:26,520 --> 00:36:29,399 Speaker 1: work at the office and you know, be like good morning, 704 00:36:29,480 --> 00:36:31,360 Speaker 1: good morning, Oh how are you how is your weekend? 705 00:36:31,600 --> 00:36:32,640 Speaker 1: And then be like, oh, I have to have a 706 00:36:32,719 --> 00:36:35,440 Speaker 1: full blown panic attack in like half an hour, and 707 00:36:35,520 --> 00:36:39,400 Speaker 1: I have to do that all day. So it's definitely 708 00:36:39,560 --> 00:36:45,360 Speaker 1: a strange thing. But I actually I remember Mary the 709 00:36:45,440 --> 00:36:47,919 Speaker 1: director at one point pulling me aside before we started 710 00:36:47,960 --> 00:36:49,959 Speaker 1: filming and being like, just so you know, if there's 711 00:36:50,000 --> 00:36:53,000 Speaker 1: ever a moment where you know, things feel like too 712 00:36:53,040 --> 00:36:55,000 Speaker 1: intense for you and you need to step off set 713 00:36:55,040 --> 00:36:57,040 Speaker 1: for a while, like just always let me know. And 714 00:36:58,000 --> 00:37:00,279 Speaker 1: and I was like, oh, that's so sweet. I don't 715 00:37:00,400 --> 00:37:02,840 Speaker 1: I'm not really that kind of actor where it, you know, 716 00:37:02,960 --> 00:37:06,520 Speaker 1: kind of gets away from me. But this was probably 717 00:37:06,600 --> 00:37:09,640 Speaker 1: the closest to that, you know, because this is, um, 718 00:37:10,320 --> 00:37:13,920 Speaker 1: this film's very personal to me, and so I think 719 00:37:14,000 --> 00:37:17,840 Speaker 1: that I knew that like living in that and bringing 720 00:37:17,960 --> 00:37:22,560 Speaker 1: up some of those experiences in my body again would 721 00:37:22,560 --> 00:37:27,800 Speaker 1: be tricky. It was exciting, and I also felt like 722 00:37:28,040 --> 00:37:34,359 Speaker 1: the crew was so sensitive to the process because everybody 723 00:37:35,040 --> 00:37:37,120 Speaker 1: that came to work on the movie kind of came 724 00:37:37,200 --> 00:37:39,920 Speaker 1: to work on it because they read the script and 725 00:37:40,880 --> 00:37:47,279 Speaker 1: they had had a similar experience, so they were really understanding. 726 00:37:47,320 --> 00:37:50,840 Speaker 1: And I felt very held by the crew, if that 727 00:37:50,920 --> 00:37:54,520 Speaker 1: makes sense, and that that made it a lot easier. 728 00:37:54,680 --> 00:37:57,640 Speaker 1: You know, when when you feel safe like that, it's 729 00:37:57,680 --> 00:38:00,800 Speaker 1: a lot easier to kind of like get into that mindset. 730 00:38:00,840 --> 00:38:02,440 Speaker 1: You know, you don't have to like push for it. 731 00:38:02,880 --> 00:38:05,319 Speaker 1: It like has permission to come up. Sorry, I'm being 732 00:38:05,680 --> 00:38:09,160 Speaker 1: very Uh, I'm doing a lot of like actors speak, 733 00:38:09,200 --> 00:38:11,640 Speaker 1: which I which is annoying, but um, you know that 734 00:38:11,880 --> 00:38:13,960 Speaker 1: that's how I felt about it. I guess if you're 735 00:38:14,040 --> 00:38:16,320 Speaker 1: crying in a scene it's very emotional, it could be 736 00:38:16,520 --> 00:38:19,239 Speaker 1: either Alice Darling or anything else you're doing. If it's 737 00:38:19,320 --> 00:38:21,360 Speaker 1: very emotional and they go all right, cut, can you 738 00:38:21,440 --> 00:38:23,480 Speaker 1: just go all right, give me a Canoli and I'll 739 00:38:23,560 --> 00:38:25,400 Speaker 1: take a mountain dew? Or again, does it take a 740 00:38:25,440 --> 00:38:27,040 Speaker 1: little bit of time to come out of that because 741 00:38:27,040 --> 00:38:30,040 Speaker 1: you have dedicated yourself? Oh my god. Well, first of all, 742 00:38:30,080 --> 00:38:32,120 Speaker 1: I feel like a Canolian a mountain dew is going 743 00:38:32,160 --> 00:38:36,759 Speaker 1: to be the order for sure. That's so specific? Is that? 744 00:38:37,120 --> 00:38:39,480 Speaker 1: Is that a combination that you're fond of? Sorry, I know, 745 00:38:39,680 --> 00:38:42,480 Speaker 1: it just was me going, what sounds fun? What souds 746 00:38:42,480 --> 00:38:44,480 Speaker 1: the opposite of crying? A Canolian mountain dew? It just 747 00:38:44,560 --> 00:38:46,840 Speaker 1: came out. Yeah, that, yeah, that is the opposite of crying. 748 00:38:48,280 --> 00:38:51,960 Speaker 1: I mean, yeah, I am pretty much like the Conolian 749 00:38:51,960 --> 00:38:54,080 Speaker 1: the mountain dew, or I am now now that I 750 00:38:54,160 --> 00:38:56,959 Speaker 1: know that specifically, I should order that that's what's coming. 751 00:38:57,360 --> 00:39:00,319 Speaker 1: But I think it depends on if you're if you're 752 00:39:00,320 --> 00:39:02,520 Speaker 1: like about to roll into the next one, you know, 753 00:39:02,680 --> 00:39:04,640 Speaker 1: you might just kind of like keep your head down 754 00:39:04,680 --> 00:39:07,719 Speaker 1: and stay in the space. But um, yeah, like once 755 00:39:07,760 --> 00:39:10,440 Speaker 1: you've moved on from the scene. Also, you're so elated 756 00:39:10,520 --> 00:39:12,640 Speaker 1: to just be done with it, to be like sort 757 00:39:12,680 --> 00:39:16,480 Speaker 1: of done being in that space that you do get 758 00:39:16,560 --> 00:39:21,480 Speaker 1: this like um adrenaline afterglow thing. You know that like 759 00:39:21,680 --> 00:39:23,319 Speaker 1: the hard part of the day's over and now all 760 00:39:23,360 --> 00:39:24,880 Speaker 1: I have to do is like walk down a hallway. 761 00:39:25,360 --> 00:39:28,600 Speaker 1: It's yeah, that's the best feeling. You're very polite, although 762 00:39:28,640 --> 00:39:30,359 Speaker 1: you did call me sir. Do I look like I'm 763 00:39:30,440 --> 00:39:33,160 Speaker 1: sixty or something? And I just I'm just I'm now 764 00:39:33,239 --> 00:39:36,160 Speaker 1: I'm self conscious of it. Well because I called you sir, Yeah, 765 00:39:36,239 --> 00:39:39,560 Speaker 1: like I'm really sixty? Yeah? Do I like sixty or something? Oh? 766 00:39:39,640 --> 00:39:42,120 Speaker 1: I was. I was trying to be adorable, sir. Oh, 767 00:39:42,400 --> 00:39:45,280 Speaker 1: but didn't know. But now I've made your self conscious. 768 00:39:45,280 --> 00:39:48,960 Speaker 1: I was like, oh, no, she thinks I'm an old man, Okay, 769 00:39:49,080 --> 00:39:52,319 Speaker 1: ma'am got quite, mam. Yeah, you can call me. Love 770 00:39:52,360 --> 00:39:55,439 Speaker 1: it now. I'm a big fan. You're hilarious. You're also 771 00:39:55,520 --> 00:40:00,040 Speaker 1: able to be extremely emotional when you're a kid and 772 00:40:00,160 --> 00:40:03,720 Speaker 1: you're learning range, Like, at what age do you start 773 00:40:03,800 --> 00:40:07,719 Speaker 1: to learn actual emotional range? Do you do it at seven, eight, 774 00:40:07,800 --> 00:40:09,279 Speaker 1: nine years old or is that something you get to 775 00:40:09,320 --> 00:40:11,839 Speaker 1: do later in life. As a kid, I was more 776 00:40:13,000 --> 00:40:18,080 Speaker 1: in tune with like other people's of feelings. So it 777 00:40:18,239 --> 00:40:21,640 Speaker 1: was like reading people was kind of the move when 778 00:40:21,680 --> 00:40:25,400 Speaker 1: I was a kid, and uh, but I was definitely 779 00:40:25,520 --> 00:40:28,920 Speaker 1: good at figuring out like what people kind of wanted, 780 00:40:29,520 --> 00:40:33,760 Speaker 1: you know, and and being like the kind of apple 781 00:40:33,840 --> 00:40:38,080 Speaker 1: polisher if you will. Uh So, Uh, it has actually 782 00:40:38,200 --> 00:40:43,439 Speaker 1: been an interesting few years for me because especially after 783 00:40:43,800 --> 00:40:48,279 Speaker 1: you know, being in this really horrible relationship and uh, 784 00:40:48,480 --> 00:40:51,200 Speaker 1: you know, things kind of falling apart, it felt like, oh, 785 00:40:51,320 --> 00:40:54,680 Speaker 1: maybe it's time to sort of investigate what's going on 786 00:40:55,280 --> 00:40:59,319 Speaker 1: in this direction the range thing. I don't I don't 787 00:40:59,320 --> 00:41:01,680 Speaker 1: feel like I'm not really answering your question, but um, 788 00:41:02,800 --> 00:41:05,600 Speaker 1: I don't feel like I had like a lot of 789 00:41:05,719 --> 00:41:08,560 Speaker 1: authentic range when I was like seven range, but I 790 00:41:08,680 --> 00:41:11,560 Speaker 1: definitely knew, like if I was in like a school 791 00:41:11,600 --> 00:41:15,040 Speaker 1: play or something, I definitely knew what people wanted me 792 00:41:15,120 --> 00:41:17,080 Speaker 1: to do, and I could sort of like fake it 793 00:41:17,560 --> 00:41:21,799 Speaker 1: and like getting to a place where uh it's uh, 794 00:41:22,640 --> 00:41:25,520 Speaker 1: you're you're kind of safe enough and comfortable enough to like, 795 00:41:25,760 --> 00:41:28,520 Speaker 1: oh god, I'm really trying hard not to use phrases 796 00:41:28,560 --> 00:41:31,880 Speaker 1: like go to that place because it's such like actor speak. 797 00:41:31,960 --> 00:41:35,160 Speaker 1: It sounds so horrible and corny. But um but that's 798 00:41:35,200 --> 00:41:38,839 Speaker 1: been really again, like challenging, but really rewarding. Um. Anna 799 00:41:38,920 --> 00:41:41,960 Speaker 1: Kendrick is on with us right now. Do you can 800 00:41:42,080 --> 00:41:43,759 Speaker 1: you when you watch the movie back? First, the quick 801 00:41:43,840 --> 00:41:46,120 Speaker 1: question is will you watch it all the way back 802 00:41:46,200 --> 00:41:48,560 Speaker 1: in a theater that's not like a premiere? Will you 803 00:41:48,640 --> 00:41:51,080 Speaker 1: just go and watch it like out in theater? Yeah, 804 00:41:51,520 --> 00:41:54,680 Speaker 1: I don't think I've ever done that. Um. Yeah, people 805 00:41:54,840 --> 00:41:56,640 Speaker 1: talk about doing stuff like that. I've never done that. 806 00:41:56,719 --> 00:41:59,200 Speaker 1: I think I'm in the way that, like I don't 807 00:41:59,200 --> 00:42:01,160 Speaker 1: throw myself birth the parties because it's like, oh god, 808 00:42:01,200 --> 00:42:03,399 Speaker 1: what if nobody shows up? Like the idea of going 809 00:42:03,480 --> 00:42:06,360 Speaker 1: to a theater where something's playing and being empty is 810 00:42:06,440 --> 00:42:10,080 Speaker 1: just too heartbreaking. So I don't think I've ever done that. 811 00:42:10,280 --> 00:42:14,640 Speaker 1: But I did watch this movie in like a screening 812 00:42:14,760 --> 00:42:18,120 Speaker 1: room before it premiered, but I was sort of it 813 00:42:18,280 --> 00:42:21,320 Speaker 1: was more worky. It was like, you know, making changes 814 00:42:21,360 --> 00:42:25,719 Speaker 1: to the edit and stuff. But I watching it at 815 00:42:26,200 --> 00:42:29,400 Speaker 1: at the premiere at the Toronto Film Festival. Was was 816 00:42:29,480 --> 00:42:34,000 Speaker 1: really fun because like hearing the audience fully gasp, like 817 00:42:34,840 --> 00:42:37,399 Speaker 1: hundreds and hundreds of people just like gasping at these 818 00:42:37,480 --> 00:42:41,200 Speaker 1: things that are so small and intimate, and you're worried 819 00:42:41,320 --> 00:42:43,640 Speaker 1: that this is such a small story that it won't 820 00:42:43,640 --> 00:42:47,759 Speaker 1: evoke enough of an emotional reaction. Was really exciting. Oh, 821 00:42:47,800 --> 00:42:49,600 Speaker 1: we have sixty seconds, I want to run through that. 822 00:42:49,640 --> 00:42:51,120 Speaker 1: Just give me a quick answer on these Who was 823 00:42:51,160 --> 00:42:53,839 Speaker 1: the coolest person who watches your story on Instagram? Oh, 824 00:42:53,920 --> 00:42:57,360 Speaker 1: my gosh, who follows me on Instagram? Oh? Well, I 825 00:42:57,520 --> 00:43:02,160 Speaker 1: know that Pete Holmes just followed me on Instagram. So story. 826 00:43:02,360 --> 00:43:04,920 Speaker 1: Your favorite movie as a kid as a little kid 827 00:43:05,000 --> 00:43:06,680 Speaker 1: was hocus Pocus, and then by the time I was twelve, 828 00:43:06,760 --> 00:43:09,279 Speaker 1: it was The Women Why the forty seven and Anna 829 00:43:09,360 --> 00:43:12,239 Speaker 1: Kendrick forty seven because one time somebody called me Ak 830 00:43:12,400 --> 00:43:14,800 Speaker 1: forty seven and it's a nickname much cooler than I deserve. 831 00:43:14,960 --> 00:43:17,320 Speaker 1: And the final question, who is an actor that you 832 00:43:17,440 --> 00:43:19,319 Speaker 1: didn't know before that you worked with and you thought 833 00:43:19,360 --> 00:43:23,320 Speaker 1: they were so funny that you couldn't get enough of 834 00:43:23,480 --> 00:43:26,080 Speaker 1: them just being hilarious. Well, I just worked with Tony 835 00:43:26,160 --> 00:43:28,480 Speaker 1: Hale and everybody already knows he's hilarious, but I would 836 00:43:28,520 --> 00:43:30,239 Speaker 1: just like to let the world know he's just that 837 00:43:30,320 --> 00:43:32,880 Speaker 1: funny in person as well. And you're awesome. Thank you. 838 00:43:33,000 --> 00:43:35,000 Speaker 1: We can't wait to see the movie and I hope 839 00:43:35,040 --> 00:43:37,040 Speaker 1: it'd sell so many tickets, and I hope the story 840 00:43:37,080 --> 00:43:39,520 Speaker 1: resonates with so many people. And thank you very much. 841 00:43:39,560 --> 00:43:42,160 Speaker 1: Just a big fan. Thank you very much, sir, Thank you, ma'am. Bye. 842 00:43:45,360 --> 00:43:47,080 Speaker 1: How would you feel if your spouse did this? Because 843 00:43:47,080 --> 00:43:49,160 Speaker 1: this guy's like, hey, I messed up. I started messaging 844 00:43:49,200 --> 00:43:53,680 Speaker 1: my wife's bosschool and you're working are too hard? So 845 00:43:54,360 --> 00:43:58,160 Speaker 1: he texted her boss saying this one. There are limits 846 00:43:58,200 --> 00:44:03,400 Speaker 1: for human beings too. This kind of thing can't keep happening. 847 00:44:04,160 --> 00:44:08,239 Speaker 1: So this is the spouse messaging the boss of the 848 00:44:08,400 --> 00:44:12,879 Speaker 1: other spouse without the original spouse knowing, Oh yeah, Eddie. 849 00:44:14,040 --> 00:44:16,040 Speaker 1: By the way, this has happened on this show before. 850 00:44:16,320 --> 00:44:18,680 Speaker 1: And I don't know if you guys know. I don't 851 00:44:18,680 --> 00:44:21,640 Speaker 1: even want to say who, but I have been messaged 852 00:44:21,680 --> 00:44:26,719 Speaker 1: by a spouse. Absolutely wow, I know who it is. Well, 853 00:44:26,800 --> 00:44:28,839 Speaker 1: what would you do if you found out your wife 854 00:44:28,880 --> 00:44:32,440 Speaker 1: had been messaging me lunchbox going, hey, you're just working him? 855 00:44:32,440 --> 00:44:35,800 Speaker 1: Too hard? Can you ease up? He's always got his 856 00:44:35,880 --> 00:44:38,279 Speaker 1: microphone and the toilet talking to people and it's scaring me, 857 00:44:38,640 --> 00:44:41,160 Speaker 1: Like what would you think about that? Oh, it would 858 00:44:41,160 --> 00:44:42,759 Speaker 1: be awful. I would tell her what do you think 859 00:44:42,840 --> 00:44:45,520 Speaker 1: you're doing? Like what? Like where do you? That is 860 00:44:45,600 --> 00:44:48,080 Speaker 1: way over the line, and she would, I mean have 861 00:44:48,239 --> 00:44:50,360 Speaker 1: her device? Would you be mad? Oh yeah, I'd be 862 00:44:50,480 --> 00:44:54,880 Speaker 1: furious device is taken away? Like hey, wait, like a kid, 863 00:44:55,080 --> 00:44:58,239 Speaker 1: you take her iPad away screen time? Yeah? Sorry, you can't. 864 00:44:58,280 --> 00:45:01,040 Speaker 1: Your email is shut down or she's hitting you on Instagram. 865 00:45:01,239 --> 00:45:04,279 Speaker 1: Your Instagram is shut down. That is way over the 866 00:45:04,520 --> 00:45:07,480 Speaker 1: power to do that. Yeah, you don't take away your 867 00:45:07,480 --> 00:45:09,160 Speaker 1: wife's technology. I don't think it has the power to 868 00:45:09,200 --> 00:45:12,160 Speaker 1: do that. You would have to stop. You're gonna be amish. 869 00:45:13,320 --> 00:45:14,680 Speaker 1: You have to sit down and be like and what 870 00:45:14,880 --> 00:45:17,600 Speaker 1: world is it okay to do that? Now? I can 871 00:45:17,719 --> 00:45:21,839 Speaker 1: agree that there's a conversation, but oh, you're gonna ground her, okay, Eddie. 872 00:45:21,880 --> 00:45:24,000 Speaker 1: What would happen if you found out your wife had 873 00:45:24,040 --> 00:45:26,759 Speaker 1: the messaging me? Oh my gosh, I'd be so embarrassed, 874 00:45:26,920 --> 00:45:28,960 Speaker 1: Like it'd be like, you're you're making it worse for me, 875 00:45:29,080 --> 00:45:30,960 Speaker 1: Like what are you doing I would be so upset 876 00:45:31,239 --> 00:45:33,799 Speaker 1: because I could deal with my own stuff, Like if 877 00:45:34,120 --> 00:45:36,279 Speaker 1: I feel like I'm being overworked, I can talk to 878 00:45:36,360 --> 00:45:38,840 Speaker 1: my boss. I don't need you to go behind my 879 00:45:38,920 --> 00:45:41,759 Speaker 1: back and be a hero for me. I got this, dude, 880 00:45:41,800 --> 00:45:44,400 Speaker 1: I would be upset and he's not being a hero. Yeah. No, 881 00:45:44,719 --> 00:45:48,160 Speaker 1: that's not cool at all. I can't imagine any relationship 882 00:45:48,200 --> 00:45:51,840 Speaker 1: where anybody would think that that's okay to not to 883 00:45:52,000 --> 00:45:54,400 Speaker 1: go behind their back and then it hit up whoever 884 00:45:54,600 --> 00:45:58,560 Speaker 1: in their life about anything. A friend, I could understand, Hey, 885 00:45:59,520 --> 00:46:02,000 Speaker 1: Okay has gotten a big fight, let me go, and 886 00:46:02,600 --> 00:46:05,200 Speaker 1: she feels this way. I need you to real I could. Yes, 887 00:46:05,280 --> 00:46:09,080 Speaker 1: that's fine. But a professional, that's where it really because 888 00:46:09,080 --> 00:46:10,720 Speaker 1: it comes to the playcause you don't really know the dynamic. 889 00:46:10,760 --> 00:46:14,280 Speaker 1: You're only get one side of it too professionally. Lunchboxes, 890 00:46:14,320 --> 00:46:15,719 Speaker 1: who do you who spouse do you think hit me up? 891 00:46:16,880 --> 00:46:19,040 Speaker 1: Should we say that he knows? Now, I'm not saying 892 00:46:20,360 --> 00:46:25,239 Speaker 1: I'd guess classroom. I would guess classroom too. Really? Oh yeah, well? 893 00:46:26,440 --> 00:46:31,279 Speaker 1: Why yeah? Why there's certain certain certain has anybody's spouse 894 00:46:31,320 --> 00:46:35,160 Speaker 1: ever hit you guys up about somebody else? Yes? Oh? Absolutely? 895 00:46:36,000 --> 00:46:39,080 Speaker 1: Is that why you picking Ray. Yes, oh wait, wait, 896 00:46:39,120 --> 00:46:42,120 Speaker 1: wait wait, I didn't say Ray. Who had a bit 897 00:46:42,200 --> 00:46:44,120 Speaker 1: though on your show? You walked me into that. Wasn't 898 00:46:44,160 --> 00:46:45,680 Speaker 1: that a bit on this like the show, the sports 899 00:46:45,680 --> 00:46:48,080 Speaker 1: show or something. I don't know. No, no, no, I 900 00:46:48,120 --> 00:46:50,520 Speaker 1: don't know what you're talking about. But we're also friends 901 00:46:50,560 --> 00:46:53,000 Speaker 1: with Bay, right, Ray? Yeah, I think it's that she's 902 00:46:53,040 --> 00:46:54,960 Speaker 1: friends with everybody, so that's why they're all going with that. 903 00:46:55,560 --> 00:46:57,640 Speaker 1: I mean, I haven't even seen Eddie's wife in like 904 00:46:57,760 --> 00:47:00,440 Speaker 1: nine months, so wait, what does that happen? That's good. 905 00:47:00,480 --> 00:47:03,120 Speaker 1: I mean literally just saw a Bay like two days ago. Yeah, 906 00:47:03,200 --> 00:47:06,000 Speaker 1: it's more top of mine, got it, that makes sense? Yeah, okay, 907 00:47:06,000 --> 00:47:08,880 Speaker 1: well it's not Ray. Okay, it's not Ray. I just 908 00:47:08,920 --> 00:47:10,719 Speaker 1: wonder why you guys went there. I know. I just 909 00:47:10,800 --> 00:47:12,520 Speaker 1: think because Ray gets here one o'clock in the morning, 910 00:47:12,600 --> 00:47:14,719 Speaker 1: so maybe she'd I think she knows Ray it's crazy though, too, 911 00:47:14,760 --> 00:47:16,440 Speaker 1: and then she just knows that that's not something I 912 00:47:16,480 --> 00:47:18,000 Speaker 1: can change. I've told him, don't come in at one 913 00:47:18,000 --> 00:47:19,840 Speaker 1: o'clock in the morning. Yeah, that's the only reason. I 914 00:47:19,880 --> 00:47:22,399 Speaker 1: wouldn't matter. I will leave it there. I'm not I'm 915 00:47:22,400 --> 00:47:24,959 Speaker 1: not telling who it is. Oh, you know you don't. 916 00:47:25,000 --> 00:47:26,560 Speaker 1: You can't always go you know what, I don't miss 917 00:47:26,600 --> 00:47:27,919 Speaker 1: a question in the game, and you're like, I got 918 00:47:27,960 --> 00:47:31,640 Speaker 1: it on it. You're not on it quickly, Amy, Okay, 919 00:47:31,800 --> 00:47:35,440 Speaker 1: not who it is, but how you handled it, ignored it? No, 920 00:47:35,560 --> 00:47:37,680 Speaker 1: I didn't ignore it, you replied to them. Of course 921 00:47:37,719 --> 00:47:39,960 Speaker 1: I'm a human being. Oh I would have ignored that. 922 00:47:42,400 --> 00:47:44,480 Speaker 1: And what do you say when you're blaying, like, uh, 923 00:47:44,920 --> 00:47:46,520 Speaker 1: do you want them to have a job or not? No, 924 00:47:46,640 --> 00:47:49,480 Speaker 1: I didn't say that. It doesn't matter what I said, 925 00:47:49,520 --> 00:47:51,879 Speaker 1: but I did not ignore it. I didn't at first. 926 00:47:51,920 --> 00:47:55,480 Speaker 1: It felt a little awkward, but sure, we'll handle I know. 927 00:47:55,640 --> 00:47:57,160 Speaker 1: Do you guys to be good at home, so you're 928 00:47:57,160 --> 00:47:59,000 Speaker 1: good for me here? So I just handled it. Then 929 00:47:59,760 --> 00:48:03,360 Speaker 1: that's part of the dynamic question. You shouldn't message your spouse, 930 00:48:03,600 --> 00:48:05,799 Speaker 1: your boyfriend, you girlfriend's boss. Ever, it'll be like, hey, 931 00:48:05,960 --> 00:48:07,800 Speaker 1: take it easier on them when the wife did this, 932 00:48:08,080 --> 00:48:11,799 Speaker 1: did you? I'm not talking about it, That's what I mean. 933 00:48:11,880 --> 00:48:13,279 Speaker 1: My point is we're all talking to him like it 934 00:48:13,320 --> 00:48:15,480 Speaker 1: could be any one of us. Probably, though there are 935 00:48:15,640 --> 00:48:18,160 Speaker 1: way more guys. Not buy a whole lot, but there 936 00:48:18,160 --> 00:48:20,879 Speaker 1: are more guys, especially in this room, than there are girls. 937 00:48:20,920 --> 00:48:23,160 Speaker 1: But who knows. I'm just gonna leave it there the end, 938 00:48:23,400 --> 00:48:26,840 Speaker 1: thank you very much. Yeah, don't be messaging your boss, 939 00:48:28,280 --> 00:48:32,239 Speaker 1: your spouse's boss. Ted Lasso is doing one more season. 940 00:48:32,280 --> 00:48:35,240 Speaker 1: It starts in the spring, and that's it. Ted Lasso 941 00:48:35,320 --> 00:48:36,920 Speaker 1: Season three in the spring. There's no date yet on 942 00:48:36,960 --> 00:48:40,839 Speaker 1: it coming out. Do you like that these shows now 943 00:48:40,960 --> 00:48:43,640 Speaker 1: are only lasting a couple of seasons or would you 944 00:48:43,800 --> 00:48:45,600 Speaker 1: rather have it like the old days where it was 945 00:48:45,680 --> 00:48:49,120 Speaker 1: like seven, eight, nine seasons Lunchbox, it has to be three, 946 00:48:49,320 --> 00:48:51,680 Speaker 1: four good ones and then get out. Because I was 947 00:48:51,760 --> 00:48:54,640 Speaker 1: a huge fan of Modern Family and it went on 948 00:48:55,120 --> 00:48:57,560 Speaker 1: way too long and I stuck with it. The kids 949 00:48:57,600 --> 00:48:59,759 Speaker 1: were adults and they were still acting like and it 950 00:48:59,840 --> 00:49:02,239 Speaker 1: was like, this is just terrible. But I watched it 951 00:49:02,280 --> 00:49:03,640 Speaker 1: and I was like, you could have ended it four 952 00:49:03,719 --> 00:49:06,120 Speaker 1: seasons ago and I would have left loving that show. 953 00:49:06,360 --> 00:49:09,759 Speaker 1: So I'm with ted Lasso. Three seasons, dominate and go 954 00:49:09,920 --> 00:49:11,680 Speaker 1: on the way in the UK they usually do too, 955 00:49:11,719 --> 00:49:13,920 Speaker 1: and that's it. Like The Office, the original two seasons 956 00:49:13,960 --> 00:49:15,719 Speaker 1: are done. They didn't make anymore. Oh, I don't know, 957 00:49:15,840 --> 00:49:18,160 Speaker 1: too maybe too short. The American version went on for 958 00:49:18,400 --> 00:49:21,160 Speaker 1: a really long time. Yeah. The Office in the UK 959 00:49:21,320 --> 00:49:23,720 Speaker 1: brought back for an occasional special. They did a Christmas special. 960 00:49:24,680 --> 00:49:27,200 Speaker 1: But in the UK those very popular series. They come 961 00:49:27,239 --> 00:49:29,640 Speaker 1: and they go quickly, and I like that. I think 962 00:49:29,640 --> 00:49:31,120 Speaker 1: I'm conditioned for that now because a lot of the 963 00:49:31,160 --> 00:49:33,279 Speaker 1: shows that we like are even limited series. Ever, then, 964 00:49:33,360 --> 00:49:35,520 Speaker 1: Nicole Kidman series where she worked at a health spa 965 00:49:36,400 --> 00:49:38,040 Speaker 1: nine Perfect Change. It wasn't only a health spat, it 966 00:49:38,120 --> 00:49:41,120 Speaker 1: was like us, Oh she ran a therapy thing. Yeah, 967 00:49:41,239 --> 00:49:43,680 Speaker 1: that's like a thing, right. That was one season and out. 968 00:49:43,760 --> 00:49:47,359 Speaker 1: Remember the Chess Show on Netflix, one series and out, 969 00:49:47,520 --> 00:49:49,319 Speaker 1: so good. I just like to know if they're going 970 00:49:49,360 --> 00:49:50,800 Speaker 1: to be short. I like to know it's going to 971 00:49:50,880 --> 00:49:53,840 Speaker 1: be short. Oh, this is a limited series. It's just 972 00:49:54,000 --> 00:49:56,920 Speaker 1: one series and then where I like that because that 973 00:49:57,040 --> 00:49:58,960 Speaker 1: means they've put all the effort into it. You know 974 00:49:59,040 --> 00:50:01,760 Speaker 1: what's going to conclude. Man, the worst is the finale 975 00:50:01,800 --> 00:50:04,080 Speaker 1: when you get an ending and it does answer some questions, 976 00:50:04,120 --> 00:50:05,719 Speaker 1: but then you have more they make they make you 977 00:50:05,760 --> 00:50:08,160 Speaker 1: have more questions and wait for the next season. Yeah. 978 00:50:08,880 --> 00:50:12,279 Speaker 1: So I'm with Ted Lasso. Let's do one more and 979 00:50:12,400 --> 00:50:14,920 Speaker 1: let's get out of dodge. I thought season two was 980 00:50:14,960 --> 00:50:18,279 Speaker 1: pretty good. Yeah, season one was so good that it 981 00:50:18,360 --> 00:50:21,160 Speaker 1: made season two only pretty good. If season two just 982 00:50:21,239 --> 00:50:22,880 Speaker 1: existed by itself, it had been really good. But they 983 00:50:23,000 --> 00:50:24,880 Speaker 1: left us with a good hanger after two. Yeah, I know, 984 00:50:24,920 --> 00:50:29,759 Speaker 1: don't spoil it though, far but Ted Lasso season three 985 00:50:29,800 --> 00:50:32,839 Speaker 1: coming up. That dark show I told you, The German Show. 986 00:50:33,080 --> 00:50:35,960 Speaker 1: Oh yeah, it's so good Calenton and maybe the best 987 00:50:36,000 --> 00:50:38,600 Speaker 1: show she's seen in a year. Wow. The Old Man 988 00:50:39,239 --> 00:50:43,759 Speaker 1: for me though, that show, I don't know. That's probably 989 00:50:43,760 --> 00:50:45,919 Speaker 1: my favorite show. I'm halfway through it. Dude's so good. 990 00:50:46,280 --> 00:50:48,279 Speaker 1: Kevin kick off, Kevin who works in our studio room 991 00:50:48,280 --> 00:50:50,040 Speaker 1: and works on a podcast with me. He messaged me 992 00:50:50,080 --> 00:50:51,719 Speaker 1: it was like it's can't stop watching. It was like 993 00:50:51,719 --> 00:50:53,200 Speaker 1: two in the morning, can't I'm watching the show. It 994 00:50:53,360 --> 00:50:55,920 Speaker 1: was like showing me screenshots of The Old Man on who. 995 00:50:56,040 --> 00:50:57,759 Speaker 1: I was like, I've seen it. I don't need the screenshots. 996 00:50:58,600 --> 00:51:00,520 Speaker 1: But The Old Man is on Hulu and it's Jeff 997 00:51:00,560 --> 00:51:03,840 Speaker 1: Bridges and he's an old like CIA FBI guy, but 998 00:51:04,080 --> 00:51:06,799 Speaker 1: he is out change his name, but they track them 999 00:51:06,840 --> 00:51:08,640 Speaker 1: back and he's like seventy and he's got to like 1000 00:51:08,760 --> 00:51:12,160 Speaker 1: fight his way out. It's awesome. And then when he 1001 00:51:12,239 --> 00:51:18,239 Speaker 1: finally joins that Broadway production in the finale and he 1002 00:51:18,400 --> 00:51:23,440 Speaker 1: joins cats. That would be a weird one. So ted 1003 00:51:23,520 --> 00:51:25,719 Speaker 1: Lasso's coming back, that would be pretty cool. I'm looking 1004 00:51:25,719 --> 00:51:27,399 Speaker 1: forward to season three. But they do them once a week. 1005 00:51:27,400 --> 00:51:29,200 Speaker 1: How do we feel about once a week shows versus 1006 00:51:30,239 --> 00:51:32,239 Speaker 1: binge when they put out ten at a time. I 1007 00:51:32,400 --> 00:51:35,719 Speaker 1: like it. I like looking forward to that day, Like 1008 00:51:35,800 --> 00:51:37,799 Speaker 1: when I was watching The White Lotus that came out 1009 00:51:37,840 --> 00:51:39,680 Speaker 1: on Sundays and I would watch football and be like, 1010 00:51:39,760 --> 00:51:42,000 Speaker 1: oh man, that game's over. What am I gonna do? Well? Wait, wait, wait, 1011 00:51:42,040 --> 00:51:44,279 Speaker 1: White Lotus to Night. Yes, I get it, And I 1012 00:51:44,360 --> 00:51:46,080 Speaker 1: know why they do it because it stays top. It 1013 00:51:46,160 --> 00:51:48,080 Speaker 1: stays we talk about it because wait for another episode. 1014 00:51:48,080 --> 00:51:49,680 Speaker 1: If we bene it, we bene it all and just 1015 00:51:49,800 --> 00:51:51,680 Speaker 1: move on. Don't talk to our friends about it as much. 1016 00:51:52,520 --> 00:51:55,440 Speaker 1: But I love to have every episode just right there 1017 00:51:55,480 --> 00:51:57,040 Speaker 1: at the fingertips, and I'll be like, I'll watch one 1018 00:51:57,080 --> 00:52:00,520 Speaker 1: a week, except watch four to night. Also, I saw 1019 00:52:00,560 --> 00:52:04,000 Speaker 1: the ratings for television shows over twenty twenty two. They 1020 00:52:04,040 --> 00:52:06,920 Speaker 1: did the top fifty rated show forty eight of them 1021 00:52:06,960 --> 00:52:09,640 Speaker 1: are football. Oh yeah, forty eight of the top fifty 1022 00:52:10,520 --> 00:52:14,920 Speaker 1: football games, which is wild, makes sense. America loves football, 1023 00:52:15,280 --> 00:52:19,879 Speaker 1: by those are the biggest shows down sorry up the day. 1024 00:52:20,520 --> 00:52:23,719 Speaker 1: This story comes to us from Washington. A couple of 1025 00:52:23,760 --> 00:52:26,320 Speaker 1: guys went out the happy hour, had a few drinks, 1026 00:52:26,520 --> 00:52:29,799 Speaker 1: driving home, swerving on the road, police try to pull 1027 00:52:29,880 --> 00:52:33,920 Speaker 1: them over. Whooooo, He's like, uh, starts going about one 1028 00:52:34,000 --> 00:52:36,680 Speaker 1: hundred miles an hour. Police are pursuing them, so the 1029 00:52:36,760 --> 00:52:40,080 Speaker 1: passenger doesn't like how close the cops are following, calls 1030 00:52:40,200 --> 00:52:42,719 Speaker 1: nine on one. Hey, the cops are too close to us, 1031 00:52:42,800 --> 00:52:45,680 Speaker 1: telling them back away. They are following us and they 1032 00:52:45,719 --> 00:52:49,080 Speaker 1: won't leave us alone. They finally pulled over and got 1033 00:52:49,200 --> 00:52:52,680 Speaker 1: DUI hand. I assume the nine one operators not like, hey, guys, 1034 00:52:52,719 --> 00:52:55,120 Speaker 1: you're getting too close to this guy who doesn't like you. 1035 00:52:55,160 --> 00:52:58,239 Speaker 1: Just got lane. You're tailgating guys, they say, other cops 1036 00:52:58,280 --> 00:53:02,239 Speaker 1: to stop those cops. Yeah, I mean drinking. Obviously they 1037 00:53:02,280 --> 00:53:04,640 Speaker 1: got the dui. Can you make bad decisions like driving 1038 00:53:04,760 --> 00:53:06,960 Speaker 1: or calling nine one one on the cops? All right, 1039 00:53:07,000 --> 00:53:09,120 Speaker 1: I'm munchboxed at your bone head. Story of the day. 1040 00:53:10,760 --> 00:53:14,720 Speaker 1: Let's go over to Movie Mike and now Movie Mike's 1041 00:53:14,880 --> 00:53:17,680 Speaker 1: movie minute. You got a new Tom Hanks movie called 1042 00:53:17,680 --> 00:53:20,480 Speaker 1: A Man Called Auto. This new Yeah, it's in theaters 1043 00:53:20,560 --> 00:53:23,520 Speaker 1: right now. Who's auto? He is this old grumpy man 1044 00:53:23,680 --> 00:53:25,799 Speaker 1: just lost his wife, so he goes around this small 1045 00:53:25,840 --> 00:53:28,040 Speaker 1: little community he lives in and just makes other people's 1046 00:53:28,040 --> 00:53:33,040 Speaker 1: lives miserable. Funny, it's no, it's yeah, there's some humor 1047 00:53:33,120 --> 00:53:34,840 Speaker 1: in it. It's kind of dark too. It's not a 1048 00:53:34,920 --> 00:53:38,680 Speaker 1: kids movie at all. Tom Hanks gray hair in this movie. Yeah, 1049 00:53:38,719 --> 00:53:40,600 Speaker 1: he's in his sixties. I think Tom Hanks at his 1050 00:53:40,640 --> 00:53:44,399 Speaker 1: sixties is his best. What do you think. I don't 1051 00:53:44,440 --> 00:53:46,400 Speaker 1: normally love feel good movies. I don't really want to 1052 00:53:46,400 --> 00:53:48,960 Speaker 1: go into a movie too. I don't love feel good movies. Yeah, 1053 00:53:49,239 --> 00:53:51,040 Speaker 1: oh yeah, I gotta tell you, like I love movies 1054 00:53:51,080 --> 00:53:53,600 Speaker 1: that have good plots and real fulfilling ending, like a 1055 00:53:53,640 --> 00:53:55,439 Speaker 1: movie that he's supposed to warm your heart. Those don't 1056 00:53:55,480 --> 00:53:57,759 Speaker 1: really appeal to me. But with Tom Hanks, this is 1057 00:53:57,800 --> 00:54:00,239 Speaker 1: one of my favorite Tom Hanks characters in the last 1058 00:54:00,280 --> 00:54:03,120 Speaker 1: ten years. Wow. So it's really good. It does go 1059 00:54:03,239 --> 00:54:06,479 Speaker 1: into some dark places, but it really kind of brings 1060 00:54:06,560 --> 00:54:09,920 Speaker 1: this light to somebody like dealing with mental struggles. So 1061 00:54:10,000 --> 00:54:11,320 Speaker 1: I thought that was a really good job. What do 1062 00:54:11,360 --> 00:54:12,879 Speaker 1: you rate it? I give it four out of five. 1063 00:54:13,800 --> 00:54:16,319 Speaker 1: So a man called Auto. Tom Hanks, is it Can 1064 00:54:16,400 --> 00:54:18,440 Speaker 1: a kid watch this? I don't think so. Okay, so 1065 00:54:18,520 --> 00:54:20,360 Speaker 1: it's not. I think a Tom makes has been fluffy 1066 00:54:20,360 --> 00:54:23,759 Speaker 1: and light. Yeah, so no kids who would like this movie? 1067 00:54:24,080 --> 00:54:27,359 Speaker 1: I think Amy would love this movie. Okay, mental Health, 1068 00:54:27,520 --> 00:54:31,399 Speaker 1: I will go Okay. A man called Auto four out 1069 00:54:31,440 --> 00:54:32,839 Speaker 1: of five? What do you give it? The four to five? 1070 00:54:32,920 --> 00:54:36,360 Speaker 1: What I'd probably give it four out of five? Autrosquin 1071 00:54:36,440 --> 00:54:39,160 Speaker 1: boils the family that moves in across the town, across 1072 00:54:39,239 --> 00:54:41,480 Speaker 1: the street, who like kind of changes his life. They're 1073 00:54:41,520 --> 00:54:44,600 Speaker 1: Mexican and they give him food. That's cool only in theaters. 1074 00:54:44,640 --> 00:54:47,880 Speaker 1: All right, Thank you, Ray, And that was movie Mike's 1075 00:54:48,040 --> 00:54:50,800 Speaker 1: Movie Minutes. By the way, check out Mike's podcast just 1076 00:54:50,840 --> 00:54:53,960 Speaker 1: search for Movie Mike Wherever you podcast. Thank you. Have 1077 00:54:54,040 --> 00:54:56,640 Speaker 1: a great weekend, everybody. We will see you Monday right here, 1078 00:54:57,120 --> 00:54:57,879 Speaker 1: come on. Yeah,