WEBVTT - How Napster Worked

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<v Speaker 1>Get in text with technology with text Stuff from housef

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<v Speaker 1>what Com. Hey there everyone, and welcome to tech Stuff.

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<v Speaker 1>My name is Jonathan Strickland, I am a host, and

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<v Speaker 1>my name is Lauren Vogelbaum. I am coincidentally also a host.

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<v Speaker 1>It's fantastic that we have two hosts together because that

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<v Speaker 1>means we can do a podcast. And today we wanted

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<v Speaker 1>to talk about something we have. One of our listeners

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<v Speaker 1>asked us about this. It's a it's an interesting story.

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<v Speaker 1>It's a story about an internet company that had a

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<v Speaker 1>meteorc rise and perhaps and even more meteoric fall. Uh,

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<v Speaker 1>and then it was reborn into something completely different in

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<v Speaker 1>a way Napster and Napster's um it's got a bad rap.

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<v Speaker 1>It it's kind of becomes synonymous with at least the

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<v Speaker 1>old Napster. The original Napster has become synonymous with things

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<v Speaker 1>like piracy. Although in the lawless days of the Internet

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<v Speaker 1>when everyone just stole from Lars Ulric, Yes, in fact,

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<v Speaker 1>he honestly he ended up delivering a lawsuit by hand too,

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<v Speaker 1>so full of ire he was, Yes, he took this.

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<v Speaker 1>I think I don't know. I don't know that. I

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<v Speaker 1>don't know that even a member of Metallica can carry

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<v Speaker 1>a sixty thousand page maybe by hand truck, I'm not sure.

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<v Speaker 1>I'm not sure by hand, but sure, series of CDs. Yeah.

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<v Speaker 1>So anyway, let's talk about Napster and what it was

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<v Speaker 1>and what it is today, because it's it's definitely changed

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<v Speaker 1>quite a bit. So it's a it's it's all about really,

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<v Speaker 1>it's all about music. It's technically it's about file sharing,

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<v Speaker 1>but those files are were essentially music files MP three files.

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<v Speaker 1>Napster limited itself to MP three files. Lots of other

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<v Speaker 1>peer to peer sharing networks used, you know, you could

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<v Speaker 1>you could get movies on their all kinds of stuff, games, everything,

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<v Speaker 1>any kind of file. Well, Napster was all about all

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<v Speaker 1>about MP three and and you have to understand, like

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<v Speaker 1>the the days when we first start looking at this idea,

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<v Speaker 1>that's way back in the late nineties. Back then, music

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<v Speaker 1>was not something that you could easily get on the internet.

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<v Speaker 1>It was first of all, anything that was on a

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<v Speaker 1>web page was MIDI based or whatever it was, or

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<v Speaker 1>mod based. It was just it was not anywhere close

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<v Speaker 1>to CD quality. We didn't have an iTunes store that

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<v Speaker 1>kind of thing. Yeah, there wasn't, you know, but there

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<v Speaker 1>were people who what they would I just say completely,

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<v Speaker 1>I just said that. When iTunes was founded, that's a

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<v Speaker 1>different show. So anyway, there there's a whole you know.

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<v Speaker 1>iTunes for a long time was just a jukebox type

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<v Speaker 1>of program where you would manage the music that you

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<v Speaker 1>already had. It wasn't a store where you would buy

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<v Speaker 1>new music. It was it was a management system. So really,

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<v Speaker 1>at this time, the way you would get if you

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<v Speaker 1>were someone who wanted to get a music file, you

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<v Speaker 1>would essentially have to search around for someone who was

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<v Speaker 1>hosting music files on a website somewhere and then download them.

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<v Speaker 1>And these these websites were very much unreliable, and uh,

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<v Speaker 1>this is what got a certain guy thinking about different

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<v Speaker 1>ways of going about it. The guy's name was Shan Fanning. Yeah,

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<v Speaker 1>and as he got his first computer and very shortly

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<v Speaker 1>after that created Napster. So that was yeah, it was

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<v Speaker 1>within two years he had gone from getting his first

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<v Speaker 1>computer to creating one of the most influential and notorious

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<v Speaker 1>web services and programs of all time. Yeah. He got

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<v Speaker 1>his computer from his uncle, John Fanning, who ended up

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<v Speaker 1>being a big supporter. Yeah. Yeah, he he provided the

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<v Speaker 1>seed money for for Napster in a couple of years.

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<v Speaker 1>Yet he was also not just interested in programming right

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<v Speaker 1>off the bat, but also interested in Internet Relay Chat

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<v Speaker 1>i r S, which is, you know, one of many

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<v Speaker 1>different protocols that allow you to communicate over the Internet

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<v Speaker 1>and um in an instant instant messagery. Yeah, exactly, as

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<v Speaker 1>opposed to like email or something along those lines. And

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<v Speaker 1>he got interested in the field of Internet security. And

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<v Speaker 1>uh he described himself at the time as a white hat,

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<v Speaker 1>not a hacker. So the idea being that he was

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<v Speaker 1>interested in finding ways to make internet security more robust,

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<v Speaker 1>so and in helping people, not not stealing from people,

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<v Speaker 1>right like, not like he might look at a system

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<v Speaker 1>and say, oh, you have a vulnerability here, you need

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<v Speaker 1>to patch it, as opposed to, oh, you have a

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<v Speaker 1>vulnerability here, give me all your things. Um. That was

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<v Speaker 1>kind of his his at least that's what he said,

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<v Speaker 1>and I have no reason to doubt him. But he

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<v Speaker 1>met virtually a fellow named Sean Parker online in those days,

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<v Speaker 1>and Sean Parker also becomes important in the Napster story.

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<v Speaker 1>So in ninety eight, he was starting to think about

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<v Speaker 1>this thing that music files. And by the way, this

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<v Speaker 1>kid is a teenager. I mean, you know, if I'm

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<v Speaker 1>using the word kid, it's not just because I use

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<v Speaker 1>that word for everybody. It's because he was literally like

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<v Speaker 1>seventeen to nineteen at the time. Yeah, he was. He was, uh,

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<v Speaker 1>well that was when he was eighteen turning nineteen. Uh,

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<v Speaker 1>and he he was a freshman at Northeastern University in Boston,

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<v Speaker 1>and he knew that there were a lot of kids

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<v Speaker 1>his age really interested in music and they really wanted

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<v Speaker 1>to find more music. But again, it was really tricky

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<v Speaker 1>to find it online because these websites that would host files,

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<v Speaker 1>they wouldn't last very long. Maybe someone stops um stops

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<v Speaker 1>monitoring it or maintaining it and the links are all dead,

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<v Speaker 1>or because of high traffic, you know, everyone finds out

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<v Speaker 1>that this is where this one file is, everyone goes

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<v Speaker 1>there and then it crashes the site. It was really

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<v Speaker 1>really tricky to find a way to reliably get those

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<v Speaker 1>music files. Also important to note that was when the

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<v Speaker 1>Digital Millennium Copyright Act went into effect. Yes, very important.

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<v Speaker 1>That's a Congress enacted that and uh that was that

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<v Speaker 1>was essentially Congress's way of saying, we understand that intellectual

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<v Speaker 1>property is important that copyright is in and that the

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<v Speaker 1>Internet age has dramatically changed how easy it is to

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<v Speaker 1>distribute material that is under copyright. So here are some

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<v Speaker 1>rules to guide how we can how we can legislate

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<v Speaker 1>this sort of stuff, and essentially criminalized the circumvention of

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<v Speaker 1>any kind of digital rights management right. It also, however,

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<v Speaker 1>created something called safe harbor, which was very important and

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<v Speaker 1>would become extremely important in Napster's case. Safe harbor is

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<v Speaker 1>a concept whereby it says, if your site or service

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<v Speaker 1>is not actively engaged in copyright infringement, but the users

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<v Speaker 1>are using your service in order to conduct copyright infringement,

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<v Speaker 1>you yourself are not at fault. You cannot be held

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<v Speaker 1>at fault for the behavior of your users because the

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<v Speaker 1>users are behaving however they want to behave. You're providing

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<v Speaker 1>a service. As long as your service is not actively

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<v Speaker 1>meant to circumvent copyright protection or to distribute copyright write

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<v Speaker 1>materials illegally, then you should be in the clear because

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<v Speaker 1>you cannot be held responsible for what other people do.

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<v Speaker 1>And that's an important concept. It's also one that ultimately

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<v Speaker 1>you could argue was not held up in the case

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<v Speaker 1>of naps Yeah yeah, uh yeah, other. While we're on

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<v Speaker 1>the subject, other concept that became important in this argument

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<v Speaker 1>was the Audio Home Recording Act, of which said that

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<v Speaker 1>you are allowed to make unlimited copies essentially of any

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<v Speaker 1>CDs and cassettes that you own for personal use and

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<v Speaker 1>for your friends, as long as you're not receiving compensation. Right. So,

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<v Speaker 1>again the idea being that if I own something, I

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<v Speaker 1>can make a copy of it. Usually it's considered a

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<v Speaker 1>copy for backup purposes. So for example, let's say I

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<v Speaker 1>own a c D and I want to be able

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<v Speaker 1>to make a second CD in case something happens that

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<v Speaker 1>first one, because I mean I bought that c D.

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<v Speaker 1>I feel that's mine. Uh. And this this is this

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<v Speaker 1>is something, yeah, something that the music industry was not

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<v Speaker 1>so pleased about. I mean every industry. Whenever any sort

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<v Speaker 1>of uh invention has come up that allows people to

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<v Speaker 1>copy material some way, for instance, VCRs and DVRs, the

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<v Speaker 1>various industries get very nervous about it because they're afraid

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<v Speaker 1>that well for multiple reasons, but one of the reasons

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<v Speaker 1>is they are afraid that that's going to impact sales.

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<v Speaker 1>That means that you're going to end up distributing stuff.

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<v Speaker 1>And then you cut out the person or entity that

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<v Speaker 1>is in charge of distributing that, and then they lose

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<v Speaker 1>the copyright and that you know, and that that paid

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<v Speaker 1>to make this thing happen essentially, and that they're going

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<v Speaker 1>to lose money. Yeah, it's huge, huge thing. When VCRs

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<v Speaker 1>came out in the in the early eighties, not but

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<v Speaker 1>I remember. But why are you looking at me, Lauren?

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<v Speaker 1>Is it only because I'm your co host? Is it

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<v Speaker 1>because you actually know that I remember when VCRs came out.

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<v Speaker 1>I'm gonna smile on her face, tells me the answer.

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<v Speaker 1>All I need to know, folks, on all I need

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<v Speaker 1>to know anyway. Um, but yeah, So so that that's

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<v Speaker 1>kind of the state of digital copyright. So meanwhile, Sean

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<v Speaker 1>Fanning is saying, maybe there's a better way of being

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<v Speaker 1>able to find and get the music files that you

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<v Speaker 1>really want, and he starts to come up with this

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<v Speaker 1>idea where the idea would be to create a centralized

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<v Speaker 1>server and that server's job would be to search for

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<v Speaker 1>an index music files and uh, and the way it

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<v Speaker 1>would work is that you would subscribe to the service. UH,

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<v Speaker 1>you would essentially register yourself as a user with the service,

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<v Speaker 1>and then as a registered user, You would get a

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<v Speaker 1>folder that you would put on your hard drive, and

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<v Speaker 1>that folder would be a share double folder. Anything you

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<v Speaker 1>put in that folder could be seen by the service.

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<v Speaker 1>The server, the centralized server could see whatever you put

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<v Speaker 1>in there. Now, in the case of Napster, we're talking

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<v Speaker 1>MP three files. So if you put if you had

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<v Speaker 1>MP three files already on your machine and you put

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<v Speaker 1>them in this folder, it would mean that those would

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<v Speaker 1>be discoverable by that centralized server. So someone else who

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<v Speaker 1>registers with it wasn't called Napster yet. But when they

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<v Speaker 1>register with the service and they search for a particular

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<v Speaker 1>music file and you happen to have that music file

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<v Speaker 1>on your folder, you're a link to. Essentially, your machine

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<v Speaker 1>would pop up and the server would facilitate a connection

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<v Speaker 1>between the person searching and your computer so that the

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<v Speaker 1>file transfer could complete. So, Lauren, let's let's use well,

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<v Speaker 1>we'll use ourselves as an example. Lauren, Let's say that

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<v Speaker 1>you've heard about this band called Common Rotation. All right,

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<v Speaker 1>Common Rotation fronted by Adam Bush, former actor in the

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<v Speaker 1>Buffy the Vampire Slayer series. La He was Warren nerd

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<v Speaker 1>of Doom. So, Lauren, you've heard of Common rotation, and

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<v Speaker 1>you're thinking, I really want to hear this one song

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<v Speaker 1>I've heard about that common rotation does. It's called sit

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<v Speaker 1>Down before I Fall Down. But uh, you know, I

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<v Speaker 1>don't have access to a way of finding this this song.

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<v Speaker 1>Otherwise I go into Napster. It turns out that I

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<v Speaker 1>Jonathan happened to have that song and I have it

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<v Speaker 1>in the share folder for Napster. And when you do

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<v Speaker 1>the search, it put points a link towards my direction,

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<v Speaker 1>towards my computer. You hit the download button. My computer

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<v Speaker 1>uploads the file and your computer downloads the file, and

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<v Speaker 1>it's a direct transfer between the two computers. The centralized

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<v Speaker 1>server just access kind of a traffic monitor. Um. And

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<v Speaker 1>the cool thing about this is that when my file

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<v Speaker 1>gets to you, by default, it's going into your share folder.

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<v Speaker 1>You can change those settings, or you could have changed

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<v Speaker 1>those settings back in the day because the service doesn't

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<v Speaker 1>exist anymore, right, or you can pull it out of

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<v Speaker 1>that share folder you wanted to write, but you you don't.

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<v Speaker 1>You don't have to share everything you get, but if

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<v Speaker 1>you did, that would mean that now there's another instance

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<v Speaker 1>of that file that there's two locations, so that if

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<v Speaker 1>you can't, if you have trouble accessing the first location,

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<v Speaker 1>or if if out, yeah, or if I'm not even online,

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<v Speaker 1>like if if my computer is off, you cannot connect

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<v Speaker 1>to my computer. But if Lauren is on and she

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<v Speaker 1>still has that file on her folder, that means person

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<v Speaker 1>number three could come in and get the file from Lauren.

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<v Speaker 1>So every time that someone used Napster, they were actually

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<v Speaker 1>increasing its utility. So it's a service that got longer

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<v Speaker 1>the more people used it, and the more the larger

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<v Speaker 1>the numbers joined, the more powerful this service became, right, right,

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<v Speaker 1>And so so early Fanning was was developing this this

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<v Speaker 1>program and coding everything along with Sean Parker, I think, yeah,

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<v Speaker 1>And the story that he did sixty straight hours of

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<v Speaker 1>coding without sleep. That sounds like one of those terrific

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<v Speaker 1>Internet myths. Although with you know, with energy drinks which

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<v Speaker 1>were which were new and the the red Bull was

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<v Speaker 1>brand new and they were downing them in cases they

0:12:29.360 --> 0:12:31.480
<v Speaker 1>were they were. But so they uploaded this beta to

0:12:31.840 --> 0:12:34.640
<v Speaker 1>a website called download dot com and and it hit

0:12:34.720 --> 0:12:36.960
<v Speaker 1>really big and people were so excited about it. Yeah,

0:12:36.960 --> 0:12:39.920
<v Speaker 1>it was very quickly became clear that this this thing

0:12:39.960 --> 0:12:43.439
<v Speaker 1>that they had come up with was going really resonated

0:12:43.760 --> 0:12:45.360
<v Speaker 1>really because there are a lot of people who are

0:12:45.360 --> 0:12:48.720
<v Speaker 1>really interested in music, and there's also there was also

0:12:48.840 --> 0:12:52.680
<v Speaker 1>this growing attitude of if I like one song, but

0:12:52.800 --> 0:12:54.920
<v Speaker 1>I don't like the rest of the album, why should

0:12:54.960 --> 0:12:59.560
<v Speaker 1>I the whole album for one song. And the problem

0:12:59.720 --> 0:13:02.960
<v Speaker 1>at the time was that there was no real way

0:13:03.000 --> 0:13:06.880
<v Speaker 1>to buy song by song unless the band had released

0:13:07.080 --> 0:13:11.640
<v Speaker 1>specifically a single CD right. Other than that, you were

0:13:11.640 --> 0:13:13.440
<v Speaker 1>pretty much out of luck. You had to buy the

0:13:13.600 --> 0:13:15.520
<v Speaker 1>entire album, and so that was why a lot of

0:13:15.520 --> 0:13:17.760
<v Speaker 1>people were turning. One of the reasons why a lot

0:13:17.760 --> 0:13:20.000
<v Speaker 1>of people were turning to piracy because it allowed them

0:13:20.080 --> 0:13:22.400
<v Speaker 1>the freedom to get what they wanted without getting all

0:13:22.440 --> 0:13:25.640
<v Speaker 1>the other stuff. And one of the big arguments people

0:13:25.679 --> 0:13:28.040
<v Speaker 1>have put forward about, you know, the piracy thing, is

0:13:28.080 --> 0:13:31.720
<v Speaker 1>that if the music industry had moved faster to make

0:13:31.720 --> 0:13:35.560
<v Speaker 1>it more of a accessible Yeah, Yeah, if the music

0:13:35.559 --> 0:13:38.600
<v Speaker 1>industry had been moving ahead of the population at the time,

0:13:38.960 --> 0:13:41.000
<v Speaker 1>or thinking ahead, or even just looking at the Internet

0:13:41.040 --> 0:13:43.120
<v Speaker 1>at that time, which they really weren't, Yeah, then they

0:13:43.160 --> 0:13:45.840
<v Speaker 1>could have They could have headed off the whole piracy

0:13:46.000 --> 0:13:49.360
<v Speaker 1>issue to a large extent, Like if you make it

0:13:49.440 --> 0:13:53.400
<v Speaker 1>easy for people to get your stuff, and then people

0:13:53.400 --> 0:13:56.200
<v Speaker 1>will come and pay for your stuff. If, however, it's

0:13:56.640 --> 0:13:59.760
<v Speaker 1>way easier for people to steal your stuff, don't be

0:14:00.160 --> 0:14:03.040
<v Speaker 1>prized when it gets stolen. Yeah, I have I have

0:14:03.160 --> 0:14:07.040
<v Speaker 1>ideas about HBO's content, like like this cable cable television

0:14:07.080 --> 0:14:09.560
<v Speaker 1>in general, and yeah, that's one of those things where

0:14:09.600 --> 0:14:11.720
<v Speaker 1>you know you'd be like, oh, HBO, go, I'm gonna

0:14:11.760 --> 0:14:13.080
<v Speaker 1>get that, and then you realize, wait a minute, if

0:14:13.120 --> 0:14:16.319
<v Speaker 1>I don't have the HBO subscription, I can It's only

0:14:16.360 --> 0:14:17.840
<v Speaker 1>if I already have it. If I already have it,

0:14:17.840 --> 0:14:20.760
<v Speaker 1>why do I any Why do anyway? That's a whole

0:14:20.800 --> 0:14:24.680
<v Speaker 1>different show. Um. But so so back in back, so

0:14:24.800 --> 0:14:26.920
<v Speaker 1>he had this cool idea. His uncle John, who had

0:14:26.960 --> 0:14:29.640
<v Speaker 1>gotten him that first computer, gave him some seed money

0:14:29.760 --> 0:14:33.640
<v Speaker 1>and I think maybe facilitated in an introduction to Eileen Richardson. Right.

0:14:33.680 --> 0:14:35.480
<v Speaker 1>And this is also around the time Sean Fanning has

0:14:35.480 --> 0:14:37.840
<v Speaker 1>decided to call it Napster, which was based off a

0:14:37.920 --> 0:14:41.520
<v Speaker 1>nickname he had in junior high school based on his hairstyle. Wow,

0:14:41.600 --> 0:14:44.000
<v Speaker 1>that's amazing. Yeah, that's just thought I have, Like I

0:14:44.000 --> 0:14:45.480
<v Speaker 1>have to get this fact out there, and if I

0:14:45.480 --> 0:14:47.800
<v Speaker 1>don't say it now, it's not gonna happen. So Eileen

0:14:47.880 --> 0:14:51.800
<v Speaker 1>Richardson was a venture capitalist, une very funky one. All

0:14:51.880 --> 0:14:54.320
<v Speaker 1>you know, all the pund hair right right, all the

0:14:54.360 --> 0:14:56.760
<v Speaker 1>reports about her like, yeah, she goes to Amsterdam to

0:14:56.760 --> 0:14:59.200
<v Speaker 1>listen to bands and just got pink hair. It's really cool. Yeah,

0:14:59.600 --> 0:15:02.760
<v Speaker 1>But so really she's hardcore. She she invested in the

0:15:02.800 --> 0:15:07.520
<v Speaker 1>company and signed on as the interim CEO. Exactly. She

0:15:07.520 --> 0:15:09.960
<v Speaker 1>she was someone who had had a lot of experience

0:15:10.040 --> 0:15:14.040
<v Speaker 1>in investing in internet companies. And you know, keep in mind,

0:15:14.080 --> 0:15:16.480
<v Speaker 1>this is ninety nine, so we're still talking before the

0:15:16.520 --> 0:15:19.720
<v Speaker 1>big bubble crash. It's the heady days of the Internet

0:15:19.760 --> 0:15:22.840
<v Speaker 1>when everyone's trying to figure out, like, there's this incredible resource,

0:15:22.920 --> 0:15:25.400
<v Speaker 1>how can we use it to our best advantage? And

0:15:25.480 --> 0:15:26.960
<v Speaker 1>she was one of those people who was right there

0:15:27.000 --> 0:15:30.240
<v Speaker 1>on the bleeding edge looking at the possibilities, and she

0:15:30.280 --> 0:15:34.520
<v Speaker 1>got really excited. She was very much a passionate music fan,

0:15:34.760 --> 0:15:37.680
<v Speaker 1>and so she was a music fan and a venture capitalist.

0:15:37.800 --> 0:15:41.280
<v Speaker 1>Napster fell right into her wheelhouse, so she jumped in.

0:15:41.400 --> 0:15:45.640
<v Speaker 1>She ended up making a very substantial investment, and then

0:15:46.040 --> 0:15:48.080
<v Speaker 1>like like you said, Lauren, she began to interim CEO.

0:15:48.920 --> 0:15:55.200
<v Speaker 1>By by September, there were forty registered Napster users. Um

0:15:55.280 --> 0:15:57.280
<v Speaker 1>and it was connecting a few hundred people at a

0:15:57.280 --> 0:15:59.880
<v Speaker 1>time at any given time. Right and by this time

0:16:00.040 --> 0:16:02.400
<v Speaker 1>on Parker has gone from being an I r C

0:16:02.560 --> 0:16:05.280
<v Speaker 1>buddy to a real life buddy and is working with

0:16:05.320 --> 0:16:08.720
<v Speaker 1>Fanning on this project. Uh. And and it was also

0:16:08.840 --> 0:16:13.520
<v Speaker 1>right around the same time that the Recording Industry Association

0:16:13.520 --> 0:16:16.200
<v Speaker 1>of America also known as the r I double A,

0:16:16.880 --> 0:16:21.320
<v Speaker 1>which represents five of the major music labels like we're

0:16:21.320 --> 0:16:24.400
<v Speaker 1>talking like the big big ones, the ones that own

0:16:24.480 --> 0:16:29.800
<v Speaker 1>everything else, essentially started to really tackle websites that were

0:16:29.840 --> 0:16:34.520
<v Speaker 1>hosting music files that were under copyright. So the r

0:16:34.560 --> 0:16:38.720
<v Speaker 1>I double A was actually actively seeking uh these sites

0:16:38.760 --> 0:16:42.120
<v Speaker 1>being taken down. Now, keep in mind Napsters circumventing all this.

0:16:42.280 --> 0:16:45.080
<v Speaker 1>It's no longer looking at websites that are hosting files.

0:16:45.080 --> 0:16:47.840
<v Speaker 1>It's looking directly at people's hard drives where there's the

0:16:47.880 --> 0:16:51.240
<v Speaker 1>shared folder. So while r I double A is going

0:16:51.280 --> 0:16:55.920
<v Speaker 1>after all these websites, Napster's doing you know, business like gangbusters.

0:16:55.960 --> 0:16:58.120
<v Speaker 1>And when I say business, it's not really business because

0:16:58.120 --> 0:17:01.360
<v Speaker 1>they weren't making money. Yeah, they had revenue generating scheme

0:17:01.360 --> 0:17:04.600
<v Speaker 1>at all. There was no way for Napster to make money.

0:17:04.720 --> 0:17:06.840
<v Speaker 1>It just that wasn't part of what was going on.

0:17:06.880 --> 0:17:10.080
<v Speaker 1>In fact, I'm not sure that was ever really part

0:17:10.200 --> 0:17:15.680
<v Speaker 1>of their their their original plan. Yeah, Originally it was

0:17:15.720 --> 0:17:18.400
<v Speaker 1>all just about sharing and that you know, they knew

0:17:18.440 --> 0:17:20.760
<v Speaker 1>that the service had value, but not in a way

0:17:20.800 --> 0:17:24.240
<v Speaker 1>that they could actually monetize. And although you know, they

0:17:24.280 --> 0:17:27.200
<v Speaker 1>were looking even in the early days, they were looking

0:17:27.240 --> 0:17:31.200
<v Speaker 1>at ways to to to get licenses from various music

0:17:31.240 --> 0:17:33.560
<v Speaker 1>labels where they be able to do things like sell

0:17:33.720 --> 0:17:37.560
<v Speaker 1>music files through napster Um as well as kind of

0:17:37.640 --> 0:17:40.960
<v Speaker 1>you know, diffuse the growing problem of the r I

0:17:41.000 --> 0:17:44.920
<v Speaker 1>double a looking out for or even later on they

0:17:44.920 --> 0:17:47.320
<v Speaker 1>were talking about, you know, trying to find a way

0:17:47.320 --> 0:17:51.760
<v Speaker 1>to count count these hits, count these downloads and and

0:17:51.920 --> 0:17:54.639
<v Speaker 1>tally them up and pay the recording artists and the

0:17:54.680 --> 0:17:57.480
<v Speaker 1>labels and all of that for the music. So, you know,

0:17:57.560 --> 0:17:59.600
<v Speaker 1>it's it's I think it's really important to mention that

0:17:59.640 --> 0:18:01.720
<v Speaker 1>because these these kids really weren't out there going like

0:18:01.760 --> 0:18:04.119
<v Speaker 1>we're gonna steal all the music, right. In fact, they

0:18:04.160 --> 0:18:06.320
<v Speaker 1>were just thinking like, this is a way to share

0:18:06.359 --> 0:18:09.159
<v Speaker 1>stuff and it's a tool for music discovery, which was

0:18:09.200 --> 0:18:11.200
<v Speaker 1>a that was a big deal too, was the idea

0:18:11.240 --> 0:18:13.680
<v Speaker 1>like it's it's getting harder and harder to discover music.

0:18:13.760 --> 0:18:17.520
<v Speaker 1>Radio stations might play the same like a couple dozen tracks,

0:18:17.800 --> 0:18:20.520
<v Speaker 1>technically obligated to pay the play the same like forty

0:18:20.560 --> 0:18:23.960
<v Speaker 1>tracks by their contracts. So how do you discover new

0:18:24.040 --> 0:18:27.080
<v Speaker 1>stuff If you don't have the luxury of flying off

0:18:27.080 --> 0:18:29.720
<v Speaker 1>to Amsterdam every few months to listen to a band play,

0:18:30.080 --> 0:18:32.520
<v Speaker 1>Then how do you discover new music? If you're not

0:18:32.640 --> 0:18:34.240
<v Speaker 1>you know, you may not live in a city that

0:18:34.280 --> 0:18:38.120
<v Speaker 1>has a vibrant music community. It makes it really difficult. So,

0:18:38.200 --> 0:18:40.639
<v Speaker 1>you know, although the record industry was doing fine, It's

0:18:40.680 --> 0:18:45.080
<v Speaker 1>profits raised eight percent over the previous year um by

0:18:45.240 --> 0:18:47.359
<v Speaker 1>by the end of the year, UM the R I

0:18:47.560 --> 0:18:51.200
<v Speaker 1>A filed lawsuit against Napster. Right right around that same time,

0:18:51.560 --> 0:18:56.600
<v Speaker 1>Napster hired its first non founding member named ali idar Uh.

0:18:56.680 --> 0:18:59.120
<v Speaker 1>And then right at right while that was going on,

0:18:59.600 --> 0:19:03.520
<v Speaker 1>our I Double A was really looking at Napster as

0:19:03.560 --> 0:19:06.760
<v Speaker 1>a true threat, like this was if if the websites

0:19:06.840 --> 0:19:11.120
<v Speaker 1>hosting a few music files were bad, Napster was Darth

0:19:11.200 --> 0:19:14.000
<v Speaker 1>Mader coming out to kill all the Jedi, and so

0:19:14.280 --> 0:19:16.879
<v Speaker 1>R I Double A really started to concentrate on him.

0:19:16.880 --> 0:19:22.480
<v Speaker 1>In fact called Napster a giant online pirate bazarre. That's bizarre,

0:19:22.520 --> 0:19:27.480
<v Speaker 1>b a z a R not bizarre, isn't strange um.

0:19:27.560 --> 0:19:30.560
<v Speaker 1>And so the thing was that as the R I

0:19:30.600 --> 0:19:33.320
<v Speaker 1>double A began to focus on Napster and all this

0:19:33.480 --> 0:19:37.800
<v Speaker 1>news broke about coming after Napster, that just made Napster's

0:19:37.800 --> 0:19:41.400
<v Speaker 1>profile go up even more, which meant more people discovered

0:19:41.440 --> 0:19:44.400
<v Speaker 1>the service, which meant that it actually got more popular

0:19:44.560 --> 0:19:48.240
<v Speaker 1>than ever before. Meanwhile, the R I double A was

0:19:48.280 --> 0:19:54.000
<v Speaker 1>specifically looking at charging Napster one hundred thousand dollars for

0:19:54.160 --> 0:19:58.840
<v Speaker 1>every copyrighted work that was infringed, which which is a bunch,

0:19:59.040 --> 0:20:01.760
<v Speaker 1>and that's a lot. And remember, this is a service

0:20:01.800 --> 0:20:05.720
<v Speaker 1>that grows incredibly every time someone new joins in, especially

0:20:05.720 --> 0:20:09.000
<v Speaker 1>if that person has files on their computer that wasn't

0:20:09.000 --> 0:20:13.400
<v Speaker 1>already spread across the entire uh Napster landscape. So if

0:20:13.520 --> 0:20:15.119
<v Speaker 1>you know, if I join on and I happen to

0:20:15.119 --> 0:20:20.120
<v Speaker 1>have my Tibetan Throat Singing Magical CD that nobody else

0:20:20.119 --> 0:20:21.879
<v Speaker 1>in the whole world owns, and it happens to be

0:20:21.920 --> 0:20:24.800
<v Speaker 1>on my computer, then suddenly I am of more value

0:20:24.800 --> 0:20:28.280
<v Speaker 1>than Napster because there's new stuff that no one had,

0:20:28.359 --> 0:20:31.280
<v Speaker 1>no else has yet. If I happen to have Dave

0:20:31.320 --> 0:20:33.800
<v Speaker 1>Matthew's greatest hits, there's a chance that was already covered

0:20:33.800 --> 0:20:37.480
<v Speaker 1>on Napster. Um, I don't have that album. By the way,

0:20:37.960 --> 0:20:42.000
<v Speaker 1>I'm very proud of you. I'm not I'm not passing

0:20:42.040 --> 0:20:47.240
<v Speaker 1>any judgment. I'm just saying so, uh, yeah, well that

0:20:47.320 --> 0:20:51.040
<v Speaker 1>was fun. But yeah. Here's something that Eileen Richardson specifically

0:20:51.119 --> 0:20:53.359
<v Speaker 1>had to say about Napster, and this comes from an

0:20:53.400 --> 0:20:57.840
<v Speaker 1>interview she did with Salon where this was after Metallica,

0:20:57.920 --> 0:21:00.919
<v Speaker 1>after after Lars Alric himself, it came by and dropped

0:21:00.960 --> 0:21:03.560
<v Speaker 1>off this this huge lawsuit because it wasn't just r

0:21:03.600 --> 0:21:06.919
<v Speaker 1>I double A that came after Napster. Individual labels and

0:21:06.960 --> 0:21:11.720
<v Speaker 1>bands also came after Napster. And uh and so she said,

0:21:11.880 --> 0:21:14.720
<v Speaker 1>I think and then in brackets because this is not

0:21:14.760 --> 0:21:17.679
<v Speaker 1>exactly what she said, but Metallica and the recording industries

0:21:17.840 --> 0:21:21.399
<v Speaker 1>actions are based on a lack of knowledge and fear.

0:21:21.760 --> 0:21:24.639
<v Speaker 1>When you're afraid of something that you don't understand, you react,

0:21:24.880 --> 0:21:27.800
<v Speaker 1>usually with the lawsuit. But over time, and we see

0:21:27.800 --> 0:21:32.200
<v Speaker 1>this absolutely every single day, everybody's learning. We're learning about

0:21:32.200 --> 0:21:35.840
<v Speaker 1>the music industry. They're learning about the Internet. I'm confident

0:21:35.880 --> 0:21:39.080
<v Speaker 1>that we'll get there together. Now. As it turns out,

0:21:39.200 --> 0:21:43.960
<v Speaker 1>her words were not quite prophetic. She was giving a

0:21:44.040 --> 0:21:46.919
<v Speaker 1>little too much credit, I think to all sides on

0:21:46.960 --> 0:21:49.080
<v Speaker 1>this issue. I don't mean to paint the r I

0:21:49.160 --> 0:21:52.600
<v Speaker 1>double A as being this evil uh entity. They were

0:21:52.640 --> 0:21:56.920
<v Speaker 1>looking out for their interests in a very very passionate way.

0:21:57.320 --> 0:21:59.520
<v Speaker 1>I meanwhile, Napster was looking out for their interests in

0:21:59.560 --> 0:22:01.840
<v Speaker 1>a very way. I think that everyone involved was being

0:22:01.840 --> 0:22:05.359
<v Speaker 1>a little bit shortsighted about exactly what needed to happen. Yeah. No,

0:22:05.560 --> 0:22:08.800
<v Speaker 1>but there is no doubt that the music industry had

0:22:08.880 --> 0:22:11.760
<v Speaker 1>not really figured out the Internet yet, in fact, because

0:22:11.800 --> 0:22:14.600
<v Speaker 1>no one had a music store that was really of

0:22:15.160 --> 0:22:18.680
<v Speaker 1>any true utility at this point. And so that's why

0:22:19.000 --> 0:22:21.040
<v Speaker 1>when you have a service that allows people to get

0:22:21.040 --> 0:22:24.280
<v Speaker 1>what they want, they go to it. Whether that's piracy

0:22:24.320 --> 0:22:27.680
<v Speaker 1>service or if it's one that's legitimate, doesn't matter. If

0:22:27.680 --> 0:22:29.480
<v Speaker 1>you give the people what they want, that's where they're

0:22:29.480 --> 0:22:32.480
<v Speaker 1>gonna go. And the music industry had not yet figured

0:22:32.520 --> 0:22:34.800
<v Speaker 1>out how to give the people what they wanted, and

0:22:34.880 --> 0:22:37.480
<v Speaker 1>so that was the problem. By the way, I still

0:22:37.520 --> 0:22:39.640
<v Speaker 1>remember the days when I would actually want to buy

0:22:39.640 --> 0:22:42.600
<v Speaker 1>an album because I like the album experience. But even

0:22:42.640 --> 0:22:44.359
<v Speaker 1>at this point in the nineties, I was one of

0:22:44.359 --> 0:22:46.199
<v Speaker 1>these people. I was one of the people saying, I

0:22:46.200 --> 0:22:48.199
<v Speaker 1>don't want to buy an entire album. I just like

0:22:48.240 --> 0:22:52.480
<v Speaker 1>this one song, and you know, and I can't think

0:22:52.560 --> 0:22:55.679
<v Speaker 1>of the last time besides like a soundtrack to a

0:22:55.760 --> 0:22:58.800
<v Speaker 1>musical because jazz hands, I can't think of the last

0:22:58.840 --> 0:23:01.200
<v Speaker 1>time I sat down and listen and to an album

0:23:01.240 --> 0:23:03.880
<v Speaker 1>from start to finish. That's that's actually how I kind

0:23:03.880 --> 0:23:05.840
<v Speaker 1>of usually do it myself. If if I have like

0:23:05.880 --> 0:23:07.720
<v Speaker 1>an artist well enough, I'll buy the album and sit

0:23:07.760 --> 0:23:10.520
<v Speaker 1>down and listen to it several times through. Actually, but

0:23:10.560 --> 0:23:12.159
<v Speaker 1>it's been a long time I've done that with They

0:23:12.200 --> 0:23:15.240
<v Speaker 1>might be giants, I've done that with them, But it's

0:23:15.720 --> 0:23:19.880
<v Speaker 1>Jonathan Colton but and Marian call but beyond like a

0:23:19.880 --> 0:23:23.600
<v Speaker 1>few artists, I just don't like fun No, I just

0:23:23.640 --> 0:23:26.560
<v Speaker 1>went out and bought the one, the one that everyone

0:23:26.560 --> 0:23:31.000
<v Speaker 1>listens to. But anyway, getting back to to Napster, and

0:23:31.080 --> 0:23:35.640
<v Speaker 1>around two thousand and they secured around of funding from

0:23:35.840 --> 0:23:40.879
<v Speaker 1>Hummer wind Bald, which installed a man named Hank Barry

0:23:41.040 --> 0:23:44.199
<v Speaker 1>as the CEO of Napster. Again, another interim CEO, so

0:23:44.680 --> 0:23:47.920
<v Speaker 1>Hank Berry takes over for Eileen Richardson in two thousand

0:23:48.359 --> 0:23:50.840
<v Speaker 1>and his main concern was to try and resolve the

0:23:50.920 --> 0:23:53.280
<v Speaker 1>legal issues that had popped up between Napster and the

0:23:53.359 --> 0:23:56.480
<v Speaker 1>r I double A. Uh and other people on his

0:23:56.560 --> 0:23:59.920
<v Speaker 1>management team took over the day to day executive decisions

0:24:00.040 --> 0:24:04.919
<v Speaker 1>of keeping the company going. So really, uh, Hank Barry

0:24:05.040 --> 0:24:07.840
<v Speaker 1>was just looking at the legal issues, not not how

0:24:07.880 --> 0:24:10.040
<v Speaker 1>to operate the company. Yeah, yeah, sure, but yeah, you know,

0:24:10.080 --> 0:24:12.640
<v Speaker 1>it's when you've got people like Dr Dre talking directly

0:24:12.640 --> 0:24:15.639
<v Speaker 1>to you about lawsuits, then you start yeah. Well, and

0:24:15.640 --> 0:24:18.320
<v Speaker 1>there were some there there were some artists who were

0:24:19.200 --> 0:24:22.680
<v Speaker 1>coming out in defense Limp Biscuit Offspring. I think Chuck

0:24:22.720 --> 0:24:27.280
<v Speaker 1>d was, Yes, he was. He was also a big

0:24:27.440 --> 0:24:31.840
<v Speaker 1>supporter of Napster um. Yeah, yeah, that was so, so

0:24:31.880 --> 0:24:34.760
<v Speaker 1>there were artists on either side of the issue. Obviously.

0:24:35.400 --> 0:24:38.240
<v Speaker 1>Two thousand was also when this was another thing that

0:24:38.400 --> 0:24:42.239
<v Speaker 1>got Napster a ton of publicity, when colleges started to

0:24:42.359 --> 0:24:46.199
<v Speaker 1>ban Napster. Yeah. Something I think that I read a

0:24:46.200 --> 0:24:49.320
<v Speaker 1>figure that's something like colleges. It was around across the US,

0:24:49.400 --> 0:24:51.840
<v Speaker 1>It was around in March of two thousand. By March

0:24:51.880 --> 0:24:54.040
<v Speaker 1>of two thousand, it was about a hundred thirty universities,

0:24:54.080 --> 0:24:56.760
<v Speaker 1>but more would join uh and and it was also

0:24:56.840 --> 0:25:00.800
<v Speaker 1>their biggest period of activity. They had upward of seventy

0:25:00.880 --> 0:25:03.400
<v Speaker 1>million registered users. Yeah, and around two and a half

0:25:03.480 --> 0:25:06.680
<v Speaker 1>million people connected at any one time. So so keep

0:25:06.720 --> 0:25:09.520
<v Speaker 1>in mind these servers could only handle a certain number

0:25:09.560 --> 0:25:12.320
<v Speaker 1>of connections. They had more than one server. But in

0:25:12.359 --> 0:25:14.719
<v Speaker 1>the early days, if you wanted to use the service,

0:25:14.760 --> 0:25:17.679
<v Speaker 1>you would connect to the server, and then about up

0:25:17.680 --> 0:25:20.760
<v Speaker 1>to around four thousand, nine nine nine other people could

0:25:20.800 --> 0:25:23.720
<v Speaker 1>connect to that same server at the same time. Uh

0:25:23.800 --> 0:25:26.640
<v Speaker 1>some of the service could handle larger loads than others,

0:25:26.720 --> 0:25:28.400
<v Speaker 1>but you know, the more you would put in there,

0:25:28.440 --> 0:25:32.200
<v Speaker 1>the slower the whole service would go. So you would

0:25:32.280 --> 0:25:34.520
<v Speaker 1>you would be connected to a server along with thousands

0:25:34.560 --> 0:25:38.159
<v Speaker 1>of other people, which meant that you were limited to

0:25:38.280 --> 0:25:40.840
<v Speaker 1>whatever those other people had in their share folders. Right,

0:25:41.880 --> 0:25:45.680
<v Speaker 1>so not every music file in the world is available

0:25:45.720 --> 0:25:48.080
<v Speaker 1>at any given time. It all depends upon who is

0:25:48.080 --> 0:25:52.160
<v Speaker 1>connected to the service at that moment. Uh And. Originally

0:25:52.400 --> 0:25:55.680
<v Speaker 1>each server was kind of its own independent world and

0:25:55.760 --> 0:25:57.639
<v Speaker 1>independent on you know, just when you signed in with

0:25:57.760 --> 0:25:59.840
<v Speaker 1>what server you would hit rend and who else would

0:25:59.840 --> 0:26:01.719
<v Speaker 1>be in there, you know. But at this time they

0:26:01.760 --> 0:26:03.959
<v Speaker 1>were running about a hundred and forty servers I think

0:26:03.960 --> 0:26:07.040
<v Speaker 1>it's the estimate. And ultimately what their goal was was

0:26:07.080 --> 0:26:09.560
<v Speaker 1>to link all the servers together so that way, if

0:26:09.680 --> 0:26:12.600
<v Speaker 1>I linked to server A and Lauren linked to server B,

0:26:13.119 --> 0:26:15.359
<v Speaker 1>they we would still be able to exchange files. Now,

0:26:15.359 --> 0:26:17.800
<v Speaker 1>in the early days, that was impossible. We would both

0:26:17.840 --> 0:26:19.919
<v Speaker 1>need to be on server A or both be on

0:26:19.960 --> 0:26:23.560
<v Speaker 1>server B for that to work. Uh So anyway, uh,

0:26:23.720 --> 0:26:27.080
<v Speaker 1>the universities and colleges also began to notice that that

0:26:27.280 --> 0:26:31.720
<v Speaker 1>uploads were the upload spies were really dying on campus

0:26:31.720 --> 0:26:34.560
<v Speaker 1>because people people were using the service, and that, um

0:26:34.600 --> 0:26:36.359
<v Speaker 1>I think I think that by it might have been

0:26:36.359 --> 0:26:39.520
<v Speaker 1>in two thousand one of January, Indiana University noticed that

0:26:39.600 --> 0:26:44.880
<v Speaker 1>up to of its network resources were being used by Napster. Yeah. Yeah,

0:26:44.920 --> 0:26:49.560
<v Speaker 1>And Oxford University really suffered because here's the thing about

0:26:49.560 --> 0:26:53.560
<v Speaker 1>Oxford University. They had to pay for any data transferrals

0:26:53.600 --> 0:26:56.840
<v Speaker 1>that were transatlantic, So any files that were passing over

0:26:56.920 --> 0:27:00.360
<v Speaker 1>the cables that go underneath the ocean that can did

0:27:01.119 --> 0:27:05.399
<v Speaker 1>Europe to North America. Yeah, so that they had to

0:27:05.400 --> 0:27:07.880
<v Speaker 1>pay per bite, a certain amount per bite for that.

0:27:08.160 --> 0:27:11.399
<v Speaker 1>So people on the Oxford campus who were using Napster,

0:27:11.480 --> 0:27:15.440
<v Speaker 1>and we're downloading files directly from computers in the USA.

0:27:15.720 --> 0:27:19.399
<v Speaker 1>We're really driving that up. Yeah, it would have been

0:27:19.480 --> 0:27:22.199
<v Speaker 1>less expensive to have just bought the students the CDs,

0:27:22.400 --> 0:27:24.399
<v Speaker 1>right if if if the college had gone out to

0:27:24.680 --> 0:27:28.880
<v Speaker 1>a music store and just filled up four hundred carts

0:27:28.880 --> 0:27:30.480
<v Speaker 1>with CDs and brought it back to the campus, it

0:27:30.480 --> 0:27:33.960
<v Speaker 1>would have been less expensive. Um. Yeah. And and so

0:27:35.400 --> 0:27:38.720
<v Speaker 1>this was also around the time when uh, this was

0:27:38.840 --> 0:27:42.520
<v Speaker 1>mainly Eileen Richardson's influence here where they were looking at

0:27:42.600 --> 0:27:46.680
<v Speaker 1>incorporating more social tools in Napster, things like instant messenger,

0:27:46.840 --> 0:27:51.240
<v Speaker 1>chat rooms, yeah, irc stuff that they were also found out. Yeah.

0:27:51.240 --> 0:27:53.280
<v Speaker 1>And again this was an idea to kind of help

0:27:53.440 --> 0:27:56.760
<v Speaker 1>users discover new music and learn more about the stuff

0:27:56.800 --> 0:27:59.880
<v Speaker 1>that they're interested in. Uh. And so it was really

0:28:00.040 --> 0:28:02.760
<v Speaker 1>coming a social platform at the same time as it

0:28:02.840 --> 0:28:07.560
<v Speaker 1>was under fire from the industry. Um. And so we're

0:28:07.560 --> 0:28:10.200
<v Speaker 1>getting now to the point where we need to take

0:28:10.200 --> 0:28:12.960
<v Speaker 1>a quick break. But before I say that, remember even

0:28:12.960 --> 0:28:16.840
<v Speaker 1>at this point where Napster's going crazy with huge amounts

0:28:16.840 --> 0:28:20.040
<v Speaker 1>of traffic, remember it, at this stage it's the most

0:28:20.080 --> 0:28:22.760
<v Speaker 1>popular web service that has ever existed. It would be

0:28:22.840 --> 0:28:26.640
<v Speaker 1>dwarfed by things like Facebook in the future. But this,

0:28:26.000 --> 0:28:29.520
<v Speaker 1>this is before Facebook at the time, connecting you know,

0:28:29.920 --> 0:28:34.040
<v Speaker 1>a few million people simultaneously. That was a big deal. Yeah,

0:28:34.080 --> 0:28:38.240
<v Speaker 1>so so huge deal. Still not any way to generate revenue.

0:28:38.640 --> 0:28:41.480
<v Speaker 1>But let's take a quick break, all right, and now

0:28:41.560 --> 0:28:44.520
<v Speaker 1>let's get back to naps here. Alright, So, so two

0:28:44.600 --> 0:28:48.120
<v Speaker 1>thousand's coming gone. We're into two thousand and one, and

0:28:48.360 --> 0:28:53.440
<v Speaker 1>Napster receives an order to shut down. Uh, this is

0:28:53.480 --> 0:28:57.800
<v Speaker 1>an order core order to shut down its services because

0:28:58.320 --> 0:29:01.320
<v Speaker 1>the r I double A has said that napster is

0:29:01.800 --> 0:29:06.160
<v Speaker 1>complicit in copyright infringement suits. It's not just that it

0:29:06.400 --> 0:29:10.400
<v Speaker 1>is a service, it is actively helping people copyright. That's

0:29:10.440 --> 0:29:12.280
<v Speaker 1>essentially what it would have to be for it to

0:29:12.680 --> 0:29:15.200
<v Speaker 1>get around this whole d m C a safe harbor issue,

0:29:15.480 --> 0:29:18.360
<v Speaker 1>and that's a debatable thing. But the judge kind of

0:29:18.400 --> 0:29:21.920
<v Speaker 1>sided with the music industry. Uh, there was a stay

0:29:22.040 --> 0:29:24.640
<v Speaker 1>in the order to two days later. In fact, I

0:29:24.680 --> 0:29:27.600
<v Speaker 1>think a stay was enacted, right, so they didn't have

0:29:27.720 --> 0:29:32.320
<v Speaker 1>to shut down immediately. However, not that much longer, they

0:29:32.320 --> 0:29:34.720
<v Speaker 1>would get another order to shut down and they actually

0:29:34.760 --> 0:29:37.200
<v Speaker 1>would have to do it, uh, and they received right

0:29:37.200 --> 0:29:40.479
<v Speaker 1>around the same time during that stay, they received like

0:29:40.600 --> 0:29:45.320
<v Speaker 1>sixty million dollars investment money from Bert Bertlesman, of course,

0:29:45.360 --> 0:29:49.160
<v Speaker 1>being a giant multimedia company that in fact owned a

0:29:49.160 --> 0:29:51.440
<v Speaker 1>bunch of the companies that were participating in a lawsuit

0:29:51.440 --> 0:29:53.640
<v Speaker 1>against Napster. Yeah, so you have to understand, Okay, So

0:29:53.720 --> 0:29:58.400
<v Speaker 1>Burlsman is this mega multimedia company based out of Germany,

0:29:58.560 --> 0:30:01.080
<v Speaker 1>all right, and it owns lots and lots of stuff,

0:30:01.120 --> 0:30:04.680
<v Speaker 1>lots of different divisions, and these different divisions don't necessarily

0:30:04.680 --> 0:30:07.080
<v Speaker 1>talk to each other. So one division sits there and

0:30:07.120 --> 0:30:09.440
<v Speaker 1>sees Napster and sees lots of potential in it as

0:30:09.480 --> 0:30:13.720
<v Speaker 1>turning it into a revenue generating service. Another division that

0:30:13.760 --> 0:30:16.160
<v Speaker 1>has nothing to do with that first division is seeing

0:30:16.240 --> 0:30:19.520
<v Speaker 1>Napster as the pirate that is killing its business and

0:30:19.520 --> 0:30:21.960
<v Speaker 1>it needs to go after it. Well I think that really,

0:30:22.080 --> 0:30:24.480
<v Speaker 1>I mean, I think it was extremely savvy of Bertlesman

0:30:24.520 --> 0:30:27.360
<v Speaker 1>to be investing in them at the time, because they

0:30:27.360 --> 0:30:28.680
<v Speaker 1>were looking at it and they were going, this is

0:30:28.680 --> 0:30:31.320
<v Speaker 1>potentially the future. This is how they if you know,

0:30:31.360 --> 0:30:34.360
<v Speaker 1>what they're doing right now is crappy for us. But

0:30:34.440 --> 0:30:37.240
<v Speaker 1>if people people are excited about music, and that's great,

0:30:37.400 --> 0:30:39.520
<v Speaker 1>I think, and if we can monetize that. I think

0:30:39.520 --> 0:30:42.280
<v Speaker 1>Bertlesman would argue that retroactively, it was not a savvy

0:30:42.320 --> 0:30:45.720
<v Speaker 1>move at all. Okay, well sure, but but you know,

0:30:45.800 --> 0:30:49.000
<v Speaker 1>they saw that where the future was going. Unfortunately, was

0:30:49.040 --> 0:30:52.120
<v Speaker 1>the wrong time to implement it, because it just turned

0:30:52.120 --> 0:30:54.800
<v Speaker 1>out that the the the hornets Nest that had been

0:30:54.840 --> 0:31:00.000
<v Speaker 1>stirred up was so great as to totally derail any

0:31:00.000 --> 0:31:04.880
<v Speaker 1>efforts in turning Napster into a quote unquote legitimate revenue

0:31:04.920 --> 0:31:11.160
<v Speaker 1>generator service. Right, yeah, Well they installed Conrad Hilbert's as

0:31:11.160 --> 0:31:16.640
<v Speaker 1>so hank Berry steps aside. Meanwhile, like just just as

0:31:16.720 --> 0:31:20.440
<v Speaker 1>Conrad Hilberts was taking over, hank Berry had just gone

0:31:20.480 --> 0:31:24.840
<v Speaker 1>before Congress and asked Congress to to form some sort

0:31:24.840 --> 0:31:29.760
<v Speaker 1>of industry wide license agreement for Internet broadcast similar to

0:31:29.800 --> 0:31:34.080
<v Speaker 1>what radio has. And his his argument was that really,

0:31:34.240 --> 0:31:37.640
<v Speaker 1>we're just another distribution platform just like radio, so really

0:31:37.680 --> 0:31:41.040
<v Speaker 1>we should we should have the same opportunity to license

0:31:41.160 --> 0:31:44.040
<v Speaker 1>music the way radio does. The problem with the problem

0:31:44.040 --> 0:31:47.479
<v Speaker 1>with establishing a license for every single file is that

0:31:47.600 --> 0:31:51.200
<v Speaker 1>it's impossible to do because take take a take a

0:31:51.880 --> 0:31:55.800
<v Speaker 1>typical album, that album might have multiple producers, on it,

0:31:56.120 --> 0:31:59.680
<v Speaker 1>and each producer has some level of ownership of the

0:31:59.680 --> 0:32:01.560
<v Speaker 1>track that are on that album. Then you have the

0:32:01.680 --> 0:32:04.480
<v Speaker 1>artists and they also have some ownership on the tracks

0:32:04.480 --> 0:32:07.200
<v Speaker 1>on that album, the composition and of actual performance. Right,

0:32:07.360 --> 0:32:11.560
<v Speaker 1>So securing a license from every single copy like everyone

0:32:11.560 --> 0:32:14.800
<v Speaker 1>who owns part of that content, it's impossible, you know.

0:32:14.840 --> 0:32:17.840
<v Speaker 1>He was saying that for one album, you might have

0:32:17.960 --> 0:32:21.720
<v Speaker 1>to secure hundreds of licenses just to be able to

0:32:21.760 --> 0:32:24.280
<v Speaker 1>have that one album, and then you multiplay that across

0:32:24.360 --> 0:32:28.320
<v Speaker 1>the hundreds of thousands of albums that have always existed

0:32:28.360 --> 0:32:30.080
<v Speaker 1>in the new ones that are coming out every year,

0:32:30.440 --> 0:32:33.040
<v Speaker 1>and you have an impossible situation. There's no way to

0:32:33.280 --> 0:32:37.160
<v Speaker 1>legally follow that rule. So what needs to happen is

0:32:37.200 --> 0:32:42.200
<v Speaker 1>a new legal way. He wasn't arguing, He wasn't arguing

0:32:42.240 --> 0:32:44.840
<v Speaker 1>for for piracy. He was just arguing for a new

0:32:45.040 --> 0:32:47.880
<v Speaker 1>legal means to license music, and that was getting really

0:32:47.920 --> 0:32:50.560
<v Speaker 1>bogged down in Congress. So then he ends up stepping

0:32:50.560 --> 0:32:56.160
<v Speaker 1>aside and uh and Conrad Hilbert takes over. Um. Conrad

0:32:56.200 --> 0:32:59.480
<v Speaker 1>didn't have a whole long time to operate Napster before

0:33:00.240 --> 0:33:03.440
<v Speaker 1>it got shut down. That was an on June eleven,

0:33:03.560 --> 0:33:06.240
<v Speaker 1>two thousand one, that's when Napster shut off its service.

0:33:06.680 --> 0:33:10.440
<v Speaker 1>It still existed as a corporate entity, and it started

0:33:10.440 --> 0:33:13.800
<v Speaker 1>to really concentrate on finding a way to create a

0:33:13.960 --> 0:33:18.320
<v Speaker 1>legal music distribution service. And I say legal with air

0:33:18.400 --> 0:33:22.040
<v Speaker 1>quotes around it, because Napster again would be arguing that

0:33:22.120 --> 0:33:26.320
<v Speaker 1>what they did was they were safe harbor. They were

0:33:26.320 --> 0:33:29.120
<v Speaker 1>only connecting people to do illegal things, right, and that

0:33:29.120 --> 0:33:31.080
<v Speaker 1>that wasn't even the purpose of Napster. The purpose of

0:33:31.120 --> 0:33:34.480
<v Speaker 1>Nabster was sharing music, and that that you know, it's

0:33:34.520 --> 0:33:37.280
<v Speaker 1>the fact that people were using it to share music illegally.

0:33:37.400 --> 0:33:40.680
<v Speaker 1>That wasn't Napster's fault. And you can argue whether or

0:33:40.720 --> 0:33:44.200
<v Speaker 1>not that's naive or sincere. That's not really our place

0:33:44.240 --> 0:33:46.719
<v Speaker 1>to do that. I mean you could certainly, you certainly

0:33:46.720 --> 0:33:50.000
<v Speaker 1>could have used Napster in a perfectly legal means if

0:33:50.040 --> 0:33:53.880
<v Speaker 1>an artist had given full full permission, like I want this,

0:33:54.040 --> 0:33:56.360
<v Speaker 1>you can distribute this any way you like. I have

0:33:56.600 --> 0:33:59.840
<v Speaker 1>no I release all claim to it otherwise I just

0:34:00.000 --> 0:34:02.239
<v Speaker 1>want my music out there, then it would have been

0:34:02.240 --> 0:34:06.440
<v Speaker 1>perfectly legal to to distribute that across Napster. It was

0:34:06.440 --> 0:34:08.319
<v Speaker 1>the problem. The problem was there were people doing that

0:34:08.360 --> 0:34:11.279
<v Speaker 1>with stuff where that what they didn't have that, They

0:34:11.280 --> 0:34:13.120
<v Speaker 1>did not have that permission yet. Now you could ask,

0:34:13.520 --> 0:34:17.360
<v Speaker 1>how is this different from taking my copy of a

0:34:17.400 --> 0:34:21.319
<v Speaker 1>CD that I've bought, making a copy and giving it. Yeah,

0:34:21.400 --> 0:34:23.720
<v Speaker 1>all I've done is just changed the way that Lauren

0:34:23.800 --> 0:34:27.280
<v Speaker 1>has has received that music. And is it my fault

0:34:27.320 --> 0:34:31.400
<v Speaker 1>that Lauren and maybe two point four million people I

0:34:31.480 --> 0:34:35.399
<v Speaker 1>don't know got that music track I don't know? Um,

0:34:35.640 --> 0:34:39.480
<v Speaker 1>so it got really complex. Yeah. Yeah. So then the

0:34:39.719 --> 0:34:42.200
<v Speaker 1>next note that I have is in two two when um,

0:34:42.239 --> 0:34:46.000
<v Speaker 1>the you know, the company was was still shuttered but working,

0:34:46.160 --> 0:34:48.400
<v Speaker 1>um and they entered into a beta test of a

0:34:48.440 --> 0:34:52.759
<v Speaker 1>secure file trading network that January. Yeah, and uh, and

0:34:53.080 --> 0:34:56.800
<v Speaker 1>that was it was something they were really seriously working

0:34:56.800 --> 0:34:58.560
<v Speaker 1>on at the same time as trying to figure out

0:34:58.600 --> 0:35:03.080
<v Speaker 1>a way to stay evolve the growing financial problems they

0:35:03.120 --> 0:35:06.239
<v Speaker 1>were facing as a result of these lawsuits. Yeah. Yeah,

0:35:06.239 --> 0:35:09.279
<v Speaker 1>they were so serious. But as a February Burtlesman just

0:35:09.360 --> 0:35:11.120
<v Speaker 1>kind of offered to buy the company I think for

0:35:11.120 --> 0:35:14.080
<v Speaker 1>for like like twenty million, like not not a whole lot.

0:35:14.160 --> 0:35:16.480
<v Speaker 1>It was it was in addition to it was addition,

0:35:16.760 --> 0:35:19.120
<v Speaker 1>in addition to the money they had already invested into

0:35:19.160 --> 0:35:24.239
<v Speaker 1>the company, which was million I think I could be,

0:35:24.440 --> 0:35:25.839
<v Speaker 1>I could be. You know, there are a lot of

0:35:25.880 --> 0:35:28.400
<v Speaker 1>interesting reports on this, so it's kind of hard to follow.

0:35:28.800 --> 0:35:31.600
<v Speaker 1>It's a little bit timmy why yeah, exactly, whibbly wobbly.

0:35:31.960 --> 0:35:36.280
<v Speaker 1>In May two thousand two, Sean Fanning and Conrad Hilbert's

0:35:36.320 --> 0:35:41.160
<v Speaker 1>both resigned, right. This was John Fanning, you know, kind

0:35:41.160 --> 0:35:43.279
<v Speaker 1>of tried to organize a coup. From the way that

0:35:43.320 --> 0:35:45.880
<v Speaker 1>I read it, he was he was trying to oust

0:35:46.160 --> 0:35:51.040
<v Speaker 1>uh Hummer and Hank Berry and all the venture capitalists

0:35:51.080 --> 0:35:53.560
<v Speaker 1>and and there was all of this in fighting within

0:35:53.600 --> 0:35:57.400
<v Speaker 1>the company going on. Fanning eventually filed a lawsuit to

0:35:57.440 --> 0:36:00.000
<v Speaker 1>have Berry and Hummer dismissed from the board of directors.

0:36:00.040 --> 0:36:02.560
<v Speaker 1>It was thrown out of court. But but but yeah,

0:36:02.719 --> 0:36:05.640
<v Speaker 1>as of many things have gotten so bad that um

0:36:05.680 --> 0:36:09.600
<v Speaker 1>that Sean Fanning he quits. Yeah. Yeah. And another interesting

0:36:09.640 --> 0:36:12.719
<v Speaker 1>note is that Sean Fanning apparently never drew more than

0:36:12.800 --> 0:36:15.880
<v Speaker 1>just a regular like paycheck. Yeah. Yeah. His paycheck was

0:36:15.920 --> 0:36:18.880
<v Speaker 1>just it was like a middle of the company type

0:36:18.880 --> 0:36:21.360
<v Speaker 1>of paycheck. After after founding it, he worked as he

0:36:21.400 --> 0:36:23.359
<v Speaker 1>worked as a grant as a coder. Yeah. In fact,

0:36:23.360 --> 0:36:26.200
<v Speaker 1>he apparently started getting into trouble because he was getting

0:36:26.239 --> 0:36:29.400
<v Speaker 1>so many requests for interviews back when Napster was really

0:36:29.400 --> 0:36:32.480
<v Speaker 1>in the news for all this this legal battle stuff.

0:36:32.640 --> 0:36:34.919
<v Speaker 1>He was getting so many requests for interviews. He wasn't

0:36:34.920 --> 0:36:39.359
<v Speaker 1>able to meet his his coding uh responsibilities, and he

0:36:39.400 --> 0:36:42.040
<v Speaker 1>started getting in trouble from his boss. Keeping in mind,

0:36:42.080 --> 0:36:44.520
<v Speaker 1>he's the guy who built the tool. Yeah, he's the

0:36:44.520 --> 0:36:47.080
<v Speaker 1>guy who kind of technically hired his boss. So and

0:36:47.120 --> 0:36:50.000
<v Speaker 1>now his boss is like, you kind of need to um,

0:36:50.120 --> 0:36:52.319
<v Speaker 1>you kinda need to get back to work, buddy, Yeah,

0:36:52.360 --> 0:36:55.319
<v Speaker 1>but but so so um Napster denied this sale to

0:36:55.320 --> 0:37:00.359
<v Speaker 1>Bertlesman um, and it kind of just sort of dies there,

0:37:00.760 --> 0:37:03.920
<v Speaker 1>collapsed like a flawn in a cupboard and nice and

0:37:04.080 --> 0:37:05.839
<v Speaker 1>that it was trapped like a moth in a bath.

0:37:06.200 --> 0:37:09.120
<v Speaker 1>At that point, there were also the major labels were

0:37:09.160 --> 0:37:12.880
<v Speaker 1>trying to launch their own services. One of them was

0:37:12.920 --> 0:37:17.440
<v Speaker 1>called press Play, which was launched in I think around

0:37:17.440 --> 0:37:19.960
<v Speaker 1>two thousand two and it ended in two thousand three.

0:37:20.920 --> 0:37:23.520
<v Speaker 1>Another one was called music Net, which was also a failure.

0:37:23.880 --> 0:37:27.720
<v Speaker 1>And the problem was that buying music from these services

0:37:27.760 --> 0:37:32.080
<v Speaker 1>was often more trouble than what people thought it was worth. Again,

0:37:32.320 --> 0:37:35.560
<v Speaker 1>it was not. It became easier to pirate music than

0:37:35.600 --> 0:37:37.839
<v Speaker 1>it was to buy it, and if it's easier, people

0:37:37.840 --> 0:37:39.960
<v Speaker 1>will do it, and and other other companies like a

0:37:40.080 --> 0:37:42.760
<v Speaker 1>Kaza and things like that were popping up. Yeah, so

0:37:42.760 --> 0:37:45.120
<v Speaker 1>so you had new Tela as well, you had other

0:37:45.160 --> 0:37:48.880
<v Speaker 1>file sharing uh services out there. They were picking up

0:37:48.880 --> 0:37:52.640
<v Speaker 1>where Napster had dropped off. And so there were there

0:37:52.640 --> 0:37:55.480
<v Speaker 1>were a lot of casualties in this whole rise and

0:37:55.520 --> 0:37:57.520
<v Speaker 1>fall of Napster. And you'll keep in mind this is

0:37:57.600 --> 0:38:02.680
<v Speaker 1>just to two thousand two, and um, yeah, yeah, it happened.

0:38:02.680 --> 0:38:05.239
<v Speaker 1>I had no idea when we started doing this had

0:38:05.239 --> 0:38:07.640
<v Speaker 1>happened that fast. Because of such a huge name, right,

0:38:07.680 --> 0:38:09.600
<v Speaker 1>you just expect that it had at least a decade

0:38:09.640 --> 0:38:11.560
<v Speaker 1>worth of life. And of course we'll get into what

0:38:11.680 --> 0:38:14.520
<v Speaker 1>Napster is now in just a minute. But besides the

0:38:14.600 --> 0:38:17.520
<v Speaker 1>fact that you had Fanning who never drew anything more

0:38:17.520 --> 0:38:21.640
<v Speaker 1>than just a regular salary, Eileen Richardson had a huge

0:38:21.719 --> 0:38:26.200
<v Speaker 1>career setback. Business Week ran an article that essentially said

0:38:26.239 --> 0:38:28.520
<v Speaker 1>that all of the legal problems were mainly due to

0:38:28.600 --> 0:38:31.319
<v Speaker 1>the way Richardson was running the company, which was not

0:38:31.560 --> 0:38:34.359
<v Speaker 1>entirely accurate. I'm not very fair to her. Yeah, how

0:38:34.360 --> 0:38:36.120
<v Speaker 1>she was running the company and how she was marketing

0:38:36.160 --> 0:38:38.959
<v Speaker 1>everything because she was she was very like like free

0:38:38.960 --> 0:38:43.200
<v Speaker 1>love about the music. And but yeah, apparently that that

0:38:43.200 --> 0:38:47.560
<v Speaker 1>that hit her pretty hard. And also the Bertelsman CEO,

0:38:47.920 --> 0:38:53.320
<v Speaker 1>Thomas Milhoff, was was replaced. He was replaced by another

0:38:53.360 --> 0:38:56.840
<v Speaker 1>CEO when that Napster deal was went so sour, and

0:38:56.840 --> 0:38:59.680
<v Speaker 1>plus the economy itself began to really crumble because keep

0:38:59.680 --> 0:39:03.680
<v Speaker 1>in mind his post dot com crash and the ramifications

0:39:03.719 --> 0:39:07.120
<v Speaker 1>of that are still unfolding in two thousand two. So

0:39:08.400 --> 0:39:13.600
<v Speaker 1>you've got the the company just completely languishing. There's there's

0:39:14.200 --> 0:39:16.160
<v Speaker 1>very little of it left. It ends up going into

0:39:16.239 --> 0:39:20.800
<v Speaker 1>Chapter eleven bankruptcy, and then there's a a bankruptcy auction

0:39:20.960 --> 0:39:23.880
<v Speaker 1>held in two thousand two. This is still happening like

0:39:24.120 --> 0:39:28.160
<v Speaker 1>right after another, and a company called Rock CEO purchases

0:39:28.360 --> 0:39:31.960
<v Speaker 1>the assets of Napster h in an auction in two

0:39:31.960 --> 0:39:36.880
<v Speaker 1>thousand two. They also that same company purchased that failed

0:39:37.000 --> 0:39:40.840
<v Speaker 1>music service called press Play in two thousand three, and

0:39:40.920 --> 0:39:43.640
<v Speaker 1>so they decided to use the the kind of the

0:39:43.760 --> 0:39:47.640
<v Speaker 1>cashet of Napster's name and the foundation of the press

0:39:47.719 --> 0:39:53.640
<v Speaker 1>Play service and combine them together to form Voltron. Except

0:39:53.640 --> 0:39:57.080
<v Speaker 1>by Vultron I mean a legal music service that everyone

0:39:57.200 --> 0:40:00.839
<v Speaker 1>knows the name of, because everyone's heard the name now Napster. Yes,

0:40:01.400 --> 0:40:04.799
<v Speaker 1>So they take some time to develop this, and the

0:40:04.840 --> 0:40:07.680
<v Speaker 1>reason why it took so long is that they had

0:40:07.719 --> 0:40:13.200
<v Speaker 1>to establish those licenses that Napster never could get hold of. Um.

0:40:13.280 --> 0:40:15.800
<v Speaker 1>They had been Napster been trying to do that for

0:40:16.239 --> 0:40:19.520
<v Speaker 1>especially the last two years of its existence. Uh and

0:40:19.520 --> 0:40:22.840
<v Speaker 1>and failed and so yeah, And meanwhile, companies like Rhapsody

0:40:22.960 --> 0:40:25.239
<v Speaker 1>UM which was another it wasn't a file sharing thing

0:40:25.280 --> 0:40:28.600
<v Speaker 1>that it was a music music subscription plan. Yeah, we're

0:40:28.640 --> 0:40:32.560
<v Speaker 1>starting to you started to see some early examples of

0:40:32.600 --> 0:40:36.680
<v Speaker 1>other music subscription services. Uh Rock CEO would take years

0:40:36.960 --> 0:40:39.080
<v Speaker 1>to develop this. It would actually not be until two

0:40:39.120 --> 0:40:41.160
<v Speaker 1>thousand and six. So this is four years after they

0:40:41.239 --> 0:40:45.000
<v Speaker 1>bought the assets of Napster that they launched the free

0:40:45.120 --> 0:40:50.880
<v Speaker 1>Napster service. They place Chris Gorog as the chairman and

0:40:51.040 --> 0:40:55.440
<v Speaker 1>CEO of Napster And in that time, what Napster did

0:40:55.520 --> 0:40:59.120
<v Speaker 1>was it used ads to support a free web based

0:40:59.360 --> 0:41:03.880
<v Speaker 1>streaming experience. Now, you could stream any song that was

0:41:03.920 --> 0:41:09.279
<v Speaker 1>in Napster's catalog a maximum of three times. After that,

0:41:09.320 --> 0:41:12.600
<v Speaker 1>you had to either purchase the song or never listen

0:41:12.680 --> 0:41:17.360
<v Speaker 1>to it again, at least not on Napster. Yeah, you

0:41:17.400 --> 0:41:19.399
<v Speaker 1>had to. You had to purchase the song. Now, nice

0:41:19.440 --> 0:41:21.400
<v Speaker 1>thing about it is that you could purchase a DRM

0:41:21.560 --> 0:41:24.360
<v Speaker 1>free version of the MP three of whatever song it was,

0:41:24.440 --> 0:41:27.279
<v Speaker 1>so you didn't have to worry about Okay, well you

0:41:27.320 --> 0:41:28.960
<v Speaker 1>can buy it this song, but you can only play

0:41:28.960 --> 0:41:32.080
<v Speaker 1>it on three machines and after that that's it, because

0:41:32.120 --> 0:41:34.040
<v Speaker 1>that was one of the big problems of early DRM

0:41:34.120 --> 0:41:35.960
<v Speaker 1>music is that you could it would limit how many

0:41:36.000 --> 0:41:38.399
<v Speaker 1>machines you could put it on. And you know, here's

0:41:38.400 --> 0:41:40.920
<v Speaker 1>the thing about technology, folks. Our stuff gets out a

0:41:41.000 --> 0:41:43.560
<v Speaker 1>date and we want to replace it occasionally. So if

0:41:43.600 --> 0:41:45.360
<v Speaker 1>you tell me that I can only load this on

0:41:45.440 --> 0:41:47.960
<v Speaker 1>three machines, I'm like, well, that's only gonna last like

0:41:48.000 --> 0:41:50.200
<v Speaker 1>five years. Yeah, then I have to buy the song again.

0:41:50.280 --> 0:41:52.680
<v Speaker 1>What's what's the deal. And this is where you bring

0:41:52.719 --> 0:41:55.360
<v Speaker 1>into questions like all right, do you you don't obviously

0:41:55.360 --> 0:41:57.520
<v Speaker 1>you don't own the song because you didn't make it,

0:41:57.880 --> 0:42:02.440
<v Speaker 1>but you you own the opportunity to experience that song

0:42:02.800 --> 0:42:08.200
<v Speaker 1>within the realm of a specific kind of license, and

0:42:08.239 --> 0:42:10.839
<v Speaker 1>then you're their argument might might be, well, I want

0:42:10.880 --> 0:42:12.760
<v Speaker 1>to use it at home, but none of the things

0:42:12.800 --> 0:42:16.840
<v Speaker 1>I have will play it now. It's complicated. Uh and

0:42:16.880 --> 0:42:18.600
<v Speaker 1>in fact, we could right do a full episode about

0:42:18.640 --> 0:42:21.960
<v Speaker 1>that we've talked about in previous ones. Well. Uh, So

0:42:22.040 --> 0:42:25.120
<v Speaker 1>two thousand six they launch, Chris Gore is the chairman

0:42:25.120 --> 0:42:29.560
<v Speaker 1>and CEO. Uh and uh they try to get it

0:42:29.960 --> 0:42:32.880
<v Speaker 1>moving but doesn't really catch on. For one thing, at

0:42:32.920 --> 0:42:36.080
<v Speaker 1>this point, they're starting to to really come into a

0:42:36.120 --> 0:42:39.120
<v Speaker 1>competition with iTunes. By now iTunes is really a thing.

0:42:39.800 --> 0:42:42.200
<v Speaker 1>And so from two thousand and six to two thousand

0:42:42.200 --> 0:42:45.680
<v Speaker 1>and ten that was Napster's existence. But in two thousand

0:42:45.719 --> 0:42:49.640
<v Speaker 1>and ten, Gorg ends up stepping down and the president

0:42:49.680 --> 0:42:54.560
<v Speaker 1>of Napster also steps down, and best Buy purchases Napster.

0:42:55.320 --> 0:43:00.440
<v Speaker 1>So the Napster CEO, Christopher Allen, becomes the general manager

0:43:00.560 --> 0:43:03.080
<v Speaker 1>of Napster. Because now it's owned by best Buy, it's

0:43:03.080 --> 0:43:07.360
<v Speaker 1>no longer a thing that ROXYO has, and his reporting

0:43:07.360 --> 0:43:11.760
<v Speaker 1>relationship is to a best Buy senior executive. So there's

0:43:11.800 --> 0:43:16.440
<v Speaker 1>a new new sheriff in town in a sense. And uh.

0:43:16.600 --> 0:43:18.799
<v Speaker 1>From two thousand ten to two thousand and eleven it's

0:43:18.880 --> 0:43:23.160
<v Speaker 1>run as the best Buy company. And in two thousand eleven, Rhapsody,

0:43:23.160 --> 0:43:26.839
<v Speaker 1>which Lauren mentioned just a minute ago, acquires Napster and

0:43:26.920 --> 0:43:29.879
<v Speaker 1>folds it into its own streaming music service. So now

0:43:29.960 --> 0:43:32.239
<v Speaker 1>Rahapsty and Napster are buddy buddy. Yeah, I think that.

0:43:32.280 --> 0:43:34.840
<v Speaker 1>I think that Rhapsody had been in close affiliation with

0:43:34.880 --> 0:43:37.600
<v Speaker 1>best Buy at the time. Anyway, I think that was

0:43:37.640 --> 0:43:41.120
<v Speaker 1>the official service for the Best Buy line of MP

0:43:41.200 --> 0:43:43.560
<v Speaker 1>three players back when that was a thing. Yep, and

0:43:43.680 --> 0:43:47.279
<v Speaker 1>uh and and Napster still exists now. Granted, keep in

0:43:47.320 --> 0:43:50.200
<v Speaker 1>mind the Napster we're talking about now. Really it has

0:43:50.360 --> 0:43:52.840
<v Speaker 1>very little connection to the Napster that was in the

0:43:52.880 --> 0:43:55.120
<v Speaker 1>first half of this podcast. Yeah, it's a it's a

0:43:55.160 --> 0:43:59.520
<v Speaker 1>purely subscription service. Um. You can use it to download

0:43:59.880 --> 0:44:04.160
<v Speaker 1>or stream music two different devices devices nobile, you know.

0:44:04.280 --> 0:44:06.920
<v Speaker 1>It's got a sleek looking interface. Yeah, and you can

0:44:06.960 --> 0:44:08.440
<v Speaker 1>listen to it like you can if you have a

0:44:08.480 --> 0:44:11.359
<v Speaker 1>compatible home entertainment system, you can listen to it on that.

0:44:11.560 --> 0:44:13.759
<v Speaker 1>You can listen to it on you know, like I said,

0:44:13.800 --> 0:44:18.480
<v Speaker 1>like a MP three players of something like like Pandora

0:44:19.320 --> 0:44:21.879
<v Speaker 1>or or Spotify. Although you have you have far more

0:44:21.960 --> 0:44:24.239
<v Speaker 1>control than you would on Pandora right right, and when

0:44:24.280 --> 0:44:26.799
<v Speaker 1>you subscribe to it, you um cut out all the

0:44:26.800 --> 0:44:29.279
<v Speaker 1>ads and all that fans right. In fact, you have

0:44:29.360 --> 0:44:32.080
<v Speaker 1>to subscribe to it. You can have a three fourteen

0:44:32.160 --> 0:44:34.799
<v Speaker 1>day trials. I recalled in the United States. I can't

0:44:34.800 --> 0:44:36.760
<v Speaker 1>speak for everywhere in the world. In the United States,

0:44:36.800 --> 0:44:39.000
<v Speaker 1>the current subscription rate as of the recording of this

0:44:39.040 --> 0:44:42.960
<v Speaker 1>podcast is nine dollars and cents per month. And um

0:44:43.040 --> 0:44:46.560
<v Speaker 1>and yeah, they have apps for Android iOS, BlackBerry, Windows

0:44:46.560 --> 0:44:50.839
<v Speaker 1>phone seven. Uh. They have extra features like tailored playlists

0:44:50.880 --> 0:44:53.879
<v Speaker 1>have been formed by various either you know, sometimes their

0:44:53.920 --> 0:44:56.839
<v Speaker 1>bands or an artist or sometimes it's like a like

0:44:56.880 --> 0:44:59.480
<v Speaker 1>a music critic for a magazine will make a playlist

0:44:59.480 --> 0:45:01.239
<v Speaker 1>and then they make it available on this so that

0:45:01.239 --> 0:45:04.120
<v Speaker 1>way you can listen to the music that people cooler

0:45:04.120 --> 0:45:06.759
<v Speaker 1>than you are listening to. Uh. And that, by the way,

0:45:06.760 --> 0:45:10.000
<v Speaker 1>for me, that's everybody. I'm not I'm not saying like

0:45:10.160 --> 0:45:12.200
<v Speaker 1>you are cooler than I am. I know you knew

0:45:12.200 --> 0:45:14.040
<v Speaker 1>that already. I'm just let you know that. I also

0:45:14.160 --> 0:45:18.200
<v Speaker 1>know that. So that's I'll go, especially music wise, I

0:45:18.239 --> 0:45:20.800
<v Speaker 1>will let myself into that category as well. Yeah, you

0:45:20.880 --> 0:45:23.640
<v Speaker 1>know that. I was not aware of Neutral Milk Hotel

0:45:23.680 --> 0:45:26.200
<v Speaker 1>until years after they were a thing. That's that's the

0:45:26.280 --> 0:45:28.040
<v Speaker 1>kind of guy, I am, but I was. I was

0:45:28.080 --> 0:45:30.120
<v Speaker 1>on board with Mumford and Sons before any of you

0:45:30.160 --> 0:45:32.879
<v Speaker 1>folks knew who they were besides, unless Mumford and Sons

0:45:32.920 --> 0:45:34.560
<v Speaker 1>is listening to this podcast, in which case they probably

0:45:34.640 --> 0:45:37.879
<v Speaker 1>knew about it before I did. But yeah, they also

0:45:37.920 --> 0:45:41.399
<v Speaker 1>had the Rapsy radio stations, so that's more like Pandora,

0:45:41.480 --> 0:45:43.520
<v Speaker 1>you know. And they have their own kind of discovery

0:45:44.000 --> 0:45:46.680
<v Speaker 1>algorithms as well, so that you can find music that

0:45:46.800 --> 0:45:48.640
<v Speaker 1>if you already like a certain kind of music, you

0:45:48.680 --> 0:45:51.200
<v Speaker 1>can find about. But it is interesting if you go

0:45:51.239 --> 0:45:53.440
<v Speaker 1>back all the way back to the beginning days of

0:45:53.520 --> 0:45:55.040
<v Speaker 1>Napster and you look at some of the things that

0:45:55.040 --> 0:45:59.160
<v Speaker 1>Eileen Richardson said, it's the very basis for music discovery

0:45:59.239 --> 0:46:01.960
<v Speaker 1>and things like pen Dora. Yeah, the idea she actually

0:46:02.040 --> 0:46:04.879
<v Speaker 1>says in that interview in Salon that if you like

0:46:04.960 --> 0:46:06.919
<v Speaker 1>a certain artist, you should be able to find other

0:46:07.000 --> 0:46:09.680
<v Speaker 1>music that's similar to that artist, which is exactly what

0:46:09.719 --> 0:46:13.279
<v Speaker 1>Pandora is all about, that the Musical Genome project. So

0:46:13.320 --> 0:46:15.600
<v Speaker 1>it was interesting that she was looking ahead and she

0:46:15.640 --> 0:46:19.120
<v Speaker 1>was seeing a future that wouldn't really come to maturity

0:46:19.200 --> 0:46:21.759
<v Speaker 1>for almost a decade. Yeah, I think in a lot

0:46:21.760 --> 0:46:24.600
<v Speaker 1>of ways, Napster was was you know, it just was

0:46:24.920 --> 0:46:29.480
<v Speaker 1>approaching the industry in in an aggressively incorrect way. Um yeah,

0:46:29.600 --> 0:46:32.399
<v Speaker 1>well and and and the industry was reacting in a

0:46:32.560 --> 0:46:36.000
<v Speaker 1>very uh like knee jerk way. So the combination of

0:46:36.000 --> 0:46:38.160
<v Speaker 1>the two meant that you were going to have nothing

0:46:38.200 --> 0:46:40.760
<v Speaker 1>but a collision. But but also yeah, just the internet

0:46:40.760 --> 0:46:44.160
<v Speaker 1>infrastructure was not quite there yet to provide monetization for

0:46:44.160 --> 0:46:45.879
<v Speaker 1>this kind of thing, and and so you know, all

0:46:45.880 --> 0:46:48.239
<v Speaker 1>of the ideas that they had were really sound and

0:46:48.320 --> 0:46:50.839
<v Speaker 1>just but really, what I think it is is that

0:46:51.000 --> 0:46:53.360
<v Speaker 1>the interesting thing to me is that it really created

0:46:53.360 --> 0:46:56.359
<v Speaker 1>the whole peer to peer approach. I mean, there were

0:46:56.400 --> 0:46:59.759
<v Speaker 1>other peer to peer protocols that were coming into being

0:47:00.000 --> 0:47:02.440
<v Speaker 1>it around the same time as Napster, but Napster was

0:47:02.480 --> 0:47:06.040
<v Speaker 1>the one that thrusted into the spotlight. And you know,

0:47:06.120 --> 0:47:08.799
<v Speaker 1>peer to peer is is is a completely legitimate way

0:47:08.840 --> 0:47:11.160
<v Speaker 1>to get information from one computer to another computer. It

0:47:11.160 --> 0:47:14.920
<v Speaker 1>doesn't have to be for nefarious purposes or piracy or whatever.

0:47:15.320 --> 0:47:19.600
<v Speaker 1>And so I'm very thankful that Napster existed as a

0:47:19.600 --> 0:47:22.600
<v Speaker 1>way to kind of get that as as an as

0:47:22.880 --> 0:47:25.400
<v Speaker 1>as a thing. I mean, without it, we might have

0:47:25.480 --> 0:47:28.040
<v Speaker 1>gone a few more years before anyone really realized the

0:47:28.040 --> 0:47:32.520
<v Speaker 1>potential for peer to peer transmissions. So that was something

0:47:32.640 --> 0:47:37.080
<v Speaker 1>very important in this whole napster business. Um I'm I'm,

0:47:37.120 --> 0:47:39.480
<v Speaker 1>I'm napstered out or now that's about all I got.

0:47:39.480 --> 0:47:42.480
<v Speaker 1>All right, excellent, So really we got to thank our

0:47:42.480 --> 0:47:44.600
<v Speaker 1>listener for sending that in. I apologize I don't have

0:47:44.600 --> 0:47:46.880
<v Speaker 1>your name in front of me. My computer gave me

0:47:46.920 --> 0:47:48.520
<v Speaker 1>a little bit of a hiccup just before I came

0:47:48.560 --> 0:47:51.239
<v Speaker 1>in here, but I wanted to thank you so much

0:47:51.280 --> 0:47:55.480
<v Speaker 1>for that. That suggestions very interesting discussion. I think hopefully

0:47:55.480 --> 0:47:57.680
<v Speaker 1>you guys thought so too, And if you have any

0:47:57.880 --> 0:48:00.000
<v Speaker 1>topics that you think we should tackle in the future

0:48:00.040 --> 0:48:02.600
<v Speaker 1>episode of tech Stuff, I highly recommend you get in

0:48:02.600 --> 0:48:05.080
<v Speaker 1>touch with us. Let us know. We really value that

0:48:05.239 --> 0:48:09.600
<v Speaker 1>input because it helps us shape the show so that

0:48:09.800 --> 0:48:12.719
<v Speaker 1>you guys enjoy it even more. Let us know, send

0:48:12.760 --> 0:48:16.640
<v Speaker 1>us an email our addresses tech stuff at Discovery dot com,

0:48:16.760 --> 0:48:18.840
<v Speaker 1>or drop us a line on Facebook or Twitter or

0:48:18.920 --> 0:48:22.080
<v Speaker 1>handle at both those locations. Is tech Stuff, hs W

0:48:22.760 --> 0:48:25.040
<v Speaker 1>and Lauren and I will talk to you again really

0:48:25.120 --> 0:48:29.000
<v Speaker 1>soon for more on this and thousands of other topics.

0:48:29.120 --> 0:48:34.440
<v Speaker 1>Does it has stuff works dot Com