WEBVTT - Episode 7

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<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

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<v Speaker 1>and Realm.

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<v Speaker 2>Tell me about your sleep paralysis? How long?

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<v Speaker 3>About a year?

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<v Speaker 2>How did it start?

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<v Speaker 4>First?

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<v Speaker 3>I heard them in the hallway giggling in a sort

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<v Speaker 3>of taunting way. And each night they're giggling got closer

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<v Speaker 3>to my door, until one night they opened it and

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<v Speaker 3>I saw them the twins.

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<v Speaker 2>Who are the twins?

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<v Speaker 3>A boy and a girl? But they're like made of

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<v Speaker 3>static and they each have a little knife, And each

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<v Speaker 3>night they get a little closer to my bed.

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<v Speaker 2>The last time you experienced sleep paralysis? How far away

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<v Speaker 2>were they from your bed?

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<v Speaker 3>About three feet? They started whispering to me, saying the

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<v Speaker 3>same thing over and over.

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<v Speaker 2>What do they whisper?

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<v Speaker 3>You won't wake up?

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<v Speaker 2>How long have you been? Sleep walking?

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<v Speaker 5>Off and on? For as long as I can remember?

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<v Speaker 5>But it didn't really bother me until last month.

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<v Speaker 2>Well it's happened.

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<v Speaker 5>I sleep drove, which I didn't even know as possible.

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<v Speaker 2>It's rare, but it happens.

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<v Speaker 6>The scary thought, where'd you drive to.

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<v Speaker 5>My child at home? It's about ten miles from where

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<v Speaker 5>I'm living now. And when I got out, there was

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<v Speaker 5>blood on the grill. So I turned myself out of

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<v Speaker 5>the police and they were able to rule out human blood,

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<v Speaker 5>which was a big relief. But I mean, somebody's probably

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<v Speaker 5>wondering what happened to their dog.

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<v Speaker 7>They talk in my sleep. I can never pronounce the

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<v Speaker 7>word for it.

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<v Speaker 2>Some mniloquy.

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<v Speaker 7>Not as big of a deal as other people's issues,

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<v Speaker 7>but it has affected my life a lot of frightened girlfriends.

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<v Speaker 2>What do you say in your sleep?

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<v Speaker 7>Scary things, apparently, things I never say while awake. My

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<v Speaker 7>last girlfriend broke up with me over it.

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<v Speaker 2>What did she say? You said?

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<v Speaker 7>She wouldn't tell me, she just packed her stuff, wouldn't

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<v Speaker 7>return my calls or texts, and she I, I'm sorry.

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<v Speaker 7>I really loved her.

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<v Speaker 2>Maybe after this is over, you won't have this problem anymore.

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<v Speaker 2>You mean that sincerely.

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<v Speaker 6>What do you do here here?

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<v Speaker 2>It's just your typical sleep center, your monitor. We prescribe

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<v Speaker 2>medicine and tell you not to drink coffee after five pm?

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<v Speaker 2>Do you have health insurance?

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<v Speaker 7>I'm between jobs another recent development. I swear it feels

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<v Speaker 7>like everything's gone to shit in my life. Sorry about

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<v Speaker 7>the language, sir.

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<v Speaker 2>Use whatever language best expresses yourself. Are you aware of

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<v Speaker 2>how expensive a sleep study.

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<v Speaker 7>Is I saved up some money. I don't think I

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<v Speaker 7>can move on with my life until I get this

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<v Speaker 7>taken care of.

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<v Speaker 2>We do have another location, a bit more remote, a

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<v Speaker 2>bit more relaxing, a bit cheaper free.

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<v Speaker 7>In fact, what's the catch.

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<v Speaker 2>The catch is that it's a new method, unproven.

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<v Speaker 7>You're not talking about cutting me open, are you?

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<v Speaker 2>No surgery, no pills?

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<v Speaker 8>What? Then?

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<v Speaker 2>You just sleep and dream and talk to me. The

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<v Speaker 2>idea is that you have this sleep disordered because of

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<v Speaker 2>a psychological issue.

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<v Speaker 7>I've had therapists already. They haven't really, it's.

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<v Speaker 2>Not just therapy. While you sleep, you'll be monitored.

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<v Speaker 7>So it's the same thing, just with added therapy.

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<v Speaker 9>Not recording.

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<v Speaker 10>I don't believe I forgot to record. I never forget.

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<v Speaker 9>So here's what I've learned. The National Center for Health

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<v Speaker 9>Services keeps what's called an NDI, a National death Index.

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<v Speaker 9>Around three million people die in the United States each year,

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<v Speaker 9>so around eight thousand deaths per day. On May seventeenth,

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<v Speaker 9>seven years ago, nineteen thousand people died in the United States,

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<v Speaker 9>over double the normal amount, which makes it the deadlyast

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<v Speaker 9>day in American history. No one talks about it because

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<v Speaker 9>there was no single event to look to. It just

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<v Speaker 9>looks like a statistical aberration.

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<v Speaker 4>Oh.

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<v Speaker 9>I've gone through thousands of obituaries of people who died

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<v Speaker 9>that day. Most of them lists the cause of death

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<v Speaker 9>as cardiac rests or SUNS Sudden Unexplainable nocturnal death syndrome,

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<v Speaker 9>which is basically just cardiac rest in your sleep. Obviously,

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<v Speaker 9>the majority of these are caused by cheeseburgers and not

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<v Speaker 9>a killer entity that resides in our subconscious minds.

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<v Speaker 11>And it's just like fucking with us.

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<v Speaker 9>But on this particular day, there's a massive uptick in

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<v Speaker 9>cardiac rests in people under thirty. Something happened that night.

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<v Speaker 9>What's it?

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<v Speaker 11>South just the equipment hitting up. Before I finish the sentence,

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<v Speaker 11>it'll probably be see will it hurt not at all?

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<v Speaker 11>You just go to sleep.

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<v Speaker 6>That's it.

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<v Speaker 11>That's it.

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<v Speaker 7>Promise not to judge me.

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<v Speaker 11>We're not here to judge you, Keith. We're here to

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<v Speaker 11>help you.

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<v Speaker 7>Are you going to be in here with me?

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<v Speaker 11>I'll be right there behind the glass. You have nothing

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<v Speaker 11>to worry about. We're gonna take care of you.

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<v Speaker 12>Thank you.

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<v Speaker 9>Not every story from that night was heart attacks. The

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<v Speaker 9>North Devon Journal on the night of May seventeenth, a woman,

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<v Speaker 9>Kelly Prendez, age fifty five, sleepwalks into oncoming traffic. No

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<v Speaker 9>past history of sleepwalking. The Green Valley Times, May seventeenth,

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<v Speaker 9>West Leads empties his fridge into sleep and keeps eating

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<v Speaker 9>until a raw hot dog lodges in his throat and

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<v Speaker 9>he chokes to death. No past history of nocturnal eating disorder.

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<v Speaker 9>The Vineyard Centennial days leading up to May seventeenth, Lucy

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<v Speaker 9>Jones claims her husband Ray suffered from vivid nightmares.

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<v Speaker 11>For him.

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<v Speaker 9>She says she'd watch him in his sleep and his

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<v Speaker 9>hands would tense up, squeezing as if they were juicing

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<v Speaker 9>two invisible oranges. He'd wake up and start crying. When

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<v Speaker 9>she asked him what he dreamt of, he refused to

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<v Speaker 9>talk about it. On the night of May seventeenth, Lucy

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<v Speaker 9>woke up to Fine Bray, still asleep, strangling their five

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<v Speaker 9>year old twin daughters in their beds. No past history

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<v Speaker 9>of murder.

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<v Speaker 10>It is eleven pm. I've also st up in my

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<v Speaker 10>lucid dream training. The texture of the speedbag is.

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<v Speaker 2>Just pick it up.

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<v Speaker 6>It's not hard.

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<v Speaker 10>How are you today, mister Kingship.

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<v Speaker 8>I'm wonderful Sadie, as I am every day. What a

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<v Speaker 8>blessing is to be me?

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<v Speaker 12>How are you wonderful as well?

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<v Speaker 8>Look it up? Two vocabularies, only one adjective between us.

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<v Speaker 8>Do you play crossword City?

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<v Speaker 10>I do not.

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<v Speaker 8>You should.

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<v Speaker 10>I don't have time. I'm too busy making money for you.

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<v Speaker 8>The thing about a crossword is it's multidisciplinary. It's a puzzle.

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<v Speaker 8>You're using the facts in your head, your knowledge of

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<v Speaker 8>the game, and your own intuition. You can beat it

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<v Speaker 8>even though you don't have the answers. You don't like puzzles, No,

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<v Speaker 8>aren't your pursuits a puzzle? Source? Understanding nightmares?

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<v Speaker 10>Human lives are not a puzzle to me.

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<v Speaker 8>It's always so funny to me? What conversations?

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<v Speaker 10>Why is that?

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<v Speaker 8>As if you don't know why?

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<v Speaker 10>I have a patient waiting for me.

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<v Speaker 8>Okay, I'll let you get to it, and little are

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<v Speaker 8>finishing this conversation. I'll be annual visit.

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<v Speaker 12>When good luck for your patient, Sadie.

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<v Speaker 10>Heath's lips are shortened to move isolate to mic I

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<v Speaker 10>want to hear what he's saying on it. You're a

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<v Speaker 10>weak stared activity in the hypothalamus.

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<v Speaker 8>M h.

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<v Speaker 6>Uh uh I think he's dreaming about you.

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<v Speaker 11>Shut up, you're blushing and you're a child.

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<v Speaker 7>I want to go out sometime.

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<v Speaker 6>Hmmm, pretty, here's the grammar of your usual dates.

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<v Speaker 11>I'll have you know that no one asked me out

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<v Speaker 11>on dates?

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<v Speaker 6>Was that a comeback?

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<v Speaker 13>Maybe after we're done with that, we can play a game.

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<v Speaker 13>We can see what breaks first. My fists are your face.

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<v Speaker 6>I want this guy out of the building first thing

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<v Speaker 6>tomorrow morning.

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<v Speaker 10>Relax, be a professional. Turned down his mic. I want

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<v Speaker 10>to hear the dream. Stop stop leave?

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<v Speaker 8>Hi went.

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<v Speaker 2>Okay?

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<v Speaker 8>Well?

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<v Speaker 9>Last story. On May seventeenth, April, Everett started having nightmares.

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<v Speaker 2>Out of the blue.

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<v Speaker 9>She finds herself waking up in an intersection, and another

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<v Speaker 9>time she was on the edge of a cliff, so

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<v Speaker 9>she asked her husband to watch over her. One night

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<v Speaker 9>he watches her. She climbs the stairs into the attic

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<v Speaker 9>and she pulled apart all these boxes of junk, and

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<v Speaker 9>then she finds art supplies she isn't touched in years,

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<v Speaker 9>and she paints a dark figure in a forest, and

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<v Speaker 9>they put the drawing in the article. I texted it

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<v Speaker 9>to Josie for comparison, but she hasn't replied yet, so

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<v Speaker 9>we'll see April's nightmares get progressively more intense. She tells

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<v Speaker 9>her husband there something alive in her dreams. She used

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<v Speaker 9>to fight it. That was the last time she ever

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<v Speaker 9>spoke to her husband. She went to sleep that night

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<v Speaker 9>and never woke up a coma. She shows no signs

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<v Speaker 9>of lucidity beyond frequent panicked breathing. She's been enduring a

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<v Speaker 9>seven year long nightmare.

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<v Speaker 11>Sorry, I still had the volume up from his mic.

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<v Speaker 10>Eight subjects now, all of them.

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<v Speaker 6>Doctors used to be equally confident in the efficacy of

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<v Speaker 6>blood letting. It doesn't.

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<v Speaker 10>Everyone's skepticism is getting very tiring at this point.

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<v Speaker 11>Isn't that Eliza mazonstream it is?

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<v Speaker 2>Josie streams.

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<v Speaker 12>That's not possible.

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<v Speaker 10>His brain waves don't make sense. He's fully awaken to

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<v Speaker 10>sleep simultaneously.

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<v Speaker 11>Something's wrong.

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<v Speaker 10>We need to see where this goes.

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<v Speaker 2>He's stalking again.

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<v Speaker 7>Not here again, please anywhere about here?

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<v Speaker 2>This place is hell.

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<v Speaker 11>Where's it take you?

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<v Speaker 8>Not us?

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<v Speaker 12>No, no, no, we have to wake him up.

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<v Speaker 10>The guy who just drummed about killing you.

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<v Speaker 11>He's not in control, but I am. If something happens,

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<v Speaker 11>I'm holding you responsible.

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<v Speaker 10>Do what you have to do. Andrews.

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<v Speaker 2>You hear that right, He's in the forest, just like

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<v Speaker 2>the others.

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<v Speaker 4>Holding up with glue and duct tape. Two weeks ago.

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<v Speaker 9>I thought dreams were just dreams. Now I don't know

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<v Speaker 9>if they're a different plane of existence, or if I

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<v Speaker 9>share these dreams with other people, or there's a monster

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<v Speaker 9>living in them.

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<v Speaker 14>Or what you So remember Stabber and his wife from Conkon.

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<v Speaker 10>How are they doing?

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<v Speaker 8>Not great? They're dead.

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<v Speaker 10>I have a theory.

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<v Speaker 4>Maybe it's a hypothesis.

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<v Speaker 9>Hit me, it's preparing. It's like us carbo loading before race.

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<v Speaker 9>There's the people at Hongkon, the dream sequence patients, and

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<v Speaker 9>who knows who else. This is how it builds up energy.

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<v Speaker 9>It's how it eats. In May seventeenth is right around.

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<v Speaker 8>The corner seven year anniversary.

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<v Speaker 10>Hang on, I'm getting another call.

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<v Speaker 9>I have to take it.

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<v Speaker 4>Josie.

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<v Speaker 9>It's good to hear from you. Do you get my text, Josie,

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<v Speaker 9>say something.

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<v Speaker 14>I'm in the forest again.

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<v Speaker 10>Turn on the dream Hannah.

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<v Speaker 2>Barra, Shohn Breads. Those are our first three patients.

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<v Speaker 8>Hector and.

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<v Speaker 13>Eli's am amazing.

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<v Speaker 2>Helen pose there's no way for him to know their names.

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<v Speaker 6>Chelsea Sadie what's going on?

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<v Speaker 10>I don't know.

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<v Speaker 6>It's time to pay your debts?

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<v Speaker 10>Are you asleep?

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<v Speaker 4>I'm not getting out this time, Josie.

0:13:39.679 --> 0:13:40.960
<v Speaker 9>Listen to me. You need to wake up.

0:13:41.040 --> 0:13:46.600
<v Speaker 14>I'm in the forest. I'm in my room in the forest.

0:13:46.800 --> 0:13:51.839
<v Speaker 14>There are others in my room. There's a knife, weak up,

0:13:52.040 --> 0:13:57.280
<v Speaker 14>juicy for so many more than last time. It's not

0:13:57.440 --> 0:14:00.760
<v Speaker 14>time for them yet, but it is time for me.

0:14:02.200 --> 0:14:05.040
<v Speaker 14>Time to pay up, or I'll be here forever.

0:14:05.440 --> 0:14:08.600
<v Speaker 9>Talk like that. You're scaring me dad.

0:14:08.480 --> 0:14:11.640
<v Speaker 14>After all? Okay, it was never my dad.

0:14:11.920 --> 0:14:12.560
<v Speaker 9>Wake up.

0:14:13.000 --> 0:14:22.720
<v Speaker 14>He's gonna kill your sister. He has a knife too, Manifold, No, Heath.

0:14:24.440 --> 0:14:29.000
<v Speaker 7>Sadie, goodbye, Craig, goodbye.

0:14:28.600 --> 0:14:30.440
<v Speaker 11>And seriously, Sadie, what's happening?

0:14:30.560 --> 0:14:31.400
<v Speaker 10>I said, I don't know?

0:14:31.520 --> 0:14:31.840
<v Speaker 2>Crab?

0:14:32.400 --> 0:14:33.960
<v Speaker 6>What is he saying, Sadie?

0:14:33.960 --> 0:14:36.320
<v Speaker 2>Crab? Sadie Crab.

0:14:37.240 --> 0:14:38.080
<v Speaker 10>I'm gonna wake him up.

0:14:38.560 --> 0:14:47.160
<v Speaker 11>Oh, now that he's saying your name, Sadie, where's Sadie?

0:14:47.360 --> 0:14:47.920
<v Speaker 12>She's waking up?

0:14:47.960 --> 0:14:48.760
<v Speaker 2>Heath, what's wrong?

0:14:52.160 --> 0:14:59.520
<v Speaker 10>Get away from me, Heath, drop the knife.

0:15:00.680 --> 0:15:01.520
<v Speaker 4>Please don't kill me.

0:15:01.760 --> 0:15:04.760
<v Speaker 10>He's not awake. Okay, his eyes are closed. He's not

0:15:04.800 --> 0:15:05.280
<v Speaker 10>in control.

0:15:05.440 --> 0:15:06.400
<v Speaker 6>But do I do?

0:15:07.520 --> 0:15:07.880
<v Speaker 2>Good Bye?

0:15:07.960 --> 0:15:16.840
<v Speaker 10>Actor, stay calm as he's sick. Goodbye, no Jo, Okay,

0:15:18.120 --> 0:15:18.600
<v Speaker 10>don't look.

0:15:19.080 --> 0:15:21.720
<v Speaker 4>You don't want to see Josie.

0:15:22.560 --> 0:15:24.080
<v Speaker 12>I have to call Josie.

0:15:24.200 --> 0:15:28.320
<v Speaker 11>She's in danger. Josie, wake up.

0:15:30.400 --> 0:16:17.840
<v Speaker 15>Goodbye, Josie, Josie, Josie, you're listening to dream Sequence Written

0:16:17.880 --> 0:16:21.920
<v Speaker 15>and created by Andrew Martin Robinson, directed by Dave Beasley

0:16:22.000 --> 0:16:22.840
<v Speaker 15>and John Brooks.

0:16:23.440 --> 0:16:28.120
<v Speaker 1>Executive producers are Molly Barton, Dave Beasley, John Brooks, and

0:16:28.200 --> 0:16:31.440
<v Speaker 1>Marcy Wiseman for Realm, Alex Williams and Trevor Young for

0:16:31.480 --> 0:16:35.560
<v Speaker 1>iHeart Podcasts Chris Dicky and Noah Feinberg for Blumhouse Television.

0:16:36.080 --> 0:16:40.080
<v Speaker 1>Producers for Realm are Fred Greenhoalge, Marcus Thorne, Bagala and

0:16:40.160 --> 0:16:45.320
<v Speaker 1>Rhoda Bayessa. Associate producer Michael Colter. Starring Jesse Case and

0:16:45.360 --> 0:16:51.560
<v Speaker 1>Alice Kremmelberg, with performances by Shalini, Bethina Einer, Gunn, Nick Osborne,

0:16:51.800 --> 0:16:58.320
<v Speaker 1>Winifred Anne Kincannon, Tara Brown, Emily Barry, Linelle Scott, Shannon McClung,

0:16:58.800 --> 0:17:05.320
<v Speaker 1>Dave Huber, Hugo Armstrong, Cooper, Tomilson, Joel Haberley, Simaj Miller,

0:17:06.000 --> 0:17:10.440
<v Speaker 1>Dean Simone, and Brian Finney. Additional Voices by Patrick Higney,

0:17:10.600 --> 0:17:15.560
<v Speaker 1>Fred Greenhoalch, John Brooks, Christina Telesca, and Kaylan West. Casting

0:17:15.600 --> 0:17:20.440
<v Speaker 1>by Sunday Bowling Kennedy and Meg Mormon Production manager Devin Shepherd,

0:17:20.880 --> 0:17:25.679
<v Speaker 1>Production Coordinator Angela Yee. Dialogue editing by Corey Barton, Sound

0:17:25.680 --> 0:17:29.000
<v Speaker 1>designed by Rory O'shay and Dan Powell. Final mixed by

0:17:29.040 --> 0:17:33.600
<v Speaker 1>Kaylan West. Original score composed by Marcus Thorne Pagala Songs

0:17:33.600 --> 0:17:37.040
<v Speaker 1>for Josie by Kaylan West. Recorded at Real Voice Los

0:17:37.080 --> 0:17:40.760
<v Speaker 1>Angeles and Citybox, New York City. This podcast was recorded

0:17:40.840 --> 0:17:44.680
<v Speaker 1>under a SAG after collective bargaining agreement. Dream Sequence is

0:17:44.720 --> 0:17:48.800
<v Speaker 1>a production of iHeart Podcasts, Blumhouse Television, and Realm. Find

0:17:48.840 --> 0:17:52.920
<v Speaker 1>more great podcasts by visiting the iHeartRadio app, Apple Podcasts,

0:17:53.040 --> 0:18:01.640
<v Speaker 1>or wherever you listen to your favorite shows