1 00:00:00,280 --> 00:00:04,439 Speaker 1: Dream Sequence is a production of iHeart Podcasts, Blumhouse Television, 2 00:00:04,559 --> 00:00:16,280 Speaker 1: and Realm. 3 00:00:16,480 --> 00:00:20,000 Speaker 2: Tell me about your sleep paralysis? How long? 4 00:00:21,160 --> 00:00:21,800 Speaker 3: About a year? 5 00:00:23,320 --> 00:00:24,240 Speaker 2: How did it start? 6 00:00:25,480 --> 00:00:25,760 Speaker 4: First? 7 00:00:25,800 --> 00:00:28,280 Speaker 3: I heard them in the hallway giggling in a sort 8 00:00:28,280 --> 00:00:32,320 Speaker 3: of taunting way. And each night they're giggling got closer 9 00:00:32,360 --> 00:00:34,920 Speaker 3: to my door, until one night they opened it and 10 00:00:35,159 --> 00:00:38,200 Speaker 3: I saw them the twins. 11 00:00:38,800 --> 00:00:39,680 Speaker 2: Who are the twins? 12 00:00:40,840 --> 00:00:44,239 Speaker 3: A boy and a girl? But they're like made of 13 00:00:44,240 --> 00:00:47,000 Speaker 3: static and they each have a little knife, And each 14 00:00:47,080 --> 00:00:48,800 Speaker 3: night they get a little closer to my bed. 15 00:00:50,000 --> 00:00:52,680 Speaker 2: The last time you experienced sleep paralysis? How far away 16 00:00:52,720 --> 00:00:53,640 Speaker 2: were they from your bed? 17 00:00:54,680 --> 00:00:59,800 Speaker 3: About three feet? They started whispering to me, saying the 18 00:00:59,800 --> 00:01:01,440 Speaker 3: same thing over and over. 19 00:01:02,240 --> 00:01:03,080 Speaker 2: What do they whisper? 20 00:01:04,840 --> 00:01:05,640 Speaker 3: You won't wake up? 21 00:01:08,400 --> 00:01:09,920 Speaker 2: How long have you been? Sleep walking? 22 00:01:10,520 --> 00:01:12,120 Speaker 5: Off and on? For as long as I can remember? 23 00:01:12,240 --> 00:01:14,160 Speaker 5: But it didn't really bother me until last month. 24 00:01:14,800 --> 00:01:15,520 Speaker 2: Well it's happened. 25 00:01:16,760 --> 00:01:19,160 Speaker 5: I sleep drove, which I didn't even know as possible. 26 00:01:20,360 --> 00:01:23,600 Speaker 2: It's rare, but it happens. 27 00:01:23,600 --> 00:01:26,560 Speaker 6: The scary thought, where'd you drive to. 28 00:01:28,360 --> 00:01:30,280 Speaker 5: My child at home? It's about ten miles from where 29 00:01:30,280 --> 00:01:33,039 Speaker 5: I'm living now. And when I got out, there was 30 00:01:33,080 --> 00:01:36,120 Speaker 5: blood on the grill. So I turned myself out of 31 00:01:36,160 --> 00:01:40,360 Speaker 5: the police and they were able to rule out human blood, 32 00:01:40,480 --> 00:01:46,360 Speaker 5: which was a big relief. But I mean, somebody's probably 33 00:01:46,360 --> 00:01:47,560 Speaker 5: wondering what happened to their dog. 34 00:01:50,720 --> 00:01:53,680 Speaker 7: They talk in my sleep. I can never pronounce the 35 00:01:53,680 --> 00:01:55,240 Speaker 7: word for it. 36 00:01:55,320 --> 00:01:56,000 Speaker 2: Some mniloquy. 37 00:01:57,440 --> 00:01:59,600 Speaker 7: Not as big of a deal as other people's issues, 38 00:02:00,040 --> 00:02:03,760 Speaker 7: but it has affected my life a lot of frightened girlfriends. 39 00:02:04,720 --> 00:02:05,960 Speaker 2: What do you say in your sleep? 40 00:02:06,680 --> 00:02:11,600 Speaker 7: Scary things, apparently, things I never say while awake. My 41 00:02:11,680 --> 00:02:13,160 Speaker 7: last girlfriend broke up with me over it. 42 00:02:14,080 --> 00:02:15,480 Speaker 2: What did she say? You said? 43 00:02:16,400 --> 00:02:19,920 Speaker 7: She wouldn't tell me, she just packed her stuff, wouldn't 44 00:02:19,919 --> 00:02:24,680 Speaker 7: return my calls or texts, and she I, I'm sorry. 45 00:02:26,760 --> 00:02:28,680 Speaker 7: I really loved her. 46 00:02:29,520 --> 00:02:32,600 Speaker 2: Maybe after this is over, you won't have this problem anymore. 47 00:02:33,680 --> 00:02:35,320 Speaker 2: You mean that sincerely. 48 00:02:37,160 --> 00:02:38,440 Speaker 6: What do you do here here? 49 00:02:39,280 --> 00:02:43,000 Speaker 2: It's just your typical sleep center, your monitor. We prescribe 50 00:02:43,040 --> 00:02:45,600 Speaker 2: medicine and tell you not to drink coffee after five pm? 51 00:02:46,480 --> 00:02:47,720 Speaker 2: Do you have health insurance? 52 00:02:48,120 --> 00:02:52,799 Speaker 7: I'm between jobs another recent development. I swear it feels 53 00:02:52,800 --> 00:02:54,760 Speaker 7: like everything's gone to shit in my life. Sorry about 54 00:02:54,760 --> 00:02:55,680 Speaker 7: the language, sir. 55 00:02:55,960 --> 00:03:01,080 Speaker 2: Use whatever language best expresses yourself. Are you aware of 56 00:03:01,200 --> 00:03:02,680 Speaker 2: how expensive a sleep study. 57 00:03:02,800 --> 00:03:05,880 Speaker 7: Is I saved up some money. I don't think I 58 00:03:05,880 --> 00:03:07,360 Speaker 7: can move on with my life until I get this 59 00:03:07,440 --> 00:03:08,000 Speaker 7: taken care of. 60 00:03:09,880 --> 00:03:13,920 Speaker 2: We do have another location, a bit more remote, a 61 00:03:13,919 --> 00:03:17,480 Speaker 2: bit more relaxing, a bit cheaper free. 62 00:03:17,639 --> 00:03:19,320 Speaker 7: In fact, what's the catch. 63 00:03:20,000 --> 00:03:22,920 Speaker 2: The catch is that it's a new method, unproven. 64 00:03:24,120 --> 00:03:26,160 Speaker 7: You're not talking about cutting me open, are you? 65 00:03:26,480 --> 00:03:28,320 Speaker 2: No surgery, no pills? 66 00:03:28,800 --> 00:03:29,160 Speaker 8: What? Then? 67 00:03:30,639 --> 00:03:34,560 Speaker 2: You just sleep and dream and talk to me. The 68 00:03:34,600 --> 00:03:37,320 Speaker 2: idea is that you have this sleep disordered because of 69 00:03:37,360 --> 00:03:38,839 Speaker 2: a psychological issue. 70 00:03:39,080 --> 00:03:42,280 Speaker 7: I've had therapists already. They haven't really, it's. 71 00:03:41,880 --> 00:03:45,840 Speaker 2: Not just therapy. While you sleep, you'll be monitored. 72 00:03:47,160 --> 00:03:51,640 Speaker 7: So it's the same thing, just with added therapy. 73 00:03:55,920 --> 00:03:56,560 Speaker 9: Not recording. 74 00:03:56,760 --> 00:03:59,000 Speaker 10: I don't believe I forgot to record. I never forget. 75 00:04:00,160 --> 00:04:02,680 Speaker 9: So here's what I've learned. The National Center for Health 76 00:04:02,720 --> 00:04:06,120 Speaker 9: Services keeps what's called an NDI, a National death Index. 77 00:04:06,440 --> 00:04:09,200 Speaker 9: Around three million people die in the United States each year, 78 00:04:09,280 --> 00:04:12,360 Speaker 9: so around eight thousand deaths per day. On May seventeenth, 79 00:04:12,480 --> 00:04:15,680 Speaker 9: seven years ago, nineteen thousand people died in the United States, 80 00:04:15,720 --> 00:04:18,560 Speaker 9: over double the normal amount, which makes it the deadlyast 81 00:04:18,600 --> 00:04:21,040 Speaker 9: day in American history. No one talks about it because 82 00:04:21,040 --> 00:04:22,960 Speaker 9: there was no single event to look to. It just 83 00:04:22,960 --> 00:04:24,599 Speaker 9: looks like a statistical aberration. 84 00:04:26,160 --> 00:04:27,680 Speaker 4: Oh. 85 00:04:29,520 --> 00:04:32,039 Speaker 9: I've gone through thousands of obituaries of people who died 86 00:04:32,080 --> 00:04:34,599 Speaker 9: that day. Most of them lists the cause of death 87 00:04:34,600 --> 00:04:38,520 Speaker 9: as cardiac rests or SUNS Sudden Unexplainable nocturnal death syndrome, 88 00:04:38,520 --> 00:04:41,640 Speaker 9: which is basically just cardiac rest in your sleep. Obviously, 89 00:04:41,720 --> 00:04:43,800 Speaker 9: the majority of these are caused by cheeseburgers and not 90 00:04:43,880 --> 00:04:46,280 Speaker 9: a killer entity that resides in our subconscious minds. 91 00:04:46,279 --> 00:04:48,120 Speaker 11: And it's just like fucking with us. 92 00:04:48,520 --> 00:04:50,800 Speaker 9: But on this particular day, there's a massive uptick in 93 00:04:50,800 --> 00:04:56,320 Speaker 9: cardiac rests in people under thirty. Something happened that night. 94 00:04:57,560 --> 00:04:57,880 Speaker 9: What's it? 95 00:04:58,040 --> 00:05:00,960 Speaker 11: South just the equipment hitting up. Before I finish the sentence, 96 00:05:00,960 --> 00:05:06,280 Speaker 11: it'll probably be see will it hurt not at all? 97 00:05:06,800 --> 00:05:07,680 Speaker 11: You just go to sleep. 98 00:05:08,240 --> 00:05:08,680 Speaker 6: That's it. 99 00:05:09,240 --> 00:05:09,599 Speaker 11: That's it. 100 00:05:12,240 --> 00:05:13,240 Speaker 7: Promise not to judge me. 101 00:05:13,839 --> 00:05:15,919 Speaker 11: We're not here to judge you, Keith. We're here to 102 00:05:15,960 --> 00:05:16,279 Speaker 11: help you. 103 00:05:18,720 --> 00:05:19,839 Speaker 7: Are you going to be in here with me? 104 00:05:20,400 --> 00:05:22,400 Speaker 11: I'll be right there behind the glass. You have nothing 105 00:05:22,440 --> 00:05:24,359 Speaker 11: to worry about. We're gonna take care of you. 106 00:05:26,320 --> 00:05:26,640 Speaker 12: Thank you. 107 00:05:31,120 --> 00:05:33,640 Speaker 9: Not every story from that night was heart attacks. The 108 00:05:33,640 --> 00:05:36,159 Speaker 9: North Devon Journal on the night of May seventeenth, a woman, 109 00:05:36,320 --> 00:05:40,479 Speaker 9: Kelly Prendez, age fifty five, sleepwalks into oncoming traffic. No 110 00:05:40,600 --> 00:05:44,240 Speaker 9: past history of sleepwalking. The Green Valley Times, May seventeenth, 111 00:05:44,520 --> 00:05:47,240 Speaker 9: West Leads empties his fridge into sleep and keeps eating 112 00:05:47,320 --> 00:05:49,599 Speaker 9: until a raw hot dog lodges in his throat and 113 00:05:49,680 --> 00:05:52,920 Speaker 9: he chokes to death. No past history of nocturnal eating disorder. 114 00:05:53,560 --> 00:05:56,720 Speaker 9: The Vineyard Centennial days leading up to May seventeenth, Lucy 115 00:05:56,839 --> 00:05:59,760 Speaker 9: Jones claims her husband Ray suffered from vivid nightmares. 116 00:06:00,240 --> 00:06:00,560 Speaker 11: For him. 117 00:06:01,040 --> 00:06:02,960 Speaker 9: She says she'd watch him in his sleep and his 118 00:06:03,040 --> 00:06:05,560 Speaker 9: hands would tense up, squeezing as if they were juicing 119 00:06:05,600 --> 00:06:10,000 Speaker 9: two invisible oranges. He'd wake up and start crying. When 120 00:06:10,000 --> 00:06:11,919 Speaker 9: she asked him what he dreamt of, he refused to 121 00:06:11,960 --> 00:06:14,679 Speaker 9: talk about it. On the night of May seventeenth, Lucy 122 00:06:14,680 --> 00:06:18,080 Speaker 9: woke up to Fine Bray, still asleep, strangling their five 123 00:06:18,160 --> 00:06:22,000 Speaker 9: year old twin daughters in their beds. No past history 124 00:06:22,120 --> 00:06:23,760 Speaker 9: of murder. 125 00:06:27,240 --> 00:06:30,320 Speaker 10: It is eleven pm. I've also st up in my 126 00:06:30,360 --> 00:06:38,480 Speaker 10: lucid dream training. The texture of the speedbag is. 127 00:06:40,640 --> 00:06:41,280 Speaker 2: Just pick it up. 128 00:06:41,720 --> 00:06:42,440 Speaker 6: It's not hard. 129 00:06:46,040 --> 00:06:48,159 Speaker 10: How are you today, mister Kingship. 130 00:06:48,120 --> 00:06:51,719 Speaker 8: I'm wonderful Sadie, as I am every day. What a 131 00:06:51,960 --> 00:06:53,240 Speaker 8: blessing is to be me? 132 00:06:55,839 --> 00:06:58,000 Speaker 12: How are you wonderful as well? 133 00:06:59,560 --> 00:07:04,240 Speaker 8: Look it up? Two vocabularies, only one adjective between us. 134 00:07:05,040 --> 00:07:06,400 Speaker 8: Do you play crossword City? 135 00:07:07,000 --> 00:07:07,479 Speaker 10: I do not. 136 00:07:08,160 --> 00:07:08,719 Speaker 8: You should. 137 00:07:08,960 --> 00:07:12,840 Speaker 10: I don't have time. I'm too busy making money for you. 138 00:07:15,320 --> 00:07:19,920 Speaker 8: The thing about a crossword is it's multidisciplinary. It's a puzzle. 139 00:07:21,680 --> 00:07:24,360 Speaker 8: You're using the facts in your head, your knowledge of 140 00:07:24,400 --> 00:07:28,240 Speaker 8: the game, and your own intuition. You can beat it 141 00:07:28,320 --> 00:07:33,440 Speaker 8: even though you don't have the answers. You don't like puzzles, No, 142 00:07:34,800 --> 00:07:39,800 Speaker 8: aren't your pursuits a puzzle? Source? Understanding nightmares? 143 00:07:41,480 --> 00:07:43,400 Speaker 10: Human lives are not a puzzle to me. 144 00:07:45,560 --> 00:07:49,880 Speaker 8: It's always so funny to me? What conversations? 145 00:07:50,440 --> 00:07:51,120 Speaker 10: Why is that? 146 00:07:52,320 --> 00:07:55,120 Speaker 8: As if you don't know why? 147 00:07:55,920 --> 00:07:57,640 Speaker 10: I have a patient waiting for me. 148 00:07:57,800 --> 00:08:01,280 Speaker 8: Okay, I'll let you get to it, and little are 149 00:08:01,280 --> 00:08:04,520 Speaker 8: finishing this conversation. I'll be annual visit. 150 00:08:05,160 --> 00:08:16,600 Speaker 12: When good luck for your patient, Sadie. 151 00:08:16,640 --> 00:08:19,080 Speaker 10: Heath's lips are shortened to move isolate to mic I 152 00:08:19,160 --> 00:08:24,440 Speaker 10: want to hear what he's saying on it. You're a 153 00:08:24,440 --> 00:08:26,240 Speaker 10: weak stared activity in the hypothalamus. 154 00:08:29,960 --> 00:08:30,280 Speaker 8: M h. 155 00:08:33,480 --> 00:08:35,720 Speaker 6: Uh uh I think he's dreaming about you. 156 00:08:36,000 --> 00:08:38,920 Speaker 11: Shut up, you're blushing and you're a child. 157 00:08:38,960 --> 00:08:40,120 Speaker 7: I want to go out sometime. 158 00:08:41,320 --> 00:08:44,240 Speaker 6: Hmmm, pretty, here's the grammar of your usual dates. 159 00:08:44,440 --> 00:08:46,080 Speaker 11: I'll have you know that no one asked me out 160 00:08:46,080 --> 00:08:46,600 Speaker 11: on dates? 161 00:08:47,440 --> 00:08:48,080 Speaker 6: Was that a comeback? 162 00:08:48,360 --> 00:08:52,439 Speaker 13: Maybe after we're done with that, we can play a game. 163 00:08:54,080 --> 00:09:00,440 Speaker 13: We can see what breaks first. My fists are your face. 164 00:09:03,480 --> 00:09:04,960 Speaker 6: I want this guy out of the building first thing 165 00:09:04,960 --> 00:09:05,560 Speaker 6: tomorrow morning. 166 00:09:05,640 --> 00:09:09,880 Speaker 10: Relax, be a professional. Turned down his mic. I want 167 00:09:09,880 --> 00:09:15,440 Speaker 10: to hear the dream. Stop stop leave? 168 00:09:18,320 --> 00:09:18,880 Speaker 8: Hi went. 169 00:09:24,480 --> 00:09:24,800 Speaker 2: Okay? 170 00:09:24,840 --> 00:09:24,960 Speaker 8: Well? 171 00:09:25,040 --> 00:09:28,640 Speaker 9: Last story. On May seventeenth, April, Everett started having nightmares. 172 00:09:28,760 --> 00:09:29,400 Speaker 2: Out of the blue. 173 00:09:29,920 --> 00:09:32,880 Speaker 9: She finds herself waking up in an intersection, and another 174 00:09:32,920 --> 00:09:35,120 Speaker 9: time she was on the edge of a cliff, so 175 00:09:35,120 --> 00:09:36,960 Speaker 9: she asked her husband to watch over her. One night 176 00:09:37,880 --> 00:09:40,400 Speaker 9: he watches her. She climbs the stairs into the attic 177 00:09:40,440 --> 00:09:42,760 Speaker 9: and she pulled apart all these boxes of junk, and 178 00:09:42,800 --> 00:09:45,800 Speaker 9: then she finds art supplies she isn't touched in years, 179 00:09:46,640 --> 00:09:49,960 Speaker 9: and she paints a dark figure in a forest, and 180 00:09:50,000 --> 00:09:51,840 Speaker 9: they put the drawing in the article. I texted it 181 00:09:51,840 --> 00:09:54,960 Speaker 9: to Josie for comparison, but she hasn't replied yet, so 182 00:09:55,080 --> 00:09:59,440 Speaker 9: we'll see April's nightmares get progressively more intense. She tells 183 00:09:59,440 --> 00:10:01,480 Speaker 9: her husband there something alive in her dreams. She used 184 00:10:01,480 --> 00:10:03,959 Speaker 9: to fight it. That was the last time she ever 185 00:10:04,000 --> 00:10:06,200 Speaker 9: spoke to her husband. She went to sleep that night 186 00:10:06,240 --> 00:10:09,480 Speaker 9: and never woke up a coma. She shows no signs 187 00:10:09,480 --> 00:10:13,240 Speaker 9: of lucidity beyond frequent panicked breathing. She's been enduring a 188 00:10:13,320 --> 00:10:14,520 Speaker 9: seven year long nightmare. 189 00:10:18,960 --> 00:10:20,960 Speaker 11: Sorry, I still had the volume up from his mic. 190 00:10:21,559 --> 00:10:23,720 Speaker 10: Eight subjects now, all of them. 191 00:10:23,400 --> 00:10:25,839 Speaker 6: Doctors used to be equally confident in the efficacy of 192 00:10:25,880 --> 00:10:26,880 Speaker 6: blood letting. It doesn't. 193 00:10:26,920 --> 00:10:29,319 Speaker 10: Everyone's skepticism is getting very tiring at this point. 194 00:10:48,320 --> 00:10:51,360 Speaker 11: Isn't that Eliza mazonstream it is? 195 00:11:00,240 --> 00:11:01,080 Speaker 2: Josie streams. 196 00:11:01,480 --> 00:11:02,240 Speaker 12: That's not possible. 197 00:11:02,360 --> 00:11:04,959 Speaker 10: His brain waves don't make sense. He's fully awaken to 198 00:11:05,040 --> 00:11:06,240 Speaker 10: sleep simultaneously. 199 00:11:08,440 --> 00:11:09,120 Speaker 11: Something's wrong. 200 00:11:09,280 --> 00:11:10,360 Speaker 10: We need to see where this goes. 201 00:11:10,440 --> 00:11:11,439 Speaker 2: He's stalking again. 202 00:11:12,480 --> 00:11:15,920 Speaker 7: Not here again, please anywhere about here? 203 00:11:16,840 --> 00:11:17,760 Speaker 2: This place is hell. 204 00:11:21,080 --> 00:11:21,880 Speaker 11: Where's it take you? 205 00:11:21,960 --> 00:11:22,200 Speaker 8: Not us? 206 00:11:25,240 --> 00:11:28,719 Speaker 12: No, no, no, we have to wake him up. 207 00:11:29,040 --> 00:11:30,760 Speaker 10: The guy who just drummed about killing you. 208 00:11:31,000 --> 00:11:34,520 Speaker 11: He's not in control, but I am. If something happens, 209 00:11:34,720 --> 00:11:35,960 Speaker 11: I'm holding you responsible. 210 00:11:36,280 --> 00:11:38,640 Speaker 10: Do what you have to do. Andrews. 211 00:11:38,720 --> 00:11:42,240 Speaker 2: You hear that right, He's in the forest, just like 212 00:11:42,320 --> 00:11:43,240 Speaker 2: the others. 213 00:12:03,600 --> 00:12:06,360 Speaker 4: Holding up with glue and duct tape. Two weeks ago. 214 00:12:06,480 --> 00:12:08,079 Speaker 9: I thought dreams were just dreams. Now I don't know 215 00:12:08,080 --> 00:12:09,720 Speaker 9: if they're a different plane of existence, or if I 216 00:12:09,760 --> 00:12:11,920 Speaker 9: share these dreams with other people, or there's a monster 217 00:12:12,000 --> 00:12:12,600 Speaker 9: living in them. 218 00:12:12,559 --> 00:12:17,400 Speaker 14: Or what you So remember Stabber and his wife from Conkon. 219 00:12:17,760 --> 00:12:18,520 Speaker 10: How are they doing? 220 00:12:19,000 --> 00:12:20,760 Speaker 8: Not great? They're dead. 221 00:12:22,920 --> 00:12:23,640 Speaker 10: I have a theory. 222 00:12:24,400 --> 00:12:25,720 Speaker 4: Maybe it's a hypothesis. 223 00:12:26,120 --> 00:12:30,520 Speaker 9: Hit me, it's preparing. It's like us carbo loading before race. 224 00:12:30,600 --> 00:12:33,640 Speaker 9: There's the people at Hongkon, the dream sequence patients, and 225 00:12:33,679 --> 00:12:36,360 Speaker 9: who knows who else. This is how it builds up energy. 226 00:12:36,480 --> 00:12:39,440 Speaker 9: It's how it eats. In May seventeenth is right around. 227 00:12:39,200 --> 00:12:41,119 Speaker 8: The corner seven year anniversary. 228 00:12:41,520 --> 00:12:42,920 Speaker 10: Hang on, I'm getting another call. 229 00:12:43,000 --> 00:12:43,679 Speaker 9: I have to take it. 230 00:12:45,920 --> 00:12:46,439 Speaker 4: Josie. 231 00:12:46,679 --> 00:12:51,679 Speaker 9: It's good to hear from you. Do you get my text, Josie, 232 00:12:53,480 --> 00:12:54,160 Speaker 9: say something. 233 00:12:56,280 --> 00:12:57,640 Speaker 14: I'm in the forest again. 234 00:13:02,000 --> 00:13:09,160 Speaker 10: Turn on the dream Hannah. 235 00:13:06,679 --> 00:13:12,520 Speaker 2: Barra, Shohn Breads. Those are our first three patients. 236 00:13:14,440 --> 00:13:15,080 Speaker 8: Hector and. 237 00:13:16,760 --> 00:13:17,880 Speaker 13: Eli's am amazing. 238 00:13:19,040 --> 00:13:23,200 Speaker 2: Helen pose there's no way for him to know their names. 239 00:13:23,280 --> 00:13:27,319 Speaker 6: Chelsea Sadie what's going on? 240 00:13:27,440 --> 00:13:27,920 Speaker 10: I don't know. 241 00:13:29,559 --> 00:13:31,040 Speaker 6: It's time to pay your debts? 242 00:13:33,320 --> 00:13:34,760 Speaker 10: Are you asleep? 243 00:13:36,200 --> 00:13:39,360 Speaker 4: I'm not getting out this time, Josie. 244 00:13:39,679 --> 00:13:40,960 Speaker 9: Listen to me. You need to wake up. 245 00:13:41,040 --> 00:13:46,600 Speaker 14: I'm in the forest. I'm in my room in the forest. 246 00:13:46,800 --> 00:13:51,839 Speaker 14: There are others in my room. There's a knife, weak up, 247 00:13:52,040 --> 00:13:57,280 Speaker 14: juicy for so many more than last time. It's not 248 00:13:57,440 --> 00:14:00,760 Speaker 14: time for them yet, but it is time for me. 249 00:14:02,200 --> 00:14:05,040 Speaker 14: Time to pay up, or I'll be here forever. 250 00:14:05,440 --> 00:14:08,600 Speaker 9: Talk like that. You're scaring me dad. 251 00:14:08,480 --> 00:14:11,640 Speaker 14: After all? Okay, it was never my dad. 252 00:14:11,920 --> 00:14:12,560 Speaker 9: Wake up. 253 00:14:13,000 --> 00:14:22,720 Speaker 14: He's gonna kill your sister. He has a knife too, Manifold, No, Heath. 254 00:14:24,440 --> 00:14:29,000 Speaker 7: Sadie, goodbye, Craig, goodbye. 255 00:14:28,600 --> 00:14:30,440 Speaker 11: And seriously, Sadie, what's happening? 256 00:14:30,560 --> 00:14:31,400 Speaker 10: I said, I don't know? 257 00:14:31,520 --> 00:14:31,840 Speaker 2: Crab? 258 00:14:32,400 --> 00:14:33,960 Speaker 6: What is he saying, Sadie? 259 00:14:33,960 --> 00:14:36,320 Speaker 2: Crab? Sadie Crab. 260 00:14:37,240 --> 00:14:38,080 Speaker 10: I'm gonna wake him up. 261 00:14:38,560 --> 00:14:47,160 Speaker 11: Oh, now that he's saying your name, Sadie, where's Sadie? 262 00:14:47,360 --> 00:14:47,920 Speaker 12: She's waking up? 263 00:14:47,960 --> 00:14:48,760 Speaker 2: Heath, what's wrong? 264 00:14:52,160 --> 00:14:59,520 Speaker 10: Get away from me, Heath, drop the knife. 265 00:15:00,680 --> 00:15:01,520 Speaker 4: Please don't kill me. 266 00:15:01,760 --> 00:15:04,760 Speaker 10: He's not awake. Okay, his eyes are closed. He's not 267 00:15:04,800 --> 00:15:05,280 Speaker 10: in control. 268 00:15:05,440 --> 00:15:06,400 Speaker 6: But do I do? 269 00:15:07,520 --> 00:15:07,880 Speaker 2: Good Bye? 270 00:15:07,960 --> 00:15:16,840 Speaker 10: Actor, stay calm as he's sick. Goodbye, no Jo, Okay, 271 00:15:18,120 --> 00:15:18,600 Speaker 10: don't look. 272 00:15:19,080 --> 00:15:21,720 Speaker 4: You don't want to see Josie. 273 00:15:22,560 --> 00:15:24,080 Speaker 12: I have to call Josie. 274 00:15:24,200 --> 00:15:28,320 Speaker 11: She's in danger. Josie, wake up. 275 00:15:30,400 --> 00:16:17,840 Speaker 15: Goodbye, Josie, Josie, Josie, you're listening to dream Sequence Written 276 00:16:17,880 --> 00:16:21,920 Speaker 15: and created by Andrew Martin Robinson, directed by Dave Beasley 277 00:16:22,000 --> 00:16:22,840 Speaker 15: and John Brooks. 278 00:16:23,440 --> 00:16:28,120 Speaker 1: Executive producers are Molly Barton, Dave Beasley, John Brooks, and 279 00:16:28,200 --> 00:16:31,440 Speaker 1: Marcy Wiseman for Realm, Alex Williams and Trevor Young for 280 00:16:31,480 --> 00:16:35,560 Speaker 1: iHeart Podcasts Chris Dicky and Noah Feinberg for Blumhouse Television. 281 00:16:36,080 --> 00:16:40,080 Speaker 1: Producers for Realm are Fred Greenhoalge, Marcus Thorne, Bagala and 282 00:16:40,160 --> 00:16:45,320 Speaker 1: Rhoda Bayessa. Associate producer Michael Colter. Starring Jesse Case and 283 00:16:45,360 --> 00:16:51,560 Speaker 1: Alice Kremmelberg, with performances by Shalini, Bethina Einer, Gunn, Nick Osborne, 284 00:16:51,800 --> 00:16:58,320 Speaker 1: Winifred Anne Kincannon, Tara Brown, Emily Barry, Linelle Scott, Shannon McClung, 285 00:16:58,800 --> 00:17:05,320 Speaker 1: Dave Huber, Hugo Armstrong, Cooper, Tomilson, Joel Haberley, Simaj Miller, 286 00:17:06,000 --> 00:17:10,440 Speaker 1: Dean Simone, and Brian Finney. Additional Voices by Patrick Higney, 287 00:17:10,600 --> 00:17:15,560 Speaker 1: Fred Greenhoalch, John Brooks, Christina Telesca, and Kaylan West. Casting 288 00:17:15,600 --> 00:17:20,440 Speaker 1: by Sunday Bowling Kennedy and Meg Mormon Production manager Devin Shepherd, 289 00:17:20,880 --> 00:17:25,679 Speaker 1: Production Coordinator Angela Yee. Dialogue editing by Corey Barton, Sound 290 00:17:25,680 --> 00:17:29,000 Speaker 1: designed by Rory O'shay and Dan Powell. Final mixed by 291 00:17:29,040 --> 00:17:33,600 Speaker 1: Kaylan West. Original score composed by Marcus Thorne Pagala Songs 292 00:17:33,600 --> 00:17:37,040 Speaker 1: for Josie by Kaylan West. Recorded at Real Voice Los 293 00:17:37,080 --> 00:17:40,760 Speaker 1: Angeles and Citybox, New York City. This podcast was recorded 294 00:17:40,840 --> 00:17:44,680 Speaker 1: under a SAG after collective bargaining agreement. Dream Sequence is 295 00:17:44,720 --> 00:17:48,800 Speaker 1: a production of iHeart Podcasts, Blumhouse Television, and Realm. Find 296 00:17:48,840 --> 00:17:52,920 Speaker 1: more great podcasts by visiting the iHeartRadio app, Apple Podcasts, 297 00:17:53,040 --> 00:18:01,640 Speaker 1: or wherever you listen to your favorite shows