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Speaker 1: Hi all in.

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Speaker 2: Happy holidays from the whole crew of the history of

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Speaker 2: Curb Your Enthusiasm. Season four has come to a close,

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Speaker 2: and as a special delight, we are re releasing two

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Speaker 2: of our favorite episodes. Then tuned back in on January

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Speaker 2: ninth for the start of season five.

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Speaker 3: Hi everybody, I'm Susie Esmond. Who are you?

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Speaker 1: I'm Jeff Garland.

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Speaker 3: And who's our special guest today?

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Speaker 1: Cheryl?

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Speaker 3: Hi, Cheryl Hih. Hi guys, Hi Cheryl. This is fun

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Speaker 3: and we are on season three, Episode ten, the Grand Opening.

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Speaker 1: People love this episode. Yes, I love this episode.

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Speaker 3: I am questioned about this episode frequently. I know you are.

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Speaker 3: I always love like an episode where I'm not in

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Speaker 3: it a lot, but I'm talked about. I like he

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Speaker 3: left an impression.

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Speaker 1: Yes, one quote, Yes, we'll get more from And that's

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Speaker 1: not even my favorite quote. There's another one that I love.

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Speaker 3: All right, There's so many in this one. So we

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Speaker 3: start out the local news is on TV and Cheryl

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Speaker 3: and Larry are getting ready for bed, and Cheryl's like,

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Speaker 3: guess who canceled lunch with me again? Susie Green, She

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Speaker 3: keeps canceling lunch at me and blah blah, blah, and

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Speaker 3: she used the stupid excuse that she had a dental appointment,

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Speaker 3: and Cheryl says, it's bullshit, And I love that dynamic

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Speaker 3: created usually Cheryl and I are partners in crime. Yeah yeah,

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Speaker 3: wear us against these two. Yeah yeah.

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Speaker 1: I think though that it wasn't developed then were developing

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Speaker 1: it in the hour. Cheryl hated my character, that's right,

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Speaker 1: And then the HBO said to keep that going, and

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Speaker 1: Larry said, I don't have a show off. Those two

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Speaker 1: hate each other and that's why it completely changed.

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Speaker 3: Yeah. Well, you know a lot of these relationships. If

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Speaker 3: you were saying about Larry and I in the last

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Speaker 3: episode about our dynamic, how it changed, you know, and

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Speaker 3: even you and I are die ynamic has changed. So

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Speaker 3: it's something that you develop, especially when you're improvising. We

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Speaker 3: don't know what it is. We're just making it up

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Speaker 3: as we go along. Yes, So Larry says, maybe she's

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Speaker 3: telling the truth. And then Cheryl asked Larry for a favor.

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Speaker 3: She saw an osteopath for her cough, and the osteopaths said,

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Speaker 3: if you take colon cleans, it'll just flush it right

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Speaker 3: out of you, the cough right out of you, which

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Speaker 3: sounds ridiculous to.

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Speaker 1: Me, and Larry does question it. He does question and

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Speaker 1: are I'll do it.

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Speaker 3: He doesn't really believe it. And then we see in

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Speaker 3: the background on the local news Andy Portico, who is

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Speaker 3: the local restaurant critic.

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Speaker 1: Played by Paul Wilson, who I've worked with before, who

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Speaker 1: is a very funny man. He used to be on Cheers.

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Speaker 1: He was not a.

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Speaker 3: Regular, but he had a recurring role on Cheers, okay,

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Speaker 3: and he's known Andy portgo for this thumbs up thumbs down,

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Speaker 3: you know, that's his whole stick about restaurants. And he

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Speaker 3: gives a horrible review to this restaurant, two thumbs down,

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Speaker 3: and then Larry mentions he's coming into the opening. So

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Speaker 3: it's a little sketchy. This guy is a hatchet man.

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Speaker 3: You know, he's going to destroy he gives a bad review,

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Speaker 3: the restaurant is over. He's controlling the fate of our restaurant,

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Speaker 3: is what Larry says. And then oh, Larry mentions that

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Speaker 3: Jeff's daughter, Sammy, goes to the same school as Andy

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Speaker 3: Portico's Sun. So we cut to Larry and Jeff. They

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Speaker 3: are in the health food store getting Sheryl colon cleansed

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Speaker 3: it's the Rainbow health food store, and Larry always says

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Speaker 3: he always feels more unhealthy in a health food store.

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Speaker 3: And he asked Jeff about Susie's bullshit excuse, and Jeff says, no,

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Speaker 3: it's true. She was at a dental appointment. I was

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Speaker 3: with her.

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Speaker 1: Now, not having seen this episode in years, I assumed

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Speaker 1: I was lying when I said, no, it's true, that's true.

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Speaker 1: I know, but I'm saying I didn't remember the episode

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Speaker 1: except little parts. And I was like, yeah, that's I'm lying.

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Speaker 1: I guess I say it the same way either way.

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Speaker 3: You're a very good liar, Yeah, I guess you're very

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Speaker 3: used to it well. And Jeff Green is a very

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Speaker 3: practiced liar, Yeah, much more so than Jeff Garland.

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Speaker 1: I assume I don't really lie.

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Speaker 3: Yeah, that's what I'm saying. Jeff Green and Larry David

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Speaker 3: are big fucking liars on the show.

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Speaker 1: Because lying only gets you into by the way this

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Speaker 1: show is, this show, sample of lying gets you into

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Speaker 1: worse trouble. And I've always felt that and that's the

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Speaker 1: way I work. Big ears small mouth, also.

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Speaker 3: Big ears small mouth.

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Speaker 1: Yeah, love hearing, don't talk well.

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Speaker 3: You have not followed that.

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Speaker 1: Oh yes, I have. I most certainly am. And especially

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Speaker 1: by the way, Larry and I, that's our mantra with

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Speaker 1: each other. Okay, like you know, if he tells me something,

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Speaker 1: I don't say anything.

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Speaker 3: I know that, okay, yeah, different, I see.

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Speaker 1: What you're saying about people I don't know.

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Speaker 3: Yeah, yeah, okay, we get it. So then Larry is

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Speaker 3: the clerk where the colon cleanses, and the clerk shouts

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Speaker 3: across to the cashier guy, where's the call? And everybody's

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Speaker 3: staring at Larry about getting the coal.

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Speaker 1: And blinking of everybody. Did you notice someone in that

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Speaker 1: scene now as one of the customers, Aaron O'Malley.

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Speaker 4: I didn't notice that.

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Speaker 5: Shoot, I didn't notice see them because my friend Ben

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Speaker 5: Falcone is the person that shouts it right, where's the okay,

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Speaker 5: which I which I didn't. I totally forgot. The man

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Speaker 5: is married to Melissa McCarthy.

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Speaker 1: Who you also got on the show. She was in

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Speaker 1: the with the doll and the toy start because he was.

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Speaker 5: Looking for gosh, these guys, these guys are groundlings, and

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Speaker 5: so I would you know, when we were casting stuff,

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Speaker 5: I would always bring in my friends like you have

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Speaker 5: to you have to see this person. You have to

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Speaker 5: see that person, and they come in and.

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Speaker 3: So Cheryl would bring in Groundlings and Jeff would bring

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Speaker 3: in Second City.

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Speaker 1: Yeah, for the most part, Yeah, that was very true.

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Speaker 3: Yeah. Well, and they were all terrific and well trained

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Speaker 3: improv people.

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Speaker 1: Yeah, for the most part, they were all cast.

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Speaker 5: It does feel like that. It does feel like that, Yeah,

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Speaker 5: because they.

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Speaker 3: Were all good. They were all good, and you know,

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Speaker 3: you know, when you're working with somebody in that context improvising,

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Speaker 3: you know whether they're good or not. It's it's like

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Speaker 3: because you're you're on stage with them, and it's you know,

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Speaker 3: and they're.

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Speaker 1: Also the most equipped to do the show.

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Speaker 3: Yeah, And Larry screams is for my wife, you know,

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Speaker 3: he gets all embarrassed from my wife. And then and

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Speaker 3: then in the door he sees somebody that looks very familiar,

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Speaker 3: a guy with a full head of dark hair, you know,

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Speaker 3: walking out into the parking lot and he's and he's

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Speaker 3: like realizing that's the chef that he hired. And he

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Speaker 3: only hired the chef because he was bald. But Cheryl

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Speaker 3: pointed out in that episode before this one that he

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Speaker 3: only hired the chef because he was bald and Larry

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Speaker 3: and Jeff confront the chef. What was his name, Jeff?

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Speaker 1: I forgot Gomez played the chef.

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Speaker 3: No, but not that with the chef's name. I forgot.

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Speaker 1: I couldn't tell you that in a million years.

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Speaker 3: And they're like, what's with the two pei?

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Speaker 1: Phil? Right?

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Speaker 4: Yeah, yeah, yeah, what's that?

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Speaker 6: I thought you said you didn't well, yeah, I did

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Speaker 6: came into the interview, Yes, I.

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Speaker 2: I I just assumed and I was right that you're

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Speaker 2: one of those people find that men who enhance their.

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Speaker 1: Appearance are wrong and it stupid.

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Speaker 6: So I took my to pay off. He came in

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Speaker 6: ball just to get the job.

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Speaker 1: I'm sorry, I deceived. I hope this doesn't you know,

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Speaker 1: affect you know.

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Speaker 6: Well, I'm sorry, but but but it will. I know,

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Speaker 6: but I don't trust you. I'm sorry. You gotta be

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Speaker 6: ashamed of yourself. Let's go.

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Speaker 3: And all that. That's it.

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Speaker 7: You know.

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Speaker 3: That was hilarious anyway.

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Speaker 1: Yes, but also Ian's explanation of that he thought that

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Speaker 1: he shouldn't wear it for the interview, and then when

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Speaker 1: he saw that Larry really had disgust for people wearing

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Speaker 1: too pass the choice. The Nazi should have picked them up.

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Speaker 1: That's extreme. And then so he wouldn't wear it whenever

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Speaker 1: he saw Larry. And I think that's reasonable. But Larry's like,

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Speaker 1: I have to.

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Speaker 3: Fll Larry doesn't trust him, and he is he's Larry's

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Speaker 3: you ought to be ashamed of yourself. And Larry once

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Speaker 3: told my husband, Jimmy has a shaved ted. He's ball,

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Speaker 3: but he shaves his head. And Larry once told him

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Speaker 3: that he's not really a part of the Ball brotherhood

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Speaker 3: because he fakes it by trying to make it seem

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Speaker 3: like he's part of the by shaving.

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Speaker 1: A bald community.

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Speaker 3: Does the bald community brotherhood? He says, also bald brotherhood.

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Speaker 3: And then you're in the car, Larry and Jeff are

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Speaker 3: in the car. And what was he thinking? He had

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Speaker 3: no plan. He had no plan, you know, no system.

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Speaker 3: And Larry says that Jeff would have a proclivity to

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Speaker 3: hire a fat person as opposed to a thin person.

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Speaker 1: So, by the way, I don't know if that's true

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Speaker 1: about fat people. I think that's a false observation.

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Speaker 3: It would depend I doubt it's true about bull people too.

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Speaker 3: It's only no, no, no, I think it's true.

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Speaker 1: Thinks that would be definitely true that you'd have a

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Speaker 1: proclivity for other ball people like you know, that's like,

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Speaker 1: you know, he says, the community, the brotherhood, that is real.

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Speaker 3: Well, you know what, I feel an affinity for curly heads.

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Speaker 3: What for women with curly hair? I feel an affinity

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Speaker 3: for them.

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Speaker 1: Oh, so would you hire someone.

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Speaker 3: H But I feel because it's such a thing when

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Speaker 3: you grow when you grow up with curly hair. It

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Speaker 3: is a thing, trust me. And whenever I see somebody

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Speaker 3: with curly hair, we always say what products do you use?

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Speaker 3: There's always like some kind of connection about having curly hair.

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Speaker 3: That's too funny.

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Speaker 5: But by the way, Jebo, one of my favorite lines

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Speaker 5: in this show, and I won't even quote it, but

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Speaker 5: when you guys were talking about this chef wearing the

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Speaker 5: two pay in the day and not wearing it at night,

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Speaker 5: and you said, what kind of life is that? He's

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Speaker 5: like living a duel in consistance.

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Speaker 1: By the way, this is also I Belie leave. The

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Speaker 1: first time Larry and I just have a conversation, like

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Speaker 1: a full on conversation about stuff in the show, I

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Speaker 1: think before it was more succinct. And I love when

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Speaker 1: they're yes, yes, that's because that's the way I like

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Speaker 1: to work. I don't care how much screen time. I

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Speaker 1: just like working with air. I don't like when it

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Speaker 1: has to be succinct.

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Speaker 3: Well, then you guys go into a whole riff on

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Speaker 3: this thing about.

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Speaker 6: Yes, okay, so I do so, so what Well, I'm

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Speaker 6: just want you to notice, Okay, I noticed is duly noted.

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Speaker 1: All right, I know you. I knew.

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Speaker 7: Before.

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Speaker 6: Yeah, you know, I was going to say that too,

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Speaker 6: say that.

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Speaker 3: I knew you were going to say that. I knew

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Speaker 3: you were going to say that. Yeah, yeah, yeah, which

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Speaker 3: was very funny and.

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Speaker 1: It's funny and I love it. Do you remember in

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Speaker 1: the in the Richard Kindes episode, I was talking about

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Speaker 1: the scene at the entrance to the cemetery that it

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Speaker 1: was cut out. Yeah, and they killed me because it

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Speaker 1: was one of those scenes it was just so real

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Speaker 1: and funny and they killed me. So that's what this

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Speaker 1: scene is like like.

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Speaker 3: That, right, okay, right, And you know, I think those

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Speaker 3: scenes are important between all of us, just to show

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Speaker 3: what the relationships are.

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Speaker 1: They're very important.

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Speaker 5: Yes, that's one of the things that I really noticed

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Speaker 5: watching these two episodes, you know, watching this one, and

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Speaker 5: because back in these early days. So many of my

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Speaker 5: scenes with Larry were in our bedroom, yes, you know,

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Speaker 5: getting ready for bed, and it's like it didn't feel

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Speaker 5: like a scene.

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Speaker 3: It just felt like we're talking about stuff.

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Speaker 5: And I really missed that part, you know, because people

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Speaker 5: are intimacy. Intimacy, Yeah, people are different when they're out

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Speaker 5: with their face.

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Speaker 1: By the way, those scenes we believe you're married. It

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Speaker 1: firmly establishes your relationships.

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Speaker 3: Yeah.

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Speaker 5: By the way, when we were shooting, especially during that time,

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Speaker 5: sometimes I would feel like, oh, I have a dual existence,

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Speaker 5: Like I think in one world I'm.

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Speaker 3: Married to Larry, and then another world I am a

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Speaker 3: completely different person.

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Speaker 5: But when we were shooting, because you know, just because

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Speaker 5: of the nature of the show and it's improvised, and

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Speaker 5: usually you know, the takes are pretty long because we.

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Speaker 3: Just we don't know what we'd I want to.

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Speaker 5: Cut and it will just be quiet, you know, scenes

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Speaker 5: with me and Larry just lying in bed or brushing

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Speaker 5: our teeth.

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Speaker 3: I love those scenes. Yeah, I love those scenes. And

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Speaker 3: a lot of times I know there was not stuff

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Speaker 3: that was written, but great stuff came out. Yeah.

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Speaker 1: Yeah, it was a skeleton on those scenes, the skeleton script.

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Speaker 1: It was a Bear Essentials.

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Speaker 5: Yeah, so I miss I really miss those because that

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Speaker 5: that was really fun and like you're saying intimate, okay,

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Speaker 5: go ahead, okay.

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Speaker 1: So yeah, Well, if anyone doesn't need to say okay,

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Speaker 1: go ahead, it's you. I'm the annoying one. I'm the

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Speaker 1: bipolar one.

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Speaker 5: You.

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Speaker 1: We're just so happy to have you here to talk

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Speaker 1: to you.

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Speaker 8: Okay, all right, we'll be right back.

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Speaker 4: Stay tuned, and we're back.

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Speaker 3: So then you guys established no chef and the restaurant

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Speaker 3: is opening in four days because Larry now has to

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Speaker 3: fire the guy because he has a two pay. He

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Speaker 3: can't he can't have the guy be the chef because

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Speaker 3: he has to pay. So then you're gonna go to

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Speaker 3: Sammy's school and drop off Sammy's lunch, and then you're

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Speaker 3: gonna go to the restaurant. So you go to Sammy's

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Speaker 3: school and Larry sees these all these kids, these teenagers

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Speaker 3: because it's a K through twelve school and they're all

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Speaker 3: both First, Larry sees the kid. He goes, oh, look

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Speaker 3: at that kid. He's going through chemo therapy. And Jeff

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Speaker 3: explains to him, no, there is a kid going through

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Speaker 3: chemo therapy at the school. And all the other seniors

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Speaker 3: shaved their heads in solidarity with this kid who's going

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Speaker 3: through chemo.

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Speaker 1: May I say something logic wise, Yeah, why is Sammy

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Speaker 1: going to school with seniors in high school? She's like eight?

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Speaker 3: Because Larry asked you that question and you said it's

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Speaker 3: a K through twelve school. Oh, I'm sorry he asked

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Speaker 3: you that question. The thing so because obviously it was

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Speaker 3: odd to him as well. Yes, And Larry has a

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Speaker 3: moment where he.

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Speaker 6: Says, you know, maybe maybe one day I'll got a

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Speaker 6: chance to do something good for somebody like that.

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Speaker 1: It's really touching. You've already got a kind of a

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Speaker 1: head start.

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Speaker 3: Actually, maybe someday I'll be able to do something, you know,

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Speaker 3: like that shave my head in solidarity and show support

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Speaker 3: to somebody. Maybe someday I'll be able to do that.

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Speaker 3: And knowing him as we know him, you just think

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Speaker 3: he'll never be able to do head start.

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Speaker 1: Yes.

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Speaker 3: And then there's a game of dodgeball, which I you

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Speaker 3: know what, I remember dodgeball very very well and element

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Speaker 3: I hated dodgeball terrifying. We had this really sadistic gym teacher,

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Speaker 3: mister Anderson, and he used, you know, the boys used

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Speaker 3: to throw the ball and you would get these burnings,

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Speaker 3: I know, and he would enjoy it. I really think

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Speaker 3: he used.

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Speaker 5: To enjoy the same thing happened with me. And it

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Speaker 5: was terrifying. It was terrified that ball coming. I could

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Speaker 5: really get hurt.

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Speaker 1: We used to play a game called bombardment, which is

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Speaker 1: a little bit because dodgeball there's lots of balls going

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Speaker 1: at once. Bombardment it's one ball that you throw and

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Speaker 1: try and hit somebody and knock them out. And I

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Speaker 1: remember it was very disturbing for me. I was very athletic,

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Speaker 1: so I was in until the end. But that being said,

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Speaker 1: the weakest kids were the first targets.

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Speaker 3: Yeah.

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Speaker 1: And I saw these poor, sweet, nerdy kids who were

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Speaker 1: horrified getting like it was just so terrifying and wrong. Yeah, bombardment.

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Speaker 1: Dodgeball should be voluntary own. Yeah.

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Speaker 3: And you know what what I recall is the boys.

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Speaker 3: If the boys liked you, they'd hit you extra hard,

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Speaker 3: you know, because they were eight or nine. And we

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Speaker 3: need to show how exactly. So there is a game

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Speaker 3: of dodgeball and we see that Andy Portico thumbs up

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Speaker 3: thumbs down, is playing and Larry gets into the game

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Speaker 3: with Andy and Portico says, I'm coming to your restaurant

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Speaker 3: next week to review it. And you see, Portico is

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Speaker 3: fucking brutal in this dodge ball game. He's hitting kids.

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Speaker 3: He's just competitive. You're really taking him out.

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Speaker 1: Yeah, well he's hitting the kids. It is really funny.

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Speaker 3: It is really funny. Well you see who this guy is.

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Speaker 3: I mean, it's a great indication of who this guy is.

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Speaker 3: It's a character thing. And then he starts going back

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Speaker 3: and forth with Larry and they get into it.

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Speaker 4: All right, you hit the ground, hit the ground, hit

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Speaker 4: the ground.

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Speaker 9: Portoco out, well, even done.

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Speaker 3: Sorry, And finally Larry throws the ball at him really

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Speaker 3: hard and he breaks his fingers.

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Speaker 1: Not good now, by the way, When I come out

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Speaker 1: and I say, what the fuck, I think that's the

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Speaker 1: first what the fuck. I'm being serious when I say

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Speaker 1: these things because I've said it to him so many

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Speaker 1: times on the show. Yeah, that might be the first

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Speaker 1: what the fuck? And I have two pieces of information.

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Speaker 1: One's a trivia piece and one's so even though I

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Speaker 1: say I'm walking off to go deliver it to Sammy,

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Speaker 1: I'm not. I'm back in my producer's chair watching on

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Speaker 1: the monitor. So I'm sitting there and Larry looks at

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Speaker 1: me before the scene's being shot, and he goes, you

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Speaker 1: know what to do, and I go, I do my

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Speaker 1: job on the show from the very beginning to the

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Speaker 1: very end was extra. Watch my eyes. I've watched the scene, certainly,

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Speaker 1: but I was the one watching the extress and I'm

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Speaker 1: not allowed to talk to the extress. Neither is the

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Speaker 1: director the AD.

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Speaker 3: So it was wait, so let me ask, wait, is

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Speaker 3: that true? Dale? It was Dale? Yeah, Dale, They're not.

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Speaker 3: They're literally only the AD is allowed to talk to extras.

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Speaker 3: That's a rule. Yes, I know that.

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Speaker 1: He's the one who communicates with them, so otherwise they'd

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Speaker 1: be hearing things from a million different directions.

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Speaker 3: Yeah, so Dale was really Stern.

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Speaker 1: Dale Stern was running in circles that day because there

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Speaker 1: were so many extras, being afraid of the ball in

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Speaker 1: a gigantic way, throwing the ball with a spin like

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Speaker 1: nothing was real. So I'm doing that, doing that, doing that. Okay,

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Speaker 1: Now that day was a really I've got goosebumps because

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Speaker 1: I never forget it. So We're at lunchtime and I'm

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Speaker 1: sitting in the parking lot away from everybody in the

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Speaker 1: director's chair, and I get a phone call telling me

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Speaker 1: I've been casting Daddy Daycare. Then I'm going to be

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Speaker 1: one of the leads in a movie with Eddie Murphy.

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Speaker 1: And I remember sitting there on the set. I could

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Speaker 1: not believe it. I could I was in awe And

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00:19:04,480 --> 00:19:07,399
Speaker 1: actually aerinon O'Malley took a picture of me in that

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Speaker 1: moment of me being on the.

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Speaker 3: Phone, But that was Can I just say tell everybody

385
00:19:12,080 --> 00:19:15,280
Speaker 3: who Erin O'Malley is Erin O'Malley was our line producer

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Speaker 3: at the time.

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Speaker 1: Who became coexact and exec who even from the moment

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Speaker 1: she was line producer, she should have been given the

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Speaker 1: credit of executive producer.

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Speaker 3: What she messed she was terrific. And she's now a director.

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Speaker 3: I'm she directs like crazy now.

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Speaker 1: She was an executive producer of You Girl, like so

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Speaker 1: many big shows she's been the executive producer on and

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Speaker 1: I know because she's produced two of my movies that

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Speaker 1: she's always wanted to direct, and so I'm so happy

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Speaker 1: for her, and I'm seeing her in a couple of weeks.

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Speaker 1: So you could tell me to say hello.

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Speaker 3: To please say hell. Erin O'Malley, We say hello, Okay.

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Speaker 1: Cool. So that's a trivia and a piece of information

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Speaker 1: on extras.

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00:19:54,800 --> 00:19:56,360
Speaker 3: And extras are a whole other thing.

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Speaker 1: Background is a big ball of interesting.

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00:20:00,240 --> 00:20:03,360
Speaker 3: Yes on many levels, Cheryl, What were you going to say, honey.

404
00:20:03,320 --> 00:20:05,520
Speaker 5: No, no, I was I'm just agreeing with you about

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Speaker 5: the extras.

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00:20:07,040 --> 00:20:09,160
Speaker 3: Yeah, we've had some moments.

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00:20:09,400 --> 00:20:13,679
Speaker 1: Yes. By the way, whenever we film with background, I

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00:20:13,840 --> 00:20:17,240
Speaker 1: go around to them and thank them for doing the show, yes,

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00:20:18,240 --> 00:20:20,639
Speaker 1: which which they're always like what I go, no, no, no,

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00:20:20,680 --> 00:20:21,560
Speaker 1: thank you very much.

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00:20:21,400 --> 00:20:24,120
Speaker 3: For doing That's very sweet to me. The most challenging

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00:20:24,160 --> 00:20:27,520
Speaker 3: thing with extras was during the pandemic. That was very challenging.

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00:20:27,680 --> 00:20:28,439
Speaker 3: That's later on.

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Speaker 5: I'm just what it's a one little background story and

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00:20:31,480 --> 00:20:33,880
Speaker 5: it's not about this episode, but it's it'll be one

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Speaker 5: in the future. And I couldn't even tell you which one.

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Speaker 5: But and I don't know if you guys were there

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00:20:37,880 --> 00:20:40,520
Speaker 5: that day, but we were shooting something where, you know,

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Speaker 5: like a wake type of a thing in somebody's living room.

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Speaker 3: Somebody had just died.

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Speaker 1: And no, that's already happened that season one, beloved ant.

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Speaker 3: Well, it could have been something else. I The funk

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Speaker 3: Howser Memorial's been many.

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Speaker 5: Yeah, I think this one is is later later, because

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Speaker 5: I'm sure it was the second idea told background you're

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Speaker 5: not to talk in this scene, you know, just the principles,

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00:21:04,080 --> 00:21:06,879
Speaker 5: and so it's kind of a quiet scene and Larry

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Speaker 5: walks up to one of the background and says, uh,

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Speaker 5: you know, I don't know who died, but let's say

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Speaker 5: his name was Frank.

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00:21:12,760 --> 00:21:14,840
Speaker 3: And he's like, how did you know Frank?

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Speaker 5: And the background players just started mouthing words.

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Speaker 1: I completely forgotten that. And there was one you know,

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00:21:26,600 --> 00:21:29,680
Speaker 1: Larry and I for the rest of time would imitate that.

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00:21:30,160 --> 00:21:33,119
Speaker 1: Oh my god, I know where that was. That was

436
00:21:33,160 --> 00:21:35,680
Speaker 1: at the scene where Larry throws a twenty dollars bill

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Speaker 1: on the ground because he stole the perfume for you.

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00:21:39,040 --> 00:21:42,680
Speaker 3: That's when he's going on a funk Houser memorial. Yes, yes, yes,

439
00:21:43,600 --> 00:21:46,359
Speaker 3: And then Larry was like, what are you doing? And

440
00:21:46,400 --> 00:21:51,840
Speaker 3: the guy is still like mouthing words back to Larry.

441
00:21:52,160 --> 00:21:56,760
Speaker 1: Well, it was Larry's fault for asking him a question. Yeah, totally.

442
00:21:57,440 --> 00:22:01,640
Speaker 5: Larry was like, what's going on in this scene? And

443
00:22:02,240 --> 00:22:05,720
Speaker 5: you know, did they stopped it down and asked the

444
00:22:05,760 --> 00:22:07,480
Speaker 5: guy and he said, I was told not to talk

445
00:22:07,760 --> 00:22:11,080
Speaker 5: and then Larry. If my memory serves me, I think

446
00:22:11,160 --> 00:22:13,720
Speaker 5: Larry was so taken with the guy that he said,

447
00:22:13,720 --> 00:22:15,760
Speaker 5: I'm going to ask you a question you can answer.

448
00:22:16,720 --> 00:22:17,840
Speaker 3: Think you got a lie in that day.

449
00:22:18,000 --> 00:22:21,160
Speaker 1: For a period that didn't happen towards the later seasons,

450
00:22:21,440 --> 00:22:24,800
Speaker 1: but for a period we upgraded more extras than I've

451
00:22:24,840 --> 00:22:28,000
Speaker 1: ever seen in my life, including beloved ant. All those

452
00:22:28,040 --> 00:22:31,680
Speaker 1: people sitting on the couch in the living room were background,

453
00:22:31,720 --> 00:22:34,520
Speaker 1: and suddenly they all had parts and they were free

454
00:22:34,560 --> 00:22:37,000
Speaker 1: to talk. And by the way they were, they were

455
00:22:37,119 --> 00:22:38,640
Speaker 1: fucking good too.

456
00:22:38,840 --> 00:22:41,600
Speaker 3: And Jeff, let's just clarify for people who don't know,

457
00:22:42,040 --> 00:22:45,879
Speaker 3: extras are paid more if they speak a background.

458
00:22:45,920 --> 00:22:50,560
Speaker 1: If they have no extras, they're upgraded to an under five.

459
00:22:51,080 --> 00:22:52,840
Speaker 1: Or if they do more than five, they get it.

460
00:22:52,920 --> 00:22:54,080
Speaker 1: They're paid more.

461
00:22:53,840 --> 00:22:56,480
Speaker 3: They're any credit, they get it. You know, you put

462
00:22:56,520 --> 00:22:56,760
Speaker 3: it on.

463
00:22:56,720 --> 00:23:01,520
Speaker 1: Your they're acting, and that's an acting job. Not that

464
00:23:01,760 --> 00:23:04,720
Speaker 1: I think background is acting. Great. Background it is is

465
00:23:04,800 --> 00:23:05,640
Speaker 1: so appreciative.

466
00:23:05,720 --> 00:23:08,320
Speaker 3: It's hard to do. It is hard to do, and

467
00:23:08,359 --> 00:23:09,760
Speaker 3: by the way, they got to do it over and

468
00:23:09,800 --> 00:23:12,480
Speaker 3: over and over again, take after take after take. Okay,

469
00:23:12,520 --> 00:23:15,640
Speaker 3: so now we're back at Bobo's at the restaurant, and

470
00:23:15,720 --> 00:23:18,880
Speaker 3: Larry says he they're all upset that everybody's there, Jim

471
00:23:18,920 --> 00:23:23,600
Speaker 3: Swinson and Susie Nakamura and lu DiMaggio and Michael York

472
00:23:23,640 --> 00:23:26,560
Speaker 3: and apparently Ted is gone. Ted has taking his money

473
00:23:26,560 --> 00:23:29,280
Speaker 3: and left, and Larry said he had to fire him.

474
00:23:29,320 --> 00:23:32,760
Speaker 3: He's a liar. And now they're all, you know, nonplussed.

475
00:23:33,240 --> 00:23:35,800
Speaker 3: You know, Portico is gonna they're stuck in the mire,

476
00:23:35,880 --> 00:23:38,399
Speaker 3: in the muck, and Portico is going to slaughter around.

477
00:23:38,600 --> 00:23:41,879
Speaker 1: Hold on. That is the minutia kind of thing that

478
00:23:42,040 --> 00:23:44,800
Speaker 1: Larry loves. I love as a viewer. I love being

479
00:23:44,800 --> 00:23:45,720
Speaker 1: there watching it.

480
00:23:45,920 --> 00:23:48,639
Speaker 3: When he said it's a language thing too, you know,

481
00:23:48,680 --> 00:23:49,960
Speaker 3: it's a use of legs.

482
00:23:50,480 --> 00:23:53,160
Speaker 1: The nuance of both words that might mean the same

483
00:23:53,560 --> 00:23:56,720
Speaker 1: and going back and forth. I find that so delightful.

484
00:23:56,960 --> 00:23:58,159
Speaker 1: And Larry's great.

485
00:23:57,920 --> 00:24:00,400
Speaker 3: At it, great at it. Well, he said, he's a

486
00:24:00,520 --> 00:24:04,399
Speaker 3: word smith. And then they tell Larry he's got to

487
00:24:04,440 --> 00:24:07,520
Speaker 3: go apologize to Portico. So he does. He goes to

488
00:24:07,600 --> 00:24:11,400
Speaker 3: apologize to Portico, and we see Portico's got two too big.

489
00:24:11,520 --> 00:24:14,879
Speaker 3: His hands are completely wrapped up. Why for a couple

490
00:24:14,880 --> 00:24:17,439
Speaker 3: of fingers, I don't know, but it works and and

491
00:24:17,640 --> 00:24:20,720
Speaker 3: Eldie apologizes, and he won't be able to review the

492
00:24:20,760 --> 00:24:23,640
Speaker 3: restaurant now because he can't do thumbs up with thumbs down.

493
00:24:23,680 --> 00:24:26,200
Speaker 3: That's his stick. If he can't do thumbs up thumbs down,

494
00:24:26,240 --> 00:24:29,960
Speaker 3: it's over for him. And Portico tells him about this

495
00:24:30,119 --> 00:24:33,080
Speaker 3: chef that he knows who was just at Martinez in

496
00:24:33,119 --> 00:24:37,560
Speaker 3: New York, Gee Berney Burney. What was his name was

497
00:24:37,600 --> 00:24:42,200
Speaker 3: that it Jeff, It's gee, he's friend. And then and

498
00:24:42,280 --> 00:24:47,520
Speaker 3: then Portico's assistant brings him spaghetti and Portico is completely

499
00:24:47,520 --> 00:24:49,879
Speaker 3: abusive to the assistant. So you see what a fucking

500
00:24:49,920 --> 00:24:53,359
Speaker 3: asshole this guy is. And eld starts to feed him

501
00:24:53,359 --> 00:24:55,040
Speaker 3: the spaghetti, which is really gross.

502
00:24:55,320 --> 00:24:57,679
Speaker 6: Let's make this happen, Larry, okay, come on, no.

503
00:25:00,080 --> 00:25:02,359
Speaker 3: No no, no, no, and will you stop it?

504
00:25:02,640 --> 00:25:04,280
Speaker 1: No? No you please?

505
00:25:04,560 --> 00:25:06,200
Speaker 3: You come on?

506
00:25:08,040 --> 00:25:08,280
Speaker 5: Good?

507
00:25:08,560 --> 00:25:08,760
Speaker 1: Good?

508
00:25:09,680 --> 00:25:09,840
Speaker 7: Yeah?

509
00:25:10,000 --> 00:25:10,920
Speaker 1: Good, it's good.

510
00:25:11,000 --> 00:25:12,119
Speaker 6: Isn't that parcas?

511
00:25:14,000 --> 00:25:17,439
Speaker 1: Oh? Oh my gosh, I'm sorry.

512
00:25:18,359 --> 00:25:18,560
Speaker 3: Yeah.

513
00:25:21,160 --> 00:25:23,600
Speaker 1: Oh, by the way, So he starts hold on, He

514
00:25:23,760 --> 00:25:28,000
Speaker 1: starts out giving small amounts, and then he starts shoving

515
00:25:30,480 --> 00:25:32,240
Speaker 1: torch folds, which is hilarious.

516
00:25:32,280 --> 00:25:33,960
Speaker 3: Then we go out and I think I think he

517
00:25:34,119 --> 00:25:36,879
Speaker 3: did that because he's no longer reviewing the restaurant, so

518
00:25:36,920 --> 00:25:38,560
Speaker 3: we didn't have to be nice to him anymore.

519
00:25:38,760 --> 00:25:41,520
Speaker 1: But I think his big motivation was the way he

520
00:25:41,720 --> 00:25:43,760
Speaker 1: treated his assistance. It was horrible.

521
00:25:43,920 --> 00:25:46,240
Speaker 3: Yeah, yeah, yeah, yeah, we'll be right back.

522
00:25:46,440 --> 00:25:47,040
Speaker 4: Stay tuned.

523
00:25:58,040 --> 00:26:01,440
Speaker 3: Okay, we're back. And then cut to the restaurant and

524
00:26:01,480 --> 00:26:06,200
Speaker 3: they were interviewing Gie Bernet, who is played by Paul Sand.

525
00:26:06,440 --> 00:26:11,320
Speaker 1: Paul Sand who is Second City and also a legend

526
00:26:11,440 --> 00:26:14,440
Speaker 1: and show legend and a true and a true genius

527
00:26:14,560 --> 00:26:17,920
Speaker 1: on so many levels. He had the highest rated show

528
00:26:18,040 --> 00:26:19,920
Speaker 1: ever to be canceled on Network TV.

529
00:26:20,119 --> 00:26:21,440
Speaker 3: What was that? It was a sitcom?

530
00:26:21,560 --> 00:26:23,800
Speaker 1: I can't Yes, it was sitcom. It was on Saturday

531
00:26:23,880 --> 00:26:26,560
Speaker 1: Nights with Mary Tyler Moore, Bob Newhart and all that,

532
00:26:27,040 --> 00:26:29,480
Speaker 1: and it was really successful. And I forgot the read

533
00:26:29,680 --> 00:26:32,439
Speaker 1: he told me the story. I cannot remember it now,

534
00:26:32,760 --> 00:26:34,760
Speaker 1: but I think that's a fascinating piece of trivia.

535
00:26:34,880 --> 00:26:36,760
Speaker 3: Well why did they cancel it? Who knows?

536
00:26:37,040 --> 00:26:40,240
Speaker 1: I don't remember, but it was at the time. It

537
00:26:40,359 --> 00:26:43,880
Speaker 1: may still be the highest rated show ever to get canceled.

538
00:26:44,119 --> 00:26:46,879
Speaker 3: Okay, And we see Paul Sand is playing Gee and

539
00:26:46,960 --> 00:26:50,400
Speaker 3: he's French and he's very you know, particularly he will

540
00:26:50,520 --> 00:26:52,760
Speaker 3: not cook salmon. He will not take it, He will

541
00:26:52,840 --> 00:26:55,600
Speaker 3: not poach it. He did, will not cook with capers.

542
00:26:56,080 --> 00:26:58,800
Speaker 1: You know, I hate you.

543
00:26:58,920 --> 00:27:02,040
Speaker 3: See, he's like an EXCES crazy guy. And then Larry

544
00:27:02,160 --> 00:27:06,520
Speaker 3: notices a number tattooed on his forearm and assumes that

545
00:27:06,640 --> 00:27:10,200
Speaker 3: he is a Holocaust survivor because when you entered a

546
00:27:10,240 --> 00:27:13,400
Speaker 3: concentration camp, they tattooed a number onto your arm because

547
00:27:13,400 --> 00:27:15,680
Speaker 3: you were just cattle. You were not a human being.

548
00:27:16,280 --> 00:27:20,919
Speaker 3: And all of a sudden, Gee starts she cockstucker and starts,

549
00:27:21,000 --> 00:27:24,840
Speaker 3: you know, cursoring. Then we cut to Cheryl and Larry

550
00:27:24,920 --> 00:27:29,200
Speaker 3: getting into Larry's car, and Larry's car is filthy and disgusting,

551
00:27:29,600 --> 00:27:32,920
Speaker 3: and Cheryl complains about it that it's disgusting, and Larry says,

552
00:27:32,960 --> 00:27:34,480
Speaker 3: I'm going to go to a car wash, and Cheryl says,

553
00:27:34,480 --> 00:27:36,520
Speaker 3: I don't have time. I'm meeting Susie for lunch. If

554
00:27:36,560 --> 00:27:38,560
Speaker 3: I'm late, she's going to be angry at me again,

555
00:27:38,640 --> 00:27:40,560
Speaker 3: and blah blah blah, and Larry says it's only going

556
00:27:40,640 --> 00:27:44,440
Speaker 3: to take two minutes, and then they're in the car wash. Now, Cheryl,

557
00:27:44,600 --> 00:27:46,520
Speaker 3: I know you remember shooting this scene.

558
00:27:46,880 --> 00:27:50,320
Speaker 1: Oh I do, yes, by the way, I remember it,

559
00:27:50,400 --> 00:27:52,879
Speaker 1: and I was in awe. I could not believe it.

560
00:27:53,240 --> 00:27:56,200
Speaker 1: Larry and I just kept saying this phrase over to

561
00:27:56,320 --> 00:27:56,720
Speaker 1: one another.

562
00:27:57,080 --> 00:27:59,720
Speaker 3: What a sport, Yes, you really were.

563
00:28:00,119 --> 00:28:02,720
Speaker 1: We said that maybe a hundred times. Wow.

564
00:28:02,840 --> 00:28:05,280
Speaker 3: So you went into a real car wash? Yeah, yes,

565
00:28:05,400 --> 00:28:08,480
Speaker 3: he was a real car wash, which is crazy. So

566
00:28:08,760 --> 00:28:10,879
Speaker 3: let me let me just say what happens, and then

567
00:28:10,960 --> 00:28:13,280
Speaker 3: we'll go to that. In the car wash, Cheryl's getting

568
00:28:13,320 --> 00:28:15,919
Speaker 3: cramps from her calling cleans, and all of a sudden

569
00:28:16,000 --> 00:28:18,359
Speaker 3: the car is stuck. It's not moving. You're banging on

570
00:28:18,440 --> 00:28:22,040
Speaker 3: the window. Cheryl has to go really bad. Larry calls,

571
00:28:22,119 --> 00:28:24,000
Speaker 3: tries to get the number of the car wash. He

572
00:28:24,240 --> 00:28:26,840
Speaker 3: finally gets it. He's screaming at the woman. She can't

573
00:28:26,920 --> 00:28:28,320
Speaker 3: hear him because it's so loud.

574
00:28:28,480 --> 00:28:31,040
Speaker 1: And by the way, she's smiling all through that, which

575
00:28:31,080 --> 00:28:32,000
Speaker 1: I thought was awesome.

576
00:28:32,119 --> 00:28:35,119
Speaker 3: Yes, and then Cheryl can't stand it anymore. She's got

577
00:28:35,280 --> 00:28:38,720
Speaker 3: a poop and she gets out of the car.

578
00:28:39,840 --> 00:28:43,040
Speaker 8: Larry, you wait, wait, I gonna go. I gotta go,

579
00:28:43,080 --> 00:28:44,120
Speaker 8: I gotta go, I gotta go.

580
00:28:55,320 --> 00:28:56,600
Speaker 3: What do you remember about that?

581
00:28:57,720 --> 00:29:00,320
Speaker 5: Well, you know, we kept shooting the end side of

582
00:29:00,360 --> 00:29:04,520
Speaker 5: the car before I had to actually get out, and uh,

583
00:29:05,200 --> 00:29:08,600
Speaker 5: it was and forth when are you going back?

584
00:29:08,680 --> 00:29:10,840
Speaker 3: And how did they how did they shoot them?

585
00:29:11,240 --> 00:29:14,920
Speaker 5: They just turned on the air condition or the car wash,

586
00:29:16,320 --> 00:29:18,640
Speaker 5: and they said, do you want to try it, because

587
00:29:18,680 --> 00:29:20,200
Speaker 5: it would be great to get your face and just

588
00:29:20,280 --> 00:29:21,320
Speaker 5: do as much as you can.

589
00:29:22,120 --> 00:29:29,560
Speaker 10: And I was like, all right, what a sport and

590
00:29:29,680 --> 00:29:32,520
Speaker 10: started walking through how many takes?

591
00:29:32,560 --> 00:29:33,840
Speaker 3: Do you remember? How many takes?

592
00:29:34,040 --> 00:29:36,000
Speaker 5: I know we at least did it twice, because I

593
00:29:36,080 --> 00:29:39,920
Speaker 5: remember having to dry off everything and change and drying.

594
00:29:40,440 --> 00:29:43,720
Speaker 1: By the way, I'm pretty sure it was only twice,

595
00:29:44,240 --> 00:29:45,960
Speaker 1: and the stunt double didn't need to do it.

596
00:29:46,040 --> 00:29:49,600
Speaker 3: I don't think she ever did. No, No, but I

597
00:29:49,680 --> 00:29:51,800
Speaker 3: hope you. I hope you went home and took a shower.

598
00:29:52,840 --> 00:29:57,800
Speaker 3: No need was beyond clean after that. Okay, So Cheryl,

599
00:29:57,840 --> 00:30:02,959
Speaker 3: as we know, gets caught in the hall flapping straps

600
00:30:03,080 --> 00:30:05,680
Speaker 3: and all of that gets out of the car, and

601
00:30:05,800 --> 00:30:08,160
Speaker 3: then we cut to it is the grand opening of

602
00:30:08,440 --> 00:30:16,080
Speaker 3: Bobos and Dumb Name Bobo and Jeff and Larry are

603
00:30:16,200 --> 00:30:19,200
Speaker 3: talking and Jeff tells Larry that Susie's craze. She doesn't

604
00:30:19,200 --> 00:30:21,680
Speaker 3: believe Cheryl got stuck in a car wash. So we're

605
00:30:21,720 --> 00:30:24,560
Speaker 3: seeing that the whole thing between us and Larry to

606
00:30:24,600 --> 00:30:26,480
Speaker 3: the group, So we want to put down bread or

607
00:30:26,560 --> 00:30:28,240
Speaker 3: we want to put down olives, and Gee says to

608
00:30:28,280 --> 00:30:30,440
Speaker 3: the background, no olives, no, no, no olives.

609
00:30:30,560 --> 00:30:31,280
Speaker 4: What do you do with the pit?

610
00:30:31,360 --> 00:30:34,560
Speaker 3: They discuss lemon and water, and again he's like, motherfucking

611
00:30:34,640 --> 00:30:38,080
Speaker 3: cocksucking asshole. And it's not the grand opening yet. There

612
00:30:38,120 --> 00:30:40,400
Speaker 3: are just at the rest of them made a mistake. Yeah,

613
00:30:40,480 --> 00:30:43,840
Speaker 3: and Simaggio says, I'm beginning to think it's involuntary, the

614
00:30:43,960 --> 00:30:47,800
Speaker 3: screaming out, so they're starting to figure out the Gee

615
00:30:47,960 --> 00:30:51,200
Speaker 3: character has Tourette's and that Portico did this on purpose

616
00:30:51,280 --> 00:30:54,840
Speaker 3: to fuck them. Yes. Yeah, because of the restaurant the

617
00:30:54,920 --> 00:30:56,680
Speaker 3: way it was. It's an open kitchen.

618
00:30:56,960 --> 00:30:59,760
Speaker 5: It's an open kitchen so everyone can watch the chef

619
00:31:00,040 --> 00:31:01,680
Speaker 5: and can be a part of that experience.

620
00:31:01,800 --> 00:31:04,240
Speaker 3: And when he was in Martinez in New York, it

621
00:31:04,360 --> 00:31:07,240
Speaker 3: was the kitchen was in the back, so it didn't matter. Yeah,

622
00:31:07,360 --> 00:31:10,560
Speaker 3: Larry says he can't fire him because he's a Holocaust

623
00:31:10,720 --> 00:31:13,520
Speaker 3: Friver cut to Larry and Cheryl getting dressed again in

624
00:31:13,600 --> 00:31:17,240
Speaker 3: the bedroom. Another scene in the bedroom, Cheryl and Larry fetching,

625
00:31:17,320 --> 00:31:20,240
Speaker 3: and Cheryl says, is this two nts landing? And Larry

626
00:31:20,280 --> 00:31:22,080
Speaker 3: has no idea what the fuck you're talking about.

627
00:31:22,560 --> 00:31:25,080
Speaker 1: That's one of the great lines. I know it's a show,

628
00:31:25,720 --> 00:31:28,960
Speaker 1: but I have no idea what that means. That's a

629
00:31:29,040 --> 00:31:32,520
Speaker 1: great loan because that back then, there's no way I

630
00:31:32,680 --> 00:31:33,720
Speaker 1: watched Notts Landing.

631
00:31:33,840 --> 00:31:37,720
Speaker 3: Yeah, I knew it was knew in the ether, you

632
00:31:37,840 --> 00:31:40,400
Speaker 3: know that what No, No, I knew it was a show.

633
00:31:40,240 --> 00:31:42,640
Speaker 1: Because I followed TV. I used to get the fall

634
00:31:42,760 --> 00:31:43,440
Speaker 1: preview TV.

635
00:31:43,600 --> 00:31:45,800
Speaker 3: There were as many shows, so you knew what shows

636
00:31:45,840 --> 00:31:46,760
Speaker 3: there were. It was a hand.

637
00:31:46,920 --> 00:31:49,640
Speaker 1: But for those kinds of shows, it was not Landing.

638
00:31:49,360 --> 00:31:50,840
Speaker 3: In Dallas and Dynasty.

639
00:31:51,120 --> 00:31:55,680
Speaker 1: Yeah, Dynasty too, Yeah, that's right. Those were the primetime soaps,

640
00:31:56,040 --> 00:31:57,400
Speaker 1: is what they initially called him.

641
00:31:57,480 --> 00:32:00,120
Speaker 3: Yeah, Larry doesn't get the reference. And Larry says, and

642
00:32:00,240 --> 00:32:04,120
Speaker 3: quite astutely, he doesn't understand why this chef doesn't curse

643
00:32:04,200 --> 00:32:07,360
Speaker 3: in French? Why in English?

644
00:32:07,880 --> 00:32:11,080
Speaker 4: He's got a point, Nobody.

645
00:32:10,640 --> 00:32:15,760
Speaker 3: What I saw was such a good question. Cheryl says

646
00:32:15,800 --> 00:32:18,280
Speaker 3: she's not looking forward to running into Susie Green at

647
00:32:18,280 --> 00:32:21,120
Speaker 3: the opening. She hates me and she won't even talk

648
00:32:21,200 --> 00:32:24,080
Speaker 3: to me. And then we are at the grand opening

649
00:32:24,120 --> 00:32:27,960
Speaker 3: and everybody's there, Jeff's parents are there, Cheryl's parents are there.

650
00:32:28,280 --> 00:32:31,240
Speaker 3: Louis is there sitting with Joyce. His real wife was

651
00:32:31,320 --> 00:32:37,880
Speaker 3: his day. His assistant, the janitor Caroline aaron I forgot

652
00:32:37,920 --> 00:32:41,680
Speaker 3: the name of her character. The housekeeper was yes, Dora

653
00:32:41,880 --> 00:32:45,440
Speaker 3: was there. Everyone's there. Everybody has bells on the table,

654
00:32:45,760 --> 00:32:49,320
Speaker 3: and Larry sees a whole group of investors and are

655
00:32:49,360 --> 00:32:53,280
Speaker 3: wearing Larry sees the investors hanging out at the bar,

656
00:32:53,360 --> 00:32:55,760
Speaker 3: and he goes to the investors and Jim Swinson's a

657
00:32:55,800 --> 00:32:58,800
Speaker 3: little drunk, and where's Susie. Everybody's asking where I am?

658
00:32:59,160 --> 00:33:02,320
Speaker 1: And way, also, if I can point out, I'm wearing

659
00:33:02,360 --> 00:33:04,880
Speaker 1: a red shirt today, but back then, I was wearing

660
00:33:05,080 --> 00:33:08,440
Speaker 1: a dress shirt in this color, the bright red. Yes,

661
00:33:08,680 --> 00:33:12,720
Speaker 1: and all I thought to myself, Oh, that's insane, that's insane,

662
00:33:12,920 --> 00:33:15,960
Speaker 1: because it was really No one wears a red shirt

663
00:33:16,080 --> 00:33:16,800
Speaker 1: like that with their.

664
00:33:16,960 --> 00:33:19,680
Speaker 3: True red dress shirt yet little redress shirt.

665
00:33:19,720 --> 00:33:20,440
Speaker 1: It was nuts.

666
00:33:21,240 --> 00:33:23,760
Speaker 3: So Larry goes to say hello to Gee at the thing,

667
00:33:24,000 --> 00:33:27,360
Speaker 3: and Gee is very upset because Gee missed the lottery

668
00:33:27,480 --> 00:33:30,680
Speaker 3: by one number. And he shows Larry the numbers on

669
00:33:30,760 --> 00:33:33,280
Speaker 3: his arms that he wrote down his lottery numbers, so

670
00:33:33,400 --> 00:33:36,560
Speaker 3: the numbers were not and he spits he spits into

671
00:33:36,600 --> 00:33:38,600
Speaker 3: his finger and hears it all and he rubs it

672
00:33:38,680 --> 00:33:41,080
Speaker 3: off and erases it. So Larry realizes he's not a

673
00:33:41,160 --> 00:33:43,280
Speaker 3: Holocaust survivor. He's a lottery player.

674
00:33:43,560 --> 00:33:46,760
Speaker 1: Okay, I want to say something. This is the first

675
00:33:46,960 --> 00:33:49,960
Speaker 1: time that he ever used an outside idea that wasn't

676
00:33:50,040 --> 00:33:53,080
Speaker 1: his ever, And it was also the first time where

677
00:33:53,080 --> 00:33:56,160
Speaker 1: I said, you know this comedian, I know David Feldman

678
00:33:56,680 --> 00:33:59,680
Speaker 1: has a great idea, and that was David Feldman's idea

679
00:33:59,840 --> 00:34:03,240
Speaker 1: was because Larry loved it right away. But Larry didn't

680
00:34:03,360 --> 00:34:05,360
Speaker 1: use anyone's outside Well, yes, it's.

681
00:34:05,240 --> 00:34:07,480
Speaker 3: Not true, Jeff. We learned in the prior episode he

682
00:34:07,600 --> 00:34:10,200
Speaker 3: used Cheryl's idea for the baby Jesus.

683
00:34:10,400 --> 00:34:13,239
Speaker 1: But that was not Cheryl's idea. She didn't pitch it

684
00:34:13,320 --> 00:34:16,360
Speaker 1: to him. She was telling me what she was experiencing.

685
00:34:16,880 --> 00:34:19,080
Speaker 1: That doesn't count. This is the one time and he

686
00:34:19,200 --> 00:34:22,200
Speaker 1: loved he knew David Feldman, and he loved the idea

687
00:34:22,480 --> 00:34:24,480
Speaker 1: and he used it. So I want to give David.

688
00:34:24,320 --> 00:34:28,760
Speaker 3: Feldman was very funny, So Gee is not a Holocaust survivor.

689
00:34:28,800 --> 00:34:31,759
Speaker 3: And then we have a montage of everybody drinking and

690
00:34:31,920 --> 00:34:36,280
Speaker 3: laughing and having a great bell ringing and bell ringing

691
00:34:37,400 --> 00:34:41,040
Speaker 3: a big success and all of a sudden, Gee screams

692
00:34:41,080 --> 00:34:43,000
Speaker 3: out shit.

693
00:34:42,960 --> 00:34:45,479
Speaker 4: Says cocksucker, asshole, soon of a bitch.

694
00:34:49,239 --> 00:34:51,160
Speaker 1: Maybe one day I got a chance to do something

695
00:34:51,360 --> 00:34:52,600
Speaker 1: good for somebody like that.

696
00:34:54,160 --> 00:34:56,360
Speaker 6: Scum sucking motherfucking whore.

697
00:34:58,280 --> 00:35:08,279
Speaker 4: Cock cock chisum grandma talk bum fuck turn fat count

698
00:35:08,440 --> 00:35:15,480
Speaker 4: piss ship bucker and bowls damn it hell flank.

699
00:35:16,840 --> 00:35:21,960
Speaker 5: Ship you god damn motherfucking bitch, Fuck you your car

700
00:35:22,320 --> 00:35:22,919
Speaker 5: wash cunt.

701
00:35:23,760 --> 00:35:25,000
Speaker 4: I had a deadal.

702
00:35:24,719 --> 00:35:39,799
Speaker 1: Appointment Latio colingus French kissy rim job right schmull push.

703
00:35:41,640 --> 00:35:46,840
Speaker 8: Pussy pig boy cot girl.

704
00:35:46,760 --> 00:35:47,759
Speaker 1: Copy I e I.

705
00:36:09,560 --> 00:36:12,279
Speaker 3: Fuck head, shit face, cocksucker, asshole, son of a bitch

706
00:36:12,400 --> 00:36:15,919
Speaker 3: or something like that. I was writing really quickly. Yes,

707
00:36:16,719 --> 00:36:19,600
Speaker 3: And then you see Larry look at him and then

708
00:36:19,719 --> 00:36:23,160
Speaker 3: have a memory of the bald kids at the school

709
00:36:23,320 --> 00:36:27,320
Speaker 3: at Sammy's school who shaved their heads in solidarity, and

710
00:36:27,440 --> 00:36:29,879
Speaker 3: you hear him say, maybe one day I'll be able

711
00:36:29,960 --> 00:36:31,000
Speaker 3: to do something like that.

712
00:36:31,360 --> 00:36:34,080
Speaker 5: I did like the flashback. We don't have that many

713
00:36:34,200 --> 00:36:35,600
Speaker 5: flashbacks on curves.

714
00:36:36,000 --> 00:36:38,640
Speaker 1: Yeah no, but that one made perfect sense.

715
00:36:38,719 --> 00:36:41,279
Speaker 3: Yeah, yeah, did you remind And the fog got the

716
00:36:41,440 --> 00:36:45,960
Speaker 3: dog And then Larry just you know, outbursts with his curses,

717
00:36:46,520 --> 00:36:49,520
Speaker 3: and then Jeff outbursts with cock and chisholm, and you

718
00:36:49,600 --> 00:36:50,719
Speaker 3: know we're all so used to that.

719
00:36:51,520 --> 00:36:54,600
Speaker 1: Well, hold on, this is really interesting, Larry said, for

720
00:36:54,680 --> 00:36:59,360
Speaker 1: the next take, one last cock, one less grandma. That's

721
00:36:59,400 --> 00:37:02,000
Speaker 1: the note I got. I don't know anyone in the

722
00:37:02,160 --> 00:37:05,160
Speaker 1: history of show business who's ever got a note one

723
00:37:05,280 --> 00:37:07,360
Speaker 1: less cocked, one less grandma.

724
00:37:08,040 --> 00:37:12,040
Speaker 3: And Michael Yorke with bug iron balls, yeah, and Jim

725
00:37:12,120 --> 00:37:17,520
Speaker 3: Swinson very uncomfortable cursing. And then Cheryl chimes in, you

726
00:37:17,600 --> 00:37:19,560
Speaker 3: goddamn son of a bitch. What did you say, you

727
00:37:19,640 --> 00:37:22,080
Speaker 3: god damn son of a bitch? You ended with bit

728
00:37:23,680 --> 00:37:26,400
Speaker 3: And then just at that moment I walk in, Cheryl

729
00:37:26,480 --> 00:37:29,160
Speaker 3: is facing the door. I assume she's talking to me,

730
00:37:29,800 --> 00:37:33,120
Speaker 3: and I say, now here's I'll tell you about. I say, famously,

731
00:37:33,400 --> 00:37:35,840
Speaker 3: fuck you, you car washcunt. I had a dental appointment,

732
00:37:36,320 --> 00:37:39,080
Speaker 3: but we shot that. I was in the trailer. We

733
00:37:39,200 --> 00:37:42,600
Speaker 3: shot that at a restaurant on Ocean Avenue in Santa Monica. Yes, yes,

734
00:37:42,680 --> 00:37:44,839
Speaker 3: And I was in that trailer starting at about six

735
00:37:44,880 --> 00:37:47,080
Speaker 3: o'clock at night, and we ended up shooting that scene

736
00:37:47,120 --> 00:37:49,399
Speaker 3: at six o'clock in the morning. It was all night.

737
00:37:49,480 --> 00:37:52,600
Speaker 3: I was sitting in my trailer and I never You

738
00:37:52,719 --> 00:37:56,440
Speaker 3: both know this. I never pre write lines ever. This

739
00:37:56,640 --> 00:38:00,400
Speaker 3: is the only time I ever pre wrote sitting in

740
00:38:00,480 --> 00:38:04,120
Speaker 3: my and also because usually you're just listening and you're responding,

741
00:38:04,200 --> 00:38:06,760
Speaker 3: this was I was walking in, saying something and leaving,

742
00:38:07,280 --> 00:38:08,960
Speaker 3: so it kind of made sense that I would know

743
00:38:09,000 --> 00:38:11,240
Speaker 3: with the line. And I was thinking, Okay, Susie's always

744
00:38:11,239 --> 00:38:14,440
Speaker 3: into alliterations, you fat fuck, you four eyed fuck, and

745
00:38:14,560 --> 00:38:17,520
Speaker 3: I came up with car washcunt. And when I said

746
00:38:17,600 --> 00:38:21,200
Speaker 3: that that line, Larry said to me, don't make a

747
00:38:21,320 --> 00:38:25,520
Speaker 3: reference to the episode, because nobody's doing that. We're all

748
00:38:25,640 --> 00:38:28,920
Speaker 3: just cursing because we're in solidarity with me. Do you

749
00:38:29,239 --> 00:38:31,200
Speaker 3: know that that's what I said? I said, my character

750
00:38:31,280 --> 00:38:33,440
Speaker 3: doesn't know that. She walks in and she thinks Cheryl

751
00:38:33,560 --> 00:38:35,800
Speaker 3: is cursing at her. So he said, do it a

752
00:38:35,880 --> 00:38:37,440
Speaker 3: couple times your way, and do it a couple of

753
00:38:37,480 --> 00:38:39,359
Speaker 3: times my way, and I did, and he used my way,

754
00:38:39,400 --> 00:38:41,200
Speaker 3: which I'm glad of because it was a great line.

755
00:38:41,880 --> 00:38:55,239
Speaker 8: We'll be right back, stay tuned, and we're back.

756
00:38:56,280 --> 00:38:59,439
Speaker 1: My favorite swearing thing was Louie Night.

757
00:38:59,480 --> 00:39:04,839
Speaker 3: Louie Night from leg boycock girl cock ya ya ya,

758
00:39:05,480 --> 00:39:06,440
Speaker 3: and we knocked.

759
00:39:06,239 --> 00:39:09,800
Speaker 5: At each other after the young the whole place just

760
00:39:10,160 --> 00:39:11,480
Speaker 5: bursted the laughter because.

761
00:39:11,239 --> 00:39:14,719
Speaker 3: We're like, Paul also was great, Paulo rip job.

762
00:39:15,680 --> 00:39:19,040
Speaker 1: Yeah, you know, Paul was great. But I remember Louis

763
00:39:19,120 --> 00:39:21,560
Speaker 1: being so perfect and they said, let's do it again.

764
00:39:21,600 --> 00:39:24,719
Speaker 1: I'm like, why, I remember, I got really upset. Why

765
00:39:25,239 --> 00:39:28,759
Speaker 1: that is perfection? Boycot girl kye. And then he did

766
00:39:28,880 --> 00:39:31,960
Speaker 1: something else that which they instructed and it's not Larry,

767
00:39:32,120 --> 00:39:35,840
Speaker 1: but nonetheless boycott girl cocky yea yea, oh, one of

768
00:39:35,920 --> 00:39:36,640
Speaker 1: my favorite lines.

769
00:39:37,000 --> 00:39:39,080
Speaker 3: It was a great line and only Louis and I

770
00:39:39,520 --> 00:39:42,960
Speaker 3: and no one else would say and the way he

771
00:39:43,080 --> 00:39:46,040
Speaker 3: said it is hilarious. And then Richard Lewis is cursing.

772
00:39:46,080 --> 00:39:48,560
Speaker 3: Then that is cursing that everybody. And it was just

773
00:39:49,200 --> 00:39:52,880
Speaker 3: a wonderful, joyous free for all of everybody.

774
00:39:53,600 --> 00:39:58,080
Speaker 1: Fuck you, Grandma's yea yea and Larry's standing in the

775
00:39:58,120 --> 00:39:59,960
Speaker 1: middle of it. Very satisfying.

776
00:40:00,000 --> 00:40:02,920
Speaker 3: Are satisfied? Yeah, And that was the end of the season.

777
00:40:03,320 --> 00:40:06,760
Speaker 5: You don't what I remember about this episode, especially because,

778
00:40:07,400 --> 00:40:10,680
Speaker 5: as you guys know, after every season, Larry would say.

779
00:40:11,080 --> 00:40:13,120
Speaker 3: I don't know, this might be it. I think this

780
00:40:13,320 --> 00:40:13,480
Speaker 3: is it.

781
00:40:14,000 --> 00:40:17,600
Speaker 5: And that season I really felt like, oh man, this

782
00:40:17,840 --> 00:40:22,040
Speaker 5: is it. And like you said, Susie, we shot all night.

783
00:40:22,800 --> 00:40:25,719
Speaker 5: Everybody was there all night, and I remember when I

784
00:40:25,800 --> 00:40:28,839
Speaker 5: was driving home the sun was rising yep. And then

785
00:40:28,880 --> 00:40:32,080
Speaker 5: I started getting like Kiri and I said, oh my god,

786
00:40:32,280 --> 00:40:35,560
Speaker 5: that's the last time we're gonna shoot Curb. And then

787
00:40:35,560 --> 00:40:38,560
Speaker 5: it's very also very funny that that would be.

788
00:40:38,760 --> 00:40:42,160
Speaker 3: How we go out yet end. The last memory of

789
00:40:42,239 --> 00:40:44,160
Speaker 3: everyone was just like screaming out of.

790
00:40:44,760 --> 00:40:47,560
Speaker 1: Well, no, if I'm not mistaken, that's the first season

791
00:40:47,640 --> 00:40:48,920
Speaker 1: long storyline. Correct.

792
00:40:48,960 --> 00:40:51,640
Speaker 3: Season two we didn't have, Well, no season two did.

793
00:40:52,000 --> 00:40:54,040
Speaker 3: I'm trying to remember what it was, but it wasn't

794
00:40:54,080 --> 00:40:55,040
Speaker 3: as intricate.

795
00:40:55,239 --> 00:40:58,640
Speaker 1: It was intermittent. If I'm not mistaken. Season two, this

796
00:40:58,840 --> 00:41:02,200
Speaker 1: is the first not down drag out from episode one

797
00:41:02,320 --> 00:41:05,600
Speaker 1: to episode ten. The main storyline is the restaurant, right,

798
00:41:05,840 --> 00:41:10,040
Speaker 1: and everything drives that. What I find amazing about our

799
00:41:10,120 --> 00:41:13,880
Speaker 1: show and it's always made me laugh. Whatever happened the

800
00:41:13,960 --> 00:41:17,439
Speaker 1: last season doesn't exist in the new season. We never

801
00:41:17,640 --> 00:41:20,640
Speaker 1: mentioned the restaurant. There's no house doing it.

802
00:41:24,480 --> 00:41:27,239
Speaker 3: How about, well, it's not in this season. Oh no,

803
00:41:27,320 --> 00:41:28,920
Speaker 3: it isn't this season. We're unpregnant?

804
00:41:29,440 --> 00:41:30,160
Speaker 1: Is that this season?

805
00:41:30,200 --> 00:41:33,359
Speaker 3: I think it was this season Nanny from Hell, Yes,

806
00:41:33,440 --> 00:41:37,439
Speaker 3: the Nanny was this season, and then there's no baby,

807
00:41:37,520 --> 00:41:41,520
Speaker 3: and nobody ever mentions it ever, No, I know.

808
00:41:42,400 --> 00:41:47,000
Speaker 1: The only time where it almost happened is in which

809
00:41:47,120 --> 00:41:49,160
Speaker 1: was the Coffee? Was what season?

810
00:41:49,560 --> 00:41:50,200
Speaker 3: Season ten?

811
00:41:50,480 --> 00:41:54,200
Speaker 1: So season eleven, there was a reference to Mocha Joe

812
00:41:54,480 --> 00:41:57,080
Speaker 1: dying of COVID. Yes, and it was pretty funny the

813
00:41:57,120 --> 00:41:59,160
Speaker 1: way it was written, but they cut it out. It

814
00:41:59,280 --> 00:42:02,160
Speaker 1: was cut out completely. But that's the only time I

815
00:42:02,280 --> 00:42:05,680
Speaker 1: ever saw a reference to the season before and it

816
00:42:05,760 --> 00:42:06,239
Speaker 1: didn't make it.

817
00:42:06,400 --> 00:42:08,120
Speaker 3: I think there's been a few others. We'll keep an

818
00:42:08,160 --> 00:42:09,719
Speaker 3: eye out find out. Well.

819
00:42:10,000 --> 00:42:13,200
Speaker 5: It's like what we were talking about earlier, that Curb

820
00:42:13,280 --> 00:42:16,200
Speaker 5: started out as a win hour special on HBO, wasn't

821
00:42:16,320 --> 00:42:20,360
Speaker 5: meant to be a series. And in the winter special,

822
00:42:20,640 --> 00:42:24,120
Speaker 5: Larry and I had two kids right right, Oh, we

823
00:42:24,200 --> 00:42:27,239
Speaker 5: never saw them. We talked about them a little bit,

824
00:42:27,320 --> 00:42:29,440
Speaker 5: that they were off at summer camp or something, and

825
00:42:29,600 --> 00:42:33,799
Speaker 5: then when the show started we started shooting the show

826
00:42:33,920 --> 00:42:38,320
Speaker 5: as a series, he just never never talked about him again,

827
00:42:39,080 --> 00:42:41,040
Speaker 5: just pretended like that never works.

828
00:42:40,880 --> 00:42:42,920
Speaker 3: Much better with you guys not having kids. Yeah, I

829
00:42:42,960 --> 00:42:43,239
Speaker 3: think so.

830
00:42:43,600 --> 00:42:46,680
Speaker 1: And by the way, our show, to my knowledge, the

831
00:42:46,800 --> 00:42:48,880
Speaker 1: only one I can think of. Well, obviously this they

832
00:42:48,920 --> 00:42:52,840
Speaker 1: did this on Lucy and the Honeymooners, and that is

833
00:42:53,200 --> 00:42:59,520
Speaker 1: repeat actors, like one week they'd be the Postman. So

834
00:43:00,040 --> 00:43:03,760
Speaker 1: our show, we've had people do two. I think Brad

835
00:43:03,840 --> 00:43:07,080
Speaker 1: Morris did the show three times, but it was like, no,

836
00:43:07,200 --> 00:43:11,239
Speaker 1: one's not it's just it's just you. Colombo did it

837
00:43:11,320 --> 00:43:14,000
Speaker 1: a lot, yes, you know, because they were his friends

838
00:43:14,160 --> 00:43:15,600
Speaker 1: that he wrotated the same.

839
00:43:15,520 --> 00:43:17,839
Speaker 3: Thing here it's usually friend. But oh, by the way,

840
00:43:17,880 --> 00:43:21,240
Speaker 3: another one that's an inconsistency is in season one, Sammy

841
00:43:21,360 --> 00:43:25,000
Speaker 3: was a boy and then she girl for the Dogs.

842
00:43:25,080 --> 00:43:27,800
Speaker 3: I remember that, Yeah, Sammy was a boy. Did we

843
00:43:27,920 --> 00:43:30,759
Speaker 3: see Sammy as a boy or just just talking about

844
00:43:30,920 --> 00:43:33,719
Speaker 3: we referenced her, well, wasn't she a baby in the

845
00:43:33,760 --> 00:43:37,480
Speaker 3: first toddler but we referenced her as a he Sammy

846
00:43:37,640 --> 00:43:39,080
Speaker 3: and then she became Samantha.

847
00:43:39,800 --> 00:43:42,879
Speaker 5: That have you guys talked about at all that you'll

848
00:43:43,000 --> 00:43:48,040
Speaker 5: have celebrities on playing you know themselves. I put it

849
00:43:48,080 --> 00:43:51,320
Speaker 5: into air quotes because it's a version. But then also

850
00:43:51,640 --> 00:43:55,000
Speaker 5: really famous celebrities that are playing a character.

851
00:43:55,000 --> 00:43:55,080
Speaker 3: But.

852
00:43:57,840 --> 00:44:01,439
Speaker 1: Comment, yeah, I remember watching the movie A Chicago movie,

853
00:44:02,040 --> 00:44:04,800
Speaker 1: and it was an indie movie. I knew most of

854
00:44:04,840 --> 00:44:08,840
Speaker 1: the actors in it. John Jewsac was extraordinarily famous in

855
00:44:08,880 --> 00:44:13,640
Speaker 1: A Chicago Guy, and he played a passenger in a

856
00:44:13,760 --> 00:44:17,600
Speaker 1: cab that the lead character was driving. Okay, and it

857
00:44:17,760 --> 00:44:21,200
Speaker 1: was so distracting. You're like John Cusack's there. So the

858
00:44:21,320 --> 00:44:23,719
Speaker 1: thing that I learned is if you're gonna have a

859
00:44:23,800 --> 00:44:27,440
Speaker 1: famous person being something, it has to be a substantial

860
00:44:27,560 --> 00:44:31,680
Speaker 1: part because then they have time to establish their character

861
00:44:31,960 --> 00:44:34,920
Speaker 1: as well as the audience is not thinking about who

862
00:44:35,000 --> 00:44:38,640
Speaker 1: they are. But Vince, you're not sitting there going that's

863
00:44:38,719 --> 00:44:41,680
Speaker 1: Vince Faun. If he came in for one scene and

864
00:44:41,760 --> 00:44:44,360
Speaker 1: he didn't play Vince Vaughn, very distracted.

865
00:44:44,600 --> 00:44:49,359
Speaker 3: N There's also special circumstances because he came on after

866
00:44:49,480 --> 00:44:51,479
Speaker 3: Bob died, so we had.

867
00:44:51,440 --> 00:44:56,440
Speaker 1: Other actors playing characters who are very famous. But that

868
00:44:56,920 --> 00:45:00,520
Speaker 1: is something that I learned. Distracting in this all part

869
00:45:01,080 --> 00:45:04,440
Speaker 1: completely believable and acceptable in a large part because you

870
00:45:04,560 --> 00:45:07,680
Speaker 1: think actors are playing characters and movie, but you gotta,

871
00:45:07,960 --> 00:45:09,960
Speaker 1: you know, develop the character during the course.

872
00:45:10,160 --> 00:45:13,720
Speaker 3: Also on our show, you know, because Cheryl is Cheryl

873
00:45:13,840 --> 00:45:16,279
Speaker 3: David and you're Jeff Green and I'm Susie Green, and

874
00:45:16,400 --> 00:45:18,440
Speaker 3: we all have our real first names. But then Ted

875
00:45:18,560 --> 00:45:20,640
Speaker 3: Dancing is Ted Dancing and Richard Lewis is Richard.

876
00:45:20,960 --> 00:45:22,080
Speaker 4: It blurs the.

877
00:45:22,160 --> 00:45:26,160
Speaker 3: Lines well, and then he's Larry Davis Larry David.

878
00:45:26,360 --> 00:45:30,600
Speaker 1: But I gotta say, prior to the show, people didn't

879
00:45:30,640 --> 00:45:34,719
Speaker 1: know Jeff Garland, people didn't know Susie Esmond, people.

880
00:45:34,560 --> 00:45:36,680
Speaker 3: Didn't know she know Larry David.

881
00:45:36,920 --> 00:45:40,560
Speaker 1: Yes, but he needed to be Larry David because that's

882
00:45:40,600 --> 00:45:43,759
Speaker 1: the premise of the show. So I'm saying the other ones,

883
00:45:43,880 --> 00:45:47,000
Speaker 1: Richard Lewis would be weird playing Richard Schwartz and Ted

884
00:45:47,080 --> 00:45:49,960
Speaker 1: Danson playing anything but Ted Danson. And that was for

885
00:45:50,160 --> 00:45:52,600
Speaker 1: I believe it was episode two where Ted makes his

886
00:45:53,160 --> 00:45:56,680
Speaker 1: first appearance the Bowling. I don't remember. No, maybe episode one.

887
00:45:57,040 --> 00:45:59,400
Speaker 3: No, it wasn't episode, but it was. It was in

888
00:45:59,480 --> 00:46:00,760
Speaker 3: the two episode.

889
00:46:00,840 --> 00:46:03,600
Speaker 1: But he had to be because Mary Steinbergon played herself,

890
00:46:03,640 --> 00:46:07,080
Speaker 1: which she did in another episode two or three other episodes.

891
00:46:07,400 --> 00:46:10,279
Speaker 1: So there's a moment where it makes total sense, and

892
00:46:10,400 --> 00:46:14,560
Speaker 1: then other moments where and by the way, during the

893
00:46:14,960 --> 00:46:17,120
Speaker 1: latter seasons, I'm not talking about Vince because that was

894
00:46:17,160 --> 00:46:20,840
Speaker 1: a special circumstance. I hated when we casted famous people.

895
00:46:21,440 --> 00:46:24,680
Speaker 3: I hated a character or as himself.

896
00:46:24,960 --> 00:46:28,239
Speaker 1: I hated when we cast famous people as themselves. Fun,

897
00:46:28,760 --> 00:46:31,160
Speaker 1: but as a part, I always felt we should go

898
00:46:31,280 --> 00:46:34,439
Speaker 1: with someone that people didn't know, like, for example, Josh

899
00:46:34,600 --> 00:46:37,839
Speaker 1: gadd is the podiatress. Josh gadd is a very close

900
00:46:37,880 --> 00:46:39,719
Speaker 1: friend of mine. I love him. I played his father

901
00:46:39,880 --> 00:46:43,080
Speaker 1: in a movie. Okay, him playing that small part of

902
00:46:43,200 --> 00:46:48,400
Speaker 1: the podiatress. And I know Josh chiropractor. I know that

903
00:46:49,440 --> 00:46:52,399
Speaker 1: Larry knew Josh too, loved him, wanted to give him

904
00:46:52,400 --> 00:46:54,160
Speaker 1: a show, and I knew Josh wanted to be on

905
00:46:54,280 --> 00:46:57,360
Speaker 1: the show. But I found that a terrible distraction. And

906
00:46:57,520 --> 00:47:00,640
Speaker 1: I really hated and always hated if it wasn't a

907
00:47:00,719 --> 00:47:04,239
Speaker 1: part of substance, when we'd hire famous people and the

908
00:47:04,360 --> 00:47:05,000
Speaker 1: other parts.

909
00:47:05,160 --> 00:47:07,240
Speaker 3: I would bet you you didn't feel that way about

910
00:47:07,320 --> 00:47:08,040
Speaker 3: Tracy Yellman.

911
00:47:08,480 --> 00:47:09,800
Speaker 1: Well, no, but she's playing a character.

912
00:47:09,920 --> 00:47:12,360
Speaker 3: That's what I'm saying. She was a famous person playing.

913
00:47:12,960 --> 00:47:15,840
Speaker 1: But who else? Just named somebody who could have played

914
00:47:15,880 --> 00:47:16,200
Speaker 1: that role.

915
00:47:16,320 --> 00:47:18,880
Speaker 3: No, she was kind of But I'm saying she was

916
00:47:18,920 --> 00:47:20,800
Speaker 3: a famous person playing a character.

917
00:47:21,239 --> 00:47:23,880
Speaker 1: Yes, but a character you couldn't even see Tracy Yellman.

918
00:47:23,960 --> 00:47:26,920
Speaker 1: I'm talking about Josh Gadd didn't have prosthetics on me.

919
00:47:27,239 --> 00:47:29,120
Speaker 5: But here's the thing too about our show that I

920
00:47:29,160 --> 00:47:32,239
Speaker 5: think is different because at some point, even at from

921
00:47:32,280 --> 00:47:37,759
Speaker 5: the beginning, the show business crowd, you know, they were

922
00:47:38,239 --> 00:47:40,920
Speaker 5: they were attracted to the show, and they got all

923
00:47:40,960 --> 00:47:43,920
Speaker 5: the jokes, and so I'm sure you guys felt it

924
00:47:44,000 --> 00:47:47,399
Speaker 5: too that as time went on, very famous people would

925
00:47:47,400 --> 00:47:48,920
Speaker 5: come up to me and say, I just want to

926
00:47:48,960 --> 00:47:51,360
Speaker 5: be on the show. I'll be a waiter, I'll be

927
00:47:51,400 --> 00:47:54,279
Speaker 5: a waitress. I'll just walk by in the background all

928
00:47:54,360 --> 00:47:56,960
Speaker 5: the time. But the most famous asking me to be

929
00:47:57,040 --> 00:47:58,560
Speaker 5: on the show, and I'd be like, I don't.

930
00:47:58,400 --> 00:48:01,840
Speaker 3: Have that control the producers season which is coming up

931
00:48:01,920 --> 00:48:03,759
Speaker 3: next right, which I was at the.

932
00:48:03,840 --> 00:48:06,400
Speaker 1: Movies and I remember bumping into Ben Stiller and I go,

933
00:48:06,880 --> 00:48:09,480
Speaker 1: I got something for you. I know you want to

934
00:48:09,560 --> 00:48:11,600
Speaker 1: do it. I got something because I had said to

935
00:48:11,719 --> 00:48:15,000
Speaker 1: Larry what about Ben Stiller after that? And he goes, oh,

936
00:48:15,520 --> 00:48:18,239
Speaker 1: And then of course we hired Ben. But that kind

937
00:48:18,280 --> 00:48:20,120
Speaker 1: of role needs a famous person.

938
00:48:19,960 --> 00:48:22,359
Speaker 3: Yeah for sure, because they were starring in a Broadway shot.

939
00:48:22,520 --> 00:48:26,000
Speaker 1: I am all for unknown actors getting a break. I'm

940
00:48:26,040 --> 00:48:29,680
Speaker 1: all for break character actors. So I've always been including

941
00:48:29,760 --> 00:48:33,560
Speaker 1: this last season anti famous person when not necessary. You

942
00:48:33,640 --> 00:48:36,080
Speaker 1: know what, it doesn't bother me, It bothers me when

943
00:48:36,120 --> 00:48:39,320
Speaker 1: we do it. It bothers me afterwards. It's distracting and

944
00:48:39,440 --> 00:48:41,879
Speaker 1: I don't like it. And I love the word. That's

945
00:48:41,920 --> 00:48:43,960
Speaker 1: why the strike is going on now. I don't know

946
00:48:44,360 --> 00:48:47,319
Speaker 1: when this airs, but I fight for actors I find.

947
00:48:47,520 --> 00:48:49,879
Speaker 1: I'm a member of Writers Guild and SAG. But it's

948
00:48:49,920 --> 00:48:54,160
Speaker 1: about who's getting hurt in all this, the character.

949
00:48:53,880 --> 00:48:57,200
Speaker 3: Actor, the working actors, the working well actors.

950
00:48:57,600 --> 00:49:00,400
Speaker 1: And that's why I always wanted a cast. Who are

951
00:49:00,680 --> 00:49:02,960
Speaker 1: plenty of great ones who could have done it. I'm

952
00:49:03,040 --> 00:49:06,239
Speaker 1: just saying, Hey, I'm just I love saying. I'm just saying.

953
00:49:06,480 --> 00:49:14,120
Speaker 3: And that's our episode. Cheryl Hines come back again. I

954
00:49:14,160 --> 00:49:15,600
Speaker 3: would love to, I will.

955
00:49:15,440 --> 00:49:19,840
Speaker 1: Love Isn't it wonderful, Cheryl that now you'd be in

956
00:49:19,960 --> 00:49:22,160
Speaker 1: my eyes, you'd be too famous to do the show.

957
00:49:22,960 --> 00:49:25,439
Speaker 1: We can't have Cheryl Hines. I know it's kind of metal.

958
00:49:25,840 --> 00:49:27,200
Speaker 1: You're famous from our show.

959
00:49:28,040 --> 00:49:32,800
Speaker 5: Well, that's true because when they first come in to audition,

960
00:49:33,080 --> 00:49:35,920
Speaker 5: they said that they were looking for unknown actresses.

961
00:49:36,280 --> 00:49:38,759
Speaker 1: Yes, but that's what we thought back then, that's why

962
00:49:38,840 --> 00:49:42,400
Speaker 1: we upgraded extra us. Larry loved who's just like he

963
00:49:42,560 --> 00:49:46,759
Speaker 1: believed Chris Williams was crazy, like we had all we

964
00:49:46,840 --> 00:49:49,880
Speaker 1: had all real rappers except for Chris Williams, and he

965
00:49:50,440 --> 00:49:53,360
Speaker 1: was obviously great and he always a rapper.

966
00:49:53,600 --> 00:49:55,600
Speaker 3: You no, he's real, you know, he's an actor.

967
00:49:55,800 --> 00:49:59,160
Speaker 1: But yeah, for example, Cheryl, you can no longer do

968
00:49:59,280 --> 00:50:01,879
Speaker 1: a cameo someone riding in a taxi in a movie.

969
00:50:02,080 --> 00:50:02,800
Speaker 1: It'll disrect.

970
00:50:02,800 --> 00:50:06,680
Speaker 3: People'll be like, oh, why is Cheryl Hines in the taxi?

971
00:50:06,880 --> 00:50:10,239
Speaker 1: Right, It's not like, oh, that's missus Schwartz from nine

972
00:50:10,360 --> 00:50:12,320
Speaker 1: scenes that we've been working with.

973
00:50:12,719 --> 00:50:16,960
Speaker 7: Yeah, yeah, all right, Cheryl, thank you, Thanks Cheryl, Well

974
00:50:17,719 --> 00:50:20,640
Speaker 7: you guys, and Jeff and I will be back next

975
00:50:20,760 --> 00:50:22,719
Speaker 7: week starting season four.

976
00:50:23,280 --> 00:50:24,880
Speaker 1: Season four Very excited, which is.

977
00:50:24,920 --> 00:50:26,480
Speaker 3: The producers season.

978
00:50:26,760 --> 00:50:28,600
Speaker 1: A lot of fun, a lot of great stories. I

979
00:50:28,680 --> 00:50:31,799
Speaker 1: have a lot of sharing the Producers season. So by

980
00:50:31,920 --> 00:50:34,920
Speaker 1: both of you, everybody, and thank you for listening.

981
00:50:42,760 --> 00:50:46,040
Speaker 3: The History of Carby Enthusiasm is a production of iHeart Radio.

982
00:50:46,200 --> 00:50:49,919
Speaker 3: For more podcasts from iHeart Radio, visit the iHeart Radio,

983
00:50:50,080 --> 00:50:53,280
Speaker 3: a Apple Podcasts, or wherever you listen to your favorite shows.