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Speaker 1: I am all in all It's you.

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Speaker 2: I Am all in with Scott Patterson an iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I Am all in Podcast one

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Speaker 1: eleven Productions, iHeartRadio, Heart Media, iHeart Podcasts, Season seven, Episode eleven,

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Speaker 1: Santa Secret Stuff. I am joined by three quarters of

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Speaker 1: my Intrepid Cruisers and French Daniel Romo and the One,

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Speaker 1: the Only, and the Undeniable, Inevitable Amy, the Badass sugar Man.

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Speaker 1: There's is. What did you think of the episode?

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Speaker 3: I actually loved it. I really really liked it after

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Speaker 3: last week.

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Speaker 2: It was such a nice comeback and really, yeah, I

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Speaker 2: really loved it.

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Speaker 1: Okay, what about you me? I like some of it

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Speaker 1: and I not so much the other part of it.

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Speaker 1: You know, I thought it achieved a kind of at

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Speaker 1: points it almost got to sitcom sort of staging and

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Speaker 1: level and feel not quite there. And I think Susanna

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Speaker 1: Kate agrees with me because it jumped up and I

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Speaker 1: think you can't want to say something.

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Speaker 4: There in.

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Speaker 1: But you know, overall, I thought it was pretty good,

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Speaker 1: but it did have a little bit of a different

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Speaker 1: feel to it.

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Speaker 3: I have to think that through as we go.

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Speaker 5: Yeah, this wasn't it this wasn't it. I mean, I

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Speaker 5: thought I was on such a high from the last

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Speaker 5: episode because it was so good. This is better than

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Speaker 5: the first half of season seven. But it's not great,

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Speaker 5: not great.

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Speaker 1: You know. The whole time I just kept thinking, gosh,

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Speaker 1: you know, you can really feel the absence of Amy

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Speaker 1: and Dan.

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Speaker 2: I agree with that, especially when they were walking through

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Speaker 2: the mall. I thought, oh, this band t is kind

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Speaker 2: of dumb. But in general I liked it, and for me,

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Speaker 2: I just didn't care for the week before.

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Speaker 1: But even though yes, I did enjoy it, even though

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Speaker 1: it's Gilmore Girls, it's a reasonable fact simile of and

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Speaker 1: anything even close to that is going to be enjoyable. Suzanne,

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Speaker 1: I know you want to chime in.

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Speaker 6: I love this episode ninety percent of it. There's one

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Speaker 6: scene that is just beyond stupid and we'll get there.

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Speaker 3: But I love I think.

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Speaker 6: I thought it was a great episode. I really enjoyed it.

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Speaker 6: And it's the first, like we're all the way in

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Speaker 6: season seven and this is like the first true Christmas

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Speaker 6: episode that we've had and it's.

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Speaker 3: Not even Christmas.

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Speaker 5: I was just that it's not even christ.

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Speaker 6: The post Christmas Christmas episode, But yeah, I liked it.

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Speaker 1: You know what it lacked. It lacked an edge, It

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Speaker 1: lacked a bite to it. And Amy and Dan always

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Speaker 1: give it that bite. There's always like an iconoclastic, sort

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Speaker 1: of artistic bite, a sarcasm, an intelligence. It's it's you know,

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Speaker 1: it's artie. I don't know how quite to say with that.

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Speaker 3: Yeah, yeah, yeah, I get that.

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Speaker 1: Something edgy about it, and this didn't have.

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Speaker 5: That agree And we totally glazed over Rory going to

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Speaker 5: visit Logan for Christmas. He's been talking about.

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Speaker 3: It, like Christopher and Leela are all fine.

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Speaker 1: Again, right suddenly?

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Speaker 3: Right, that was weird too.

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Speaker 5: Yeah, and Gg's back from Paris, Like, I feel like

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Speaker 5: a lot of stuff wasn't set up.

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Speaker 3: But I mean to Paris for the summer and it's December.

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Speaker 1: I actually thought I was watching the wrong episode. I thought, oh,

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Speaker 1: I skipped ahead. All right, so let's do some synopsisizations

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Speaker 1: Brought to you by Danielle Romo Studios for Moosa Beach, California.

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Speaker 5: All right, this is season seven, episode eleven, Santa's Secret Stuff.

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Speaker 5: Air date January twenty third, two thousand and seven. Lorlai, Rory, Christopher,

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Speaker 5: and GG celebrate Christmas after actual Christmas. When Rory returns

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Speaker 5: home from London, Luke asked Loralai to write a character

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Speaker 5: reference for his custody battle while April can tinues. While

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Speaker 5: April sneaks over to visit him, Zach and missus Kim

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Speaker 5: prepare for the baby, but Lane is annoyed by all

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Speaker 5: the attention.

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Speaker 1: From her mom Suzan. Who's who's leading us today?

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Speaker 4: Zan?

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Speaker 3: You take it this week?

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Speaker 6: Okay, I'll drive the bus. So we start out at

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Speaker 6: laurel Ize house. She's looking outside the window. She sees

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Speaker 6: Rory drive up, and we find out that Rory has

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Speaker 6: been in London. Now, the last episode, Logan had moved

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Speaker 6: back to New York. So how they wound up back

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Speaker 6: in London, I was a little unclear unless they both

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Speaker 6: were just.

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Speaker 3: Visy because that was the plan.

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Speaker 2: She was always going to go for the just for December, remember,

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Speaker 2: like early.

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Speaker 6: But he moved back to New York. He was going

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Speaker 6: to London to visit him.

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Speaker 3: It's fair that was a little confusing, A great.

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Speaker 5: Yeah, the timeline of everything is so jumbled in this episode.

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Speaker 5: That is a very good point. Everything is just weird.

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Speaker 6: But I mean London at Christmas sounds like fun, So

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Speaker 6: maybe they just went.

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Speaker 3: For a vacation, yeah, or he still has his place there, whatever,

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Speaker 3: who knows.

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Speaker 1: Maybe they're prepping us for a storyline, and that diverges

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Speaker 1: from what we a new narrative that she's seeing somebody

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Speaker 1: in London.

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Speaker 6: Oh, so we find out that it's actually after Christmas

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Speaker 6: and Rory had a little bit of Christmas in London.

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Speaker 6: Laura I did not have any Christmas at all. She

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Speaker 6: managed to prevent it from snowing, and now they're going

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Speaker 6: to celebrate Christmas together.

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Speaker 3: It's a cute sort of bit. It's cute.

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Speaker 1: It's a lot of Christmas, a lot of trees, a

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Speaker 1: lot of lights, a lot of nice cheer inside that house.

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Speaker 3: Yeah, once they got the house decorated as really good.

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Speaker 2: But yeah, it's fine, cool, funny, good bit, a little

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Speaker 2: bit of weird jokes.

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Speaker 3: I thought it was a little bit irritating when you know, did.

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Speaker 2: You drive on the side of the road or whatever,

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Speaker 2: and Christopher and Laura I were doing that bit that

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Speaker 2: wasn't at all you know, it's a.

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Speaker 1: Term I used. It got a little hallmarky, you know,

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Speaker 1: you know what I'm saying, which is where you could

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Speaker 1: really see that it had lost its edge overall.

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Speaker 3: Yeah, it got a little annoying, but.

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Speaker 1: Yeah it's all good, all good though, right, Yeah.

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Speaker 3: Yeah.

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Speaker 6: Then because it's after Christmas, they were able to get

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Speaker 6: Christmas trees for a dollar apiece, so they bought seven

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Speaker 6: of them, took all the Christmas trees into the house.

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Speaker 6: This made me laugh because I like Christmas trees and

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Speaker 6: we had three of them last year, so I thought

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Speaker 6: that was cute. And they're reminiscing about the decorations and

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Speaker 6: the burned stockings, news stockings, new stocking. Yeah, Christopher was

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Speaker 6: this where he sang? Because that really annoyed, Yes at all. Yes,

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Speaker 6: Oh that was brutal, clearly looped. I just didn't I

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Speaker 6: that could have been left out.

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Speaker 1: Well, I said, you know, they're trying to show that

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Speaker 1: this just doesn't work. It's not a perfect fit, you know. Yeah,

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Speaker 1: with the new stockings and the terrible singing and those

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Speaker 1: two together in their banter was almost like opposing him.

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Speaker 1: It's like they they retreat into their band to a

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Speaker 1: world which is wonderful to watch, right, but it's like

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Speaker 1: he's on the outside going, you know, it's not a

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Speaker 1: look kind of a response. Yeah, it's a Christopher feeling alienated.

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Speaker 1: Kind of response, well, and.

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Speaker 5: It's Christopher trying to fit in so hard and she's

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Speaker 5: not working.

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Speaker 1: It's so true.

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Speaker 6: I almost felt, Now I do not like Christopher, but

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Speaker 6: I almost felt a little, tiny, tiny bit sorry for

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Speaker 6: him on the stalking thing, because it seems like the

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Speaker 6: stockings would have been like an easy way for them

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Speaker 6: to kind of give him a win, Like they could

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Speaker 6: have just dealt with getting rid of the burned up

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Speaker 6: stockings and use Christopher's new stockings and just make him happy.

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Speaker 1: But I think it's all part and parcel to him

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Speaker 1: not being sensitive to their traditions that they've established that

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Speaker 1: they cherish over the last you know, twenty right.

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Speaker 5: But on the flip side of that, Scott like he's

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Speaker 5: thinking of all four of them. He got a stalking

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Speaker 5: for all four of them. Yeah, Rory and Lorlai are

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Speaker 5: only thinking about their two stockings, right right right.

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Speaker 1: You could also argue that he's only thinking about his

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Speaker 1: own comfort, you know, instead of respecting their traditions.

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Speaker 3: Yeah, But I mean, I don't know on him.

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Speaker 2: I think he's getting him for the whole family and

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Speaker 2: they all match and YadA YadA.

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Speaker 1: But I just think he's he's asserting himself attempting to

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Speaker 1: assert himself as sort of the boss now, and this

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Speaker 1: is how I want thing. I want new stockings, and

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Speaker 1: I'm just he's, like Danielle said, I think he's trying

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Speaker 1: too hard. Yeah, maybe it's probably not bad intention obviously

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Speaker 1: not bad intentions, but I.

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Speaker 5: Got to get to him. He's at least trying to

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Speaker 5: be a family. Like he's like, let's all get stockings together.

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Speaker 1: Yeah. Yeah, but Li and Rory.

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Speaker 5: Want nothing to do with Gigi and Chris when it

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Speaker 5: comes to their traditions, which is kind of not cool.

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Speaker 6: That's kind of how I feel too, given him that one,

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Speaker 6: you know, like this to me felt different than when

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Speaker 6: he was trying to clean out Rory's room or when

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Speaker 6: he's going like, you know, get rid of all Laurelized furniture.

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Speaker 6: Like they could have just let him have this one

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Speaker 6: and kept their other traditions.

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Speaker 1: I just think there's no match for the duo that is,

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Speaker 1: you know, the Abbott Uncostello of television. Yeah, Laurel I

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Speaker 1: and Rory. Yeah, it's like we are the world, so

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Speaker 1: this is our world and you just existing.

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Speaker 3: Yeah.

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Speaker 6: So after Christopher serenades us, we go to the Dragonfly

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Speaker 6: and we see Luke at the Dragonfly, which we have

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Speaker 6: not seen for a while, So that was that was

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Speaker 6: an interesting change.

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Speaker 3: Yeah, that was sort of like him and Michelle's.

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Speaker 5: We all were Michelle in that situation.

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Speaker 2: Yeah, like it was sort of jarring but good and

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Speaker 2: Michelle sort of leaning into it.

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Speaker 3: I actually very much liked this scene.

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Speaker 6: Yeah, in Michelle's line about let's just stand here and

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Speaker 6: let the awkwardness wash over us, that was a good line.

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Speaker 6: So he tells Laura that he's moving forward with the

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Speaker 6: lawsuit for custody of April and he needs a character reference.

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Speaker 6: Liz sent one in that was to you know, filled

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Speaker 6: with childhood anecdotes that probably shouldn't see the light of day.

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Speaker 6: So he was hoping that Laura I would write one

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Speaker 6: for him. She says, yes, she'll do it. It was just

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Speaker 6: when they shook hands, it made me my god. It

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Speaker 6: was a nice moment like they were they were okay

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Speaker 6: being in the same room, and it wasn't interpretational.

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Speaker 3: I liked it.

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Speaker 1: Yeah, Yeah, good stuff, good stuff and a good a

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Speaker 1: good narrative and clever way to get them back together

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Speaker 1: and her thinking about the past and yeah, triggering her

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Speaker 1: that that was a very clever device, I thought.

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Speaker 6: But then once she agrees to do it, she can't

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Speaker 6: actually do it. So we see her juggling strawberries, She's

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Speaker 6: throwing pens.

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Speaker 1: That was good stuff.

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Speaker 6: That Yeah, that was funny.

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Speaker 1: I like that.

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Speaker 6: And you know, because she knows what it means to lose,

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Speaker 6: Like if she messes this up, it could affect his case,

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Speaker 6: you know, getting there.

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Speaker 5: I also think she's nervous to regurgitate her feelings towards

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Speaker 5: him because she knows she actually loves him for sure.

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Speaker 4: Yeah, complicated, And to borrow a phrase from Amy, I

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Speaker 4: thought Lauren's face acting in this episode was extremely high level,

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Speaker 4: you know, depicting all those feelings that she that were

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Speaker 4: bubbling up for her.

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Speaker 1: So yeah, excellent episode for her.

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Speaker 6: So then we see Lane. I think was this the

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Speaker 6: scene where she was waddling down the sidewalk not so

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Speaker 6: that when they passed those extras and the woman took

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Speaker 6: turned around and looked at her, that was the extra

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Speaker 6: that we were trying to find, the one that was

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Speaker 6: in Like also, that was her on the streets.

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Speaker 5: On the Warner Brothers lot. They have not given her

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Speaker 5: a better fake belly, you guys. I know it was

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Speaker 5: a little anyway, it was so jarring to me, Like,

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Speaker 5: is literally like the worst fake belly I've ever seen

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Speaker 5: on TV in my entire life.

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Speaker 6: Yeah, it was a little, even for twins, it was

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Speaker 6: a little overdone. And then she's walking with her feet

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Speaker 6: like three feet apart, like to be waddling. I thought

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Speaker 6: was just a tiny bit overdone. So we go into

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Speaker 6: the diner. She's, you know, mad at the customers.

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Speaker 3: Well over the top, but I got it.

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Speaker 6: Yeah, she's usually not quite that. She was a little abrasive,

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Speaker 6: but I get it. She's at the end of her pregnancy.

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Speaker 6: She is probably completely miserable. She's still on her feet

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Speaker 6: all day, like she's just got to really be in pain.

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Speaker 6: April comes in, Lucas surprised to see her because he

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Speaker 6: knows that Anna is not letting her come over. And

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Speaker 6: then we find out that she lied to her mom,

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Speaker 6: and so Luke immediately was like his head and it

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Speaker 6: was in his hands, like he knows if Anna finds

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Speaker 6: out about this.

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Speaker 2: It's trying to do the right thing, which I like,

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Speaker 2: but he also wants to see her and he doesn't

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Speaker 2: want to disappoint his kid.

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Speaker 3: I mean, I like the whole.

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Speaker 1: Thing difficult situation for Luke to be And yeah, I

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Speaker 1: think I think it was cute.

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Speaker 6: Though, like they hadn't seen each other for a while.

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Speaker 6: I thought it was a cute scene. She got off

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Speaker 6: a Christmas present, so that was good.

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Speaker 1: And it really it really illustrates how incredibly unfair this

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Speaker 1: whole situation is to him, so.

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Speaker 6: Yeah, yeah, and to both of them, to her too.

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Speaker 6: I mean they you know, they missed each other, and

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Speaker 6: that affects April as well.

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Speaker 1: So that's heartbreaking when when you have somebody that's being

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Speaker 1: so combative and so yeah, distant that it's just heartbreaking.

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Speaker 6: And at this point, like Anna's just being petty about

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Speaker 6: the whole thing, like there's no reason to ask part

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Speaker 6: other than her just you know, being a snot about it.

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Speaker 6: So then we have like a christmas y Christmas scene.

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Speaker 6: We go to Laurel's kitchen and they're making the popcorn

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Speaker 6: garlands and this is where, yeah, a needle, Like let's

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Speaker 6: get a three year old a needle. That's so bad.

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Speaker 3: I was like what, And there's no way that kid

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Speaker 3: can do that? So crazy. I was like, that's crazy.

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Speaker 6: And Laurela is talking about the trouble she's having writing

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Speaker 6: the character reference. Rory's trying to offer advice, trying to.

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Speaker 1: Get her to write it.

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Speaker 6: Yeah, you do my homework for me, right, and then

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Speaker 6: we hear Christopher come in Laura Laurela completely changes the

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Speaker 6: subject and Rory's kind of like, what's going on there?

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Speaker 6: Let's see. Oh, this is also the scene where we

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Speaker 6: had the little monologue about monkey monkey underpants. That's a

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Speaker 6: big fan favorite.

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Speaker 1: So right, that's that was good. That was a good

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Speaker 1: run of writing. That was terrific. I thought that was

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Speaker 1: that was funny and acknowledging you know, she has bats

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Speaker 1: in the belfry a little bit.

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Speaker 3: It's a big bag of weird in there.

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Speaker 1: That's a big.

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Speaker 3: All good stuff.

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Speaker 1: Yeah, that's when I was most I was very comfortable

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Speaker 1: with her saying those things, and it made her character

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Speaker 1: so much more. Well, she's appealing enough, but even more

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Speaker 1: so because she's aware of this and she knows it,

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Speaker 1: she's acknowledging it. It's kind of fun. That was a

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Speaker 1: fun scene.

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Speaker 6: Yeah, I enjoyed that. Then we go to Lane and

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Speaker 6: Zach's apartment where missus Kim and Zach are reviewing the groceries.

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Speaker 3: Like cut it was.

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Speaker 6: It was cute.

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Speaker 1: Yeah, but isn't it weird to see a scene that

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Speaker 1: missus Kim isn't driving? And I thought it was less

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Speaker 1: of a scene because missus Kim wasn't more involved or

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Speaker 1: driving the scene. But it's you know, there's different rules.

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Speaker 3: I liked it.

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Speaker 2: I actually thought I actually was less irritated by all

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Speaker 2: the baby stuff in this episode than previously. I thought, Okay,

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Speaker 2: now Zach's got it together, right, which I kind of liked.

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Speaker 6: He's not quite as much of a ding bat as

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Speaker 6: he was where he didn't understand.

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Speaker 1: So this is them coming out. This is not them

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Speaker 1: coming out of Josie's yet, right, Yeah, correct, Okay, okay,

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Speaker 1: because that I had an issue with that anyway.

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Speaker 6: Yeah, this is where she he's massaging her feet and

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Speaker 6: she's got the candy bar stuffed in the pillow, and

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Speaker 6: then she gets really upset when she finds out that

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Speaker 6: her drums have been put in the closet and she

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Speaker 6: insists she had we have to have band practice because

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Speaker 6: she can play. And I see where she's going with this,

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Speaker 6: like she's already starting to miss her old life, so

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Speaker 6: we can That's kind of leading into that scene where

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Speaker 6: they're coming out of the market.

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Speaker 1: But she's going into motherhood kicking and screaming. Didn't she

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Speaker 1: some of us do that.

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Speaker 5: Yeah, she had sex one time. She was trying to

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Speaker 5: be an adult.

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Speaker 6: Don't blame her.

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Speaker 1: Then we go to and it's really fun to watch.

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Speaker 3: Yeah, stuff was amusing this episode.

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Speaker 6: We go to Weston's because part of the whole Christmas

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Speaker 6: thing is drinking the candy cane coffee, but now because

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Speaker 6: it's after Christmas, they don't serve the coffee anymore. The

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Speaker 6: waitress seems very confused as to what Laurlai is asking for.

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Speaker 6: And then that's when Rory is like, Okay, why are

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Speaker 6: you lying about the character reference? So what do we

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Speaker 6: think about that? The fact that Lurlai doesn't tell Christopher

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Speaker 6: about the character reference?

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Speaker 1: I felt two ways that what other choice does she

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Speaker 1: have given Christopher's sensitivity? Uh? And it also to me

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Speaker 1: kind of displayed a lack of sophistication on Rory's part,

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Speaker 1: not understanding the nuances of life at that point. So

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Speaker 1: thank you.

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Speaker 5: I'm just like same old dang Larelai like does this

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Speaker 5: every time?

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Speaker 3: Sort of redundant bit. I actually don't know that. I

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Speaker 3: mind that she's writing the letter and not I don't

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Speaker 3: even need. I don't know that I needed to call out,

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Speaker 3: like you're not telling dad.

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Speaker 2: It's like, yeah, does she tell him every single thing

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Speaker 2: happening at the inn all day long? No, It's like

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Speaker 2: I am sort of okay with it. He's asking her

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Speaker 2: a favor, he's important from her past. I don't know,

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Speaker 2: I'm sort of more annoyed we're bringing it up Cares.

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Speaker 1: It's not like Christopher. It's not like ancient Rome, where

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Speaker 1: you know, she's got to go to her king and

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Speaker 1: get permission to write. Like it's like laurelized world, not

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Speaker 1: Christopher's world. It's Laurelized world in her house.

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Speaker 5: I think the only thing that was like annoying is

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Speaker 5: when Christopher was coming home and they're at the dining

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Speaker 5: room table and Gloraalai changed the topic and because she

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Speaker 5: was talking about the letter, and then she was like, oh,

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Speaker 5: the popcorn and the cranberries or whatever, right, you know,

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Speaker 5: And then it's like, okay, now you're just hiding it.

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Speaker 3: Just be yeah, but I said, I think.

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Speaker 1: Laurel I knows the Christopher is a bit immature and

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Speaker 1: not ready to handle that.

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Speaker 7: Him exactly exactly, like because it's a crazy world out

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Speaker 7: there and then you know, things have been very turbulent

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Speaker 7: and she lost her you know, her a fiance and

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Speaker 7: now she's married.

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Speaker 5: To You can't tell your significant other, Gerald Rshall stuff,

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Speaker 5: there's a problem.

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Speaker 6: Well, I but I bought her explanation to Rory, which was,

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Speaker 6: you know, she's already been arguing with Christopher. Christopher's already

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Speaker 6: sensitive about Luke, right, and she doesn't even know about

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Speaker 6: the fight in the town square yet. So I understand

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Speaker 6: her point that she didn't want to just pile on

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Speaker 6: to that, like she knew Christopher was going to react

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Speaker 6: to that. So I get why she didn't tell him.

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Speaker 1: Because they're kind of weirdly and all of a sudden

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Speaker 1: getting along at the top of the episode, after going

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Speaker 1: through so much garbage at the wedding prep and Christopher

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Speaker 1: feeling like he has no say right, why make.

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Speaker 3: This a thing?

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Speaker 5: Right?

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Speaker 6: Yeah? And so I agree with you, Scott.

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Speaker 1: I think Laurel is just exhausted by it all, you know,

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Speaker 1: dealing with this guy.

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Speaker 6: So yeah, and I agree with you Scott that you know,

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Speaker 6: Rory is intelligent enough she should have been able to

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Speaker 6: kind of suss that out. I mean, I know she's

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Speaker 6: been out of town because she's been in London, so

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Speaker 6: she doesn't know about some of the stuff that's happened.

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Speaker 6: But at the same time, she understands that there is

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Speaker 6: going to be some tension there.

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Speaker 1: Yeah.

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00:20:21,400 --> 00:20:24,080
Speaker 6: Right, So I don't know, but Rory's kind of liked

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Speaker 6: that anyways. Okay, So then we go to Luke's apartment

403
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Speaker 6: and we see the mask that April made. Cute, qute, cute,

404
00:20:39,760 --> 00:20:44,560
Speaker 6: that was cute. Luke's trying to reassure her about New Mexico.

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Speaker 6: She's not buying it, yeah, And then she opens the

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Speaker 6: gift that he got.

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Speaker 2: They're still talking about swimming. That swimming just didn't disappear,

408
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Speaker 2: just because after we had the bad date with the coach,

409
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Speaker 2: Like that's still a thing.

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Speaker 3: I like that, right, right.

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Speaker 6: And so finds out that the Christmas gift he got

412
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Speaker 6: her is a duplicate because she got one from her grandma.

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Speaker 6: But she was cute. She's trying to be nice about it.

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Speaker 6: She's like, well, all I can have two. And then

415
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Speaker 6: so then we go to Lorelized house where she's laying

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Speaker 6: on the bed and writing the letter and Chris is

417
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Speaker 6: like being annoying about trying to figure out what she's

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Speaker 6: doing and so she pretends she's like wrapping his Christmas gifts.

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Speaker 3: That was sort of all the Yeah, he bugged me.

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Speaker 3: I was glad.

421
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Speaker 6: It was a short scene doing what he does best

422
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Speaker 6: right exactly.

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Speaker 1: And they portrayed him, you know, they have portrayed him

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Speaker 1: as being somewhat likable in previous episodes.

425
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Speaker 6: But yeah, yeah, he just was overdoing it.

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Speaker 1: I thought he reverted to the mean as they say, yes.

427
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Speaker 6: So then we go, okay, this is the scene that

428
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Speaker 6: I just thought was really dumb. Is the whole scene

429
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Speaker 6: at Lane and Zach's apartment, so Brian is staring at

430
00:22:10,160 --> 00:22:13,000
Speaker 6: was creepy and weird, like you've never ever seen a

431
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Speaker 6: pregnant woman before, Like the Gil brought his kid.

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Speaker 3: Though I didn't see it. I didn't mind the mandolin,

433
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Speaker 3: and I didn't mind Gill and his kid. I thought Brian.

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Speaker 1: I didn't guess Suzanne, I have never been more creeped out,

435
00:22:26,920 --> 00:22:32,600
Speaker 1: but anything, it was weird. Yeah, it was just like Brian.

436
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Speaker 6: It was like you'd never seen a pregnant woman before,

437
00:22:34,840 --> 00:22:38,520
Speaker 6: and it was it was weird. And then the whole

438
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Speaker 6: thing with the mandolin and Zach's like, oh look how

439
00:22:41,000 --> 00:22:44,239
Speaker 6: I'm holding it. And then Brian's like, wait, you mean

440
00:22:44,320 --> 00:22:46,200
Speaker 6: there's more than one way to hold a baby?

441
00:22:48,160 --> 00:22:48,440
Speaker 5: Okay.

442
00:22:49,400 --> 00:22:50,280
Speaker 3: I kind of liked it.

443
00:22:50,640 --> 00:22:54,520
Speaker 5: I thought it was funny. It was like a football

444
00:22:54,760 --> 00:22:57,919
Speaker 5: gold it this way, like it's kind of funny.

445
00:22:58,320 --> 00:23:00,840
Speaker 6: I think it's so annoying my kid too.

446
00:23:00,960 --> 00:23:01,879
Speaker 3: I was totally into that.

447
00:23:02,400 --> 00:23:04,840
Speaker 6: And then Gil shows up and he's like, all about

448
00:23:04,880 --> 00:23:05,560
Speaker 6: the breast pump.

449
00:23:05,880 --> 00:23:08,000
Speaker 3: Oh, yeah, that was funny. I didn't mind that either.

450
00:23:08,440 --> 00:23:10,600
Speaker 6: I thought it was the lamest thing ever. And Gil

451
00:23:10,720 --> 00:23:12,600
Speaker 6: like knows all the pros and cons of the different

452
00:23:12,640 --> 00:23:15,760
Speaker 6: breast pumps and like, no, that was not realistic in

453
00:23:15,920 --> 00:23:16,880
Speaker 6: any sense of the word.

454
00:23:17,000 --> 00:23:18,640
Speaker 3: I did like the kid.

455
00:23:19,160 --> 00:23:19,480
Speaker 6: The kid.

456
00:23:19,560 --> 00:23:21,520
Speaker 3: Yeah, that kid went on to like be famous.

457
00:23:21,800 --> 00:23:22,400
Speaker 1: Who's the kid?

458
00:23:22,960 --> 00:23:26,360
Speaker 2: That kid Jeremy something, and he's done a bunch of movies.

459
00:23:26,440 --> 00:23:27,880
Speaker 2: I recognize that kid immediately.

460
00:23:27,920 --> 00:23:31,800
Speaker 1: I was like, oh my god, he was Jimmy Bennett.

461
00:23:32,160 --> 00:23:35,400
Speaker 6: He was Evan Almighty with Lauren. He played her kid

462
00:23:35,640 --> 00:23:41,040
Speaker 6: in that oh way. So yeah, that was the only

463
00:23:41,080 --> 00:23:43,040
Speaker 6: good thing about that scene was that kid. You see

464
00:23:43,040 --> 00:23:45,520
Speaker 6: in the background, he's like practicing with the microphone, like

465
00:23:45,600 --> 00:23:46,680
Speaker 6: being a rock star and stuff.

466
00:23:46,680 --> 00:23:50,040
Speaker 1: It was that was really cute. But when you got

467
00:23:50,359 --> 00:23:52,840
Speaker 1: Gil coming into a scene you want him to do

468
00:23:53,040 --> 00:23:55,960
Speaker 1: more than what he did or something. Yeah, from what

469
00:23:56,080 --> 00:23:58,199
Speaker 1: he did. I mean it's like you didn't use him

470
00:23:58,200 --> 00:23:58,800
Speaker 1: in the right way.

471
00:23:59,560 --> 00:24:02,040
Speaker 6: It just none of it just felt real to me,

472
00:24:02,280 --> 00:24:04,800
Speaker 6: Like the way that that Gil was acting and the

473
00:24:04,840 --> 00:24:06,800
Speaker 6: way Zach was acting in the way. I don't know,

474
00:24:07,200 --> 00:24:09,800
Speaker 6: none of it felt real to me. I just thought

475
00:24:09,840 --> 00:24:12,320
Speaker 6: the whole thing was dumb, like Brian really doesn't know

476
00:24:12,359 --> 00:24:14,040
Speaker 6: there's more than one way to hold a baby.

477
00:24:15,600 --> 00:24:27,520
Speaker 1: Whatever. Okay, okay, so they certainly weren't speaking French in

478
00:24:27,640 --> 00:24:30,960
Speaker 1: that scene, were they? No, they were not.

479
00:24:31,359 --> 00:24:33,000
Speaker 6: So then we go to the mall.

480
00:24:34,560 --> 00:24:37,720
Speaker 3: I don't know what mall that was no too. I

481
00:24:37,800 --> 00:24:39,000
Speaker 3: was trying so hard to figure it out. And you

482
00:24:39,000 --> 00:24:41,280
Speaker 3: could see like old Navy like.

483
00:24:41,320 --> 00:24:43,000
Speaker 1: The Hartford Galleria, but I.

484
00:24:43,080 --> 00:24:45,080
Speaker 6: Mean in real life, like where did they shoot it.

485
00:24:45,320 --> 00:24:48,159
Speaker 1: It's probably the Beverly Center of the Sherman Oaks Gallery

486
00:24:48,280 --> 00:24:50,480
Speaker 1: or yeah, maybe or Glendale Gallery.

487
00:24:50,680 --> 00:24:53,320
Speaker 3: They were holding those shopping bags so weird. And then

488
00:24:53,400 --> 00:24:55,639
Speaker 3: like just going in a circle. It was like very odd, but.

489
00:24:55,640 --> 00:24:58,200
Speaker 6: What and they were showing like actual brand names, which

490
00:24:58,240 --> 00:25:02,120
Speaker 6: they don't. They walked right go back and beyond William's

491
00:25:02,119 --> 00:25:04,199
Speaker 6: so Noma bag. She even mentioned Williams Sonoma.

492
00:25:04,320 --> 00:25:04,639
Speaker 2: I don't know.

493
00:25:05,160 --> 00:25:08,719
Speaker 6: It must have paid so many for that, but product placement,

494
00:25:08,840 --> 00:25:11,399
Speaker 6: so they can't decide what to give Christopher. Laurel I

495
00:25:11,440 --> 00:25:14,240
Speaker 6: says there should be a store for husband gifts. And

496
00:25:14,359 --> 00:25:19,440
Speaker 6: then they go into like the Learning Store or whatever

497
00:25:19,560 --> 00:25:23,680
Speaker 6: it was called, and they see Luke and April, and

498
00:25:23,840 --> 00:25:28,200
Speaker 6: so this is where Laurl Life gets her inspiration for

499
00:25:28,320 --> 00:25:30,560
Speaker 6: what she's going to write in the letter. So she

500
00:25:30,760 --> 00:25:35,120
Speaker 6: sees Luke and Rory talking and she realizes how much

501
00:25:35,280 --> 00:25:38,760
Speaker 6: of a dad Luke has been to Rory, and that's

502
00:25:38,840 --> 00:25:39,840
Speaker 6: gonna end up.

503
00:25:39,800 --> 00:25:43,680
Speaker 1: Being I think that was more dialogue between Luke and

504
00:25:43,880 --> 00:25:47,720
Speaker 1: Rory in one scene than they've had in the aggregate.

505
00:25:48,000 --> 00:25:50,119
Speaker 6: I think you're right. Yea, I think you're right.

506
00:25:50,240 --> 00:25:51,960
Speaker 1: It was kind of odd. It was like, wow, they're

507
00:25:51,960 --> 00:25:53,399
Speaker 1: actually having a scene together.

508
00:25:53,560 --> 00:25:59,480
Speaker 5: The monogram towels and the unicorn. That's cute.

509
00:26:00,200 --> 00:26:02,120
Speaker 6: Yeah, it was a cute scene and they were all,

510
00:26:02,280 --> 00:26:04,360
Speaker 6: you know, pleasant to each other, and April was cute.

511
00:26:04,440 --> 00:26:05,600
Speaker 6: Like it just was a good scene.

512
00:26:07,840 --> 00:26:08,199
Speaker 5: Family.

513
00:26:09,440 --> 00:26:12,879
Speaker 1: Laurel ied face acting during that, like, yeah, I thought she.

514
00:26:13,000 --> 00:26:15,200
Speaker 2: Was good in this whole episode, And I actually really

515
00:26:15,320 --> 00:26:18,760
Speaker 2: liked the face acting, and you immediately knew, Aha, she's good.

516
00:26:19,200 --> 00:26:20,600
Speaker 3: Write the letter based.

517
00:26:20,359 --> 00:26:22,639
Speaker 5: On this, but you also like realize, like that should

518
00:26:22,680 --> 00:26:25,440
Speaker 5: have been the family, you know what I mean, that

519
00:26:25,600 --> 00:26:26,600
Speaker 5: should have been the family.

520
00:26:27,119 --> 00:26:29,399
Speaker 6: Luke, April, Laureli, Rory.

521
00:26:29,600 --> 00:26:32,159
Speaker 5: The four of them gel together, they fit together, They

522
00:26:32,240 --> 00:26:32,879
Speaker 5: make sense.

523
00:26:33,880 --> 00:26:38,000
Speaker 1: He helped raise her. Yeah, and her all Laurel in

524
00:26:38,040 --> 00:26:40,520
Speaker 1: the face. Yeah, particularly great face acting here.

525
00:26:41,000 --> 00:26:43,399
Speaker 5: Particularly, it was just the chemistry between the four of

526
00:26:43,440 --> 00:26:45,760
Speaker 5: them is just so different than Christopher.

527
00:26:45,440 --> 00:26:49,400
Speaker 3: And yeah, it's just that was It was a good scene.

528
00:26:49,400 --> 00:26:51,719
Speaker 6: And they flew through a few Pluto jokes in there,

529
00:26:51,760 --> 00:26:53,640
Speaker 6: because this is you know, the time that Pluto got

530
00:26:53,720 --> 00:26:54,240
Speaker 6: kicked out of.

531
00:26:54,680 --> 00:26:56,760
Speaker 3: Being That was funny. That was funny.

532
00:26:56,920 --> 00:27:08,240
Speaker 6: Yeah, okay, so we're in the square. They just left

533
00:27:08,320 --> 00:27:11,600
Speaker 6: Dosie's Lane is having a lot of anxiety about her

534
00:27:11,720 --> 00:27:12,320
Speaker 6: impending mother.

535
00:27:12,640 --> 00:27:15,040
Speaker 3: Hard time concentrating on them. I was so into all

536
00:27:15,160 --> 00:27:15,800
Speaker 3: the background.

537
00:27:15,880 --> 00:27:18,320
Speaker 2: I was like, oh, wow, they really Someone was on

538
00:27:18,440 --> 00:27:21,120
Speaker 2: the bike and I was like, I can't focus.

539
00:27:22,640 --> 00:27:22,840
Speaker 4: Yeah.

540
00:27:23,320 --> 00:27:26,520
Speaker 6: I thought it was relatable. There's a lot of anxiety

541
00:27:27,000 --> 00:27:30,640
Speaker 6: about well for some of us, about becoming a mom

542
00:27:30,840 --> 00:27:34,640
Speaker 6: for the first time. And she made a valid point,

543
00:27:34,800 --> 00:27:39,760
Speaker 6: like she didn't have really any time to like live

544
00:27:39,880 --> 00:27:44,159
Speaker 6: as an independent adult. She went straight from you know,

545
00:27:44,280 --> 00:27:48,159
Speaker 6: being under her mom's thumb to getting pregnant on her

546
00:27:48,200 --> 00:27:50,520
Speaker 6: honeymoon and now she's going to be a mom of twins,

547
00:27:50,640 --> 00:27:53,080
Speaker 6: and she had like ten seconds to be you know,

548
00:27:53,280 --> 00:27:56,600
Speaker 6: on her own. And so I completely related to it.

549
00:27:58,520 --> 00:28:01,080
Speaker 6: And I had time, like I have my first kid

550
00:28:01,119 --> 00:28:03,760
Speaker 6: until I was in my thirties. But I just I

551
00:28:03,880 --> 00:28:06,640
Speaker 6: completely related to it. I thought it was good.

552
00:28:08,440 --> 00:28:09,159
Speaker 5: Yeah, I agree.

553
00:28:10,359 --> 00:28:13,560
Speaker 1: Oh no, I kept thinking, what if they had written

554
00:28:13,600 --> 00:28:17,120
Speaker 1: it that she was the other end of the spectrum

555
00:28:17,480 --> 00:28:23,159
Speaker 1: on this extremely joyful and happy Yeah, that kind of.

556
00:28:23,840 --> 00:28:26,280
Speaker 3: I mean, it was some women are like that.

557
00:28:27,440 --> 00:28:30,560
Speaker 5: It was realistic for her, she's so young, and like, yeah,

558
00:28:31,000 --> 00:28:34,040
Speaker 5: I will say, I with somebody who's going through that

559
00:28:34,160 --> 00:28:37,159
Speaker 5: much anxiety and wishing that they can, you know, have

560
00:28:37,280 --> 00:28:40,280
Speaker 5: a second to be an adult complaining about missus Kim

561
00:28:40,640 --> 00:28:44,280
Speaker 5: felt a little bit off. Yeah, like, you know, because

562
00:28:44,320 --> 00:28:47,680
Speaker 5: in that situation. I everyone's different, though, but I would

563
00:28:47,800 --> 00:28:50,520
Speaker 5: glom onto my mom and be like, please help me

564
00:28:50,680 --> 00:28:54,360
Speaker 5: raise this child. Yeah, but you know, everyone's different. But

565
00:28:55,560 --> 00:28:57,680
Speaker 5: but yeah, I did like that. They came to the conclusion,

566
00:28:57,720 --> 00:29:00,120
Speaker 5: all right, well, what if we do mom on the

567
00:29:00,160 --> 00:29:03,120
Speaker 5: weekend so that you know, you can still play and

568
00:29:03,240 --> 00:29:05,160
Speaker 5: go on the road and do all that kind of stuff.

569
00:29:05,200 --> 00:29:07,440
Speaker 6: I agree with your point, Danielle. I think she's kind

570
00:29:07,480 --> 00:29:11,000
Speaker 6: of feeling like everybody is telling her what to do still,

571
00:29:11,280 --> 00:29:13,560
Speaker 6: like telling her what to eat and how many times

572
00:29:13,600 --> 00:29:15,600
Speaker 6: to pee and all that stuff. So I can see

573
00:29:16,360 --> 00:29:18,400
Speaker 6: how you know, she was kind of like pushing back

574
00:29:18,440 --> 00:29:21,320
Speaker 6: against her mom, But at the same time, it did

575
00:29:21,680 --> 00:29:25,280
Speaker 6: come across as a little ungrateful, like her mom, you know,

576
00:29:25,480 --> 00:29:28,880
Speaker 6: is uprooting herself and putting a lot of things aside

577
00:29:28,920 --> 00:29:30,640
Speaker 6: to come move in with them and help them. And

578
00:29:31,360 --> 00:29:32,880
Speaker 6: like I was with you, like when I had my

579
00:29:33,280 --> 00:29:35,680
Speaker 6: first kid, I was like, Mom, I need you to

580
00:29:35,840 --> 00:29:38,000
Speaker 6: not leave my house, like you need to come just

581
00:29:38,160 --> 00:29:41,600
Speaker 6: be right by my side at all times. So I totally,

582
00:29:41,960 --> 00:29:45,840
Speaker 6: I totally agree with that, and I think that she

583
00:29:46,000 --> 00:29:50,680
Speaker 6: could have been a little nicer about her mom. But

584
00:29:51,000 --> 00:29:53,400
Speaker 6: overall I could see where she was coming from.

585
00:29:55,360 --> 00:29:58,920
Speaker 5: Still that pregnant belly. Sorry, yeah, I know it was

586
00:29:59,200 --> 00:30:02,160
Speaker 5: It's all overtook every scene for me. I'm like you,

587
00:30:02,320 --> 00:30:05,680
Speaker 5: guys on, I know it was a little overdone.

588
00:30:05,720 --> 00:30:11,480
Speaker 6: I agree, Okay, So then okay, we're back in front

589
00:30:11,480 --> 00:30:15,160
Speaker 6: of Luke's April is leaving because they went on the

590
00:30:15,200 --> 00:30:18,080
Speaker 6: shopping trip and now April was getting ready to go home,

591
00:30:19,000 --> 00:30:24,840
Speaker 6: and April is trying to like she misses Luke. She

592
00:30:25,000 --> 00:30:26,760
Speaker 6: was trying to figure out a way that they can.

593
00:30:26,880 --> 00:30:30,040
Speaker 2: They even talk about they even talk about the lawyer,

594
00:30:30,560 --> 00:30:32,880
Speaker 2: like it was like, wow, this is you know, she

595
00:30:33,040 --> 00:30:35,080
Speaker 2: knows everything happening, right, So.

596
00:30:35,200 --> 00:30:37,360
Speaker 6: I think Luke thought that she was kind of in

597
00:30:37,440 --> 00:30:39,880
Speaker 6: the dark about the whole thing, and until she says, well,

598
00:30:39,960 --> 00:30:42,560
Speaker 6: mom hired a real shark, and then Luke was like, oh, okay,

599
00:30:42,720 --> 00:30:47,760
Speaker 6: I guess I guess the kid knows everything. But he

600
00:30:47,920 --> 00:30:49,920
Speaker 6: was very diplomatic about it. I thought, you know, he

601
00:30:50,120 --> 00:30:52,640
Speaker 6: was you know, we're just not seeing eye to eye.

602
00:30:53,640 --> 00:30:55,280
Speaker 6: So that was that was a cute scene.

603
00:30:55,320 --> 00:30:57,800
Speaker 2: I thought, I like that that father daughter in your

604
00:30:57,840 --> 00:30:59,320
Speaker 2: helmet because that's the first thing I was like, she

605
00:30:59,440 --> 00:30:59,920
Speaker 2: gonna put that he.

606
00:31:04,240 --> 00:31:06,560
Speaker 6: So, yeah, that was a quick scene, but I thought

607
00:31:06,560 --> 00:31:07,200
Speaker 6: it was poignant.

608
00:31:07,280 --> 00:31:07,720
Speaker 1: It was good.

609
00:31:08,840 --> 00:31:14,120
Speaker 6: And then we come to the final scene. Was Laurel

610
00:31:14,160 --> 00:31:17,480
Speaker 6: I now because she ran into Luke and had her inspiration,

611
00:31:17,680 --> 00:31:20,000
Speaker 6: she's she knows what to type. She's on her typewriter.

612
00:31:20,560 --> 00:31:22,200
Speaker 6: When was the last time you saw like that, an

613
00:31:22,240 --> 00:31:25,400
Speaker 6: old school typewriter like that. It wasn't even electric. It

614
00:31:25,480 --> 00:31:27,120
Speaker 6: was like the kind with the handle you had.

615
00:31:27,040 --> 00:31:27,920
Speaker 3: To push like that was.

616
00:31:28,240 --> 00:31:32,720
Speaker 6: That's been a few minutes and she finishes her letter,

617
00:31:33,440 --> 00:31:35,800
Speaker 6: and then I noticed that she didn't even sign it.

618
00:31:35,920 --> 00:31:38,480
Speaker 6: She just pulls it out of the typewriter and folds

619
00:31:38,520 --> 00:31:39,320
Speaker 6: it up and puts it in.

620
00:31:41,160 --> 00:31:43,880
Speaker 3: That didn't bother me as much. Yeah, I just yeah,

621
00:31:43,960 --> 00:31:45,120
Speaker 3: I mean I noticed, but.

622
00:31:47,120 --> 00:31:49,280
Speaker 6: She paused. She came downstairs, and she paused for a

623
00:31:49,400 --> 00:31:52,640
Speaker 6: minute and heard like the family kind of banter in

624
00:31:52,720 --> 00:31:53,240
Speaker 6: the kitchen.

625
00:31:54,040 --> 00:31:56,160
Speaker 3: I'm sort of happy about that. Also, it was like

626
00:31:56,280 --> 00:31:59,560
Speaker 3: very yeah. Yeah, I was like, huh, this is interesting.

627
00:31:59,520 --> 00:32:01,120
Speaker 6: Right, I know, I didn't quite know what to think

628
00:32:01,120 --> 00:32:04,840
Speaker 6: about because the same it was like is she like

629
00:32:05,000 --> 00:32:06,880
Speaker 6: it was almost like she was starting to feel happy that,

630
00:32:07,160 --> 00:32:09,479
Speaker 6: you know, Christopher was there and that this was all happening.

631
00:32:09,560 --> 00:32:13,560
Speaker 6: But and then she goes to mail the letter and

632
00:32:13,640 --> 00:32:18,280
Speaker 6: it starts snowing, because which was like okay, and she's sad.

633
00:32:22,400 --> 00:32:25,520
Speaker 1: You know, the symbolism of that is not lost on us.

634
00:32:26,760 --> 00:32:32,280
Speaker 1: This is Luke involved letter mailing trigger snow trigger memory

635
00:32:32,400 --> 00:32:38,160
Speaker 1: of I smell snow trigger memory of deeply affectionate Luke

636
00:32:38,200 --> 00:32:41,560
Speaker 1: and Laurel. I him, she's trying to bring him into

637
00:32:41,600 --> 00:32:44,880
Speaker 1: the fold. He's, you know, out there looking at the snow,

638
00:32:45,040 --> 00:32:48,920
Speaker 1: smelling the snow reluctantly. But I think the whole thing

639
00:32:49,120 --> 00:32:53,240
Speaker 1: was just it was a beautiful ending, actually her walking

640
00:32:53,320 --> 00:32:58,440
Speaker 1: away and being alone and remembering and helping, remembering the

641
00:32:58,560 --> 00:33:01,960
Speaker 1: past and maybe hoping for future with Luke. I think

642
00:33:01,960 --> 00:33:03,920
Speaker 1: it was very powerful, very very well done.

643
00:33:04,040 --> 00:33:06,600
Speaker 6: That crane shot I thought was really good where it's

644
00:33:06,800 --> 00:33:08,880
Speaker 6: like lifting up and you see her walking down the street.

645
00:33:10,120 --> 00:33:11,640
Speaker 1: Yeah, I agree, great shot.

646
00:33:12,720 --> 00:33:16,000
Speaker 3: Right up. Episode. I actually really really liked this episode.

647
00:33:16,480 --> 00:33:18,120
Speaker 1: Yeah, what are we going to rate it? What's the

648
00:33:18,360 --> 00:33:24,120
Speaker 1: what's the measuring stick? What's the measuring stick here? M Danielle,

649
00:33:24,280 --> 00:33:25,000
Speaker 1: what are you going to give it?

650
00:33:25,240 --> 00:33:25,360
Speaker 5: Oh?

651
00:33:25,480 --> 00:33:27,560
Speaker 3: Sorry, okay, I'm going to give it a jump the

652
00:33:27,600 --> 00:33:30,960
Speaker 3: gun there eight wow, eight.

653
00:33:33,000 --> 00:33:37,360
Speaker 5: Seven, seven and three quarters wow, seven and three quarters unicorns.

654
00:33:37,400 --> 00:33:40,400
Speaker 1: Remember we're comparing it to the first six seasons, and

655
00:33:42,040 --> 00:33:43,240
Speaker 1: the bar is very high.

656
00:33:44,600 --> 00:33:48,320
Speaker 5: I recalibrate my meter each season.

657
00:33:48,600 --> 00:33:49,400
Speaker 3: This is first season.

658
00:33:50,680 --> 00:33:54,520
Speaker 2: Yeah, for season seven, this is a nine overall compared

659
00:33:54,520 --> 00:33:55,080
Speaker 2: to the others.

660
00:33:55,160 --> 00:33:56,120
Speaker 3: Maybe it's a seven.

661
00:33:56,840 --> 00:34:01,480
Speaker 5: No, I would give it like a six, but I.

662
00:34:01,520 --> 00:34:05,280
Speaker 3: Think the stockings, the sparkly and burned stockings.

663
00:34:06,600 --> 00:34:09,920
Speaker 1: An, what do you think I met? But Nadaniel, did

664
00:34:09,960 --> 00:34:11,120
Speaker 1: you use a measuring stick?

665
00:34:11,160 --> 00:34:11,480
Speaker 4: What is it?

666
00:34:13,040 --> 00:34:13,400
Speaker 1: Gotcha?

667
00:34:13,480 --> 00:34:19,000
Speaker 6: Okay, Susanne, I like this episode even though it's season seven.

668
00:34:19,200 --> 00:34:22,399
Speaker 6: If I sometimes when I'm in a Christmas mood, I'll

669
00:34:22,480 --> 00:34:24,880
Speaker 6: put this episode on just for fun. So I'm going

670
00:34:24,920 --> 00:34:27,520
Speaker 6: to give it. I'm going to give it nine because

671
00:34:27,520 --> 00:34:32,000
Speaker 6: I think it's whoa whoa one scene I would get

672
00:34:32,080 --> 00:34:35,160
Speaker 6: rid of, but I'm going to give it nine. Nice

673
00:34:35,320 --> 00:34:36,720
Speaker 6: fraggley Christmas trees.

674
00:34:38,120 --> 00:34:42,080
Speaker 3: I like it all right. Next to whom it may concern,

675
00:34:42,200 --> 00:34:45,200
Speaker 3: no Amy, we haven't heard your no, I said, Oh, I.

676
00:34:45,640 --> 00:34:51,960
Speaker 2: Said the sparkly stockings. And I'm giving it somewhere between

677
00:34:52,080 --> 00:34:55,480
Speaker 2: a seven and a nine, because as this season goes,

678
00:34:55,520 --> 00:34:57,839
Speaker 2: it's definitely a nine, but in the series it's more

679
00:34:57,920 --> 00:34:58,480
Speaker 2: like a seven.

680
00:34:58,760 --> 00:35:02,520
Speaker 1: Yeah, I'm down there in the fives. Sorry, wow, Wow,

681
00:35:02,880 --> 00:35:04,240
Speaker 1: I'm just down there in the fives.

682
00:35:04,600 --> 00:35:04,719
Speaker 6: Uh.

683
00:35:06,040 --> 00:35:13,200
Speaker 1: You know, I'll give it a five point five snowflakes good, yeah,

684
00:35:14,239 --> 00:35:17,439
Speaker 1: because that's the thing that saved it from being a four.

685
00:35:18,320 --> 00:35:22,480
Speaker 1: You know, I like the snow flakes. Anyway, that's going

686
00:35:22,560 --> 00:35:26,000
Speaker 1: to do her best. Fans on the planet, Thank you, ladies,

687
00:35:26,160 --> 00:35:28,360
Speaker 1: San French, Daniel Rome, Amy Sugarman. That is going to

688
00:35:28,400 --> 00:35:31,319
Speaker 1: wrap it up. We will see you next time.

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00:35:31,400 --> 00:35:33,759
Speaker 3: Whom it may concern next week is to whom it

690
00:35:33,840 --> 00:35:34,280
Speaker 3: may concern.

691
00:35:34,400 --> 00:35:38,680
Speaker 1: Whom it may concern, Episode twelve, Season seven. It's we're

692
00:35:38,760 --> 00:35:41,480
Speaker 1: kind of getting into the final stretch here of crazy.

693
00:35:41,680 --> 00:35:43,040
Speaker 1: It's actually crazy wild.

694
00:35:43,280 --> 00:35:43,480
Speaker 3: Yeah.

695
00:35:43,600 --> 00:35:46,080
Speaker 1: I feel like we just started this thing like last month,

696
00:35:46,640 --> 00:35:51,319
Speaker 1: and and here we are so weird it is. It's

697
00:35:51,400 --> 00:35:54,880
Speaker 1: very emotional. Anyway, keep the cards and letters coming and

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00:35:55,040 --> 00:35:58,200
Speaker 1: remember we and I am all In. Stay safe everyone,

699
00:36:02,920 --> 00:36:29,400
Speaker 1: dust Hey, everybody, and don't forget Follow us on Instagram

700
00:36:29,800 --> 00:36:33,520
Speaker 1: at I Am all In podcast and email us at

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00:36:33,719 --> 00:36:36,719
Speaker 1: Gilmore at iHeartRadio dot com.