1 00:00:02,840 --> 00:00:04,960 Speaker 1: Hey Bessies, Hello Sunshine. 2 00:00:05,160 --> 00:00:08,959 Speaker 2: Today on the bright Side, comedian actor and writer Jacqueline 3 00:00:08,960 --> 00:00:12,080 Speaker 2: Novak is here to talk about her Netflix comedy special 4 00:00:12,440 --> 00:00:16,040 Speaker 2: It's called Get on Your Knees. Plus she shares the 5 00:00:16,079 --> 00:00:20,440 Speaker 2: most Tony Robbins thing about her. It's Wednesday, May twenty second. 6 00:00:20,600 --> 00:00:22,119 Speaker 1: I'm Danielle Robe. 7 00:00:21,760 --> 00:00:24,919 Speaker 3: And I'm Simone Voice, and this is the bright Side 8 00:00:24,920 --> 00:00:28,960 Speaker 3: from Hello Sunshine, Simone. 9 00:00:29,000 --> 00:00:31,120 Speaker 2: I'm so happy to have you back. You just got 10 00:00:31,120 --> 00:00:32,559 Speaker 2: back from this wellness retreat. 11 00:00:32,680 --> 00:00:36,160 Speaker 3: Yes, I just got back from a retreat called on Site, 12 00:00:36,520 --> 00:00:39,680 Speaker 3: and I have to say, outside of motherhood, it is 13 00:00:39,760 --> 00:00:43,800 Speaker 3: the single most transformative experience of my life. I mean, 14 00:00:44,000 --> 00:00:46,839 Speaker 3: pure magic with forty new friends. 15 00:00:47,040 --> 00:00:50,000 Speaker 2: I wish everyone could see you. You look so rejuvenated and rested. 16 00:00:50,920 --> 00:00:54,400 Speaker 3: This is what several days of no screens, no alcohol, 17 00:00:54,640 --> 00:00:57,960 Speaker 3: clean eating, being out in the wilderness will do for you. 18 00:00:58,280 --> 00:01:00,160 Speaker 2: What do you mean no screens? You didn't touch your 19 00:01:00,200 --> 00:01:02,680 Speaker 2: phone or a computer. I did not touch my phone 20 00:01:02,760 --> 00:01:06,360 Speaker 2: or a computer for several days. And to be honest, 21 00:01:06,400 --> 00:01:08,640 Speaker 2: I kind of feel like I'm an alien walking around 22 00:01:08,720 --> 00:01:12,000 Speaker 2: on planet Earth right now. But the irony of that 23 00:01:12,080 --> 00:01:16,320 Speaker 2: statement is I'm more human than I've ever been because 24 00:01:16,360 --> 00:01:18,240 Speaker 2: of the deep work that I did at this camp. 25 00:01:18,319 --> 00:01:21,840 Speaker 2: So I think I should explain the ground rules of 26 00:01:21,880 --> 00:01:24,320 Speaker 2: on site because that really gives you a taste of 27 00:01:24,360 --> 00:01:27,559 Speaker 2: what the full experience is like. So there's no screens, 28 00:01:28,000 --> 00:01:31,720 Speaker 2: there's no alcohol or drugs, there are no last names, 29 00:01:31,760 --> 00:01:33,800 Speaker 2: and no discussion of what you do for a living, 30 00:01:34,280 --> 00:01:38,160 Speaker 2: because they want everyone to be putting humanity before credentials. 31 00:01:38,240 --> 00:01:40,520 Speaker 2: They want you to come there and really rediscover who 32 00:01:40,560 --> 00:01:43,920 Speaker 2: you are outside of your job. For every day we 33 00:01:44,080 --> 00:01:48,880 Speaker 2: had small group therapy, and it really is like three 34 00:01:48,920 --> 00:01:52,000 Speaker 2: to six months of therapy condensed into a matter of 35 00:01:52,080 --> 00:01:54,560 Speaker 2: a few days. Is it mine body soul like do 36 00:01:54,600 --> 00:01:56,400 Speaker 2: you wake up and go for a long walk, or 37 00:01:56,480 --> 00:01:58,520 Speaker 2: is it fully group therapy? 38 00:01:59,000 --> 00:02:00,000 Speaker 4: It's mind body soul. 39 00:02:00,000 --> 00:02:00,120 Speaker 5: Well. 40 00:02:00,640 --> 00:02:02,720 Speaker 3: I would wake up with the birds every morning. It 41 00:02:02,800 --> 00:02:06,720 Speaker 3: was so idyllic and peaceful. We would start off every 42 00:02:06,720 --> 00:02:10,640 Speaker 3: morning with a meditation. We would do yoga at night, 43 00:02:10,720 --> 00:02:13,680 Speaker 3: We had soundbats at night. We even had a silent 44 00:02:13,720 --> 00:02:16,280 Speaker 3: disco which was super fun. And this like really cathartic 45 00:02:16,360 --> 00:02:18,720 Speaker 3: release for all this hard work that we'd been doing. 46 00:02:19,080 --> 00:02:22,720 Speaker 3: But I'm not gonna like sugarcoat it at all. It 47 00:02:22,800 --> 00:02:26,120 Speaker 3: was it was five days of like crying our eyes out, 48 00:02:26,280 --> 00:02:31,160 Speaker 3: like everyone can only imagine weeping doing in our child work, 49 00:02:31,240 --> 00:02:34,960 Speaker 3: like these miraculous transformations and breakthroughs, and then you're all 50 00:02:35,000 --> 00:02:37,280 Speaker 3: experiencing it together. So the people that I went through 51 00:02:37,280 --> 00:02:39,919 Speaker 3: this process with, even though I had only known them 52 00:02:39,960 --> 00:02:42,680 Speaker 3: for a few days, they know me better than the 53 00:02:42,760 --> 00:02:44,840 Speaker 3: friends that I've had for several years. 54 00:02:45,280 --> 00:02:47,160 Speaker 1: Oh yeah, I can only imagine. 55 00:02:47,200 --> 00:02:51,040 Speaker 2: I think sometimes we're more willing to tell strangers our deepest, 56 00:02:51,120 --> 00:02:53,240 Speaker 2: darkest secrets than the people closest to us. 57 00:02:53,440 --> 00:02:55,800 Speaker 3: But that was the thing that I was most scared of, Danielle. 58 00:02:55,880 --> 00:02:58,440 Speaker 3: When I went into it. I was like, so, I'm 59 00:02:58,440 --> 00:03:00,240 Speaker 3: going to this retreat. It's gonna be a bunch of 60 00:03:00,240 --> 00:03:02,480 Speaker 3: people from my industry. How do I know that I 61 00:03:02,480 --> 00:03:05,800 Speaker 3: can trust them with like my deepest darkest secrets, vulnerabilities, 62 00:03:05,840 --> 00:03:08,760 Speaker 3: my trauma. The way that they went about it, like 63 00:03:08,800 --> 00:03:12,960 Speaker 3: we fostered connection and empathetic community in really small ways first, 64 00:03:13,600 --> 00:03:17,919 Speaker 3: and then that facilitated opening up in a massive way. 65 00:03:18,320 --> 00:03:22,280 Speaker 2: Is there anything that you learned, any tools, any tips 66 00:03:22,760 --> 00:03:25,280 Speaker 2: that you think we could all be applying in our 67 00:03:25,360 --> 00:03:26,359 Speaker 2: day to day life. 68 00:03:26,560 --> 00:03:30,720 Speaker 3: I came away convicted by the power of screenless connection. 69 00:03:31,600 --> 00:03:35,800 Speaker 3: So I'm coming back and like ready to have phoneless 70 00:03:35,840 --> 00:03:38,600 Speaker 3: dinner parties, ready to say, like in my own home 71 00:03:38,640 --> 00:03:41,720 Speaker 3: and my family, we're going to do phoneless meal time. 72 00:03:42,240 --> 00:03:45,640 Speaker 3: Like starting small, but those small changes I think can 73 00:03:45,760 --> 00:03:50,400 Speaker 3: lead to significant improvement and just overall quality of life. 74 00:03:50,880 --> 00:03:52,960 Speaker 4: We did one thing at the end of. 75 00:03:52,880 --> 00:03:55,840 Speaker 3: The trip that was so powerful and everyone was crying, 76 00:03:55,960 --> 00:03:58,800 Speaker 3: of course, something called an affirmation circle. 77 00:03:58,960 --> 00:03:59,960 Speaker 4: Have you ever done this? 78 00:04:00,440 --> 00:04:00,520 Speaker 5: No? 79 00:04:00,800 --> 00:04:03,840 Speaker 3: Please tell me, Okay, it's this beautiful thing, and I 80 00:04:03,920 --> 00:04:05,760 Speaker 3: think this is something that we could all try to 81 00:04:05,760 --> 00:04:07,640 Speaker 3: do with our friends the next time we have a gathering. 82 00:04:08,000 --> 00:04:11,040 Speaker 3: So you create an inner circle with a bunch of chairs. 83 00:04:11,520 --> 00:04:14,520 Speaker 3: You know, however many people you have, you half that amount, 84 00:04:14,800 --> 00:04:16,560 Speaker 3: and you put half the people on the inside of 85 00:04:16,560 --> 00:04:19,000 Speaker 3: the circle. Everyone else is on the outside of the circle, 86 00:04:19,560 --> 00:04:23,359 Speaker 3: and one by one you walk around. You gently place 87 00:04:23,400 --> 00:04:25,039 Speaker 3: your hand on the person's shoulder in front of you, 88 00:04:25,200 --> 00:04:28,960 Speaker 3: and you just whisper and affirmation into their ear. And 89 00:04:29,839 --> 00:04:32,839 Speaker 3: while we were doing this, there was this really moving 90 00:04:33,400 --> 00:04:37,839 Speaker 3: piece of music playing. And you know, after having had 91 00:04:37,880 --> 00:04:40,400 Speaker 3: the honor of like getting to really see the humanity 92 00:04:40,440 --> 00:04:42,720 Speaker 3: of all these people, we felt equipped to really give 93 00:04:42,760 --> 00:04:46,880 Speaker 3: them an affirmation that was meaningful and had depth, and 94 00:04:47,600 --> 00:04:50,160 Speaker 3: it was just so beautiful to witness and see everyone 95 00:04:50,520 --> 00:04:52,280 Speaker 3: receive that. 96 00:04:52,200 --> 00:04:54,880 Speaker 1: You are thoughtful and empowered queens. 97 00:04:56,240 --> 00:04:59,760 Speaker 2: Thank you well from one empowered queen sitting next to 98 00:04:59,800 --> 00:05:02,760 Speaker 2: me to another. You know, Simone and I love a 99 00:05:02,800 --> 00:05:05,719 Speaker 2: woman who charts her own path. So on today's show, 100 00:05:05,760 --> 00:05:09,160 Speaker 2: we're talking to a comedian who's doing comedy a little differently. 101 00:05:09,800 --> 00:05:12,839 Speaker 2: Jacqueline Novak has a Netflix special that got a ton 102 00:05:12,920 --> 00:05:15,359 Speaker 2: of buzz. It's called Get on Your Knees. Here's what 103 00:05:15,440 --> 00:05:18,480 Speaker 2: I think is so cool about this. She has been 104 00:05:18,520 --> 00:05:22,200 Speaker 2: working on this meticulously for over twenty years. The idea 105 00:05:22,279 --> 00:05:25,279 Speaker 2: for the special actually started as a college essay, and 106 00:05:25,320 --> 00:05:27,839 Speaker 2: then she turned it into an off Broadway show, and 107 00:05:27,880 --> 00:05:30,599 Speaker 2: now it's come to life as this comedy special that 108 00:05:30,600 --> 00:05:32,320 Speaker 2: has been widely received. 109 00:05:32,880 --> 00:05:38,920 Speaker 3: I so admire Jacqueline's bravery and ambition in redefining comedy 110 00:05:38,920 --> 00:05:41,039 Speaker 3: in a way that feels authentic to her. 111 00:05:41,120 --> 00:05:43,159 Speaker 4: Like she is a writer at her core. 112 00:05:43,279 --> 00:05:46,600 Speaker 3: She studied English in college, and she really brings that 113 00:05:47,400 --> 00:05:51,880 Speaker 3: grasp of language and literature and poetry to the stage 114 00:05:51,960 --> 00:05:55,960 Speaker 3: in this special. It's a super unique style of comedy. 115 00:05:56,040 --> 00:05:59,440 Speaker 3: I mean, I remember when I first watched it. I 116 00:05:59,640 --> 00:06:04,960 Speaker 3: was fascinated by her. I was completely captivated by her. 117 00:06:05,080 --> 00:06:08,120 Speaker 3: She has this frenetic energy as she moves across the stage. 118 00:06:08,520 --> 00:06:11,080 Speaker 2: Well, it really got me thinking, which is what I 119 00:06:11,200 --> 00:06:14,520 Speaker 2: think she wants us all to be doing, watching and 120 00:06:14,560 --> 00:06:18,040 Speaker 2: then talking about it afterwards. Because it's all about fillatio. 121 00:06:18,560 --> 00:06:23,360 Speaker 2: It is about blowjobs, and at first hearing that, you think, oh, 122 00:06:23,440 --> 00:06:26,799 Speaker 2: is it crude, And it's not. It's very poetic. 123 00:06:27,200 --> 00:06:29,320 Speaker 3: I have never seen anything like it, never seen a 124 00:06:29,440 --> 00:06:33,960 Speaker 3: ninety four minute special talking about oral sex. And you're right, 125 00:06:34,120 --> 00:06:37,680 Speaker 3: it does seem like it would be raunchy. But she's 126 00:06:37,720 --> 00:06:40,080 Speaker 3: even said, like, my parents have seen the show multiple 127 00:06:40,120 --> 00:06:40,920 Speaker 3: times and. 128 00:06:40,960 --> 00:06:42,520 Speaker 1: Yeah, that's not the point of it. 129 00:06:42,720 --> 00:06:45,760 Speaker 4: No, it's not raunch for the sake of raunch. There's 130 00:06:45,760 --> 00:06:46,560 Speaker 4: a lot more to it. 131 00:06:46,760 --> 00:06:48,640 Speaker 3: So we are going to get into all that and 132 00:06:48,720 --> 00:06:51,279 Speaker 3: more with Jacqueline No back after the break. 133 00:06:51,520 --> 00:06:59,240 Speaker 1: Stay with us. 134 00:07:01,120 --> 00:07:04,400 Speaker 3: We're back with a groundbreaking comedian who is changing the 135 00:07:04,520 --> 00:07:08,279 Speaker 3: narrative around women in sex with her Netflix comedy special 136 00:07:08,560 --> 00:07:11,720 Speaker 3: Get on Your Knees. It's based on her critically acclaimed 137 00:07:11,840 --> 00:07:13,680 Speaker 3: one woman show of the same name. 138 00:07:14,000 --> 00:07:15,960 Speaker 5: I am going to talk about the blowjobs quite a 139 00:07:15,960 --> 00:07:20,520 Speaker 5: bit tonight to the point of tedium, said one early critic. 140 00:07:22,760 --> 00:07:26,320 Speaker 2: Jacqueline Novak is an actor, writer, and stand up comic. 141 00:07:26,680 --> 00:07:30,000 Speaker 2: She's also the host of the podcast Poog with Kate Berlant, 142 00:07:30,400 --> 00:07:33,480 Speaker 2: which I love, and the author of the book How 143 00:07:33,480 --> 00:07:36,520 Speaker 2: to Weep in Public. Feeble offerings on depression from one 144 00:07:36,520 --> 00:07:39,920 Speaker 2: who knows Jacqueline, Welcome to the bright Side. 145 00:07:40,160 --> 00:07:42,200 Speaker 5: Thank you for having me. Hello, you are. 146 00:07:42,160 --> 00:07:43,840 Speaker 1: Having such a moment. 147 00:07:44,240 --> 00:07:46,960 Speaker 2: Your Netflix special Get on Your Knees is getting so 148 00:07:47,040 --> 00:07:50,240 Speaker 2: much attention, Simone and I couldn't stop talking about it. 149 00:07:50,320 --> 00:07:53,160 Speaker 2: And it's different than a traditional special. How do you 150 00:07:53,240 --> 00:07:54,200 Speaker 2: describe it to people? 151 00:07:54,840 --> 00:07:56,600 Speaker 5: It depends on who I'm talking to and who I'm 152 00:07:56,600 --> 00:07:59,360 Speaker 5: trying to sell to, you know, like I'll tell you 153 00:07:59,520 --> 00:08:02,320 Speaker 5: it's anything, but to be clear, it does absolutely stand up. 154 00:08:02,400 --> 00:08:04,840 Speaker 5: I also, you know, mounted it as an off Broadway 155 00:08:04,880 --> 00:08:07,800 Speaker 5: show and definitely put it in a theater context. Point 156 00:08:07,920 --> 00:08:09,480 Speaker 5: is it's this sort of high brow show, but the 157 00:08:09,520 --> 00:08:12,480 Speaker 5: blowjob this mix of high and low. You know, it's 158 00:08:12,560 --> 00:08:16,480 Speaker 5: like very poetic and I'm sort of prudish and obsessed 159 00:08:16,520 --> 00:08:18,080 Speaker 5: with dignity and all this kind of stuff. But then 160 00:08:18,520 --> 00:08:25,000 Speaker 5: I'm talking about the blowjob and penis cock but from 161 00:08:25,000 --> 00:08:29,880 Speaker 5: a linguistic perspective. So it's this weird combo that usually 162 00:08:30,280 --> 00:08:34,280 Speaker 5: people are surprised by, sort of regardless of which expectation 163 00:08:34,400 --> 00:08:35,079 Speaker 5: they came in with. 164 00:08:35,440 --> 00:08:38,800 Speaker 3: You're wearing a great T shirt and jeans in the special? Yes, 165 00:08:39,040 --> 00:08:40,480 Speaker 3: and I hope you don't take this the wrong way. 166 00:08:40,600 --> 00:08:43,160 Speaker 3: This is like a commment to me, you could have 167 00:08:43,240 --> 00:08:46,679 Speaker 3: been in like a Victorian era dress, or you could 168 00:08:46,679 --> 00:08:49,280 Speaker 3: have been in a great T shirt and jeans in 169 00:08:49,320 --> 00:08:53,960 Speaker 3: twenty twenty four. That's how timeless and flowery and poetic 170 00:08:54,000 --> 00:08:56,320 Speaker 3: the language is. To me, Oh my god, I love it. 171 00:08:56,400 --> 00:08:58,640 Speaker 3: I should have worn that, although it would be hard 172 00:08:58,720 --> 00:08:59,240 Speaker 3: to tour with. 173 00:09:00,080 --> 00:09:03,320 Speaker 2: Your comedic point of view is provocative, and you talk 174 00:09:03,400 --> 00:09:07,200 Speaker 2: openly about sex and sexual situations, but it's not for 175 00:09:07,280 --> 00:09:12,560 Speaker 2: shock value like you do poeticize, you unpack, you dissect 176 00:09:12,760 --> 00:09:16,000 Speaker 2: even Yeah, what's the conversation that you wanted to start 177 00:09:16,040 --> 00:09:16,720 Speaker 2: with the special? 178 00:09:17,200 --> 00:09:20,080 Speaker 5: You know, I don't let myself think in terms like 179 00:09:20,400 --> 00:09:24,000 Speaker 5: I'm trying to start a conversation and it's too grand 180 00:09:24,320 --> 00:09:27,680 Speaker 5: And I take myself seriously in one sense, but it's 181 00:09:27,679 --> 00:09:30,960 Speaker 5: like if other people find it meaningful or great, I 182 00:09:31,000 --> 00:09:32,439 Speaker 5: can't even partake. 183 00:09:32,080 --> 00:09:34,040 Speaker 1: In that, but like why the blowjob? 184 00:09:34,640 --> 00:09:38,559 Speaker 5: I knew that it was something I always found compelling, 185 00:09:38,600 --> 00:09:43,199 Speaker 5: almost from a literary perspective or like a poetic perspective, 186 00:09:43,559 --> 00:09:46,200 Speaker 5: more than I really thought of it as a sort 187 00:09:46,240 --> 00:09:48,800 Speaker 5: of thing I wanted to explore my stand up because 188 00:09:49,520 --> 00:09:52,520 Speaker 5: the blowjob to me, you know, it's like sometimes hard 189 00:09:52,559 --> 00:09:54,880 Speaker 5: to remember the first time you hear about something, or 190 00:09:54,920 --> 00:09:57,040 Speaker 5: the first time a concept. Kind of it was this 191 00:09:57,120 --> 00:09:59,760 Speaker 5: thing that you know, I remember distinctly hearing about it 192 00:09:59,760 --> 00:10:02,400 Speaker 5: for the first time in middle school. It's like I 193 00:10:02,440 --> 00:10:05,760 Speaker 5: sort of really do remember being like, wait what, And 194 00:10:05,800 --> 00:10:09,520 Speaker 5: then in the culture of the high school it was 195 00:10:09,559 --> 00:10:13,760 Speaker 5: such a charged idea. There's something that seems so foolish 196 00:10:13,800 --> 00:10:17,240 Speaker 5: about it, sort of ridiculous, but it's also held up 197 00:10:17,280 --> 00:10:21,200 Speaker 5: as this cool, you know sort of thing. So it's 198 00:10:21,240 --> 00:10:23,679 Speaker 5: like I knew that it was one of these things 199 00:10:23,720 --> 00:10:27,040 Speaker 5: that I would enjoy analyzing. I say it in a 200 00:10:27,080 --> 00:10:29,320 Speaker 5: special but you know, like to the point of tedium, 201 00:10:29,520 --> 00:10:31,640 Speaker 5: I was like the blowjob just as this focal point 202 00:10:31,679 --> 00:10:34,400 Speaker 5: of almost like all these other things to be discussed about, 203 00:10:34,440 --> 00:10:37,160 Speaker 5: like feeling foolish, like how can you be a mind 204 00:10:37,240 --> 00:10:39,240 Speaker 5: and in a body? You know, how can you be 205 00:10:39,280 --> 00:10:42,719 Speaker 5: a thinker and partake any sort of ridiculous acts that 206 00:10:43,160 --> 00:10:46,440 Speaker 5: are relatively wordless. The blowjob sort of silences you. If 207 00:10:46,440 --> 00:10:50,000 Speaker 5: you're a talker. It's kind of you know, not your 208 00:10:50,720 --> 00:10:52,760 Speaker 5: It's like, wait what, but I like words. 209 00:10:53,280 --> 00:10:57,360 Speaker 3: You point out the contradictions so well, and whether you 210 00:10:57,480 --> 00:10:59,880 Speaker 3: accept it or not, you are changing the conversation. And 211 00:11:00,400 --> 00:11:01,960 Speaker 3: I just want to go through some of the praise 212 00:11:02,000 --> 00:11:02,920 Speaker 3: that you've received. 213 00:11:03,080 --> 00:11:04,480 Speaker 5: I'll take it. I'll take it. 214 00:11:04,600 --> 00:11:07,920 Speaker 3: Your director Natasha Leone called get on your knees, your Opus. 215 00:11:08,240 --> 00:11:12,040 Speaker 3: Your former director John Early said, Jacqueline brings real stakes 216 00:11:12,040 --> 00:11:15,280 Speaker 3: in gravity and poetry to the mundane. Vanity Fair said, 217 00:11:15,280 --> 00:11:19,120 Speaker 3: the stage show solidified you as a comedic powerhouse. How 218 00:11:19,160 --> 00:11:21,200 Speaker 3: do you feel when you hear this praise? Are you 219 00:11:21,240 --> 00:11:22,160 Speaker 3: able to receive it? 220 00:11:22,720 --> 00:11:26,280 Speaker 5: Oh? My god? Well, I made a point to not 221 00:11:26,400 --> 00:11:31,640 Speaker 5: read any press about it, particularly after the special was released. 222 00:11:31,920 --> 00:11:36,360 Speaker 5: It's a dangerous game taking in anything that the press, 223 00:11:36,679 --> 00:11:39,080 Speaker 5: even a ray of review. It's like, it's just this thing. 224 00:11:39,120 --> 00:11:42,120 Speaker 5: I've decided that if I let that boost me, you know, 225 00:11:42,240 --> 00:11:44,320 Speaker 5: my interior state is going to be affected by that, 226 00:11:44,640 --> 00:11:47,439 Speaker 5: and so then shall there be a negative press? Right? 227 00:11:47,720 --> 00:11:49,959 Speaker 5: I guess I'm trying to almost not be lifted by 228 00:11:50,000 --> 00:11:52,880 Speaker 5: the positive quotes, because if I cling too much of them, 229 00:11:52,880 --> 00:11:57,240 Speaker 5: then similarly might I cling to some devastating statement one 230 00:11:57,280 --> 00:11:59,720 Speaker 5: day that really bumps me out. But you know, when 231 00:11:59,760 --> 00:12:02,480 Speaker 5: you very safely to my emotions, just give me this 232 00:12:02,559 --> 00:12:06,960 Speaker 5: little wonderful compact. I'm like, oh, I like that. 233 00:12:07,080 --> 00:12:07,480 Speaker 2: I like it. 234 00:12:07,600 --> 00:12:08,920 Speaker 4: That's you should. 235 00:12:09,400 --> 00:12:11,959 Speaker 2: I want to touch on something that Simone said, which 236 00:12:12,240 --> 00:12:16,480 Speaker 2: was poetry to the mundane, because to me, that exemplifies 237 00:12:16,520 --> 00:12:18,840 Speaker 2: your work so well. I've heard you say that the 238 00:12:18,840 --> 00:12:22,720 Speaker 2: only way to tolerate our mundane existence is essentially to 239 00:12:22,800 --> 00:12:24,920 Speaker 2: make it a big deal. So you are on a 240 00:12:25,000 --> 00:12:28,680 Speaker 2: quest to make everything fun and exciting and a big deal, 241 00:12:28,800 --> 00:12:32,079 Speaker 2: even mundane things like eating dinner or giving a blowjob. 242 00:12:32,679 --> 00:12:36,520 Speaker 2: Why are you injecting excitement into everything right right? 243 00:12:36,840 --> 00:12:41,280 Speaker 5: I think it's an emotional survival mechanism. I think I 244 00:12:41,320 --> 00:12:44,760 Speaker 5: figured out for myself pretty early, I guess a teenager. 245 00:12:44,840 --> 00:12:48,720 Speaker 5: When I started writing something about putting a lens on 246 00:12:48,800 --> 00:12:51,880 Speaker 5: anything like the slight at a distance that you do 247 00:12:51,960 --> 00:12:54,280 Speaker 5: when you're poeticizing something or writing a joke about it, 248 00:12:54,360 --> 00:12:56,560 Speaker 5: or writing about it at all. It made it like 249 00:12:56,760 --> 00:13:00,480 Speaker 5: suddenly the entire world has potential for you know, beauty, 250 00:13:00,559 --> 00:13:03,280 Speaker 5: or it does something for me in a very core 251 00:13:03,400 --> 00:13:05,080 Speaker 5: way of just relating to the world. 252 00:13:05,200 --> 00:13:05,400 Speaker 3: You know. 253 00:13:05,480 --> 00:13:08,320 Speaker 5: It's like I remember around that time, someone's saying to me, like, 254 00:13:08,640 --> 00:13:10,200 Speaker 5: why can't you just be in the moment? Why you 255 00:13:10,200 --> 00:13:13,840 Speaker 5: gotta like make a film about it? And I was like, 256 00:13:14,280 --> 00:13:17,200 Speaker 5: it's a way for me of getting into the moment. 257 00:13:17,800 --> 00:13:21,240 Speaker 3: Well, you can tell you're highly observant, and also you 258 00:13:21,280 --> 00:13:26,079 Speaker 3: are a very thorough preparer. I was held in such 259 00:13:26,120 --> 00:13:28,920 Speaker 3: suspense when I was reading about your preparation Forget on 260 00:13:28,960 --> 00:13:29,400 Speaker 3: your Knees. 261 00:13:29,480 --> 00:13:31,320 Speaker 4: I mean, it's so incredibly thorough. 262 00:13:31,400 --> 00:13:34,640 Speaker 3: So four years perfecting it on a sold out theatrical tour, 263 00:13:35,080 --> 00:13:37,600 Speaker 3: five months fine tuning it in post production down to 264 00:13:38,320 --> 00:13:41,400 Speaker 3: the closed captions, making sure that those were all accurate. 265 00:13:41,840 --> 00:13:44,040 Speaker 3: I mean, I don't think there are many other comedians 266 00:13:44,040 --> 00:13:46,520 Speaker 3: out there who can call themselves this committed, I mean, 267 00:13:46,640 --> 00:13:50,240 Speaker 3: and so detail oriented. Why did you feel like the 268 00:13:50,360 --> 00:13:53,800 Speaker 3: stakes were so high with this special in particular? 269 00:13:54,440 --> 00:13:57,000 Speaker 5: I think because it's like twenty years in the making, 270 00:13:57,160 --> 00:14:00,800 Speaker 5: and so because it was this big swing, like pretty 271 00:14:00,800 --> 00:14:03,319 Speaker 5: ambitious in the scope, and I'm going to talk to 272 00:14:03,360 --> 00:14:05,199 Speaker 5: it for ninety four minutes and I'm going to roll 273 00:14:05,240 --> 00:14:08,400 Speaker 5: around on the floor and get very sort of Shakespearean 274 00:14:08,400 --> 00:14:10,280 Speaker 5: and all that kind of stuff, but also be very 275 00:14:10,320 --> 00:14:12,760 Speaker 5: crasp I just felt like this, this is a real 276 00:14:13,280 --> 00:14:15,560 Speaker 5: laying it all out there kind of moment. And so 277 00:14:15,880 --> 00:14:19,200 Speaker 5: I think the anxiety of that just naturally leads to 278 00:14:19,840 --> 00:14:22,120 Speaker 5: obsessing about details because you don't really know what else 279 00:14:22,520 --> 00:14:25,960 Speaker 5: to do with that anticipatory energy. Yeah, I think there's 280 00:14:26,000 --> 00:14:29,520 Speaker 5: something to the first of anything right that you do, 281 00:14:29,680 --> 00:14:32,400 Speaker 5: Like there's no turning back from this because it's such 282 00:14:32,400 --> 00:14:34,400 Speaker 5: a big, relatively public swing. 283 00:14:34,680 --> 00:14:34,880 Speaker 2: You know. 284 00:14:35,360 --> 00:14:37,640 Speaker 3: Well, I read that taking a big swing like this 285 00:14:37,800 --> 00:14:41,440 Speaker 3: was actually a departure from your career strategy before. This 286 00:14:41,760 --> 00:14:45,120 Speaker 3: was an epiphany that you apparently had around like twenty seventeen, 287 00:14:45,240 --> 00:14:49,400 Speaker 3: deciding that the key to your success wasn't necessarily stacking 288 00:14:49,480 --> 00:14:53,400 Speaker 3: up this cumulative luck of like small successes, small opportunities. Yeah, 289 00:14:53,400 --> 00:14:57,560 Speaker 3: but you instead pivoted to creating your own luck with 290 00:14:57,680 --> 00:14:58,440 Speaker 3: this big swing. 291 00:14:58,880 --> 00:15:01,080 Speaker 4: Can you talk about that a lot little bit more totally? 292 00:15:01,680 --> 00:15:04,520 Speaker 5: It is huge, Like it was huge for me, and 293 00:15:04,600 --> 00:15:07,160 Speaker 5: it felt like it felt like an epiphany, And so 294 00:15:07,480 --> 00:15:10,200 Speaker 5: at that moment it became really clear. It was like Okay, 295 00:15:10,800 --> 00:15:13,160 Speaker 5: I want to have an especial on Netflix. But not 296 00:15:13,200 --> 00:15:14,360 Speaker 5: just that I want to have a special. I want 297 00:15:14,400 --> 00:15:17,760 Speaker 5: to have something on there that I know the people 298 00:15:17,800 --> 00:15:20,880 Speaker 5: who are meant to be my fans will become my fans, 299 00:15:20,880 --> 00:15:22,720 Speaker 5: like almost like I want to put something out there 300 00:15:22,720 --> 00:15:25,000 Speaker 5: that gets my people. You know, I don't expect to 301 00:15:25,040 --> 00:15:27,320 Speaker 5: get everyone. It's just so simple. But it's like, how 302 00:15:27,360 --> 00:15:28,320 Speaker 5: am I going to get it on there? 303 00:15:28,400 --> 00:15:28,920 Speaker 4: Yeah? 304 00:15:28,960 --> 00:15:31,320 Speaker 1: How do you determine what's undeniably good? 305 00:15:31,960 --> 00:15:32,160 Speaker 2: Yeah? 306 00:15:32,280 --> 00:15:33,800 Speaker 5: No, it's a very good question. 307 00:15:33,560 --> 00:15:35,880 Speaker 2: You know what I mean. Like I've heard entrepreneurs I 308 00:15:35,920 --> 00:15:39,000 Speaker 2: interview talk about having like their own board of directors 309 00:15:39,040 --> 00:15:40,720 Speaker 2: almost that they check in with. 310 00:15:40,920 --> 00:15:41,760 Speaker 1: Is that what you had? 311 00:15:42,240 --> 00:15:45,560 Speaker 5: I mean I definitely had wonderful people around me, for sure. 312 00:15:45,880 --> 00:15:47,600 Speaker 5: But I think for me it was like I know, 313 00:15:47,720 --> 00:15:51,080 Speaker 5: when I have completed something or I'm excited about something, 314 00:15:51,320 --> 00:15:54,840 Speaker 5: I'm like, this is pretty good, you know. So it 315 00:15:54,960 --> 00:15:57,440 Speaker 5: was more of an internal just feeling. There was a 316 00:15:57,480 --> 00:16:01,720 Speaker 5: core kind of feeling of me doing me. You know, 317 00:16:01,880 --> 00:16:04,040 Speaker 5: like what if I go into myself and go like, okay, 318 00:16:04,040 --> 00:16:06,720 Speaker 5: what would be like crazy? Like you know, like what 319 00:16:06,800 --> 00:16:09,760 Speaker 5: would be scary? But if I pulled it off? What 320 00:16:09,880 --> 00:16:11,440 Speaker 5: don't I know that I could pull off? But if 321 00:16:11,480 --> 00:16:14,480 Speaker 5: I pulled it off, it would be cool mm hmm. 322 00:16:14,840 --> 00:16:16,920 Speaker 5: Because I read this in the artist's way like a 323 00:16:16,960 --> 00:16:19,040 Speaker 5: week before starting stand up in college, it was literally 324 00:16:19,040 --> 00:16:20,640 Speaker 5: like an exercise what would you do if you knew 325 00:16:20,640 --> 00:16:24,360 Speaker 5: you couldn't fail? And that sounds simple, but if you 326 00:16:24,440 --> 00:16:27,360 Speaker 5: actually go, wait, if I knew I couldn't fail, you 327 00:16:27,440 --> 00:16:29,240 Speaker 5: might think of something that you just have not allowed 328 00:16:29,240 --> 00:16:31,760 Speaker 5: yourself to think of before because you just are so 329 00:16:31,880 --> 00:16:33,880 Speaker 5: sure that you would fail at it that you've never 330 00:16:33,920 --> 00:16:36,160 Speaker 5: even considered it. That was kind of how I started 331 00:16:36,160 --> 00:16:38,640 Speaker 5: doing stand up. The thing I'm saying now is a 332 00:16:38,640 --> 00:16:39,280 Speaker 5: little different. 333 00:16:39,680 --> 00:16:39,840 Speaker 3: You know. 334 00:16:39,920 --> 00:16:41,960 Speaker 5: If I go, okay, well, what if I did a 335 00:16:42,360 --> 00:16:45,400 Speaker 5: stand up show like whatever about the blowjob, but it 336 00:16:45,440 --> 00:16:50,000 Speaker 5: were totally derangedly literary, I'm like, that would be really 337 00:16:50,040 --> 00:16:51,920 Speaker 5: cool to me if I could pull it off, that'd 338 00:16:51,920 --> 00:16:53,360 Speaker 5: be kind of thing. If I saw someone else do it, 339 00:16:53,400 --> 00:16:54,720 Speaker 5: I'd be like, Oh, I wish I did that. 340 00:16:55,040 --> 00:16:56,320 Speaker 1: I loved when I read that. 341 00:16:56,440 --> 00:17:00,280 Speaker 2: Natasha Leone said, it's very cool when people make their 342 00:17:00,320 --> 00:17:02,600 Speaker 2: work very seriously, especially. 343 00:17:02,120 --> 00:17:03,480 Speaker 1: In the business of jokes. 344 00:17:03,920 --> 00:17:07,600 Speaker 2: M yeah, yeah, And I'm thinking to myself all the 345 00:17:07,600 --> 00:17:10,520 Speaker 2: comedians I know actually take their work very seriously. 346 00:17:10,880 --> 00:17:11,880 Speaker 5: Yeah, you seem to. 347 00:17:11,840 --> 00:17:14,960 Speaker 2: Have taken it to a whole new level. I just 348 00:17:15,000 --> 00:17:17,720 Speaker 2: think stand ups such a huge sacrifice. You're giving your nights, 349 00:17:17,800 --> 00:17:21,160 Speaker 2: your weekends, your time, your love, sometimes you give up relationships. 350 00:17:21,240 --> 00:17:23,560 Speaker 2: I mean, the list goes on. What do you think 351 00:17:23,600 --> 00:17:25,240 Speaker 2: stand up has given you? 352 00:17:25,240 --> 00:17:28,680 Speaker 5: You know, I do love to perform, and that feeling 353 00:17:28,920 --> 00:17:32,159 Speaker 5: and the kind of vulnerability of that sort of leaving 354 00:17:32,160 --> 00:17:34,240 Speaker 5: it all on the stage kind of thing. There's something 355 00:17:34,280 --> 00:17:37,720 Speaker 5: about that that I really enjoy. And then there's this 356 00:17:37,840 --> 00:17:41,480 Speaker 5: other thing that I value, which is my writer identity 357 00:17:41,560 --> 00:17:44,520 Speaker 5: or whatever, which is just you know, something in my 358 00:17:44,680 --> 00:17:48,120 Speaker 5: interior and connecting with other people in their interiors. Right. 359 00:17:48,160 --> 00:17:50,840 Speaker 5: It's like that's what writing has to do with for me, right, 360 00:17:50,880 --> 00:17:53,920 Speaker 5: And so a stand up is just this really embodied, 361 00:17:54,920 --> 00:17:56,239 Speaker 5: live version of that. 362 00:17:57,000 --> 00:17:59,040 Speaker 3: Do you think that the time that it took to 363 00:17:59,560 --> 00:18:04,560 Speaker 3: find and workshop this special how did that grow your confidence? 364 00:18:05,119 --> 00:18:07,639 Speaker 5: It's funny. I mean going out and just sharing this 365 00:18:07,760 --> 00:18:11,040 Speaker 5: show that was this risk for me, and this really 366 00:18:11,160 --> 00:18:13,119 Speaker 5: laying it on the line of kind of who I 367 00:18:13,160 --> 00:18:16,480 Speaker 5: am and having a lot of people, you know, respond 368 00:18:16,520 --> 00:18:19,520 Speaker 5: really well in a three hundred seat theater in Minneapolis 369 00:18:19,560 --> 00:18:22,760 Speaker 5: or whatever. Right, I mean that alone, the basic simple 370 00:18:23,040 --> 00:18:26,800 Speaker 5: fact of that that massively grows my confidence, that makes 371 00:18:26,840 --> 00:18:30,600 Speaker 5: me go I'm on the right path for me. You know, 372 00:18:31,080 --> 00:18:33,280 Speaker 5: my boyfriend Chris Laker, he's a comedian, and we talked 373 00:18:33,280 --> 00:18:35,000 Speaker 5: about this a lot. But it's like, you know, trying 374 00:18:35,000 --> 00:18:36,840 Speaker 5: to keep your eyes on your own paper, this idea 375 00:18:36,840 --> 00:18:38,919 Speaker 5: of like no one can beat you to you. So 376 00:18:38,960 --> 00:18:41,480 Speaker 5: I think for me, just having this pleasure of doing 377 00:18:41,480 --> 00:18:43,760 Speaker 5: the show and touring it and the whole thing was 378 00:18:43,800 --> 00:18:47,240 Speaker 5: like this feedback mechanism, you know, this positive feedback mechanism, 379 00:18:47,359 --> 00:18:50,080 Speaker 5: almost like I was training myself to lock in the 380 00:18:50,160 --> 00:18:53,240 Speaker 5: fact that me being the most me is correct. 381 00:18:54,240 --> 00:18:55,600 Speaker 4: Yeah, that's beautiful. 382 00:18:55,840 --> 00:18:56,040 Speaker 3: You know. 383 00:18:56,119 --> 00:19:01,080 Speaker 2: In addition to being a performer, you're an author. Your book, 384 00:19:01,200 --> 00:19:05,119 Speaker 2: How to Weep in Public is all about dealing with depression. 385 00:19:05,359 --> 00:19:08,120 Speaker 2: And I really like what you said to describe part 386 00:19:08,160 --> 00:19:10,879 Speaker 2: of the book. You said, it's about how to summon 387 00:19:10,920 --> 00:19:14,000 Speaker 2: the strength to shed that bathrobe and face the world. 388 00:19:14,800 --> 00:19:18,080 Speaker 1: It was so just perfect imagery. I thought. 389 00:19:18,280 --> 00:19:22,680 Speaker 2: You know, I've dealt with mental health challenges myself. It's 390 00:19:22,760 --> 00:19:27,560 Speaker 2: been in my family too, and humor has always gotten 391 00:19:27,600 --> 00:19:30,920 Speaker 2: me through. How did humor get you through your time 392 00:19:30,960 --> 00:19:31,600 Speaker 2: of depression? 393 00:19:33,400 --> 00:19:35,720 Speaker 5: Well, I think of it like it's not the cure, 394 00:19:36,080 --> 00:19:38,879 Speaker 5: but it certainly is like cigarettes in the trenches, like 395 00:19:38,920 --> 00:19:41,439 Speaker 5: from a fellow soldier, Like it's like, you know, if 396 00:19:41,480 --> 00:19:44,600 Speaker 5: you're able to access it, it's very much like I 397 00:19:44,680 --> 00:19:47,600 Speaker 5: find like a kind of here in the moment dealing 398 00:19:47,600 --> 00:19:50,080 Speaker 5: with whatever you're dealing with, or a little bit of 399 00:19:50,119 --> 00:19:53,159 Speaker 5: a an ointment or a little bit of a release 400 00:19:53,280 --> 00:19:56,880 Speaker 5: valve or a little bit of a you know, there 401 00:19:56,880 --> 00:19:58,640 Speaker 5: can be a weird fear if you're dealing with mental 402 00:19:58,680 --> 00:20:02,080 Speaker 5: illness that if for a moment, you transcend your own 403 00:20:02,080 --> 00:20:06,440 Speaker 5: mental illnesses, you know, worse symptoms, that somehow it's evidence 404 00:20:06,480 --> 00:20:09,280 Speaker 5: that you don't really suffer. You know, I'm putting that 405 00:20:09,280 --> 00:20:12,639 Speaker 5: in quotes, like there's a fear of almost a suspension 406 00:20:12,680 --> 00:20:14,399 Speaker 5: of the depression because you're like, wait, am I not 407 00:20:14,480 --> 00:20:16,760 Speaker 5: really clinically depressed? Then if I just laughed with my 408 00:20:16,800 --> 00:20:19,600 Speaker 5: friend or something like that. You know, but no, take 409 00:20:19,640 --> 00:20:21,879 Speaker 5: whatever you can get, you know, don't be ashamed to 410 00:20:21,920 --> 00:20:24,640 Speaker 5: be like cackling on the mental health ward. I guess 411 00:20:24,600 --> 00:20:25,359 Speaker 5: that's what I'm saying. 412 00:20:25,920 --> 00:20:29,879 Speaker 2: Yes, I went through a phase where I was acutely depressed, 413 00:20:30,080 --> 00:20:33,600 Speaker 2: and I could only watch comedies. I could not turn 414 00:20:33,640 --> 00:20:36,360 Speaker 2: on a sad movie like I really had to laugh. 415 00:20:36,320 --> 00:20:40,879 Speaker 5: That's fabulous. I could only watch like serial killer thrillers 416 00:20:41,560 --> 00:20:45,359 Speaker 5: in this acute period, the gruesome sort of like terror 417 00:20:45,560 --> 00:20:47,879 Speaker 5: just really brought me into my body and got me 418 00:20:47,920 --> 00:20:48,600 Speaker 5: out of my mind. 419 00:20:48,640 --> 00:20:52,040 Speaker 3: And so it was like, yeah, treatment looks different for everyone, folks, 420 00:20:52,080 --> 00:20:54,800 Speaker 3: It's okay, we all have her oh different genres. 421 00:20:54,920 --> 00:20:55,600 Speaker 5: Yeah, exactly. 422 00:20:56,040 --> 00:20:59,240 Speaker 3: You're such an imaginative thinker, so it's not surprising to 423 00:20:59,280 --> 00:21:01,840 Speaker 3: me that you would find mind this unique entry point 424 00:21:01,880 --> 00:21:05,560 Speaker 3: into a conversation about mental health. And I thought it 425 00:21:05,600 --> 00:21:08,200 Speaker 3: was so interesting that you grew up listening to Tony 426 00:21:08,280 --> 00:21:10,280 Speaker 3: Robbin's tapes with your dad. 427 00:21:10,960 --> 00:21:13,280 Speaker 4: What's the most Tony Robbins thing about you? 428 00:21:13,640 --> 00:21:19,639 Speaker 5: Oh my god, I mean my indomitable spirit. Well, one 429 00:21:19,680 --> 00:21:22,240 Speaker 5: thing I always appreciated about about him was that he 430 00:21:22,320 --> 00:21:25,080 Speaker 5: actually talks about, you know, being hideously depressed. You know, 431 00:21:25,119 --> 00:21:27,560 Speaker 5: he talks about being at this low point. And I 432 00:21:27,640 --> 00:21:30,720 Speaker 5: love I love when people talk about I just love it. 433 00:21:31,080 --> 00:21:33,480 Speaker 5: I Mean, the thing I would say that moved me 434 00:21:33,560 --> 00:21:37,040 Speaker 5: about Tony is like on these audio tapes that my 435 00:21:37,119 --> 00:21:39,840 Speaker 5: dad's friend had given my dad around, like him starting 436 00:21:39,880 --> 00:21:44,960 Speaker 5: his own business. Tony would like grow hoarse with enthusiasm, 437 00:21:46,680 --> 00:21:50,119 Speaker 5: and there's something about that that just moved me. And 438 00:21:50,160 --> 00:21:53,040 Speaker 5: it's very like thematic to my show. I love overreaching. 439 00:21:53,080 --> 00:21:55,840 Speaker 5: I love when effort is bigger than the container. So 440 00:21:56,280 --> 00:21:59,479 Speaker 5: I think the passion Tony's like, and remember live with passion, 441 00:21:59,520 --> 00:22:01,600 Speaker 5: and then like this music comes on, like do do 442 00:22:01,600 --> 00:22:04,000 Speaker 5: Do Do Do, and it's like it's part of me. 443 00:22:04,520 --> 00:22:07,159 Speaker 2: I read Awaken the Giant Within, which is one of 444 00:22:07,160 --> 00:22:10,240 Speaker 2: Tony's books, and it actually really shifted my perspective on things. 445 00:22:10,240 --> 00:22:11,040 Speaker 1: I like him a lot. 446 00:22:11,359 --> 00:22:13,960 Speaker 5: Awaken the Giant of Inn was like the core text 447 00:22:14,000 --> 00:22:14,240 Speaker 5: for me. 448 00:22:14,720 --> 00:22:19,480 Speaker 2: Yeah, for sure, we have to take a quick break, 449 00:22:19,480 --> 00:22:29,640 Speaker 2: but we'll be right back with comedian Jacqueline Novac. We're 450 00:22:29,680 --> 00:22:32,520 Speaker 2: back with Jacqueline Novac, and I am so excited for 451 00:22:32,560 --> 00:22:35,800 Speaker 2: this part of the conversation because Jacqueline, I am such 452 00:22:35,880 --> 00:22:39,080 Speaker 2: a Poog fan. So for people who aren't as obsessed 453 00:22:39,080 --> 00:22:41,640 Speaker 2: with your podcast as I am, you co host Poog 454 00:22:41,720 --> 00:22:44,720 Speaker 2: with your best friend who's also a comedian, Kate Berlant, 455 00:22:45,200 --> 00:22:48,600 Speaker 2: and you try out, or you investigate every wellness trend 456 00:22:48,640 --> 00:22:49,840 Speaker 2: so that we all don't have. 457 00:22:49,800 --> 00:22:52,040 Speaker 1: To and it is hilarious. 458 00:22:52,160 --> 00:22:54,880 Speaker 2: But you're also genuinely a wellness girally, So we're gonna 459 00:22:54,880 --> 00:22:57,720 Speaker 2: get your opinions on some of these trends. What's worth 460 00:22:57,760 --> 00:22:59,240 Speaker 2: the hype and what can we skip? 461 00:22:59,600 --> 00:23:01,840 Speaker 5: Oh my god? Okay, wait, it's so hard for me 462 00:23:01,840 --> 00:23:04,160 Speaker 5: to come up with one that is skip overable because 463 00:23:04,200 --> 00:23:07,959 Speaker 5: I'm like, wait, everything, come on, is on the table. 464 00:23:08,359 --> 00:23:11,240 Speaker 1: Have you done the thing where you like tint your eyebrows? 465 00:23:11,440 --> 00:23:12,080 Speaker 4: Microblading? 466 00:23:12,160 --> 00:23:12,240 Speaker 3: Oh? 467 00:23:12,280 --> 00:23:15,480 Speaker 5: Okay, this stuff I can get into. Okay, I have not. 468 00:23:16,040 --> 00:23:18,800 Speaker 5: I do fear a certain kind of browl elimination. 469 00:23:19,200 --> 00:23:19,920 Speaker 1: Yes, me too. 470 00:23:19,960 --> 00:23:22,240 Speaker 5: I think it's gonna be weird in a few years. 471 00:23:22,240 --> 00:23:24,600 Speaker 5: Like I think, I mean, there are different versions of 472 00:23:24,640 --> 00:23:27,800 Speaker 5: it for me, Like, yes, I want my eyebrows to 473 00:23:27,960 --> 00:23:30,359 Speaker 5: just be I just would love to control them, but 474 00:23:30,400 --> 00:23:31,439 Speaker 5: I think it's a risk for me. 475 00:23:31,640 --> 00:23:34,640 Speaker 1: This is Simon and I are really. 476 00:23:34,320 --> 00:23:37,440 Speaker 2: Into doing things that we consider like maybe a little 477 00:23:37,520 --> 00:23:40,040 Speaker 2: high maintenance so that we can be low maintenance people. 478 00:23:40,240 --> 00:23:42,399 Speaker 5: Okay, that's amazing. So you mean, like if you do 479 00:23:42,440 --> 00:23:44,200 Speaker 5: the work to go get the brow done, then you 480 00:23:44,200 --> 00:23:46,320 Speaker 5: don't have to touch your brow every day exactly. 481 00:23:46,400 --> 00:23:50,640 Speaker 2: So like I have laser hair removal because I shudder 482 00:23:50,720 --> 00:23:53,359 Speaker 2: at the thought of shaving every single day. 483 00:23:53,680 --> 00:23:56,520 Speaker 5: Totally okay, genius, I'm too lazy to make an appointment. 484 00:23:56,560 --> 00:23:58,400 Speaker 5: That's my problem. I'm too lazy to make an appointment. 485 00:23:59,280 --> 00:24:01,560 Speaker 5: Like I want to dry brush, but I can't seem 486 00:24:01,600 --> 00:24:03,040 Speaker 5: to make it happen. Do you know what I'm saying. 487 00:24:03,040 --> 00:24:05,160 Speaker 3: It's the deal with dry brushing, you guys, I don't 488 00:24:05,160 --> 00:24:06,040 Speaker 3: know that I buy it. 489 00:24:06,320 --> 00:24:09,000 Speaker 5: Well, first of all, when and where because it is exfoliating. 490 00:24:09,080 --> 00:24:11,159 Speaker 5: So it's like, am I standing there if you're supposed 491 00:24:11,160 --> 00:24:14,199 Speaker 5: to do it dry, you're kind of like dryly exfoliating 492 00:24:14,280 --> 00:24:15,960 Speaker 5: it like standing in the bathroom, Like I don't know, 493 00:24:16,040 --> 00:24:16,760 Speaker 5: Like it's just like. 494 00:24:16,960 --> 00:24:19,920 Speaker 3: It sounds very abrasive to me. I just why can't 495 00:24:19,920 --> 00:24:23,480 Speaker 3: I take a loofa into the shower and just do that? 496 00:24:23,520 --> 00:24:24,920 Speaker 3: Why does it have to be dry? 497 00:24:25,080 --> 00:24:28,520 Speaker 5: Well, that's why I'm suckered more right now by using 498 00:24:28,560 --> 00:24:33,480 Speaker 5: the Plaine myths for like the lymphatic Yeah, drain is okay. 499 00:24:34,119 --> 00:24:37,760 Speaker 5: I am completely like, Oh it's real, and I'm pumping 500 00:24:37,800 --> 00:24:41,080 Speaker 5: the terminy okay, the area above the colinderbone that's supposed 501 00:24:41,080 --> 00:24:44,320 Speaker 5: to be like we're all drains out. Oh, I'm totally 502 00:24:44,320 --> 00:24:48,359 Speaker 5: into it. I'm pumping that and I'm pumping the underarms, yeah, 503 00:24:48,400 --> 00:24:51,440 Speaker 5: like in the morning, and then sort of massaging the chest. 504 00:24:52,240 --> 00:24:56,120 Speaker 5: I am buying fully into like face massage, cheek exercises. 505 00:24:56,200 --> 00:24:59,720 Speaker 3: Wait, you talked about this on poog. There's a eyebrow 506 00:25:00,200 --> 00:25:01,640 Speaker 3: massage thing that you were doing. 507 00:25:01,760 --> 00:25:04,280 Speaker 5: Can you Oh my god, you teach a kind of demonstright. 508 00:25:04,359 --> 00:25:05,320 Speaker 4: Yeah, please demonstrate. 509 00:25:05,440 --> 00:25:08,760 Speaker 5: I saw like the Anastasia Fascia beauty I believe is 510 00:25:08,800 --> 00:25:11,600 Speaker 5: this account. And after I posted my video of me 511 00:25:11,640 --> 00:25:13,720 Speaker 5: doing it poorly, I saw her post a video but 512 00:25:13,840 --> 00:25:15,560 Speaker 5: like correct way to do it, and I'm wrong. I 513 00:25:15,600 --> 00:25:17,720 Speaker 5: was like, oh gosh, but her thing is for one. 514 00:25:17,800 --> 00:25:18,920 Speaker 5: She's like, do it dry. 515 00:25:19,280 --> 00:25:23,520 Speaker 3: Okay, So I'm gonna explain for our listeners. Jacqueline is 516 00:25:23,800 --> 00:25:28,200 Speaker 3: massaging the part of her face that's between her nose, 517 00:25:28,280 --> 00:25:30,400 Speaker 3: like the bridge of her nose and just below the eyebrow. 518 00:25:30,560 --> 00:25:32,359 Speaker 4: And why do you do this, Jacqueline? What is the 519 00:25:32,440 --> 00:25:32,879 Speaker 4: end result? 520 00:25:33,240 --> 00:25:33,400 Speaker 5: Oh? 521 00:25:33,520 --> 00:25:37,680 Speaker 1: Nos, So I'm trying. I want to try, Guosha. 522 00:25:37,840 --> 00:25:40,600 Speaker 2: I see all these videos of people's faces before and after, 523 00:25:40,680 --> 00:25:43,840 Speaker 2: and I I am not a wellness girlly what well? 524 00:25:43,840 --> 00:25:45,960 Speaker 2: I don't buy into hype like, I want long term 525 00:25:46,000 --> 00:25:47,760 Speaker 2: results to be out before I buy in. 526 00:25:48,440 --> 00:25:50,240 Speaker 1: Okay, do you drink collagen? 527 00:25:51,160 --> 00:25:58,880 Speaker 5: No, I'm not convinced that either topical or ingesting collagen 528 00:25:59,000 --> 00:26:01,800 Speaker 5: is actually creating the production. Couldron the skin. 529 00:26:02,040 --> 00:26:03,000 Speaker 4: I think it's snake oil. 530 00:26:03,480 --> 00:26:05,359 Speaker 1: Same mm hmm, okay, we all agree. 531 00:26:05,440 --> 00:26:05,600 Speaker 5: Yeah. 532 00:26:05,760 --> 00:26:07,120 Speaker 1: How about Celery juice? 533 00:26:07,320 --> 00:26:12,360 Speaker 5: Okay. I recently someone at my Tracey Anderson class was like, well, 534 00:26:12,400 --> 00:26:14,399 Speaker 5: you need to do Celery juice, Like, oh, that's it, 535 00:26:14,440 --> 00:26:16,840 Speaker 5: That's an every day like without a doubt. That was 536 00:26:16,840 --> 00:26:19,880 Speaker 5: almost humiliated, Like what like I didn't know, Like sure, 537 00:26:20,000 --> 00:26:22,600 Speaker 5: celery just but like I didn't know. I'm interested. I'm 538 00:26:22,640 --> 00:26:24,440 Speaker 5: seriously considering it, but I haven't done it. 539 00:26:24,520 --> 00:26:28,679 Speaker 3: I am a full believer of Celery juice. It is transformative. 540 00:26:29,080 --> 00:26:31,960 Speaker 3: If ever i'm feeling sick or a little hungover, anything, 541 00:26:32,040 --> 00:26:34,400 Speaker 3: just under the weather, anything, I chug one of those 542 00:26:34,440 --> 00:26:38,119 Speaker 3: big green machines. Yes, I feel amazing. I feel invigorated, 543 00:26:38,160 --> 00:26:41,080 Speaker 3: I feel revitalized. I don't know what is going on there, 544 00:26:41,080 --> 00:26:41,960 Speaker 3: but it works. 545 00:26:42,320 --> 00:26:44,680 Speaker 5: I haven't begun yet, but I'll let you know. I'm curious. 546 00:26:44,920 --> 00:26:47,360 Speaker 1: Okay, cold plunges truly. 547 00:26:47,080 --> 00:26:50,000 Speaker 5: This one. I am on the fence. Okay, love how 548 00:26:50,040 --> 00:26:53,840 Speaker 5: it feels, I mean for a second, but then there's 549 00:26:53,880 --> 00:26:55,639 Speaker 5: this kind of other perspective. 550 00:26:56,080 --> 00:26:59,240 Speaker 2: It raises your cortisol and so for people under a 551 00:26:59,240 --> 00:27:00,960 Speaker 2: lot of stress, like is it good? 552 00:27:01,440 --> 00:27:04,000 Speaker 5: Yeah, Like that's interesting. You know what I do love 553 00:27:04,040 --> 00:27:06,600 Speaker 5: this is just a Novak tip ice pack under the neck. 554 00:27:06,680 --> 00:27:09,600 Speaker 5: This is like one of my mental health Like if 555 00:27:09,640 --> 00:27:11,399 Speaker 5: you're just stressed out and you lay down with like 556 00:27:11,440 --> 00:27:14,399 Speaker 5: a cool ice pack sort of under the neck slash head. 557 00:27:15,080 --> 00:27:16,040 Speaker 4: I swear it. 558 00:27:16,000 --> 00:27:17,240 Speaker 5: Freezes the thoughts. 559 00:27:17,760 --> 00:27:20,600 Speaker 3: With cold plunges actually, with any wellness trend, I think 560 00:27:20,640 --> 00:27:21,639 Speaker 3: you have to follow the money. 561 00:27:22,240 --> 00:27:23,720 Speaker 4: And I don't know. 562 00:27:24,200 --> 00:27:28,240 Speaker 3: Mysteriously cold plunges are cool, but there are all these 563 00:27:28,280 --> 00:27:31,280 Speaker 3: startups selling cold plunge bats now, I don't. 564 00:27:31,080 --> 00:27:33,920 Speaker 1: Know, too big to fail exactly. 565 00:27:34,440 --> 00:27:36,639 Speaker 3: Okay, Jacqueline, I want to talk to you about some 566 00:27:36,680 --> 00:27:39,200 Speaker 3: exciting career news of yours. I saw in the trades 567 00:27:39,240 --> 00:27:41,600 Speaker 3: that you're acting in a new movie called A Big, Bold, 568 00:27:41,600 --> 00:27:46,440 Speaker 3: Beautiful Journey, directed by the South Korean director Cogonada, and 569 00:27:46,560 --> 00:27:51,160 Speaker 3: your co stars are the Margarabi the Colin Farrell. I mean, 570 00:27:51,320 --> 00:27:53,399 Speaker 3: it just seems like your dreams are coming true. 571 00:27:53,880 --> 00:27:55,640 Speaker 5: I love it and I want to I really want 572 00:27:55,680 --> 00:27:59,320 Speaker 5: to make you know films ultimately and like being on set. 573 00:27:59,359 --> 00:28:02,920 Speaker 5: Even from that perspective, I'm just so into it. 574 00:28:03,119 --> 00:28:05,440 Speaker 4: Can you tell us anything about your experience on set? 575 00:28:06,000 --> 00:28:11,000 Speaker 5: Everyone was wonderful. Coconata's a genius. You know, the actors, 576 00:28:11,119 --> 00:28:13,760 Speaker 5: they're incredible. It's just I'm not used to talking with 577 00:28:13,800 --> 00:28:17,040 Speaker 5: stuff that other people are like part of in that way. Yeah, 578 00:28:17,119 --> 00:28:19,320 Speaker 5: I'm like, it's weird. Here's what I'll tell you. I 579 00:28:19,359 --> 00:28:22,879 Speaker 5: brought like a duffel full of skincare, convinced like that 580 00:28:22,960 --> 00:28:25,520 Speaker 5: I couldn't leave a single product at home. 581 00:28:25,920 --> 00:28:28,240 Speaker 1: Tell me you told Margot Robbie what to use on 582 00:28:28,280 --> 00:28:28,760 Speaker 1: her face? 583 00:28:29,119 --> 00:28:32,440 Speaker 5: No, I didn't, Dare. I didn't, Dare. I basically spoke 584 00:28:32,440 --> 00:28:36,560 Speaker 5: when spoken to. I was like tiptoeing around. If I'm hungry, 585 00:28:36,560 --> 00:28:37,440 Speaker 5: do I ask for food? 586 00:28:37,480 --> 00:28:37,560 Speaker 1: Like? 587 00:28:37,640 --> 00:28:39,600 Speaker 5: I just felt very much like, Okay, I'm going in 588 00:28:39,640 --> 00:28:42,560 Speaker 5: and I don't really know my way around this experience 589 00:28:42,680 --> 00:28:45,360 Speaker 5: and being an actor on someone else's project. I just 590 00:28:45,400 --> 00:28:47,960 Speaker 5: felt like genuine old school nerves. 591 00:28:48,280 --> 00:28:51,280 Speaker 3: Well, that's what I find so inspiring about your career, 592 00:28:51,280 --> 00:28:55,880 Speaker 3: because usually people will be a part of other people's 593 00:28:55,920 --> 00:28:58,600 Speaker 3: projects first, and then they go out and create their 594 00:28:58,600 --> 00:29:02,280 Speaker 3: opus but you were like, no, I'm dropping the opus. 595 00:29:01,960 --> 00:29:03,960 Speaker 4: First, y'all. Yeah, yeah, and then I'm gonna come work 596 00:29:04,000 --> 00:29:05,840 Speaker 4: on your little movie. Okay, So. 597 00:29:07,720 --> 00:29:11,600 Speaker 5: Well you know why auditions are too hard? Yeah, you know, 598 00:29:11,720 --> 00:29:14,480 Speaker 5: like chasing the roles I think I'm you know, it's 599 00:29:14,520 --> 00:29:18,200 Speaker 5: like another weird inversion of like we're talking about before, 600 00:29:18,280 --> 00:29:20,480 Speaker 5: but almost like, yeah, it's somehow easier for me to 601 00:29:20,520 --> 00:29:23,760 Speaker 5: face mounting my own ninety four minute show and performing 602 00:29:23,840 --> 00:29:27,080 Speaker 5: it and whatever then like putting myself on a tape 603 00:29:27,120 --> 00:29:30,120 Speaker 5: every week for years, Like I felt comfortable going into 604 00:29:30,120 --> 00:29:33,000 Speaker 5: the project almost because I've established who I am and 605 00:29:33,040 --> 00:29:35,160 Speaker 5: what I do a little bit like it allows me 606 00:29:35,240 --> 00:29:38,240 Speaker 5: to Yeah, just gives me a different feeling going in. Yeah, 607 00:29:38,320 --> 00:29:41,440 Speaker 5: it's interesting. But yeah, the acting thing. I's texting with 608 00:29:41,520 --> 00:29:43,520 Speaker 5: my you know, caper Lant, my co host of Poog 609 00:29:43,640 --> 00:29:46,400 Speaker 5: and actor comedian, and all these thoughts are crossing my 610 00:29:46,400 --> 00:29:48,960 Speaker 5: mind about acting and like, you know, like things like 611 00:29:49,000 --> 00:29:51,720 Speaker 5: I'm thinking back to second grade, like in Peter Pan 612 00:29:51,840 --> 00:29:53,520 Speaker 5: and I had this one line and I just was 613 00:29:53,520 --> 00:29:56,480 Speaker 5: obsessing about this line and we're saying in a thousand 614 00:29:56,480 --> 00:29:58,080 Speaker 5: ways and like the night of the show, and I'm 615 00:29:58,120 --> 00:29:59,960 Speaker 5: just like, is that going to be and she was 616 00:30:00,120 --> 00:30:03,200 Speaker 5: just like, acting is a mystery, and that just relieved me. 617 00:30:03,240 --> 00:30:05,719 Speaker 5: You know, She's like, like, you are a working actress. 618 00:30:05,760 --> 00:30:07,240 Speaker 5: She loves it. I always call her like a working 619 00:30:07,280 --> 00:30:09,200 Speaker 5: actress or something about it. It's just like kind of 620 00:30:09,200 --> 00:30:13,200 Speaker 5: old school, like they're a working actress. And she's just like, yeah, 621 00:30:13,200 --> 00:30:14,840 Speaker 5: it's a mystery. And I was like, all right, it's 622 00:30:14,840 --> 00:30:16,600 Speaker 5: a mystery, and then that just freed me. 623 00:30:17,560 --> 00:30:20,160 Speaker 3: Jacqueline, thank you so much for coming on the bright 624 00:30:20,200 --> 00:30:22,840 Speaker 3: Side and dropping so many gems with us today. 625 00:30:23,160 --> 00:30:26,440 Speaker 5: Thank you. You guys are absolute heaven. I am thrilled 626 00:30:26,480 --> 00:30:26,960 Speaker 5: to have been on. 627 00:30:27,520 --> 00:30:29,320 Speaker 4: Have me back, We would love to. 628 00:30:33,840 --> 00:30:37,280 Speaker 2: Okay, bestie's have you ever wondered how to combine finances 629 00:30:37,320 --> 00:30:40,000 Speaker 2: as a couple or if you should get a prenup 630 00:30:40,040 --> 00:30:43,880 Speaker 2: before marriage. We're bringing on a finance expert to answer 631 00:30:44,080 --> 00:30:47,479 Speaker 2: all of your burning money questions. Send us an email 632 00:30:47,600 --> 00:30:50,080 Speaker 2: or a voice note with your questions to Hello at 633 00:30:50,080 --> 00:30:51,920 Speaker 2: the bright Side podcast dot com. 634 00:30:52,440 --> 00:30:53,680 Speaker 4: That's it for today's show. 635 00:30:53,760 --> 00:30:56,960 Speaker 3: Tomorrow, we're talking to the woman behind the Hello Hayes newsletter, 636 00:30:57,120 --> 00:31:00,960 Speaker 3: Alexandra Hayes Robinson, and we're getting her advice about all 637 00:31:01,040 --> 00:31:01,880 Speaker 3: things friendship. 638 00:31:02,000 --> 00:31:03,400 Speaker 4: This is such a good one, you don't want to 639 00:31:03,400 --> 00:31:03,760 Speaker 4: miss it. 640 00:31:04,080 --> 00:31:07,000 Speaker 2: Listen and follow the bright Side on the iHeartRadio app, 641 00:31:07,120 --> 00:31:09,840 Speaker 2: Apple Podcasts, or wherever you get your podcasts. 642 00:31:10,320 --> 00:31:11,200 Speaker 4: I'm Simone Boye. 643 00:31:11,200 --> 00:31:14,440 Speaker 3: You can find me at Simone Voice on Instagram and TikTok. 644 00:31:14,960 --> 00:31:18,479 Speaker 1: I'm Danielle Robe on Instagram and TikTok. That's r O 645 00:31:18,760 --> 00:31:20,560 Speaker 1: b A. Y See you tomorrow.