WEBVTT - Civic Cipher 120322 Forgiveness in Black Circles (Part 2)

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<v Speaker 1>And now my mic back, you're like that.

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<v Speaker 2>You can strike waters from headquarters behind him.

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<v Speaker 1>And now if you are just tuning into civic cipher,

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<v Speaker 1>I am your host of Ramsey's job.

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<v Speaker 3>He is Jah, I am q Ward. You are listening

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<v Speaker 3>to civic ciphers.

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<v Speaker 1>Indeed, keep sticking around because we are still doing our

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<v Speaker 1>thug fizzle up here. We're gonna talk about forgiveness in

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<v Speaker 1>the black community, and we're gonna use Will Smith as

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<v Speaker 1>an example. I I'm really excited to talk about that

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<v Speaker 1>also far away black history fact. We're gonna talk about

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<v Speaker 1>a guy named Solomon Sir Jones, a name that you

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<v Speaker 1>might not be familiar with, but this is a man

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<v Speaker 1>that preserved a not insignificant amount of Black history and

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<v Speaker 1>his name needs to be mentioned, and why the history

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<v Speaker 1>he preserved needs to be mentioned as well, so that

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<v Speaker 1>you understand and can appreciate a little bit more about

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<v Speaker 1>your black brothers and sisters. And that's what we're here

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<v Speaker 1>to do. But first and foremost, I think it's about

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<v Speaker 1>time that we teach you a new way to become

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<v Speaker 1>a better ally baba. How does that sound cute? Shall

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<v Speaker 1>we we shall so today's baba become a better ally

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<v Speaker 1>sponsored by the Black Information Network Daily Podcast. You can

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<v Speaker 1>check out Black Information Network Daily Podcast on iHeart dot

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<v Speaker 1>com or through the iHeartRadio app. Now, this story comes

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<v Speaker 1>from the Grilloh everyone that everyone has that one excus sorry,

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<v Speaker 1>everyone has that one extravagant person in their lives, that

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<v Speaker 1>person who always shows up fashionably late and dressed to

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<v Speaker 1>the nines, no matter the occasion, whether that's your bougie

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<v Speaker 1>Anti or the Beyonce of your friend group. We've hunted

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<v Speaker 1>down an array of unique and chic gifts for the

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<v Speaker 1>fashion gurus on your list this year. Now, the reason

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<v Speaker 1>we chose this is because we want you to support

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<v Speaker 1>black businesses. It's holiday season and these are companies that

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<v Speaker 1>we've littled down for you and don't And I also

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<v Speaker 1>want to mention that this list is available on our

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<v Speaker 1>Facebook it's at Civic Cipher and on our Twitter at

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<v Speaker 1>Civic Cipher. So we're going to shout out these companies.

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<v Speaker 1>There's ten of them, so Lorvae and Alisa Johnson that's

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<v Speaker 1>Magic Johnson's daughter. Uh, they are making these really dope glasses,

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<v Speaker 1>like fashion glasses, So check them out if you know

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<v Speaker 1>someone that wants some glasses for the holidays. I think

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<v Speaker 1>this is pronounced sukra uh. And then another one that's Oma,

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<v Speaker 1>the label they make jewelry. The jewelry looks really dope.

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<v Speaker 1>I checked it out. Strict Alma, nwok Ornuoki, marchhae Chanell

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<v Speaker 1>Squared and Irregular Exposure. All these companies make women's clothing.

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<v Speaker 1>Amina abdul Jalil makes shoes and they're like women's shoes.

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<v Speaker 1>I'm not a woman, so they're cool women shoes. I

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<v Speaker 1>don't know what they're called, but they got the thing

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<v Speaker 1>in the back. And Brandon Blackwood makes handbags. And again

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<v Speaker 1>check our Twitter or our Facebook at Civic Cipher to

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<v Speaker 1>get some cool gift ideas and at the same time

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<v Speaker 1>support a black business and that way a black business

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<v Speaker 1>and that way you can become a better ally. All right,

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<v Speaker 1>moving on forgiveness. All right, so I'm going to share

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<v Speaker 1>a quick story. I also host a podcast. Q joins

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<v Speaker 1>me very often on the show The Black Information Network

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<v Speaker 1>Daily Podcast. And then I have a special version of

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<v Speaker 1>that show that I put out from time to time whenever.

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<v Speaker 1>My producer, Chris leves Me called one More Thing. And

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<v Speaker 1>some months ago I had a one More Thing installment

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<v Speaker 1>where I talked about the Will Smith apology. Right, So

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<v Speaker 1>this is after the Oscar slap. He was he got

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<v Speaker 1>a camera and it was like a newsroom in the

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<v Speaker 1>middle of nowhere, and he just kind of spoke to

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<v Speaker 1>the camera for a few minutes and apologized to everyone,

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<v Speaker 1>in particular to Chris Rock and his family. And I

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<v Speaker 1>saw that, and I saw that he owned his mistake.

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<v Speaker 1>He acknowledged that he hurt Chris Rock above all else.

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<v Speaker 1>He heard his fans, he heard casual you know, viewers

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<v Speaker 1>of the show here at the Academy. You know, he

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<v Speaker 1>stole a night that was so special to so many

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<v Speaker 1>people because of his behavior. Right, he acknowledged that, and

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<v Speaker 1>from what I understand or what I recall of that,

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<v Speaker 1>he committed to trying to be a better man and

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<v Speaker 1>doing better in the future. Right. And then of course

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<v Speaker 1>he says, you know, Chris, whenever you're ready to talk,

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<v Speaker 1>I'm here, right, not continuing to you know, harp on

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<v Speaker 1>his name or anything like that. But listen, man, I

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<v Speaker 1>was wrong. When you're ready, I'm here, let me make

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<v Speaker 1>it right. You know, this is the energy that he

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<v Speaker 1>gave up. I'm not quoting him. I want to make

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<v Speaker 1>sure that that's clear. And so I had to make

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<v Speaker 1>an episode because I saw that, and I saw people

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<v Speaker 1>saying some some stuff that I didn't really love. People

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<v Speaker 1>were like, that's not an apology or a man he deserves,

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<v Speaker 1>you know, blah blah blah. We need to we need

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<v Speaker 1>to stop watching you know that sort of stuff. Right,

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<v Speaker 1>And you know, admittedly a lot of these comments come

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<v Speaker 1>from the internet, but the Internet is a real thing.

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<v Speaker 1>It is. We can't pretend like it's not. And you know,

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<v Speaker 1>part of the reason, we'll get to it later. But

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<v Speaker 1>part of the reason Will Smith said that he lost

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<v Speaker 1>his cool in the moment where he ended up slapping

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<v Speaker 1>Chris Rock was because of in part at least because

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<v Speaker 1>he had endured so much online abuse because of his

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<v Speaker 1>marriage and some of the goings on in his marriage, right,

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<v Speaker 1>and it just became more than he could handle. I'm

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<v Speaker 1>not making excuses for that man. That man is not

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<v Speaker 1>making excuses for himself. Okay, be clear about that. Anyway,

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<v Speaker 1>So he does his apology and I look at this,

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<v Speaker 1>and I look at the comments, and I'm like, wait

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<v Speaker 1>a minute, what more do we want from a person

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<v Speaker 1>if they've done something wrong? You know, Here's what I did.

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<v Speaker 1>Here's how it made you feel. Here's what I'm going

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<v Speaker 1>to do in the future. Beyond that, what more do

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<v Speaker 1>we want? Right? Are people supposed to be born perfect?

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<v Speaker 1>Are people supposed to be born and then not make mistakes?

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<v Speaker 1>Or let me ask another question, Are people simply the

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<v Speaker 1>worst thing that they've ever done? I think you would say, no,

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<v Speaker 1>that's not true anymore than people are simply the best

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<v Speaker 1>thing that they've done.

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<v Speaker 3>Yeah, but most people would say that with regard to themselves. Sure,

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<v Speaker 3>and were talking about me, we're the best lawyers in

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<v Speaker 3>the world. We're talking about you. We become judge justice,

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<v Speaker 3>thank you, right, we become We're going to tell you

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<v Speaker 3>all the things that you did wrong and all the

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<v Speaker 3>punishment you deserve for them. But when we're talking about ourselves,

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<v Speaker 3>we're going to explain to you, marginalize, justify, make excuses

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<v Speaker 3>for all of our wrongs. Because of course there was

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<v Speaker 3>a reason. I'm not just a bad person, right, right,

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<v Speaker 3>So all that context, all that nuance, and all that

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<v Speaker 3>color exists when I'm talking about me. When I'm talking

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<v Speaker 3>about you, you're just awful ramses and you need to

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<v Speaker 3>be able to own and accept that.

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<v Speaker 1>So I love that you said that, because they're in life,

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<v Speaker 1>the double standard and dare I say the hypocrisy that

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<v Speaker 1>we all need to come to terms with right And

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<v Speaker 1>I think that we this show exists to try to

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<v Speaker 1>create a little bit more empathy in our conversations and

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<v Speaker 1>our interactions and so forth. And I think as an

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<v Speaker 1>additional babba, I would challenge you if you can see

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<v Speaker 1>attacks online and you feel like that person is going

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<v Speaker 1>through it better than than me, but you don't feel

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<v Speaker 1>like the attacks are entirely warranted, maybe speak up.

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<v Speaker 2>You know.

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<v Speaker 1>Will Smith says something in his interview with Trevenau which

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<v Speaker 1>we'll get to, but he says, you never know what

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<v Speaker 1>a person's going through. And I know that this what

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<v Speaker 1>we're trying to do is to discussed black forgiveness, and

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<v Speaker 1>I will bring it home. But I do believe that

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<v Speaker 1>forgiveness to err is human right to forgive divine. So

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<v Speaker 1>this is not just a black issue. I think that

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<v Speaker 1>in black circles, especially with black men, our mental health

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<v Speaker 1>has been addressed more and more in modern years, particularly

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<v Speaker 1>because of people like Charlemagne bringing it out into the

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<v Speaker 1>open so we can discuss it. How do we feel

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<v Speaker 1>is our mind? Is our brain lying to us? You know?

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<v Speaker 1>I used to think because of bad information. I used

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<v Speaker 1>to think that I don't even want to go into it,

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<v Speaker 1>but I used to think really bad things about black people.

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<v Speaker 1>And I thought that I was bad because I as

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<v Speaker 1>a black person. Right, And that's as much as I'll

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<v Speaker 1>give right now, because I don't feel like crying on

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<v Speaker 1>this show. But I had to grow up with that.

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<v Speaker 3>Right, we'd be tearing up on this like crying again,

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<v Speaker 3>you mean, right, right exactly, we'd be in this thing.

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<v Speaker 1>But I had to grow up with that, right and

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<v Speaker 1>you know, the self hat you know, we talked about

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<v Speaker 1>self hatred in the first half of the show with

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<v Speaker 1>a lot of the black white supremacist. Now, obviously I

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<v Speaker 1>didn't get nowhere near that far gone, but I did

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<v Speaker 1>recognize that I didn't. I wish that I wasn't me.

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<v Speaker 1>Why would I be born and have consciousness? Why would

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<v Speaker 1>I be born this person? What did I do to

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<v Speaker 1>deserve this? How come I can't have a happy story

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<v Speaker 1>where my family came on the Mayflower? Why did my

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<v Speaker 1>family have to be slaves? How can I be proud

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<v Speaker 1>of that? And then everyone I see that looks like

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<v Speaker 1>me is poor and crying and they don't have food

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<v Speaker 1>and nobody. You know what I'm saying. And I'm from confidence,

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<v Speaker 1>So my experience is not universal among black people, but

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<v Speaker 1>I had a real childhood.

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<v Speaker 3>It may not be universal.

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<v Speaker 1>It's not uncommon though.

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<v Speaker 3>But it's definitely not uncountable that most Black people in

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<v Speaker 3>this country, even those who have reached the pinnacle of

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<v Speaker 3>success and wealth, they're at most a generation removed from

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<v Speaker 3>the exact story that you told.

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<v Speaker 1>You know what I mean? That not great brand, but

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<v Speaker 1>just grandma. Yeah. Doctor Wessenbergh comes to the show all

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<v Speaker 1>the time and she always tells us the stories of

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<v Speaker 1>what life was like growing up herself. So anyway, so

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<v Speaker 1>mental health, right, us taking a moment now to have

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<v Speaker 1>at least a conversation about our mental health, our self image,

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<v Speaker 1>what it means to be exhausted, and how effective we

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<v Speaker 1>are as fathers and as protectors and as you know,

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<v Speaker 1>leaders and as you know, whatever your role is, you know,

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<v Speaker 1>to take a moment and make sure that our brain

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<v Speaker 1>isn't lying to us. It's become a little bit more important, right.

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<v Speaker 1>But what I've seen is that we also need to

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<v Speaker 1>have conversations about how to forgive each other. That doesn't

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<v Speaker 1>mean that we don't take responsibility. That doesn't mean that

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<v Speaker 1>at all, because I think that I think one of

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<v Speaker 1>the highest testaments to manhood. I'm a man, so I

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<v Speaker 1>will speak for men and adulthood because I'm an adult,

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<v Speaker 1>so I will speak to that is acknowledging where you

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<v Speaker 1>fall short and owning that and owning the impact that

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<v Speaker 1>it makes, and owning how you are going to revise

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<v Speaker 1>your behavior if you don't don't like it. Again, here's

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<v Speaker 1>what I did, Here's how it made you feel. Here's

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<v Speaker 1>what I'll do in the future.

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<v Speaker 3>That gives us a lot to unpack. And the lack

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<v Speaker 3>of what you just said is what has caused a

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<v Speaker 3>sort of hypervigilance or a gross need for hyper accountability.

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<v Speaker 3>That's where cancel culture came from. People think that people

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<v Speaker 3>just that we all just jumped off the porch wanting

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<v Speaker 3>to cancel people because we're mean. I guess I think

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<v Speaker 3>you know. We speak about like the Me Too movement

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<v Speaker 3>as a moment in history. So many years of so

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<v Speaker 3>many men taking full advantage of their manhood and broad

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<v Speaker 3>daylight at the peril of so many women caused a

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<v Speaker 3>backlash that for some people felt like it was too far.

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<v Speaker 3>But you have to understand this is in the face

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<v Speaker 3>of impunity. Sure, so many people have not been held accountable.

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<v Speaker 3>Now everyone has to be yeah, right, So the lack

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<v Speaker 3>of people saying this is what I did, this is

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<v Speaker 3>how it made you feel, this is what you deserve,

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<v Speaker 3>and this is what I plan to do, causes people

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<v Speaker 3>to overreach because if they think nothing's being done or

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<v Speaker 3>no one's being held accountable, they want accountability on a

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<v Speaker 3>grander scale exactly. So that's what leads to that kind

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<v Speaker 3>of lack of forgiveness, Like, no, we don't want another

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<v Speaker 3>person to get away with doing something wrong.

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<v Speaker 1>I'm so glad you said that, because, if I'm honest,

0:14:33.080 --> 0:14:35.960
<v Speaker 1>didn't even think of the opposite side of that, right,

0:14:36.080 --> 0:14:38.920
<v Speaker 1>So I'm glad you brought that into the conversation here. Now,

0:14:40.400 --> 0:14:44.880
<v Speaker 1>let's talk about will Smith, just because it gives us

0:14:44.920 --> 0:14:49.400
<v Speaker 1>a great opportunity to examine what forgiveness looks like. Now again,

0:14:50.560 --> 0:14:54.720
<v Speaker 1>to err is human and then when it comes to

0:14:55.360 --> 0:14:58.160
<v Speaker 1>black people and black men in particular, because I have

0:14:58.280 --> 0:15:04.720
<v Speaker 1>that frame of reference, these conversations don't often happen because

0:15:04.760 --> 0:15:07.720
<v Speaker 1>we're not taught this and because we are dealing with

0:15:07.960 --> 0:15:11.280
<v Speaker 1>other societal pressures and we need the discipline and we

0:15:11.320 --> 0:15:13.760
<v Speaker 1>need to, you know, understand the pressures that we have

0:15:13.840 --> 0:15:15.600
<v Speaker 1>so that we can do a lot more healing and

0:15:15.640 --> 0:15:20.080
<v Speaker 1>a lot less fighting, on and on. You know, again,

0:15:20.160 --> 0:15:23.840
<v Speaker 1>this is a constructive show, not a destructive show. We

0:15:23.920 --> 0:15:25.880
<v Speaker 1>try to make it that way. It's an important thing

0:15:25.920 --> 0:15:30.440
<v Speaker 1>to point out. But we have to also acknowledge black

0:15:30.480 --> 0:15:33.920
<v Speaker 1>white supremacists too, so not tear them down, just point

0:15:33.960 --> 0:15:38.040
<v Speaker 1>it out. So don't give these people your attention, money, time, energy,

0:15:38.160 --> 0:15:40.920
<v Speaker 1>or anyone like them. And that's how we beat that anyway,

0:15:40.960 --> 0:15:43.840
<v Speaker 1>back to what I'm saying. So Will Smith goes on

0:15:44.000 --> 0:15:49.520
<v Speaker 1>to the Trepanoah show, okay, and he talks about that

0:15:51.760 --> 0:15:55.520
<v Speaker 1>slap after he talks about the movies promoting right and

0:15:55.520 --> 0:15:57.120
<v Speaker 1>I'll be honest, man, that was good to see his face.

0:15:58.640 --> 0:16:03.120
<v Speaker 1>Will Smith is not again, this is me talking. I

0:16:03.160 --> 0:16:04.960
<v Speaker 1>won't speak for you, I won't speak for anyone else.

0:16:05.000 --> 0:16:07.680
<v Speaker 1>He's not the worst thing that he's ever done. You're

0:16:07.680 --> 0:16:09.280
<v Speaker 1>not the worst. Listening to my voice, You're not the

0:16:09.280 --> 0:16:12.520
<v Speaker 1>worst thing you've ever done. I certainly hope I will

0:16:12.560 --> 0:16:15.120
<v Speaker 1>not be the worst thing I've ever done on my

0:16:16.480 --> 0:16:18.320
<v Speaker 1>day of judgment or whatever.

0:16:18.400 --> 0:16:20.520
<v Speaker 3>I know some people who are dead set that I

0:16:20.560 --> 0:16:25.200
<v Speaker 3>am sure. Fortunately we've heard them say it out loud. Well,

0:16:26.040 --> 0:16:27.160
<v Speaker 3>those people are not God.

0:16:28.400 --> 0:16:34.120
<v Speaker 1>Amen. Now Will Smith mentioned he's like, you know, my

0:16:34.240 --> 0:16:35.640
<v Speaker 1>father used to hit my mother. I think it might

0:16:35.640 --> 0:16:37.800
<v Speaker 1>have been Trevor Noah said that he read that in

0:16:37.840 --> 0:16:40.760
<v Speaker 1>Will's book that you know he saw a lot of

0:16:40.800 --> 0:16:45.800
<v Speaker 1>abuse growing up. So there was a component of that. Right.

0:16:47.880 --> 0:16:51.040
<v Speaker 1>I mentioned earlier that Will mentioned that he had pent

0:16:51.160 --> 0:16:56.000
<v Speaker 1>up rage from a lot of the online harassment, a

0:16:56.040 --> 0:17:00.320
<v Speaker 1>lot of which was directed at his relationship with his

0:17:00.440 --> 0:17:06.720
<v Speaker 1>wife and people everyone had their opinions on what he

0:17:06.800 --> 0:17:09.119
<v Speaker 1>should have done, what he shouldn't have done, how he

0:17:09.440 --> 0:17:13.200
<v Speaker 1>should feel or shouldn't feel, and know him being emotional

0:17:13.280 --> 0:17:16.040
<v Speaker 1>about it, and you got to bear man's this man's wife,

0:17:16.280 --> 0:17:17.520
<v Speaker 1>there is children. People have a.

0:17:17.600 --> 0:17:20.879
<v Speaker 3>Very very slighted view of how impossible it is to

0:17:20.920 --> 0:17:24.800
<v Speaker 3>live all of your life publicly, not just your public

0:17:24.880 --> 0:17:28.400
<v Speaker 3>persona in your career, but your relationship as well. I

0:17:28.560 --> 0:17:32.800
<v Speaker 3>unfortunately had a small peak into what a public relationship

0:17:32.840 --> 0:17:35.800
<v Speaker 3>with a public figure looks and feels like. I remember

0:17:35.840 --> 0:17:39.200
<v Speaker 3>that it is not fun, It is not exciting, especially

0:17:39.640 --> 0:17:43.080
<v Speaker 3>when there are hardships and downfalls and mistakes. They are

0:17:43.119 --> 0:17:45.720
<v Speaker 3>also made out loud and in front of people, and

0:17:45.800 --> 0:17:49.520
<v Speaker 3>you get to hear how, in my case, thousands of people,

0:17:49.560 --> 0:17:53.080
<v Speaker 3>in his case, millions of people feel about the decisions

0:17:53.080 --> 0:17:56.000
<v Speaker 3>that you make that hurt that person, that there might

0:17:56.040 --> 0:17:58.720
<v Speaker 3>be that person's fan and not yours, and so you

0:17:58.840 --> 0:18:04.840
<v Speaker 3>are ppetuity the bad guy. The whole Will Smith thing

0:18:04.880 --> 0:18:07.880
<v Speaker 3>has been complicated for me. Rams is because I've I've

0:18:07.920 --> 0:18:10.000
<v Speaker 3>never met Chris Rock, but as you know, I have

0:18:10.040 --> 0:18:14.320
<v Speaker 3>a very close relationship with his brother and met Will

0:18:14.560 --> 0:18:17.920
<v Speaker 3>when I first started my career in professional sports and entertainment,

0:18:18.400 --> 0:18:20.040
<v Speaker 3>have been to his home and got some of the

0:18:20.080 --> 0:18:24.400
<v Speaker 3>best advice I ever got from him. Both of those

0:18:24.400 --> 0:18:28.520
<v Speaker 3>guys were heroes to me, both of them superheroes. And

0:18:29.160 --> 0:18:32.480
<v Speaker 3>seeing them put in a position where for a moment

0:18:32.600 --> 0:18:39.679
<v Speaker 3>they were, you know, because of Will's decision, opposition to

0:18:39.720 --> 0:18:44.520
<v Speaker 3>each other, and they never been that before. And what

0:18:44.560 --> 0:18:48.159
<v Speaker 3>we've all seen is, you know, I got to feel

0:18:48.920 --> 0:18:52.040
<v Speaker 3>how one of my best friends felt about his brother

0:18:52.720 --> 0:18:55.679
<v Speaker 3>being hit in front of everybody world.

0:18:56.600 --> 0:18:58.120
<v Speaker 1>That's a lot to reconcile.

0:18:58.800 --> 0:19:03.320
<v Speaker 3>And I also, you know, never like for us to

0:19:03.440 --> 0:19:06.600
<v Speaker 3>be out front at each other like that. You and I,

0:19:07.000 --> 0:19:10.359
<v Speaker 3>in our own way have steered as clear as we

0:19:10.400 --> 0:19:14.440
<v Speaker 3>can of being opposition to someone that as far as

0:19:14.560 --> 0:19:17.840
<v Speaker 3>views go, we are opposed to, but we've tried very

0:19:17.880 --> 0:19:19.960
<v Speaker 3>hard to not have it be framed as an US

0:19:20.040 --> 0:19:23.959
<v Speaker 3>versus him, even with things that we're dealing with.

0:19:24.040 --> 0:19:26.159
<v Speaker 1>Q was being very cryptic, but I know what he's

0:19:26.200 --> 0:19:28.160
<v Speaker 1>talking about it and you probably know too.

0:19:28.160 --> 0:19:31.280
<v Speaker 3>So it hurt to see them in that space. I

0:19:31.359 --> 0:19:34.320
<v Speaker 3>must say, however, though Will is trying.

0:19:35.000 --> 0:19:37.960
<v Speaker 1>That's where I want it, because I think that forgiveness

0:19:38.000 --> 0:19:43.359
<v Speaker 1>starts with intention trying, right, and I think that we

0:19:43.400 --> 0:19:48.240
<v Speaker 1>should honor that in our interpersonal relationships one on one,

0:19:48.680 --> 0:19:51.920
<v Speaker 1>when we look at people and offer our opinions online,

0:19:52.440 --> 0:19:55.679
<v Speaker 1>when we move through time and space, we have to

0:19:55.720 --> 0:20:00.360
<v Speaker 1>acknowledge that we are human beings interacting with other human beings. Right.

0:20:02.200 --> 0:20:05.320
<v Speaker 1>Will says something in his interview says, be nice. You

0:20:05.440 --> 0:20:07.720
<v Speaker 1>never know what someone else is going through. He says,

0:20:07.720 --> 0:20:10.440
<v Speaker 1>on that day, I was going through some stuff, right,

0:20:10.680 --> 0:20:13.720
<v Speaker 1>and for whatever reason, he thought what he did was

0:20:13.720 --> 0:20:16.159
<v Speaker 1>the right thing. And in short order he tells the story.

0:20:16.760 --> 0:20:20.520
<v Speaker 1>He says, when I got home, my nephew was at home.

0:20:20.640 --> 0:20:23.800
<v Speaker 1>He was watching the oscars. He says, my nephew came

0:20:23.800 --> 0:20:26.240
<v Speaker 1>and sat on my lap, and he held the oscar.

0:20:26.520 --> 0:20:30.000
<v Speaker 1>That oscar or emmy oscar? Okay cool? So he sat

0:20:30.040 --> 0:20:33.200
<v Speaker 1>on his lap and held the oscar and he says, uncle, Will,

0:20:33.280 --> 0:20:35.320
<v Speaker 1>why did you hit that man? And Will was like,

0:20:36.400 --> 0:20:43.040
<v Speaker 1>oh my god. And in that moment he realized that

0:20:43.160 --> 0:20:44.360
<v Speaker 1>was the wrong thing.

0:20:44.280 --> 0:20:47.760
<v Speaker 3>To do and they need to try to maybe even

0:20:47.800 --> 0:20:50.480
<v Speaker 3>not just in that moment when you talk about an exclamation.

0:20:50.080 --> 0:20:52.200
<v Speaker 1>Mark, there you go, that's that's probably because I don't

0:20:52.200 --> 0:20:54.640
<v Speaker 1>want to speak for the man, but you know, And

0:20:54.760 --> 0:20:58.040
<v Speaker 1>since then he's like, look, that was wrong. That whole

0:20:58.119 --> 0:21:01.560
<v Speaker 1>night was a stupor what I did, what I said afterward,

0:21:01.600 --> 0:21:05.680
<v Speaker 1>It just that was where I was at and that's

0:21:05.720 --> 0:21:07.720
<v Speaker 1>not who I want to be. So how do I

0:21:07.800 --> 0:21:10.440
<v Speaker 1>make it right? How does he make it right? Ask yourself,

0:21:10.920 --> 0:21:14.800
<v Speaker 1>what do we want from people when they make mistakes?

0:21:15.200 --> 0:21:19.800
<v Speaker 1>If not perfection apparently, but what is perfection after you've

0:21:19.800 --> 0:21:22.199
<v Speaker 1>made a mistake. If we can understand and appreciate that

0:21:22.280 --> 0:21:25.359
<v Speaker 1>human beings make mistakes, if you yourself recognize the mistakes

0:21:25.359 --> 0:21:31.200
<v Speaker 1>are possible in your own life and skin right, then

0:21:31.480 --> 0:21:33.680
<v Speaker 1>what do we want from other people when they make mistakes?

0:21:33.760 --> 0:21:36.120
<v Speaker 1>Do we want them to apologize? Do we want them

0:21:36.160 --> 0:21:38.760
<v Speaker 1>to acknowledge the hurt that they've you know, cause do

0:21:38.800 --> 0:21:43.359
<v Speaker 1>we want them to adjust their you know, behavior moving forward?

0:21:43.440 --> 0:21:46.240
<v Speaker 1>Do we want some sort of compensation?

0:21:46.400 --> 0:21:48.360
<v Speaker 3>I mean, you hit the nail on the head man

0:21:48.600 --> 0:21:53.000
<v Speaker 3>starting at I was wrong, that's a lot. Yeah, I

0:21:53.160 --> 0:21:57.560
<v Speaker 3>was wrong, and I apologize without no qualifiers at all.

0:21:58.000 --> 0:22:02.159
<v Speaker 3>What I did was wrong. Stop I apologize. Stop like,

0:22:02.720 --> 0:22:08.240
<v Speaker 3>that's it. There's not qualifiers there, you know. Apparently for

0:22:08.359 --> 0:22:10.840
<v Speaker 3>some people there is no right thing to do after

0:22:10.880 --> 0:22:13.879
<v Speaker 3>a mistake. You made that mistake, So that's it. That's it,

0:22:14.400 --> 0:22:19.560
<v Speaker 3>and that's fair. But if we are inclined to forgive someone,

0:22:20.040 --> 0:22:23.080
<v Speaker 3>we need to really be conscientious of what that looks like.

0:22:23.160 --> 0:22:26.879
<v Speaker 3>And if you feel like people don't deserve any grace,

0:22:27.000 --> 0:22:33.000
<v Speaker 3>any forgiveness, then keep that energy and expect that in return.

0:22:33.359 --> 0:22:35.760
<v Speaker 3>Point exactly now, I want to say that no one

0:22:35.800 --> 0:22:38.920
<v Speaker 3>deserves forgiveness. Please include yourself that equation.

0:22:39.160 --> 0:22:43.920
<v Speaker 1>Yes, now, I do want to say this. I wrote

0:22:43.920 --> 0:22:46.399
<v Speaker 1>this note and I think it sounds great. Trevor No

0:22:46.640 --> 0:22:50.960
<v Speaker 1>was very gracious. Trevor allowed him to not be a

0:22:51.000 --> 0:22:56.440
<v Speaker 1>perfect human, but be perfectly human, right, recognizing that human

0:22:56.480 --> 0:23:01.040
<v Speaker 1>beings are flawed creatures. And I do want to add this,

0:23:01.480 --> 0:23:02.879
<v Speaker 1>and this is kind of one of the things that

0:23:03.000 --> 0:23:05.680
<v Speaker 1>sort of helped me start thinking about this as a concept.

0:23:05.720 --> 0:23:08.960
<v Speaker 1>You know, forgiveness among us black people. You know, there's

0:23:09.160 --> 0:23:12.320
<v Speaker 1>we have stuff, gang stuff, we have you know, click stuff,

0:23:12.359 --> 0:23:14.879
<v Speaker 1>wrap beefs and all this sort of stuff in our communities,

0:23:14.920 --> 0:23:17.239
<v Speaker 1>and forgiveness is not talked about nearly enough. And so

0:23:17.240 --> 0:23:18.760
<v Speaker 1>this is why I really wanted to take some time.

0:23:19.040 --> 0:23:20.960
<v Speaker 1>But there were two people that I saw. This was

0:23:20.960 --> 0:23:22.880
<v Speaker 1>a year's old video, but I just saw it recently,

0:23:22.920 --> 0:23:25.560
<v Speaker 1>So forgive me, sports guys, I'm not a sports guy again.

0:23:26.000 --> 0:23:29.520
<v Speaker 1>I saw Magic Johnson and Isaiah Thomas. They were interviewing

0:23:29.560 --> 0:23:31.520
<v Speaker 1>with each other. Were they forgave each other? Now, I

0:23:31.560 --> 0:23:33.320
<v Speaker 1>don't even know why they were mad in the first place,

0:23:33.480 --> 0:23:35.280
<v Speaker 1>I'll tell you that. But story one day, when the

0:23:35.320 --> 0:23:40.920
<v Speaker 1>MIC's turned along, okay, but it was beautiful, they broke down.

0:23:40.960 --> 0:23:43.320
<v Speaker 1>They started crying. I guess they were friends once upon

0:23:43.400 --> 0:23:46.960
<v Speaker 1>a time. Clos and Jordan Ram's level friends. Oh, that

0:23:46.960 --> 0:23:49.280
<v Speaker 1>would never happen to me and you But you know

0:23:49.320 --> 0:23:50.480
<v Speaker 1>what I'm saying. You could see that.

0:23:50.720 --> 0:23:53.320
<v Speaker 3>It's like I'm but imagining it did happen to me

0:23:53.359 --> 0:23:56.720
<v Speaker 3>and you? Yeah, can paint why you saw them so emotional.

0:23:57.320 --> 0:24:00.000
<v Speaker 1>But for that video again, if you wanted to go

0:24:00.000 --> 0:24:04.720
<v Speaker 1>Google at Magic Johnson Isaiah Thomas interview, you see why

0:24:04.880 --> 0:24:08.040
<v Speaker 1>forgiveness is important and just how healing it can be.

0:24:08.480 --> 0:24:10.639
<v Speaker 1>And I think it's important for us to start to

0:24:10.720 --> 0:24:13.439
<v Speaker 1>center that in our conversations in addition to our mental

0:24:13.480 --> 0:24:18.880
<v Speaker 1>health and scene. And now it's time for the Way

0:24:18.920 --> 0:24:22.360
<v Speaker 1>Black History Fact. Today's Way Black History Fact is sponsored

0:24:22.359 --> 0:24:27.640
<v Speaker 1>by Major Threads Men'swear. To get the finest in men'swear,

0:24:27.760 --> 0:24:31.640
<v Speaker 1>check out major threads dot com our Way Black History Fact. Today,

0:24:31.640 --> 0:24:36.800
<v Speaker 1>we're talking about Solomon Sir Jones from eighteen sixty nine

0:24:36.840 --> 0:24:41.119
<v Speaker 1>to nineteen thirty six right. He was an American minister

0:24:41.160 --> 0:24:43.760
<v Speaker 1>and an amateur filmmaker, best known for his collection of

0:24:43.840 --> 0:24:46.960
<v Speaker 1>twenty nine silent black and white films totally three hundred

0:24:46.960 --> 0:24:49.919
<v Speaker 1>and fifty five minutes worth of footage documenting African American

0:24:49.960 --> 0:24:53.080
<v Speaker 1>communities in Oklahoma from nineteen twenty four in nineteen twenty eight.

0:24:54.080 --> 0:24:56.560
<v Speaker 1>In twenty sixteen, Jones's films were selected for the United

0:24:56.600 --> 0:24:59.439
<v Speaker 1>States National Film Registry by the Library of Congress. Is

0:24:59.480 --> 0:25:03.720
<v Speaker 1>being culture truly, historically or esthetically significant. Jones was born

0:25:03.720 --> 0:25:07.000
<v Speaker 1>in Tennessee to parents who had once been enslaved. He

0:25:07.080 --> 0:25:09.040
<v Speaker 1>grew up in the South before moving to Oklahoma in

0:25:09.080 --> 0:25:13.320
<v Speaker 1>eighteen eighty nine. Jones became an influential Baptist minister, building

0:25:13.359 --> 0:25:16.560
<v Speaker 1>and pastoring fifteen churches, who was head of the Buoyd

0:25:16.640 --> 0:25:21.159
<v Speaker 1>faction of Negro Baptists in America, and was a successful businessman.

0:25:22.359 --> 0:25:25.040
<v Speaker 1>Jones's films consist of twenty nine silent black and white

0:25:25.040 --> 0:25:28.160
<v Speaker 1>films documenting African American communities in Oklahoma from nineteen twenty

0:25:28.160 --> 0:25:30.440
<v Speaker 1>four to nineteen twenty eight. They contained three hundred and

0:25:30.520 --> 0:25:33.840
<v Speaker 1>fifty five minutes of footage shot with the then new

0:25:33.960 --> 0:25:38.119
<v Speaker 1>sixteen millimeter cameras. The films document a rich tapestry of

0:25:38.160 --> 0:25:43.040
<v Speaker 1>everyday life funerals, sporting events, schools, parades, businesses, Masonic meetings,

0:25:43.160 --> 0:25:46.600
<v Speaker 1>river baptisms, families at home, African American oil barons and

0:25:46.680 --> 0:25:51.040
<v Speaker 1>their wells, Black colleges, June teen celebrations, and a transcontinental

0:25:51.040 --> 0:25:56.119
<v Speaker 1>foot race. Jones's films have been preserved by the Smithsonian Institute,

0:25:56.720 --> 0:26:00.920
<v Speaker 1>the Baynecki Rare Book in mana U Script Library of

0:26:00.960 --> 0:26:04.199
<v Speaker 1>the Yale University Library, and the National Museum of African

0:26:04.240 --> 0:26:07.560
<v Speaker 1>American History and culture shot out to them. They are

0:26:07.600 --> 0:26:10.439
<v Speaker 1>considered to be the most extensive film records we have

0:26:10.560 --> 0:26:13.560
<v Speaker 1>of southern and urban black life and culture at the

0:26:13.600 --> 0:26:16.159
<v Speaker 1>time of rapid social and cultural change for African Americans

0:26:16.240 --> 0:26:18.919
<v Speaker 1>during the nineteen twenties and the very beginning of the

0:26:18.960 --> 0:26:21.800
<v Speaker 1>Great Migration, which transformed not only Black people as a whole,

0:26:21.840 --> 0:26:26.560
<v Speaker 1>but America itself. Jones filmed Oklahoma residents in their homes,

0:26:26.840 --> 0:26:29.560
<v Speaker 1>during their social, school and church activities, in the businesses

0:26:29.600 --> 0:26:33.160
<v Speaker 1>they owned, and performing various jobs. The films documents several

0:26:33.160 --> 0:26:42.480
<v Speaker 1>Oklahoma communities, including Forgive Me Oklahoma, Muscogee, Okmolgi, Tulsa, Weewaka, Bristow,

0:26:42.640 --> 0:26:49.800
<v Speaker 1>and tact The films also document Jones's trips to Indiana, Texas, Louisiana, Arkansas, Tennessee, Missouri, Illinois,

0:26:49.880 --> 0:26:55.399
<v Speaker 1>New York City, South Carolina, Colorado, and overseas to France, England, Palestine, Switzerland, Italy,

0:26:55.480 --> 0:26:58.240
<v Speaker 1>North Africa and Germany. I've been all those places except

0:26:58.320 --> 0:27:04.800
<v Speaker 1>like two. Slates between scenes identify location, states, and subjects.

0:27:05.400 --> 0:27:10.320
<v Speaker 1>Jones frequently filmed at various locations by positioning himself outside

0:27:10.359 --> 0:27:14.720
<v Speaker 1>of building while people exited the building in a line.

0:27:14.760 --> 0:27:17.600
<v Speaker 1>This perspective provides footage of people as they walk by

0:27:17.640 --> 0:27:20.920
<v Speaker 1>the camera, usually looking directly at it. Footage of churches

0:27:20.960 --> 0:27:25.399
<v Speaker 1>includes congregants exiting the service and socializing outside. Footage of

0:27:25.480 --> 0:27:29.280
<v Speaker 1>schools often include students playing outside or doing exercises, and

0:27:29.320 --> 0:27:32.359
<v Speaker 1>footage of people at their homes includes them outside on

0:27:32.400 --> 0:27:34.919
<v Speaker 1>their porches or in their yards aside from church and

0:27:34.960 --> 0:27:39.679
<v Speaker 1>scheduled school activities. People presumably exited at Jones's request for

0:27:39.720 --> 0:27:43.080
<v Speaker 1>the purposes of being filmed by him. In addition to

0:27:43.119 --> 0:27:45.439
<v Speaker 1>his work with film, Jones was a businessman and a

0:27:45.480 --> 0:27:48.000
<v Speaker 1>Baptist minister who either established or was the pastor of

0:27:48.000 --> 0:27:50.239
<v Speaker 1>some fifteen churches in his lifetime. He was the son

0:27:50.280 --> 0:27:52.359
<v Speaker 1>of ex slaves or in Tennessee and grew up in

0:27:52.359 --> 0:27:57.720
<v Speaker 1>the South. Jones spent the next several decades building black institutions,

0:27:57.840 --> 0:28:01.480
<v Speaker 1>establishing churches, newspapers, and business and supporting the activities of

0:28:01.520 --> 0:28:04.720
<v Speaker 1>schools and hospitals. Jones also remained active in church politics,

0:28:04.720 --> 0:28:07.960
<v Speaker 1>holding leadership roles in the National Baptist Convention of America,

0:28:08.240 --> 0:28:11.760
<v Speaker 1>one of the largest African American denominations in the United States.

0:28:11.920 --> 0:28:15.640
<v Speaker 1>For many years, Jones was a fierce defender of black

0:28:15.680 --> 0:28:18.600
<v Speaker 1>institutions one of many African American leaders in Oklahoma who

0:28:18.680 --> 0:28:23.080
<v Speaker 1>supported what came to be called all Black Towns, municipalities

0:28:23.119 --> 0:28:26.959
<v Speaker 1>occupied and governed by black settlers. One of these towns

0:28:27.000 --> 0:28:30.440
<v Speaker 1>was targeted in nineteen twenty one Here we Go by

0:28:30.480 --> 0:28:33.040
<v Speaker 1>white mobs for one of the worst racist attacks in

0:28:33.080 --> 0:28:36.440
<v Speaker 1>American history, referred to as the Tulsa race Massacre. More

0:28:36.480 --> 0:28:39.080
<v Speaker 1>than eight hundred people were admitted to hospitals, and as

0:28:39.120 --> 0:28:42.360
<v Speaker 1>many as six thousand black residents were interned in large facilities,

0:28:42.360 --> 0:28:45.640
<v Speaker 1>many of them for several days. The Oklahoma Sorry the

0:28:45.640 --> 0:28:49.320
<v Speaker 1>Oklahoma Bureau of Vital Statistics, officially recorded thirty six dead.

0:28:49.800 --> 0:28:52.760
<v Speaker 1>A two thousand and one State Commission examination of events

0:28:52.840 --> 0:28:55.000
<v Speaker 1>was able to confirm that of the thirty six dead,

0:28:55.040 --> 0:28:58.080
<v Speaker 1>twenty six were black and ten white. It is believed

0:28:58.120 --> 0:28:59.760
<v Speaker 1>that there are many more than thirty six had died.

0:29:00.160 --> 0:29:01.520
<v Speaker 1>I just want to tell you that that's not in

0:29:01.560 --> 0:29:07.160
<v Speaker 1>this here memory based on contemporary autopsy reports, death certificates,

0:29:07.200 --> 0:29:10.040
<v Speaker 1>and other records. Jones was well traveled, traveling across not

0:29:10.080 --> 0:29:15.840
<v Speaker 1>only the United States but overseas as well. His films

0:29:15.880 --> 0:29:19.440
<v Speaker 1>of his overseas travels were only slightly less significant than

0:29:19.520 --> 0:29:23.760
<v Speaker 1>Jones's Films of Oklahoma, which still serve as a visual

0:29:23.800 --> 0:29:26.520
<v Speaker 1>commemoration of the thirty five years he spent advocating for

0:29:26.560 --> 0:29:32.120
<v Speaker 1>African American people and institutions in Oklahoma. Now, I do

0:29:32.200 --> 0:29:36.560
<v Speaker 1>want to say that I pulled from two sources. One

0:29:36.600 --> 0:29:42.080
<v Speaker 1>was the Yale Yale because they have the actual footage

0:29:42.680 --> 0:29:49.840
<v Speaker 1>in turn in that entity Yale the School and Wikipedia.

0:29:49.920 --> 0:29:51.200
<v Speaker 1>So this is why you might hear a couple of

0:29:51.200 --> 0:29:55.600
<v Speaker 1>things repeated twice. I also want to say that, you know,

0:29:55.640 --> 0:29:59.280
<v Speaker 1>this might seem sort of maybe unremarkable to us modern folks,

0:29:59.320 --> 0:30:03.040
<v Speaker 1>but for us, for black people, you know, when we

0:30:03.080 --> 0:30:08.440
<v Speaker 1>see old movies, old films, silent films like this, we

0:30:08.560 --> 0:30:16.120
<v Speaker 1>often see ourselves as either not there or some sort

0:30:16.120 --> 0:30:22.840
<v Speaker 1>of caricature of ourselves, or as servants. We're propping up

0:30:22.920 --> 0:30:28.560
<v Speaker 1>society rather than participating in it. And for those of

0:30:28.680 --> 0:30:31.479
<v Speaker 1>you who maybe didn't grow up black, for those of

0:30:31.480 --> 0:30:34.400
<v Speaker 1>you that have old films where you see yourself represented,

0:30:35.160 --> 0:30:39.680
<v Speaker 1>your culture, people represented, driving cars and engaging in whatever,

0:30:41.240 --> 0:30:43.120
<v Speaker 1>you kind of take it for granted. But when you

0:30:43.160 --> 0:30:46.760
<v Speaker 1>don't have that, and you see those films and you've

0:30:46.840 --> 0:30:48.640
<v Speaker 1>notice that there are no black people here, and the

0:30:48.680 --> 0:30:51.640
<v Speaker 1>black people you do they're just serving people. Again, there's

0:30:51.800 --> 0:30:53.800
<v Speaker 1>not a lot of dignity that you can find. You

0:30:53.800 --> 0:30:57.120
<v Speaker 1>can find black people existed. And these films are not

0:30:57.160 --> 0:31:00.240
<v Speaker 1>only important because there was a black filmmaker, but they're

0:31:00.280 --> 0:31:04.400
<v Speaker 1>important because, as I mentioned, he filmed locations by positioning

0:31:04.480 --> 0:31:08.280
<v Speaker 1>himself outside of the building. So he saw people coming

0:31:08.280 --> 0:31:10.720
<v Speaker 1>out of stores, he saw people coming out of churches,

0:31:10.760 --> 0:31:13.200
<v Speaker 1>he saw people playing, people sitting in their front yard,

0:31:13.440 --> 0:31:18.560
<v Speaker 1>people just having fun and living their lives. And they

0:31:18.600 --> 0:31:21.360
<v Speaker 1>were black, and that's not something that you find in

0:31:21.400 --> 0:31:26.959
<v Speaker 1>films like this from that time. We're people, you know,

0:31:27.520 --> 0:31:31.000
<v Speaker 1>We're not just you know, when you think back in

0:31:31.000 --> 0:31:33.680
<v Speaker 1>the day, you think slaves, right, and that's fair because

0:31:33.720 --> 0:31:35.520
<v Speaker 1>back in the day, that's all we were, you know

0:31:35.520 --> 0:31:39.080
<v Speaker 1>what I mean. But except that was never all we were.

0:31:39.440 --> 0:31:43.440
<v Speaker 1>And thank you, and these films are important because it

0:31:43.520 --> 0:31:48.400
<v Speaker 1>shows a full human being living in America who has

0:31:48.480 --> 0:31:52.840
<v Speaker 1>melanin in his skin and her skin and their skin.

0:31:53.720 --> 0:31:56.320
<v Speaker 1>And so again we want to shout out Solomon Sir

0:31:56.440 --> 0:32:01.400
<v Speaker 1>Jones for archive in these film for us to enjoy,

0:32:01.960 --> 0:32:04.600
<v Speaker 1>check out his work and just get a glimpse into

0:32:04.640 --> 0:32:07.400
<v Speaker 1>what it looks like to be black and successful. Before

0:32:07.440 --> 0:32:09.360
<v Speaker 1>they came and burned it down in nineteen twenty one.

0:32:10.080 --> 0:32:15.360
<v Speaker 1>So yeah, sorry, but that's going to do it for

0:32:15.400 --> 0:32:17.480
<v Speaker 1>us here on Civic Cipher. Once again, I'm your host, Rams' Jah.

0:32:17.520 --> 0:32:21.840
<v Speaker 3>He is Rams's Jah, I am Qward. Thank you guys

0:32:21.880 --> 0:32:24.040
<v Speaker 3>for tuning in with us again. Thank you guys for

0:32:24.120 --> 0:32:25.360
<v Speaker 3>listening every week.

0:32:25.720 --> 0:32:26.240
<v Speaker 1>Yeah, thank you.

0:32:26.240 --> 0:32:29.080
<v Speaker 3>Guys for caring about what we're talking about. Yeah, you know,

0:32:29.120 --> 0:32:31.680
<v Speaker 3>these topics don't have to be important to you, especially

0:32:31.720 --> 0:32:34.440
<v Speaker 3>if you're not black. For those of you that are not,

0:32:34.560 --> 0:32:37.080
<v Speaker 3>that invests so much of your time and energy into

0:32:37.120 --> 0:32:40.440
<v Speaker 3>what we're talking about and how we feel and our experiences.

0:32:40.480 --> 0:32:45.120
<v Speaker 1>We appreciate you absolutely. Today's show is produced by Maggie B. Knowen.

0:32:45.640 --> 0:32:48.560
<v Speaker 1>Hit the website cipcipper dot com to submit any questions,

0:32:48.600 --> 0:32:52.120
<v Speaker 1>any topics, make a donation. The show is growing and

0:32:52.160 --> 0:32:54.240
<v Speaker 1>it continues to grow with your support. Follow us on

0:32:54.280 --> 0:32:57.640
<v Speaker 1>all social media of course, at Civiccipher dot com. You

0:32:57.640 --> 0:32:59.520
<v Speaker 1>can follow Q at imq word, you can follow me

0:32:59.520 --> 0:33:02.200
<v Speaker 1>at Ramsey joh and of course you can download the

0:33:02.240 --> 0:33:06.200
<v Speaker 1>show listen to any other previous episode on our website

0:33:06.200 --> 0:33:09.720
<v Speaker 1>as well. And again, yeah, thanks for listening. So until

0:33:09.760 --> 0:33:12.440
<v Speaker 1>next week y'all. Peace lady, we handle it.

0:33:12.960 --> 0:33:16.000
<v Speaker 2>These brothers are fabulous. It's our ladies showing you where

0:33:16.080 --> 0:33:17.480
<v Speaker 2>Vrom traveled this well.

0:33:17.600 --> 0:33:18.160
<v Speaker 1>Speak to you.

0:33:18.360 --> 0:33:21.880
<v Speaker 2>From sunlight to move, busting on stage like gonna fights

0:33:21.920 --> 0:33:24.440
<v Speaker 2>the row my mic back.

0:33:24.520 --> 0:33:26.719
<v Speaker 1>You're like that journalist with journalist too.

0:33:27.040 --> 0:33:29.960
<v Speaker 2>We can strike back horb borders with orders from head,

0:33:29.960 --> 0:33:32.600
<v Speaker 2>borders behind m and the line sides up and the

0:33:32.680 --> 0:33:34.080
<v Speaker 2>borders the press passage.

0:33:34.200 --> 0:33:36.400
<v Speaker 1>We bring it to you as it happens the streets.

0:33:36.400 --> 0:33:39.560
<v Speaker 2>Love pocked in from music and rapping the street compared

0:33:39.640 --> 0:33:42.440
<v Speaker 2>the slash week expando. You're gonna fight the slander with

0:33:42.480 --> 0:33:45.240
<v Speaker 2>the proper propaganda. What's happening, it's happen. You've got a

0:33:45.400 --> 0:33:47.640
<v Speaker 2>questions to ask if the news is just a TV

0:33:47.760 --> 0:33:52.920
<v Speaker 2>show you're passing And this from Acquife wartime journalist headlines, wake.

0:33:52.800 --> 0:33:56.800
<v Speaker 1>Up, prepeace and resist like this like what like this,

0:33:57.080 --> 0:34:00.320
<v Speaker 1>like we can't ad