WEBVTT - Dadnapped

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<v Speaker 1>Oh man, will I am excited it is.

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<v Speaker 2>About our movie today, or about something else, or about everything.

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<v Speaker 1>I have had a dream for a long time to

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<v Speaker 1>have a dance athletic line.

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<v Speaker 2>Me too.

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<v Speaker 1>Yes, I know it's finally happening. I've been looking on

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<v Speaker 1>this for a couple of years. Our VIPs were able

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<v Speaker 1>to start ordering on Sunday, and now I'm sitting impatiently

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<v Speaker 1>waiting because it is going live tomorrow. I'm really really

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<v Speaker 1>excited for this. It's an exclusive dancewear towards you know,

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<v Speaker 1>it's it's athletic, but it's really catered to dancers that

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<v Speaker 1>really want to elevate their dancing to the next level.

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<v Speaker 1>We've got these amazing grips that are on the sides

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<v Speaker 1>of the legging that will allow them to do extensions,

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<v Speaker 1>you know, all those flexible extensions you like to do. Yeah,

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<v Speaker 1>and when you do it, sometimes your legs slips out

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<v Speaker 1>of your hand because of the legging, so you sometimes

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<v Speaker 1>will scrunch and pull your leg up so that you

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<v Speaker 1>can get like skin on skin contact. This you don't

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<v Speaker 1>have to do that. You can literally grab it. It's

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<v Speaker 1>got actual grip like what football players use.

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<v Speaker 2>Smart.

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<v Speaker 1>Yeah, it's an athletic grip. So I'm so excited and

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<v Speaker 1>the colors and the material everything is just like gorgeous.

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<v Speaker 1>I'm so proud of this first line and this launch.

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<v Speaker 2>Well wait, how do I get it for when I'm

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<v Speaker 2>going to go dancing? Then how does one find this stuff?

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<v Speaker 1>So you'd go on my page or Sobrey Dance Official

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<v Speaker 1>on Instagram and there's a link right there, or you

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<v Speaker 1>can go just right to the website as well, Sobrey

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<v Speaker 1>Dance Official dot com.

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<v Speaker 2>Okay, cool, because my problem when I'm doing my extensions

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<v Speaker 2>is not that my leg slips out of my hand,

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<v Speaker 2>It's that my hips slips out of its joint. So

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<v Speaker 2>I don't know if that is Do these pants help that?

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<v Speaker 2>Or do you still have to dance? They don't teach

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<v Speaker 2>you how to dance?

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<v Speaker 1>Right, Unfortunately, it does not teach you, gotcha. The official

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<v Speaker 1>website is sobriofficial dot com. Nice and so yes, it's

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<v Speaker 1>so exciting. Well, I've been so giddy all week. I

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<v Speaker 1>just I can't believe this is finally happening.

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<v Speaker 2>Well, that's really cool. Is it just pants? Is it

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<v Speaker 2>pants and tops?

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<v Speaker 1>Where pants and tops? So it's broad tops. There's a

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<v Speaker 1>short one there's a mid and then there's a little

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<v Speaker 1>bit of a longer one. We've got Midnight Blue and

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<v Speaker 1>then we've got our Onyx Cheetah and our They're nice.

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<v Speaker 1>It's it's subtle. It's not hot, Pink. I will actually

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<v Speaker 1>do one eventually. It's a subtle it's gorgeous. Oh they're

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<v Speaker 1>so so beautiful.

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<v Speaker 2>Well, congratulations, that's awesome. Proud you. That's really cool. That's

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<v Speaker 2>really cool. Wait, say the website one more time so

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<v Speaker 2>everybody has it.

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<v Speaker 1>It's www dot sobrey s a b r I official

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<v Speaker 1>dot com.

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<v Speaker 2>Cool, So everybody go check it out. Go get some

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<v Speaker 2>awesome dance clothes. I know I'm gonna get some cuz

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<v Speaker 2>hopefully they're going to teach me how to dance, which

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<v Speaker 2>maybe they won't.

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<v Speaker 1>They're not miracle workers.

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<v Speaker 2>Yeah, exactly, exactly, they're pants. They are not talented and

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<v Speaker 2>exactly Well, congratulations on that, and welcome back everybody to

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<v Speaker 2>Magical Rewind, the show that makes you want to grab

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<v Speaker 2>your friends, your pjs and your popcorn and go back

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<v Speaker 2>to your time. And all the houses were smart, the

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<v Speaker 2>waves tsunamis, and the pants had little grippy things on me. No,

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<v Speaker 2>and the high school's musical I'm Will.

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<v Speaker 1>For Now and I'm Sabrina Brian.

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<v Speaker 2>Well, it's time to tackle a new d coom here

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<v Speaker 2>on Magical Rewind and it's one with a very common

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<v Speaker 2>theme for kids movies, taking hostages. It's two thousand and

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<v Speaker 2>nine's crime comedy Dad Napped. This movie, filled with a

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<v Speaker 2>lot of very familiar Disney faces, debuted on February sixteenth,

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<v Speaker 2>two thousand and nine, to a large fanfare, actually four

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<v Speaker 2>point six million viewers be exact, This was a big

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<v Speaker 2>hit for the channel, even besting the huge Nickelodeon Movie

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<v Speaker 2>of the Year Spectacular by over thirty nine percent, and frankly,

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<v Speaker 2>I'm never gonna watch that, so I won't know which

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<v Speaker 2>one's better either way. Here's the thing about this movie, though,

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<v Speaker 2>is despite it's Nielsen's success, Dad Nap was not a

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<v Speaker 2>favorite for critics, scoring a forty five percent on the

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<v Speaker 2>Popcorn Meter, with critic David Neussaer, I think I'm saying

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<v Speaker 2>that name right, calling it quote the lowest common denominator

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<v Speaker 2>quote end quote, underwhelming second unquote. But we are not

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<v Speaker 2>going to let that sway our votes. We are of

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<v Speaker 2>the people. And of course, despite these critical insults, it

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<v Speaker 2>did get a sequel in the form of a young

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<v Speaker 2>adult book. Dad Napped Junior novel was released around the

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<v Speaker 2>same time as the movie, so it does appear that

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<v Speaker 2>Disney had high hopes for this film. Interesting, Dad Napped

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<v Speaker 2>was shot on a very decent decom budget of four

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<v Speaker 2>point five million dollars and they shot it in wait

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<v Speaker 2>for it. Utah, We're back, baby. I feel like I

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<v Speaker 2>have so long right the world all make.

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<v Speaker 1>Forgot what Salt Lake City look like for a minute, right?

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<v Speaker 3>Okay?

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<v Speaker 2>So we asked this a couple questions to start the show.

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<v Speaker 2>What was your expertise when it came to Dad Naps?

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<v Speaker 2>Had you heard of Dad Nap? Did you know Dad

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<v Speaker 2>Nap or your Dad Naps fan?

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<v Speaker 1>I did not, but I will tell you I'm a

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<v Speaker 1>fan of every single person that's on that screen. So

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<v Speaker 1>I feel a little bit like I should have paid

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<v Speaker 1>attention to this one, because, Yeah, this cast was incredible.

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<v Speaker 2>I agree the cast was great.

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<v Speaker 1>What about you, will, is this was this year your

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<v Speaker 1>top one?

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<v Speaker 3>Uh?

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<v Speaker 2>Never know?

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<v Speaker 1>Never you thought when you think of d com you

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<v Speaker 1>don't think of Dad Nap.

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<v Speaker 2>I don't. I don't think of Dad No. I when

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<v Speaker 2>everybody knows when I think of d com I uh

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<v Speaker 2>think of when I'm not even going to think of it.

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<v Speaker 2>I'm not gonna say a bad title because we've been

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<v Speaker 2>through it. Go back and watch our old feed. You'll

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<v Speaker 2>know the ones I like and the ones that I

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<v Speaker 2>don't like. So here we go, floss floss, floss. It's

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<v Speaker 2>time we get into the synopsis Young Melissa Moore. You'll

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<v Speaker 2>understand that, hopefully young Melissa Morris is desperate to gain

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<v Speaker 2>more attention from her best selling author Dad, so when

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<v Speaker 2>her father gets kidnapped by obsessive fans, she must come

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<v Speaker 2>to the rescue, like the protagonist in one of his

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<v Speaker 2>popular spy novels, Sabrina. Early thoughts on Dad Nap Take

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<v Speaker 2>it Away? What do you think?

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<v Speaker 1>I found myself at a place where I have been

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<v Speaker 1>before with these d coms. I absolutely hated this Dad

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<v Speaker 1>for k I was just beyond disappointed. I literally could

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<v Speaker 1>not get out of my feelings about this dad for

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<v Speaker 1>the first fifteen to almost twenty minutes of this movie.

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<v Speaker 1>Like you are the most selfish, self absorbed A whole?

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<v Speaker 2>Is that all we're gonna get? Just a whole? That's it?

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<v Speaker 1>You are such a a anyway, you suck you suck lawyers.

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<v Speaker 1>Such a guy. I hated him so bad, and he's

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<v Speaker 1>like one of my favorite characters on Friends.

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<v Speaker 2>Yeah, well he's also a good guy. Somebody I've known

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<v Speaker 2>for a long time. That's George Newburn, who's the voice

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<v Speaker 2>of Superman in Justice League.

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<v Speaker 1>He's I did not know that anyway, kids, this character

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<v Speaker 1>was unreal as an adult acting and behaving this way.

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<v Speaker 1>I was very disappointed.

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<v Speaker 2>Did you like the movie?

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<v Speaker 1>Though?

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<v Speaker 2>I was.

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<v Speaker 1>It was kind of a lot to take in, right,

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<v Speaker 1>There's such a big cast. It was a little overwhelming

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<v Speaker 1>for me at the beginning to see everyone that kept

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<v Speaker 1>popping up and up and up and up. As you're going,

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<v Speaker 1>you're going, oh my god, Moises, is you? Oh my god?

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<v Speaker 1>You know you're going, okay, okay, what's your character? What

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<v Speaker 1>you know? It was a little I wasn't able to

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<v Speaker 1>really sit and chill on it for a while. It

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<v Speaker 1>wasn't until like halfway more closer to the end that

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<v Speaker 1>I was able to finally like relax and just watch

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<v Speaker 1>the movie. What about you?

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<v Speaker 2>Oh, Sabrina Brian, This is a tough one for me.

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<v Speaker 2>This movie is bananas and not kind of in a

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<v Speaker 2>good way. This did not feel like a decom to me,

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<v Speaker 2>you know what this felt like? To me, this felt

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<v Speaker 2>like a Nickelodeon movie.

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<v Speaker 1>I was just gonna say, it doesn't feel even like

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<v Speaker 1>a Paul Hohan no at all.

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<v Speaker 2>That's why. And you know, little spoiler alert. We we

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<v Speaker 2>got to interview Jason Earls for our Park Copper episode

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<v Speaker 2>and I specifically asked, does did this movie start with

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<v Speaker 2>a different director and then Paul Howan took over?

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<v Speaker 1>Because we know not've done that.

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<v Speaker 2>Felt the same. The story doesn't make any sense. It

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<v Speaker 2>is super weird, The characters are weird. The main girl

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<v Speaker 2>is having like some sort of a Melton mental break.

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<v Speaker 2>It is this movie was I had to watch this

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<v Speaker 2>movie in chunks, like this was not a movie that

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<v Speaker 2>I was able to sit down and watch from beginning.

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<v Speaker 2>And this was a rough one for me. Yeah, totally

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<v Speaker 2>was great that Disney Disney Banger after Disney Banger. When

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<v Speaker 2>it comes to the cast, nobody's acting was bad, Like, no,

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<v Speaker 2>not at all, everything at all. What I was not

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<v Speaker 2>a character thing.

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<v Speaker 1>What I felt was very hard to grasp was each

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<v Speaker 1>of these characters are such or each of these actors

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<v Speaker 1>are such phenomenal actors. But the characters I feel like

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<v Speaker 1>they had to. It was like they were battling a

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<v Speaker 1>little bit as far as not not not the actors,

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<v Speaker 1>but just the characters. All were so big and so

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<v Speaker 1>extreme and had to be so funny, every single one

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<v Speaker 1>of them, and when on screen together, That's what I said.

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<v Speaker 1>I was like overwhelmed a little.

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<v Speaker 2>It was it was this this movie for me, it

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<v Speaker 2>was like the things they were having this great young

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<v Speaker 2>cast try to accomplish were next to impossible. And it

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<v Speaker 2>was one after another.

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<v Speaker 1>Especially towards the end, and all of that always about

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<v Speaker 1>I love a good food fight. I got to do

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<v Speaker 1>one when I was an extra on the Matilda movie,

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<v Speaker 1>Like so much fun, so fun for kids on set.

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<v Speaker 1>This was just like by the end of it, I'm like,

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<v Speaker 1>oh my god, why are everything so colorful and gooey

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<v Speaker 1>and being you?

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<v Speaker 2>This one didn't do anything, but yeah, this was This

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<v Speaker 2>was a rough one for me because we've seen some

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<v Speaker 2>good ones.

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<v Speaker 1>Yeah, and luckily he is such a good physical actor

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<v Speaker 1>that like it makes it totally fine. But poor guy,

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<v Speaker 1>poor guy.

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<v Speaker 2>Wait, this was this was a This was like a

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<v Speaker 2>fever dream wrapped in a tab of acid that was

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<v Speaker 2>then dipped into ayahuasca. Like this was a weird movie,

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<v Speaker 2>but anyway it was.

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<v Speaker 1>It was overwhelming for me for sure.

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<v Speaker 2>As we said, Dad Napped is another Paul Hoan joint,

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<v Speaker 2>a director that we have covered extensively here on the podcast.

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<v Speaker 2>He is currently at the Helm of Zombies, a modern

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<v Speaker 2>day dcom hit franchise, and is no stranger to the medium,

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<v Speaker 2>having directed Let It Shine, Luck of the Irish, you

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<v Speaker 2>Wish read It and Weep, Jump In and Cheetah Girls,

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<v Speaker 2>One World. We've already interviewed this Disney legend. He's a

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<v Speaker 2>great guy. So as we sit and pat and wait

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<v Speaker 2>for Zombies four, go check out our talk with him

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<v Speaker 2>currently sitting there on our feet. Great interview, awesome guy,

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<v Speaker 2>great director. Just didn't this one didn't feel like him.

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<v Speaker 2>But anyway, like we said, this movie is filled with

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<v Speaker 2>Disney Channel faces. It was a pipeline to get their

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<v Speaker 2>promising talent into a movie. First up, we've got Emily

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<v Speaker 2>Osmond as Melissa sixth cent star Haley Joe Osmond is

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<v Speaker 2>her brother, and we just saw her in the Hannah

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<v Speaker 2>Montana movie, playing a role she started in the series

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<v Speaker 2>of the same name, best friend Lily Truscott. She is

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<v Speaker 2>also a bit of a pop star of her own

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<v Speaker 2>during her Disney days. You actually have to hear one

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<v Speaker 2>of her songs in this movie at the end. She

0:11:36.520 --> 0:11:39.640
<v Speaker 2>also released a duet with Magical rewinderam Boat Mitchell Musso,

0:11:40.320 --> 0:11:44.520
<v Speaker 2>and at one point they were singing together. She was

0:11:44.640 --> 0:11:48.680
<v Speaker 2>also part of the Disney machine, and she was great

0:11:49.120 --> 0:11:51.319
<v Speaker 2>in this movie. She really was with what they gave her.

0:11:51.360 --> 0:11:53.600
<v Speaker 2>She carried the whole thing. It was a strange character,

0:11:53.640 --> 0:11:56.000
<v Speaker 2>but she hit all the beats. She did it very well.

0:11:56.280 --> 0:11:58.400
<v Speaker 2>She was funny when she had to be funny. She

0:11:58.559 --> 0:12:01.120
<v Speaker 2>was sincere when she had to be sincere. She did

0:12:01.320 --> 0:12:04.960
<v Speaker 2>everything she possibly could with what they gave her. Most

0:12:05.000 --> 0:12:07.760
<v Speaker 2>recently now you can see her on Young Sheldon as

0:12:07.840 --> 0:12:10.360
<v Speaker 2>Mandy McAllister, or role she is now revisiting in the

0:12:10.800 --> 0:12:14.160
<v Speaker 2>just renewed CBS spinoff, starring in George and Mandy's first

0:12:14.280 --> 0:12:17.640
<v Speaker 2>marriage and then. David Henry is wee'z. David is a

0:12:17.679 --> 0:12:20.360
<v Speaker 2>Disney star of the past and current day. Is starring

0:12:20.360 --> 0:12:23.240
<v Speaker 2>in the original Wizards of Waverley play series and the

0:12:23.280 --> 0:12:26.520
<v Speaker 2>current reboot, as well as the show's dcom we recently

0:12:26.559 --> 0:12:30.079
<v Speaker 2>watched for the podcast. He also played Ted Moseby's future

0:12:30.120 --> 0:12:31.880
<v Speaker 2>son in How I Met Your Mother and shared the

0:12:31.960 --> 0:12:34.640
<v Speaker 2>role of Ronald Reagan with Tennis Quaid in the twenty

0:12:34.679 --> 0:12:38.120
<v Speaker 2>twenty four movie Reagan. Jason Earl's new friend of the

0:12:38.120 --> 0:12:40.280
<v Speaker 2>podcast You'll Get Into You'll You'll understand what that means

0:12:40.320 --> 0:12:42.520
<v Speaker 2>when you go check out our Parcopper episode is the

0:12:42.600 --> 0:12:48.160
<v Speaker 2>villainous MERV Kilbo like he just sounds bad. Merv Merv Kilbo.

0:12:48.640 --> 0:12:51.160
<v Speaker 2>Earl's is another hand of Montana star. He played Jackson

0:12:51.280 --> 0:12:54.920
<v Speaker 2>and also starred in the Disney XD series Kicking It Fun. Fact.

0:12:55.000 --> 0:12:57.439
<v Speaker 2>Earl's also worked as the recent onset acting coach for

0:12:57.520 --> 0:13:01.040
<v Speaker 2>high school musical The Musical the Series, which is arguably

0:13:01.080 --> 0:13:03.520
<v Speaker 2>the best named thing ever, and eventually appeared on the

0:13:03.520 --> 0:13:06.560
<v Speaker 2>show as camp counselor Dow we would moisus Arius is

0:13:06.600 --> 0:13:09.480
<v Speaker 2>little brother. Andre Moysis has turned his childhood starred him

0:13:09.520 --> 0:13:12.840
<v Speaker 2>as Rico also on Hannah Montana into a full fledged

0:13:12.880 --> 0:13:16.440
<v Speaker 2>acting career, appearing in movies Enders, Game, and Nacho lebre

0:13:16.800 --> 0:13:19.320
<v Speaker 2>and was most recently seen in the hit limited series

0:13:19.400 --> 0:13:23.520
<v Speaker 2>Fallout as Norma. I Mean He's Everywhere. Denzel Whittaker is

0:13:23.600 --> 0:13:25.840
<v Speaker 2>Sheldon and has also appeared in some impressive movies over

0:13:25.880 --> 0:13:29.760
<v Speaker 2>the years, including Training Day and Black panther Man. And

0:13:29.840 --> 0:13:32.920
<v Speaker 2>another character actor regular that we've seen is Charles Halford.

0:13:33.240 --> 0:13:36.600
<v Speaker 2>He plays the quirky skunk. You've seen Charles in a

0:13:36.679 --> 0:13:39.520
<v Speaker 2>ton of stuff later in life, looking totally different now

0:13:39.559 --> 0:13:42.520
<v Speaker 2>in True Detective Outer Banks and The Walking Dead, just

0:13:42.520 --> 0:13:45.920
<v Speaker 2>to name a few. And of course, Phil Lewis plays Maurice.

0:13:46.120 --> 0:13:48.400
<v Speaker 2>Lewis's a longtime character actor as well, seen in movies

0:13:48.440 --> 0:13:50.880
<v Speaker 2>like Heathers and City Slickers, but is best known to

0:13:50.920 --> 0:13:53.360
<v Speaker 2>our listeners as mister Moseby in the Sweet Life of

0:13:53.440 --> 0:13:56.320
<v Speaker 2>Zach and Cody. He also transitioned into a very prolific

0:13:56.520 --> 0:13:59.760
<v Speaker 2>TV director on shows like Good Luck, Charlie, Mike and Molly, Side,

0:13:59.840 --> 0:14:03.640
<v Speaker 2>Hug and Bumped. All right, Sabrina, how many of these people

0:14:04.080 --> 0:14:05.720
<v Speaker 2>did you go to the Disney Channel games with? And

0:14:05.760 --> 0:14:08.320
<v Speaker 2>were any on your massively losing teams?

0:14:09.880 --> 0:14:12.760
<v Speaker 1>You are so rude sometimes.

0:14:13.120 --> 0:14:14.640
<v Speaker 2>I'm sorry I couldn't hear you. I was listening to

0:14:14.679 --> 0:14:15.760
<v Speaker 2>the winners. What were you saying?

0:14:17.520 --> 0:14:20.320
<v Speaker 1>It's just I can't I can't even defend myself anymore.

0:14:20.360 --> 0:14:25.000
<v Speaker 1>It's just what it is. Damn. Anyway, Moiss was actually

0:14:25.000 --> 0:14:29.360
<v Speaker 1>on my team, okay, uh, Jason was not. We know

0:14:29.440 --> 0:14:36.920
<v Speaker 1>this because Jason Jason of Sir Jason David Henry was

0:14:37.320 --> 0:14:41.480
<v Speaker 1>there for sure, because I know Selena Gomez was, but

0:14:41.600 --> 0:14:43.600
<v Speaker 1>I don't remember hanging out with him, which is weird

0:14:43.600 --> 0:14:47.120
<v Speaker 1>because I think we're closer in age than I was

0:14:47.120 --> 0:14:52.640
<v Speaker 1>compared to a lot of those people. And then Emily Osmond.

0:14:52.880 --> 0:14:54.640
<v Speaker 1>I don't remember what team she was on, but I'm

0:14:54.640 --> 0:14:55.560
<v Speaker 1>sure she wasn't on mine.

0:14:55.600 --> 0:14:57.440
<v Speaker 2>It's just so this was just such a movie where

0:14:57.440 --> 0:14:59.720
<v Speaker 2>they were just slamming it full of stars. It was amazing.

0:14:59.760 --> 0:15:06.080
<v Speaker 1>Yeah. And then and then Phil Phil Phil was I

0:15:06.120 --> 0:15:09.000
<v Speaker 1>think they're doing He wasn't He was not one of

0:15:09.000 --> 0:15:10.760
<v Speaker 1>the hosts. He was like one of the hosts. Yeah,

0:15:10.760 --> 0:15:13.560
<v Speaker 1>he came in and did a couple of things. So

0:15:13.560 --> 0:15:15.240
<v Speaker 1>so fun, That's what I'm saying, Like, it's like, you

0:15:15.280 --> 0:15:20.400
<v Speaker 1>don't it's not even just times where we got to compete,

0:15:20.480 --> 0:15:23.120
<v Speaker 1>but it was like hanging out or doing like interstitials

0:15:23.120 --> 0:15:25.560
<v Speaker 1>together and things like that. Was just really fun to

0:15:25.600 --> 0:15:26.400
<v Speaker 1>see all of them.

0:15:26.880 --> 0:15:30.720
<v Speaker 2>That's cool. Well, speaking of winning, Dad Nap comes in

0:15:30.760 --> 0:15:32.200
<v Speaker 2>at are you ready for this? Are you ready for

0:15:32.280 --> 0:15:37.000
<v Speaker 2>the Sabrina ninety minutes? We've got a winner. People right

0:15:37.160 --> 0:15:40.440
<v Speaker 2>on target, the perfect length for a d coom. I

0:15:40.480 --> 0:15:45.280
<v Speaker 2>would like to thank Disney and Team Blue also, I

0:15:45.320 --> 0:15:47.440
<v Speaker 2>mean just it's a perfect length for probably any movie.

0:15:47.600 --> 0:15:51.800
<v Speaker 2>Great job everyone, mission accomplished. It was written by Alan Silberberg,

0:15:52.160 --> 0:15:55.680
<v Speaker 2>who started his career writing the nostalgic game show Doubledare,

0:15:55.840 --> 0:15:58.200
<v Speaker 2>which is something from back in my day. That's when

0:15:58.240 --> 0:16:01.840
<v Speaker 2>I was on Nickelodeon God New Mark Summers. That's what

0:16:02.080 --> 0:16:04.840
<v Speaker 2>that was my Nickelodeon deck. Oh, I've told you to,

0:16:04.920 --> 0:16:06.440
<v Speaker 2>haven't I. You know Robin the woman who used to

0:16:06.480 --> 0:16:08.280
<v Speaker 2>bring all this stuff out on Doubledare, It was his

0:16:08.360 --> 0:16:10.840
<v Speaker 2>co host. She was my legal guardian when I lived

0:16:10.880 --> 0:16:15.400
<v Speaker 2>in Florida doing the Nickelodeon stuff. Yeah, Robin, no way. Yeah,

0:16:15.480 --> 0:16:18.400
<v Speaker 2>this Double Dare was my that's these were my friends

0:16:18.720 --> 0:16:20.520
<v Speaker 2>and yes, and would also work out a lot of

0:16:20.760 --> 0:16:23.480
<v Speaker 2>other early nineties stuff like the all new Mickey Mouse Club,

0:16:23.800 --> 0:16:26.400
<v Speaker 2>Doug and Chop Chop Ninja. But this was actually his

0:16:26.480 --> 0:16:30.040
<v Speaker 2>only dcom. And of course Dad Napp is currently available

0:16:30.040 --> 0:16:31.760
<v Speaker 2>of you on Disney Plus. So if you want to

0:16:31.760 --> 0:16:33.440
<v Speaker 2>watch it now, you can. If you want to watch

0:16:33.440 --> 0:16:34.920
<v Speaker 2>it later after you listen to us, you can do

0:16:34.920 --> 0:16:36.440
<v Speaker 2>that too. You can do a lot of things because

0:16:36.480 --> 0:16:38.200
<v Speaker 2>we believe in you. We just know that you're bad

0:16:38.240 --> 0:16:40.880
<v Speaker 2>at cooking, so stay out of the kitchen. I don't

0:16:40.880 --> 0:16:50.520
<v Speaker 2>know that, actually, I'm just assuming. Okay, the time is now,

0:16:50.680 --> 0:16:53.960
<v Speaker 2>let's set a trip trap and get to Dad Napped

0:16:54.520 --> 0:16:57.480
<v Speaker 2>Almost Ryan. We opened with a dcom mainstay, one that

0:16:57.520 --> 0:16:59.600
<v Speaker 2>we have talked about so many times, the trope we

0:16:59.600 --> 0:17:02.120
<v Speaker 2>can never avoid. It is a pop song playing over

0:17:02.120 --> 0:17:04.280
<v Speaker 2>the credits while we see details from the room of

0:17:04.320 --> 0:17:08.080
<v Speaker 2>our young main character we have just keep parting at.

0:17:08.280 --> 0:17:12.040
<v Speaker 1>It's starting to it just it's like starting to irritate me, right,

0:17:12.119 --> 0:17:15.040
<v Speaker 1>it's a and I feel bad because it's you're like

0:17:15.080 --> 0:17:17.480
<v Speaker 1>you've said it many times in the podcast. It's the

0:17:17.520 --> 0:17:20.119
<v Speaker 1>greatest way to figure out quickly who this girl is,

0:17:20.119 --> 0:17:22.720
<v Speaker 1>where she comes from, what she's into, what's her favorite color,

0:17:22.760 --> 0:17:25.359
<v Speaker 1>all that stuff. It's great, but my god, we can't

0:17:25.359 --> 0:17:28.320
<v Speaker 1>figure out another way to do this, Like all that's

0:17:28.400 --> 0:17:29.639
<v Speaker 1>all another version?

0:17:29.840 --> 0:17:31.400
<v Speaker 2>Here we go. How many times we got to see

0:17:31.400 --> 0:17:33.200
<v Speaker 2>it again? None of these movies were supposed to be watched

0:17:33.200 --> 0:17:35.400
<v Speaker 2>back to back. That's the difference with streaming things. Right away,

0:17:35.560 --> 0:17:37.360
<v Speaker 2>it's like, wait a minute, these are all the same

0:17:37.359 --> 0:17:40.520
<v Speaker 2>people doing the same thing every week. Yes, so we

0:17:40.680 --> 0:17:43.359
<v Speaker 2>we we've seen it. It is uh, we've witnessed it

0:17:43.440 --> 0:17:45.600
<v Speaker 2>time and time again, because again, as Sabrina just said,

0:17:45.600 --> 0:17:47.000
<v Speaker 2>it's a very fast way to get to know somebody

0:17:47.040 --> 0:17:50.080
<v Speaker 2>without any dialogue or wasting any time. And in this case,

0:17:50.240 --> 0:17:53.199
<v Speaker 2>in this very specific one, we see baby photos, a

0:17:53.240 --> 0:17:57.159
<v Speaker 2>book series called trip Zoom. There's girly pink everywhere, and

0:17:57.200 --> 0:18:00.440
<v Speaker 2>our lead teenager, Melissa Morris. Again they love the literation.

0:18:00.560 --> 0:18:03.919
<v Speaker 2>Shannon Chipley taking a look at her framed family photo.

0:18:04.240 --> 0:18:06.720
<v Speaker 2>It's her and her mom and her dad. But then magically,

0:18:06.960 --> 0:18:09.000
<v Speaker 2>a good looking young man appears in the pic, but

0:18:09.040 --> 0:18:12.760
<v Speaker 2>then fades away instantly, but she seems hurt by even

0:18:12.800 --> 0:18:15.600
<v Speaker 2>the fact that he was there for a moment. All right,

0:18:15.800 --> 0:18:17.320
<v Speaker 2>So this is obviously going to be about books, which

0:18:17.320 --> 0:18:18.520
<v Speaker 2>is one of the things I love to talk about.

0:18:18.520 --> 0:18:20.200
<v Speaker 2>Did you have book series as kids that as a

0:18:20.280 --> 0:18:22.159
<v Speaker 2>kid that you just loved you couldn't get enough of?

0:18:22.960 --> 0:18:26.840
<v Speaker 1>I read the what was it Goosebumps?

0:18:27.400 --> 0:18:29.800
<v Speaker 2>Yeah, great series series.

0:18:29.359 --> 0:18:32.280
<v Speaker 1>And then I also I care the one I remember

0:18:32.600 --> 0:18:34.760
<v Speaker 1>was like my first one. I was really into the

0:18:35.760 --> 0:18:40.879
<v Speaker 1>something about a train track, The box Car Kids, box

0:18:40.920 --> 0:18:48.200
<v Speaker 1>Car Kids, Yes, box thank you Lisa El explain it,

0:18:49.400 --> 0:18:52.240
<v Speaker 1>and then I really liked, well, I was really into

0:18:52.320 --> 0:18:55.120
<v Speaker 1>like national was it national geographic?

0:18:55.200 --> 0:18:57.680
<v Speaker 2>Like the I love the gas and stuff like that.

0:18:57.840 --> 0:19:01.040
<v Speaker 1>Yeah, those were mainly my things. It wasn't all necessarily

0:19:01.080 --> 0:19:04.159
<v Speaker 1>like storytelling. It was more like learning about animals or

0:19:04.280 --> 0:19:06.119
<v Speaker 1>learning about different places in the world. That was like,

0:19:06.160 --> 0:19:07.000
<v Speaker 1>really what I was into.

0:19:07.240 --> 0:19:09.239
<v Speaker 2>That's cool, I love that. Yeah, what about you?

0:19:09.600 --> 0:19:11.359
<v Speaker 1>Was it just comics like we'll no, no.

0:19:11.520 --> 0:19:13.840
<v Speaker 2>I didn't find comics till much later. The first book

0:19:13.840 --> 0:19:15.600
<v Speaker 2>I found that changed my life was a book that

0:19:15.680 --> 0:19:17.600
<v Speaker 2>my third grade teacher read us and then we had

0:19:17.600 --> 0:19:19.600
<v Speaker 2>to take home and read at night, by an amazing

0:19:19.600 --> 0:19:21.919
<v Speaker 2>author named Lynn read Banks, called The Indian in the Cupboard.

0:19:21.920 --> 0:19:23.520
<v Speaker 2>They ended up making a movie about it years and

0:19:23.560 --> 0:19:25.760
<v Speaker 2>years later, which was terrible, but the book was phenomenal.

0:19:26.400 --> 0:19:28.639
<v Speaker 2>And then that led to like choose your own Adventures,

0:19:28.720 --> 0:19:32.920
<v Speaker 2>and then that led to then the first fantasy series

0:19:32.960 --> 0:19:35.160
<v Speaker 2>that changed my life, which is by David Eddings, which

0:19:35.160 --> 0:19:37.720
<v Speaker 2>is called the Belgaria and the Melorian series, and that

0:19:37.760 --> 0:19:41.640
<v Speaker 2>then it's just fantasy, fantasy, fantasy, fantasy, fantasy, yes, yeah,

0:19:41.680 --> 0:19:44.560
<v Speaker 2>oh I see it, so, yeah it was I loved it,

0:19:44.560 --> 0:19:48.160
<v Speaker 2>but anyway, for our film, we fade into Upper Valley

0:19:48.200 --> 0:19:51.240
<v Speaker 2>High School. It's English class right before the holiday break,

0:19:51.240 --> 0:19:53.000
<v Speaker 2>and Jeffrey Zimmer is called to the front of the

0:19:53.040 --> 0:19:55.960
<v Speaker 2>class for his book report. Jeffrey's report is on Neil

0:19:56.040 --> 0:19:59.720
<v Speaker 2>Morris's new book from the Trip Zoom series, Freeze Dried

0:20:01.240 --> 0:20:03.480
<v Speaker 2>too many jokes. I'm not even gonna go there. Now

0:20:03.640 --> 0:20:08.520
<v Speaker 2>a small detail that is worth pointing out here. Okay, Serena,

0:20:08.600 --> 0:20:12.359
<v Speaker 2>what would your guest be on how trip Zoom is spelled?

0:20:12.440 --> 0:20:14.800
<v Speaker 2>Because throughout the movie and the subtitles, we actually see

0:20:14.800 --> 0:20:19.159
<v Speaker 2>it as both trip t r I P p zoom

0:20:19.400 --> 0:20:22.680
<v Speaker 2>z O O m E and trip zoom t r

0:20:22.760 --> 0:20:26.000
<v Speaker 2>I p z o O M. So what do you

0:20:26.000 --> 0:20:26.479
<v Speaker 2>think it is?

0:20:27.680 --> 0:20:30.960
<v Speaker 1>Oh, it was spelled twice your Yeah, which one do

0:20:31.000 --> 0:20:32.960
<v Speaker 1>you think is right? That was one of my first

0:20:32.960 --> 0:20:33.920
<v Speaker 1>Serena sees dang.

0:20:34.000 --> 0:20:34.840
<v Speaker 2>Yeah, I don't know.

0:20:34.920 --> 0:20:37.000
<v Speaker 1>I feel like Disney like likes to throw in like

0:20:37.040 --> 0:20:38.679
<v Speaker 1>an extra little letter here and there.

0:20:38.960 --> 0:20:41.399
<v Speaker 2>Yeah, I think so too, Disney d I s n

0:20:41.440 --> 0:20:44.440
<v Speaker 2>E y A. So, yeah, your guess is as good

0:20:44.440 --> 0:20:49.919
<v Speaker 2>as ours. Disney Disney, I like that. That's what it is.

0:20:49.960 --> 0:20:53.280
<v Speaker 2>From now on, we're rebranding. Okay, Now, although this class

0:20:53.320 --> 0:20:55.720
<v Speaker 2>is thrilled about this book report, it seems like it's

0:20:55.760 --> 0:20:58.639
<v Speaker 2>a massive bummer for Melissa. The teacher points out that

0:20:58.720 --> 0:21:01.520
<v Speaker 2>Freeze Fried Dreams is in even out till tomorrow, but

0:21:01.600 --> 0:21:03.920
<v Speaker 2>Jeffrey explains that his dad knows a guy who works

0:21:03.920 --> 0:21:06.680
<v Speaker 2>at the paper factory, so he got an early copy.

0:21:06.800 --> 0:21:09.240
<v Speaker 2>He pulls it out and the class is wildly impressed,

0:21:09.400 --> 0:21:12.040
<v Speaker 2>and so is the teacher, who rushes to a desk

0:21:12.119 --> 0:21:15.000
<v Speaker 2>to listen as well. Jeffrey starts his report, he explains

0:21:15.000 --> 0:21:17.560
<v Speaker 2>that Tina is in the clutches of the ruthless Rudolpho

0:21:18.000 --> 0:21:21.120
<v Speaker 2>and Trip Zoom is nowhere to be found. Now, as

0:21:21.119 --> 0:21:23.280
<v Speaker 2>he tells the story, we see it acted out in

0:21:23.320 --> 0:21:27.560
<v Speaker 2>real time with cutscenes. And this is the only time

0:21:27.760 --> 0:21:32.920
<v Speaker 2>this happens in the movie ever. Yeah, Now, did you

0:21:32.960 --> 0:21:34.560
<v Speaker 2>think this is how the movie was going to play out?

0:21:34.600 --> 0:21:36.920
<v Speaker 2>That occasionally we would be cutting to Trip Zoom stuff?

0:21:36.920 --> 0:21:40.160
<v Speaker 2>I mean, obviously, yeah, yeah, Nope, never happens again.

0:21:40.320 --> 0:21:42.240
<v Speaker 1>I felt kind of missing. I would have liked to

0:21:42.280 --> 0:21:46.000
<v Speaker 1>see certain things. I mean, she's already having these hallucinations anyway,

0:21:46.040 --> 0:21:46.400
<v Speaker 1>It's like.

0:21:46.480 --> 0:21:50.280
<v Speaker 2>Right, it's exactly so. But this time, just as Rudolpho

0:21:50.440 --> 0:21:53.080
<v Speaker 2>approaches Tina with a power saw. We see Trip Zoom

0:21:53.119 --> 0:21:55.840
<v Speaker 2>in the shadows, and this is the same boy that

0:21:55.960 --> 0:21:58.280
<v Speaker 2>appeared in Melissa's family photo, so we saw that the

0:21:58.280 --> 0:22:00.879
<v Speaker 2>boy that appears and disappears is obviously true Zoom. He

0:22:00.880 --> 0:22:03.520
<v Speaker 2>does a flip off the second story and surprises Rudolpho

0:22:03.600 --> 0:22:06.080
<v Speaker 2>with a spider man like quip, is it me or

0:22:06.119 --> 0:22:10.520
<v Speaker 2>are you actually getting uglier burn? Radolpho charges that, Trip,

0:22:10.600 --> 0:22:14.040
<v Speaker 2>running into a trip wire, which maybe made me think

0:22:14.080 --> 0:22:16.920
<v Speaker 2>that might be his signature move, but who knows. While

0:22:16.960 --> 0:22:19.800
<v Speaker 2>Rudolpho is stunned, Trip gets the handcuffs off of Tina

0:22:19.840 --> 0:22:21.679
<v Speaker 2>and runs to the roof. By the way, keep that

0:22:21.760 --> 0:22:23.560
<v Speaker 2>in mind, because if there's gonna be a drinking game

0:22:23.600 --> 0:22:25.720
<v Speaker 2>for this episode, it's gonna be the amount of times

0:22:25.800 --> 0:22:30.679
<v Speaker 2>characters are handcuffed in a d com So Trip and

0:22:30.720 --> 0:22:32.520
<v Speaker 2>Tina run to the roof, but that is a terrible

0:22:32.520 --> 0:22:35.840
<v Speaker 2>place to hide out because there's nowhere to go but down.

0:22:36.280 --> 0:22:39.120
<v Speaker 2>As they contemplate their next move, here comes Rudolpho, justin

0:22:39.200 --> 0:22:41.639
<v Speaker 2>Timer here picks up a tarp and grabs Tina. He

0:22:41.760 --> 0:22:44.400
<v Speaker 2>jumps off the roof and uses the sheet as a parachute,

0:22:44.480 --> 0:22:47.320
<v Speaker 2>landing safely on the ground. They hop on matching dirt

0:22:47.320 --> 0:22:50.440
<v Speaker 2>bikes and leave in a hurry. Rudolpho yells, this isn't over,

0:22:50.520 --> 0:22:53.199
<v Speaker 2>Trip Dune. It's supposed to be Zoom, not by a

0:22:53.240 --> 0:22:55.359
<v Speaker 2>long shot. But the funny thing is it is over

0:22:55.400 --> 0:22:58.280
<v Speaker 2>because we never see Rudolpho again or any of these

0:22:58.400 --> 0:23:04.400
<v Speaker 2>characters except the trip guy comes back. What I'm already now, Like.

0:23:04.520 --> 0:23:07.680
<v Speaker 1>I know, I'm all right, I'm pushing, I'm going, Oh god,

0:23:07.960 --> 0:23:09.240
<v Speaker 1>I'm gonna struggle this one.

0:23:09.520 --> 0:23:11.480
<v Speaker 2>That's what I thought too. This is when I think.

0:23:11.520 --> 0:23:13.280
<v Speaker 2>I turned on my phone and started to scroll for

0:23:13.320 --> 0:23:13.960
<v Speaker 2>about half an.

0:23:13.840 --> 0:23:18.719
<v Speaker 1>Hour, and she also and I'm I don't know. It

0:23:18.760 --> 0:23:20.879
<v Speaker 1>was just I guess edited this way. The amount of

0:23:20.920 --> 0:23:23.959
<v Speaker 1>eye rolls that Emily is. That's what one of my

0:23:24.320 --> 0:23:27.359
<v Speaker 1>supriatacies was. Like I was going, I was thinking, not

0:23:27.520 --> 0:23:29.520
<v Speaker 1>the handcuffs, that's a good one. I was thinking, how

0:23:29.520 --> 0:23:30.760
<v Speaker 1>many times is she going to I roll.

0:23:30.840 --> 0:23:33.160
<v Speaker 2>Iroll the drinking game, I roll. You'll be dead by

0:23:33.160 --> 0:23:33.920
<v Speaker 2>the second act.

0:23:33.960 --> 0:23:34.200
<v Speaker 3>Break.

0:23:34.400 --> 0:23:37.199
<v Speaker 2>Yeah, but back in class, the students are hanging on

0:23:37.320 --> 0:23:39.480
<v Speaker 2>every word from the book report and by the way,

0:23:40.240 --> 0:23:43.520
<v Speaker 2>this guy just absolutely spoiled the end of this book

0:23:43.600 --> 0:23:45.080
<v Speaker 2>or the big part of this book for the people

0:23:45.080 --> 0:23:46.439
<v Speaker 2>where and it hasn't even come out yet. It's like

0:23:46.560 --> 0:23:48.920
<v Speaker 2>the guy got a copy of Harry Potter, the last one,

0:23:48.920 --> 0:23:51.159
<v Speaker 2>and just in his book report decided to read the

0:23:51.200 --> 0:23:54.400
<v Speaker 2>last chapter to the team. So it's like what. But anyway,

0:23:54.640 --> 0:23:57.520
<v Speaker 2>as he finishes, the class applauds, but Melissa is not moved.

0:23:57.560 --> 0:24:00.639
<v Speaker 2>The teacher calls it another literary masterpiece, which is definitely

0:24:00.680 --> 0:24:04.240
<v Speaker 2>not hyperbole, but also reveals that the writer, Neil Morris,

0:24:04.400 --> 0:24:07.439
<v Speaker 2>is the dad of one Melissa Morris. The class, of

0:24:07.440 --> 0:24:12.399
<v Speaker 2>course erupts and start chanting Trip rules just as the

0:24:12.400 --> 0:24:14.960
<v Speaker 2>bell ring, and now on her way out of class,

0:24:14.960 --> 0:24:18.280
<v Speaker 2>Melissa turns and spots a huge ad for Trip at school,

0:24:18.920 --> 0:24:22.080
<v Speaker 2>you know, like all schools that have huge ads for

0:24:22.160 --> 0:24:24.760
<v Speaker 2>books everywhere. And that's when we enter a new device

0:24:24.760 --> 0:24:26.399
<v Speaker 2>in the movie something we're going to see a lot of.

0:24:26.800 --> 0:24:29.800
<v Speaker 2>She can talk to Trip. In this case, we see

0:24:29.800 --> 0:24:32.760
<v Speaker 2>his mouth move in the big poster, despite the fact

0:24:32.800 --> 0:24:36.400
<v Speaker 2>this is a photo and he's a fictional character. So

0:24:36.680 --> 0:24:39.760
<v Speaker 2>and the it looked bad with the mouth flaps in

0:24:39.800 --> 0:24:41.479
<v Speaker 2>the eyes. It was just the whole thing was strange.

0:24:41.520 --> 0:24:43.560
<v Speaker 2>But Melissa, this is where we figure out that Melissa

0:24:43.640 --> 0:24:45.600
<v Speaker 2>really seems to hate him and the fact that he

0:24:45.720 --> 0:24:48.479
<v Speaker 2>takes up so much of her dad's time. So that

0:24:48.600 --> 0:24:54.080
<v Speaker 2>night at okay, well, okay, all right, okay, that night

0:24:54.080 --> 0:24:57.639
<v Speaker 2>at Melissa's mom's house, Melissa is watching a TV report

0:24:57.640 --> 0:25:00.439
<v Speaker 2>about the new book's release, and now the imaginary Trip

0:25:00.720 --> 0:25:03.400
<v Speaker 2>is bickering with her through the TV screen, and that's

0:25:03.400 --> 0:25:05.560
<v Speaker 2>when her mom enters the room. Melissa hides her possible

0:25:05.600 --> 0:25:09.679
<v Speaker 2>schizophrenia and certifiable delusion, saying she's just excited for the

0:25:09.680 --> 0:25:12.080
<v Speaker 2>camping trip with her dad tomorrow. We find out that

0:25:12.080 --> 0:25:14.240
<v Speaker 2>her parents are divorced, but the split was amicable, and

0:25:14.280 --> 0:25:16.720
<v Speaker 2>I thought, huh, divorce in Disney. I thought, we learned

0:25:16.760 --> 0:25:20.640
<v Speaker 2>that your your spouse can be dead and that's okay,

0:25:21.080 --> 0:25:23.480
<v Speaker 2>but divorce is something they usually stay away from. So

0:25:23.520 --> 0:25:25.960
<v Speaker 2>I was like, okay, and so many kids come from

0:25:26.000 --> 0:25:29.440
<v Speaker 2>divorce families, it's probably good to throw more divorce in there.

0:25:29.440 --> 0:25:30.399
<v Speaker 2>It's it's ideal.

0:25:30.840 --> 0:25:35.959
<v Speaker 1>I did love too, that the mom was not condescending

0:25:36.000 --> 0:25:38.479
<v Speaker 1>towards the dad, like she did a great job of

0:25:38.720 --> 0:25:41.240
<v Speaker 1>co parenting in this moment too.

0:25:41.320 --> 0:25:43.960
<v Speaker 2>Which even with him being huge awful.

0:25:43.680 --> 0:25:47.159
<v Speaker 1>For kids, Yeah, he did not do well, but I

0:25:47.200 --> 0:25:49.760
<v Speaker 1>think it was huge for her for that message to

0:25:49.800 --> 0:25:50.320
<v Speaker 1>be pushed.

0:25:50.720 --> 0:25:53.040
<v Speaker 2>Now, do you think personally one of the reasons they

0:25:53.080 --> 0:25:56.760
<v Speaker 2>got divorced is because he became super wealthy and just

0:25:56.800 --> 0:25:59.800
<v Speaker 2>bailed on her, and he lived a massive house somewhere.

0:26:00.119 --> 0:26:04.439
<v Speaker 1>I took it as he's an ego maniac and couldn't

0:26:04.440 --> 0:26:08.240
<v Speaker 1>stop talking about himself and his fame and the book.

0:26:08.320 --> 0:26:11.800
<v Speaker 1>Like she also, she left. I thought it was she'd

0:26:11.880 --> 0:26:14.400
<v Speaker 1>be walking away from him because of this exact thing

0:26:14.640 --> 0:26:16.520
<v Speaker 1>that she's having to watch her daughter go through.

0:26:16.920 --> 0:26:20.360
<v Speaker 2>Huh, that makes sense. I buy that totally. The next day,

0:26:20.400 --> 0:26:22.840
<v Speaker 2>Melissa's mom opens the door to see trip, but it's

0:26:23.000 --> 0:26:26.639
<v Speaker 2>actually a cardboard cutout Neil, Melissa's dad and her exes

0:26:26.720 --> 0:26:28.679
<v Speaker 2>hiding behind it. He brags about how much his new

0:26:28.680 --> 0:26:30.240
<v Speaker 2>book is going to sell, which is always cool to

0:26:30.320 --> 0:26:31.720
<v Speaker 2>do in front of your ex wife who you have

0:26:31.800 --> 0:26:35.720
<v Speaker 2>divorced before you became JK. Rowling. She quickly shames him

0:26:36.160 --> 0:26:38.639
<v Speaker 2>into not asking about their daughter, which he doesn't do,

0:26:38.680 --> 0:26:40.480
<v Speaker 2>and tells him to make the camping trip the best

0:26:40.480 --> 0:26:43.720
<v Speaker 2>father daughter experience possible. Melissa enters, giving her dad a

0:26:43.720 --> 0:26:46.560
<v Speaker 2>big hug and an out from the vacation, but he

0:26:46.600 --> 0:26:48.879
<v Speaker 2>says he is one hundred and fifty percent hers for

0:26:48.920 --> 0:26:52.000
<v Speaker 2>the weekend and only hers. While he makes this promise,

0:26:52.080 --> 0:26:54.880
<v Speaker 2>she sees trip in the corner of the room. Yeah right,

0:26:54.960 --> 0:26:58.280
<v Speaker 2>He says, he's not so sold on where her dad's

0:26:58.280 --> 0:27:01.440
<v Speaker 2>attention will be, and this fiction character is probably accurate.

0:27:02.200 --> 0:27:03.440
<v Speaker 2>Now they're out on the road. The two are in

0:27:03.480 --> 0:27:05.639
<v Speaker 2>a Mustang convertible, which is a very modest car for

0:27:05.640 --> 0:27:08.480
<v Speaker 2>the world's biggest author. They're driving with trips cutout in

0:27:08.520 --> 0:27:11.600
<v Speaker 2>the backseat, like you do. Melissa talks about packing new

0:27:11.640 --> 0:27:14.440
<v Speaker 2>boots and the game word Wham and the fun they're

0:27:14.440 --> 0:27:16.439
<v Speaker 2>going to have. But he breaks some news to her.

0:27:16.560 --> 0:27:19.240
<v Speaker 2>They first have to stop at the Mercury Zoom Convention.

0:27:19.560 --> 0:27:22.440
<v Speaker 2>It'll be filled with real Zoomers and he's judging a

0:27:22.480 --> 0:27:25.560
<v Speaker 2>costume contest. Then they can go camping right after. Now

0:27:25.600 --> 0:27:27.679
<v Speaker 2>she is obviously nervous about this change of plans, but

0:27:27.720 --> 0:27:30.080
<v Speaker 2>she agrees to go. And you'll be shocked to hear this,

0:27:30.840 --> 0:27:33.120
<v Speaker 2>but the cutout comes to life again. Doubts this plan

0:27:33.240 --> 0:27:36.400
<v Speaker 2>is going to work out. This fake trip. Cardboard cutout guy.

0:27:36.400 --> 0:27:40.120
<v Speaker 1>Is just augh, just and it looks so bad.

0:27:40.320 --> 0:27:42.680
<v Speaker 2>It does look very bad. It looks it doesn't look good.

0:27:43.160 --> 0:27:45.120
<v Speaker 2>The father and daughter enter Mercury, which is a quiet

0:27:45.119 --> 0:27:47.479
<v Speaker 2>little town, and they see a long line already waiting

0:27:47.480 --> 0:27:50.040
<v Speaker 2>for him at this Mercury con He again promises her,

0:27:50.080 --> 0:27:52.160
<v Speaker 2>don't worry, it's only going to be one night. They

0:27:52.160 --> 0:27:55.320
<v Speaker 2>get inside a hotel, dozens of fans and supposed to

0:27:55.359 --> 0:27:57.679
<v Speaker 2>be dozens of fans, but there's not enough extras at

0:27:57.720 --> 0:28:00.280
<v Speaker 2>even a small convention, and it looks very strange. And

0:28:00.320 --> 0:28:04.040
<v Speaker 2>for some reason, somebody was cause playing as a scuba diver. Okay,

0:28:04.080 --> 0:28:06.000
<v Speaker 2>I'm assuming that's a character we're supposed to know from

0:28:06.000 --> 0:28:08.800
<v Speaker 2>somebody you go to. No one cosplays as a scuba diver,

0:28:09.040 --> 0:28:12.480
<v Speaker 2>unless there's anyway. I do a lot of conventions, and

0:28:12.520 --> 0:28:14.280
<v Speaker 2>I love them and they're fun. I've never seen a

0:28:14.280 --> 0:28:14.800
<v Speaker 2>scuba dive.

0:28:14.920 --> 0:28:17.040
<v Speaker 1>I have the biggest question when we get to Sabrina Sees.

0:28:17.080 --> 0:28:19.720
<v Speaker 1>It's literally actually all my spreena seas. It's just asked

0:28:20.359 --> 0:28:20.880
<v Speaker 1>about this.

0:28:21.240 --> 0:28:24.040
<v Speaker 2>About conventions, Okay, these things, and I love them.

0:28:24.119 --> 0:28:26.200
<v Speaker 1>I asked so many questions. I've never been to one.

0:28:26.280 --> 0:28:28.000
<v Speaker 2>I've you're gonna I'll take it a.

0:28:29.520 --> 0:28:29.840
<v Speaker 1>Theories.

0:28:30.160 --> 0:28:33.960
<v Speaker 2>Oh yeah, I will open your eyes to one I

0:28:34.000 --> 0:28:35.840
<v Speaker 2>will open your eyes to one Sabrina. You're gonna love it.

0:28:36.520 --> 0:28:39.240
<v Speaker 2>So yes, dozens of cosplayers are cosplaying as his characters.

0:28:39.240 --> 0:28:41.880
<v Speaker 2>They're making a mess of the lobby. He's helped by

0:28:41.920 --> 0:28:45.080
<v Speaker 2>the starstruck hotel owner Merv, who puts him in the

0:28:45.160 --> 0:28:48.640
<v Speaker 2>presidential suite. This is where we see a shady character, Sheldon,

0:28:48.720 --> 0:28:50.600
<v Speaker 2>hiding out in a phone booth. He says in the

0:28:50.640 --> 0:28:54.280
<v Speaker 2>phone quote the package has arrived, and on the other

0:28:54.360 --> 0:28:56.720
<v Speaker 2>end is a young man named Weez at home devising

0:28:56.720 --> 0:29:00.360
<v Speaker 2>a plan to quote unquote win the contest. We hangs

0:29:00.440 --> 0:29:03.520
<v Speaker 2>up and plays a quick turn of Wordwham, which was

0:29:03.520 --> 0:29:06.520
<v Speaker 2>the same game legally changed enough from Scrabble that Melissa

0:29:06.560 --> 0:29:09.680
<v Speaker 2>mentioned earlier. No matter his bonus word score move, this

0:29:09.880 --> 0:29:14.600
<v Speaker 2>all spells trouble. Thank you. At the hotel, MERV walks

0:29:14.600 --> 0:29:18.320
<v Speaker 2>our duo to their suite, supposedly the establishment's finest, but

0:29:18.360 --> 0:29:22.640
<v Speaker 2>it's basically just two beds, a lava lamp, and a chandelier. Later,

0:29:22.680 --> 0:29:25.760
<v Speaker 2>at the hotel's convention, Neil is being hounded by fans

0:29:25.760 --> 0:29:27.760
<v Speaker 2>with theories and ideas, and he bumps into a big,

0:29:27.800 --> 0:29:31.160
<v Speaker 2>nervous fan named Skunk, who gets his name obviously because

0:29:31.200 --> 0:29:33.200
<v Speaker 2>he's got a white stripe down the center of his

0:29:33.440 --> 0:29:36.240
<v Speaker 2>hair and he wants to get his book signed. Excited,

0:29:36.280 --> 0:29:38.440
<v Speaker 2>Skunk runs to show it off to his brother Maurice,

0:29:38.560 --> 0:29:40.680
<v Speaker 2>who tells him to stop playing around. They're not there

0:29:40.680 --> 0:29:44.680
<v Speaker 2>for autographs. Also, there's a supermount of sketchy people at

0:29:44.680 --> 0:29:48.840
<v Speaker 2>this event, just like criminals everywhere, and I go to

0:29:48.920 --> 0:29:51.720
<v Speaker 2>these conventions all the time. They're not criminals, they're incredible people.

0:29:53.360 --> 0:29:56.200
<v Speaker 2>Melissa watches the activities around her dad from afar, taking notes.

0:29:56.240 --> 0:29:58.719
<v Speaker 2>Then out of nowhere, a man falls from the rafters,

0:29:58.720 --> 0:30:01.080
<v Speaker 2>suspended by a rope, just like a low budget version

0:30:01.080 --> 0:30:03.520
<v Speaker 2>of that Mission Possible stunt. He brags about how he's

0:30:03.560 --> 0:30:05.680
<v Speaker 2>going to win the contest, but Melissa is shocked to

0:30:05.720 --> 0:30:09.000
<v Speaker 2>hear about the challenge. He informs her that whoever at

0:30:09.040 --> 0:30:13.520
<v Speaker 2>this event can prove their quote zoom enough unquote wins prizes,

0:30:13.560 --> 0:30:15.240
<v Speaker 2>and the prizes are they get to become a character

0:30:15.280 --> 0:30:17.560
<v Speaker 2>in her dad's next book and the chance to read

0:30:17.560 --> 0:30:20.600
<v Speaker 2>it before it's published. We also learned that the catchphrase

0:30:20.600 --> 0:30:25.480
<v Speaker 2>from the book is apparently floss, as in teeth floss.

0:30:25.560 --> 0:30:28.320
<v Speaker 2>Is this a superhero catchphrase? Am I supposed to get this?

0:30:28.360 --> 0:30:30.040
<v Speaker 2>Because I don't know what that is.

0:30:30.280 --> 0:30:32.880
<v Speaker 1>It comes up at least three or four times in

0:30:32.920 --> 0:30:37.240
<v Speaker 1>the movie, all the time inredibly Lost. I don't understand it.

0:30:37.360 --> 0:30:41.000
<v Speaker 2>That should be it lost lost lost. Yeah, I don't.

0:30:41.320 --> 0:30:41.640
<v Speaker 1>I don't.

0:30:41.760 --> 0:30:42.240
<v Speaker 2>I didn't either.

0:30:42.440 --> 0:30:44.600
<v Speaker 1>I'm out of my realm. I don't know anything.

0:30:45.040 --> 0:30:47.400
<v Speaker 2>This is my realm, and I still don't get.

0:30:47.200 --> 0:30:51.560
<v Speaker 1>It about It's like, okay, I.

0:30:51.560 --> 0:30:56.920
<v Speaker 3>Will say as the voice of God here, Yeah, they

0:30:57.040 --> 0:30:59.400
<v Speaker 3>used dental floss a lot in the movie. That's what

0:30:59.400 --> 0:31:01.200
<v Speaker 3>they do to high up the guy. And then I

0:31:01.200 --> 0:31:03.840
<v Speaker 3>think they to trip people. So maybe that's it should

0:31:03.840 --> 0:31:06.120
<v Speaker 3>have been explained better. But maybe that is what Trip

0:31:06.200 --> 0:31:07.440
<v Speaker 3>carries as as.

0:31:07.320 --> 0:31:11.280
<v Speaker 2>A weapon, is floss? Okay? Maybe again, well it's a

0:31:11.280 --> 0:31:16.320
<v Speaker 2>great weapon against ginger vitis. Right right, So black and

0:31:16.440 --> 0:31:17.120
<v Speaker 2>black build up.

0:31:17.200 --> 0:31:20.760
<v Speaker 1>This goes back to what we and maybe they did

0:31:20.760 --> 0:31:23.160
<v Speaker 1>film these and that hit the cutting room floor to

0:31:23.200 --> 0:31:24.479
<v Speaker 1>get to that ninety minute.

0:31:24.600 --> 0:31:27.880
<v Speaker 2>But the story they cut out, the story they were.

0:31:27.800 --> 0:31:30.320
<v Speaker 1>Like the going into like what we got a little

0:31:30.360 --> 0:31:31.360
<v Speaker 1>bit of the movie.

0:31:31.400 --> 0:31:34.400
<v Speaker 2>Thinking maybe see act maybe yeah.

0:31:34.200 --> 0:31:37.680
<v Speaker 1>You know moments of the book acting acting. That would

0:31:37.680 --> 0:31:39.560
<v Speaker 1>have been a time where he if it is floss,

0:31:39.560 --> 0:31:42.600
<v Speaker 1>he opens up the floss he's got the you know whatever.

0:31:42.800 --> 0:31:45.720
<v Speaker 2>Are we gonna get Dad napped? The Paul Hohen cut,

0:31:45.920 --> 0:31:48.200
<v Speaker 2>maybe the new director's cut.

0:31:48.280 --> 0:31:51.479
<v Speaker 1>I should ask him what okay? What was left helping

0:31:52.120 --> 0:31:52.720
<v Speaker 1>boles here?

0:31:52.920 --> 0:31:56.560
<v Speaker 2>Excuse me, Paul, but I have questions. The next morning,

0:31:56.600 --> 0:31:58.560
<v Speaker 2>Melissa sees that her dad has been working the entire

0:31:58.600 --> 0:32:01.080
<v Speaker 2>trip so far, just like the car rip predicted, but

0:32:01.200 --> 0:32:03.440
<v Speaker 2>Neil reminds her he'll pick a contest winner and they'll

0:32:03.440 --> 0:32:06.400
<v Speaker 2>be on the road by Nune. Cut two. Oh geez,

0:32:06.440 --> 0:32:09.680
<v Speaker 2>it's one twenty and she is still waiting as Sabrina's

0:32:09.680 --> 0:32:12.480
<v Speaker 2>favorite dad is doing it again as if. Frustrated, Melissa

0:32:12.520 --> 0:32:14.280
<v Speaker 2>makes her way out the door, she bumps into Wheeze.

0:32:14.560 --> 0:32:17.280
<v Speaker 2>In their exchange, she mentions wordwhim, and the two get

0:32:17.280 --> 0:32:21.640
<v Speaker 2>a little flirty, realizing they're both impressive whammers to meet

0:32:21.720 --> 0:32:24.000
<v Speaker 2>jokes again. Not gonna get into that, they go their

0:32:24.040 --> 0:32:26.880
<v Speaker 2>separate ways, and Wheeze, his little brother and his little

0:32:26.880 --> 0:32:30.560
<v Speaker 2>brother's friend Andre make their way to a van. Back

0:32:30.560 --> 0:32:33.240
<v Speaker 2>at the con, a presentation by a contestant trying to

0:32:33.280 --> 0:32:36.200
<v Speaker 2>prove he's zoom enough ends with an explosionist slime and

0:32:36.240 --> 0:32:39.920
<v Speaker 2>Weez's little brother emerging to tell Sheldon that the distractor

0:32:40.280 --> 0:32:43.280
<v Speaker 2>is locked and loaded. Sheldon radio's wheeze, and the whole

0:32:43.280 --> 0:32:45.720
<v Speaker 2>gang puts on safety goggles. But we have no idea

0:32:45.840 --> 0:32:49.080
<v Speaker 2>what we're in for. Then Sheldon turns on a mysterious

0:32:49.080 --> 0:32:52.120
<v Speaker 2>machine that starts churning onions, pushing the smell right into

0:32:52.160 --> 0:32:55.840
<v Speaker 2>the convention, which makes me wonder if it's an odor thing,

0:32:56.040 --> 0:32:58.720
<v Speaker 2>why do you need goggles? But the fan starts to

0:32:58.760 --> 0:33:00.800
<v Speaker 2>become repulse by the odor. I guess if it's onions,

0:33:00.800 --> 0:33:03.240
<v Speaker 2>you start to cry. I get that you'd be blinded. Okay,

0:33:03.280 --> 0:33:04.600
<v Speaker 2>I that one makes No.

0:33:05.560 --> 0:33:10.200
<v Speaker 1>Were you not, no, absolutely not, nope, no, no no.

0:33:10.960 --> 0:33:14.880
<v Speaker 1>Were you not expecting these onions to start shooting out

0:33:14.880 --> 0:33:16.320
<v Speaker 1>of something to do something?

0:33:16.360 --> 0:33:19.400
<v Speaker 2>I didn't know. It's also the giant hose that he

0:33:19.560 --> 0:33:21.200
<v Speaker 2>just lays at the bottom of the ground. No one

0:33:21.200 --> 0:33:23.600
<v Speaker 2>sees the thirty five foot hose that's a foot in

0:33:23.680 --> 0:33:26.760
<v Speaker 2>diameter that he just brings into the convention.

0:33:27.680 --> 0:33:33.320
<v Speaker 1>Hey again, I don't know. No, no, it would not

0:33:33.360 --> 0:33:34.880
<v Speaker 1>be looked at as we promise you.

0:33:35.000 --> 0:33:38.440
<v Speaker 2>It's much smaller hoses with much fewer onions at rest. Oh,

0:33:38.440 --> 0:33:40.880
<v Speaker 2>got it, Okay, So he turns on the machine. It

0:33:40.920 --> 0:33:43.400
<v Speaker 2>starts churning onions. It pushes the smell into the convention.

0:33:43.640 --> 0:33:45.600
<v Speaker 2>The fans start to become repulsed by the odor, but

0:33:45.640 --> 0:33:48.000
<v Speaker 2>Melissa's safe outside talking to her friend on the phone.

0:33:48.160 --> 0:33:50.680
<v Speaker 2>But inside everyone starts coughing and tearing up and again

0:33:50.720 --> 0:33:53.280
<v Speaker 2>there are actual onion goggles. You can buy them on Amazon.

0:33:53.760 --> 0:33:56.600
<v Speaker 2>They head for the doors, thinking it's a ventilation problem.

0:33:56.720 --> 0:33:59.800
<v Speaker 2>Neil is also evacuating, but is approached by Andre and

0:34:00.040 --> 0:34:03.440
<v Speaker 2>hold out the side door. This catches Skunk and Maurice's attention,

0:34:03.680 --> 0:34:06.720
<v Speaker 2>who apparently also want a piece of Neil outside. In

0:34:06.720 --> 0:34:09.080
<v Speaker 2>the move that has become as predictable as clockwork, Trip

0:34:09.120 --> 0:34:12.040
<v Speaker 2>appears and continues to ridicule Melissa. She calls him a

0:34:12.120 --> 0:34:14.239
<v Speaker 2>jerk and says soon he'll be walking out that door

0:34:14.280 --> 0:34:17.080
<v Speaker 2>when vacation starts, but we know that won't happen anytime soon.

0:34:17.239 --> 0:34:20.759
<v Speaker 2>In fact, Weees's brother is with Neil, introducing him to

0:34:20.880 --> 0:34:24.759
<v Speaker 2>the tear jerker onion machine in person. It's actually one

0:34:24.760 --> 0:34:26.799
<v Speaker 2>of his ideas, straight from the trip book, and Neil

0:34:26.880 --> 0:34:29.520
<v Speaker 2>is impressed. Just as he's thrown into the van to

0:34:29.560 --> 0:34:32.080
<v Speaker 2>meet Weez and Sheldon, they tie him to a seat

0:34:32.120 --> 0:34:35.440
<v Speaker 2>with dental floss as Jensen had said, so maybe that

0:34:35.520 --> 0:34:38.480
<v Speaker 2>explains the floss catchphrase. But as they speed away in

0:34:38.560 --> 0:34:42.560
<v Speaker 2>this really expensive van, Skunk and Maurice Steele a uniform

0:34:42.600 --> 0:34:45.759
<v Speaker 2>delivery truck to chase after him. This is their guy too.

0:34:45.840 --> 0:34:49.400
<v Speaker 2>I'd also like to point out they stole this giant

0:34:49.400 --> 0:34:51.440
<v Speaker 2>truck that they then have the entire movie, like, no

0:34:51.440 --> 0:34:55.040
<v Speaker 2>one's gonna see them in this giant yellow stolen truck

0:34:55.120 --> 0:34:59.520
<v Speaker 2>that they have for days days, But anyway, Melissa searches

0:34:59.560 --> 0:35:01.560
<v Speaker 2>for her dad at the con but can't find him anywhere.

0:35:01.840 --> 0:35:04.719
<v Speaker 2>She does notice a nearby surveillance camera and realizes this

0:35:04.800 --> 0:35:07.560
<v Speaker 2>might help find her dad. MERV shows her the footage,

0:35:07.640 --> 0:35:10.279
<v Speaker 2>and it shows her dad being kidnapped by random teens. Now,

0:35:10.320 --> 0:35:12.640
<v Speaker 2>in response, she calls the local police to report a

0:35:12.640 --> 0:35:16.200
<v Speaker 2>missing person, but the cops are skeptical and technically extraordinarily

0:35:16.239 --> 0:35:18.480
<v Speaker 2>lazy and bad at their jobs. She's been told to

0:35:18.480 --> 0:35:20.480
<v Speaker 2>wait forty eight hours to fill out a report. By

0:35:20.480 --> 0:35:22.040
<v Speaker 2>the way, that is not accurate. You don't even need

0:35:22.080 --> 0:35:24.080
<v Speaker 2>to wait the twenty four hours. You can report somebody

0:35:24.120 --> 0:35:27.640
<v Speaker 2>missing immediately, just so you know. Just when she thinks

0:35:27.640 --> 0:35:31.080
<v Speaker 2>there's nothing she can do, she's visited again. By imaginary trip.

0:35:31.320 --> 0:35:34.480
<v Speaker 2>He's surprised she's not taking the opportunity to be trip herself,

0:35:34.520 --> 0:35:36.440
<v Speaker 2>doing whatever she can to get her dad back, but

0:35:36.520 --> 0:35:39.120
<v Speaker 2>she explains she hates trip. Zoom hits her again while

0:35:39.120 --> 0:35:41.640
<v Speaker 2>she's down, saying that's why her dad writes about him

0:35:41.880 --> 0:35:46.440
<v Speaker 2>and not her. Ouch weez. Sheldon and Andre are spinning

0:35:46.480 --> 0:35:50.520
<v Speaker 2>around in the van with Neil flass. Okay, he's now

0:35:50.560 --> 0:35:53.120
<v Speaker 2>flost and gagged in the back, so maybe that's what

0:35:53.160 --> 0:35:54.759
<v Speaker 2>it is. It has to be flossed because they keep

0:35:54.840 --> 0:35:56.920
<v Speaker 2>using the flas they're talking about mint and all this

0:35:57.000 --> 0:35:59.839
<v Speaker 2>kind of stuff. It's very strange. This is when I've

0:35:59.840 --> 0:36:03.080
<v Speaker 2>felt like, okay, yes, somebody dosed my drink. Skunk and

0:36:03.120 --> 0:36:06.640
<v Speaker 2>Maurice's uniform truck trails very near by them until the

0:36:06.719 --> 0:36:10.000
<v Speaker 2>van stopped. Then Skunk hops out and hides in a bush,

0:36:10.160 --> 0:36:12.839
<v Speaker 2>slowly making his way to the hostage. We still don't

0:36:12.880 --> 0:36:15.480
<v Speaker 2>know what's going on here. He's been dad napped at

0:36:15.480 --> 0:36:18.000
<v Speaker 2>this point, with these now two other guys following in

0:36:18.040 --> 0:36:20.800
<v Speaker 2>another giant stolen van. Now, while in the van, the

0:36:20.880 --> 0:36:23.839
<v Speaker 2>kids reveal all the trip traps they use to abduct Neil,

0:36:23.920 --> 0:36:27.760
<v Speaker 2>and he's actually very impressed. But also ready to be released. Instead,

0:36:27.840 --> 0:36:29.919
<v Speaker 2>they stuffed the sock back in his mouth and say

0:36:30.040 --> 0:36:32.600
<v Speaker 2>you wrote it, we do it. The van speeds off again,

0:36:32.680 --> 0:36:37.480
<v Speaker 2>leaving skunk knocked out in the street. Somehow, Melissa, finally

0:36:37.480 --> 0:36:40.400
<v Speaker 2>with some trip motivation, calls her dad's phone and Wee's

0:36:40.480 --> 0:36:43.400
<v Speaker 2>answers and starts to explain the situation. He says, once

0:36:43.480 --> 0:36:46.239
<v Speaker 2>Neil agrees to their one demand, they'll let him go.

0:36:46.840 --> 0:36:50.040
<v Speaker 2>But wait, Melissa recognizes that voice. It's the word wham guy.

0:36:50.360 --> 0:36:52.359
<v Speaker 2>He also puts two and two together, and just as

0:36:52.360 --> 0:36:54.200
<v Speaker 2>a car wash employee comes up and asks what type

0:36:54.239 --> 0:36:57.400
<v Speaker 2>of finish they want for their van, because of course,

0:36:57.440 --> 0:36:59.920
<v Speaker 2>when you're abducting somebody, you stop to get your car

0:37:00.000 --> 0:37:03.680
<v Speaker 2>car washed. Melissa hangs up and wonders if she just

0:37:03.719 --> 0:37:06.759
<v Speaker 2>got a clue about their location. MERV, But now, why

0:37:06.840 --> 0:37:08.680
<v Speaker 2>not just go through like a drive through, like, hey,

0:37:08.680 --> 0:37:10.320
<v Speaker 2>we want to stop and get food. Who stops to

0:37:10.360 --> 0:37:13.520
<v Speaker 2>get their car? MIRV appears and tells her where the

0:37:13.600 --> 0:37:16.320
<v Speaker 2>nearest car wash is. We are now back at the

0:37:16.360 --> 0:37:18.680
<v Speaker 2>car wash and the boys are putting some finishing touches

0:37:18.719 --> 0:37:22.400
<v Speaker 2>on the van like you do. When Wees accidentally drops

0:37:22.400 --> 0:37:25.919
<v Speaker 2>his word wham, guide and sees Melissa and Merv arrive

0:37:26.000 --> 0:37:28.279
<v Speaker 2>in a red convertible, which is technically a nicer car

0:37:28.360 --> 0:37:30.480
<v Speaker 2>than the millionaire author has by the way, but anyway.

0:37:30.920 --> 0:37:33.040
<v Speaker 2>Melissa surveys a scene while Nerv makes a call back

0:37:33.040 --> 0:37:35.279
<v Speaker 2>to the hotel, but while his attention is diverted, the

0:37:35.360 --> 0:37:39.040
<v Speaker 2>kidnappers push his convertible into the car wash. Melissa and

0:37:39.080 --> 0:37:41.320
<v Speaker 2>Merv try to stop it, but instead find themselves completely

0:37:41.400 --> 0:37:44.280
<v Speaker 2>drenched and soapy from the wash. The car is filled

0:37:44.280 --> 0:37:46.560
<v Speaker 2>with water. It's actually a very cool stunt. I've only

0:37:46.600 --> 0:37:48.680
<v Speaker 2>seen maybe once or twice in a movie, but never

0:37:49.719 --> 0:37:54.000
<v Speaker 2>to this extent, except maybe on a Podmets World movie

0:37:54.000 --> 0:37:55.920
<v Speaker 2>that we recapped camp Nowhere. That's the only time it

0:37:55.920 --> 0:37:58.000
<v Speaker 2>has been this full. It's usually like it gets a

0:37:58.000 --> 0:37:59.920
<v Speaker 2>little full, but this they really filled up. I also

0:38:00.040 --> 0:38:03.600
<v Speaker 2>don't buy that at fifteen, you know you're gonna you're

0:38:03.600 --> 0:38:05.560
<v Speaker 2>gonna learn to drive in another year. You don't know

0:38:05.600 --> 0:38:07.640
<v Speaker 2>where the break on a car is. I'm sorry, I

0:38:07.680 --> 0:38:09.200
<v Speaker 2>don't drive that. She gets and she's like, I don't

0:38:09.200 --> 0:38:11.000
<v Speaker 2>know where the break is. I don't buy that either.

0:38:11.760 --> 0:38:13.520
<v Speaker 2>She's also very smart in the movie, so you're gonna

0:38:13.560 --> 0:38:15.359
<v Speaker 2>know where the break just hit any pedals the car

0:38:15.440 --> 0:38:18.920
<v Speaker 2>wasn't on. Eventually it'll stop. Melissa, sy, this is where

0:38:18.960 --> 0:38:21.480
<v Speaker 2>you see. This is where I'm seeing. Yes, Sar, and

0:38:21.800 --> 0:38:25.680
<v Speaker 2>break next to you. Anything hit a button. Melissa sees

0:38:25.680 --> 0:38:28.919
<v Speaker 2>the dropped wordwham guide and notices it's a library book

0:38:28.960 --> 0:38:31.239
<v Speaker 2>that is due today. We are now back in the

0:38:31.280 --> 0:38:33.799
<v Speaker 2>kidnapper van, and Neil is losing his patience, but he

0:38:34.040 --> 0:38:37.000
<v Speaker 2>also notices their library books are due today. What timing

0:38:37.960 --> 0:38:41.759
<v Speaker 2>and weird? What a weird. He warns them of the

0:38:41.840 --> 0:38:44.879
<v Speaker 2>late fees, and the group instantly makes a rush turn

0:38:45.000 --> 0:38:48.359
<v Speaker 2>to avoid the fine. So they have no fear about

0:38:48.440 --> 0:38:52.920
<v Speaker 2>kidnapping a grown man, but late fees, no way, not

0:38:53.120 --> 0:38:55.560
<v Speaker 2>gonna happen. I am not paying a nickel. I'll do

0:38:55.680 --> 0:38:57.720
<v Speaker 2>thirty in the slammer as I'm charged as an adult

0:38:57.719 --> 0:39:00.920
<v Speaker 2>for kidnapping. But five cents on an overdoe book I'm

0:39:00.920 --> 0:39:01.560
<v Speaker 2>not gonna happen.

0:39:02.040 --> 0:39:07.720
<v Speaker 1>I mean, I think it's great they're showing kids being responsible.

0:39:08.760 --> 0:39:09.239
<v Speaker 3>Kind of.

0:39:09.680 --> 0:39:12.600
<v Speaker 2>They're all wearing their seatbelts as they're mowing down pedestrians.

0:39:13.600 --> 0:39:16.040
<v Speaker 2>And once the kidnappers do arrive at the library, they

0:39:16.040 --> 0:39:19.520
<v Speaker 2>make an innocent deal with Neil if he shows them

0:39:19.680 --> 0:39:23.560
<v Speaker 2>the book slap trip Trap, they'll release him. He agrees

0:39:24.120 --> 0:39:26.399
<v Speaker 2>and starts the challenge in the library. So then, why

0:39:26.400 --> 0:39:28.920
<v Speaker 2>did they kidnap him in the first place? Why did

0:39:28.960 --> 0:39:29.959
<v Speaker 2>they kidnap him?

0:39:30.239 --> 0:39:34.640
<v Speaker 1>What was the point of either of these groups? Kid

0:39:35.719 --> 0:39:38.239
<v Speaker 1>No made zero sense, Like he was just.

0:39:38.160 --> 0:39:41.560
<v Speaker 2>Saying, why did they dad nap this guy? I did

0:39:41.560 --> 0:39:44.440
<v Speaker 2>not understand. It's like it was this amazingly planned out

0:39:44.480 --> 0:39:53.920
<v Speaker 2>thing for nothing. Then we see the sudsy convertible arrive

0:39:53.960 --> 0:39:57.399
<v Speaker 2>at the library too, still followed very closely. Nobody even

0:39:57.480 --> 0:40:00.560
<v Speaker 2>held back slightly in this movie, followed closely by the

0:40:00.640 --> 0:40:03.400
<v Speaker 2>uniform truck, and Melissa runs inside to get her dad,

0:40:03.560 --> 0:40:07.840
<v Speaker 2>still being heckled by the piece of imaginary trip and

0:40:07.920 --> 0:40:11.160
<v Speaker 2>Melissa enters the library trying to find her dad. Neil

0:40:11.800 --> 0:40:14.319
<v Speaker 2>just finished the book trap for the next librarian to

0:40:14.360 --> 0:40:16.799
<v Speaker 2>feel the effects. So apparently some poor librarian is going

0:40:16.840 --> 0:40:20.799
<v Speaker 2>to get trip trapped, but Melissa blindly approaches, checks the

0:40:20.800 --> 0:40:23.600
<v Speaker 2>book and is splashed with blue paint. The boy's applaud

0:40:23.680 --> 0:40:28.399
<v Speaker 2>and Neil hugs's daughter, you found me. She's confused, I

0:40:28.480 --> 0:40:31.720
<v Speaker 2>am too. What the fuff is happening? At this point?

0:40:31.880 --> 0:40:34.520
<v Speaker 3>It swear what is going on?

0:40:34.760 --> 0:40:37.799
<v Speaker 1>Will what what are we doing here?

0:40:38.080 --> 0:40:38.560
<v Speaker 3>I don't know.

0:40:39.000 --> 0:40:42.160
<v Speaker 2>I truly do not. At this point, I was looking

0:40:42.200 --> 0:40:46.319
<v Speaker 2>around my room going like is this fake? Like this

0:40:46.360 --> 0:40:49.320
<v Speaker 2>can't be it did? The story didn't make any sense.

0:40:50.320 --> 0:40:54.840
<v Speaker 1>I rewound a little bit. Did I miss something? Okay,

0:40:54.840 --> 0:40:57.560
<v Speaker 1>I did? Then I had to fast forward. I was like, yes,

0:40:57.600 --> 0:40:59.160
<v Speaker 1>again I didn't get it.

0:40:59.400 --> 0:41:01.200
<v Speaker 2>I just didn't understand it.

0:41:01.719 --> 0:41:05.520
<v Speaker 1>But so again, all the characters, they're all great. Yes,

0:41:05.760 --> 0:41:07.760
<v Speaker 1>the acting is fine.

0:41:07.840 --> 0:41:09.759
<v Speaker 2>It's just this is why it felt like a Nickelodeon

0:41:09.800 --> 0:41:11.480
<v Speaker 2>movie to me, which don't seem to be on the

0:41:11.520 --> 0:41:13.720
<v Speaker 2>same level as the Disney movie.

0:41:14.120 --> 0:41:14.440
<v Speaker 1>Yeah.

0:41:14.520 --> 0:41:18.280
<v Speaker 2>Yeah, so he says, you found me, And now Neil

0:41:18.560 --> 0:41:22.840
<v Speaker 2>is cool with his kidnappers, like he's Patty Hurst. They like,

0:41:22.920 --> 0:41:24.359
<v Speaker 2>they haven't been cool with him at all.

0:41:24.719 --> 0:41:28.680
<v Speaker 1>But if I walked up to where I'm scared as

0:41:29.160 --> 0:41:33.480
<v Speaker 1>someone has my dad, I find him and he's like

0:41:33.760 --> 0:41:35.680
<v Speaker 1>chumming it up, I would have walked up to him

0:41:35.680 --> 0:41:39.640
<v Speaker 1>and been like, Dad, what the hell is going on here?

0:41:39.640 --> 0:41:42.680
<v Speaker 2>What are you doing? What's doing going on? Let's go?

0:41:43.000 --> 0:41:45.160
<v Speaker 1>Like, come on, it's time to go whatever, Like.

0:41:45.719 --> 0:41:48.839
<v Speaker 2>Yeah, and so Melissa thought she was saving her dad,

0:41:49.040 --> 0:41:51.880
<v Speaker 2>he admits he's been having fun with Sheldon Andre and

0:41:51.880 --> 0:41:56.160
<v Speaker 2>Weeze has he He hasn't. It's Stockholm syndrome. That happened

0:41:56.239 --> 0:41:57.160
<v Speaker 2>very quickly.

0:41:57.120 --> 0:42:01.200
<v Speaker 1>Second in the library, and that was fun.

0:42:01.320 --> 0:42:03.880
<v Speaker 2>Yes, yeah, Weez tells Melissa. They got off on the

0:42:03.880 --> 0:42:06.439
<v Speaker 2>wrong foot, and they flirt some more, but she's had enough.

0:42:06.480 --> 0:42:08.400
<v Speaker 2>She's ready to leave with her dad and start camping.

0:42:08.719 --> 0:42:11.520
<v Speaker 2>He apologizes to his new crew and follows her out.

0:42:12.000 --> 0:42:16.680
<v Speaker 2>Neil doesn't understand his daughter's angst. Somehow. She says she's

0:42:16.719 --> 0:42:19.480
<v Speaker 2>been thinking of this vacation for weeks. She wanted everything

0:42:19.480 --> 0:42:21.200
<v Speaker 2>to be perfect for them, but every time she's with

0:42:21.239 --> 0:42:24.480
<v Speaker 2>her dad, he brings Trip along and everything is ruined.

0:42:24.960 --> 0:42:27.400
<v Speaker 2>She argues that Trip Zoom is not a fictional character.

0:42:27.480 --> 0:42:30.240
<v Speaker 2>He's a pain in her butt. Then Skunk and Maurice

0:42:30.239 --> 0:42:33.399
<v Speaker 2>pop up, now in sheriff's uniforms Neil recognizes the duo

0:42:33.520 --> 0:42:38.640
<v Speaker 2>as they try to cuff him. Remember this was buddy.

0:42:38.680 --> 0:42:41.200
<v Speaker 1>They come up to him and they've got like karate

0:42:42.360 --> 0:42:44.400
<v Speaker 1>ate and like where's your gun?

0:42:45.000 --> 0:42:45.919
<v Speaker 2>Yeah? What have you got?

0:42:46.719 --> 0:42:47.280
<v Speaker 4>I know.

0:42:49.640 --> 0:42:52.600
<v Speaker 2>All the producers. Can you please isolate the sound of

0:42:52.800 --> 0:42:55.560
<v Speaker 2>Sabrina saying karate hand jobs and send it to me immediately.

0:42:59.440 --> 0:43:02.439
<v Speaker 2>Just I'm gonna need to have that on a perpetual loop.

0:43:02.520 --> 0:43:07.560
<v Speaker 2>Thank you, thank you very much, Blaye. So they're wearing

0:43:07.840 --> 0:43:11.319
<v Speaker 2>sheriff's uniforms Neil recognizes the duo. They try to cuff them,

0:43:11.320 --> 0:43:15.480
<v Speaker 2>only then boom, Melissa forces herself into the other cuff wee's.

0:43:15.640 --> 0:43:18.640
<v Speaker 2>Sheldon and Andre watch the new bad guys put their

0:43:18.640 --> 0:43:21.080
<v Speaker 2>father and daughter into their truck and decide to chase

0:43:21.120 --> 0:43:24.319
<v Speaker 2>after them. He's now been dad napped twice. It's a

0:43:24.360 --> 0:43:29.480
<v Speaker 2>double dad napping, and everybody knows you get double dad napped,

0:43:29.600 --> 0:43:33.040
<v Speaker 2>have to get karate hand jobbed. So Sheldon decides to

0:43:33.120 --> 0:43:36.759
<v Speaker 2>call the police station, but again the cup just keep

0:43:36.800 --> 0:43:40.440
<v Speaker 2>it in fun, Sabrina. The cop doesn't believe anything regarding

0:43:40.440 --> 0:43:42.680
<v Speaker 2>Neil Morris, and maybe this town just as a terrible

0:43:42.719 --> 0:43:45.000
<v Speaker 2>police force. That's what it seems like. The gang realizes

0:43:45.040 --> 0:43:47.759
<v Speaker 2>it's up to them and they very closely follow the

0:43:47.800 --> 0:43:51.080
<v Speaker 2>laundry truck through the night, eventually landing at a creepy

0:43:51.160 --> 0:43:54.120
<v Speaker 2>drive in Theaters where he follows them. Skunk and Maurice

0:43:54.160 --> 0:43:57.000
<v Speaker 2>eventually throw their prisoners into their abandoned trailer and it's

0:43:57.000 --> 0:44:00.440
<v Speaker 2>covered in notes. Neil and Melissa are getting scared. Obviously,

0:44:00.480 --> 0:44:03.080
<v Speaker 2>Skunk has a knife, but also a plate of snacks.

0:44:03.520 --> 0:44:05.920
<v Speaker 2>Neil assumes they want money, but Maurice has other plans.

0:44:05.920 --> 0:44:09.520
<v Speaker 2>He reveals a notebook filled with papers for Lights Out Lenny,

0:44:09.600 --> 0:44:12.560
<v Speaker 2>a book that his brother Skunk has been writing. Maurice

0:44:12.560 --> 0:44:15.239
<v Speaker 2>wants a real writer to finish the book, and that's

0:44:15.280 --> 0:44:17.800
<v Speaker 2>where Neil comes in. And until the book is fixed,

0:44:17.800 --> 0:44:19.560
<v Speaker 2>they can't leave no matter how long it takes. So

0:44:19.560 --> 0:44:23.720
<v Speaker 2>this is where it kind of turns into misery. Neil

0:44:23.760 --> 0:44:26.920
<v Speaker 2>starts reading chapter one. Quote the sky was dark and

0:44:26.960 --> 0:44:29.120
<v Speaker 2>the air was cold, and the man held the guns

0:44:29.120 --> 0:44:33.400
<v Speaker 2>so tight his fingers felt like cheese unquote. Uh oh,

0:44:33.480 --> 0:44:36.120
<v Speaker 2>this could take a while. As Neil works on the

0:44:36.120 --> 0:44:38.840
<v Speaker 2>awful book, the brothers watch a public domain movie outside.

0:44:39.000 --> 0:44:42.000
<v Speaker 2>Melissa says they need to make a distraction. Her dad

0:44:42.120 --> 0:44:44.640
<v Speaker 2>isn't so sure. He doesn't want to risk her life

0:44:44.680 --> 0:44:47.120
<v Speaker 2>on some silly plan. She's furious that her ideas are

0:44:47.120 --> 0:44:50.319
<v Speaker 2>always quote unquote silly, yet everything he writes for Trip

0:44:50.440 --> 0:44:53.319
<v Speaker 2>Zoom is genius. She wants to know why he doesn't

0:44:53.320 --> 0:44:56.240
<v Speaker 2>write about her. He explains that his characters are larger

0:44:56.280 --> 0:44:59.879
<v Speaker 2>than life, an extraordinary She tears up. She pushes back

0:45:00.080 --> 0:45:02.359
<v Speaker 2>he doesn't know any of her interests. He's missed all

0:45:02.360 --> 0:45:05.000
<v Speaker 2>of her dancer titles and knows nothing about her awards

0:45:05.000 --> 0:45:08.120
<v Speaker 2>in writing. She wants him to finally admit it. Trip

0:45:08.200 --> 0:45:12.240
<v Speaker 2>comes first, and just then we hear sirens. Everybody is spooked,

0:45:12.440 --> 0:45:15.160
<v Speaker 2>but we know it's just the boys van. Skunk and

0:45:15.200 --> 0:45:17.400
<v Speaker 2>Maurice don't know that, though, and they immediately grab their

0:45:17.400 --> 0:45:20.760
<v Speaker 2>hostages and try to take off, but Melissa sneakily grabs

0:45:20.760 --> 0:45:22.839
<v Speaker 2>a zoom book from Skunk's pile on their way out.

0:45:23.120 --> 0:45:26.160
<v Speaker 2>Skunk then pushes the captives into the uniform van, telling

0:45:26.239 --> 0:45:28.920
<v Speaker 2>Neil to keep writing. So he's going to be writing

0:45:29.440 --> 0:45:32.520
<v Speaker 2>as they drive around in this big stolen van that's

0:45:32.600 --> 0:45:36.759
<v Speaker 2>bright yellow and has now been missing for days. In

0:45:36.760 --> 0:45:39.880
<v Speaker 2>the van, Melissa starts giving Skunk's book notes, and her

0:45:39.920 --> 0:45:42.920
<v Speaker 2>dad actually agrees with everything she's suggesting. But when the

0:45:43.000 --> 0:45:45.719
<v Speaker 2>uniform truck hits debris in the road, it shakes the

0:45:45.760 --> 0:45:49.560
<v Speaker 2>car and Maurice spots his tail. He knows he's being followed,

0:45:49.640 --> 0:45:51.560
<v Speaker 2>and he didn't even have to look in the they're

0:45:51.600 --> 0:45:55.760
<v Speaker 2>three feet from they're the only two vans on the road,

0:45:56.520 --> 0:45:58.719
<v Speaker 2>and they're right behind him, so he's following them. He

0:45:58.800 --> 0:46:02.000
<v Speaker 2>quickly turns off road, putting them through a dirt obstacle. Course,

0:46:02.320 --> 0:46:04.520
<v Speaker 2>Skunk opens the back door and starts doing what you do,

0:46:04.600 --> 0:46:07.680
<v Speaker 2>throwing pants at them, eventually forcing them to avoid the

0:46:07.719 --> 0:46:11.760
<v Speaker 2>clothing rack and boom, they're slammed into a ditch. Skunk

0:46:11.800 --> 0:46:15.120
<v Speaker 2>celebrates as they leave their last possible detractors in the

0:46:15.160 --> 0:46:17.840
<v Speaker 2>rear view. But just as things are looking good for

0:46:17.880 --> 0:46:21.359
<v Speaker 2>the batties, they realize they're almost out of gas. Oh no,

0:46:21.520 --> 0:46:25.040
<v Speaker 2>steal a bigger van next time. Melissa also announces she

0:46:25.040 --> 0:46:27.560
<v Speaker 2>has to go to the bathroom. Unfortunately, Maurice doesn't trust her,

0:46:27.960 --> 0:46:30.480
<v Speaker 2>but Skunk says he'll stand by the door when they

0:46:30.480 --> 0:46:32.360
<v Speaker 2>make it to the gas station, and once they arrive,

0:46:32.480 --> 0:46:35.799
<v Speaker 2>he does just that. He uncuffs her shot, He puts

0:46:35.840 --> 0:46:38.239
<v Speaker 2>on a jacket and waits for her to either number one,

0:46:38.360 --> 0:46:40.440
<v Speaker 2>number two, or number three. Sabrina, do you think it

0:46:40.480 --> 0:46:41.719
<v Speaker 2>was one, two or three? What do you think? She

0:46:42.719 --> 0:46:45.600
<v Speaker 2>set it up as number two? Don't you think? Yes? Okay,

0:46:45.600 --> 0:46:46.200
<v Speaker 2>I thought so too.

0:46:46.320 --> 0:46:47.160
<v Speaker 1>That's number three.

0:46:47.960 --> 0:46:49.840
<v Speaker 2>If you don't know, I'm not gonna tell you. Just

0:46:49.880 --> 0:46:53.080
<v Speaker 2>be lucky. We don't get to four and five once inside,

0:46:53.120 --> 0:46:57.600
<v Speaker 2>it's number zero actually, as Melissa just surveys, Well, when

0:46:57.600 --> 0:46:59.279
<v Speaker 2>you're full of it, that's when number four and five.

0:47:00.280 --> 0:47:04.440
<v Speaker 2>Melissa just surveys the restroom, eventually seeing her imaginary zoom

0:47:04.480 --> 0:47:07.600
<v Speaker 2>once again in the mirror. He explains he's just in

0:47:07.680 --> 0:47:10.160
<v Speaker 2>her head, but she keeps him there, and this forces

0:47:10.160 --> 0:47:13.000
<v Speaker 2>her to realize if he's in her head, then she

0:47:13.080 --> 0:47:15.560
<v Speaker 2>can think like him. She reaches into her pocket and

0:47:15.560 --> 0:47:17.880
<v Speaker 2>pulls out the trip books she stole from Skunk. She

0:47:17.960 --> 0:47:21.440
<v Speaker 2>finds a page for the quote unquote presidential Pickle, which

0:47:21.960 --> 0:47:24.319
<v Speaker 2>incidentally was my nickname in high school, and then she

0:47:24.400 --> 0:47:27.640
<v Speaker 2>finds her lip glosses and circles the word presidential, leaving

0:47:27.640 --> 0:47:29.080
<v Speaker 2>the paper jammed in a mirror.

0:47:29.280 --> 0:47:32.000
<v Speaker 1>You circle it. Why wouldn't you just say what you

0:47:32.040 --> 0:47:32.960
<v Speaker 1>wanted to say with me?

0:47:33.160 --> 0:47:35.720
<v Speaker 2>You mean, right, we're in the presidential suite. They're taking

0:47:35.800 --> 0:47:36.120
<v Speaker 2>us here.

0:47:36.200 --> 0:47:38.520
<v Speaker 1>They're taking us here, because that's.

0:47:38.280 --> 0:47:45.799
<v Speaker 2>Not confusing, and this movie is confusing, Sabrina. Why you've

0:47:45.880 --> 0:47:48.400
<v Speaker 2>got you've got pen and ink and you just circle

0:47:48.440 --> 0:47:50.800
<v Speaker 2>one way? She circled the word, and we've got to

0:47:50.800 --> 0:47:53.879
<v Speaker 2>go find her, like, yeah, why not just write they've

0:47:53.880 --> 0:47:56.440
<v Speaker 2>taken us to the presidential suite on the mirror something

0:47:57.560 --> 0:48:00.880
<v Speaker 2>maybe here, Okay, play to play Devil's advocate. Maybe she

0:48:01.000 --> 0:48:04.000
<v Speaker 2>thought she had to do it that way, so if

0:48:04.040 --> 0:48:06.319
<v Speaker 2>he walked in to check to see if she'd left

0:48:06.320 --> 0:48:10.319
<v Speaker 2>any clues, it wouldn't be that blatant. I don't again,

0:48:10.360 --> 0:48:12.120
<v Speaker 2>I'm going for a stretch. I think it's just because

0:48:12.160 --> 0:48:15.719
<v Speaker 2>it's supposed to be confusing. Yeah, so she jams at

0:48:15.800 --> 0:48:19.360
<v Speaker 2>leaving the Okay, she exits with a long piece of

0:48:19.400 --> 0:48:21.880
<v Speaker 2>toilet paper stuck to her shoe, leaving a trail to

0:48:21.960 --> 0:48:24.799
<v Speaker 2>the truck. She removes her jacket, tosses it to the floor,

0:48:24.840 --> 0:48:28.080
<v Speaker 2>and get back in the handcuffs shot for the drive. Meanwhile,

0:48:28.160 --> 0:48:30.840
<v Speaker 2>Maurice is on the phone defending his actions to someone.

0:48:30.920 --> 0:48:33.319
<v Speaker 2>Maybe they aren't the bosses of this plan after all.

0:48:33.560 --> 0:48:36.160
<v Speaker 2>They drive off and Neil returns to writing the book

0:48:36.680 --> 0:48:40.040
<v Speaker 2>again in the back, until Melissa argues that he needs

0:48:40.080 --> 0:48:43.239
<v Speaker 2>better conditions to write, and Maurice actually agrees. They're just

0:48:43.239 --> 0:48:47.319
<v Speaker 2>going to go back to the hotel. Which how did

0:48:47.320 --> 0:48:50.480
<v Speaker 2>we know that? After the already all right, she already

0:48:50.640 --> 0:48:56.320
<v Speaker 2>she circled them? Just then, Andre, Andre, Sheldon and Wheeze

0:48:56.440 --> 0:48:58.560
<v Speaker 2>stumble on the drive through They see Melissa's jacket the

0:48:58.560 --> 0:49:00.440
<v Speaker 2>trail of toilet paper from the bathroom and find her

0:49:00.480 --> 0:49:04.480
<v Speaker 2>page with presidential circleed, but Pickle, of course, was sadly ignored.

0:49:04.640 --> 0:49:07.240
<v Speaker 2>Weez smells her lip gloss on the paper and knows

0:49:07.280 --> 0:49:10.440
<v Speaker 2>it's Melissa. Shelter reveals that his idea. He thinks it's

0:49:10.440 --> 0:49:13.200
<v Speaker 2>a clue for a pickle farm, but Andre knows this

0:49:13.400 --> 0:49:17.080
<v Speaker 2>means presidential suite, and they leave for the hotel again.

0:49:17.160 --> 0:49:19.000
<v Speaker 2>Would it just been easier to write they took us

0:49:19.000 --> 0:49:22.839
<v Speaker 2>back to the hotel. The uniform truck arrives back at

0:49:22.840 --> 0:49:25.880
<v Speaker 2>this hotel and they're greeted by the real bad guy,

0:49:26.320 --> 0:49:30.040
<v Speaker 2>their boss, Mirv. That's right, it's a hotel owner all along.

0:49:30.360 --> 0:49:32.920
<v Speaker 2>He helped Melissa earlier, but all it did was lead

0:49:33.000 --> 0:49:35.239
<v Speaker 2>him to her dad. Now he tells his henchman to

0:49:35.239 --> 0:49:37.120
<v Speaker 2>get me into his room to finish the new book.

0:49:37.160 --> 0:49:38.959
<v Speaker 2>What a turn of events? Did you see this coming?

0:49:39.000 --> 0:49:40.480
<v Speaker 2>Did you know Burv was gonna be the bad guy?

0:49:41.880 --> 0:49:45.279
<v Speaker 1>I at this point I've forgotten about him, I really did.

0:49:46.239 --> 0:49:49.040
<v Speaker 2>I knew at the second game on screen he was

0:49:49.080 --> 0:49:51.360
<v Speaker 2>all gonna be of course it was gonna be Merv.

0:49:52.000 --> 0:49:52.920
<v Speaker 2>Of course it was.

0:49:54.120 --> 0:49:57.359
<v Speaker 1>Yeah, I mean, I know, I truly was like, I

0:49:57.400 --> 0:50:00.680
<v Speaker 1>can't believe they have Jason Earl and they've barely used him,

0:50:00.840 --> 0:50:02.040
<v Speaker 1>Like what the heck?

0:50:02.360 --> 0:50:03.360
<v Speaker 2>Yeah, Like he's.

0:50:03.280 --> 0:50:07.600
<v Speaker 1>Hilarious, funny, all of them on the castAR. But yeah,

0:50:07.760 --> 0:50:09.799
<v Speaker 1>you're gonna have them in this movie and just give

0:50:09.880 --> 0:50:12.600
<v Speaker 1>him this teeny tidy roll.

0:50:12.760 --> 0:50:15.280
<v Speaker 2>What Yeah. No, so they get to see him. It's

0:50:15.280 --> 0:50:17.879
<v Speaker 2>MERVS here and we're now in Merv's room. It looks

0:50:17.920 --> 0:50:20.319
<v Speaker 2>like a seventies bachelor pad. I loved his room, by

0:50:20.320 --> 0:50:22.359
<v Speaker 2>the way, outdated and swanky. It was the best.

0:50:22.600 --> 0:50:25.400
<v Speaker 1>It was such a good set. It was such a

0:50:25.400 --> 0:50:25.799
<v Speaker 1>good set.

0:50:26.000 --> 0:50:29.120
<v Speaker 2>This is where, so Melissa follow me through. This is

0:50:29.239 --> 0:50:32.600
<v Speaker 2>handcuffed to the hanging egg chair shot and Neil is

0:50:32.680 --> 0:50:35.799
<v Speaker 2>placed in front of a laptop. Okay, but now we're back.

0:50:35.960 --> 0:50:38.719
<v Speaker 2>Keep that in mind. Keep that in mind. We're now

0:50:38.719 --> 0:50:40.600
<v Speaker 2>back on the road. The boys have forced a pizza

0:50:40.640 --> 0:50:43.000
<v Speaker 2>delivery guy from Ralph's Pizza Shack to bring them to

0:50:43.040 --> 0:50:45.520
<v Speaker 2>the hotel. Also, the pizza has the best cross in town,

0:50:45.920 --> 0:50:47.680
<v Speaker 2>and for some reason, they dance and listen to cool

0:50:47.719 --> 0:50:50.200
<v Speaker 2>music on the way in their car. Back at the hotel,

0:50:50.239 --> 0:50:53.200
<v Speaker 2>Melissa notices a sketch for the MERV and how does

0:50:53.239 --> 0:50:55.799
<v Speaker 2>she notice this by getting up and walking around? Wait,

0:50:56.239 --> 0:50:59.920
<v Speaker 2>she was just handcuffed to the chair. Hello, not ere,

0:51:00.640 --> 0:51:05.279
<v Speaker 2>She's just not anymore. There's bad handcuffs, or she just

0:51:05.360 --> 0:51:08.960
<v Speaker 2>doesn't want to be in them anymore. So she notices

0:51:09.040 --> 0:51:12.320
<v Speaker 2>sketches for the MERV an idea for an expensive Vegas

0:51:12.480 --> 0:51:16.080
<v Speaker 2>like high rise redesign of this particular hotel, and apparently

0:51:16.200 --> 0:51:20.719
<v Speaker 2>this is his motivation to do this whole plot, which

0:51:20.760 --> 0:51:23.480
<v Speaker 2>makes no sense. Somehow, Skunk is getting better at writing,

0:51:23.560 --> 0:51:25.839
<v Speaker 2>and Melissa and Neil are bonding his father and daughter

0:51:25.920 --> 0:51:28.880
<v Speaker 2>in the same process. The next day, now the hotel

0:51:28.920 --> 0:51:31.399
<v Speaker 2>convention is still bumping with book fans and is as

0:51:31.560 --> 0:51:34.520
<v Speaker 2>messy as ever. The pizza man finally arrives too, So

0:51:34.920 --> 0:51:38.319
<v Speaker 2>where were they coming from if the other people got

0:51:38.360 --> 0:51:42.359
<v Speaker 2>there so much faster? But dropping off our teens? How

0:51:42.440 --> 0:51:44.399
<v Speaker 2>are they driving through the night? Okay, by this point

0:51:44.440 --> 0:51:46.480
<v Speaker 2>I'm just going okay, let the colors wash over me.

0:51:47.640 --> 0:51:50.319
<v Speaker 2>Back inside, Melissa's finishing off the book while Maurice and

0:51:50.360 --> 0:51:53.319
<v Speaker 2>her dad sleep with Skunk. Also in the shower, she

0:51:53.400 --> 0:51:56.480
<v Speaker 2>sees an opportunity trip appears, but she's so sick of

0:51:56.520 --> 0:51:59.319
<v Speaker 2>him only talking in catchphrases, but still asks him what

0:51:59.360 --> 0:52:01.600
<v Speaker 2>he thinks of her plan, But she knows the answer.

0:52:01.960 --> 0:52:07.320
<v Speaker 2>She found the confidence within herself. She has a good plan, Foss. Meanwhile,

0:52:07.360 --> 0:52:09.560
<v Speaker 2>the boys barging to the presidential suite, only to realize

0:52:09.600 --> 0:52:12.040
<v Speaker 2>Melissa and her dad aren't there. Where is she? Then

0:52:12.160 --> 0:52:14.600
<v Speaker 2>Sheldon redeems himself and figures it out. It's like the

0:52:14.600 --> 0:52:17.680
<v Speaker 2>climax from Zoom Time Boom Time. I think it's called

0:52:18.160 --> 0:52:21.800
<v Speaker 2>the Signal of strength. It is a signal Zoom uses

0:52:21.840 --> 0:52:25.560
<v Speaker 2>to lead the cloned rebels to his location. Weez realizes

0:52:25.719 --> 0:52:28.480
<v Speaker 2>she's brilliant and Andre warns him if you don't ask

0:52:28.520 --> 0:52:30.640
<v Speaker 2>her out, I will, which was a very funny line.

0:52:30.880 --> 0:52:32.680
<v Speaker 2>They just need to find the signal, and they need

0:52:32.719 --> 0:52:34.960
<v Speaker 2>to find it. Now we are back on the con stage.

0:52:35.000 --> 0:52:37.399
<v Speaker 2>There's a Zoom debate going on until Weez and Andre

0:52:37.520 --> 0:52:39.880
<v Speaker 2>break it up. They announced that Neil is in trouble

0:52:40.120 --> 0:52:43.720
<v Speaker 2>and he needs the Zoomer's help, Floss. Unfortunately, Merv hears

0:52:43.760 --> 0:52:46.279
<v Speaker 2>all of this and now knows he must stop this

0:52:46.360 --> 0:52:49.560
<v Speaker 2>group from obviously going and wrecking his master plan, the

0:52:49.600 --> 0:52:51.040
<v Speaker 2>plan of which we still don't know what the hell

0:52:51.120 --> 0:52:52.440
<v Speaker 2>is actually going on. This is where we get a

0:52:52.480 --> 0:52:55.800
<v Speaker 2>montage to yet another pop song, now with a poncho

0:52:55.920 --> 0:52:59.400
<v Speaker 2>sporting group of Zoomers making water balloons, mixing paint, and

0:52:59.480 --> 0:53:02.399
<v Speaker 2>creating new trip traps throughout the city for their plan.

0:53:03.320 --> 0:53:05.319
<v Speaker 2>Later on, Melissa still needs to figure out what her

0:53:05.360 --> 0:53:09.280
<v Speaker 2>signal's going to be that's important, but her dad reveals

0:53:09.280 --> 0:53:11.520
<v Speaker 2>that a lot of trip is actually based on her.

0:53:11.840 --> 0:53:14.120
<v Speaker 2>She's in the plot, she's in the humor, she's in

0:53:14.160 --> 0:53:16.440
<v Speaker 2>the heart, and she is the reason that he writes.

0:53:16.760 --> 0:53:19.680
<v Speaker 2>This beautiful moment is interrupted by Merv, who just needs

0:53:19.760 --> 0:53:23.440
<v Speaker 2>this book finished. He knows a Zoomer firestorm is brewing outside,

0:53:23.440 --> 0:53:26.480
<v Speaker 2>and Melissa just wants to know what this is all about.

0:53:26.760 --> 0:53:30.000
<v Speaker 2>Merv says that he cares about what her dad writes,

0:53:30.480 --> 0:53:33.600
<v Speaker 2>not what Skunk's been doing. He wants now try to

0:53:33.600 --> 0:53:35.359
<v Speaker 2>follow me here because hopefully as I read this out,

0:53:35.360 --> 0:53:38.759
<v Speaker 2>I'll understand it too. He wants to sell the manuscript

0:53:38.840 --> 0:53:42.520
<v Speaker 2>to the new and last Neil Morris book to fund

0:53:42.560 --> 0:53:45.720
<v Speaker 2>his new hotel idea, and until that book is perfect,

0:53:45.840 --> 0:53:50.160
<v Speaker 2>Neil won't see his princess and locks Melissa in the bathroom. Now,

0:53:50.239 --> 0:53:52.880
<v Speaker 2>even Skunk and Maurice are little disturbed this isn't what

0:53:52.920 --> 0:53:55.080
<v Speaker 2>they signed up for, but MERV says they're looking at

0:53:55.160 --> 0:53:58.760
<v Speaker 2>jail time either way, so they better do what he says.

0:54:01.440 --> 0:54:07.399
<v Speaker 2>So he wants to hold this guy, have him write

0:54:07.440 --> 0:54:13.000
<v Speaker 2>his last book, not what Skunk wants, kill him, sell

0:54:13.040 --> 0:54:18.040
<v Speaker 2>the book rights, and then build a hotel. That's the

0:54:18.080 --> 0:54:20.919
<v Speaker 2>Disney Channel plan, folks, that's the plan.

0:54:21.000 --> 0:54:21.640
<v Speaker 1>Where we're at.

0:54:22.080 --> 0:54:25.160
<v Speaker 2>This is where we are. This is when by this

0:54:25.239 --> 0:54:27.680
<v Speaker 2>point I think I was looking at everything else in

0:54:27.719 --> 0:54:29.600
<v Speaker 2>my room going like, oh, that needs to be cleaned up.

0:54:30.160 --> 0:54:33.160
<v Speaker 2>It was, yes, it's just okay. So outside we're back

0:54:33.160 --> 0:54:35.640
<v Speaker 2>outside now the Zoomers are ready to go. As Melissa

0:54:35.680 --> 0:54:37.800
<v Speaker 2>paces the bathroom, she needs to give them the signal.

0:54:38.120 --> 0:54:40.279
<v Speaker 2>She pulls down a shower curtain and starts raiding the

0:54:40.280 --> 0:54:44.360
<v Speaker 2>medicine cabinet, working quickly to create something. Eventually, she writes

0:54:44.400 --> 0:54:47.360
<v Speaker 2>a very large Z on the sheet and places it

0:54:47.400 --> 0:54:50.279
<v Speaker 2>outside the window, giving the group the signal that they need.

0:54:50.600 --> 0:54:54.600
<v Speaker 2>They immediately then storm the hotel. Which again, why not

0:54:55.200 --> 0:54:56.719
<v Speaker 2>just lean out the window and say come get me,

0:54:56.840 --> 0:55:00.359
<v Speaker 2>or write something else on the thing. But anyway, they

0:55:00.680 --> 0:55:05.160
<v Speaker 2>storm the hotel, slingshotting super stinky cheese bombs right into

0:55:05.200 --> 0:55:07.520
<v Speaker 2>Mirv and his hotel plans. It's an all out attack,

0:55:07.840 --> 0:55:11.120
<v Speaker 2>water balloon, spray guns, paint, toilet paper. It's actually really

0:55:11.120 --> 0:55:14.239
<v Speaker 2>disgusting and gross. It reminds me very much of Nickelodeon stuff.

0:55:14.280 --> 0:55:16.440
<v Speaker 2>This might be the dirtiest movie we've seen yet, and

0:55:16.520 --> 0:55:19.319
<v Speaker 2>it forces Merv to retreat, grabbing Neil and Melissa for

0:55:19.320 --> 0:55:22.440
<v Speaker 2>an escape, but they quickly realize every route is blocked

0:55:22.440 --> 0:55:26.040
<v Speaker 2>by zoomers and they're attacking from every direction. The fans

0:55:26.040 --> 0:55:28.520
<v Speaker 2>steal off the streets while Melissa loses her captors with

0:55:28.560 --> 0:55:31.520
<v Speaker 2>a slip slap zoom trap and reunites with weez to

0:55:31.640 --> 0:55:34.720
<v Speaker 2>dental floss up Skunk and Maurice. So yeah, floss floss

0:55:34.719 --> 0:55:37.040
<v Speaker 2>maybe that is what it is, but they never explained that.

0:55:37.080 --> 0:55:40.360
<v Speaker 2>At the beginning, the only bad guy left is Merv.

0:55:40.680 --> 0:55:42.680
<v Speaker 2>He still has Neil and is trying to just get

0:55:42.680 --> 0:55:44.919
<v Speaker 2>to his car, but that's when Sheldon spots him again,

0:55:44.920 --> 0:55:46.560
<v Speaker 2>making up for that one time he had a stupid

0:55:46.560 --> 0:55:49.239
<v Speaker 2>idea and wanted to go to the pickle farm. He

0:55:49.360 --> 0:55:51.800
<v Speaker 2>yells charge and it's a full on brave heart attack.

0:55:52.000 --> 0:55:54.359
<v Speaker 2>Hundreds of kids turn the corner and they ambush Nerve

0:55:54.440 --> 0:55:57.560
<v Speaker 2>until he's trapped, but he fakes his retreat and runs

0:55:57.560 --> 0:56:00.759
<v Speaker 2>away again. He's still getting away, but as he's about

0:56:00.800 --> 0:56:03.239
<v Speaker 2>to round a corner, more recent Skunk still flost up

0:56:03.280 --> 0:56:05.960
<v Speaker 2>see the mob coming, and for their own redemptions, Skunk

0:56:06.000 --> 0:56:08.640
<v Speaker 2>tells his brother to spin and they create a trip wire,

0:56:08.960 --> 0:56:11.520
<v Speaker 2>forcing Merv to fall into what can only be described

0:56:11.560 --> 0:56:15.120
<v Speaker 2>as a large pile of coalslaw, that's there for some

0:56:15.200 --> 0:56:17.400
<v Speaker 2>reason that I don't understand. Do you understand what that?

0:56:17.480 --> 0:56:20.000
<v Speaker 2>What the reason for that was? What do you think me?

0:56:20.000 --> 0:56:21.759
<v Speaker 1>At this point that I lost me?

0:56:22.160 --> 0:56:25.600
<v Speaker 2>It was, yes, okay, I'm glad I wasn't the only one.

0:56:26.480 --> 0:56:31.120
<v Speaker 1>It was like really pushing of just.

0:56:30.000 --> 0:56:31.480
<v Speaker 2>Trying to get through this at this point. This was

0:56:31.480 --> 0:56:33.880
<v Speaker 2>a rough one for me. I'll be honest, it was.

0:56:33.960 --> 0:56:36.799
<v Speaker 1>And it sucked because I want to love all of

0:56:36.800 --> 0:56:39.000
<v Speaker 1>the movies that we watch, you know, and then the

0:56:39.040 --> 0:56:41.839
<v Speaker 1>cast is cast is so good and I love Paul

0:56:41.920 --> 0:56:44.520
<v Speaker 1>Howen and yes, like the whole time, and I'm going,

0:56:44.560 --> 0:56:46.400
<v Speaker 1>am I just a bad mood right now?

0:56:46.440 --> 0:56:47.680
<v Speaker 2>Like I thought the same thing.

0:56:48.280 --> 0:56:50.279
<v Speaker 1>I just like not wanting.

0:56:50.160 --> 0:56:52.279
<v Speaker 2>So funny you say that I thought the same thing, Like.

0:56:52.239 --> 0:56:54.600
<v Speaker 1>Am I just in a mood? Like? Is that is

0:56:54.600 --> 0:56:55.400
<v Speaker 1>that what's happening?

0:56:55.800 --> 0:56:59.920
<v Speaker 2>Yeah, and no, it just this did not feel like

0:57:00.200 --> 0:57:04.240
<v Speaker 2>dcom at all. It felt like a bad Nickelodeon movie. Yes,

0:57:04.640 --> 0:57:07.000
<v Speaker 2>you know, like the vibe was just wrong.

0:57:07.400 --> 0:57:11.840
<v Speaker 1>I also watched Nickelodeon growing up, but like it wasn't

0:57:11.920 --> 0:57:14.600
<v Speaker 1>as on the caliber for me as like the Disney story.

0:57:14.640 --> 0:57:17.200
<v Speaker 2>Agree, agreed, And this felt like that.

0:57:17.720 --> 0:57:20.880
<v Speaker 1>Yeah, yeah, so it was strange. Strange.

0:57:21.680 --> 0:57:24.360
<v Speaker 2>Yeah. So the kids celebrate as the real police finally

0:57:24.440 --> 0:57:27.000
<v Speaker 2>arrive and with no sign of the lazy cop, who,

0:57:27.040 --> 0:57:30.360
<v Speaker 2>of course, could have ended this movie an hour ago. Now, yep,

0:57:30.840 --> 0:57:34.160
<v Speaker 2>but we're thank you. We are now back at the convention,

0:57:34.320 --> 0:57:37.080
<v Speaker 2>without the threat of evil looming. Neil speaks to his fans.

0:57:37.080 --> 0:57:39.960
<v Speaker 2>He thanks them for their triptastic efforts. Everyone there will

0:57:39.960 --> 0:57:42.120
<v Speaker 2>get a signed copy of his next book. He also

0:57:42.160 --> 0:57:44.480
<v Speaker 2>says it's time to reward the winner of the Zoom

0:57:44.680 --> 0:57:48.120
<v Speaker 2>Enough Prize. He picks Andre Sheldon and Wieze, some guys

0:57:48.120 --> 0:57:50.800
<v Speaker 2>who really stepped up in the face of danger, ignoring

0:57:50.840 --> 0:57:52.720
<v Speaker 2>the fact that they were actually his first kidnappers and

0:57:52.720 --> 0:57:55.160
<v Speaker 2>definitely had awful intentions, and put socks in his mouth repeatedly.

0:57:55.480 --> 0:58:00.480
<v Speaker 2>But who cares, as We's then yells reading rocks, good message,

0:58:00.520 --> 0:58:03.280
<v Speaker 2>weird way to say it. Zoom appears once again for Melissa,

0:58:03.680 --> 0:58:05.720
<v Speaker 2>but instead of getting into their normal war of words,

0:58:05.720 --> 0:58:07.720
<v Speaker 2>she thanks him. She couldn't have done it without him,

0:58:07.720 --> 0:58:09.919
<v Speaker 2>but he's not hearing it. She did it, She did

0:58:09.920 --> 0:58:13.480
<v Speaker 2>it all on her own. And Neil announces he has

0:58:13.520 --> 0:58:16.360
<v Speaker 2>one more prize for his inspiration. He's awarding his daughter.

0:58:16.640 --> 0:58:20.160
<v Speaker 2>That's right, there, you go. She gets the prize. She's

0:58:20.200 --> 0:58:22.120
<v Speaker 2>been the inspiration for everything. The fans give her a

0:58:22.160 --> 0:58:25.120
<v Speaker 2>standing ovation as the father and daughter embrace on stage.

0:58:25.480 --> 0:58:29.240
<v Speaker 2>The crowd chance Floss as a handcuffed shot Skunk and

0:58:29.320 --> 0:58:33.920
<v Speaker 2>Maurice watch on. Skunk is still optimistic. Dostoyevsky wrote some

0:58:33.960 --> 0:58:36.480
<v Speaker 2>really cool stuff while in the Slammer, and just like that,

0:58:36.680 --> 0:58:39.320
<v Speaker 2>they're taken away to prison. It's finally time for Neila

0:58:39.360 --> 0:58:42.520
<v Speaker 2>Melissa's vacation. Wheeze shyly gives her his number in case

0:58:42.560 --> 0:58:45.240
<v Speaker 2>she wants to, you know, go out. She says yes,

0:58:45.280 --> 0:58:47.120
<v Speaker 2>but makes him promise it'll be a normal date. No

0:58:47.200 --> 0:58:51.160
<v Speaker 2>weird costumes, no dental floss, and no police intervention. That's

0:58:51.280 --> 0:58:54.040
<v Speaker 2>a pretty lame date if you ask me. He agrees,

0:58:54.280 --> 0:58:56.320
<v Speaker 2>and hey, man, if you're not wearing kattumes and using

0:58:56.400 --> 0:58:59.120
<v Speaker 2>dental floss for something you didn't get lucky that night.

0:58:59.840 --> 0:59:03.080
<v Speaker 2>He agrees, and then the Morris duo drive off as

0:59:03.120 --> 0:59:07.760
<v Speaker 2>the Zoomers once again chant floss, and then we get bloopers,

0:59:07.800 --> 0:59:11.920
<v Speaker 2>but not even the bloopers weren't good. It's just characters

0:59:11.920 --> 0:59:14.000
<v Speaker 2>getting hit in the face with slime and dowse with water.

0:59:14.320 --> 0:59:17.400
<v Speaker 2>As the credits pass by and we hear Emily Osmond's

0:59:17.480 --> 0:59:20.480
<v Speaker 2>en track called hero in Me. Did you know at

0:59:20.520 --> 0:59:22.560
<v Speaker 2>the time this was an Emily Ozma song. Oh that's

0:59:22.600 --> 0:59:25.400
<v Speaker 2>cool and that is our movie.

0:59:26.360 --> 0:59:26.880
<v Speaker 1>There we go.

0:59:27.320 --> 0:59:30.120
<v Speaker 2>I figured, yeah, I kind of did too, but at

0:59:30.200 --> 0:59:32.040
<v Speaker 2>that point my ears were on fire and my eyes

0:59:32.080 --> 0:59:36.920
<v Speaker 2>were bleeding. So, okay, this was a rough one for me, folks,

0:59:36.920 --> 0:59:38.840
<v Speaker 2>I'm sorry, this was a really rough one for me.

0:59:39.120 --> 0:59:42.080
<v Speaker 1>Just hate it. Especially talking to Jason.

0:59:42.440 --> 0:59:43.880
<v Speaker 2>I know what you mean. You hate that. You don't

0:59:43.960 --> 0:59:46.000
<v Speaker 2>like them as much as we don't like them, you know.

0:59:46.240 --> 0:59:49.280
<v Speaker 1>But even himself he said when he read it it

0:59:49.400 --> 0:59:52.320
<v Speaker 1>was weird. Yeah, when they did it, it felt weird.

0:59:52.440 --> 0:59:57.080
<v Speaker 2>But here's the thing, we have to be Okay, I

0:59:57.080 --> 0:59:59.919
<v Speaker 2>don't care if you've got five dollars or five hundred million.

1:00:00.680 --> 1:00:02.840
<v Speaker 2>Some movies are gonna be good, and some movies are

1:00:02.840 --> 1:00:05.240
<v Speaker 2>gonna be not that great, and some movies are gonna

1:00:05.240 --> 1:00:08.320
<v Speaker 2>be terrible, and there's gonna be everything in between. Yeah,

1:00:08.400 --> 1:00:11.040
<v Speaker 2>that we are getting spoiled by some of these movies.

1:00:11.120 --> 1:00:12.760
<v Speaker 2>A because I know I'm watching them in the wrong

1:00:12.800 --> 1:00:15.280
<v Speaker 2>state of mind, and I know that they're good movies

1:00:15.280 --> 1:00:17.400
<v Speaker 2>for what they're supposed to be, And I'm trying to

1:00:17.400 --> 1:00:20.160
<v Speaker 2>get better at being like, this is a good movie.

1:00:20.360 --> 1:00:23.080
<v Speaker 2>I'm just being a jerk about it because I'm watching

1:00:23.120 --> 1:00:25.200
<v Speaker 2>it in the wrong frame of mind or whatever. And

1:00:25.200 --> 1:00:26.960
<v Speaker 2>this is actually a good movie for what it's supposed

1:00:26.960 --> 1:00:29.400
<v Speaker 2>to be. That being said, some of these just aren't

1:00:29.400 --> 1:00:31.920
<v Speaker 2>gonna be good movies. Yeah, And this just wasn't a

1:00:31.960 --> 1:00:37.720
<v Speaker 2>good great cast, great director, It looked nice, Yeah, but

1:00:37.840 --> 1:00:39.960
<v Speaker 2>the story and the script were terrible.

1:00:40.400 --> 1:00:40.880
<v Speaker 3>I'm sorry.

1:00:40.880 --> 1:00:43.200
<v Speaker 2>I don't understand the movies. I don't understand the motivation

1:00:43.280 --> 1:00:46.240
<v Speaker 2>for kidnapping either time. None of it made any sense.

1:00:46.280 --> 1:00:50.000
<v Speaker 2>They didn't explain anything. It just wasn't a good It just.

1:00:50.120 --> 1:00:52.800
<v Speaker 1>Didn't hit the mark. And that is what's so.

1:00:53.240 --> 1:00:55.760
<v Speaker 2>It's so rare to be this off.

1:00:55.880 --> 1:00:58.880
<v Speaker 1>Yeah, to be this off. It just is so rare,

1:00:58.920 --> 1:01:01.360
<v Speaker 1>and it's like, what's sucks for me? What I think

1:01:01.480 --> 1:01:04.320
<v Speaker 1>I start why I think? I was like almost getting irritated?

1:01:04.560 --> 1:01:08.880
<v Speaker 1>Is this movie? You know? Within this time while they

1:01:08.920 --> 1:01:14.120
<v Speaker 1>were filming this was Disney's way to give the kids

1:01:14.160 --> 1:01:18.200
<v Speaker 1>on their channel that aren't the number one on the

1:01:18.200 --> 1:01:21.400
<v Speaker 1>call sheet, right, they're the twos, the threes, the fours, whatever,

1:01:21.920 --> 1:01:25.840
<v Speaker 1>giving them an opportunity to have a shining light on them.

1:01:26.200 --> 1:01:26.480
<v Speaker 2>Yep.

1:01:27.280 --> 1:01:30.440
<v Speaker 1>So I really had high hopes that this was going

1:01:30.520 --> 1:01:32.480
<v Speaker 1>to be just such a great movie because I'm sure

1:01:32.480 --> 1:01:35.680
<v Speaker 1>the kids appreciated it. I'm sure their parents did you

1:01:35.720 --> 1:01:37.160
<v Speaker 1>know what I mean? Like all of that, like it

1:01:37.200 --> 1:01:39.240
<v Speaker 1>was it should it was set up to be something

1:01:39.320 --> 1:01:42.400
<v Speaker 1>really great and again and am I just in a

1:01:42.440 --> 1:01:44.760
<v Speaker 1>bad mood right now? I'm just not interested in watching this?

1:01:44.880 --> 1:01:47.760
<v Speaker 1>Or did I set my expectations just too high? Like

1:01:47.800 --> 1:01:50.200
<v Speaker 1>I kept trying to make it my fault, but it

1:01:50.240 --> 1:01:52.840
<v Speaker 1>was like, but I'm lost, I'm lost and this isn't

1:01:53.120 --> 1:01:56.720
<v Speaker 1>like making sense, and so you know we'll get to

1:01:56.720 --> 1:01:59.760
<v Speaker 1>my sacs subritis ses are more so like suggestion.

1:02:00.120 --> 1:02:03.760
<v Speaker 2>Yeah yeah, yeah, I know, no I will, I will

1:02:03.760 --> 1:02:08.480
<v Speaker 2>say this. I I was very impressed with Emily Osma. Yeah,

1:02:08.600 --> 1:02:11.040
<v Speaker 2>I thought for what they gave her, I thought she

1:02:11.040 --> 1:02:13.840
<v Speaker 2>she did great. They should have had her star and

1:02:13.880 --> 1:02:17.520
<v Speaker 2>a number of other d coms because she They didn't

1:02:17.560 --> 1:02:19.800
<v Speaker 2>give her a whole lot and she every beat was

1:02:19.840 --> 1:02:22.840
<v Speaker 2>real and you easily could have made this where this

1:02:23.040 --> 1:02:25.640
<v Speaker 2>was like, this was terrible, but she was great. So

1:02:25.800 --> 1:02:27.720
<v Speaker 2>there's there's some bright lights. But yes, this was a

1:02:27.760 --> 1:02:36.520
<v Speaker 2>tough one. Well let's see what other people thought about it,

1:02:36.560 --> 1:02:38.320
<v Speaker 2>and let's do our real reviews. Do you want the

1:02:38.320 --> 1:02:41.400
<v Speaker 2>five star, the one start? You want the one?

1:02:41.440 --> 1:02:41.720
<v Speaker 1>All right?

1:02:41.720 --> 1:02:43.800
<v Speaker 2>I will take the five star and the five star

1:02:43.880 --> 1:02:46.600
<v Speaker 2>is written by our old friend who Noma is back.

1:02:47.320 --> 1:02:50.600
<v Speaker 2>Here we go. Everyone experiences being written as a book.

1:02:51.120 --> 1:02:53.480
<v Speaker 2>Every day we realize something is always missing. But in

1:02:53.520 --> 1:02:56.360
<v Speaker 2>fact it was beside us all along. Treasure someone you

1:02:56.400 --> 1:03:00.000
<v Speaker 2>love and never let it go away without regrets. Five star.

1:03:02.120 --> 1:03:05.160
<v Speaker 2>I'm not sure the person even saw the movie, but

1:03:05.240 --> 1:03:07.480
<v Speaker 2>there you go. Can you give us the one star?

1:03:08.120 --> 1:03:13.640
<v Speaker 1>Oh? Yes, the one star was from Zachary. Oh why

1:03:13.680 --> 1:03:15.280
<v Speaker 1>are you kidnapping dads?

1:03:16.080 --> 1:03:20.840
<v Speaker 2>It's a logical question. One star? Okay, Well we are

1:03:21.280 --> 1:03:24.480
<v Speaker 2>gonna come to the fun part. My favorite and of

1:03:24.480 --> 1:03:27.720
<v Speaker 2>course bring his favorite part of the podcast. We are

1:03:28.040 --> 1:03:29.760
<v Speaker 2>doing our future game this week, and our future game

1:03:29.800 --> 1:03:32.400
<v Speaker 2>this week is called lit or Miss. Thank you very much.

1:03:33.360 --> 1:03:36.560
<v Speaker 2>Producer Jensen can come up with him, Kenny. We're gonna

1:03:36.560 --> 1:03:40.040
<v Speaker 2>be giving the names of classical books and four choices

1:03:40.080 --> 1:03:44.240
<v Speaker 2>of authors. If we get three of five authors correctly,

1:03:44.280 --> 1:03:48.640
<v Speaker 2>we win. I'm gonna let you pick first every time

1:03:48.720 --> 1:03:51.360
<v Speaker 2>because I just glanced at them and I think I

1:03:51.400 --> 1:03:52.160
<v Speaker 2>know the answer to.

1:03:52.120 --> 1:03:54.000
<v Speaker 1>All do you? Yes? Damn it?

1:03:54.840 --> 1:03:57.920
<v Speaker 2>So go ahead. We're gonna start number one. Pride and

1:03:58.000 --> 1:04:02.320
<v Speaker 2>Prejudice was Pride and Prejudice written by A. Emily Dickinson, B.

1:04:02.640 --> 1:04:09.720
<v Speaker 2>Jane Austen see Charlotte Bronte or D Judy Blue.

1:04:10.320 --> 1:04:13.840
<v Speaker 3>You Jensen please say d.

1:04:18.800 --> 1:04:25.160
<v Speaker 2>U C. Charlotte Bronte is who you think? Okay? I'm

1:04:25.160 --> 1:04:27.520
<v Speaker 2>pretty sure Pride and Prejudice is actually a Jane Austen novel.

1:04:27.560 --> 1:04:33.480
<v Speaker 2>It's b chance, it's okay, number per chance. Number two,

1:04:34.280 --> 1:04:38.520
<v Speaker 2>Moby Dick was that a Mark Twain, B. William Faulkner,

1:04:38.720 --> 1:04:43.040
<v Speaker 2>c Herman Melville or D. Dan brown S. D Oh

1:04:43.080 --> 1:04:44.840
<v Speaker 2>my god, Moby Dick would have been great written by

1:04:44.920 --> 1:04:47.120
<v Speaker 2>Dan Brown where it's like Moby Dick is actually you

1:04:47.160 --> 1:04:48.920
<v Speaker 2>know Jesus's dad.

1:04:50.800 --> 1:04:50.840
<v Speaker 4>B.

1:04:51.880 --> 1:04:54.600
<v Speaker 2>William Faukner. Okay, I'm gonna go with the right answer,

1:04:54.600 --> 1:04:59.600
<v Speaker 2>which is C Herman Melville. Now percentage wise the next

1:04:59.640 --> 1:05:06.160
<v Speaker 2>one she's supposed to get just percentage why supposed to get? Oh, no,

1:05:06.640 --> 1:05:08.640
<v Speaker 2>number three, to kill a mockingbird?

1:05:08.720 --> 1:05:11.320
<v Speaker 1>I'm gonna I'm asking percentage.

1:05:12.360 --> 1:05:14.360
<v Speaker 3>A percentage you're supposed to get this one? Here we go.

1:05:15.000 --> 1:05:19.240
<v Speaker 2>Is it A Truman Capote, B. JD. Salinger, C. Harper

1:05:19.320 --> 1:05:21.440
<v Speaker 2>Lee or D. Jackie Collins.

1:05:21.640 --> 1:05:28.560
<v Speaker 1>Okay, Oh, I don't know, I have no a.

1:05:28.720 --> 1:05:32.040
<v Speaker 3>Oh the percentages failed us. It is C.

1:05:32.360 --> 1:05:34.920
<v Speaker 2>Harper Lee. Is the answer to to kill a mockingbird?

1:05:35.000 --> 1:05:37.440
<v Speaker 2>She was? She was Truman Capote's assistant, and that was

1:05:37.440 --> 1:05:38.840
<v Speaker 2>the book. She went off and wrote on her own.

1:05:38.880 --> 1:05:40.720
<v Speaker 3>It is, by the way, it is harder to get

1:05:40.800 --> 1:05:43.439
<v Speaker 3>zero right then it would be to get all five

1:05:43.640 --> 1:05:48.640
<v Speaker 3>percentage wise. Number four.

1:05:50.080 --> 1:05:54.040
<v Speaker 1>The fact that you get so much joy Jensen of

1:05:54.320 --> 1:05:57.720
<v Speaker 1>creating this bolt is just insane.

1:05:57.800 --> 1:05:59.960
<v Speaker 3>I don't know which joy as much as.

1:05:59.320 --> 1:06:00.560
<v Speaker 2>It likes joy.

1:06:01.560 --> 1:06:07.800
<v Speaker 3>Shame on you, You're bliss. Shame on you, boss boss.

1:06:09.880 --> 1:06:15.400
<v Speaker 2>Number four. The picture of Dorian Gray.

1:06:13.920 --> 1:06:17.600
<v Speaker 1>Never listens to this episode. She's gonna be so irritated.

1:06:17.720 --> 1:06:19.880
<v Speaker 1>Why reader, Oh my god.

1:06:19.840 --> 1:06:23.600
<v Speaker 2>Yes, picture of Dorian Gray, A, Edgar Allan Poe, b

1:06:23.880 --> 1:06:31.160
<v Speaker 2>Oscar Wilde, C Charles Dickens or d J. K Rowling. A. Okay,

1:06:31.200 --> 1:06:33.080
<v Speaker 2>it's b Oscar Wilde is the answer.

1:06:33.320 --> 1:06:37.800
<v Speaker 3>We are so close to a no hitter. I'm so excited.

1:06:38.640 --> 1:06:44.200
<v Speaker 3>I can't take that. One more number five, one more crowd?

1:06:44.240 --> 1:06:45.000
<v Speaker 3>So silent?

1:06:49.440 --> 1:06:53.400
<v Speaker 2>Is it? A? Is it? You're just picking A? I

1:06:53.440 --> 1:06:57.200
<v Speaker 2>mean it's the same chances it's a Victor Hugo, b

1:06:57.520 --> 1:07:02.960
<v Speaker 2>Emily Sola See Gustave Flaubert or d Jim Davis. Hey,

1:07:03.400 --> 1:07:07.480
<v Speaker 2>you're gonna go a day. It is A.

1:07:08.880 --> 1:07:17.120
<v Speaker 3>She just needed to not hear the names. What she

1:07:17.240 --> 1:07:19.280
<v Speaker 3>got right is pick a letter A, B or C.

1:07:20.080 --> 1:07:22.520
<v Speaker 3>That's awesome. I think that's honestly, this is the best

1:07:22.560 --> 1:07:23.680
<v Speaker 3>boss for alcome.

1:07:27.800 --> 1:07:29.280
<v Speaker 1>Shame.

1:07:32.080 --> 1:07:34.800
<v Speaker 2>But by the way, Jensen, I'm gonna need a copy

1:07:34.800 --> 1:07:37.320
<v Speaker 2>of Moby Dick written by Dan Brown.

1:07:38.080 --> 1:07:39.960
<v Speaker 3>Sounds like a job for chat GBT.

1:07:42.040 --> 1:07:44.320
<v Speaker 2>Thank you so much, producer Jensen for once again making

1:07:44.360 --> 1:07:46.760
<v Speaker 2>my day. That is absolutely wonderful. Can we do some

1:07:46.880 --> 1:07:51.080
<v Speaker 2>Sabrina sees.

1:07:52.160 --> 1:08:00.200
<v Speaker 1>Yes, please, We've got to get past this. Okay, So well,

1:08:00.840 --> 1:08:04.360
<v Speaker 1>we basically talked about every single one that was on it.

1:08:04.480 --> 1:08:07.880
<v Speaker 1>Just the question of the craziness one of the things

1:08:07.880 --> 1:08:10.120
<v Speaker 1>that I, honestly, I'm so glad you brought up. How

1:08:10.120 --> 1:08:13.040
<v Speaker 1>we did not see that kind of idea of an

1:08:13.080 --> 1:08:16.000
<v Speaker 1>action play of the book so that we got a

1:08:16.000 --> 1:08:18.519
<v Speaker 1>little bit more. That would have been an easy way

1:08:18.560 --> 1:08:21.320
<v Speaker 1>for them to give us the information of these holes.

1:08:21.840 --> 1:08:24.639
<v Speaker 1>And again I don't know, I would assume that they did,

1:08:24.680 --> 1:08:27.240
<v Speaker 1>but for some reason pulled them out. It has to be.

1:08:27.360 --> 1:08:30.720
<v Speaker 1>But the only one we didn't talk about was, you know,

1:08:30.720 --> 1:08:33.800
<v Speaker 1>we did like that would explain floss, because floss is

1:08:33.840 --> 1:08:38.280
<v Speaker 1>not explained at all, how he uses flaws, why floss

1:08:38.360 --> 1:08:41.120
<v Speaker 1>is a thing would be done easily by just doing

1:08:41.120 --> 1:08:43.960
<v Speaker 1>a quick scene with him with the floss and why

1:08:44.000 --> 1:08:46.639
<v Speaker 1>these kids are using floss to tie people up and whatever.

1:08:47.200 --> 1:08:53.519
<v Speaker 1>And then I did notice the handcuff situation. I thought

1:08:53.800 --> 1:08:57.320
<v Speaker 1>that was a second one of she thinks back about

1:08:57.400 --> 1:08:59.720
<v Speaker 1>something that her dad wrote in the movie of how

1:08:59.760 --> 1:09:02.439
<v Speaker 1>he gotten out of handcuffs before, and that's how she

1:09:02.479 --> 1:09:03.200
<v Speaker 1>gets out of it.

1:09:03.360 --> 1:09:04.400
<v Speaker 2>That would have been nice to see.

1:09:04.560 --> 1:09:07.240
<v Speaker 1>The only thing we didn't see or didn't talk about,

1:09:07.320 --> 1:09:09.840
<v Speaker 1>but that was like an extra thing, like using that

1:09:09.920 --> 1:09:11.840
<v Speaker 1>as a way to explain some of the stuff that

1:09:12.120 --> 1:09:13.920
<v Speaker 1>I get it. You're you're trying to keep it quick

1:09:13.920 --> 1:09:15.840
<v Speaker 1>and moving, but like it would have been a little

1:09:15.840 --> 1:09:19.360
<v Speaker 1>bit helpful. But I did have to ask you, do

1:09:19.400 --> 1:09:22.799
<v Speaker 1>you feel like you were triggered because it's all around

1:09:22.960 --> 1:09:25.080
<v Speaker 1>this con thing that you go to and you know

1:09:25.560 --> 1:09:26.960
<v Speaker 1>the ins and outs of it.

1:09:26.920 --> 1:09:28.800
<v Speaker 2>Like, well, it just was it just it seemed to

1:09:28.800 --> 1:09:30.479
<v Speaker 2>be written by somebody who's never really been to a

1:09:30.520 --> 1:09:33.840
<v Speaker 2>con That's what I mean. Yeah, that's some of it

1:09:33.880 --> 1:09:36.080
<v Speaker 2>is that you know, like the stuff they do on stage,

1:09:36.160 --> 1:09:38.439
<v Speaker 2>if they have a contest or something, that stuff can happen.

1:09:38.479 --> 1:09:41.799
<v Speaker 2>People dressing up, that stuff can clearly happen. Nobody's throwing

1:09:41.960 --> 1:09:44.759
<v Speaker 2>slime and stuff all over the place at a convention.

1:09:44.880 --> 1:09:49.559
<v Speaker 2>That doesn't happen. Also, the author of the book would

1:09:49.600 --> 1:09:52.600
<v Speaker 2>be sitting behind a desk with his book set up,

1:09:52.640 --> 1:09:54.280
<v Speaker 2>and there'd be a line of people waiting to meet

1:09:54.320 --> 1:09:56.160
<v Speaker 2>him and sign there. He's not just what You're not

1:09:56.200 --> 1:09:59.280
<v Speaker 2>just randomly walking around signing autographs at a convention. You're like,

1:09:59.360 --> 1:10:00.920
<v Speaker 2>you have a table set up and people come and

1:10:00.960 --> 1:10:04.400
<v Speaker 2>talk to you and do so they were let's say

1:10:04.560 --> 1:10:06.680
<v Speaker 2>if I'm being generous, they were playing it fast and

1:10:06.680 --> 1:10:07.799
<v Speaker 2>loose with the con world.

1:10:07.960 --> 1:10:11.920
<v Speaker 1>Okay, y, yes, which I think for some you know,

1:10:12.080 --> 1:10:15.000
<v Speaker 1>I what it seems like. Again, I've never done it,

1:10:15.040 --> 1:10:17.679
<v Speaker 1>but I watched Big Bang Theory all the time. They

1:10:17.800 --> 1:10:20.439
<v Speaker 1>talk about cons a lot, and a lot of the

1:10:20.479 --> 1:10:24.840
<v Speaker 1>people go are like really huge and amazing fans and

1:10:25.120 --> 1:10:27.680
<v Speaker 1>so awesome. I would think that this would be like

1:10:27.840 --> 1:10:29.720
<v Speaker 1>something that they'd be like, that's not how it is

1:10:29.760 --> 1:10:31.920
<v Speaker 1>at all, Like what you know, it would be like

1:10:31.960 --> 1:10:34.840
<v Speaker 1>somebody who does right for Big Bang to not ever

1:10:34.880 --> 1:10:36.559
<v Speaker 1>go to them like yeah, I mean.

1:10:36.439 --> 1:10:38.320
<v Speaker 2>Again, they got some of it right, but a lot

1:10:38.320 --> 1:10:40.519
<v Speaker 2>of it not right, just way way off. And I

1:10:40.560 --> 1:10:42.080
<v Speaker 2>want to take you to one because they are so

1:10:42.240 --> 1:10:45.200
<v Speaker 2>much fun and so inclusive and everybody's welcome and everybody

1:10:45.280 --> 1:10:47.760
<v Speaker 2>can just be weird and nerdy. It's the greatest thing.

1:10:47.800 --> 1:10:50.559
<v Speaker 1>It's awesome, so fun, so fun, you know. But I

1:10:50.640 --> 1:10:53.120
<v Speaker 1>feel like that that was something that was kind of going,

1:10:53.320 --> 1:10:56.120
<v Speaker 1>I bet you will so irritate. It can't be this

1:10:56.200 --> 1:10:58.880
<v Speaker 1>can't be what it's like like it just you know.

1:10:59.360 --> 1:11:00.920
<v Speaker 1>And then I was also we like, as the author

1:11:01.120 --> 1:11:04.240
<v Speaker 1>of the thing that they're all coming like it's very unsafe.

1:11:04.240 --> 1:11:07.120
<v Speaker 1>He has like no security like of any sort, like

1:11:07.400 --> 1:11:10.880
<v Speaker 1>not walking around, not how it's done, you know, and

1:11:11.000 --> 1:11:14.360
<v Speaker 1>staying at that same hotel, like people could walk that happens.

1:11:14.800 --> 1:11:17.200
<v Speaker 2>That happened. Oh there's times where you're you're staying at

1:11:17.200 --> 1:11:19.120
<v Speaker 2>the hotel where the convention actually takes place, and you're

1:11:19.160 --> 1:11:20.840
<v Speaker 2>riding in the elevator with all the fans and all

1:11:20.880 --> 1:11:23.439
<v Speaker 2>that stuff. That's actually that thing happened. That happens quite often.

1:11:23.760 --> 1:11:25.120
<v Speaker 1>I could follow you to your room.

1:11:25.680 --> 1:11:28.320
<v Speaker 3>I mean, you have weird things. Had major problems with

1:11:28.400 --> 1:11:29.080
<v Speaker 3>Danielle before.

1:11:29.640 --> 1:11:33.759
<v Speaker 2>Not just Danielle. I've had people follow me to different countries, like.

1:11:33.720 --> 1:11:37.200
<v Speaker 1>When we oh my god, oh yeah, no, I got it.

1:11:37.200 --> 1:11:39.240
<v Speaker 1>Can be back when we were on tour, it was

1:11:39.320 --> 1:11:42.360
<v Speaker 1>so important of where we like, it was to the

1:11:42.400 --> 1:11:47.519
<v Speaker 1>point where we had to like take a van away

1:11:47.560 --> 1:11:49.720
<v Speaker 1>from the bus and get dropped off because if they

1:11:49.920 --> 1:11:53.320
<v Speaker 1>followed our bus, then now we're like, you know, in

1:11:53.360 --> 1:11:54.799
<v Speaker 1>a hotel room with somebody.

1:11:54.840 --> 1:11:56.680
<v Speaker 2>And you know how many times that we were on

1:11:56.720 --> 1:11:58.400
<v Speaker 2>tour for Podney's World Live or would there be a

1:11:58.439 --> 1:12:02.200
<v Speaker 2>group of people waiting in the lobby for us.

1:12:02.400 --> 1:12:04.120
<v Speaker 1>Oh gosh, no, that is so unsafe.

1:12:04.320 --> 1:12:08.400
<v Speaker 2>Yeah, Okay, anyway, that's real. That happens a lot. Wow, okay,

1:12:08.560 --> 1:12:11.280
<v Speaker 2>all right, we weren't staying at the murk, but that's

1:12:11.320 --> 1:12:11.799
<v Speaker 2>all right.

1:12:12.800 --> 1:12:17.880
<v Speaker 1>I think. God yeah, I mean Adrian had her entire

1:12:17.920 --> 1:12:20.400
<v Speaker 1>luggage stolen by like one of the fans that was

1:12:20.439 --> 1:12:24.200
<v Speaker 1>out like it saw us come in and our the

1:12:24.200 --> 1:12:26.680
<v Speaker 1>assistant was like taking you know, the fans supposed to

1:12:26.680 --> 1:12:29.840
<v Speaker 1>put it on a bell hop and like literally she

1:12:29.960 --> 1:12:31.639
<v Speaker 1>on tour had no clothes nothing.

1:12:31.760 --> 1:12:34.559
<v Speaker 2>That's the thing is ninety nine point nine percent of

1:12:34.560 --> 1:12:38.280
<v Speaker 2>the fans you meet are the nicest, the best, coolest, Yes,

1:12:38.880 --> 1:12:41.440
<v Speaker 2>just you just want to hang out with them. They're respectful,

1:12:41.560 --> 1:12:44.000
<v Speaker 2>they're the greatest people in the world. It's that tinye

1:12:44.080 --> 1:12:44.880
<v Speaker 2>point one percent.

1:12:45.200 --> 1:12:48.360
<v Speaker 1>But the problem is that point one percent stays with

1:12:48.400 --> 1:12:52.000
<v Speaker 1>you forever. Yeah, you never forget that. Those those very

1:12:52.040 --> 1:12:55.040
<v Speaker 1>small and very far between. Oh yeah, very very small

1:12:55.080 --> 1:12:56.960
<v Speaker 1>for sure, you know. Wow.

1:12:57.439 --> 1:13:00.960
<v Speaker 2>All right, all right, can we read our our options

1:13:00.960 --> 1:13:03.599
<v Speaker 2>for this week? Yeah, I'm not gonna make a joke

1:13:03.640 --> 1:13:08.480
<v Speaker 2>on it. One to ten, one bad, ten good. Uh.

1:13:08.600 --> 1:13:11.639
<v Speaker 2>Our options this week one out of ten Spoiler Book reports,

1:13:12.200 --> 1:13:16.519
<v Speaker 2>one out of ten legally acceptable scrabble ripoffs onion smells

1:13:17.439 --> 1:13:22.200
<v Speaker 2>floss floss flosses one out of ten, book splat trip traps,

1:13:22.600 --> 1:13:25.519
<v Speaker 2>one out of ten, Stockholm syndromes, one out of ten,

1:13:25.600 --> 1:13:29.080
<v Speaker 2>double kidnappings, presidential pickles, one out of ten, best pizza

1:13:29.080 --> 1:13:31.679
<v Speaker 2>cross in town, or one out of ten large piles

1:13:31.680 --> 1:13:33.519
<v Speaker 2>of coleslaw. I think I get to pick this week,

1:13:33.560 --> 1:13:37.000
<v Speaker 2>don't I do? And just because it's so difficult to say,

1:13:37.240 --> 1:13:39.960
<v Speaker 2>I want to do one out of ten book slap books. Ye,

1:13:40.280 --> 1:13:42.160
<v Speaker 2>screw book splat trip traps.

1:13:42.479 --> 1:13:46.639
<v Speaker 1>All right, all right, I think you went first last week.

1:13:46.720 --> 1:13:48.400
<v Speaker 2>If I did, I believe I did.

1:13:49.040 --> 1:13:52.439
<v Speaker 1>Okay, so I'm going to go first. And this was

1:13:52.600 --> 1:13:58.000
<v Speaker 1>rough because again I have such so much love and

1:13:58.200 --> 1:14:01.800
<v Speaker 1>so much respect for these acts, and I freaking love

1:14:01.880 --> 1:14:05.880
<v Speaker 1>me some Paul Owen. This was tough for me. There

1:14:05.920 --> 1:14:08.280
<v Speaker 1>was too many holes for me to even enjoy it

1:14:08.360 --> 1:14:11.640
<v Speaker 1>at all at times. But the cast was phenomenal and

1:14:11.680 --> 1:14:13.920
<v Speaker 1>they did a great job, so that bumps it up

1:14:13.920 --> 1:14:16.800
<v Speaker 1>for me a little bit. I'm giving this a five

1:14:16.840 --> 1:14:24.599
<v Speaker 1>point five book slap trap traps into that way, five

1:14:26.840 --> 1:14:30.000
<v Speaker 1>five point five book slap traps.

1:14:31.040 --> 1:14:34.880
<v Speaker 2>There you go. Yeah, the the cast saved it a

1:14:34.880 --> 1:14:38.040
<v Speaker 2>little bit, but not enough for me. This was this

1:14:38.240 --> 1:14:41.080
<v Speaker 2>was I mean, it just was all over the place.

1:14:41.320 --> 1:14:45.000
<v Speaker 2>This was such a strange movie. Again, great cast, I

1:14:45.040 --> 1:14:46.760
<v Speaker 2>didn't even think about this before you said it. You're

1:14:46.760 --> 1:14:49.679
<v Speaker 2>one hundred percent right. It was a great opportunity for

1:14:49.760 --> 1:14:51.720
<v Speaker 2>the seconds and thirds on the call sheets to have

1:14:52.200 --> 1:14:54.160
<v Speaker 2>something to do, and they all did great with what

1:14:54.200 --> 1:14:56.120
<v Speaker 2>they were given. But the problem is what they were

1:14:56.160 --> 1:14:59.800
<v Speaker 2>given was not good. So yeah, this is this is

1:15:00.120 --> 1:15:04.040
<v Speaker 2>to be a four for me four booksplat Trip Traps.

1:15:05.400 --> 1:15:07.360
<v Speaker 2>This just this was not a good movie. And some

1:15:07.400 --> 1:15:09.240
<v Speaker 2>of them aren't gonna be good. And I think most

1:15:09.240 --> 1:15:11.960
<v Speaker 2>people know that we're fans, and fans don't want to

1:15:12.000 --> 1:15:14.040
<v Speaker 2>be I don't want to sit here in bash Disney.

1:15:14.080 --> 1:15:16.680
<v Speaker 2>I don't want to bash actors that we like, and

1:15:16.720 --> 1:15:19.000
<v Speaker 2>not every movie is gonna be good, and this, unfortunately

1:15:19.160 --> 1:15:21.120
<v Speaker 2>is you know, we're gonna be able to count on

1:15:21.120 --> 1:15:23.360
<v Speaker 2>one hand with four fingers left over the amount of

1:15:23.360 --> 1:15:26.400
<v Speaker 2>Paul Hoan movies that aren't good on the Disney Channel.

1:15:27.439 --> 1:15:30.439
<v Speaker 1>Seriously, this is and I think it goes to show too.

1:15:30.520 --> 1:15:35.640
<v Speaker 1>Like we've talked to now Paul and Jason Earles, this

1:15:35.800 --> 1:15:38.000
<v Speaker 1>what I don't think this is something they look back

1:15:38.040 --> 1:15:41.559
<v Speaker 1>at super fondly either like thinking it was you know, like,

1:15:41.600 --> 1:15:43.320
<v Speaker 1>I don't feel like they felt like this was their

1:15:43.479 --> 1:15:45.840
<v Speaker 1>They mean, at least neither of them mentioned this one.

1:15:46.000 --> 1:15:47.519
<v Speaker 2>Yeah. No, And I think they both just think it's

1:15:47.640 --> 1:15:50.080
<v Speaker 2>just weird because it's it is. It's just weird. It's

1:15:50.080 --> 1:15:53.720
<v Speaker 2>fever dreamish, nothing makes sense, nothing comes back. Wait, why

1:15:53.760 --> 1:15:56.839
<v Speaker 2>are they even kidnapping it? It is a very strange

1:15:56.880 --> 1:16:00.240
<v Speaker 2>movie all the way around. Yeah, yeah, well so okay, Well,

1:16:00.280 --> 1:16:02.519
<v Speaker 2>thank you everybody for joining us for our next movie.

1:16:02.640 --> 1:16:04.639
<v Speaker 2>We're actually only gonna go back for a few years

1:16:04.680 --> 1:16:07.160
<v Speaker 2>for a more recent edition of the collection. It's twenty

1:16:07.240 --> 1:16:11.479
<v Speaker 2>twenty one's Spin, available now to watch via Disney Plus.

1:16:11.520 --> 1:16:13.320
<v Speaker 2>And this week, as we've talked about many times now

1:16:13.360 --> 1:16:16.479
<v Speaker 2>in our dedicated magical Rewine Feed, we are absolutely thrilled

1:16:16.479 --> 1:16:19.320
<v Speaker 2>to have chatted with a Disney legend merv from Dad

1:16:19.360 --> 1:16:22.320
<v Speaker 2>napped himself and from another little something. What was that

1:16:22.320 --> 1:16:25.400
<v Speaker 2>thing he did? The anamn tana.

1:16:25.560 --> 1:16:29.120
<v Speaker 1>It's Jason Earl's Hannah Banana, as he calls it.

1:16:29.040 --> 1:16:32.400
<v Speaker 2>Hannah Banana, And we talk about everything. It was a really,

1:16:32.479 --> 1:16:35.000
<v Speaker 2>really fun conversation. It really was. Here is a small

1:16:35.000 --> 1:16:35.960
<v Speaker 2>taste of what's to come.

1:16:37.479 --> 1:16:39.760
<v Speaker 4>I did a bunch of extra work for Disney before

1:16:39.800 --> 1:16:40.839
<v Speaker 4>I ever booked anything.

1:16:40.960 --> 1:16:43.000
<v Speaker 1>And really that's cool if.

1:16:42.840 --> 1:16:45.880
<v Speaker 4>You watch that, So Raven, I'm in a ton of that,

1:16:46.000 --> 1:16:49.120
<v Speaker 4>So Raven, including my favorite behind the scenes thing of

1:16:49.400 --> 1:16:50.840
<v Speaker 4>there was I think it was an episode where she

1:16:50.880 --> 1:16:53.640
<v Speaker 4>was like running for student office or something and they

1:16:53.640 --> 1:16:56.640
<v Speaker 4>were supposed to be an auditorium full of students, but

1:16:56.800 --> 1:17:00.280
<v Speaker 4>like on a Disney budget sometimes there's nine, there was

1:17:00.320 --> 1:17:02.400
<v Speaker 4>literally like twenty of us, right, and we wore our

1:17:02.439 --> 1:17:04.880
<v Speaker 4>stuff and we sat in a section, and then we

1:17:04.920 --> 1:17:07.240
<v Speaker 4>went and we changed our clothes and they sat that's

1:17:07.280 --> 1:17:09.639
<v Speaker 4>another section. And then so when you look at the scene,

1:17:09.840 --> 1:17:12.560
<v Speaker 4>like there's a shot where I'm in like four places.

1:17:12.840 --> 1:17:14.000
<v Speaker 1>It's in port of an outfit.

1:17:14.800 --> 1:17:15.680
<v Speaker 4>It's fantastic.

1:17:17.520 --> 1:17:20.519
<v Speaker 2>That was a good one. And dcom Icon try saying

1:17:20.560 --> 1:17:24.280
<v Speaker 2>that five time fat dcom Icon dcom Icon in our opinion,

1:17:24.280 --> 1:17:26.440
<v Speaker 2>he's great. So make sure you subscribe to our dedicated

1:17:26.479 --> 1:17:29.479
<v Speaker 2>Magical Rewind feed on Apple Podcasts, iHeartRadio or wherever you

1:17:29.560 --> 1:17:31.840
<v Speaker 2>get your podcasts, and for more info, you can always

1:17:31.880 --> 1:17:35.000
<v Speaker 2>follow us at Magical rewind Pod on the Instagram machine.

1:17:35.280 --> 1:17:49.120
<v Speaker 2>Go do that now, Thanks everybody, Bye bye,