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Speaker 1: Oh man, will I am excited it is.

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Speaker 2: About our movie today, or about something else, or about everything.

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Speaker 1: I have had a dream for a long time to

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Speaker 1: have a dance athletic line.

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Speaker 2: Me too.

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Speaker 1: Yes, I know it's finally happening. I've been looking on

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Speaker 1: this for a couple of years. Our VIPs were able

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Speaker 1: to start ordering on Sunday, and now I'm sitting impatiently

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Speaker 1: waiting because it is going live tomorrow. I'm really really

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Speaker 1: excited for this. It's an exclusive dancewear towards you know,

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Speaker 1: it's it's athletic, but it's really catered to dancers that

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Speaker 1: really want to elevate their dancing to the next level.

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Speaker 1: We've got these amazing grips that are on the sides

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Speaker 1: of the legging that will allow them to do extensions,

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Speaker 1: you know, all those flexible extensions you like to do. Yeah,

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Speaker 1: and when you do it, sometimes your legs slips out

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Speaker 1: of your hand because of the legging, so you sometimes

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Speaker 1: will scrunch and pull your leg up so that you

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Speaker 1: can get like skin on skin contact. This you don't

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Speaker 1: have to do that. You can literally grab it. It's

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Speaker 1: got actual grip like what football players use.

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Speaker 2: Smart.

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Speaker 1: Yeah, it's an athletic grip. So I'm so excited and

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Speaker 1: the colors and the material everything is just like gorgeous.

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Speaker 1: I'm so proud of this first line and this launch.

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Speaker 2: Well wait, how do I get it for when I'm

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Speaker 2: going to go dancing? Then how does one find this stuff?

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Speaker 1: So you'd go on my page or Sobrey Dance Official

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Speaker 1: on Instagram and there's a link right there, or you

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Speaker 1: can go just right to the website as well, Sobrey

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Speaker 1: Dance Official dot com.

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Speaker 2: Okay, cool, because my problem when I'm doing my extensions

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Speaker 2: is not that my leg slips out of my hand,

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Speaker 2: It's that my hips slips out of its joint. So

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Speaker 2: I don't know if that is Do these pants help that?

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Speaker 2: Or do you still have to dance? They don't teach

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Speaker 2: you how to dance?

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Speaker 1: Right, Unfortunately, it does not teach you, gotcha. The official

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Speaker 1: website is sobriofficial dot com. Nice and so yes, it's

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Speaker 1: so exciting. Well, I've been so giddy all week. I

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Speaker 1: just I can't believe this is finally happening.

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Speaker 2: Well, that's really cool. Is it just pants? Is it

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Speaker 2: pants and tops?

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Speaker 1: Where pants and tops? So it's broad tops. There's a

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Speaker 1: short one there's a mid and then there's a little

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Speaker 1: bit of a longer one. We've got Midnight Blue and

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Speaker 1: then we've got our Onyx Cheetah and our They're nice.

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Speaker 1: It's it's subtle. It's not hot, Pink. I will actually

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Speaker 1: do one eventually. It's a subtle it's gorgeous. Oh they're

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Speaker 1: so so beautiful.

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Speaker 2: Well, congratulations, that's awesome. Proud you. That's really cool. That's

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Speaker 2: really cool. Wait, say the website one more time so

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Speaker 2: everybody has it.

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Speaker 1: It's www dot sobrey s a b r I official

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Speaker 1: dot com.

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Speaker 2: Cool, So everybody go check it out. Go get some

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Speaker 2: awesome dance clothes. I know I'm gonna get some cuz

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Speaker 2: hopefully they're going to teach me how to dance, which

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Speaker 2: maybe they won't.

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Speaker 1: They're not miracle workers.

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Speaker 2: Yeah, exactly, exactly, they're pants. They are not talented and

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Speaker 2: exactly Well, congratulations on that, and welcome back everybody to

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Speaker 2: Magical Rewind, the show that makes you want to grab

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Speaker 2: your friends, your pjs and your popcorn and go back

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Speaker 2: to your time. And all the houses were smart, the

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Speaker 2: waves tsunamis, and the pants had little grippy things on me. No,

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Speaker 2: and the high school's musical I'm Will.

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Speaker 1: For Now and I'm Sabrina Brian.

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Speaker 2: Well, it's time to tackle a new d coom here

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Speaker 2: on Magical Rewind and it's one with a very common

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Speaker 2: theme for kids movies, taking hostages. It's two thousand and

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Speaker 2: nine's crime comedy Dad Napped. This movie, filled with a

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Speaker 2: lot of very familiar Disney faces, debuted on February sixteenth,

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Speaker 2: two thousand and nine, to a large fanfare, actually four

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Speaker 2: point six million viewers be exact, This was a big

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Speaker 2: hit for the channel, even besting the huge Nickelodeon Movie

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Speaker 2: of the Year Spectacular by over thirty nine percent, and frankly,

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Speaker 2: I'm never gonna watch that, so I won't know which

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Speaker 2: one's better either way. Here's the thing about this movie, though,

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Speaker 2: is despite it's Nielsen's success, Dad Nap was not a

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Speaker 2: favorite for critics, scoring a forty five percent on the

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Speaker 2: Popcorn Meter, with critic David Neussaer, I think I'm saying

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Speaker 2: that name right, calling it quote the lowest common denominator

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Speaker 2: quote end quote, underwhelming second unquote. But we are not

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Speaker 2: going to let that sway our votes. We are of

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Speaker 2: the people. And of course, despite these critical insults, it

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Speaker 2: did get a sequel in the form of a young

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Speaker 2: adult book. Dad Napped Junior novel was released around the

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Speaker 2: same time as the movie, so it does appear that

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Speaker 2: Disney had high hopes for this film. Interesting, Dad Napped

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Speaker 2: was shot on a very decent decom budget of four

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Speaker 2: point five million dollars and they shot it in wait

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Speaker 2: for it. Utah, We're back, baby. I feel like I

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Speaker 2: have so long right the world all make.

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Speaker 1: Forgot what Salt Lake City look like for a minute, right?

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Speaker 3: Okay?

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Speaker 2: So we asked this a couple questions to start the show.

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Speaker 2: What was your expertise when it came to Dad Naps?

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Speaker 2: Had you heard of Dad Nap? Did you know Dad

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Speaker 2: Nap or your Dad Naps fan?

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Speaker 1: I did not, but I will tell you I'm a

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Speaker 1: fan of every single person that's on that screen. So

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Speaker 1: I feel a little bit like I should have paid

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Speaker 1: attention to this one, because, Yeah, this cast was incredible.

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Speaker 2: I agree the cast was great.

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Speaker 1: What about you, will, is this was this year your

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Speaker 1: top one?

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Speaker 3: Uh?

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Speaker 2: Never know?

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Speaker 1: Never you thought when you think of d com you

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Speaker 1: don't think of Dad Nap.

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Speaker 2: I don't. I don't think of Dad No. I when

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Speaker 2: everybody knows when I think of d com I uh

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Speaker 2: think of when I'm not even going to think of it.

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Speaker 2: I'm not gonna say a bad title because we've been

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Speaker 2: through it. Go back and watch our old feed. You'll

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Speaker 2: know the ones I like and the ones that I

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Speaker 2: don't like. So here we go, floss floss, floss. It's

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Speaker 2: time we get into the synopsis Young Melissa Moore. You'll

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Speaker 2: understand that, hopefully young Melissa Morris is desperate to gain

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Speaker 2: more attention from her best selling author Dad, so when

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Speaker 2: her father gets kidnapped by obsessive fans, she must come

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Speaker 2: to the rescue, like the protagonist in one of his

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Speaker 2: popular spy novels, Sabrina. Early thoughts on Dad Nap Take

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Speaker 2: it Away? What do you think?

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Speaker 1: I found myself at a place where I have been

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Speaker 1: before with these d coms. I absolutely hated this Dad

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Speaker 1: for k I was just beyond disappointed. I literally could

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Speaker 1: not get out of my feelings about this dad for

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Speaker 1: the first fifteen to almost twenty minutes of this movie.

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Speaker 1: Like you are the most selfish, self absorbed A whole?

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Speaker 2: Is that all we're gonna get? Just a whole? That's it?

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Speaker 1: You are such a a anyway, you suck you suck lawyers.

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Speaker 1: Such a guy. I hated him so bad, and he's

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Speaker 1: like one of my favorite characters on Friends.

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Speaker 2: Yeah, well he's also a good guy. Somebody I've known

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Speaker 2: for a long time. That's George Newburn, who's the voice

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Speaker 2: of Superman in Justice League.

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Speaker 1: He's I did not know that anyway, kids, this character

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Speaker 1: was unreal as an adult acting and behaving this way.

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Speaker 1: I was very disappointed.

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Speaker 2: Did you like the movie?

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Speaker 1: Though?

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Speaker 2: I was.

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Speaker 1: It was kind of a lot to take in, right,

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Speaker 1: There's such a big cast. It was a little overwhelming

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Speaker 1: for me at the beginning to see everyone that kept

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Speaker 1: popping up and up and up and up. As you're going,

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Speaker 1: you're going, oh my god, Moises, is you? Oh my god?

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Speaker 1: You know you're going, okay, okay, what's your character? What

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Speaker 1: you know? It was a little I wasn't able to

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Speaker 1: really sit and chill on it for a while. It

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Speaker 1: wasn't until like halfway more closer to the end that

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Speaker 1: I was able to finally like relax and just watch

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Speaker 1: the movie. What about you?

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Speaker 2: Oh, Sabrina Brian, This is a tough one for me.

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Speaker 2: This movie is bananas and not kind of in a

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Speaker 2: good way. This did not feel like a decom to me,

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Speaker 2: you know what this felt like? To me, this felt

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Speaker 2: like a Nickelodeon movie.

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Speaker 1: I was just gonna say, it doesn't feel even like

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Speaker 1: a Paul Hohan no at all.

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Speaker 2: That's why. And you know, little spoiler alert. We we

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Speaker 2: got to interview Jason Earls for our Park Copper episode

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Speaker 2: and I specifically asked, does did this movie start with

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Speaker 2: a different director and then Paul Howan took over?

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Speaker 1: Because we know not've done that.

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Speaker 2: Felt the same. The story doesn't make any sense. It

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Speaker 2: is super weird, The characters are weird. The main girl

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Speaker 2: is having like some sort of a Melton mental break.

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Speaker 2: It is this movie was I had to watch this

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Speaker 2: movie in chunks, like this was not a movie that

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Speaker 2: I was able to sit down and watch from beginning.

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Speaker 2: And this was a rough one for me. Yeah, totally

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Speaker 2: was great that Disney Disney Banger after Disney Banger. When

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Speaker 2: it comes to the cast, nobody's acting was bad, Like, no,

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Speaker 2: not at all, everything at all. What I was not

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Speaker 2: a character thing.

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Speaker 1: What I felt was very hard to grasp was each

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Speaker 1: of these characters are such or each of these actors

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Speaker 1: are such phenomenal actors. But the characters I feel like

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Speaker 1: they had to. It was like they were battling a

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Speaker 1: little bit as far as not not not the actors,

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Speaker 1: but just the characters. All were so big and so

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Speaker 1: extreme and had to be so funny, every single one

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Speaker 1: of them, and when on screen together, That's what I said.

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Speaker 1: I was like overwhelmed a little.

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Speaker 2: It was it was this this movie for me, it

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Speaker 2: was like the things they were having this great young

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Speaker 2: cast try to accomplish were next to impossible. And it

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Speaker 2: was one after another.

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Speaker 1: Especially towards the end, and all of that always about

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Speaker 1: I love a good food fight. I got to do

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Speaker 1: one when I was an extra on the Matilda movie,

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Speaker 1: Like so much fun, so fun for kids on set.

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Speaker 1: This was just like by the end of it, I'm like,

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Speaker 1: oh my god, why are everything so colorful and gooey

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Speaker 1: and being you?

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Speaker 2: This one didn't do anything, but yeah, this was This

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Speaker 2: was a rough one for me because we've seen some

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Speaker 2: good ones.

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Speaker 1: Yeah, and luckily he is such a good physical actor

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Speaker 1: that like it makes it totally fine. But poor guy,

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Speaker 1: poor guy.

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Speaker 2: Wait, this was this was a This was like a

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Speaker 2: fever dream wrapped in a tab of acid that was

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Speaker 2: then dipped into ayahuasca. Like this was a weird movie,

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Speaker 2: but anyway it was.

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Speaker 1: It was overwhelming for me for sure.

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Speaker 2: As we said, Dad Napped is another Paul Hoan joint,

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Speaker 2: a director that we have covered extensively here on the podcast.

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Speaker 2: He is currently at the Helm of Zombies, a modern

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Speaker 2: day dcom hit franchise, and is no stranger to the medium,

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Speaker 2: having directed Let It Shine, Luck of the Irish, you

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Speaker 2: Wish read It and Weep, Jump In and Cheetah Girls,

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Speaker 2: One World. We've already interviewed this Disney legend. He's a

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Speaker 2: great guy. So as we sit and pat and wait

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Speaker 2: for Zombies four, go check out our talk with him

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Speaker 2: currently sitting there on our feet. Great interview, awesome guy,

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Speaker 2: great director. Just didn't this one didn't feel like him.

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Speaker 2: But anyway, like we said, this movie is filled with

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Speaker 2: Disney Channel faces. It was a pipeline to get their

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Speaker 2: promising talent into a movie. First up, we've got Emily

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Speaker 2: Osmond as Melissa sixth cent star Haley Joe Osmond is

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Speaker 2: her brother, and we just saw her in the Hannah

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Speaker 2: also a bit of a pop star of her own

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Speaker 2: during her Disney days. You actually have to hear one

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Speaker 2: also released a duet with Magical rewinderam Boat Mitchell Musso,

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Speaker 2: and at one point they were singing together. She was

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Speaker 2: also part of the Disney machine, and she was great

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Speaker 2: in this movie. She really was with what they gave her.

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Speaker 2: She carried the whole thing. It was a strange character,

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Speaker 2: but she hit all the beats. She did it very well.

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Speaker 2: She was funny when she had to be funny. She

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Speaker 2: recently now you can see her on Young Sheldon as

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Speaker 2: Mandy McAllister, or role she is now revisiting in the

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Speaker 2: just renewed CBS spinoff, starring in George and Mandy's first

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Speaker 2: marriage and then. David Henry is wee'z. David is a

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Speaker 2: Disney star of the past and current day. Is starring

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Speaker 2: in the original Wizards of Waverley play series and the

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Speaker 2: current reboot, as well as the show's dcom we recently

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Speaker 2: watched for the podcast. He also played Ted Moseby's future

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Speaker 2: son in How I Met Your Mother and shared the

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Speaker 2: role of Ronald Reagan with Tennis Quaid in the twenty

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Speaker 2: twenty four movie Reagan. Jason Earl's new friend of the

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Speaker 2: podcast You'll Get Into You'll You'll understand what that means

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Speaker 2: when you go check out our Parcopper episode is the

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Speaker 2: villainous MERV Kilbo like he just sounds bad. Merv Merv Kilbo.

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Speaker 2: Earl's is another hand of Montana star. He played Jackson

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Speaker 2: and also starred in the Disney XD series Kicking It Fun. Fact.

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Speaker 2: Earl's also worked as the recent onset acting coach for

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Speaker 2: high school musical The Musical the Series, which is arguably

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Speaker 2: show as camp counselor Dow we would moisus Arius is

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Speaker 2: little brother. Andre Moysis has turned his childhood starred him

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Speaker 2: as Rico also on Hannah Montana into a full fledged

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Speaker 2: acting career, appearing in movies Enders, Game, and Nacho lebre

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Speaker 2: and was most recently seen in the hit limited series

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Speaker 2: Fallout as Norma. I Mean He's Everywhere. Denzel Whittaker is

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Speaker 2: Sheldon and has also appeared in some impressive movies over

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Speaker 2: the years, including Training Day and Black panther Man. And

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Speaker 2: another character actor regular that we've seen is Charles Halford.

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Speaker 2: He plays the quirky skunk. You've seen Charles in a

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Speaker 2: ton of stuff later in life, looking totally different now

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Speaker 2: in True Detective Outer Banks and The Walking Dead, just

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Speaker 2: to name a few. And of course, Phil Lewis plays Maurice.

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Speaker 2: Lewis's a longtime character actor as well, seen in movies

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Speaker 2: like Heathers and City Slickers, but is best known to

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Speaker 2: our listeners as mister Moseby in the Sweet Life of

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Speaker 2: Zach and Cody. He also transitioned into a very prolific

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Speaker 2: TV director on shows like Good Luck, Charlie, Mike and Molly, Side,

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Speaker 2: Hug and Bumped. All right, Sabrina, how many of these people

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Speaker 2: did you go to the Disney Channel games with? And

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Speaker 2: were any on your massively losing teams?

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Speaker 1: You are so rude sometimes.

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Speaker 2: I'm sorry I couldn't hear you. I was listening to

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Speaker 2: the winners. What were you saying?

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Speaker 1: It's just I can't I can't even defend myself anymore.

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Speaker 1: It's just what it is. Damn. Anyway, Moiss was actually

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Speaker 1: on my team, okay, uh, Jason was not. We know

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Speaker 1: this because Jason Jason of Sir Jason David Henry was

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Speaker 1: there for sure, because I know Selena Gomez was, but

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Speaker 1: I don't remember hanging out with him, which is weird

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Speaker 1: because I think we're closer in age than I was

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Speaker 1: compared to a lot of those people. And then Emily Osmond.

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Speaker 1: I don't remember what team she was on, but I'm

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Speaker 1: sure she wasn't on mine.

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Speaker 2: It's just so this was just such a movie where

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Speaker 2: they were just slamming it full of stars. It was amazing.

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Speaker 1: Yeah. And then and then Phil Phil Phil was I

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Speaker 1: think they're doing He wasn't He was not one of

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Speaker 1: the hosts. He was like one of the hosts. Yeah,

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Speaker 1: he came in and did a couple of things. So

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Speaker 1: so fun, That's what I'm saying, Like, it's like, you

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Speaker 1: don't it's not even just times where we got to compete,

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Speaker 1: but it was like hanging out or doing like interstitials

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Speaker 1: together and things like that. Was just really fun to

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Speaker 1: see all of them.

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Speaker 2: That's cool. Well, speaking of winning, Dad Nap comes in

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Speaker 2: at are you ready for this? Are you ready for

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Speaker 2: the Sabrina ninety minutes? We've got a winner. People right

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Speaker 2: on target, the perfect length for a d coom. I

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Speaker 2: would like to thank Disney and Team Blue also, I

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Speaker 2: mean just it's a perfect length for probably any movie.

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Speaker 2: Great job everyone, mission accomplished. It was written by Alan Silberberg,

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Speaker 2: who started his career writing the nostalgic game show Doubledare,

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Speaker 2: which is something from back in my day. That's when

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Speaker 2: I was on Nickelodeon God New Mark Summers. That's what

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Speaker 2: that was my Nickelodeon deck. Oh, I've told you to,

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Speaker 2: haven't I. You know Robin the woman who used to

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Speaker 2: bring all this stuff out on Doubledare, It was his

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Speaker 2: co host. She was my legal guardian when I lived

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Speaker 2: in Florida doing the Nickelodeon stuff. Yeah, Robin, no way. Yeah,

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Speaker 2: this Double Dare was my that's these were my friends

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Speaker 2: and yes, and would also work out a lot of

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Speaker 2: other early nineties stuff like the all new Mickey Mouse Club,

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Speaker 2: Doug and Chop Chop Ninja. But this was actually his

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Speaker 2: only dcom. And of course Dad Napp is currently available

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Speaker 2: of you on Disney Plus. So if you want to

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Speaker 2: watch it now, you can. If you want to watch

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Speaker 2: it later after you listen to us, you can do

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Speaker 2: that too. You can do a lot of things because

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Speaker 2: we believe in you. We just know that you're bad

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Speaker 2: at cooking, so stay out of the kitchen. I don't

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Speaker 2: know that, actually, I'm just assuming. Okay, the time is now,

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Speaker 2: let's set a trip trap and get to Dad Napped

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Speaker 2: Almost Ryan. We opened with a dcom mainstay, one that

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Speaker 2: we have talked about so many times, the trope we

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Speaker 2: can never avoid. It is a pop song playing over

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Speaker 2: the credits while we see details from the room of

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Speaker 2: our young main character we have just keep parting at.

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Speaker 1: It's starting to it just it's like starting to irritate me, right,

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Speaker 1: it's a and I feel bad because it's you're like

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Speaker 1: you've said it many times in the podcast. It's the

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Speaker 1: greatest way to figure out quickly who this girl is,

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Speaker 1: where she comes from, what she's into, what's her favorite color,

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Speaker 1: all that stuff. It's great, but my god, we can't

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Speaker 1: figure out another way to do this, Like all that's

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Speaker 1: all another version?

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Speaker 2: Here we go. How many times we got to see

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Speaker 2: it again? None of these movies were supposed to be watched

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Speaker 2: back to back. That's the difference with streaming things. Right away,

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Speaker 2: it's like, wait a minute, these are all the same

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Speaker 2: people doing the same thing every week. Yes, so we

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Speaker 2: we we've seen it. It is uh, we've witnessed it

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Speaker 2: time and time again, because again, as Sabrina just said,

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Speaker 2: it's a very fast way to get to know somebody

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Speaker 2: without any dialogue or wasting any time. And in this case,

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Speaker 2: in this very specific one, we see baby photos, a

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Speaker 2: book series called trip Zoom. There's girly pink everywhere, and

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Speaker 2: our lead teenager, Melissa Morris. Again they love the literation.

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Speaker 2: Shannon Chipley taking a look at her framed family photo.

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Speaker 2: It's her and her mom and her dad. But then magically,

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Speaker 2: a good looking young man appears in the pic, but

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Speaker 2: then fades away instantly, but she seems hurt by even

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Speaker 2: the fact that he was there for a moment. All right,

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Speaker 2: So this is obviously going to be about books, which

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Speaker 2: is one of the things I love to talk about.

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Speaker 2: Did you have book series as kids that as a

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Speaker 2: kid that you just loved you couldn't get enough of?

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Speaker 1: I read the what was it Goosebumps?

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Speaker 2: Yeah, great series series.

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Speaker 1: And then I also I care the one I remember

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Speaker 1: was like my first one. I was really into the

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Speaker 1: something about a train track, The box Car Kids, box

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Speaker 1: Car Kids, Yes, box thank you Lisa El explain it,

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Speaker 1: and then I really liked, well, I was really into

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Speaker 1: like national was it national geographic?

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Speaker 2: Like the I love the gas and stuff like that.

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Speaker 1: Yeah, those were mainly my things. It wasn't all necessarily

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Speaker 1: like storytelling. It was more like learning about animals or

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Speaker 1: learning about different places in the world. That was like,

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Speaker 1: really what I was into.

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Speaker 2: That's cool, I love that. Yeah, what about you?

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Speaker 1: Was it just comics like we'll no, no.

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Speaker 2: I didn't find comics till much later. The first book

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Speaker 2: I found that changed my life was a book that

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Speaker 2: my third grade teacher read us and then we had

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Speaker 2: to take home and read at night, by an amazing

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Speaker 2: author named Lynn read Banks, called The Indian in the Cupboard.

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Speaker 2: They ended up making a movie about it years and

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Speaker 2: years later, which was terrible, but the book was phenomenal.

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Speaker 2: And then that led to like choose your own Adventures,

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Speaker 2: and then that led to then the first fantasy series

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Speaker 2: that changed my life, which is by David Eddings, which

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Speaker 2: is called the Belgaria and the Melorian series, and that

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Speaker 2: then it's just fantasy, fantasy, fantasy, fantasy, fantasy, yes, yeah,

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Speaker 2: oh I see it, so, yeah it was I loved it,

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Speaker 2: but anyway, for our film, we fade into Upper Valley

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Speaker 2: High School. It's English class right before the holiday break,

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Speaker 2: and Jeffrey Zimmer is called to the front of the

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Speaker 2: class for his book report. Jeffrey's report is on Neil

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Speaker 2: Morris's new book from the Trip Zoom series, Freeze Dried

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Speaker 2: too many jokes. I'm not even gonna go there. Now

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Speaker 2: a small detail that is worth pointing out here. Okay, Serena,

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Speaker 2: what would your guest be on how trip Zoom is spelled?

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Speaker 2: Because throughout the movie and the subtitles, we actually see

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Speaker 2: it as both trip t r I P p zoom

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Speaker 2: z O O m E and trip zoom t r

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Speaker 2: I p z o O M. So what do you

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Speaker 2: think it is?

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Speaker 1: Oh, it was spelled twice your Yeah, which one do

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Speaker 1: you think is right? That was one of my first

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Speaker 1: Serena sees dang.

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Speaker 2: Yeah, I don't know.

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Speaker 1: I feel like Disney like likes to throw in like

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Speaker 1: an extra little letter here and there.

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Speaker 2: Yeah, I think so too, Disney d I s n

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Speaker 2: E y A. So, yeah, your guess is as good

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Speaker 2: as ours. Disney Disney, I like that. That's what it is.

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Speaker 2: From now on, we're rebranding. Okay, Now, although this class

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Speaker 2: is thrilled about this book report, it seems like it's

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Speaker 2: a massive bummer for Melissa. The teacher points out that

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Speaker 2: Freeze Fried Dreams is in even out till tomorrow, but

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Speaker 2: Jeffrey explains that his dad knows a guy who works

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Speaker 2: at the paper factory, so he got an early copy.

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Speaker 2: He pulls it out and the class is wildly impressed,

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Speaker 2: and so is the teacher, who rushes to a desk

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Speaker 2: to listen as well. Jeffrey starts his report, he explains

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Speaker 2: that Tina is in the clutches of the ruthless Rudolpho

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Speaker 2: and Trip Zoom is nowhere to be found. Now, as

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Speaker 2: he tells the story, we see it acted out in

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Speaker 2: real time with cutscenes. And this is the only time

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Speaker 2: this happens in the movie ever. Yeah, Now, did you

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Speaker 2: think this is how the movie was going to play out?

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Speaker 2: That occasionally we would be cutting to Trip Zoom stuff?

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Speaker 2: I mean, obviously, yeah, yeah, Nope, never happens again.

433
00:21:40,320 --> 00:21:42,240
Speaker 1: I felt kind of missing. I would have liked to

434
00:21:42,280 --> 00:21:46,000
Speaker 1: see certain things. I mean, she's already having these hallucinations anyway,

435
00:21:46,040 --> 00:21:46,400
Speaker 1: It's like.

436
00:21:46,480 --> 00:21:50,280
Speaker 2: Right, it's exactly so. But this time, just as Rudolpho

437
00:21:50,440 --> 00:21:53,080
Speaker 2: approaches Tina with a power saw. We see Trip Zoom

438
00:21:53,119 --> 00:21:55,840
Speaker 2: in the shadows, and this is the same boy that

439
00:21:55,960 --> 00:21:58,280
Speaker 2: appeared in Melissa's family photo, so we saw that the

440
00:21:58,280 --> 00:22:00,879
Speaker 2: boy that appears and disappears is obviously true Zoom. He

441
00:22:00,880 --> 00:22:03,520
Speaker 2: does a flip off the second story and surprises Rudolpho

442
00:22:03,600 --> 00:22:06,080
Speaker 2: with a spider man like quip, is it me or

443
00:22:06,119 --> 00:22:10,520
Speaker 2: are you actually getting uglier burn? Radolpho charges that, Trip,

444
00:22:10,600 --> 00:22:14,040
Speaker 2: running into a trip wire, which maybe made me think

445
00:22:14,080 --> 00:22:16,920
Speaker 2: that might be his signature move, but who knows. While

446
00:22:16,960 --> 00:22:19,800
Speaker 2: Rudolpho is stunned, Trip gets the handcuffs off of Tina

447
00:22:19,840 --> 00:22:21,679
Speaker 2: and runs to the roof. By the way, keep that

448
00:22:21,760 --> 00:22:23,560
Speaker 2: in mind, because if there's gonna be a drinking game

449
00:22:23,600 --> 00:22:25,720
Speaker 2: for this episode, it's gonna be the amount of times

450
00:22:25,800 --> 00:22:30,679
Speaker 2: characters are handcuffed in a d com So Trip and

451
00:22:30,720 --> 00:22:32,520
Speaker 2: Tina run to the roof, but that is a terrible

452
00:22:32,520 --> 00:22:35,840
Speaker 2: place to hide out because there's nowhere to go but down.

453
00:22:36,280 --> 00:22:39,120
Speaker 2: As they contemplate their next move, here comes Rudolpho, justin

454
00:22:39,200 --> 00:22:41,639
Speaker 2: Timer here picks up a tarp and grabs Tina. He

455
00:22:41,760 --> 00:22:44,400
Speaker 2: jumps off the roof and uses the sheet as a parachute,

456
00:22:44,480 --> 00:22:47,320
Speaker 2: landing safely on the ground. They hop on matching dirt

457
00:22:47,320 --> 00:22:50,440
Speaker 2: bikes and leave in a hurry. Rudolpho yells, this isn't over,

458
00:22:50,520 --> 00:22:53,199
Speaker 2: Trip Dune. It's supposed to be Zoom, not by a

459
00:22:53,240 --> 00:22:55,359
Speaker 2: long shot. But the funny thing is it is over

460
00:22:55,400 --> 00:22:58,280
Speaker 2: because we never see Rudolpho again or any of these

461
00:22:58,400 --> 00:23:04,400
Speaker 2: characters except the trip guy comes back. What I'm already now, Like.

462
00:23:04,520 --> 00:23:07,680
Speaker 1: I know, I'm all right, I'm pushing, I'm going, Oh god,

463
00:23:07,960 --> 00:23:09,240
Speaker 1: I'm gonna struggle this one.

464
00:23:09,520 --> 00:23:11,480
Speaker 2: That's what I thought too. This is when I think.

465
00:23:11,520 --> 00:23:13,280
Speaker 2: I turned on my phone and started to scroll for

466
00:23:13,320 --> 00:23:13,960
Speaker 2: about half an.

467
00:23:13,840 --> 00:23:18,719
Speaker 1: Hour, and she also and I'm I don't know. It

468
00:23:18,760 --> 00:23:20,879
Speaker 1: was just I guess edited this way. The amount of

469
00:23:20,920 --> 00:23:23,959
Speaker 1: eye rolls that Emily is. That's what one of my

470
00:23:24,320 --> 00:23:27,359
Speaker 1: supriatacies was. Like I was going, I was thinking, not

471
00:23:27,520 --> 00:23:29,520
Speaker 1: the handcuffs, that's a good one. I was thinking, how

472
00:23:29,520 --> 00:23:30,760
Speaker 1: many times is she going to I roll.

473
00:23:30,840 --> 00:23:33,160
Speaker 2: Iroll the drinking game, I roll. You'll be dead by

474
00:23:33,160 --> 00:23:33,920
Speaker 2: the second act.

475
00:23:33,960 --> 00:23:34,200
Speaker 3: Break.

476
00:23:34,400 --> 00:23:37,199
Speaker 2: Yeah, but back in class, the students are hanging on

477
00:23:37,320 --> 00:23:39,480
Speaker 2: every word from the book report and by the way,

478
00:23:40,240 --> 00:23:43,520
Speaker 2: this guy just absolutely spoiled the end of this book

479
00:23:43,600 --> 00:23:45,080
Speaker 2: or the big part of this book for the people

480
00:23:45,080 --> 00:23:46,439
Speaker 2: where and it hasn't even come out yet. It's like

481
00:23:46,560 --> 00:23:48,920
Speaker 2: the guy got a copy of Harry Potter, the last one,

482
00:23:48,920 --> 00:23:51,159
Speaker 2: and just in his book report decided to read the

483
00:23:51,200 --> 00:23:54,400
Speaker 2: last chapter to the team. So it's like what. But anyway,

484
00:23:54,640 --> 00:23:57,520
Speaker 2: as he finishes, the class applauds, but Melissa is not moved.

485
00:23:57,560 --> 00:24:00,639
Speaker 2: The teacher calls it another literary masterpiece, which is definitely

486
00:24:00,680 --> 00:24:04,240
Speaker 2: not hyperbole, but also reveals that the writer, Neil Morris,

487
00:24:04,400 --> 00:24:07,439
Speaker 2: is the dad of one Melissa Morris. The class, of

488
00:24:07,440 --> 00:24:12,399
Speaker 2: course erupts and start chanting Trip rules just as the

489
00:24:12,400 --> 00:24:14,960
Speaker 2: bell ring, and now on her way out of class,

490
00:24:14,960 --> 00:24:18,280
Speaker 2: Melissa turns and spots a huge ad for Trip at school,

491
00:24:18,920 --> 00:24:22,080
Speaker 2: you know, like all schools that have huge ads for

492
00:24:22,160 --> 00:24:24,760
Speaker 2: books everywhere. And that's when we enter a new device

493
00:24:24,760 --> 00:24:26,399
Speaker 2: in the movie something we're going to see a lot of.

494
00:24:26,800 --> 00:24:29,800
Speaker 2: She can talk to Trip. In this case, we see

495
00:24:29,800 --> 00:24:32,760
Speaker 2: his mouth move in the big poster, despite the fact

496
00:24:32,800 --> 00:24:36,400
Speaker 2: this is a photo and he's a fictional character. So

497
00:24:36,680 --> 00:24:39,760
Speaker 2: and the it looked bad with the mouth flaps in

498
00:24:39,800 --> 00:24:41,479
Speaker 2: the eyes. It was just the whole thing was strange.

499
00:24:41,520 --> 00:24:43,560
Speaker 2: But Melissa, this is where we figure out that Melissa

500
00:24:43,640 --> 00:24:45,600
Speaker 2: really seems to hate him and the fact that he

501
00:24:45,720 --> 00:24:48,479
Speaker 2: takes up so much of her dad's time. So that

502
00:24:48,600 --> 00:24:54,080
Speaker 2: night at okay, well, okay, all right, okay, that night

503
00:24:54,080 --> 00:24:57,639
Speaker 2: at Melissa's mom's house, Melissa is watching a TV report

504
00:24:57,640 --> 00:25:00,439
Speaker 2: about the new book's release, and now the imaginary Trip

505
00:25:00,720 --> 00:25:03,400
Speaker 2: is bickering with her through the TV screen, and that's

506
00:25:03,400 --> 00:25:05,560
Speaker 2: when her mom enters the room. Melissa hides her possible

507
00:25:05,600 --> 00:25:09,679
Speaker 2: schizophrenia and certifiable delusion, saying she's just excited for the

508
00:25:09,680 --> 00:25:12,080
Speaker 2: camping trip with her dad tomorrow. We find out that

509
00:25:12,080 --> 00:25:14,240
Speaker 2: her parents are divorced, but the split was amicable, and

510
00:25:14,280 --> 00:25:16,720
Speaker 2: I thought, huh, divorce in Disney. I thought, we learned

511
00:25:16,760 --> 00:25:20,640
Speaker 2: that your your spouse can be dead and that's okay,

512
00:25:21,080 --> 00:25:23,480
Speaker 2: but divorce is something they usually stay away from. So

513
00:25:23,520 --> 00:25:25,960
Speaker 2: I was like, okay, and so many kids come from

514
00:25:26,000 --> 00:25:29,440
Speaker 2: divorce families, it's probably good to throw more divorce in there.

515
00:25:29,440 --> 00:25:30,399
Speaker 2: It's it's ideal.

516
00:25:30,840 --> 00:25:35,959
Speaker 1: I did love too, that the mom was not condescending

517
00:25:36,000 --> 00:25:38,479
Speaker 1: towards the dad, like she did a great job of

518
00:25:38,720 --> 00:25:41,240
Speaker 1: co parenting in this moment too.

519
00:25:41,320 --> 00:25:43,960
Speaker 2: Which even with him being huge awful.

520
00:25:43,680 --> 00:25:47,159
Speaker 1: For kids, Yeah, he did not do well, but I

521
00:25:47,200 --> 00:25:49,760
Speaker 1: think it was huge for her for that message to

522
00:25:49,800 --> 00:25:50,320
Speaker 1: be pushed.

523
00:25:50,720 --> 00:25:53,040
Speaker 2: Now, do you think personally one of the reasons they

524
00:25:53,080 --> 00:25:56,760
Speaker 2: got divorced is because he became super wealthy and just

525
00:25:56,800 --> 00:25:59,800
Speaker 2: bailed on her, and he lived a massive house somewhere.

526
00:26:00,119 --> 00:26:04,439
Speaker 1: I took it as he's an ego maniac and couldn't

527
00:26:04,440 --> 00:26:08,240
Speaker 1: stop talking about himself and his fame and the book.

528
00:26:08,320 --> 00:26:11,800
Speaker 1: Like she also, she left. I thought it was she'd

529
00:26:11,880 --> 00:26:14,400
Speaker 1: be walking away from him because of this exact thing

530
00:26:14,640 --> 00:26:16,520
Speaker 1: that she's having to watch her daughter go through.

531
00:26:16,920 --> 00:26:20,360
Speaker 2: Huh, that makes sense. I buy that totally. The next day,

532
00:26:20,400 --> 00:26:22,840
Speaker 2: Melissa's mom opens the door to see trip, but it's

533
00:26:23,000 --> 00:26:26,639
Speaker 2: actually a cardboard cutout Neil, Melissa's dad and her exes

534
00:26:26,720 --> 00:26:28,679
Speaker 2: hiding behind it. He brags about how much his new

535
00:26:28,680 --> 00:26:30,240
Speaker 2: book is going to sell, which is always cool to

536
00:26:30,320 --> 00:26:31,720
Speaker 2: do in front of your ex wife who you have

537
00:26:31,800 --> 00:26:35,720
Speaker 2: divorced before you became JK. Rowling. She quickly shames him

538
00:26:36,160 --> 00:26:38,639
Speaker 2: into not asking about their daughter, which he doesn't do,

539
00:26:38,680 --> 00:26:40,480
Speaker 2: and tells him to make the camping trip the best

540
00:26:40,480 --> 00:26:43,720
Speaker 2: father daughter experience possible. Melissa enters, giving her dad a

541
00:26:43,720 --> 00:26:46,560
Speaker 2: big hug and an out from the vacation, but he

542
00:26:46,600 --> 00:26:48,879
Speaker 2: says he is one hundred and fifty percent hers for

543
00:26:48,920 --> 00:26:52,000
Speaker 2: the weekend and only hers. While he makes this promise,

544
00:26:52,080 --> 00:26:54,880
Speaker 2: she sees trip in the corner of the room. Yeah right,

545
00:26:54,960 --> 00:26:58,280
Speaker 2: He says, he's not so sold on where her dad's

546
00:26:58,280 --> 00:27:01,440
Speaker 2: attention will be, and this fiction character is probably accurate.

547
00:27:02,200 --> 00:27:03,440
Speaker 2: Now they're out on the road. The two are in

548
00:27:03,480 --> 00:27:05,639
Speaker 2: a Mustang convertible, which is a very modest car for

549
00:27:05,640 --> 00:27:08,480
Speaker 2: the world's biggest author. They're driving with trips cutout in

550
00:27:08,520 --> 00:27:11,600
Speaker 2: the backseat, like you do. Melissa talks about packing new

551
00:27:11,640 --> 00:27:14,440
Speaker 2: boots and the game word Wham and the fun they're

552
00:27:14,440 --> 00:27:16,439
Speaker 2: going to have. But he breaks some news to her.

553
00:27:16,560 --> 00:27:19,240
Speaker 2: They first have to stop at the Mercury Zoom Convention.

554
00:27:19,560 --> 00:27:22,440
Speaker 2: It'll be filled with real Zoomers and he's judging a

555
00:27:22,480 --> 00:27:25,560
Speaker 2: costume contest. Then they can go camping right after. Now

556
00:27:25,600 --> 00:27:27,679
Speaker 2: she is obviously nervous about this change of plans, but

557
00:27:27,720 --> 00:27:30,080
Speaker 2: she agrees to go. And you'll be shocked to hear this,

558
00:27:30,840 --> 00:27:33,120
Speaker 2: but the cutout comes to life again. Doubts this plan

559
00:27:33,240 --> 00:27:36,400
Speaker 2: is going to work out. This fake trip. Cardboard cutout guy.

560
00:27:36,400 --> 00:27:40,120
Speaker 1: Is just augh, just and it looks so bad.

561
00:27:40,320 --> 00:27:42,680
Speaker 2: It does look very bad. It looks it doesn't look good.

562
00:27:43,160 --> 00:27:45,120
Speaker 2: The father and daughter enter Mercury, which is a quiet

563
00:27:45,119 --> 00:27:47,479
Speaker 2: little town, and they see a long line already waiting

564
00:27:47,480 --> 00:27:50,040
Speaker 2: for him at this Mercury con He again promises her,

565
00:27:50,080 --> 00:27:52,160
Speaker 2: don't worry, it's only going to be one night. They

566
00:27:52,160 --> 00:27:55,320
Speaker 2: get inside a hotel, dozens of fans and supposed to

567
00:27:55,359 --> 00:27:57,679
Speaker 2: be dozens of fans, but there's not enough extras at

568
00:27:57,720 --> 00:28:00,280
Speaker 2: even a small convention, and it looks very strange. And

569
00:28:00,320 --> 00:28:04,040
Speaker 2: for some reason, somebody was cause playing as a scuba diver. Okay,

570
00:28:04,080 --> 00:28:06,000
Speaker 2: I'm assuming that's a character we're supposed to know from

571
00:28:06,000 --> 00:28:08,800
Speaker 2: somebody you go to. No one cosplays as a scuba diver,

572
00:28:09,040 --> 00:28:12,480
Speaker 2: unless there's anyway. I do a lot of conventions, and

573
00:28:12,520 --> 00:28:14,280
Speaker 2: I love them and they're fun. I've never seen a

574
00:28:14,280 --> 00:28:14,800
Speaker 2: scuba dive.

575
00:28:14,920 --> 00:28:17,040
Speaker 1: I have the biggest question when we get to Sabrina Sees.

576
00:28:17,080 --> 00:28:19,720
Speaker 1: It's literally actually all my spreena seas. It's just asked

577
00:28:20,359 --> 00:28:20,880
Speaker 1: about this.

578
00:28:21,240 --> 00:28:24,040
Speaker 2: About conventions, Okay, these things, and I love them.

579
00:28:24,119 --> 00:28:26,200
Speaker 1: I asked so many questions. I've never been to one.

580
00:28:26,280 --> 00:28:28,000
Speaker 2: I've you're gonna I'll take it a.

581
00:28:29,520 --> 00:28:29,840
Speaker 1: Theories.

582
00:28:30,160 --> 00:28:33,960
Speaker 2: Oh yeah, I will open your eyes to one I

583
00:28:34,000 --> 00:28:35,840
Speaker 2: will open your eyes to one Sabrina. You're gonna love it.

584
00:28:36,520 --> 00:28:39,240
Speaker 2: So yes, dozens of cosplayers are cosplaying as his characters.

585
00:28:39,240 --> 00:28:41,880
Speaker 2: They're making a mess of the lobby. He's helped by

586
00:28:41,920 --> 00:28:45,080
Speaker 2: the starstruck hotel owner Merv, who puts him in the

587
00:28:45,160 --> 00:28:48,640
Speaker 2: presidential suite. This is where we see a shady character, Sheldon,

588
00:28:48,720 --> 00:28:50,600
Speaker 2: hiding out in a phone booth. He says in the

589
00:28:50,640 --> 00:28:54,280
Speaker 2: phone quote the package has arrived, and on the other

590
00:28:54,360 --> 00:28:56,720
Speaker 2: end is a young man named Weez at home devising

591
00:28:56,720 --> 00:29:00,360
Speaker 2: a plan to quote unquote win the contest. We hangs

592
00:29:00,440 --> 00:29:03,520
Speaker 2: up and plays a quick turn of Wordwham, which was

593
00:29:03,520 --> 00:29:06,520
Speaker 2: the same game legally changed enough from Scrabble that Melissa

594
00:29:06,560 --> 00:29:09,680
Speaker 2: mentioned earlier. No matter his bonus word score move, this

595
00:29:09,880 --> 00:29:14,600
Speaker 2: all spells trouble. Thank you. At the hotel, MERV walks

596
00:29:14,600 --> 00:29:18,320
Speaker 2: our duo to their suite, supposedly the establishment's finest, but

597
00:29:18,360 --> 00:29:22,640
Speaker 2: it's basically just two beds, a lava lamp, and a chandelier. Later,

598
00:29:22,680 --> 00:29:25,760
Speaker 2: at the hotel's convention, Neil is being hounded by fans

599
00:29:25,760 --> 00:29:27,760
Speaker 2: with theories and ideas, and he bumps into a big,

600
00:29:27,800 --> 00:29:31,160
Speaker 2: nervous fan named Skunk, who gets his name obviously because

601
00:29:31,200 --> 00:29:33,200
Speaker 2: he's got a white stripe down the center of his

602
00:29:33,440 --> 00:29:36,240
Speaker 2: hair and he wants to get his book signed. Excited,

603
00:29:36,280 --> 00:29:38,440
Speaker 2: Skunk runs to show it off to his brother Maurice,

604
00:29:38,560 --> 00:29:40,680
Speaker 2: who tells him to stop playing around. They're not there

605
00:29:40,680 --> 00:29:44,680
Speaker 2: for autographs. Also, there's a supermount of sketchy people at

606
00:29:44,680 --> 00:29:48,840
Speaker 2: this event, just like criminals everywhere, and I go to

607
00:29:48,920 --> 00:29:51,720
Speaker 2: these conventions all the time. They're not criminals, they're incredible people.

608
00:29:53,360 --> 00:29:56,200
Speaker 2: Melissa watches the activities around her dad from afar, taking notes.

609
00:29:56,240 --> 00:29:58,719
Speaker 2: Then out of nowhere, a man falls from the rafters,

610
00:29:58,720 --> 00:30:01,080
Speaker 2: suspended by a rope, just like a low budget version

611
00:30:01,080 --> 00:30:03,520
Speaker 2: of that Mission Possible stunt. He brags about how he's

612
00:30:03,560 --> 00:30:05,680
Speaker 2: going to win the contest, but Melissa is shocked to

613
00:30:05,720 --> 00:30:09,000
Speaker 2: hear about the challenge. He informs her that whoever at

614
00:30:09,040 --> 00:30:13,520
Speaker 2: this event can prove their quote zoom enough unquote wins prizes,

615
00:30:13,560 --> 00:30:15,240
Speaker 2: and the prizes are they get to become a character

616
00:30:15,280 --> 00:30:17,560
Speaker 2: in her dad's next book and the chance to read

617
00:30:17,560 --> 00:30:20,600
Speaker 2: it before it's published. We also learned that the catchphrase

618
00:30:20,600 --> 00:30:25,480
Speaker 2: from the book is apparently floss, as in teeth floss.

619
00:30:25,560 --> 00:30:28,320
Speaker 2: Is this a superhero catchphrase? Am I supposed to get this?

620
00:30:28,360 --> 00:30:30,040
Speaker 2: Because I don't know what that is.

621
00:30:30,280 --> 00:30:32,880
Speaker 1: It comes up at least three or four times in

622
00:30:32,920 --> 00:30:37,240
Speaker 1: the movie, all the time inredibly Lost. I don't understand it.

623
00:30:37,360 --> 00:30:41,000
Speaker 2: That should be it lost lost lost. Yeah, I don't.

624
00:30:41,320 --> 00:30:41,640
Speaker 1: I don't.

625
00:30:41,760 --> 00:30:42,240
Speaker 2: I didn't either.

626
00:30:42,440 --> 00:30:44,600
Speaker 1: I'm out of my realm. I don't know anything.

627
00:30:45,040 --> 00:30:47,400
Speaker 2: This is my realm, and I still don't get.

628
00:30:47,200 --> 00:30:51,560
Speaker 1: It about It's like, okay, I.

629
00:30:51,560 --> 00:30:56,920
Speaker 3: Will say as the voice of God here, Yeah, they

630
00:30:57,040 --> 00:30:59,400
Speaker 3: used dental floss a lot in the movie. That's what

631
00:30:59,400 --> 00:31:01,200
Speaker 3: they do to high up the guy. And then I

632
00:31:01,200 --> 00:31:03,840
Speaker 3: think they to trip people. So maybe that's it should

633
00:31:03,840 --> 00:31:06,120
Speaker 3: have been explained better. But maybe that is what Trip

634
00:31:06,200 --> 00:31:07,440
Speaker 3: carries as as.

635
00:31:07,320 --> 00:31:11,280
Speaker 2: A weapon, is floss? Okay? Maybe again, well it's a

636
00:31:11,280 --> 00:31:16,320
Speaker 2: great weapon against ginger vitis. Right right, So black and

637
00:31:16,440 --> 00:31:17,120
Speaker 2: black build up.

638
00:31:17,200 --> 00:31:20,760
Speaker 1: This goes back to what we and maybe they did

639
00:31:20,760 --> 00:31:23,160
Speaker 1: film these and that hit the cutting room floor to

640
00:31:23,200 --> 00:31:24,479
Speaker 1: get to that ninety minute.

641
00:31:24,600 --> 00:31:27,880
Speaker 2: But the story they cut out, the story they were.

642
00:31:27,800 --> 00:31:30,320
Speaker 1: Like the going into like what we got a little

643
00:31:30,360 --> 00:31:31,360
Speaker 1: bit of the movie.

644
00:31:31,400 --> 00:31:34,400
Speaker 2: Thinking maybe see act maybe yeah.

645
00:31:34,200 --> 00:31:37,680
Speaker 1: You know moments of the book acting acting. That would

646
00:31:37,680 --> 00:31:39,560
Speaker 1: have been a time where he if it is floss,

647
00:31:39,560 --> 00:31:42,600
Speaker 1: he opens up the floss he's got the you know whatever.

648
00:31:42,800 --> 00:31:45,720
Speaker 2: Are we gonna get Dad napped? The Paul Hohen cut,

649
00:31:45,920 --> 00:31:48,200
Speaker 2: maybe the new director's cut.

650
00:31:48,280 --> 00:31:51,479
Speaker 1: I should ask him what okay? What was left helping

651
00:31:52,120 --> 00:31:52,720
Speaker 1: boles here?

652
00:31:52,920 --> 00:31:56,560
Speaker 2: Excuse me, Paul, but I have questions. The next morning,

653
00:31:56,600 --> 00:31:58,560
Speaker 2: Melissa sees that her dad has been working the entire

654
00:31:58,600 --> 00:32:01,080
Speaker 2: trip so far, just like the car rip predicted, but

655
00:32:01,200 --> 00:32:03,440
Speaker 2: Neil reminds her he'll pick a contest winner and they'll

656
00:32:03,440 --> 00:32:06,400
Speaker 2: be on the road by Nune. Cut two. Oh geez,

657
00:32:06,440 --> 00:32:09,680
Speaker 2: it's one twenty and she is still waiting as Sabrina's

658
00:32:09,680 --> 00:32:12,480
Speaker 2: favorite dad is doing it again as if. Frustrated, Melissa

659
00:32:12,520 --> 00:32:14,280
Speaker 2: makes her way out the door, she bumps into Wheeze.

660
00:32:14,560 --> 00:32:17,280
Speaker 2: In their exchange, she mentions wordwhim, and the two get

661
00:32:17,280 --> 00:32:21,640
Speaker 2: a little flirty, realizing they're both impressive whammers to meet

662
00:32:21,720 --> 00:32:24,000
Speaker 2: jokes again. Not gonna get into that, they go their

663
00:32:24,040 --> 00:32:26,880
Speaker 2: separate ways, and Wheeze, his little brother and his little

664
00:32:26,880 --> 00:32:30,560
Speaker 2: brother's friend Andre make their way to a van. Back

665
00:32:30,560 --> 00:32:33,240
Speaker 2: at the con, a presentation by a contestant trying to

666
00:32:33,280 --> 00:32:36,200
Speaker 2: prove he's zoom enough ends with an explosionist slime and

667
00:32:36,240 --> 00:32:39,920
Speaker 2: Weez's little brother emerging to tell Sheldon that the distractor

668
00:32:40,280 --> 00:32:43,280
Speaker 2: is locked and loaded. Sheldon radio's wheeze, and the whole

669
00:32:43,280 --> 00:32:45,720
Speaker 2: gang puts on safety goggles. But we have no idea

670
00:32:45,840 --> 00:32:49,080
Speaker 2: what we're in for. Then Sheldon turns on a mysterious

671
00:32:49,080 --> 00:32:52,120
Speaker 2: machine that starts churning onions, pushing the smell right into

672
00:32:52,160 --> 00:32:55,840
Speaker 2: the convention, which makes me wonder if it's an odor thing,

673
00:32:56,040 --> 00:32:58,720
Speaker 2: why do you need goggles? But the fan starts to

674
00:32:58,760 --> 00:33:00,800
Speaker 2: become repulse by the odor. I guess if it's onions,

675
00:33:00,800 --> 00:33:03,240
Speaker 2: you start to cry. I get that you'd be blinded. Okay,

676
00:33:03,280 --> 00:33:04,600
Speaker 2: I that one makes No.

677
00:33:05,560 --> 00:33:10,200
Speaker 1: Were you not, no, absolutely not, nope, no, no no.

678
00:33:10,960 --> 00:33:14,880
Speaker 1: Were you not expecting these onions to start shooting out

679
00:33:14,880 --> 00:33:16,320
Speaker 1: of something to do something?

680
00:33:16,360 --> 00:33:19,400
Speaker 2: I didn't know. It's also the giant hose that he

681
00:33:19,560 --> 00:33:21,200
Speaker 2: just lays at the bottom of the ground. No one

682
00:33:21,200 --> 00:33:23,600
Speaker 2: sees the thirty five foot hose that's a foot in

683
00:33:23,680 --> 00:33:26,760
Speaker 2: diameter that he just brings into the convention.

684
00:33:27,680 --> 00:33:33,320
Speaker 1: Hey again, I don't know. No, no, it would not

685
00:33:33,360 --> 00:33:34,880
Speaker 1: be looked at as we promise you.

686
00:33:35,000 --> 00:33:38,440
Speaker 2: It's much smaller hoses with much fewer onions at rest. Oh,

687
00:33:38,440 --> 00:33:40,880
Speaker 2: got it, Okay, So he turns on the machine. It

688
00:33:40,920 --> 00:33:43,400
Speaker 2: starts churning onions. It pushes the smell into the convention.

689
00:33:43,640 --> 00:33:45,600
Speaker 2: The fans start to become repulsed by the odor, but

690
00:33:45,640 --> 00:33:48,000
Speaker 2: Melissa's safe outside talking to her friend on the phone.

691
00:33:48,160 --> 00:33:50,680
Speaker 2: But inside everyone starts coughing and tearing up and again

692
00:33:50,720 --> 00:33:53,280
Speaker 2: there are actual onion goggles. You can buy them on Amazon.

693
00:33:53,760 --> 00:33:56,600
Speaker 2: They head for the doors, thinking it's a ventilation problem.

694
00:33:56,720 --> 00:33:59,800
Speaker 2: Neil is also evacuating, but is approached by Andre and

695
00:34:00,040 --> 00:34:03,440
Speaker 2: hold out the side door. This catches Skunk and Maurice's attention,

696
00:34:03,680 --> 00:34:06,720
Speaker 2: who apparently also want a piece of Neil outside. In

697
00:34:06,720 --> 00:34:09,080
Speaker 2: the move that has become as predictable as clockwork, Trip

698
00:34:09,120 --> 00:34:12,040
Speaker 2: appears and continues to ridicule Melissa. She calls him a

699
00:34:12,120 --> 00:34:14,239
Speaker 2: jerk and says soon he'll be walking out that door

700
00:34:14,280 --> 00:34:17,080
Speaker 2: when vacation starts, but we know that won't happen anytime soon.

701
00:34:17,239 --> 00:34:20,759
Speaker 2: In fact, Weees's brother is with Neil, introducing him to

702
00:34:20,880 --> 00:34:24,759
Speaker 2: the tear jerker onion machine in person. It's actually one

703
00:34:24,760 --> 00:34:26,799
Speaker 2: of his ideas, straight from the trip book, and Neil

704
00:34:26,880 --> 00:34:29,520
Speaker 2: is impressed. Just as he's thrown into the van to

705
00:34:29,560 --> 00:34:32,080
Speaker 2: meet Weez and Sheldon, they tie him to a seat

706
00:34:32,120 --> 00:34:35,440
Speaker 2: with dental floss as Jensen had said, so maybe that

707
00:34:35,520 --> 00:34:38,480
Speaker 2: explains the floss catchphrase. But as they speed away in

708
00:34:38,560 --> 00:34:42,560
Speaker 2: this really expensive van, Skunk and Maurice Steele a uniform

709
00:34:42,600 --> 00:34:45,759
Speaker 2: delivery truck to chase after him. This is their guy too.

710
00:34:45,840 --> 00:34:49,400
Speaker 2: I'd also like to point out they stole this giant

711
00:34:49,400 --> 00:34:51,440
Speaker 2: truck that they then have the entire movie, like, no

712
00:34:51,440 --> 00:34:55,040
Speaker 2: one's gonna see them in this giant yellow stolen truck

713
00:34:55,120 --> 00:34:59,520
Speaker 2: that they have for days days, But anyway, Melissa searches

714
00:34:59,560 --> 00:35:01,560
Speaker 2: for her dad at the con but can't find him anywhere.

715
00:35:01,840 --> 00:35:04,719
Speaker 2: She does notice a nearby surveillance camera and realizes this

716
00:35:04,800 --> 00:35:07,560
Speaker 2: might help find her dad. MERV shows her the footage,

717
00:35:07,640 --> 00:35:10,279
Speaker 2: and it shows her dad being kidnapped by random teens. Now,

718
00:35:10,320 --> 00:35:12,640
Speaker 2: in response, she calls the local police to report a

719
00:35:12,640 --> 00:35:16,200
Speaker 2: missing person, but the cops are skeptical and technically extraordinarily

720
00:35:16,239 --> 00:35:18,480
Speaker 2: lazy and bad at their jobs. She's been told to

721
00:35:18,480 --> 00:35:20,480
Speaker 2: wait forty eight hours to fill out a report. By

722
00:35:20,480 --> 00:35:22,040
Speaker 2: the way, that is not accurate. You don't even need

723
00:35:22,080 --> 00:35:24,080
Speaker 2: to wait the twenty four hours. You can report somebody

724
00:35:24,120 --> 00:35:27,640
Speaker 2: missing immediately, just so you know. Just when she thinks

725
00:35:27,640 --> 00:35:31,080
Speaker 2: there's nothing she can do, she's visited again. By imaginary trip.

726
00:35:31,320 --> 00:35:34,480
Speaker 2: He's surprised she's not taking the opportunity to be trip herself,

727
00:35:34,520 --> 00:35:36,440
Speaker 2: doing whatever she can to get her dad back, but

728
00:35:36,520 --> 00:35:39,120
Speaker 2: she explains she hates trip. Zoom hits her again while

729
00:35:39,120 --> 00:35:41,640
Speaker 2: she's down, saying that's why her dad writes about him

730
00:35:41,880 --> 00:35:46,440
Speaker 2: and not her. Ouch weez. Sheldon and Andre are spinning

731
00:35:46,480 --> 00:35:50,520
Speaker 2: around in the van with Neil flass. Okay, he's now

732
00:35:50,560 --> 00:35:53,120
Speaker 2: flost and gagged in the back, so maybe that's what

733
00:35:53,160 --> 00:35:54,759
Speaker 2: it is. It has to be flossed because they keep

734
00:35:54,840 --> 00:35:56,920
Speaker 2: using the flas they're talking about mint and all this

735
00:35:57,000 --> 00:35:59,839
Speaker 2: kind of stuff. It's very strange. This is when I've

736
00:35:59,840 --> 00:36:03,080
Speaker 2: felt like, okay, yes, somebody dosed my drink. Skunk and

737
00:36:03,120 --> 00:36:06,640
Speaker 2: Maurice's uniform truck trails very near by them until the

738
00:36:06,719 --> 00:36:10,000
Speaker 2: van stopped. Then Skunk hops out and hides in a bush,

739
00:36:10,160 --> 00:36:12,839
Speaker 2: slowly making his way to the hostage. We still don't

740
00:36:12,880 --> 00:36:15,480
Speaker 2: know what's going on here. He's been dad napped at

741
00:36:15,480 --> 00:36:18,000
Speaker 2: this point, with these now two other guys following in

742
00:36:18,040 --> 00:36:20,800
Speaker 2: another giant stolen van. Now, while in the van, the

743
00:36:20,880 --> 00:36:23,839
Speaker 2: kids reveal all the trip traps they use to abduct Neil,

744
00:36:23,920 --> 00:36:27,760
Speaker 2: and he's actually very impressed. But also ready to be released. Instead,

745
00:36:27,840 --> 00:36:29,919
Speaker 2: they stuffed the sock back in his mouth and say

746
00:36:30,040 --> 00:36:32,600
Speaker 2: you wrote it, we do it. The van speeds off again,

747
00:36:32,680 --> 00:36:37,480
Speaker 2: leaving skunk knocked out in the street. Somehow, Melissa, finally

748
00:36:37,480 --> 00:36:40,400
Speaker 2: with some trip motivation, calls her dad's phone and Wee's

749
00:36:40,480 --> 00:36:43,400
Speaker 2: answers and starts to explain the situation. He says, once

750
00:36:43,480 --> 00:36:46,239
Speaker 2: Neil agrees to their one demand, they'll let him go.

751
00:36:46,840 --> 00:36:50,040
Speaker 2: But wait, Melissa recognizes that voice. It's the word wham guy.

752
00:36:50,360 --> 00:36:52,359
Speaker 2: He also puts two and two together, and just as

753
00:36:52,360 --> 00:36:54,200
Speaker 2: a car wash employee comes up and asks what type

754
00:36:54,239 --> 00:36:57,400
Speaker 2: of finish they want for their van, because of course,

755
00:36:57,440 --> 00:36:59,920
Speaker 2: when you're abducting somebody, you stop to get your car

756
00:37:00,000 --> 00:37:03,680
Speaker 2: car washed. Melissa hangs up and wonders if she just

757
00:37:03,719 --> 00:37:06,759
Speaker 2: got a clue about their location. MERV, But now, why

758
00:37:06,840 --> 00:37:08,680
Speaker 2: not just go through like a drive through, like, hey,

759
00:37:08,680 --> 00:37:10,320
Speaker 2: we want to stop and get food. Who stops to

760
00:37:10,360 --> 00:37:13,520
Speaker 2: get their car? MIRV appears and tells her where the

761
00:37:13,600 --> 00:37:16,320
Speaker 2: nearest car wash is. We are now back at the

762
00:37:16,360 --> 00:37:18,680
Speaker 2: car wash and the boys are putting some finishing touches

763
00:37:18,719 --> 00:37:22,400
Speaker 2: on the van like you do. When Wees accidentally drops

764
00:37:22,400 --> 00:37:25,919
Speaker 2: his word wham, guide and sees Melissa and Merv arrive

765
00:37:26,000 --> 00:37:28,279
Speaker 2: in a red convertible, which is technically a nicer car

766
00:37:28,360 --> 00:37:30,480
Speaker 2: than the millionaire author has by the way, but anyway.

767
00:37:30,920 --> 00:37:33,040
Speaker 2: Melissa surveys a scene while Nerv makes a call back

768
00:37:33,040 --> 00:37:35,279
Speaker 2: to the hotel, but while his attention is diverted, the

769
00:37:35,360 --> 00:37:39,040
Speaker 2: kidnappers push his convertible into the car wash. Melissa and

770
00:37:39,080 --> 00:37:41,320
Speaker 2: Merv try to stop it, but instead find themselves completely

771
00:37:41,400 --> 00:37:44,280
Speaker 2: drenched and soapy from the wash. The car is filled

772
00:37:44,280 --> 00:37:46,560
Speaker 2: with water. It's actually a very cool stunt. I've only

773
00:37:46,600 --> 00:37:48,680
Speaker 2: seen maybe once or twice in a movie, but never

774
00:37:49,719 --> 00:37:54,000
Speaker 2: to this extent, except maybe on a Podmets World movie

775
00:37:54,000 --> 00:37:55,920
Speaker 2: that we recapped camp Nowhere. That's the only time it

776
00:37:55,920 --> 00:37:58,000
Speaker 2: has been this full. It's usually like it gets a

777
00:37:58,000 --> 00:37:59,920
Speaker 2: little full, but this they really filled up. I also

778
00:38:00,040 --> 00:38:03,600
Speaker 2: don't buy that at fifteen, you know you're gonna you're

779
00:38:03,600 --> 00:38:05,560
Speaker 2: gonna learn to drive in another year. You don't know

780
00:38:05,600 --> 00:38:07,640
Speaker 2: where the break on a car is. I'm sorry, I

781
00:38:07,680 --> 00:38:09,200
Speaker 2: don't drive that. She gets and she's like, I don't

782
00:38:09,200 --> 00:38:11,000
Speaker 2: know where the break is. I don't buy that either.

783
00:38:11,760 --> 00:38:13,520
Speaker 2: She's also very smart in the movie, so you're gonna

784
00:38:13,560 --> 00:38:15,359
Speaker 2: know where the break just hit any pedals the car

785
00:38:15,440 --> 00:38:18,920
Speaker 2: wasn't on. Eventually it'll stop. Melissa, sy, this is where

786
00:38:18,960 --> 00:38:21,480
Speaker 2: you see. This is where I'm seeing. Yes, Sar, and

787
00:38:21,800 --> 00:38:25,680
Speaker 2: break next to you. Anything hit a button. Melissa sees

788
00:38:25,680 --> 00:38:28,919
Speaker 2: the dropped wordwham guide and notices it's a library book

789
00:38:28,960 --> 00:38:31,239
Speaker 2: that is due today. We are now back in the

790
00:38:31,280 --> 00:38:33,799
Speaker 2: kidnapper van, and Neil is losing his patience, but he

791
00:38:34,040 --> 00:38:37,000
Speaker 2: also notices their library books are due today. What timing

792
00:38:37,960 --> 00:38:41,759
Speaker 2: and weird? What a weird. He warns them of the

793
00:38:41,840 --> 00:38:44,879
Speaker 2: late fees, and the group instantly makes a rush turn

794
00:38:45,000 --> 00:38:48,359
Speaker 2: to avoid the fine. So they have no fear about

795
00:38:48,440 --> 00:38:52,920
Speaker 2: kidnapping a grown man, but late fees, no way, not

796
00:38:53,120 --> 00:38:55,560
Speaker 2: gonna happen. I am not paying a nickel. I'll do

797
00:38:55,680 --> 00:38:57,720
Speaker 2: thirty in the slammer as I'm charged as an adult

798
00:38:57,719 --> 00:39:00,920
Speaker 2: for kidnapping. But five cents on an overdoe book I'm

799
00:39:00,920 --> 00:39:01,560
Speaker 2: not gonna happen.

800
00:39:02,040 --> 00:39:07,720
Speaker 1: I mean, I think it's great they're showing kids being responsible.

801
00:39:08,760 --> 00:39:09,239
Speaker 3: Kind of.

802
00:39:09,680 --> 00:39:12,600
Speaker 2: They're all wearing their seatbelts as they're mowing down pedestrians.

803
00:39:13,600 --> 00:39:16,040
Speaker 2: And once the kidnappers do arrive at the library, they

804
00:39:16,040 --> 00:39:19,520
Speaker 2: make an innocent deal with Neil if he shows them

805
00:39:19,680 --> 00:39:23,560
Speaker 2: the book slap trip Trap, they'll release him. He agrees

806
00:39:24,120 --> 00:39:26,399
Speaker 2: and starts the challenge in the library. So then, why

807
00:39:26,400 --> 00:39:28,920
Speaker 2: did they kidnap him in the first place? Why did

808
00:39:28,960 --> 00:39:29,959
Speaker 2: they kidnap him?

809
00:39:30,239 --> 00:39:34,640
Speaker 1: What was the point of either of these groups? Kid

810
00:39:35,719 --> 00:39:38,239
Speaker 1: No made zero sense, Like he was just.

811
00:39:38,160 --> 00:39:41,560
Speaker 2: Saying, why did they dad nap this guy? I did

812
00:39:41,560 --> 00:39:44,440
Speaker 2: not understand. It's like it was this amazingly planned out

813
00:39:44,480 --> 00:39:53,920
Speaker 2: thing for nothing. Then we see the sudsy convertible arrive

814
00:39:53,960 --> 00:39:57,399
Speaker 2: at the library too, still followed very closely. Nobody even

815
00:39:57,480 --> 00:40:00,560
Speaker 2: held back slightly in this movie, followed closely by the

816
00:40:00,640 --> 00:40:03,400
Speaker 2: uniform truck, and Melissa runs inside to get her dad,

817
00:40:03,560 --> 00:40:07,840
Speaker 2: still being heckled by the piece of imaginary trip and

818
00:40:07,920 --> 00:40:11,160
Speaker 2: Melissa enters the library trying to find her dad. Neil

819
00:40:11,800 --> 00:40:14,319
Speaker 2: just finished the book trap for the next librarian to

820
00:40:14,360 --> 00:40:16,799
Speaker 2: feel the effects. So apparently some poor librarian is going

821
00:40:16,840 --> 00:40:20,799
Speaker 2: to get trip trapped, but Melissa blindly approaches, checks the

822
00:40:20,800 --> 00:40:23,600
Speaker 2: book and is splashed with blue paint. The boy's applaud

823
00:40:23,680 --> 00:40:28,399
Speaker 2: and Neil hugs's daughter, you found me. She's confused, I

824
00:40:28,480 --> 00:40:31,720
Speaker 2: am too. What the fuff is happening? At this point?

825
00:40:31,880 --> 00:40:34,520
Speaker 3: It swear what is going on?

826
00:40:34,760 --> 00:40:37,799
Speaker 1: Will what what are we doing here?

827
00:40:38,080 --> 00:40:38,560
Speaker 3: I don't know.

828
00:40:39,000 --> 00:40:42,160
Speaker 2: I truly do not. At this point, I was looking

829
00:40:42,200 --> 00:40:46,319
Speaker 2: around my room going like is this fake? Like this

830
00:40:46,360 --> 00:40:49,320
Speaker 2: can't be it did? The story didn't make any sense.

831
00:40:50,320 --> 00:40:54,840
Speaker 1: I rewound a little bit. Did I miss something? Okay,

832
00:40:54,840 --> 00:40:57,560
Speaker 1: I did? Then I had to fast forward. I was like, yes,

833
00:40:57,600 --> 00:40:59,160
Speaker 1: again I didn't get it.

834
00:40:59,400 --> 00:41:01,200
Speaker 2: I just didn't understand it.

835
00:41:01,719 --> 00:41:05,520
Speaker 1: But so again, all the characters, they're all great. Yes,

836
00:41:05,760 --> 00:41:07,760
Speaker 1: the acting is fine.

837
00:41:07,840 --> 00:41:09,759
Speaker 2: It's just this is why it felt like a Nickelodeon

838
00:41:09,800 --> 00:41:11,480
Speaker 2: movie to me, which don't seem to be on the

839
00:41:11,520 --> 00:41:13,720
Speaker 2: same level as the Disney movie.

840
00:41:14,120 --> 00:41:14,440
Speaker 1: Yeah.

841
00:41:14,520 --> 00:41:18,280
Speaker 2: Yeah, so he says, you found me, And now Neil

842
00:41:18,560 --> 00:41:22,840
Speaker 2: is cool with his kidnappers, like he's Patty Hurst. They like,

843
00:41:22,920 --> 00:41:24,359
Speaker 2: they haven't been cool with him at all.

844
00:41:24,719 --> 00:41:28,680
Speaker 1: But if I walked up to where I'm scared as

845
00:41:29,160 --> 00:41:33,480
Speaker 1: someone has my dad, I find him and he's like

846
00:41:33,760 --> 00:41:35,680
Speaker 1: chumming it up, I would have walked up to him

847
00:41:35,680 --> 00:41:39,640
Speaker 1: and been like, Dad, what the hell is going on here?

848
00:41:39,640 --> 00:41:42,680
Speaker 2: What are you doing? What's doing going on? Let's go?

849
00:41:43,000 --> 00:41:45,160
Speaker 1: Like, come on, it's time to go whatever, Like.

850
00:41:45,719 --> 00:41:48,839
Speaker 2: Yeah, and so Melissa thought she was saving her dad,

851
00:41:49,040 --> 00:41:51,880
Speaker 2: he admits he's been having fun with Sheldon Andre and

852
00:41:51,880 --> 00:41:56,160
Speaker 2: Weeze has he He hasn't. It's Stockholm syndrome. That happened

853
00:41:56,239 --> 00:41:57,160
Speaker 2: very quickly.

854
00:41:57,120 --> 00:42:01,200
Speaker 1: Second in the library, and that was fun.

855
00:42:01,320 --> 00:42:03,880
Speaker 2: Yes, yeah, Weez tells Melissa. They got off on the

856
00:42:03,880 --> 00:42:06,439
Speaker 2: wrong foot, and they flirt some more, but she's had enough.

857
00:42:06,480 --> 00:42:08,400
Speaker 2: She's ready to leave with her dad and start camping.

858
00:42:08,719 --> 00:42:11,520
Speaker 2: He apologizes to his new crew and follows her out.

859
00:42:12,000 --> 00:42:16,680
Speaker 2: Neil doesn't understand his daughter's angst. Somehow. She says she's

860
00:42:16,719 --> 00:42:19,480
Speaker 2: been thinking of this vacation for weeks. She wanted everything

861
00:42:19,480 --> 00:42:21,200
Speaker 2: to be perfect for them, but every time she's with

862
00:42:21,239 --> 00:42:24,480
Speaker 2: her dad, he brings Trip along and everything is ruined.

863
00:42:24,960 --> 00:42:27,400
Speaker 2: She argues that Trip Zoom is not a fictional character.

864
00:42:27,480 --> 00:42:30,240
Speaker 2: He's a pain in her butt. Then Skunk and Maurice

865
00:42:30,239 --> 00:42:33,399
Speaker 2: pop up, now in sheriff's uniforms Neil recognizes the duo

866
00:42:33,520 --> 00:42:38,640
Speaker 2: as they try to cuff him. Remember this was buddy.

867
00:42:38,680 --> 00:42:41,200
Speaker 1: They come up to him and they've got like karate

868
00:42:42,360 --> 00:42:44,400
Speaker 1: ate and like where's your gun?

869
00:42:45,000 --> 00:42:45,919
Speaker 2: Yeah? What have you got?

870
00:42:46,719 --> 00:42:47,280
Speaker 4: I know.

871
00:42:49,640 --> 00:42:52,600
Speaker 2: All the producers. Can you please isolate the sound of

872
00:42:52,800 --> 00:42:55,560
Speaker 2: Sabrina saying karate hand jobs and send it to me immediately.

873
00:42:59,440 --> 00:43:02,439
Speaker 2: Just I'm gonna need to have that on a perpetual loop.

874
00:43:02,520 --> 00:43:07,560
Speaker 2: Thank you, thank you very much, Blaye. So they're wearing

875
00:43:07,840 --> 00:43:11,319
Speaker 2: sheriff's uniforms Neil recognizes the duo. They try to cuff them,

876
00:43:11,320 --> 00:43:15,480
Speaker 2: only then boom, Melissa forces herself into the other cuff wee's.

877
00:43:15,640 --> 00:43:18,640
Speaker 2: Sheldon and Andre watch the new bad guys put their

878
00:43:18,640 --> 00:43:21,080
Speaker 2: father and daughter into their truck and decide to chase

879
00:43:21,120 --> 00:43:24,319
Speaker 2: after them. He's now been dad napped twice. It's a

880
00:43:24,360 --> 00:43:29,480
Speaker 2: double dad napping, and everybody knows you get double dad napped,

881
00:43:29,600 --> 00:43:33,040
Speaker 2: have to get karate hand jobbed. So Sheldon decides to

882
00:43:33,120 --> 00:43:36,759
Speaker 2: call the police station, but again the cup just keep

883
00:43:36,800 --> 00:43:40,440
Speaker 2: it in fun, Sabrina. The cop doesn't believe anything regarding

884
00:43:40,440 --> 00:43:42,680
Speaker 2: Neil Morris, and maybe this town just as a terrible

885
00:43:42,719 --> 00:43:45,000
Speaker 2: police force. That's what it seems like. The gang realizes

886
00:43:45,040 --> 00:43:47,759
Speaker 2: it's up to them and they very closely follow the

887
00:43:47,800 --> 00:43:51,080
Speaker 2: laundry truck through the night, eventually landing at a creepy

888
00:43:51,160 --> 00:43:54,120
Speaker 2: drive in Theaters where he follows them. Skunk and Maurice

889
00:43:54,160 --> 00:43:57,000
Speaker 2: eventually throw their prisoners into their abandoned trailer and it's

890
00:43:57,000 --> 00:44:00,440
Speaker 2: covered in notes. Neil and Melissa are getting scared. Obviously,

891
00:44:00,480 --> 00:44:03,080
Speaker 2: Skunk has a knife, but also a plate of snacks.

892
00:44:03,520 --> 00:44:05,920
Speaker 2: Neil assumes they want money, but Maurice has other plans.

893
00:44:05,920 --> 00:44:09,520
Speaker 2: He reveals a notebook filled with papers for Lights Out Lenny,

894
00:44:09,600 --> 00:44:12,560
Speaker 2: a book that his brother Skunk has been writing. Maurice

895
00:44:12,560 --> 00:44:15,239
Speaker 2: wants a real writer to finish the book, and that's

896
00:44:15,280 --> 00:44:17,800
Speaker 2: where Neil comes in. And until the book is fixed,

897
00:44:17,800 --> 00:44:19,560
Speaker 2: they can't leave no matter how long it takes. So

898
00:44:19,560 --> 00:44:23,720
Speaker 2: this is where it kind of turns into misery. Neil

899
00:44:23,760 --> 00:44:26,920
Speaker 2: starts reading chapter one. Quote the sky was dark and

900
00:44:26,960 --> 00:44:29,120
Speaker 2: the air was cold, and the man held the guns

901
00:44:29,120 --> 00:44:33,400
Speaker 2: so tight his fingers felt like cheese unquote. Uh oh,

902
00:44:33,480 --> 00:44:36,120
Speaker 2: this could take a while. As Neil works on the

903
00:44:36,120 --> 00:44:38,840
Speaker 2: awful book, the brothers watch a public domain movie outside.

904
00:44:39,000 --> 00:44:42,000
Speaker 2: Melissa says they need to make a distraction. Her dad

905
00:44:42,120 --> 00:44:44,640
Speaker 2: isn't so sure. He doesn't want to risk her life

906
00:44:44,680 --> 00:44:47,120
Speaker 2: on some silly plan. She's furious that her ideas are

907
00:44:47,120 --> 00:44:50,319
Speaker 2: always quote unquote silly, yet everything he writes for Trip

908
00:44:50,440 --> 00:44:53,319
Speaker 2: Zoom is genius. She wants to know why he doesn't

909
00:44:53,320 --> 00:44:56,240
Speaker 2: write about her. He explains that his characters are larger

910
00:44:56,280 --> 00:44:59,879
Speaker 2: than life, an extraordinary She tears up. She pushes back

911
00:45:00,080 --> 00:45:02,359
Speaker 2: he doesn't know any of her interests. He's missed all

912
00:45:02,360 --> 00:45:05,000
Speaker 2: of her dancer titles and knows nothing about her awards

913
00:45:05,000 --> 00:45:08,120
Speaker 2: in writing. She wants him to finally admit it. Trip

914
00:45:08,200 --> 00:45:12,240
Speaker 2: comes first, and just then we hear sirens. Everybody is spooked,

915
00:45:12,440 --> 00:45:15,160
Speaker 2: but we know it's just the boys van. Skunk and

916
00:45:15,200 --> 00:45:17,400
Speaker 2: Maurice don't know that, though, and they immediately grab their

917
00:45:17,400 --> 00:45:20,760
Speaker 2: hostages and try to take off, but Melissa sneakily grabs

918
00:45:20,760 --> 00:45:22,839
Speaker 2: a zoom book from Skunk's pile on their way out.

919
00:45:23,120 --> 00:45:26,160
Speaker 2: Skunk then pushes the captives into the uniform van, telling

920
00:45:26,239 --> 00:45:28,920
Speaker 2: Neil to keep writing. So he's going to be writing

921
00:45:29,440 --> 00:45:32,520
Speaker 2: as they drive around in this big stolen van that's

922
00:45:32,600 --> 00:45:36,759
Speaker 2: bright yellow and has now been missing for days. In

923
00:45:36,760 --> 00:45:39,880
Speaker 2: the van, Melissa starts giving Skunk's book notes, and her

924
00:45:39,920 --> 00:45:42,920
Speaker 2: dad actually agrees with everything she's suggesting. But when the

925
00:45:43,000 --> 00:45:45,719
Speaker 2: uniform truck hits debris in the road, it shakes the

926
00:45:45,760 --> 00:45:49,560
Speaker 2: car and Maurice spots his tail. He knows he's being followed,

927
00:45:49,640 --> 00:45:51,560
Speaker 2: and he didn't even have to look in the they're

928
00:45:51,600 --> 00:45:55,760
Speaker 2: three feet from they're the only two vans on the road,

929
00:45:56,520 --> 00:45:58,719
Speaker 2: and they're right behind him, so he's following them. He

930
00:45:58,800 --> 00:46:02,000
Speaker 2: quickly turns off road, putting them through a dirt obstacle. Course,

931
00:46:02,320 --> 00:46:04,520
Speaker 2: Skunk opens the back door and starts doing what you do,

932
00:46:04,600 --> 00:46:07,680
Speaker 2: throwing pants at them, eventually forcing them to avoid the

933
00:46:07,719 --> 00:46:11,760
Speaker 2: clothing rack and boom, they're slammed into a ditch. Skunk

934
00:46:11,800 --> 00:46:15,120
Speaker 2: celebrates as they leave their last possible detractors in the

935
00:46:15,160 --> 00:46:17,840
Speaker 2: rear view. But just as things are looking good for

936
00:46:17,880 --> 00:46:21,359
Speaker 2: the batties, they realize they're almost out of gas. Oh no,

937
00:46:21,520 --> 00:46:25,040
Speaker 2: steal a bigger van next time. Melissa also announces she

938
00:46:25,040 --> 00:46:27,560
Speaker 2: has to go to the bathroom. Unfortunately, Maurice doesn't trust her,

939
00:46:27,960 --> 00:46:30,480
Speaker 2: but Skunk says he'll stand by the door when they

940
00:46:30,480 --> 00:46:32,360
Speaker 2: make it to the gas station, and once they arrive,

941
00:46:32,480 --> 00:46:35,799
Speaker 2: he does just that. He uncuffs her shot, He puts

942
00:46:35,840 --> 00:46:38,239
Speaker 2: on a jacket and waits for her to either number one,

943
00:46:38,360 --> 00:46:40,440
Speaker 2: number two, or number three. Sabrina, do you think it

944
00:46:40,480 --> 00:46:41,719
Speaker 2: was one, two or three? What do you think? She

945
00:46:42,719 --> 00:46:45,600
Speaker 2: set it up as number two? Don't you think? Yes? Okay,

946
00:46:45,600 --> 00:46:46,200
Speaker 2: I thought so too.

947
00:46:46,320 --> 00:46:47,160
Speaker 1: That's number three.

948
00:46:47,960 --> 00:46:49,840
Speaker 2: If you don't know, I'm not gonna tell you. Just

949
00:46:49,880 --> 00:46:53,080
Speaker 2: be lucky. We don't get to four and five once inside,

950
00:46:53,120 --> 00:46:57,600
Speaker 2: it's number zero actually, as Melissa just surveys, Well, when

951
00:46:57,600 --> 00:46:59,279
Speaker 2: you're full of it, that's when number four and five.

952
00:47:00,280 --> 00:47:04,440
Speaker 2: Melissa just surveys the restroom, eventually seeing her imaginary zoom

953
00:47:04,480 --> 00:47:07,600
Speaker 2: once again in the mirror. He explains he's just in

954
00:47:07,680 --> 00:47:10,160
Speaker 2: her head, but she keeps him there, and this forces

955
00:47:10,160 --> 00:47:13,000
Speaker 2: her to realize if he's in her head, then she

956
00:47:13,080 --> 00:47:15,560
Speaker 2: can think like him. She reaches into her pocket and

957
00:47:15,560 --> 00:47:17,880
Speaker 2: pulls out the trip books she stole from Skunk. She

958
00:47:17,960 --> 00:47:21,440
Speaker 2: finds a page for the quote unquote presidential Pickle, which

959
00:47:21,960 --> 00:47:24,319
Speaker 2: incidentally was my nickname in high school, and then she

960
00:47:24,400 --> 00:47:27,640
Speaker 2: finds her lip glosses and circles the word presidential, leaving

961
00:47:27,640 --> 00:47:29,080
Speaker 2: the paper jammed in a mirror.

962
00:47:29,280 --> 00:47:32,000
Speaker 1: You circle it. Why wouldn't you just say what you

963
00:47:32,040 --> 00:47:32,960
Speaker 1: wanted to say with me?

964
00:47:33,160 --> 00:47:35,720
Speaker 2: You mean, right, we're in the presidential suite. They're taking

965
00:47:35,800 --> 00:47:36,120
Speaker 2: us here.

966
00:47:36,200 --> 00:47:38,520
Speaker 1: They're taking us here, because that's.

967
00:47:38,280 --> 00:47:45,799
Speaker 2: Not confusing, and this movie is confusing, Sabrina. Why you've

968
00:47:45,880 --> 00:47:48,400
Speaker 2: got you've got pen and ink and you just circle

969
00:47:48,440 --> 00:47:50,800
Speaker 2: one way? She circled the word, and we've got to

970
00:47:50,800 --> 00:47:53,879
Speaker 2: go find her, like, yeah, why not just write they've

971
00:47:53,880 --> 00:47:56,440
Speaker 2: taken us to the presidential suite on the mirror something

972
00:47:57,560 --> 00:48:00,880
Speaker 2: maybe here, Okay, play to play Devil's advocate. Maybe she

973
00:48:01,000 --> 00:48:04,000
Speaker 2: thought she had to do it that way, so if

974
00:48:04,040 --> 00:48:06,319
Speaker 2: he walked in to check to see if she'd left

975
00:48:06,320 --> 00:48:10,319
Speaker 2: any clues, it wouldn't be that blatant. I don't again,

976
00:48:10,360 --> 00:48:12,120
Speaker 2: I'm going for a stretch. I think it's just because

977
00:48:12,160 --> 00:48:15,719
Speaker 2: it's supposed to be confusing. Yeah, so she jams at

978
00:48:15,800 --> 00:48:19,360
Speaker 2: leaving the Okay, she exits with a long piece of

979
00:48:19,400 --> 00:48:21,880
Speaker 2: toilet paper stuck to her shoe, leaving a trail to

980
00:48:21,960 --> 00:48:24,799
Speaker 2: the truck. She removes her jacket, tosses it to the floor,

981
00:48:24,840 --> 00:48:28,080
Speaker 2: and get back in the handcuffs shot for the drive. Meanwhile,

982
00:48:28,160 --> 00:48:30,840
Speaker 2: Maurice is on the phone defending his actions to someone.

983
00:48:30,920 --> 00:48:33,319
Speaker 2: Maybe they aren't the bosses of this plan after all.

984
00:48:33,560 --> 00:48:36,160
Speaker 2: They drive off and Neil returns to writing the book

985
00:48:36,680 --> 00:48:40,040
Speaker 2: again in the back, until Melissa argues that he needs

986
00:48:40,080 --> 00:48:43,239
Speaker 2: better conditions to write, and Maurice actually agrees. They're just

987
00:48:43,239 --> 00:48:47,319
Speaker 2: going to go back to the hotel. Which how did

988
00:48:47,320 --> 00:48:50,480
Speaker 2: we know that? After the already all right, she already

989
00:48:50,640 --> 00:48:56,320
Speaker 2: she circled them? Just then, Andre, Andre, Sheldon and Wheeze

990
00:48:56,440 --> 00:48:58,560
Speaker 2: stumble on the drive through They see Melissa's jacket the

991
00:48:58,560 --> 00:49:00,440
Speaker 2: trail of toilet paper from the bathroom and find her

992
00:49:00,480 --> 00:49:04,480
Speaker 2: page with presidential circleed, but Pickle, of course, was sadly ignored.

993
00:49:04,640 --> 00:49:07,240
Speaker 2: Weez smells her lip gloss on the paper and knows

994
00:49:07,280 --> 00:49:10,440
Speaker 2: it's Melissa. Shelter reveals that his idea. He thinks it's

995
00:49:10,440 --> 00:49:13,200
Speaker 2: a clue for a pickle farm, but Andre knows this

996
00:49:13,400 --> 00:49:17,080
Speaker 2: means presidential suite, and they leave for the hotel again.

997
00:49:17,160 --> 00:49:19,000
Speaker 2: Would it just been easier to write they took us

998
00:49:19,000 --> 00:49:22,839
Speaker 2: back to the hotel. The uniform truck arrives back at

999
00:49:22,840 --> 00:49:25,880
Speaker 2: this hotel and they're greeted by the real bad guy,

1000
00:49:26,320 --> 00:49:30,040
Speaker 2: their boss, Mirv. That's right, it's a hotel owner all along.

1001
00:49:30,360 --> 00:49:32,920
Speaker 2: He helped Melissa earlier, but all it did was lead

1002
00:49:33,000 --> 00:49:35,239
Speaker 2: him to her dad. Now he tells his henchman to

1003
00:49:35,239 --> 00:49:37,120
Speaker 2: get me into his room to finish the new book.

1004
00:49:37,160 --> 00:49:38,959
Speaker 2: What a turn of events? Did you see this coming?

1005
00:49:39,000 --> 00:49:40,480
Speaker 2: Did you know Burv was gonna be the bad guy?

1006
00:49:41,880 --> 00:49:45,279
Speaker 1: I at this point I've forgotten about him, I really did.

1007
00:49:46,239 --> 00:49:49,040
Speaker 2: I knew at the second game on screen he was

1008
00:49:49,080 --> 00:49:51,360
Speaker 2: all gonna be of course it was gonna be Merv.

1009
00:49:52,000 --> 00:49:52,920
Speaker 2: Of course it was.

1010
00:49:54,120 --> 00:49:57,359
Speaker 1: Yeah, I mean, I know, I truly was like, I

1011
00:49:57,400 --> 00:50:00,680
Speaker 1: can't believe they have Jason Earl and they've barely used him,

1012
00:50:00,840 --> 00:50:02,040
Speaker 1: Like what the heck?

1013
00:50:02,360 --> 00:50:03,360
Speaker 2: Yeah, Like he's.

1014
00:50:03,280 --> 00:50:07,600
Speaker 1: Hilarious, funny, all of them on the castAR. But yeah,

1015
00:50:07,760 --> 00:50:09,799
Speaker 1: you're gonna have them in this movie and just give

1016
00:50:09,880 --> 00:50:12,600
Speaker 1: him this teeny tidy roll.

1017
00:50:12,760 --> 00:50:15,280
Speaker 2: What Yeah. No, so they get to see him. It's

1018
00:50:15,280 --> 00:50:17,879
Speaker 2: MERVS here and we're now in Merv's room. It looks

1019
00:50:17,920 --> 00:50:20,319
Speaker 2: like a seventies bachelor pad. I loved his room, by

1020
00:50:20,320 --> 00:50:22,359
Speaker 2: the way, outdated and swanky. It was the best.

1021
00:50:22,600 --> 00:50:25,400
Speaker 1: It was such a good set. It was such a

1022
00:50:25,400 --> 00:50:25,799
Speaker 1: good set.

1023
00:50:26,000 --> 00:50:29,120
Speaker 2: This is where, so Melissa follow me through. This is

1024
00:50:29,239 --> 00:50:32,600
Speaker 2: handcuffed to the hanging egg chair shot and Neil is

1025
00:50:32,680 --> 00:50:35,799
Speaker 2: placed in front of a laptop. Okay, but now we're back.

1026
00:50:35,960 --> 00:50:38,719
Speaker 2: Keep that in mind. Keep that in mind. We're now

1027
00:50:38,719 --> 00:50:40,600
Speaker 2: back on the road. The boys have forced a pizza

1028
00:50:40,640 --> 00:50:43,000
Speaker 2: delivery guy from Ralph's Pizza Shack to bring them to

1029
00:50:43,040 --> 00:50:45,520
Speaker 2: the hotel. Also, the pizza has the best cross in town,

1030
00:50:45,920 --> 00:50:47,680
Speaker 2: and for some reason, they dance and listen to cool

1031
00:50:47,719 --> 00:50:50,200
Speaker 2: music on the way in their car. Back at the hotel,

1032
00:50:50,239 --> 00:50:53,200
Speaker 2: Melissa notices a sketch for the MERV and how does

1033
00:50:53,239 --> 00:50:55,799
Speaker 2: she notice this by getting up and walking around? Wait,

1034
00:50:56,239 --> 00:50:59,920
Speaker 2: she was just handcuffed to the chair. Hello, not ere,

1035
00:51:00,640 --> 00:51:05,279
Speaker 2: She's just not anymore. There's bad handcuffs, or she just

1036
00:51:05,360 --> 00:51:08,960
Speaker 2: doesn't want to be in them anymore. So she notices

1037
00:51:09,040 --> 00:51:12,320
Speaker 2: sketches for the MERV an idea for an expensive Vegas

1038
00:51:12,480 --> 00:51:16,080
Speaker 2: like high rise redesign of this particular hotel, and apparently

1039
00:51:16,200 --> 00:51:20,719
Speaker 2: this is his motivation to do this whole plot, which

1040
00:51:20,760 --> 00:51:23,480
Speaker 2: makes no sense. Somehow, Skunk is getting better at writing,

1041
00:51:23,560 --> 00:51:25,839
Speaker 2: and Melissa and Neil are bonding his father and daughter

1042
00:51:25,920 --> 00:51:28,880
Speaker 2: in the same process. The next day, now the hotel

1043
00:51:28,920 --> 00:51:31,399
Speaker 2: convention is still bumping with book fans and is as

1044
00:51:31,560 --> 00:51:34,520
Speaker 2: messy as ever. The pizza man finally arrives too, So

1045
00:51:34,920 --> 00:51:38,319
Speaker 2: where were they coming from if the other people got

1046
00:51:38,360 --> 00:51:42,359
Speaker 2: there so much faster? But dropping off our teens? How

1047
00:51:42,440 --> 00:51:44,399
Speaker 2: are they driving through the night? Okay, by this point

1048
00:51:44,440 --> 00:51:46,480
Speaker 2: I'm just going okay, let the colors wash over me.

1049
00:51:47,640 --> 00:51:50,319
Speaker 2: Back inside, Melissa's finishing off the book while Maurice and

1050
00:51:50,360 --> 00:51:53,319
Speaker 2: her dad sleep with Skunk. Also in the shower, she

1051
00:51:53,400 --> 00:51:56,480
Speaker 2: sees an opportunity trip appears, but she's so sick of

1052
00:51:56,520 --> 00:51:59,319
Speaker 2: him only talking in catchphrases, but still asks him what

1053
00:51:59,360 --> 00:52:01,600
Speaker 2: he thinks of her plan, But she knows the answer.

1054
00:52:01,960 --> 00:52:07,320
Speaker 2: She found the confidence within herself. She has a good plan, Foss. Meanwhile,

1055
00:52:07,360 --> 00:52:09,560
Speaker 2: the boys barging to the presidential suite, only to realize

1056
00:52:09,600 --> 00:52:12,040
Speaker 2: Melissa and her dad aren't there. Where is she? Then

1057
00:52:12,160 --> 00:52:14,600
Speaker 2: Sheldon redeems himself and figures it out. It's like the

1058
00:52:14,600 --> 00:52:17,680
Speaker 2: climax from Zoom Time Boom Time. I think it's called

1059
00:52:18,160 --> 00:52:21,800
Speaker 2: the Signal of strength. It is a signal Zoom uses

1060
00:52:21,840 --> 00:52:25,560
Speaker 2: to lead the cloned rebels to his location. Weez realizes

1061
00:52:25,719 --> 00:52:28,480
Speaker 2: she's brilliant and Andre warns him if you don't ask

1062
00:52:28,520 --> 00:52:30,640
Speaker 2: her out, I will, which was a very funny line.

1063
00:52:30,880 --> 00:52:32,680
Speaker 2: They just need to find the signal, and they need

1064
00:52:32,719 --> 00:52:34,960
Speaker 2: to find it. Now we are back on the con stage.

1065
00:52:35,000 --> 00:52:37,399
Speaker 2: There's a Zoom debate going on until Weez and Andre

1066
00:52:37,520 --> 00:52:39,880
Speaker 2: break it up. They announced that Neil is in trouble

1067
00:52:40,120 --> 00:52:43,720
Speaker 2: and he needs the Zoomer's help, Floss. Unfortunately, Merv hears

1068
00:52:43,760 --> 00:52:46,279
Speaker 2: all of this and now knows he must stop this

1069
00:52:46,360 --> 00:52:49,560
Speaker 2: group from obviously going and wrecking his master plan, the

1070
00:52:49,600 --> 00:52:51,040
Speaker 2: plan of which we still don't know what the hell

1071
00:52:51,120 --> 00:52:52,440
Speaker 2: is actually going on. This is where we get a

1072
00:52:52,480 --> 00:52:55,800
Speaker 2: montage to yet another pop song, now with a poncho

1073
00:52:55,920 --> 00:52:59,400
Speaker 2: sporting group of Zoomers making water balloons, mixing paint, and

1074
00:52:59,480 --> 00:53:02,399
Speaker 2: creating new trip traps throughout the city for their plan.

1075
00:53:03,320 --> 00:53:05,319
Speaker 2: Later on, Melissa still needs to figure out what her

1076
00:53:05,360 --> 00:53:09,280
Speaker 2: signal's going to be that's important, but her dad reveals

1077
00:53:09,280 --> 00:53:11,520
Speaker 2: that a lot of trip is actually based on her.

1078
00:53:11,840 --> 00:53:14,120
Speaker 2: She's in the plot, she's in the humor, she's in

1079
00:53:14,160 --> 00:53:16,440
Speaker 2: the heart, and she is the reason that he writes.

1080
00:53:16,760 --> 00:53:19,680
Speaker 2: This beautiful moment is interrupted by Merv, who just needs

1081
00:53:19,760 --> 00:53:23,440
Speaker 2: this book finished. He knows a Zoomer firestorm is brewing outside,

1082
00:53:23,440 --> 00:53:26,480
Speaker 2: and Melissa just wants to know what this is all about.

1083
00:53:26,760 --> 00:53:30,000
Speaker 2: Merv says that he cares about what her dad writes,

1084
00:53:30,480 --> 00:53:33,600
Speaker 2: not what Skunk's been doing. He wants now try to

1085
00:53:33,600 --> 00:53:35,359
Speaker 2: follow me here because hopefully as I read this out,

1086
00:53:35,360 --> 00:53:38,759
Speaker 2: I'll understand it too. He wants to sell the manuscript

1087
00:53:38,840 --> 00:53:42,520
Speaker 2: to the new and last Neil Morris book to fund

1088
00:53:42,560 --> 00:53:45,720
Speaker 2: his new hotel idea, and until that book is perfect,

1089
00:53:45,840 --> 00:53:50,160
Speaker 2: Neil won't see his princess and locks Melissa in the bathroom. Now,

1090
00:53:50,239 --> 00:53:52,880
Speaker 2: even Skunk and Maurice are little disturbed this isn't what

1091
00:53:52,920 --> 00:53:55,080
Speaker 2: they signed up for, but MERV says they're looking at

1092
00:53:55,160 --> 00:53:58,760
Speaker 2: jail time either way, so they better do what he says.

1093
00:54:01,440 --> 00:54:07,399
Speaker 2: So he wants to hold this guy, have him write

1094
00:54:07,440 --> 00:54:13,000
Speaker 2: his last book, not what Skunk wants, kill him, sell

1095
00:54:13,040 --> 00:54:18,040
Speaker 2: the book rights, and then build a hotel. That's the

1096
00:54:18,080 --> 00:54:20,919
Speaker 2: Disney Channel plan, folks, that's the plan.

1097
00:54:21,000 --> 00:54:21,640
Speaker 1: Where we're at.

1098
00:54:22,080 --> 00:54:25,160
Speaker 2: This is where we are. This is when by this

1099
00:54:25,239 --> 00:54:27,680
Speaker 2: point I think I was looking at everything else in

1100
00:54:27,719 --> 00:54:29,600
Speaker 2: my room going like, oh, that needs to be cleaned up.

1101
00:54:30,160 --> 00:54:33,160
Speaker 2: It was, yes, it's just okay. So outside we're back

1102
00:54:33,160 --> 00:54:35,640
Speaker 2: outside now the Zoomers are ready to go. As Melissa

1103
00:54:35,680 --> 00:54:37,800
Speaker 2: paces the bathroom, she needs to give them the signal.

1104
00:54:38,120 --> 00:54:40,279
Speaker 2: She pulls down a shower curtain and starts raiding the

1105
00:54:40,280 --> 00:54:44,360
Speaker 2: medicine cabinet, working quickly to create something. Eventually, she writes

1106
00:54:44,400 --> 00:54:47,360
Speaker 2: a very large Z on the sheet and places it

1107
00:54:47,400 --> 00:54:50,279
Speaker 2: outside the window, giving the group the signal that they need.

1108
00:54:50,600 --> 00:54:54,600
Speaker 2: They immediately then storm the hotel. Which again, why not

1109
00:54:55,200 --> 00:54:56,719
Speaker 2: just lean out the window and say come get me,

1110
00:54:56,840 --> 00:55:00,359
Speaker 2: or write something else on the thing. But anyway, they

1111
00:55:00,680 --> 00:55:05,160
Speaker 2: storm the hotel, slingshotting super stinky cheese bombs right into

1112
00:55:05,200 --> 00:55:07,520
Speaker 2: Mirv and his hotel plans. It's an all out attack,

1113
00:55:07,840 --> 00:55:11,120
Speaker 2: water balloon, spray guns, paint, toilet paper. It's actually really

1114
00:55:11,120 --> 00:55:14,239
Speaker 2: disgusting and gross. It reminds me very much of Nickelodeon stuff.

1115
00:55:14,280 --> 00:55:16,440
Speaker 2: This might be the dirtiest movie we've seen yet, and

1116
00:55:16,520 --> 00:55:19,319
Speaker 2: it forces Merv to retreat, grabbing Neil and Melissa for

1117
00:55:19,320 --> 00:55:22,440
Speaker 2: an escape, but they quickly realize every route is blocked

1118
00:55:22,440 --> 00:55:26,040
Speaker 2: by zoomers and they're attacking from every direction. The fans

1119
00:55:26,040 --> 00:55:28,520
Speaker 2: steal off the streets while Melissa loses her captors with

1120
00:55:28,560 --> 00:55:31,520
Speaker 2: a slip slap zoom trap and reunites with weez to

1121
00:55:31,640 --> 00:55:34,720
Speaker 2: dental floss up Skunk and Maurice. So yeah, floss floss

1122
00:55:34,719 --> 00:55:37,040
Speaker 2: maybe that is what it is, but they never explained that.

1123
00:55:37,080 --> 00:55:40,360
Speaker 2: At the beginning, the only bad guy left is Merv.

1124
00:55:40,680 --> 00:55:42,680
Speaker 2: He still has Neil and is trying to just get

1125
00:55:42,680 --> 00:55:44,919
Speaker 2: to his car, but that's when Sheldon spots him again,

1126
00:55:44,920 --> 00:55:46,560
Speaker 2: making up for that one time he had a stupid

1127
00:55:46,560 --> 00:55:49,239
Speaker 2: idea and wanted to go to the pickle farm. He

1128
00:55:49,360 --> 00:55:51,800
Speaker 2: yells charge and it's a full on brave heart attack.

1129
00:55:52,000 --> 00:55:54,359
Speaker 2: Hundreds of kids turn the corner and they ambush Nerve

1130
00:55:54,440 --> 00:55:57,560
Speaker 2: until he's trapped, but he fakes his retreat and runs

1131
00:55:57,560 --> 00:56:00,759
Speaker 2: away again. He's still getting away, but as he's about

1132
00:56:00,800 --> 00:56:03,239
Speaker 2: to round a corner, more recent Skunk still flost up

1133
00:56:03,280 --> 00:56:05,960
Speaker 2: see the mob coming, and for their own redemptions, Skunk

1134
00:56:06,000 --> 00:56:08,640
Speaker 2: tells his brother to spin and they create a trip wire,

1135
00:56:08,960 --> 00:56:11,520
Speaker 2: forcing Merv to fall into what can only be described

1136
00:56:11,560 --> 00:56:15,120
Speaker 2: as a large pile of coalslaw, that's there for some

1137
00:56:15,200 --> 00:56:17,400
Speaker 2: reason that I don't understand. Do you understand what that?

1138
00:56:17,480 --> 00:56:20,000
Speaker 2: What the reason for that was? What do you think me?

1139
00:56:20,000 --> 00:56:21,759
Speaker 1: At this point that I lost me?

1140
00:56:22,160 --> 00:56:25,600
Speaker 2: It was, yes, okay, I'm glad I wasn't the only one.

1141
00:56:26,480 --> 00:56:31,120
Speaker 1: It was like really pushing of just.

1142
00:56:30,000 --> 00:56:31,480
Speaker 2: Trying to get through this at this point. This was

1143
00:56:31,480 --> 00:56:33,880
Speaker 2: a rough one for me. I'll be honest, it was.

1144
00:56:33,960 --> 00:56:36,799
Speaker 1: And it sucked because I want to love all of

1145
00:56:36,800 --> 00:56:39,000
Speaker 1: the movies that we watch, you know, and then the

1146
00:56:39,040 --> 00:56:41,839
Speaker 1: cast is cast is so good and I love Paul

1147
00:56:41,920 --> 00:56:44,520
Speaker 1: Howen and yes, like the whole time, and I'm going,

1148
00:56:44,560 --> 00:56:46,400
Speaker 1: am I just a bad mood right now?

1149
00:56:46,440 --> 00:56:47,680
Speaker 2: Like I thought the same thing.

1150
00:56:48,280 --> 00:56:50,279
Speaker 1: I just like not wanting.

1151
00:56:50,160 --> 00:56:52,279
Speaker 2: So funny you say that I thought the same thing, Like.

1152
00:56:52,239 --> 00:56:54,600
Speaker 1: Am I just in a mood? Like? Is that is

1153
00:56:54,600 --> 00:56:55,400
Speaker 1: that what's happening?

1154
00:56:55,800 --> 00:56:59,920
Speaker 2: Yeah, and no, it just this did not feel like

1155
00:57:00,200 --> 00:57:04,240
Speaker 2: dcom at all. It felt like a bad Nickelodeon movie. Yes,

1156
00:57:04,640 --> 00:57:07,000
Speaker 2: you know, like the vibe was just wrong.

1157
00:57:07,400 --> 00:57:11,840
Speaker 1: I also watched Nickelodeon growing up, but like it wasn't

1158
00:57:11,920 --> 00:57:14,600
Speaker 1: as on the caliber for me as like the Disney story.

1159
00:57:14,640 --> 00:57:17,200
Speaker 2: Agree, agreed, And this felt like that.

1160
00:57:17,720 --> 00:57:20,880
Speaker 1: Yeah, yeah, so it was strange. Strange.

1161
00:57:21,680 --> 00:57:24,360
Speaker 2: Yeah. So the kids celebrate as the real police finally

1162
00:57:24,440 --> 00:57:27,000
Speaker 2: arrive and with no sign of the lazy cop, who,

1163
00:57:27,040 --> 00:57:30,360
Speaker 2: of course, could have ended this movie an hour ago. Now, yep,

1164
00:57:30,840 --> 00:57:34,160
Speaker 2: but we're thank you. We are now back at the convention,

1165
00:57:34,320 --> 00:57:37,080
Speaker 2: without the threat of evil looming. Neil speaks to his fans.

1166
00:57:37,080 --> 00:57:39,960
Speaker 2: He thanks them for their triptastic efforts. Everyone there will

1167
00:57:39,960 --> 00:57:42,120
Speaker 2: get a signed copy of his next book. He also

1168
00:57:42,160 --> 00:57:44,480
Speaker 2: says it's time to reward the winner of the Zoom

1169
00:57:44,680 --> 00:57:48,120
Speaker 2: Enough Prize. He picks Andre Sheldon and Wieze, some guys

1170
00:57:48,120 --> 00:57:50,800
Speaker 2: who really stepped up in the face of danger, ignoring

1171
00:57:50,840 --> 00:57:52,720
Speaker 2: the fact that they were actually his first kidnappers and

1172
00:57:52,720 --> 00:57:55,160
Speaker 2: definitely had awful intentions, and put socks in his mouth repeatedly.

1173
00:57:55,480 --> 00:58:00,480
Speaker 2: But who cares, as We's then yells reading rocks, good message,

1174
00:58:00,520 --> 00:58:03,280
Speaker 2: weird way to say it. Zoom appears once again for Melissa,

1175
00:58:03,680 --> 00:58:05,720
Speaker 2: but instead of getting into their normal war of words,

1176
00:58:05,720 --> 00:58:07,720
Speaker 2: she thanks him. She couldn't have done it without him,

1177
00:58:07,720 --> 00:58:09,919
Speaker 2: but he's not hearing it. She did it, She did

1178
00:58:09,920 --> 00:58:13,480
Speaker 2: it all on her own. And Neil announces he has

1179
00:58:13,520 --> 00:58:16,360
Speaker 2: one more prize for his inspiration. He's awarding his daughter.

1180
00:58:16,640 --> 00:58:20,160
Speaker 2: That's right, there, you go. She gets the prize. She's

1181
00:58:20,200 --> 00:58:22,120
Speaker 2: been the inspiration for everything. The fans give her a

1182
00:58:22,160 --> 00:58:25,120
Speaker 2: standing ovation as the father and daughter embrace on stage.

1183
00:58:25,480 --> 00:58:29,240
Speaker 2: The crowd chance Floss as a handcuffed shot Skunk and

1184
00:58:29,320 --> 00:58:33,920
Speaker 2: Maurice watch on. Skunk is still optimistic. Dostoyevsky wrote some

1185
00:58:33,960 --> 00:58:36,480
Speaker 2: really cool stuff while in the Slammer, and just like that,

1186
00:58:36,680 --> 00:58:39,320
Speaker 2: they're taken away to prison. It's finally time for Neila

1187
00:58:39,360 --> 00:58:42,520
Speaker 2: Melissa's vacation. Wheeze shyly gives her his number in case

1188
00:58:42,560 --> 00:58:45,240
Speaker 2: she wants to, you know, go out. She says yes,

1189
00:58:45,280 --> 00:58:47,120
Speaker 2: but makes him promise it'll be a normal date. No

1190
00:58:47,200 --> 00:58:51,160
Speaker 2: weird costumes, no dental floss, and no police intervention. That's

1191
00:58:51,280 --> 00:58:54,040
Speaker 2: a pretty lame date if you ask me. He agrees,

1192
00:58:54,280 --> 00:58:56,320
Speaker 2: and hey, man, if you're not wearing kattumes and using

1193
00:58:56,400 --> 00:58:59,120
Speaker 2: dental floss for something you didn't get lucky that night.

1194
00:58:59,840 --> 00:59:03,080
Speaker 2: He agrees, and then the Morris duo drive off as

1195
00:59:03,120 --> 00:59:07,760
Speaker 2: the Zoomers once again chant floss, and then we get bloopers,

1196
00:59:07,800 --> 00:59:11,920
Speaker 2: but not even the bloopers weren't good. It's just characters

1197
00:59:11,920 --> 00:59:14,000
Speaker 2: getting hit in the face with slime and dowse with water.

1198
00:59:14,320 --> 00:59:17,400
Speaker 2: As the credits pass by and we hear Emily Osmond's

1199
00:59:17,480 --> 00:59:20,480
Speaker 2: en track called hero in Me. Did you know at

1200
00:59:20,520 --> 00:59:22,560
Speaker 2: the time this was an Emily Ozma song. Oh that's

1201
00:59:22,600 --> 00:59:25,400
Speaker 2: cool and that is our movie.

1202
00:59:26,360 --> 00:59:26,880
Speaker 1: There we go.

1203
00:59:27,320 --> 00:59:30,120
Speaker 2: I figured, yeah, I kind of did too, but at

1204
00:59:30,200 --> 00:59:32,040
Speaker 2: that point my ears were on fire and my eyes

1205
00:59:32,080 --> 00:59:36,920
Speaker 2: were bleeding. So, okay, this was a rough one for me, folks,

1206
00:59:36,920 --> 00:59:38,840
Speaker 2: I'm sorry, this was a really rough one for me.

1207
00:59:39,120 --> 00:59:42,080
Speaker 1: Just hate it. Especially talking to Jason.

1208
00:59:42,440 --> 00:59:43,880
Speaker 2: I know what you mean. You hate that. You don't

1209
00:59:43,960 --> 00:59:46,000
Speaker 2: like them as much as we don't like them, you know.

1210
00:59:46,240 --> 00:59:49,280
Speaker 1: But even himself he said when he read it it

1211
00:59:49,400 --> 00:59:52,320
Speaker 1: was weird. Yeah, when they did it, it felt weird.

1212
00:59:52,440 --> 00:59:57,080
Speaker 2: But here's the thing, we have to be Okay, I

1213
00:59:57,080 --> 00:59:59,919
Speaker 2: don't care if you've got five dollars or five hundred million.

1214
01:00:00,680 --> 01:00:02,840
Speaker 2: Some movies are gonna be good, and some movies are

1215
01:00:02,840 --> 01:00:05,240
Speaker 2: gonna be not that great, and some movies are gonna

1216
01:00:05,240 --> 01:00:08,320
Speaker 2: be terrible, and there's gonna be everything in between. Yeah,

1217
01:00:08,400 --> 01:00:11,040
Speaker 2: that we are getting spoiled by some of these movies.

1218
01:00:11,120 --> 01:00:12,760
Speaker 2: A because I know I'm watching them in the wrong

1219
01:00:12,800 --> 01:00:15,280
Speaker 2: state of mind, and I know that they're good movies

1220
01:00:15,280 --> 01:00:17,400
Speaker 2: for what they're supposed to be, And I'm trying to

1221
01:00:17,400 --> 01:00:20,160
Speaker 2: get better at being like, this is a good movie.

1222
01:00:20,360 --> 01:00:23,080
Speaker 2: I'm just being a jerk about it because I'm watching

1223
01:00:23,120 --> 01:00:25,200
Speaker 2: it in the wrong frame of mind or whatever. And

1224
01:00:25,200 --> 01:00:26,960
Speaker 2: this is actually a good movie for what it's supposed

1225
01:00:26,960 --> 01:00:29,400
Speaker 2: to be. That being said, some of these just aren't

1226
01:00:29,400 --> 01:00:31,920
Speaker 2: gonna be good movies. Yeah, And this just wasn't a

1227
01:00:31,960 --> 01:00:37,720
Speaker 2: good great cast, great director, It looked nice, Yeah, but

1228
01:00:37,840 --> 01:00:39,960
Speaker 2: the story and the script were terrible.

1229
01:00:40,400 --> 01:00:40,880
Speaker 3: I'm sorry.

1230
01:00:40,880 --> 01:00:43,200
Speaker 2: I don't understand the movies. I don't understand the motivation

1231
01:00:43,280 --> 01:00:46,240
Speaker 2: for kidnapping either time. None of it made any sense.

1232
01:00:46,280 --> 01:00:50,000
Speaker 2: They didn't explain anything. It just wasn't a good It just.

1233
01:00:50,120 --> 01:00:52,800
Speaker 1: Didn't hit the mark. And that is what's so.

1234
01:00:53,240 --> 01:00:55,760
Speaker 2: It's so rare to be this off.

1235
01:00:55,880 --> 01:00:58,880
Speaker 1: Yeah, to be this off. It just is so rare,

1236
01:00:58,920 --> 01:01:01,360
Speaker 1: and it's like, what's sucks for me? What I think

1237
01:01:01,480 --> 01:01:04,320
Speaker 1: I start why I think? I was like almost getting irritated?

1238
01:01:04,560 --> 01:01:08,880
Speaker 1: Is this movie? You know? Within this time while they

1239
01:01:08,920 --> 01:01:14,120
Speaker 1: were filming this was Disney's way to give the kids

1240
01:01:14,160 --> 01:01:18,200
Speaker 1: on their channel that aren't the number one on the

1241
01:01:18,200 --> 01:01:21,400
Speaker 1: call sheet, right, they're the twos, the threes, the fours, whatever,

1242
01:01:21,920 --> 01:01:25,840
Speaker 1: giving them an opportunity to have a shining light on them.

1243
01:01:26,200 --> 01:01:26,480
Speaker 2: Yep.

1244
01:01:27,280 --> 01:01:30,440
Speaker 1: So I really had high hopes that this was going

1245
01:01:30,520 --> 01:01:32,480
Speaker 1: to be just such a great movie because I'm sure

1246
01:01:32,480 --> 01:01:35,680
Speaker 1: the kids appreciated it. I'm sure their parents did you

1247
01:01:35,720 --> 01:01:37,160
Speaker 1: know what I mean? Like all of that, like it

1248
01:01:37,200 --> 01:01:39,240
Speaker 1: was it should it was set up to be something

1249
01:01:39,320 --> 01:01:42,400
Speaker 1: really great and again and am I just in a

1250
01:01:42,440 --> 01:01:44,760
Speaker 1: bad mood right now? I'm just not interested in watching this?

1251
01:01:44,880 --> 01:01:47,760
Speaker 1: Or did I set my expectations just too high? Like

1252
01:01:47,800 --> 01:01:50,200
Speaker 1: I kept trying to make it my fault, but it

1253
01:01:50,240 --> 01:01:52,840
Speaker 1: was like, but I'm lost, I'm lost and this isn't

1254
01:01:53,120 --> 01:01:56,720
Speaker 1: like making sense, and so you know we'll get to

1255
01:01:56,720 --> 01:01:59,760
Speaker 1: my sacs subritis ses are more so like suggestion.

1256
01:02:00,120 --> 01:02:03,760
Speaker 2: Yeah yeah, yeah, I know, no I will, I will

1257
01:02:03,760 --> 01:02:08,480
Speaker 2: say this. I I was very impressed with Emily Osma. Yeah,

1258
01:02:08,600 --> 01:02:11,040
Speaker 2: I thought for what they gave her, I thought she

1259
01:02:11,040 --> 01:02:13,840
Speaker 2: she did great. They should have had her star and

1260
01:02:13,880 --> 01:02:17,520
Speaker 2: a number of other d coms because she They didn't

1261
01:02:17,560 --> 01:02:19,800
Speaker 2: give her a whole lot and she every beat was

1262
01:02:19,840 --> 01:02:22,840
Speaker 2: real and you easily could have made this where this

1263
01:02:23,040 --> 01:02:25,640
Speaker 2: was like, this was terrible, but she was great. So

1264
01:02:25,800 --> 01:02:27,720
Speaker 2: there's there's some bright lights. But yes, this was a

1265
01:02:27,760 --> 01:02:36,520
Speaker 2: tough one. Well let's see what other people thought about it,

1266
01:02:36,560 --> 01:02:38,320
Speaker 2: and let's do our real reviews. Do you want the

1267
01:02:38,320 --> 01:02:41,400
Speaker 2: five star, the one start? You want the one?

1268
01:02:41,440 --> 01:02:41,720
Speaker 1: All right?

1269
01:02:41,720 --> 01:02:43,800
Speaker 2: I will take the five star and the five star

1270
01:02:43,880 --> 01:02:46,600
Speaker 2: is written by our old friend who Noma is back.

1271
01:02:47,320 --> 01:02:50,600
Speaker 2: Here we go. Everyone experiences being written as a book.

1272
01:02:51,120 --> 01:02:53,480
Speaker 2: Every day we realize something is always missing. But in

1273
01:02:53,520 --> 01:02:56,360
Speaker 2: fact it was beside us all along. Treasure someone you

1274
01:02:56,400 --> 01:03:00,000
Speaker 2: love and never let it go away without regrets. Five star.

1275
01:03:02,120 --> 01:03:05,160
Speaker 2: I'm not sure the person even saw the movie, but

1276
01:03:05,240 --> 01:03:07,480
Speaker 2: there you go. Can you give us the one star?

1277
01:03:08,120 --> 01:03:13,640
Speaker 1: Oh? Yes, the one star was from Zachary. Oh why

1278
01:03:13,680 --> 01:03:15,280
Speaker 1: are you kidnapping dads?

1279
01:03:16,080 --> 01:03:20,840
Speaker 2: It's a logical question. One star? Okay, Well we are

1280
01:03:21,280 --> 01:03:24,480
Speaker 2: gonna come to the fun part. My favorite and of

1281
01:03:24,480 --> 01:03:27,720
Speaker 2: course bring his favorite part of the podcast. We are

1282
01:03:28,040 --> 01:03:29,760
Speaker 2: doing our future game this week, and our future game

1283
01:03:29,800 --> 01:03:32,400
Speaker 2: this week is called lit or Miss. Thank you very much.

1284
01:03:33,360 --> 01:03:36,560
Speaker 2: Producer Jensen can come up with him, Kenny. We're gonna

1285
01:03:36,560 --> 01:03:40,040
Speaker 2: be giving the names of classical books and four choices

1286
01:03:40,080 --> 01:03:44,240
Speaker 2: of authors. If we get three of five authors correctly,

1287
01:03:44,280 --> 01:03:48,640
Speaker 2: we win. I'm gonna let you pick first every time

1288
01:03:48,720 --> 01:03:51,360
Speaker 2: because I just glanced at them and I think I

1289
01:03:51,400 --> 01:03:52,160
Speaker 2: know the answer to.

1290
01:03:52,120 --> 01:03:54,000
Speaker 1: All do you? Yes? Damn it?

1291
01:03:54,840 --> 01:03:57,920
Speaker 2: So go ahead. We're gonna start number one. Pride and

1292
01:03:58,000 --> 01:04:02,320
Speaker 2: Prejudice was Pride and Prejudice written by A. Emily Dickinson, B.

1293
01:04:02,640 --> 01:04:09,720
Speaker 2: Jane Austen see Charlotte Bronte or D Judy Blue.

1294
01:04:10,320 --> 01:04:13,840
Speaker 3: You Jensen please say d.

1295
01:04:18,800 --> 01:04:25,160
Speaker 2: U C. Charlotte Bronte is who you think? Okay? I'm

1296
01:04:25,160 --> 01:04:27,520
Speaker 2: pretty sure Pride and Prejudice is actually a Jane Austen novel.

1297
01:04:27,560 --> 01:04:33,480
Speaker 2: It's b chance, it's okay, number per chance. Number two,

1298
01:04:34,280 --> 01:04:38,520
Speaker 2: Moby Dick was that a Mark Twain, B. William Faulkner,

1299
01:04:38,720 --> 01:04:43,040
Speaker 2: c Herman Melville or D. Dan brown S. D Oh

1300
01:04:43,080 --> 01:04:44,840
Speaker 2: my god, Moby Dick would have been great written by

1301
01:04:44,920 --> 01:04:47,120
Speaker 2: Dan Brown where it's like Moby Dick is actually you

1302
01:04:47,160 --> 01:04:48,920
Speaker 2: know Jesus's dad.

1303
01:04:50,800 --> 01:04:50,840
Speaker 4: B.

1304
01:04:51,880 --> 01:04:54,600
Speaker 2: William Faukner. Okay, I'm gonna go with the right answer,

1305
01:04:54,600 --> 01:04:59,600
Speaker 2: which is C Herman Melville. Now percentage wise the next

1306
01:04:59,640 --> 01:05:06,160
Speaker 2: one she's supposed to get just percentage why supposed to get? Oh, no,

1307
01:05:06,640 --> 01:05:08,640
Speaker 2: number three, to kill a mockingbird?

1308
01:05:08,720 --> 01:05:11,320
Speaker 1: I'm gonna I'm asking percentage.

1309
01:05:12,360 --> 01:05:14,360
Speaker 3: A percentage you're supposed to get this one? Here we go.

1310
01:05:15,000 --> 01:05:19,240
Speaker 2: Is it A Truman Capote, B. JD. Salinger, C. Harper

1311
01:05:19,320 --> 01:05:21,440
Speaker 2: Lee or D. Jackie Collins.

1312
01:05:21,640 --> 01:05:28,560
Speaker 1: Okay, Oh, I don't know, I have no a.

1313
01:05:28,720 --> 01:05:32,040
Speaker 3: Oh the percentages failed us. It is C.

1314
01:05:32,360 --> 01:05:34,920
Speaker 2: Harper Lee. Is the answer to to kill a mockingbird?

1315
01:05:35,000 --> 01:05:37,440
Speaker 2: She was? She was Truman Capote's assistant, and that was

1316
01:05:37,440 --> 01:05:38,840
Speaker 2: the book. She went off and wrote on her own.

1317
01:05:38,880 --> 01:05:40,720
Speaker 3: It is, by the way, it is harder to get

1318
01:05:40,800 --> 01:05:43,439
Speaker 3: zero right then it would be to get all five

1319
01:05:43,640 --> 01:05:48,640
Speaker 3: percentage wise. Number four.

1320
01:05:50,080 --> 01:05:54,040
Speaker 1: The fact that you get so much joy Jensen of

1321
01:05:54,320 --> 01:05:57,720
Speaker 1: creating this bolt is just insane.

1322
01:05:57,800 --> 01:05:59,960
Speaker 3: I don't know which joy as much as.

1323
01:05:59,320 --> 01:06:00,560
Speaker 2: It likes joy.

1324
01:06:01,560 --> 01:06:07,800
Speaker 3: Shame on you, You're bliss. Shame on you, boss boss.

1325
01:06:09,880 --> 01:06:15,400
Speaker 2: Number four. The picture of Dorian Gray.

1326
01:06:13,920 --> 01:06:17,600
Speaker 1: Never listens to this episode. She's gonna be so irritated.

1327
01:06:17,720 --> 01:06:19,880
Speaker 1: Why reader, Oh my god.

1328
01:06:19,840 --> 01:06:23,600
Speaker 2: Yes, picture of Dorian Gray, A, Edgar Allan Poe, b

1329
01:06:23,880 --> 01:06:31,160
Speaker 2: Oscar Wilde, C Charles Dickens or d J. K Rowling. A. Okay,

1330
01:06:31,200 --> 01:06:33,080
Speaker 2: it's b Oscar Wilde is the answer.

1331
01:06:33,320 --> 01:06:37,800
Speaker 3: We are so close to a no hitter. I'm so excited.

1332
01:06:38,640 --> 01:06:44,200
Speaker 3: I can't take that. One more number five, one more crowd?

1333
01:06:44,240 --> 01:06:45,000
Speaker 3: So silent?

1334
01:06:49,440 --> 01:06:53,400
Speaker 2: Is it? A? Is it? You're just picking A? I

1335
01:06:53,440 --> 01:06:57,200
Speaker 2: mean it's the same chances it's a Victor Hugo, b

1336
01:06:57,520 --> 01:07:02,960
Speaker 2: Emily Sola See Gustave Flaubert or d Jim Davis. Hey,

1337
01:07:03,400 --> 01:07:07,480
Speaker 2: you're gonna go a day. It is A.

1338
01:07:08,880 --> 01:07:17,120
Speaker 3: She just needed to not hear the names. What she

1339
01:07:17,240 --> 01:07:19,280
Speaker 3: got right is pick a letter A, B or C.

1340
01:07:20,080 --> 01:07:22,520
Speaker 3: That's awesome. I think that's honestly, this is the best

1341
01:07:22,560 --> 01:07:23,680
Speaker 3: boss for alcome.

1342
01:07:27,800 --> 01:07:29,280
Speaker 1: Shame.

1343
01:07:32,080 --> 01:07:34,800
Speaker 2: But by the way, Jensen, I'm gonna need a copy

1344
01:07:34,800 --> 01:07:37,320
Speaker 2: of Moby Dick written by Dan Brown.

1345
01:07:38,080 --> 01:07:39,960
Speaker 3: Sounds like a job for chat GBT.

1346
01:07:42,040 --> 01:07:44,320
Speaker 2: Thank you so much, producer Jensen for once again making

1347
01:07:44,360 --> 01:07:46,760
Speaker 2: my day. That is absolutely wonderful. Can we do some

1348
01:07:46,880 --> 01:07:51,080
Speaker 2: Sabrina sees.

1349
01:07:52,160 --> 01:08:00,200
Speaker 1: Yes, please, We've got to get past this. Okay, So well,

1350
01:08:00,840 --> 01:08:04,360
Speaker 1: we basically talked about every single one that was on it.

1351
01:08:04,480 --> 01:08:07,880
Speaker 1: Just the question of the craziness one of the things

1352
01:08:07,880 --> 01:08:10,120
Speaker 1: that I, honestly, I'm so glad you brought up. How

1353
01:08:10,120 --> 01:08:13,040
Speaker 1: we did not see that kind of idea of an

1354
01:08:13,080 --> 01:08:16,000
Speaker 1: action play of the book so that we got a

1355
01:08:16,000 --> 01:08:18,519
Speaker 1: little bit more. That would have been an easy way

1356
01:08:18,560 --> 01:08:21,320
Speaker 1: for them to give us the information of these holes.

1357
01:08:21,840 --> 01:08:24,639
Speaker 1: And again I don't know, I would assume that they did,

1358
01:08:24,680 --> 01:08:27,240
Speaker 1: but for some reason pulled them out. It has to be.

1359
01:08:27,360 --> 01:08:30,720
Speaker 1: But the only one we didn't talk about was, you know,

1360
01:08:30,720 --> 01:08:33,800
Speaker 1: we did like that would explain floss, because floss is

1361
01:08:33,840 --> 01:08:38,280
Speaker 1: not explained at all, how he uses flaws, why floss

1362
01:08:38,360 --> 01:08:41,120
Speaker 1: is a thing would be done easily by just doing

1363
01:08:41,120 --> 01:08:43,960
Speaker 1: a quick scene with him with the floss and why

1364
01:08:44,000 --> 01:08:46,639
Speaker 1: these kids are using floss to tie people up and whatever.

1365
01:08:47,200 --> 01:08:53,519
Speaker 1: And then I did notice the handcuff situation. I thought

1366
01:08:53,800 --> 01:08:57,320
Speaker 1: that was a second one of she thinks back about

1367
01:08:57,400 --> 01:08:59,720
Speaker 1: something that her dad wrote in the movie of how

1368
01:08:59,760 --> 01:09:02,439
Speaker 1: he gotten out of handcuffs before, and that's how she

1369
01:09:02,479 --> 01:09:03,200
Speaker 1: gets out of it.

1370
01:09:03,360 --> 01:09:04,400
Speaker 2: That would have been nice to see.

1371
01:09:04,560 --> 01:09:07,240
Speaker 1: The only thing we didn't see or didn't talk about,

1372
01:09:07,320 --> 01:09:09,840
Speaker 1: but that was like an extra thing, like using that

1373
01:09:09,920 --> 01:09:11,840
Speaker 1: as a way to explain some of the stuff that

1374
01:09:12,120 --> 01:09:13,920
Speaker 1: I get it. You're you're trying to keep it quick

1375
01:09:13,920 --> 01:09:15,840
Speaker 1: and moving, but like it would have been a little

1376
01:09:15,840 --> 01:09:19,360
Speaker 1: bit helpful. But I did have to ask you, do

1377
01:09:19,400 --> 01:09:22,799
Speaker 1: you feel like you were triggered because it's all around

1378
01:09:22,960 --> 01:09:25,080
Speaker 1: this con thing that you go to and you know

1379
01:09:25,560 --> 01:09:26,960
Speaker 1: the ins and outs of it.

1380
01:09:26,920 --> 01:09:28,800
Speaker 2: Like, well, it just was it just it seemed to

1381
01:09:28,800 --> 01:09:30,479
Speaker 2: be written by somebody who's never really been to a

1382
01:09:30,520 --> 01:09:33,840
Speaker 2: con That's what I mean. Yeah, that's some of it

1383
01:09:33,880 --> 01:09:36,080
Speaker 2: is that you know, like the stuff they do on stage,

1384
01:09:36,160 --> 01:09:38,439
Speaker 2: if they have a contest or something, that stuff can happen.

1385
01:09:38,479 --> 01:09:41,799
Speaker 2: People dressing up, that stuff can clearly happen. Nobody's throwing

1386
01:09:41,960 --> 01:09:44,759
Speaker 2: slime and stuff all over the place at a convention.

1387
01:09:44,880 --> 01:09:49,559
Speaker 2: That doesn't happen. Also, the author of the book would

1388
01:09:49,600 --> 01:09:52,600
Speaker 2: be sitting behind a desk with his book set up,

1389
01:09:52,640 --> 01:09:54,280
Speaker 2: and there'd be a line of people waiting to meet

1390
01:09:54,320 --> 01:09:56,160
Speaker 2: him and sign there. He's not just what You're not

1391
01:09:56,200 --> 01:09:59,280
Speaker 2: just randomly walking around signing autographs at a convention. You're like,

1392
01:09:59,360 --> 01:10:00,920
Speaker 2: you have a table set up and people come and

1393
01:10:00,960 --> 01:10:04,400
Speaker 2: talk to you and do so they were let's say

1394
01:10:04,560 --> 01:10:06,680
Speaker 2: if I'm being generous, they were playing it fast and

1395
01:10:06,680 --> 01:10:07,799
Speaker 2: loose with the con world.

1396
01:10:07,960 --> 01:10:11,920
Speaker 1: Okay, y, yes, which I think for some you know,

1397
01:10:12,080 --> 01:10:15,000
Speaker 1: I what it seems like. Again, I've never done it,

1398
01:10:15,040 --> 01:10:17,679
Speaker 1: but I watched Big Bang Theory all the time. They

1399
01:10:17,800 --> 01:10:20,439
Speaker 1: talk about cons a lot, and a lot of the

1400
01:10:20,479 --> 01:10:24,840
Speaker 1: people go are like really huge and amazing fans and

1401
01:10:25,120 --> 01:10:27,680
Speaker 1: so awesome. I would think that this would be like

1402
01:10:27,840 --> 01:10:29,720
Speaker 1: something that they'd be like, that's not how it is

1403
01:10:29,760 --> 01:10:31,920
Speaker 1: at all, Like what you know, it would be like

1404
01:10:31,960 --> 01:10:34,840
Speaker 1: somebody who does right for Big Bang to not ever

1405
01:10:34,880 --> 01:10:36,559
Speaker 1: go to them like yeah, I mean.

1406
01:10:36,439 --> 01:10:38,320
Speaker 2: Again, they got some of it right, but a lot

1407
01:10:38,320 --> 01:10:40,519
Speaker 2: of it not right, just way way off. And I

1408
01:10:40,560 --> 01:10:42,080
Speaker 2: want to take you to one because they are so

1409
01:10:42,240 --> 01:10:45,200
Speaker 2: much fun and so inclusive and everybody's welcome and everybody

1410
01:10:45,280 --> 01:10:47,760
Speaker 2: can just be weird and nerdy. It's the greatest thing.

1411
01:10:47,800 --> 01:10:50,559
Speaker 1: It's awesome, so fun, so fun, you know. But I

1412
01:10:50,640 --> 01:10:53,120
Speaker 1: feel like that that was something that was kind of going,

1413
01:10:53,320 --> 01:10:56,120
Speaker 1: I bet you will so irritate. It can't be this

1414
01:10:56,200 --> 01:10:58,880
Speaker 1: can't be what it's like like it just you know.

1415
01:10:59,360 --> 01:11:00,920
Speaker 1: And then I was also we like, as the author

1416
01:11:01,120 --> 01:11:04,240
Speaker 1: of the thing that they're all coming like it's very unsafe.

1417
01:11:04,240 --> 01:11:07,120
Speaker 1: He has like no security like of any sort, like

1418
01:11:07,400 --> 01:11:10,880
Speaker 1: not walking around, not how it's done, you know, and

1419
01:11:11,000 --> 01:11:14,360
Speaker 1: staying at that same hotel, like people could walk that happens.

1420
01:11:14,800 --> 01:11:17,200
Speaker 2: That happened. Oh there's times where you're you're staying at

1421
01:11:17,200 --> 01:11:19,120
Speaker 2: the hotel where the convention actually takes place, and you're

1422
01:11:19,160 --> 01:11:20,840
Speaker 2: riding in the elevator with all the fans and all

1423
01:11:20,880 --> 01:11:23,439
Speaker 2: that stuff. That's actually that thing happened. That happens quite often.

1424
01:11:23,760 --> 01:11:25,120
Speaker 1: I could follow you to your room.

1425
01:11:25,680 --> 01:11:28,320
Speaker 3: I mean, you have weird things. Had major problems with

1426
01:11:28,400 --> 01:11:29,080
Speaker 3: Danielle before.

1427
01:11:29,640 --> 01:11:33,759
Speaker 2: Not just Danielle. I've had people follow me to different countries, like.

1428
01:11:33,720 --> 01:11:37,200
Speaker 1: When we oh my god, oh yeah, no, I got it.

1429
01:11:37,200 --> 01:11:39,240
Speaker 1: Can be back when we were on tour, it was

1430
01:11:39,320 --> 01:11:42,360
Speaker 1: so important of where we like, it was to the

1431
01:11:42,400 --> 01:11:47,519
Speaker 1: point where we had to like take a van away

1432
01:11:47,560 --> 01:11:49,720
Speaker 1: from the bus and get dropped off because if they

1433
01:11:49,920 --> 01:11:53,320
Speaker 1: followed our bus, then now we're like, you know, in

1434
01:11:53,360 --> 01:11:54,799
Speaker 1: a hotel room with somebody.

1435
01:11:54,840 --> 01:11:56,680
Speaker 2: And you know how many times that we were on

1436
01:11:56,720 --> 01:11:58,400
Speaker 2: tour for Podney's World Live or would there be a

1437
01:11:58,439 --> 01:12:02,200
Speaker 2: group of people waiting in the lobby for us.

1438
01:12:02,400 --> 01:12:04,120
Speaker 1: Oh gosh, no, that is so unsafe.

1439
01:12:04,320 --> 01:12:08,400
Speaker 2: Yeah, Okay, anyway, that's real. That happens a lot. Wow, okay,

1440
01:12:08,560 --> 01:12:11,280
Speaker 2: all right, we weren't staying at the murk, but that's

1441
01:12:11,320 --> 01:12:11,799
Speaker 2: all right.

1442
01:12:12,800 --> 01:12:17,880
Speaker 1: I think. God yeah, I mean Adrian had her entire

1443
01:12:17,920 --> 01:12:20,400
Speaker 1: luggage stolen by like one of the fans that was

1444
01:12:20,439 --> 01:12:24,200
Speaker 1: out like it saw us come in and our the

1445
01:12:24,200 --> 01:12:26,680
Speaker 1: assistant was like taking you know, the fans supposed to

1446
01:12:26,680 --> 01:12:29,840
Speaker 1: put it on a bell hop and like literally she

1447
01:12:29,960 --> 01:12:31,639
Speaker 1: on tour had no clothes nothing.

1448
01:12:31,760 --> 01:12:34,559
Speaker 2: That's the thing is ninety nine point nine percent of

1449
01:12:34,560 --> 01:12:38,280
Speaker 2: the fans you meet are the nicest, the best, coolest, Yes,

1450
01:12:38,880 --> 01:12:41,440
Speaker 2: just you just want to hang out with them. They're respectful,

1451
01:12:41,560 --> 01:12:44,000
Speaker 2: they're the greatest people in the world. It's that tinye

1452
01:12:44,080 --> 01:12:44,880
Speaker 2: point one percent.

1453
01:12:45,200 --> 01:12:48,360
Speaker 1: But the problem is that point one percent stays with

1454
01:12:48,400 --> 01:12:52,000
Speaker 1: you forever. Yeah, you never forget that. Those those very

1455
01:12:52,040 --> 01:12:55,040
Speaker 1: small and very far between. Oh yeah, very very small

1456
01:12:55,080 --> 01:12:56,960
Speaker 1: for sure, you know. Wow.

1457
01:12:57,439 --> 01:13:00,960
Speaker 2: All right, all right, can we read our our options

1458
01:13:00,960 --> 01:13:03,599
Speaker 2: for this week? Yeah, I'm not gonna make a joke

1459
01:13:03,640 --> 01:13:08,480
Speaker 2: on it. One to ten, one bad, ten good. Uh.

1460
01:13:08,600 --> 01:13:11,639
Speaker 2: Our options this week one out of ten Spoiler Book reports,

1461
01:13:12,200 --> 01:13:16,519
Speaker 2: one out of ten legally acceptable scrabble ripoffs onion smells

1462
01:13:17,439 --> 01:13:22,200
Speaker 2: floss floss flosses one out of ten, book splat trip traps,

1463
01:13:22,600 --> 01:13:25,519
Speaker 2: one out of ten, Stockholm syndromes, one out of ten,

1464
01:13:25,600 --> 01:13:29,080
Speaker 2: double kidnappings, presidential pickles, one out of ten, best pizza

1465
01:13:29,080 --> 01:13:31,679
Speaker 2: cross in town, or one out of ten large piles

1466
01:13:31,680 --> 01:13:33,519
Speaker 2: of coleslaw. I think I get to pick this week,

1467
01:13:33,560 --> 01:13:37,000
Speaker 2: don't I do? And just because it's so difficult to say,

1468
01:13:37,240 --> 01:13:39,960
Speaker 2: I want to do one out of ten book slap books. Ye,

1469
01:13:40,280 --> 01:13:42,160
Speaker 2: screw book splat trip traps.

1470
01:13:42,479 --> 01:13:46,639
Speaker 1: All right, all right, I think you went first last week.

1471
01:13:46,720 --> 01:13:48,400
Speaker 2: If I did, I believe I did.

1472
01:13:49,040 --> 01:13:52,439
Speaker 1: Okay, so I'm going to go first. And this was

1473
01:13:52,600 --> 01:13:58,000
Speaker 1: rough because again I have such so much love and

1474
01:13:58,200 --> 01:14:01,800
Speaker 1: so much respect for these acts, and I freaking love

1475
01:14:01,880 --> 01:14:05,880
Speaker 1: me some Paul Owen. This was tough for me. There

1476
01:14:05,920 --> 01:14:08,280
Speaker 1: was too many holes for me to even enjoy it

1477
01:14:08,360 --> 01:14:11,640
Speaker 1: at all at times. But the cast was phenomenal and

1478
01:14:11,680 --> 01:14:13,920
Speaker 1: they did a great job, so that bumps it up

1479
01:14:13,920 --> 01:14:16,800
Speaker 1: for me a little bit. I'm giving this a five

1480
01:14:16,840 --> 01:14:24,599
Speaker 1: point five book slap trap traps into that way, five

1481
01:14:26,840 --> 01:14:30,000
Speaker 1: five point five book slap traps.

1482
01:14:31,040 --> 01:14:34,880
Speaker 2: There you go. Yeah, the the cast saved it a

1483
01:14:34,880 --> 01:14:38,040
Speaker 2: little bit, but not enough for me. This was this

1484
01:14:38,240 --> 01:14:41,080
Speaker 2: was I mean, it just was all over the place.

1485
01:14:41,320 --> 01:14:45,000
Speaker 2: This was such a strange movie. Again, great cast, I

1486
01:14:45,040 --> 01:14:46,760
Speaker 2: didn't even think about this before you said it. You're

1487
01:14:46,760 --> 01:14:49,679
Speaker 2: one hundred percent right. It was a great opportunity for

1488
01:14:49,760 --> 01:14:51,720
Speaker 2: the seconds and thirds on the call sheets to have

1489
01:14:52,200 --> 01:14:54,160
Speaker 2: something to do, and they all did great with what

1490
01:14:54,200 --> 01:14:56,120
Speaker 2: they were given. But the problem is what they were

1491
01:14:56,160 --> 01:14:59,800
Speaker 2: given was not good. So yeah, this is this is

1492
01:15:00,120 --> 01:15:04,040
Speaker 2: to be a four for me four booksplat Trip Traps.

1493
01:15:05,400 --> 01:15:07,360
Speaker 2: This just this was not a good movie. And some

1494
01:15:07,400 --> 01:15:09,240
Speaker 2: of them aren't gonna be good. And I think most

1495
01:15:09,240 --> 01:15:11,960
Speaker 2: people know that we're fans, and fans don't want to

1496
01:15:12,000 --> 01:15:14,040
Speaker 2: be I don't want to sit here in bash Disney.

1497
01:15:14,080 --> 01:15:16,680
Speaker 2: I don't want to bash actors that we like, and

1498
01:15:16,720 --> 01:15:19,000
Speaker 2: not every movie is gonna be good, and this, unfortunately

1499
01:15:19,160 --> 01:15:21,120
Speaker 2: is you know, we're gonna be able to count on

1500
01:15:21,120 --> 01:15:23,360
Speaker 2: one hand with four fingers left over the amount of

1501
01:15:23,360 --> 01:15:26,400
Speaker 2: Paul Hoan movies that aren't good on the Disney Channel.

1502
01:15:27,439 --> 01:15:30,439
Speaker 1: Seriously, this is and I think it goes to show too.

1503
01:15:30,520 --> 01:15:35,640
Speaker 1: Like we've talked to now Paul and Jason Earles, this

1504
01:15:35,800 --> 01:15:38,000
Speaker 1: what I don't think this is something they look back

1505
01:15:38,040 --> 01:15:41,559
Speaker 1: at super fondly either like thinking it was you know, like,

1506
01:15:41,600 --> 01:15:43,320
Speaker 1: I don't feel like they felt like this was their

1507
01:15:43,479 --> 01:15:45,840
Speaker 1: They mean, at least neither of them mentioned this one.

1508
01:15:46,000 --> 01:15:47,519
Speaker 2: Yeah. No, And I think they both just think it's

1509
01:15:47,640 --> 01:15:50,080
Speaker 2: just weird because it's it is. It's just weird. It's

1510
01:15:50,080 --> 01:15:53,720
Speaker 2: fever dreamish, nothing makes sense, nothing comes back. Wait, why

1511
01:15:53,760 --> 01:15:56,839
Speaker 2: are they even kidnapping it? It is a very strange

1512
01:15:56,880 --> 01:16:00,240
Speaker 2: movie all the way around. Yeah, yeah, well so okay, Well,

1513
01:16:00,280 --> 01:16:02,519
Speaker 2: thank you everybody for joining us for our next movie.

1514
01:16:02,640 --> 01:16:04,639
Speaker 2: We're actually only gonna go back for a few years

1515
01:16:04,680 --> 01:16:07,160
Speaker 2: for a more recent edition of the collection. It's twenty

1516
01:16:07,240 --> 01:16:11,479
Speaker 2: twenty one's Spin, available now to watch via Disney Plus.

1517
01:16:11,520 --> 01:16:13,320
Speaker 2: And this week, as we've talked about many times now

1518
01:16:13,360 --> 01:16:16,479
Speaker 2: in our dedicated magical Rewine Feed, we are absolutely thrilled

1519
01:16:16,479 --> 01:16:19,320
Speaker 2: to have chatted with a Disney legend merv from Dad

1520
01:16:19,360 --> 01:16:22,320
Speaker 2: napped himself and from another little something. What was that

1521
01:16:22,320 --> 01:16:25,400
Speaker 2: thing he did? The anamn tana.

1522
01:16:25,560 --> 01:16:29,120
Speaker 1: It's Jason Earl's Hannah Banana, as he calls it.

1523
01:16:29,040 --> 01:16:32,400
Speaker 2: Hannah Banana, And we talk about everything. It was a really,

1524
01:16:32,479 --> 01:16:35,000
Speaker 2: really fun conversation. It really was. Here is a small

1525
01:16:35,000 --> 01:16:35,960
Speaker 2: taste of what's to come.

1526
01:16:37,479 --> 01:16:39,760
Speaker 4: I did a bunch of extra work for Disney before

1527
01:16:39,800 --> 01:16:40,839
Speaker 4: I ever booked anything.

1528
01:16:40,960 --> 01:16:43,000
Speaker 1: And really that's cool if.

1529
01:16:42,840 --> 01:16:45,880
Speaker 4: You watch that, So Raven, I'm in a ton of that,

1530
01:16:46,000 --> 01:16:49,120
Speaker 4: So Raven, including my favorite behind the scenes thing of

1531
01:16:49,400 --> 01:16:50,840
Speaker 4: there was I think it was an episode where she

1532
01:16:50,880 --> 01:16:53,640
Speaker 4: was like running for student office or something and they

1533
01:16:53,640 --> 01:16:56,640
Speaker 4: were supposed to be an auditorium full of students, but

1534
01:16:56,800 --> 01:17:00,280
Speaker 4: like on a Disney budget sometimes there's nine, there was

1535
01:17:00,320 --> 01:17:02,400
Speaker 4: literally like twenty of us, right, and we wore our

1536
01:17:02,439 --> 01:17:04,880
Speaker 4: stuff and we sat in a section, and then we

1537
01:17:04,920 --> 01:17:07,240
Speaker 4: went and we changed our clothes and they sat that's

1538
01:17:07,280 --> 01:17:09,639
Speaker 4: another section. And then so when you look at the scene,

1539
01:17:09,840 --> 01:17:12,560
Speaker 4: like there's a shot where I'm in like four places.

1540
01:17:12,840 --> 01:17:14,000
Speaker 1: It's in port of an outfit.

1541
01:17:14,800 --> 01:17:15,680
Speaker 4: It's fantastic.

1542
01:17:17,520 --> 01:17:20,519
Speaker 2: That was a good one. And dcom Icon try saying

1543
01:17:20,560 --> 01:17:24,280
Speaker 2: that five time fat dcom Icon dcom Icon in our opinion,

1544
01:17:24,280 --> 01:17:26,440
Speaker 2: he's great. So make sure you subscribe to our dedicated

1545
01:17:26,479 --> 01:17:29,479
Speaker 2: Magical Rewind feed on Apple Podcasts, iHeartRadio or wherever you

1546
01:17:29,560 --> 01:17:31,840
Speaker 2: get your podcasts, and for more info, you can always

1547
01:17:31,880 --> 01:17:35,000
Speaker 2: follow us at Magical rewind Pod on the Instagram machine.

1548
01:17:35,280 --> 01:17:49,120
Speaker 2: Go do that now, Thanks everybody, Bye bye,