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Speaker 1: What up.

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Speaker 2: It's Sarah Andrey and guess what you're having an acid flashback.

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Speaker 2: That's right, you're flashing back right now to a favorite

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Speaker 2: past episode of Bombing. My co host are comedian Derek

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Speaker 2: Mickles and Sandwich Sorcerer owner of Mission Sandwich, Sex Symbol

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Speaker 2: Brooklyn icon.

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Speaker 1: Chef Bryan Saw.

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Speaker 3: Today we're cracking open our guests most haunting Bombing Nightmask.

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Speaker 1: We've got Sarah.

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Speaker 3: Scor who's got a new HBO special app called Live

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Speaker 3: and in the Flesh, Comedian writer Legend, Robert Smigel who

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Speaker 3: has a podcast called Humor Me coming out, and one

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Speaker 3: of my favorite Hot ninety seven DJs who's been almost

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Speaker 3: murdered several times, DJ who Kid, and one of my

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Speaker 3: favorite comedians of all time, Triumph the insult comic Dog.

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Speaker 1: Nobody knows what's going on, Fucking.

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Speaker 4: Ey bombing Balm with Aericdrey.

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Speaker 1: Ladies and Jerman.

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Speaker 5: Was already a fuck shit and pill.

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Speaker 1: He scream were I right now? I'm in a company.

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Speaker 6: So quasi abo life, d B d Worke Up, Baby Down,

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Speaker 6: WU fifty fifty.

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Speaker 1: D j Woo Kid, Sarah swarm M, Robert.

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Speaker 6: Swiggle, and Robert Smiggleman Sapard Soon and my cas Derek

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Speaker 6: Magan and this.

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Speaker 1: Is I'm your own Dereck Runner, this is money. I'm okay.

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Speaker 1: So this is a show about bombing.

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Speaker 7: If I find out that any of y'all's are on

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Speaker 7: the on the files, I'll be so mad.

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Speaker 3: Dude, that'll be such a big bump for me. The

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Speaker 3: judge goes, unfriend, Judge, please, I already did this show, right,

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Speaker 3: this show, yeah.

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Speaker 7: I did its original incarnation when it was just a

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Speaker 7: conversation between friends.

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Speaker 1: It's begun.

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Speaker 8: This is a mess.

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Speaker 5: Now it's now. It's a de I mess.

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Speaker 1: Exactly what you were talking about before.

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Speaker 5: Its Sarah ad e.

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Speaker 1: Sarah like where this is going?

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Speaker 8: I thought I was going to wake up at ten am.

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Speaker 7: I was gonna come into a nice room. Everyone was

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Speaker 7: being quiet, respectful.

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Speaker 5: And then he I like your legs. I like the

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Speaker 5: way your legs making ass of them.

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Speaker 1: All right, what's your You guys are new to the show,

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Speaker 1: so tell that's your worst gig?

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Speaker 4: Gad oh geez.

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Speaker 1: It can be Triumph, or it can be there's writing,

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Speaker 1: or it can be there's a lot.

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Speaker 9: Triumph doesn't bomb often, but he.

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Speaker 8: Is well sorry, well sorry.

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Speaker 10: He also doesn't perform very That's the.

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Speaker 9: First thing I ever bombed.

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Speaker 10: That was when I was in a comedy group in Chicago,

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Speaker 10: Illinois that shut out because I was the fourth funniest

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Speaker 10: in that schedule.

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Speaker 8: That's not true.

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Speaker 9: Okay, think about it. Think about it.

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Speaker 1: Are you from Chicago? No?

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Speaker 4: Where?

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Speaker 1: You from?

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Speaker 9: From New York?

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Speaker 1: Let's see it. I'm New York, New York. I don't

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Speaker 1: get that Jamaica. Yeah, you're Jamaican in my eyes. So

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Speaker 1: if you know.

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Speaker 10: Mine, anyone's ever said to me, if you know mine, please.

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Speaker 3: Do a Jamaican accent and a Chinese accent and an

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Speaker 3: Indian accent.

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Speaker 1: We just need it for audio.

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Speaker 10: Thank you for safety.

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Speaker 9: I've been the havelved being pent up for years.

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Speaker 7: I have an idea for a Jamaican person that I

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Speaker 7: can't do because I'm not personally Jamaican.

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Speaker 8: But does anyone want it? It's up for grabs.

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Speaker 1: Okay, let's give us. Give us your best Jamaican.

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Speaker 7: It's it's I'm not I'm just saying it would be

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Speaker 7: a John Carpenter remake of the thing called the Thing,

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Speaker 7: and I don't get one.

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Speaker 1: In Jamaica. SERI called Jamaica.

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Speaker 5: Jamaica's on Epstein Island. What the fuck? God?

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Speaker 1: Okay, tell us about your you're in Chicago.

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Speaker 10: This reminds me of a when when you're asking me

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Speaker 10: about bombing, I was thinking, I mean, where do you

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Speaker 10: bomb more than a Saturday night live reading table rings

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Speaker 10: sketches that had not gotten on the show, and.

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Speaker 11: Set about the table for us, set the table, the

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Speaker 11: table reads, sorry, doubled on the table.

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Speaker 1: Okay, what what?

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Speaker 5: What?

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Speaker 1: What?

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Speaker 9: Well?

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Speaker 1: I'm the dog in a minute. What is so?

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Speaker 9: What's your stunt man interrupting?

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Speaker 1: What were you there at the years during?

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Speaker 10: I was there, when I was even when I was there,

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Speaker 10: I was you know, wasn't it Saturday night?

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Speaker 9: Yes? In the original Conan.

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Speaker 1: She loved, Thank you, thank you so much, thank you.

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Speaker 3: Don't ever jump into an intersection of safety.

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Speaker 10: Oh yeah, that was Dino's. That was that was the

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Speaker 10: TV show. Yes, comedy show I've had. That doesn't count

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Speaker 10: as bombing, does it getting canceled?

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Speaker 3: Because then that'll take the whole ship.

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Speaker 10: But so it reminded me of one of So I'm

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Speaker 10: looking at old sketches that I.

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Speaker 9: Wrote that didn't get on, which you know, you never

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Speaker 9: are cured. You're just like, it's still funny.

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Speaker 8: Went wrong, and I couldn't agree more.

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Speaker 1: This is what I heard.

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Speaker 3: I heard the Ben Stillers show was just Ben's Ben

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Speaker 3: Stiller and uh.

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Speaker 1: And Oden Kirk's rejected sketches.

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Speaker 3: I heard in Living Color was Keenan Ivory Ways and

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Speaker 3: Damon Wayne's rejected sketches. And I heard that this is

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Speaker 3: what I heard.

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Speaker 1: I don't know.

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Speaker 10: It wasn't on long enough to have that. This is

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Speaker 10: what I heard, Like you know, Demon was hilarious.

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Speaker 3: I heard like many sketch comedy shows were, and mister

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Speaker 3: show many skits. How many shows were born out of sketches?

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Speaker 10: Well, like when Bob and Conan and I, Odin Kirk

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Speaker 10: and Conan and I went to Chicago for one summer

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Speaker 10: in nineteen eighty eight during the writers' strike, and that

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Speaker 10: was all sketches that they hadn't that hadn't got on SNL,

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Speaker 10: and we performed them live in Chicago.

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Speaker 9: Some of them made it.

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Speaker 3: I was going to say, that'd be tortures if they

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Speaker 3: were all like A plus bangers.

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Speaker 9: Yeah, no, that didn't happen.

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Speaker 1: Okay, So right, lord Lways and he's always looking sex.

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Speaker 5: Laingerigas.

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Speaker 1: That's the only reason he has that job, because he's talking.

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Speaker 9: So anyway, it reminded me of a sketch.

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Speaker 10: So I looked at I was looking at some of

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Speaker 10: my sketches, and one of them was actually about an

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Speaker 10: interpreter at the parish the climate whatever in two thousand

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Speaker 10: and six, and they got a better interpreter because the computer.

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Speaker 10: They were using a computer to do it, and it

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Speaker 10: wasn't accurate enough, so they and I can't remember who

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Speaker 10: the actor was, but the joke was that he was

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Speaker 10: doing every country's diplomat but insisting when he would translate

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Speaker 10: it into English and using a really offensive accent.

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Speaker 1: Wait, this Triumph is doing this.

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Speaker 10: No, no, no, Triumph was nowhere in the building. No,

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Speaker 10: this is me submitting a sketch to Saturday Night Live.

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Speaker 9: In the year two thousand and.

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Speaker 1: Similar.

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Speaker 10: You know, I think I didn't even go to table

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Speaker 10: back then, but I did when Sandler hosted. I submitted

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Speaker 10: some stuff and I was there all week and then

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Speaker 10: suddenly and I was just arrogant.

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Speaker 9: I was like, oh, I'll submit four sketches.

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Speaker 1: This is funny.

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Speaker 9: And then to be in your fifties and show up

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Speaker 9: for a week.

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Speaker 10: And then have something eat it at the Saturday Night

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Speaker 10: Live table that hurts.

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Speaker 12: You.

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Speaker 8: Guys don't know what bombing is unless you've bombed at

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Speaker 8: the table.

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Speaker 1: I don't really know. Yeah, have all night.

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Speaker 7: Writing a sketch on Tuesday night and it's all of

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Speaker 7: your friends and peers and coworkers right Wednesday is the

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Speaker 7: table reading and your sleep deprived? Do you have crazy diary?

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Speaker 10: You're so hungry that you eat your own diary?

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Speaker 5: Do you go in thinking this is actually gonna kick?

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Speaker 1: I go, I go.

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Speaker 8: This is so fucking funny.

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Speaker 1: I'm standing on the table.

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Speaker 8: I'm shaking my ass.

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Speaker 7: All of my friends and coworkers and colleagues and peers

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Speaker 7: looking at me like I a head growing.

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Speaker 8: On a mask.

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Speaker 9: Wait, do you really stand on the table. Sometimes I've done.

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Speaker 8: I brought a mannequin.

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Speaker 1: They do a lot of visual.

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Speaker 9: Now they bring a lot of visual as.

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Speaker 7: Visual because I'm like, oh, like, oh, I have this

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Speaker 7: funny prosthetic where my boobs are huge, So why don't

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Speaker 7: I make my own big boobs?

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Speaker 8: Bring them table. Everybody's looking at me. You're hard, hard,

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Speaker 8: and everybody's looking for you.

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Speaker 5: Anyone not familiar with boobs?

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Speaker 8: This is what I look like, right exactly? Well, maybe

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Speaker 8: many of you are not familiar.

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Speaker 6: Not.

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Speaker 7: It would be like you guys, it would be like

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Speaker 7: were you're imagine being at a table with everyone, all

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Speaker 7: of your friends, and you try to make them laugh.

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Speaker 8: Really you thought they were your friends? Looking at me

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Speaker 8: like I'm crazy?

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Speaker 9: Do you think do you think that.

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Speaker 8: Since there in.

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Speaker 7: Complete time, you know who always gives it up for me?

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Speaker 8: Bow and fucking yang shout out.

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Speaker 10: That's why just remembering the one person who don't even.

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Speaker 3: Bring a laugher in with you, like a paid laughter,

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Speaker 3: paid laugher.

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Speaker 5: Or like there's a guy. There's a guy.

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Speaker 8: I have said to.

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Speaker 7: People, I'm like, guys, I'm gonna be getting up on

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Speaker 7: the table today with big boobs in my ass out

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Speaker 7: shaking it, just fucking laugh.

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Speaker 9: Do you think there are people who withhold laughter?

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Speaker 5: Is that thunder or a bomb? Thundering?

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Speaker 8: Wars going on?

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Speaker 1: Really?

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Speaker 4: Yeah?

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Speaker 5: I know they all sexy wars?

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Speaker 9: Keep playing it the war?

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Speaker 5: The wars were never when are we going to have

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Speaker 5: a war?

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Speaker 1: And then a war walked? Wars is crazy.

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Speaker 12: I actually met a paid laugh for I think really

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Speaker 12: I think she was hanging with j Lo.

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Speaker 1: But I don't know for what was the scenario, what

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Speaker 1: was it?

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Speaker 4: What was it?

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Speaker 7: Was it?

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Speaker 1: This was a laugh for her, like her readings for

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Speaker 1: her for a show or something.

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Speaker 3: This is a good idea, which she jo is pretty successful.

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Speaker 3: When she came up to the SNL system, was like

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Speaker 3: an old.

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Speaker 1: School guy in l A with a laugh machine.

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Speaker 5: He had like a portable laugh machine and you can

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Speaker 5: bring it like.

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Speaker 9: Yeah, that was Joe Piscope.

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Speaker 10: Okay, I did he last forced sas because he hit

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Speaker 10: it under his under the table.

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Speaker 3: What's the worst. What's the worst gig you've ever had?

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Speaker 3: You came up in radio or finished?

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Speaker 1: Oh? I don't know, Sarah Rambling. I'm sucking. I'm over here.

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Speaker 9: I have a really good one.

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Speaker 5: Okay, the floor, Eric, that was.

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Speaker 1: It reminds me of my next point.

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Speaker 13: I'm gonna let you finish, so being so the bombing

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Speaker 13: that I have the funniest bombing in the history.

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Speaker 9: I'm gonna let you finish.

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Speaker 1: That's not really talk.

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Speaker 10: Jamaica said that I have many offensive accents under my belt.

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Speaker 1: Ready we want you to do them all?

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Speaker 5: Ready to go?

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Speaker 1: Do you know what?

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Speaker 10: Let me get Jewish out of the way, killer Mickey Rooney,

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Speaker 10: Do you want to Breakfast and Tiffany's or Rob Schneider

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Speaker 10: in Chuck and.

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Speaker 11: Age.

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Speaker 9: Let me let me let me.

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Speaker 1: Okay, this is a sketch.

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Speaker 10: Okay, let me let me shout out in my real

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Speaker 10: bomb story. So, we were a comedy group in Chicago

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Speaker 10: and it was like nineteen eighty three and we were

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Speaker 10: just starting out.

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Speaker 8: Even a twinkle dads, that's true.

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Speaker 9: You were gleam in your left testicle, so we thank you.

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Speaker 9: Now I'm awake.

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Speaker 10: So we performed at a church in front of This

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Speaker 10: was our first gig in front of a bunch of

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Speaker 10: senior citizens, and we were I was, uh, yeah, college

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Speaker 10: took like six years from me because why were they seniors? Well,

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Speaker 10: let me explain the aging process.

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Speaker 11: I'm a numbers guy.

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Speaker 10: We got through boobs, so now the aging process for everybody.

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Speaker 1: No.

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Speaker 10: So, and so we do our sketches and they, you know,

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Speaker 10: we were just starting out, so maybe they were bad anyway,

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Speaker 10: but we're mostly silenced.

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Speaker 9: But then we get to Okay, we're going to do something.

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Speaker 10: We're going to do some improv for you right now,

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Speaker 10: and you're we're going to make a scene out of

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Speaker 10: your suggestions.

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Speaker 9: Okay, so give us a time period. What time period

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Speaker 9: is it the present? Someone yells out the present?

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Speaker 10: Okay, and okay, now we need a profession.

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Speaker 9: What are we actors?

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Speaker 14: No?

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Speaker 9: No, it's like, and where are we fourth presbyter? You're like, yeah,

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Speaker 9: that was the highlight.

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Speaker 1: And then so what did you do?

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Speaker 8: Well?

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Speaker 9: All I remember is the bad suggestions. I don't remember what.

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Speaker 8: Well they were telling you, Hey, guys, stop with the goose.

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Speaker 10: We love you just the way you were shows.

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Speaker 9: Well, and they were right. And I quit comedy after that.

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Speaker 10: I quit comedy after that, and just I was just

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Speaker 10: myself orgasm.

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Speaker 1: Stories really just set up.

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Speaker 3: You stopped him from telling his truth.

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Speaker 1: And then I just gave us. You just gave a setup,

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Speaker 1: but there was no release.

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Speaker 9: Oh I thought I thought that their their suggestions were.

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Speaker 1: Yeah, but I wanted to hear you do this, do

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Speaker 1: what do your Chinese? Actually, that's all you want out

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Speaker 1: of this?

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Speaker 9: To show a clip out of context. One take that change.

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Speaker 15: Completely, give you commission. I speak all the Chinese. You

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Speaker 15: I'm communicating now.

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Speaker 1: They have behind mind.

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Speaker 10: There have been times when I've been on a writing

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Speaker 10: staff and we there's something about Chinese people in a sketch,

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Speaker 10: and everybody turns to the Chinese people.

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Speaker 9: You speak for every Chinese person.

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Speaker 1: It's okay.

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Speaker 9: It's like put in a lot of pressure on one person.

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Speaker 4: With a recadre.

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Speaker 7: With recdre, I have a good bombing story of anyone

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Speaker 7: cares great, come on the show and silence her narrative.

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Speaker 9: How about that?

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Speaker 3: Okay, say your story. I want to say, I want to.

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Speaker 3: I want to.

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Speaker 1: I want to hear it.

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Speaker 8: Well, now I'm like, did I already tell it?

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Speaker 3: That doesn't matter, nobody's I think this should be calm

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Speaker 3: with Eric.

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Speaker 5: Everybody calm down.

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Speaker 1: Yeah I would.

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Speaker 7: My greatest joint life would be to put a tranquilizer

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Speaker 7: dart in your neck.

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Speaker 9: That would be my.

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Speaker 1: Way, more violent. It would kill No, I don't.

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Speaker 3: So you want to tell what you know what story?

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Speaker 3: I love the one that you did at that college.

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Speaker 8: Oh, we don't like this? Yeah, I was all right.

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Speaker 7: Someone stood up in the middle of my sad we

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Speaker 7: don't like this, he said, he neither.

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Speaker 1: You're going to tell on.

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Speaker 8: My my first ever paid stand up gig. Maybe maybe

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Speaker 8: I haven't told you this.

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Speaker 7: I started a hypothetical a joke that started with a

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Speaker 7: hypothetical question. It was at an Irish pub and there

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Speaker 7: was like six old guys there.

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Speaker 8: Maybe you do know this? And it started like the

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Speaker 8: joke was like why do you?

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Speaker 1: Why do you the city or an I was from

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Speaker 1: in Ireland.

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Speaker 8: And Irish in Chicago, Chicago. Man's plaining my own joke

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Speaker 8: to me.

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Speaker 1: Let me, Man's playing feminism start. He does have the past.

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Speaker 1: Can I give him a nigga pass? Yeah? Absolutely, that

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Speaker 1: I was.

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Speaker 8: Certainly.

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Speaker 9: I have another that reminds me of another schedule.

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Speaker 13: The bole, I think is the if.

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Speaker 15: That's okay, it's okay.

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Speaker 1: It's gotten out of control.

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Speaker 3: You guys, stop with the wait wait wait, tell them

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Speaker 3: the story you told us last night at dinner.

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Speaker 1: But which one about your dad at the gas station?

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Speaker 1: But wait, wait, wait before you do, I don't want

352
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Speaker 1: to take away so much pressure on this bomb.

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Speaker 5: Okay, yeah, the two.

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Speaker 11: And then I want to hear about Jo's laughing too.

355
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Speaker 9: What actually sounds like a TV.

356
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Speaker 1: Movie. I came in harsh. I had a harsh You came.

357
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Speaker 8: In hard with the boner. We all came morning, good

358
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Speaker 8: morning you hello.

359
00:20:03,240 --> 00:20:06,960
Speaker 3: Tent First, all right, say the N word and say

360
00:20:07,000 --> 00:20:08,880
Speaker 3: your story.

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Speaker 1: It's just your audio.

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Speaker 7: Story, my recurring nightmares that I we're at table read

363
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Speaker 7: and we're reading a sketch I wrote, and it's just

364
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Speaker 7: the N word.

365
00:20:19,880 --> 00:20:22,240
Speaker 8: A hundred times and I'm like, you didn't write that.

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Speaker 7: You did know I met My recurring nightmares were.

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Speaker 5: Like with an A or an E R.

368
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Speaker 1: That's my recurring wet dream. You know what?

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00:20:38,080 --> 00:20:41,760
Speaker 11: They could remake E R with just that premise with

370
00:20:41,800 --> 00:20:49,439
Speaker 11: George Clooney. Yeah, but it's just like NIG with E R.

371
00:20:46,520 --> 00:20:52,680
Speaker 1: Oh, it's just.

372
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Speaker 5: Doctors that use the N word. It would be great.

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Speaker 8: Oh instead of Scalpel please.

374
00:20:58,920 --> 00:21:03,159
Speaker 1: Yeah, scalpel. You want to tell your story, so it's not.

375
00:21:03,359 --> 00:21:06,840
Speaker 11: Like good So you're you're dressed like a traditional Chinese person.

376
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Speaker 5: That's okay.

377
00:21:08,200 --> 00:21:08,520
Speaker 15: You just.

378
00:21:10,840 --> 00:21:13,200
Speaker 5: Written the N word fifty times.

379
00:21:13,680 --> 00:21:16,280
Speaker 7: And I had six old guys at an Irish pub

380
00:21:16,400 --> 00:21:19,240
Speaker 7: and the joke is something like started with a hypothetical

381
00:21:19,320 --> 00:21:21,800
Speaker 7: question like why do men want a hairless woman so

382
00:21:21,840 --> 00:21:23,479
Speaker 7: they can like oil them up and send them down

383
00:21:23,480 --> 00:21:25,119
Speaker 7: a toboggan shoot or something like that.

384
00:21:25,920 --> 00:21:26,520
Speaker 8: Perfect joke.

385
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Speaker 1: Listen.

386
00:21:27,000 --> 00:21:33,520
Speaker 7: I was twenty three, and you know, and it did

387
00:21:33,600 --> 00:21:36,399
Speaker 7: go somewhere like you know, it was like it's something,

388
00:21:36,960 --> 00:21:38,520
Speaker 7: And I think I did end the joke with feel

389
00:21:38,560 --> 00:21:40,439
Speaker 7: the rhythm, feel the rhyme. Come on, boys, it's like

390
00:21:40,440 --> 00:21:46,760
Speaker 7: Bob sled time or something like that.

391
00:21:48,000 --> 00:21:48,800
Speaker 5: Here's the thing.

392
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Speaker 8: I started, So I started the.

393
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Speaker 5: Joke like about the legends.

394
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Speaker 7: I I said, you know, like, why does a man

395
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Speaker 7: want a hairless woman?

396
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Speaker 8: And then a seven year old man in the front

397
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Speaker 8: row went because it feels good? And I went, oh,

398
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Speaker 8: I just you.

399
00:22:12,560 --> 00:22:16,440
Speaker 1: Should have got it. Oh yeah, brother, I don't like this.

400
00:22:17,119 --> 00:22:21,800
Speaker 1: Oh I have to go now, Oh I do have

401
00:22:21,880 --> 00:22:22,480
Speaker 1: to go now.

402
00:22:23,080 --> 00:22:25,439
Speaker 8: I did know Lindsey Graham. I just shipped my pants.

403
00:22:25,560 --> 00:22:31,520
Speaker 3: Oh his pants are Bi McDonnell.

404
00:22:32,119 --> 00:22:38,440
Speaker 15: Yah, I gotta ship the pants story d C.

405
00:22:38,680 --> 00:22:39,919
Speaker 5: Brought to you by It depends.

406
00:22:40,040 --> 00:22:41,320
Speaker 8: Okay, you I'm done.

407
00:22:41,640 --> 00:22:45,440
Speaker 3: Yes, Okay, what's the worst gig you ever had? Tell

408
00:22:45,520 --> 00:22:50,359
Speaker 3: us your uh background in the show business? Did you

409
00:22:50,400 --> 00:22:51,720
Speaker 3: start on terrestrial radio?

410
00:22:52,200 --> 00:22:55,680
Speaker 1: Yeah? On Hot ninety seven and then uh.

411
00:22:55,600 --> 00:22:58,520
Speaker 5: How are the table reads horrible?

412
00:23:00,280 --> 00:23:01,840
Speaker 1: So what? So what happened? So?

413
00:23:02,880 --> 00:23:05,520
Speaker 12: Yeah, I started out hot and then fifty cent got

414
00:23:05,560 --> 00:23:09,680
Speaker 12: shot in like nine times. So my cousin was back.

415
00:23:09,720 --> 00:23:11,879
Speaker 12: He started a while ago, two years ago. Yeah, I've

416
00:23:11,880 --> 00:23:13,560
Speaker 12: been there. I've been radied out, like the forty years.

417
00:23:13,560 --> 00:23:15,080
Speaker 8: She doesn't look at day over twenty two.

418
00:23:15,160 --> 00:23:21,880
Speaker 1: I'm fifty four. Holy shit. Well anyway, yeah.

419
00:23:21,880 --> 00:23:24,119
Speaker 12: They tried to kill this nigga, right and then fucking

420
00:23:24,280 --> 00:23:27,919
Speaker 12: uh my cousin was the manager, so then I started

421
00:23:27,960 --> 00:23:31,080
Speaker 12: touring with him. So what I was known for is

422
00:23:31,119 --> 00:23:33,320
Speaker 12: getting fired by fifty cent on stage.

423
00:23:33,600 --> 00:23:36,040
Speaker 1: So why'd you get what do you mean fucking up on.

424
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Speaker 16: Stage and ship like that?

425
00:23:37,000 --> 00:23:40,800
Speaker 12: But give an example, please, one horrible moment I got

426
00:23:40,840 --> 00:23:41,880
Speaker 12: fired forty eight times.

427
00:23:41,920 --> 00:23:45,160
Speaker 1: I was trying to get the fifty Wait you got

428
00:23:45,160 --> 00:23:48,000
Speaker 1: fired and hired back? Yeah, because that's the other part.

429
00:23:48,760 --> 00:23:49,600
Speaker 9: Yes, very shit.

430
00:23:49,720 --> 00:23:52,080
Speaker 1: You couldn't find out the DJA. How did you get

431
00:23:52,080 --> 00:23:53,080
Speaker 1: fired for what reason?

432
00:23:53,400 --> 00:23:56,679
Speaker 12: So I'm like fucking up ship, like you know, you know,

433
00:23:56,760 --> 00:23:58,160
Speaker 12: pressing the wrong button or whatever.

434
00:23:58,200 --> 00:24:07,639
Speaker 1: But it was one time. I'm not really but it

435
00:24:07,760 --> 00:24:10,600
Speaker 1: was so when he was like blowing it is when

436
00:24:10,640 --> 00:24:11,240
Speaker 1: he was like.

437
00:24:11,520 --> 00:24:13,960
Speaker 16: We all have bullet proveste.

438
00:24:15,280 --> 00:24:15,760
Speaker 4: Yeah.

439
00:24:15,840 --> 00:24:17,800
Speaker 1: I didn't know what I was getting into it until

440
00:24:17,840 --> 00:24:18,600
Speaker 1: they gave me the vest.

441
00:24:18,640 --> 00:24:18,840
Speaker 4: Yeah.

442
00:24:19,640 --> 00:24:23,800
Speaker 1: I was like, oh, Ship, who's this guy? Yeah?

443
00:24:23,960 --> 00:24:26,120
Speaker 8: For the stage vest for the state.

444
00:24:26,600 --> 00:24:30,880
Speaker 1: Everybody's trying sleeping forever, were getting death threats of this time.

445
00:24:31,720 --> 00:24:33,639
Speaker 12: Yeah, I mean it was one time I saw a

446
00:24:33,640 --> 00:24:38,040
Speaker 12: corpse and we still have to perform aware, No, Carolina's

447
00:24:38,080 --> 00:24:39,840
Speaker 12: a lot of people when they see Garbrigarde got Trying.

448
00:24:39,840 --> 00:24:41,439
Speaker 12: They see that scene when the dead bodies in the

449
00:24:41,440 --> 00:24:44,280
Speaker 12: back of the club that was in North Carolina. The

450
00:24:44,320 --> 00:24:48,680
Speaker 12: corpse was in the club, it was behind They killed

451
00:24:48,760 --> 00:24:51,520
Speaker 12: him behind the club. And then and then the promoter

452
00:24:51,640 --> 00:24:53,760
Speaker 12: was like, I fifty sid don't perform, then there will

453
00:24:53,800 --> 00:24:58,399
Speaker 12: be more death. So everybody after him.

454
00:24:58,880 --> 00:25:01,040
Speaker 1: Hip hop that's what they do. But I know this

455
00:25:01,080 --> 00:25:03,960
Speaker 1: is not rock. This is ship pressed the rock bus.

456
00:25:05,800 --> 00:25:12,680
Speaker 1: You're like, last that you heard country beef Ship? Sorry, ship?

457
00:25:16,720 --> 00:25:18,960
Speaker 1: Which song is a fifty song?

458
00:25:20,000 --> 00:25:22,959
Speaker 5: Wait a minute, a minute, I think I might get fired.

459
00:25:23,040 --> 00:25:26,520
Speaker 1: You had to. You were working on Hot ninety seven.

460
00:25:27,320 --> 00:25:30,399
Speaker 3: You knew fifty cents manager, fifty cents your cousin, actually

461
00:25:30,600 --> 00:25:34,200
Speaker 3: fifty cents managers your cousin. So you just got He

462
00:25:34,359 --> 00:25:37,600
Speaker 3: just got signed to the Raised label.

463
00:25:37,720 --> 00:25:40,120
Speaker 16: Yeah, with eminem Shady Records, right.

464
00:25:40,040 --> 00:25:42,160
Speaker 1: And this is his first get Richard die Trying.

465
00:25:42,240 --> 00:25:45,720
Speaker 3: This is his first big album, man, but he got

466
00:25:45,760 --> 00:25:47,160
Speaker 3: shot nine times.

467
00:25:47,000 --> 00:25:50,320
Speaker 12: Before that before that. That's that's that was my piece

468
00:25:50,359 --> 00:25:53,199
Speaker 12: of information way before. That's how long I've been like

469
00:25:53,240 --> 00:25:54,160
Speaker 12: in the business.

470
00:25:54,640 --> 00:25:58,840
Speaker 8: Like asn't also stressful, believe.

471
00:25:58,600 --> 00:26:01,160
Speaker 1: It or not. This ends in sn So it's really

472
00:26:02,640 --> 00:26:07,679
Speaker 1: so you're storing he needs DJ and you're like, I

473
00:26:07,720 --> 00:26:08,240
Speaker 1: got you.

474
00:26:08,320 --> 00:26:10,280
Speaker 12: Well I don't really don't to J but you're like,

475
00:26:10,320 --> 00:26:12,000
Speaker 12: I got acker pressed buttons.

476
00:26:12,040 --> 00:26:14,240
Speaker 3: So yeah, and they hired me and it's Vinyl DJ

477
00:26:14,800 --> 00:26:16,879
Speaker 3: or C DJs nigga.

478
00:26:17,160 --> 00:26:18,760
Speaker 1: You know you were just like, yeah, I got it.

479
00:26:18,760 --> 00:26:22,679
Speaker 12: It's called three sixties. H Yeah, it's like you just

480
00:26:22,680 --> 00:26:24,400
Speaker 12: pressed the butt. So I just put all fifty cents

481
00:26:24,960 --> 00:26:26,000
Speaker 12: songs and freestyles on.

482
00:26:26,119 --> 00:26:28,679
Speaker 1: So he was on tour. You're in charge of music.

483
00:26:28,880 --> 00:26:29,080
Speaker 4: Yeah.

484
00:26:29,200 --> 00:26:33,880
Speaker 12: So, but people were after him because he dissed everybody

485
00:26:33,920 --> 00:26:38,840
Speaker 12: on on how to rock Z. Remember that I got

486
00:26:38,920 --> 00:26:40,720
Speaker 12: kidnapped by a big pun because of that too. But

487
00:26:40,760 --> 00:26:42,880
Speaker 12: you got kidnapped? What that's too much?

488
00:26:43,359 --> 00:26:45,520
Speaker 1: No, it's not. What are you talking about? I got

489
00:26:45,560 --> 00:26:48,120
Speaker 1: to Jews next year, big like sketches.

490
00:26:47,680 --> 00:26:54,520
Speaker 9: Are actually.

491
00:26:55,680 --> 00:27:00,320
Speaker 3: Bringing hey wait wait wait wait wait here wait, you

492
00:27:00,400 --> 00:27:01,240
Speaker 3: got kidnapped?

493
00:27:02,320 --> 00:27:02,880
Speaker 5: Tell me more.

494
00:27:02,880 --> 00:27:04,560
Speaker 12: That's like a street story. That's like a street that's

495
00:27:04,560 --> 00:27:08,159
Speaker 12: a legendary ears. Well, you're the second Haitian. I reme

496
00:27:08,280 --> 00:27:09,879
Speaker 12: that it's got kidnapped. I went to Haiti and my

497
00:27:09,920 --> 00:27:11,000
Speaker 12: friends got kidnapped.

498
00:27:12,920 --> 00:27:14,479
Speaker 1: I think that is the require.

499
00:27:14,640 --> 00:27:17,520
Speaker 5: Yeah, that's like the number one next war.

500
00:27:17,640 --> 00:27:20,240
Speaker 1: We're talking about he always got kidnapped.

501
00:27:24,680 --> 00:27:29,040
Speaker 15: No, I was always escorted, possible. But actually I want

502
00:27:29,040 --> 00:27:29,639
Speaker 15: to hear the rest.

503
00:27:29,480 --> 00:27:29,920
Speaker 9: Of the story.

504
00:27:30,640 --> 00:27:32,120
Speaker 1: When you grow up in the East flat Bush.

505
00:27:32,520 --> 00:27:35,960
Speaker 15: I grew up on Flatbush Avenue in Dean Street, border

506
00:27:36,000 --> 00:27:36,640
Speaker 15: flat Bush.

507
00:27:37,600 --> 00:27:41,600
Speaker 1: He was the only Asian his dad on the gas station.

508
00:27:41,840 --> 00:27:44,359
Speaker 12: What like, we should see the Asians right in the

509
00:27:44,440 --> 00:27:45,639
Speaker 12: rats like to the stores.

510
00:27:45,920 --> 00:27:48,080
Speaker 15: No, no, no, rats, we actually had.

511
00:27:53,040 --> 00:27:56,679
Speaker 1: Okay, okay kidnapped. Yeah. So yeah, well you got a

512
00:27:56,680 --> 00:27:58,800
Speaker 1: couple of good stories quick. One on one. The reason

513
00:27:58,800 --> 00:28:00,520
Speaker 1: they called me who kid? No, I knew who the

514
00:28:00,560 --> 00:28:03,040
Speaker 1: kid was. I used to leak ship in the street,

515
00:28:03,520 --> 00:28:06,000
Speaker 1: so I would steal your record. I was.

516
00:28:06,119 --> 00:28:08,120
Speaker 12: I was like the I was like the Haitians Oceans

517
00:28:08,160 --> 00:28:11,280
Speaker 12: is eleven, you know what I'm saying. So I would

518
00:28:11,320 --> 00:28:11,880
Speaker 12: wait at night.

519
00:28:12,280 --> 00:28:14,240
Speaker 1: Jay Z's in the studio one example, and he comes

520
00:28:14,280 --> 00:28:17,320
Speaker 1: out three o'clock. The block was till five. So I

521
00:28:17,400 --> 00:28:17,639
Speaker 1: go in.

522
00:28:17,720 --> 00:28:20,760
Speaker 12: I pay the production guy like a g and he

523
00:28:20,800 --> 00:28:23,800
Speaker 12: gives me the whole session, so it's unfinished.

524
00:28:24,359 --> 00:28:25,800
Speaker 1: So I would then I would leak.

525
00:28:25,880 --> 00:28:29,640
Speaker 12: I would cut it up and pick what if it's

526
00:28:29,640 --> 00:28:32,640
Speaker 12: a songe Beyonce, this guy that I'll just leak it. Yeah,

527
00:28:32,680 --> 00:28:35,240
Speaker 12: and they couldn't find me because they didn't know who

528
00:28:35,240 --> 00:28:37,439
Speaker 12: the kid was. I never showed my face, so it

529
00:28:37,560 --> 00:28:39,000
Speaker 12: led me to like, but this is what I was

530
00:28:39,040 --> 00:28:41,040
Speaker 12: doing as a hobby, like hiding and leaking.

531
00:28:41,120 --> 00:28:43,880
Speaker 1: How old are you at the time, old nigga, I

532
00:28:43,920 --> 00:28:47,200
Speaker 1: was like twenty nine maybe wait, leaking like a LimeWire

533
00:28:47,360 --> 00:28:49,479
Speaker 1: and there was no LimeWire back then.

534
00:28:49,520 --> 00:28:52,040
Speaker 12: I was literally meeting Africans, Irish everybody that was a

535
00:28:52,080 --> 00:28:58,960
Speaker 12: bue like c like, yeah, so I would like, actually.

536
00:29:00,200 --> 00:29:00,600
Speaker 1: I bought it.

537
00:29:00,680 --> 00:29:02,600
Speaker 12: I think I bought. I bought my first Lambo my

538
00:29:02,680 --> 00:29:05,440
Speaker 12: Gallardo off of a bootlegging. Oh so you were making money, yeah,

539
00:29:06,240 --> 00:29:09,160
Speaker 12: so you were like burning CDs. My neighbor was DJ Clue,

540
00:29:09,200 --> 00:29:10,880
Speaker 12: so that's why I got into the mystics.

541
00:29:11,560 --> 00:29:14,000
Speaker 1: So and then uh, fast forward.

542
00:29:14,080 --> 00:29:17,320
Speaker 12: I hate the song dissing jay Z No jay Z

543
00:29:17,440 --> 00:29:19,840
Speaker 12: dissing Big Pun or something or some kind of record

544
00:29:19,920 --> 00:29:22,000
Speaker 12: like that. And then Big Punk got mad, so they

545
00:29:22,040 --> 00:29:23,640
Speaker 12: tricked me into meeting them in Apollo.

546
00:29:24,280 --> 00:29:25,360
Speaker 1: I thought I was meeting.

547
00:29:25,080 --> 00:29:28,320
Speaker 12: Funk Flex, but but it was a Big Pun in

548
00:29:28,360 --> 00:29:32,560
Speaker 12: events like can you It was in a cult de sack.

549
00:29:32,680 --> 00:29:34,800
Speaker 12: So when I when I got there, back. It's so

550
00:29:34,920 --> 00:29:36,640
Speaker 12: long ago. There was no cell phones, so I had

551
00:29:36,680 --> 00:29:38,920
Speaker 12: to get out and put a quarter in the fucking

552
00:29:39,680 --> 00:29:41,960
Speaker 12: So back back then, I used to curse out promoters.

553
00:29:42,040 --> 00:29:44,040
Speaker 5: What was the story? They're just like, come.

554
00:29:44,920 --> 00:29:45,600
Speaker 1: No, they tricked me.

555
00:29:45,640 --> 00:29:48,960
Speaker 12: They wanted me to DJ with Flex, right, because every

556
00:29:49,080 --> 00:29:51,440
Speaker 12: DJ on the planet is like, you know, your dream

557
00:29:51,480 --> 00:29:52,960
Speaker 12: come true? Like you know, it's like when I was

558
00:29:53,000 --> 00:29:55,440
Speaker 12: with Michael Jackson and Saudi, like yeah, and I found

559
00:29:55,440 --> 00:29:57,320
Speaker 12: out he was gay, But that's.

560
00:30:01,160 --> 00:30:03,840
Speaker 9: Lead to a better story.

561
00:30:04,000 --> 00:30:05,680
Speaker 5: I got a video the house, the show.

562
00:30:07,080 --> 00:30:08,120
Speaker 1: It's really up.

563
00:30:11,000 --> 00:30:15,240
Speaker 8: What you should call it? Rename this just absolutely slaying boots.

564
00:30:14,920 --> 00:30:15,400
Speaker 1: With their gun.

565
00:30:16,840 --> 00:30:21,640
Speaker 3: Take my name off my name, We're gonna put your

566
00:30:21,720 --> 00:30:26,240
Speaker 3: name up. Okay, wait, so what what happened? He kidnapped himself?

567
00:30:26,320 --> 00:30:27,120
Speaker 3: Kidnaps you.

568
00:30:27,960 --> 00:30:31,480
Speaker 16: I didn't so I only had a beeber at that time.

569
00:30:31,760 --> 00:30:34,000
Speaker 1: So I guess Big Pun paged me from the tape

570
00:30:34,160 --> 00:30:35,920
Speaker 1: because you know he had the botleg tape with the

571
00:30:35,960 --> 00:30:37,560
Speaker 1: song and put your number.

572
00:30:37,800 --> 00:30:40,360
Speaker 12: This is like a Stephen, So people can call me

573
00:30:40,400 --> 00:30:42,680
Speaker 12: and I sell him like his drugs, so I would

574
00:30:42,760 --> 00:30:44,800
Speaker 12: give him masters or whatever. So now he calls me,

575
00:30:44,800 --> 00:30:47,880
Speaker 12: he said, I'm thinking I'm talking to like Flex's manager,

576
00:30:47,920 --> 00:30:50,800
Speaker 12: to meet him in Harlem to DJ gig with Flex.

577
00:30:51,320 --> 00:30:54,120
Speaker 12: So I get there in front of Apollo and nobody's there.

578
00:30:54,240 --> 00:30:56,960
Speaker 1: So I get out of Manda with the lights that

579
00:30:57,000 --> 00:31:00,840
Speaker 1: go up. That's how I thought I was cool.

580
00:31:03,440 --> 00:31:06,840
Speaker 12: So I get out and use my quarter to put it.

581
00:31:08,000 --> 00:31:09,600
Speaker 12: I had to put like two quarters. I called the

582
00:31:09,720 --> 00:31:12,240
Speaker 12: number back and then I called the you know, so

583
00:31:12,400 --> 00:31:14,520
Speaker 12: called manager, but I didn't know it was Big Pun

584
00:31:14,560 --> 00:31:15,080
Speaker 12: I'm talking to.

585
00:31:15,320 --> 00:31:19,120
Speaker 1: I'm here on this. Yeah, yeah, because Big Punt was like,

586
00:31:19,160 --> 00:31:21,920
Speaker 1: you know, he's like, why do they call him Big

587
00:31:21,960 --> 00:31:24,960
Speaker 1: punish you? I guess he loves puns.

588
00:31:25,240 --> 00:31:29,680
Speaker 3: Yeah, he loved play.

589
00:31:30,960 --> 00:31:32,960
Speaker 12: I finally get in contact with him and he's like,

590
00:31:33,000 --> 00:31:35,040
Speaker 12: all right, there's a guy in the Ben's coming.

591
00:31:34,880 --> 00:31:35,640
Speaker 1: To meet you right now.

592
00:31:36,040 --> 00:31:38,520
Speaker 12: But I'm cursing him out because I'm thinking it's a promoter.

593
00:31:38,800 --> 00:31:39,680
Speaker 12: But I'm cursing all.

594
00:31:39,760 --> 00:31:41,479
Speaker 1: Pun is rushing.

595
00:31:41,520 --> 00:31:44,080
Speaker 12: He's doing band for TV the music video with nas

596
00:31:44,560 --> 00:31:47,880
Speaker 12: Noriego who has or whatever back in the day, so

597
00:31:48,360 --> 00:31:50,120
Speaker 12: he's like, hurry up, we gotta hurry up with this video.

598
00:31:50,160 --> 00:31:52,000
Speaker 12: I'm gonna go see this whole kid guy. Finally we're

599
00:31:52,000 --> 00:31:54,080
Speaker 12: gonna get this guy. So I don't know what's going on.

600
00:31:54,200 --> 00:31:56,760
Speaker 12: I followed the Benz to a cul de sac. Oh

601
00:31:57,320 --> 00:32:00,120
Speaker 12: God in Lennox, like somewhere in one fifty nine the

602
00:32:00,240 --> 00:32:04,080
Speaker 12: Linux ship like watching, so I see a van with rims.

603
00:32:04,160 --> 00:32:07,480
Speaker 12: So in my head, I'm like, it's flex.

604
00:32:10,280 --> 00:32:14,640
Speaker 1: Was on TV with a car.

605
00:32:17,080 --> 00:32:18,600
Speaker 8: Kidnapping vanned with MS.

606
00:32:19,640 --> 00:32:21,720
Speaker 12: That's why I wasn't thinking. I was like, it gotta

607
00:32:21,760 --> 00:32:24,160
Speaker 12: be flexed because I get out. So the thing that's

608
00:32:24,360 --> 00:32:26,920
Speaker 12: crazy is the bends went to the right. I went

609
00:32:26,960 --> 00:32:28,640
Speaker 12: to the left, parked behind the court. The lights that

610
00:32:28,720 --> 00:32:31,600
Speaker 12: go up, so I get out. I told my homeboy,

611
00:32:32,120 --> 00:32:34,200
Speaker 12: my stupid homeboy, and shout out the blitz. And you

612
00:32:34,240 --> 00:32:36,040
Speaker 12: know he always brings like a gun from Queen, So

613
00:32:36,080 --> 00:32:36,959
Speaker 12: we don't trust Harlem.

614
00:32:37,000 --> 00:32:39,840
Speaker 16: Yeah, like a.

615
00:32:39,760 --> 00:32:42,880
Speaker 1: Little to it's like the bullet. It's a little it's

616
00:32:42,880 --> 00:32:44,840
Speaker 1: a little like you gotta you gotta yet whatever.

617
00:32:45,000 --> 00:32:47,240
Speaker 12: So I told him to chill like he's in the car,

618
00:32:47,800 --> 00:32:50,120
Speaker 12: don't worry about it. I'm gonna get this thousand dollars.

619
00:32:50,160 --> 00:32:52,560
Speaker 12: And I didn't want them to call my manager. This

620
00:32:52,640 --> 00:32:55,200
Speaker 12: is where you you know, car is real. I didn't

621
00:32:55,200 --> 00:32:56,800
Speaker 12: call my manager. I went to go get the money

622
00:32:56,800 --> 00:33:00,000
Speaker 12: on my own without him knowing. But when I got around,

623
00:33:00,520 --> 00:33:03,960
Speaker 12: you have to go around the van where it blocked

624
00:33:03,960 --> 00:33:06,640
Speaker 12: where my car and my cousins were, so they don't

625
00:33:06,640 --> 00:33:08,360
Speaker 12: know what's going on. So by the time I want,

626
00:33:08,400 --> 00:33:10,959
Speaker 12: I'm like, there's a Puerto Rican on a chair right here,

627
00:33:11,000 --> 00:33:13,000
Speaker 12: and there's a Puerto Rican on another bench and another port.

628
00:33:13,000 --> 00:33:14,480
Speaker 1: I'm like, yo, flex hang with man porter.

629
00:33:15,520 --> 00:33:16,320
Speaker 9: It's going on here.

630
00:33:18,640 --> 00:33:22,640
Speaker 12: Interesting anyway, pretty bad bunnies everywhere going up.

631
00:33:22,680 --> 00:33:26,120
Speaker 1: It's like a bad bunny here anyway.

632
00:33:26,160 --> 00:33:29,040
Speaker 12: So I fucking the door starts sliding and I see

633
00:33:29,080 --> 00:33:32,080
Speaker 12: a silhouette and I'm like, holy ship, this can't be

634
00:33:32,120 --> 00:33:32,880
Speaker 12: fleshed because.

635
00:33:32,680 --> 00:33:34,560
Speaker 16: It looks like a big fucking silhouette.

636
00:33:34,560 --> 00:33:37,520
Speaker 1: And got to the front and I finally saw Punk's face.

637
00:33:38,040 --> 00:33:40,360
Speaker 12: I tried to, like, you know, I put my hand

638
00:33:40,400 --> 00:33:42,440
Speaker 12: out because in my head, I was like, oh my god,

639
00:33:42,520 --> 00:33:44,520
Speaker 12: oh it's not about the tape, because.

640
00:33:44,240 --> 00:33:47,800
Speaker 1: Now I wasn't even thinking about that. Yeah, yeah, maybe

641
00:33:47,800 --> 00:33:48,120
Speaker 1: he just.

642
00:33:52,520 --> 00:33:54,960
Speaker 12: Yeah, you know, death situation, you try to think of

643
00:33:55,000 --> 00:33:57,640
Speaker 12: the best things, like maybe he wants to espress.

644
00:34:00,280 --> 00:34:03,920
Speaker 1: Were at harle whatever and then what happened.

645
00:34:04,040 --> 00:34:06,240
Speaker 15: Maybe he wanted to tell you his latest puns.

646
00:34:07,880 --> 00:34:09,440
Speaker 12: I tried to put my hand out to pray to

647
00:34:09,480 --> 00:34:10,800
Speaker 12: God that this is a cool meeting.

648
00:34:11,320 --> 00:34:13,359
Speaker 1: Somehow he got his hand behind his head.

649
00:34:13,360 --> 00:34:15,040
Speaker 16: I don't know how you did it, because you know,

650
00:34:15,080 --> 00:34:15,840
Speaker 16: his hands is like this.

651
00:34:16,000 --> 00:34:19,279
Speaker 1: He was t reactions. Yeah, so he was like So

652
00:34:19,360 --> 00:34:21,480
Speaker 1: I was like, oh ship. So he was like, yeah,

653
00:34:21,520 --> 00:34:22,759
Speaker 1: once you come in the van, I want to talk.

654
00:34:22,760 --> 00:34:24,680
Speaker 1: I was like, oh, I got.

655
00:34:27,800 --> 00:34:32,720
Speaker 3: I just want to tell mommy and daddy.

656
00:34:34,120 --> 00:34:34,400
Speaker 4: Story.

657
00:34:34,560 --> 00:34:36,280
Speaker 1: I don't want to tell this anyway.

658
00:34:36,520 --> 00:34:39,160
Speaker 12: I try to back up so my cousins could see

659
00:34:39,200 --> 00:34:40,600
Speaker 12: me that I'm having issues.

660
00:34:40,800 --> 00:34:42,440
Speaker 1: Yeah, the van is so.

661
00:34:42,480 --> 00:34:44,360
Speaker 12: They've mapped it out so perfect that I would have

662
00:34:44,400 --> 00:34:47,680
Speaker 12: to back up so far, like literally to the projects.

663
00:34:47,760 --> 00:34:49,120
Speaker 5: It's almost like they've done it before.

664
00:34:50,520 --> 00:34:55,000
Speaker 3: Have I never thought about it the first time?

665
00:34:55,120 --> 00:34:57,279
Speaker 12: When I backed up, you know, I cursed him out.

666
00:34:57,320 --> 00:34:59,080
Speaker 12: I told you I cursed him out earlier. So he

667
00:34:59,120 --> 00:35:01,960
Speaker 12: thought I was gangster. I'm just some Catholic school Haitian guy.

668
00:35:02,120 --> 00:35:05,759
Speaker 1: Yeah, I'm a loser. You know, I'm not tough like that.

669
00:35:05,840 --> 00:35:08,480
Speaker 1: So but I think my hands killing everybody's CD.

670
00:35:10,160 --> 00:35:10,560
Speaker 9: Get it.

671
00:35:11,360 --> 00:35:13,760
Speaker 16: So, you know, my hands went down, so he probably

672
00:35:13,800 --> 00:35:15,000
Speaker 16: thought he thinks gun.

673
00:35:15,120 --> 00:35:16,360
Speaker 1: So when my hands.

674
00:35:16,160 --> 00:35:18,880
Speaker 16: Went down, he pulled out it looked like an oozy.

675
00:35:19,600 --> 00:35:23,880
Speaker 1: Oh man, if you ever that's not a gun. But

676
00:35:23,960 --> 00:35:27,680
Speaker 1: whatever he pulled out an oozy, it looked like that's Streuss.

677
00:35:27,840 --> 00:35:29,600
Speaker 1: I'm going to be like, hey, that's a yeah.

678
00:35:32,080 --> 00:35:37,799
Speaker 12: Whatever money was that the boys pulled out on me too.

679
00:35:39,120 --> 00:35:40,560
Speaker 1: So I closed my eyes.

680
00:35:41,440 --> 00:35:42,160
Speaker 5: You were like, I'm ready.

681
00:35:42,200 --> 00:35:43,920
Speaker 1: I'm gonna know. When I opened my eyes, I was

682
00:35:43,920 --> 00:35:46,440
Speaker 1: in the van. That's how fast it. I went like this.

683
00:35:46,480 --> 00:35:47,920
Speaker 1: When I was in the van, I was kneeling in

684
00:35:47,960 --> 00:35:50,120
Speaker 1: the van and then and then what happened Like they

685
00:35:50,120 --> 00:35:52,319
Speaker 1: were screaming god.

686
00:35:54,760 --> 00:35:56,600
Speaker 12: So I'm just like, oh my god, I'm gonna die.

687
00:35:56,640 --> 00:35:59,319
Speaker 12: But song like, it's not even my song. I leaked

688
00:35:59,320 --> 00:36:01,799
Speaker 12: the song. No other DJ played this this song?

689
00:36:02,000 --> 00:36:05,239
Speaker 3: Yeah, well you did from jay z Stern words with

690
00:36:05,320 --> 00:36:08,080
Speaker 3: him on the pay Yeah, so you.

691
00:36:08,200 --> 00:36:10,440
Speaker 8: Lead my HBO special. I would have some.

692
00:36:10,320 --> 00:36:17,000
Speaker 5: Stern work a point by a man I put rims

693
00:36:17,000 --> 00:36:17,239
Speaker 5: on it.

694
00:36:18,800 --> 00:36:19,160
Speaker 1: Street.

695
00:36:22,719 --> 00:36:26,759
Speaker 12: I do have scoring part too, is that yours?

696
00:36:27,440 --> 00:36:30,360
Speaker 1: That's how we met actually the streets.

697
00:36:33,000 --> 00:36:34,440
Speaker 11: That would be a great way to tell people you're

698
00:36:34,440 --> 00:36:35,160
Speaker 11: getting pissed off.

699
00:36:35,200 --> 00:36:36,680
Speaker 5: I am about to put some rims.

700
00:36:36,400 --> 00:36:41,759
Speaker 1: On my van. They get in, they're screaming at you.

701
00:36:41,760 --> 00:36:45,400
Speaker 12: You're on your yelling, screaming, and then uh, he realized

702
00:36:45,400 --> 00:36:47,279
Speaker 12: that I don't know what the is going on and

703
00:36:47,480 --> 00:36:49,080
Speaker 12: none to do with this, like I'm not really so

704
00:36:49,280 --> 00:36:51,319
Speaker 12: so we finally got to the situation where he's like,

705
00:36:51,600 --> 00:36:54,279
Speaker 12: he told the guy, you know, stay outside. But I

706
00:36:54,280 --> 00:36:57,800
Speaker 12: always had a tape as promo to give my promo

707
00:36:57,880 --> 00:37:00,240
Speaker 12: going the tape that has this song.

708
00:37:00,800 --> 00:37:01,920
Speaker 1: So I'm kneeling.

709
00:37:02,160 --> 00:37:04,120
Speaker 12: So now he's telling me to come sit on the

710
00:37:04,200 --> 00:37:05,880
Speaker 12: other side of the because it's a hooked up van.

711
00:37:05,960 --> 00:37:07,759
Speaker 12: You know, he's like four hundreds, so I had to

712
00:37:07,760 --> 00:37:10,719
Speaker 12: sit across from him. So I got up and the

713
00:37:10,760 --> 00:37:13,400
Speaker 12: fucking tape falls out my jacket onto the floor.

714
00:37:13,719 --> 00:37:15,640
Speaker 1: I'm looking at I'm.

715
00:37:15,440 --> 00:37:17,440
Speaker 12: Looking at him, I'm looking at his whole boy, and

716
00:37:18,640 --> 00:37:25,319
Speaker 12: I started screaming with the ever he threw. He threw home,

717
00:37:25,360 --> 00:37:28,080
Speaker 12: he threw his home boy out, and he honestly told me, like, yo,

718
00:37:28,120 --> 00:37:30,360
Speaker 12: I understand, you don't know what's going on, but we

719
00:37:30,480 --> 00:37:31,240
Speaker 12: got issues.

720
00:37:31,360 --> 00:37:32,680
Speaker 1: You know, nobody's responding.

721
00:37:32,760 --> 00:37:35,400
Speaker 12: And then we just wanted to find out if your

722
00:37:35,520 --> 00:37:38,880
Speaker 12: DJ clue because nobody knew my face. So they were

723
00:37:38,880 --> 00:37:40,960
Speaker 12: going to kidnap clue on Monday if they didn't get

724
00:37:41,000 --> 00:37:42,200
Speaker 12: me Saturday at Apollo.

725
00:37:42,360 --> 00:37:43,839
Speaker 1: Why did they think it was you? How did they

726
00:37:43,840 --> 00:37:44,960
Speaker 1: know it was you? And how did they know?

727
00:37:45,040 --> 00:37:47,319
Speaker 12: Because Clue was the biggest mixtape DJ. But I was

728
00:37:47,360 --> 00:37:50,239
Speaker 12: like under Clue, so but nobody knew. I just was

729
00:37:50,280 --> 00:37:51,000
Speaker 12: like I would take it.

730
00:37:51,080 --> 00:37:54,360
Speaker 1: Because Clue access to that ship.

731
00:37:54,400 --> 00:37:56,719
Speaker 12: That is that how they figured he was robbing people too,

732
00:37:56,719 --> 00:37:59,680
Speaker 12: But I was robbing, robbing the robber.

733
00:38:01,360 --> 00:38:03,520
Speaker 15: I would combine like he basically robin Hood.

734
00:38:03,560 --> 00:38:07,160
Speaker 12: Yeah yeah, that's a good ship right there.

735
00:38:07,160 --> 00:38:09,120
Speaker 1: I like that. Yeah. So all right, so I get

736
00:38:09,160 --> 00:38:10,799
Speaker 1: the fuck out of there. He let me go.

737
00:38:10,920 --> 00:38:12,759
Speaker 12: He told me to fuck jay Z, to say funk

738
00:38:12,840 --> 00:38:14,880
Speaker 12: jay Z and intro the next tape, he gave me

739
00:38:14,920 --> 00:38:17,239
Speaker 12: instructions to like this everybody whatever.

740
00:38:17,520 --> 00:38:21,080
Speaker 1: As I get the fun out of here. Yeah. So

741
00:38:22,640 --> 00:38:23,520
Speaker 1: I finally got out.

742
00:38:23,560 --> 00:38:25,719
Speaker 12: But the thing that's crazy is he told me give

743
00:38:25,760 --> 00:38:27,880
Speaker 12: him five minutes so he could leave because you know,

744
00:38:27,880 --> 00:38:31,920
Speaker 12: it's a real illegal kidnap, so he so I forgot

745
00:38:31,960 --> 00:38:34,000
Speaker 12: about the five minute thing. So I finally get in

746
00:38:34,040 --> 00:38:36,279
Speaker 12: the Honda Corp with my cousins again. But I'm like

747
00:38:36,360 --> 00:38:38,359
Speaker 12: shaky because like, you're right, I was like, I think

748
00:38:38,400 --> 00:38:39,920
Speaker 12: good man, he said he's going to give me the

749
00:38:39,960 --> 00:38:42,560
Speaker 12: money tomorrow, Like I didn't want my my cousins to

750
00:38:42,560 --> 00:38:44,760
Speaker 12: know because I don't know if they're gonna go crazy.

751
00:38:44,920 --> 00:38:47,000
Speaker 12: So I start driving and then the van stops again,

752
00:38:47,040 --> 00:38:48,799
Speaker 12: and then the Spanish kid comes out like, YO, give

753
00:38:48,840 --> 00:38:50,600
Speaker 12: us five minutes. And then I got so scared I

754
00:38:50,640 --> 00:38:53,439
Speaker 12: reversed the car so crazy. I crashed to a dumb

755
00:38:53,480 --> 00:38:53,920
Speaker 12: still like.

756
00:38:56,760 --> 00:38:58,560
Speaker 1: Because we're in the project. You know what I'm saying.

757
00:38:59,440 --> 00:39:02,840
Speaker 1: I don't know what where the project? So I crashed

758
00:39:02,920 --> 00:39:07,720
Speaker 1: him my cousin, YO, you're right man? So why.

759
00:39:08,040 --> 00:39:11,879
Speaker 12: So while he's saying that, literally like, he takes off

760
00:39:12,040 --> 00:39:15,440
Speaker 12: like not even three minutes, another van, a fur runner

761
00:39:16,400 --> 00:39:21,000
Speaker 12: literally too, like brown or beige. Four runners came out

762
00:39:21,000 --> 00:39:23,080
Speaker 12: the side. So they were ready. If my cousins would

763
00:39:23,120 --> 00:39:25,000
Speaker 12: have got out, if it was like a missing ring,

764
00:39:25,640 --> 00:39:28,200
Speaker 12: so they were ready to Yeah, they had crazy backup.

765
00:39:28,280 --> 00:39:30,400
Speaker 12: So so I would have got I would have got laced,

766
00:39:30,600 --> 00:39:32,759
Speaker 12: Like imagine I get shot, and I wouldn't be able

767
00:39:32,800 --> 00:39:34,080
Speaker 12: to talk to you today about stupid.

768
00:39:34,680 --> 00:39:36,800
Speaker 1: So I get out of it. You weren't shot, so

769
00:39:38,400 --> 00:39:41,600
Speaker 1: it is it led shot.

770
00:39:42,600 --> 00:39:47,560
Speaker 3: It would have been a better story that before you're

771
00:39:47,680 --> 00:39:50,960
Speaker 3: screaming strangers, He was.

772
00:39:53,400 --> 00:39:53,840
Speaker 6: He did.

773
00:39:56,520 --> 00:39:57,719
Speaker 1: Then when we do it?

774
00:39:58,280 --> 00:40:02,520
Speaker 12: Well, the that whole scenario led me to like, thank god,

775
00:40:02,600 --> 00:40:04,839
Speaker 12: the fate led me to meet fifty Cent, which they

776
00:40:04,880 --> 00:40:08,560
Speaker 12: tried to kill him, so I was like, no, not punt,

777
00:40:08,640 --> 00:40:12,360
Speaker 12: but with the job ruled on that chaos. So he

778
00:40:12,400 --> 00:40:14,640
Speaker 12: had all the issues in the streets. So I became

779
00:40:14,680 --> 00:40:17,920
Speaker 12: his DJ and decided to just do only one artist

780
00:40:17,960 --> 00:40:19,879
Speaker 12: tapes because the tapes I would steal, I would rob

781
00:40:19,920 --> 00:40:22,239
Speaker 12: the whole industry. But now I decided to just rob

782
00:40:22,280 --> 00:40:24,279
Speaker 12: one person, so it'd be just Snoop Dogg or just

783
00:40:24,320 --> 00:40:27,280
Speaker 12: be just jay Z. I'll put those like compilations out

784
00:40:27,440 --> 00:40:29,520
Speaker 12: and then you know, but now I'm with fifty cents,

785
00:40:29,560 --> 00:40:31,080
Speaker 12: so nobody's really going to surround me.

786
00:40:31,320 --> 00:40:34,319
Speaker 1: So now I start touring with him and me.

787
00:40:34,480 --> 00:40:37,200
Speaker 12: Bombing, which would I'll tell you how it ends up

788
00:40:37,200 --> 00:40:39,399
Speaker 12: in SNL forty eight times?

789
00:40:39,400 --> 00:40:40,560
Speaker 1: Forgot about that.

790
00:40:40,840 --> 00:40:43,879
Speaker 12: Yeah, so forty forty eight times I get fired. There

791
00:40:43,920 --> 00:40:46,360
Speaker 12: was a point where you bring out, like, you know,

792
00:40:46,400 --> 00:40:48,320
Speaker 12: like a handicap person, like you just want to be cool,

793
00:40:48,360 --> 00:40:50,200
Speaker 12: like you know, little what do you call that.

794
00:40:51,719 --> 00:40:52,439
Speaker 1: Handcap person?

795
00:40:52,680 --> 00:40:56,319
Speaker 12: Like, you know, every concert, you know, they let all

796
00:40:56,360 --> 00:41:01,359
Speaker 12: the handicap people be in front, so so they bring

797
00:41:01,400 --> 00:41:03,160
Speaker 12: one guy out. But they were like, you're playing a

798
00:41:03,200 --> 00:41:06,440
Speaker 12: song when fifty cent pushes the handicapped person out on

799
00:41:06,480 --> 00:41:08,560
Speaker 12: a wheelchair, like a big song or whatever.

800
00:41:08,960 --> 00:41:10,239
Speaker 1: But I played walking Out.

801
00:41:10,440 --> 00:41:14,360
Speaker 12: I didn't know, so the whole place is like people

802
00:41:14,360 --> 00:41:17,279
Speaker 12: were mad at me. I was like what I was like,

803
00:41:17,360 --> 00:41:18,360
Speaker 12: but then I didn't realize it.

804
00:41:18,400 --> 00:41:19,160
Speaker 1: But that was a big.

805
00:41:19,040 --> 00:41:28,399
Speaker 12: Record back then, walk so it was it was I.

806
00:41:28,360 --> 00:41:29,920
Speaker 1: Got cursed out by so much people.

807
00:41:31,080 --> 00:41:33,480
Speaker 12: We had to go to sn L because Thursday, you know,

808
00:41:33,880 --> 00:41:36,920
Speaker 12: you have to rehearse Friday to be on Saturday.

809
00:41:37,200 --> 00:41:37,600
Speaker 1: So I'm over.

810
00:41:37,600 --> 00:41:39,720
Speaker 12: I'm getting cursed out by random people in the street

811
00:41:39,800 --> 00:41:42,799
Speaker 12: type square like people have heard about me playing this

812
00:41:42,840 --> 00:41:43,640
Speaker 12: stupid ass song.

813
00:41:43,840 --> 00:41:44,960
Speaker 16: I finally GETL.

814
00:41:45,960 --> 00:41:47,640
Speaker 9: Were people upset at the concert?

815
00:41:48,000 --> 00:41:50,600
Speaker 1: Mad? They thought I did it on purpose.

816
00:41:50,760 --> 00:41:53,359
Speaker 16: I was like, I'm looking crazy, you know what I'm saying.

817
00:41:54,239 --> 00:41:55,480
Speaker 1: I don't know what the fun going on.

818
00:41:55,520 --> 00:41:59,279
Speaker 9: So audiences, I'm telling you.

819
00:41:59,760 --> 00:42:01,319
Speaker 1: Let me speed it up. You know s n L.

820
00:42:01,400 --> 00:42:04,960
Speaker 12: I get there, but you know the second bombing, which

821
00:42:05,160 --> 00:42:07,160
Speaker 12: I've never got caught. So I got the s n L.

822
00:42:07,239 --> 00:42:10,080
Speaker 12: So the biggest bomb which I've never bled.

823
00:42:09,760 --> 00:42:15,560
Speaker 3: There, squirrem is there they're dressing about born ye sewed up?

824
00:42:15,600 --> 00:42:18,520
Speaker 8: His name is so crazy.

825
00:42:19,280 --> 00:42:23,719
Speaker 1: Well, a lot of people, a lot of I said,

826
00:42:23,800 --> 00:42:24,400
Speaker 1: shoe them.

827
00:42:25,120 --> 00:42:28,799
Speaker 9: I get a lot of But he'sish, so he can

828
00:42:28,880 --> 00:42:29,200
Speaker 9: do that.

829
00:42:30,880 --> 00:42:38,040
Speaker 8: Please, you know, you know, get me to get plent.

830
00:42:40,080 --> 00:42:45,680
Speaker 10: With the money and the bagel and the and the media.

831
00:42:46,600 --> 00:42:47,120
Speaker 5: You run it.

832
00:42:47,120 --> 00:42:50,600
Speaker 9: You know how much it costs for you to pronounce

833
00:42:50,640 --> 00:42:51,000
Speaker 9: my name?

834
00:42:51,080 --> 00:42:57,040
Speaker 3: Right, I got some pig.

835
00:42:57,320 --> 00:42:58,000
Speaker 1: It feels better.

836
00:42:59,520 --> 00:43:03,920
Speaker 9: But now about anyway, well crazy.

837
00:43:03,800 --> 00:43:08,200
Speaker 1: Okay, so happens. Yeah, so you're rehearsing, so.

838
00:43:08,480 --> 00:43:11,000
Speaker 12: Like me telling ya that I got caught by pun

839
00:43:11,520 --> 00:43:14,120
Speaker 12: I told I told myself I will never ever get caught.

840
00:43:14,120 --> 00:43:17,160
Speaker 12: So the biggest bomb for me personally is getting caught again.

841
00:43:18,200 --> 00:43:22,200
Speaker 1: I leaked a biggie song DURINGNL.

842
00:43:23,160 --> 00:43:26,040
Speaker 12: Well, I wasn't hot ninety seven, so I leaked it

843
00:43:26,160 --> 00:43:29,520
Speaker 12: five minutes before my show ended, and I escaped before

844
00:43:29,600 --> 00:43:32,560
Speaker 12: a certain individual tried to get me at And you

845
00:43:32,600 --> 00:43:33,560
Speaker 12: know who that person is?

846
00:43:33,560 --> 00:43:35,839
Speaker 1: Is that person currently in the news a lot.

847
00:43:36,239 --> 00:43:38,880
Speaker 12: He has like a white beard. He's like he's in

848
00:43:39,160 --> 00:43:41,320
Speaker 12: it in the is in the yard with all these guys.

849
00:43:41,600 --> 00:43:45,680
Speaker 12: Is he was he currently sentenced to I don't know,

850
00:43:45,800 --> 00:43:46,959
Speaker 12: like two months or some ship.

851
00:43:48,200 --> 00:43:52,880
Speaker 1: He's describe this man as alive. I don't know. I

852
00:43:53,200 --> 00:43:56,880
Speaker 1: heard him kiss through the phone or some ship boy. Well,

853
00:43:56,920 --> 00:43:58,440
Speaker 1: I didn't know how long ago you're gonna say.

854
00:43:58,440 --> 00:44:00,960
Speaker 3: Biggie walked in and I was like, oh, you're talking

855
00:44:01,000 --> 00:44:03,160
Speaker 3: about mister mister Daddy.

856
00:44:03,560 --> 00:44:07,040
Speaker 12: So so so, like all right, I escaped for six

857
00:44:07,080 --> 00:44:09,560
Speaker 12: seven months after I leaked the Biggie and fifty cent

858
00:44:09,840 --> 00:44:10,759
Speaker 12: Puff Daddy was out here.

859
00:44:11,040 --> 00:44:12,840
Speaker 1: Yeah, he's been trying to get me for months.

860
00:44:13,480 --> 00:44:16,080
Speaker 12: This is why I hate SNL because SNL you have

861
00:44:16,160 --> 00:44:20,040
Speaker 12: to go Friday to rehearse. So Diddy obviously knows about

862
00:44:20,080 --> 00:44:24,240
Speaker 12: the SNL ship because everybody's like fifty cent on Saturday, right.

863
00:44:24,320 --> 00:44:25,480
Speaker 1: So he used.

864
00:44:27,239 --> 00:44:27,759
Speaker 5: Thirty Rock.

865
00:44:27,840 --> 00:44:31,480
Speaker 3: Yeah, yeah, most people get killed. But through the SNL

866
00:44:31,520 --> 00:44:32,759
Speaker 3: scene and Thompson was like, yo.

867
00:44:32,760 --> 00:44:36,759
Speaker 1: You're right, I was like, like shaking crazy. I'm trying

868
00:44:36,800 --> 00:44:40,680
Speaker 1: to hug it. I'm like, yeah, thats what.

869
00:44:41,000 --> 00:44:46,960
Speaker 12: So yeah, so I'm you know, we're doing rehearsals, rehearsals

870
00:44:46,960 --> 00:44:49,640
Speaker 12: over so I'm just like checking on the wires on

871
00:44:49,680 --> 00:44:50,600
Speaker 12: my equipment.

872
00:44:51,120 --> 00:44:53,239
Speaker 3: What do you think he's got like a fucking the

873
00:44:53,280 --> 00:44:54,759
Speaker 3: bomb from the movie Casino.

874
00:44:55,360 --> 00:44:57,160
Speaker 1: I don't know what I was doing Yeah, you're just

875
00:44:57,160 --> 00:44:57,640
Speaker 1: figured out.

876
00:44:57,719 --> 00:44:58,480
Speaker 5: You think you're gonna die.

877
00:44:58,480 --> 00:45:00,839
Speaker 1: I'll check it out my buttons. Yeah, you probably should

878
00:45:00,840 --> 00:45:01,480
Speaker 1: stopped leaking.

879
00:45:02,239 --> 00:45:07,720
Speaker 10: I was like after that when you almost got called

880
00:45:07,760 --> 00:45:08,600
Speaker 10: and put in a sack.

881
00:45:09,960 --> 00:45:12,040
Speaker 1: This was really a big one.

882
00:45:13,600 --> 00:45:17,680
Speaker 12: This was a real big issue because PUFF never heard

883
00:45:17,840 --> 00:45:18,640
Speaker 12: this biggie song.

884
00:45:19,400 --> 00:45:21,640
Speaker 1: I never even heard. So imagine you're Diddy, so.

885
00:45:21,719 --> 00:45:25,080
Speaker 5: You're trying to sign you with a you know, try

886
00:45:25,120 --> 00:45:26,680
Speaker 5: to join the Illuminati.

887
00:45:27,719 --> 00:45:30,239
Speaker 1: By Lambo. I bet trying to enjoy the color.

888
00:45:30,160 --> 00:45:31,960
Speaker 5: You like, but you didn't learn your lesson.

889
00:45:32,000 --> 00:45:35,120
Speaker 1: You're like, I didn't know, you know, what's not what

890
00:45:35,120 --> 00:45:38,160
Speaker 1: that happened? Okay, okay, it's not that I didn't learn.

891
00:45:38,239 --> 00:45:40,800
Speaker 1: I went fifty cents, the biggest gangster rapper there.

892
00:45:41,480 --> 00:45:45,120
Speaker 12: Nobody was touching me, so Diddy would be kind of

893
00:45:45,160 --> 00:45:47,680
Speaker 12: like formidable to touch me. You know, everybody else I

894
00:45:47,680 --> 00:45:51,040
Speaker 12: didn't give a funk about. He was either night or

895
00:45:51,320 --> 00:45:54,120
Speaker 12: you know, for me too, because I didn't leak the

896
00:45:54,120 --> 00:45:54,800
Speaker 12: Tupac ship.

897
00:45:55,160 --> 00:45:59,600
Speaker 3: And you're really mess You're like all the hints like TOPA,

898
00:46:00,040 --> 00:46:02,160
Speaker 3: You're like, I leaked the Kim Jong Un tape and.

899
00:46:03,960 --> 00:46:05,320
Speaker 1: I guess what was what was the name of the

900
00:46:05,360 --> 00:46:15,560
Speaker 1: song that e laite realist niggas when I walked in.

901
00:46:15,800 --> 00:46:19,440
Speaker 5: She said it to my face with the George Clooney

902
00:46:19,760 --> 00:46:20,600
Speaker 5: if you know what I mean.

903
00:46:20,920 --> 00:46:22,759
Speaker 9: She said it with a Chinese accent, though.

904
00:46:23,880 --> 00:46:26,239
Speaker 12: So so you obviously you work at ADEL, so you

905
00:46:26,360 --> 00:46:28,759
Speaker 12: understand the layout. It's like a weird fork in the

906
00:46:28,880 --> 00:46:31,360
Speaker 12: road with the with the equipment and whatever. So I

907
00:46:31,520 --> 00:46:34,360
Speaker 12: look up and I see did he like running in

908
00:46:34,520 --> 00:46:36,200
Speaker 12: looking like crazy.

909
00:46:36,440 --> 00:46:37,040
Speaker 8: In the building.

910
00:46:37,160 --> 00:46:39,960
Speaker 12: He's in the building. Obviously he could do whatever he

911
00:46:40,040 --> 00:46:43,799
Speaker 12: wants the city. So he's in there working. I see

912
00:46:43,840 --> 00:46:46,680
Speaker 12: him looking around, looking around. I'm like ship, So I

913
00:46:46,800 --> 00:46:50,120
Speaker 12: try to walk like cool, like not fast, like I'm pussy. Yeah,

914
00:46:50,160 --> 00:46:52,879
Speaker 12: but you don't want to like drop those bad white

915
00:46:52,880 --> 00:46:56,239
Speaker 12: people up there, these white comedians.

916
00:46:56,280 --> 00:46:57,960
Speaker 1: You know, they think I'm God. You know.

917
00:47:00,760 --> 00:47:02,600
Speaker 9: I want getting killed looking like.

918
00:47:06,320 --> 00:47:06,719
Speaker 5: To one.

919
00:47:07,280 --> 00:47:10,080
Speaker 1: So you did like a speed walk yeah, the dressing room.

920
00:47:10,440 --> 00:47:12,320
Speaker 16: Yeah, because once I get into the room with fifty,

921
00:47:12,360 --> 00:47:13,400
Speaker 16: he's not really going to touch me.

922
00:47:13,440 --> 00:47:15,120
Speaker 1: You know what I'm saying. He caught me in the

923
00:47:15,239 --> 00:47:16,759
Speaker 1: fucking the.

924
00:47:16,760 --> 00:47:18,359
Speaker 8: Hallway, windy little hole.

925
00:47:19,600 --> 00:47:22,280
Speaker 1: I got caught so crazy and what happened? So fifty

926
00:47:22,360 --> 00:47:24,560
Speaker 1: is getting ready whatever you know he's doing push ups

927
00:47:24,600 --> 00:47:27,080
Speaker 1: whatever it was cut up.

928
00:47:27,600 --> 00:47:30,280
Speaker 12: Imagine the door opens and then you see like Diddy

929
00:47:30,560 --> 00:47:34,040
Speaker 12: with your d J in the headlock, right, and.

930
00:47:34,120 --> 00:47:35,000
Speaker 1: That was it right there?

931
00:47:35,160 --> 00:47:38,360
Speaker 16: Wait, he beat you up like beat just had me

932
00:47:38,560 --> 00:47:41,600
Speaker 16: like in a nice soft and sensitive what do you

933
00:47:41,640 --> 00:47:41,840
Speaker 16: call it?

934
00:47:42,560 --> 00:47:49,239
Speaker 1: Like a hug? Hug? Wasn't red headlock? So what did

935
00:47:49,280 --> 00:47:50,279
Speaker 1: he say? He was behind me?

936
00:47:50,400 --> 00:47:54,600
Speaker 12: Like, yeah, he was like company, but what you in

937
00:47:54,640 --> 00:47:57,479
Speaker 12: the headlock and hiss? And then he's demanding to find

938
00:47:57,520 --> 00:48:00,799
Speaker 12: out where I got the so from and who leaked

939
00:48:00,840 --> 00:48:04,120
Speaker 12: it to me? So is anybody witnessing this.

940
00:48:04,320 --> 00:48:06,359
Speaker 16: Fifties laughing these like because the song is out.

941
00:48:06,480 --> 00:48:08,800
Speaker 12: It's fifty cent biggie, So the song is out, So

942
00:48:08,880 --> 00:48:10,840
Speaker 12: fifties like laughing or whatever, fifty.

943
00:48:10,640 --> 00:48:13,160
Speaker 1: Cent watching this go down. No, I'm in the dressing room.

944
00:48:13,239 --> 00:48:14,400
Speaker 1: I was in the dressing room. I thought it was

945
00:48:14,440 --> 00:48:16,080
Speaker 1: in the hallway. I think you said no he grabbed me.

946
00:48:16,600 --> 00:48:18,759
Speaker 12: I just associated no, he grabbed me and brought me

947
00:48:18,840 --> 00:48:21,839
Speaker 12: the fifties dressing rooms. Oh, he dragged you in there

948
00:48:21,960 --> 00:48:25,680
Speaker 12: and it opened it and imagined like you're fifty you

949
00:48:25,719 --> 00:48:32,880
Speaker 12: get ready, hey, boss, buff Daddy wanted to talk with us.

950
00:48:35,560 --> 00:48:38,000
Speaker 12: So he tells me I'm like, yo, the Code of

951
00:48:38,040 --> 00:48:40,600
Speaker 12: the Streets, I don't really stitch right, and then fifties laughing,

952
00:48:40,600 --> 00:48:42,640
Speaker 12: He's like, you just tell the man that I told him.

953
00:48:43,000 --> 00:48:45,000
Speaker 1: You know, he went crazy and ran out. And then

954
00:48:45,080 --> 00:48:48,040
Speaker 1: who are at whatever game? I shouted out, I don't

955
00:48:48,040 --> 00:48:50,680
Speaker 1: even know where they're at right now, six feet under

956
00:48:50,800 --> 00:48:54,200
Speaker 1: they're behind the North Carolina. I don't know where they're at.

957
00:48:54,239 --> 00:48:56,000
Speaker 1: These producers are going, I no, no, I don't know

958
00:48:56,040 --> 00:48:58,360
Speaker 1: what happened, but it's kind of insane like that was like.

959
00:48:59,120 --> 00:49:00,120
Speaker 8: But you weaked it?

960
00:49:00,719 --> 00:49:02,960
Speaker 1: Yeah I did, but my fould never get to.

961
00:49:03,040 --> 00:49:05,080
Speaker 16: Get caught, Like I can't get caught.

962
00:49:10,440 --> 00:49:13,600
Speaker 1: Because I haven't heard from them since two thousand and one.

963
00:49:13,960 --> 00:49:15,360
Speaker 1: So right after I, I know, you went to to

964
00:49:15,400 --> 00:49:17,560
Speaker 1: Saudi Arabia and Michael Jackson came out of the h.

965
00:49:19,719 --> 00:49:22,719
Speaker 12: I went to Rion Comedy Formula one, and then the

966
00:49:22,800 --> 00:49:25,120
Speaker 12: Prince got so much money. I guess they just forgot

967
00:49:25,160 --> 00:49:28,520
Speaker 12: to tell me this nigga that Michael Jackson's at his crib.

968
00:49:28,440 --> 00:49:31,000
Speaker 1: Like that's so much money they got. Wait, Michael Jackson

969
00:49:31,160 --> 00:49:32,440
Speaker 1: was fucking the princess Saday.

970
00:49:32,880 --> 00:49:33,200
Speaker 12: No he.

971
00:49:37,800 --> 00:49:43,239
Speaker 1: What you're saying? You heard it? Ussel, I'm a hell no,

972
00:49:44,560 --> 00:49:46,640
Speaker 1: so wait, what did you what happened?

973
00:49:47,719 --> 00:49:50,280
Speaker 12: So I get there and then I loved my passport,

974
00:49:50,360 --> 00:49:52,239
Speaker 12: but the Prince was like, don't worry. My brother owns

975
00:49:52,239 --> 00:49:54,560
Speaker 12: the passport apartment. You get it in two more days.

976
00:49:54,680 --> 00:49:57,160
Speaker 1: Right, So it doesn't like yeah, it's like some rich

977
00:49:57,239 --> 00:49:58,520
Speaker 1: nigga ship. So I get there.

978
00:49:59,640 --> 00:50:01,600
Speaker 12: He said, they at my palace, but he forgot to

979
00:50:01,640 --> 00:50:04,759
Speaker 12: tell me Mike was there. Mike lived next door, so

980
00:50:04,920 --> 00:50:09,719
Speaker 12: he signed Mike to be He paid for all his

981
00:50:10,120 --> 00:50:14,320
Speaker 12: you know that melestation trial. You can't get extradited from Bahrain,

982
00:50:14,920 --> 00:50:18,680
Speaker 12: so he made him a citizen, so you can't.

983
00:50:18,719 --> 00:50:21,640
Speaker 1: You can't get his back. I just keep that in mind.

984
00:50:23,040 --> 00:50:24,400
Speaker 10: I thought you were going to say, that's your advice

985
00:50:24,440 --> 00:50:26,000
Speaker 10: for everybody who does this podcast.

986
00:50:29,120 --> 00:50:29,640
Speaker 9: Don't worry.

987
00:50:29,760 --> 00:50:32,839
Speaker 5: You can move to one more place you can.

988
00:50:32,760 --> 00:50:39,920
Speaker 1: Go after this. I'm so the ship that's sucked up

989
00:50:40,040 --> 00:50:43,080
Speaker 1: is uh. I like watermelon, which is not racist. I'm black,

990
00:50:43,120 --> 00:50:48,600
Speaker 1: so I like watermelon. Hold on, let's checks. I like

991
00:50:52,200 --> 00:50:56,480
Speaker 1: for some reason the watermelon he crossed like like ten

992
00:50:56,600 --> 00:50:59,520
Speaker 1: cents and so like you get like a whole drink flake.

993
00:50:59,800 --> 00:51:01,200
Speaker 12: This back in the days, like I don't know how

994
00:51:01,239 --> 00:51:03,520
Speaker 12: it is now. But it was like five cents for

995
00:51:03,680 --> 00:51:10,279
Speaker 12: gas and like ten cents for watermeler. Right, So the

996
00:51:10,360 --> 00:51:13,480
Speaker 12: prince was like, yo, go to the pool and if

997
00:51:13,520 --> 00:51:17,320
Speaker 12: you want you like that that mint lemonade like old watermelon.

998
00:51:18,480 --> 00:51:20,680
Speaker 12: You know, the Indian guys are there. You know they

999
00:51:20,719 --> 00:51:23,520
Speaker 12: have the Indian people that they they do everything there.

1000
00:51:23,560 --> 00:51:24,480
Speaker 1: So I go to the pool.

1001
00:51:24,640 --> 00:51:27,280
Speaker 16: It's kind of wild that he's literally at the pool

1002
00:51:27,440 --> 00:51:28,080
Speaker 16: with shorts.

1003
00:51:28,120 --> 00:51:30,080
Speaker 12: And then in my head first thing, I was like,

1004
00:51:30,120 --> 00:51:32,239
Speaker 12: oh my god, your your legs are white, because you know,

1005
00:51:32,400 --> 00:51:33,600
Speaker 12: I'm thinking he's dark like me.

1006
00:51:33,760 --> 00:51:35,080
Speaker 1: You know what I'm saying, because I didn't know he

1007
00:51:36,000 --> 00:51:38,520
Speaker 1: saying Michael Jackson, like your legs like.

1008
00:51:41,280 --> 00:51:44,600
Speaker 9: You have Michael Jackson would be an argument for his empetigo.

1009
00:51:48,040 --> 00:51:53,200
Speaker 1: It's when you empathize it's a delicious terror.

1010
00:51:55,600 --> 00:51:58,040
Speaker 10: That would be an argument that is Videlagos story was

1011
00:51:58,080 --> 00:52:01,240
Speaker 10: real because like, who would would go through the trouble

1012
00:52:01,280 --> 00:52:02,239
Speaker 10: of dying there, you.

1013
00:52:02,280 --> 00:52:03,680
Speaker 9: Know, laying their legs lightened?

1014
00:52:03,960 --> 00:52:06,200
Speaker 1: Yes, right, well, he can't.

1015
00:52:06,000 --> 00:52:08,000
Speaker 8: Look and apparently he had gorgeous legs like me.

1016
00:52:09,200 --> 00:52:10,200
Speaker 1: That's what a lot of people say.

1017
00:52:11,800 --> 00:52:16,680
Speaker 3: Sarah Sarah Sperm the Michael Jackson leg jack is she

1018
00:52:16,800 --> 00:52:19,000
Speaker 3: one of those Michael Jackson leg comedians.

1019
00:52:19,200 --> 00:52:21,520
Speaker 5: I think she's like Michael Jackson king person.

1020
00:52:23,520 --> 00:52:25,360
Speaker 1: Yeah, she got a starting person.

1021
00:52:27,600 --> 00:52:31,440
Speaker 3: Out of Saudi Arabian watermelon stand run by Indian slaves,

1022
00:52:32,640 --> 00:52:34,440
Speaker 3: Saudi Arabia Watermelon Festival.

1023
00:52:35,360 --> 00:52:39,080
Speaker 1: Okay, okay, yeah, so you get the Prince is like,

1024
00:52:39,160 --> 00:52:41,719
Speaker 1: get all the whatever he was doing there. It's just

1025
00:52:41,840 --> 00:52:42,279
Speaker 1: me and Mike.

1026
00:52:42,400 --> 00:52:45,160
Speaker 16: He's left after that, so it's like, you know, he

1027
00:52:45,280 --> 00:52:45,800
Speaker 16: laughed crazy.

1028
00:52:45,840 --> 00:52:46,120
Speaker 1: I don't know.

1029
00:52:48,640 --> 00:52:51,520
Speaker 12: Level was like its quat, but in my head, my

1030
00:52:51,560 --> 00:52:53,120
Speaker 12: head was spinning like I was a groupie, you know

1031
00:52:53,160 --> 00:52:55,399
Speaker 12: what I'm saying. But I kept it internal. I deal

1032
00:52:55,440 --> 00:52:58,000
Speaker 12: with everybody already, but I think Mike and Prince is

1033
00:52:58,000 --> 00:53:01,160
Speaker 12: the only two people that would really like wow. You know.

1034
00:53:02,200 --> 00:53:05,840
Speaker 12: So all of a sudden we're talking, and then Tyson

1035
00:53:05,920 --> 00:53:07,959
Speaker 12: Beckford was out there. I begged him to stay because

1036
00:53:07,960 --> 00:53:09,400
Speaker 12: I have to stay. I don't want to be in

1037
00:53:09,440 --> 00:53:11,799
Speaker 12: Saudi by myself for two days. It was formula one.

1038
00:53:11,800 --> 00:53:13,920
Speaker 12: So I begged him to stay. So he stayed, and

1039
00:53:13,960 --> 00:53:15,880
Speaker 12: then I called him. I was like, yo, I'm with

1040
00:53:16,040 --> 00:53:20,319
Speaker 12: Mike right now, and he was like what. I don't

1041
00:53:20,320 --> 00:53:22,440
Speaker 12: know how he got there. It was a camel mobile

1042
00:53:22,560 --> 00:53:25,279
Speaker 12: or whatever. He got there in ten seconds. All of

1043
00:53:25,360 --> 00:53:28,920
Speaker 12: a sudden, yo, he just starts like break dancing for

1044
00:53:29,040 --> 00:53:31,840
Speaker 12: the I think his main goal in life is the

1045
00:53:31,920 --> 00:53:33,880
Speaker 12: battle mic right, but where in the desert?

1046
00:53:34,040 --> 00:53:35,400
Speaker 1: Just stand everywhere?

1047
00:53:36,280 --> 00:53:39,759
Speaker 12: So he did a back spin. I thought it was

1048
00:53:39,880 --> 00:53:41,960
Speaker 12: glass like the way he spun like this ship was

1049
00:53:42,320 --> 00:53:46,839
Speaker 12: like Michael Jackson, Tyson Beckford. So then Tyson Benferd did

1050
00:53:46,880 --> 00:53:48,560
Speaker 12: the back spin. But then he begged Mike to do

1051
00:53:48,680 --> 00:53:52,040
Speaker 12: the bend and I'm like, yo, bro, the smooth criminal

1052
00:53:52,120 --> 00:53:53,680
Speaker 12: ship is like special effects.

1053
00:53:54,280 --> 00:53:58,200
Speaker 1: Michael's like, I can't bend right like special shoes.

1054
00:53:59,360 --> 00:54:01,600
Speaker 12: So then I'm like, oh my god, are you gonna

1055
00:54:01,600 --> 00:54:05,880
Speaker 12: eat with us later? And He's like, uh, why not

1056
00:54:06,360 --> 00:54:07,880
Speaker 12: with you? And then all of a sudden, then he

1057
00:54:07,920 --> 00:54:10,560
Speaker 12: saw cursing. I was like, what, because.

1058
00:54:13,320 --> 00:54:15,200
Speaker 8: The next time I meet like one of my heroes,

1059
00:54:15,200 --> 00:54:18,040
Speaker 8: I'm going to have a panic attack and blackout dancing

1060
00:54:20,800 --> 00:54:23,600
Speaker 8: black you mean.

1061
00:54:23,560 --> 00:54:29,160
Speaker 1: John Carbon like he did come to dinner.

1062
00:54:29,239 --> 00:54:30,920
Speaker 12: We hung out and chilled and and there was our

1063
00:54:31,040 --> 00:54:32,920
Speaker 12: law and where if you touch him you go to

1064
00:54:33,000 --> 00:54:34,640
Speaker 12: jail for like five years you touch who?

1065
00:54:36,239 --> 00:54:37,680
Speaker 1: Where's this law in Bahrain?

1066
00:54:37,840 --> 00:54:42,520
Speaker 9: So he had the law institute a special.

1067
00:54:43,280 --> 00:54:46,359
Speaker 1: Michael Jackson go to jail, Saudi prison for five years,

1068
00:54:46,840 --> 00:54:49,759
Speaker 1: like he went, did a commercial for it, the Prince

1069
00:54:49,840 --> 00:54:51,880
Speaker 1: or whatever. Don't touch Mike. So I said, yeah, right,

1070
00:54:51,960 --> 00:54:53,239
Speaker 1: let's go to the mall. We got you.

1071
00:54:55,120 --> 00:54:56,800
Speaker 9: Unless you're under the age of twelve.

1072
00:54:57,200 --> 00:55:09,160
Speaker 1: Yeah, that's Mike. All you want, Michael. It was actually real.

1073
00:55:09,239 --> 00:55:11,360
Speaker 12: We went to the mall and then I kept pointing

1074
00:55:11,400 --> 00:55:14,520
Speaker 12: them and the mall, the Starbucks. You know they have

1075
00:55:14,680 --> 00:55:15,600
Speaker 12: Arabic Starbucks.

1076
00:55:15,640 --> 00:55:17,759
Speaker 8: They walked around the mall and Starbucks.

1077
00:55:18,480 --> 00:55:19,120
Speaker 5: Jes Yeah.

1078
00:55:19,280 --> 00:55:21,480
Speaker 1: I put some Schmitts on his snam and then you

1079
00:55:21,600 --> 00:55:23,040
Speaker 1: become like my mom.

1080
00:55:24,560 --> 00:55:30,360
Speaker 10: Wrong coll So back to Michael and the moral.

1081
00:55:30,560 --> 00:55:33,120
Speaker 1: Okay, back to you touch Michael at the mall you're at.

1082
00:55:34,520 --> 00:55:41,760
Speaker 8: You're at a Pretzels with Michael top claires of Michael.

1083
00:55:46,800 --> 00:55:54,480
Speaker 1: Yeah, he love express Michael. Okay, and then what happened

1084
00:55:54,520 --> 00:56:00,239
Speaker 1: You touched him? You're too old? Yeah, yeah, yeah, I

1085
00:56:00,280 --> 00:56:01,640
Speaker 1: think that. I was in my thirties, so yeah, I'm

1086
00:56:01,680 --> 00:56:04,240
Speaker 1: off limits. But anyway, but you were twenty years younger.

1087
00:56:05,400 --> 00:56:06,360
Speaker 4: Yeah, I don't know.

1088
00:56:06,480 --> 00:56:08,960
Speaker 9: But but the thing that's weird, that's what he would say.

1089
00:56:09,000 --> 00:56:11,800
Speaker 1: Oh if I were twenty years yeah, I would have

1090
00:56:11,840 --> 00:56:12,080
Speaker 1: been on.

1091
00:56:17,120 --> 00:56:20,759
Speaker 5: I was seven definitely keep me all over me.

1092
00:56:22,239 --> 00:56:23,279
Speaker 1: I'm not I'm not gonna lie.

1093
00:56:23,320 --> 00:56:26,279
Speaker 12: The weird the weirdest thing was that he did ask me, like,

1094
00:56:27,160 --> 00:56:29,400
Speaker 12: you know, if you want your kids to come handle

1095
00:56:29,520 --> 00:56:30,000
Speaker 12: my kids?

1096
00:56:31,320 --> 00:56:33,120
Speaker 1: But I did not have no I didn't have a

1097
00:56:33,200 --> 00:56:35,680
Speaker 1: T shirt on that said number one dad or something.

1098
00:56:35,840 --> 00:56:37,919
Speaker 1: I don't know. I just met you, so why would

1099
00:56:37,960 --> 00:56:40,719
Speaker 1: you you know what I'm saying, so little strange? Did

1100
00:56:40,760 --> 00:56:42,560
Speaker 1: you say, like Michael, I am, And He's like, give

1101
00:56:42,600 --> 00:56:43,000
Speaker 1: any kids.

1102
00:56:43,200 --> 00:56:46,520
Speaker 12: I was like, so, I don't know, I don't have

1103
00:56:46,600 --> 00:56:48,960
Speaker 12: no kids. Meanwhile, they'll go one of my interracial kids

1104
00:56:49,040 --> 00:56:50,719
Speaker 12: right there, like I had like two of them at

1105
00:56:50,760 --> 00:56:53,879
Speaker 12: that time. So but they ended the discussion with kids

1106
00:56:54,040 --> 00:56:54,560
Speaker 12: because he did.

1107
00:56:54,880 --> 00:56:56,680
Speaker 1: I thought it was weird. But the thing that that

1108
00:56:56,920 --> 00:56:58,120
Speaker 1: that was not weird at all.

1109
00:56:59,719 --> 00:57:02,480
Speaker 12: I holds Mike Tyson's podcast, you know, I'm his ship

1110
00:57:02,560 --> 00:57:05,800
Speaker 12: on it. So we interviewed my my Mike's son, you

1111
00:57:05,800 --> 00:57:07,279
Speaker 12: know what I'm saying. So I told him and I

1112
00:57:07,320 --> 00:57:10,239
Speaker 12: showed him the photos and videos or whatever. He was like,

1113
00:57:10,320 --> 00:57:12,040
Speaker 12: oh my god, I was there. So I don't know

1114
00:57:12,080 --> 00:57:14,600
Speaker 12: what to believe. Did he really want to have my

1115
00:57:14,760 --> 00:57:16,520
Speaker 12: kids come hang with his? Because he said he was

1116
00:57:16,600 --> 00:57:19,160
Speaker 12: there when he was young with the other guy that

1117
00:57:19,240 --> 00:57:21,680
Speaker 12: he hung over the was the guy that he hung

1118
00:57:21,720 --> 00:57:22,360
Speaker 12: over the back.

1119
00:57:23,720 --> 00:57:24,040
Speaker 9: Harris.

1120
00:57:25,400 --> 00:57:33,160
Speaker 12: Yeah yeah, I also so that blanket was like So

1121
00:57:33,280 --> 00:57:35,439
Speaker 12: that's like my internal war in my head. I don't

1122
00:57:35,480 --> 00:57:37,520
Speaker 12: know if if it was, did he really mean to

1123
00:57:37,600 --> 00:57:41,760
Speaker 12: be nice and I'm plays or nice?

1124
00:57:43,440 --> 00:57:46,880
Speaker 9: I think he? I mean, man, you would have been

1125
00:57:46,880 --> 00:57:47,680
Speaker 9: on your son.

1126
00:57:50,680 --> 00:57:51,000
Speaker 8: I don't know.

1127
00:57:51,080 --> 00:57:52,000
Speaker 1: Your kid was right here.

1128
00:57:56,480 --> 00:57:56,760
Speaker 10: Cool.

1129
00:57:57,480 --> 00:57:58,520
Speaker 9: So he had the chance.

1130
00:58:00,320 --> 00:58:04,760
Speaker 3: Voice you do when you and you hear this Filipino.

1131
00:58:04,960 --> 00:58:08,520
Speaker 3: He's not he's not. He's not Michael brun He's he's

1132
00:58:08,520 --> 00:58:10,800
Speaker 3: like Japanese nation, like the tennis player.

1133
00:58:11,080 --> 00:58:16,240
Speaker 9: Yeah, it's Naomi Osaka and that cancels out earlier things.

1134
00:58:16,240 --> 00:58:19,600
Speaker 1: I said, OK, he's back, he's back.

1135
00:58:19,880 --> 00:58:20,320
Speaker 5: He did it.

1136
00:58:22,200 --> 00:58:25,960
Speaker 1: Stories growing up, they just met. Actually he has a.

1137
00:58:30,360 --> 00:58:31,920
Speaker 5: Found me.

1138
00:58:32,560 --> 00:58:34,680
Speaker 1: Also, how.

1139
00:58:36,080 --> 00:58:38,640
Speaker 5: How boring are like other kids stories when they talk

1140
00:58:38,640 --> 00:58:39,320
Speaker 5: about their dads.

1141
00:58:40,640 --> 00:58:42,840
Speaker 1: Yeah, my dad a Walmart and told the guy you

1142
00:58:43,000 --> 00:58:46,720
Speaker 1: better give me my money back my dad. My dad

1143
00:58:46,880 --> 00:58:50,040
Speaker 1: was at a table read and his sketches were Yeah.

1144
00:58:50,920 --> 00:58:54,240
Speaker 7: My dad met Arl Stein in an elevator twenty five

1145
00:58:54,320 --> 00:58:54,720
Speaker 7: years ago.

1146
00:58:56,160 --> 00:58:57,600
Speaker 8: I haven't heard the end of it.

1147
00:58:57,960 --> 00:58:59,280
Speaker 5: I haven't heard the N word.

1148
00:58:59,360 --> 00:59:03,280
Speaker 1: Of it, which you can say in Chinese.

1149
00:59:06,880 --> 00:59:07,760
Speaker 4: With Adre.

1150
00:59:18,000 --> 00:59:21,840
Speaker 8: Withdre, I'm way towards his story about that.

1151
00:59:23,000 --> 00:59:27,760
Speaker 3: The chef he owns a sandwich shop Williamsburg, amazing, amazing

1152
00:59:27,960 --> 00:59:29,600
Speaker 3: French food with him last night, I was very.

1153
00:59:31,040 --> 00:59:33,000
Speaker 1: Yeah, okay, he's a master chef.

1154
00:59:33,240 --> 00:59:36,960
Speaker 3: Came up under the TOWB Group, the biggest restaurant group

1155
00:59:37,000 --> 00:59:39,240
Speaker 3: in the world, was cooking for a thousand people at night.

1156
00:59:39,320 --> 00:59:39,960
Speaker 1: Lost his mind.

1157
00:59:40,560 --> 00:59:43,320
Speaker 15: Shout up beauty and essex. My crew is still there, guys.

1158
00:59:43,480 --> 00:59:46,960
Speaker 3: All right, and and but he's from deep Brooklyn, burning

1159
00:59:47,000 --> 00:59:50,400
Speaker 3: Queen's from Brooklyn and only Chinese.

1160
00:59:50,160 --> 00:59:56,040
Speaker 1: Got definitely not His dad to this day smokes a

1161
00:59:56,160 --> 00:59:57,200
Speaker 1: hundred cigarettes.

1162
00:59:57,480 --> 01:00:02,480
Speaker 15: My dadved. My dad loved smelling exhaust pipes of cars

1163
01:00:02,520 --> 01:00:02,920
Speaker 15: growing up.

1164
01:00:03,040 --> 01:00:05,040
Speaker 1: Just use your dad grew up in Beijing.

1165
01:00:05,280 --> 01:00:09,880
Speaker 15: No, my dad grew up in Taiwan, Taiwan. Yeah, so

1166
01:00:10,080 --> 01:00:13,400
Speaker 15: all right, anyway, so my pops, he you were the

1167
01:00:13,480 --> 01:00:16,680
Speaker 15: only Asian family Dean Street in Flatbush Avenue. He owned

1168
01:00:16,760 --> 01:00:19,480
Speaker 15: what is now the entry to the Barcley Center. That

1169
01:00:19,680 --> 01:00:22,640
Speaker 15: was where his gas station was for years. He didn't

1170
01:00:22,680 --> 01:00:25,600
Speaker 15: he got eminent domain. White man took everything. You know,

1171
01:00:25,680 --> 01:00:36,040
Speaker 15: he didn't get. But but so anyway, growing up it

1172
01:00:36,160 --> 01:00:38,480
Speaker 15: was it was really rough. We were the only Asian

1173
01:00:38,560 --> 01:00:41,360
Speaker 15: family there. I was always escorted. I was always wondering

1174
01:00:41,400 --> 01:00:44,880
Speaker 15: why when I was growing up, like why is Cliff

1175
01:00:44,960 --> 01:00:47,160
Speaker 15: and why is Uncle Cliff and Uncle Winston the two

1176
01:00:47,200 --> 01:00:49,760
Speaker 15: biggest black guys that work for my dad always around me,

1177
01:00:49,960 --> 01:00:52,680
Speaker 15: like because we were the only Asian family and there

1178
01:00:52,760 --> 01:00:54,400
Speaker 15: was a good chance and was going to try to

1179
01:00:54,480 --> 01:00:57,280
Speaker 15: kidnap me for we're in some money. But my dad

1180
01:00:57,360 --> 01:01:01,200
Speaker 15: also always carried a revolver back then, and he used

1181
01:01:01,240 --> 01:01:03,400
Speaker 15: to pump gas every now and then. One day was

1182
01:01:03,440 --> 01:01:06,640
Speaker 15: pumping gas, the car pulls up and this guy he's

1183
01:01:06,720 --> 01:01:09,800
Speaker 15: reading a gun magazine and he circles something and he

1184
01:01:10,320 --> 01:01:14,000
Speaker 15: nonchalantly tosses the magazine next to my dad, and my

1185
01:01:14,120 --> 01:01:15,720
Speaker 15: dad looks at it and goes, oh, that's cute, and

1186
01:01:15,800 --> 01:01:18,080
Speaker 15: like you like guns too, alright, just thinking to himself

1187
01:01:18,960 --> 01:01:21,640
Speaker 15: like a threat, like I have a gun, probably kind

1188
01:01:21,640 --> 01:01:26,960
Speaker 15: of aim intimidated because some context, my dad's not a

1189
01:01:27,040 --> 01:01:29,640
Speaker 15: big guy. I don't know why I'm so big, but

1190
01:01:30,680 --> 01:01:33,680
Speaker 15: it must be that milk. But as far as my dad,

1191
01:01:33,720 --> 01:01:35,840
Speaker 15: he's five seven, you know, he's not that tall. He's

1192
01:01:35,920 --> 01:01:42,280
Speaker 15: not a big big intimidating guy. So he's got the revolver.

1193
01:01:43,840 --> 01:01:48,080
Speaker 15: So my dad fills up this guy's car. He gets in,

1194
01:01:48,480 --> 01:01:52,160
Speaker 15: he drives off, rips out the gas hose and everything

1195
01:01:53,000 --> 01:01:57,200
Speaker 15: deal and there's gas flowing, gas is flying everything. Yeah, yeah,

1196
01:01:57,200 --> 01:01:59,560
Speaker 15: and this is this is way, this is this is

1197
01:01:59,600 --> 01:02:02,160
Speaker 15: the eighty you know. So I guess it's before the

1198
01:02:02,200 --> 01:02:04,680
Speaker 15: suppression systems were really good. Whatever the cases, the car

1199
01:02:04,800 --> 01:02:07,240
Speaker 15: drove off. My dad as a temper his and he

1200
01:02:07,360 --> 01:02:09,600
Speaker 15: pulls out his revolver in the middle of the day.

1201
01:02:09,680 --> 01:02:12,840
Speaker 15: He had a temper, had a temper, so it's understandable,

1202
01:02:13,160 --> 01:02:15,960
Speaker 15: and he just starts shooting at this guy's car, blows

1203
01:02:16,000 --> 01:02:18,360
Speaker 15: out his back way belt. The middle of the day,

1204
01:02:19,160 --> 01:02:24,720
Speaker 15: flat Push Avenue in Dean Street. Pro people are flipping out,

1205
01:02:24,960 --> 01:02:31,840
Speaker 15: They're ducking and covering. So I remember that night because

1206
01:02:32,040 --> 01:02:34,280
Speaker 15: my dad always came home at the same time he

1207
01:02:34,360 --> 01:02:38,160
Speaker 15: didn't come home, and also my mom was packing his

1208
01:02:38,560 --> 01:02:41,880
Speaker 15: teeth thermos, which he was never five feet away from.

1209
01:02:41,960 --> 01:02:44,200
Speaker 15: He always had his teeth thermist. I'm like, Okay, where's

1210
01:02:44,280 --> 01:02:46,120
Speaker 15: Dad and why does mom have his tee thermos and

1211
01:02:46,200 --> 01:02:49,959
Speaker 15: why she packing it up? I find out fifteen twenty

1212
01:02:50,080 --> 01:02:53,000
Speaker 15: years later at a family dinner. I don't remember exactly

1213
01:02:53,040 --> 01:02:56,360
Speaker 15: when that story comes up, and I asked and wasaid,

1214
01:02:56,400 --> 01:03:00,480
Speaker 15: what was that about? And my mom goes, points to

1215
01:03:00,520 --> 01:03:01,280
Speaker 15: my dad, tell.

1216
01:03:01,240 --> 01:03:01,880
Speaker 1: Him what happened?

1217
01:03:02,280 --> 01:03:05,240
Speaker 15: Oh, well, you know, I I know your uncle shit,

1218
01:03:05,240 --> 01:03:08,000
Speaker 15: I shouldn't say his name. Uncle George was the lieutenant

1219
01:03:08,160 --> 01:03:12,200
Speaker 15: of the local precinct, of the local precinct right by there,

1220
01:03:12,760 --> 01:03:15,840
Speaker 15: and my dad used to fix everyone's cars. So uncle

1221
01:03:15,920 --> 01:03:19,880
Speaker 15: George went my dad's name is Phil. Let's just say,

1222
01:03:20,000 --> 01:03:25,400
Speaker 15: he said. In jail, he goes, Phil, this is this

1223
01:03:25,520 --> 01:03:28,240
Speaker 15: one's really fucking bad. I can't I can't get you off,

1224
01:03:28,840 --> 01:03:32,040
Speaker 15: but if you stay the night in jail, I think.

1225
01:03:31,920 --> 01:03:32,640
Speaker 1: It'll be okay.

1226
01:03:33,040 --> 01:03:35,160
Speaker 15: So my dad goes, okay, I'll stay the night in jail.

1227
01:03:35,600 --> 01:03:37,840
Speaker 15: And that is why my mom was packing my dad's

1228
01:03:37,880 --> 01:03:41,040
Speaker 15: tea urn and food to bring it to the jail.

1229
01:03:41,120 --> 01:03:43,360
Speaker 1: And then or anything, I don't know.

1230
01:03:43,960 --> 01:03:53,600
Speaker 15: I'm pretty sure it got swept under the rug and

1231
01:03:53,880 --> 01:03:56,880
Speaker 15: my dad was and my dad also told me. He

1232
01:03:56,960 --> 01:03:58,840
Speaker 15: also told me I also got rid of the gun

1233
01:03:58,920 --> 01:04:03,560
Speaker 15: the next day. It's just like I realized, I realized.

1234
01:04:03,160 --> 01:04:04,360
Speaker 5: Maybe my temper.

1235
01:04:07,560 --> 01:04:09,880
Speaker 1: The very gun to murder him.

1236
01:04:14,040 --> 01:04:15,800
Speaker 15: Off the back window blown out.

1237
01:04:16,320 --> 01:04:18,200
Speaker 1: That was what he sent. That guy was fifty cent.

1238
01:04:19,520 --> 01:04:24,720
Speaker 1: Then he met him, he leaked his napes. Okay, women,

1239
01:04:24,800 --> 01:04:28,680
Speaker 1: they made love and now he's holding on to his

1240
01:04:28,760 --> 01:04:30,800
Speaker 1: legacy through his buttery baritone.

1241
01:04:30,880 --> 01:04:31,400
Speaker 5: And guess why.

1242
01:04:31,520 --> 01:04:34,000
Speaker 15: Now after this, we're all going to go eat omakase

1243
01:04:35,800 --> 01:04:38,840
Speaker 15: and see the N word in a Chinese accent.

1244
01:04:41,480 --> 01:04:42,040
Speaker 5: Delicious.

1245
01:04:42,080 --> 01:04:45,920
Speaker 15: This is the best day ever, he said before we

1246
01:04:46,040 --> 01:04:46,400
Speaker 15: go there.

1247
01:04:46,960 --> 01:04:50,600
Speaker 10: Yes, done, can Sarah and I revised our s n

1248
01:04:50,720 --> 01:04:57,520
Speaker 10: L testing Sarah was gun in the story.

1249
01:04:59,200 --> 01:05:01,440
Speaker 9: On the table, having out a scene.

1250
01:05:07,360 --> 01:05:09,880
Speaker 10: George went is on at the table and he's reading

1251
01:05:10,000 --> 01:05:14,600
Speaker 10: the bears and uh, suddenly Lauren Uh is supposed to

1252
01:05:14,600 --> 01:05:17,160
Speaker 10: be he always reads the stage directions. And it's like

1253
01:05:18,400 --> 01:05:22,640
Speaker 10: George Wentz sits on the table, Bob Schworsky sits on

1254
01:05:22,720 --> 01:05:24,560
Speaker 10: the table and begs for mercy.

1255
01:05:24,360 --> 01:05:26,520
Speaker 9: And George was like what And then Lauren pulls out

1256
01:05:26,560 --> 01:05:32,120
Speaker 9: a gun. George went sits flat on the table and

1257
01:05:32,320 --> 01:05:33,840
Speaker 9: begs for fucking mercy.

1258
01:05:41,000 --> 01:05:50,160
Speaker 10: Very violent, strapped god, I was going to Uh, your

1259
01:05:50,160 --> 01:05:51,920
Speaker 10: producer told me to bring Triumph out.

1260
01:05:51,960 --> 01:05:52,440
Speaker 9: If you want to.

1261
01:05:59,160 --> 01:06:00,680
Speaker 1: Child, try.

1262
01:06:06,160 --> 01:06:09,840
Speaker 14: Let me tell you this is so exciting and a compray.

1263
01:06:09,920 --> 01:06:14,560
Speaker 14: It's such an honor to meet Sesame Streets. It's such

1264
01:06:14,600 --> 01:06:20,200
Speaker 14: an honor to meet Sesame Streets, New Diversity Muppet. Look

1265
01:06:20,280 --> 01:06:21,200
Speaker 14: at this kid.

1266
01:06:21,280 --> 01:06:24,280
Speaker 10: You're a beautiful man. You are living proof that mixed

1267
01:06:24,320 --> 01:06:26,240
Speaker 10: marriages do not always make.

1268
01:06:26,200 --> 01:06:33,640
Speaker 9: Your looking kids. You see Yah looking Cerr so beautiful.

1269
01:06:34,640 --> 01:06:37,640
Speaker 9: I love your outfit. I want will you have introduced

1270
01:06:37,680 --> 01:06:38,800
Speaker 9: me to the bearded lady?

1271
01:06:38,920 --> 01:06:39,520
Speaker 1: Sometimes?

1272
01:06:47,120 --> 01:06:50,400
Speaker 9: No, No, you're beautiful. She's the only SNL person who

1273
01:06:50,480 --> 01:07:01,240
Speaker 9: looks like she's in a sketch. Off stage, the production got.

1274
01:07:03,160 --> 01:07:03,720
Speaker 1: No Eric.

1275
01:07:03,920 --> 01:07:06,960
Speaker 10: Back to Eric, Now, this is great that you're doing

1276
01:07:07,000 --> 01:07:09,840
Speaker 10: a show about bombing, since you always look like you

1277
01:07:10,160 --> 01:07:13,440
Speaker 10: just climbed out of a pile of rubble. Okay, now

1278
01:07:13,480 --> 01:07:17,440
Speaker 10: I'm just reading the jokes. Let me find a good one.

1279
01:07:17,960 --> 01:07:20,560
Speaker 10: Let me find a good one. I remember we all

1280
01:07:20,640 --> 01:07:22,240
Speaker 10: love his Comedy Central show.

1281
01:07:23,160 --> 01:07:23,920
Speaker 9: It was surreal.

1282
01:07:24,000 --> 01:07:24,720
Speaker 5: How the show was?

1283
01:07:25,160 --> 01:07:28,440
Speaker 9: You know the door swim, I don't swim. Yes, your

1284
01:07:28,520 --> 01:07:30,480
Speaker 9: show was surreal and absurdist.

1285
01:07:30,600 --> 01:07:33,480
Speaker 10: You know, I love the concept that it was eleven

1286
01:07:33,560 --> 01:07:35,680
Speaker 10: minutes long but felt like an eternity.

1287
01:07:37,840 --> 01:07:41,800
Speaker 9: You'll see what I did there. It wasn't good.

1288
01:07:41,920 --> 01:07:58,080
Speaker 1: That was that show? Oh? Yes, it's okay. Where is

1289
01:07:58,160 --> 01:08:06,120
Speaker 1: your okay, No, no, that's well.

1290
01:08:06,680 --> 01:08:07,600
Speaker 9: I set to god.

1291
01:08:07,640 --> 01:08:12,480
Speaker 10: There were a couple of good more one figures I'm skipping.

1292
01:08:12,240 --> 01:08:12,680
Speaker 1: All the ship.

1293
01:08:13,480 --> 01:08:14,280
Speaker 9: Wait where's the other?

1294
01:08:14,600 --> 01:08:17,320
Speaker 1: What's your accent? Where are you from? Gumph? Are you

1295
01:08:17,400 --> 01:08:18,840
Speaker 1: from Romanian?

1296
01:08:19,400 --> 01:08:24,080
Speaker 9: I am a toy Rothweiler. I was brought up in

1297
01:08:24,160 --> 01:08:25,040
Speaker 9: the Catskills.

1298
01:08:27,720 --> 01:08:31,799
Speaker 10: No, my parents were a female rotten Wiler and Freddie Roman,

1299
01:08:31,920 --> 01:08:34,599
Speaker 10: the legendary Jewish comedian Freddie Roh.

1300
01:08:35,080 --> 01:08:39,000
Speaker 3: And the kids will go nuts when they that's you know,

1301
01:08:39,120 --> 01:08:45,120
Speaker 3: I'm not you want to talk about mort saul Or

1302
01:08:46,360 --> 01:08:47,880
Speaker 3: song was very underrated?

1303
01:08:48,520 --> 01:08:51,360
Speaker 9: Do I mar Do we need you now more than.

1304
01:08:55,120 --> 01:08:56,240
Speaker 5: The run?

1305
01:08:56,520 --> 01:08:56,560
Speaker 1: No?

1306
01:08:56,720 --> 01:08:59,479
Speaker 9: No, I have so much respect for this man. You know,

1307
01:08:59,600 --> 01:09:02,200
Speaker 9: he's this is this is a side gig for him.

1308
01:09:02,280 --> 01:09:06,800
Speaker 1: He's part of the Marvel cinematic universe.

1309
01:09:07,000 --> 01:09:11,360
Speaker 10: Yes, you play an engineering genius, which critics are now

1310
01:09:11,479 --> 01:09:13,000
Speaker 10: saying they've called it.

1311
01:09:13,120 --> 01:09:16,240
Speaker 9: The single least really realistic thing to ever happen in

1312
01:09:16,320 --> 01:09:21,599
Speaker 9: a Marvel movie. You being a genius, engineering genius.

1313
01:09:23,000 --> 01:09:25,160
Speaker 5: It really was a good one. I botched.

1314
01:09:28,200 --> 01:09:30,000
Speaker 1: I know it took a long time.

1315
01:09:30,920 --> 01:09:34,240
Speaker 9: Let me give you another clunker, Let me find another.

1316
01:09:37,640 --> 01:09:41,400
Speaker 1: That was a bit of a Sarah just got fired

1317
01:09:41,400 --> 01:09:44,200
Speaker 1: from SNL Waiting for Time.

1318
01:09:47,760 --> 01:09:51,160
Speaker 3: Okay, okay, No, he's a very good looking man, Triumph,

1319
01:09:51,240 --> 01:09:53,560
Speaker 3: the man you're you're attached to, let me tell you

1320
01:09:53,720 --> 01:09:55,120
Speaker 3: George Clooney.

1321
01:09:58,560 --> 01:10:02,879
Speaker 1: From E R Triumph. There's a real male model attention

1322
01:10:03,320 --> 01:10:07,880
Speaker 1: to you. You're so crude. How could you say? I'm sorry?

1323
01:10:08,000 --> 01:10:11,840
Speaker 1: That was rue? That was rude too, that's heard, that

1324
01:10:11,960 --> 01:10:13,240
Speaker 1: was weird, that was.

1325
01:10:13,320 --> 01:10:15,320
Speaker 5: Rd you know what that was?

1326
01:10:15,560 --> 01:10:22,120
Speaker 3: I was coming from insecurity and truth. Alright, that's the

1327
01:10:22,720 --> 01:10:32,280
Speaker 3: child love smigles with a redred All right, listen up,

1328
01:10:32,439 --> 01:10:34,760
Speaker 3: got a burning story that you're itching to tell about

1329
01:10:34,760 --> 01:10:36,880
Speaker 3: when you bombed or absolutely failed in life.

1330
01:10:37,160 --> 01:10:39,960
Speaker 1: Now's your chance to tell me all about it, Mabel.

1331
01:10:40,120 --> 01:10:40,920
Speaker 1: I want to hear your.

1332
01:10:40,920 --> 01:10:45,000
Speaker 3: Worst, most cringe worthy what the fuck was I thinking?

1333
01:10:45,200 --> 01:10:47,840
Speaker 3: What just happened moment? So pick up your phone and

1334
01:10:48,040 --> 01:10:51,680
Speaker 3: dial seven one six Bombing. That's seven one six two

1335
01:10:51,840 --> 01:10:54,840
Speaker 3: six six twenty four sixty four and leave me a

1336
01:10:54,960 --> 01:10:57,719
Speaker 3: voicemail and we might just play it on a future episode.

1337
01:10:57,880 --> 01:10:59,920
Speaker 3: Bombing with Eric Andres brought to you by Will Ferrell's

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Speaker 3: Big Money Players Network and iHeart Podcast. Our executive producer

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Speaker 3: is Noah abr Our. Producers Bei Wang Our research assistant

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Speaker 3: is David Carliner. Our editor and sound designers Andy Harris.

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Speaker 3: Our art is by Dylan Vanderberg. His podcast was recorded

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Speaker 3: at Sweet Tea Studios.