1 00:00:01,680 --> 00:00:05,280 Speaker 1: Hey, lethal listeners, take Torres here. Stay tuned for the 2 00:00:05,320 --> 00:00:08,440 Speaker 1: next episode of Lethal Lit. But first, here's a quick 3 00:00:08,440 --> 00:00:22,040 Speaker 1: word from our sponsor. H Hello, Tick, Yes, I hope 4 00:00:22,040 --> 00:00:25,520 Speaker 1: it's not too late. Jane Ferranti, producer of Something in 5 00:00:25,560 --> 00:00:29,360 Speaker 1: the Water. She's an amazing journalist and kind of a legend. 6 00:00:29,720 --> 00:00:34,879 Speaker 1: Oh hi, Jane, No, definitely not too late. Always have 7 00:00:34,960 --> 00:00:37,080 Speaker 1: time for you. I just got off the phone with 8 00:00:37,080 --> 00:00:40,280 Speaker 1: a medical examiner who will do anything for homie brownies, 9 00:00:40,360 --> 00:00:43,120 Speaker 1: even if they're not actually homemade. Half a minute to talk, 10 00:00:43,240 --> 00:00:46,880 Speaker 1: of course. The sudden death of the antique store owner, 11 00:00:46,960 --> 00:00:50,920 Speaker 1: Stephanie Reid had me convinced something was again not right 12 00:00:50,960 --> 00:00:54,440 Speaker 1: in the town of Hollow Falls, but the doctor insisted 13 00:00:54,480 --> 00:00:56,280 Speaker 1: it was a natural death and wouldn't give me the 14 00:00:56,320 --> 00:01:00,160 Speaker 1: time of day. Jane did, though, take your hunch was right. 15 00:01:00,520 --> 00:01:04,400 Speaker 1: They found strict nine, otherwise known as rat poison and 16 00:01:04,480 --> 00:01:07,520 Speaker 1: listen to this. After reviewing the details, they decided to 17 00:01:07,560 --> 00:01:10,320 Speaker 1: go back and do another autopsy on Rock Monitue. I 18 00:01:10,400 --> 00:01:15,080 Speaker 1: want to guess what they found. Strict nine. Looks like 19 00:01:15,120 --> 00:01:20,640 Speaker 1: you've got a serial killer on your hands. I shouldn't 20 00:01:20,680 --> 00:01:24,000 Speaker 1: have felt proud to hear her say that, but I did, 21 00:01:25,360 --> 00:01:28,959 Speaker 1: and in a sick, twisted way, I also felt excited 22 00:01:29,000 --> 00:01:32,119 Speaker 1: that there was a new mystery to solve. I guess 23 00:01:32,120 --> 00:01:34,040 Speaker 1: that's what life and hollow Falls will do to you. 24 00:01:35,400 --> 00:02:08,720 Speaker 1: I'm tig Torres and this is lethal lit two victims, 25 00:02:09,240 --> 00:02:13,000 Speaker 1: each with a music box nearby. I had the means 26 00:02:13,280 --> 00:02:18,800 Speaker 1: strict nine, and I had a lead suspect Harris. But 27 00:02:19,080 --> 00:02:22,480 Speaker 1: that's where things get complicated. Max was involved with him, 28 00:02:22,720 --> 00:02:26,840 Speaker 1: had genuine feelings for him, and I didn't handle that well. 29 00:02:28,120 --> 00:02:31,200 Speaker 1: I couldn't help it. I got that feeling, the feeling 30 00:02:31,240 --> 00:02:34,000 Speaker 1: I had when the lit killer murders were happening, that 31 00:02:34,080 --> 00:02:36,919 Speaker 1: it was only a matter of time until another body 32 00:02:37,040 --> 00:02:41,320 Speaker 1: dropped m hm. I needed to apologize to Max, but 33 00:02:42,639 --> 00:02:46,000 Speaker 1: also protect Max, which, if I was right, was more 34 00:02:46,040 --> 00:02:50,000 Speaker 1: important than his feelings. Wind came along to make sure 35 00:02:50,040 --> 00:03:00,640 Speaker 1: I didn't make things worse. Welcome to the Montague Hotel, Hi, Max, Max. Max, 36 00:03:01,400 --> 00:03:03,920 Speaker 1: let's have a lot in your hand when you're greeting guests. 37 00:03:04,080 --> 00:03:08,080 Speaker 1: It no, sir, it's a cup of water to melt 38 00:03:08,120 --> 00:03:11,519 Speaker 1: you with you which and how may I help you? Max? 39 00:03:11,600 --> 00:03:14,320 Speaker 1: I wanted to apologize for coming off so intense yesterday. 40 00:03:14,960 --> 00:03:19,120 Speaker 1: I'm sorry I was really shortsighted, and I let my 41 00:03:19,160 --> 00:03:23,320 Speaker 1: ambition to find out more about Harris override your feelings 42 00:03:23,400 --> 00:03:26,560 Speaker 1: for him. And but I still think we need to 43 00:03:26,560 --> 00:03:30,240 Speaker 1: talk about him. M I see, do you have a 44 00:03:30,240 --> 00:03:33,760 Speaker 1: reservation with us? Max? Tag and Ella did over hear 45 00:03:33,840 --> 00:03:37,480 Speaker 1: some pretty shady stuff at that antique store, and he 46 00:03:37,560 --> 00:03:40,120 Speaker 1: hasn't come forward to the police about being the last 47 00:03:40,160 --> 00:03:43,200 Speaker 1: person to see Stephanie alive, last besides Tag and Ella. 48 00:03:43,360 --> 00:03:46,160 Speaker 1: You mean, I'm sorry, ladies, I don't seem to have 49 00:03:46,160 --> 00:03:49,040 Speaker 1: a record of you in my system. I'm sure you're 50 00:03:49,080 --> 00:03:51,160 Speaker 1: not both here to discuss personal matters, as that would 51 00:03:51,200 --> 00:03:53,480 Speaker 1: get me in trouble with the OGRE currently observing security 52 00:03:53,480 --> 00:03:55,840 Speaker 1: cameras in the office directly behind me. Perhaps you made 53 00:03:55,880 --> 00:03:59,040 Speaker 1: a reservation under a different name, Max. As painful as 54 00:03:59,080 --> 00:04:01,680 Speaker 1: this is, we have to talk about it. It's really 55 00:04:01,760 --> 00:04:05,320 Speaker 1: important one moment, and I'll check on that for you. 56 00:04:05,320 --> 00:04:07,040 Speaker 1: You don't like Harris and you don't approve of my 57 00:04:07,120 --> 00:04:10,160 Speaker 1: being in a relationship with him. He's a suspect. Why 58 00:04:10,360 --> 00:04:14,320 Speaker 1: how he was badgering Brock moments before he died, Plus 59 00:04:14,360 --> 00:04:17,080 Speaker 1: the stuff we overheard at the antique store, the music 60 00:04:17,120 --> 00:04:20,480 Speaker 1: boxes and then Stephanie. There's no proof there's even been 61 00:04:20,480 --> 00:04:22,919 Speaker 1: a murder. Brock Montague had a heart attack and the 62 00:04:23,000 --> 00:04:27,120 Speaker 1: antique lady had a seizure. No, Max, they were both poisoned. 63 00:04:27,279 --> 00:04:30,240 Speaker 1: The coroner confirmed it half an hour ago. Now have 64 00:04:30,279 --> 00:04:33,960 Speaker 1: you seen anything suspicious? You know, I've been too busy 65 00:04:34,040 --> 00:04:38,000 Speaker 1: sipping on the latte that my beautiful, thoughtful boyfriend bought me, 66 00:04:38,160 --> 00:04:41,520 Speaker 1: and I guess I forgot to indulge in any wild 67 00:04:41,640 --> 00:04:45,360 Speaker 1: conspiracy theories this morning. You've got to listen to me. 68 00:04:45,400 --> 00:04:48,640 Speaker 1: Someone else could die. Max. Excuse me, I've listened. I'm 69 00:04:48,640 --> 00:04:51,599 Speaker 1: not convinced. Now let me do my job. Yes, I 70 00:04:51,680 --> 00:04:57,080 Speaker 1: have a delivery here for Max Wyneman. That's me have 71 00:04:57,120 --> 00:05:04,440 Speaker 1: a nice day. That's a personal package. Uh no, Walter, 72 00:05:04,600 --> 00:05:13,480 Speaker 1: it's it's a guest ledger I ordered to surprise you. Oh, 73 00:05:13,800 --> 00:05:17,840 Speaker 1: it's from Harris. Less than a full month into a 74 00:05:17,960 --> 00:05:25,400 Speaker 1: relationship and he can't keep himself from sending me surprises. Yeah, 75 00:05:26,720 --> 00:05:34,440 Speaker 1: well that's nice. Next, put that latte down, tigs thing, 76 00:05:34,520 --> 00:05:36,480 Speaker 1: just an accident, cleaning it up. Now we have to 77 00:05:36,520 --> 00:05:39,360 Speaker 1: get you to the hospital right now. What the hell 78 00:05:39,480 --> 00:06:01,760 Speaker 1: is wrong with you? There's rat poison in that latte? Well, 79 00:06:02,200 --> 00:06:04,960 Speaker 1: now I know why people don't get their stomachs pumped 80 00:06:04,960 --> 00:06:10,480 Speaker 1: for fun. How are you feeling, Max? Mm hmm? Like 81 00:06:10,560 --> 00:06:15,480 Speaker 1: Andy Cohen after taping a Housewives reunion, Badgered, exhausted, wondering 82 00:06:15,520 --> 00:06:19,720 Speaker 1: why the hell I'm alive? The doctor says, you're all right, wonderful. Well, 83 00:06:20,040 --> 00:06:22,920 Speaker 1: I hope you've got everything you wanted from this delightful 84 00:06:22,960 --> 00:06:27,240 Speaker 1: experienced Tig, Let's do it again sometime. You're not safe here. Max, 85 00:06:27,400 --> 00:06:30,440 Speaker 1: We're going to take you home. You're being crazy. Tig 86 00:06:30,680 --> 00:06:33,279 Speaker 1: Brock and Stephanie both died within minutes of getting a 87 00:06:33,360 --> 00:06:37,640 Speaker 1: music box. If Harris or whoever it is is coming 88 00:06:37,680 --> 00:06:39,680 Speaker 1: after you, then there's a good chance he'll try and 89 00:06:39,720 --> 00:06:43,080 Speaker 1: make another move tonight. Shouldn't we call the police then 90 00:06:43,200 --> 00:06:46,320 Speaker 1: and tell them what you can explain your little theory? 91 00:06:46,839 --> 00:06:49,160 Speaker 1: Or does that mean having to tell them the truth 92 00:06:49,279 --> 00:06:52,240 Speaker 1: about your antique store? B and E. We're going to 93 00:06:52,320 --> 00:06:56,080 Speaker 1: stay with you tonight. Max. I'm sorry. I refuse to 94 00:06:56,120 --> 00:06:58,200 Speaker 1: believe that Harris would try to hurt me. It just 95 00:06:58,800 --> 00:07:01,599 Speaker 1: doesn't make sense. He's our only serious lead right now, 96 00:07:02,839 --> 00:07:08,160 Speaker 1: Harris and Ali. Yeah, but why would Ali want to 97 00:07:08,200 --> 00:07:11,960 Speaker 1: kill Max Um? Maybe because we stopped him from fulfilling 98 00:07:12,040 --> 00:07:15,160 Speaker 1: his murder dreams of killing you. I would either of them. 99 00:07:15,360 --> 00:07:17,480 Speaker 1: What the hell did I do? I don't know. But 100 00:07:17,560 --> 00:07:21,160 Speaker 1: we're not leading your side. No one's getting anywhere near you. 101 00:07:22,320 --> 00:07:27,680 Speaker 1: Story of my life. I was acting a lot more 102 00:07:27,800 --> 00:07:31,960 Speaker 1: certain than I really was. The truth is, it didn't 103 00:07:32,040 --> 00:07:34,720 Speaker 1: all make sense to me. Max had a good point. 104 00:07:35,440 --> 00:07:38,360 Speaker 1: Why would Harris want him dead? And why put his 105 00:07:38,400 --> 00:07:42,480 Speaker 1: return address on the music box package? And what possible 106 00:07:42,520 --> 00:07:46,040 Speaker 1: connection could there be between brock Montacue, Stephanie and Max, 107 00:07:46,680 --> 00:07:50,560 Speaker 1: a millionaire playboy, an antique store owner, and the high 108 00:07:50,600 --> 00:07:56,840 Speaker 1: school junior currently leading the voting for most organized locker. Still, 109 00:07:57,760 --> 00:08:00,240 Speaker 1: there was what I overheard at the antique store. Kay, 110 00:08:01,160 --> 00:08:04,720 Speaker 1: was I paranoid at the time? I reasoned to myself 111 00:08:04,760 --> 00:08:07,440 Speaker 1: that it's safer to be paranoid when a friend's life 112 00:08:07,600 --> 00:08:19,880 Speaker 1: is in the balance. Well, isn't this great? A prisoner 113 00:08:19,880 --> 00:08:23,520 Speaker 1: in my own home forced to eat clam chowder straight 114 00:08:23,520 --> 00:08:26,560 Speaker 1: out of the can? Can't we at least order from 115 00:08:26,560 --> 00:08:30,480 Speaker 1: the star. We can't risk anyone touching your food, not 116 00:08:30,680 --> 00:08:36,920 Speaker 1: even Phil. So what's the plan exactly? Well, we stay 117 00:08:36,960 --> 00:08:39,280 Speaker 1: here with you until you're out of danger, which will 118 00:08:39,320 --> 00:08:44,800 Speaker 1: be until that's reassuring um the three of us can 119 00:08:44,840 --> 00:08:47,439 Speaker 1: sleep in shifts. That way someone's always on the lookout 120 00:08:47,880 --> 00:08:53,360 Speaker 1: makes sense. I think the first thing to do is now, 121 00:08:53,640 --> 00:09:00,560 Speaker 1: who do you think that might be? Hey Lee? The 122 00:09:00,600 --> 00:09:03,920 Speaker 1: listeners stay tuned more. Leathal Lid is up next, but 123 00:09:04,080 --> 00:09:19,959 Speaker 1: first a quick word from our sponsor, hey Lee, the 124 00:09:20,040 --> 00:09:23,800 Speaker 1: listeners take Torres here. There's always more to the mystery, 125 00:09:23,960 --> 00:09:25,840 Speaker 1: and I could use your help getting to the bottom 126 00:09:25,840 --> 00:09:29,000 Speaker 1: of it. Join us on Instagram and TikTok at I 127 00:09:29,040 --> 00:09:35,120 Speaker 1: am tig Torres for more clues and inside info. Do 128 00:09:35,120 --> 00:09:37,400 Speaker 1: you have a baseball bat? Do I look like i'd 129 00:09:37,440 --> 00:09:39,800 Speaker 1: have a baseball bat? What about a kitchen right in 130 00:09:39,840 --> 00:09:44,280 Speaker 1: the kitchen? Show Look, we're armed in here and extremely dangerous. 131 00:09:44,320 --> 00:09:47,280 Speaker 1: We called nine one one, the police are on their way. 132 00:09:47,280 --> 00:09:51,679 Speaker 1: Come on, open up in there, l You almost gave 133 00:09:51,720 --> 00:09:55,160 Speaker 1: me a heart attack. Are you seriously doing an all 134 00:09:55,280 --> 00:09:58,400 Speaker 1: night vigil without me? Weren't you grounded after getting dropped 135 00:09:58,440 --> 00:10:01,400 Speaker 1: off by a squad car last night? I can't believe 136 00:10:01,440 --> 00:10:04,400 Speaker 1: you asked them to show for you home and literally 137 00:10:04,640 --> 00:10:07,120 Speaker 1: use the words chauffeur. I can't believe you stayed at 138 00:10:07,120 --> 00:10:13,079 Speaker 1: the hospital. What'd you do walk home? Really anyway, I 139 00:10:13,120 --> 00:10:15,680 Speaker 1: got a twenty minute lecture on political optics and a 140 00:10:15,720 --> 00:10:18,520 Speaker 1: new bag for keeping it out of the papers. So 141 00:10:18,720 --> 00:10:22,160 Speaker 1: we're going to continue keeping it out of the papers? Right? 142 00:10:22,920 --> 00:10:25,800 Speaker 1: I really want that back? And how did you know 143 00:10:25,920 --> 00:10:29,760 Speaker 1: we were here? Dig out of me to the group chat? Oh? Really, 144 00:10:30,240 --> 00:10:34,640 Speaker 1: big step? Well, then, welcome to the party. It feels 145 00:10:34,679 --> 00:10:37,240 Speaker 1: like a funeral in here. Don't you guys know how 146 00:10:37,320 --> 00:10:55,000 Speaker 1: to do a sleepover? Sure? So cute? All right? Never 147 00:10:55,040 --> 00:11:02,959 Speaker 1: have I ever kissed a girl? Who? Who? Who? Alright? Alright, alright, 148 00:11:02,960 --> 00:11:06,680 Speaker 1: calm down. It was fifth freaking grade with this random girl, Kelsey. 149 00:11:06,880 --> 00:11:10,560 Speaker 1: I was hoping i'd absorb her abilities with men without 150 00:11:10,559 --> 00:11:14,040 Speaker 1: also absorbing her red hair, Jean, can you imagine me 151 00:11:14,120 --> 00:11:19,680 Speaker 1: as a ginger when I kissed Annie? Of course? And 152 00:11:19,960 --> 00:11:22,640 Speaker 1: then there was this girl at camp. Oh my god, 153 00:11:22,640 --> 00:11:27,680 Speaker 1: Annie and I haven't thought about that psycho and forever. Okay, 154 00:11:27,880 --> 00:11:31,560 Speaker 1: she's not a psycho. I still follow her on the ground. 155 00:11:32,040 --> 00:11:35,160 Speaker 1: She's got a pug. She makes little hats for it. 156 00:11:36,400 --> 00:11:40,640 Speaker 1: Who's Annie Win's first official girlfriend? She goes to Freman Prep. Now, wait, 157 00:11:40,840 --> 00:11:42,920 Speaker 1: didn't you bring her to the end of the year formal? 158 00:11:43,520 --> 00:11:47,000 Speaker 1: That's right, she was hitting on Katie Briggs, our head cheerleader, 159 00:11:47,120 --> 00:11:51,200 Speaker 1: something pretty fierce, and that was one of your healthier relationships. Really, 160 00:11:51,840 --> 00:11:55,560 Speaker 1: who else were you in? Okay? Enough attention on when 161 00:11:56,160 --> 00:11:59,480 Speaker 1: we're still playing a game, are we not? Okay? Let's see. 162 00:12:00,160 --> 00:12:05,760 Speaker 1: Never have I ever developed real feelings for an actual psycho, 163 00:12:06,160 --> 00:12:09,679 Speaker 1: like a potential serial killer? For example, Harris is not 164 00:12:09,800 --> 00:12:12,960 Speaker 1: a psycho? Who said I was talking about you? I 165 00:12:13,120 --> 00:12:17,080 Speaker 1: bet psycho killers make very passionate lovers. You know what? 166 00:12:17,120 --> 00:12:19,600 Speaker 1: Can we not talk about psycho killers for like one 167 00:12:19,640 --> 00:12:24,960 Speaker 1: glorious evening? Please? I'm serious? You're right, my bad? Look, 168 00:12:25,160 --> 00:12:28,200 Speaker 1: none of you know Harris? Okay, It's not like I'm 169 00:12:28,240 --> 00:12:33,439 Speaker 1: so unbelievably desperate for affection that I look past murder. 170 00:12:33,720 --> 00:12:38,680 Speaker 1: That's not what I said. Sure feels like it, believe me, Max. 171 00:12:39,080 --> 00:12:41,920 Speaker 1: Everyone here knows. I'm in no position to judge you. 172 00:12:42,120 --> 00:12:47,240 Speaker 1: But even assuming he's innocent, Harris still gives off shady vibes. 173 00:12:48,600 --> 00:12:51,920 Speaker 1: Can I ask, what do you see in him? I 174 00:12:52,000 --> 00:12:56,080 Speaker 1: really want to know? Yeah, I'm kind of curious too. Well. 175 00:12:56,120 --> 00:13:00,400 Speaker 1: I'm he's gorge for one, he knows what he wants 176 00:13:00,600 --> 00:13:03,880 Speaker 1: and he's not afraid to go for it. He's not 177 00:13:03,920 --> 00:13:06,320 Speaker 1: like other people in this town, just letting themselves be 178 00:13:06,760 --> 00:13:11,200 Speaker 1: dragged whichever way life happens to take them. He's got plans. 179 00:13:12,000 --> 00:13:13,800 Speaker 1: He makes me feel like I can be whatever I 180 00:13:13,840 --> 00:13:18,600 Speaker 1: want to be. And unlike most of the superficial idiots 181 00:13:18,600 --> 00:13:22,760 Speaker 1: on Grinder, he actually thinks these scars on my face 182 00:13:22,880 --> 00:13:31,720 Speaker 1: or kind of hot? How? Who am I kidding? I 183 00:13:31,760 --> 00:13:34,760 Speaker 1: want attention so badly, I'll look past anything. Now it 184 00:13:34,800 --> 00:13:39,120 Speaker 1: turns out he's a murdering psychopath. Of course he is. 185 00:13:40,120 --> 00:13:44,200 Speaker 1: Isn't that just exactly who I'd fall for. I can't 186 00:13:44,240 --> 00:13:47,880 Speaker 1: believe I was so stupid. I think that what we 187 00:13:48,000 --> 00:13:54,560 Speaker 1: had was real. Hey, don't say that, you're not stupid. 188 00:13:55,320 --> 00:13:58,600 Speaker 1: And maybe it is real. There's no denying the music 189 00:13:58,679 --> 00:14:02,960 Speaker 1: box and the inks. And I felt so special when 190 00:14:03,000 --> 00:14:07,000 Speaker 1: he brought me that lattape, but then it was a 191 00:14:07,080 --> 00:14:11,280 Speaker 1: death latte. I think both things can be true. A 192 00:14:11,360 --> 00:14:15,559 Speaker 1: person can have real feelings for you, and they can 193 00:14:15,600 --> 00:14:18,800 Speaker 1: also want to hurt you. Who are we talking about, 194 00:14:18,840 --> 00:14:24,560 Speaker 1: Tig Maybe it's just a side of himself he can't control. 195 00:14:25,480 --> 00:14:29,920 Speaker 1: Maybe it's how he was raised. Everyone has control over 196 00:14:29,960 --> 00:14:33,840 Speaker 1: the choices. They make you deserve better. Max. I'm just 197 00:14:33,920 --> 00:14:43,200 Speaker 1: saying it happens, don't hate on yourself. Max. Did you 198 00:14:43,240 --> 00:14:48,280 Speaker 1: know I never cried when Tony was killed? Isn't that crazy? 199 00:14:49,520 --> 00:14:52,840 Speaker 1: It wasn't until after I was at the mall trying 200 00:14:52,840 --> 00:14:57,920 Speaker 1: out new eyeliner, treating myself. It just started falling and 201 00:14:58,040 --> 00:15:03,160 Speaker 1: I couldn't stop for three day. Oh Ella, honey, come here, 202 00:15:04,560 --> 00:15:11,920 Speaker 1: take okay, I ms Ali. I still think about him 203 00:15:11,960 --> 00:15:16,800 Speaker 1: a lot. We all do, Tig, even though it turns 204 00:15:16,840 --> 00:15:20,160 Speaker 1: out we didn't know him like we thought we did, 205 00:15:21,000 --> 00:15:24,800 Speaker 1: only was a friend for a long time. Some of 206 00:15:24,840 --> 00:15:30,640 Speaker 1: it had to be real. I don't know. I have 207 00:15:30,760 --> 00:15:36,280 Speaker 1: to tell you all something. What is it, Tig? I. 208 00:15:36,280 --> 00:15:41,040 Speaker 1: I'm really glad you're all my friends here, you guys 209 00:15:41,440 --> 00:15:46,720 Speaker 1: group hug. I'll look at us. Oh Ella, your nails, 210 00:15:46,960 --> 00:15:50,880 Speaker 1: my dad? You know. I'm glad my dad moved me 211 00:15:50,920 --> 00:15:55,200 Speaker 1: to Hollow Falls, even though Denise, my spiritual advisor, says 212 00:15:55,240 --> 00:15:58,560 Speaker 1: the whole town is haunted. You don't believe in ghosts, now, 213 00:15:58,760 --> 00:16:02,240 Speaker 1: do you know? But as Denise told you, you can 214 00:16:02,280 --> 00:16:06,240 Speaker 1: be haunted by grief. You can't deny that that's true. 215 00:16:07,240 --> 00:16:09,160 Speaker 1: Wouldn't it be nice if there was something we could 216 00:16:09,160 --> 00:16:13,120 Speaker 1: do about that, like some kind of exorcism or something, 217 00:16:13,680 --> 00:16:15,760 Speaker 1: so we could all just get on with our lives. 218 00:16:16,200 --> 00:16:18,520 Speaker 1: I can't wait to get the hell out of this place. 219 00:16:18,600 --> 00:16:21,720 Speaker 1: It just eats people alive and make some Michelin star 220 00:16:21,840 --> 00:16:25,360 Speaker 1: meal out of their dreams. If that all right, I'm 221 00:16:25,400 --> 00:16:28,440 Speaker 1: walking off that stage of graduation and right out of town. 222 00:16:28,640 --> 00:16:32,920 Speaker 1: You watch, We know you will, Max. Yeah, if anyone can, 223 00:16:33,120 --> 00:16:39,120 Speaker 1: it's you? God? What time is it? Almost two? You're tired? 224 00:16:39,320 --> 00:16:42,640 Speaker 1: You kidding? The night is still young, queen? When I 225 00:16:42,680 --> 00:16:53,600 Speaker 1: will tell you what I have? Mhmm. Looks like they're 226 00:16:53,600 --> 00:16:57,600 Speaker 1: both out. Ella sleeps like she's posing for a selfie. 227 00:16:59,840 --> 00:17:02,840 Speaker 1: I uh, you can rest your eyes if you want. 228 00:17:03,160 --> 00:17:07,480 Speaker 1: I can keep watching. No, no, I mean unless you'd 229 00:17:07,600 --> 00:17:11,840 Speaker 1: rather be alone. If you're uncomfortable spending the night together 230 00:17:11,920 --> 00:17:15,920 Speaker 1: with me, well, I don't know. Would Annie be jealous? 231 00:17:18,119 --> 00:17:24,120 Speaker 1: Annie is with a guy now right. Also, she wasn't 232 00:17:24,160 --> 00:17:29,199 Speaker 1: the jealous type, far from it, truth be told. She 233 00:17:29,359 --> 00:17:33,760 Speaker 1: wasn't that into me. Good kiss her though? Oh yeah? 234 00:17:34,960 --> 00:17:43,240 Speaker 1: Like how well, it's hard to put into words. You're 235 00:17:43,280 --> 00:17:46,600 Speaker 1: not waiting for me to lean in and kiss you, 236 00:17:47,080 --> 00:17:53,200 Speaker 1: are you? No, you're not waiting for me to lean 237 00:17:53,240 --> 00:17:59,960 Speaker 1: in and kiss you? Are you, of course not. Okay, 238 00:18:00,200 --> 00:18:06,600 Speaker 1: then we're on the same page. Then yeah, I mean 239 00:18:08,040 --> 00:18:12,840 Speaker 1: this would be a pretty romantic time for a kiss, though, 240 00:18:14,440 --> 00:18:25,160 Speaker 1: wouldn't It seems like it? What was that? Oh crap, Max? 241 00:18:25,320 --> 00:18:30,480 Speaker 1: Wake up? Someone's at the door. What what's happening? Is 242 00:18:30,480 --> 00:18:33,239 Speaker 1: it your parents? No, they're a wait till the end 243 00:18:33,240 --> 00:18:37,600 Speaker 1: of the week. Grab the skillet, Ella, There are scissors 244 00:18:37,640 --> 00:18:43,240 Speaker 1: on the counter. When they get your knife, bax, Oh, 245 00:18:43,400 --> 00:18:49,240 Speaker 1: Maxie Harris, don't come any closer. I am fully prepared 246 00:18:49,280 --> 00:18:51,800 Speaker 1: to use these scissors. What are you gonna do? Give 247 00:18:51,840 --> 00:18:55,840 Speaker 1: me bangs? What's going on in here? Max? Wait? Did 248 00:18:55,840 --> 00:18:58,840 Speaker 1: I walk in and a sleepover? It's some cozy in here. 249 00:18:59,280 --> 00:19:01,840 Speaker 1: We're not going to let you hurt Max. Hurt Max? 250 00:19:02,480 --> 00:19:04,560 Speaker 1: How did you get in? Did you steal a key 251 00:19:04,600 --> 00:19:07,439 Speaker 1: to Max's house and make it? What are you talking about? 252 00:19:08,040 --> 00:19:11,400 Speaker 1: You want drugs? Look, he gave me the key. Okay, 253 00:19:11,880 --> 00:19:15,000 Speaker 1: Oh my god, I didn't know what What were you thinking? 254 00:19:15,119 --> 00:19:17,119 Speaker 1: I gave him a copy while my parents are away. 255 00:19:17,200 --> 00:19:20,680 Speaker 1: It seemed like a good idea at the time. Okay, seriously, 256 00:19:21,200 --> 00:19:24,840 Speaker 1: what's going on here? They know about us. I told 257 00:19:24,880 --> 00:19:29,240 Speaker 1: them you can't say anything about this. My father would 258 00:19:29,320 --> 00:19:34,440 Speaker 1: kill me, dude, Please, he disn't just come about disinherit me. 259 00:19:35,680 --> 00:19:38,920 Speaker 1: What do you want? Max got your little music box? Oh? 260 00:19:39,760 --> 00:19:44,600 Speaker 1: I see, and you went in right about time? We 261 00:19:44,720 --> 00:19:47,920 Speaker 1: want in to? What to killing him? Why do you 262 00:19:47,960 --> 00:19:52,119 Speaker 1: want Max dead? Want him dead? What are you talking about? 263 00:19:52,200 --> 00:19:55,639 Speaker 1: It was a present, the first of its kind. And 264 00:19:56,000 --> 00:19:58,439 Speaker 1: I have even more ideas of products for the Hollow 265 00:19:58,520 --> 00:20:03,520 Speaker 1: Falls Murder Lover's Gifts Murder Lovers. I should be selling 266 00:20:03,520 --> 00:20:06,720 Speaker 1: a couple of packages what I'm still working on the title. 267 00:20:06,960 --> 00:20:09,000 Speaker 1: I wanted to be in the Montague, just off the lobby. 268 00:20:09,160 --> 00:20:12,240 Speaker 1: I got key chains, mugs, I visited Hollow Falls and 269 00:20:12,359 --> 00:20:14,480 Speaker 1: lived to tell about it, T shirts. I've got the 270 00:20:14,520 --> 00:20:17,760 Speaker 1: floor plan all mapped out. But then Brock was, well, 271 00:20:18,440 --> 00:20:20,639 Speaker 1: you know, so the projects on pass for a while. 272 00:20:21,720 --> 00:20:25,200 Speaker 1: That Walter is next to impossible to work with, right evil? 273 00:20:25,440 --> 00:20:29,320 Speaker 1: See I told you guys, so that's why you were 274 00:20:29,320 --> 00:20:32,280 Speaker 1: at the antique store. Yeah. Stephanie's in touch with the 275 00:20:32,359 --> 00:20:35,600 Speaker 1: vendor overseas who was like so cheap by I don't 276 00:20:35,600 --> 00:20:37,359 Speaker 1: even want to know how much they pay their workers. 277 00:20:37,920 --> 00:20:39,600 Speaker 1: She gets sold a lot of her work done that way. 278 00:20:40,160 --> 00:20:45,480 Speaker 1: Some of her antiques aren't so antique. But sh it's 279 00:20:45,520 --> 00:20:53,200 Speaker 1: a secret, Harris. Didn't you hear Stephanie's dead? Dude? What 280 00:20:54,119 --> 00:20:57,119 Speaker 1: right after you were in her store last night? Strict 281 00:20:57,200 --> 00:21:01,359 Speaker 1: nine poisoning? Oh god, no, no, no, no, no, this 282 00:21:02,040 --> 00:21:06,399 Speaker 1: this is terrible. How am I going to find another vendor? Vendor? 283 00:21:07,280 --> 00:21:09,960 Speaker 1: I guess I could do license plate frames, but no, 284 00:21:10,240 --> 00:21:12,480 Speaker 1: those those music boxes were going to launch my mail 285 00:21:12,520 --> 00:21:17,320 Speaker 1: over business. It's okay, it's okay. Is this guy serious 286 00:21:17,440 --> 00:21:20,800 Speaker 1: right now? I'm sorry, You're right. I just I meant 287 00:21:20,840 --> 00:21:27,320 Speaker 1: to say, it's very sad. I guess wait, how did 288 00:21:27,359 --> 00:21:29,239 Speaker 1: you know I was in her store last night? Um? 289 00:21:30,000 --> 00:21:34,640 Speaker 1: We had a wait a minute, what are you doing 290 00:21:34,720 --> 00:21:38,080 Speaker 1: sneaking in here at this time of night? Tig? Really 291 00:21:38,800 --> 00:21:42,080 Speaker 1: you're a detective. I think you can figure this one out. 292 00:21:44,359 --> 00:21:47,040 Speaker 1: Look like I was wrong about Harris being the killer. 293 00:21:47,880 --> 00:21:52,600 Speaker 1: He was just an over zealous entrepreneur with questionable moral bearings. 294 00:21:53,800 --> 00:22:04,680 Speaker 1: And for better or for worse, Max's boyfriend, Hey, Max 295 00:22:05,359 --> 00:22:10,359 Speaker 1: Tig wild night, Huh certainly memorable. It's not often you 296 00:22:10,400 --> 00:22:12,840 Speaker 1: can say that getting your stomach pumped is the least 297 00:22:12,920 --> 00:22:16,080 Speaker 1: weird part of your day. I'm sorry, I'm really sorry. 298 00:22:16,840 --> 00:22:20,320 Speaker 1: I know you were just looking out for me, albeit 299 00:22:20,480 --> 00:22:24,879 Speaker 1: in a completely deranged way. I just I wish you 300 00:22:24,920 --> 00:22:28,159 Speaker 1: would take me a little more seriously sometimes and trust 301 00:22:28,280 --> 00:22:33,840 Speaker 1: me when I tell you stuff. You're right. Well, it 302 00:22:33,920 --> 00:22:36,439 Speaker 1: looks like you're back to square one. What'll you do now? 303 00:22:38,840 --> 00:22:42,240 Speaker 1: What would I do? Now? Well? I did what any 304 00:22:42,320 --> 00:22:45,760 Speaker 1: hypocrite who just finished criticizing her friend's poor relationship choices 305 00:22:45,760 --> 00:22:52,120 Speaker 1: would do. I called Dolly strict nine. That's interesting. Why 306 00:22:52,359 --> 00:22:56,080 Speaker 1: is that interesting? Well, that's how Agatha Christie would kill 307 00:22:56,119 --> 00:22:58,720 Speaker 1: people off in her stories. Could be not to the 308 00:22:58,760 --> 00:23:03,680 Speaker 1: lick killer. How Ry Levinson, the original lip killer, Ali 309 00:23:03,800 --> 00:23:07,080 Speaker 1: had given me an idea. Maybe the music box wasn't 310 00:23:07,119 --> 00:23:11,520 Speaker 1: the key clue. Maybe it was the strict nine. If 311 00:23:11,600 --> 00:23:14,120 Speaker 1: the killer was using Strict nine as a literary reference, 312 00:23:14,560 --> 00:23:18,639 Speaker 1: he might be connected somehow to Levinson. It was a stretch, 313 00:23:19,080 --> 00:23:22,920 Speaker 1: but it was something to go on, which meant there 314 00:23:23,000 --> 00:23:25,760 Speaker 1: was someone I had to talk to. You're going to 315 00:23:25,840 --> 00:23:30,879 Speaker 1: go talk to Levinson? Are you nuts? Promise me you 316 00:23:30,920 --> 00:23:34,040 Speaker 1: won't go see him. He's stronger than you think. He 317 00:23:34,119 --> 00:23:36,840 Speaker 1: can get in your head. If he has something to 318 00:23:36,880 --> 00:23:39,720 Speaker 1: do with this, then you visiting him in prison is 319 00:23:39,760 --> 00:23:42,440 Speaker 1: already a part of his plan. Don't you get it? 320 00:23:42,520 --> 00:23:47,600 Speaker 1: He wants to be in your head too. Promise me 321 00:23:48,440 --> 00:23:52,040 Speaker 1: you won't put yourself in harm's way like that. Promise 322 00:23:52,119 --> 00:23:56,080 Speaker 1: you won't go to the prison. Okay, Ali, I promise? 323 00:23:59,280 --> 00:24:08,920 Speaker 1: How bad could One? Little White? Lieb iron Horn's Epic 324 00:24:09,000 --> 00:24:12,480 Speaker 1: Productions and I Heart Radio present Lethal Litt A tig 325 00:24:12,560 --> 00:24:17,160 Speaker 1: Torres Mystery Season two created an executive produced by Heather 326 00:24:17,240 --> 00:24:22,560 Speaker 1: Einhorn and Adam Staffaroni. Created by Alex Sagura and Monica Gallagher. 327 00:24:23,240 --> 00:24:28,160 Speaker 1: Executive produced by iHeart Radio head writer Melanie Hoops, writers 328 00:24:28,359 --> 00:24:33,040 Speaker 1: Louis Cornfeld, Jasmine al Shammy and Adam Staffaroni. Directed by 329 00:24:33,080 --> 00:24:37,280 Speaker 1: Critzia Bajos, with performances by Rebecca Solair as tig Torus, 330 00:24:37,720 --> 00:24:41,880 Speaker 1: Shelley Shnoy as Win, Matt Gumley as Max, Luke Slattery 331 00:24:42,000 --> 00:24:45,680 Speaker 1: as Ali, rachel Orem Land as Ella, with Critzia Bajos 332 00:24:45,760 --> 00:24:49,800 Speaker 1: and J. B. Blanc. Special guest Chuck Bryant as Brock Montague. 333 00:24:50,280 --> 00:24:55,600 Speaker 1: Additional voices Paul Gayet, Caleb Jen Stacy Moseley, Alba Ponza 334 00:24:55,680 --> 00:25:00,760 Speaker 1: de Leone, Stephanie she Christian Ochoa, Louis Cornfeld, and Megan Gray. 335 00:25:01,480 --> 00:25:04,840 Speaker 1: Post sound and music by Chapter four. Sound supervision and 336 00:25:04,960 --> 00:25:09,960 Speaker 1: sound design by Sarah Gibilaska. Music by Kareem Dueti. Produced 337 00:25:10,040 --> 00:25:13,520 Speaker 1: by a Rupe, Santa Kayla and Bo Young Blood. Development 338 00:25:13,600 --> 00:25:18,760 Speaker 1: Executive Greg Lock, Art production coordinator and script supervisor Laura Martin, 339 00:25:19,400 --> 00:25:24,760 Speaker 1: Operations Laura Kaufman. Marketing and Publicity Jesse Post Digital Marketing 340 00:25:25,000 --> 00:25:29,680 Speaker 1: Jennifer Gennaro. Creative direction and design by Ryan McCann. Key 341 00:25:29,840 --> 00:25:34,159 Speaker 1: art illustrated by Rebecca Mock. Promotional art illustrated by Breen Newman. 342 00:25:34,720 --> 00:25:38,240 Speaker 1: Special thank you to the Shadow Unicorn. Head to Lethal 343 00:25:38,320 --> 00:25:41,960 Speaker 1: Lip podcast dot com to share theories, discover new evidence, 344 00:25:42,160 --> 00:25:47,520 Speaker 1: and follow case updates. Iron Horn's Epic Productions and I 345 00:25:47,720 --> 00:25:51,520 Speaker 1: Heart Radio present Lethal Lit, a tag Torre's mystery