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Speaker 1: And his Drink Chas motherfucking Podcast Mason, He's a legendary

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Speaker 1: Queen's wrapper. He's like, it's your boy in o R.

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Speaker 1: He's a Miami hippop pioneer up his dj e FN

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Speaker 1: together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast and your number one

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Speaker 1: sorts for drunk Factor drinks motherfucking every day is New

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Speaker 1: Year's z That's time for Drink Champs, Drink up the mother.

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Speaker 1: Would it good be? Hope? Would it should be? This

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Speaker 1: your point in R? What up is d j e

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Speaker 1: F Yeah, Yeah, yeah, R. Mason about it? If you

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Speaker 1: want to proper introduction. When it comes to comedy, the

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Speaker 1: man comes from comedy royalty. When you think it's a

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Speaker 1: dynasty dynasty, I feel like I was born on the

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Speaker 1: set of a Living Color and I feel like I

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Speaker 1: feel like it's very murdered movies he ever done. It

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Speaker 1: was my very very favorite movie. I'm gonna get your

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Speaker 1: suing in case you don't know who you're talking about,

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Speaker 1: your mother and motherfucking incredible mother. First off, you know

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Speaker 1: we don't know if you know. Drink Chance is a

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Speaker 1: drum show that we big about legends, because so many

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Speaker 1: people want to give props to our legends after they die.

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Speaker 1: People want to say how great Marlin was after you die.

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Speaker 1: We don't want to do that. We don't tell you that.

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Speaker 1: I don't know if I'm making it. Yeah, well I'm scared.

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Speaker 1: I'm scary. I don't know what. I don't know what

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Speaker 1: this niggat stinking straight out the key. Still I was

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Speaker 1: like seeing number with make some this isn't stand. You

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Speaker 1: want to believe that it was not the bad You're

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Speaker 1: straight out of the dog with skinny food in and

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Speaker 1: nobody cares about an animal seeing that straight dog? Are

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Speaker 1: you smoking weed? Smoking man? But I'm a medical man.

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Speaker 1: Want to be sticking Yea, you just wols it up.

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Speaker 1: That's on the job powderwer. So let me just let

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Speaker 1: me just say your Netflix special behind, I can't do.

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Speaker 1: Got had to work now. That's okay, that's okay. So

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Speaker 1: you're out here right now. You got to image if

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Speaker 1: I started saying dumb ships, I got you. I mean

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Speaker 1: I know you were somewhere to right, he said je

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Speaker 1: he said you got the juice man. Yeah, so I

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Speaker 1: don't know if you know. Like we we we interview

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Speaker 1: people who have ten years in this game or more.

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Speaker 1: One of the comedians we interviewed was Mike. We had

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Speaker 1: Jack t K. Kirkland. T K was the only person

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Speaker 1: who asked for a spade. He gotta relax twice as well. Yeah,

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Speaker 1: he didn't take a damage anytime to take on. We

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Speaker 1: got at least we got with you. So now you

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Speaker 1: really come from You really come from when you had

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Speaker 1: to be funny for real and your own family move

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Speaker 1: it this way. So you had to come from where

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Speaker 1: you had to be a joint. Where's that whole Vegas?

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Speaker 1: It's already all bad. Get the best out of it

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Speaker 1: and your coughing up. I don't want to tell your

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Speaker 1: but he just got out. So how is it? How

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Speaker 1: is it growing up? Because right now I just we

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Speaker 1: just obviously Christmas just passed, and you know we all

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Speaker 1: the kids got around Christmas and you know, all of

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Speaker 1: all of us we interact. How wasn't like growing up

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Speaker 1: in your householding Christmas and Holidays and you know things

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Speaker 1: giving up to that because everybody's funny in your fami.

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Speaker 1: Christmas was a lot more fun when I didn't have

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Speaker 1: money and I received gifts when you didn't have you

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Speaker 1: didn't have to give him out. Niggas don't get Christmas.

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Speaker 1: This was not fun. At the point, I was just like,

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Speaker 1: I really love that nigga like that. I don't I

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Speaker 1: really got a buy show. I don't know this nigger. No,

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Speaker 1: but I was. I was fortunate and blessed man. My

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Speaker 1: brother Keenan and my mom. My mom always made sure

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Speaker 1: we had a dope Christmas and we laugh a lot.

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Speaker 1: And Keenan always made sure we had a dope Christmas.

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Speaker 1: And damon, um, you know, they got us a TORII

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Speaker 1: and me and Sean was just blessed that dope as

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Speaker 1: big brothers and sisters. That kid loved us. You know. Now,

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Speaker 1: let me I ask you a question about tortured us.

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Speaker 1: Always wanted to ask, yes, is he really a DJ?

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Speaker 1: Or was that just for a living? You know it

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Speaker 1: was DJ? I saw him, and you know, I always

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Speaker 1: wanted to ask a J. I was like, come on, man,

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Speaker 1: I'm gonna tell you something. Back in the day. Was

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Speaker 1: back in the day, Sean was like the Milli Vanilli

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Speaker 1: of DJ. Yeah, it wasn't like he it was little

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Speaker 1: sinking DJ movies. But now he is in DJ. Yeah,

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Speaker 1: he does parties all over the place. He's mine as well.

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Speaker 1: I want I want you want to be like the

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Speaker 1: who the little Asian dude to jump up and down?

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Speaker 1: Not college right, choke a little, okay, okay, okay, okay,

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Speaker 1: don't can't give people basking people. He got a color, right,

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Speaker 1: you know, he ain't going, ain't doing a nigger party.

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Speaker 1: And I can't get my mouth. So the Living Color

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Speaker 1: was like the flat version of Saturday Night Live? Right,

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Speaker 1: why do you thinking Living Color never had like spinoffs

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Speaker 1: like Anchor Man and like Ladies Man like and there

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Speaker 1: was a spinoff. I'm making things like why why do

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Speaker 1: you think like actual movie didn't comfort in Living Color

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Speaker 1: was such a big thing, and when it happened, it

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Speaker 1: was so big that I don't think everybody knew the

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Speaker 1: behemoth that it was. I think it was just like

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Speaker 1: this big explosion. We were like, oh, we had no idea.

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Speaker 1: You know, you understand sat In that Live has been

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Speaker 1: around for twenty summer thirty years, so they've got to

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Speaker 1: really look at the business of what Saturday Night Live was.

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Speaker 1: When the Living Color happened, you know, it was just

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Speaker 1: a bunch of young dope niggas and nobody knew like

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Speaker 1: nobody knew it was gonna be the brand that it was.

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Speaker 1: I mean, in hindsight, I wish the Living Color was

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Speaker 1: still on and lim Color was only on four or

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Speaker 1: five seasons because of the business that transpired. You know

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Speaker 1: where satting that live. NBC takes care of of of

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Speaker 1: of of people to make sure that I mean, you

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Speaker 1: the reboot. Um, you need you need the right support

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Speaker 1: system to do a reboot. And Lit Color was such

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Speaker 1: a dope show it you don't want to suck that up. Yeah,

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Speaker 1: and you gotta get more writers than they had, Like

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Speaker 1: Keenan got a great eye for talent, like on on

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Speaker 1: the Look Cup of Reboot, he had hot talent, and

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Speaker 1: like Little l was on the Little Kidna get out

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Speaker 1: of Gonna get out Little Damon Syndica Steele once again,

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Speaker 1: I we gotta he knows who's dope and I'm high,

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Speaker 1: you know, actually got to them a taping of the

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Speaker 1: original I ain't gonna lie. I'm so I don't even

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Speaker 1: know where if we just filmed that was that it was?

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Speaker 1: It was the window. Come on, I'm we don't get windows.

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Speaker 1: But what happened? My heart? You're alleging all they take

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Speaker 1: a little They haven't even started again. They haven't started.

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Speaker 1: He's happy. Happy. You're not smoking, You're dad's smoking. You

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Speaker 1: be at school, my daddy. Don't that glory that Puerto

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Speaker 1: Rican noying? You know? You know you can? Do you

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Speaker 1: feel do you feel Damon Waynes is underwrating? Absolutely? Yeah,

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Speaker 1: absolute fucking news. I feel like Damon Wayans and you

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Speaker 1: know I'm his brother, So I'm not the one to

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Speaker 1: answer this question that you could you can? You can?

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Speaker 1: I'm talking your best this question because be like, oh

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Speaker 1: you you're just saying that because he's your brother. Damon

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Speaker 1: Wayans is like to me to top three ever, you know,

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Speaker 1: to me, he's you know you got Richard Eddie and

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Speaker 1: Damon say Red Foxes. Aren't you named after Red Fox?

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Speaker 1: Isn't your middle name? My name? My first in the mulling,

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Speaker 1: that's the Jackson Foxes son. That was great, but that

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Speaker 1: was highly I just said, rip. That's that's all the shot. Jason.

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Speaker 1: Hold shut up, y'all gonna stopping. Everybody graffiti on the

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Speaker 1: wall like this is king standing this nigga, he changed

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Speaker 1: color skin. Everybody in here is high. Who is this? Okay?

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Speaker 1: My husband? If it's still like you see, get out

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Speaker 1: of my hear you live streamer likes get out, Get

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Speaker 1: out Me, so before my damnit, He's severely underrated because

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Speaker 1: from when I look at comedy, I look and when

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Speaker 1: I judge and listen, there's just there's other greats. There's

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Speaker 1: great things about everybody, you know, everybody, But Damon to me,

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Speaker 1: as a guy that can do characters, he can tell

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Speaker 1: the joke, he can show you the joke. He talked

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Speaker 1: about his part and being part of the joke. He

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Speaker 1: talked about his pain and made that funny. He talked

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Speaker 1: about his truth, he talked about his life, and then

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Speaker 1: he did things that was innovative. When he twisted up

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Speaker 1: his arm to play hands. I've never seen nobody do that.

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Speaker 1: I've never seen nobody do that. I've never seen somebody

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Speaker 1: say what if I committed suicide and I live and

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Speaker 1: my feet was attached to my body? And like the

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Speaker 1: images that this man would create to me as a

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Speaker 1: little even as a little boy, as a man and

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Speaker 1: as an artist, I go, Damon WANs is that dude.

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Speaker 1: And I'm just blessed to have been raised than the

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Speaker 1: house with a legend like him, an a legend like

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Speaker 1: keenan age gap between you get some fucking air conditions

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Speaker 1: that all this look champagne, sampagne cool you down? Pretty

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Speaker 1: too luckly to drink. What's the age gap between y'all

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Speaker 1: the older brothers? Um my brother Keenan, I think uh

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Speaker 1: tena and sixty is about fourteen fifteen years aged between

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Speaker 1: me and Keenan, thirteen years difference between me and Dammon,

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Speaker 1: and like a year between me and Sean, because you

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Speaker 1: and Sean came late into the Living Color right like

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Speaker 1: towards the end of it, me and Sean game, I

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Speaker 1: can't Sean been around for a while, fake DJ and

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Speaker 1: then now it's the really. But I came on the

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Speaker 1: Living Color on season four when when the Titanic hit Iceburg,

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Speaker 1: I came. But I got one dope season characters. I

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Speaker 1: got to do things I never I always dreamt to do.

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Speaker 1: I learned to write sketches because me and nobody's writing

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Speaker 1: for me and Sean, so me and Sharan's right for ourself.

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Speaker 1: So um yeah, if my answers get cut short, Now

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Speaker 1: here's a funny here's listening and sweats gonna happen. This

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Speaker 1: no air condition the towel, and it's called here's a

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Speaker 1: pretty girl. Somebody little mention and do this. Let us explain.

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Speaker 1: We have a we have a different studio that happen

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Speaker 1: the studio, but we thinking you from Brooklyn and we

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Speaker 1: think it. You ain't gonna be your part. You your

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Speaker 1: party that want some crazy shit like you know after

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Speaker 1: hearing that Tupot got shot this nick he's smoking and

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Speaker 1: they'm still wet. Mind you the baby did you make

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Speaker 1: the baby all? He's got a good job. So you

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Speaker 1: was getting tight. It's too light too, and we all

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Speaker 1: that ship my daughter really we rolled that unanimate my

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Speaker 1: both got chicken. You got chick thing over for charging

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Speaker 1: you got you get whatever he needs? Really crazy ship ahead,

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Speaker 1: he said, pop both days this naken trying to plug

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Speaker 1: it into anything game sh charge yo yo yo, Yeah

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Speaker 1: you useless right, I can't see the weird. So let

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Speaker 1: me ask you a questions. You can ask me a

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Speaker 1: bunch of questions. High you have like little you know

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Speaker 1: you like you know passing of Tupac and you actually

200
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Speaker 1: played in the film and you actually killed Tupac. The

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Speaker 1: rim you talk the rim like you ever does it

202
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Speaker 1: ever ever get spooky for you where you sit back

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Speaker 1: and say, damn, you know I acted that out once

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Speaker 1: you know what I'm saying. I don't get spooky for me.

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Speaker 1: I mean, now that you think about in this neighborhood

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Speaker 1: you got me in, I guess I guess it's high

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Speaker 1: as I miss my nig yo misses High's fun. Yeah, yo, No,

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Speaker 1: that's right. What the that's right? What over the window

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Speaker 1: we got we got over the door. But we got

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Speaker 1: a cage, we got a cap we got Yeah, your clothes,

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Speaker 1: a cage is gonna get. But until it comes to

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Speaker 1: it's over there. In the meantime, Yeah, I'm about a

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Speaker 1: tea right now. Closed the gate. I'm probably get lung

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Speaker 1: in front over so we can't keep it to up.

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Speaker 1: But you need to give you firm blood blood. First

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Speaker 1: of all, I think we should shout out, go get

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Speaker 1: back to the two pat question. We shout out. You

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Speaker 1: have the improv tonight all right, during I can say

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Speaker 1: the wrong long day down down. You're here tonight and

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Speaker 1: on Monday. One show tonight, Friday, two shows on Saturday,

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Speaker 1: one show Sunday, and then New Year's Eve, which is Monday.

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Speaker 1: I got two shows. So bringing the New Year's with

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Speaker 1: me brand new said nothing you've seen it wokeers, uh um,

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Speaker 1: So come on. That's funny for me because that when

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Speaker 1: I was a little look at the comedian. That's what

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Speaker 1: I certainly go for to make sure they don't repeque material.

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Speaker 1: You know what I'm saying. It's like, it's like sometimes

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Speaker 1: when I go see j for a show, I'll go

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Speaker 1: see Kanye as something. Every show, I want something different.

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Speaker 1: So that's what you're saying, like every time, it isn't

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Speaker 1: that repeated material every show. Here's the thing rap y'all

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Speaker 1: can do that people people don't want to end. No,

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Speaker 1: we can do the same song, but yeah, don't lay

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Speaker 1: it out the same way. Yeah, but y'all can do

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Speaker 1: that in music, I can't y'all in the audience a

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Speaker 1: sing along. I can't do that and fucking stand up, nigga.

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Speaker 1: This is like, No, that's the with we heard the

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Speaker 1: old ship with the new ship that if somebody come

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Speaker 1: to my show, I made my open up asked how

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Speaker 1: many people seen me perform live before, so then I

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Speaker 1: can guess to me about how many people have seen

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Speaker 1: the new set. So if there's jokes that I have

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Speaker 1: in my arsenal, I go, I'm not gonna do that.

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Speaker 1: I'm just gonna show them all new because sixty five

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Speaker 1: people in the crowd just clapped that they've seen you before.

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Speaker 1: So I gotta come at this brand new, even unless

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Speaker 1: I'm working for a special. But I never like to

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Speaker 1: repeat the same material, Like I like to go out

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Speaker 1: there and give a fresh show. And if I do

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Speaker 1: any special, I ain't doing that ship again. It's dead.

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Speaker 1: It's dead to me. Dead to me. Now, I could

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Speaker 1: do a character and re reboot the character, like you know,

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Speaker 1: and put the character into the situation, but I'm not

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Speaker 1: trying to repeat the joke. You had a Netflix special

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Speaker 1: in the in the smack Dead in the middle of

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Speaker 1: like Monique controversy with Monique is saying that, but you know,

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Speaker 1: and then you had you had a Netflix fessional. He

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Speaker 1: was very quiet about what they don't get that money

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Speaker 1: all that. I feel, I feeling you side that I'm

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Speaker 1: gonna get that money right bills to pay her sugar

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Speaker 1: you need to sugar checkers out. Sugar Checkers is expensive.

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Speaker 1: I don't get that. I was gonna get that money, don't.

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Speaker 1: I don't want any talk about it was mine. It

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Speaker 1: was in the middle of all that. But you know,

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Speaker 1: my my feeling on that the whole situation is like

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Speaker 1: you know, in the ud negotiation, everybody always feels that

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Speaker 1: their value and is X or your your worth is X.

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Speaker 1: But it's not about worth. They're gonna play you your value,

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Speaker 1: and your value is what they deem the price they

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Speaker 1: feel comfortable paying you you no matter what. Worldwide they

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Speaker 1: run numbers and they go, this is what we're gonna

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Speaker 1: pay you, and now you can Netflix don't get your

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Speaker 1: numbers because they don't want you to feel well. I think,

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Speaker 1: you know, it's part of the matrix Netflix. They'll they'll

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Speaker 1: give you certain like hands about where regions you're doing

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Speaker 1: well and things like that. But you know, in the

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Speaker 1: art of negotiation, there always comes to time where you

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Speaker 1: have to say yes or no. If you say no,

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Speaker 1: theyn't walk away and you ain't the negotiations over. So

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Speaker 1: you're gonna on press tours and all that. I don't

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Speaker 1: think it's helpful, you know. But at the same time,

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Speaker 1: you know, I love Monique. I think Monique is severely underrated.

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Speaker 1: She's kicking she's barely underrated comedian. The girl is She's

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Speaker 1: a very funny lady. But at the end of the day,

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Speaker 1: you know, you're what they're gonna pay you, what they're

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Speaker 1: gonna pay you. No matter what you try to do,

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Speaker 1: They're still gonna be like, yeah, I heard all that,

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Speaker 1: but we're gonna pay you this. So for me, you know,

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Speaker 1: in that negotiation, I was like, you know, we got

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Speaker 1: to a number, and I was like, whether or not

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Speaker 1: I like the number is not important. What's important is

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Speaker 1: that I go ahead and do this and I show

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Speaker 1: the world that I do stand up and coming out.

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Speaker 1: I don't feel it's coming out. I don't feel like

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Speaker 1: I'm not feeling how high because he was quiet and

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Speaker 1: it was the words on your cave, okay, the words

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Speaker 1: on your look like I just that movie I did,

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Speaker 1: Sondison coming on when it does, I'm just like, so,

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Speaker 1: your favorite movie is The Bridges questions? Yeah I have

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Speaker 1: to because I'm dyslexic. You just you just get hit

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Speaker 1: movie's favorite, Like, so it's your favorite movie is The

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Speaker 1: Bridges of Madison County? Does he go? Is that your

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Speaker 1: favorite movie? For real? The Bridges of Madison County? Can

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Speaker 1: I be your man? I don't even know what that is.

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Speaker 1: That movie is in County. I don't even know what

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Speaker 1: that is. All you hard? I should put this on

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Speaker 1: and watch all She laughed, out not go shot him.

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Speaker 1: I didn't know what the hell another border? You don't

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Speaker 1: have Porter weekes ship killed? How such a contact? How

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Speaker 1: it's a romantic movie that I gotta go there and

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Speaker 1: watch it with my wife tonight. Bridges Bridges, Mariges, Bridges

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Speaker 1: of Madison card they said, Midges yelling, this is the

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Speaker 1: trip he's you can't talk no more. Okay, Bridge Mount County.

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Speaker 1: Here's why, because Bridge battist County was a movie about

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Speaker 1: a woman who was Marl Street and her husband. Okay,

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Speaker 1: her husband goes on the road trip. She has two kids,

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Speaker 1: and when he's gone, she this photographer comes in town

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Speaker 1: and winds up smashings wait, feed it down the way

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Speaker 1: her husband because he's her husband. So they wanted to

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Speaker 1: fall in love in three or four days. And then

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Speaker 1: what happens is he husband comes back with the kids

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Speaker 1: and she's like, should I leave or should I go? Now?

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Speaker 1: This happened. But what happened was the children found her

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Speaker 1: diary and her book, and in the book it tells

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Speaker 1: about this love story that mom cheating on dad, and

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Speaker 1: meanwhile they're going through stuff in their life and the

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Speaker 1: whole thing is kind of like a lesson about life,

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Speaker 1: which is love and lust and choices that you make,

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Speaker 1: and it's there is no wrong choices in life, and

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Speaker 1: there's no wrong experiences. Because that experience that she had

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Speaker 1: with that dude for those three days getting all slobbered out,

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Speaker 1: it was wiped all over the kitchen sake gave her

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Speaker 1: the tenacity and the love to stay with her children

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Speaker 1: for the rest of their lives. So for me, it

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Speaker 1: was a beautiful book. Beauty. It's a great book, but

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Speaker 1: it's a beautiful movie. In your is this an odd moment?

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Speaker 1: I got a quart. The human got it when you

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Speaker 1: coming and feel like you see how need go a little.

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Speaker 1: So what's interesting is when you when you Google you

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Speaker 1: and you say your top three rappers it's Jay Z,

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Speaker 1: Nas and Biggie. That means Ira you to no no.

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Speaker 1: I liked it. Still, I don't see give me up

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Speaker 1: a Most comedians, you know, they don't have that traditional

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Speaker 1: list like that. I can tell you really listen to

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Speaker 1: hip hop, that's what you know what I mean? Like

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Speaker 1: so many people would I just say Tupacs, It was Nas,

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Speaker 1: Biggie and Jay. I believe so many people would say

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Speaker 1: Tupac just because Tupockets dead. Two pockets are great. Two

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Speaker 1: poets are great. He's a great um. I'm gonna give

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Speaker 1: it up a pup because of his diversity. I gotta

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Speaker 1: give it up for you know, dear Mama, make me

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Speaker 1: make you cry? I call I heard that song. I

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Speaker 1: called my mama and she talked about your knew Pops

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Speaker 1: big like that. When you worked with him on the Rim,

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Speaker 1: I knew he was special. I knew that. How about Bernie,

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Speaker 1: I knew he was special. There's the thing, you know

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Speaker 1: he was a kid comedy. Huh did you know he

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Speaker 1: was a king of comedy when you met because remember

359
00:26:03,320 --> 00:26:05,600
Speaker 1: he's playing Well, he wasn't a king of comedy back

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Speaker 1: when we was doing that movie. But did you see

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Speaker 1: a king of comedy anybody I ever put in the

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Speaker 1: movie or anybody I put in the movie Bernie? And

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Speaker 1: and don't be a manage my name is I've been't

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Speaker 1: producing since it was Yeah, I forgot about that the

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Speaker 1: class And then when you was gonna Burnie my friend

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Speaker 1: and let me put him in waiting and tell you

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Speaker 1: what's so fucked up about it was gonna wins because

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Speaker 1: Bernie was a friend. There's not what I'm saying to say.

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Speaker 1: I put Bernie on. I'm trying to say that I've

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Speaker 1: seen something special Bernie. If I ever put anybody in anything,

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Speaker 1: because because I see something special and I'm not I

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Speaker 1: meaning me and my brothers, because y'all see nothing spash

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Speaker 1: in the black woman. I have come together. He's got real.

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Speaker 1: I don't because I want that. I want to Jack,

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Speaker 1: can we can I get down? How much soul do

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00:27:12,119 --> 00:27:16,000
Speaker 1: you need? You need always? I don't know. I'm looking

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00:27:16,040 --> 00:27:22,879
Speaker 1: into it. I'm going but because his thing, if we

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00:27:23,040 --> 00:27:25,880
Speaker 1: see it, we're gonna put you as me. And Tiffany

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00:27:26,320 --> 00:27:29,360
Speaker 1: was having the conversation and had this right he could

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00:27:29,359 --> 00:27:34,120
Speaker 1: be floss in my Y's like how come you never

381
00:27:34,200 --> 00:27:37,120
Speaker 1: put me in something earlier? And I was like trying

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00:27:37,119 --> 00:27:40,320
Speaker 1: to say you bad now. My friend had a conversation

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Speaker 1: and I've always thought Tiffany was super talented. I never once.

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Speaker 1: That's why I put it in The Funniest Winds, which

385
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Speaker 1: was a comedy show that the TVs, because I've seen

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00:27:52,200 --> 00:27:54,760
Speaker 1: something in there and I was like, yo, if you

387
00:27:54,960 --> 00:27:57,200
Speaker 1: do X, Y and Z, you could take it to

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Speaker 1: next level. And sometimes just because you're funny, it don't

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Speaker 1: mean you're ready for opportunity. Because sometimes it's about the

390
00:28:05,000 --> 00:28:07,840
Speaker 1: not being funny that you need to do for this

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00:28:08,320 --> 00:28:11,480
Speaker 1: specific role. But that girl has always been brilliant, Sydney

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Speaker 1: cast Steel, brilliant. Do so, how did you feel about

393
00:28:14,240 --> 00:28:17,960
Speaker 1: Cat Williams? When Cat Williams made that, he actually he

394
00:28:18,280 --> 00:28:20,720
Speaker 1: not only Tiffany, he went at Kevin Heart as well.

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Speaker 1: And I don't like beef and comedy. It works for wrap.

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00:28:25,520 --> 00:28:30,280
Speaker 1: It works like somebody coming in and shoot us on

397
00:28:30,440 --> 00:28:41,960
Speaker 1: me your old alam gonna be? Can I get another

398
00:28:42,000 --> 00:28:43,840
Speaker 1: one of these? You show you know what? You know what?

399
00:28:43,960 --> 00:28:46,000
Speaker 1: You hunted out a wine. You're trying to kill him?

400
00:28:49,040 --> 00:28:53,840
Speaker 1: He said, right fixing sixpence. Oh my god, you want

401
00:28:53,880 --> 00:28:56,240
Speaker 1: some of your hunt it out ship. You ain't gotta

402
00:28:56,280 --> 00:28:58,160
Speaker 1: whine over you ain't got over that. Oh yeah, we

403
00:28:58,280 --> 00:29:09,480
Speaker 1: gotta open it, come into you got this motherfucker? Thank god.

404
00:29:12,160 --> 00:29:20,840
Speaker 1: Damn so um so so super talented, right um. When

405
00:29:20,880 --> 00:29:23,760
Speaker 1: it comes to putting people in things, and me and

406
00:29:23,880 --> 00:29:29,160
Speaker 1: my brothers for years always trying to put people in

407
00:29:29,320 --> 00:29:31,800
Speaker 1: things that we think at that time they're ready for

408
00:29:31,880 --> 00:29:35,240
Speaker 1: the opportunity. If you give somebody an opportunity before they're ready,

409
00:29:35,280 --> 00:29:39,160
Speaker 1: what you do is they blow the opportunity and now

410
00:29:39,280 --> 00:29:43,000
Speaker 1: they have to start from scratch. And now you once

411
00:29:43,040 --> 00:29:45,080
Speaker 1: you fail, you gotta all the way back to the

412
00:29:45,160 --> 00:29:48,080
Speaker 1: back of line instead of getting there, getting there, getting there.

413
00:29:48,080 --> 00:29:49,400
Speaker 1: I see you, I see you, I see you, see

414
00:29:49,440 --> 00:29:52,440
Speaker 1: the progression and go. Now you're anointed, and as long

415
00:29:52,520 --> 00:29:55,160
Speaker 1: as you're a part of that journey, then and you

416
00:29:55,280 --> 00:29:57,080
Speaker 1: do it with a good heart and good intentions. I

417
00:29:57,200 --> 00:30:00,360
Speaker 1: think you're good. I'm not a hater. I don't see

418
00:30:00,360 --> 00:30:02,760
Speaker 1: there go I putting they getting there because but if

419
00:30:02,800 --> 00:30:05,480
Speaker 1: he blew up, if he blow up, if he gonna

420
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Speaker 1: take life from me, No, they get every movie I do.

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Speaker 1: If y'all on the house, take the ball with nigga,

422
00:30:13,600 --> 00:30:16,680
Speaker 1: n take them said you came in on the house foul.

423
00:30:18,320 --> 00:30:20,920
Speaker 1: I'll be on the other side. Try this right there. No, no,

424
00:30:21,480 --> 00:30:24,200
Speaker 1: like we we we right in the art of comedy,

425
00:30:24,520 --> 00:30:27,640
Speaker 1: it's it's like a basketball game. The ball. Just don't

426
00:30:27,880 --> 00:30:30,200
Speaker 1: stop trying to create fights between friends. No, No, I

427
00:30:30,280 --> 00:30:32,520
Speaker 1: honestly don't think Cat Williams was hate And I didnt

428
00:30:32,520 --> 00:30:35,440
Speaker 1: think Kat Williams was voicing his opinion. And nowadays is

429
00:30:35,520 --> 00:30:38,719
Speaker 1: dad hating voicing your opinion? Can we have an opinion?

430
00:30:38,880 --> 00:30:41,600
Speaker 1: Like can you go to a movie. Not enjoy it,

431
00:30:41,760 --> 00:30:46,960
Speaker 1: but not dissing Cat is. That's a good cat. Cat

432
00:30:47,240 --> 00:30:51,840
Speaker 1: is a brain comedian. And you know, sometimes what he

433
00:30:51,960 --> 00:30:56,280
Speaker 1: says people can misinterpret. But we all know Cat, so

434
00:30:57,200 --> 00:31:00,240
Speaker 1: we know what what he's trying to say, and so

435
00:31:00,360 --> 00:31:03,840
Speaker 1: we don't get offended by it. You know, I sometimes

436
00:31:03,960 --> 00:31:06,320
Speaker 1: cats just cat. You just gotta let cat be cat

437
00:31:06,640 --> 00:31:09,880
Speaker 1: because he's different. Don't make him bad. He's just cat. Um.

438
00:31:10,160 --> 00:31:13,120
Speaker 1: So I don't think it's hate. And you know, look

439
00:31:13,400 --> 00:31:15,840
Speaker 1: me and my gaps, we talk, all of we talked sometimes.

440
00:31:15,880 --> 00:31:17,520
Speaker 1: You know, he'd be like yo, mall and blah blah blah.

441
00:31:17,520 --> 00:31:19,480
Speaker 1: Mike was in a movie with me, like like, there's

442
00:31:19,480 --> 00:31:21,920
Speaker 1: no I don't work in hate. I work in love

443
00:31:22,320 --> 00:31:23,640
Speaker 1: and I ain't got no way. I grew up in

444
00:31:23,640 --> 00:31:26,240
Speaker 1: a fraternity, which is my brothers, and so for me,

445
00:31:26,480 --> 00:31:29,120
Speaker 1: comedy is a fraternity. So every one of my hip

446
00:31:29,120 --> 00:31:32,160
Speaker 1: hop comedian friends at y'all my brothers. I don't want

447
00:31:32,160 --> 00:31:33,520
Speaker 1: I don't want to hate on you. I don't need

448
00:31:33,560 --> 00:31:35,600
Speaker 1: you for nothing. I've been eating but half I've been

449
00:31:35,720 --> 00:31:37,720
Speaker 1: through something like that where you felt like somebody was

450
00:31:37,760 --> 00:31:40,200
Speaker 1: hating on your felt like it as a misunderstanding because

451
00:31:40,440 --> 00:31:43,040
Speaker 1: you know, I don't want to just point like comedy

452
00:31:43,120 --> 00:31:45,400
Speaker 1: as it's as if it's a perfect work. So how

453
00:31:45,480 --> 00:31:49,880
Speaker 1: you can't talk to about because you know why because

454
00:31:49,920 --> 00:31:52,840
Speaker 1: the thing is in hip hop we have just nine

455
00:31:52,880 --> 00:31:57,600
Speaker 1: bloods have a conversation because I spoke to nine have bloods.

456
00:31:57,600 --> 00:32:01,400
Speaker 1: I've been like this because of hip hop we have

457
00:32:01,680 --> 00:32:04,360
Speaker 1: disputes and coral corals and all that. But in comedy,

458
00:32:04,520 --> 00:32:06,920
Speaker 1: one thing I'll tell you, I'll tell you some funny ship. Um.

459
00:32:07,920 --> 00:32:10,760
Speaker 1: I was actually jealous of comedians one time, right, and

460
00:32:10,800 --> 00:32:12,520
Speaker 1: I'll tell you why. I was telling to say, are

461
00:32:12,560 --> 00:32:17,680
Speaker 1: you motherfucker's? One time the knight came out of Mike

462
00:32:18,400 --> 00:32:20,400
Speaker 1: invited me to a to a show after he does

463
00:32:20,520 --> 00:32:24,000
Speaker 1: drink chanced. This was like the next day or something

464
00:32:24,040 --> 00:32:26,640
Speaker 1: like that, or maybe that week. So I go there.

465
00:32:26,680 --> 00:32:29,400
Speaker 1: They went to a pack house to about full everything

466
00:32:29,480 --> 00:32:31,720
Speaker 1: and it was not one incident that happened. But I

467
00:32:31,800 --> 00:32:35,920
Speaker 1: want somebody got stabbed. I wanted the fire cracking when

468
00:32:35,960 --> 00:32:42,320
Speaker 1: it went off, like the Puerto Rico said Stamp about

469
00:32:42,320 --> 00:32:49,400
Speaker 1: the NA was just like, don't let ya tell me

470
00:32:49,480 --> 00:33:00,480
Speaker 1: coot on me stabbing. They just have somebody came here.

471
00:33:06,120 --> 00:33:09,520
Speaker 1: But but is there a perfect scene in comedy or

472
00:33:09,920 --> 00:33:12,840
Speaker 1: you guys are regular humans mean meaning like you know,

473
00:33:12,880 --> 00:33:14,640
Speaker 1: because like you know and hip hop. It's not that

474
00:33:14,800 --> 00:33:16,440
Speaker 1: it's not that we have beef. It's just that it's

475
00:33:16,480 --> 00:33:19,400
Speaker 1: emphasized because people are so like you know what I'm saying,

476
00:33:19,480 --> 00:33:22,360
Speaker 1: Like in comedy, I'm just not a dude. There's gonna

477
00:33:22,360 --> 00:33:25,080
Speaker 1: be a part of beat. Either I'm gonna we're gonna fight,

478
00:33:25,200 --> 00:33:27,360
Speaker 1: Oh we ain't. But I'm what I'm not gonna do it?

479
00:33:28,280 --> 00:33:31,120
Speaker 1: What are you gonna do it? Day and be like no, yeah,

480
00:33:31,200 --> 00:33:33,840
Speaker 1: I'm not gonna talk over airways. Either we fight or

481
00:33:33,880 --> 00:33:36,640
Speaker 1: no we ain't. If not, then let's let's not play this.

482
00:33:37,080 --> 00:33:39,120
Speaker 1: Let's just be cool and called to day. But I

483
00:33:39,800 --> 00:33:43,560
Speaker 1: got a number of for everybody in comedy, everybody. I

484
00:33:43,600 --> 00:33:45,880
Speaker 1: don't like when other people talk bad about anybody. You

485
00:33:45,920 --> 00:33:48,440
Speaker 1: know what. I defend keV all the time. People on

486
00:33:48,520 --> 00:33:51,840
Speaker 1: the talk it's and I tell Kevin sometimes it's hard.

487
00:33:52,000 --> 00:33:55,280
Speaker 1: It's heavy with heavy as a crown, heavy as the crowd,

488
00:33:55,560 --> 00:33:58,560
Speaker 1: the crowd, heavy as the head to wear the crown.

489
00:33:59,520 --> 00:34:06,040
Speaker 1: You do gotta contact. I like this. He just likes

490
00:34:06,080 --> 00:34:18,359
Speaker 1: you like I thought you did cocaine. I'm not you'll

491
00:34:18,400 --> 00:34:27,239
Speaker 1: find here. He's one of this kid. Let me tell

492
00:34:27,280 --> 00:34:29,200
Speaker 1: you something. I would tell your funny story. Why I

493
00:34:29,239 --> 00:34:34,960
Speaker 1: don't Focom's no. One day I'm in club, probably wanting

494
00:34:34,960 --> 00:34:37,040
Speaker 1: in the club. I don't know why the club, Charlie.

495
00:34:37,800 --> 00:34:48,000
Speaker 1: They locked me in. No smoking girl, help me get out.

496
00:34:50,440 --> 00:34:52,040
Speaker 1: Let me tell you something. Let me just say something.

497
00:34:52,239 --> 00:34:54,600
Speaker 1: I mean, Brian want throughout. One day and Manna walks

498
00:34:54,680 --> 00:34:56,759
Speaker 1: up and here a couple of this homies he had

499
00:34:56,760 --> 00:34:59,279
Speaker 1: on the transcode here, Yes, what are you having on

500
00:34:59,360 --> 00:35:02,400
Speaker 1: the bed? He has more talking there? Don't know what

501
00:35:02,480 --> 00:35:05,320
Speaker 1: him too? Can you bring tilies if there should be tomorrow?

502
00:35:05,320 --> 00:35:07,440
Speaker 1: The jack so let me just tell you. Right so

503
00:35:07,480 --> 00:35:09,160
Speaker 1: I've seen them. And he had like a trench cold on.

504
00:35:09,200 --> 00:35:11,799
Speaker 1: It's a cold night in Miami, and I said something

505
00:35:11,800 --> 00:35:14,120
Speaker 1: about his pants. I said, how you got those pants on?

506
00:35:14,200 --> 00:35:15,560
Speaker 1: And he looked at me and I had like twelve

507
00:35:15,680 --> 00:35:17,840
Speaker 1: chains on, and he said, well this is that's like

508
00:35:17,920 --> 00:35:20,279
Speaker 1: me telling you you got on all these chains. But

509
00:35:20,760 --> 00:35:23,239
Speaker 1: I'll look and you know he came up with fifteen

510
00:35:23,520 --> 00:35:27,279
Speaker 1: thousand jokes about me and that very minute, and you

511
00:35:27,360 --> 00:35:28,880
Speaker 1: know you have a little tay of nigger. You can

512
00:35:28,920 --> 00:35:32,920
Speaker 1: see him thinking about what he's saying about you like

513
00:35:33,880 --> 00:35:36,160
Speaker 1: a battle rapping and I looked at this nigger, I said,

514
00:35:36,320 --> 00:35:40,080
Speaker 1: I'm sorry, I don't remembered to the side. I was

515
00:35:40,120 --> 00:35:43,879
Speaker 1: like yeah, because I just look at me. He's gonna

516
00:35:43,880 --> 00:35:54,479
Speaker 1: be a bad damn you. How comedy is like, because

517
00:35:54,520 --> 00:35:56,680
Speaker 1: you've really, I literally seen you came up with fifteen

518
00:35:56,719 --> 00:35:59,520
Speaker 1: hundred jokes about me, like right down, just the way

519
00:35:59,520 --> 00:36:02,719
Speaker 1: it works, just comedia. This was funny where he's like,

520
00:36:03,120 --> 00:36:07,560
Speaker 1: this is Thomas Thomas Jones. They're running back for the jets.

521
00:36:08,760 --> 00:36:11,520
Speaker 1: I'm so high I can't open up. We got your brother,

522
00:36:12,440 --> 00:36:26,520
Speaker 1: you got VI are you gonna put the high bones?

523
00:36:29,160 --> 00:36:47,080
Speaker 1: We're gonna say it's sucking easy. Put your sailing in

524
00:36:47,760 --> 00:36:57,960
Speaker 1: value is open to me. That made severe Thomas that

525
00:36:58,719 --> 00:37:05,120
Speaker 1: he did a big mommy good even been either. He's like,

526
00:37:06,960 --> 00:37:35,520
Speaker 1: I don't know what you's good, Julia containing all that's hilarious.

527
00:37:36,480 --> 00:37:38,680
Speaker 1: That's hilarious. So um damn I don't know when to

528
00:37:38,719 --> 00:37:45,680
Speaker 1: go no, no, no. But is that how comedians is

529
00:37:45,840 --> 00:37:48,840
Speaker 1: When you see something you could just really like a

530
00:37:48,920 --> 00:37:51,879
Speaker 1: lot of people like like, you can't be you can't

531
00:37:51,960 --> 00:37:56,720
Speaker 1: be taught funny you you just is it ordered something automatic?

532
00:37:56,800 --> 00:38:00,400
Speaker 1: We're taking the environment. Okay, all right, you want like

533
00:38:00,520 --> 00:38:03,320
Speaker 1: terminated and you walk from rooms like it just happens

534
00:38:03,360 --> 00:38:07,040
Speaker 1: real quick, and people go when you get there from God. Damn,

535
00:38:07,080 --> 00:38:18,040
Speaker 1: my phone is high. Um um, it's it's it's not taught.

536
00:38:18,640 --> 00:38:21,560
Speaker 1: I always say inspiration comes from God when I when

537
00:38:21,600 --> 00:38:24,440
Speaker 1: I say something funny, it's like God goes, Yo, Nigga

538
00:38:24,960 --> 00:38:31,080
Speaker 1: say this and his mouth opening ship he like, like

539
00:38:31,600 --> 00:38:37,080
Speaker 1: it just happens. It's not like when it's forced. People

540
00:38:37,080 --> 00:38:39,719
Speaker 1: be like, that's forced. But I don't. I don't need

541
00:38:39,800 --> 00:38:42,040
Speaker 1: to force my nigga. I just choose to go all

542
00:38:42,080 --> 00:38:43,920
Speaker 1: the way there. But how about like heckless when you

543
00:38:44,040 --> 00:38:45,880
Speaker 1: want they don't want to do this, they don't want

544
00:38:45,920 --> 00:38:47,960
Speaker 1: to go home. I got first of all, I got

545
00:38:48,080 --> 00:38:54,359
Speaker 1: the mic and nigga, everything you say sounds like I'm

546
00:38:54,400 --> 00:38:59,200
Speaker 1: away winning to be clarity. And then you look stupid

547
00:38:59,320 --> 00:39:01,520
Speaker 1: and you draw and you got your girl with you

548
00:39:01,600 --> 00:39:05,919
Speaker 1: and she looked funny. My nigga, you lose tonight. What's

549
00:39:05,920 --> 00:39:10,000
Speaker 1: your bill, nigga? What did you eat losing? I'm gonna

550
00:39:10,000 --> 00:39:13,200
Speaker 1: look at your life, nigga, And what's some shoes looks

551
00:39:13,239 --> 00:39:15,799
Speaker 1: like Yo, put the light on them. Shoes. He can't

552
00:39:15,840 --> 00:39:17,560
Speaker 1: put the light on me. Already got the light on me.

553
00:39:18,280 --> 00:39:22,680
Speaker 1: I'll throw all everything funny about me. Now what do

554
00:39:22,880 --> 00:39:25,879
Speaker 1: you got, nigga. I'm I'm gonna get into your pain.

555
00:39:27,680 --> 00:39:31,239
Speaker 1: I'm gonna talk about your daddy issues, nigga. And that's

556
00:39:31,280 --> 00:39:33,480
Speaker 1: why I say, don't talk with a comedian right yet.

557
00:39:33,600 --> 00:39:36,880
Speaker 1: I learned that because we will try to if we

558
00:39:36,960 --> 00:39:40,440
Speaker 1: have to kill your whole city. There's a terrorist in

559
00:39:40,520 --> 00:39:42,479
Speaker 1: this city. I'm blowing him the old city. I gotta

560
00:39:42,480 --> 00:39:43,960
Speaker 1: get him. He's in that bunk over there. But I

561
00:39:44,040 --> 00:39:46,520
Speaker 1: know that's gonna be casualties. But that, nigga, he gotta go.

562
00:39:47,160 --> 00:39:49,200
Speaker 1: That's just we have a bomb like one night and

563
00:39:49,320 --> 00:39:52,680
Speaker 1: just just nothing worked for you. Sure, but I did,

564
00:39:52,719 --> 00:39:57,160
Speaker 1: don't I like to do that. It's funny like you

565
00:39:57,239 --> 00:39:58,920
Speaker 1: talk about more to come up on the come up.

566
00:39:59,440 --> 00:40:03,879
Speaker 1: You can't do that. I like the bomb, get nah,

567
00:40:03,960 --> 00:40:06,320
Speaker 1: I can't because you learn from it. I don't understand

568
00:40:06,320 --> 00:40:10,919
Speaker 1: what you said. I like the bomb. Here's why. Because

569
00:40:10,960 --> 00:40:13,920
Speaker 1: I'm growing. I'm not there. If I go to a

570
00:40:14,040 --> 00:40:16,160
Speaker 1: show and i'm there and I'm not getting paid, it's

571
00:40:16,160 --> 00:40:17,440
Speaker 1: one thing. When I'm doing the show, y'all come and

572
00:40:17,480 --> 00:40:20,680
Speaker 1: see me. You'll paying for a ticket, I'm gonna give

573
00:40:20,680 --> 00:40:26,040
Speaker 1: you a show. If I'm going up to like comedy cafe,

574
00:40:27,600 --> 00:40:31,320
Speaker 1: laugh actory, comedy testing material. Is that that's true, that

575
00:40:32,120 --> 00:40:36,080
Speaker 1: I'm going up there to to grow in some way.

576
00:40:36,560 --> 00:40:41,320
Speaker 1: I'm allowing me to use the stage for my progression

577
00:40:41,360 --> 00:40:44,799
Speaker 1: and comedy. So it's not about if jokes don't work,

578
00:40:45,120 --> 00:40:47,640
Speaker 1: that's all right. Not everything you think is funny or great,

579
00:40:48,080 --> 00:40:50,440
Speaker 1: it's just not happen. It's part of the process. Not

580
00:40:50,560 --> 00:40:53,040
Speaker 1: every run you rights on't be hot. But when you

581
00:40:53,120 --> 00:40:54,920
Speaker 1: say that one and you see the Puerto Rican to go,

582
00:41:01,520 --> 00:41:07,799
Speaker 1: we gotta you know when you said somethinghow so it's

583
00:41:07,800 --> 00:41:11,279
Speaker 1: the same thing. And damn money back, Wow, you're making

584
00:41:11,360 --> 00:41:14,040
Speaker 1: money like you want to tip. This is a trick,

585
00:41:16,600 --> 00:41:21,200
Speaker 1: got ideals? He would be like, damn, I thought, then

586
00:41:21,320 --> 00:41:25,279
Speaker 1: give me a hunted um. So so you gotta try

587
00:41:25,400 --> 00:41:28,040
Speaker 1: to stuff out. You can't be afraid to fail. Bombing

588
00:41:28,400 --> 00:41:31,200
Speaker 1: is part of comedy. And I feel bad for the

589
00:41:31,320 --> 00:41:33,440
Speaker 1: new guys that come out and they bombed, and then

590
00:41:33,520 --> 00:41:37,000
Speaker 1: you stays and then you see suicidal. I was going

591
00:41:37,080 --> 00:41:40,040
Speaker 1: through a hand like that. I could if this wolf

592
00:41:40,200 --> 00:41:43,759
Speaker 1: was like this building was two stories high, that ship.

593
00:41:44,239 --> 00:41:47,560
Speaker 1: They hurt. But when you when you're g in the game,

594
00:41:47,760 --> 00:41:50,359
Speaker 1: just go, nigga. I'm just trying ship. I'm gonna see

595
00:41:50,360 --> 00:41:53,440
Speaker 1: how it goes. And sometimes, for me, a bomb is

596
00:41:53,480 --> 00:41:56,280
Speaker 1: the best thing I did because I made him quiet,

597
00:41:56,640 --> 00:41:58,799
Speaker 1: because I got to express what the funk I wanted

598
00:41:58,800 --> 00:42:02,200
Speaker 1: to express without your judgment. See, nowadays, everybody want to

599
00:42:02,280 --> 00:42:05,080
Speaker 1: judge you for your thoughts. I gotta go to dark places.

600
00:42:05,200 --> 00:42:07,480
Speaker 1: My job is to go in these dark tunnels that

601
00:42:07,560 --> 00:42:10,040
Speaker 1: everybody looking scared to go in and go get these

602
00:42:10,120 --> 00:42:14,120
Speaker 1: fucking jokes. So excuse me if I offend some motherfucker's

603
00:42:14,160 --> 00:42:15,960
Speaker 1: on the way there. I'm gonna going in and get

604
00:42:16,000 --> 00:42:19,880
Speaker 1: these jokes. It's like free psychiatry for you, Yeah, and

605
00:42:20,040 --> 00:42:22,759
Speaker 1: for everybody else. I'm going to heal. I'm going out

606
00:42:22,800 --> 00:42:25,919
Speaker 1: there for just my healing. I'm going there for all

607
00:42:26,160 --> 00:42:28,719
Speaker 1: you nigga's healing because all y'all been through this ship.

608
00:42:28,760 --> 00:42:31,000
Speaker 1: And I'll give a funk what the joke is. You

609
00:42:31,120 --> 00:42:32,960
Speaker 1: gotta be able to go down there. You've gotta be

610
00:42:33,000 --> 00:42:35,080
Speaker 1: able to hear silence. You've gotta be able to offend,

611
00:42:35,280 --> 00:42:39,040
Speaker 1: offend motherfucker in order to get truth. Yeah, because that's

612
00:42:39,160 --> 00:42:46,479
Speaker 1: somewhere between awkward and entertaining is hilarious? Is it harder

613
00:42:46,520 --> 00:42:50,160
Speaker 1: to being comedian now because of of everybody being so sensitive,

614
00:42:50,200 --> 00:42:53,200
Speaker 1: everybody being like right now, like like right now, I

615
00:42:53,239 --> 00:42:56,359
Speaker 1: can right now giving you a fake example. I'll give

616
00:42:56,360 --> 00:43:01,279
Speaker 1: you example. Um, I probably ruin my career. Ship there

617
00:43:01,719 --> 00:43:20,640
Speaker 1: beer is nothing I do that back. Why did be

618
00:43:20,880 --> 00:43:29,600
Speaker 1: say like this? It was the call for his hunt

619
00:43:29,640 --> 00:43:34,839
Speaker 1: of dollars. You're doing the call away a hundred dollars

620
00:43:34,880 --> 00:43:41,239
Speaker 1: ship cocaine. He did a hard part for real part. Okay,

621
00:43:41,280 --> 00:43:45,759
Speaker 1: So what we're talking about this beer? Talking about? Um?

622
00:43:46,320 --> 00:43:54,120
Speaker 1: Given an example of how jokes about twenty I got,

623
00:43:54,200 --> 00:43:59,360
Speaker 1: I got, I got, say boy, it's high with amaze

624
00:43:59,440 --> 00:44:06,000
Speaker 1: that y'all. You know your job, your job, ship, go

625
00:44:06,280 --> 00:44:13,200
Speaker 1: keep don't job, but let your job is don't remember ship.

626
00:44:14,000 --> 00:44:22,479
Speaker 1: You remember ship, and maybe you'll be right now. Twenty

627
00:44:22,480 --> 00:44:25,839
Speaker 1: one Savens dropped the album. In his album one line,

628
00:44:25,920 --> 00:44:29,080
Speaker 1: he said, I want to have Jewish money, right. Yeah,

629
00:44:29,280 --> 00:44:32,360
Speaker 1: he made no disrespect to the Jewish community. And what

630
00:44:32,440 --> 00:44:34,600
Speaker 1: he's trying to say is you know Jewish people and

631
00:44:34,760 --> 00:44:37,600
Speaker 1: say the wood always have money, right, So if we

632
00:44:37,680 --> 00:44:39,759
Speaker 1: can offend people in rap with those type of lives.

633
00:44:39,920 --> 00:44:43,759
Speaker 1: What is comedy like, what is the future comedy there? Listen, people,

634
00:44:43,880 --> 00:44:47,600
Speaker 1: people don't get offended by that in comedy people people

635
00:44:47,640 --> 00:44:55,600
Speaker 1: ain't seeing what's happening. There's outside forces that are intervening

636
00:44:55,880 --> 00:44:58,440
Speaker 1: and coming at us and attacking us on social media.

637
00:44:59,360 --> 00:45:03,279
Speaker 1: And these are shots and these bots are created from

638
00:45:03,320 --> 00:45:07,000
Speaker 1: other countries. Is trying to take and bring down everybody

639
00:45:07,040 --> 00:45:10,680
Speaker 1: and anybody that's successful right now, they're trying to bring

640
00:45:10,760 --> 00:45:13,399
Speaker 1: it down. They're trying to create these wars. They're trying

641
00:45:13,440 --> 00:45:15,759
Speaker 1: to make us ultra sensitive. They're trying to create and

642
00:45:15,880 --> 00:45:21,880
Speaker 1: disrupt us and create uh unharmonious society. And these stupid

643
00:45:21,920 --> 00:45:26,360
Speaker 1: motherfucking people feeding into this, and the press picks this

644
00:45:26,520 --> 00:45:29,120
Speaker 1: bullshit up and the press puts this out and they

645
00:45:29,320 --> 00:45:32,240
Speaker 1: feed it back in. And what's happening is you're killing

646
00:45:32,320 --> 00:45:35,800
Speaker 1: the core and the five of America and what and

647
00:45:35,920 --> 00:45:40,640
Speaker 1: and people don't even understand that we're being we're being puppeted.

648
00:45:41,080 --> 00:45:43,920
Speaker 1: He's stupid motherfucker's and I'm not even this is a

649
00:45:44,000 --> 00:45:48,879
Speaker 1: high thought. It sounds said. It goes to the heart

650
00:45:48,920 --> 00:45:51,840
Speaker 1: of us going on. And that's tower that's in the

651
00:45:52,000 --> 00:45:56,200
Speaker 1: front seat. Special Special Time in the front seat, and

652
00:45:56,320 --> 00:46:01,960
Speaker 1: then they said he woke up and said stay woke. No,

653
00:46:02,200 --> 00:46:08,480
Speaker 1: but understand that we're being manipulated and bad and what

654
00:46:08,640 --> 00:46:10,960
Speaker 1: people are doing. His feeding into this. This is a

655
00:46:11,120 --> 00:46:14,600
Speaker 1: bigger agenda. That's that I may die after saying this

656
00:46:14,680 --> 00:46:17,040
Speaker 1: ship and it's not because I'm saying it here and

657
00:46:17,120 --> 00:46:18,920
Speaker 1: a little I don't know where the funk we're here.

658
00:46:30,440 --> 00:46:33,320
Speaker 1: So what I'm saying is comedians can still do what

659
00:46:33,400 --> 00:46:37,000
Speaker 1: they do. You can still not give a funk. But

660
00:46:37,120 --> 00:46:39,120
Speaker 1: what happens is sometimes when you don't give a fuck,

661
00:46:39,680 --> 00:46:42,560
Speaker 1: you do a joke, and now the corporations is like, yo,

662
00:46:42,680 --> 00:46:45,160
Speaker 1: we can't message you because that joke you did has

663
00:46:45,239 --> 00:46:48,040
Speaker 1: before Like what kims the only funk with me? Because

664
00:46:48,200 --> 00:46:51,120
Speaker 1: yes it was because I don't think Kevin Hard could

665
00:46:51,160 --> 00:46:54,880
Speaker 1: have stepped stepped down? Um you think if he did what?

666
00:46:55,000 --> 00:46:57,560
Speaker 1: What was it? In your opinion that they wanted an

667
00:46:57,560 --> 00:46:59,959
Speaker 1: actual apology for something that wasn't that he did? Again,

668
00:47:00,000 --> 00:47:03,600
Speaker 1: is red think he said something that have passed everything

669
00:47:03,680 --> 00:47:06,480
Speaker 1: else from the past. Mind you just sucked up, which

670
00:47:06,520 --> 00:47:11,040
Speaker 1: is twit tens twelve years ago apologized before he made

671
00:47:11,120 --> 00:47:14,440
Speaker 1: his first million dollars, I gotta make some noise, so

672
00:47:14,560 --> 00:47:20,040
Speaker 1: he's gonna say something loud of this. I personally don't

673
00:47:20,040 --> 00:47:22,920
Speaker 1: think comedians need to apologize for Chris Rock thing that.

674
00:47:23,120 --> 00:47:28,600
Speaker 1: I don't think comedians need to apologize anything. I ain't

675
00:47:28,600 --> 00:47:32,080
Speaker 1: gonna lie. I know I saw that lie. I'm not

676
00:47:32,160 --> 00:47:36,880
Speaker 1: gonna trust. Here's why we all grew up in the neighborhood.

677
00:47:37,280 --> 00:47:40,520
Speaker 1: I'm sitting there with a bunch of especially poor people, right,

678
00:47:40,600 --> 00:47:44,400
Speaker 1: nobody here on the fluency and white guys says niggers. Right.

679
00:47:44,440 --> 00:47:46,880
Speaker 1: We all grew up in projects and he's pending tentryes

680
00:47:46,920 --> 00:47:48,640
Speaker 1: and ship and you always got those white boys that

681
00:47:48,719 --> 00:47:52,359
Speaker 1: you hang with. That's your niggas, and you go yo,

682
00:47:52,600 --> 00:47:54,160
Speaker 1: I do it. I talked about my special you get

683
00:47:54,160 --> 00:47:57,279
Speaker 1: that the Nigga pass because y'all are that cool. I

684
00:47:57,400 --> 00:47:59,840
Speaker 1: know you ain't saying nigga at me with the eon.

685
00:48:00,040 --> 00:48:03,040
Speaker 1: I know you ain't saying nigga in a disrespectful way. See,

686
00:48:03,080 --> 00:48:05,640
Speaker 1: it's not about a word, It's about the connotation of

687
00:48:05,760 --> 00:48:08,040
Speaker 1: the world. What do you mean about what you're saying?

688
00:48:08,080 --> 00:48:10,880
Speaker 1: Because nigga, you can say hi and I'll be like

689
00:48:10,920 --> 00:48:14,160
Speaker 1: what you mean by HW? I could be like, yeah,

690
00:48:14,239 --> 00:48:19,160
Speaker 1: like what that could be? Except exactly what. It's what

691
00:48:19,400 --> 00:48:21,160
Speaker 1: you say behind the word. I don't get caught up

692
00:48:21,200 --> 00:48:24,080
Speaker 1: in words. And I think as a society what we

693
00:48:24,239 --> 00:48:26,840
Speaker 1: have to all do is get less sensitive. My nigga,

694
00:48:27,200 --> 00:48:29,719
Speaker 1: nobody trying to hurt nobody. This is love and we

695
00:48:29,840 --> 00:48:32,400
Speaker 1: have to read between the lines. And what's the comedians convenience?

696
00:48:32,600 --> 00:48:37,080
Speaker 1: Was that one place where that passed there wasn't regularly

697
00:48:37,760 --> 00:48:40,200
Speaker 1: you just let it ride. I'm not politically correct. I

698
00:48:40,320 --> 00:48:45,439
Speaker 1: probably would never be. Now. I don't like being locked

699
00:48:45,480 --> 00:48:52,360
Speaker 1: in the cave with the weeds smoking. But if I

700
00:48:52,480 --> 00:49:00,080
Speaker 1: was politically corrective, I can't do that smoking. Um know

701
00:49:00,200 --> 00:49:05,040
Speaker 1: this windows think I want to kill You're right, this

702
00:49:05,160 --> 00:49:08,320
Speaker 1: is we doing like thoset Vegas, those vegas for the bunker.

703
00:49:08,480 --> 00:49:16,719
Speaker 1: Like this is you say, like who from little be

704
00:49:16,760 --> 00:49:23,960
Speaker 1: a good coping? This didn't serious going out met the

705
00:49:24,080 --> 00:49:29,319
Speaker 1: Vibes House Studios, House of Vives. I'm sorry, I ain't

706
00:49:29,320 --> 00:49:33,760
Speaker 1: gonna bake this bullshit up y'n't do nothing. Wants your birthday?

707
00:49:34,640 --> 00:49:39,600
Speaker 1: I want bob you some man. It's a good bump sholter.

708
00:49:40,600 --> 00:49:43,000
Speaker 1: What happens when things like that, like for instance, like

709
00:49:43,520 --> 00:49:49,040
Speaker 1: azz right, he gave he gave a bitch head and yeah,

710
00:49:49,280 --> 00:49:51,400
Speaker 1: like y'all was ridiculous. But she didn't like it, and

711
00:49:51,480 --> 00:49:53,279
Speaker 1: she she feels that she cut down with me too.

712
00:49:53,520 --> 00:49:56,120
Speaker 1: I feel like that's that's out of me too. Was like,

713
00:49:56,800 --> 00:50:12,600
Speaker 1: now hold you on your almost that's what I'm saying things.

714
00:50:13,760 --> 00:50:18,440
Speaker 1: I'm sorry, you need a correction, right men. We was

715
00:50:18,440 --> 00:50:21,840
Speaker 1: out of control. Absolutely, we was out of control. And

716
00:50:22,239 --> 00:50:25,160
Speaker 1: it's okay. I have a daughter, I got you know,

717
00:50:25,560 --> 00:50:28,080
Speaker 1: women in my life. I love you know, my sister

718
00:50:28,239 --> 00:50:33,040
Speaker 1: is my mom. We had a good run, and it's

719
00:50:33,080 --> 00:50:38,239
Speaker 1: okay for them to start getting a correction there right now.

720
00:50:38,560 --> 00:50:42,560
Speaker 1: It's it's it's it's it's getting there because they need

721
00:50:42,960 --> 00:50:47,920
Speaker 1: to be valued. But it's a correction and it's rightful,

722
00:50:48,200 --> 00:50:50,479
Speaker 1: and so I'm not mad about it. But the things

723
00:50:50,560 --> 00:50:53,120
Speaker 1: that annoy me sometimes is when it goes too far.

724
00:50:53,800 --> 00:50:56,719
Speaker 1: And that's when you're like, all right, now, you're being sensitive.

725
00:50:56,960 --> 00:50:59,920
Speaker 1: There's a point where people stop taking your plight serious

726
00:51:00,040 --> 00:51:04,440
Speaker 1: sleep when it goes too far. But you bitches, I

727
00:51:04,440 --> 00:51:09,040
Speaker 1: don't think. I don't know drug me. Y'll tell I'll

728
00:51:09,040 --> 00:51:13,239
Speaker 1: tell this much. I don't drink that niggas coffee. Did

729
00:51:13,239 --> 00:51:26,000
Speaker 1: you have a broke lot with me? I didn't like

730
00:51:26,160 --> 00:51:31,040
Speaker 1: me a nigga too much. You say nigga like yeah,

731
00:51:31,239 --> 00:51:36,919
Speaker 1: but you know, like what cos me right? I feel

732
00:51:36,960 --> 00:51:43,640
Speaker 1: like I still he's still my hero. In terms of comedically,

733
00:51:44,120 --> 00:51:46,560
Speaker 1: I don't have to like everything about you that's real,

734
00:51:47,120 --> 00:51:49,759
Speaker 1: but I'm not going to denounce the thing about you

735
00:51:49,880 --> 00:51:52,840
Speaker 1: that was great because that makes me a fool like

736
00:51:52,960 --> 00:51:55,520
Speaker 1: afrikand it we love African bad Bottom or o j

737
00:51:55,800 --> 00:52:07,400
Speaker 1: or no Jon sample you're talking my boys. That's I

738
00:52:07,480 --> 00:52:11,000
Speaker 1: totally forgot about. I thought that's what you made. Yeah,

739
00:52:20,880 --> 00:52:24,400
Speaker 1: but any of them, you have to respect what they

740
00:52:24,480 --> 00:52:30,719
Speaker 1: did great because Cosby if it was, but Cosby did

741
00:52:30,840 --> 00:52:37,759
Speaker 1: be no probably Obama in the office. Cosby made black

742
00:52:37,800 --> 00:52:42,920
Speaker 1: people and then what rooms possible Cosby is real. It's

743
00:52:42,920 --> 00:52:45,520
Speaker 1: really broken for them niggas for twelve years. I want

744
00:52:45,560 --> 00:52:49,640
Speaker 1: to rob them to I didn't want to road saying.

745
00:52:50,080 --> 00:52:53,719
Speaker 1: But at the same time, I don't condone him doing

746
00:52:53,760 --> 00:52:56,560
Speaker 1: anything harmful to women because like I said, I got

747
00:52:56,640 --> 00:52:59,280
Speaker 1: a mama, got daughter, got sisters. It's just in humane.

748
00:52:59,480 --> 00:53:02,719
Speaker 1: It's a it's true and like I said, I wasn't there.

749
00:53:03,200 --> 00:53:06,560
Speaker 1: But if it's true, yeah, take your ass to jail.

750
00:53:06,680 --> 00:53:09,560
Speaker 1: I'm not gonna sit there and be like yeah, and

751
00:53:09,640 --> 00:53:11,719
Speaker 1: then you know that one deal is always one girl.

752
00:53:12,640 --> 00:53:16,200
Speaker 1: They're going, yeah, he might have did it, but an

753
00:53:16,239 --> 00:53:20,759
Speaker 1: episode he did with about THEO with the shirt. But

754
00:53:21,280 --> 00:53:23,960
Speaker 1: but but if you do those kind of heinous crimes,

755
00:53:24,000 --> 00:53:26,160
Speaker 1: you should you should spend time in jail. And there's

756
00:53:26,200 --> 00:53:30,320
Speaker 1: no excuse for that. But to sayde wasn't a great comedian,

757
00:53:30,920 --> 00:53:33,960
Speaker 1: it's not true. But um, look look at the difference

758
00:53:34,000 --> 00:53:36,239
Speaker 1: between him and Harvey Weinstein, right, And I know we

759
00:53:36,320 --> 00:53:38,880
Speaker 1: all in Hollywood, and there's no we're not trying to

760
00:53:38,880 --> 00:53:42,560
Speaker 1: be politically correct. He tell this, I knew Harvey. I

761
00:53:42,680 --> 00:53:44,440
Speaker 1: look at Harvey. I say, I think he touched up.

762
00:53:44,560 --> 00:53:47,240
Speaker 1: I did three three more plays. I did four movies

763
00:53:47,280 --> 00:53:50,279
Speaker 1: with Mer and Max. Let me tell you they don't

764
00:53:50,280 --> 00:53:55,200
Speaker 1: just rape women, they rape niggas too. In the deals,

765
00:53:55,320 --> 00:53:59,560
Speaker 1: oh my god, the deal took the scame with the franksise,

766
00:53:59,600 --> 00:54:06,719
Speaker 1: you are franchise, you don't take this ship. He went

767
00:54:06,760 --> 00:54:12,320
Speaker 1: to fast. No, but this character, right, and you know,

768
00:54:12,600 --> 00:54:17,399
Speaker 1: like I said, I'm not I don't know, but when

769
00:54:17,480 --> 00:54:20,520
Speaker 1: a bunch of women come forward, what you have to

770
00:54:20,640 --> 00:54:25,319
Speaker 1: do is something Terry Crew rust his ass. That wasn't Terry.

771
00:54:25,680 --> 00:54:30,880
Speaker 1: It wasn't barby somebody somebody else, and I wanted to

772
00:54:30,960 --> 00:54:36,520
Speaker 1: meet the negative, to touch his crews. He was trying

773
00:54:36,560 --> 00:54:38,560
Speaker 1: to commit a new way to commit suicide. He's like,

774
00:54:38,800 --> 00:54:40,600
Speaker 1: I don't want to jump over the I don't want

775
00:54:40,600 --> 00:54:43,320
Speaker 1: to shoot myself. I know I'll find the biggest nigger

776
00:54:43,320 --> 00:54:56,200
Speaker 1: I know. Um so, so what I'm saying is like

777
00:54:56,680 --> 00:54:59,400
Speaker 1: all these things, like I said, they needed to be

778
00:54:59,440 --> 00:55:04,200
Speaker 1: a correction. Women deserve the right to be protected. They

779
00:55:04,320 --> 00:55:07,520
Speaker 1: deserved the right. I tell him, my son, us as men,

780
00:55:07,680 --> 00:55:10,239
Speaker 1: we gotta do better. We gotta do better. We gotta

781
00:55:10,280 --> 00:55:13,400
Speaker 1: tell our boys, hey man, you can't do that. Hey man, no,

782
00:55:13,640 --> 00:55:15,759
Speaker 1: you ain't supposed to you know a woman. No, no, no,

783
00:55:16,000 --> 00:55:18,640
Speaker 1: no circumstances. I get it. I get you made to

784
00:55:18,680 --> 00:55:20,800
Speaker 1: call with you the N word. Well guess what, nigga,

785
00:55:21,160 --> 00:55:23,759
Speaker 1: you could walk down the stairs. You ain't got you

786
00:55:23,880 --> 00:55:27,160
Speaker 1: walk away. I had a good example in front of

787
00:55:27,239 --> 00:55:31,359
Speaker 1: me as a father, Black men, men of color, men

788
00:55:31,440 --> 00:55:32,960
Speaker 1: of anything. You need to be your kid's life, and

789
00:55:32,960 --> 00:55:34,880
Speaker 1: you need to be present and you can teaching is

790
00:55:34,880 --> 00:55:37,320
Speaker 1: the right way to do. Shout and women shouldn't have

791
00:55:37,440 --> 00:55:40,120
Speaker 1: to fight for their rights and their equality the same

792
00:55:40,160 --> 00:55:43,120
Speaker 1: way Black people shouldn't have to have fought. They should

793
00:55:43,120 --> 00:55:45,799
Speaker 1: have been a given that I'm a fucking human being

794
00:55:45,800 --> 00:55:47,800
Speaker 1: and I shouldn't be treated like this. But it's not.

795
00:55:48,200 --> 00:55:51,200
Speaker 1: And so when people are fighting for their freedoms, then

796
00:55:51,239 --> 00:55:58,160
Speaker 1: we should support that and support their rights. Are not.

797
00:55:59,320 --> 00:56:02,080
Speaker 1: Now you being one of the successful comedians and one

798
00:56:02,080 --> 00:56:03,480
Speaker 1: of the people. By the way, if you're coming to

799
00:56:03,520 --> 00:56:07,680
Speaker 1: the show tonight in Miami and it's gonna be in

800
00:56:07,760 --> 00:56:17,680
Speaker 1: Durrell and I got one show, now I got you're

801
00:56:17,680 --> 00:56:21,320
Speaker 1: gonna be at least you're gonna be. Yeah, I don't know,

802
00:56:21,760 --> 00:56:24,120
Speaker 1: I'm talking about. Let's pick it up. So I got

803
00:56:24,360 --> 00:56:28,640
Speaker 1: two shows tomorrow, one show Sunday, and I got two

804
00:56:28,680 --> 00:56:31,120
Speaker 1: shows on Monday. And I want to say, if you're

805
00:56:31,120 --> 00:56:33,759
Speaker 1: coming tonight, um, it's probably gonna be a terrible show.

806
00:56:35,880 --> 00:56:39,960
Speaker 1: Special showing me. Let me just tell your something. You are.

807
00:56:40,480 --> 00:56:41,920
Speaker 1: You are one of the You are one of the

808
00:56:43,000 --> 00:56:44,880
Speaker 1: top comedians out there. You one of the people that

809
00:56:45,080 --> 00:56:47,759
Speaker 1: we identify with the hood. This is the reason why

810
00:56:48,320 --> 00:56:51,000
Speaker 1: you know constantly and you know what I can tell

811
00:56:51,120 --> 00:56:53,560
Speaker 1: hip hop helps that hip hop helps the gap between

812
00:56:53,680 --> 00:57:00,200
Speaker 1: comedians and wrapped absolutely. But here's what I want to

813
00:57:00,200 --> 00:57:03,200
Speaker 1: ask you though, um, was there ever any scrutiny after

814
00:57:03,320 --> 00:57:06,200
Speaker 1: white chicks, right, because there's always this this thing that

815
00:57:06,320 --> 00:57:10,120
Speaker 1: they say that to unempower black man, that they want

816
00:57:10,120 --> 00:57:11,920
Speaker 1: to put a skirt on us, so they want to

817
00:57:11,960 --> 00:57:17,800
Speaker 1: put you know, lay, So one of that created that theory,

818
00:57:19,040 --> 00:57:31,320
Speaker 1: the wrong blood red the white horse. We have to

819
00:57:31,960 --> 00:57:34,680
Speaker 1: allow this was you guys script. You came up with that.

820
00:57:35,040 --> 00:57:36,640
Speaker 1: This is my brother Shaw came up with it. Okay,

821
00:57:36,800 --> 00:57:38,560
Speaker 1: we all wrote it in and produce it. Okay, cool,

822
00:57:38,600 --> 00:57:40,840
Speaker 1: So that's that that's the white people don't do this,

823
00:57:41,480 --> 00:57:45,320
Speaker 1: so so so can we something like that this was

824
00:57:45,440 --> 00:57:48,640
Speaker 1: your guys thing as opposed to because people think is

825
00:57:48,680 --> 00:57:51,680
Speaker 1: it's always a white pon that says yo, we were

826
00:57:51,800 --> 00:57:56,280
Speaker 1: trying to even even if they did if it's a

827
00:57:56,520 --> 00:58:02,040
Speaker 1: brilliant script. Right, nigger, you telling the story, you shallow

828
00:58:02,120 --> 00:58:05,680
Speaker 1: minded motherfucker. Let art be art. Don't come in here

829
00:58:05,720 --> 00:58:08,040
Speaker 1: with your scrutiny and your bullshit. What are you doing

830
00:58:08,360 --> 00:58:10,600
Speaker 1: to better society? What are you doing the better race?

831
00:58:10,680 --> 00:58:13,680
Speaker 1: Because your opinion, my nigga, is just an opinion. So

832
00:58:13,800 --> 00:58:16,000
Speaker 1: why don't you do something that's actually gonna be effective

833
00:58:16,320 --> 00:58:18,680
Speaker 1: instead of pulling us apart? Let's bring us closer together.

834
00:58:18,840 --> 00:58:22,120
Speaker 1: Goddamn white people don't sit around and look at Rob Williams.

835
00:58:22,160 --> 00:58:26,360
Speaker 1: Agy don't address here emasculated the white race. I haven't

836
00:58:26,400 --> 00:58:31,520
Speaker 1: heard that yet. Robert Williams will addressed black time. People

837
00:58:31,640 --> 00:58:35,200
Speaker 1: are were trained. They're trained us to hate on each other.

838
00:58:35,480 --> 00:58:43,160
Speaker 1: And we kiss my tropical duns so high up keep

839
00:58:44,400 --> 00:58:56,800
Speaker 1: keeping he was rubbing his Jesus. Let's so we're trained

840
00:58:56,920 --> 00:58:59,480
Speaker 1: to hate on each other. We trained. We have to

841
00:58:59,560 --> 00:59:03,000
Speaker 1: open self up. Why is it that we call out

842
00:59:03,080 --> 00:59:07,560
Speaker 1: forefathers of comedy, coons and buffoons, but white people call

843
00:59:07,640 --> 00:59:11,720
Speaker 1: their's greats. Rob, do they look at do they look

844
00:59:11,760 --> 00:59:17,800
Speaker 1: at Charlie Chapman and Buster Keaton and call them? I

845
00:59:17,840 --> 00:59:21,560
Speaker 1: don't know about the cruis who I'm just saying in

846
00:59:21,720 --> 00:59:23,760
Speaker 1: terms of I mean people call I mean, I'm just

847
00:59:23,800 --> 00:59:27,240
Speaker 1: saying for anybody, Yes, sometimes yes, yes. And it's been

848
00:59:27,360 --> 00:59:30,960
Speaker 1: labeled that throughout history, been labeled that. Why we have

849
00:59:31,040 --> 00:59:34,800
Speaker 1: to look at my heroes in a negative competition of connotation.

850
00:59:35,200 --> 00:59:37,400
Speaker 1: The people that made it for us to be in

851
00:59:37,480 --> 00:59:40,880
Speaker 1: this situation. If it wasn't for them, we wouldn't be

852
00:59:41,400 --> 00:59:42,960
Speaker 1: where we are, to be able to tell the kind

853
00:59:43,000 --> 00:59:45,520
Speaker 1: of stories about the kind of black man that we are.

854
00:59:46,520 --> 00:59:48,520
Speaker 1: That man did what they had to do back then

855
00:59:48,600 --> 00:59:50,680
Speaker 1: to get us in the game. So who we look

856
00:59:50,760 --> 00:59:53,640
Speaker 1: back and judge. Meanwhile, they look at theirs and they applaud,

857
00:59:54,000 --> 00:59:56,680
Speaker 1: and we can't look at ours and applaud, applaud the

858
00:59:56,760 --> 00:59:59,280
Speaker 1: effort and go, here's what I could do differently. Com

859
01:00:00,840 --> 01:00:03,240
Speaker 1: but even then, but look at when Robin Williams puts

860
01:00:03,240 --> 01:00:06,080
Speaker 1: on the dress. White people don't Tom Hanks will address

861
01:00:06,240 --> 01:00:12,600
Speaker 1: when he did, and did anybody go Tom hankshl like

862
01:00:13,240 --> 01:00:18,200
Speaker 1: he's emasculating the white man. They embraced that we have

863
01:00:18,640 --> 01:00:23,080
Speaker 1: we have to embrace Alix obviously, did you hear that?

864
01:00:23,160 --> 01:00:25,560
Speaker 1: Women like that's what happens to the black man. I

865
01:00:25,640 --> 01:00:29,080
Speaker 1: had the bullshit, don't listen to do comedy? Brother? Was

866
01:00:29,080 --> 01:00:32,160
Speaker 1: it funny? Was it funny? And I listen. I'm doing

867
01:00:32,440 --> 01:00:36,000
Speaker 1: a movie that's polarizing. I'm doing a movie that speaks

868
01:00:36,040 --> 01:00:39,480
Speaker 1: about black and whites. I'm doing a movie that empowers

869
01:00:39,840 --> 01:00:43,560
Speaker 1: both races. I'm doing a movie that is about like

870
01:00:43,760 --> 01:00:46,800
Speaker 1: it's it's really a gender movie. It's White Chicks is

871
01:00:46,880 --> 01:00:48,960
Speaker 1: so dope because it's you would think it's about black

872
01:00:49,040 --> 01:00:50,720
Speaker 1: and white, but it's moved about black and white, it's

873
01:00:50,720 --> 01:00:54,400
Speaker 1: about female male, it's it's about pop culture, it's about

874
01:00:54,400 --> 01:00:56,640
Speaker 1: weird things was going. We was ahead of the curve.

875
01:00:57,000 --> 01:01:12,040
Speaker 1: So for for for for US Domitory podcast. Yeah saw

876
01:01:12,200 --> 01:01:18,080
Speaker 1: hasked to quit basketball California's Jersey. Are you playing basketball?

877
01:01:18,080 --> 01:01:24,160
Speaker 1: And you got a terrible game? Really real talk though.

878
01:01:24,440 --> 01:01:26,240
Speaker 1: When I was driving in with Boris, what do you

879
01:01:26,280 --> 01:01:31,320
Speaker 1: call him again? I said, we're gonna interview. By the

880
01:01:31,360 --> 01:01:34,160
Speaker 1: way you go, I said, by the way white chicks

881
01:01:34,240 --> 01:01:43,240
Speaker 1: dress like Oh. I like talking like that. But I

882
01:01:43,400 --> 01:01:47,200
Speaker 1: just think it's all about how we view things, and

883
01:01:47,480 --> 01:01:51,000
Speaker 1: I want to change the perspective of how we look

884
01:01:51,040 --> 01:01:54,280
Speaker 1: at our past, because you know, sometimes your pass is

885
01:01:54,320 --> 01:01:56,600
Speaker 1: handed you the way it was handed to you. You

886
01:01:56,680 --> 01:01:59,280
Speaker 1: can't fix that. I can never change the fact that

887
01:01:59,400 --> 01:02:01,960
Speaker 1: we were slay eaves. And when you learned about slavery

888
01:02:02,000 --> 01:02:04,280
Speaker 1: in school and you black, and you start sinking in

889
01:02:04,360 --> 01:02:07,760
Speaker 1: your seat out of shame, because then I teaching about

890
01:02:07,880 --> 01:02:10,720
Speaker 1: all the other slaveries that happened and every other fucking continent.

891
01:02:11,000 --> 01:02:13,080
Speaker 1: This is telling you about the black experience, which makes

892
01:02:13,080 --> 01:02:16,000
Speaker 1: you feel lower. I shouldn't have to feel lower about

893
01:02:16,080 --> 01:02:18,240
Speaker 1: something that was not in my control. I should be

894
01:02:18,320 --> 01:02:20,840
Speaker 1: empowered by the fact that I went through my that

895
01:02:21,000 --> 01:02:24,280
Speaker 1: experience was still here and was stronger than fucking never.

896
01:02:24,560 --> 01:02:27,400
Speaker 1: And it wasn't for whatever experience that happened, Nigga, I

897
01:02:27,400 --> 01:02:29,240
Speaker 1: wouldn't be there, we wouldn't be the people we are today.

898
01:02:29,240 --> 01:02:34,840
Speaker 1: It's gonna turn. That's what happens when you give me

899
01:02:34,920 --> 01:02:40,200
Speaker 1: contact high making sense. I got this nigga crying. Look cry.

900
01:02:40,280 --> 01:02:45,200
Speaker 1: You ain't never felt so good at now, and I'm

901
01:02:45,240 --> 01:02:53,800
Speaker 1: so sorry. Every different don't know what this is. I've

902
01:02:53,880 --> 01:03:00,000
Speaker 1: never seen nothing. It's black again. It looked like he's

903
01:03:00,920 --> 01:03:13,720
Speaker 1: It looked like you s close this, nigga. Let's explain

904
01:03:14,480 --> 01:03:17,120
Speaker 1: because so many people they want to give these people

905
01:03:17,880 --> 01:03:19,360
Speaker 1: when you're a great you're great. I want to look

906
01:03:19,400 --> 01:03:21,320
Speaker 1: at you in your face and tell you how much

907
01:03:21,360 --> 01:03:23,040
Speaker 1: of a fan I am of you. It sounds like

908
01:03:23,080 --> 01:03:26,600
Speaker 1: I'm going to die when I drink this because you

909
01:03:28,000 --> 01:03:30,080
Speaker 1: hit me out, hit me out. If we're not gonna

910
01:03:30,080 --> 01:03:32,120
Speaker 1: bag each other up there, who's gonna pack each other up?

911
01:03:32,320 --> 01:03:34,400
Speaker 1: And as people and I'm not talking black, I'm telling

912
01:03:34,400 --> 01:03:37,240
Speaker 1: about our culture. We gotta keep continuing to say that

913
01:03:37,360 --> 01:03:39,120
Speaker 1: you know what you're doing out there and how you

914
01:03:39,240 --> 01:03:41,960
Speaker 1: doing it out there. We respect what you're doing and

915
01:03:42,040 --> 01:03:50,280
Speaker 1: we love I got you want me, I'll take some

916
01:03:50,360 --> 01:03:55,800
Speaker 1: more getting you had nineteen fucking bloods, So I just

917
01:03:55,920 --> 01:04:15,200
Speaker 1: go a little. That was terrible funny to you know what.

918
01:04:16,040 --> 01:04:18,640
Speaker 1: It's a Swiss. Did you get a character of that

919
01:04:18,840 --> 01:04:33,720
Speaker 1: right ball? Yeah? Listen, all right, you know that it's

920
01:04:33,760 --> 01:04:39,320
Speaker 1: all bad in my chest. I'm not to think a

921
01:04:39,360 --> 01:04:45,760
Speaker 1: thirty years, I've never seen him quiet life. I can't

922
01:04:46,200 --> 01:04:51,920
Speaker 1: set a Moloto in my chest thirty years and I

923
01:04:52,000 --> 01:04:56,280
Speaker 1: don't know what's gonna happen to me. This you so

924
01:04:56,600 --> 01:05:02,160
Speaker 1: someone made this in jail money character Like, look, that's

925
01:05:02,200 --> 01:05:05,919
Speaker 1: it right there. Before you're rating niggas, ego, take your shot.

926
01:05:07,080 --> 01:05:10,560
Speaker 1: Just take a shot of this. Make you be sure.

927
01:05:10,840 --> 01:05:17,600
Speaker 1: I hope you out. Take a shot with you. You

928
01:05:17,800 --> 01:05:19,200
Speaker 1: just say, you know. I just want you to know

929
01:05:21,040 --> 01:05:22,920
Speaker 1: my first bit. I've a diner the three and a

930
01:05:23,000 --> 01:05:25,560
Speaker 1: half years I shot a nigga out to see in juice,

931
01:05:25,680 --> 01:05:32,240
Speaker 1: So I remember you ain't get the message. I remember

932
01:05:32,680 --> 01:05:36,560
Speaker 1: day get the message. Queens was life. This nigga's whole

933
01:05:37,840 --> 01:05:41,560
Speaker 1: came back. I'll tell you about that part. Yeah, give

934
01:05:41,560 --> 01:05:46,240
Speaker 1: me you go on another shot. Give you a little shot,

935
01:05:46,280 --> 01:05:48,320
Speaker 1: give a little shot. But what's the unity you because

936
01:05:48,440 --> 01:05:50,840
Speaker 1: because I ain't gonna lie, I ain't ana lie you

937
01:05:51,120 --> 01:05:52,960
Speaker 1: You are a great sport. You came in here. You

938
01:05:53,040 --> 01:05:58,960
Speaker 1: can't keep giving me emotional speeches before I see you already? Like,

939
01:05:59,080 --> 01:06:01,320
Speaker 1: how are happy you? Like? I got you? Come that

940
01:06:01,400 --> 01:06:06,640
Speaker 1: great number one for the ship. I ain't say great,

941
01:06:07,760 --> 01:06:09,800
Speaker 1: but look at that. That's it. That's it, that's it.

942
01:06:10,320 --> 01:06:12,080
Speaker 1: Come on, I got you, man. Let me give you

943
01:06:12,080 --> 01:06:14,480
Speaker 1: a little bit more that I got cool. Called me

944
01:06:14,520 --> 01:06:16,040
Speaker 1: a little more because I don't want you don't have

945
01:06:16,160 --> 01:06:20,120
Speaker 1: to believe like that. Come on, I gotta know alright, alright,

946
01:06:20,160 --> 01:06:25,080
Speaker 1: look everybody, look, anybody take the shot. Hold on, let

947
01:06:25,160 --> 01:06:27,520
Speaker 1: me tell you something. All of our all of our

948
01:06:27,600 --> 01:06:30,680
Speaker 1: crew and off they didn't want to come in today.

949
01:06:31,280 --> 01:06:35,760
Speaker 1: When I said is in the motherfucking building. You know

950
01:06:35,840 --> 01:06:47,600
Speaker 1: what happened? The whole dream chaps are turned down. Here. Yo,

951
01:06:48,720 --> 01:06:51,600
Speaker 1: here's the thing. I don't smoke bleed right if you

952
01:06:51,680 --> 01:06:56,959
Speaker 1: did high, I'm already high as hell the last hour.

953
01:06:58,200 --> 01:07:07,280
Speaker 1: Let's go to do it. I can't get used to

954
01:07:07,360 --> 01:07:16,520
Speaker 1: that ship. That's good. After here you go after the

955
01:07:16,600 --> 01:07:18,640
Speaker 1: third one? We don't we can do the third, we

956
01:07:18,640 --> 01:07:21,800
Speaker 1: have a home and that's a good one. That's everyone,

957
01:07:23,080 --> 01:07:31,520
Speaker 1: but he Brooklyn last totally ship good brother, that's just

958
01:07:31,640 --> 01:07:37,440
Speaker 1: bad right one. Somebody might to go down forty. We

959
01:07:37,520 --> 01:07:40,440
Speaker 1: got one job, so what's that? What's the next move

960
01:07:40,520 --> 01:07:44,720
Speaker 1: for Conny? I have a question for you, What the

961
01:07:44,840 --> 01:07:47,160
Speaker 1: funk did you go? Let me get anybody high and

962
01:07:47,240 --> 01:07:52,240
Speaker 1: drunk and do a podcast? What the what's next? We

963
01:07:52,240 --> 01:08:05,000
Speaker 1: don't get anybody show another that's my next showing shot.

964
01:08:07,560 --> 01:08:27,799
Speaker 1: But he opened that window or last its long. Comedy.

965
01:08:27,840 --> 01:08:31,160
Speaker 1: Comedy will be here forever. Comedy comedy will be here forever,

966
01:08:31,320 --> 01:08:34,600
Speaker 1: and as long as we keep pushing the limits. You know,

967
01:08:34,720 --> 01:08:38,600
Speaker 1: sometimes if I say something offensive, I was supposed to

968
01:08:39,640 --> 01:08:41,560
Speaker 1: and I was supposed to give up that part of

969
01:08:41,640 --> 01:08:45,240
Speaker 1: my career to be brave enough to not give a funk,

970
01:08:45,880 --> 01:08:50,040
Speaker 1: because all the real greats at some point, you gotta

971
01:08:51,320 --> 01:08:54,720
Speaker 1: you have to go that I'm gonna say it, and

972
01:08:54,840 --> 01:08:57,120
Speaker 1: you gotta be truthful because nobody else is gonna say it.

973
01:08:57,280 --> 01:09:00,360
Speaker 1: Because that's why the motherfucker's and comedians and to us,

974
01:09:00,840 --> 01:09:03,120
Speaker 1: we gotta say it. And if I lose all you niggers,

975
01:09:03,160 --> 01:09:07,160
Speaker 1: I don't give a funk. The people that shots to

976
01:09:07,240 --> 01:09:12,439
Speaker 1: take them home with us. I'm still talking right, I

977
01:09:12,479 --> 01:09:17,960
Speaker 1: get drunk. I'm kind of drunk. Money, You got drunk

978
01:09:19,400 --> 01:09:22,599
Speaker 1: where I'm wanted to put your glasses all right, nobody

979
01:09:22,680 --> 01:09:32,839
Speaker 1: drives better, So for me, you have to push the limits.

980
01:09:33,280 --> 01:09:36,280
Speaker 1: We gotta not give a funk. We gotta keep going there.

981
01:09:36,439 --> 01:09:40,360
Speaker 1: And if I lose fans, fuck them because the ones

982
01:09:40,439 --> 01:09:42,639
Speaker 1: that I don't those are the ones that I'm supposed

983
01:09:42,680 --> 01:09:45,400
Speaker 1: to have. And it's stuck with me because they know

984
01:09:45,600 --> 01:09:49,680
Speaker 1: that I'm protecting them by speaking truthfully about what the

985
01:09:49,760 --> 01:09:52,400
Speaker 1: fund is happening. And that's always And you gotta be

986
01:09:52,760 --> 01:09:55,320
Speaker 1: a real nigga funck. All this this you can't beat.

987
01:09:55,360 --> 01:09:58,719
Speaker 1: You gotta beat politically correct nigga comedy is not politically correct.

988
01:09:59,240 --> 01:10:02,760
Speaker 1: This click correct comedians and they do great, but that's

989
01:10:02,840 --> 01:10:07,639
Speaker 1: for them. For me, I'm not that nigger. Somebody fought

990
01:10:07,680 --> 01:10:14,559
Speaker 1: it and trying to cover it up and ship many

991
01:10:14,600 --> 01:10:26,439
Speaker 1: people wanted to be a point nobody not give. My

992
01:10:26,600 --> 01:10:28,599
Speaker 1: job is to not give. My job is to talk

993
01:10:28,600 --> 01:10:31,320
Speaker 1: about what people want to talk about. Some I'm gonna

994
01:10:31,320 --> 01:10:33,280
Speaker 1: beat that nigger. And if I ever if I ever

995
01:10:33,400 --> 01:10:40,160
Speaker 1: say something that loses fans or loses a show loses endorsements,

996
01:10:41,160 --> 01:10:44,519
Speaker 1: then that was all supposed to be lost for me

997
01:10:44,640 --> 01:10:47,600
Speaker 1: to find the new mean and for the audience to

998
01:10:47,720 --> 01:10:50,960
Speaker 1: find that I'm a true motherfucker. I always spoke my

999
01:10:51,080 --> 01:10:56,160
Speaker 1: motherfucking mind, and those that loved me will bring me

1000
01:10:56,240 --> 01:10:58,200
Speaker 1: back to the top to make some noise for that cause.

1001
01:11:01,640 --> 01:11:07,120
Speaker 1: Let me ask you this, because yeah, I'm trying to

1002
01:11:07,200 --> 01:11:10,280
Speaker 1: do I'm trying to be good at my job. I

1003
01:11:10,360 --> 01:11:15,000
Speaker 1: got one. So listen to Richard Pryce Richard Pryan story.

1004
01:11:15,240 --> 01:11:18,640
Speaker 1: Question get deeper and deeper, because when I heard the

1005
01:11:18,760 --> 01:11:20,599
Speaker 1: Richard Price story, and this is God honest, I kid

1006
01:11:20,640 --> 01:11:21,880
Speaker 1: you not, I don't. I think I said it on

1007
01:11:21,920 --> 01:11:24,360
Speaker 1: the podcast. I'm not sure, but when I heard it,

1008
01:11:24,479 --> 01:11:26,800
Speaker 1: I felt like it was either you or Mike Gaps.

1009
01:11:26,840 --> 01:11:28,519
Speaker 1: I don't feel like anyone should ever be in the

1010
01:11:28,640 --> 01:11:31,840
Speaker 1: running for it. I just feel like I think either

1011
01:11:31,920 --> 01:11:34,560
Speaker 1: one of us were at the Justice and it was

1012
01:11:34,600 --> 01:11:37,560
Speaker 1: a great experience for me. Man Um, I don't know

1013
01:11:37,640 --> 01:11:41,040
Speaker 1: what's happening with the movie. Um it's been through you know.

1014
01:11:41,439 --> 01:11:43,680
Speaker 1: It started out my brother Dan was gonna do it

1015
01:11:43,840 --> 01:11:46,800
Speaker 1: years ago. It was gonna be actually was gonna do it,

1016
01:11:47,040 --> 01:11:50,920
Speaker 1: and Mike and me and Mike, and so we said,

1017
01:11:50,960 --> 01:11:53,320
Speaker 1: Eddie murphih is gonna do a plate Richard or be

1018
01:11:55,560 --> 01:11:57,880
Speaker 1: at a point all right? And for me, I'm just

1019
01:11:59,479 --> 01:12:03,960
Speaker 1: I'm bloods because going up for that audition brought me

1020
01:12:04,080 --> 01:12:07,160
Speaker 1: to the stage that in the movie did my brother

1021
01:12:07,280 --> 01:12:10,679
Speaker 1: Damon called behind a smile um brought me to the stage.

1022
01:12:11,360 --> 01:12:16,760
Speaker 1: So my hero and comedy meaning going to play his life.

1023
01:12:16,800 --> 01:12:19,120
Speaker 1: I felt like, I do Richard Price story, I should

1024
01:12:19,160 --> 01:12:21,000
Speaker 1: get my ass on stage, gonna play the greatest comedian.

1025
01:12:21,080 --> 01:12:23,400
Speaker 1: Never I didn't get my ass on stage, and so

1026
01:12:23,479 --> 01:12:28,559
Speaker 1: I started doing stand up and that that's the thing

1027
01:12:28,680 --> 01:12:31,479
Speaker 1: that really got me started doing stand up. And so

1028
01:12:31,840 --> 01:12:36,240
Speaker 1: the movie happening or not happening, it didn't affect me

1029
01:12:36,320 --> 01:12:41,479
Speaker 1: in a negative way. I was like, God, I want

1030
01:12:41,520 --> 01:12:43,360
Speaker 1: I don't It'd be great to play. I want to

1031
01:12:43,400 --> 01:12:46,680
Speaker 1: play great. I'm gonna be a great And that's what

1032
01:12:47,479 --> 01:12:50,920
Speaker 1: why I'm playing doing stand up every goddamn weekend. This weekend,

1033
01:12:51,080 --> 01:12:58,879
Speaker 1: I'm at the Miami and I appreciate you in Dural Miami,

1034
01:12:59,240 --> 01:13:01,560
Speaker 1: and I got two shows Friday, once your Friday to

1035
01:13:01,680 --> 01:13:04,240
Speaker 1: show Saturday, one show Sunday, two shows on Monday, New

1036
01:13:04,320 --> 01:13:06,680
Speaker 1: Year's Eve, Come off, Come and then next weekend I'm

1037
01:13:06,720 --> 01:13:10,160
Speaker 1: at the West Palm Beach Improv. And the weekend after that,

1038
01:13:10,439 --> 01:13:15,880
Speaker 1: I'm at the improv in Orlando. Tonight we got me

1039
01:13:16,120 --> 01:13:21,000
Speaker 1: not dropping this tonight, not missing um so because you know,

1040
01:13:21,160 --> 01:13:23,360
Speaker 1: you know you gotta go so um you were supposed

1041
01:13:23,400 --> 01:13:25,479
Speaker 1: to let hit this tonight too. That sounds like us. Yeah,

1042
01:13:26,360 --> 01:13:28,519
Speaker 1: don't worry. The fans will hit you and tell you. So.

1043
01:13:29,640 --> 01:13:37,479
Speaker 1: You were supposed to play Robin, Dick Gracon Batman. They

1044
01:13:37,520 --> 01:13:42,200
Speaker 1: Swiss directors and they can change. And Tim Burgen they're

1045
01:13:42,240 --> 01:13:46,000
Speaker 1: supposed to play Robin supposed to play Robin's supposed to

1046
01:13:46,000 --> 01:13:49,680
Speaker 1: play robbing and Batman Batman, but it was would be

1047
01:13:49,720 --> 01:13:53,320
Speaker 1: the first black blocking robbing. Yeah, but you know what's

1048
01:13:53,320 --> 01:14:01,439
Speaker 1: the tightson fit? You would happened two days Robin Robin

1049
01:14:02,720 --> 01:14:10,840
Speaker 1: way too bid. But it's like your fine, I look

1050
01:14:10,840 --> 01:14:12,880
Speaker 1: at it like this, man, if it didn't happen, I

1051
01:14:13,000 --> 01:14:14,560
Speaker 1: try to tell us. I tell us an audience, I

1052
01:14:14,600 --> 01:14:16,280
Speaker 1: tell us to people, I tell us to my kids.

1053
01:14:16,560 --> 01:14:19,160
Speaker 1: If it didn't happen, it wasn't meant to be. What's

1054
01:14:19,240 --> 01:14:22,560
Speaker 1: God trying to tell you when that didn't happen? For me,

1055
01:14:23,479 --> 01:14:26,320
Speaker 1: it was God saying I don't want the easy road

1056
01:14:26,479 --> 01:14:29,200
Speaker 1: for you. I need you to have a harder road.

1057
01:14:29,720 --> 01:14:33,040
Speaker 1: If I did Robin, I would have never written Don't

1058
01:14:33,040 --> 01:14:35,400
Speaker 1: be a Menace. I would have never did and never

1059
01:14:35,520 --> 01:14:39,920
Speaker 1: did scary movies. I would have never did created Wayne's

1060
01:14:39,920 --> 01:14:42,040
Speaker 1: Brothers with my brother Sean. I would have never did

1061
01:14:42,360 --> 01:14:46,280
Speaker 1: get the things that I wound up doing if I

1062
01:14:46,560 --> 01:14:51,720
Speaker 1: didn't do those. If if if I didn't not how

1063
01:14:51,760 --> 01:14:54,840
Speaker 1: do I say this, it's a double nigger. If I,

1064
01:14:55,280 --> 01:15:00,439
Speaker 1: if I didn't have happened, that's inan I would I

1065
01:15:00,479 --> 01:15:03,400
Speaker 1: would have never done it. But being that I didn't

1066
01:15:03,520 --> 01:15:09,400
Speaker 1: do Batman with the movie Backman, being that I didn't

1067
01:15:09,439 --> 01:15:11,439
Speaker 1: do that, it was the best thing that never happened.

1068
01:15:11,840 --> 01:15:13,839
Speaker 1: So open up on the door streets. But you relieve

1069
01:15:13,840 --> 01:15:16,400
Speaker 1: yourself because you got g I Joe when I ain't gonna.

1070
01:15:17,560 --> 01:15:18,960
Speaker 1: I don't even know he was in g I Joe.

1071
01:15:18,960 --> 01:15:20,599
Speaker 1: I went out there to see it, and I've seen

1072
01:15:20,680 --> 01:15:25,320
Speaker 1: you was the only nigga that my nigga, and the

1073
01:15:25,439 --> 01:15:27,840
Speaker 1: first thing I saw, they killed me. In the second one,

1074
01:15:28,080 --> 01:15:32,720
Speaker 1: they like killing I could kill. They never killed him.

1075
01:15:32,720 --> 01:15:35,719
Speaker 1: In the cartoons. The thing is living in the cartoon.

1076
01:15:35,760 --> 01:15:40,599
Speaker 1: Everybody over the lasers once again. You know I don't.

1077
01:15:41,280 --> 01:15:46,719
Speaker 1: I don't. I don't sit there and the whole tight too.

1078
01:15:47,800 --> 01:15:53,120
Speaker 1: Things that didn't happen. Keep it moving. I got shipped

1079
01:15:53,120 --> 01:15:56,120
Speaker 1: to do, so if it don't happen, believe me, I

1080
01:15:56,200 --> 01:15:58,680
Speaker 1: got shipped to do. And I'm always doing something new.

1081
01:15:58,760 --> 01:16:00,800
Speaker 1: I'm always trying to grow, trying to get better. So

1082
01:16:01,360 --> 01:16:04,040
Speaker 1: I don't sit there and be mad and be hurt

1083
01:16:04,120 --> 01:16:06,679
Speaker 1: and nick and I go, what's funny about this? Because

1084
01:16:06,680 --> 01:16:08,479
Speaker 1: I'm gonna use it somewhere. I'm gonna express this on

1085
01:16:08,560 --> 01:16:12,439
Speaker 1: the stage something Nicka is gonna feel it. But at

1086
01:16:12,479 --> 01:16:14,720
Speaker 1: the same time, I go, all right, so how do

1087
01:16:14,800 --> 01:16:16,960
Speaker 1: I take the same energy and put it into what

1088
01:16:17,080 --> 01:16:24,400
Speaker 1: I'm doing next? And listen, I don't even listening. I

1089
01:16:24,520 --> 01:16:28,400
Speaker 1: was on my next question and the program ship like DJ,

1090
01:16:29,080 --> 01:16:40,479
Speaker 1: that's what's up. But listen, I'm in Queen's. You went

1091
01:16:40,520 --> 01:16:45,600
Speaker 1: to Loguardia High. The air got to high school. No,

1092
01:16:46,120 --> 01:16:55,000
Speaker 1: you gotta stop from New York. I'm from Queens. Tried

1093
01:16:55,080 --> 01:16:57,360
Speaker 1: to like make like MICKI Minds was the first person

1094
01:16:57,400 --> 01:17:01,440
Speaker 1: to make LaGuardia High popular. Breath Now are you disrespecting

1095
01:17:01,520 --> 01:17:05,600
Speaker 1: the gods? This is why they when you just like

1096
01:17:06,080 --> 01:17:08,479
Speaker 1: our baby girl. And that's what I'm I see Nikki

1097
01:17:08,560 --> 01:17:12,040
Speaker 1: and I'm like my baby like because we came before.

1098
01:17:12,720 --> 01:17:15,759
Speaker 1: So whenever I see Nikki, I'll be like baby because

1099
01:17:16,040 --> 01:17:19,160
Speaker 1: we fam l ag fam. So you gotta think man

1100
01:17:19,600 --> 01:17:25,160
Speaker 1: on my aps Alpaccino, Adrian Brody, There's been so many

1101
01:17:25,320 --> 01:17:28,760
Speaker 1: great people to come out. Look way high school. I

1102
01:17:28,840 --> 01:17:32,120
Speaker 1: didn't know that. Come on, you was just man like,

1103
01:17:32,240 --> 01:17:37,679
Speaker 1: why would you pull school? Man? You take the Holles

1104
01:17:37,760 --> 01:17:42,439
Speaker 1: call like I don't trust the holl call just with

1105
01:17:42,560 --> 01:17:50,439
Speaker 1: beans in his front seat dollars? Why he ain't got

1106
01:17:50,479 --> 01:17:56,120
Speaker 1: nothing to say? Man, Come tell us we got the Jews.

1107
01:17:57,000 --> 01:18:03,960
Speaker 1: Come on, Yeah, thank you Peggy. So you was in

1108
01:18:04,120 --> 01:18:09,120
Speaker 1: Je because of killing dogs? And movies are funny? Yeah

1109
01:18:09,600 --> 01:18:18,360
Speaker 1: some juice? Yes are your well you know we're watching.

1110
01:18:18,560 --> 01:18:21,040
Speaker 1: I want to thank you, love friend that these cats

1111
01:18:21,200 --> 01:18:25,519
Speaker 1: me MoMA Omar became friends actually best friends. Yeah. You

1112
01:18:25,560 --> 01:18:28,840
Speaker 1: know what would again? What we we we to this day?

1113
01:18:28,880 --> 01:18:31,680
Speaker 1: We still right? Hard? Um? Why you put this time?

1114
01:18:31,760 --> 01:18:34,800
Speaker 1: They go on? You ain't got understand, yes question, but

1115
01:18:35,120 --> 01:18:38,160
Speaker 1: I auditioned for juice, like like the year they graduate

1116
01:18:38,160 --> 01:18:40,120
Speaker 1: of the year before me. We all kind of got

1117
01:18:40,200 --> 01:18:44,519
Speaker 1: movies At the same time Mallin got more money, Omar

1118
01:18:44,640 --> 01:18:47,200
Speaker 1: got juice. I did this independent film which you have

1119
01:18:47,320 --> 01:18:49,960
Speaker 1: gold Boom, and then I also got the rolling juice.

1120
01:18:50,600 --> 01:18:52,920
Speaker 1: Now I knew, I knew forest what I'm not. I'm

1121
01:18:52,960 --> 01:18:58,360
Speaker 1: sure there look I am I but I met Ernest

1122
01:18:58,400 --> 01:19:00,599
Speaker 1: Dickinson when I was an internal do the right thing

1123
01:19:03,200 --> 01:19:06,439
Speaker 1: is back, and then he put me and gave me

1124
01:19:06,479 --> 01:19:09,040
Speaker 1: the opportunity to do a scene where he allowed me

1125
01:19:09,200 --> 01:19:11,920
Speaker 1: onma to write the pool all see the whole Brendon

1126
01:19:11,920 --> 01:19:14,320
Speaker 1: with a spool shine the super scene. Me and Omar

1127
01:19:14,439 --> 01:19:16,280
Speaker 1: wrote that it wasn't in the script. We like, we

1128
01:19:16,400 --> 01:19:18,640
Speaker 1: wrote it and he set the cameras around it, and

1129
01:19:18,720 --> 01:19:20,360
Speaker 1: then you called me back and then we ends up

1130
01:19:20,360 --> 01:19:26,200
Speaker 1: doing then you don't put flow away at the time

1131
01:19:26,640 --> 01:19:34,760
Speaker 1: set went out. So that's God saying, smoke this man's face.

1132
01:19:34,800 --> 01:19:51,680
Speaker 1: Stop working real good a stick being friend with this

1133
01:19:51,800 --> 01:19:55,840
Speaker 1: guy's dope. I mean, like what you see, like Mama

1134
01:19:56,000 --> 01:19:58,200
Speaker 1: is I mean, it's not an act. You know, he's

1135
01:19:58,240 --> 01:20:02,360
Speaker 1: he's he's he's a he's a supportive brother. You know,

1136
01:20:02,479 --> 01:20:05,200
Speaker 1: he looks out for people, he wants the best in you,

1137
01:20:05,320 --> 01:20:07,360
Speaker 1: he pushes you, he's you know the way his big

1138
01:20:07,400 --> 01:20:09,280
Speaker 1: brothers pushed in my looking all the more as a

1139
01:20:09,439 --> 01:20:12,040
Speaker 1: as a brother and a friend. He definitely pushes you

1140
01:20:12,240 --> 01:20:14,240
Speaker 1: like you know he was. He'll say something didn't make

1141
01:20:14,280 --> 01:20:15,479
Speaker 1: you mad, like you know, I ain't sunk with that

1142
01:20:15,560 --> 01:20:19,439
Speaker 1: nigg of the day fun me either. When he wants, yeah,

1143
01:20:19,479 --> 01:20:26,280
Speaker 1: but want, he makes you understand the means to get

1144
01:20:26,360 --> 01:20:28,559
Speaker 1: what you want and he pushes you to get there.

1145
01:20:32,320 --> 01:20:34,080
Speaker 1: I just want y'all both to know, you know, um

1146
01:20:34,479 --> 01:20:38,000
Speaker 1: drink champs. We realized that there wasn't a platform for

1147
01:20:38,200 --> 01:20:41,120
Speaker 1: us to pick up big up our people. There's so

1148
01:20:41,240 --> 01:20:43,040
Speaker 1: many like I Just like I said, I don't want

1149
01:20:43,040 --> 01:20:45,560
Speaker 1: to keep reiterating myself, but I do want to reiterate

1150
01:20:45,960 --> 01:20:49,040
Speaker 1: that if we're not gonna pick each other up, there's

1151
01:20:49,040 --> 01:20:54,639
Speaker 1: no people in this world. You see me at once,

1152
01:20:54,680 --> 01:20:58,200
Speaker 1: we all y'all come do my podcast, and today it

1153
01:20:58,280 --> 01:21:01,360
Speaker 1: wasn't about publicist and all that you nigga hit me.

1154
01:21:01,439 --> 01:21:06,320
Speaker 1: I appreciate keys. You know, we made it happen, said

1155
01:21:06,320 --> 01:21:10,600
Speaker 1: I need this, said yes about it, man. I know

1156
01:21:10,760 --> 01:21:13,639
Speaker 1: would love for all that we do, man, because it's

1157
01:21:13,720 --> 01:21:17,360
Speaker 1: so hard for us in this industry. And I just

1158
01:21:17,479 --> 01:21:19,800
Speaker 1: pray that one day we create our own industry. And

1159
01:21:19,880 --> 01:21:24,200
Speaker 1: the only way to do that is to have conversations

1160
01:21:24,240 --> 01:21:27,599
Speaker 1: and have have interactions that me and you had, which

1161
01:21:27,720 --> 01:21:31,200
Speaker 1: is like yo, mo, nigga hit me. It's communication is building.

1162
01:21:31,280 --> 01:21:34,439
Speaker 1: Let's let's go. Do you you're doing a podcast, I'll

1163
01:21:34,439 --> 01:21:36,599
Speaker 1: be I'll hit you up in a second. Yo, Yo,

1164
01:21:36,800 --> 01:21:41,080
Speaker 1: I'm doing the soundtrack for such come come do? Can

1165
01:21:41,120 --> 01:21:48,519
Speaker 1: you do this? Just in case you know I started problem.

1166
01:21:48,720 --> 01:21:59,200
Speaker 1: I'm sorry about that call on pologize for his first

1167
01:21:59,280 --> 01:22:03,560
Speaker 1: time though he got I'm fine about I see the

1168
01:22:03,640 --> 01:22:06,519
Speaker 1: one thing he claim he only comes so playing because

1169
01:22:06,840 --> 01:22:09,280
Speaker 1: the baby that looks so much like that again to night,

1170
01:22:12,120 --> 01:22:25,679
Speaker 1: this is you, this is you. That's funny. Man. Listen, man, listen,

1171
01:22:25,760 --> 01:22:27,559
Speaker 1: MoMA man, and I want to thank you and mince

1172
01:22:27,600 --> 01:22:29,919
Speaker 1: both of y'all think y'all take your time out, appreciate

1173
01:22:30,000 --> 01:22:33,200
Speaker 1: because again our culture. We gotta start building up our culture.

1174
01:22:33,200 --> 01:22:35,479
Speaker 1: And when I say I'm building bridges, stop burning them,

1175
01:22:35,720 --> 01:22:40,000
Speaker 1: build them building bridges and the yachts. Let's keep it going.

1176
01:22:40,320 --> 01:22:42,400
Speaker 1: Let's keep continue to do what we gotta do. It's

1177
01:22:42,439 --> 01:22:45,639
Speaker 1: not a race things saving about us. It's a generational wealth.

1178
01:22:46,000 --> 01:22:48,160
Speaker 1: So we all have children, we all have things and

1179
01:22:48,439 --> 01:22:51,280
Speaker 1: this goes for every color. I'm not mad at any

1180
01:22:51,920 --> 01:22:55,719
Speaker 1: man trying to live in American dream from sea to shot.

1181
01:22:55,800 --> 01:22:59,439
Speaker 1: And she see we're conquerors, as we all should be.

1182
01:23:00,040 --> 01:23:03,920
Speaker 1: And so it's okay to align yourself and have friendships.

1183
01:23:04,000 --> 01:23:07,880
Speaker 1: And it's gonna we have a scrap. It don't mean

1184
01:23:08,040 --> 01:23:11,200
Speaker 1: that we gotta like have a breakdown or I ain't

1185
01:23:11,200 --> 01:23:13,680
Speaker 1: gonna funk with you, nigga, call me, you know, I

1186
01:23:13,720 --> 01:23:17,120
Speaker 1: ain't like when you did, Nigga, my bad. I'm York

1187
01:23:17,720 --> 01:23:23,080
Speaker 1: my best friends. It is because we had a disagreement

1188
01:23:23,479 --> 01:23:25,240
Speaker 1: on Monday. I don't funk with that one, nig I

1189
01:23:25,240 --> 01:23:30,720
Speaker 1: don't funk with that, right, Yeah, yeah, so I funk

1190
01:23:30,800 --> 01:23:33,160
Speaker 1: with you stand by good because what I was trying

1191
01:23:33,160 --> 01:23:35,000
Speaker 1: to say was this, well, nigga, but I took it

1192
01:23:35,120 --> 01:23:36,960
Speaker 1: like that all my bad and we never had that

1193
01:23:37,000 --> 01:23:40,400
Speaker 1: conversation again. That's why thirty years later, were all best friends.

1194
01:23:40,800 --> 01:23:42,320
Speaker 1: And that's what we need to do with each other

1195
01:23:42,560 --> 01:23:50,840
Speaker 1: in this industry. Yeah, I appreciate that. I appreciate you know. Um,

1196
01:23:51,920 --> 01:23:54,160
Speaker 1: we gotta continue to do that. We gotta continue, um

1197
01:23:55,000 --> 01:24:02,560
Speaker 1: just supporting each other. Doctor. Actually, but on top of

1198
01:24:03,800 --> 01:24:11,559
Speaker 1: a bit high, I was gonna take you god, stop

1199
01:24:11,680 --> 01:24:15,400
Speaker 1: stop stop this at my rain to make sure who's

1200
01:24:15,439 --> 01:24:21,479
Speaker 1: at my rank. But you know what you're providing train champs.

1201
01:24:21,680 --> 01:24:24,080
Speaker 1: But also shout to you for evolving, bro, Like you

1202
01:24:24,120 --> 01:24:25,720
Speaker 1: know what I'm saying it in terms you talked about you.

1203
01:24:25,840 --> 01:24:28,439
Speaker 1: You was in jail based on some ship that happened

1204
01:24:28,439 --> 01:24:32,479
Speaker 1: after juice or whatever. Jails did you continue to like

1205
01:24:32,640 --> 01:24:35,439
Speaker 1: you do your music and now you're onto this platform.

1206
01:24:35,920 --> 01:24:38,560
Speaker 1: And that's also showing like the young people that you

1207
01:24:38,640 --> 01:24:42,679
Speaker 1: know you can, you can your situation turn the mind

1208
01:24:43,720 --> 01:24:52,679
Speaker 1: a little bit of I mean us, look a little

1209
01:24:52,680 --> 01:25:08,519
Speaker 1: we come digging, you know, the kids who don't bust

1210
01:25:08,800 --> 01:25:25,800
Speaker 1: underation to drink. Get some drop from person, bbs, take

1211
01:25:25,800 --> 01:25:28,880
Speaker 1: a drop. Just the longest piss I ever held in

1212
01:25:28,960 --> 01:25:31,679
Speaker 1: my life. I'm a lot of me, a lot of y'all.

1213
01:25:31,720 --> 01:25:38,240
Speaker 1: Let me get funny. I need minutes all the campaign, bro,

1214
01:25:38,520 --> 01:25:41,920
Speaker 1: would you the other one? What y'all do with champaign champagne? Yeah?

1215
01:25:42,080 --> 01:25:45,599
Speaker 1: Who no, no, no, Molly, we need an opener. He's

1216
01:25:45,640 --> 01:25:52,160
Speaker 1: open a tool. Yeah, you know what, I gotta like

1217
01:25:54,120 --> 01:26:00,519
Speaker 1: you like the five y'all. I take sampagna. I know

1218
01:26:00,760 --> 01:26:04,880
Speaker 1: I'm to kill. I just chat if you guys up checks,

1219
01:26:04,920 --> 01:26:09,559
Speaker 1: Thank you to you more. Yeah, that's about how nothing?

1220
01:26:11,080 --> 01:26:13,120
Speaker 1: How you gonna hate me? Gonna store asking about the something?

1221
01:26:13,160 --> 01:26:15,519
Speaker 1: And I tell you and you don't bring it nothing,

1222
01:26:16,040 --> 01:26:25,559
Speaker 1: Jesus bring it out. I hold on listening. I got

1223
01:26:25,600 --> 01:26:31,160
Speaker 1: heard of these excided mere drunk back so good. The

1224
01:26:31,240 --> 01:26:34,120
Speaker 1: boot box is good. It's good. None said we know,

1225
01:26:34,320 --> 01:26:41,679
Speaker 1: but what's in this? Some monkey? Please get me started.

1226
01:26:41,920 --> 01:26:46,360
Speaker 1: You just started to show it's good. That's this way too.

1227
01:26:48,439 --> 01:26:50,720
Speaker 1: I'm already in the port. I don't make it man,

1228
01:26:51,080 --> 01:26:53,640
Speaker 1: you're way for it. Yeah, yeah, I don't start like

1229
01:26:54,080 --> 01:27:00,080
Speaker 1: something one time really good for good our ouse. You

1230
01:27:00,120 --> 01:27:05,120
Speaker 1: know in my body I'm about something like podcast and

1231
01:27:08,000 --> 01:27:10,920
Speaker 1: trying to everybody, everybody tops of kid, let's do it.

1232
01:27:11,320 --> 01:27:15,439
Speaker 1: You drinking champagne, let's do it out there, okay, let's peak.

1233
01:27:17,520 --> 01:27:19,800
Speaker 1: Would you like me to have some champagne with you? Please?

1234
01:27:20,040 --> 01:27:21,720
Speaker 1: We got more. We ever got some kill over coming

1235
01:27:21,760 --> 01:27:23,320
Speaker 1: for you too. What would you trying to do? You know?

1236
01:27:23,360 --> 01:27:25,439
Speaker 1: I just trying to have a strange chance. Man. I

1237
01:27:25,560 --> 01:27:27,800
Speaker 1: got me ready to tonight, mind. You know that's when

1238
01:27:27,840 --> 01:27:31,200
Speaker 1: we started gotta work. Let's go right three to one.

1239
01:27:31,280 --> 01:27:31,320
Speaker 1: You