WEBVTT - Mini Crush #171

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Movie Crush Mini Crush with

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<v Speaker 1>Me Charles W. Chuck Bryant, andrus Noel Brown. I'm sorry,

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<v Speaker 1>I didn't mean they're interrupted. You do such a pleasant

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<v Speaker 1>opening with your voice. You have this lilting quality. I

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<v Speaker 1>just wanted to join in with it. You just want

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<v Speaker 1>to basically join in. I think this is a better

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<v Speaker 1>way for you. I just wanted to say, and me,

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<v Speaker 1>uh so, Noel. We're recording now two hours later than normal.

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<v Speaker 1>It's like, weird, What is it? How does it feel

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<v Speaker 1>to you? Chuck? Different? Different? Different can be good though, right,

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<v Speaker 1>sure a little change will do you good? Is that

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<v Speaker 1>Bonnie rate change good? I don't know. I feel like

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<v Speaker 1>I feel like I hear slide guitar in there. If

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<v Speaker 1>I hear slide guitar and my mind immediately goes to

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<v Speaker 1>Bonnie rate, Bonnie rate as it should or Dwayne Aulman

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<v Speaker 1>uh SONL I have on my list here catch up

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<v Speaker 1>and then we have one only one thing from the

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<v Speaker 1>Crushers to go over. And then sort of because we

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<v Speaker 1>have sort of an extended stream this because I've been

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<v Speaker 1>watching a lot of ship I have too well good,

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<v Speaker 1>that's perfect. Then, Um, I thought you might want to

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<v Speaker 1>sort of give us an update on your Seattle trip,

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<v Speaker 1>which I know about, but I know you'd love to

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<v Speaker 1>share this with your your friends because you even hung

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<v Speaker 1>out with a crusher. I did, and by the way,

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<v Speaker 1>a change will do you good. I was in the right.

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<v Speaker 1>My heart was Geryl. It's Cheryl Crowe, but she's very

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<v Speaker 1>much a Bonnie rate acolyte, you know what I mean.

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<v Speaker 1>Like I feel she looked up the Bunny rate quite

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<v Speaker 1>a bit. I think so, I think. So see how

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<v Speaker 1>all is a magical place, chuck, I I I kept

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<v Speaker 1>hearing this from friends really whose opinions I really value, uh,

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<v Speaker 1>you know, and who are like very seasoned travelers, use

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<v Speaker 1>yourself being one of them. Um. I think a lot

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<v Speaker 1>of a trip like that has to do with who

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<v Speaker 1>you know, where you go, and like what things you know,

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<v Speaker 1>what recommendations you get. I had some great ones. I

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<v Speaker 1>did pretty much all the touristy stuff, but I also

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<v Speaker 1>did a lot of like off the beaten path stuff.

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<v Speaker 1>Went to Biscuit bitch um really good, really high quality stuff. Um,

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<v Speaker 1>they weren't doing seating, but it was really lovely you

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<v Speaker 1>got to just sit outside on these little patio tables

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<v Speaker 1>and wait with your fellow uh you know, um to

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<v Speaker 1>go food humans. That's what I do there anyway. I

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<v Speaker 1>don't think I've ever eaten in there. I just always

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<v Speaker 1>grab and go. Yeah, And then we took it with

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<v Speaker 1>us and we walked from there to the little park

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<v Speaker 1>area where the Space Needle and the Museum of Pop

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<v Speaker 1>Culture are and we stopped and ate and then you know,

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<v Speaker 1>like I said, it was my daughter who's twelve, and

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<v Speaker 1>my girlfriend and um, it was just fantastic. We we

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<v Speaker 1>met up with the gooch Jue. Uh. He works at

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<v Speaker 1>a really cool cidery which is um you know there.

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<v Speaker 1>You know, if you think about cider choices right at

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<v Speaker 1>the bar, and I think of like Strongbow and like

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<v Speaker 1>Woodchuck and like kind of just the obvious ones that

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<v Speaker 1>are always a little too sweet. This place, the Seattle

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<v Speaker 1>Cider Company, made these really subtle ciders that aren't sweet

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<v Speaker 1>at all, but just have a lot of like flavor

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<v Speaker 1>and different kind of you know, um, variations, like some

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<v Speaker 1>different different fruits that they used in different kind of

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<v Speaker 1>like you know, things to kick it up a notch.

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<v Speaker 1>And he took us up for a tour that my

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<v Speaker 1>daughter stayed at the hotel, but my girlfriend and I

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<v Speaker 1>he took us for a tour through their canning facility

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<v Speaker 1>and it was huge in this big industrial area in

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<v Speaker 1>like so do I think it's what it's called south

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<v Speaker 1>of downtown, UM, which is largely industrial. And that was great,

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<v Speaker 1>and um, my daughter is really funny, Chuck, I think

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<v Speaker 1>I told you we were going. The whole impetus for

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<v Speaker 1>going was there was this Minecraft exhibit at the Museum

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<v Speaker 1>of Pop Culture. Uh. We got there, had a wonderful

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<v Speaker 1>first day, went to the Pike's Street Market and all

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<v Speaker 1>of that, UM, and she just loved the town. Everyone

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<v Speaker 1>was like complimenting her on her outfit because she was

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<v Speaker 1>wearing her like cool kind of anime stuff. And then

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<v Speaker 1>we got to the hotel and we're gonna buy a

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<v Speaker 1>ticket for my girlfriend to the thing, and we realized

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<v Speaker 1>that we were a day late and that the Minecraft

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<v Speaker 1>exhibit had closed the previous day. Wow, dad fail. It

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<v Speaker 1>was a dad failed, But it was also a dad win, Chuck,

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<v Speaker 1>because she didn't care. She had such a great first

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<v Speaker 1>day and loved the city so much that she was

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<v Speaker 1>just like, yeah, I don't really care that was kind

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<v Speaker 1>of the last thing on my mind, honestly, after we

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<v Speaker 1>had such a wonderful time. Um, of course, yeah, it's

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<v Speaker 1>it's great, no matter what's fabulous. They had all this

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<v Speaker 1>like horror stuff and sci fi stuff, and they had

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<v Speaker 1>like a whole floor a pearl jam got their own floor. Dude. Yeah,

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<v Speaker 1>I've seen that. It's pretty pretty awesome, really great. It

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<v Speaker 1>was as a Nirvana exhibit with like all the you

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<v Speaker 1>know guitars like the um that Tama drum kid that

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<v Speaker 1>you see and the smells like teen Spirit with which

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<v Speaker 1>is such a trashy punk rock drum set. When you

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<v Speaker 1>look at it, it's held together with like duct tape.

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<v Speaker 1>I love that they took that punk rock d i

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<v Speaker 1>y aesthetic like until the end, you know it's great

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<v Speaker 1>and then no, it sounds like you you had a trip,

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<v Speaker 1>much like Emily and I did the first time she

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<v Speaker 1>went to Seattle, which is hitting it on a good

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<v Speaker 1>a good weather weekend in the spring, which you know,

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<v Speaker 1>Seattle is very weather dependent. It's a great town always

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<v Speaker 1>and if you live there, you're certainly used to the

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<v Speaker 1>dreary drizzlies that occupied that town many days of the year.

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<v Speaker 1>But if you hit that town in a spring on

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<v Speaker 1>a nice weekend, dude, it is truly magical and you

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<v Speaker 1>will fall in love with it and want to move there. Well,

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<v Speaker 1>we got the drizzlies coming in, um, and then it

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<v Speaker 1>cleared right up that very same day. We got in

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<v Speaker 1>really early and it was a gorgeous day and we went,

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<v Speaker 1>like I said, by the market, which is obviously right

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<v Speaker 1>along the coast and everything, or you know that what

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<v Speaker 1>is at the Puget Sound. And then the second day

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<v Speaker 1>we went to this place called gas Works Park, which

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<v Speaker 1>is in Yeah, I've been there, um, and it's just

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<v Speaker 1>like this incredible park with like all of these industrial

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<v Speaker 1>kind of looming, rusty industrial gas works, you know, structures

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<v Speaker 1>that are all roped off, but a few of them

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<v Speaker 1>are kind of have been repainted and like repurposed into

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<v Speaker 1>you know, things you can lean on or whatever. And

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<v Speaker 1>there was a band playing and like it just felt

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<v Speaker 1>like San Francisco or something. It was very alive and vibrant,

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<v Speaker 1>and there were these like hippie dude slack lining you

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<v Speaker 1>know where you take those straps and wire walking, and

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<v Speaker 1>Eden was fascinated by it, and they saw her kind

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<v Speaker 1>of eyeball on it, and they're like you want to

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<v Speaker 1>try it, and so like they one of them held

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<v Speaker 1>her left hand, I held her right hand, and she

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<v Speaker 1>walked all the way across. It was just a little

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<v Speaker 1>moments like that that just felt serendipitous and connecting with humans.

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<v Speaker 1>And God got to mention, this is the first travel

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<v Speaker 1>and opportunity to connect with humans, not in my very

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<v Speaker 1>very close small circle. So it was very cathartic. Chuck

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<v Speaker 1>all around. That's amazing. Thal, I'm so glad you got

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<v Speaker 1>a great weekend in Seattle. It is one of the

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<v Speaker 1>great American cities. That's why we go there every January.

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<v Speaker 1>And uh, that's why. It's just it's just the best.

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<v Speaker 1>And when Emily and I went, we the deal was

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<v Speaker 1>sealed when we went into bars and there were dogs

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<v Speaker 1>and bars, and she's dogs and bars. Can we move here? Yeah, no,

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<v Speaker 1>it's I would dude. My my girlfriend was like, I

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<v Speaker 1>would totally move here. And so is eaten after a

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<v Speaker 1>couple of days. Um. Huge shout out to Crusher Darien

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<v Speaker 1>as well, Um who gave some excellent recommendations for something

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<v Speaker 1>I had too many folks to list to list reached

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<v Speaker 1>out who were like, welcome to Seattle, and it was

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<v Speaker 1>just like everyone was so kind and like welcoming, and

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<v Speaker 1>and so many crushers reached out with amazing recommendation. I

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<v Speaker 1>couldn't even do it all. But we're going back. Uh,

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<v Speaker 1>definitely going back. That's great. I love it, man, I

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<v Speaker 1>love it. I love it. I love it. I miss it.

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<v Speaker 1>I can't wait to get back. Uh Seattle trip, let

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<v Speaker 1>me see. Oh, I just thought i'd quickly mentioned and

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<v Speaker 1>apologize since this is my only venue to do. So.

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<v Speaker 1>We did our three D episode everyone hates it nol

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<v Speaker 1>oh the stuff you should know episode? Oh, I mean feedback.

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<v Speaker 1>Negative feedback started coming in minutes after we released it.

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<v Speaker 1>Unlistenable to many listeners. I believe, in my opinion, it's

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<v Speaker 1>an ablest thing to do because people that have hearing

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<v Speaker 1>issues couldn't literally couldn't even listen to it. It didn't

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<v Speaker 1>even register for some people because they have hearing problems.

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<v Speaker 1>And I certainly don't like that. So we are not

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<v Speaker 1>too happy about it, and we kind of put the

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<v Speaker 1>word out to the company that please don't include us

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<v Speaker 1>again in any audio experiments like this. Yeah, we did

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<v Speaker 1>it for um ridiculous history, and we did. We did

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<v Speaker 1>half the episode that way. Um. It was kind of

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<v Speaker 1>funny because we like it was about an auto race

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<v Speaker 1>like this big like cross Country got it was like

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<v Speaker 1>a world like spanning auto race. And so we did

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<v Speaker 1>like the final stretch of the race in glorious three

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<v Speaker 1>D audio, and I think it turned out okay. But yeah,

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<v Speaker 1>doing it for a whole episode could could be a lot.

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<v Speaker 1>I could see. Yeah, It's just it didn't fit our format.

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<v Speaker 1>So uh, it just wasn't a good fit. And I

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<v Speaker 1>didn't want to do it to begin with. I fought

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<v Speaker 1>against it, but we caved. And I wish I had

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<v Speaker 1>in a cave I should just stick to my guns

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<v Speaker 1>and say no, no. You gotta say no. Sometimes you

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<v Speaker 1>gotta say no, chuck. But I could see how it

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<v Speaker 1>would be a good fit for your show. It was

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<v Speaker 1>fun and we will. Oh and by the way, if

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<v Speaker 1>I'm gonna plug something with you the audio, I have

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<v Speaker 1>to plug what we did for stuff they don't want

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<v Speaker 1>you to know, because Matt Frederick is kind of the

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<v Speaker 1>three D audio guru for the company. And we did

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<v Speaker 1>this like re enactment of this remote viewing session, which

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<v Speaker 1>is like a thing the CIA used to do. You

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<v Speaker 1>know all about this, But if anyone isn't familiar. It's

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<v Speaker 1>like basically using psychic abilities to you know, it's often

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<v Speaker 1>you hear about the CIA using it to like FBI,

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<v Speaker 1>maybe even to find bodies and to find someone missing person.

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<v Speaker 1>But there was one particular transcript it's absolutely real, where

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<v Speaker 1>it's someone in like one of those sensory deprivation tanks

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<v Speaker 1>talking about traveling with their mind to like an alien planet.

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<v Speaker 1>Um and Ben plays the subject. I play the monitor

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<v Speaker 1>and Matt plays the supervisor, and Matt mixed the whole

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<v Speaker 1>thing and three like did it all in post with

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<v Speaker 1>like really cool immersive effects, like you feel like you're

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<v Speaker 1>in the tank with the guy. And I actually did

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<v Speaker 1>a really dron e psychedelic score for that. I did that.

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<v Speaker 1>I did live so well. I will listen to that. Actually,

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<v Speaker 1>I'd love to hear that. It's only thirteen minutes. It's

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<v Speaker 1>literally like one and done kind of immersive piece, and

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<v Speaker 1>we only released it like that on its own. It

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<v Speaker 1>comes out today. That's cool. I'm gonna tell to day

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<v Speaker 1>they record with those headphones on. Uh. In one more

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<v Speaker 1>final little piece of business for the Crushers, just to

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<v Speaker 1>let everyone know. UH, sometimes when I interact on the

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<v Speaker 1>Crushers page, it interacts as movie Crush, and sometimes it

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<v Speaker 1>interacts my personal Facebook page, uh and invariably, and this

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<v Speaker 1>is understandable. Whenever I interact is my personal Facebook page,

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<v Speaker 1>I will get friend requests from from listeners, which is

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<v Speaker 1>very very sweet. Um, but no listener, if you have

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<v Speaker 1>tried to Facebook friend me personally and I have not

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<v Speaker 1>friended you back, please don't take offense. I'm not even

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<v Speaker 1>really on Facebook that much, and when I am, it's

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<v Speaker 1>just my like really close friends and family. It's not

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<v Speaker 1>something I use for professionally. That's why I have movie Crush.

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<v Speaker 1>I used to have a I mean it's still up there,

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<v Speaker 1>that Charles W. Chuck Bryant page, but I don't really

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<v Speaker 1>do anything there either, so I just wanted to love

0:11:22.200 --> 0:11:24.679
<v Speaker 1>it out. There are some like really great old pals

0:11:24.679 --> 0:11:26.719
<v Speaker 1>have tried to friend me in and I didn't want

0:11:26.720 --> 0:11:29.160
<v Speaker 1>them to feel bad. So it's nothing personal at all.

0:11:29.480 --> 0:11:31.679
<v Speaker 1>It's just not what I use that page for. It's

0:11:31.720 --> 0:11:34.080
<v Speaker 1>just very It's a very small group of friends and family,

0:11:34.120 --> 0:11:36.000
<v Speaker 1>and like I said, don't even post, you're not missing

0:11:36.000 --> 0:11:39.080
<v Speaker 1>anything anyway, makes perfect sense. Follow me on Instagram though,

0:11:39.080 --> 0:11:41.199
<v Speaker 1>if you like. That's where you'll get if you want

0:11:41.200 --> 0:11:44.280
<v Speaker 1>to see pictures of my dumb face and my family

0:11:44.440 --> 0:11:47.400
<v Speaker 1>every now and then chuck the podcasters where you can

0:11:47.440 --> 0:11:50.520
<v Speaker 1>see that. So I hope everyone understands that it's not

0:11:50.520 --> 0:11:53.760
<v Speaker 1>not personal, so I shouldn't be a friend of that.

0:11:53.760 --> 0:11:56.000
<v Speaker 1>You didn't accept my friend of question. I'm your friend

0:11:56.000 --> 0:11:58.120
<v Speaker 1>and then your friends with with crushers and stuff, and

0:11:58.120 --> 0:12:01.240
<v Speaker 1>that's great because that's your jam here here and there.

0:12:01.520 --> 0:12:03.800
<v Speaker 1>But I use Facebook very differently too, Like I really

0:12:03.800 --> 0:12:06.600
<v Speaker 1>don't use Facebook hardly at all. You never work stuff.

0:12:07.240 --> 0:12:11.040
<v Speaker 1>I I my posting territory is exclusively Instagram, where you

0:12:11.080 --> 0:12:13.320
<v Speaker 1>can follow me at how now Noel Brown if you wish, Yeah,

0:12:13.360 --> 0:12:15.760
<v Speaker 1>it's still really I'm enjoying Instagram. Actually no, it's a

0:12:15.920 --> 0:12:18.720
<v Speaker 1>it's that I avoided for a long time, and I

0:12:18.760 --> 0:12:20.679
<v Speaker 1>have quite a good time there. I love the people

0:12:20.720 --> 0:12:23.160
<v Speaker 1>I follow are really fun. Here's a pro tip for

0:12:23.240 --> 0:12:26.520
<v Speaker 1>everyone in the world. Um follow Amy Sadaris for God's sake,

0:12:26.640 --> 0:12:30.440
<v Speaker 1>God do it. Yes, it's the best. It's best Instagram feed.

0:12:30.760 --> 0:12:33.200
<v Speaker 1>She curates stuff and it's just always delightful and fun.

0:12:33.280 --> 0:12:35.960
<v Speaker 1>Like she's always posting like vegetables that look like Dick's

0:12:36.800 --> 0:12:39.600
<v Speaker 1>or or a a cat. You know, she posted one

0:12:39.679 --> 0:12:42.720
<v Speaker 1>yesterday of a dog. Actually that um as soon as

0:12:42.720 --> 0:12:44.360
<v Speaker 1>the person left the room, the dog like pulled the

0:12:44.400 --> 0:12:46.240
<v Speaker 1>covers up, turned out the lamp and turned on a

0:12:46.280 --> 0:12:48.680
<v Speaker 1>fan and got back in bed. And I was like, what,

0:12:50.200 --> 0:12:53.280
<v Speaker 1>that's amazing that one. I love her, but she sources it,

0:12:53.360 --> 0:12:55.680
<v Speaker 1>so it's it's very cool. Oh she does exactly, and

0:12:55.679 --> 0:13:05.800
<v Speaker 1>that's so important. It is. All right. Now we're gonna

0:13:05.840 --> 0:13:12.319
<v Speaker 1>move along to a post from a Crusher that had

0:13:12.320 --> 0:13:14.800
<v Speaker 1>been unaware to me previously. I don't know if Steve

0:13:14.920 --> 0:13:17.640
<v Speaker 1>is new or Steve just had a I don't think

0:13:17.640 --> 0:13:19.720
<v Speaker 1>Steve is new. I just haven't seen him around. But

0:13:19.760 --> 0:13:22.280
<v Speaker 1>he had a really brilliant post. Uh, this is Steve

0:13:23.000 --> 0:13:25.760
<v Speaker 1>b enemy. That's how I'm going to pronounce that. And

0:13:25.880 --> 0:13:29.040
<v Speaker 1>he said this null name a thing you've seen only

0:13:29.080 --> 0:13:32.719
<v Speaker 1>in movies that you know exists, but you've surprisingly never

0:13:32.760 --> 0:13:35.000
<v Speaker 1>seen it in real life. And he used an example

0:13:35.080 --> 0:13:38.000
<v Speaker 1>like I've never seen a treehouse or a butler or

0:13:38.120 --> 0:13:44.079
<v Speaker 1>quicksand in real life, but those, yeah, I mean, maybe

0:13:44.160 --> 0:13:46.200
<v Speaker 1>you know Steve might live in the in the city.

0:13:46.320 --> 0:13:48.480
<v Speaker 1>You don't see tree houses in the city. I do

0:13:48.559 --> 0:13:51.240
<v Speaker 1>have to say, Chuck, I happen to grow up in

0:13:51.280 --> 0:13:54.520
<v Speaker 1>a house that had a treehouse, but it's not something

0:13:54.559 --> 0:13:57.040
<v Speaker 1>I see often and you and to to typically these days,

0:13:57.120 --> 0:13:59.520
<v Speaker 1>rather than a treehouse, you'll just see a very elaborate

0:13:59.600 --> 0:14:03.640
<v Speaker 1>play place assembly. Like I'm not a proper treehouse. I

0:14:03.679 --> 0:14:05.560
<v Speaker 1>would think you need to get a permit to build

0:14:05.559 --> 0:14:09.600
<v Speaker 1>a treehouse, Chuck m You know in Atlanta there's as

0:14:09.640 --> 0:14:12.120
<v Speaker 1>a name for something behind your house called an a

0:14:12.280 --> 0:14:15.760
<v Speaker 1>d U an accessory dwelling unit. So if you want

0:14:15.760 --> 0:14:17.640
<v Speaker 1>to build a little tiny office in your backyard, you

0:14:17.720 --> 0:14:19.440
<v Speaker 1>got to go through the permitting for a d U

0:14:19.560 --> 0:14:22.280
<v Speaker 1>S And I wonder if treehouses is the same. Do

0:14:22.320 --> 0:14:23.880
<v Speaker 1>you think they had a permit for that treehouse and

0:14:23.960 --> 0:14:26.800
<v Speaker 1>hereditary that could have solved everything if they'd only had

0:14:26.800 --> 0:14:29.640
<v Speaker 1>a permit. Yeah, that's what That's what you get. That's

0:14:29.680 --> 0:14:34.960
<v Speaker 1>the takeaway. Skip the permitting process. Always get at and

0:14:35.560 --> 0:14:37.800
<v Speaker 1>not Bill's above. What was the name of the uh

0:14:38.080 --> 0:14:43.760
<v Speaker 1>piemon pimon your treehouse five month? I'd like to see that.

0:14:43.800 --> 0:14:48.840
<v Speaker 1>He's the demon of bureaucrats exactly. You didn't fill out

0:14:48.880 --> 0:14:53.200
<v Speaker 1>your permit, you will die, all right. So we're gonna

0:14:53.200 --> 0:14:56.280
<v Speaker 1>start off with Barbara Weiss Icebergs. I've never seen an

0:14:56.320 --> 0:14:59.080
<v Speaker 1>iceberg in all of you. I've seen one right ahead,

0:15:00.320 --> 0:15:02.520
<v Speaker 1>get it, I guess it. I have. I have not

0:15:02.600 --> 0:15:05.120
<v Speaker 1>too soon seen nice. I don't think it's too soon

0:15:05.160 --> 0:15:10.040
<v Speaker 1>for the Titanic. Let me see here. Mike Sam says,

0:15:10.080 --> 0:15:14.360
<v Speaker 1>b days, I have, I own a bi day. So yeah,

0:15:14.360 --> 0:15:16.080
<v Speaker 1>so I just got one to know. Finally, what what

0:15:16.280 --> 0:15:18.280
<v Speaker 1>do you got? I have a Tushi but because I

0:15:18.280 --> 0:15:20.200
<v Speaker 1>got it, but I really want to upgrade. Do you

0:15:20.200 --> 0:15:22.120
<v Speaker 1>have a nice one to have a total washlet? I

0:15:22.160 --> 0:15:25.080
<v Speaker 1>have a total washlet. I finally got one after years

0:15:25.080 --> 0:15:28.000
<v Speaker 1>and years of complaining about wiping my butthole with dry paper,

0:15:28.040 --> 0:15:31.440
<v Speaker 1>which is the dumbest thing ever. But days are the ship.

0:15:32.160 --> 0:15:34.800
<v Speaker 1>I really didn't mean that, but they're great. But the

0:15:34.840 --> 0:15:37.640
<v Speaker 1>reason I never got a Toto washlet was because it

0:15:37.680 --> 0:15:39.880
<v Speaker 1>requires power and all, and I don't have an outlet

0:15:39.880 --> 0:15:42.440
<v Speaker 1>next to my toilet. And I finally said, you know what,

0:15:43.040 --> 0:15:46.080
<v Speaker 1>I'm gonna get an electrician out here. Put an outlet

0:15:46.080 --> 0:15:48.480
<v Speaker 1>next to that goddamn toilet. There you go and get

0:15:48.480 --> 0:15:52.040
<v Speaker 1>a washlet because I want warm water shot towards my

0:15:52.080 --> 0:15:55.440
<v Speaker 1>butt hole. It's it's mean, it's those have even like

0:15:55.520 --> 0:15:59.800
<v Speaker 1>directional controls, and you know it's quite warm. You know that.

0:16:00.400 --> 0:16:04.520
<v Speaker 1>Even the tissue, which is very analog, very nonpowered, is

0:16:04.560 --> 0:16:07.040
<v Speaker 1>a game changer. I absolutely love it. So I used

0:16:07.040 --> 0:16:09.200
<v Speaker 1>to have one like that where it's just the cold water,

0:16:09.480 --> 0:16:11.280
<v Speaker 1>just the cold water. But I like the cold water. Honestly.

0:16:11.280 --> 0:16:13.560
<v Speaker 1>It gives you a nice little wake up shot, a

0:16:13.600 --> 0:16:16.800
<v Speaker 1>little house your father just so. But sure there were

0:16:16.880 --> 0:16:18.680
<v Speaker 1>years where I didn't know. They always make the joke

0:16:18.760 --> 0:16:21.680
<v Speaker 1>and movies too, about like mistaking a biday for a

0:16:21.720 --> 0:16:24.880
<v Speaker 1>water fountain, you know, which is funny because it's nothing

0:16:24.920 --> 0:16:28.120
<v Speaker 1>like that. Right, I've never I've never used a real

0:16:28.120 --> 0:16:32.120
<v Speaker 1>bid at like a separate unit. That's the one I'm

0:16:32.160 --> 0:16:33.560
<v Speaker 1>to have in Europe. Yeah, I think it was a

0:16:33.520 --> 0:16:37.160
<v Speaker 1>little more fountain esque and less super soaker. You just

0:16:37.240 --> 0:16:41.160
<v Speaker 1>lift a leg, You just kinda like, yeah, thereul, you

0:16:41.240 --> 0:16:43.840
<v Speaker 1>stand on. I don't know what any European crushers out

0:16:43.840 --> 0:16:45.480
<v Speaker 1>there let us know how that works. Yeah, let us know.

0:16:45.560 --> 0:16:48.920
<v Speaker 1>But I gotta say, watchle game changer. I love it.

0:16:49.000 --> 0:16:51.200
<v Speaker 1>I love it. The only well, never mind, I'm not

0:16:51.200 --> 0:16:54.280
<v Speaker 1>gonna go there. Uh well, I'll go ahead and say it.

0:16:54.360 --> 0:16:57.040
<v Speaker 1>Why not. The only weird thing is because it makes

0:16:57.160 --> 0:17:00.280
<v Speaker 1>noise the second you sit down to engage it, so

0:17:00.400 --> 0:17:02.320
<v Speaker 1>like your daughter can't go in there and press the

0:17:02.360 --> 0:17:04.720
<v Speaker 1>button and have water shoot all over the place, So

0:17:04.760 --> 0:17:06.520
<v Speaker 1>you actually have to sit on it and it engages

0:17:06.560 --> 0:17:09.720
<v Speaker 1>it and starts this little whirring sound. I do my

0:17:09.760 --> 0:17:14.320
<v Speaker 1>business and then I'm forgetting to flush the toilet for

0:17:14.359 --> 0:17:18.760
<v Speaker 1>some reason now, because it's like that's filling up that

0:17:18.840 --> 0:17:22.080
<v Speaker 1>part of your brain. Maybe that's the process would probably

0:17:22.200 --> 0:17:24.800
<v Speaker 1>take place. Yeah, I bet you that's exactly it. So

0:17:25.160 --> 0:17:28.159
<v Speaker 1>quite a few times Emily has been like, what the

0:17:28.200 --> 0:17:33.120
<v Speaker 1>funk are you doing? Are you regressing in life? Maybe?

0:17:33.560 --> 0:17:35.560
<v Speaker 1>And I am, but that has nothing to do with

0:17:35.640 --> 0:17:40.600
<v Speaker 1>the the toilet flushing. So I've gotten better about about checking.

0:17:40.640 --> 0:17:44.959
<v Speaker 1>Now you got me, you got me Amazon, ng Toto

0:17:45.080 --> 0:17:46.840
<v Speaker 1>washlets now because I feel like I need to up

0:17:46.840 --> 0:17:49.439
<v Speaker 1>my game a couple of hundred bucks, two or three

0:17:49.480 --> 0:17:51.840
<v Speaker 1>hundred bucks. But that's the thing, though, Chuck, They're they're

0:17:51.880 --> 0:17:58.240
<v Speaker 1>all over the place. There's one for nine. Yeah, the

0:17:58.240 --> 0:18:00.000
<v Speaker 1>one I'm looking at. No, No, I know exactly the

0:18:00.000 --> 0:18:02.160
<v Speaker 1>when you're talking about us. The Toto s W two

0:18:02.160 --> 0:18:05.520
<v Speaker 1>O one number one A one electric but day toilet

0:18:05.520 --> 0:18:09.200
<v Speaker 1>cleansing warm water and heated see elongated cotton white washlet.

0:18:09.280 --> 0:18:12.439
<v Speaker 1>How much is that one? Yeah? That sounds exactly right.

0:18:12.560 --> 0:18:15.680
<v Speaker 1>Huh yeah. And then I think it costs me about

0:18:15.720 --> 0:18:18.119
<v Speaker 1>a hundred and fifty bucks to get an outlet installed.

0:18:19.119 --> 0:18:21.080
<v Speaker 1>But it'll pay for itself over time because I'm not

0:18:21.080 --> 0:18:23.360
<v Speaker 1>having to buy that toilet paper like it. Well, you

0:18:23.359 --> 0:18:25.800
<v Speaker 1>you needed to dab, chuck, you need to dab, but

0:18:26.040 --> 0:18:30.880
<v Speaker 1>you used it a square, you know, sup squares? I'm okay.

0:18:31.000 --> 0:18:32.760
<v Speaker 1>Maybe I see. I don't own my house though, so

0:18:32.800 --> 0:18:35.680
<v Speaker 1>it's like, do I really want to sink money running

0:18:35.680 --> 0:18:37.240
<v Speaker 1>an outlet? I'm going to buy a house next year,

0:18:37.240 --> 0:18:39.680
<v Speaker 1>so maybe I'll just I'll hold out that. You know what, nol,

0:18:40.160 --> 0:18:43.320
<v Speaker 1>you buy a house and that'll be your housewarming gifts.

0:18:43.720 --> 0:18:45.679
<v Speaker 1>I will buy you a Toto washlet. You gotta get

0:18:45.760 --> 0:18:47.520
<v Speaker 1>power hooked up. I'm not gonna spring for that too.

0:18:48.320 --> 0:18:51.600
<v Speaker 1>I've been springing. I had to appreciate it. One of

0:18:51.640 --> 0:18:56.800
<v Speaker 1>the crushers yesterday, uh posted Jeff Cassis that he dropped it.

0:18:56.840 --> 0:18:59.720
<v Speaker 1>He's listening to movie Crush on a construction site and

0:18:59.800 --> 0:19:03.920
<v Speaker 1>draw his earbud, brand new earbud in the porta potty

0:19:04.119 --> 0:19:07.959
<v Speaker 1>in that deep blue grossness, and uh, I was just

0:19:08.080 --> 0:19:10.440
<v Speaker 1>feeling like I should do something, so I to had

0:19:10.480 --> 0:19:13.240
<v Speaker 1>him send me his name and address, and I'm replacing

0:19:13.240 --> 0:19:16.040
<v Speaker 1>those earbuds for him at my own spend. What a

0:19:16.119 --> 0:19:18.679
<v Speaker 1>sweetheart you are. I got something real quick. Back to

0:19:18.680 --> 0:19:21.680
<v Speaker 1>Seattle really quickly. There's a brand of Porta Potti in Seattle.

0:19:22.160 --> 0:19:28.280
<v Speaker 1>It's called honey Bucket. Oh okay, why why? Well, you

0:19:28.280 --> 0:19:29.760
<v Speaker 1>know what on a film set. This is all coming

0:19:29.800 --> 0:19:33.399
<v Speaker 1>back around No Old two movies. Uh, the ship wagon,

0:19:33.920 --> 0:19:36.160
<v Speaker 1>it's called a honeywagon on a film set. So when

0:19:36.160 --> 0:19:38.080
<v Speaker 1>they bring in the big trailer with like eight toilets,

0:19:38.119 --> 0:19:40.879
<v Speaker 1>it's called a honeywagon. Oh well, that's that. That's obviously

0:19:40.960 --> 0:19:43.679
<v Speaker 1>where this is related to. Thank you for solving that mystery.

0:19:43.680 --> 0:19:46.320
<v Speaker 1>I was like, what weirdo came up with this idea?

0:19:46.800 --> 0:19:48.960
<v Speaker 1>Of course that doesn't really explain anything, because that doesn't

0:19:50.119 --> 0:19:53.440
<v Speaker 1>at least it's related to a pre existing weird thing,

0:19:53.960 --> 0:19:57.880
<v Speaker 1>that's right. Uh So anyway, Yeah, I bought some earbuds

0:19:57.920 --> 0:20:01.160
<v Speaker 1>for Jonah. I'm sending them to Canada. Uh and uh,

0:20:01.200 --> 0:20:03.000
<v Speaker 1>I have to say, Jonah has a pretty nice taste

0:20:03.000 --> 0:20:04.440
<v Speaker 1>and earbuds and all. I hope he's not taking me

0:20:04.480 --> 0:20:09.399
<v Speaker 1>for a fast one. That is really sweet if you

0:20:09.480 --> 0:20:14.119
<v Speaker 1>chuck that. Brandy Brooks says, random amounts of money stuffed

0:20:14.119 --> 0:20:17.639
<v Speaker 1>in mattresses. Sure, that's a movie trope. It's one of

0:20:17.640 --> 0:20:20.960
<v Speaker 1>those things you hear about. Um, I've never seen it either.

0:20:22.720 --> 0:20:25.920
<v Speaker 1>Murders and detectives is what Tara Lee Shaw says. How

0:20:25.920 --> 0:20:29.320
<v Speaker 1>do you know, Tara? You may have seen a murderer

0:20:29.400 --> 0:20:33.200
<v Speaker 1>at the coffee shop this morning or a detective. Don't

0:20:33.240 --> 0:20:35.879
<v Speaker 1>know that they're undercover, right, you don't know? Man? My

0:20:36.040 --> 0:20:38.920
<v Speaker 1>laptop is that fan is cranking? I'm sorry. If people

0:20:38.920 --> 0:20:41.359
<v Speaker 1>are hearing that, it's okay, I can't hear it. You

0:20:41.359 --> 0:20:43.359
<v Speaker 1>hear that, you don't hear that? Ship, I don't quite hear. No,

0:20:43.760 --> 0:20:45.480
<v Speaker 1>I'm running a lot there, it is there, it is?

0:20:45.680 --> 0:20:48.280
<v Speaker 1>Was it running hot here? I'll put it right up.

0:20:50.600 --> 0:20:54.920
<v Speaker 1>Was that better a little bit? Yeah? Yeah? Uh. Cody

0:20:54.960 --> 0:20:58.199
<v Speaker 1>reads as a booby trap booty trap. Yeah, I've never

0:20:58.240 --> 0:21:01.119
<v Speaker 1>seen a booby trap. I've tried to build the like

0:21:01.119 --> 0:21:03.920
<v Speaker 1>like a trip wire of some sort. Yeah. I built

0:21:03.960 --> 0:21:05.480
<v Speaker 1>a booby traps when I was a kid, like dug

0:21:05.480 --> 0:21:07.440
<v Speaker 1>a hole in the woods and put sticks up for it.

0:21:07.720 --> 0:21:10.679
<v Speaker 1>That's terrible and and like barbed wire and broken glass

0:21:10.680 --> 0:21:14.000
<v Speaker 1>and stuff got twisted child, No, no one ever. I

0:21:14.000 --> 0:21:15.800
<v Speaker 1>mean these were woods that only we played in, so

0:21:15.840 --> 0:21:18.639
<v Speaker 1>I think I was probably just trying to I probably

0:21:19.080 --> 0:21:21.600
<v Speaker 1>would have fallen in it myself as the only eventual outcome.

0:21:22.600 --> 0:21:25.320
<v Speaker 1>I think that is something that that kids can get

0:21:25.359 --> 0:21:28.399
<v Speaker 1>fascinated with. I was always fascinated with that game mouse Trap,

0:21:28.800 --> 0:21:30.959
<v Speaker 1>you know, with like those Rube Goldberg kind of like

0:21:31.040 --> 0:21:34.440
<v Speaker 1>one thing. It's so fun, and I think that's sort

0:21:34.440 --> 0:21:37.080
<v Speaker 1>of the appeal of booby traps, especially the really elaborate

0:21:37.080 --> 0:21:39.479
<v Speaker 1>ones where you trip a wire and then it undoes

0:21:39.520 --> 0:21:42.760
<v Speaker 1>something and then a big giant log swings down from

0:21:42.760 --> 0:21:45.600
<v Speaker 1>the trees and knock your head off. Yeah, rainbow style.

0:21:46.520 --> 0:21:48.639
<v Speaker 1>I gotta say that, Nold, and you've probably encountered this

0:21:48.680 --> 0:21:52.320
<v Speaker 1>as a father to games these days are not put

0:21:52.359 --> 0:21:54.680
<v Speaker 1>together like they used to be in terms of the

0:21:55.040 --> 0:21:58.359
<v Speaker 1>build quality. Yeah. Yeah, Like we got the Game of

0:21:58.400 --> 0:22:02.119
<v Speaker 1>Life and like the Spinner is terrible, and I was like,

0:22:02.600 --> 0:22:04.280
<v Speaker 1>the old Spinner was so great. So what you do

0:22:04.359 --> 0:22:06.159
<v Speaker 1>is you can go on eBay and by a vintage

0:22:06.160 --> 0:22:08.760
<v Speaker 1>spinner for like five bucks if you want to piece

0:22:08.760 --> 0:22:10.399
<v Speaker 1>out a few of these things that are vital to

0:22:10.440 --> 0:22:13.280
<v Speaker 1>your gameplay. Because they just sucked now and they don't

0:22:13.280 --> 0:22:16.280
<v Speaker 1>even spend. At the same time, though, Chuck, it's it's

0:22:16.280 --> 0:22:20.920
<v Speaker 1>a wide world of very elaborate and expensive nerd games

0:22:21.200 --> 0:22:24.240
<v Speaker 1>which are quite well built. Well, I believe that. So

0:22:24.320 --> 0:22:27.080
<v Speaker 1>if you're talking about mass marketed like legacy games that

0:22:27.160 --> 0:22:30.719
<v Speaker 1>are probably in there, like fift iteration from like Mattel,

0:22:30.920 --> 0:22:34.600
<v Speaker 1>those are probably made of Spider's webs cheaper and cheaper

0:22:34.640 --> 0:22:37.560
<v Speaker 1>and cheaper. Let me see here, Dale Lucas, this is

0:22:37.560 --> 0:22:39.880
<v Speaker 1>a good one. It's something he's never seen. Families having

0:22:39.920 --> 0:22:43.199
<v Speaker 1>full multi items sit down breakfast complete with pictures of

0:22:43.240 --> 0:22:46.399
<v Speaker 1>both O J and milk on normal school and work days.

0:22:47.000 --> 0:22:49.679
<v Speaker 1>Somewhere someone might do that, But in the world, I

0:22:49.720 --> 0:22:53.240
<v Speaker 1>know that's weekend stuff during the week everyone I've ever known.

0:22:54.720 --> 0:22:57.080
<v Speaker 1>What was that? It was actually the sound of Paul

0:22:57.160 --> 0:23:01.399
<v Speaker 1>Rubens Um I was looking at his cameo. Was you

0:23:01.440 --> 0:23:02.919
<v Speaker 1>know you know I was about to bring this up

0:23:02.920 --> 0:23:07.200
<v Speaker 1>in a second. Do you know the website cameo? Chuck? Well, Um,

0:23:07.240 --> 0:23:09.600
<v Speaker 1>it's really funny because it's always like really sad when

0:23:09.640 --> 0:23:11.840
<v Speaker 1>you see some sort of like has been actor and

0:23:11.880 --> 0:23:13.679
<v Speaker 1>it's only like twenty bucks to get them to do

0:23:13.720 --> 0:23:18.080
<v Speaker 1>a cameo, Uh, Paul Rubens is three. Baby. That's that's

0:23:18.160 --> 0:23:22.040
<v Speaker 1>some top top notch there, because I was gonna bring

0:23:22.040 --> 0:23:24.600
<v Speaker 1>it up. It's about movies. We're talking about movie stuff,

0:23:24.640 --> 0:23:26.520
<v Speaker 1>and I was that that was gonna be my little contribution.

0:23:26.800 --> 0:23:30.720
<v Speaker 1>And my computer interface does this thing where it sends

0:23:30.760 --> 0:23:35.080
<v Speaker 1>every audio played on my computer through the zoom. It's

0:23:35.080 --> 0:23:37.040
<v Speaker 1>been awkward a couple of times for me where I've

0:23:37.080 --> 0:23:38.840
<v Speaker 1>like accidentally hit a note on one of my many

0:23:38.920 --> 0:23:41.560
<v Speaker 1>synthesizers and all of a sudden, everyone on the zoom.

0:23:41.600 --> 0:23:45.000
<v Speaker 1>Here's like a massive like synthesizer note. I've been having

0:23:45.040 --> 0:23:47.679
<v Speaker 1>to like really be very very careful. But yeah, so

0:23:48.160 --> 0:23:50.080
<v Speaker 1>you scooped me on my Paul Reuben's bit. I didn't

0:23:50.080 --> 0:23:55.119
<v Speaker 1>mean to interrupt, Please continue, Chuck. So during my reading

0:23:55.160 --> 0:24:00.000
<v Speaker 1>of Dale's comment, I hear, hell because you're looking at

0:24:00.040 --> 0:24:05.320
<v Speaker 1>fucking camera. No, it was it was all for research purposes. Boy,

0:24:05.359 --> 0:24:07.240
<v Speaker 1>I don't even know where it was. Apology Stale. You

0:24:07.240 --> 0:24:09.400
<v Speaker 1>can send your complaint letters to knowl on that one.

0:24:10.280 --> 0:24:12.400
<v Speaker 1>I'll even give you my personal email addresses an old

0:24:12.440 --> 0:24:15.560
<v Speaker 1>Brown at hotmail dot com. Uh, you know what the

0:24:15.560 --> 0:24:18.680
<v Speaker 1>guy's unfriendly fire used to do any anytime they would

0:24:19.760 --> 0:24:23.360
<v Speaker 1>r I P friendly fire. Um. Anytime they would have

0:24:25.119 --> 0:24:28.640
<v Speaker 1>seemingly a complaint coming forward, they would say, just send

0:24:29.240 --> 0:24:33.639
<v Speaker 1>your email to go fund yourself at Max Funkenstein dot com.

0:24:34.080 --> 0:24:37.440
<v Speaker 1>Because it was a Max bunchow. We always uh something

0:24:37.440 --> 0:24:39.359
<v Speaker 1>I want you to know list our complaint department as

0:24:39.440 --> 0:24:43.520
<v Speaker 1>Jonathan Strickland at heart radio dot com. NICs, do you

0:24:43.520 --> 0:24:45.960
<v Speaker 1>give us real email? You should? We do? Actually, does

0:24:46.000 --> 0:24:48.240
<v Speaker 1>he get him? I don't know that he's ever gotten anything.

0:24:48.240 --> 0:24:52.680
<v Speaker 1>He's never mentioned it. He's never mentioned it. I I

0:24:52.800 --> 0:24:56.399
<v Speaker 1>shave II sha Abraham says nar Walls. Yeah, but has

0:24:56.400 --> 0:24:58.800
<v Speaker 1>anyone ever really seen a normal I mean that's sort

0:24:58.800 --> 0:25:02.119
<v Speaker 1>of like that's the most rare of sea creature sightings.

0:25:02.160 --> 0:25:05.320
<v Speaker 1>I would say, all right, I gotta dig into this

0:25:05.320 --> 0:25:10.040
<v Speaker 1>one because our old pal Caroline guest and says homecoming events. Oh,

0:25:10.040 --> 0:25:12.440
<v Speaker 1>come on, sure in high schools. I mean, if you

0:25:12.520 --> 0:25:15.600
<v Speaker 1>went to a high school, they had a big football situation. Right. Well,

0:25:16.640 --> 0:25:18.800
<v Speaker 1>I will say this Caroline is from the depths of

0:25:18.880 --> 0:25:21.640
<v Speaker 1>Canada or the heights of Canada. I think she's way

0:25:21.720 --> 0:25:24.120
<v Speaker 1>up there in the upper Northeast if I'm not mistaken,

0:25:24.960 --> 0:25:26.679
<v Speaker 1>So it might not be a thing she said, she

0:25:26.720 --> 0:25:31.800
<v Speaker 1>knows about prom we had that. But homecoming is in

0:25:31.840 --> 0:25:33.880
<v Speaker 1>the fall, right, and it's mostly about a football game.

0:25:34.040 --> 0:25:37.560
<v Speaker 1>It's about a football game. Homecoming literally means the first

0:25:37.600 --> 0:25:41.240
<v Speaker 1>home game, right of the season. Yeah, I mean, she's

0:25:41.240 --> 0:25:43.359
<v Speaker 1>got it dead. It's it's a it's not the first

0:25:43.400 --> 0:25:45.560
<v Speaker 1>home game, but it's when the alumni are encouraged to

0:25:45.600 --> 0:25:47.639
<v Speaker 1>come home, and it's in the game and they have

0:25:47.640 --> 0:25:49.200
<v Speaker 1>a little ceremony and then they have a dance and

0:25:49.240 --> 0:25:51.560
<v Speaker 1>all that ship I see. So, but it is very

0:25:51.560 --> 0:25:54.840
<v Speaker 1>specifically football centric, yeah, which is why she's Canadian. They

0:25:54.880 --> 0:25:57.119
<v Speaker 1>don't care about football there, and don't you just do

0:25:57.200 --> 0:26:01.240
<v Speaker 1>like curling? Right? I know there's a Canadian football think everybody,

0:26:01.880 --> 0:26:07.800
<v Speaker 1>but really, Austin Handler said tree House. Friends of ours

0:26:07.800 --> 0:26:09.680
<v Speaker 1>have been in Saint Tree House. Oh no, he's just

0:26:09.680 --> 0:26:11.879
<v Speaker 1>saying he's going to send a picture in all right.

0:26:12.440 --> 0:26:17.880
<v Speaker 1>Romeo Fuqua says, A panic room. That's that's the first

0:26:17.920 --> 0:26:22.160
<v Speaker 1>time I've heard that name. It's a good one. Welcome room. Now.

0:26:22.320 --> 0:26:26.080
<v Speaker 1>Panic rooms are pretty much reserved for the very rich

0:26:26.119 --> 0:26:27.840
<v Speaker 1>and powerful, right, I mean you would only see that

0:26:29.240 --> 0:26:36.359
<v Speaker 1>bespoke mansion, right, Yeah, exactly. Let me see Joshua Fish

0:26:36.359 --> 0:26:41.439
<v Speaker 1>says that floor piano and big Okay, sure is that

0:26:41.480 --> 0:26:43.959
<v Speaker 1>a real thing? That was probably real? Right? It probably was.

0:26:44.400 --> 0:26:46.320
<v Speaker 1>Let's see, I mean like what, you know, what do

0:26:46.359 --> 0:26:48.760
<v Speaker 1>they still surely they still make something. It seems like

0:26:48.840 --> 0:26:52.240
<v Speaker 1>that's absolutely the kind of gadget that you would see

0:26:52.440 --> 0:26:55.280
<v Speaker 1>pop up on an ad in Google. You know what

0:26:55.359 --> 0:26:59.520
<v Speaker 1>I mean? If you're like, let's say, floor piano for sale.

0:27:00.600 --> 0:27:05.760
<v Speaker 1>Oh sweet, no, here you go, quick and play gigantic

0:27:05.880 --> 0:27:10.040
<v Speaker 1>keyboard play Matt twenty four keys Piano Matt eight selectable

0:27:10.119 --> 0:27:13.880
<v Speaker 1>musical styles. Uh, it is absolutely that thing, and it

0:27:13.920 --> 0:27:19.440
<v Speaker 1>is only thirty fifty on Amazon today. Yep, it's gotta

0:27:19.480 --> 0:27:22.120
<v Speaker 1>be garbage. It does look like garbage. And to be fair,

0:27:22.480 --> 0:27:25.280
<v Speaker 1>it is a very small child on it and he

0:27:25.480 --> 0:27:28.520
<v Speaker 1>dwarfs the thing. So it's definitely not the same size

0:27:28.600 --> 0:27:33.639
<v Speaker 1>as the big piano that was in the movie Small

0:27:34.359 --> 0:27:38.760
<v Speaker 1>Yet Oh wait a minute, no, no no, no, young on

0:27:38.960 --> 0:27:41.359
<v Speaker 1>the okay, because if we'll recall, I believe it was

0:27:41.440 --> 0:27:44.280
<v Speaker 1>f A. O. Schwartz that was featured in that scene,

0:27:44.359 --> 0:27:48.520
<v Speaker 1>wasn't it. So if you look up floor piano, f

0:27:48.640 --> 0:27:52.520
<v Speaker 1>A O. Shorts Piano Dance, Matt comes up and it's

0:27:52.600 --> 0:27:57.040
<v Speaker 1>fifty dollars on clearance and it's from Belk. It's from

0:27:57.160 --> 0:28:00.680
<v Speaker 1>belk dot com. What I don't understand, well, when I

0:28:00.720 --> 0:28:02.800
<v Speaker 1>think of great pianos, I think of Yamaha, I think

0:28:02.880 --> 0:28:07.040
<v Speaker 1>of the Fender Rhodes, and I think of Belk H cents. Yeah,

0:28:07.080 --> 0:28:11.200
<v Speaker 1>maybe Steinway, Steinway and Belk and Belk makes a makes

0:28:11.200 --> 0:28:15.200
<v Speaker 1>a mean piano, nol. I know you play the synth

0:28:15.240 --> 0:28:16.640
<v Speaker 1>and stuff like that, but can you can you get

0:28:16.640 --> 0:28:18.680
<v Speaker 1>down on the piano a little bit? I can? I mean,

0:28:18.680 --> 0:28:20.520
<v Speaker 1>I can you know fiddle my way around? And I'll

0:28:20.560 --> 0:28:24.280
<v Speaker 1>tell you who's excellent as Alex Williams. He's He's I

0:28:24.280 --> 0:28:26.160
<v Speaker 1>think that told you. He and I and Matt Frederick

0:28:26.200 --> 0:28:28.159
<v Speaker 1>playing a little band together. We played out once a

0:28:28.200 --> 0:28:32.199
<v Speaker 1>week and um, Alex is just a real renaissance man.

0:28:32.240 --> 0:28:35.439
<v Speaker 1>He can play guitar, just shred it up and play keys.

0:28:35.560 --> 0:28:38.200
<v Speaker 1>I tend to play bass and kind of you know,

0:28:38.400 --> 0:28:40.560
<v Speaker 1>SYNTHI type stuff, and we switched off between bass and

0:28:40.560 --> 0:28:44.120
<v Speaker 1>guitars sometimes. But he is just epically talented and really

0:28:44.120 --> 0:28:46.880
<v Speaker 1>great at different chord shapes and um theory and stuff.

0:28:46.920 --> 0:28:48.960
<v Speaker 1>I'm much more of like a plunk in my way

0:28:49.000 --> 0:28:51.440
<v Speaker 1>around it. And you know, finding my way to something

0:28:51.480 --> 0:28:54.480
<v Speaker 1>that sounds good. So for listeners, Alex as a former guest,

0:28:54.520 --> 0:28:56.320
<v Speaker 1>one of our colleagues that we work with, and he

0:28:57.200 --> 0:29:00.640
<v Speaker 1>uh did the movie Edward on the show, and he

0:29:00.720 --> 0:29:02.760
<v Speaker 1>also has a great podcast which I believe has a

0:29:02.760 --> 0:29:07.400
<v Speaker 1>season two coming up epemeral right and just launched season two.

0:29:07.400 --> 0:29:10.560
<v Speaker 1>Actually it's great. It is a truly truly great show

0:29:10.640 --> 0:29:13.760
<v Speaker 1>and and people should listen and completely agree. Yeah that

0:29:13.760 --> 0:29:16.520
<v Speaker 1>that is not just doing Alexa solid it's it's a

0:29:17.080 --> 0:29:19.560
<v Speaker 1>great show. No, He's a creative dude. It's been really

0:29:19.600 --> 0:29:23.480
<v Speaker 1>fun just kind of doing outside of work stuff with him,

0:29:23.640 --> 0:29:26.160
<v Speaker 1>Um and Matt. It's been like I've got the whole

0:29:26.160 --> 0:29:28.840
<v Speaker 1>everything wired to record, So every time we jam, we

0:29:28.920 --> 0:29:30.960
<v Speaker 1>just plug the guitars in the bass directly into my

0:29:31.000 --> 0:29:33.120
<v Speaker 1>interface and I'll use headphones and the mic. The drums

0:29:33.160 --> 0:29:35.920
<v Speaker 1>are fully miked up so we have full mixable kind

0:29:35.960 --> 0:29:38.480
<v Speaker 1>of no bleed on everything, and we've been just kind

0:29:38.480 --> 0:29:40.000
<v Speaker 1>of coming up with someone the fly. We've got a

0:29:40.040 --> 0:29:42.760
<v Speaker 1>good handful of tunes that we are working on. Are

0:29:42.960 --> 0:29:47.640
<v Speaker 1>does anyone sing? Are you guys? Just instrumental? Instrumental to start,

0:29:47.760 --> 0:29:49.040
<v Speaker 1>But it's sort of like the way a lot of

0:29:49.040 --> 0:29:51.000
<v Speaker 1>bands work, even like the Smiths did it this way

0:29:51.040 --> 0:29:53.400
<v Speaker 1>where they would kind of create the instrumental parts and

0:29:53.440 --> 0:29:55.560
<v Speaker 1>then add the vocals after the fact. They'd give him

0:29:55.560 --> 0:29:57.600
<v Speaker 1>to old Morrissey who had been like brooding in his

0:29:57.680 --> 0:30:00.640
<v Speaker 1>poetry Dungeon. Are you all gonna do this? I think so?

0:30:01.160 --> 0:30:03.640
<v Speaker 1>Are you gonna sing? I'm I'm gonna saying. Alex is

0:30:03.680 --> 0:30:05.880
<v Speaker 1>also a great singer. Matt's also a great singer. We're

0:30:05.880 --> 0:30:08.080
<v Speaker 1>gonna try on for some three part harmonies, and when

0:30:08.080 --> 0:30:10.520
<v Speaker 1>things open up, we'll probably have some material and try

0:30:10.560 --> 0:30:12.640
<v Speaker 1>to play live. Alex and I also have a little

0:30:12.640 --> 0:30:14.440
<v Speaker 1>electronic project that's just the two of us that's more

0:30:14.520 --> 0:30:18.000
<v Speaker 1>dance oriented. But um really doing a lot of I do.

0:30:18.400 --> 0:30:22.320
<v Speaker 1>I would love to like jam in person with you sometime.

0:30:22.920 --> 0:30:25.800
<v Speaker 1>I'm not a good jammer, uh. I'm a rhythm guitar player.

0:30:25.800 --> 0:30:28.640
<v Speaker 1>I mean I can follow along with some chords and stuff,

0:30:28.680 --> 0:30:30.560
<v Speaker 1>but I've never been a good jammer. Let's let's get

0:30:30.600 --> 0:30:32.200
<v Speaker 1>you over here in the studio one of these days

0:30:32.200 --> 0:30:34.080
<v Speaker 1>and I'll play some drums and you play some guitar

0:30:34.120 --> 0:30:36.440
<v Speaker 1>and we can just record a song or something. I

0:30:36.480 --> 0:30:38.640
<v Speaker 1>do have to say no that that we're playing tonight

0:30:39.200 --> 0:30:42.520
<v Speaker 1>me and my band for the first time. No way, yep.

0:30:43.000 --> 0:30:46.920
<v Speaker 1>Where at the Drummer's house, Jim's house. It's awesome. It's

0:30:46.920 --> 0:30:50.920
<v Speaker 1>in Kirkwood, near us UM and we're all super super,

0:30:51.040 --> 0:30:54.640
<v Speaker 1>super excited and vaccinated. I am so happy for you.

0:30:54.800 --> 0:30:57.520
<v Speaker 1>Isn't it nice to feel just a little tinge of

0:30:57.600 --> 0:30:59.680
<v Speaker 1>normalcy kind of creeping back in. Obviously we all have

0:30:59.720 --> 0:31:02.360
<v Speaker 1>to still be vigilant, careful and thoughtful to others and

0:31:02.400 --> 0:31:04.840
<v Speaker 1>all that, but it is nice, like taking that trip

0:31:04.920 --> 0:31:07.440
<v Speaker 1>was a real kind of breaking on through to the

0:31:07.480 --> 0:31:17.840
<v Speaker 1>other side thing for me. You know, that's great. All right,

0:31:17.920 --> 0:31:19.520
<v Speaker 1>let's finish up with a couple of more here, David

0:31:19.520 --> 0:31:21.400
<v Speaker 1>Mills says, a cat suddenly jumps out of nowhere, and

0:31:21.440 --> 0:31:24.280
<v Speaker 1>Meal was loudly yeah. That's probably something you don't see

0:31:24.320 --> 0:31:26.880
<v Speaker 1>a lot in real life. It's a movie, the fake

0:31:26.920 --> 0:31:30.080
<v Speaker 1>out jump Scare. I'm gonna go with Romeo Fuqua again.

0:31:30.160 --> 0:31:32.200
<v Speaker 1>He's a new star of the show, because this is

0:31:32.240 --> 0:31:36.440
<v Speaker 1>a funny one. People just carrying sheets of glass. That's good.

0:31:36.480 --> 0:31:39.200
<v Speaker 1>Some of these border on tropes, which is sort of

0:31:39.200 --> 0:31:41.680
<v Speaker 1>the point as well. I think. I mean, that's that's

0:31:41.720 --> 0:31:44.600
<v Speaker 1>one that was satirized in Wayne's World two where it

0:31:44.640 --> 0:31:46.880
<v Speaker 1>was like a whole series of He's like running to

0:31:46.880 --> 0:31:49.560
<v Speaker 1>to stop the wedding and then there's like people carrying

0:31:49.600 --> 0:31:53.280
<v Speaker 1>a giant slabbing bass and chickens and stuff. Was there

0:31:53.280 --> 0:31:59.120
<v Speaker 1>a baby stroller? I think my baby? Yeah. Usually Eric,

0:31:59.640 --> 0:32:01.160
<v Speaker 1>I don't know to product your na America and go

0:32:01.160 --> 0:32:07.600
<v Speaker 1>with Jarda says this is very funny climaxing simultaneously. Never

0:32:07.680 --> 0:32:09.760
<v Speaker 1>happens in the real world. Never happens in the real world.

0:32:10.960 --> 0:32:12.760
<v Speaker 1>You're just not doing a good enough job. Come on, guys,

0:32:12.800 --> 0:32:15.760
<v Speaker 1>try harder. I mean that that. That's just there are

0:32:15.800 --> 0:32:18.920
<v Speaker 1>so many problems with movie sex as far as setting

0:32:18.920 --> 0:32:21.600
<v Speaker 1>people up to believe that any of that ship is

0:32:21.640 --> 0:32:25.760
<v Speaker 1>how it really goes down. It's it's not good. That's yeah. Nothing.

0:32:26.240 --> 0:32:29.120
<v Speaker 1>My My favorite though, is how the one the actor

0:32:29.400 --> 0:32:32.320
<v Speaker 1>that is clearly under contract to not show her breasts

0:32:32.640 --> 0:32:36.840
<v Speaker 1>is immediately covered up with a sheet. Cous just bad

0:32:36.840 --> 0:32:41.000
<v Speaker 1>buddy double cut in mm hmm, yeah, I love it.

0:32:41.040 --> 0:32:43.040
<v Speaker 1>Don't do anything you don't want to do people, No,

0:32:43.320 --> 0:32:49.239
<v Speaker 1>definitely not. Uh. Blair Christensen also says families having breakfast together, uh,

0:32:49.280 --> 0:32:51.080
<v Speaker 1>and here we go. No, we'll finish with this one,

0:32:51.560 --> 0:32:55.000
<v Speaker 1>Martin Kidd says, bed sheets that cover lady boobies, but

0:32:55.160 --> 0:33:02.440
<v Speaker 1>show man boobies, right, see at that's it. It's the

0:33:02.440 --> 0:33:05.640
<v Speaker 1>the l shaped sheet is what Joel Kron calls it.

0:33:06.600 --> 0:33:09.400
<v Speaker 1>And uh, this is good stuff, Steve, thanks for putting

0:33:09.400 --> 0:33:11.320
<v Speaker 1>that up there. And Nole, we're gonna do a little

0:33:11.320 --> 0:33:15.840
<v Speaker 1>stream this because we got a lot of stuff. So maybe,

0:33:16.600 --> 0:33:18.960
<v Speaker 1>um instead of maybe we can go back and forth

0:33:19.120 --> 0:33:22.239
<v Speaker 1>since we each have a bunch, and I'll start out

0:33:22.280 --> 0:33:26.560
<v Speaker 1>with two quick ones. Uh. We Emily and I both

0:33:26.560 --> 0:33:33.360
<v Speaker 1>watched One Division finally, and I we loved it, like

0:33:33.600 --> 0:33:36.800
<v Speaker 1>really really loved it too. I thought it was one

0:33:36.840 --> 0:33:41.040
<v Speaker 1>of the most original takes on a story like this

0:33:41.200 --> 0:33:43.240
<v Speaker 1>that I had ever seen. I thought it was brilliant.

0:33:43.720 --> 0:33:45.640
<v Speaker 1>I loved every minute of it. And you know, Emily's

0:33:45.640 --> 0:33:47.360
<v Speaker 1>deal with Marvel is she sort of in and out

0:33:47.640 --> 0:33:49.479
<v Speaker 1>likes it when she takes the time to watch it,

0:33:49.520 --> 0:33:51.920
<v Speaker 1>but it's not like a Marvel nerd. But she really

0:33:51.960 --> 0:33:55.120
<v Speaker 1>got into Scarlet Witch and was reading about the backstory.

0:33:55.200 --> 0:33:58.320
<v Speaker 1>And then we watched Age of Ultron after we finished

0:33:58.320 --> 0:34:01.200
<v Speaker 1>it all, because of course that's where Vision created and

0:34:01.320 --> 0:34:05.080
<v Speaker 1>Scarlet Witches sort of becomes Scarlett Witch and uh, she

0:34:05.200 --> 0:34:08.000
<v Speaker 1>really loved that. So h we've been on that kick.

0:34:08.040 --> 0:34:10.799
<v Speaker 1>And then I watched Falcon, The Falcon and the Winter

0:34:10.840 --> 0:34:13.879
<v Speaker 1>Soldier by myself, and I love that too. You did

0:34:13.920 --> 0:34:16.759
<v Speaker 1>like it. I fucking loved it, dude. God, it's a

0:34:16.800 --> 0:34:18.319
<v Speaker 1>lot of people have been a little hot and cold

0:34:18.360 --> 0:34:20.320
<v Speaker 1>about it that I've I've only seen the first episode,

0:34:20.320 --> 0:34:22.759
<v Speaker 1>but um, I've heard some mixed things, but I'm glad

0:34:22.760 --> 0:34:24.160
<v Speaker 1>to hear that. I'm gonna give it. I'm gonna jump

0:34:24.160 --> 0:34:26.000
<v Speaker 1>back in. It's great. I love it. I mean, I

0:34:26.040 --> 0:34:29.000
<v Speaker 1>love the Bucky Barnes character in Sebastian stand and Anthony

0:34:29.040 --> 0:34:32.279
<v Speaker 1>mckintee's a Mackie is awesome. I just thought it was

0:34:32.320 --> 0:34:34.839
<v Speaker 1>really really great. And it's this one is they're both

0:34:34.880 --> 0:34:36.920
<v Speaker 1>in Atlanta, but one divisions mainly on a stage and

0:34:36.920 --> 0:34:39.880
<v Speaker 1>like out in the suburbs. But you'll crack up watching

0:34:40.080 --> 0:34:43.120
<v Speaker 1>Falcon and Winter Soldier because it's like, hey, Croc Street

0:34:43.120 --> 0:34:46.800
<v Speaker 1>Tunnel in the Pullman Yards in Oakland Cemetery and Sweetwater

0:34:46.800 --> 0:34:48.799
<v Speaker 1>Creek State Park and it's just sort of all over

0:34:48.840 --> 0:34:52.000
<v Speaker 1>the places we go, which is always fun. I'll tell

0:34:52.000 --> 0:34:54.960
<v Speaker 1>you what's really fun. I've was I rewatched recently the

0:34:55.000 --> 0:34:58.719
<v Speaker 1>Watchman series. Think I probably mentioned this, but so much

0:34:58.719 --> 0:35:01.960
<v Speaker 1>of it takes place right in downtown Decatur in the Square,

0:35:02.360 --> 0:35:06.800
<v Speaker 1>like literally the climax of the hole so weird posts,

0:35:06.880 --> 0:35:08.960
<v Speaker 1>you know, and like they make them all glowy and

0:35:09.040 --> 0:35:11.440
<v Speaker 1>like Tesla coil ish. But I always just I've been

0:35:11.440 --> 0:35:13.440
<v Speaker 1>spending a lot of time in downtown Dedicator lately and

0:35:13.800 --> 0:35:15.759
<v Speaker 1>uh kicking it in the Square and it's just every

0:35:15.760 --> 0:35:18.319
<v Speaker 1>time I'm like, yes, it's such cool be right in

0:35:18.360 --> 0:35:20.319
<v Speaker 1>the middle of it. Uh. So, do you have a

0:35:20.360 --> 0:35:22.680
<v Speaker 1>couple that you've been watching you want to go over? Yeah?

0:35:22.840 --> 0:35:25.120
<v Speaker 1>Just I mean I've been, Um, I've been diving back

0:35:25.200 --> 0:35:28.759
<v Speaker 1>into Boardwalk Empire, uh, you know with Steve Bushimi and

0:35:28.960 --> 0:35:31.719
<v Speaker 1>uh so good. It's a show that I watched. I

0:35:31.760 --> 0:35:35.040
<v Speaker 1>realized I didn't even get into the second season. Um,

0:35:35.160 --> 0:35:37.120
<v Speaker 1>or if I did, I watched it kind of spottily

0:35:37.160 --> 0:35:39.799
<v Speaker 1>because I think I watched it when it was on originally. Um.

0:35:39.840 --> 0:35:41.759
<v Speaker 1>And sometimes you just fall off of things because there's

0:35:41.760 --> 0:35:43.640
<v Speaker 1>other things that kind of grab your attention. It's not

0:35:43.680 --> 0:35:46.840
<v Speaker 1>because the thing was bad, but I realize now that

0:35:46.880 --> 0:35:49.239
<v Speaker 1>I am all in Um, I just think it's a

0:35:49.280 --> 0:35:51.560
<v Speaker 1>lot of fun it's everything that I like about, say,

0:35:51.640 --> 0:35:55.439
<v Speaker 1>like the Sopranos um but just obviously a very well

0:35:55.480 --> 0:35:58.600
<v Speaker 1>done period piece about an era that is, you know,

0:35:58.680 --> 0:36:02.520
<v Speaker 1>you think about in terms of kind of cliche ideas

0:36:02.560 --> 0:36:05.759
<v Speaker 1>of what flappers and you know, the swinging or the

0:36:06.080 --> 0:36:09.160
<v Speaker 1>roar in twenties and all that stuff we're but this

0:36:09.239 --> 0:36:11.080
<v Speaker 1>is they do such a good job in every little

0:36:11.280 --> 0:36:14.400
<v Speaker 1>scene is just everything in its right place. And uh,

0:36:14.440 --> 0:36:17.080
<v Speaker 1>it's an interesting character study too, because you've got a

0:36:17.160 --> 0:36:20.160
<v Speaker 1>real anti hero who just kind of gets worse and

0:36:20.160 --> 0:36:23.000
<v Speaker 1>worse and more willing to do whatever it takes to

0:36:23.000 --> 0:36:25.799
<v Speaker 1>stay on top, and yet you're still somehow rooting for him.

0:36:25.840 --> 0:36:28.520
<v Speaker 1>And it's just interesting the way the Sopranos really work.

0:36:28.600 --> 0:36:31.400
<v Speaker 1>Kind of one of the first shows that created that.

0:36:31.560 --> 0:36:34.360
<v Speaker 1>Like apparently, uh, one of the early episodes when you

0:36:34.360 --> 0:36:36.880
<v Speaker 1>see Tony Soprano actually kill a man in cold Blood,

0:36:37.280 --> 0:36:39.480
<v Speaker 1>the network was like, I don't know, if we can

0:36:39.480 --> 0:36:41.680
<v Speaker 1>show that people aren't gonna go for that, they'll be

0:36:41.719 --> 0:36:43.959
<v Speaker 1>able to they won't be able to, you know, stay

0:36:43.960 --> 0:36:47.319
<v Speaker 1>on board, And David Chase was like, no, we gotta

0:36:47.360 --> 0:36:49.840
<v Speaker 1>do it. It's crucial to the trajectory of the show.

0:36:50.120 --> 0:36:52.600
<v Speaker 1>And now the anti hero is like King, you know,

0:36:52.800 --> 0:36:55.600
<v Speaker 1>so um very much following in those footsteps. But I've

0:36:55.600 --> 0:36:58.520
<v Speaker 1>really enjoyed that. That's one I never saw that I

0:36:58.520 --> 0:37:00.799
<v Speaker 1>could see me getting into on my own at some point.

0:37:00.800 --> 0:37:03.080
<v Speaker 1>I don't think it'd be up Emily Zalie, but I might.

0:37:03.120 --> 0:37:06.320
<v Speaker 1>I might check that out one day. That's great, great cast,

0:37:06.360 --> 0:37:08.440
<v Speaker 1>lots of people drifting, and Michael Shannon's in and he

0:37:08.440 --> 0:37:14.400
<v Speaker 1>plays a prohibition officer who's very you know, um, emotionally

0:37:14.560 --> 0:37:18.360
<v Speaker 1>and spiritually conflicted, let's just say, and interesting things happened

0:37:18.400 --> 0:37:21.279
<v Speaker 1>with him, and just so many great little poppins. I

0:37:21.320 --> 0:37:22.960
<v Speaker 1>think I think you really liked the show a lot, Chuck,

0:37:23.160 --> 0:37:27.719
<v Speaker 1>I will check it out. Shrill season three is out

0:37:28.000 --> 0:37:29.800
<v Speaker 1>for some reason. I think this is the final season,

0:37:29.840 --> 0:37:31.600
<v Speaker 1>but I might be wrong. I think it is. I

0:37:31.640 --> 0:37:34.560
<v Speaker 1>think I saw it. UH actually promoted that way. Okay,

0:37:34.640 --> 0:37:38.760
<v Speaker 1>so Shrill is out. We watched the first four episodes,

0:37:39.360 --> 0:37:42.840
<v Speaker 1>um so far, and it's great. Um. Adie Bryant, you know,

0:37:42.840 --> 0:37:44.200
<v Speaker 1>have gone on and on about the show. I love

0:37:44.239 --> 0:37:46.840
<v Speaker 1>it so much. I am very disappointed because I reached

0:37:46.880 --> 0:37:49.400
<v Speaker 1>out to Adie Bryant's people and she declined to come

0:37:49.400 --> 0:37:54.520
<v Speaker 1>on movie Crush but that's okay, cousin, ad Um, I

0:37:54.600 --> 0:37:57.680
<v Speaker 1>forget I forgive you, but we have had a shrill

0:37:58.120 --> 0:38:01.400
<v Speaker 1>cast member, John Cameron Mitchell on Movie Crush well exactly,

0:38:01.719 --> 0:38:04.120
<v Speaker 1>I mean no, maybe you can tell jokimeron Mitchell to

0:38:04.120 --> 0:38:07.080
<v Speaker 1>total lady Bryant to come on fucking movie Crush for gus. Yeah,

0:38:07.200 --> 0:38:09.520
<v Speaker 1>did we talk about the fact that John booked the

0:38:09.640 --> 0:38:14.920
<v Speaker 1>role of U Joe Exotic in the Tiger King TV adaptation.

0:38:15.120 --> 0:38:19.919
<v Speaker 1>He's playing him, He's playing him. Oh my god, how

0:38:19.960 --> 0:38:25.920
<v Speaker 1>perfect is that? And uh, Kate McKennon is playing Carol

0:38:26.000 --> 0:38:30.200
<v Speaker 1>Baskin opposite him. Wow. See, I didn't watch Tiger King.

0:38:30.200 --> 0:38:32.359
<v Speaker 1>We watched one episode and I was like, not for me,

0:38:32.480 --> 0:38:35.080
<v Speaker 1>not for you, remember you saying that, But I would

0:38:36.120 --> 0:38:38.879
<v Speaker 1>like to see j c Um in that role. That's

0:38:38.880 --> 0:38:42.239
<v Speaker 1>pretty good. Uh. You know. Adie Bryant's also I mean

0:38:42.280 --> 0:38:45.080
<v Speaker 1>currently on Saturday Night Live, and I know that that

0:38:45.080 --> 0:38:48.040
<v Speaker 1>show like takes all your time all week long, So

0:38:48.680 --> 0:38:51.120
<v Speaker 1>maybe I'll reach back out after the season of SNL

0:38:51.239 --> 0:38:53.319
<v Speaker 1>is over. She was also one of the ones that

0:38:53.360 --> 0:38:56.560
<v Speaker 1>expressed a little bit of squeamishness with old Elon Musk

0:38:56.719 --> 0:39:00.799
<v Speaker 1>hosting Um and another I didn't. I just I didn't

0:39:00.800 --> 0:39:02.759
<v Speaker 1>watch anither and I kind of can't stand the guy.

0:39:03.080 --> 0:39:04.560
<v Speaker 1>He just really roused me the wrong way. I know

0:39:04.600 --> 0:39:08.440
<v Speaker 1>he's doing cool things, but he's just such a quintessential

0:39:08.560 --> 0:39:11.640
<v Speaker 1>douchey tech bro that I just kind of steer clear well.

0:39:11.680 --> 0:39:14.719
<v Speaker 1>And Snel never learns Like whenever you have these pop

0:39:14.760 --> 0:39:17.400
<v Speaker 1>culture people that aren't actors or comedians, it just sucks.

0:39:17.440 --> 0:39:22.160
<v Speaker 1>It's never good. Maybe occasionally an athlete, but that's the exception.

0:39:22.280 --> 0:39:24.600
<v Speaker 1>Matt Frederick said it was good. Matt. Matt said he

0:39:24.600 --> 0:39:26.759
<v Speaker 1>thought it was funny. He thought Ellen did a did

0:39:26.800 --> 0:39:29.240
<v Speaker 1>an interesting job and that it was pretty well suited

0:39:29.239 --> 0:39:31.200
<v Speaker 1>for him. But I just I don't. I also just don't.

0:39:31.440 --> 0:39:34.160
<v Speaker 1>I kind of watch SNL like YouTube on YouTube the

0:39:34.239 --> 0:39:36.919
<v Speaker 1>day after, just like the good sketches, but I've never

0:39:36.960 --> 0:39:38.920
<v Speaker 1>sat the night of and watched I think you had

0:39:38.920 --> 0:39:40.360
<v Speaker 1>a ritual for a while where you were doing that,

0:39:40.400 --> 0:39:44.280
<v Speaker 1>didn't you, Chuck. I mean, I watched it forever since

0:39:44.320 --> 0:39:46.120
<v Speaker 1>I was a kid, and then sort of fell out

0:39:46.239 --> 0:39:48.440
<v Speaker 1>the past couple of years a little bit. But now

0:39:48.480 --> 0:39:51.560
<v Speaker 1>I'll go back every now and then. And the cast,

0:39:51.640 --> 0:39:56.479
<v Speaker 1>I mean, the cast is good right now, but maybe

0:39:56.480 --> 0:39:59.960
<v Speaker 1>I'm getting older and that's what it is. And they

0:40:00.000 --> 0:40:02.480
<v Speaker 1>all seem like they're like nineteen years old. Not that

0:40:02.520 --> 0:40:04.120
<v Speaker 1>I have any problem with nineteen year olds, but I'm

0:40:04.160 --> 0:40:06.640
<v Speaker 1>not identifying as much, Chuck. I think it is a

0:40:06.719 --> 0:40:09.280
<v Speaker 1>certainty that you are getting older and it's just a

0:40:09.320 --> 0:40:12.600
<v Speaker 1>part of part of life. But Bow and Yang, who

0:40:12.640 --> 0:40:15.759
<v Speaker 1>does a podcast on our network less culture Easts, he's

0:40:15.760 --> 0:40:17.800
<v Speaker 1>on it and he's fabulous. Yeah, Oh, I didn't know

0:40:17.840 --> 0:40:19.880
<v Speaker 1>he was on our network, Is he yes? Sirry sure is?

0:40:20.040 --> 0:40:23.000
<v Speaker 1>I need to get him on there too, big fan. Uh.

0:40:23.040 --> 0:40:25.279
<v Speaker 1>And then the other thing No always started just last

0:40:25.400 --> 0:40:29.000
<v Speaker 1>night is uh, I'll be Gone in the Dark. The

0:40:29.320 --> 0:40:36.799
<v Speaker 1>great HBO docuseries concerning Michelle McNamara, uh, the patent Oswald's

0:40:36.840 --> 0:40:39.319
<v Speaker 1>wife who passed away while she was working on this

0:40:39.320 --> 0:40:42.239
<v Speaker 1>book about the Golden State Killer. And UH really really

0:40:42.280 --> 0:40:44.279
<v Speaker 1>loved the first episode can't wait defenish it because it's

0:40:44.280 --> 0:40:47.640
<v Speaker 1>a part documentary about the Golden State Killer, so it's

0:40:47.680 --> 0:40:49.800
<v Speaker 1>part true crime and then part about Michelle McNamara in

0:40:49.800 --> 0:40:52.480
<v Speaker 1>her obsession with this and and the way she approached

0:40:52.520 --> 0:40:55.120
<v Speaker 1>these um true crime in a different way that was

0:40:55.239 --> 0:40:59.320
<v Speaker 1>very much more victim focused than UM more literary and

0:40:59.360 --> 0:41:02.600
<v Speaker 1>a little less glacious, and Patton Oswald is in and

0:41:02.640 --> 0:41:05.160
<v Speaker 1>of course he's interviewed in Things and that whole story.

0:41:05.160 --> 0:41:10.239
<v Speaker 1>It's just tragic and also heartwarming because he found love

0:41:10.280 --> 0:41:16.800
<v Speaker 1>again and his daughter loves his his new wife. Um,

0:41:16.960 --> 0:41:18.960
<v Speaker 1>and I really got mad, you know. I don't know

0:41:18.960 --> 0:41:21.719
<v Speaker 1>if you remember when he got remarried nol uh. He

0:41:21.800 --> 0:41:23.759
<v Speaker 1>got a lot of heat from people online because they

0:41:23.800 --> 0:41:27.440
<v Speaker 1>were saying, like, it's he got married too soon, remarried

0:41:27.560 --> 0:41:30.320
<v Speaker 1>after his wife had died, And that just really fucking

0:41:31.120 --> 0:41:33.640
<v Speaker 1>pissed me off, and still does when I think about it.

0:41:34.120 --> 0:41:37.560
<v Speaker 1>For internet ship heads to weigh in on someone's personal

0:41:37.640 --> 0:41:40.560
<v Speaker 1>life and finding love again, and it's just it's the

0:41:40.600 --> 0:41:42.800
<v Speaker 1>worst of the worst of the Internet. And so I

0:41:43.160 --> 0:41:46.839
<v Speaker 1>just think it's great that he And I think, what's

0:41:46.840 --> 0:41:51.520
<v Speaker 1>your name? Oh Salinger? Meredith Salinger, I think that's true.

0:41:51.560 --> 0:41:54.120
<v Speaker 1>I can't quite I haven't seen this doc yet. But

0:41:54.280 --> 0:41:58.880
<v Speaker 1>she's an actor, Oh no, no, yeah, Meredith Salinger. She was.

0:41:59.280 --> 0:42:01.920
<v Speaker 1>She was a big time your like in the eighties

0:42:01.960 --> 0:42:05.759
<v Speaker 1>and nineties. She was in some really big films. Oh yeah,

0:42:05.840 --> 0:42:08.239
<v Speaker 1>Journey of That again. That was her big breakthrough dream

0:42:08.239 --> 0:42:11.560
<v Speaker 1>A little dream almost had her old movie Crush at

0:42:11.560 --> 0:42:15.360
<v Speaker 1>sketch Fest, but we couldn't make that happen. But anyway,

0:42:15.760 --> 0:42:18.480
<v Speaker 1>I'll be gone on the dark is great. I'll tell

0:42:18.480 --> 0:42:21.359
<v Speaker 1>you I'm not. I don't. I don't watch a ton

0:42:21.400 --> 0:42:23.160
<v Speaker 1>of documentaries anymore. I don't know why I think I've

0:42:23.200 --> 0:42:25.839
<v Speaker 1>mentioned like i've I've I've made a documentary many years

0:42:25.840 --> 0:42:29.520
<v Speaker 1>ago and uh really just grind it out my heart

0:42:29.560 --> 0:42:32.440
<v Speaker 1>and soul into that documentary about the Georgia Guide Stones,

0:42:32.560 --> 0:42:36.040
<v Speaker 1>this weird monument in rural Georgia. There's a lot of

0:42:36.120 --> 0:42:38.160
<v Speaker 1>like conspiracy theories attached to it anyway, and we talked

0:42:38.160 --> 0:42:39.520
<v Speaker 1>about it on stuff they don't want you to know.

0:42:39.760 --> 0:42:42.279
<v Speaker 1>But um one that I'm this one I'm interested in

0:42:42.320 --> 0:42:44.000
<v Speaker 1>that you just mentioned because we've certainly covered the Golden

0:42:44.000 --> 0:42:46.000
<v Speaker 1>State killer stuff on stuff that I want you to

0:42:46.040 --> 0:42:47.640
<v Speaker 1>know a lot. But there's a new one that just

0:42:47.800 --> 0:42:50.960
<v Speaker 1>dropped called The Crime of the Century. It's Alex Gibney

0:42:51.000 --> 0:42:54.120
<v Speaker 1>who did the Going Clear documentary which I loved about

0:42:54.160 --> 0:42:56.840
<v Speaker 1>the Church of Scientology, and the Crime of the Century

0:42:56.880 --> 0:43:01.520
<v Speaker 1>is about perdue pharma and the you know, opioid epidemic.

0:43:02.040 --> 0:43:04.520
<v Speaker 1>Uh and a stat that I'm reading in this Hollywood

0:43:04.520 --> 0:43:08.920
<v Speaker 1>Reporter piece is that the uh opioid epidemic killed nearly

0:43:09.040 --> 0:43:14.080
<v Speaker 1>five hundred thousand people between ninety nineteen, and it was

0:43:14.160 --> 0:43:16.960
<v Speaker 1>something that many of my friends were involved in. I mean,

0:43:16.960 --> 0:43:21.279
<v Speaker 1>there was a time where OxyContin was just overflowing. We

0:43:21.360 --> 0:43:23.279
<v Speaker 1>called it hillbilly heroin, you know. I mean, it was

0:43:23.320 --> 0:43:26.319
<v Speaker 1>just like it's so so much easier and cheaper to

0:43:26.440 --> 0:43:31.120
<v Speaker 1>get than actual heroin. UH. And it was a real problem.

0:43:31.160 --> 0:43:35.239
<v Speaker 1>And they tried to pretend Perdue Pharma like it wasn't addictive,

0:43:35.360 --> 0:43:37.760
<v Speaker 1>and they had all these studies that were basically juiced

0:43:38.040 --> 0:43:40.040
<v Speaker 1>to make it look like it wasn't addictive and that

0:43:40.160 --> 0:43:43.360
<v Speaker 1>it was like, oh, it's totally safe, and it absolutely wasn't.

0:43:43.400 --> 0:43:46.120
<v Speaker 1>And it created this huge problem, especially in rural parts

0:43:46.160 --> 0:43:48.200
<v Speaker 1>of the country, where people just got super hooked on

0:43:48.239 --> 0:43:50.720
<v Speaker 1>this stuff and we're getting it without a prescription because

0:43:50.719 --> 0:43:53.000
<v Speaker 1>people with prescription, we're just selling them. And it was

0:43:53.080 --> 0:43:57.600
<v Speaker 1>just absolute chaos. But this documentary apparently does a really

0:43:57.640 --> 0:44:00.600
<v Speaker 1>thorough job of exploring, you know, what they did, what

0:44:00.680 --> 0:44:02.960
<v Speaker 1>they knew when they knew it. They ultimately it's one

0:44:02.960 --> 0:44:04.600
<v Speaker 1>of another one of those things where these big companies

0:44:04.600 --> 0:44:07.719
<v Speaker 1>and CEOs they don't go to jail. They just pay

0:44:07.760 --> 0:44:09.600
<v Speaker 1>a lot of money, which is a lot of money

0:44:09.600 --> 0:44:11.400
<v Speaker 1>to us, but not a lot of money to a

0:44:11.400 --> 0:44:14.239
<v Speaker 1>big multinational pharmaceutical companies. So at the end of the day,

0:44:14.280 --> 0:44:16.120
<v Speaker 1>it's just a slap on the wrist and people are

0:44:16.200 --> 0:44:20.759
<v Speaker 1>literally lost their lives. So brutal, brutal. I'll check that out,

0:44:20.800 --> 0:44:25.560
<v Speaker 1>like Alex Gibney's work. You got anything else, Uh No,

0:44:25.800 --> 0:44:27.880
<v Speaker 1>That's what I'm really looking forward to. Been doing the

0:44:27.960 --> 0:44:31.040
<v Speaker 1>Boardwalk Empire, watching a lot of Bob's Burgers on Hulu.

0:44:31.120 --> 0:44:34.239
<v Speaker 1>I just think that's a lovely show. And there's a

0:44:34.400 --> 0:44:38.120
<v Speaker 1>new anime series or it's not anime, but it's uh

0:44:38.280 --> 0:44:41.600
<v Speaker 1>Flying Lotus the electronic kind of tech like a hip

0:44:41.600 --> 0:44:45.799
<v Speaker 1>hop slash jazz electronic artist does the soundtrack for It's

0:44:45.800 --> 0:44:50.200
<v Speaker 1>called Yasuke or jaska Um. It's it's based on a

0:44:50.239 --> 0:44:57.080
<v Speaker 1>historical figure who was a African descended um samurai. He

0:44:57.440 --> 0:45:00.400
<v Speaker 1>he ended up he started off as a servant to

0:45:00.760 --> 0:45:04.440
<v Speaker 1>some sort of high lord and then ended up serving

0:45:04.520 --> 0:45:08.280
<v Speaker 1>him as a warrior and became the only African samurai.

0:45:08.640 --> 0:45:10.960
<v Speaker 1>That sounds great. It's really it's it's it's it's a

0:45:11.000 --> 0:45:14.600
<v Speaker 1>cartoon and it's definitely like a very exaggerated version. There's

0:45:14.640 --> 0:45:17.400
<v Speaker 1>like robots and sci fi elements and stuff, but the

0:45:17.480 --> 0:45:20.520
<v Speaker 1>core of it is based on the real, the real story.

0:45:20.840 --> 0:45:22.879
<v Speaker 1>That's amazing. That sounds very cool. What's it called again?

0:45:23.640 --> 0:45:29.279
<v Speaker 1>Why a s U k E? I believe it's pronounced SKay. Alright, nol. Well,

0:45:29.400 --> 0:45:31.359
<v Speaker 1>we're gonna wrap this one up and send it off

0:45:31.400 --> 0:45:33.799
<v Speaker 1>into the ether, and thanks for listening everyone, and what's

0:45:33.800 --> 0:45:38.560
<v Speaker 1>the Unix movie? Crash is produced and written by Charles

0:45:38.560 --> 0:45:42.320
<v Speaker 1>Bryant and Meel Brown, edited and engineered by Seth Nicholas Johnson,

0:45:42.560 --> 0:45:45.160
<v Speaker 1>and scored by Noel Brown here in our home studio

0:45:45.200 --> 0:45:48.799
<v Speaker 1>at Pontstey Market, Atlanta, Georgia. For I Heart Radio. For

0:45:48.880 --> 0:45:51.000
<v Speaker 1>more podcasts for my heart Radio, visit the i Heart

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<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

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<v Speaker 1>favorite shows.