WEBVTT - Daddy Will Never Read Vogue

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<v Speaker 1>Family Secrets is a production of iHeartRadio.

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<v Speaker 2>I Lived, shadowed by an uncertainty about my parents' marriage

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<v Speaker 2>and a sense of some fundamental instability lurking just beneath

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<v Speaker 2>the surface. Lynn and Dick were held up as a

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<v Speaker 2>model couple by many of their friends, and were profiled

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<v Speaker 2>as such in several newspaper pieces, celebrated especially for the

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<v Speaker 2>ways my father made my mother's business success possible. They

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<v Speaker 2>complimented each other well, my father the extravagant romantic, my

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<v Speaker 2>mother the cool realist.

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<v Speaker 1>As my father would.

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<v Speaker 2>Give disquisitions on a new play, will whoop excitedly with

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<v Speaker 2>his buddies as they watched a sports game, my mother

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<v Speaker 2>would break in to someone everyone firmly to the dinner table.

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<v Speaker 2>If my father luxuriated in meandering after her conversations that

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<v Speaker 2>continued even after coffee and dessert, it was my mother

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<v Speaker 2>who reminded everyone how late it was and briskly ushered

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<v Speaker 2>guests out the door.

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<v Speaker 3>That's Priscilla Gilman, writer, former professor of English and author

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<v Speaker 3>of the recent memoir The Critic's Daughter. Priscilla's story glitters

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<v Speaker 3>on the surface. A rarefied New York City childhood, highly

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<v Speaker 3>successful parents who were at the epicenter of literary life,

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<v Speaker 3>a world of intellectual stimulation and famous friends. But beneath

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<v Speaker 3>that shiny exterior was a darker, harder truth. Things were very,

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<v Speaker 3>very unhappy in the Gilman household, and Priscilla, as a

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<v Speaker 3>young child, absorbed it all. I'm Danny Shapiro, and this

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<v Speaker 3>is family secrets, the secrets that are kept from us,

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<v Speaker 3>the secrets we keep from others, and the secrets we

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<v Speaker 3>keep from ourselves. Tell me about the landscape of your childhood.

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<v Speaker 1>Three Central Park Wests.

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<v Speaker 2>That was an incredible historic building on Central Park West

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<v Speaker 2>in ninety third Street, inhabited by a slew of people

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<v Speaker 2>we would now consider luminaries, lots of PBS producers and

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<v Speaker 2>artists and therapists.

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<v Speaker 1>It was rent controlled. My parents paid about one hundred

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<v Speaker 1>and forty one hundred and fifty dollars.

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<v Speaker 2>A month, and we were on the Central Park West.

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<v Speaker 2>Literally my bedroom looked out onto the park, huge three

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<v Speaker 2>bedroom apartment. Paint was peeling, the tubs were chipped, but

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<v Speaker 2>we didn't care because we were living in this kind

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<v Speaker 2>of almost sesame street world. And I say that street

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<v Speaker 2>began in nineteen sixty nine. I was born in nineteen

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<v Speaker 2>seventy and the Upper West Side in the seventies. It

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<v Speaker 2>wasn't all that safe. It certainly wasn't upscale, but it

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<v Speaker 2>was filled with academics and artists and writers and actors

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<v Speaker 2>and interesting people who were at the center of intellectual

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<v Speaker 2>and artistic culture.

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<v Speaker 3>It's so amazing to hear you say that that New

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<v Speaker 3>York is a disappeared New York now.

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<v Speaker 2>Absolutely, And when I think back on my childhood, there's

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<v Speaker 2>this kind of wistfulness for that feeling of vibrancy and

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<v Speaker 2>artistic secundity, and the sense that any night some person

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<v Speaker 2>could come over to my parents' apartment bearing a magical

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<v Speaker 2>story or an exciting idea that they were developing a

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<v Speaker 2>project that they wanted to work on, that they wanted

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<v Speaker 2>advice from my mother on or my father. And there

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<v Speaker 2>was just this continual sense of discovery and excitement and

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<v Speaker 2>wonder in my childhood.

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<v Speaker 3>So you and your mother and your father and your

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<v Speaker 3>younger sister, Claire lived at three three three until you

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<v Speaker 3>were about.

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<v Speaker 2>How old, until I was eight, And when I was eight,

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<v Speaker 2>in nineteen seventy eight, they bought their first apartment in

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<v Speaker 2>New York City. They bought forty four West seventy seventh Street.

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<v Speaker 2>It's across the street from the Museum of National History,

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<v Speaker 2>and I think they bought the apartment for about one

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<v Speaker 2>hundred and fifty thousand dollars, and it was a thirty

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<v Speaker 2>two hundred square foot apartment with the living room and

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<v Speaker 2>my father's office fronting onto the Natural History Museum. We

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<v Speaker 2>looked out over it because we were on the tenth floor.

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<v Speaker 2>And I think the year that we bought that apartment,

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<v Speaker 2>there was a drug rehab facility on the block. There

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<v Speaker 2>was a neighborhood Block Association. It was just sort of

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<v Speaker 2>starting to get cleaned up.

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<v Speaker 1>But we in a couple of.

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<v Speaker 2>Years Columbus Avenue exploded and became one of the sheekest

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<v Speaker 2>parts of the city.

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<v Speaker 4>Tell me about the mother of your childhood.

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<v Speaker 2>So my mother, Lynn Nesbitt, had moved to New York

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<v Speaker 2>City in her early twenties from the Midwest as kind

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<v Speaker 2>of the wide eyed girl. She used to listen to

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<v Speaker 2>the radio when she was a kid, and there was

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<v Speaker 2>a show called Grand Central Station, Crossroads.

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<v Speaker 1>Of a Thousand Lives, and she listened to that and said,

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<v Speaker 1>I want to be in that place.

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<v Speaker 2>I want to be in New York City, meeting exciting

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<v Speaker 2>people and doing exciting things. And she worked her way

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<v Speaker 2>up from being an assistant at a women's magazine to

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<v Speaker 2>being the assistant to a literary agent. And when she

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<v Speaker 2>was working for that literary agent, she got a manuscript

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<v Speaker 2>from a Harvard medical student named Michael Crichton, and it

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<v Speaker 2>was called The Andromeda Strain, and she signed him as

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<v Speaker 2>a client and soon began representing everybody from Tom Wolf

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<v Speaker 2>to Hunter S.

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<v Speaker 1>Thompson Cairo. She represented Tony Morrison.

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<v Speaker 2>Tony's first book was published in the year I was born,

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<v Speaker 2>The Bluest Eye, and Rice and Beaty, just a flew of.

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<v Speaker 1>And high Low and everything in between.

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<v Speaker 3>So your mother was already successful. She was doing very

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<v Speaker 3>well as a literary agent by the time you were born.

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<v Speaker 2>Yes, yeah, she was. She married my father when she

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<v Speaker 2>was twenty seven. She had three miscarriages before I was born.

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<v Speaker 2>She had to have surgery on her uterus, one of

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<v Speaker 2>the first to kind of a pioneering surgery, and she

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<v Speaker 2>was able to get pregnant and carry the baby to term,

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<v Speaker 2>and she had me and my sister within fourteen.

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<v Speaker 1>Months of each other.

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<v Speaker 2>And so she was in her early thirties, two young children,

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<v Speaker 2>a vice president at ICM International Creative Management in the

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<v Speaker 2>literary department, representing a ton of incredible authors.

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<v Speaker 4>And how about your father.

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<v Speaker 2>So he in the sixties when he met my mom.

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<v Speaker 2>I believe he was working at newswol when he met

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<v Speaker 2>my mom. He was the theater critic, the staff theater

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<v Speaker 2>critic for Newsweek in an office. Another example of how

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<v Speaker 2>we've lost a lot in our culture. I don't think

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<v Speaker 2>it's a staff theater critic in Newsweek anymore. And in

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<v Speaker 2>nineteen sixty seven he was hired to teach at the

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<v Speaker 2>l School of Drama. And in the sixties and the

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<v Speaker 2>seventies he mainly taught dramaturgy or dramatic criticism, but he

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<v Speaker 2>also did teach playwrights. He taught actors. Meryl Streep was

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<v Speaker 2>one of his most beloved students. He taught Henry Winkler,

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<v Speaker 2>Wendy Wasserstein, Sigourney Weaver, a whole bunch of performers, writers,

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<v Speaker 2>directors at the l School of Drama. So he was

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<v Speaker 2>up there two nights a week. He would stay in

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<v Speaker 2>a hotel in New Haven when we were in the city,

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<v Speaker 2>and then we had a country house in western Connecticut

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<v Speaker 2>where we spent our weekends. My father was a very

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<v Speaker 2>powerful formidical critic. He also wrote literary criticism. He had

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<v Speaker 2>been the editor of The New Republic's literary section at

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<v Speaker 2>one point, and he was known in public as being

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<v Speaker 2>tough and difficult to please and rigorous and almost fear

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<v Speaker 2>inducing because of how honest and how ostensibly harsh she

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<v Speaker 2>could be in some of his reviews. But in his

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<v Speaker 2>personal life he was warm and congenial and playful and affectionate,

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<v Speaker 2>and he.

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<v Speaker 1>Had grown up in Flatbush, Brooklyn.

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<v Speaker 2>Was very sort of down to earth and loved sports

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<v Speaker 2>and loved deli food. My mother, who came from the Midwest,

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<v Speaker 2>was a cooler customer. I would just describe my mother as,

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<v Speaker 2>although she was author's advocates, she was nurturing talent. She

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<v Speaker 2>was supporting people through their dark moments when they doubted

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<v Speaker 2>if they could write, or they doubted if they could produce.

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<v Speaker 2>She's just a cooler, more rational person than my father.

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<v Speaker 2>My father, even as he was that rigorous critic, he

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<v Speaker 2>was essentially a romantic and idealist somebody who loved musical

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<v Speaker 2>theater passionately. My mother was just more. She was very

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<v Speaker 2>hard working, She was very competent. She worked incredibly hard

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<v Speaker 2>and kept her cool in very difficult, tough situations. My

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<v Speaker 2>father was more insecure. My father struggled with writer's block,

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<v Speaker 2>and he smoked compulsively, and I could tell as a

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<v Speaker 2>young child that he was self medicating with cigarettes. He

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<v Speaker 2>could get irritable, he could get depressed if he wasn't.

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<v Speaker 1>Producing enough writing.

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<v Speaker 2>And my mother was very good at sort of laying

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<v Speaker 2>down the law and saying, Okay, you're going in your

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<v Speaker 2>office now, and you're going to come out in two hours,

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<v Speaker 2>and you're going to give me some pages. She was

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<v Speaker 2>very good at pushing him.

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<v Speaker 1>And my mother is a rock solid person.

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<v Speaker 2>She was then, she is now. You can always count

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<v Speaker 2>on her in a crisis. In Joan Divien's The Year

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<v Speaker 2>of Magical Thinking, my mother appears in one of the

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<v Speaker 2>opening of that book as the first person Joan calls

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<v Speaker 2>when John dies. My mother was both John and Joan's

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<v Speaker 2>literary agent. And I don't think it's an accident that

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<v Speaker 2>she called my mother. Yes she was a very close friend,

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<v Speaker 2>and yes she was the agent. But Joan also knew

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<v Speaker 2>my mother is the person you call when you're in

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<v Speaker 2>an emergency situation.

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<v Speaker 1>She's going to take care of things.

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<v Speaker 2>And she's not going to cry in a way that

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<v Speaker 2>she's not going to be able to manage herself. My

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<v Speaker 2>father was more vulnerable emotionally than my mother.

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<v Speaker 3>Yeah, you write that even though your father cultivated the

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<v Speaker 3>pristine and protected sanctity of your childhood, even though he

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<v Speaker 3>was the one you'd go to for reassurance when you

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<v Speaker 3>had to worry, you never felt entirely secure about your father.

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<v Speaker 3>It seems like your mother was certainly much more disciplined

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<v Speaker 3>than your father.

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<v Speaker 2>Absolutely, my father, he always had this cough that worried me.

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<v Speaker 2>The kids would try to get him to quit smoking,

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<v Speaker 2>and he would get very angry and say, no, I'm fine.

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<v Speaker 2>My parents live until their nineties, and they my father smoked.

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<v Speaker 2>I'll quit when I'm older. So I always worried about

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<v Speaker 2>his health in that way. It just didn't like the

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<v Speaker 2>way that cough sounded. I also always worried about his

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<v Speaker 2>mood because I could see I didn't know what to

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<v Speaker 2>label it. I didn't know what to call it. Today,

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<v Speaker 2>we would say that he was suffering from untreated depression.

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<v Speaker 2>He would get into kind of quiet and dark moods

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<v Speaker 2>or sometimes not often, but sometimes he would get irritable.

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<v Speaker 1>He had a temper.

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<v Speaker 2>He could get angry, particularly at my sister, who was

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<v Speaker 2>just a little bit more of a difficult child. If

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<v Speaker 2>she would spill her milk, he might get angry, or

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<v Speaker 2>she would complain, or she would talk back, and he

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<v Speaker 2>would get angry. And so I just always felt when

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<v Speaker 2>I entered a room my father's face lit up. When

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<v Speaker 2>I was with him, he was calmer, he was happier,

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<v Speaker 2>and he seemed more secure.

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<v Speaker 1>So from a very young age.

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<v Speaker 2>I sensed that I was almost what we would call

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<v Speaker 2>today like I was my father's prozac.

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<v Speaker 1>In a way, helping him manage.

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<v Speaker 3>His moods, which is a tremendous responsibility for an eight nine.

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<v Speaker 4>Ten year old.

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<v Speaker 3>Yeah, and you know, one of the things that strikes

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<v Speaker 3>me so much about your story is that there are

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<v Speaker 3>some bigger secrets in it. But the secrets in it

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<v Speaker 3>really have to do with what is left unexpressed, what

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<v Speaker 3>is left unspoken, which is a more subtle kind of

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<v Speaker 3>secret keeping. Right like you were, you were as a

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<v Speaker 3>member of your family who was really never going to

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<v Speaker 3>say anything that was going to rock the boat for

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<v Speaker 3>any of them.

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<v Speaker 2>Absolutely, I viewed myself as my sister's protector. I was

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<v Speaker 2>only fourteen months older than Claire, but she was fragile.

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<v Speaker 2>She would cry when my parents would go out and

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<v Speaker 2>they would go away, and I would be comforting her.

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<v Speaker 2>She didn't have the filter that I had in terms

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<v Speaker 2>of if she was upset or we would be taking

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<v Speaker 2>a trip, she'd say.

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<v Speaker 1>We have to stop the car. I'm hungry, I'm thirsty.

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<v Speaker 2>And I really admire her ability to advocate for her

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<v Speaker 2>needs and to say how she was feeling. But because

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<v Speaker 2>she did that so openly, it almost hardened me in

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<v Speaker 2>my role of being Okay, my parents need one child

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<v Speaker 2>who's easy. My parents need one child who's not going

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<v Speaker 2>to complain. My parents need one child who's just going

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<v Speaker 2>to be that boy and happy child. And I was

0:13:35.720 --> 0:13:38.640
<v Speaker 2>born that way. I should say, you know, it's important

0:13:39.360 --> 0:13:41.000
<v Speaker 2>to say that my parents cast me.

0:13:40.960 --> 0:13:41.480
<v Speaker 1>In this role.

0:13:41.559 --> 0:13:44.000
<v Speaker 2>But the role wasn't a stretch, right. I didn't cry

0:13:44.000 --> 0:13:46.760
<v Speaker 2>when I was a baby. Everybody always talked about that.

0:13:46.800 --> 0:13:47.800
<v Speaker 1>In the family lore.

0:13:48.400 --> 0:13:50.960
<v Speaker 2>My sister was very difficult. She didn't sleep through the night.

0:13:51.480 --> 0:13:54.559
<v Speaker 2>My parents were at their wits end. Claire would have tantrums,

0:13:55.200 --> 0:13:58.440
<v Speaker 2>and everybody from our babysitters to my brother from my

0:13:58.480 --> 0:14:02.120
<v Speaker 2>father's first marriage talk about how all little easy Persula.

0:14:02.200 --> 0:14:03.959
<v Speaker 2>She was always so sweet and easy and she never cried.

0:14:04.559 --> 0:14:08.600
<v Speaker 2>And I took that role seriously, and I love what

0:14:08.640 --> 0:14:11.280
<v Speaker 2>you say about It was almost like I couldn't voice

0:14:12.120 --> 0:14:20.560
<v Speaker 2>any feelings of worry or dissatisfaction, or this is hard

0:14:20.720 --> 0:14:23.880
<v Speaker 2>for me, anything like that. I had to keep those

0:14:23.920 --> 0:14:27.240
<v Speaker 2>things even from myself. I know you do talk often

0:14:27.240 --> 0:14:29.920
<v Speaker 2>in this podcast about these different types of secrets.

0:14:29.680 --> 0:14:31.640
<v Speaker 1>And I was almost keeping it from myself.

0:14:32.040 --> 0:14:36.680
<v Speaker 2>How hard this was at times for me to always

0:14:36.680 --> 0:14:38.000
<v Speaker 2>have to play that role of the good girl.

0:14:41.440 --> 0:14:45.000
<v Speaker 3>Priscilla is ten years old. The tensions between her parents

0:14:45.040 --> 0:14:48.720
<v Speaker 3>have been mounting. They aren't getting along even when they

0:14:48.720 --> 0:14:52.440
<v Speaker 3>go on vacation together. Priscilla wonders what do they do

0:14:52.520 --> 0:14:55.200
<v Speaker 3>while they're away. They really don't have much in common,

0:14:55.920 --> 0:14:59.600
<v Speaker 3>but one thing has been clear. They've promised Priscilla and

0:14:59.640 --> 0:15:02.720
<v Speaker 3>Claire that no matter what, they'll never get a divorce.

0:15:04.200 --> 0:15:07.760
<v Speaker 3>But then one October night in nineteen eighty, Priscilla hears

0:15:07.800 --> 0:15:10.560
<v Speaker 3>her parents arguing in the kitchen and it's filled with

0:15:10.600 --> 0:15:14.520
<v Speaker 3>a sense of doom. This foreboding feeling is born out

0:15:14.800 --> 0:15:17.120
<v Speaker 3>when her parents sit their daughters down at the kitchen

0:15:17.120 --> 0:15:20.320
<v Speaker 3>table and announce that they're going to have a trial separation.

0:15:22.200 --> 0:15:26.400
<v Speaker 2>I remember my sister got worried and thought it had

0:15:26.440 --> 0:15:29.440
<v Speaker 2>something to do with court or the legal system, you know,

0:15:29.480 --> 0:15:33.360
<v Speaker 2>when daddy's going on trial. What my mother said, No, no, no,

0:15:33.840 --> 0:15:37.840
<v Speaker 2>we're going to be living in separate places. And when

0:15:38.000 --> 0:15:40.600
<v Speaker 2>Claire started to look upset, she reassured her and she said,

0:15:40.600 --> 0:15:42.160
<v Speaker 2>you know, it's just kind of like an experiment. We're

0:15:42.200 --> 0:15:44.680
<v Speaker 2>just trying it out seeing And I knew in that

0:15:44.880 --> 0:15:48.360
<v Speaker 2>instant that it was not an experiment, it was not

0:15:48.480 --> 0:15:52.200
<v Speaker 2>a trial. That what I had most dreaded for a

0:15:52.280 --> 0:15:56.600
<v Speaker 2>long time was going to happen. And I will say

0:15:56.680 --> 0:16:00.520
<v Speaker 2>also that you know, this is nineteen eighty starting to

0:16:00.720 --> 0:16:04.160
<v Speaker 2>enter the era where more and more people that would

0:16:04.200 --> 0:16:07.480
<v Speaker 2>have stayed married ten twenty years ago are splitting up.

0:16:08.040 --> 0:16:11.280
<v Speaker 2>And a number of their friends, couples that we used

0:16:11.280 --> 0:16:13.760
<v Speaker 2>to hang out with, had split up. And so this

0:16:13.920 --> 0:16:16.440
<v Speaker 2>is one of the reasons why Claire and I start

0:16:16.480 --> 0:16:17.760
<v Speaker 2>asking them, right.

0:16:17.640 --> 0:16:19.960
<v Speaker 1>Are you going to split up? And then they would

0:16:20.000 --> 0:16:20.760
<v Speaker 1>have these kind.

0:16:20.600 --> 0:16:23.680
<v Speaker 2>Of fiery arguments where they would yell at each other,

0:16:23.960 --> 0:16:28.080
<v Speaker 2>and after those arguments, we would ask them and I think,

0:16:28.200 --> 0:16:29.880
<v Speaker 2>you know one thing that I do want to say

0:16:29.920 --> 0:16:31.880
<v Speaker 2>about their marriage.

0:16:32.520 --> 0:16:34.680
<v Speaker 1>They had two major things in common.

0:16:35.440 --> 0:16:40.600
<v Speaker 2>One, their children. They adored their children, They loved being parents.

0:16:41.600 --> 0:16:44.840
<v Speaker 2>I could tell that they were in very invested in

0:16:44.880 --> 0:16:48.360
<v Speaker 2>the family and the larger family unit, bringing the grandparents together.

0:16:48.440 --> 0:16:51.800
<v Speaker 2>My mother loved my brother from my father's first marriage.

0:16:52.200 --> 0:16:55.280
<v Speaker 2>And I think my mother appreciated what a wonderful father

0:16:55.400 --> 0:16:57.520
<v Speaker 2>my father was, and even Crtic allows and have this

0:16:57.600 --> 0:17:00.320
<v Speaker 2>major career because he loved taking care of us, playing

0:17:00.320 --> 0:17:02.400
<v Speaker 2>with us, and reading to us and doing all those

0:17:02.400 --> 0:17:04.520
<v Speaker 2>things that she wasn't that interested in doing with us.

0:17:05.400 --> 0:17:08.560
<v Speaker 2>And at the same time, they were both passionate about

0:17:08.960 --> 0:17:13.520
<v Speaker 2>art and literature and that a life devoted.

0:17:13.000 --> 0:17:14.800
<v Speaker 1>To the arts could be meaningful.

0:17:14.840 --> 0:17:20.640
<v Speaker 2>They had both broken from their families of origin. Both

0:17:20.640 --> 0:17:23.720
<v Speaker 2>sets of grandparents were Republican. Both sets of grandparents had

0:17:23.760 --> 0:17:29.679
<v Speaker 2>businessman or lawyer right paternal figures, and my parents bonded

0:17:29.880 --> 0:17:33.280
<v Speaker 2>I think over that yet we're both escaping from the

0:17:33.320 --> 0:17:36.679
<v Speaker 2>oppressiveness of for my mother small town Illinois, from my

0:17:36.760 --> 0:17:39.960
<v Speaker 2>father Russian Jewish immigrant parents living in Flatbush and saying

0:17:40.240 --> 0:17:42.320
<v Speaker 2>a critic, how can you make money being a grip

0:17:42.400 --> 0:17:46.119
<v Speaker 2>that doesn't that's not a job, right, And they believed

0:17:46.160 --> 0:17:46.960
<v Speaker 2>in each other's work.

0:17:47.080 --> 0:17:50.399
<v Speaker 1>My mother thought my father was a genius. My dad

0:17:50.880 --> 0:17:52.080
<v Speaker 1>was wholly.

0:17:51.760 --> 0:17:55.120
<v Speaker 2>Admiring of my mother, supportive of her having a major career.

0:17:55.400 --> 0:17:57.400
<v Speaker 1>Not that many men were at that time.

0:17:57.640 --> 0:17:59.959
<v Speaker 2>So my father being sort of ahead of his time

0:18:00.240 --> 0:18:03.720
<v Speaker 2>and taking on more of the child rearing and just

0:18:04.000 --> 0:18:05.800
<v Speaker 2>caring for us and supporting her.

0:18:05.880 --> 0:18:07.280
<v Speaker 1>I think that's what held them together.

0:18:07.520 --> 0:18:12.840
<v Speaker 2>But their personalities were not compatible ultimately, And when my

0:18:12.920 --> 0:18:17.720
<v Speaker 2>mother announces this, I knew not only that this was

0:18:17.720 --> 0:18:20.159
<v Speaker 2>going to be irrevocable, that they were going to split,

0:18:20.280 --> 0:18:23.560
<v Speaker 2>and not just separate the divorce. I knew that my

0:18:23.640 --> 0:18:26.119
<v Speaker 2>father did not want this, because I could.

0:18:25.920 --> 0:18:28.720
<v Speaker 1>Always sense from a very young age.

0:18:28.760 --> 0:18:33.760
<v Speaker 2>That my father loved my mother far more than my

0:18:33.840 --> 0:18:37.600
<v Speaker 2>mother loved my father, if she really loved him at all.

0:18:38.000 --> 0:18:39.600
<v Speaker 1>I knew she revered.

0:18:39.200 --> 0:18:42.320
<v Speaker 2>Him intellectually, but I never saw any physical affection between

0:18:42.320 --> 0:18:46.720
<v Speaker 2>the two of them, And I did feel often as

0:18:46.720 --> 0:18:49.800
<v Speaker 2>a little girl my father wanting my mother's approval and

0:18:49.800 --> 0:18:53.440
<v Speaker 2>my mother not giving him the affection that I could

0:18:53.640 --> 0:18:54.560
<v Speaker 2>sense that he wanted.

0:18:55.240 --> 0:18:58.679
<v Speaker 3>And that night, when you leave the kitchen, you go

0:18:58.760 --> 0:19:01.920
<v Speaker 3>into your father's study and he tells you as much

0:19:02.400 --> 0:19:05.600
<v Speaker 3>he's crying, and he tells you, I don't want this.

0:19:06.520 --> 0:19:09.240
<v Speaker 2>He says, I don't want this. I don't want to

0:19:09.240 --> 0:19:12.760
<v Speaker 2>lose our family. I went after him. My mother took

0:19:12.800 --> 0:19:15.000
<v Speaker 2>Claire back to bed, and I could have gone to bed,

0:19:15.119 --> 0:19:18.280
<v Speaker 2>but I felt I need to go check on my father.

0:19:18.880 --> 0:19:22.040
<v Speaker 2>I need to go see if he's okay. And he

0:19:22.119 --> 0:19:25.440
<v Speaker 2>was crying, and I'd almost never seen him cry, and

0:19:25.520 --> 0:19:28.080
<v Speaker 2>I'd seen tears in his eyes and like sentimental moments

0:19:28.080 --> 0:19:33.240
<v Speaker 2>and movies maybe, and he was heaving with crying, and

0:19:34.040 --> 0:19:36.520
<v Speaker 2>immediately I was just hugging him, and I was trying

0:19:36.640 --> 0:19:39.480
<v Speaker 2>not to cry myself because I didn't want to make

0:19:39.520 --> 0:19:42.960
<v Speaker 2>it worse for him. But that wasn't a revelation to me.

0:19:43.040 --> 0:19:46.359
<v Speaker 2>When he said that, exactly as you said, Danny, I knew.

0:19:46.480 --> 0:19:48.280
<v Speaker 2>I mean, I went there and I had it confirmed.

0:19:48.800 --> 0:19:50.000
<v Speaker 2>My father did not want this.

0:19:50.240 --> 0:19:52.600
<v Speaker 1>My mother wanted this, and I could tell from the

0:19:52.640 --> 0:19:53.440
<v Speaker 1>expression in her.

0:19:53.359 --> 0:19:57.159
<v Speaker 2>Face that she was out. There was no chance that

0:19:57.200 --> 0:19:58.560
<v Speaker 2>he was going to be able to convince her.

0:19:59.119 --> 0:19:59.840
<v Speaker 1>And for a couple of.

0:20:00.000 --> 0:20:03.600
<v Speaker 2>Mon he did try, and it was very painful to

0:20:03.680 --> 0:20:08.280
<v Speaker 2>watch his fumbling around trying to praise her, and he'd say, oh,

0:20:08.320 --> 0:20:11.879
<v Speaker 2>you know, I've smoked only ten cigarettes today, right, or

0:20:11.960 --> 0:20:14.480
<v Speaker 2>I'm not going to bet on sports anymore, or any

0:20:14.480 --> 0:20:16.960
<v Speaker 2>of these things that had bothered her or have been

0:20:17.000 --> 0:20:19.320
<v Speaker 2>issues I knew as a little child.

0:20:19.359 --> 0:20:22.639
<v Speaker 1>Those were cosmetic things like that's not what it really was.

0:20:23.160 --> 0:20:24.240
<v Speaker 1>It was something deeper.

0:20:24.440 --> 0:20:29.959
<v Speaker 2>There was some deeper fault line between them.

0:20:30.119 --> 0:20:40.000
<v Speaker 3>We'll be right back when Priscilla's parents separate. The change

0:20:40.040 --> 0:20:43.080
<v Speaker 3>is jarring for the whole family. The life and home

0:20:43.160 --> 0:20:45.679
<v Speaker 3>they all once shared is now fractured.

0:20:48.600 --> 0:20:52.359
<v Speaker 2>So, you know, we had moved into this really grand

0:20:52.480 --> 0:20:56.280
<v Speaker 2>apartment two years earlier, and my father had had this

0:20:56.359 --> 0:21:00.160
<v Speaker 2>incredible office with this huge white desk that looked like

0:21:00.359 --> 0:21:03.000
<v Speaker 2>a president could sit behind it, and all of a sudden,

0:21:03.320 --> 0:21:06.240
<v Speaker 2>he doesn't have a home at all. We're not told

0:21:06.280 --> 0:21:10.040
<v Speaker 2>where he's staying. He moves out in January, and I assumed,

0:21:10.080 --> 0:21:12.640
<v Speaker 2>you know, he's basically what we would today call kout surfing,

0:21:12.720 --> 0:21:17.879
<v Speaker 2>staying with different people friends for us, students, former students,

0:21:18.400 --> 0:21:20.840
<v Speaker 2>and my sister and I are only able to see

0:21:20.880 --> 0:21:24.080
<v Speaker 2>him for a quick lunch or a quick dinner at

0:21:24.119 --> 0:21:28.080
<v Speaker 2>a neighborhood restaurant maybe once or twice a week, and

0:21:28.480 --> 0:21:33.760
<v Speaker 2>he is alternately kind of shaky emotionally, like as soon

0:21:33.800 --> 0:21:35.879
<v Speaker 2>as he would see us, he would look like he

0:21:35.960 --> 0:21:39.600
<v Speaker 2>was about to cry, or he would get irritable because

0:21:39.600 --> 0:21:42.840
<v Speaker 2>he would say, girls, you have to split a dish,

0:21:42.920 --> 0:21:44.840
<v Speaker 2>and Claire would say, no, I want more food.

0:21:44.960 --> 0:21:48.320
<v Speaker 1>That's not enough food. I want more, and he would

0:21:48.320 --> 0:21:50.679
<v Speaker 1>get annoyed, and so I would be sort of kicking her,

0:21:50.800 --> 0:21:52.000
<v Speaker 1>trying to get her to stop.

0:21:52.640 --> 0:21:55.440
<v Speaker 2>And then I would notice that my father was taking

0:21:55.600 --> 0:21:58.240
<v Speaker 2>the containers in the McDonald so that have like the

0:21:58.280 --> 0:22:00.040
<v Speaker 2>packets of salt and pepper.

0:21:59.760 --> 0:22:01.880
<v Speaker 1>Or the ketchup packets and the mustard.

0:22:01.560 --> 0:22:06.280
<v Speaker 2>Packets and pouring them into his shoulder bag or sugar right,

0:22:06.280 --> 0:22:08.720
<v Speaker 2>and I'm thinking he can't even afford a box of sugar.

0:22:09.400 --> 0:22:12.280
<v Speaker 2>And meanwhile, my mother's career is going better than ever.

0:22:13.080 --> 0:22:16.520
<v Speaker 2>She's doing a lot of business in California. We go

0:22:16.560 --> 0:22:19.400
<v Speaker 2>and we stay for the summer in Brentwood, in Joan

0:22:19.440 --> 0:22:21.720
<v Speaker 2>Diddy and in John Vanna's house, and we're going to

0:22:21.760 --> 0:22:25.600
<v Speaker 2>all these movie premieres, and she's getting even more glamorous.

0:22:25.880 --> 0:22:30.000
<v Speaker 2>My mother seems free, my mother seems lighter, she seems happier,

0:22:30.359 --> 0:22:35.879
<v Speaker 2>and my father is overcome by this profound depression he'd

0:22:35.920 --> 0:22:39.800
<v Speaker 2>always teetered on the verge of falling into that. One night,

0:22:40.000 --> 0:22:42.280
<v Speaker 2>my father had come back to the apartment. My mom

0:22:42.320 --> 0:22:46.600
<v Speaker 2>was in California on business, and she allowed my father

0:22:46.680 --> 0:22:48.200
<v Speaker 2>to come into the apartment and stay with us, so

0:22:48.240 --> 0:22:51.160
<v Speaker 2>we would have a couple of nights with him. And

0:22:51.880 --> 0:22:55.159
<v Speaker 2>we're playing a game with Claire, and Claire spills her

0:22:55.240 --> 0:22:58.280
<v Speaker 2>juice and my father had been warning her, you know,

0:22:58.440 --> 0:23:00.240
<v Speaker 2>watch out for that glass, you know, don't but it's

0:23:00.240 --> 0:23:03.000
<v Speaker 2>so near the board, and it spills, and he yells

0:23:03.040 --> 0:23:07.159
<v Speaker 2>at her, and she starts crying, and he gets up

0:23:07.160 --> 0:23:09.000
<v Speaker 2>and he stalks out, and he walks back into the

0:23:09.080 --> 0:23:12.560
<v Speaker 2>room that had once been his office, and I comfort

0:23:12.600 --> 0:23:16.320
<v Speaker 2>her and I go after him, and he's immediately contrite.

0:23:16.520 --> 0:23:20.000
<v Speaker 2>And he always was about his temper. He didn't think

0:23:20.040 --> 0:23:22.639
<v Speaker 2>it was a good thing. He never felt justified and raging.

0:23:22.680 --> 0:23:27.240
<v Speaker 2>He was always immediately apologetic. And he just looks absolutely distraught,

0:23:29.119 --> 0:23:31.639
<v Speaker 2>and he says, you know that I love you girls

0:23:31.640 --> 0:23:35.000
<v Speaker 2>more than anything in the world, right, and I'm so sorry.

0:23:35.080 --> 0:23:36.880
<v Speaker 2>You know that I didn't mean to get that angry,

0:23:37.040 --> 0:23:39.160
<v Speaker 2>and you know it bothered me because I told her

0:23:39.200 --> 0:23:39.920
<v Speaker 2>not to do it.

0:23:40.400 --> 0:23:44.280
<v Speaker 5>So he's basically apologizing and then he looks out into

0:23:44.280 --> 0:23:47.679
<v Speaker 5>space and he says, you know, sometimes I think I

0:23:47.800 --> 0:23:50.399
<v Speaker 5>kill myself if it wasn't for you girls.

0:23:51.800 --> 0:23:54.919
<v Speaker 2>And that's a moment where it just clicks in me.

0:23:55.640 --> 0:23:58.080
<v Speaker 2>You know, you could describe that as a secret that

0:23:58.119 --> 0:24:01.280
<v Speaker 2>I kind of perceived, but I didn't really know it

0:24:01.400 --> 0:24:07.600
<v Speaker 2>for sure until that night. My father's survival is my responsibility,

0:24:08.680 --> 0:24:11.679
<v Speaker 2>and I am the most important thing to him, and

0:24:11.760 --> 0:24:14.320
<v Speaker 2>I have to do everything in my power to keep

0:24:14.359 --> 0:24:14.800
<v Speaker 2>him alive.

0:24:15.359 --> 0:24:16.280
<v Speaker 4>You're in fifth.

0:24:16.040 --> 0:24:18.240
<v Speaker 1>Grade, yep, I'm in fifth grade.

0:24:18.280 --> 0:24:19.720
<v Speaker 4>You are in fifth grade.

0:24:20.080 --> 0:24:24.960
<v Speaker 3>I'm curious, Priscilla, like, what did it feel like that

0:24:25.119 --> 0:24:31.560
<v Speaker 3>huge effort to push away everything that felt dangerous or

0:24:31.960 --> 0:24:34.679
<v Speaker 3>you know that felt like a live wire. There was

0:24:34.720 --> 0:24:36.399
<v Speaker 3>such vigilance on your part.

0:24:37.119 --> 0:24:38.600
<v Speaker 1>Vigilance is a great word.

0:24:38.720 --> 0:24:43.320
<v Speaker 2>It's something that I think we don't even often recognize

0:24:43.320 --> 0:24:46.280
<v Speaker 2>in ourselves until we're through it. I mean, it's something

0:24:46.320 --> 0:24:49.560
<v Speaker 2>that becomes so habitual that you don't even notice that

0:24:50.440 --> 0:24:53.919
<v Speaker 2>you are constantly on the alert. Like I have this

0:24:54.119 --> 0:24:58.240
<v Speaker 2>preternatural ability as a very young child, the sense when

0:24:58.280 --> 0:25:01.480
<v Speaker 2>my father's mood was going dark, when Claire was about

0:25:01.520 --> 0:25:04.800
<v Speaker 2>to lose it and have a tantrum and I think

0:25:04.920 --> 0:25:09.800
<v Speaker 2>what gets you through it is feeling this is my role,

0:25:10.000 --> 0:25:12.840
<v Speaker 2>Like this is what it's like to be alive. I

0:25:12.840 --> 0:25:15.320
<v Speaker 2>don't know if that makes sense, but you know, it's like,

0:25:15.440 --> 0:25:17.480
<v Speaker 2>this is what it means to be a human. I've

0:25:17.520 --> 0:25:22.040
<v Speaker 2>been assigned this role and it's what makes life meaningful

0:25:22.160 --> 0:25:24.520
<v Speaker 2>for me. Like these are my people, these are the

0:25:24.600 --> 0:25:28.920
<v Speaker 2>people I love. I am blessed by having a steadier

0:25:28.960 --> 0:25:32.640
<v Speaker 2>temperament than they have. I am not as prone to crying,

0:25:33.280 --> 0:25:36.960
<v Speaker 2>I am not as vulnerable to moods. You know, I'm

0:25:37.000 --> 0:25:40.200
<v Speaker 2>just lucky that I'm born with this temperament where I'm

0:25:40.240 --> 0:25:44.399
<v Speaker 2>more buoyant. I'm generally an optimistic person. This is true,

0:25:44.400 --> 0:25:46.600
<v Speaker 2>and this has been true throughout my life. I'm not

0:25:46.680 --> 0:25:51.000
<v Speaker 2>prone to darkness. It's easy for me to spot if

0:25:51.000 --> 0:25:53.600
<v Speaker 2>somebody's feeling left out, if somebody's feeling afraid of and

0:25:53.680 --> 0:25:55.199
<v Speaker 2>I'll go in and I'll make them feel better. And

0:25:55.240 --> 0:25:58.760
<v Speaker 2>I think you know that ability has served me very well.

0:25:59.160 --> 0:26:02.200
<v Speaker 2>But it is can be very, very exhausting. And I

0:26:02.440 --> 0:26:06.760
<v Speaker 2>remember coming back from meals with my dad where I'd think, okay,

0:26:07.000 --> 0:26:08.560
<v Speaker 2>I got a ninety eight on the math quitz.

0:26:08.640 --> 0:26:10.879
<v Speaker 1>I'm going to tell him that and I'm going to

0:26:10.880 --> 0:26:11.320
<v Speaker 1>tell him.

0:26:11.200 --> 0:26:13.359
<v Speaker 2>About the play and how I got this part, and

0:26:13.400 --> 0:26:15.720
<v Speaker 2>I'm not going to tell him, you know, about this

0:26:15.720 --> 0:26:17.440
<v Speaker 2>this mean girls school, because I don't want him to

0:26:17.480 --> 0:26:19.760
<v Speaker 2>worry about me. So I'm just going to tell him

0:26:19.800 --> 0:26:21.520
<v Speaker 2>all these good things. And I'd almost make a list

0:26:21.560 --> 0:26:23.159
<v Speaker 2>in my mind of all the things I was going

0:26:23.240 --> 0:26:26.800
<v Speaker 2>to tell him, and then i'd come home and I

0:26:26.840 --> 0:26:29.520
<v Speaker 2>remember just sometimes going into my room and just lying

0:26:29.560 --> 0:26:35.360
<v Speaker 2>on the bed and just feeling completely exhausted, like emptied.

0:26:36.280 --> 0:26:39.560
<v Speaker 2>And one of the ways that I could say, maybe

0:26:39.560 --> 0:26:42.440
<v Speaker 2>this was, you know, a form of rejuvenation and also distraction.

0:26:42.600 --> 0:26:45.879
<v Speaker 2>But as I'm getting a little bit older, my father

0:26:46.200 --> 0:26:50.520
<v Speaker 2>didn't allow us to watch any TV except PBS, and

0:26:50.520 --> 0:26:52.560
<v Speaker 2>then he allowed us, in a weird exception, to watch

0:26:52.640 --> 0:26:55.080
<v Speaker 2>The Hardy Boys and Nancy Droop, And all of a sudden,

0:26:55.160 --> 0:26:56.800
<v Speaker 2>my dad's out of the house, and Claire and I

0:26:56.880 --> 0:27:00.000
<v Speaker 2>are like, let's watch Love Both, Let's watch Fantasy Isisland,

0:27:00.119 --> 0:27:03.639
<v Speaker 2>and let's start watching all these fun things that our

0:27:03.680 --> 0:27:06.760
<v Speaker 2>father didn't let us do. And I thought, at one

0:27:06.760 --> 0:27:09.720
<v Speaker 2>point it's almost like sort of papering over the loss

0:27:09.960 --> 0:27:13.359
<v Speaker 2>with these fun you know, and I'm entering adolescents. Let's

0:27:13.400 --> 0:27:15.240
<v Speaker 2>go to the Love's drug Store and buy some Bonnie

0:27:15.240 --> 0:27:16.160
<v Speaker 2>Bell lipsmackers.

0:27:16.160 --> 0:27:20.160
<v Speaker 1>We couldn't tell Daddy about that. I genuinely enjoyed these things.

0:27:20.160 --> 0:27:22.359
<v Speaker 2>And you know, I liked going to Canal Jean and

0:27:22.440 --> 0:27:24.920
<v Speaker 2>buying an overcoat and thinking Daddy wouldn't want to see

0:27:24.920 --> 0:27:28.160
<v Speaker 2>my McJagger button, you know, because he doesn't approve of McJagger,

0:27:28.520 --> 0:27:32.320
<v Speaker 2>and cultivating my new kind of adolescent fun life as

0:27:32.359 --> 0:27:37.000
<v Speaker 2>a distraction from and something that could be just sort

0:27:37.000 --> 0:27:40.440
<v Speaker 2>of more mindless. Because when I'm with my father, and

0:27:40.840 --> 0:27:43.520
<v Speaker 2>you know, to a certain extent, with my sister and

0:27:43.680 --> 0:27:46.680
<v Speaker 2>with my mom, I'm curating myself around my mom. I'm

0:27:46.680 --> 0:27:49.360
<v Speaker 2>not telling my mom.

0:27:48.440 --> 0:27:50.080
<v Speaker 1>How depressed my dad is.

0:27:50.480 --> 0:27:53.520
<v Speaker 2>I'm not telling my mom I'm sad that I missed

0:27:53.520 --> 0:27:57.639
<v Speaker 2>my father. I'm pretending with everyone, and I'm pretending to

0:27:57.760 --> 0:28:01.760
<v Speaker 2>myself that I'm okay because I need to be okay

0:28:02.119 --> 0:28:05.760
<v Speaker 2>because other people are not okay, and I need to

0:28:05.880 --> 0:28:07.920
<v Speaker 2>help them because I'm more.

0:28:07.720 --> 0:28:08.640
<v Speaker 1>Okay than they are.

0:28:08.880 --> 0:28:11.480
<v Speaker 2>I guess was another way that I would think about it. Right,

0:28:11.560 --> 0:28:12.880
<v Speaker 2>what do I have to complain.

0:28:12.600 --> 0:28:15.360
<v Speaker 1>About my poor father? He doesn't even have a bedroom.

0:28:15.880 --> 0:28:20.520
<v Speaker 3>Right, there's this list that you include in your book

0:28:20.720 --> 0:28:24.320
<v Speaker 3>that's really just heart wrenching. And it's from a diary

0:28:24.359 --> 0:28:26.600
<v Speaker 3>that you kept in middle school. And here's a page

0:28:26.600 --> 0:28:30.240
<v Speaker 3>from that diary. Things not to do when I'm with daddy.

0:28:30.800 --> 0:28:37.080
<v Speaker 3>One don't cry. Two, don't complain, Three, don't be difficult.

0:28:37.880 --> 0:28:42.800
<v Speaker 3>Four don't tell him anything but good news. Five don't

0:28:42.800 --> 0:28:46.880
<v Speaker 3>mention mommy, and six don't expect him to be the

0:28:46.960 --> 0:28:47.840
<v Speaker 3>daddy of old.

0:28:51.000 --> 0:28:52.640
<v Speaker 1>Yeah.

0:28:52.680 --> 0:28:54.960
<v Speaker 2>When I found that, I have no memory of writing

0:28:54.960 --> 0:29:00.200
<v Speaker 2>that none, It just hit me like, Wow, that's a

0:29:00.240 --> 0:29:07.480
<v Speaker 2>little girl trying to podify rules for herself in a way,

0:29:07.720 --> 0:29:12.040
<v Speaker 2>trying to give myself structure, almost like if I write

0:29:12.080 --> 0:29:15.520
<v Speaker 2>it down, it'll remind me, but also it maybe gives

0:29:15.520 --> 0:29:17.400
<v Speaker 2>me more of a sense of control.

0:29:18.480 --> 0:29:20.880
<v Speaker 1>Over what I felt I needed to do in an

0:29:20.960 --> 0:29:22.280
<v Speaker 1>uncontrollable situation.

0:29:27.080 --> 0:29:29.560
<v Speaker 3>Around the time Priscilla writes this list in her diary,

0:29:29.920 --> 0:29:33.480
<v Speaker 3>she discovers a letter It's just sitting there out in

0:29:33.520 --> 0:29:36.920
<v Speaker 3>the open, written by her father to his first wife esther.

0:29:39.080 --> 0:29:43.680
<v Speaker 3>The letter contains some really unsettling and disturbing imagery and language.

0:29:44.280 --> 0:29:48.360
<v Speaker 3>How does a child process something like this? Though Priscilla

0:29:48.400 --> 0:29:51.280
<v Speaker 3>has made a habit out of caretaking, protecting the minds

0:29:51.280 --> 0:29:54.600
<v Speaker 3>and hearts of everyone around her. In this case, she's

0:29:54.640 --> 0:29:58.040
<v Speaker 3>so perturbed and in many ways scared by what she

0:29:58.120 --> 0:30:02.120
<v Speaker 3>reads in the letter that she unc characteristically doesn't keep

0:30:02.160 --> 0:30:02.680
<v Speaker 3>the secret.

0:30:03.320 --> 0:30:04.840
<v Speaker 4>She tells her mom about the letter.

0:30:06.320 --> 0:30:10.040
<v Speaker 2>I don't remember how soon after my mother came back

0:30:10.440 --> 0:30:12.360
<v Speaker 2>that I told her. I know that I told her

0:30:12.360 --> 0:30:14.480
<v Speaker 2>when Claire was not around, because I knew it would

0:30:14.520 --> 0:30:17.000
<v Speaker 2>worry Claire and it would upset Claire. And it was

0:30:17.000 --> 0:30:20.560
<v Speaker 2>a letter that shocked me, not only in terms of

0:30:20.600 --> 0:30:23.239
<v Speaker 2>its graphic details. My father we would now call had

0:30:23.320 --> 0:30:27.840
<v Speaker 2>BDSM tendencies, wanted to be dominated, was submissive, was asking esther.

0:30:28.280 --> 0:30:31.720
<v Speaker 2>And I'd only met esther once or twice, like she

0:30:31.880 --> 0:30:36.200
<v Speaker 2>was my brother's mother, and I adored my brother twelve

0:30:36.240 --> 0:30:38.360
<v Speaker 2>years older though, so he didn't really live with us

0:30:38.400 --> 0:30:38.880
<v Speaker 2>growing up.

0:30:38.920 --> 0:30:40.040
<v Speaker 1>I didn't really know Esther.

0:30:40.600 --> 0:30:43.160
<v Speaker 2>It freaked me out that my father was writing to

0:30:43.480 --> 0:30:46.840
<v Speaker 2>esther and asking her to be sexually involved with him

0:30:46.840 --> 0:30:50.040
<v Speaker 2>like that in and of itself felt really weird to me.

0:30:51.000 --> 0:30:54.600
<v Speaker 2>And then the details of what he was asking her

0:30:54.640 --> 0:30:58.240
<v Speaker 2>to do also kind of shocked me, And I think

0:30:58.280 --> 0:31:02.160
<v Speaker 2>it unsettled me so much much that I felt I

0:31:02.200 --> 0:31:04.840
<v Speaker 2>have to see if my mother understands this at all,

0:31:05.320 --> 0:31:07.240
<v Speaker 2>Like I did not know how to make sense of it.

0:31:07.600 --> 0:31:09.960
<v Speaker 2>Why is he reaching back out to esther. It hasn't

0:31:09.960 --> 0:31:13.400
<v Speaker 2>been with esther in years. Why is he asking esther

0:31:13.520 --> 0:31:16.280
<v Speaker 2>to do these things? And I think, to me, you know,

0:31:16.320 --> 0:31:20.400
<v Speaker 2>as a ten year old, asking to be dominated.

0:31:20.120 --> 0:31:21.840
<v Speaker 1>Felt to me like a cry for help.

0:31:22.240 --> 0:31:24.040
<v Speaker 2>And I thought, this is not something that I can

0:31:24.080 --> 0:31:26.200
<v Speaker 2>handle on my own, like, I need to tell my

0:31:26.240 --> 0:31:31.560
<v Speaker 2>mom about this. And the biggest surprise of all was

0:31:31.600 --> 0:31:35.360
<v Speaker 2>that my mom was not at all surprised by it.

0:31:36.800 --> 0:31:39.760
<v Speaker 1>Now. I was expecting her to say, what he's what

0:31:39.920 --> 0:31:40.440
<v Speaker 1>is he saying?

0:31:40.440 --> 0:31:44.520
<v Speaker 2>Oh my gosh, that sounds crazy, And She's like, oh, oh.

0:31:44.080 --> 0:31:45.640
<v Speaker 1>Wow, wow, wow. Yeah.

0:31:46.040 --> 0:31:48.160
<v Speaker 2>You know, I've been trying to protect you girls from

0:31:48.160 --> 0:31:50.680
<v Speaker 2>stuff like this for years. And I just looked at

0:31:50.680 --> 0:31:53.959
<v Speaker 2>her and I'm like what, and she says, yeah. You know,

0:31:54.040 --> 0:31:56.720
<v Speaker 2>he had all these pornographic magazines, and he had this

0:31:56.800 --> 0:32:00.800
<v Speaker 2>dash of pictures. And I would sometimes find that under

0:32:00.800 --> 0:32:03.360
<v Speaker 2>the cushions of the sofa, you and Claire would have

0:32:03.400 --> 0:32:06.280
<v Speaker 2>just been there like a minute before, and I'd worry,

0:32:06.360 --> 0:32:08.200
<v Speaker 2>oh my gosh, you know, your grandparents are going to

0:32:08.200 --> 0:32:10.640
<v Speaker 2>find them, You're going to find them. I've been protecting

0:32:10.640 --> 0:32:12.880
<v Speaker 2>you girls from uears, and she was angry at him.

0:32:12.920 --> 0:32:14.640
<v Speaker 2>I could tell that he'd left this out and that

0:32:14.680 --> 0:32:16.600
<v Speaker 2>I'd been exposed to it, and I'm.

0:32:16.440 --> 0:32:19.080
<v Speaker 1>Just very calm. While she was talking, I sat.

0:32:18.880 --> 0:32:20.720
<v Speaker 2>There and I just sort of listened, And when I

0:32:20.800 --> 0:32:24.600
<v Speaker 2>told her, I didn't present it in an emotionally overwhelmed way.

0:32:24.640 --> 0:32:26.400
<v Speaker 2>I just said, Mommy, I found this letter and I'm

0:32:26.400 --> 0:32:28.320
<v Speaker 2>wondering what you think about it, and I sort of

0:32:28.360 --> 0:32:30.720
<v Speaker 2>just tried to describe it, trying to summarize it to her.

0:32:31.440 --> 0:32:34.240
<v Speaker 1>And then she said, you.

0:32:34.160 --> 0:32:37.440
<v Speaker 2>Know, I never did any of those things with him

0:32:37.880 --> 0:32:40.640
<v Speaker 2>that he was asking esther to do, and so I

0:32:40.760 --> 0:32:43.200
<v Speaker 2>think that it suddenly clicked in her head. She's like,

0:32:44.040 --> 0:32:46.000
<v Speaker 2>is my daughter going to start thinking that like that

0:32:46.200 --> 0:32:49.160
<v Speaker 2>was our sexual relationship, And so she felt she had

0:32:49.160 --> 0:32:52.520
<v Speaker 2>to tell me that, and then we both agreed were

0:32:52.520 --> 0:32:54.600
<v Speaker 2>never going to tell anyone else that Claire.

0:32:54.320 --> 0:32:57.120
<v Speaker 1>Would get extremely upset and not be able to handle it.

0:32:58.440 --> 0:33:03.760
<v Speaker 2>And very shortly after this, my mother initiated a conversation

0:33:03.880 --> 0:33:07.200
<v Speaker 2>with me in which she told me that my father

0:33:07.280 --> 0:33:12.040
<v Speaker 2>had had multiple affairs during their marriage, that some of

0:33:12.040 --> 0:33:13.280
<v Speaker 2>the affairs had been with.

0:33:13.240 --> 0:33:15.720
<v Speaker 1>His students, graduate students.

0:33:16.240 --> 0:33:18.640
<v Speaker 2>Was very upsetting to me that he'd had affairs, and

0:33:18.840 --> 0:33:22.680
<v Speaker 2>especially with students. I remember thinking that is disgusting and vile.

0:33:22.880 --> 0:33:25.480
<v Speaker 2>And I even though I knew that a lot of

0:33:25.480 --> 0:33:28.719
<v Speaker 2>my parents' friends and had affairs, I was aghast at that.

0:33:29.120 --> 0:33:31.880
<v Speaker 2>But I remember thinking even more when my mother said,

0:33:31.880 --> 0:33:34.320
<v Speaker 2>and you know, in a way, the affairs were sort

0:33:34.360 --> 0:33:38.880
<v Speaker 2>of a relief for me because these women were sort

0:33:38.880 --> 0:33:40.400
<v Speaker 2>of taking him off my hands.

0:33:42.920 --> 0:33:47.880
<v Speaker 3>The thing that's so striking, Priscilla is that this confiding

0:33:48.040 --> 0:33:51.880
<v Speaker 3>in you, ten year old you, your father making that

0:33:51.920 --> 0:33:53.920
<v Speaker 3>statement about you know, if it wasn't for you girls,

0:33:54.080 --> 0:33:58.120
<v Speaker 3>I would kill myself. Your mother telling you, you know,

0:33:58.160 --> 0:34:01.000
<v Speaker 3>even oh, I didn't do those things with him, and

0:34:01.080 --> 0:34:04.920
<v Speaker 3>he had affairs, the kind of turning you into each

0:34:04.960 --> 0:34:08.480
<v Speaker 3>of them in very different ways, but into their confidante.

0:34:09.440 --> 0:34:15.520
<v Speaker 2>Yes, absolutely, and confidant is a great word, because I

0:34:15.560 --> 0:34:18.480
<v Speaker 2>think one of the reasons why, as my mother is

0:34:18.480 --> 0:34:23.560
<v Speaker 2>telling me all these things, I'm not more upset is

0:34:23.600 --> 0:34:27.120
<v Speaker 2>that I was kind of flattered that she was telling

0:34:27.160 --> 0:34:30.640
<v Speaker 2>me that she was confiding in me, and she was

0:34:30.680 --> 0:34:34.640
<v Speaker 2>singling me out as the mature child. You know, you're

0:34:34.680 --> 0:34:37.000
<v Speaker 2>so strong, and you're so mature, and you're so smart.

0:34:37.200 --> 0:34:39.480
<v Speaker 2>She would always say to me things like you can

0:34:39.600 --> 0:34:43.960
<v Speaker 2>handle things, and it made me feel proud, and it

0:34:44.000 --> 0:34:46.400
<v Speaker 2>made me feel closer to my mother, because as a

0:34:46.440 --> 0:34:48.760
<v Speaker 2>young child, I had been much closer to my father,

0:34:49.440 --> 0:34:52.160
<v Speaker 2>partly because he was around more, but also because we're

0:34:52.200 --> 0:34:56.120
<v Speaker 2>just more alike and was genuinely invested in this world

0:34:56.200 --> 0:34:59.879
<v Speaker 2>of childhood that my sister and I created and cultivated,

0:35:00.040 --> 0:35:03.360
<v Speaker 2>and my mother was felt more adult. And now in

0:35:03.400 --> 0:35:05.279
<v Speaker 2>this moment, it was more like we were on the

0:35:05.280 --> 0:35:07.520
<v Speaker 2>same not the same level, but we.

0:35:07.400 --> 0:35:10.440
<v Speaker 1>Were closer to each other. She was sharing her own

0:35:10.520 --> 0:35:15.080
<v Speaker 1>vulnerability with me, and that felt good because I felt.

0:35:15.000 --> 0:35:18.359
<v Speaker 2>I understand my mother better and I still to this

0:35:18.480 --> 0:35:21.200
<v Speaker 2>day am grateful for that in the sense that it

0:35:21.280 --> 0:35:26.200
<v Speaker 2>might sound odd, but she trusted me, and she felt

0:35:26.280 --> 0:35:29.719
<v Speaker 2>that she wanted me to understand why she had ended

0:35:29.719 --> 0:35:34.840
<v Speaker 2>the marriage. And you know, I remember talking about this

0:35:34.960 --> 0:35:37.879
<v Speaker 2>with a great family friend when I was growing up,

0:35:38.080 --> 0:35:40.800
<v Speaker 2>and she loved both of my parents and she understood

0:35:40.840 --> 0:35:42.520
<v Speaker 2>both of them, and she's someone that I could always

0:35:42.520 --> 0:35:45.160
<v Speaker 2>speak to who wouldn't come down on one side or

0:35:45.160 --> 0:35:45.439
<v Speaker 2>the other.

0:35:45.480 --> 0:35:47.399
<v Speaker 1>And I remember her saying to me you know, when

0:35:47.640 --> 0:35:49.879
<v Speaker 1>is the right time to find this kind of stuff out.

0:35:50.239 --> 0:35:53.160
<v Speaker 2>Whatever time it is, it's never the right time to

0:35:53.200 --> 0:35:53.799
<v Speaker 2>find it out.

0:35:54.520 --> 0:35:58.239
<v Speaker 1>And I do feel that my mother was genuinely not

0:35:58.360 --> 0:35:59.520
<v Speaker 1>just venting to me.

0:36:00.160 --> 0:36:03.279
<v Speaker 2>She was trying to help me, in a way make

0:36:03.480 --> 0:36:07.560
<v Speaker 2>sense of what had happened. Why had this seemingly perfect

0:36:07.600 --> 0:36:14.239
<v Speaker 2>family broken. Why was my father, who was this sort

0:36:14.280 --> 0:36:20.320
<v Speaker 2>of magical childlike being, and I mean childlike in both

0:36:20.360 --> 0:36:22.680
<v Speaker 2>the senses of being vulnerable, but also in the sense

0:36:22.760 --> 0:36:27.320
<v Speaker 2>of being adventurous and playful and delightful to be around

0:36:27.600 --> 0:36:29.000
<v Speaker 2>and a joy to have.

0:36:29.880 --> 0:36:33.480
<v Speaker 1>How why had he been expelled? And I think she

0:36:33.600 --> 0:36:36.000
<v Speaker 1>probably felt Prisolla doesn't get.

0:36:35.800 --> 0:36:39.319
<v Speaker 2>It at all, and I want her to understand.

0:36:40.560 --> 0:36:47.120
<v Speaker 3>So each time your mother disclosed more difficult and damning

0:36:47.320 --> 0:36:51.040
<v Speaker 3>things about your father, she tells you not to share

0:36:51.040 --> 0:36:55.239
<v Speaker 3>it with Claire and what struck me there, And she

0:36:55.360 --> 0:36:58.439
<v Speaker 3>says to you that she's tired of deception and she's

0:36:58.480 --> 0:37:02.440
<v Speaker 3>tired of secrets. But at the same time, she is

0:37:03.360 --> 0:37:06.160
<v Speaker 3>asking you to keep a secret.

0:37:06.960 --> 0:37:12.120
<v Speaker 2>Yes, and she didn't say this explicitly, But I also felt,

0:37:12.200 --> 0:37:15.200
<v Speaker 2>I can't talk about this with my grandparents. I can't

0:37:15.200 --> 0:37:18.399
<v Speaker 2>talk about this with my babysitters. I can't talk about

0:37:18.400 --> 0:37:23.440
<v Speaker 2>this with my friends. This is like loaded dangerous information.

0:37:29.239 --> 0:37:42.160
<v Speaker 3>We'll be back in a moment with more family secrets.

0:37:43.880 --> 0:37:46.719
<v Speaker 3>It's a hot July night in nineteen eighty one and

0:37:46.760 --> 0:37:50.360
<v Speaker 3>the family's getting together for Claire's birthday. They're having dinner

0:37:50.400 --> 0:37:54.040
<v Speaker 3>at a restaurant followed by a Broadway musical. At the time,

0:37:54.200 --> 0:37:58.000
<v Speaker 3>Priscilla's parents are deep into their bitter divorce negotiations, and

0:37:58.120 --> 0:38:01.320
<v Speaker 3>animosity is palpable, but they try to keep it together

0:38:01.360 --> 0:38:04.319
<v Speaker 3>for their girls, try being the operative word.

0:38:06.320 --> 0:38:08.920
<v Speaker 2>So he rushes in, and I'm starting to get really worried,

0:38:09.040 --> 0:38:11.440
<v Speaker 2>and I see him and he was sweating, but I

0:38:11.440 --> 0:38:13.680
<v Speaker 2>could see that he had dressed in his nicest clothes,

0:38:13.680 --> 0:38:16.560
<v Speaker 2>and he was not typically a particularly natty fellow, so

0:38:16.600 --> 0:38:18.480
<v Speaker 2>I was sort of touched by seeing that he had this.

0:38:19.239 --> 0:38:21.839
<v Speaker 2>He was dressed up, and he was rushing in, and

0:38:21.880 --> 0:38:24.120
<v Speaker 2>he went to sit down in a chair and he

0:38:24.160 --> 0:38:27.960
<v Speaker 2>missed the chair and he fell on the floor, and

0:38:28.880 --> 0:38:33.200
<v Speaker 2>Claire exclaimed, and the waiters are rushing over, and I'm

0:38:33.239 --> 0:38:35.239
<v Speaker 2>just thinking, oh my gosh, this has gone from bad

0:38:35.280 --> 0:38:35.760
<v Speaker 2>to worse.

0:38:36.280 --> 0:38:38.640
<v Speaker 1>And he's sprawled on the.

0:38:38.600 --> 0:38:42.040
<v Speaker 2>Floor and he's quickly getting up, and we're trying to

0:38:42.200 --> 0:38:44.880
<v Speaker 2>and I start nattering on the way I do about

0:38:44.880 --> 0:38:48.040
<v Speaker 2>all these good things and not wanting this to turn

0:38:48.080 --> 0:38:51.600
<v Speaker 2>into a scene. Of course, it was imprinted in my

0:38:51.640 --> 0:38:54.040
<v Speaker 2>brain as one of the most painful scenes of my childhood.

0:38:54.640 --> 0:38:56.200
<v Speaker 2>And you know, we had to get through the dinner

0:38:56.239 --> 0:38:59.839
<v Speaker 2>because we had we were going to see Barnum on Broadway.

0:39:00.200 --> 0:39:03.040
<v Speaker 2>That moment that was exceptionally poignant, and I could see

0:39:03.080 --> 0:39:06.759
<v Speaker 2>my mother just looking irritated and almost contemptuous, like, oh,

0:39:06.760 --> 0:39:08.359
<v Speaker 2>of course, right, he's late.

0:39:08.680 --> 0:39:09.840
<v Speaker 1>And then he falls on the floor.

0:39:10.719 --> 0:39:13.640
<v Speaker 2>And then we're sitting in the musical and there is

0:39:14.000 --> 0:39:17.880
<v Speaker 2>a love song and I start to hear something and

0:39:17.920 --> 0:39:21.440
<v Speaker 2>I look and my father is crying, and he's trying

0:39:21.840 --> 0:39:25.080
<v Speaker 2>to stifle it. And I can tell he doesn't want

0:39:25.239 --> 0:39:29.360
<v Speaker 2>anyone to notice it, and I make noise, I rustle

0:39:29.480 --> 0:39:30.239
<v Speaker 2>my program, and.

0:39:30.239 --> 0:39:33.120
<v Speaker 1>I pile up my sweater so that i'm.

0:39:32.960 --> 0:39:36.640
<v Speaker 2>Not he doesn't worry that I'm seeing him, and I'm

0:39:36.680 --> 0:39:40.840
<v Speaker 2>trying to protect him from what I know will be

0:39:40.960 --> 0:39:45.239
<v Speaker 2>my mother's contempt for you know, what she might call

0:39:45.400 --> 0:39:49.800
<v Speaker 2>or think of this is kind of sloppy sentimentality. I'm protecting

0:39:50.200 --> 0:39:53.680
<v Speaker 2>him from her judgment, and I'm protecting him from knowing

0:39:53.719 --> 0:39:57.120
<v Speaker 2>that I know. And I think that's similar to you know,

0:39:57.160 --> 0:39:59.040
<v Speaker 2>the letter. I never told him that I found that letter,

0:39:59.760 --> 0:40:02.759
<v Speaker 2>never told him, never told him that I'd heard all

0:40:02.800 --> 0:40:03.759
<v Speaker 2>these things about what he.

0:40:03.719 --> 0:40:06.040
<v Speaker 1>Did during the marriage.

0:40:06.080 --> 0:40:09.279
<v Speaker 2>Never ever told him, but he knew he had affairs,

0:40:09.840 --> 0:40:11.479
<v Speaker 2>any of them.

0:40:11.719 --> 0:40:14.279
<v Speaker 4>Again, you're you're in sixth grade. It's so young.

0:40:14.320 --> 0:40:15.919
<v Speaker 3>I kept on as I was, as I was reading

0:40:15.960 --> 0:40:19.319
<v Speaker 3>your book, thinking, oh, surely by now she's you know,

0:40:19.440 --> 0:40:23.320
<v Speaker 3>a sophomore in high school. Like, No, this is all

0:40:23.360 --> 0:40:26.200
<v Speaker 3>happening to a very a very young person.

0:40:26.360 --> 0:40:28.480
<v Speaker 4>And you had to be so careful.

0:40:28.840 --> 0:40:34.400
<v Speaker 3>You would hide any interest in popular culture or fashion,

0:40:35.200 --> 0:40:39.400
<v Speaker 3>you would hide your body, and you're beginning to enter puberty,

0:40:39.600 --> 0:40:43.120
<v Speaker 3>and you know, just wear the baggiest clothes you possibly could,

0:40:43.640 --> 0:40:47.040
<v Speaker 3>and you know, so careful to just not rock his

0:40:47.160 --> 0:40:49.080
<v Speaker 3>world in any way.

0:40:50.000 --> 0:40:50.239
<v Speaker 1>Yep.

0:40:50.480 --> 0:40:52.640
<v Speaker 2>It was certainly at this point that there was no

0:40:52.760 --> 0:40:54.960
<v Speaker 2>hope that they were going to get back together, and

0:40:55.000 --> 0:40:57.920
<v Speaker 2>that my father was asking for money for my mom

0:40:58.200 --> 0:41:01.759
<v Speaker 2>really unusual and shamed in my mother's eyes, Like why

0:41:01.800 --> 0:41:03.600
<v Speaker 2>would a man ask a woman for money?

0:41:03.760 --> 0:41:05.759
<v Speaker 1>Like there was something very shameful about that.

0:41:06.760 --> 0:41:10.160
<v Speaker 3>Your mother never sees how your father is living during

0:41:10.200 --> 0:41:11.680
<v Speaker 3>this whole period of time.

0:41:11.760 --> 0:41:14.399
<v Speaker 4>She never picks you up there. She doesn't want to know.

0:41:15.800 --> 0:41:17.040
<v Speaker 1>Nope, And I don't want her to know.

0:41:17.760 --> 0:41:20.760
<v Speaker 2>And I think maybe I should have told her, because

0:41:20.760 --> 0:41:22.440
<v Speaker 2>then maybe she would have been more willing to.

0:41:22.360 --> 0:41:23.080
<v Speaker 1>Give him the money.

0:41:23.320 --> 0:41:25.480
<v Speaker 2>He did start to have apartments that we could sleep

0:41:25.520 --> 0:41:29.759
<v Speaker 2>over in, you know, the first one there was no furniture.

0:41:30.120 --> 0:41:32.000
<v Speaker 2>There was a room that we could sleep in, but

0:41:32.040 --> 0:41:34.520
<v Speaker 2>he couldn't afford to buy us beds, and so we

0:41:34.560 --> 0:41:38.080
<v Speaker 2>could sleep in sleeping bags on the floor. And I

0:41:38.120 --> 0:41:41.319
<v Speaker 2>remember my back just killing and just not wanting to

0:41:41.360 --> 0:41:46.120
<v Speaker 2>say anything. And you know, Claire and I going to

0:41:46.239 --> 0:41:50.440
<v Speaker 2>this series of temporary crash pads or sublets that he had,

0:41:50.719 --> 0:41:55.080
<v Speaker 2>and how dingy they were, and how almost unsafe some

0:41:55.160 --> 0:41:57.160
<v Speaker 2>of them felt in the lobbies, you know, this was

0:41:57.200 --> 0:42:00.640
<v Speaker 2>still the early eighties on some of these side streets,

0:42:00.640 --> 0:42:04.000
<v Speaker 2>and just feeling I don't want my mother to know.

0:42:04.120 --> 0:42:06.640
<v Speaker 2>I don't want my mother to look down on my father.

0:42:07.280 --> 0:42:11.239
<v Speaker 2>And my father never spoke about my mother to us ever.

0:42:11.640 --> 0:42:14.120
<v Speaker 2>If it came up in conversation, if we slipped and

0:42:14.160 --> 0:42:17.560
<v Speaker 2>brought her up, he would always look stricken and so

0:42:17.640 --> 0:42:18.759
<v Speaker 2>I would really.

0:42:18.480 --> 0:42:21.319
<v Speaker 1>Try not to talk about her.

0:42:21.880 --> 0:42:24.280
<v Speaker 2>And because it was New York City, we were able

0:42:24.320 --> 0:42:25.520
<v Speaker 2>to go by ourselves.

0:42:25.520 --> 0:42:26.440
<v Speaker 1>We didn't need to.

0:42:26.360 --> 0:42:28.239
<v Speaker 2>Be dropped off or picked up because we'd walk, you know,

0:42:28.760 --> 0:42:30.560
<v Speaker 2>five blocks here, take the bus. I mean we were

0:42:30.600 --> 0:42:32.520
<v Speaker 2>taking the bus when we were eight and seven years old.

0:42:32.640 --> 0:42:36.120
<v Speaker 2>Talk about young out on their own in the big city.

0:42:36.480 --> 0:42:39.800
<v Speaker 2>So she didn't need to. But I could have asked

0:42:39.840 --> 0:42:43.080
<v Speaker 2>her to, and she would have. But I didn't want

0:42:43.080 --> 0:42:45.520
<v Speaker 2>her to know. I didn't want to expose my father

0:42:45.640 --> 0:42:48.760
<v Speaker 2>to her judgment, and I didn't want her to feel guilty.

0:42:49.239 --> 0:42:51.400
<v Speaker 1>I was protecting her too. I didn't want her to

0:42:51.400 --> 0:42:52.000
<v Speaker 1>feel guilty.

0:42:53.040 --> 0:42:56.920
<v Speaker 3>It's interesting that your father never spoke of her, but

0:42:57.040 --> 0:43:06.120
<v Speaker 3>she did speak of your father, yes, around this time.

0:43:06.600 --> 0:43:11.160
<v Speaker 3>Alice Miller's seminal book about surviving narcissistic parents, The Drama

0:43:11.239 --> 0:43:15.239
<v Speaker 3>of the Gifted Child, has recently been published. Priscilla's mother

0:43:15.360 --> 0:43:18.880
<v Speaker 3>gobbles it up along with millions of other readers, and

0:43:18.920 --> 0:43:22.040
<v Speaker 3>she uses what she learns or thinks she learns about

0:43:22.160 --> 0:43:26.239
<v Speaker 3>narcissism to pit Priscilla against her father, saying that he

0:43:26.280 --> 0:43:29.680
<v Speaker 3>doesn't really love her because he's a narcissist and what

0:43:29.719 --> 0:43:33.799
<v Speaker 3>he loves is the false self Priscilla has created for him.

0:43:34.280 --> 0:43:37.640
<v Speaker 3>But what Priscilla's mother doesn't realize is that she too

0:43:38.200 --> 0:43:42.400
<v Speaker 3>has been exhibiting narcissistic behavior by asking Priscilla to create

0:43:42.480 --> 0:43:45.600
<v Speaker 3>and maintain a false self for her as well.

0:43:47.239 --> 0:43:51.640
<v Speaker 2>I think that book. We really cannot overstate what an

0:43:51.680 --> 0:43:55.520
<v Speaker 2>explosion that book made. And I remember friends of hers

0:43:55.520 --> 0:43:58.879
<v Speaker 2>calling to ask if she'd read it and talking about

0:43:58.880 --> 0:44:01.080
<v Speaker 2>it with all these friends, and she showed me some

0:44:01.160 --> 0:44:02.960
<v Speaker 2>passages in the book, and she did it in a

0:44:03.040 --> 0:44:06.239
<v Speaker 2>very loving, protective way, like, oh my gosh, this must

0:44:06.280 --> 0:44:08.960
<v Speaker 2>have been so hard for you, and it's a lot

0:44:09.000 --> 0:44:11.920
<v Speaker 2>of pressure to have to have a false self and

0:44:12.600 --> 0:44:13.960
<v Speaker 2>all of this, and she's doing it in a way

0:44:14.000 --> 0:44:15.359
<v Speaker 2>where it's like a light bulb moment for her.

0:44:15.400 --> 0:44:18.319
<v Speaker 1>And my father was not a narcissist, he really was not.

0:44:19.040 --> 0:44:19.760
<v Speaker 1>She got it wrong.

0:44:19.880 --> 0:44:23.160
<v Speaker 2>She was wrong, and Alice Miller in a way got

0:44:23.200 --> 0:44:27.040
<v Speaker 2>him wrong about that, in the sense that the dynamic

0:44:27.080 --> 0:44:28.439
<v Speaker 2>that had been set up for me as a kid

0:44:28.480 --> 0:44:30.760
<v Speaker 2>was almost like what we would call a codependent dynamic,

0:44:30.840 --> 0:44:33.279
<v Speaker 2>where I was a parentified child that was taking care

0:44:33.280 --> 0:44:34.240
<v Speaker 2>of my parents' needs.

0:44:34.280 --> 0:44:36.799
<v Speaker 1>Both my mother and my father and.

0:44:36.719 --> 0:44:39.439
<v Speaker 2>That's what she didn't see in that moment, Like I'm

0:44:39.480 --> 0:44:42.280
<v Speaker 2>telling you something very disturbing, Isn't that in a way

0:44:42.400 --> 0:44:44.440
<v Speaker 2>implying that I have to have a false self in

0:44:44.480 --> 0:44:47.919
<v Speaker 2>this moment because I love my father. I adore my father,

0:44:47.920 --> 0:44:49.719
<v Speaker 2>and our love was real. But I'm not going to

0:44:49.760 --> 0:44:51.920
<v Speaker 2>cry about it in front of you when you're saying

0:44:51.960 --> 0:44:54.160
<v Speaker 2>this to me. But I think that it was a

0:44:54.200 --> 0:44:59.160
<v Speaker 2>moment where she was kind of thinking, oh, that's why

0:44:59.200 --> 0:45:02.480
<v Speaker 2>I was so tired during my marriage to him, because

0:45:02.600 --> 0:45:04.839
<v Speaker 2>it was really about her experience of him.

0:45:04.840 --> 0:45:06.600
<v Speaker 1>And she was wrong about that too, in the sense

0:45:06.600 --> 0:45:08.080
<v Speaker 1>that it wasn't a narcissist.

0:45:08.160 --> 0:45:11.319
<v Speaker 2>It was more of a co dependency dynamic where he

0:45:11.360 --> 0:45:14.400
<v Speaker 2>was insecure and she was a nurturer and a fixer

0:45:14.440 --> 0:45:16.200
<v Speaker 2>and a solver, and she was taking care of him.

0:45:16.200 --> 0:45:17.800
<v Speaker 1>That's exhausting for the code dependent.

0:45:18.320 --> 0:45:21.200
<v Speaker 2>But I feel like that's what she was thinking, Oh, wow,

0:45:21.360 --> 0:45:25.960
<v Speaker 2>life bulb moment, Now I get it. That's why I

0:45:26.000 --> 0:45:28.720
<v Speaker 2>felt so tired when I was married to him, because

0:45:28.719 --> 0:45:31.839
<v Speaker 2>he was so insecure and he was and also, you know,

0:45:31.920 --> 0:45:36.480
<v Speaker 2>it occurs to me now. She was probably still trying

0:45:36.520 --> 0:45:39.640
<v Speaker 2>to assuage her feelings of guilt about ending the marriage.

0:45:39.760 --> 0:45:43.120
<v Speaker 2>And I think on a deep level, looking back, she

0:45:43.280 --> 0:45:46.160
<v Speaker 2>did love my father. I mean, I've had so many

0:45:46.520 --> 0:45:50.640
<v Speaker 2>family friends, family members tell me, you know, there was

0:45:50.680 --> 0:45:51.719
<v Speaker 2>a love between them.

0:45:51.880 --> 0:45:54.560
<v Speaker 1>It wasn't a romantic love on her part, but there

0:45:54.640 --> 0:45:55.040
<v Speaker 1>was love.

0:45:56.320 --> 0:45:59.520
<v Speaker 2>And I think she was still struggling with that guilt

0:45:59.520 --> 0:46:05.520
<v Speaker 2>of breaking family and plunging this man into a deep despair, and.

0:46:05.440 --> 0:46:09.520
<v Speaker 1>So it probably slaged her guilt to think, oh, you know,

0:46:10.280 --> 0:46:13.480
<v Speaker 1>he didn't really love me. He was loving my false self,

0:46:14.680 --> 0:46:18.879
<v Speaker 1>you see. And then she was extrapolating from that and saying, oh, wow,

0:46:18.920 --> 0:46:20.200
<v Speaker 1>I felt a lot of pressure.

0:46:20.560 --> 0:46:24.480
<v Speaker 2>Priscilla must have felt that too, And I don't want

0:46:24.520 --> 0:46:26.080
<v Speaker 2>her to make the same mistake I did. I don't

0:46:26.080 --> 0:46:28.680
<v Speaker 2>want her to end up with a very insecure, dependent

0:46:28.719 --> 0:46:31.480
<v Speaker 2>man having to be stroking your ego and taking care

0:46:31.520 --> 0:46:32.480
<v Speaker 2>of them all the time.

0:46:35.640 --> 0:46:38.920
<v Speaker 3>Another way Priscilla indirectly takes care of her parents is

0:46:38.960 --> 0:46:42.600
<v Speaker 3>by excelling academically. She knows this will make both her

0:46:42.640 --> 0:46:46.520
<v Speaker 3>parents happy and even unite them in some way, since

0:46:46.680 --> 0:46:50.200
<v Speaker 3>education is one of the few values they share. They

0:46:50.239 --> 0:46:53.040
<v Speaker 3>don't want her to become an actress or a writer. No,

0:46:53.640 --> 0:46:56.360
<v Speaker 3>they want her to be a scholar, so that's the

0:46:56.400 --> 0:46:59.239
<v Speaker 3>path she takes. She even hears her mom and dad

0:46:59.320 --> 0:47:03.240
<v Speaker 3>using friendly voices with one another, a rare occurrence these days,

0:47:03.560 --> 0:47:08.080
<v Speaker 3>when they're discussing her report card. Now flash forward a

0:47:08.120 --> 0:47:11.759
<v Speaker 3>few years to nineteen eighty six. Priscilla's father has just

0:47:11.800 --> 0:47:16.280
<v Speaker 3>published his book, Faith, Sex Mystery. The book is dedicated

0:47:16.320 --> 0:47:19.279
<v Speaker 3>to Priscilla and her sister Claire, but they don't read it.

0:47:20.040 --> 0:47:23.160
<v Speaker 3>Often children of writers don't as a way to protect themselves.

0:47:23.840 --> 0:47:26.880
<v Speaker 3>But try as they might, the girls cannot be completely

0:47:26.920 --> 0:47:30.759
<v Speaker 3>shielded from the book or its contents. One day, they're

0:47:30.800 --> 0:47:34.720
<v Speaker 3>on a flight together reading magazines. Claire is reading Vogue

0:47:35.160 --> 0:47:38.320
<v Speaker 3>and in it there's a piece called Spiritual strip Tease.

0:47:38.920 --> 0:47:39.920
<v Speaker 4>The piece is a.

0:47:39.920 --> 0:47:43.600
<v Speaker 3>Takedown of their father's book. In the piece, the critic

0:47:43.640 --> 0:47:48.040
<v Speaker 3>writes about masochistic fantasies, and it's just this horrifying download

0:47:48.040 --> 0:47:51.560
<v Speaker 3>of information for the girls, even for Priscilla, who knew

0:47:51.600 --> 0:47:53.840
<v Speaker 3>more than her sister did about their dad, but not

0:47:54.239 --> 0:47:58.680
<v Speaker 3>this much. After Claire reads the piece, she wordlessly passes

0:47:58.680 --> 0:48:01.799
<v Speaker 3>it to Priscilla. Here they were just thinking, they were

0:48:01.800 --> 0:48:06.080
<v Speaker 3>casually reading Vogue, and then just like that, secrets about

0:48:06.120 --> 0:48:08.160
<v Speaker 3>their father are uncovered.

0:48:09.840 --> 0:48:12.160
<v Speaker 2>And I remember it had Cindy Crawford on the cover.

0:48:12.360 --> 0:48:14.640
<v Speaker 2>It was it was our fun plane reading.

0:48:14.800 --> 0:48:15.000
<v Speaker 1>You know.

0:48:15.120 --> 0:48:17.080
<v Speaker 2>It was like the last place that you would ever

0:48:17.160 --> 0:48:18.799
<v Speaker 2>think that you would find something like this.

0:48:19.440 --> 0:48:20.520
<v Speaker 1>And you know the book.

0:48:20.600 --> 0:48:22.440
<v Speaker 2>It was reviewed on the front cover of the New

0:48:22.520 --> 0:48:26.200
<v Speaker 2>York Times Book Review, he was on NPR with Terry Gross.

0:48:26.520 --> 0:48:28.479
<v Speaker 1>It was everywhere. But this was like a place where

0:48:28.480 --> 0:48:31.799
<v Speaker 1>we thought maybe we'd be spared, maybe we wouldn't have

0:48:31.800 --> 0:48:32.560
<v Speaker 1>to be dealing with it.

0:48:32.840 --> 0:48:37.080
<v Speaker 2>And it quoted extensively and in a sort of disingenuous way,

0:48:37.560 --> 0:48:41.520
<v Speaker 2>the worst passages as far as Claire would have been concerned, right,

0:48:41.520 --> 0:48:46.360
<v Speaker 2>because she knew something about it having some masochism stuff

0:48:46.400 --> 0:48:49.280
<v Speaker 2>in it, but not really and she hadn't read that letter,

0:48:49.320 --> 0:48:51.799
<v Speaker 2>and we'd never filled her in along the way, and

0:48:51.840 --> 0:48:56.480
<v Speaker 2>she's reading this quote and it's just horrifying. And I

0:48:56.520 --> 0:48:59.840
<v Speaker 2>remember also we're both thinking, oh god, this is a

0:48:59.880 --> 0:49:00.880
<v Speaker 2>really bad review.

0:49:01.560 --> 0:49:02.799
<v Speaker 1>This is going to upset him.

0:49:03.239 --> 0:49:07.040
<v Speaker 2>It's not fun to see be taken down in print.

0:49:07.480 --> 0:49:10.600
<v Speaker 2>That review is still it haunts me. I ripped out

0:49:10.600 --> 0:49:14.560
<v Speaker 2>the page and I bawled it up, and that I said, Declara, Oh, well,

0:49:14.600 --> 0:49:17.440
<v Speaker 2>don't worry you know Daddie will never Readvoke, and there

0:49:17.480 --> 0:49:19.360
<v Speaker 2>wasn't the internet then, so if he didn't have a

0:49:19.360 --> 0:49:21.080
<v Speaker 2>physical copy of but he's never going to see this,

0:49:21.200 --> 0:49:21.680
<v Speaker 2>He's never going.

0:49:21.640 --> 0:49:22.239
<v Speaker 1>To hear about this.

0:49:23.520 --> 0:49:26.600
<v Speaker 3>So and yet another way of kind of just burying

0:49:26.640 --> 0:49:30.600
<v Speaker 3>something or absolutely protecting him and keeping it a secret.

0:49:31.239 --> 0:49:36.800
<v Speaker 2>Yes, six months later, he meets Yasico. I get into

0:49:36.880 --> 0:49:40.359
<v Speaker 2>Yale early that fall of eighty seven, and then I'm

0:49:40.360 --> 0:49:43.440
<v Speaker 2>at Yale with him. I can have lunch with him

0:49:43.520 --> 0:49:46.800
<v Speaker 2>or dinner with him every week. And he's doing wonderfully

0:49:46.800 --> 0:49:49.480
<v Speaker 2>because he finally finds his permanent home on one hundred

0:49:49.480 --> 0:49:52.480
<v Speaker 2>and eighth Street near Columbia. He's able to buy an apartment.

0:49:53.200 --> 0:49:55.600
<v Speaker 2>Everything is going really well, and he's able to be

0:49:55.719 --> 0:49:57.799
<v Speaker 2>very strong and supportive and wonderful for me.

0:49:58.400 --> 0:50:01.200
<v Speaker 1>When I'm a student talk about my papers.

0:50:01.840 --> 0:50:05.520
<v Speaker 2>We have these delightful lunches and dinners, and everything is good.

0:50:06.640 --> 0:50:11.239
<v Speaker 3>I guess a blessing during that early time is that

0:50:11.440 --> 0:50:14.399
<v Speaker 3>your father was in a much better place in his life.

0:50:14.520 --> 0:50:18.040
<v Speaker 3>He had met and fallen in love with Yosco. It

0:50:18.080 --> 0:50:21.400
<v Speaker 3>was complicated, she was married to somebody else, had a

0:50:21.480 --> 0:50:24.200
<v Speaker 3>job as a professor there, so this was a hard

0:50:24.280 --> 0:50:28.400
<v Speaker 3>won relationship, but a real you know, a real love story.

0:50:28.880 --> 0:50:33.000
<v Speaker 3>Oh yeah, genuine joy and happiness and you know, being

0:50:33.080 --> 0:50:36.279
<v Speaker 3>with his soulmate. So there was a period of time

0:50:36.280 --> 0:50:38.719
<v Speaker 3>there where you were worrying about other things, but you

0:50:38.800 --> 0:50:40.200
<v Speaker 3>weren't worrying about your father.

0:50:40.920 --> 0:50:41.200
<v Speaker 1>Yes.

0:50:43.840 --> 0:50:47.799
<v Speaker 3>Though Priscilla is having tremendous academic success at Yale, at

0:50:47.880 --> 0:50:52.240
<v Speaker 3>some point her nerves are afraid. She's suffering on mental

0:50:52.280 --> 0:50:57.399
<v Speaker 3>and physical overload. For once, she cannot perform perfectly, so

0:50:57.440 --> 0:50:59.520
<v Speaker 3>she steps away and takes an academic leave.

0:51:01.360 --> 0:51:02.560
<v Speaker 1>I needed to hit pause.

0:51:03.440 --> 0:51:05.600
<v Speaker 2>I started having a lot of health problems when I

0:51:05.640 --> 0:51:10.120
<v Speaker 2>was in high school, like sinus infections that I just

0:51:10.160 --> 0:51:13.319
<v Speaker 2>couldn't get rid of, strepped throat, all sorts of sort

0:51:13.360 --> 0:51:17.080
<v Speaker 2>of upper respiratory stuff, and also aching stuff in my body.

0:51:17.680 --> 0:51:19.279
<v Speaker 2>After my first year at Yale, I was in an

0:51:19.280 --> 0:51:21.640
<v Speaker 2>honors program. I won the prize as the best student

0:51:21.680 --> 0:51:24.880
<v Speaker 2>in this program, and I remember, you know, getting this

0:51:25.080 --> 0:51:27.040
<v Speaker 2>letter that said that I won the prize and feeling, oh,

0:51:27.080 --> 0:51:29.360
<v Speaker 2>my parents are going to be so thrilled about this,

0:51:29.960 --> 0:51:32.160
<v Speaker 2>and every grade that I got back it was good,

0:51:32.280 --> 0:51:34.120
<v Speaker 2>and every paper that I got back, Oh, I'm going

0:51:34.200 --> 0:51:36.560
<v Speaker 2>to mimeograph this and give it to my parents and

0:51:36.600 --> 0:51:38.759
<v Speaker 2>this is going to make them happy, and I just

0:51:38.800 --> 0:51:42.839
<v Speaker 2>remember feeling empty inside. In that summer between what would

0:51:42.840 --> 0:51:45.200
<v Speaker 2>have been freshman and sophomore year, I went back to

0:51:45.200 --> 0:51:47.520
<v Speaker 2>school for my sophomore year. I was there for a

0:51:47.520 --> 0:51:51.160
<v Speaker 2>few weeks. I got sick again. I was exhausted, and

0:51:51.239 --> 0:51:54.080
<v Speaker 2>I felt listless in my studies, and I said, I've

0:51:54.080 --> 0:51:59.799
<v Speaker 2>got to take some time off. And I think that

0:51:59.920 --> 0:52:02.879
<v Speaker 2>was so the first moment where I stepped off that

0:52:03.280 --> 0:52:06.239
<v Speaker 2>you know, good girl fast track, because part of being

0:52:06.280 --> 0:52:08.960
<v Speaker 2>the good girl in my family was being precocious. That

0:52:09.040 --> 0:52:11.440
<v Speaker 2>was part of the legend around me and the family

0:52:11.480 --> 0:52:12.920
<v Speaker 2>that I read when I was three that.

0:52:13.000 --> 0:52:15.920
<v Speaker 1>I got into Yale early admission that I was moving

0:52:15.960 --> 0:52:17.600
<v Speaker 1>along in a smooth.

0:52:17.640 --> 0:52:22.480
<v Speaker 2>Trajectory of success. And I was like no, And I

0:52:22.640 --> 0:52:25.520
<v Speaker 2>was terrified to tell my parents, and they both actually

0:52:25.520 --> 0:52:28.160
<v Speaker 2>took it really, really well. And that was the first

0:52:28.239 --> 0:52:31.640
<v Speaker 2>indication it's okay to say I have needs, it's okay

0:52:31.680 --> 0:52:35.439
<v Speaker 2>to say I need to slow down. And I went

0:52:35.520 --> 0:52:39.080
<v Speaker 2>into Fordian analysis, and I.

0:52:39.000 --> 0:52:41.080
<v Speaker 1>Think it was, you know, all of the residue of

0:52:41.120 --> 0:52:42.400
<v Speaker 1>the split catching up with me.

0:52:43.160 --> 0:52:45.680
<v Speaker 2>The problem was that the analyst that I went to

0:52:45.920 --> 0:52:47.000
<v Speaker 2>was my mother's analyst.

0:52:48.840 --> 0:52:53.560
<v Speaker 3>Yes, you heard that right, her mother's analyst. And it

0:52:53.600 --> 0:52:56.680
<v Speaker 3>isn't just that doctor T is her mother's analyst, but

0:52:56.800 --> 0:52:59.960
<v Speaker 3>also that Priscilla ends up knowing a lot about doctor.

0:53:01.160 --> 0:53:04.680
<v Speaker 3>His wife is ill with cancer, and Priscilla, in what

0:53:04.880 --> 0:53:08.080
<v Speaker 3>Freud might have had a field day analyzing, feels she

0:53:08.200 --> 0:53:11.759
<v Speaker 3>needs to take care of him. And most amazingly, he

0:53:11.840 --> 0:53:15.600
<v Speaker 3>regularly calls her by the wrong name, and she doesn't

0:53:15.640 --> 0:53:18.320
<v Speaker 3>correct him because she doesn't want to hurt his feelings.

0:53:19.760 --> 0:53:22.680
<v Speaker 2>He was such a kind, wonderful, wise man, and there

0:53:22.719 --> 0:53:25.040
<v Speaker 2>was a lot that he told me that I held

0:53:25.080 --> 0:53:26.840
<v Speaker 2>on to. He was the first person to say you

0:53:26.880 --> 0:53:29.399
<v Speaker 2>are going to be a writer, and not an academic writer.

0:53:30.120 --> 0:53:32.440
<v Speaker 2>His wife was dying. His wife lived in Florida.

0:53:32.480 --> 0:53:34.600
<v Speaker 1>He was kind of flying up to do his sessions

0:53:34.680 --> 0:53:38.200
<v Speaker 1>near Grand Central. He created a lot of famous writers.

0:53:38.440 --> 0:53:41.200
<v Speaker 2>My mother sends a number of people to him, And

0:53:41.440 --> 0:53:44.640
<v Speaker 2>I just knew he was like this wonderful.

0:53:44.120 --> 0:53:46.560
<v Speaker 1>Man, and I just found myself thinking.

0:53:46.320 --> 0:53:47.719
<v Speaker 2>Oh, my gosh, I don't want him to know that

0:53:47.800 --> 0:53:49.759
<v Speaker 2>I'd noticed that he fell asleep. I mean, isn't it

0:53:49.760 --> 0:53:51.840
<v Speaker 2>a repeat of this what I did with my dad?

0:53:51.920 --> 0:53:52.640
<v Speaker 2>It's crazy.

0:53:52.920 --> 0:53:56.040
<v Speaker 4>Did that occur to you at the time, No, definitely not.

0:54:00.040 --> 0:54:02.160
<v Speaker 3>But Priscilla actually does get the help she needs from

0:54:02.200 --> 0:54:04.880
<v Speaker 3>this doctor, and her time off from school turns.

0:54:04.600 --> 0:54:07.200
<v Speaker 4>Out to be very restorative. She goes back to.

0:54:07.239 --> 0:54:11.040
<v Speaker 3>Yale feeling much better. But the reprieve from worrying about

0:54:11.080 --> 0:54:14.120
<v Speaker 3>her father is brief. That worry returns.

0:54:15.440 --> 0:54:18.080
<v Speaker 2>I guess we could say it's almost like a return

0:54:18.200 --> 0:54:20.480
<v Speaker 2>to having to worry about him. Is when in nineteen

0:54:20.520 --> 0:54:24.600
<v Speaker 2>ninety two, the summer I graduated from Yale. In nineteen

0:54:24.640 --> 0:54:27.160
<v Speaker 2>ninety three, he marries also go in Japan and they're

0:54:27.160 --> 0:54:28.719
<v Speaker 2>going to have another wedding in New York, so we

0:54:28.760 --> 0:54:30.560
<v Speaker 2>didn't go to Japan for that little wedding.

0:54:31.040 --> 0:54:32.360
<v Speaker 1>He has a very severe heart.

0:54:32.239 --> 0:54:37.080
<v Speaker 2>Attack in Japan and they make him quit smoking, which

0:54:37.120 --> 0:54:39.840
<v Speaker 2>is a good thing. But for a while it was

0:54:39.880 --> 0:54:41.920
<v Speaker 2>not looking good and he was not in good health.

0:54:42.000 --> 0:54:46.360
<v Speaker 2>But ultimately it becomes a positive because he's becoming healthier.

0:54:46.360 --> 0:54:48.200
<v Speaker 1>He's going to lose weight, he's going to stop eating

0:54:48.239 --> 0:54:49.000
<v Speaker 1>so unhealthily.

0:54:49.239 --> 0:54:52.640
<v Speaker 2>He never took care of himself, he never exercised. He

0:54:52.840 --> 0:54:54.920
<v Speaker 2>ate red meat for breakfast, lunch, and dinner, and bacon

0:54:54.960 --> 0:54:55.760
<v Speaker 2>bits in between.

0:54:58.200 --> 0:55:01.719
<v Speaker 3>Positive changes are happening for Priscilla as well. She's just

0:55:01.760 --> 0:55:04.840
<v Speaker 3>finished her undergraduate degree and she decides to pursue a

0:55:04.880 --> 0:55:09.200
<v Speaker 3>doctorate in English literature. During this time, she also meets

0:55:09.239 --> 0:55:11.920
<v Speaker 3>and falls in love with a man named Richard. They

0:55:11.920 --> 0:55:15.880
<v Speaker 3>get engaged and eventually marry, but as time moves forward,

0:55:16.360 --> 0:55:19.800
<v Speaker 3>her worry about her father continues to underscore her life.

0:55:20.800 --> 0:55:23.799
<v Speaker 2>So in nineteen ninety seven, when he went in to

0:55:24.000 --> 0:55:26.000
<v Speaker 2>do his chock up on his heart, they took an

0:55:26.160 --> 0:55:30.520
<v Speaker 2>X ray. I was in graduate school and they found

0:55:30.760 --> 0:55:34.280
<v Speaker 2>that he had terminal lung cancer. I just turned twenty seven,

0:55:35.040 --> 0:55:37.840
<v Speaker 2>I had been married for two years. My mother in

0:55:37.920 --> 0:55:42.080
<v Speaker 2>law had died of cancer the year before, and my

0:55:42.160 --> 0:55:42.560
<v Speaker 2>father is.

0:55:42.560 --> 0:55:43.719
<v Speaker 1>Given seven months to live.

0:55:44.800 --> 0:55:48.359
<v Speaker 2>At this point, in that moment, when we get this

0:55:49.000 --> 0:55:52.640
<v Speaker 2>news that he has lung cancer that has metastasized to

0:55:52.719 --> 0:55:55.359
<v Speaker 2>his brain, we thought, oh, he quit, he quit five

0:55:55.400 --> 0:55:57.239
<v Speaker 2>years earlier, but it was too late.

0:55:58.280 --> 0:56:00.560
<v Speaker 1>And those cigarettes that I always feared would kill him,

0:56:01.120 --> 0:56:02.080
<v Speaker 1>we're going to kill him.

0:56:02.760 --> 0:56:06.839
<v Speaker 3>And when you tell your mother that that he has

0:56:06.960 --> 0:56:11.719
<v Speaker 3>terminal cancer, her response is a last dick, never took

0:56:11.800 --> 0:56:12.640
<v Speaker 3>care of himself.

0:56:13.800 --> 0:56:15.920
<v Speaker 2>Yeah, I mean, she's sort of like it was expected

0:56:16.000 --> 0:56:17.719
<v Speaker 2>in a way, for her and for me.

0:56:17.840 --> 0:56:20.000
<v Speaker 1>I mean, we just always had this feeling.

0:56:20.120 --> 0:56:24.880
<v Speaker 2>But he had this nonchalance because his parents both lived

0:56:24.880 --> 0:56:27.280
<v Speaker 2>well into their nineties. There was no cancer in the family,

0:56:28.120 --> 0:56:30.400
<v Speaker 2>and he was one of those people who just banked

0:56:30.520 --> 0:56:34.839
<v Speaker 2>on his good genes. And you know, he basically did

0:56:34.920 --> 0:56:37.200
<v Speaker 2>everything a person could do if they want to get

0:56:37.200 --> 0:56:37.760
<v Speaker 2>a heart attack.

0:56:38.040 --> 0:56:40.560
<v Speaker 1>But it's still, even though.

0:56:40.400 --> 0:56:43.200
<v Speaker 2>I had always feared it, it still felt unreal when

0:56:43.200 --> 0:56:44.280
<v Speaker 2>it actually happened.

0:56:44.760 --> 0:56:46.439
<v Speaker 1>And at this time, Danny, you know, when.

0:56:46.360 --> 0:56:49.720
<v Speaker 2>We talk about secrets, I thought my father was seventy

0:56:49.760 --> 0:56:52.440
<v Speaker 2>two years old at this time. My sister and I

0:56:52.480 --> 0:56:54.839
<v Speaker 2>went to a doctor's appointment with him a couple of

0:56:54.880 --> 0:56:58.040
<v Speaker 2>months after he was given this very grim prognosis, and

0:56:58.120 --> 0:57:01.400
<v Speaker 2>this was like a second opinion doctor's appointment. It was

0:57:01.400 --> 0:57:04.759
<v Speaker 2>sort of an intake appointment with an expert at Columbia Presbyterian.

0:57:05.320 --> 0:57:07.120
<v Speaker 2>And the doctor was just running through, you know, a

0:57:07.160 --> 0:57:09.239
<v Speaker 2>series of road questions and Claire and I are sitting

0:57:09.280 --> 0:57:12.399
<v Speaker 2>there listening attentively, and the doctor says, so how old

0:57:12.400 --> 0:57:14.440
<v Speaker 2>are you in my father's causes and it's weird, and

0:57:14.480 --> 0:57:16.240
<v Speaker 2>his voice kind of cracks in a strange way, and

0:57:16.240 --> 0:57:18.880
<v Speaker 2>he says seventy four, and Clara and I look at

0:57:18.920 --> 0:57:23.200
<v Speaker 2>each other and I'm like, And then later when we're home,

0:57:23.960 --> 0:57:26.080
<v Speaker 2>we go to Osico and we're worried because my father

0:57:26.120 --> 0:57:27.840
<v Speaker 2>had lung cancer that was in the brain, and we think,

0:57:27.920 --> 0:57:32.080
<v Speaker 2>oh my gosh, this is a symptom that he's really adult,

0:57:32.560 --> 0:57:34.959
<v Speaker 2>that the cancer. You know, he's doing something to his brain.

0:57:35.000 --> 0:57:35.720
<v Speaker 1>And we said, you know, he.

0:57:35.680 --> 0:57:39.080
<v Speaker 2>Told me the doctor he was seventy four, and she says,

0:57:39.440 --> 0:57:41.840
<v Speaker 2>she looks at us calmly and says, he is seventy four.

0:57:43.480 --> 0:57:46.800
<v Speaker 1>And it's clear that she doesn't want to talk about it.

0:57:46.800 --> 0:57:51.240
<v Speaker 1>It's clear that she knows that we didn't know that.

0:57:51.280 --> 0:57:54.280
<v Speaker 2>She's asserting that this is the case, and it's a

0:57:54.320 --> 0:57:56.920
<v Speaker 2>secret that he had shared with her, and this is

0:57:57.640 --> 0:58:02.720
<v Speaker 2>very highly wrought secret. We call my mom, we called

0:58:02.720 --> 0:58:05.960
<v Speaker 2>his friends. No one that we talked to knew this.

0:58:07.080 --> 0:58:09.120
<v Speaker 2>My father in nineteen twenty five was like a date

0:58:09.200 --> 0:58:10.920
<v Speaker 2>that he would say all the time, and it was

0:58:10.960 --> 0:58:12.360
<v Speaker 2>like who's do in America?

0:58:12.440 --> 0:58:17.200
<v Speaker 1>Richard Gilmot born nineteen twenty five. It was everywhere, and

0:58:17.320 --> 0:58:18.080
<v Speaker 1>he would use it.

0:58:18.120 --> 0:58:20.400
<v Speaker 2>He would refer to it frequently, and he had this

0:58:20.520 --> 0:58:22.680
<v Speaker 2>whole thing about how he graduated from high school when

0:58:22.680 --> 0:58:23.840
<v Speaker 2>he was sixteen.

0:58:23.480 --> 0:58:24.640
<v Speaker 1>Because he was precocious.

0:58:24.960 --> 0:58:29.400
<v Speaker 2>He went to college when he was sixteen, and you know,

0:58:29.640 --> 0:58:30.680
<v Speaker 2>we made jokes about it.

0:58:30.720 --> 0:58:32.360
<v Speaker 1>We're like, well, if you're going to lop ears off

0:58:32.360 --> 0:58:33.680
<v Speaker 1>your age, why only do two?

0:58:33.960 --> 0:58:34.120
<v Speaker 2>Right?

0:58:34.600 --> 0:58:37.560
<v Speaker 1>Why wouldn't you go for five or eight or ten?

0:58:38.160 --> 0:58:41.000
<v Speaker 2>And we never mentioned it to him, We never acknowledged

0:58:41.000 --> 0:58:44.120
<v Speaker 2>to him that we noticed it. He didn't seem aware

0:58:44.240 --> 0:58:46.400
<v Speaker 2>that he was outing it in front of us, probably

0:58:46.440 --> 0:58:48.360
<v Speaker 2>because he was just in so much ear about his

0:58:48.440 --> 0:58:51.040
<v Speaker 2>cancer and just focusing on the doctor and he just

0:58:51.040 --> 0:58:52.400
<v Speaker 2>didn't think about it in that moment.

0:58:52.560 --> 0:58:54.360
<v Speaker 1>But we never discussed it with him.

0:58:54.840 --> 0:58:58.480
<v Speaker 3>Yeah, it's unsurprising because it's a pattern.

0:58:58.680 --> 0:59:01.960
<v Speaker 4>You weren't going to start discussing those things at that

0:59:02.040 --> 0:59:02.560
<v Speaker 4>late date.

0:59:03.120 --> 0:59:04.120
<v Speaker 1>Yes, exactly.

0:59:07.680 --> 0:59:11.720
<v Speaker 3>Despite the very grim prognosis, both Priscilla's life and her

0:59:11.720 --> 0:59:15.280
<v Speaker 3>father's go on. Priscilla and her husband start a family.

0:59:15.880 --> 0:59:18.840
<v Speaker 3>She's hired as an assistant professor at Yale and eventually

0:59:18.920 --> 0:59:23.040
<v Speaker 3>moves to Vasser. She's thirty two years old, doing impressive

0:59:23.080 --> 0:59:25.520
<v Speaker 3>work she isn't even sure she wants to be doing,

0:59:25.960 --> 0:59:27.640
<v Speaker 3>and is the mother of a three year old and

0:59:27.680 --> 0:59:32.840
<v Speaker 3>an infant and Priscilla's father. He surpasses every prediction and

0:59:32.880 --> 0:59:37.160
<v Speaker 3>statistic and lives with stage four cancer for another nine years,

0:59:38.040 --> 0:59:41.600
<v Speaker 3>and more secrets keep tumbling out, this time in the

0:59:41.600 --> 0:59:45.680
<v Speaker 3>form of a manuscript in which he describes his sexual escapades,

0:59:46.040 --> 0:59:50.120
<v Speaker 3>including sleeping with hundreds of women and several men.

0:59:51.800 --> 0:59:56.000
<v Speaker 2>We were in Japan, staying in their apartment and my

0:59:56.080 --> 0:59:58.520
<v Speaker 2>father was in the hospital at this point, and Nikki,

0:59:58.600 --> 1:00:02.720
<v Speaker 2>my brother, was sleep being in my father's office. And

1:00:02.960 --> 1:00:05.360
<v Speaker 2>one day he called me in and he said, and

1:00:05.440 --> 1:00:08.200
<v Speaker 2>he was sort of gleefully swelling because my brother is gay,

1:00:09.240 --> 1:00:12.200
<v Speaker 2>and you know, half of my parents' friends are gay,

1:00:12.280 --> 1:00:13.880
<v Speaker 2>you know, And it was never a big deal. My

1:00:13.880 --> 1:00:15.640
<v Speaker 2>brother came out in nineteen seventy eight. It was all

1:00:15.680 --> 1:00:17.640
<v Speaker 2>completely fine. So there was no there would have been

1:00:17.640 --> 1:00:20.080
<v Speaker 2>no reason for my father to hide this. Why would

1:00:20.120 --> 1:00:22.240
<v Speaker 2>you have hidden this? Why is this something that's a secret.

1:00:22.600 --> 1:00:24.800
<v Speaker 2>And Nicki says, look at this, you believe this, And

1:00:24.840 --> 1:00:27.400
<v Speaker 2>we're looking at it, and we're thinking, who was it?

1:00:27.720 --> 1:00:28.560
<v Speaker 1>Because my father was.

1:00:28.480 --> 1:00:30.360
<v Speaker 2>In the Marines in World War Two, he was on

1:00:30.360 --> 1:00:32.160
<v Speaker 2>an island in the South Pacific. We're thinking, was it

1:00:32.480 --> 1:00:33.240
<v Speaker 2>was it a marine?

1:00:33.520 --> 1:00:34.200
<v Speaker 1>Was it w.

1:00:34.320 --> 1:00:37.560
<v Speaker 2>Johnon my father had a famous story about W. A.

1:00:37.640 --> 1:00:39.240
<v Speaker 1>Todden made a pass at him. I was like, maybe

1:00:39.240 --> 1:00:41.240
<v Speaker 1>he took W. A. Dodden up with that. You know,

1:00:41.320 --> 1:00:43.120
<v Speaker 1>wasn't Harold Bronkey who.

1:00:42.960 --> 1:00:45.480
<v Speaker 2>Was famous his good friends and then died of age right,

1:00:45.520 --> 1:00:48.080
<v Speaker 2>So we're thinking who could this have been? And I've

1:00:48.200 --> 1:00:52.160
<v Speaker 2>since Stanni asked many close friends because no one knows.

1:00:52.520 --> 1:00:53.000
<v Speaker 1>We don't know.

1:00:55.120 --> 1:00:59.240
<v Speaker 3>Priscilla's father dies at age eighty three. The Yale School

1:00:59.240 --> 1:01:03.200
<v Speaker 3>of Drama hosts memorial and prior to this, a package

1:01:03.280 --> 1:01:07.200
<v Speaker 3>arrives from Japan. It's from Yasica and it's addressed to

1:01:07.240 --> 1:01:09.000
<v Speaker 3>both Priscilla and her sister Claire.

1:01:10.320 --> 1:01:12.720
<v Speaker 1>It was a package of things that he had taken.

1:01:13.360 --> 1:01:16.800
<v Speaker 2>So he ended up living permanently in Japan because he

1:01:16.880 --> 1:01:19.439
<v Speaker 2>also had better health insurance than he had and he

1:01:19.960 --> 1:01:22.000
<v Speaker 2>was at home in a hospital bed the last few

1:01:22.040 --> 1:01:25.080
<v Speaker 2>years of his life. So when they sold the apartment

1:01:25.120 --> 1:01:26.840
<v Speaker 2>in New York and moved to Japan, he took what

1:01:26.920 --> 1:01:32.760
<v Speaker 2>he could. And this was a manila envelope that's had

1:01:32.800 --> 1:01:37.080
<v Speaker 2>girls on it, and it was filled to bursting with

1:01:37.240 --> 1:01:39.959
<v Speaker 2>photographs of us that had you could see the tape

1:01:40.000 --> 1:01:43.080
<v Speaker 2>marks on the edges, and I remembered them hanging on

1:01:43.240 --> 1:01:46.480
<v Speaker 2>walls of different apartments that he'd been in. It was

1:01:46.600 --> 1:01:50.439
<v Speaker 2>envelopes that had our hair in them that said girls hair,

1:01:51.640 --> 1:01:56.640
<v Speaker 2>programs from plays and shows that I'd been in, notes

1:01:56.720 --> 1:01:59.640
<v Speaker 2>that I'd written him over the years, because I would

1:01:59.680 --> 1:02:02.360
<v Speaker 2>often give him a note when I left after a

1:02:02.440 --> 1:02:04.320
<v Speaker 2>lunch or at dinner with him, saying you know, I

1:02:04.360 --> 1:02:06.880
<v Speaker 2>love you so much, Daddy, and don't worry, You're going

1:02:06.960 --> 1:02:09.160
<v Speaker 2>to see us soon and all this, and it was

1:02:09.240 --> 1:02:12.040
<v Speaker 2>just the evidence of our love for him, but also

1:02:12.120 --> 1:02:15.360
<v Speaker 2>his love for us that he had kept everything. He

1:02:15.400 --> 1:02:18.480
<v Speaker 2>had kept all this memorabilia, these tiny little.

1:02:18.240 --> 1:02:20.360
<v Speaker 1>Notes, you know, on like almost like a post it

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<v Speaker 1>note size.

1:02:22.120 --> 1:02:24.880
<v Speaker 2>And he had this poem that I had written when

1:02:24.920 --> 1:02:28.320
<v Speaker 2>I was nine, called Loneliness in that envelope as well.

1:02:28.920 --> 1:02:31.240
<v Speaker 2>He also said, you know, this is the evidence of

1:02:31.320 --> 1:02:33.400
<v Speaker 2>your father's great.

1:02:33.160 --> 1:02:33.720
<v Speaker 1>Love for you.

1:02:34.800 --> 1:02:37.640
<v Speaker 2>And maybe she said, Daddy's your daddy's great love for you.

1:02:37.680 --> 1:02:39.280
<v Speaker 2>She always called him your daddy because that's what we

1:02:39.320 --> 1:02:41.080
<v Speaker 2>called him. We never called him father, we never called

1:02:41.160 --> 1:02:41.560
<v Speaker 2>him dad.

1:02:41.560 --> 1:02:43.360
<v Speaker 1>We called him daddy always.

1:02:47.560 --> 1:02:50.840
<v Speaker 3>Sometime after her father's death, Priscilla asks her mother to

1:02:50.880 --> 1:02:53.840
<v Speaker 3>put her reasons for marrying her father down in writing,

1:02:54.680 --> 1:02:59.280
<v Speaker 3>she yearns for clarity, if not closure, and Lynn sends

1:02:59.320 --> 1:03:04.240
<v Speaker 3>Priscilla an which reads, why did I marry him? Well,

1:03:04.680 --> 1:03:07.600
<v Speaker 3>he had a brilliant and refined mind, which I respected

1:03:07.640 --> 1:03:10.840
<v Speaker 3>and admired. I knew he'd be an excellent father for

1:03:10.880 --> 1:03:15.360
<v Speaker 3>you girls. Basically he was a kind and ethical man.

1:03:17.040 --> 1:03:19.280
<v Speaker 2>It was something that I had been waiting for forty

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<v Speaker 2>years for her to say to me.

1:03:21.000 --> 1:03:22.520
<v Speaker 1>And I knew.

1:03:22.240 --> 1:03:26.160
<v Speaker 2>About the brilliant and refined mind. I knew she felt that,

1:03:27.440 --> 1:03:30.200
<v Speaker 2>and I had been told in various ways that she

1:03:30.280 --> 1:03:32.240
<v Speaker 2>did think he would be an excellent father, although I

1:03:32.280 --> 1:03:35.360
<v Speaker 2>hadn't heard enough of that since they split, so that

1:03:35.480 --> 1:03:36.120
<v Speaker 2>was important.

1:03:36.920 --> 1:03:40.720
<v Speaker 1>But basically he was a kind and ethical man.

1:03:41.600 --> 1:03:48.120
<v Speaker 2>You know, I thought, thank you for finally acknowledging it.

1:03:48.120 --> 1:03:50.080
<v Speaker 2>It wasn't that I needed to hear it because I

1:03:50.160 --> 1:03:52.840
<v Speaker 2>doubted it. I always knew my father was a basically

1:03:52.920 --> 1:03:53.959
<v Speaker 2>kind and ethical man.

1:03:54.640 --> 1:03:55.800
<v Speaker 1>And you know, I had.

1:03:55.640 --> 1:03:57.640
<v Speaker 2>Those moments when I was younger when I heard the

1:03:57.640 --> 1:04:01.480
<v Speaker 2>secrets about his affairs with students, and I was absolutely

1:04:01.520 --> 1:04:05.880
<v Speaker 2>disgusted and horrified by it. But as I grew and

1:04:06.400 --> 1:04:12.000
<v Speaker 2>I came to understand the complexities of our parents that

1:04:12.440 --> 1:04:14.920
<v Speaker 2>he was a human being, that he had failings, that

1:04:14.960 --> 1:04:17.200
<v Speaker 2>he was in a terribly unhappy marriage to.

1:04:17.120 --> 1:04:19.120
<v Speaker 1>Someone who didn't love him.

1:04:19.480 --> 1:04:21.320
<v Speaker 2>And you know, another thing that my mother revealed to

1:04:21.360 --> 1:04:23.960
<v Speaker 2>me when I was in college was that she had

1:04:24.000 --> 1:04:25.520
<v Speaker 2>never been in love with my father, and that she

1:04:25.560 --> 1:04:27.960
<v Speaker 2>had told my father that she wasn't in love with him,

1:04:28.040 --> 1:04:32.880
<v Speaker 2>and he had asked her to marry him anyway, and

1:04:32.920 --> 1:04:37.480
<v Speaker 2>he said, passion faiths, but companionship blasts. And when I

1:04:37.520 --> 1:04:40.240
<v Speaker 2>figured that out, how terrible for my mother to be

1:04:40.280 --> 1:04:42.240
<v Speaker 2>in a marriage to somebody she wasn't in love with.

1:04:43.560 --> 1:04:46.080
<v Speaker 2>How terrible for my father to be in a marriage

1:04:46.120 --> 1:04:48.960
<v Speaker 2>to someone he knew wasn't in love with him, and

1:04:49.040 --> 1:04:51.560
<v Speaker 2>he was in love with her, and.

1:04:51.440 --> 1:04:53.560
<v Speaker 1>He was medicating depression by smoking.

1:04:54.040 --> 1:05:00.760
<v Speaker 2>He was medicating those feelings of inadequacy through affairs. You know,

1:05:00.840 --> 1:05:02.640
<v Speaker 2>another thing that I think is important to say is

1:05:02.680 --> 1:05:07.000
<v Speaker 2>that my father kept his sexuality secret from most people.

1:05:07.520 --> 1:05:12.280
<v Speaker 2>And when he wrote that memoir where he acknowledged his sexuality,

1:05:12.440 --> 1:05:14.280
<v Speaker 2>he wrote in the book about being unfaithful to his

1:05:14.320 --> 1:05:16.560
<v Speaker 2>wives and how guilty he felt about it. He wrote

1:05:16.560 --> 1:05:18.840
<v Speaker 2>about going to prostitutes to get them to do what

1:05:19.480 --> 1:05:21.840
<v Speaker 2>the women his girlfriends and wives didn't want to do.

1:05:22.480 --> 1:05:23.600
<v Speaker 1>I think that is what.

1:05:23.840 --> 1:05:26.840
<v Speaker 2>Enabled him to find the woman that you described as

1:05:26.840 --> 1:05:27.400
<v Speaker 2>his soulmate.

1:05:27.800 --> 1:05:30.280
<v Speaker 1>He got over, to a large extent.

1:05:30.600 --> 1:05:35.600
<v Speaker 2>The shame and the guilt. He wasn't keeping secrets anymore.

1:05:36.080 --> 1:05:38.520
<v Speaker 2>He was telling the truth in a book. Now, it

1:05:38.560 --> 1:05:42.080
<v Speaker 2>wasn't the complete growth because he was still supposedly born

1:05:42.080 --> 1:05:44.840
<v Speaker 2>in nineteen twenty five when that book came out, but

1:05:45.000 --> 1:05:47.919
<v Speaker 2>a lot of the secrets came into the light.

1:05:49.480 --> 1:05:50.480
<v Speaker 1>And I think that's.

1:05:50.280 --> 1:05:55.520
<v Speaker 2>What enabled him to get the confidence to be accepted

1:05:56.000 --> 1:05:58.680
<v Speaker 2>and to meet and share with the Ostigo because she

1:05:58.760 --> 1:06:03.040
<v Speaker 2>knew all his secrets, she knew about his age, she

1:06:03.120 --> 1:06:05.800
<v Speaker 2>knew about the men because that was a book he

1:06:05.840 --> 1:06:08.600
<v Speaker 2>was working on, and she was helping him with us,

1:06:08.960 --> 1:06:09.880
<v Speaker 2>and he wanted.

1:06:09.680 --> 1:06:10.560
<v Speaker 1>To publish that book.

1:06:10.880 --> 1:06:13.680
<v Speaker 2>If he had not gotten so sick, perhaps that would

1:06:13.680 --> 1:06:15.280
<v Speaker 2>have also been in a book that was published.

1:06:16.040 --> 1:06:21.080
<v Speaker 3>And now it is right, that's right, that's right, in

1:06:21.120 --> 1:06:29.840
<v Speaker 3>the fullness of time, Yes, now it is right. Here's

1:06:29.840 --> 1:06:34.240
<v Speaker 3>Priscilla reading from her beautiful love letter to her complicated father.

1:06:35.080 --> 1:06:39.720
<v Speaker 3>In this moment, she's a frightened child, awakened by a thunderstorm,

1:06:40.360 --> 1:06:41.920
<v Speaker 3>being offered a gift.

1:06:46.520 --> 1:06:48.720
<v Speaker 2>My father didn't give me a hug and a kiss

1:06:49.000 --> 1:06:50.320
<v Speaker 2>and send me back to sleep.

1:06:51.040 --> 1:06:53.120
<v Speaker 1>He brought me to the window.

1:06:54.280 --> 1:06:58.520
<v Speaker 2>In the face of the unexpected, the frightening, that disorienting.

1:06:59.240 --> 1:07:04.280
<v Speaker 2>He was a mad cap sportscaster, a wise stage and

1:07:04.320 --> 1:07:10.240
<v Speaker 2>a builient enthusiast. As one arm embraced me, the other

1:07:10.640 --> 1:07:14.360
<v Speaker 2>helped me face a world beyond him, a world of

1:07:14.560 --> 1:07:17.680
<v Speaker 2>challenge and intensity and wonder.

1:07:25.560 --> 1:07:29.640
<v Speaker 3>Family Secrets is a production of iHeartRadio. Molly Zacour is

1:07:29.640 --> 1:07:32.800
<v Speaker 3>the story editor and Dylan Fagan is the executive producer.

1:07:34.080 --> 1:07:36.080
<v Speaker 3>If you have a family secret you'd like to share,

1:07:36.480 --> 1:07:38.920
<v Speaker 3>please leave us a voicemail and your story could appear

1:07:38.920 --> 1:07:42.280
<v Speaker 3>on an upcoming episode. Our number is one eight eight

1:07:42.360 --> 1:07:46.560
<v Speaker 3>eight Secret zero. That's the number zero. You can also

1:07:46.640 --> 1:07:51.440
<v Speaker 3>find me on Instagram at Danny Rider. And if you'd

1:07:51.520 --> 1:07:53.960
<v Speaker 3>like to know more about the story that inspired this podcast,

1:07:54.360 --> 1:08:13.919
<v Speaker 3>check out my memoir Inheritance. For more podcasts from iHeartRadio,

1:08:14.080 --> 1:08:17.559
<v Speaker 3>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1:08:17.600 --> 1:08:18.559
<v Speaker 3>to your favorite shows.