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Speaker 1: With Christmas just around the corner, we wanted to celebrate

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Speaker 1: the holidays the only way we know how with former

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Speaker 1: Boy Meets World dialogue coach and Yule Tide expert Chris

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Speaker 1: Kier with our very own Chris Kier's Christmas Corner to

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Speaker 1: remind those who may have forgotten, or to fill those

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Speaker 1: in who may have missed his interview episode. Chris, for many,

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Speaker 1: many years had a pop up shop in Los Angeles,

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Speaker 1: one we visited last year, and he sells thousands of

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Speaker 1: vintage and unique ornaments, dolls, Chotchkes, and Santa's he collected

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Speaker 1: from all over the world and he even had a

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Speaker 1: large Boy Meets World prop sign in his store that

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Speaker 1: you could take a picture with. Well, this year, he

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Speaker 1: decided to take his brick and mortar business online, and

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Speaker 1: he's here with us to talk a little bit about

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Speaker 1: Christmas and update us on the festive comings and goings

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Speaker 1: of Chris Kier in December. So let's talk to the

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Speaker 1: Saint Nick of Pod Meets World. Please welcome back, Chris Kier.

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Speaker 2: Eh, where did that year go?

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Speaker 3: Is what I want to know.

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Speaker 1: I know, it feels like we were just with you.

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Speaker 3: Yeah, look younger, say Danielle say yes, I do you do?

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Speaker 1: You look fantastic. How is it going? How is your

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Speaker 1: holiday season so far?

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Speaker 3: Well, here's the thing. Last year I had the store. Yeah,

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Speaker 3: and I had it for twenty years, and the hardest

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Speaker 3: part is finding a four month lease. Realtors open, term

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Speaker 3: of calls, landlords won't. So what obviously happened was I

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Speaker 3: closed the store for good last season. I'm glad you

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Speaker 3: guys got in and will we missed you.

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Speaker 4: I know, I'm sorry I wasn't there. I'm so sorry.

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Speaker 2: Oh it was great.

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Speaker 3: And the thing is that I start January first, traveling

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Speaker 3: and going around the world finding things, and I pack

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Speaker 3: it all up, price it, so it's a whole damble.

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Speaker 3: August rolls around. I'm hitting the pavement by myself, hitting

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Speaker 3: knocking on doors. And I lucked out the last four years,

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Speaker 3: and now I was pushing my luck. So now I've

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Speaker 3: gone online, which I hate. I miss all. I miss

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Speaker 3: seeing the people. That's the hardest part about it.

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Speaker 2: Yeah, and also just creating that atmosphere. I feel like

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Speaker 2: that was so much of the fun. It was that story,

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Speaker 2: just being like Christmas everywhere.

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Speaker 3: Yeah, it's like going to the small Disneyland, right rider.

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Speaker 3: It was experience. Yes, it was a world that I created.

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Speaker 2: Discovery and all these little nooks and crannies of things

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Speaker 2: that yeah, I mean, Indy was just lost in it.

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Speaker 2: It was so fun.

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Speaker 3: I love that because as kids, when I grew up Michigan,

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Speaker 3: we had those little department stores that had that kind

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Speaker 3: of charm, you know what I mean, Yeah, not at

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Speaker 3: all like that. And well in Connecticut you must have

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Speaker 3: had those old department stores. I had the windows that were.

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Speaker 4: Oh yeah, absolutely, Tea Fox and all those companies that

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Speaker 4: they do up the Christmas windows and everybody go down

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Speaker 4: and check it out and you sit on Standa's lap. Absolutely.

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Speaker 3: And I don't know if you knew this, but my

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Speaker 3: father had men's clothing stores. I fear if I talked

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Speaker 3: this last time a year ago, but I was raising

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Speaker 3: men's clothing stores at nine years old up. So that's

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Speaker 3: where the retail comes in for me. But he he

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Speaker 3: did the windows. There were mechanical things in the windows

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Speaker 3: of the parks had all of that. So my store

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Speaker 3: had that retro feel. It was an experience from yesteryear.

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Speaker 3: Maybe come back one day, you never know.

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Speaker 4: I could definitely come back. It can definitely Christmases every year, Chris,

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Speaker 4: it can definitely come back.

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Speaker 3: But I miss the people. I'm missing the people. That's

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Speaker 3: I'm missing more than anything.

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Speaker 1: Well, what has the online experience been like?

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Speaker 3: Well, it's not my thing, to be honest with you,

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Speaker 3: I'm on a Apple call whatnot.

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Speaker 4: If you guys have heard of it, good.

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Speaker 3: I'm at Christopher Dashkire And what I do is, I

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Speaker 3: literally it's my own qv she show. I am literally

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Speaker 3: a host selling all these treasures I've gotten from around

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Speaker 3: the world. But I go live and then people.

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Speaker 2: Bid on it. It's what fun.

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Speaker 3: I know, it's fun and I get comments, but I

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Speaker 3: want to see the people. But it's fun and they've

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Speaker 3: enjoyed it. And I also sell it on my website

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Speaker 3: at Christopher Kire's Christmas Corner on Facebook. And so it's

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Speaker 3: been it's been an interesting year. I got more time

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Speaker 3: they've ever had in a long time, and I'm you know,

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Speaker 3: I'm going to the gym more. I'm doing things for myself.

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Speaker 3: I went to the Hollywood Christmas Parade. Some of you

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Speaker 3: were in that.

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Speaker 2: Oh my gosh, Ben and I did it every year. Okay,

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Speaker 2: I hadn't been.

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Speaker 3: In twenty years. Because I had this door right and

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Speaker 3: I kept waiting for the Boy Meets World float.

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Speaker 1: It was Rodney Dangerfield.

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Speaker 4: There, No, that would be amazing. I think he's unavailable.

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Speaker 2: I never heard of you, honey, you ever heard of

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Speaker 2: this show. It's a cute show.

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Speaker 3: So it's been an interesting season so far. And as

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Speaker 3: you can see behind me, I'm in the Caire Castle,

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Speaker 3: which is high up in the Hollywood Hills. Have any

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Speaker 3: of you been up your car? Did you ever get

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Speaker 3: up your wheel?

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Speaker 4: I was up there. I casta that's right.

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Speaker 3: So since then I've done a lot of additions to it,

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Speaker 3: and I've recreated the nineteen twenties field to the house.

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Speaker 3: But behind me, I haven't been able to put this

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Speaker 3: tree up. I have a twelve foot tree I didn't

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Speaker 3: put up this year. But behind me is all of

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Speaker 3: these vintage ornaments are from the nineteen forties, fifties and sixties.

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Speaker 3: It's the museum people. A post video of this and

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Speaker 3: close up to these ornaments on my Facebook page. But

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Speaker 3: the thing is, I call it a memory for you guys,

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Speaker 3: because what we do is we go to the garage.

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Speaker 3: We take out a shoe box with little wrap things

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Speaker 3: in tissue, right, and then we put Oh, Susie made

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Speaker 3: this a kindergarten.

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Speaker 2: Yeah, oh, my aunt I.

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Speaker 3: Had this other tree every year, so it becomes a

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Speaker 3: memory tree. So that's what it is for all of us.

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Speaker 3: It's not really Christmas. It's a memory tree. There's something

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Speaker 3: about that, that feeling we get every year going to

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Speaker 3: visit these little trinkets.

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Speaker 1: Absolutely, Do you have any you'd like to like? Do

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Speaker 1: you have any you'd like to show off to us?

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Speaker 3: Well, this particular tree, my grandmother had ornaments just like this. Here,

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Speaker 3: this bird right here. I can't take off the tree,

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Speaker 3: you might break, but the little clip on birds here,

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Speaker 3: I can get this one here. This is something that

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Speaker 3: had on the trees made in Germany, these clip on trees.

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Speaker 3: You might recognize birds on the tree, you might recognize these.

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Speaker 3: My grandmother had these, and so for me when I

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Speaker 3: put these on the tree this year, I was like,

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Speaker 3: oh my goodness, it's long gone grandmother, but she sure

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Speaker 3: had that tradition of having me come over and put

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Speaker 3: up the tree for her as a small kid. So

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Speaker 3: I know what it's like. And you, guys, there's a

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Speaker 3: way to put up your Christmas tree. People don't know this.

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Speaker 3: If you're getting a live tree or an artificial tree.

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Speaker 3: There's different ways for the artificial tree or the live tree.

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Speaker 3: The first thing you have to do is set it

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Speaker 3: in there and make sure it's not crooked, because they

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Speaker 3: have a lot of fights with my family about.

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Speaker 1: It being croudy oh, I remember those.

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Speaker 3: So make sure it's set piece supply would around, set

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Speaker 3: inside the squares around the trunk with the screws going

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Speaker 3: into it. We'll keep it steady, okay. The other thing

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Speaker 3: you have to do is this and listen carefully. If

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Speaker 3: you're decorating only one side, which most people do, because

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Speaker 3: against the wall or in the corner, you have to

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Speaker 3: literally take two screw eyes, put it into the wall

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Speaker 3: on either side of the tree, run wire for a

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Speaker 3: while around the trunk and to the other one, so

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Speaker 3: you're folding the tree in place. Because so many trees

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Speaker 3: fall over during the season. You guys the.

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Speaker 4: Wall of that In Connecticut, we did that in case

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Speaker 4: my dad wanted the biggest tree possible, so we would

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Speaker 4: have like a fifteen foot tree, and he needed the

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Speaker 4: We had the wires and the eelets are there all

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Speaker 4: year long and everything's just set up right dead with you.

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Speaker 3: Yeah, you how your parents for me, they're great people,

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Speaker 3: remember parents like me very boy's parents. So the thing

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Speaker 3: is is you've got that set, then you start from

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Speaker 3: the top with the lights. You do the lights first, okay.

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Speaker 3: If you've shaped the tree with an artificial tree like

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Speaker 3: this shoes, you pull two fronds out and one up,

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Speaker 3: two fronds up, one up, So then when you get

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Speaker 3: a nice ranch that's nice and clear. Okay. But the

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Speaker 3: issue is this, you start from the top down doing

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Speaker 3: the lights on each limb, and don't do more than

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Speaker 3: three stands strands at a time. Have a nice strip

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Speaker 3: that goes up the center with separate different outlets in

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Speaker 3: the cord, and then you plug your lights into that.

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Speaker 2: But if you do the.

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Speaker 3: Strands back to back more than three, they're gonna blow

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Speaker 3: the fuse. They're gonna blow the fuse inside the strand

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Speaker 3: of lights, and then you're messed up.

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Speaker 1: I love these tips.

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Speaker 3: So then the other thing is that this is the

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Speaker 3: biggest mistake you guys, everybody makes. They put the tree

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Speaker 3: top or the star on last. You put on first,

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Speaker 3: because you're lifting a kid, you're knocking off over runs,

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Speaker 3: You're not going the tree trying to get on top

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Speaker 3: of it. You put it on first, and you work

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Speaker 3: from the top down.

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Speaker 1: Very smart.

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Speaker 3: And before you do all of this, because I have glass,

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Speaker 3: I bilow a comforter around the tree. So when and

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Speaker 3: I do drop my glass ornaments, they never break on

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Speaker 3: my wooden floor.

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Speaker 1: So smart, and.

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Speaker 3: Keep moving around, keep moving around. But again going back

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Speaker 3: to that top tree topper, put on first, work with

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Speaker 3: the smaller ornaments on top down to the larger ornaments

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Speaker 3: in the bottom. Right.

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Speaker 2: It's just anti narrative. I just like the I like

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Speaker 2: the climactic, like we finished the tree, let's put it on.

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Speaker 2: It's just shame so appropriate. I want to do it narratively. Man,

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Speaker 2: I don't know if I could do this. I think

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Speaker 2: it's my story. Let's start with the end and now flashbacks.

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Speaker 3: No, about the third year, when ornaments are falling off,

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Speaker 3: the kid almost falls into the tree. I think time

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Speaker 3: to realize, there's are doing a tree right. No one's

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Speaker 3: going to know you put on last. But I get

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Speaker 3: what you're saying, but it's so hard to do. Do

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Speaker 3: you push that ladder?

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Speaker 2: You know you're you're very practical.

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Speaker 4: Now how far down the tree do you get before

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Speaker 4: the wine and the crying starts? Because i know where

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Speaker 4: it is in our family, and I'm just curious where

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Speaker 4: because my we when when Susan hits anything from like

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Speaker 4: an old dog, she grew up with something like that,

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Speaker 4: and the tears start flowing, the wine starts pouring, and

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Speaker 4: by the end it's justin Bieber on a loop and

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Speaker 4: a blubbering mess. I'm a family tradition.

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Speaker 3: That part of the whole thing, that's part of the

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Speaker 3: whole experience. But you know, I've never been a person

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Speaker 3: that lives in the past. Okay, I live in today

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Speaker 3: and what I can do in the future. But I recall, yeah,

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Speaker 3: I'm sure passed away last year, my best friend passed away.

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Speaker 3: I think we talked. Oh no, it was shortly after

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Speaker 3: my podcast, but he passed away, and I'm taking care

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Speaker 3: of his whole collection of Christmas things. But he lived

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Speaker 3: in the past and all of his things were the past.

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Speaker 3: He never lived for today. And for me, I like

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Speaker 3: creating memories today, Like I went alone to the Hollywood Parade.

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Speaker 3: All my friends the past away out of la now

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Speaker 3: so no one could go with me, So I went alone,

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Speaker 3: but I created my own memory to go. So I

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Speaker 3: think most of us we want to wallow in things.

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Speaker 3: But I think if you wallow in it, it only

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Speaker 3: perpetuates more sadness. But for me is to look at

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Speaker 3: it and to say my grandmother loved.

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Speaker 1: This, Yes, exactly to celebrate.

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Speaker 3: Saying, oh I wish she was here, I wish she

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Speaker 3: was here. We all start past when we're here. Sure,

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Speaker 3: I think if living for today is enjoying what you

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Speaker 3: do have, magnify what you do have.

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Speaker 2: That's a lot of it.

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Speaker 3: And you, guys, I got to thank you for some people.

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Speaker 3: So last year when I had my store, I would

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Speaker 3: venture to say close to two hundred do Boy Meets World.

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Speaker 3: People came in to see me from Sacramento, from San Diego,

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Speaker 3: from Palm Springs, from Arizona, drove in to meet me

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Speaker 3: at my store to see this coast with the Santaland sign.

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Speaker 3: It was the prop from the show. It was amazing

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Speaker 3: and I picked up students from my acting classes just

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Speaker 3: you were the guy from me. I heard your pod

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Speaker 3: meets World of podcasts, Boy meets World podcasts, and I

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Speaker 3: just want to get my kids in your classes, so

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Speaker 3: I do zoom cap classes.

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Speaker 2: This is this is what we've been experiencing, is like

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Speaker 2: ever since we started this podcast. Our our sense of

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Speaker 2: community and connectivity is just it's awesome. And you know, yeah,

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Speaker 2: it's such as.

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Speaker 3: From your your your people, to emails, a lot of emails.

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Speaker 3: They want me to start my own podcast. I don't

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Speaker 3: know how to start it, but I can. I'm the talent.

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Speaker 3: So I've got to hire somebody who's gonna set it

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Speaker 3: all up for me, and it will be my entertainment career.

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Speaker 3: How to work on cruise ships, Walt Disney World, work

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Speaker 3: in the circus, having people on from around the world

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Speaker 3: I worked with through these years, you know what I mean.

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Speaker 3: So I'm thinking about that a podcast, and.

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Speaker 4: Then right around Christmas, it's got to be the Twelve

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Speaker 4: Days of Caire.

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Speaker 2: Yes, I see it.

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Speaker 3: I visualize it because I've had so much time in

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Speaker 3: my hands. What's my next? My next? I'm always into

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Speaker 3: my next, and it's been enough time for me now

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Speaker 3: that I put it all together to think, Okay, now,

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Speaker 3: what's my next chapter going to?

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Speaker 4: I love it in my life.

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Speaker 1: This is the perfect opportunity for you to tell everyone

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Speaker 1: who's listening, now, where can we find you? On whatnot?

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Speaker 1: You said? It was Christopher dash Kaire. That's Christopher with

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Speaker 1: a K.

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Speaker 3: Christopher Kier is what is this?

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Speaker 1: Christopher Kier on Okay, Christopher Kier Christopher with.

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Speaker 3: A K, Yeah with a K, Christopher Kier on Whatnot?

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Speaker 1: And then on Facebook, how can people find you.

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Speaker 3: Christopher Kire's Christmas Corner if you're interesting Christmas things. But

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Speaker 3: I still teach my classes, my acting classes for young people,

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Speaker 3: and that's at Christopher Kire's workshop, which is on a

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Speaker 3: Facebook as well. Okat And as a matter of fact,

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Speaker 3: right now when I'm so proud of this, for those

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Speaker 3: who have seen The Naughty Nine and the Disney Channel,

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Speaker 3: my star pupil who started with me three years ago,

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Speaker 3: Camilla Rodriguez is the lead in the film, the new

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Speaker 3: Disney film and I'm still create stars. She came from

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Speaker 3: me from out of town. We zoomed for a few

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Speaker 3: months that she came and out to LA and she's

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Speaker 3: worked so hard. So Camilla Rodriguez, remember that name.

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Speaker 4: She's going to be very Yes.

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Speaker 1: Thank you so much, Chris, Thank you so much for

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Speaker 1: being here with us. We will make sure to bring

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Speaker 1: you back with us next December. You are our Christmas expert,

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Speaker 1: so thank you for all of your tips and tricks,

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Speaker 1: and everybody you've heard. Now where you can find Chris yourself.

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Speaker 1: Go reach out to him, send him some love. Check

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Speaker 1: out his fantastic Christmas items. We just decorated our house

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Speaker 1: this past weekend, and I got to relive all the

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Speaker 1: moments of having my kids in your store. When we

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Speaker 1: pulled out our Christmas tree skirt the box to store

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Speaker 1: the ornaments we got from you. My little director's in

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Speaker 1: sentence burner thing. I don't even know exactly what it's called,

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Speaker 1: but it was so cool. And so he's got so

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Speaker 1: many special little trinkets, and you guys should go check

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Speaker 1: him out. Thank you so much, Chris.

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Speaker 3: So much. Together before I go away, take care of

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Speaker 3: you guys. Merry Christmas and happy Holidays to all you.

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Speaker 4: Bye bye.

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Speaker 2: Yeah we have we have a legendary I was gonna

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Speaker 2: say when he was talking about the tree falling. We

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Speaker 2: had one one year where I haven't talked about on

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Speaker 2: the podcast. How obsessed my family is with charades and

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Speaker 2: yeah and games where you act them out. So we

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Speaker 2: had this legendary uh charades game in front of a

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Speaker 2: Christmas tree. My mother in law completely took out Christmas.

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Speaker 2: It was one of the funniest but also scariest moment,

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Speaker 2: you know, we're all like who we're going And then

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Speaker 2: of course now it's like legendary. I was like, this

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Speaker 2: is about ten years ago.

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Speaker 4: We still like, can you remember what she was charading?

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Speaker 2: No? No, I just remember her like getting so into

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Speaker 2: it and then falling and losing her balance, and it

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Speaker 2: was like, no, oh my god.

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Speaker 1: Oh man, Well, welcome to Pod meets Christmas Official.

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Speaker 2: I'm right or strong, and I'm will ba humbug for Dell.

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Speaker 1: Oh, I'm so excited. This is the only thing Will's not.

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Speaker 1: He's the only thing he's a ba humbug about.

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Speaker 4: I am. It's true. I'm the happiest guy in the

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Speaker 4: world Christmas all year long. You just don't care. No,

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Speaker 4: I find it. I find you talk. You're the one

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Speaker 4: who talks about commercialism all the time. It is stress, miss.

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Speaker 4: It's it's starting earlier and earlier and earlier every year.

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Speaker 4: It's just about buying the most ridiculous amount of gifts

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Speaker 4: you can.

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Speaker 2: No crazy, you have to buy anything.

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Speaker 1: We don't even really everyone does, but everyone does.

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Speaker 2: Yeah, but that's one side of I mean, what about

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Speaker 2: just like the I just because you like childlike imaginative things.

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Speaker 2: It seems so you're ever.

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Speaker 4: Christmas is never my thing. Community trying. I'm trying to

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Speaker 4: get sad with whiskey. I mean.

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Speaker 1: Everything you just said without the now five hundred dollars, well.

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Speaker 2: Who cares about the but the lights, the light the like, oh,

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Speaker 2: just just like the sense of like like he talks

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Speaker 2: to you know, Chris was talking about how you don't

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Speaker 2: want to like be sad. But I actually think there's

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Speaker 2: something nice about like the Madelin like, oh, let's just

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Speaker 2: embrace the sadness. Let's just like ozy up. Oh, it's

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Speaker 2: so fun. I love the holidays because I was born

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Speaker 2: in December, so I always associate.

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Speaker 1: Like, yeah, my birthday December.

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Speaker 2: Yeah right, and my son was born in December. There's

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Speaker 2: a lot to celebrates the December. What indies December twenty eighth.

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Speaker 1: December twenty eight, Oh my gosh.

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Speaker 2: Which is two elevens plus seven, which is the lucky number.

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Speaker 2: So if it's two eleventh plus seventh plus you're.

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Speaker 4: Making this uprider like worse, does Indy get screwed out

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Speaker 4: of presence because he was born so close to Christmas?

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Speaker 2: Yeah? No, I mean no, trust me, the kid does

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Speaker 2: not know. We have to tell the grandparents, like one

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Speaker 2: present each the first couple of years. It's gross. It's

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Speaker 2: so gross, so we very much limit the presence. No,

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Speaker 2: he gets screwed on celebrating because we can't have a

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Speaker 2: birthday party with his friends because everyone leaves town for

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Speaker 2: the hall. Yeah, and so we end up, like what

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Speaker 2: ends up happening is we have like four birthday parties.

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Speaker 2: We have like the one for one set of grandparents

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Speaker 2: when we're with them, the other for the other set

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Speaker 2: of grandparents, the one on the actual day when we're

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Speaker 2: with him, the one best friend from.

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Speaker 1: Stue just a one family thing on his actual day,

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Speaker 1: and then start celebrating his half birthday big party on

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Speaker 1: his half Briday right in June, you know, because then

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Speaker 1: you get six months away from a birthday holiday thing.

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Speaker 1: It's in the middle of the year. It's a reason

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Speaker 1: to get everyone together. It's summer, you know, like at

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Speaker 1: the beginning of summer. You guys just pick a random day.

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Speaker 4: By the way, you're both invited. Sue and I definitely

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Speaker 4: starting this year, have been talking about it for years

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Speaker 4: and years and years, and we're absolutely doing it. We

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Speaker 4: will be celebrating a second Thanksgiving in May. I'm dead serious,

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Speaker 4: all the trimmings, exact Thanksgiving dinner, everything you get him.

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Speaker 4: Were getting a bunch, and why six months from now

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Speaker 4: we're doing it again.

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Speaker 1: I'm there. I'm there.

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Speaker 2: No, Turkey's overrated most of the I mean, I'll come,

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Speaker 2: I'll come, dang out. I'll bring whiskey and I'm not

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Speaker 2: gonna be I'll be whiskey in my I.

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Speaker 1: Just would like to point out that the one who

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Speaker 1: loves death is just happy about all of it. I'll

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Speaker 1: be there. I love the Thanksgiving, I love the Christmas,

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Speaker 1: I love the summer.

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Speaker 2: I love it.

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Speaker 1: Everything. I love everybody.

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Speaker 2: Did you love it this episode?

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Speaker 1: Did you love a lot about it? We will discuss.

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Speaker 1: We are here to talk about season three, episode twenty two,

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Speaker 1: Brother Brother. It originally aired.

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Speaker 4: Yeah, finally is what I would say.

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Speaker 1: The finally you didn't like season three?

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Speaker 4: No, I did like. I like see.

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00:17:40,400 --> 00:17:42,760
Speaker 1: Yes, we'll talk about it with Brummy's world.

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Speaker 4: World to recap did not set season three by any

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00:17:46,920 --> 00:17:49,680
Speaker 4: stretch of the imagination. Okay, there's peaks and valleys.

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Speaker 1: Like everything, absolutely so. It originally aired May seventeenth, nineteen

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Speaker 1: ninety six. The synopsis. After learning about all of his

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00:17:55,840 --> 00:17:58,760
Speaker 1: friends out of town, plans for the summer and his

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00:17:58,840 --> 00:18:01,760
Speaker 1: brother going off to college. Corey becomes worried about the

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Speaker 1: prospects of spending the entire break by himself. It was written,

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Speaker 1: It was directed by Jeff McCracken. It was written by

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Speaker 1: Mark Bluman and Howard bus Gang. Quite a season three.

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Speaker 2: Season two and three, it's like all that because they

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Speaker 2: had like six and season two. I mean they're just yes,

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Speaker 2: so much so.

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Speaker 1: Guest starring Lindsay Ridgeway as Morgan Matthews. And this is

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Speaker 1: Alex Desayer's final appearance on the show.

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Speaker 2: Solid Solid Got a line? Does he even have a

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Speaker 2: line he has? I think, I think where he talks

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Speaker 2: to you, but then he's also in Chubbies. I don't

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Speaker 2: think he's has a word, just there as an extra.

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Speaker 1: If there's any other example of a more wasted incredible

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Speaker 1: talent on a show ever, or Alex on season three

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Speaker 1: of Boy Means yep. So we jump into our recap.

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Speaker 1: In the school hallway, Eric is cleaning out his locker

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Speaker 1: when mister Turner and mister Williams approach him with a box.

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Speaker 1: They have a gift from the teachers before he leaves

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Speaker 1: John Adams. Eric thinks it's a graduation gift, but mister

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Speaker 1: Williams corrects him, it's a confiscation gift. He pulls out

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Speaker 1: what looks like a folded bed sheet from the box.

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Speaker 1: Eric unfolds it and says, my giant undervans.

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Speaker 4: IOK, it's just a guess, a funny word, and as Yeah,

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Speaker 4: it's funny.

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Speaker 2: And you also become Seinfeld.

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Speaker 1: Yeah, it's such a perfect read. It's so funny. And

435
00:19:37,359 --> 00:19:41,080
Speaker 1: then mister Turner pulls out his personal favorite, the feene Puppet. Ah,

436
00:19:41,320 --> 00:19:44,639
Speaker 1: Little George, Eric exclaims. Turner says, we'll leave you two alone,

437
00:19:44,680 --> 00:19:47,440
Speaker 1: and they take off. That's basically it for Eli.

438
00:19:47,840 --> 00:19:48,159
Speaker 4: It is.

439
00:19:50,000 --> 00:19:52,280
Speaker 2: How do you guys feel about the whole puppet? The

440
00:19:52,320 --> 00:19:52,880
Speaker 2: whole puppet?

441
00:19:53,040 --> 00:19:55,880
Speaker 4: Well, the puppet became a famous thing, but I conflated

442
00:19:55,880 --> 00:19:58,520
Speaker 4: it with the So this is the first of two

443
00:19:58,640 --> 00:20:01,240
Speaker 4: Feenie Puppets. Okay, because the.

444
00:20:01,240 --> 00:20:05,320
Speaker 2: Last episode really anti climactic to me, just like we

445
00:20:05,400 --> 00:20:05,840
Speaker 2: did with the.

446
00:20:05,800 --> 00:20:08,920
Speaker 4: Show the Fenie Puppet with where it's Eric's voice doing

447
00:20:08,960 --> 00:20:11,679
Speaker 4: the Phoenie call. So this is this is a second,

448
00:20:11,680 --> 00:20:13,200
Speaker 4: the first of two times we see.

449
00:20:13,320 --> 00:20:15,720
Speaker 2: Okay, that makes me feel better because I was like,

450
00:20:15,760 --> 00:20:16,800
Speaker 2: this seems like a waste.

451
00:20:16,560 --> 00:20:18,600
Speaker 1: Because we have seen a lot of Phenie puppets at

452
00:20:18,600 --> 00:20:23,679
Speaker 1: our live shows, and so we especially like this. I

453
00:20:23,680 --> 00:20:24,280
Speaker 1: think it is this.

454
00:20:24,400 --> 00:20:26,040
Speaker 2: Yeah, I mean we really You only have the one

455
00:20:26,040 --> 00:20:28,760
Speaker 2: beat with Corey, which is funny but not like amazing.

456
00:20:28,840 --> 00:20:32,199
Speaker 4: Wait I'm wrong, No, I'm wrong. Our fans were just

457
00:20:32,280 --> 00:20:35,359
Speaker 4: screaming at the radio. I'm wrong. The second puppet is

458
00:20:35,359 --> 00:20:38,240
Speaker 4: an Eric puppet. It's not a Peenie puppet. This is

459
00:20:38,320 --> 00:20:39,720
Speaker 4: the this is.

460
00:20:39,680 --> 00:20:41,040
Speaker 1: It, Okay, this is it.

461
00:20:41,119 --> 00:20:41,320
Speaker 3: Yeah.

462
00:20:41,400 --> 00:20:44,879
Speaker 2: I feel like I feel like, well, you know, maybe

463
00:20:44,880 --> 00:20:47,680
Speaker 2: maybe maybe in general, I feel like this episode could

464
00:20:47,680 --> 00:20:49,479
Speaker 2: could have used a little bit of a re right

465
00:20:49,680 --> 00:20:50,960
Speaker 2: and this you know, there was like a lot of

466
00:20:51,000 --> 00:20:54,119
Speaker 2: good ideas and then just like this the execution, I

467
00:20:54,160 --> 00:20:56,199
Speaker 2: was kind of like, wait, but I really like the

468
00:20:56,200 --> 00:20:58,360
Speaker 2: emotional core of this episode. I think it's a nice

469
00:20:58,359 --> 00:21:01,240
Speaker 2: way to end the season and to wrap up Eric storyline,

470
00:21:01,240 --> 00:21:03,639
Speaker 2: which has been mostly played for comedy, to play it

471
00:21:03,680 --> 00:21:06,440
Speaker 2: for drama. I love all those choices, but like even

472
00:21:06,480 --> 00:21:09,080
Speaker 2: this the puppet, I was sort of like, Oh, there's

473
00:21:09,080 --> 00:21:10,960
Speaker 2: gonna be some great puppet stuff, and then it was

474
00:21:11,040 --> 00:21:14,080
Speaker 2: kind of like just okay, yeah, fine, you know, and

475
00:21:14,080 --> 00:21:16,679
Speaker 2: it's not you like you obviously funny. It was just

476
00:21:16,720 --> 00:21:19,320
Speaker 2: like and I you know, the actually like drive it

477
00:21:19,400 --> 00:21:21,119
Speaker 2: right into the ground. And the next scene when you

478
00:21:21,160 --> 00:21:23,359
Speaker 2: go to Corey, you're doing some puppet stuff and then

479
00:21:23,400 --> 00:21:25,439
Speaker 2: Corey is just like I don't like the puppet ye,

480
00:21:26,200 --> 00:21:27,479
Speaker 2: and then lose the puppet.

481
00:21:27,600 --> 00:21:28,879
Speaker 1: It's like yeah, wow.

482
00:21:30,400 --> 00:21:31,120
Speaker 3: But I kind of.

483
00:21:31,040 --> 00:21:34,160
Speaker 2: Felt like maybe they were just kind of like the writers.

484
00:21:34,320 --> 00:21:36,040
Speaker 2: I feel like the writers were rushed. I think because

485
00:21:36,040 --> 00:21:38,800
Speaker 2: of Disney World. Everything was a little rush this week,

486
00:21:38,960 --> 00:21:42,439
Speaker 2: and I feel like they probably were riffing on thinking

487
00:21:42,480 --> 00:21:44,399
Speaker 2: it was so funny with you and the fake Corey

488
00:21:44,440 --> 00:21:46,440
Speaker 2: from the previous episode that it was like, give Will

489
00:21:46,480 --> 00:21:48,439
Speaker 2: more props. We didn't work comedy just came up some

490
00:21:48,440 --> 00:21:52,360
Speaker 2: props and they just said and then like didn't really

491
00:21:52,400 --> 00:21:53,800
Speaker 2: think it all the way through or like work it

492
00:21:53,840 --> 00:21:56,000
Speaker 2: all the way out because it just kind of okay.

493
00:21:56,119 --> 00:21:58,800
Speaker 4: Yeah, yeah, yeah, no, I agree. I like the whole

494
00:21:58,840 --> 00:22:02,879
Speaker 4: story like this of the brothers not all that stuff

495
00:22:02,920 --> 00:22:05,879
Speaker 4: and Corey being left behind by everybody, and it's really

496
00:22:06,040 --> 00:22:09,200
Speaker 4: his anger is really directed towards Eric, but even he doesn't.

497
00:22:09,000 --> 00:22:11,440
Speaker 2: Know that those are all great ideas story beats.

498
00:22:11,520 --> 00:22:14,480
Speaker 4: Yeah, yeah, but it was it got it, Yeah, it

499
00:22:14,520 --> 00:22:15,440
Speaker 4: got very active.

500
00:22:15,600 --> 00:22:17,480
Speaker 1: My favorite moment with the Phoenie puppet comes up right

501
00:22:17,560 --> 00:22:19,439
Speaker 1: now when Eric sticks his hand in the puppet and

502
00:22:19,440 --> 00:22:22,760
Speaker 1: mimics mister Feenie detention, mister Matthews. Eric repeats himself swinging

503
00:22:22,800 --> 00:22:25,480
Speaker 1: the puppet around, just as Phoene walks by and Phoene says,

504
00:22:25,520 --> 00:22:28,240
Speaker 1: what are you doing with this ridiculous thing? Eric says

505
00:22:28,280 --> 00:22:30,800
Speaker 1: it's just a dummy, and Phoene glares at Eric, I'm

506
00:22:30,840 --> 00:22:32,600
Speaker 1: not talking to you.

507
00:22:32,600 --> 00:22:37,679
Speaker 2: Come on, you thought that was great. It's because it's

508
00:22:37,680 --> 00:22:39,480
Speaker 2: a lot of dummy. You would never call it a dummy,

509
00:22:39,480 --> 00:22:41,639
Speaker 2: you'd call it a puppet. So why are we saying

510
00:22:41,680 --> 00:22:45,040
Speaker 2: this line? It's over from the previous episode. I don't

511
00:22:45,040 --> 00:22:45,719
Speaker 2: know what's happening.

512
00:22:45,840 --> 00:22:49,400
Speaker 1: It's I just like seeing Feenie and Eric together. I

513
00:22:49,640 --> 00:22:53,040
Speaker 1: just think they're funny and they're But you're right the

514
00:22:53,720 --> 00:22:54,760
Speaker 1: word you have.

515
00:22:54,720 --> 00:22:56,600
Speaker 2: A puppet, you can do a beat where like if

516
00:22:56,600 --> 00:22:58,480
Speaker 2: Phoene came up and started talking to him and he

517
00:22:58,520 --> 00:23:01,080
Speaker 2: started talking back as the Phoenie up in and ignoring, like,

518
00:23:01,280 --> 00:23:03,240
Speaker 2: there's so many funnier things that could have happened here

519
00:23:03,240 --> 00:23:05,639
Speaker 2: that I was like, Oh, Eric, oh that's that's all

520
00:23:05,640 --> 00:23:06,280
Speaker 2: we're gonna.

521
00:23:06,080 --> 00:23:07,359
Speaker 4: Do well, you know what the joke. You know what

522
00:23:07,400 --> 00:23:10,200
Speaker 4: the joke is is Phoene has said the same thing

523
00:23:10,280 --> 00:23:13,080
Speaker 4: so many times that Eric now has the puppet and

524
00:23:13,080 --> 00:23:15,240
Speaker 4: he's saying exactly what Phoene's saying. At the same time.

525
00:23:15,480 --> 00:23:18,480
Speaker 2: He just so he's able to like mouth along with him.

526
00:23:18,520 --> 00:23:21,440
Speaker 4: Yeah, exactly, there's so many better bits. Yeah. Also for

527
00:23:21,560 --> 00:23:23,840
Speaker 4: somebody who went on to do voices for a living,

528
00:23:24,080 --> 00:23:29,480
Speaker 4: I'm doing a horrible mister impression. It's no not could

529
00:23:29,480 --> 00:23:30,159
Speaker 4: you do a better one?

530
00:23:30,240 --> 00:23:30,720
Speaker 2: Now? Good?

531
00:23:30,920 --> 00:23:32,480
Speaker 4: But I have to hear it. Tough.

532
00:23:32,800 --> 00:23:33,480
Speaker 2: Bill's tough.

533
00:23:33,680 --> 00:23:36,680
Speaker 4: He's tough because even he made up his own accent exactly.

534
00:23:36,800 --> 00:23:39,520
Speaker 2: Yeah, you slip into a British thing very typically you do.

535
00:23:39,640 --> 00:23:42,560
Speaker 4: It's almost winchester esque. It's very It's yeah, he's a

536
00:23:42,600 --> 00:23:44,080
Speaker 4: hard one to imitate. I don't know if I can

537
00:23:44,119 --> 00:23:46,800
Speaker 4: do it. It was bad. The impression was bad.

538
00:23:47,200 --> 00:23:49,840
Speaker 1: So Phoene asks him, have you heard from more colleges?

539
00:23:50,000 --> 00:23:52,120
Speaker 1: Eric says he was turned down by Penn State and

540
00:23:52,160 --> 00:23:53,959
Speaker 1: BU and it looks like he'll be going to his

541
00:23:54,000 --> 00:24:01,880
Speaker 1: first choice, North Southwestern San Diego State University. Phoene shrugs, ah, yes,

542
00:24:02,160 --> 00:24:07,680
Speaker 1: old nswsds U U. Eric tells him he's on the

543
00:24:07,720 --> 00:24:09,959
Speaker 1: waiting list. He should get his acceptance any day. Then

544
00:24:10,000 --> 00:24:14,439
Speaker 1: it's goodbye, Philamadelphia. Here's a few things that threw me.

545
00:24:15,480 --> 00:24:23,400
Speaker 1: When Phoene says, ah, yes old nswsds U, I assumed

546
00:24:23,440 --> 00:24:25,960
Speaker 1: he did that because that's not a real college, like

547
00:24:26,320 --> 00:24:30,679
Speaker 1: the way he says, oh, yes, the Old. I so

548
00:24:31,080 --> 00:24:33,800
Speaker 1: then when I later when there was a letter from

549
00:24:34,080 --> 00:24:37,080
Speaker 1: the college or Corey asks specifically, did you hear back

550
00:24:37,160 --> 00:24:39,280
Speaker 1: from them, I was like, wait, that was real? He

551
00:24:39,400 --> 00:24:41,840
Speaker 1: really was, like it was a little confusing to me.

552
00:24:42,240 --> 00:24:44,600
Speaker 4: It should have been a different school that was actually

553
00:24:44,680 --> 00:24:46,760
Speaker 4: real and kind of what they would call a lower

554
00:24:46,800 --> 00:24:49,880
Speaker 4: tier school, something that would have been a safety school. Yeah,

555
00:24:50,000 --> 00:24:52,400
Speaker 4: that was a real thing instead of going for the

556
00:24:52,440 --> 00:24:53,680
Speaker 4: one joke, which.

557
00:24:53,600 --> 00:24:56,399
Speaker 1: Right, the old and yeah, it threw me. I was like,

558
00:24:56,440 --> 00:24:58,280
Speaker 1: wait a minute. There were a couple of moments here

559
00:24:58,320 --> 00:25:01,000
Speaker 1: where I was like, I'm not sure. Yeah, So anyway,

560
00:25:01,000 --> 00:25:02,800
Speaker 1: that that bumped me a little bit because right away

561
00:25:02,840 --> 00:25:04,720
Speaker 1: the way he responds, I'm like, that's not a real thing.

562
00:25:04,880 --> 00:25:05,760
Speaker 1: He's making that up.

563
00:25:05,840 --> 00:25:07,760
Speaker 4: We've already done that with forus, so we figured it right.

564
00:25:07,760 --> 00:25:08,720
Speaker 4: The same kind of thing. Yeah.

565
00:25:09,359 --> 00:25:11,879
Speaker 1: So then Phoene asks if Eric has any summer plans,

566
00:25:11,880 --> 00:25:13,680
Speaker 1: and he says, I'm going to travel. I'm spending two

567
00:25:13,680 --> 00:25:15,760
Speaker 1: months in two months in my car and I'm going

568
00:25:15,760 --> 00:25:18,080
Speaker 1: to see all fifty states. Phoene asks, how do you

569
00:25:18,119 --> 00:25:20,399
Speaker 1: intend to drive to Hawaii? Eric tells him I'm going

570
00:25:20,440 --> 00:25:22,879
Speaker 1: to drive till they start speaking Chinese. Then hang A Yui,

571
00:25:23,160 --> 00:25:27,320
Speaker 1: and I again, because of the fifty states joke, I

572
00:25:27,520 --> 00:25:29,920
Speaker 1: also thought he wasn't really going on a road trip

573
00:25:29,920 --> 00:25:31,040
Speaker 1: in his car for two months.

574
00:25:32,320 --> 00:25:35,080
Speaker 4: It's they seem to kind of be playing it for

575
00:25:35,160 --> 00:25:39,960
Speaker 4: one joke at a time, as opposed to it meaning something.

576
00:25:40,000 --> 00:25:40,800
Speaker 2: Does that make sense?

577
00:25:41,119 --> 00:25:43,320
Speaker 1: Well, I just feel like this is clearly setting up

578
00:25:43,359 --> 00:25:46,879
Speaker 1: what this episode is, Like, what are Eric's plans? He's

579
00:25:47,080 --> 00:25:49,679
Speaker 1: they want you to know he's waitlisted, he's waiting to

580
00:25:49,680 --> 00:25:52,000
Speaker 1: hear his final word, and he does have plans that

581
00:25:52,040 --> 00:25:54,080
Speaker 1: he's going on a road trip this summer. None of

582
00:25:54,080 --> 00:25:56,680
Speaker 1: this bothered me, None of it bumped you, Okay.

583
00:25:56,800 --> 00:25:58,760
Speaker 2: I was always like, Okay, that makes sense. I mean

584
00:25:58,920 --> 00:26:02,680
Speaker 2: it's just Eric being the college bother game. Yeah, yeah,

585
00:26:02,680 --> 00:26:05,159
Speaker 2: I mean I didn't. I didn't love these scenes, Like

586
00:26:05,200 --> 00:26:06,840
Speaker 2: I like, again, I think I could have used to

587
00:26:06,880 --> 00:26:09,760
Speaker 2: rewrite and could have been funnier, but but no, it

588
00:26:09,800 --> 00:26:11,919
Speaker 2: didn't bump me as like a reality question or like

589
00:26:11,960 --> 00:26:14,280
Speaker 2: what's happening? I knew what was happening, Yeah, I just

590
00:26:14,359 --> 00:26:15,600
Speaker 2: didn't didn't love it.

591
00:26:17,160 --> 00:26:18,480
Speaker 1: So then we continue in the school.

592
00:26:18,600 --> 00:26:21,400
Speaker 2: But also, like Eric going by himself on a road trip,

593
00:26:21,880 --> 00:26:24,240
Speaker 2: really you just can kind of see that, you know, okay,

594
00:26:24,240 --> 00:26:26,560
Speaker 2: but then you have no friends at your graduation dinner.

595
00:26:27,040 --> 00:26:28,639
Speaker 2: That is the saddest thing I've ever seen.

596
00:26:29,160 --> 00:26:33,399
Speaker 1: So nearby, Corey walks up to Tapanga. This is the

597
00:26:33,440 --> 00:26:36,480
Speaker 1: outfit that I'm wearing in my funko pop. It's taken

598
00:26:36,560 --> 00:26:37,800
Speaker 1: directly from this scene.

599
00:26:38,160 --> 00:26:41,399
Speaker 4: Interest interesting clothes this week, I sure did, to the

600
00:26:41,400 --> 00:26:43,400
Speaker 4: point where I even noticed them.

601
00:26:43,600 --> 00:26:48,400
Speaker 1: Yeah, this was it. This was nineties. Let me tell.

602
00:26:48,240 --> 00:26:50,560
Speaker 2: You you know. I bet what happened is you probably

603
00:26:50,640 --> 00:26:53,199
Speaker 2: tried on like ten different outfits for Florida, and then

604
00:26:53,200 --> 00:26:54,680
Speaker 2: they were like, well, let's say three.

605
00:26:54,560 --> 00:26:57,879
Speaker 1: Keys and just keep going, just keep using them. So

606
00:26:58,080 --> 00:27:00,880
Speaker 1: didn't we have finals last week? Our finals was two

607
00:27:00,880 --> 00:27:05,080
Speaker 1: weeks ago. Why are we still at the school? Why

608
00:27:05,119 --> 00:27:06,440
Speaker 1: are we all still here?

609
00:27:07,040 --> 00:27:10,080
Speaker 4: There were some logistical questions I had later too, where

610
00:27:10,080 --> 00:27:10,360
Speaker 4: it was.

611
00:27:10,320 --> 00:27:12,640
Speaker 1: Like, huh, we had finals and then the next week

612
00:27:12,680 --> 00:27:14,800
Speaker 1: we went to Florida and now we're leaving.

613
00:27:14,600 --> 00:27:16,159
Speaker 4: The school at school, I know.

614
00:27:16,400 --> 00:27:18,600
Speaker 1: Anyway, I was a little confused by all of the

615
00:27:18,640 --> 00:27:21,240
Speaker 1: things that we were that all the plans.

616
00:27:21,880 --> 00:27:27,320
Speaker 2: So, uh, say, Ben is wearing a shirt that I

617
00:27:27,359 --> 00:27:31,440
Speaker 2: would wear today. It is really beautiful Denim. I was like, wow,

618
00:27:31,520 --> 00:27:33,000
Speaker 2: this is like one of the first times on boy.

619
00:27:33,040 --> 00:27:34,280
Speaker 2: I was like, yeah, I.

620
00:27:35,119 --> 00:27:37,800
Speaker 4: In soup for the last for I don't know why,

621
00:27:37,840 --> 00:27:39,359
Speaker 4: and I'd love to talk to Sarah about this, but

622
00:27:39,400 --> 00:27:41,280
Speaker 4: for the last three or four weeks, all of a sudden,

623
00:27:41,320 --> 00:27:44,840
Speaker 4: we just went with super long clothes. Yeah, all the

624
00:27:44,880 --> 00:27:47,200
Speaker 4: clothes have now gotten We went from layers to long.

625
00:27:47,440 --> 00:27:51,240
Speaker 2: Well, I'm tucked in. I decided her tucking in every episode.

626
00:27:51,280 --> 00:27:54,000
Speaker 2: Now I'm wearing a white shirt underneath the shirt and

627
00:27:54,040 --> 00:27:56,760
Speaker 2: then I'm tucked in with a belt which you playing

628
00:27:56,840 --> 00:28:00,720
Speaker 2: basketball later, You've got the shirt. Yeah, that's what you need.

629
00:28:00,760 --> 00:28:02,720
Speaker 2: You need to block your you need to block your

630
00:28:02,840 --> 00:28:05,160
Speaker 2: arms to make it really hard to move. Obviously, that's

631
00:28:05,240 --> 00:28:07,280
Speaker 2: what you wear when you play basketball. When you play

632
00:28:07,640 --> 00:28:11,600
Speaker 2: so dumb, Oh my god, buddy.

633
00:28:13,280 --> 00:28:16,040
Speaker 1: So Corey announces here we are, me and you last

634
00:28:16,119 --> 00:28:18,920
Speaker 1: day of school. Back together. They kiss, and he repeats

635
00:28:18,960 --> 00:28:21,560
Speaker 1: back together, and they kiss again. He laughs and asks,

636
00:28:21,640 --> 00:28:24,360
Speaker 1: did I mention we're back together? She smiles and tells

637
00:28:24,440 --> 00:28:27,120
Speaker 1: him to refresh your memory, and big shocker, they kiss

638
00:28:27,160 --> 00:28:29,399
Speaker 1: again with no woos.

639
00:28:30,240 --> 00:28:32,760
Speaker 2: Yeah, no I don't because it's annoying.

640
00:28:33,160 --> 00:28:34,359
Speaker 1: Yeah, but it is.

641
00:28:34,440 --> 00:28:35,720
Speaker 4: But I mean, there's always.

642
00:28:35,400 --> 00:28:41,120
Speaker 2: An but this is not a cute scene. I'm like, Okay,

643
00:28:41,160 --> 00:28:43,160
Speaker 2: we get it. Guys. Well, I'm glad you make fun

644
00:28:43,160 --> 00:28:45,320
Speaker 2: of it later. But man, I was like, don't do

645
00:28:45,400 --> 00:28:45,720
Speaker 2: it again.

646
00:28:46,600 --> 00:28:49,800
Speaker 1: It's also worth noting that we are still in the

647
00:28:49,840 --> 00:28:53,360
Speaker 1: midst of the Big Bang grow Out of ninety six.

648
00:28:53,960 --> 00:28:56,960
Speaker 1: This is not to be, you know, confused with the

649
00:28:57,040 --> 00:29:00,440
Speaker 1: less important Big Bang that started the universe. But my

650
00:29:00,600 --> 00:29:04,280
Speaker 1: bangs are being grown out, and so they are no

651
00:29:04,280 --> 00:29:06,120
Speaker 1: one knows what to do with them there. Some of

652
00:29:06,120 --> 00:29:08,120
Speaker 1: them are this way, some of them are this way.

653
00:29:08,360 --> 00:29:11,440
Speaker 1: My hair's in a ponytail. It's not working. Later, we

654
00:29:11,440 --> 00:29:14,000
Speaker 1: wear a headband to get them pulled back, and that's

655
00:29:14,080 --> 00:29:14,720
Speaker 1: a little better.

656
00:29:14,760 --> 00:29:17,120
Speaker 4: But I'm sorry to tell you this, Danielle, but your

657
00:29:17,120 --> 00:29:19,560
Speaker 4: bangs are actually only six thousand years old.

658
00:29:19,960 --> 00:29:25,760
Speaker 1: Uh okay, Corey says I'm completely secure with our relationship,

659
00:29:25,760 --> 00:29:27,640
Speaker 1: and if you want to spend your summer away at camp,

660
00:29:27,880 --> 00:29:30,240
Speaker 1: I'm totally okay with it. But we get the sense

661
00:29:30,280 --> 00:29:32,280
Speaker 1: that he is not to Peng is thrilled. That is

662
00:29:32,320 --> 00:29:35,200
Speaker 1: so mature. Corey adds, because I'm going with you. She

663
00:29:35,240 --> 00:29:37,040
Speaker 1: tells him it's an all girls camp, and he retorts,

664
00:29:37,080 --> 00:29:39,960
Speaker 1: what times swimming? It's only one summer. We'll have plenty

665
00:29:39,960 --> 00:29:43,200
Speaker 1: more together to Pega explains, because she's reasonable and normal,

666
00:29:43,760 --> 00:29:45,800
Speaker 1: and Corey groans, I know, but this is the most

667
00:29:45,840 --> 00:29:48,320
Speaker 1: important summer of our lives. It's the summer of our

668
00:29:48,360 --> 00:29:50,840
Speaker 1: fifteenth year, and if we don't spend it together, we'll

669
00:29:50,840 --> 00:29:53,960
Speaker 1: never get it back. Tapega responds, that's really sweet, but

670
00:29:54,000 --> 00:29:56,840
Speaker 1: it'll only make our sixteenth summer all the more special.

671
00:29:57,160 --> 00:29:59,040
Speaker 1: Corey then pleads, I'll pay you a thousand dollars to

672
00:29:59,080 --> 00:30:01,200
Speaker 1: hang out with me. She says, this time is going

673
00:30:01,280 --> 00:30:02,600
Speaker 1: to fly, and before you know it, we will be

674
00:30:02,640 --> 00:30:06,280
Speaker 1: back together. She kisses Cory huh, and he.

675
00:30:06,280 --> 00:30:09,760
Speaker 4: Also reaches for his pocket like he's got it. Yeah,

676
00:30:09,920 --> 00:30:12,760
Speaker 4: it's the thing. Also, by the way, we glossed by it.

677
00:30:12,800 --> 00:30:15,320
Speaker 4: But what time swimming is the best joke of the

678
00:30:15,440 --> 00:30:18,360
Speaker 4: entire show. Oh really, really, I think because it's just

679
00:30:18,680 --> 00:30:21,360
Speaker 4: fast and quick and to the point, and it's it's

680
00:30:21,360 --> 00:30:23,960
Speaker 4: an all girls, well what time swimming? That's the that's

681
00:30:24,000 --> 00:30:25,240
Speaker 4: the solid that's the most solid jokes.

682
00:30:26,320 --> 00:30:30,120
Speaker 2: Yep, I think I think something. You know, this episode

683
00:30:30,160 --> 00:30:31,880
Speaker 2: is just a lot of exposition. It's a lot of

684
00:30:32,000 --> 00:30:35,400
Speaker 2: con so much dialogue, and I think that this is

685
00:30:35,520 --> 00:30:38,280
Speaker 2: this scene is now that I'm hearing you recap it,

686
00:30:38,320 --> 00:30:42,560
Speaker 2: I'm realizing, like, yeah, I think it's lacking story because

687
00:30:42,760 --> 00:30:45,680
Speaker 2: the motivation for the whole story is is Corey being

688
00:30:45,760 --> 00:30:48,880
Speaker 2: upset that he's being left alone for the summer. And

689
00:30:49,640 --> 00:30:51,680
Speaker 2: I think it could have been stronger maybe if he

690
00:30:51,720 --> 00:30:54,320
Speaker 2: had had a plan or hadn't been expected. But like

691
00:30:54,440 --> 00:30:56,760
Speaker 2: we're starting off, he knows to Panka is going to

692
00:30:57,040 --> 00:30:59,920
Speaker 2: summer school or summer camp. He's not going to see her.

693
00:31:00,640 --> 00:31:03,600
Speaker 2: Like it's weird that he's It's just it would have

694
00:31:03,600 --> 00:31:06,200
Speaker 2: been better if he like reacts to something like he's

695
00:31:06,200 --> 00:31:08,600
Speaker 2: not reacting anything. He's just coming in upset.

696
00:31:08,840 --> 00:31:11,760
Speaker 4: And Salen tries to I think Alan tries to explain

697
00:31:11,800 --> 00:31:14,480
Speaker 4: that later by saying, is that really what you think

698
00:31:14,520 --> 00:31:17,360
Speaker 4: you're mad at? Because totally they know that he's really

699
00:31:17,440 --> 00:31:20,800
Speaker 4: upset that it's actually that Eric's leaving right right, So

700
00:31:20,880 --> 00:31:23,560
Speaker 4: it's Alan even says like, you know, he comes in mad,

701
00:31:23,600 --> 00:31:26,080
Speaker 4: but it's not about that. It's like he hasn't yet

702
00:31:26,160 --> 00:31:27,400
Speaker 4: figured out that tot.

703
00:31:28,320 --> 00:31:30,240
Speaker 2: And I like the idea of like him seeing the

704
00:31:30,360 --> 00:31:33,239
Speaker 2: room with you moving out and getting upset about it.

705
00:31:34,040 --> 00:31:36,800
Speaker 2: My problem with this episode is that Corey's likability is

706
00:31:36,840 --> 00:31:40,640
Speaker 2: just plummeted by the fact that he's already upset and

707
00:31:40,720 --> 00:31:42,920
Speaker 2: angry from a moment one. We don't get to see

708
00:31:43,160 --> 00:31:45,800
Speaker 2: it like come out of sadness. You know, it gets

709
00:31:45,840 --> 00:31:48,080
Speaker 2: to a place where there's sadness and there's connectivity with you.

710
00:31:48,400 --> 00:31:49,760
Speaker 2: But it's hard for it was hard for me to

711
00:31:49,960 --> 00:31:50,960
Speaker 2: care and to root for.

712
00:31:50,960 --> 00:31:53,640
Speaker 4: Him, for he does minutes. He does come in angry

713
00:31:53,960 --> 00:31:54,360
Speaker 4: right off the.

714
00:31:54,360 --> 00:31:57,120
Speaker 2: Back, right, and it's demanding and like I'm gonna pay

715
00:31:57,160 --> 00:31:59,440
Speaker 2: you to stay, and it's like, well that's all. Like

716
00:31:59,760 --> 00:32:02,080
Speaker 2: I want him to be a little more discombobulated, like

717
00:32:02,160 --> 00:32:05,160
Speaker 2: you know, more stressed out Corey, more anxious and nervous

718
00:32:05,200 --> 00:32:08,560
Speaker 2: Corey than like angry and upset at everybody and accusatory Corey.

719
00:32:08,680 --> 00:32:10,800
Speaker 2: Because and and that it could have easily been fixed

720
00:32:10,800 --> 00:32:14,440
Speaker 2: by just having him react like sad at first instead

721
00:32:14,480 --> 00:32:17,160
Speaker 2: of immediately being like, don't leave me, don't go, you know,

722
00:32:17,160 --> 00:32:18,240
Speaker 2: and then it's like or.

723
00:32:18,240 --> 00:32:20,680
Speaker 1: To reverse it, have to Penga be sad and have

724
00:32:20,840 --> 00:32:24,120
Speaker 1: him be kind of as much as I want you,

725
00:32:26,400 --> 00:32:28,120
Speaker 1: it's good for you because.

726
00:32:27,840 --> 00:32:30,720
Speaker 2: I'm gonna have my summer with my brother. And then

727
00:32:30,760 --> 00:32:32,320
Speaker 2: it's a turn and then I'm like and then I'm

728
00:32:32,360 --> 00:32:34,080
Speaker 2: on his side because I'm like, yeah, he did well

729
00:32:34,120 --> 00:32:36,720
Speaker 2: with Topanga, and then Eric's let Corey.

730
00:32:36,760 --> 00:32:39,320
Speaker 4: He also lets Topanga know that it's fine to.

731
00:32:39,440 --> 00:32:41,640
Speaker 1: It's fine for him to exactly make him look.

732
00:32:41,480 --> 00:32:43,120
Speaker 4: Normal if he does that kind of thing.

733
00:32:43,240 --> 00:32:54,120
Speaker 1: Yeah, that would have been that would have been my choice.

734
00:32:57,440 --> 00:33:00,120
Speaker 1: So Topanga walks away, leaving Corey to admit to himself,

735
00:33:00,160 --> 00:33:02,080
Speaker 1: well that was a brave front. As he sighs and

736
00:33:02,120 --> 00:33:05,560
Speaker 1: sits on the bench while he's moping. The Phoenie Muppet, Muppet,

737
00:33:07,640 --> 00:33:08,800
Speaker 1: the Feenie.

738
00:33:08,480 --> 00:33:19,920
Speaker 2: Don't get us sued, the muppet, the puppet just so

739
00:33:20,400 --> 00:33:23,960
Speaker 2: dirty puppet does sound dirty. It's what happened when you get.

740
00:33:27,560 --> 00:33:30,800
Speaker 4: That's right, man, puppet going.

741
00:33:33,560 --> 00:33:34,840
Speaker 2: It's late night and you're alone.

742
00:33:35,040 --> 00:33:43,280
Speaker 1: Just you need to stop right now, Okay, So the

743
00:33:43,360 --> 00:33:46,560
Speaker 1: Phoenie puppet pops up behind him, asking, what's the matter,

744
00:33:46,600 --> 00:33:49,520
Speaker 1: mister Matthews, you seem a little down, Little George continues,

745
00:33:49,600 --> 00:33:52,280
Speaker 1: perhaps some more history homework would cheer you up. Corey

746
00:33:52,280 --> 00:33:53,920
Speaker 1: tells Eric to knock it off. He's not a big

747
00:33:53,960 --> 00:33:55,360
Speaker 1: fan of his Feenie puppet.

748
00:33:57,640 --> 00:34:00,240
Speaker 2: And I'm like, wow, Eric is being so nice.

749
00:34:00,360 --> 00:34:04,960
Speaker 1: So nice, so awful. The last episode he just built

750
00:34:05,000 --> 00:34:05,440
Speaker 1: a whole.

751
00:34:06,560 --> 00:34:06,760
Speaker 4: I know.

752
00:34:06,840 --> 00:34:09,160
Speaker 2: He did so much for Corey. Yeah, he covered for

753
00:34:09,239 --> 00:34:11,960
Speaker 2: him the whole time and without question and said, I

754
00:34:12,000 --> 00:34:13,480
Speaker 2: do it because I care about you.

755
00:34:13,560 --> 00:34:15,320
Speaker 1: I care about you, and I want you, And he

756
00:34:15,360 --> 00:34:17,000
Speaker 1: gave him the advice to go after her.

757
00:34:17,239 --> 00:34:20,560
Speaker 2: Yeah, no, no, will you're saying because there was a

758
00:34:20,600 --> 00:34:23,480
Speaker 2: period where they were considering spinning your character off, right,

759
00:34:23,520 --> 00:34:26,600
Speaker 2: it wasn't here, and it wasn't here. This makes so

760
00:34:26,719 --> 00:34:29,400
Speaker 2: much sense. Yeah, I thought they were teeing up that

761
00:34:29,480 --> 00:34:31,000
Speaker 2: you were going to leave. And it does make sense.

762
00:34:31,000 --> 00:34:33,560
Speaker 2: You were graduating from high school. You could have easily

763
00:34:33,560 --> 00:34:36,000
Speaker 2: had your own shows. Eric Like easily it could have

764
00:34:36,040 --> 00:34:38,960
Speaker 2: been Eric in college and this is just belonged to Eric.

765
00:34:39,000 --> 00:34:41,279
Speaker 4: And I'll show you where it had. I know the

766
00:34:41,280 --> 00:34:42,680
Speaker 4: scene so it's the.

767
00:34:42,640 --> 00:34:44,880
Speaker 2: End of season four, or but it was the end

768
00:34:44,880 --> 00:34:46,040
Speaker 2: of a season, it must have been, right.

769
00:34:46,080 --> 00:34:47,680
Speaker 4: I don't even think it's the end of a season.

770
00:34:47,719 --> 00:34:49,480
Speaker 4: I think it's like in the middle, because we were

771
00:34:49,480 --> 00:34:52,240
Speaker 4: having meetings with ABC and we I mean we probably

772
00:34:52,280 --> 00:34:53,520
Speaker 4: got five or six meetings in.

773
00:34:53,680 --> 00:34:55,759
Speaker 2: God, I thought for sure this was it because I

774
00:34:55,800 --> 00:34:58,520
Speaker 2: was like, oh, this is a great setup for Will

775
00:34:58,600 --> 00:35:01,439
Speaker 2: to go on to a new show that would yeah, okay, wow.

776
00:35:02,160 --> 00:35:04,680
Speaker 1: So Eric reveals himself, come on, core I thought everything

777
00:35:04,719 --> 00:35:06,600
Speaker 1: was great now that you into Panger are back together,

778
00:35:06,680 --> 00:35:09,359
Speaker 1: big kiss, back together, big kiss, He calls out the

779
00:35:09,480 --> 00:35:12,960
Speaker 1: part writer. Just despised, Corey tells Eric to stay out

780
00:35:13,000 --> 00:35:14,719
Speaker 1: of his personal life, and Eric says to Pang is

781
00:35:14,760 --> 00:35:16,560
Speaker 1: leaving for the summer, and I'm sorry, but that's got

782
00:35:16,600 --> 00:35:18,680
Speaker 1: nothing to do with me. I've got one week left here.

783
00:35:18,800 --> 00:35:21,080
Speaker 1: Let's make it great, just like old times.

784
00:35:22,320 --> 00:35:22,800
Speaker 2: Wonderful what.

785
00:35:24,880 --> 00:35:27,279
Speaker 1: He puts Corey on the shoulder and walks away, as

786
00:35:27,360 --> 00:35:29,920
Speaker 1: Corey wonders aloud, what old times?

787
00:35:31,760 --> 00:35:31,960
Speaker 4: Now?

788
00:35:32,680 --> 00:35:35,759
Speaker 2: I guess the reaction there, yeah, I don't know. That's

789
00:35:35,760 --> 00:35:38,040
Speaker 2: where I just wanted it to be more like, I

790
00:35:38,040 --> 00:35:41,040
Speaker 2: don't know something about Corey just rubs me the wrong

791
00:35:41,040 --> 00:35:41,640
Speaker 2: way the whole.

792
00:35:41,600 --> 00:35:43,120
Speaker 4: Yeah, you well again, I think you hit I think

793
00:35:43,120 --> 00:35:45,279
Speaker 4: you hit the nail on the head. Is it just it?

794
00:35:46,040 --> 00:35:49,000
Speaker 4: Michael used to always tell us, don't play anger, and

795
00:35:49,040 --> 00:35:52,320
Speaker 4: Ben's playing anger, and it just shows that it makes

796
00:35:52,440 --> 00:35:54,960
Speaker 4: him less likable. I think. I think if it built

797
00:35:55,000 --> 00:35:57,920
Speaker 4: to an angry scene, that's the fun thing.

798
00:35:59,080 --> 00:36:01,120
Speaker 2: That's what's great. Yeah, I think, But if it comes

799
00:36:01,120 --> 00:36:04,120
Speaker 2: from a place of being hurt first and like sort

800
00:36:04,120 --> 00:36:06,880
Speaker 2: of yeah, like what if he had really been asking

801
00:36:06,960 --> 00:36:09,960
Speaker 2: like what old times? Like he's suddenly realizing like, really,

802
00:36:10,239 --> 00:36:11,560
Speaker 2: I don't know, did.

803
00:36:11,400 --> 00:36:12,280
Speaker 3: We have good times?

804
00:36:12,320 --> 00:36:14,040
Speaker 2: And then he's like, in the course of the episode

805
00:36:14,080 --> 00:36:17,640
Speaker 2: realizing I'm I'm upset that that Eric was never there

806
00:36:17,640 --> 00:36:18,359
Speaker 2: for Yeah, you're right.

807
00:36:18,440 --> 00:36:18,640
Speaker 4: Yeah.

808
00:36:18,640 --> 00:36:21,080
Speaker 2: The problem is that it's like telegraphing right off the bat,

809
00:36:21,680 --> 00:36:25,000
Speaker 2: I'm set and I'm angry, and we're a right to be.

810
00:36:24,160 --> 00:36:28,560
Speaker 1: And by the way, I've never once addressed this with

811
00:36:28,600 --> 00:36:32,399
Speaker 1: you before. It's all happening right now at A at

812
00:36:32,400 --> 00:36:33,600
Speaker 1: A one hundred, and.

813
00:36:33,680 --> 00:36:37,000
Speaker 4: We're an awesome brother a week ago, just one week.

814
00:36:36,840 --> 00:36:39,839
Speaker 1: Ago, and that was maybe great, and now I want

815
00:36:39,840 --> 00:36:42,719
Speaker 1: more of that. So then wow, that, by the way,

816
00:36:42,840 --> 00:36:45,920
Speaker 1: that's just our cold open. That's my god, that is

817
00:36:45,960 --> 00:36:47,320
Speaker 1: a big.

818
00:36:47,480 --> 00:36:48,600
Speaker 2: Forty minutes in our episode.

819
00:36:48,719 --> 00:36:53,279
Speaker 1: I mean big cold open likely, Yeah, a lot of

820
00:36:53,360 --> 00:36:56,160
Speaker 1: set up, lots of information we just had to digest.

821
00:36:56,000 --> 00:36:59,680
Speaker 2: And I wasn't in it either. You're a few times

822
00:36:59,719 --> 00:37:01,319
Speaker 2: Sean is not in the hallway with.

823
00:37:01,280 --> 00:37:04,560
Speaker 1: Well, that's because you're in the New Settler the park

824
00:37:04,760 --> 00:37:07,560
Speaker 1: and you guys are playing basketball in black leather boots,

825
00:37:07,560 --> 00:37:10,160
Speaker 1: black tight denim jeans and tucked in shirts and button ups,

826
00:37:10,280 --> 00:37:11,520
Speaker 1: just like NBA players do.

827
00:37:11,680 --> 00:37:14,200
Speaker 2: Yes, you do sports.

828
00:37:14,440 --> 00:37:16,560
Speaker 1: That is how you do the sports.

829
00:37:16,600 --> 00:37:18,720
Speaker 4: How you do sports ball.

830
00:37:18,760 --> 00:37:20,800
Speaker 2: Did you see the way I go to block his layup?

831
00:37:21,400 --> 00:37:24,279
Speaker 2: I'm sorry, I'm almost extending my arm all the way.

832
00:37:24,320 --> 00:37:25,120
Speaker 2: I almost.

833
00:37:25,440 --> 00:37:26,799
Speaker 1: Did you know what a layup is?

834
00:37:27,239 --> 00:37:27,479
Speaker 4: Yeah?

835
00:37:27,960 --> 00:37:32,319
Speaker 2: Yeah, you're like, it's when you're it's right before you spike.

836
00:37:32,239 --> 00:37:35,359
Speaker 1: Spike it, spike after you get a hat trick, which

837
00:37:35,360 --> 00:37:36,360
Speaker 1: is right.

838
00:37:36,360 --> 00:37:38,160
Speaker 2: Or if you as long as you don't get called

839
00:37:38,160 --> 00:37:41,319
Speaker 2: on icing, you're spiking the.

840
00:37:41,280 --> 00:37:42,640
Speaker 4: Peyton manning basketball.

841
00:37:42,920 --> 00:37:45,920
Speaker 2: Yes, so the Wayne Gretzky.

842
00:37:45,840 --> 00:37:50,560
Speaker 1: The Wayne break one. So Corey says, okay, fine to

843
00:37:50,680 --> 00:37:52,520
Speaker 1: Pega is going to camp as he scores one on

844
00:37:52,600 --> 00:37:54,840
Speaker 1: Sean and it's an all girls camp. But there's no

845
00:37:54,920 --> 00:37:56,960
Speaker 1: threat there and it's more time for us the boys

846
00:37:57,000 --> 00:37:59,120
Speaker 1: of summer. Sean breaks it to him, I'm going to

847
00:37:59,120 --> 00:38:02,640
Speaker 1: spend the next two months traveling with my dad. Did

848
00:38:02,680 --> 00:38:04,680
Speaker 1: you think it all right? Or like, wow, you've turned

849
00:38:04,680 --> 00:38:07,240
Speaker 1: into Chet Hunter? You travel all summer with your family?

850
00:38:08,640 --> 00:38:08,879
Speaker 2: Wait?

851
00:38:09,320 --> 00:38:09,799
Speaker 1: In real life?

852
00:38:09,840 --> 00:38:10,680
Speaker 2: I mean in real life?

853
00:38:10,719 --> 00:38:12,000
Speaker 4: In real life, yes.

854
00:38:11,880 --> 00:38:15,040
Speaker 1: You jet, Yeah, you just but like you don't abandon

855
00:38:15,040 --> 00:38:16,560
Speaker 1: your family. You just take him with you. You travel

856
00:38:16,600 --> 00:38:18,240
Speaker 1: travel for every summer with him.

857
00:38:18,400 --> 00:38:18,640
Speaker 4: Yeah.

858
00:38:18,880 --> 00:38:20,759
Speaker 1: Did you think of it in the moment, he said,

859
00:38:20,840 --> 00:38:21,160
Speaker 1: I did?

860
00:38:21,400 --> 00:38:24,279
Speaker 4: I was like, well, yeah, that's I remember when you

861
00:38:24,520 --> 00:38:26,759
Speaker 4: first pulled up your house in Minneapolis too. You got

862
00:38:26,760 --> 00:38:27,840
Speaker 4: out and you were like, where.

863
00:38:27,680 --> 00:38:28,400
Speaker 2: Are we having dinner?

864
00:38:30,880 --> 00:38:31,080
Speaker 4: Oh?

865
00:38:31,120 --> 00:38:38,600
Speaker 1: Wow, it's it's full morph So he asks Sean, I

866
00:38:38,600 --> 00:38:40,440
Speaker 1: thought you were staying home this summer, and Sean tells

867
00:38:40,480 --> 00:38:42,279
Speaker 1: him I am. That's the beauty of a mobile home.

868
00:38:42,360 --> 00:38:43,600
Speaker 1: Wherever you go, you're home.

869
00:38:43,840 --> 00:38:48,040
Speaker 2: But now my mom took the mobile home, so we

870
00:38:48,080 --> 00:38:50,960
Speaker 2: don't have a trailer, right.

871
00:38:51,640 --> 00:38:52,200
Speaker 3: Didn't we move?

872
00:38:52,239 --> 00:38:54,799
Speaker 2: Where did we move into when Chet decided to take

873
00:38:54,800 --> 00:38:55,239
Speaker 2: me out of turn?

874
00:38:55,560 --> 00:38:58,640
Speaker 4: I think you moved into Uncle Mike's trailer because Mike

875
00:38:58,760 --> 00:38:59,040
Speaker 4: was gone.

876
00:38:59,360 --> 00:39:01,440
Speaker 2: Oh, that's right, he got busted or something. So now

877
00:39:01,440 --> 00:39:02,560
Speaker 2: we're taking do you.

878
00:39:02,480 --> 00:39:04,000
Speaker 1: Say Uncle Mike's trailer was gone.

879
00:39:04,840 --> 00:39:07,400
Speaker 2: That's right because it last. Yeah, so I guess we

880
00:39:07,520 --> 00:39:08,880
Speaker 2: just got a new trailer.

881
00:39:09,000 --> 00:39:09,360
Speaker 4: With the.

882
00:39:11,000 --> 00:39:11,680
Speaker 1: Waiters.

883
00:39:11,920 --> 00:39:14,280
Speaker 4: Yeah, he got times by a new house.

884
00:39:15,360 --> 00:39:17,359
Speaker 1: That's what he did. And now we're driving around them

885
00:39:17,719 --> 00:39:19,880
Speaker 1: and you're going around for two months because he can.

886
00:39:20,360 --> 00:39:22,880
Speaker 1: Sean asks if Corey is okay, and Corey tries convincing

887
00:39:22,920 --> 00:39:24,560
Speaker 1: him he's fine. He tells him I can do without

888
00:39:24,560 --> 00:39:26,360
Speaker 1: my best friend and my girlfriend for a couple of months.

889
00:39:26,400 --> 00:39:26,600
Speaker 3: Right.

890
00:39:26,840 --> 00:39:28,759
Speaker 1: He sits on a bench next to an older lady

891
00:39:28,800 --> 00:39:30,799
Speaker 1: who's feeding real pigeons.

892
00:39:30,800 --> 00:39:32,920
Speaker 4: We had real pigeons, I said the same thing. I'm like,

893
00:39:32,920 --> 00:39:34,800
Speaker 4: we had birds on the set. When it just happens.

894
00:39:34,840 --> 00:39:38,400
Speaker 1: What is the sesame street? And next to a sandbox

895
00:39:38,440 --> 00:39:39,840
Speaker 1: with real kids?

896
00:39:40,800 --> 00:39:42,440
Speaker 4: And the swing going back just made me want to

897
00:39:42,480 --> 00:39:43,640
Speaker 4: swing the whole time. Is like, I let me go

898
00:39:43,680 --> 00:39:44,080
Speaker 4: on to swing.

899
00:39:44,239 --> 00:39:45,080
Speaker 1: Have you done it in a while?

900
00:39:45,160 --> 00:39:47,719
Speaker 4: It makes remember you to New York. We wanted to

901
00:39:47,760 --> 00:39:48,440
Speaker 4: go out. Yeah, I know.

902
00:39:48,480 --> 00:39:51,960
Speaker 1: You get you get a little in your crystals in

903
00:39:51,960 --> 00:39:52,359
Speaker 1: your ear.

904
00:39:52,800 --> 00:39:55,560
Speaker 4: Yeah, okay, there's fluid that has crystals in your ear,

905
00:39:55,600 --> 00:39:58,040
Speaker 4: and when you're young, it's more fluid, and the older

906
00:39:58,040 --> 00:39:59,879
Speaker 4: you get it starts to congeal, which is why things

907
00:39:59,880 --> 00:40:02,280
Speaker 4: like roller coasters and stuff like that make you more nauseous.

908
00:40:02,400 --> 00:40:04,600
Speaker 2: And you can also like have like extreme vertigo, Like

909
00:40:04,640 --> 00:40:07,359
Speaker 2: I completely lost it one night out of nowhere, could

910
00:40:07,440 --> 00:40:09,719
Speaker 2: not walk. I had such bad vertigo and I laid

911
00:40:09,719 --> 00:40:11,399
Speaker 2: down on the couch. And apparently the way to fix

912
00:40:11,440 --> 00:40:13,799
Speaker 2: it is you have to have one like kick you up. No,

913
00:40:13,880 --> 00:40:16,359
Speaker 2: they have to like like grab you by your arms

914
00:40:16,360 --> 00:40:18,600
Speaker 2: and and the whole idea is to like knock the

915
00:40:18,600 --> 00:40:21,480
Speaker 2: crystals in your ear back into the place like bazy.

916
00:40:21,600 --> 00:40:21,719
Speaker 3: Right.

917
00:40:21,800 --> 00:40:24,279
Speaker 1: Yeah, I'm so glad. I'm so glad I'm young and

918
00:40:24,360 --> 00:40:26,520
Speaker 1: they don't have any of this stuff. I'm so glad.

919
00:40:26,560 --> 00:40:31,319
Speaker 1: I'm always funny. Uh. And so he sits on next

920
00:40:31,320 --> 00:40:33,440
Speaker 1: to a sandbox with real kids and he asks, Sean,

921
00:40:33,480 --> 00:40:35,520
Speaker 1: it's not like I can't make new friends, right. The

922
00:40:35,560 --> 00:40:37,919
Speaker 1: pigeon lady then shoves a piece of bread into his mouth.

923
00:40:37,960 --> 00:40:39,600
Speaker 1: I thought this was a very funny bit. Did you

924
00:40:39,640 --> 00:40:40,000
Speaker 1: not see it?

925
00:40:40,080 --> 00:40:40,200
Speaker 4: Right?

926
00:40:40,800 --> 00:40:41,040
Speaker 2: Yeah?

927
00:40:41,200 --> 00:40:41,680
Speaker 4: That was okay.

928
00:40:42,120 --> 00:40:44,040
Speaker 1: You weren't watching, or you didn't see it, or I

929
00:40:44,600 --> 00:40:45,040
Speaker 1: saw it.

930
00:40:45,080 --> 00:40:46,480
Speaker 2: I just didn't think it was that good of a bit.

931
00:40:46,600 --> 00:40:47,800
Speaker 1: I thought it was cute.

932
00:40:47,880 --> 00:40:51,680
Speaker 4: I was like, Corey, Tony.

933
00:40:50,680 --> 00:40:52,879
Speaker 1: He's a bird, he's a bird lady, and he got

934
00:40:53,120 --> 00:40:55,960
Speaker 1: that's that's my favorite Corey. This Corey Corey where he

935
00:40:56,120 --> 00:41:01,080
Speaker 1: is trying to convince everyone okay and he's become a

936
00:41:01,080 --> 00:41:03,160
Speaker 1: bird lady in one second and somebody's putting bird and

937
00:41:03,200 --> 00:41:05,400
Speaker 1: food food in his mouth like that. I like that.

938
00:41:05,400 --> 00:41:08,840
Speaker 1: That's that's what I wanted to see more of. Was Tvin.

939
00:41:08,960 --> 00:41:12,399
Speaker 1: He was okay, feed the birds, feed the birds, feed

940
00:41:12,400 --> 00:41:12,640
Speaker 1: the bird.

941
00:41:12,719 --> 00:41:14,319
Speaker 4: Yes, this was a Jeff Jeff Sherman moment.

942
00:41:14,440 --> 00:41:15,359
Speaker 2: Do you want to explain that?

943
00:41:16,000 --> 00:41:18,400
Speaker 4: Well, his parents, his father and uncle, were the Sherman

944
00:41:18,440 --> 00:41:20,760
Speaker 4: brothers who wrote all the music for Mary Poppins and everything,

945
00:41:20,800 --> 00:41:22,440
Speaker 4: so they wrote. His dad wrote feed the Birds. It

946
00:41:22,480 --> 00:41:25,759
Speaker 4: was like his baby that song. So I'm guessing that

947
00:41:25,840 --> 00:41:27,760
Speaker 4: had something to do with the feeding the birds.

948
00:41:27,880 --> 00:41:29,200
Speaker 1: That sounds good.

949
00:41:29,360 --> 00:41:31,720
Speaker 2: Do you think they tied? Did you think these pigeons

950
00:41:31,760 --> 00:41:32,520
Speaker 2: had clipped wings?

951
00:41:33,760 --> 00:41:37,359
Speaker 1: Yes? No, no, you had to right, Yeah, they're not there.

952
00:41:37,480 --> 00:41:39,319
Speaker 1: They were not going to deal with pigeons that were

953
00:41:39,320 --> 00:41:42,480
Speaker 1: now trapped in our seventy five foot rafters.

954
00:41:42,680 --> 00:41:44,759
Speaker 4: Yeah, that's true too. Yeah, I could have gotten him

955
00:41:44,760 --> 00:41:46,239
Speaker 4: down with grapes and then caught the grapes.

956
00:41:46,280 --> 00:41:47,600
Speaker 1: In my mind, that's true. You could have caught a

957
00:41:47,600 --> 00:41:49,879
Speaker 1: pigeon mouth. Throw a pigeon up, catch it in your mouth.

958
00:41:49,920 --> 00:41:52,160
Speaker 4: I'm right down there. I could do it the first time.

959
00:41:52,200 --> 00:41:53,600
Speaker 4: I couldn't repeat it, but I could do it the

960
00:41:53,600 --> 00:41:54,000
Speaker 4: first time.

961
00:41:54,320 --> 00:41:56,799
Speaker 1: I I just thought that I was really happy that, like,

962
00:41:56,840 --> 00:41:58,880
Speaker 1: I was only in a handful of episodes this season,

963
00:41:58,920 --> 00:42:00,360
Speaker 1: and then they had left over money at the end

964
00:42:00,360 --> 00:42:01,680
Speaker 1: of it, and they were like, let's build a new set.

965
00:42:01,719 --> 00:42:03,759
Speaker 1: Let's get real pigeons, Let's get real children, and a

966
00:42:03,760 --> 00:42:04,680
Speaker 1: pigeon lady and.

967
00:42:04,640 --> 00:42:07,000
Speaker 4: A pigeon lady, and let's go there.

968
00:42:07,400 --> 00:42:09,960
Speaker 1: So then we're in the Matthew's kitchen. Corey announces to

969
00:42:10,000 --> 00:42:12,320
Speaker 1: his family, I've decided I'm spending my summer in Atlanta

970
00:42:12,360 --> 00:42:16,400
Speaker 1: selling international flags at the Olympic Village. Alan tells them, no,

971
00:42:16,480 --> 00:42:20,360
Speaker 1: you're not, and Corey responds, well, then this summer blows.

972
00:42:20,600 --> 00:42:22,880
Speaker 2: So this is the ninety six Olympics and this is Atlanta.

973
00:42:23,000 --> 00:42:25,920
Speaker 1: Interesting, Can I have to Can you guys go with

974
00:42:25,960 --> 00:42:27,319
Speaker 1: me for a little bit of a wild ride here?

975
00:42:27,560 --> 00:42:27,799
Speaker 2: Sure?

976
00:42:27,920 --> 00:42:32,719
Speaker 1: Okay, of course, it is worth noting, much like The

977
00:42:32,760 --> 00:42:36,120
Speaker 1: Simpsons tells the future all the time, this is quite

978
00:42:36,200 --> 00:42:38,880
Speaker 1: a joke for Boy Meets World. It was that summer

979
00:42:39,040 --> 00:42:42,080
Speaker 1: in nineteen ninety six that the Olympics would eventually take

980
00:42:42,120 --> 00:42:45,520
Speaker 1: place in Atlanta and in the Centennial Olympic Park, where

981
00:42:45,520 --> 00:42:49,200
Speaker 1: there would be a bombing that killed one person and

982
00:42:49,360 --> 00:42:52,440
Speaker 1: injured one hundred and one hundred and eleven people. And

983
00:42:52,920 --> 00:43:00,080
Speaker 1: I'm reminding you, Corey says, this summer blows. What the

984
00:42:59,880 --> 00:43:00,840
Speaker 1: heck hold on?

985
00:43:01,080 --> 00:43:03,200
Speaker 2: This an eleven brother, He's an eleven brother.

986
00:43:03,920 --> 00:43:06,880
Speaker 1: This whole event was recently immortalized in the movie Jewel,

987
00:43:07,160 --> 00:43:10,279
Speaker 1: about security guard Richard Jewel, who was falsely accused of

988
00:43:10,320 --> 00:43:12,760
Speaker 1: planting the bomb. Here's where it gets a little weirder.

989
00:43:13,239 --> 00:43:17,200
Speaker 1: This past weekend, Jensen and I ran into the actor

990
00:43:17,320 --> 00:43:21,880
Speaker 1: who played Richard Jewel and there are kids played together.

991
00:43:22,120 --> 00:43:25,000
Speaker 1: Is this not insane that it all happened within days?

992
00:43:25,719 --> 00:43:26,520
Speaker 2: Nope, not insane.

993
00:43:26,640 --> 00:43:26,759
Speaker 4: Home.

994
00:43:26,920 --> 00:43:30,080
Speaker 1: So we just had a live show in Atlanta International

995
00:43:30,120 --> 00:43:34,800
Speaker 1: Event and I look good in Jewel to you cannot

996
00:43:34,840 --> 00:43:36,000
Speaker 1: tell me these things.

997
00:43:36,000 --> 00:43:40,480
Speaker 2: You were wearing jewels in your life, and you like jewels.

998
00:43:40,640 --> 00:43:41,239
Speaker 1: I like them.

999
00:43:41,320 --> 00:43:41,799
Speaker 4: I like them.

1000
00:43:41,880 --> 00:43:45,120
Speaker 2: Singer Jewel. You like listening to Jewels music is great?

1001
00:43:45,520 --> 00:43:48,040
Speaker 2: I yes, this is all coming together.

1002
00:43:48,640 --> 00:43:51,040
Speaker 4: It were coming around Christmas time, and the man who

1003
00:43:51,160 --> 00:43:53,719
Speaker 4: actually did the bombing's name was Eric Robert.

1004
00:43:53,440 --> 00:43:56,839
Speaker 2: Rudolph Rudolph, Rudolph Rudolph.

1005
00:43:56,880 --> 00:43:57,960
Speaker 1: Got you guys.

1006
00:43:58,239 --> 00:43:59,120
Speaker 2: It is so nice.

1007
00:43:59,120 --> 00:44:01,600
Speaker 1: I so glad we're all on the same page. I'm

1008
00:44:01,640 --> 00:44:04,279
Speaker 1: really thank you. I thought I was crazy. I'm so

1009
00:44:04,320 --> 00:44:06,839
Speaker 1: glad you guys agree with me. Amy chimes in, This

1010
00:44:06,840 --> 00:44:09,040
Speaker 1: summer's barely started. Just in case you need to be

1011
00:44:09,120 --> 00:44:12,239
Speaker 1: reminded that Corey predicted the future. Then Corey interrupts her

1012
00:44:12,280 --> 00:44:14,280
Speaker 1: and I already got no Topanga, I got no, Sean,

1013
00:44:14,320 --> 00:44:17,000
Speaker 1: I got nothing. Alan reminds him, your brother's here for

1014
00:44:17,040 --> 00:44:19,920
Speaker 1: another week. He's about to tell everyone about his upcoming trip,

1015
00:44:20,120 --> 00:44:21,640
Speaker 1: and this is where I went, Oh, so he really

1016
00:44:21,719 --> 00:44:27,880
Speaker 1: is driving for two months alone. Corey scoffs, I'm not

1017
00:44:27,920 --> 00:44:29,600
Speaker 1: really interested in Eric's trip.

1018
00:44:30,800 --> 00:44:34,920
Speaker 4: Sure, Dick, No, he's he's he's what is it transference,

1019
00:44:35,000 --> 00:44:36,800
Speaker 4: he's you know, he's angry.

1020
00:44:37,600 --> 00:44:39,239
Speaker 2: No, but I want to see it come from I

1021
00:44:39,360 --> 00:44:39,640
Speaker 2: do too.

1022
00:44:39,880 --> 00:44:42,000
Speaker 4: I want him to earn it and not have been

1023
00:44:42,040 --> 00:44:43,920
Speaker 4: angry the entire react to something I.

1024
00:44:44,320 --> 00:44:47,480
Speaker 1: Know Eric has then angry. Oh, you're right, core We'll

1025
00:44:47,520 --> 00:44:49,960
Speaker 1: put my entire cross country trip on hold so you

1026
00:44:49,960 --> 00:44:52,799
Speaker 1: can tell us how great the park is. How is

1027
00:44:52,800 --> 00:44:56,640
Speaker 1: that monkey bar restoration coming? Where does that come from?

1028
00:44:57,040 --> 00:44:57,839
Speaker 1: What does that mean?

1029
00:44:58,520 --> 00:45:00,680
Speaker 4: It should have been? If they are gonna go with

1030
00:45:01,200 --> 00:45:03,759
Speaker 4: Corey being angry all the time, it should have then

1031
00:45:03,920 --> 00:45:07,479
Speaker 4: just been Eric being confused about why he was angry. Yeah,

1032
00:45:07,800 --> 00:45:10,280
Speaker 4: meeting his anger with more anger exactly.

1033
00:45:10,600 --> 00:45:13,120
Speaker 2: Well, you say a lot of reasonable things. Between this

1034
00:45:13,200 --> 00:45:15,520
Speaker 2: and then a bedroom scene, I kept being like, yeah,

1035
00:45:15,719 --> 00:45:19,360
Speaker 2: Eric's awesome. Eric has been so nice and so great,

1036
00:45:19,840 --> 00:45:22,400
Speaker 2: and like, what the hell now?

1037
00:45:22,440 --> 00:45:22,880
Speaker 4: I get it?

1038
00:45:23,000 --> 00:45:26,239
Speaker 1: Yeah, And by the way, I do think looking back

1039
00:45:26,280 --> 00:45:29,000
Speaker 1: over all the episodes, especially of this season, there have

1040
00:45:29,040 --> 00:45:32,480
Speaker 1: been a lot of times Eric has been not the nicest,

1041
00:45:32,719 --> 00:45:35,080
Speaker 1: a bit of a jerk to his brother. I have

1042
00:45:35,320 --> 00:45:40,240
Speaker 1: no problem with the idea that Corey is suddenly feeling right.

1043
00:45:41,280 --> 00:45:43,480
Speaker 2: It just he needs to react to something concrete. He

1044
00:45:43,560 --> 00:45:46,640
Speaker 2: can't point to anything and say Eric, besides the fact

1045
00:45:46,680 --> 00:45:50,360
Speaker 2: that Eric's leaving right, Eric is not doing anything anti

1046
00:45:50,480 --> 00:45:53,120
Speaker 2: Corey like, and it should be Corey should be able

1047
00:45:53,160 --> 00:45:55,680
Speaker 2: to point to an actual story event, like we had

1048
00:45:55,680 --> 00:45:57,120
Speaker 2: a plan and you bailed on me.

1049
00:45:57,320 --> 00:45:58,120
Speaker 1: Yeah yeah, if that.

1050
00:45:58,080 --> 00:45:59,920
Speaker 2: Had been the beginning of the episode, or even to

1051
00:46:00,040 --> 00:46:02,080
Speaker 2: Benga and him had a plan and she bailed on him.

1052
00:46:02,200 --> 00:46:04,279
Speaker 2: But like, none of it. It's just all talk. It's

1053
00:46:04,320 --> 00:46:06,360
Speaker 2: just all my summer was going to be this, and

1054
00:46:06,400 --> 00:46:08,839
Speaker 2: it's like okay, well that's all abstract and so it's

1055
00:46:08,840 --> 00:46:10,239
Speaker 2: hard to connect to if it had been a real

1056
00:46:10,280 --> 00:46:12,560
Speaker 2: story point, like Corey had a plan for the summer,

1057
00:46:12,560 --> 00:46:14,080
Speaker 2: he was going to do this with Sean, then this

1058
00:46:14,160 --> 00:46:15,719
Speaker 2: with the Panga and this with Eric and then it

1059
00:46:15,719 --> 00:46:18,239
Speaker 2: all fell through. But instead it's just we get to

1060
00:46:18,280 --> 00:46:20,560
Speaker 2: spend all the time, No we don't. Well now I'm pissed.

1061
00:46:20,600 --> 00:46:22,000
Speaker 4: And it's like the other thing that they could have

1062
00:46:22,000 --> 00:46:24,399
Speaker 4: done is he just he's faking it the entire time

1063
00:46:24,480 --> 00:46:27,400
Speaker 4: until one small thing like the baseball yeah.

1064
00:46:27,440 --> 00:46:29,919
Speaker 2: Yeah, or just seeing the rooms. Just seeing the room

1065
00:46:29,920 --> 00:46:32,960
Speaker 2: could have been emotional, right like yeah, which also emotional.

1066
00:46:33,160 --> 00:46:35,520
Speaker 4: Who packs their whole bedroom to go to college, But

1067
00:46:35,520 --> 00:46:38,880
Speaker 4: we'll get into that. Nobody does that. You bring some clothes,

1068
00:46:38,920 --> 00:46:40,759
Speaker 4: you bring some you don't bring the stuff on your

1069
00:46:40,800 --> 00:46:44,560
Speaker 4: walls and stuff like that. You don't pack your hold.

1070
00:46:45,040 --> 00:46:47,839
Speaker 2: Everybody keeps their bedroom until they're forty seven years old.

1071
00:46:48,440 --> 00:46:54,360
Speaker 5: Not everyone's ridiculous.

1072
00:46:54,360 --> 00:46:54,720
Speaker 2: Tried.

1073
00:46:55,360 --> 00:46:57,719
Speaker 4: I've tried a hundred times. They will not let my

1074
00:46:57,800 --> 00:47:00,439
Speaker 4: father will not let me make people pack up their rooms,

1075
00:47:01,239 --> 00:47:02,080
Speaker 4: especial college.

1076
00:47:02,200 --> 00:47:06,799
Speaker 2: Yes, oh my god, look all not everybody yet. Not

1077
00:47:06,880 --> 00:47:09,640
Speaker 2: everybody has like an extra room that their parents can

1078
00:47:09,719 --> 00:47:11,200
Speaker 2: just keep open. I don't know, man, Like.

1079
00:47:11,400 --> 00:47:14,839
Speaker 4: Yeah, most people don't they go, especially because you're still

1080
00:47:14,880 --> 00:47:18,200
Speaker 4: nineteen or twenty. You go to college, you decorate your

1081
00:47:18,239 --> 00:47:20,120
Speaker 4: room how you want it, and you're still coming home

1082
00:47:20,160 --> 00:47:22,280
Speaker 4: to your house most of the time. You're not moving

1083
00:47:22,320 --> 00:47:24,680
Speaker 4: your entire bedroom to your college dorm.

1084
00:47:25,080 --> 00:47:26,280
Speaker 2: That's just you don't.

1085
00:47:26,320 --> 00:47:28,200
Speaker 4: You come back and you've got your little stuff and

1086
00:47:28,200 --> 00:47:30,640
Speaker 4: occasionally take a trinket here or there. Eric is like

1087
00:47:31,080 --> 00:47:34,240
Speaker 4: boxes of trophies from when he was like I'm bringing

1088
00:47:34,280 --> 00:47:36,520
Speaker 4: my Little League trophies with me to college. I know.

1089
00:47:36,560 --> 00:47:38,759
Speaker 1: You you go to college, you do kind of want

1090
00:47:38,800 --> 00:47:41,399
Speaker 1: like a new start, like my grown up room.

1091
00:47:41,480 --> 00:47:44,279
Speaker 2: This is your room. Yeah, it's yeah, you got to

1092
00:47:44,320 --> 00:47:47,560
Speaker 2: get that pulp fiction poster. Yea yeah, there's always like

1093
00:47:47,600 --> 00:47:54,040
Speaker 2: the same Force Marley poster. It's it's like every college

1094
00:47:54,040 --> 00:47:56,880
Speaker 2: dorm in the nineties, that's where the big spot.

1095
00:47:57,440 --> 00:48:01,160
Speaker 1: Uh, train spotting was a big one. Yeah, y, Corey says, defensively,

1096
00:48:01,200 --> 00:48:03,279
Speaker 1: it's a jungle gym. Why don't you tell us how

1097
00:48:03,280 --> 00:48:05,120
Speaker 1: you're gonna see the Grand Canyon in four and a

1098
00:48:05,160 --> 00:48:09,880
Speaker 1: half minutes? By donkey and I love the way, he says, Bye, donkey, donkey, Dunky,

1099
00:48:10,080 --> 00:48:14,520
Speaker 1: Bye donkey donkey. Amy tells the boys to stop sniping.

1100
00:48:14,680 --> 00:48:17,040
Speaker 1: Eric says it'll stop for good when I leave next week.

1101
00:48:17,200 --> 00:48:21,279
Speaker 1: Corey laughs, there's Eric always leaving. Why should I be surprised? Hey,

1102
00:48:21,280 --> 00:48:23,920
Speaker 1: core want to shoot some oops? Oh wait, here comes Janis?

1103
00:48:24,080 --> 00:48:25,839
Speaker 1: Or Hey Core want to ride to school? Oh wait,

1104
00:48:25,920 --> 00:48:29,000
Speaker 1: my friends want rides. Eric responds while leaving, I'd like

1105
00:48:29,040 --> 00:48:30,879
Speaker 1: to stay and take some more abuse, but oops, I've

1106
00:48:30,920 --> 00:48:32,879
Speaker 1: got more packing to do, and we hear the live

1107
00:48:32,920 --> 00:48:34,520
Speaker 1: audience wins they kind of do it?

1108
00:48:36,120 --> 00:48:37,480
Speaker 4: Yeah yeah.

1109
00:48:37,640 --> 00:48:40,000
Speaker 1: Morgan tells Corey, I'll be your friend this summer. Corey

1110
00:48:40,040 --> 00:48:42,840
Speaker 1: grabs her hand and thanks her. Then Morgan realizes, Oops,

1111
00:48:42,920 --> 00:48:45,480
Speaker 1: I forgot I have day camp. Amy pats Corey on

1112
00:48:45,520 --> 00:48:48,080
Speaker 1: the shoulder and asks what he's really upset about. Corey admits,

1113
00:48:48,080 --> 00:48:49,839
Speaker 1: I'm upset that the pang is going to camp. How

1114
00:48:49,840 --> 00:48:52,759
Speaker 1: could she do that? Amy reminds him she's fifteen years old.

1115
00:48:52,800 --> 00:48:54,840
Speaker 1: She has a right to go to camp. Corey responds,

1116
00:48:54,880 --> 00:48:56,640
Speaker 1: you guys never sent me to camp. Alan and Amy

1117
00:48:56,640 --> 00:48:58,400
Speaker 1: reveal we tried to send you to camp when you

1118
00:48:58,400 --> 00:48:59,960
Speaker 1: were eight, but we had to take you home every day.

1119
00:49:00,080 --> 00:49:02,120
Speaker 1: You sent us letters telling us they were conducting medical

1120
00:49:02,160 --> 00:49:06,360
Speaker 1: experiments on you. Corey says they were they were.

1121
00:49:07,200 --> 00:49:09,879
Speaker 4: I love how he starts. How Alan starts, so are

1122
00:49:09,920 --> 00:49:14,359
Speaker 4: you and yeah? Great?

1123
00:49:14,400 --> 00:49:17,520
Speaker 1: Corey met Amy assures him this is going to be

1124
00:49:17,600 --> 00:49:21,040
Speaker 1: a great summer. Corey asks you really believe that? She nods, yeah,

1125
00:49:21,160 --> 00:49:24,560
Speaker 1: I do. And then we're in Eric and Corey's room,

1126
00:49:24,800 --> 00:49:26,920
Speaker 1: a rare appearance in season three.

1127
00:49:26,960 --> 00:49:29,560
Speaker 2: I know, and probably maybe the last time we ever seek.

1128
00:49:30,680 --> 00:49:34,279
Speaker 2: I was, Oh, you're right, Celary's in there. Okay, yeah,

1129
00:49:34,320 --> 00:49:37,560
Speaker 2: but so so because Eric doesn't move out, you just

1130
00:49:37,600 --> 00:49:39,280
Speaker 2: come back to this room next season.

1131
00:49:39,120 --> 00:49:41,200
Speaker 1: I think, so, I think this room's here. The whole

1132
00:49:41,200 --> 00:49:42,160
Speaker 1: time I started to get sad.

1133
00:49:42,200 --> 00:49:43,560
Speaker 2: I was like, maybe this is the last time we

1134
00:49:43,600 --> 00:49:44,000
Speaker 2: see it.

1135
00:49:44,200 --> 00:49:47,839
Speaker 4: No, it's the last time we see Alex, but it's

1136
00:49:47,840 --> 00:49:49,080
Speaker 4: not the last time the bedroom.

1137
00:49:49,160 --> 00:49:51,640
Speaker 2: Okay, but so what how does that last scene resolve?

1138
00:49:51,680 --> 00:49:55,399
Speaker 2: I don't understand, like, is Corey feeling better about Eric,

1139
00:49:55,400 --> 00:49:56,800
Speaker 2: because then he walks into this scene and we just

1140
00:49:56,840 --> 00:49:58,600
Speaker 2: repeat the fight from the previous scene, like.

1141
00:49:58,600 --> 00:50:00,800
Speaker 1: Well, no, he comes in ready to make amends. Corey

1142
00:50:00,840 --> 00:50:03,080
Speaker 1: comes in and actually he tries to fix things. So

1143
00:50:03,200 --> 00:50:05,440
Speaker 1: Eric's packing when Corey walks in and tries to lessen

1144
00:50:05,480 --> 00:50:08,120
Speaker 1: the tension by saying, I know this week hasn't been

1145
00:50:08,160 --> 00:50:10,520
Speaker 1: the easiest for any of us, but uh, and then

1146
00:50:10,560 --> 00:50:12,799
Speaker 1: he gets distracted by the state of the room. Look

1147
00:50:12,840 --> 00:50:16,000
Speaker 1: at this mess. Eric surveys the scene. Yep, many years

1148
00:50:16,000 --> 00:50:18,560
Speaker 1: to pack away. Corey responds, yeah, but look at my bed.

1149
00:50:18,880 --> 00:50:20,879
Speaker 1: The bed is made, but it's got a sock on it.

1150
00:50:21,320 --> 00:50:23,840
Speaker 1: Eric tells him that's actually how you left it this morning.

1151
00:50:23,920 --> 00:50:27,120
Speaker 1: But when Corey disagrees, Eric responds, fine, I'll move my sock.

1152
00:50:27,680 --> 00:50:30,239
Speaker 1: Eric fixes the mess. I know your summer's off to

1153
00:50:30,280 --> 00:50:32,560
Speaker 1: a rough start, Corey, but look at the good I'll

1154
00:50:32,560 --> 00:50:33,839
Speaker 1: be out of here in a week and you're gonna

1155
00:50:33,880 --> 00:50:36,439
Speaker 1: have the entire room to yourself. Corey shakes his head.

1156
00:50:36,480 --> 00:50:39,399
Speaker 1: I've always had this room to myself. Eric asks what's

1157
00:50:39,400 --> 00:50:41,400
Speaker 1: that supposed to mean? And Corey says, come on, the

1158
00:50:41,400 --> 00:50:43,040
Speaker 1: way you treat me, and you got to ask. You

1159
00:50:43,080 --> 00:50:45,399
Speaker 1: ignore me. You never actually did anything with me because

1160
00:50:45,440 --> 00:50:48,200
Speaker 1: you wanted to and Eric Eric says, what am I

1161
00:50:48,200 --> 00:50:50,440
Speaker 1: supposed to say to that? Corey? You're three years younger

1162
00:50:50,440 --> 00:50:52,560
Speaker 1: than me. I have my own friends. Corey asks, and

1163
00:50:52,640 --> 00:50:54,480
Speaker 1: where will your friends going to be next year? You'll

1164
00:50:54,520 --> 00:50:57,040
Speaker 1: all be at different colleges, but I'll still be your brother, Eric,

1165
00:50:57,920 --> 00:51:01,279
Speaker 1: Eric sarcastically responds, you're right, Corey, terrible brother, and he

1166
00:51:01,320 --> 00:51:03,960
Speaker 1: continues to pack his stuff away. Corey grabs a baseball

1167
00:51:03,960 --> 00:51:05,799
Speaker 1: from the pile. What are you doing with this? Eric

1168
00:51:05,800 --> 00:51:08,080
Speaker 1: says he's taking it to college. Corey says, that's my

1169
00:51:08,320 --> 00:51:11,600
Speaker 1: Mike Schmidt autographed baseball. Eric says he signed it for

1170
00:51:11,640 --> 00:51:13,600
Speaker 1: both of us, and Corey tries to grab the ball back.

1171
00:51:13,800 --> 00:51:16,160
Speaker 1: This starts a small little tug of war over the possession.

1172
00:51:16,360 --> 00:51:18,879
Speaker 1: When Eric comes out victorious, he says, you're absolutely right,

1173
00:51:18,920 --> 00:51:21,640
Speaker 1: this is your ball. You want it here? Catch, and

1174
00:51:21,680 --> 00:51:24,600
Speaker 1: then he throws the baseball out the open window.

1175
00:51:27,600 --> 00:51:28,239
Speaker 2: Windows open.

1176
00:51:28,480 --> 00:51:30,600
Speaker 4: But how close we are tois? I'm surprised we didn't

1177
00:51:30,600 --> 00:51:32,680
Speaker 4: hear a smash next door exactly.

1178
00:51:32,680 --> 00:51:33,600
Speaker 2: That would have been a good beat.

1179
00:51:33,719 --> 00:51:45,600
Speaker 1: It would have been funny. Corey lunges at him. I

1180
00:51:45,600 --> 00:51:48,120
Speaker 1: can't believe you just did that. Eric dodges the attack.

1181
00:51:48,200 --> 00:51:50,000
Speaker 1: Please don't do that because you're going to get hurt.

1182
00:51:50,080 --> 00:51:51,960
Speaker 1: And then they start shoving each other back and forth.

1183
00:51:52,160 --> 00:51:53,960
Speaker 1: Eric slams Corey onto the bed, pushing him so we

1184
00:51:53,960 --> 00:51:57,719
Speaker 1: can't get up. This is very real filling will How

1185
00:51:57,840 --> 00:51:58,000
Speaker 1: was it?

1186
00:51:58,040 --> 00:52:05,680
Speaker 4: But it's also exactly the same fight as exactly, Hey,

1187
00:52:05,800 --> 00:52:08,120
Speaker 4: don't you're gonna get hurt. It's all the same. I mean,

1188
00:52:08,200 --> 00:52:11,920
Speaker 4: like even the dialogue the same, the same. Yeah, and

1189
00:52:11,960 --> 00:52:14,280
Speaker 4: then it just ends with the weird wrestle tussle, which

1190
00:52:14,280 --> 00:52:17,080
Speaker 4: is a real brother fight. Brothers don't throw punches, mostly

1191
00:52:17,520 --> 00:52:21,360
Speaker 4: some do. But it was exactly the same as I

1192
00:52:21,440 --> 00:52:23,440
Speaker 4: was waiting for Tony and Alex come in and go.

1193
00:52:23,560 --> 00:52:25,560
Speaker 4: You guys realize you're fighting each other? Right, It was

1194
00:52:25,719 --> 00:52:30,279
Speaker 4: just it would have been great, But yeah, it was

1195
00:52:30,520 --> 00:52:33,960
Speaker 4: matchos matchews, matchews. You realize you fight each other?

1196
00:52:34,120 --> 00:52:35,719
Speaker 2: Yeah. I think they were a little hooked on that

1197
00:52:35,800 --> 00:52:38,240
Speaker 2: scene still, Yeah, and they.

1198
00:52:38,080 --> 00:52:41,560
Speaker 1: Wrote, well, what do you remember about wrestling Ben like that?

1199
00:52:41,560 --> 00:52:43,440
Speaker 1: Do you remember anything about the choreographing of it?

1200
00:52:43,520 --> 00:52:45,240
Speaker 4: Or I didn't even remember that we fought?

1201
00:52:45,440 --> 00:52:46,520
Speaker 1: Okay, there you go.

1202
00:52:46,800 --> 00:52:51,239
Speaker 4: Nothing, nothing whatsoever. So, yeah, I imagine we had we

1203
00:52:51,280 --> 00:52:52,600
Speaker 4: had fun. Ben always got into this.

1204
00:52:53,000 --> 00:52:55,120
Speaker 1: Just make something, just make it up. I don't remember.

1205
00:52:55,120 --> 00:52:55,680
Speaker 1: I didn't remember.

1206
00:52:57,280 --> 00:52:59,600
Speaker 4: I'm yeah, I've I've been working with Ben. Was always fun,

1207
00:52:59,680 --> 00:53:02,160
Speaker 4: especially with the physical stuff. So I'm sure we like,

1208
00:53:02,480 --> 00:53:04,040
Speaker 4: all right, here's what we're gonna do. We're gonna do

1209
00:53:04,040 --> 00:53:05,560
Speaker 4: this and we're gonna grab onto each other. I mean,

1210
00:53:05,560 --> 00:53:06,920
Speaker 4: I'm sure we had a good time, but I remember

1211
00:53:06,920 --> 00:53:07,720
Speaker 4: none of this whatsoever.

1212
00:53:08,120 --> 00:53:10,120
Speaker 1: Alan and Amy run into the room and immediately pull

1213
00:53:10,280 --> 00:53:12,480
Speaker 1: Eric off of Corey. Alan asks, what's the matter with

1214
00:53:12,520 --> 00:53:12,799
Speaker 1: you too?

1215
00:53:12,840 --> 00:53:14,480
Speaker 2: Amy always know that something's going on.

1216
00:53:14,600 --> 00:53:17,319
Speaker 1: I was waiting for you can hear the feet on

1217
00:53:17,400 --> 00:53:19,239
Speaker 1: the floor, yeah, or like you hear like.

1218
00:53:19,520 --> 00:53:22,279
Speaker 2: I mean hear you guys aren't being loud, like if

1219
00:53:22,320 --> 00:53:23,000
Speaker 2: you were screaming.

1220
00:53:23,120 --> 00:53:25,440
Speaker 1: They still have a monitor, like a baby monitor in

1221
00:53:25,520 --> 00:53:27,759
Speaker 1: the room. They anitor.

1222
00:53:28,360 --> 00:53:29,920
Speaker 2: Yeah, I don't know. I was kind of like again,

1223
00:53:30,080 --> 00:53:32,320
Speaker 2: like they had to break up the fight, right because

1224
00:53:33,040 --> 00:53:35,919
Speaker 2: it was a repeat beat of what happened in the hallway, right,

1225
00:53:36,320 --> 00:53:37,360
Speaker 2: and so it was like, oh, let'll just have the

1226
00:53:37,400 --> 00:53:39,440
Speaker 2: parents run in. But it doesn't actually make sense to me.

1227
00:53:40,000 --> 00:53:41,880
Speaker 1: No, you're right. There's really no way they would know.

1228
00:53:42,040 --> 00:53:45,480
Speaker 1: But Amy els, this is our last week altogether, and

1229
00:53:45,520 --> 00:53:48,440
Speaker 1: it's your last week sharing this room. Eric announces, I

1230
00:53:48,440 --> 00:53:49,879
Speaker 1: don't have to share it for another week. I don't

1231
00:53:49,880 --> 00:53:55,360
Speaker 1: really need this anymore. I'm out of here tomorrow. Commerciall

1232
00:53:55,480 --> 00:53:58,680
Speaker 1: break and then we're in the Matthew's living room. Eric

1233
00:53:58,719 --> 00:54:01,000
Speaker 1: storms downstairs as Amy and Alan or right behind him.

1234
00:54:01,040 --> 00:54:03,879
Speaker 1: Alan tells him he is not leaving tomorrow. Eric insists, yes,

1235
00:54:03,920 --> 00:54:06,640
Speaker 1: I am. Alan sternly explains, maybe you didn't hear me.

1236
00:54:06,840 --> 00:54:09,040
Speaker 1: You are not leaving tomorrow. You haven't gotten your letter

1237
00:54:09,080 --> 00:54:11,480
Speaker 1: of acceptance to college yet. Eric tells him, I'm on

1238
00:54:11,480 --> 00:54:13,760
Speaker 1: the waiting list. I'm not giving this trip up. Amy

1239
00:54:13,800 --> 00:54:15,919
Speaker 1: tries to calm him down. You're upset about your brother,

1240
00:54:15,960 --> 00:54:18,080
Speaker 1: and you are not thinking this through. Trying to get

1241
00:54:18,160 --> 00:54:20,000
Speaker 1: Eric to stay, she says, maybe when you're a parent

1242
00:54:20,000 --> 00:54:21,880
Speaker 1: and your first child is about to leave home, you

1243
00:54:21,920 --> 00:54:25,200
Speaker 1: will understand that every day, every minute, makes a difference.

1244
00:54:25,360 --> 00:54:27,799
Speaker 2: Okay, I have a random question that might be did

1245
00:54:27,840 --> 00:54:29,520
Speaker 2: the living room look different to you? Guys?

1246
00:54:30,800 --> 00:54:34,200
Speaker 4: No, no, not that I there's something you can you

1247
00:54:34,239 --> 00:54:34,880
Speaker 4: put your finger on.

1248
00:54:35,560 --> 00:54:38,120
Speaker 2: Busier, It felt like there were more stuff on the

1249
00:54:38,160 --> 00:54:40,200
Speaker 2: walls or in the background, I don't know, just look

1250
00:54:40,280 --> 00:54:42,319
Speaker 2: different to me. I was like suddenly aware of the

1251
00:54:42,360 --> 00:54:44,040
Speaker 2: living room in a way that first of all, we

1252
00:54:44,080 --> 00:54:46,040
Speaker 2: haven't seen the living room in a long time, but

1253
00:54:46,120 --> 00:54:48,799
Speaker 2: I was looking at it, going, something's different about the.

1254
00:54:49,160 --> 00:54:53,040
Speaker 1: Different or change the family picture because it was Lily

1255
00:54:53,160 --> 00:54:54,320
Speaker 1: and the family picture.

1256
00:54:54,719 --> 00:54:56,520
Speaker 2: Maybe I don't know, man, something I want to go

1257
00:54:56,560 --> 00:55:00,080
Speaker 2: back to the family photo. I don't know. I I

1258
00:55:00,080 --> 00:55:02,399
Speaker 2: felt like something was different this whole set every time

1259
00:55:02,400 --> 00:55:04,080
Speaker 2: we went we're in the set this episode, I was like,

1260
00:55:04,120 --> 00:55:06,480
Speaker 2: what's different? Why does this not feel right? It felt

1261
00:55:06,520 --> 00:55:09,040
Speaker 2: like a different color or something in the background. Maybe

1262
00:55:09,080 --> 00:55:11,359
Speaker 2: it's a giant plant. There was something that I was like,

1263
00:55:11,520 --> 00:55:13,560
Speaker 2: this doesn't feel the same to me. I don't know

1264
00:55:13,600 --> 00:55:16,160
Speaker 2: what it is. So if ore more, I gotta go

1265
00:55:16,200 --> 00:55:19,799
Speaker 2: back to yeah more. Astute viewers can our listeners can

1266
00:55:20,040 --> 00:55:22,000
Speaker 2: can let me know if they've noticed anything. It's something

1267
00:55:22,040 --> 00:55:23,600
Speaker 2: about the living and felt off to me.

1268
00:55:24,440 --> 00:55:24,840
Speaker 4: Interesting.

1269
00:55:25,040 --> 00:55:28,560
Speaker 1: Interesting. Eric asks, you don't think I'm freaked out about

1270
00:55:28,600 --> 00:55:30,960
Speaker 1: leaving going to college, being on my own, doing my

1271
00:55:31,000 --> 00:55:34,520
Speaker 1: own laundry. I'm having nightmares. White's easy, Dark's easy. What

1272
00:55:34,560 --> 00:55:36,040
Speaker 1: about my white shirt with black stripes?

1273
00:55:36,080 --> 00:55:36,480
Speaker 4: What then?

1274
00:55:36,680 --> 00:55:38,200
Speaker 2: I thought you were gonna slip into a Seinfeld A

1275
00:55:38,200 --> 00:55:41,600
Speaker 2: little bit more then and you're still my own laundry.

1276
00:55:41,680 --> 00:55:42,759
Speaker 2: I was like, wait, wait, and then.

1277
00:55:44,520 --> 00:55:47,000
Speaker 4: That That line and then one other line later are

1278
00:55:47,040 --> 00:55:48,960
Speaker 4: the only things I remember about this entire episode. But

1279
00:55:49,000 --> 00:55:51,200
Speaker 4: I distinctly remember that, what about the white shirt with

1280
00:55:51,200 --> 00:55:52,799
Speaker 4: the black stripes? With things? I think I said that

1281
00:55:52,800 --> 00:55:55,320
Speaker 4: for years after I was started to do my own laundry,

1282
00:55:55,360 --> 00:55:56,920
Speaker 4: I feel like a white shirts, like what do I do?

1283
00:55:57,000 --> 00:55:57,839
Speaker 1: What do I do with this?

1284
00:55:57,920 --> 00:55:59,120
Speaker 4: What do I do? Yeah?

1285
00:55:59,280 --> 00:56:01,920
Speaker 1: Alan says this tough on everyone. Eric says that's why

1286
00:56:02,000 --> 00:56:04,200
Speaker 1: he's just taking off now. Amy reveals they have a

1287
00:56:04,239 --> 00:56:06,760
Speaker 1: goodbye dinner plan. Eric says if they move the dinner

1288
00:56:06,760 --> 00:56:09,480
Speaker 1: to tomorrow night, he'll stay one extra day. Alan says

1289
00:56:09,520 --> 00:56:11,600
Speaker 1: they'll think about it and tells Eric another little bit

1290
00:56:11,640 --> 00:56:13,920
Speaker 1: of advice. You take that extra day and try to

1291
00:56:13,920 --> 00:56:18,479
Speaker 1: figure out what is bothering your brother. And again, why

1292
00:56:18,560 --> 00:56:22,200
Speaker 1: is it Eric's responsibility to try and figure out what's

1293
00:56:22,280 --> 00:56:26,040
Speaker 1: going on with Corey? I felt like this. The overall

1294
00:56:26,120 --> 00:56:28,319
Speaker 1: note I have that bums me out about this is

1295
00:56:28,360 --> 00:56:31,920
Speaker 1: that Corey is making this whole thing about him, and

1296
00:56:32,000 --> 00:56:34,759
Speaker 1: he's not expressing himself. Well, he's acting angry, and then

1297
00:56:34,800 --> 00:56:37,439
Speaker 1: it's like on everyone else to figure it out.

1298
00:56:37,880 --> 00:56:40,759
Speaker 2: I know. There's a weird thing, Like, you know, there's

1299
00:56:40,760 --> 00:56:43,080
Speaker 2: a sort of a delusion that everybody has as a

1300
00:56:43,160 --> 00:56:45,120
Speaker 2: child and as a teenager, which is that you're the

1301
00:56:45,120 --> 00:56:47,560
Speaker 2: protagonist of your own story, right, that you're like the

1302
00:56:47,560 --> 00:56:51,000
Speaker 2: star of your own sort of TV show. Except in

1303
00:56:51,040 --> 00:56:53,800
Speaker 2: the world a Boy meets World, everybody else also acts

1304
00:56:53,840 --> 00:56:55,400
Speaker 2: like that, do you know what I mean? So Corey's

1305
00:56:55,400 --> 00:56:59,399
Speaker 2: suffering from that delusion, and yet the whole show also, right,

1306
00:57:00,040 --> 00:57:03,920
Speaker 2: it's yes, like Sean is always like, well, I'll just

1307
00:57:03,960 --> 00:57:05,760
Speaker 2: be your best friend no matter what, and t Penga's

1308
00:57:05,760 --> 00:57:07,440
Speaker 2: like I'll be your girl no matter what, and all

1309
00:57:07,480 --> 00:57:09,719
Speaker 2: the families like tiptoeing around Corey. It's like, but this

1310
00:57:09,880 --> 00:57:12,880
Speaker 2: is this is not great behavior, Like this is this

1311
00:57:12,960 --> 00:57:14,880
Speaker 2: is the precisely the kind of thing that as a

1312
00:57:14,880 --> 00:57:18,560
Speaker 2: teenager you learn to move away from to recognize. Eric

1313
00:57:18,640 --> 00:57:21,640
Speaker 2: also has feelings to Panga has her own life, Sean

1314
00:57:21,720 --> 00:57:24,480
Speaker 2: has it like and that is like I feel like

1315
00:57:24,520 --> 00:57:27,440
Speaker 2: that's ultimately where the episode kind of lands, right, like

1316
00:57:27,680 --> 00:57:30,520
Speaker 2: he is acting but in the meantime, everybody's sort of

1317
00:57:30,640 --> 00:57:33,960
Speaker 2: catering to this delusion in a way that doesn't feel great.

1318
00:57:34,040 --> 00:57:35,200
Speaker 2: I was kind of like, no, like.

1319
00:57:35,320 --> 00:57:37,720
Speaker 4: All fairness, he is the star of his own town.

1320
00:57:37,840 --> 00:57:44,520
Speaker 2: That's what I mean, right, you know, no exactly, it's

1321
00:57:44,600 --> 00:57:47,160
Speaker 2: it's it's a weird it's a weird way of thinking

1322
00:57:47,160 --> 00:57:49,320
Speaker 2: about it, but it's it's yeah.

1323
00:57:48,840 --> 00:57:51,360
Speaker 1: Because normally I would say like, this isn't I love

1324
00:57:51,400 --> 00:57:55,400
Speaker 1: the parenting on Boy Meets World almost every single episode,

1325
00:57:55,400 --> 00:57:57,160
Speaker 1: and in this one I wanted to be like, you know,

1326
00:57:57,960 --> 00:58:01,360
Speaker 1: this is the conversation. Maybe they need to with Corey

1327
00:58:02,440 --> 00:58:05,920
Speaker 1: about the idea that listen, there's something here and you

1328
00:58:06,000 --> 00:58:07,640
Speaker 1: need to get to the bottom of what you're feeling,

1329
00:58:07,720 --> 00:58:10,520
Speaker 1: and it's your responsibility to fix it with your brother

1330
00:58:10,680 --> 00:58:15,920
Speaker 1: before he goes very rightfully on his next journey for

1331
00:58:16,480 --> 00:58:18,360
Speaker 1: where he is. But instead they kind of put it

1332
00:58:18,440 --> 00:58:20,040
Speaker 1: on on Eric.

1333
00:58:20,160 --> 00:58:24,120
Speaker 2: For last episode. It's okay that you psychopathically stalked your

1334
00:58:24,440 --> 00:58:26,840
Speaker 2: girlfriend want to be all the way to Florida or

1335
00:58:27,040 --> 00:58:29,080
Speaker 2: like the end of the episode was like, well, at

1336
00:58:29,160 --> 00:58:31,520
Speaker 2: least you got her, you got her back, you got

1337
00:58:31,520 --> 00:58:35,160
Speaker 2: the girl, Cory, you did a good job. It's like, Nope, dude,

1338
00:58:35,200 --> 00:58:38,440
Speaker 2: like you are stalking a woman and like that's awful.

1339
00:58:38,560 --> 00:58:39,640
Speaker 2: That is awful behavior.

1340
00:58:39,640 --> 00:58:42,640
Speaker 4: You're also left without telling us, and yes, flew to

1341
00:58:42,760 --> 00:58:48,080
Speaker 4: Florida on a cargo plane. At She's yeah, problems.

1342
00:58:48,040 --> 00:58:50,080
Speaker 1: So Eric tells them, I've shared a room with him

1343
00:58:50,080 --> 00:58:52,480
Speaker 1: for fifteen years. I have no idea what's bothering him?

1344
00:58:52,520 --> 00:58:56,360
Speaker 1: And Alan responds, maybe that's your answer. So then we're

1345
00:58:56,400 --> 00:58:59,800
Speaker 1: at Chubby's, because where else would this goodbye party be?

1346
00:59:00,160 --> 00:59:03,680
Speaker 1: Of course it's at Chebys. Amy is holding graduate Eric's arm,

1347
00:59:03,720 --> 00:59:05,200
Speaker 1: saying she's so glad he stayed.

1348
00:59:05,600 --> 00:59:07,440
Speaker 2: All the regulars are invited.

1349
00:59:07,720 --> 00:59:11,080
Speaker 1: Yep, no one dinner party is really cool.

1350
00:59:11,400 --> 00:59:13,480
Speaker 2: There's no dinner, there's no real No.

1351
00:59:13,720 --> 00:59:16,480
Speaker 1: There was food, nobody had eaten it, nobody ate it.

1352
00:59:16,480 --> 00:59:19,080
Speaker 4: It was burgers, but yet all and the fries are

1353
00:59:19,080 --> 00:59:21,200
Speaker 4: just sitting out uncovered, and I'm.

1354
00:59:21,080 --> 00:59:24,000
Speaker 2: Talking to ketch Up so I'm king soda. But the

1355
00:59:24,000 --> 00:59:25,960
Speaker 2: first time it was weird.

1356
00:59:26,360 --> 00:59:28,800
Speaker 1: You've got a bad drinking class, Like it looks.

1357
00:59:28,640 --> 00:59:29,560
Speaker 2: Like I'm drinking a beer.

1358
00:59:29,600 --> 00:59:33,680
Speaker 4: It's like, yes, Sean doing you got very perfectly stacked burgers.

1359
00:59:33,920 --> 00:59:36,479
Speaker 1: Yeah, no one's touched the food, so we couldn't even

1360
00:59:36,640 --> 00:59:39,800
Speaker 1: we couldn't even pretend that the party had already happened,

1361
00:59:39,800 --> 00:59:41,800
Speaker 1: and these were just the people who hung around like

1362
00:59:41,840 --> 00:59:45,240
Speaker 1: family after we had no food has been eaten. None

1363
00:59:45,280 --> 00:59:48,560
Speaker 1: of Eric's friends are here, but Corey's girlfriend and Cory's

1364
00:59:48,640 --> 00:59:50,480
Speaker 1: best friend are here, which we.

1365
00:59:50,520 --> 00:59:52,840
Speaker 2: Have to give a line to. Even Corey's friends could

1366
00:59:52,840 --> 00:59:55,760
Speaker 2: come or whatever. Yes, it's like, but then what is

1367
00:59:55,800 --> 00:59:57,040
Speaker 2: been doing like that?

1368
00:59:57,080 --> 00:59:59,680
Speaker 1: I don't know that was holding onto us. I don't

1369
00:59:59,680 --> 01:00:02,600
Speaker 1: get it. The cameras, I know.

1370
01:00:02,560 --> 01:00:04,880
Speaker 2: But like this hasn't been quite set. I don't know.

1371
01:00:05,880 --> 01:00:08,400
Speaker 4: Yeah, this scene was gave me a little gave me

1372
01:00:08,400 --> 01:00:09,440
Speaker 4: a little adgitive watching this.

1373
01:00:09,880 --> 01:00:12,080
Speaker 1: I agree this whole thing was. This scene felt very

1374
01:00:12,120 --> 01:00:15,040
Speaker 1: uncomfortable to me. So Corey's got his arms around to

1375
01:00:15,080 --> 01:00:18,080
Speaker 1: Panga and Sean. They're swaying back and forth uncomfortably. Amy says,

1376
01:00:18,080 --> 01:00:20,040
Speaker 1: considering how he feels about Seawan and Tepanga leaving for

1377
01:00:20,080 --> 01:00:21,600
Speaker 1: the summer, we thought that this would be a good

1378
01:00:21,640 --> 01:00:24,160
Speaker 1: idea to invite them there. Sean tells Corey, take your

1379
01:00:24,240 --> 01:00:26,600
Speaker 1: arms off me, man, you're making me nervous. Corey continues

1380
01:00:26,600 --> 01:00:28,560
Speaker 1: swaying with Topanga until she also maneuvers out of the

1381
01:00:28,560 --> 01:00:30,440
Speaker 1: way of the odd moment, and then we see mister

1382
01:00:30,480 --> 01:00:34,840
Speaker 1: Feeney who initiated what do you say? Uh huh he says,

1383
01:00:34,840 --> 01:00:36,280
Speaker 1: am I also making you uncomfortable?

1384
01:00:36,440 --> 01:00:39,240
Speaker 4: Uh huh. Okay, it was weird. It was like run

1385
01:00:39,320 --> 01:00:40,880
Speaker 4: over or it's not a shorng joke.

1386
01:00:41,080 --> 01:00:43,520
Speaker 2: Yeah, I was waiting for like a good response that

1387
01:00:43,640 --> 01:00:45,880
Speaker 2: could have been a laugh, but instead it's like played.

1388
01:00:45,600 --> 01:00:48,360
Speaker 1: For just the discomfort, and it.

1389
01:00:48,480 --> 01:00:51,920
Speaker 4: Was the whole thing was very Strange's not funny, No, not.

1390
01:00:52,000 --> 01:00:55,200
Speaker 1: Funny, not great poene who initiates a toast saying he

1391
01:00:55,240 --> 01:00:57,800
Speaker 1: has something more to say. We also see Turner and

1392
01:00:57,800 --> 01:01:00,520
Speaker 1: mister Williams are there. They probably don't say single word.

1393
01:01:00,720 --> 01:01:03,840
Speaker 1: Morgan Brown's oh no, the Feenie has more to say.

1394
01:01:04,040 --> 01:01:06,280
Speaker 1: Alan tells her he's going to be your principal one day,

1395
01:01:06,520 --> 01:01:08,960
Speaker 1: but in reality that's not actually a problem for her

1396
01:01:09,000 --> 01:01:12,400
Speaker 1: because he followed us into college. Yeh, she's totally saying.

1397
01:01:12,240 --> 01:01:13,400
Speaker 4: She's fine, She's fine.

1398
01:01:13,440 --> 01:01:15,800
Speaker 1: And then Phoene gives a nice little speech about being

1399
01:01:15,920 --> 01:01:18,280
Speaker 1: proud of Eric and ads. I brought a little gift.

1400
01:01:18,320 --> 01:01:19,840
Speaker 1: I took the liberty to pull this and have it

1401
01:01:19,880 --> 01:01:25,040
Speaker 1: framed your high school diploma. Everyone cheers except Corey. Eric, thanks, Foene,

1402
01:01:25,080 --> 01:01:26,520
Speaker 1: I know how much you hate to be touched, but

1403
01:01:26,560 --> 01:01:28,000
Speaker 1: give me this one. He pulls him in for a

1404
01:01:28,040 --> 01:01:30,480
Speaker 1: hug and Peoene pats him on the arm, looking uncomfortable, saying,

1405
01:01:30,480 --> 01:01:33,200
Speaker 1: all right, Eric, all right. Alan runs up to Corey.

1406
01:01:33,240 --> 01:01:33,720
Speaker 4: Hatey.

1407
01:01:33,720 --> 01:01:37,160
Speaker 1: Don't you want to say something? Tapanga encourages encourages him.

1408
01:01:37,160 --> 01:01:39,520
Speaker 1: Come on, he's your brother, you should say something. Corey

1409
01:01:39,520 --> 01:01:42,360
Speaker 1: tells her. No, I don't have anything planned. Eric announces

1410
01:01:42,520 --> 01:01:45,800
Speaker 1: this diploma, which signifies my intelligence belongs as much to

1411
01:01:45,840 --> 01:01:49,760
Speaker 1: you as it does to I. Phoeni corrects him me.

1412
01:01:50,080 --> 01:01:54,360
Speaker 1: Eric responds, I included you. I included you, Corey Van

1413
01:01:54,440 --> 01:01:58,480
Speaker 1: Yell's attention everybody. He toasts to my brother Eric, who's

1414
01:01:58,520 --> 01:02:01,760
Speaker 1: moving out, and not just for four years, probably forever.

1415
01:02:02,040 --> 01:02:04,000
Speaker 1: And I don't even know him. He starts to get

1416
01:02:04,080 --> 01:02:06,840
Speaker 1: choked up as he continues, and now I probably never

1417
01:02:06,880 --> 01:02:10,320
Speaker 1: will fifteen years in the same room, Eric, fifteen years.

1418
01:02:10,960 --> 01:02:12,800
Speaker 1: Corey shakes his brother's hand and says, good.

1419
01:02:12,880 --> 01:02:16,240
Speaker 2: Nothing specific to complain about, and also I just want

1420
01:02:16,280 --> 01:02:18,280
Speaker 2: him to say that for me, you remember the time

1421
01:02:18,360 --> 01:02:21,640
Speaker 2: you I had this plan, and like the line in

1422
01:02:21,680 --> 01:02:23,320
Speaker 2: the kitchen, that is the most potent is when he

1423
01:02:23,360 --> 01:02:25,120
Speaker 2: says about like oh I got to go hang out

1424
01:02:25,160 --> 01:02:28,000
Speaker 2: with Janis, which we've seen before, and that makes sense, like, oh,

1425
01:02:28,120 --> 01:02:30,480
Speaker 2: Eric is too focused on girls. If he could say

1426
01:02:30,520 --> 01:02:32,280
Speaker 2: in this moment, like do you remember when I was

1427
01:02:32,320 --> 01:02:33,920
Speaker 2: going to do this with you and you bailed on

1428
01:02:34,000 --> 01:02:35,600
Speaker 2: meat on that date with so and so and what

1429
01:02:35,680 --> 01:02:40,560
Speaker 2: about the time, But instead he just guilt trip, yes,

1430
01:02:40,720 --> 01:02:44,360
Speaker 2: just anything. But instead it's like this vague, abstract guilt

1431
01:02:44,360 --> 01:02:46,360
Speaker 2: trip that it's I'm just like, shut up, Corey, it's

1432
01:02:46,400 --> 01:02:49,480
Speaker 2: not your dinner, Like, I know, sit down, kid, and

1433
01:02:49,560 --> 01:02:52,400
Speaker 2: like why is nobody saying that, Like, hey, buddy, this

1434
01:02:52,440 --> 01:02:54,520
Speaker 2: isn't about you. Shut out, don't have line.

1435
01:02:54,720 --> 01:02:57,760
Speaker 1: That's wow, I know, I agree, and I agree to

1436
01:02:58,080 --> 01:03:01,600
Speaker 1: it stinks because I love the concept of.

1437
01:03:01,440 --> 01:03:04,400
Speaker 2: The heeling abandoned by the older brother. It's an emotional

1438
01:03:04,400 --> 01:03:08,000
Speaker 2: connectivity that we should feel. I love it too. It's great,

1439
01:03:08,160 --> 01:03:12,000
Speaker 2: it's a beautiful sentiment. It just is so like poorly

1440
01:03:12,080 --> 01:03:13,600
Speaker 2: delivered it again, you're.

1441
01:03:13,480 --> 01:03:16,280
Speaker 4: Right, though, writer. It starts he's because they started him

1442
01:03:16,280 --> 01:03:18,680
Speaker 4: at anger and that's where he's paid. So by this

1443
01:03:18,720 --> 01:03:21,080
Speaker 4: point you're just like, I don't care about it, And then.

1444
01:03:20,960 --> 01:03:25,000
Speaker 2: The reveal is that he stole your your your letter letter.

1445
01:03:25,080 --> 01:03:25,280
Speaker 3: Yeah.

1446
01:03:25,320 --> 01:03:28,760
Speaker 2: Yeah, so he's actually ruining your freaking life, and like

1447
01:03:29,240 --> 01:03:31,880
Speaker 2: no punishment for that, no acknowledgment. No, you're just kind

1448
01:03:31,880 --> 01:03:33,680
Speaker 2: of like, oh, okay, well least I'll open it now.

1449
01:03:33,720 --> 01:03:35,760
Speaker 2: And it's like, wait a minute. So Coory not only

1450
01:03:35,880 --> 01:03:39,040
Speaker 2: is emotionally making everybody scramble and feel bad for him

1451
01:03:39,600 --> 01:03:42,360
Speaker 2: even though other people are totally fine and doing their life,

1452
01:03:42,920 --> 01:03:47,400
Speaker 2: he's also going behind your back and stealing your acceptance letter.

1453
01:03:47,680 --> 01:03:52,200
Speaker 4: No, but it's true. It's it's very Yeah. It was again,

1454
01:03:52,960 --> 01:03:55,560
Speaker 4: there was no build to it. There was no specific

1455
01:03:55,600 --> 01:03:58,200
Speaker 4: reasoning for it. There was no I mean, it was

1456
01:03:58,320 --> 01:03:59,000
Speaker 4: just angry.

1457
01:03:59,080 --> 01:04:02,000
Speaker 1: It's seen still felt angry. Even though I think it

1458
01:04:02,040 --> 01:04:04,120
Speaker 1: was supposed to be choked up. I didn't feel like

1459
01:04:04,160 --> 01:04:06,000
Speaker 1: it was super choked up. I felt like it was

1460
01:04:06,080 --> 01:04:06,680
Speaker 1: still like a.

1461
01:04:06,840 --> 01:04:07,400
Speaker 4: It should have been.

1462
01:04:07,400 --> 01:04:09,840
Speaker 2: I'm going into the scene, I'm gonna have a positive attitude,

1463
01:04:09,840 --> 01:04:11,960
Speaker 2: I'm gonna give a good speech and he starts to

1464
01:04:11,960 --> 01:04:14,360
Speaker 2: do it and he can't finish it because he starts

1465
01:04:14,600 --> 01:04:16,680
Speaker 2: starts an overwhelmed and he has to leave. Then I

1466
01:04:16,720 --> 01:04:18,959
Speaker 2: would be like, oh, poor Corey, he's really sad about

1467
01:04:19,000 --> 01:04:21,200
Speaker 2: his brother. Yeah, but he said, it's like you suck?

1468
01:04:21,280 --> 01:04:22,600
Speaker 2: Can you suck? Can you suck?

1469
01:04:22,760 --> 01:04:27,040
Speaker 1: Okay, dude, I know, Okay, bye bye, No cool story,

1470
01:04:27,080 --> 01:04:32,440
Speaker 1: bro exactly, I know, I know. So Ory shakes his

1471
01:04:32,480 --> 01:04:34,360
Speaker 1: brother's hand and says goodbye. I hope you have a

1472
01:04:34,480 --> 01:04:38,120
Speaker 1: nice life. I really do. Good Okay, oh right, thanks

1473
01:04:38,160 --> 01:04:41,200
Speaker 1: me too, bro Ham. He looks at everyone else at

1474
01:04:41,200 --> 01:04:57,840
Speaker 1: the dinner and apologizes to them before walking away. Drama quin, Okay,

1475
01:04:57,880 --> 01:05:02,400
Speaker 1: this next part. I can't wait. We're in the Matthew's kitchen.

1476
01:05:02,520 --> 01:05:05,160
Speaker 1: Eric was getting ready to leave, tells everyone cars all loaded.

1477
01:05:05,200 --> 01:05:07,800
Speaker 1: Amy asks, are you sure you can't stay for breakfast?

1478
01:05:08,000 --> 01:05:10,960
Speaker 1: I could fix you an omelet, toast, pancakes, muffins, pizza.

1479
01:05:11,440 --> 01:05:13,920
Speaker 1: Eric asked, you just want me to stay get empty?

1480
01:05:14,120 --> 01:05:15,960
Speaker 2: Did you guys notice the exterior for.

1481
01:05:15,960 --> 01:05:17,280
Speaker 1: This, Oh, the house?

1482
01:05:17,320 --> 01:05:21,200
Speaker 2: It looked yeah, the house. No, they completely over color

1483
01:05:21,240 --> 01:05:24,200
Speaker 2: corrected it to make it look like sunrise. So it was.

1484
01:05:25,240 --> 01:05:26,400
Speaker 2: It was so weird looking.

1485
01:05:26,400 --> 01:05:26,959
Speaker 4: It was weird.

1486
01:05:27,240 --> 01:05:30,040
Speaker 2: It looked like like a post apocalyptic like a movie

1487
01:05:30,080 --> 01:05:32,160
Speaker 2: where it's like, you know, the sun has been blotted out.

1488
01:05:32,200 --> 01:05:34,800
Speaker 2: I was like, what is going on? It's all radioactive?

1489
01:05:34,960 --> 01:05:37,919
Speaker 2: Like yeah, because the colors because like color correction wasn't

1490
01:05:37,920 --> 01:05:39,920
Speaker 2: that great back then. You couldn't do like power windows

1491
01:05:39,920 --> 01:05:42,040
Speaker 2: where you could just select the sky. So in order

1492
01:05:42,080 --> 01:05:44,520
Speaker 2: to make the sky look like a sunset, you have

1493
01:05:44,560 --> 01:05:46,960
Speaker 2: to like create all change all the colors. So the tree,

1494
01:05:47,320 --> 01:05:50,240
Speaker 2: the house, the grass looks like radio. It's so weird,

1495
01:05:50,240 --> 01:05:52,920
Speaker 2: looking like one is going on a head to go back.

1496
01:05:52,960 --> 01:05:55,280
Speaker 2: I'm like, Oh, they wanted it to be sunrise, but

1497
01:05:55,320 --> 01:05:56,880
Speaker 2: they couldn't do that because they didn't want to get

1498
01:05:56,920 --> 01:05:59,439
Speaker 2: new footage of us. So yeah, to make the sky pink,

1499
01:05:59,480 --> 01:06:01,520
Speaker 2: they had to like completely overcolor correct the hole.

1500
01:06:01,600 --> 01:06:05,960
Speaker 1: So to writer's point, it's very very early in the

1501
01:06:06,000 --> 01:06:10,560
Speaker 1: morning after nuclear bomb. After the nuclear bomb has dropped,

1502
01:06:11,000 --> 01:06:14,080
Speaker 1: she's still in her robe. Amy is still in her robe.

1503
01:06:14,280 --> 01:06:16,840
Speaker 1: Alan reminds Eric, don't forget to say goodbye to your brother.

1504
01:06:17,120 --> 01:06:20,160
Speaker 1: Eric admits he hasn't seen him this morning. Alan says

1505
01:06:20,160 --> 01:06:22,840
Speaker 1: he slept on the couch. He's pretty embarrassed about last night.

1506
01:06:23,200 --> 01:06:25,080
Speaker 1: Eric says, there's nothing to be embarrassed about, and he

1507
01:06:25,120 --> 01:06:27,400
Speaker 1: walks into the couch room to let him know. And

1508
01:06:27,440 --> 01:06:30,120
Speaker 1: now we're in the living room. Eric announces, Corey, get up,

1509
01:06:30,120 --> 01:06:33,760
Speaker 1: your brother's leaving. But Corey isn't on the couch. He's left.

1510
01:06:34,000 --> 01:06:35,760
Speaker 1: Amy says, he said he was going to the park

1511
01:06:35,800 --> 01:06:38,640
Speaker 1: to say goodbye to Panga. Maybe he already left. Eric,

1512
01:06:38,760 --> 01:06:41,640
Speaker 1: clearly sad, says, well, just tell him goodbye and give

1513
01:06:41,720 --> 01:06:43,960
Speaker 1: him a hug for me. Alan explains, we'll hug him,

1514
01:06:43,960 --> 01:06:46,440
Speaker 1: but I don't think that's gonna make Corey feel any better.

1515
01:06:47,280 --> 01:06:50,840
Speaker 1: Still worried about how Corey is feeling, even though Corey

1516
01:06:51,000 --> 01:06:54,240
Speaker 1: left on the day, his morning his brother is leaving,

1517
01:06:55,080 --> 01:06:56,920
Speaker 1: Eric says, well, I'm just going off to college. I mean,

1518
01:06:56,920 --> 01:06:59,760
Speaker 1: I'm still his brother. Alan explains, Now it's just going

1519
01:06:59,800 --> 01:07:02,440
Speaker 1: off to college, then it's gonna be just getting married,

1520
01:07:02,840 --> 01:07:05,040
Speaker 1: just having kids. But you will never be the same

1521
01:07:05,080 --> 01:07:07,040
Speaker 1: brothers you were upstairs sharing that room.

1522
01:07:07,280 --> 01:07:08,840
Speaker 2: That's okay.

1523
01:07:08,960 --> 01:07:13,840
Speaker 1: Absolutely correctly shares that's not his fault. But he's the

1524
01:07:13,960 --> 01:07:18,160
Speaker 1: older brother, and Amy adds, yes, but it's not Corey's fault.

1525
01:07:18,560 --> 01:07:24,040
Speaker 1: He's the younger brother. So it's no one's fault.

1526
01:07:23,880 --> 01:07:25,480
Speaker 2: Right, So why do we cater to the ones who

1527
01:07:25,720 --> 01:07:28,360
Speaker 2: are we out and like making everybody's life miserable?

1528
01:07:28,440 --> 01:07:31,760
Speaker 1: Like wit, just sit down, b go live your freaking life.

1529
01:07:32,400 --> 01:07:35,040
Speaker 1: Eric emphasizes he's three years younger than me, he's got

1530
01:07:35,040 --> 01:07:37,840
Speaker 1: his own girlfriend, he's got his own buddiest. I bet

1531
01:07:37,880 --> 01:07:40,360
Speaker 1: he'd understand me now, and Alan tells him it sounds

1532
01:07:40,360 --> 01:07:42,800
Speaker 1: like you have a lot more in common now. Eric admits,

1533
01:07:43,080 --> 01:07:45,480
Speaker 1: I never really looked at it like that. I guess

1534
01:07:45,560 --> 01:07:48,400
Speaker 1: Cory and I could be friends now. Amy says, his

1535
01:07:48,440 --> 01:07:51,280
Speaker 1: girlfriend's leaving him for the summer, so you better feel

1536
01:07:51,280 --> 01:07:54,600
Speaker 1: bad for him brother, and his best friend's leaving him

1537
01:07:54,600 --> 01:07:57,280
Speaker 1: for the summer. And now his brother, who he's never

1538
01:07:57,320 --> 01:07:59,360
Speaker 1: really had the chance to get to know as a friend,

1539
01:07:59,520 --> 01:08:03,160
Speaker 1: is leaving forever, and Eric asks, but why aren't you

1540
01:08:03,160 --> 01:08:05,760
Speaker 1: guys upset, Alan tells him, well, we got to know you.

1541
01:08:05,880 --> 01:08:09,360
Speaker 1: It's okay, you can leave. Amy, Pat's Eric on the shoulder,

1542
01:08:09,440 --> 01:08:11,360
Speaker 1: your father and I know you're a good guy and

1543
01:08:11,400 --> 01:08:14,040
Speaker 1: you have a good heart. You've always made us proud,

1544
01:08:14,400 --> 01:08:19,080
Speaker 1: hass has he though? Has he always made a brack?

1545
01:08:19,439 --> 01:08:22,599
Speaker 4: Yes, he's made nothing but right decision after right.

1546
01:08:23,400 --> 01:08:25,920
Speaker 2: This whole scene is just exposition. Here's how I feel,

1547
01:08:25,920 --> 01:08:29,519
Speaker 2: here's how you feel, how we feel, And just get

1548
01:08:29,560 --> 01:08:31,080
Speaker 2: to the part where they hug each other goodbye, because

1549
01:08:31,080 --> 01:08:32,800
Speaker 2: it actually did get me a little bit It's pretty

1550
01:08:32,840 --> 01:08:34,640
Speaker 2: emotional watching Betsy.

1551
01:08:34,280 --> 01:08:34,880
Speaker 4: Starts here up.

1552
01:08:34,920 --> 01:08:38,120
Speaker 2: And I do love the idea of, like, you know,

1553
01:08:38,200 --> 01:08:40,559
Speaker 2: saying having a scene about saying goodbye to your college.

1554
01:08:40,640 --> 01:08:44,000
Speaker 2: Like this should just be about Eric all this Cory stuff.

1555
01:08:44,080 --> 01:08:44,880
Speaker 4: It should just be like.

1556
01:08:44,840 --> 01:08:48,360
Speaker 2: Corey's gone, Oh that sucks, he's a bummer. Now let's

1557
01:08:48,439 --> 01:08:51,439
Speaker 2: just talk about Eric leaving and how sad, Like, I

1558
01:08:51,439 --> 01:08:54,120
Speaker 2: don't know, let's make that a scene instead of catering

1559
01:08:54,160 --> 01:08:54,920
Speaker 2: to the you.

1560
01:08:54,800 --> 01:08:59,280
Speaker 1: Know, absolutely, Alan stutters and pulls out his wallet. He's

1561
01:08:59,320 --> 01:09:01,439
Speaker 1: not very good at that. He gives Eric a few bucks,

1562
01:09:01,479 --> 01:09:03,920
Speaker 1: you know, for emergencies. Eric asks what about the gold

1563
01:09:03,960 --> 01:09:07,720
Speaker 1: cart and Alan immediately responds no, no. Morgan runs down

1564
01:09:07,720 --> 01:09:09,920
Speaker 1: the stairs. She wants to give him something. She hands

1565
01:09:09,960 --> 01:09:12,840
Speaker 1: him fluffers, her stuffed teddy bear. He's honored. It's her

1566
01:09:12,880 --> 01:09:13,840
Speaker 1: favorite thing, Morgan.

1567
01:09:13,960 --> 01:09:16,400
Speaker 2: He seem a little old to be wearing footy pajamas

1568
01:09:16,400 --> 01:09:17,040
Speaker 2: and carrying around.

1569
01:09:17,120 --> 01:09:20,360
Speaker 1: Why is she wearing footy pajama You can tell that.

1570
01:09:20,280 --> 01:09:23,080
Speaker 2: There was this like, let's let's infantilize her a little bit.

1571
01:09:23,080 --> 01:09:24,559
Speaker 2: We just have to make her cute for the scenes.

1572
01:09:24,640 --> 01:09:27,519
Speaker 2: And it's like, no, Like Lindsay's a good actress. It's

1573
01:09:27,560 --> 01:09:29,519
Speaker 2: a funny. She's already developed this like.

1574
01:09:29,439 --> 01:09:32,280
Speaker 4: Supposed to be eight, she says eight in the scene. Okay,

1575
01:09:32,320 --> 01:09:32,559
Speaker 4: so she.

1576
01:09:32,880 --> 01:09:35,439
Speaker 2: Looks a little older, and I know I wanted her

1577
01:09:35,479 --> 01:09:37,439
Speaker 2: to just act a little older like that.

1578
01:09:37,439 --> 01:09:39,360
Speaker 1: Why couldn't she just be in regular pajamas?

1579
01:09:39,560 --> 01:09:41,479
Speaker 2: Yes, And I also think it would have been cuter

1580
01:09:41,720 --> 01:09:45,080
Speaker 2: if she's actually trying to be older, yes, and handing

1581
01:09:45,120 --> 01:09:46,559
Speaker 2: him her teddy bear to show that.

1582
01:09:46,479 --> 01:09:49,519
Speaker 1: She's what the thing is to say that, she says,

1583
01:09:49,600 --> 01:09:51,080
Speaker 1: I'm eight. What do I need a teddy bear for?

1584
01:09:51,240 --> 01:09:51,800
Speaker 2: Exactly?

1585
01:09:51,800 --> 01:09:55,280
Speaker 1: She came into it with the false con with normal pajamas,

1586
01:09:55,280 --> 01:10:02,360
Speaker 1: pretending to be listen, I'm clearly right, and because for

1587
01:10:02,439 --> 01:10:04,360
Speaker 1: me and I'd like it to watch over you and

1588
01:10:04,400 --> 01:10:06,040
Speaker 1: for her to then be having a hard time letting

1589
01:10:06,080 --> 01:10:06,759
Speaker 1: go of the bear.

1590
01:10:07,160 --> 01:10:10,600
Speaker 2: Yes, and also the bear looks brand new and that

1591
01:10:11,640 --> 01:10:13,800
Speaker 2: anybody has had for more than a year or time.

1592
01:10:13,920 --> 01:10:16,320
Speaker 1: It's that I slept with, which was short for bunny.

1593
01:10:16,400 --> 01:10:18,559
Speaker 1: I got it on the day I was born. I

1594
01:10:18,640 --> 01:10:21,040
Speaker 1: still have it, and it was It's a little cloth

1595
01:10:21,200 --> 01:10:23,599
Speaker 1: thing that I wore all the seams out of. It's

1596
01:10:23,600 --> 01:10:27,120
Speaker 1: now this long and thin and completely unrecognizable because it

1597
01:10:27,160 --> 01:10:27,400
Speaker 1: is so.

1598
01:10:27,400 --> 01:10:29,320
Speaker 2: Love they get dirty, chewed up.

1599
01:10:29,320 --> 01:10:32,559
Speaker 1: It's not yes, oh my children and their lovies. We're

1600
01:10:32,600 --> 01:10:35,120
Speaker 1: all going to die from whatever bacteria is in there.

1601
01:10:35,200 --> 01:10:38,679
Speaker 1: It's where we are all going to die. So he

1602
01:10:38,920 --> 01:10:40,599
Speaker 1: Eric asks, are you giving it to me for luck?

1603
01:10:40,600 --> 01:10:42,360
Speaker 1: And she tells him no, I'm eight years old. What

1604
01:10:42,400 --> 01:10:44,920
Speaker 1: do I need a stink and bear for? Eric asks

1605
01:10:45,160 --> 01:10:47,920
Speaker 1: you're gonna miss me Morgan, she responds, I already do.

1606
01:10:48,160 --> 01:10:50,000
Speaker 1: As they give each other a big hug. This is

1607
01:10:50,040 --> 01:10:53,479
Speaker 1: her first really like non sarcastic, very sweet scene we've

1608
01:10:53,479 --> 01:10:56,400
Speaker 1: seen from her. So I guess there's nothing left to

1609
01:10:56,439 --> 01:10:59,280
Speaker 1: say but goodbye. I love you all very much. Amy

1610
01:10:59,320 --> 01:11:01,240
Speaker 1: starts to cry, and she pulls them in for a hug,

1611
01:11:01,280 --> 01:11:03,760
Speaker 1: saying they love him too. Alan and Morgan join in

1612
01:11:03,800 --> 01:11:06,799
Speaker 1: to give him a big group hug, but there's no Corey.

1613
01:11:07,240 --> 01:11:08,880
Speaker 5: Do you think we knew that we were picked up

1614
01:11:09,120 --> 01:11:12,160
Speaker 5: for a fourth I was thinking the same thing, because

1615
01:11:12,200 --> 01:11:14,200
Speaker 5: this might have been the way that they were trying

1616
01:11:14,240 --> 01:11:17,400
Speaker 5: to end the whole show. No, I think we knew

1617
01:11:17,920 --> 01:11:20,400
Speaker 5: we were coming back for we must have known. I

1618
01:11:20,400 --> 01:11:22,760
Speaker 5: think this is the first year we knew we were

1619
01:11:22,840 --> 01:11:25,879
Speaker 5: coming back, Like, actually knew we were coming back I think.

1620
01:11:26,000 --> 01:11:28,240
Speaker 2: Yeah, we must have, because I don't know. You wouldn't

1621
01:11:28,400 --> 01:11:31,240
Speaker 2: end this season this way. If it was potentially the end,

1622
01:11:31,240 --> 01:11:33,000
Speaker 2: it would have been a Corey thing. It would have

1623
01:11:33,040 --> 01:11:36,840
Speaker 2: been absolutely But it is interesting in this episode because

1624
01:11:36,840 --> 01:11:38,960
Speaker 2: it's about Eric and Corey. It does harken back to

1625
01:11:39,000 --> 01:11:41,400
Speaker 2: the pilot and the first the first season, in the

1626
01:11:41,439 --> 01:11:43,840
Speaker 2: sense that he's the younger brother or the middle brother

1627
01:11:43,880 --> 01:11:48,080
Speaker 2: who's getting overlooked right like, and yeah, I really wish

1628
01:11:48,080 --> 01:11:50,839
Speaker 2: I could. I like that return, I like the return

1629
01:11:50,960 --> 01:11:53,080
Speaker 2: to that idea, and I wish they.

1630
01:11:52,960 --> 01:11:59,160
Speaker 4: Didn't return their return. I wish, yes, yeah.

1631
01:11:58,720 --> 01:12:00,439
Speaker 1: Alan tells him, go on, you want to beat the

1632
01:12:00,479 --> 01:12:02,840
Speaker 1: rush hour. Eric is walking out and leaves fluffers at

1633
01:12:02,840 --> 01:12:05,439
Speaker 1: the door for Morgan. Amy and Alan smile at Eric

1634
01:12:05,479 --> 01:12:07,519
Speaker 1: as he leaves, while Morgan is hugging Alan so she

1635
01:12:07,560 --> 01:12:10,000
Speaker 1: doesn't have to watch. Eric shuts the door and Amy

1636
01:12:10,080 --> 01:12:13,759
Speaker 1: walks over to Alan crying cry. Very emotional little scene.

1637
01:12:14,000 --> 01:12:15,600
Speaker 4: They tried to do the Radar thing for Mash It

1638
01:12:15,640 --> 01:12:17,720
Speaker 4: didn't work. When Radar's character leaves, he has it bear

1639
01:12:17,800 --> 01:12:19,840
Speaker 4: with him the whole time he's in the war, and

1640
01:12:19,920 --> 01:12:23,320
Speaker 4: when they he leaves, Hawkeye comes back into the swamp

1641
01:12:23,439 --> 01:12:27,200
Speaker 4: and the bear is sitting on hawkeyes like like cocked,

1642
01:12:27,760 --> 01:12:29,519
Speaker 4: and they're all sitting there pouring drinks and they look

1643
01:12:29,600 --> 01:12:31,080
Speaker 4: down and they just pick it up and they go

1644
01:12:31,080 --> 01:12:34,280
Speaker 4: buy radar and it's like he came a kid and

1645
01:12:34,280 --> 01:12:36,280
Speaker 4: he left a man. Like it worked perfectly, and this

1646
01:12:36,360 --> 01:12:37,960
Speaker 4: one it was just kind of like there's a new bear.

1647
01:12:38,000 --> 01:12:41,120
Speaker 1: He's just leaving right. Well, you also were just handed

1648
01:12:41,120 --> 01:12:41,360
Speaker 1: the ban.

1649
01:12:41,640 --> 01:12:42,599
Speaker 4: It wasn't there was nothing.

1650
01:12:42,880 --> 01:12:45,160
Speaker 2: Is that The Run and Running Cowboy episode of Mash or.

1651
01:12:47,320 --> 01:12:52,040
Speaker 4: Jane Radar Season eight, Season eight?

1652
01:12:52,320 --> 01:12:53,799
Speaker 1: I think will what wrote the scene?

1653
01:12:54,240 --> 01:12:54,960
Speaker 4: I would love to have.

1654
01:13:06,120 --> 01:13:09,880
Speaker 1: So now we're at the park at night.

1655
01:13:10,800 --> 01:13:14,679
Speaker 2: No sunrise. No, it's a nice it's a nice violet

1656
01:13:14,760 --> 01:13:15,400
Speaker 2: light going on.

1657
01:13:15,720 --> 01:13:17,360
Speaker 4: So is it supposed to be I didn't know when

1658
01:13:17,400 --> 01:13:18,800
Speaker 4: it's night?

1659
01:13:19,160 --> 01:13:20,360
Speaker 2: No, it's later that morning.

1660
01:13:21,479 --> 01:13:24,320
Speaker 1: Later that morning it got darker. It got darker.

1661
01:13:24,760 --> 01:13:25,520
Speaker 2: Sunrisey.

1662
01:13:25,960 --> 01:13:28,640
Speaker 1: It's not sunrisy. He drove halfway to New Jersey, he

1663
01:13:28,680 --> 01:13:31,880
Speaker 1: says in the scene, and then turned around and came back.

1664
01:13:32,320 --> 01:13:36,720
Speaker 1: It's nighttime all day and Topanga is getting picked up

1665
01:13:36,760 --> 01:13:39,120
Speaker 1: by a bus at the park, at the park to

1666
01:13:39,200 --> 01:13:43,439
Speaker 1: start her camp at night. Hey, everybody, come on into park.

1667
01:13:43,680 --> 01:13:46,400
Speaker 1: Come on into camp. Welcome, here's your bed mate. Don't

1668
01:13:46,439 --> 01:13:48,240
Speaker 1: drink too much because we can't don't don't have time

1669
01:13:48,240 --> 01:13:50,160
Speaker 1: to show you where the bathrooms are. Get into your

1670
01:13:50,160 --> 01:13:52,120
Speaker 1: bed and go to sleep. It's the first night of camp.

1671
01:13:52,240 --> 01:13:57,479
Speaker 1: It's nighttime. We've been there for twelve hours.

1672
01:13:57,800 --> 01:13:59,519
Speaker 2: I thought it was still just later on that morning.

1673
01:13:59,560 --> 01:14:03,160
Speaker 2: I thought it like night or you seway to Jersey

1674
01:14:03,200 --> 01:14:06,160
Speaker 2: would only take him? Like get darker?

1675
01:14:06,680 --> 01:14:09,960
Speaker 1: What why would it be getting darker? It's not getting

1676
01:14:10,120 --> 01:14:12,840
Speaker 1: You saw the blown out house at sunrise, there was

1677
01:14:12,920 --> 01:14:15,200
Speaker 1: light outside. Why would it still be dark at the pot?

1678
01:14:15,320 --> 01:14:17,240
Speaker 2: I thought that this was I don't I didn't read

1679
01:14:17,280 --> 01:14:19,360
Speaker 2: this as nighttime. I didn't read this as dark. I

1680
01:14:19,400 --> 01:14:23,920
Speaker 2: read this as like morning, magic hour lighting.

1681
01:14:24,600 --> 01:14:27,439
Speaker 4: Okay, but it's magic hour, not magic day. So if

1682
01:14:27,439 --> 01:14:31,280
Speaker 4: he's already they had the whole scene and then drove halfway, how.

1683
01:14:31,160 --> 01:14:33,479
Speaker 1: Long would it take to get from Philly to New Jersey?

1684
01:14:34,040 --> 01:14:35,160
Speaker 2: Only like an hour or two?

1685
01:14:36,200 --> 01:14:38,520
Speaker 4: But then again, how is it still twilight?

1686
01:14:39,360 --> 01:14:42,880
Speaker 1: It's two hours later, it's like dusk for four minutes.

1687
01:14:42,880 --> 01:14:45,200
Speaker 2: I think I think they got They really liked the

1688
01:14:45,240 --> 01:14:48,519
Speaker 2: idea of like a sunrise. Look, yes, absolutely, so that's

1689
01:14:48,560 --> 01:14:50,360
Speaker 2: what they're aiming for and it's just a little too

1690
01:14:50,439 --> 01:14:54,000
Speaker 2: dark for your taste. Yes, it's sunrise. It's the whole

1691
01:14:54,040 --> 01:14:57,200
Speaker 2: like early morning. The summer's beginning, and we're going off

1692
01:14:57,200 --> 01:15:00,439
Speaker 2: onto new adventures and everybody saying goodbye, and you're just

1693
01:15:00,479 --> 01:15:02,679
Speaker 2: saying it's too dark. It is dark.

1694
01:15:02,880 --> 01:15:07,840
Speaker 1: It was nighttime, dark, magic hour morning for How long

1695
01:15:07,960 --> 01:15:08,800
Speaker 1: is magic hour?

1696
01:15:09,400 --> 01:15:12,360
Speaker 2: As long as it takes to make it aesthetically pleasing?

1697
01:15:13,479 --> 01:15:19,840
Speaker 1: Okay, okay, I didn't get it, but it's really weird

1698
01:15:19,880 --> 01:15:21,840
Speaker 1: to me. Corey and t Bank are sitting on the

1699
01:15:21,840 --> 01:15:23,880
Speaker 1: swings and Tabanga admits, I don't know if I want

1700
01:15:23,880 --> 01:15:26,400
Speaker 1: to go to Penga says, usually I'm really looking forward

1701
01:15:26,479 --> 01:15:28,400
Speaker 1: to camp this time, I'd rather spend the summer with you,

1702
01:15:28,479 --> 01:15:30,479
Speaker 1: and that scares me. I want you to have a

1703
01:15:30,479 --> 01:15:33,360
Speaker 1: good time at camp. Okay, I'm completely secure, Corey says,

1704
01:15:33,400 --> 01:15:34,800
Speaker 1: and then he follows it up with you swear on

1705
01:15:34,840 --> 01:15:37,719
Speaker 1: your life it's an all girls camp. Tapega grabs his hands.

1706
01:15:37,800 --> 01:15:39,559
Speaker 1: She wants him to have a great time this summer.

1707
01:15:39,680 --> 01:15:42,120
Speaker 1: Cory ashers or don't you worry about me? He walks

1708
01:15:42,120 --> 01:15:44,519
Speaker 1: over to the same pigeon lady, once again feeding her friends.

1709
01:15:44,760 --> 01:15:46,559
Speaker 1: He sits down next to her and opens his mouth

1710
01:15:46,560 --> 01:15:48,519
Speaker 1: for her to stick bread in it again. Sean then

1711
01:15:48,600 --> 01:15:51,360
Speaker 1: arrives Corey. I can't leave you like this, man, Corey

1712
01:15:51,400 --> 01:15:53,160
Speaker 1: asks what he's doing here? Me and my dad are

1713
01:15:53,200 --> 01:15:55,400
Speaker 1: hitting the road, so I figured i'd say goodbye. A

1714
01:15:55,439 --> 01:15:59,000
Speaker 1: horn honks and Tapega says, that's my bus. Another horn

1715
01:15:59,000 --> 01:16:01,280
Speaker 1: honks to the tune of luck Kukaracha, and Sean says,

1716
01:16:01,439 --> 01:16:04,479
Speaker 1: that's my house. Tapega says she should get going and

1717
01:16:04,520 --> 01:16:06,960
Speaker 1: pulls Corey in for a kiss. I'll miss you, Sean says,

1718
01:16:06,960 --> 01:16:08,960
Speaker 1: I'll see you in a couple of months. Okay. Corey

1719
01:16:09,000 --> 01:16:11,479
Speaker 1: nods yeah, take care of yourself, Sean. They give each

1720
01:16:11,479 --> 01:16:14,479
Speaker 1: other a bro handshake and a hug. Corey is now alone.

1721
01:16:14,760 --> 01:16:17,080
Speaker 2: Sean and Topanga completely ignore each other.

1722
01:16:17,439 --> 01:16:17,800
Speaker 1: Yes, so.

1723
01:16:19,720 --> 01:16:21,639
Speaker 2: Great to have like a group hug or like a conversation.

1724
01:16:21,920 --> 01:16:23,560
Speaker 2: Do I care that I'm not seeing you? Do you

1725
01:16:23,600 --> 01:16:24,200
Speaker 2: care that you're not.

1726
01:16:24,160 --> 01:16:26,160
Speaker 1: Sell What I think really is happening is that the

1727
01:16:26,200 --> 01:16:28,519
Speaker 1: truth is where I'm not going camp. I'm going with

1728
01:16:28,560 --> 01:16:30,160
Speaker 1: you for the Summer's right.

1729
01:16:30,200 --> 01:16:32,120
Speaker 4: As you walked off, Sue looked at me and she went, oh,

1730
01:16:32,120 --> 01:16:32,920
Speaker 4: they're hooking.

1731
01:16:32,720 --> 01:16:41,240
Speaker 2: Up, so it's like, yeah no by like protagonist of

1732
01:16:41,280 --> 01:16:44,120
Speaker 2: the show gets all the attention. Everybody else is just

1733
01:16:44,479 --> 01:16:49,520
Speaker 2: we're just all decorations and.

1734
01:16:48,360 --> 01:16:50,760
Speaker 4: Away, trying to make it look like you didn't really

1735
01:16:50,840 --> 01:16:53,400
Speaker 4: like each other. And around the corner, make an app

1736
01:16:53,800 --> 01:16:54,360
Speaker 4: make an ass.

1737
01:16:56,640 --> 01:16:59,200
Speaker 1: So Corey grabs a basketball and pretends to be an announcer

1738
01:16:59,200 --> 01:17:02,640
Speaker 1: Corey Matthews. He looks for the open man. It's Corey Matthews.

1739
01:17:02,760 --> 01:17:05,479
Speaker 1: He passes it to Matthews. Matthew sees Matthew set up

1740
01:17:05,479 --> 01:17:09,160
Speaker 1: for the three. He feeds Matthews. Matthews shoots his shot

1741
01:17:09,200 --> 01:17:13,040
Speaker 1: that is so terrible and off base, lands in Eric's hands.

1742
01:17:12,800 --> 01:17:14,679
Speaker 4: Which is a great callback to him doing the same

1743
01:17:14,680 --> 01:17:16,720
Speaker 4: thing when he was left alone in the house and

1744
01:17:16,840 --> 01:17:18,160
Speaker 4: was it season one where he's.

1745
01:17:18,280 --> 01:17:22,160
Speaker 2: Oh yeah, yeah, yeah. I thought that was.

1746
01:17:22,160 --> 01:17:25,519
Speaker 4: A great callback to that's a great recognize that that's

1747
01:17:25,680 --> 01:17:27,719
Speaker 4: like he's alone. Yep, so cute.

1748
01:17:27,920 --> 01:17:29,800
Speaker 1: Eric says, looks like your team could use some help.

1749
01:17:30,040 --> 01:17:32,439
Speaker 1: Corey says, thought you'd be halfway to Jersey by now,

1750
01:17:32,479 --> 01:17:34,880
Speaker 1: and Eric admits I was. Then I realized here I

1751
01:17:34,920 --> 01:17:36,760
Speaker 1: am going off to college and didn't even get a

1752
01:17:36,800 --> 01:17:39,720
Speaker 1: proper goodbye from my brother Corey tells him, I'm you're

1753
01:17:39,760 --> 01:17:41,400
Speaker 1: here too, because I never got to tell you I'm

1754
01:17:41,439 --> 01:17:43,840
Speaker 1: sorry for the way I've been acting. Eric shrugs it off.

1755
01:17:43,960 --> 01:17:46,639
Speaker 1: They're brothers, brothers fight. I go back to why couldn't

1756
01:17:46,680 --> 01:17:48,439
Speaker 1: it just be light here? Why couldn't there just be

1757
01:17:48,600 --> 01:17:52,000
Speaker 1: some sun.

1758
01:17:51,000 --> 01:17:52,759
Speaker 4: By the way, it's an hour and thirty two minutes

1759
01:17:52,760 --> 01:17:55,080
Speaker 4: from Philadelphia to New Jersey, So if he got halfway there,

1760
01:17:55,120 --> 01:17:57,120
Speaker 4: he's forty five minutes each way. It's an hour and

1761
01:17:57,160 --> 01:17:58,960
Speaker 4: a half after twilight in the morning.

1762
01:17:58,840 --> 01:18:01,479
Speaker 1: And that's with zero track thick let's it's it's a

1763
01:18:01,520 --> 01:18:03,599
Speaker 1: work morning. I don't under I don't know what's going on.

1764
01:18:03,680 --> 01:18:05,519
Speaker 1: I just why could there not just be some sunlight?

1765
01:18:05,560 --> 01:18:07,320
Speaker 1: Somebody had to be like, no, I really like this

1766
01:18:08,040 --> 01:18:08,960
Speaker 1: dark scene.

1767
01:18:10,200 --> 01:18:13,320
Speaker 2: There's probably Jeff McCracken. He was probably like Jeff, let's.

1768
01:18:14,360 --> 01:18:16,320
Speaker 1: I'd like to talk to Jack. I have I like

1769
01:18:16,360 --> 01:18:16,880
Speaker 1: to have a one.

1770
01:18:17,080 --> 01:18:17,719
Speaker 4: I have a note.

1771
01:18:18,400 --> 01:18:20,720
Speaker 2: He was he was coming back from Florida. He was overwhelmed.

1772
01:18:21,920 --> 01:18:24,599
Speaker 1: Just turn the light, spake it dark?

1773
01:18:24,640 --> 01:18:26,920
Speaker 2: What we have a swing set this week, dude, Jesus

1774
01:18:27,200 --> 01:18:30,760
Speaker 2: Christ and you know, you know, Michael was like, it's

1775
01:18:30,760 --> 01:18:33,800
Speaker 2: gotta look pretty it's morning, and he was like, Jesus okay, fine,

1776
01:18:33,920 --> 01:18:37,919
Speaker 2: make violet Jesus.

1777
01:18:39,920 --> 01:18:44,160
Speaker 1: Okay. Uh they're brothers, brothers fight, Eric says. Corey says, yeah,

1778
01:18:44,160 --> 01:18:45,680
Speaker 1: I don't like it when we fight, you know. And

1779
01:18:45,720 --> 01:18:48,080
Speaker 1: I also don't like it when I do things like this,

1780
01:18:48,560 --> 01:18:50,640
Speaker 1: and then he pulls out a letter and hands it

1781
01:18:50,680 --> 01:18:54,000
Speaker 1: to Eric. It's his letter from North Southwestern San Diego

1782
01:18:54,040 --> 01:18:58,519
Speaker 1: State University. Says he, I mean truly, he says, he

1783
01:18:58,600 --> 01:19:01,240
Speaker 1: took it from the mailbox. Yes, I guess I wasn't

1784
01:19:01,280 --> 01:19:03,360
Speaker 1: ready to let you go. I mean, I've always liked

1785
01:19:03,400 --> 01:19:05,160
Speaker 1: you as a brother, but I'm starting to like you

1786
01:19:05,200 --> 01:19:08,200
Speaker 1: as a friend. Eric's face changes as he opens the

1787
01:19:08,280 --> 01:19:12,400
Speaker 1: envelope he didn't get in and the read you do

1788
01:19:12,560 --> 01:19:15,280
Speaker 1: will is perfect.

1789
01:19:15,760 --> 01:19:18,120
Speaker 4: Thank you. This is the moment I remember because during

1790
01:19:18,200 --> 01:19:21,519
Speaker 4: run through, I remember doing it and Alex coming up

1791
01:19:21,560 --> 01:19:23,680
Speaker 4: to me and going you got me, Oh yeah, I

1792
01:19:23,680 --> 01:19:26,000
Speaker 4: got me with that, And I remember I'll always remember

1793
01:19:26,000 --> 01:19:28,559
Speaker 4: that moment because it was like I so respected him

1794
01:19:28,560 --> 01:19:29,000
Speaker 4: as an actor.

1795
01:19:29,200 --> 01:19:31,760
Speaker 1: Yeah, man, you were like, I'm never going to see

1796
01:19:31,800 --> 01:19:32,360
Speaker 1: you again.

1797
01:19:34,160 --> 01:19:34,680
Speaker 2: See you later.

1798
01:19:35,200 --> 01:19:38,639
Speaker 1: That It's such a good moment. It's such a good moment.

1799
01:19:38,760 --> 01:19:42,200
Speaker 1: Jensen gasped. He was like not he it totally got him.

1800
01:19:42,240 --> 01:19:45,160
Speaker 2: He was like, it's so you know, Eric has just

1801
01:19:45,280 --> 01:19:48,040
Speaker 2: always been the goof off, like the funny guy to

1802
01:19:48,080 --> 01:19:50,280
Speaker 2: see you drop any pretense.

1803
01:19:50,280 --> 01:19:54,200
Speaker 1: It's such a bod And the fact that we didn't

1804
01:19:54,240 --> 01:19:59,040
Speaker 1: play into any sort of Oh the joys of Hollywood magic.

1805
01:19:59,120 --> 01:20:01,599
Speaker 1: He worked hard for a few months and it saved.

1806
01:20:01,720 --> 01:20:04,880
Speaker 1: He's gonna make it. It's really like, yeah, no, it

1807
01:20:04,960 --> 01:20:05,760
Speaker 1: still didn't work.

1808
01:20:05,880 --> 01:20:07,439
Speaker 4: Yeah, you were a crappy tea.

1809
01:20:07,960 --> 01:20:09,559
Speaker 1: It's so good.

1810
01:20:10,320 --> 01:20:12,520
Speaker 2: It is a little intense that there's like no alternative

1811
01:20:12,520 --> 01:20:17,040
Speaker 2: to college. I think, like there is no alternative to

1812
01:20:17,520 --> 01:20:20,519
Speaker 2: which I mean, I guess did it really feel that

1813
01:20:20,560 --> 01:20:22,280
Speaker 2: way in the nineties or is it just specific to

1814
01:20:22,280 --> 01:20:24,400
Speaker 2: the boy Meates world works. I feel like a lot

1815
01:20:24,400 --> 01:20:26,200
Speaker 2: of parents I know now are like, I'm cool with

1816
01:20:26,240 --> 01:20:28,560
Speaker 2: my parents. My kid's not going to college, like a

1817
01:20:28,560 --> 01:20:31,120
Speaker 2: lot of people exactly.

1818
01:20:31,120 --> 01:20:32,640
Speaker 1: A lot of trade, yeah, exactly.

1819
01:20:32,920 --> 01:20:34,720
Speaker 2: The idea of like that you have to go to

1820
01:20:34,760 --> 01:20:36,839
Speaker 2: college in order to be a functioning member of society

1821
01:20:36,880 --> 01:20:41,080
Speaker 2: has really just not aged well. But I also don't

1822
01:20:41,080 --> 01:20:43,240
Speaker 2: think it was that important back then either.

1823
01:20:43,320 --> 01:20:43,519
Speaker 4: You know.

1824
01:20:43,680 --> 01:20:46,320
Speaker 1: Well, here's the thing. It had a lot to do

1825
01:20:46,400 --> 01:20:50,320
Speaker 1: with like. My mom is a first generation American. Her

1826
01:20:50,360 --> 01:20:53,519
Speaker 1: parents came here from Malta and they looked down on trades.

1827
01:20:53,760 --> 01:20:56,479
Speaker 1: My my my mom would have been a makeup artist

1828
01:20:56,479 --> 01:20:58,800
Speaker 1: from the time she was immediately out of high school.

1829
01:20:58,840 --> 01:21:01,800
Speaker 1: She knew all along she that, but her parents were

1830
01:21:01,800 --> 01:21:04,519
Speaker 1: both like, no, we came here to America so that

1831
01:21:04,680 --> 01:21:09,680
Speaker 1: you could do something better than that. Yeah, And my

1832
01:21:09,760 --> 01:21:11,960
Speaker 1: mom was just like, Okay, then I guess I'll be

1833
01:21:12,000 --> 01:21:14,519
Speaker 1: a stay at home mom because she didn't want to be.

1834
01:21:14,760 --> 01:21:16,840
Speaker 1: She didn't want to go to college. She was she

1835
01:21:16,840 --> 01:21:19,720
Speaker 1: didn't love school, and so she then, you know, my

1836
01:21:19,760 --> 01:21:21,280
Speaker 1: parents got married at twenty one and she had me

1837
01:21:21,320 --> 01:21:23,080
Speaker 1: at twenty three, and she didn't become a makeup artist

1838
01:21:23,160 --> 01:21:24,360
Speaker 1: until she was in her fifties.

1839
01:21:24,840 --> 01:21:27,639
Speaker 2: So there there was an amazing mom.

1840
01:21:28,200 --> 01:21:28,560
Speaker 4: She was.

1841
01:21:28,840 --> 01:21:30,360
Speaker 2: She was the world's.

1842
01:21:30,640 --> 01:21:33,439
Speaker 1: Best, the world's best. I'm not saying that that's that

1843
01:21:33,439 --> 01:21:35,519
Speaker 1: that's a bad choice or that she wasn't great at it.

1844
01:21:35,560 --> 01:21:38,000
Speaker 1: She obviously was. And it worked for our family because

1845
01:21:38,000 --> 01:21:40,560
Speaker 1: my dad, you know, was definitely like the type to

1846
01:21:40,600 --> 01:21:42,600
Speaker 1: go out and work a lot, and my mom was

1847
01:21:42,640 --> 01:21:45,240
Speaker 1: able to be home and provided the life that I've

1848
01:21:45,240 --> 01:21:46,960
Speaker 1: been able to have because she was able to take

1849
01:21:47,000 --> 01:21:49,240
Speaker 1: me back and forth and do all those things. But

1850
01:21:49,760 --> 01:21:52,920
Speaker 1: my mom's my mom's dream like she's like, I know

1851
01:21:52,960 --> 01:21:54,680
Speaker 1: for she knows for a fact the only reason she

1852
01:21:54,680 --> 01:21:56,960
Speaker 1: didn't pursue it earlier was because in her family it

1853
01:21:56,960 --> 01:21:57,720
Speaker 1: was looked down upon.

1854
01:21:57,840 --> 01:22:00,280
Speaker 4: So it's also the first thing that they're out of

1855
01:22:00,320 --> 01:22:03,240
Speaker 4: high schools now is metal shop. Yeah, and you know,

1856
01:22:03,600 --> 01:22:05,479
Speaker 4: wood shop and all that kind of stuff where it's like,

1857
01:22:05,560 --> 01:22:08,120
Speaker 4: go learn to learn a skill. My god, I know,

1858
01:22:08,360 --> 01:22:10,360
Speaker 4: make a fortune being a plumber, electrician. You know how

1859
01:22:10,400 --> 01:22:11,400
Speaker 4: much money those people make.

1860
01:22:11,400 --> 01:22:11,920
Speaker 1: It's insane.

1861
01:22:11,960 --> 01:22:12,160
Speaker 3: Yeah.

1862
01:22:12,520 --> 01:22:16,439
Speaker 1: Yeah, so Corey, you know, Eric didn't get in, and

1863
01:22:16,640 --> 01:22:19,759
Speaker 1: Eric explains it was my mistake thinking I could slack

1864
01:22:19,760 --> 01:22:21,479
Speaker 1: off for three and a half years, work hard for

1865
01:22:21,520 --> 01:22:24,280
Speaker 1: two months and get in. Man, I really wanted to

1866
01:22:24,280 --> 01:22:27,080
Speaker 1: go to college. And like I am for this whole episode,

1867
01:22:27,160 --> 01:22:31,479
Speaker 1: my heart's just breaking for Eric because, yeah, Corey jumps in,

1868
01:22:31,560 --> 01:22:33,639
Speaker 1: you will take a couple of cut courses over the summer.

1869
01:22:33,680 --> 01:22:35,800
Speaker 1: I bet you'll get into an even better school. Maybe

1870
01:22:35,840 --> 01:22:38,200
Speaker 1: you're right. Eric agrees, maybe I can find a school

1871
01:22:38,240 --> 01:22:40,479
Speaker 1: a little closer to home. Corey responds, I know where

1872
01:22:40,479 --> 01:22:42,360
Speaker 1: there's an open bed. Think about it while you're gone

1873
01:22:42,360 --> 01:22:44,720
Speaker 1: across the country. Eric tells him, Nah, that trip was

1874
01:22:44,760 --> 01:22:47,639
Speaker 1: to celebrate. There's nothing to celebrate. Cory asks, you kidding

1875
01:22:47,680 --> 01:22:50,040
Speaker 1: a trip like that, that's something you'll never forget. Eric

1876
01:22:50,080 --> 01:22:52,719
Speaker 1: tells Corey he's right, maybe there is something to celebrate.

1877
01:22:52,880 --> 01:22:54,960
Speaker 1: I am going to take that trip first thing in

1878
01:22:55,000 --> 01:22:59,559
Speaker 1: the morning. Cory asks, why wait? Eric laughs and says, I, okay,

1879
01:22:59,680 --> 01:23:02,360
Speaker 1: So here is another point that maybe it's night. First

1880
01:23:02,360 --> 01:23:04,240
Speaker 1: thing in the morning. I gotta go home for you

1881
01:23:04,280 --> 01:23:07,320
Speaker 1: to pack. They could leave tonight if he had all

1882
01:23:07,439 --> 01:23:11,120
Speaker 1: day to go home and pack. Anyway, moving on.

1883
01:23:11,760 --> 01:23:13,479
Speaker 4: He's got to pack up his whole hill.

1884
01:23:13,760 --> 01:23:14,559
Speaker 2: Want to die on this hill?

1885
01:23:14,600 --> 01:23:17,639
Speaker 1: This is the I do. I think it's okay to die.

1886
01:23:17,960 --> 01:23:19,920
Speaker 2: It is ridiculous lighting okay.

1887
01:23:20,320 --> 01:23:22,840
Speaker 1: Cory asques why wait? Eric says, like, okay, I gotta

1888
01:23:23,720 --> 01:23:25,599
Speaker 1: two months on the road. Can't think of anybody else

1889
01:23:25,640 --> 01:23:26,680
Speaker 1: I'd rather share the car with.

1890
01:23:26,960 --> 01:23:33,120
Speaker 2: Why Why what changes? I'm kind of I'm starting to

1891
01:23:33,240 --> 01:23:36,799
Speaker 2: like you as a friend, and I wanted to know why? What? What? What?

1892
01:23:36,800 --> 01:23:36,960
Speaker 4: What?

1893
01:23:37,200 --> 01:23:40,880
Speaker 2: Why? Where is the specific concrete example of how these

1894
01:23:40,880 --> 01:23:44,360
Speaker 2: two have connected, or had expectations to spend a summer together.

1895
01:23:44,479 --> 01:23:46,240
Speaker 2: It got ruined in the course of this episode, and

1896
01:23:46,240 --> 01:23:47,960
Speaker 2: now do they why do they come back together? It's

1897
01:23:48,040 --> 01:23:50,760
Speaker 2: just decisions made for abstract conceptions.

1898
01:23:50,840 --> 01:23:54,000
Speaker 1: I do think there's a little bit of missed opportunity,

1899
01:23:54,200 --> 01:23:56,519
Speaker 1: not like this new thing I'm learning about you makes

1900
01:23:56,560 --> 01:23:59,519
Speaker 1: me like you more, although that's what's written, but I should.

1901
01:23:59,360 --> 01:24:02,360
Speaker 2: Stole list except or in my rejection letter. Yeh, you

1902
01:24:02,400 --> 01:24:04,720
Speaker 2: manipulated me emotionally, you guilt tripped me, you made a

1903
01:24:04,720 --> 01:24:07,240
Speaker 2: horrible speech in my thing, and I've come all this

1904
01:24:07,320 --> 01:24:11,400
Speaker 2: way back to say, uh, I'm going away and goodbye.

1905
01:24:11,439 --> 01:24:13,439
Speaker 2: But now I'm going to invite you to come with me.

1906
01:24:13,479 --> 01:24:14,200
Speaker 2: Because they're such.

1907
01:24:14,040 --> 01:24:18,280
Speaker 1: A earlier in the scene with Alan and Amy, he

1908
01:24:18,360 --> 01:24:22,320
Speaker 1: specifically says, oh, we have more in common. Now, I

1909
01:24:22,360 --> 01:24:24,519
Speaker 1: guess I've never thought about that, So I guess it's

1910
01:24:24,560 --> 01:24:29,759
Speaker 1: more about missed opportunity, Like, here's an opportunity that's presenting itself,

1911
01:24:29,840 --> 01:24:32,400
Speaker 1: which is a good opportunity for us to actually get

1912
01:24:32,439 --> 01:24:34,479
Speaker 1: to know each other, to see if we like each

1913
01:24:34,479 --> 01:24:36,960
Speaker 1: other as opposed to I wish they did not set

1914
01:24:36,960 --> 01:24:39,240
Speaker 1: it up that I already like you. I'd like to

1915
01:24:39,240 --> 01:24:42,200
Speaker 1: spend two months with you more about why don't we

1916
01:24:42,280 --> 01:24:43,760
Speaker 1: use this summer getting to know each other.

1917
01:24:44,080 --> 01:24:45,599
Speaker 2: Right, let's stats go on this advance.

1918
01:24:45,720 --> 01:24:48,360
Speaker 1: Let's go on this adventure together that we have the chance,

1919
01:24:48,400 --> 01:24:50,960
Speaker 1: and let's see, I don't really know you as as

1920
01:24:51,040 --> 01:24:54,120
Speaker 1: a as a more adult, mature person with your own life.

1921
01:24:54,200 --> 01:24:56,200
Speaker 1: Let's let's do with this together. That would have been

1922
01:24:56,280 --> 01:24:58,160
Speaker 1: kind of fun. And then I have no idea what

1923
01:24:58,160 --> 01:25:00,120
Speaker 1: happens in the next episodes, but I would have loved

1924
01:25:00,120 --> 01:25:02,840
Speaker 1: it if then they're just at each other's through. I

1925
01:25:02,920 --> 01:25:07,640
Speaker 1: don't like you. I figured it out. Corey says, this

1926
01:25:07,680 --> 01:25:09,599
Speaker 1: is going to be a summer they'll never forget. Eric

1927
01:25:09,640 --> 01:25:11,719
Speaker 1: tells him things always seem to work out for the best.

1928
01:25:12,000 --> 01:25:15,640
Speaker 1: Corey responds, I've always believed that, and we end with

1929
01:25:15,680 --> 01:25:18,160
Speaker 1: a freeze frame of Eric patting Corey on the shoulder.

1930
01:25:18,520 --> 01:25:21,640
Speaker 2: Yeah, freeze frame free Does he always believe that?

1931
01:25:21,760 --> 01:25:25,160
Speaker 1: Or was that Amy's believe? Has Corey really believed everything

1932
01:25:25,280 --> 01:25:25,960
Speaker 1: was going to work out?

1933
01:25:26,920 --> 01:25:27,840
Speaker 4: No?

1934
01:25:27,840 --> 01:25:33,080
Speaker 2: No, he's been a whiny protagonists talking about the anagonist,

1935
01:25:33,240 --> 01:25:38,000
Speaker 2: a winetagonist, just constantly complaining about all the other characters

1936
01:25:38,040 --> 01:25:40,320
Speaker 2: not catering to his needs, and he was very so

1937
01:25:40,400 --> 01:25:42,200
Speaker 2: the last two episodes.

1938
01:25:43,360 --> 01:25:46,760
Speaker 4: Corey's been very unlikable. To me, Yeah, they kind of

1939
01:25:46,840 --> 01:25:49,519
Speaker 4: ended this whole season. They really ended with a whim. Well,

1940
01:25:49,600 --> 01:25:52,479
Speaker 4: really the last two, I mean really the last two

1941
01:25:52,520 --> 01:25:55,479
Speaker 4: back to back. It didn't end great.

1942
01:25:55,520 --> 01:25:57,600
Speaker 1: Season three, well, then we're in the tag. We're in

1943
01:25:57,600 --> 01:26:00,240
Speaker 1: the Matthew's kitchen. Eric announces to everyone. On day two,

1944
01:26:00,320 --> 01:26:03,040
Speaker 1: we see Virginia and Washington d C. Phoeney tells them,

1945
01:26:03,040 --> 01:26:05,120
Speaker 1: don't forget to give yourselves at least a day in Boston.

1946
01:26:05,160 --> 01:26:07,559
Speaker 1: Corey agrees, the cheers bar maybe they'll know my name.

1947
01:26:07,840 --> 01:26:09,920
Speaker 1: Phoene responds, I was thinking more along the lines of

1948
01:26:09,920 --> 01:26:13,400
Speaker 1: Bunker Hill, Old North Church. Eric looks at Corey. Remember

1949
01:26:13,479 --> 01:26:16,200
Speaker 1: we're on a strict budget. Amy nudges Alan. He pulls

1950
01:26:16,200 --> 01:26:19,040
Speaker 1: out his wallet and tells the boys see Washington. As

1951
01:26:19,040 --> 01:26:21,240
Speaker 1: he hands them some more money. Morgan gives them a

1952
01:26:21,280 --> 01:26:24,040
Speaker 1: thumbs up and says, you guys are good together. Okay,

1953
01:26:24,080 --> 01:26:26,200
Speaker 1: that's all we need. The Rhodes calling, Corey and Eric

1954
01:26:26,280 --> 01:26:28,559
Speaker 1: say their goodbyes to the family and to mister Feeney.

1955
01:26:28,640 --> 01:26:30,439
Speaker 1: Alan reminds them part of the deal of the strip

1956
01:26:30,560 --> 01:26:32,479
Speaker 1: is that you check out some colleges along the way,

1957
01:26:33,120 --> 01:26:35,600
Speaker 1: and Eric scoffs, that's the whole reason. We're going to

1958
01:26:35,760 --> 01:26:37,439
Speaker 1: lane Ball State, Memphis State.

1959
01:26:37,760 --> 01:26:43,400
Speaker 2: State, State State. So good at the door State.

1960
01:26:44,240 --> 01:26:46,519
Speaker 1: Now outside, Corey tells Eric, what makes you think I

1961
01:26:46,520 --> 01:26:48,400
Speaker 1: would want to spend my summer, the summer of my

1962
01:26:48,520 --> 01:26:52,360
Speaker 1: fifteenth year, seeing a bunch of colleges. Already, Corey's making

1963
01:26:52,400 --> 01:26:57,400
Speaker 1: this trip about him, this summer of his fifteenth year, this.

1964
01:26:57,479 --> 01:27:01,599
Speaker 2: Summer of my fifteenth year. Not that you are going

1965
01:27:01,640 --> 01:27:04,639
Speaker 2: to ruin my summer. I am the protagonist of the show.

1966
01:27:06,080 --> 01:27:09,320
Speaker 2: To my needs, and what are my needs? Girls and bikinis.

1967
01:27:09,479 --> 01:27:12,920
Speaker 1: Let's go making a huge deal out of going to

1968
01:27:13,000 --> 01:27:14,000
Speaker 1: an all girls school.

1969
01:27:14,000 --> 01:27:16,120
Speaker 2: Now I'm gonna go check out ladies at the beaches.

1970
01:27:16,479 --> 01:27:19,559
Speaker 1: Yep, so great, Eric says, because we're seeing them on

1971
01:27:19,560 --> 01:27:21,439
Speaker 1: our way to hear and Ane's Corey a piece of

1972
01:27:21,439 --> 01:27:24,080
Speaker 1: paper that says Myrtle Beach, South Beach, Fort Lauderdale, South

1973
01:27:24,120 --> 01:27:27,479
Speaker 1: Padre Island, and Malibu. Eric ads Smith Sony and they

1974
01:27:27,479 --> 01:27:30,160
Speaker 1: both yell, and they both laugh and yell yeah right

1975
01:27:30,240 --> 01:27:32,640
Speaker 1: as they grab their duffel bags and head out to

1976
01:27:32,680 --> 01:27:36,080
Speaker 1: see the bikini chicks, while Corey gilts Topanga for being

1977
01:27:36,120 --> 01:27:41,240
Speaker 1: at an all girls camp. And we close it.

1978
01:27:41,240 --> 01:27:45,760
Speaker 4: It really ends with yes, yeah, yeah.

1979
01:27:47,320 --> 01:27:51,960
Speaker 1: Well, thank you all for joining us for this episode

1980
01:27:52,000 --> 01:27:54,559
Speaker 1: of Pod Meets World. As always, you can follow us

1981
01:27:54,560 --> 01:27:56,760
Speaker 1: on Instagram pod Meets World Show. You can send us

1982
01:27:56,760 --> 01:27:59,200
Speaker 1: your emails pod Meets World Show at gmail dot com.

1983
01:27:59,320 --> 01:28:00,679
Speaker 1: And we have merch.

1984
01:28:01,160 --> 01:28:03,759
Speaker 4: Mister Williams, we hardly knew ye merch.

1985
01:28:06,080 --> 01:28:08,479
Speaker 1: Join us for our next episode, which will be our

1986
01:28:08,760 --> 01:28:10,880
Speaker 1: end of the season wrap up with the Bruh meets

1987
01:28:10,880 --> 01:28:13,200
Speaker 1: World guys. We always love talking to them at the

1988
01:28:13,240 --> 01:28:15,040
Speaker 1: end of a season. I can't wait to find out

1989
01:28:15,040 --> 01:28:18,320
Speaker 1: what their hits and missus are. And then we will

1990
01:28:18,360 --> 01:28:22,720
Speaker 1: be starting season four in twenty twenty four with our

1991
01:28:22,760 --> 01:28:25,640
Speaker 1: first episode recap Season four Episode one, You Can Go

1992
01:28:25,760 --> 01:28:28,120
Speaker 1: Home Again Writer, send us out.

1993
01:28:28,600 --> 01:28:33,040
Speaker 2: We love you all, pod dismissed. Pod Meets World is

1994
01:28:33,040 --> 01:28:36,320
Speaker 2: an iHeart podcast producer hosted by Danielle Fischel, Wilfridell and

1995
01:28:36,400 --> 01:28:40,360
Speaker 2: Ryder Strong. Executive producers Jensen Karp and Amy Sugarman. Executive

1996
01:28:40,400 --> 01:28:44,559
Speaker 2: in charge of production, Danielle Romo, producer and editor, Tarasubasch producer,

1997
01:28:44,640 --> 01:28:47,880
Speaker 2: Maddie Moore, engineer and boy Meets World superman Easton Allen.

1998
01:28:48,000 --> 01:28:51,120
Speaker 2: Our theme song is by Kyle Morton of Typhoon follow

1999
01:28:51,200 --> 01:28:54,040
Speaker 2: us on Instagram at Podmeets World Show, or email us

2000
01:28:54,080 --> 01:28:59,280
Speaker 2: at Podmeats World Show at gmail dot com.