1
00:00:04,240 --> 00:00:06,320
Speaker 1: What's up. This is Michael Rappaport. You are now listening

2
00:00:06,320 --> 00:00:10,760
Speaker 1: to the I Am rapp Reports Stereo Podcast. On today's episode,

3
00:00:11,720 --> 00:00:14,920
Speaker 1: we have special guests. The man known as Dame Dollar

4
00:00:15,480 --> 00:00:21,119
Speaker 1: from the Portland's Trailblazers, NBA All Star Damian Lillard is

5
00:00:21,200 --> 00:00:24,120
Speaker 1: rocking with us on the Iron Rapp Reports Stereo Podcast.

6
00:00:24,200 --> 00:00:27,720
Speaker 1: We're talking hoops. We're talking hip hop with Dame Dollar,

7
00:00:28,400 --> 00:00:30,840
Speaker 1: the First Me and g Moody last name rhymes the

8
00:00:30,960 --> 00:00:35,320
Speaker 1: Duty are gonna do our thing, talking about Quincy Jones,

9
00:00:36,520 --> 00:00:41,239
Speaker 1: Sugar Dicken, Ivanka Trump, talking about all the trades in

10
00:00:41,320 --> 00:00:45,599
Speaker 1: the NBA, Lebron cleaned house, Dwyane Wade is back in Miami,

11
00:00:46,720 --> 00:00:53,640
Speaker 1: and Bizarro Jimmy Garoppolo joins the I Am Rappaport Stereo Podcast.

12
00:00:53,920 --> 00:00:58,680
Speaker 1: All that and more with Dame Dollar, Damian Lillard, Miles

13
00:00:58,960 --> 00:01:01,680
Speaker 1: Jordan's let me get I'm really really let me get

14
00:01:01,720 --> 00:01:15,959
Speaker 1: some funky all right. I like that mouse. That's That's

15
00:01:15,959 --> 00:01:19,160
Speaker 1: what I'm talking about. See I Am Rappaport Stereo Podcast

16
00:01:19,360 --> 00:01:23,680
Speaker 1: coming live and direct from the Gloom Tomb Studios. Iron

17
00:01:23,760 --> 00:01:29,040
Speaker 1: Rapp Reports Stereo Podcast, The Home of disruptive behavior. Name

18
00:01:29,160 --> 00:01:32,680
Speaker 1: is Michael Rappaport a K. The Gringo man Dingo, a K. White, Mike,

19
00:01:32,959 --> 00:01:36,520
Speaker 1: a K. Mr. White. Folks men here with G. Moody.

20
00:01:36,800 --> 00:01:42,880
Speaker 1: Last name rhymes with duty and some days, some situations,

21
00:01:42,959 --> 00:01:50,080
Speaker 1: the stars, the planets, the zenith, the moon, everything lines up.

22
00:01:50,080 --> 00:01:52,560
Speaker 1: Because I could tell you right now this is going

23
00:01:52,720 --> 00:01:57,160
Speaker 1: to be a smash mouth episode of the I Am

24
00:01:57,240 --> 00:02:05,520
Speaker 1: Wrappaport Stereo podcast. So much ship is going on. I'm

25
00:02:05,680 --> 00:02:10,160
Speaker 1: nowhere to start all over the place. Let's start. I'll

26
00:02:10,200 --> 00:02:13,480
Speaker 1: start with this, start with this. We're gonna move around.

27
00:02:14,080 --> 00:02:18,480
Speaker 1: We're moving and grooving. Quincy Jones, he came out of

28
00:02:18,520 --> 00:02:21,200
Speaker 1: the woodworks the other day, did a little interview and

29
00:02:21,400 --> 00:02:28,280
Speaker 1: just stirred the motherfucking pot. It's fantastic, all right, It's fantastic.

30
00:02:28,360 --> 00:02:32,519
Speaker 1: As I told you earlier, Bizarro Jimmy Garoppolo will be

31
00:02:32,800 --> 00:02:36,040
Speaker 1: making his first appearance on the Iron Rapp Reports Stereo podcast.

32
00:02:36,160 --> 00:02:41,640
Speaker 1: Just signed a monster contract. Good for him. A hundred

33
00:02:41,720 --> 00:02:48,720
Speaker 1: and thirty six million dollars one thirty six, A hundred

34
00:02:48,800 --> 00:02:53,040
Speaker 1: and thirty six million dollars. He runs San Francisco. Now,

35
00:02:53,600 --> 00:02:56,680
Speaker 1: he's just like Steph Curry could kiss my motherfucking asked,

36
00:02:56,840 --> 00:03:00,000
Speaker 1: I just got one thirty six for five. What's google

37
00:03:00,120 --> 00:03:04,880
Speaker 1: chee good for him? That's good. Um. But before we

38
00:03:04,919 --> 00:03:07,960
Speaker 1: get into all that, before we get into Quincy Jones,

39
00:03:10,200 --> 00:03:17,040
Speaker 1: Sugar Dicken, Ivanka Trump and Quincy Jones and uh, I mean,

40
00:03:17,120 --> 00:03:18,799
Speaker 1: there's just so much stuff. I want to go over

41
00:03:18,800 --> 00:03:22,200
Speaker 1: a few things. First of all, some people may not

42
00:03:22,360 --> 00:03:25,040
Speaker 1: know who he is. Look him up. We don't judge,

43
00:03:25,680 --> 00:03:30,720
Speaker 1: but love Bugs Star ski Uh DJ love Bug Star

44
00:03:30,840 --> 00:03:36,240
Speaker 1: ski Uh one of the people who actually created hip

45
00:03:36,280 --> 00:03:39,200
Speaker 1: hop if you could actually like It's not like, um,

46
00:03:39,800 --> 00:03:43,040
Speaker 1: you know, a science experiment. But he was there from

47
00:03:43,080 --> 00:03:48,480
Speaker 1: the beginning. One of the first DJ's, first mcs was rocking.

48
00:03:49,280 --> 00:03:52,720
Speaker 1: Uh when when you were just rocking for fun, when

49
00:03:52,760 --> 00:03:57,280
Speaker 1: you were just doing it purely for fun. Love Bugs

50
00:03:57,320 --> 00:04:03,040
Speaker 1: Star ski Um and I con a pillar of hip hop.

51
00:04:03,520 --> 00:04:06,360
Speaker 1: You know, they're not sure who actually created the the

52
00:04:06,640 --> 00:04:11,240
Speaker 1: term hip hop, but correct me if I'm wrong, Mr Moody.

53
00:04:11,520 --> 00:04:14,000
Speaker 1: A lot of people say he he might have been

54
00:04:14,000 --> 00:04:18,320
Speaker 1: the one that actually came up with the term hip hop. Correct. Wow, Um,

55
00:04:18,520 --> 00:04:21,320
Speaker 1: I didn't. I never heard that, but it could be true.

56
00:04:21,400 --> 00:04:24,320
Speaker 1: He's one of the pioneers, one of the first mcs

57
00:04:24,400 --> 00:04:28,440
Speaker 1: with that that style bald did he baled dang the

58
00:04:28,560 --> 00:04:31,880
Speaker 1: dang that type of ship. So, I mean basically an

59
00:04:32,120 --> 00:04:34,960
Speaker 1: icon and hip hop. You know, people who know hip

60
00:04:35,000 --> 00:04:38,719
Speaker 1: hop no love Buck star Ski. So we pay homage

61
00:04:39,160 --> 00:04:43,120
Speaker 1: to our icons, our icons, and and just you know

62
00:04:43,920 --> 00:04:45,680
Speaker 1: you should look him up. You know he's one of you,

63
00:04:45,760 --> 00:04:48,880
Speaker 1: like he's he's like a person like you know, he's

64
00:04:48,960 --> 00:04:51,720
Speaker 1: so much influence over it, but but never got any credit. Um,

65
00:04:52,040 --> 00:04:54,440
Speaker 1: you know, never probably made that much money off of

66
00:04:55,000 --> 00:04:57,440
Speaker 1: hip hop. Uh, Miles, let me let me get some

67
00:04:57,520 --> 00:04:59,800
Speaker 1: of that star Ski real quick, just to give people

68
00:05:00,000 --> 00:05:02,480
Speaker 1: a bit of that flavor before we go any further

69
00:05:02,560 --> 00:05:05,480
Speaker 1: in the show, because uh, it's just too too much.

70
00:05:05,520 --> 00:05:08,440
Speaker 1: I mean, alive at the fever. Uh, give a little

71
00:05:08,520 --> 00:05:11,640
Speaker 1: quick taste of Starsky love Buck star Sky rest in peace.

72
00:05:11,720 --> 00:05:15,720
Speaker 1: Thank you for all your contributions, uh and inventions with

73
00:05:15,839 --> 00:05:19,000
Speaker 1: everything that has to do with hip hop. Well, hello everybody,

74
00:05:19,320 --> 00:05:23,400
Speaker 1: how it starts? And I'm again when the too too

75
00:05:23,520 --> 00:05:25,880
Speaker 1: starting to tell you all and if you listen to me,

76
00:05:26,120 --> 00:05:31,080
Speaker 1: you're gonna have a ball furnishing nobum clean out is

77
00:05:31,120 --> 00:05:32,800
Speaker 1: in your up in your eyes. If I'm the l

78
00:05:32,839 --> 00:05:35,800
Speaker 1: O B E b U G Froskin in the river.

79
00:05:35,920 --> 00:05:39,440
Speaker 1: Mend with me. You have something with the bug, and

80
00:05:39,560 --> 00:05:43,760
Speaker 1: that's why the ladies told me. And and I want

81
00:05:43,760 --> 00:05:45,400
Speaker 1: to say, you know, a lot of people may not

82
00:05:45,800 --> 00:05:49,240
Speaker 1: know these guys, but we're here to tell you. These

83
00:05:49,360 --> 00:05:53,120
Speaker 1: guys are the people who built this ship, right like

84
00:05:53,560 --> 00:05:58,719
Speaker 1: they set forth the foundation of the world's most popular music.

85
00:05:58,839 --> 00:06:01,920
Speaker 1: So when when you may not know them so, but

86
00:06:02,080 --> 00:06:04,520
Speaker 1: when one of them go, we're always gonna show them

87
00:06:04,560 --> 00:06:07,480
Speaker 1: their respect that they deserve, and we're gonna give it

88
00:06:07,560 --> 00:06:10,440
Speaker 1: to him every time. Good are another good thing that

89
00:06:10,560 --> 00:06:13,880
Speaker 1: happened in New York because when we start talking about

90
00:06:13,920 --> 00:06:16,120
Speaker 1: Star Ski, that's that's about as New York as it

91
00:06:16,320 --> 00:06:19,640
Speaker 1: is could get, especially that era of hip hop. St.

92
00:06:20,000 --> 00:06:23,200
Speaker 1: John's Basketball. Now, I don't want to jinx them because

93
00:06:23,200 --> 00:06:28,960
Speaker 1: I've been known to jinks teams, but the St. John's Redman,

94
00:06:29,040 --> 00:06:35,760
Speaker 1: the Red Storm, coached by Chris Mullen assistant coach Mitch Richmond.

95
00:06:36,520 --> 00:06:39,279
Speaker 1: I talked about these guys earlier in the year. Listen,

96
00:06:40,680 --> 00:06:44,760
Speaker 1: they're coming. They had lost eleventh straight. My guys had

97
00:06:44,800 --> 00:06:50,360
Speaker 1: lost eleventh straight. Well, fuck you, they're back. Okay, they're back.

98
00:06:50,760 --> 00:06:54,160
Speaker 1: They beat the Ship in Madison Square Garden out of

99
00:06:54,279 --> 00:07:00,000
Speaker 1: coach k coach Kosowski, and Duke beat the rasses. Okay,

100
00:07:00,040 --> 00:07:02,480
Speaker 1: Hey then turned around and beat the that's number four.

101
00:07:02,600 --> 00:07:05,760
Speaker 1: Duke is number four in the country right now. St.

102
00:07:05,839 --> 00:07:08,400
Speaker 1: John's doesn't get all the the big time recruits, the

103
00:07:08,480 --> 00:07:12,880
Speaker 1: one and done guys and all that that they're still rebuilding. Okay,

104
00:07:12,920 --> 00:07:16,680
Speaker 1: I talked about my man Shamari Ponds from Brooklyn, but

105
00:07:16,800 --> 00:07:20,120
Speaker 1: the whole team is coming together. Big win versus Duke,

106
00:07:20,760 --> 00:07:25,760
Speaker 1: they beat that fuck Grayson Allen no lips. That's the

107
00:07:25,800 --> 00:07:28,120
Speaker 1: guy to be tripping. Motherfucker's right, was that him? Yeah,

108
00:07:28,120 --> 00:07:30,800
Speaker 1: and he's got no lips. He trips people, probably because

109
00:07:30,840 --> 00:07:32,640
Speaker 1: he's mad that he's got no fucking lips. I don't

110
00:07:32,680 --> 00:07:34,600
Speaker 1: know how he breathes with no lips. You know, lips

111
00:07:34,840 --> 00:07:38,520
Speaker 1: are not just for appearance. You know, you gotta have

112
00:07:38,640 --> 00:07:42,360
Speaker 1: lips to like you know, he's probably tripping people can't breathe.

113
00:07:43,800 --> 00:07:46,080
Speaker 1: Then they turned around a couple of days later and

114
00:07:46,120 --> 00:07:50,120
Speaker 1: beat the number one team in the country, Villanova. Fuck you.

115
00:07:50,440 --> 00:07:52,280
Speaker 1: If you grew up in the Big East, you know

116
00:07:52,760 --> 00:07:55,240
Speaker 1: the significance. If you grew up loving Big East basketball

117
00:07:55,280 --> 00:08:03,400
Speaker 1: with Georgetown, Villanova, Connecticut, Boston, say, ain't John Syracuse, Pittsburgh.

118
00:08:03,680 --> 00:08:07,880
Speaker 1: You know that these games, especially to Chris Mullen. He

119
00:08:08,120 --> 00:08:11,440
Speaker 1: gets it more than anybody. St. John's Villanova used to

120
00:08:11,480 --> 00:08:15,920
Speaker 1: be like an Ali Frasier fight every Monday on ESPN

121
00:08:16,000 --> 00:08:19,800
Speaker 1: with Dick Viteal. So for St. John's to be struggling,

122
00:08:19,880 --> 00:08:22,240
Speaker 1: lose eleven games in a row, beat the ship out

123
00:08:22,280 --> 00:08:26,400
Speaker 1: of Duke and they're hot shot, fucking freshman recruits and

124
00:08:26,440 --> 00:08:30,840
Speaker 1: they're fucking Grayson Allen with his mouth problems, and then

125
00:08:30,920 --> 00:08:33,400
Speaker 1: turn around again and beat Villanova, who's number one in

126
00:08:33,440 --> 00:08:39,679
Speaker 1: the country. Good, good, good, good. Good for the kids.

127
00:08:39,960 --> 00:08:42,240
Speaker 1: I had the honor the pleasure of speaking to the kids.

128
00:08:42,280 --> 00:08:44,800
Speaker 1: We talked about it on the Iron Rapp Reports stereo podcast.

129
00:08:45,120 --> 00:08:47,240
Speaker 1: I'm not saying I had anything to do with the winds.

130
00:08:47,400 --> 00:08:49,120
Speaker 1: I'm not saying I didn't have anything to do with

131
00:08:49,200 --> 00:08:53,000
Speaker 1: the winds, And I'll just leave it at that. Yeah, good, Chris,

132
00:08:53,480 --> 00:08:58,040
Speaker 1: beat that arrogant coach K. Fuck you coach K. You

133
00:08:58,120 --> 00:09:03,319
Speaker 1: come into Madison Square Garden with that bullshit. Were um.

134
00:09:04,040 --> 00:09:07,200
Speaker 1: Another thing today, if you're listening to this, I am

135
00:09:07,200 --> 00:09:13,440
Speaker 1: Wrapper stereo podcast today. A year ago today, the world

136
00:09:13,880 --> 00:09:18,199
Speaker 1: witnessed the Oakley incident at the Garden, the l A

137
00:09:18,320 --> 00:09:22,160
Speaker 1: Clippers were playing the New York Knicks. Charles Oakley was

138
00:09:22,240 --> 00:09:30,319
Speaker 1: at the game allegedly, allegedly heckling James Dolan. Hasn't been proven,

139
00:09:31,600 --> 00:09:35,680
Speaker 1: and we all know what happened next. Dolan sent over

140
00:09:35,800 --> 00:09:39,040
Speaker 1: some of his goons. Oakley is not the guy you

141
00:09:39,120 --> 00:09:43,679
Speaker 1: want to send goons over to. Oakley stood up. The

142
00:09:43,840 --> 00:09:46,760
Speaker 1: goons were talking out the side of their mouth. The

143
00:09:46,880 --> 00:09:49,920
Speaker 1: first goon got finger pointed in the side of his

144
00:09:50,080 --> 00:09:54,400
Speaker 1: fucking head, almost caught whiplash, and the rest we all

145
00:09:54,559 --> 00:10:02,240
Speaker 1: know about. Since this ugly, disgraceful incident happened in Madison

146
00:10:02,320 --> 00:10:07,160
Speaker 1: Square Garden, the great pillar of the nineties Knicks and

147
00:10:07,240 --> 00:10:09,839
Speaker 1: everything that has to do with nineties basketball, even when

148
00:10:09,840 --> 00:10:14,080
Speaker 1: he was a Chicago Bull, Charles Oakley has been banned

149
00:10:14,160 --> 00:10:18,120
Speaker 1: and suspended from going to Madison Square Garden for a year.

150
00:10:19,280 --> 00:10:24,200
Speaker 1: James Dolan, I swear I can't confirm or deny something's

151
00:10:24,240 --> 00:10:29,280
Speaker 1: going on with your hair. You look like shit. Okay,

152
00:10:29,920 --> 00:10:35,319
Speaker 1: you look like shit. I have personally not stepped foot

153
00:10:35,440 --> 00:10:39,000
Speaker 1: into Madison Square Garden. My public band is on. I

154
00:10:39,080 --> 00:10:41,640
Speaker 1: will not go into Madison Square Garden. I don't care

155
00:10:41,720 --> 00:10:45,680
Speaker 1: how good they're playing. I don't care who they're playing

156
00:10:46,360 --> 00:10:50,040
Speaker 1: until the band is lifted off. Charles Oakley met the

157
00:10:50,120 --> 00:10:54,240
Speaker 1: greno man Dingo Michael Rapport will not step foot into

158
00:10:54,360 --> 00:10:59,800
Speaker 1: Madison Square Garden. As they lead the Great Charles Oakley

159
00:11:00,679 --> 00:11:04,640
Speaker 1: off to the side. By the exits, the crowd chanted

160
00:11:04,960 --> 00:11:09,959
Speaker 1: oak Lee. Oak Lee, the same guy who dove for

161
00:11:10,120 --> 00:11:14,320
Speaker 1: loose balls and said smashing picks. You do put him

162
00:11:14,360 --> 00:11:19,280
Speaker 1: in some sort of fucking uh kraftma me ti karate

163
00:11:19,600 --> 00:11:23,839
Speaker 1: fucking jiu jitsu handbar and submit Charles Oakley to the ground.

164
00:11:24,240 --> 00:11:32,640
Speaker 1: Shame on you, you fuck you. Shame on you. That

165
00:11:32,720 --> 00:11:37,839
Speaker 1: happened a year ago. We will never forget. Yeah, he

166
00:11:37,920 --> 00:11:40,800
Speaker 1: got exonerated, though, I mean they found Oakley did no

167
00:11:41,080 --> 00:11:46,559
Speaker 1: no wrong. That cock sucker needs to apologize to Charles

168
00:11:46,640 --> 00:11:49,440
Speaker 1: Oakley and allow him back at the Madison Square Guarden

169
00:11:49,880 --> 00:11:53,240
Speaker 1: until that happens, I got nothing to say. I'm not

170
00:11:53,360 --> 00:11:55,920
Speaker 1: stepping foot into the garden. It's not a Knicks thing.

171
00:11:57,200 --> 00:12:00,760
Speaker 1: He meant too much to the Knicks fans. I got

172
00:12:00,840 --> 00:12:04,080
Speaker 1: to spend a great amount of time with oak when

173
00:12:04,160 --> 00:12:09,439
Speaker 1: I was the sideline reporter. Howard Cosell of the inaugural

174
00:12:09,520 --> 00:12:12,000
Speaker 1: season of the Big Three couldn't be a nicer guy,

175
00:12:12,080 --> 00:12:14,840
Speaker 1: couldn't be more beloved guy who talked about him many

176
00:12:14,880 --> 00:12:19,400
Speaker 1: times on this podcast. He joined us, he joined us

177
00:12:20,520 --> 00:12:25,080
Speaker 1: on stage. Okay, and I'm gonna say this right now.

178
00:12:25,960 --> 00:12:27,920
Speaker 1: I don't want to confirm her tonight, but he'll be back.

179
00:12:28,200 --> 00:12:30,360
Speaker 1: He'll be back on the irony for the full sit down,

180
00:12:32,080 --> 00:12:34,240
Speaker 1: for the full sit down. So that happened a year ago.

181
00:12:34,480 --> 00:12:39,840
Speaker 1: So we again pay our respects and homage great Charles Oakley,

182
00:12:40,400 --> 00:12:42,800
Speaker 1: no doubt, I mean, Moody, We've been going to games

183
00:12:42,880 --> 00:12:46,400
Speaker 1: for years. This year this might be the first year

184
00:12:46,440 --> 00:12:49,600
Speaker 1: in a long time that we don't go to games courtside. Yeah,

185
00:12:50,360 --> 00:12:55,360
Speaker 1: but you know what the struggle is real? Yeah, that

186
00:12:55,559 --> 00:13:03,000
Speaker 1: that organization. Man, God, God, what happened. Obviously this week

187
00:13:03,320 --> 00:13:06,240
Speaker 1: Kristop Porzingis went down with a terrible injury. He's out

188
00:13:06,360 --> 00:13:11,480
Speaker 1: and definitely's out for the season. That sucks, um a

189
00:13:11,679 --> 00:13:13,880
Speaker 1: c L. No one is ever the same after that

190
00:13:15,120 --> 00:13:17,320
Speaker 1: terrible man. When when you're that tall man, that's why

191
00:13:17,400 --> 00:13:20,079
Speaker 1: they're they're like, you know, they had Joel emb on

192
00:13:20,200 --> 00:13:23,920
Speaker 1: minutes restrictions and game restrictions. Joel Embiid he likes to

193
00:13:23,960 --> 00:13:27,360
Speaker 1: call himself troll embiid, I like him, I like I

194
00:13:27,480 --> 00:13:30,520
Speaker 1: think he needs a dialect coachure. I tried to understand him,

195
00:13:30,520 --> 00:13:34,959
Speaker 1: and I just cut the TV off. Hmm, well, I'll

196
00:13:35,040 --> 00:13:38,400
Speaker 1: let you say that. Uh. I'm still letting things cool

197
00:13:38,480 --> 00:13:44,040
Speaker 1: down from the Janet Jackson blowback. I've taken on all

198
00:13:44,160 --> 00:13:46,760
Speaker 1: comers now that they've they've ran back into their fucking

199
00:13:47,080 --> 00:13:52,600
Speaker 1: into their fucking hovels. Yeah, huh, I said, I'm glad

200
00:13:52,640 --> 00:13:56,599
Speaker 1: that's done and over with. Yeah, because God forbid you

201
00:13:56,720 --> 00:14:01,400
Speaker 1: say something um that that's totally accurate and actual Janet Jackson.

202
00:14:01,720 --> 00:14:03,839
Speaker 1: But what I wanted to pose to you because I'm

203
00:14:03,840 --> 00:14:09,920
Speaker 1: gonna segue into Quincy Jones m hm. Now, Quincy Jones,

204
00:14:09,960 --> 00:14:14,640
Speaker 1: who produced all of Michael Jackson's music. He came out

205
00:14:14,720 --> 00:14:20,400
Speaker 1: with a very uh controversial, very inciting interview this week

206
00:14:21,040 --> 00:14:23,960
Speaker 1: um on The Vulture, which is a subsidiary of New

207
00:14:24,040 --> 00:14:30,280
Speaker 1: York magazine, The Hipster Manifesto, the Weekly Publication. UM. Now,

208
00:14:30,520 --> 00:14:33,960
Speaker 1: I said that Janet Jackson, basically in a nutshell, wasn't

209
00:14:34,000 --> 00:14:37,600
Speaker 1: as popular as she used to be. People went fucking

210
00:14:37,680 --> 00:14:47,160
Speaker 1: crazy on me. Now, Quincy Jones came out against the

211
00:14:47,280 --> 00:14:52,080
Speaker 1: late great Michael Jackson and he said, and I quote,

212
00:14:53,440 --> 00:14:59,240
Speaker 1: Michael stole a lot of stuff, essentially calling him a thief.

213
00:14:59,760 --> 00:15:04,120
Speaker 1: He stole a lot of songs. The notes don't lie.

214
00:15:05,120 --> 00:15:10,600
Speaker 1: He was as Macavellian as they come. Greedy man, greedy,

215
00:15:11,120 --> 00:15:16,840
Speaker 1: damn the man is dead. Yo, hey listen, god forbid.

216
00:15:16,960 --> 00:15:21,560
Speaker 1: Hashtag black Twitter gets wind of what Quincy Jones said. Yeah,

217
00:15:21,640 --> 00:15:24,760
Speaker 1: I want to see. Yeah, the man is dead man.

218
00:15:25,600 --> 00:15:28,480
Speaker 1: I mean Janet Jackson based on everything I learned about

219
00:15:28,480 --> 00:15:31,080
Speaker 1: her this week. She put out a record in two

220
00:15:31,120 --> 00:15:36,480
Speaker 1: thousand fifteen. It's sold two hundred thousand copies and a

221
00:15:36,600 --> 00:15:39,320
Speaker 1: song with j Cole. How dare I say her name

222
00:15:39,560 --> 00:15:46,240
Speaker 1: without saying everything is dope? But but Quincy Jones said,

223
00:15:46,360 --> 00:15:48,960
Speaker 1: and I quote, and you know, rule number one of

224
00:15:49,000 --> 00:15:53,360
Speaker 1: the Iron Rapp Reports Stereo podcast is not the fact check. Yeah,

225
00:15:53,920 --> 00:15:57,160
Speaker 1: he said, I used to kill him about the plastic

226
00:15:57,280 --> 00:16:01,000
Speaker 1: surgery he'd always justified. I didn't say it was because

227
00:16:01,040 --> 00:16:08,600
Speaker 1: of some sort of disease he had bullshit unquote. He

228
00:16:08,720 --> 00:16:11,400
Speaker 1: had problems with his looks because his father told him

229
00:16:11,440 --> 00:16:18,920
Speaker 1: he was ugly and abused. That's that. But we didn't

230
00:16:18,920 --> 00:16:21,520
Speaker 1: know he was. This is this is Mr Jones's words.

231
00:16:21,640 --> 00:16:27,120
Speaker 1: We didn't know he was a song thief. Based on

232
00:16:27,240 --> 00:16:31,600
Speaker 1: Mr Jones's words, I'm not saying this, God forbid, Let's

233
00:16:31,600 --> 00:16:36,720
Speaker 1: see what Mr Jones gets. The man is dead. Damn

234
00:16:38,000 --> 00:16:46,200
Speaker 1: hold your head, duke, Oh, God forbid um. The thing

235
00:16:46,320 --> 00:16:49,480
Speaker 1: that got all the headlines even over that he might

236
00:16:49,520 --> 00:16:52,640
Speaker 1: have slipped through the cracks on this Quincy Jones, is

237
00:16:52,720 --> 00:16:56,760
Speaker 1: that he said, and I quote, I dated Avanka Trump,

238
00:16:57,920 --> 00:17:02,640
Speaker 1: not a Vana. He dated the daughter and she he

239
00:17:02,760 --> 00:17:06,240
Speaker 1: said she was a bad motherfucker, No, a fine motherfucker,

240
00:17:06,320 --> 00:17:10,520
Speaker 1: and she had the best legs I'd ever see. Now,

241
00:17:10,840 --> 00:17:16,600
Speaker 1: if you're not familiar with Quincy Jones's history, he before

242
00:17:16,760 --> 00:17:21,879
Speaker 1: Michael Jackson, before the Brothers Johnson, before all of that,

243
00:17:22,760 --> 00:17:26,760
Speaker 1: he was running around the jazz scene with Miles Davis,

244
00:17:27,520 --> 00:17:31,080
Speaker 1: Dizzy Gillespie, Charles. He was in the jazz scene, heavy

245
00:17:32,320 --> 00:17:37,720
Speaker 1: big band, and he was known as a great stickman.

246
00:17:38,040 --> 00:17:40,600
Speaker 1: Now I have never brought him up as a great

247
00:17:40,640 --> 00:17:45,119
Speaker 1: stick man. That's my bad. I take the responsibility. But

248
00:17:45,200 --> 00:17:48,160
Speaker 1: when Quincy Jones said he she had the best legs

249
00:17:48,200 --> 00:17:52,760
Speaker 1: I ever seen about the president's daughter, and he said

250
00:17:52,800 --> 00:17:59,320
Speaker 1: I'd dated her. No, the President's the president's doorter, not

251
00:17:59,440 --> 00:18:01,880
Speaker 1: the X y if not that old fucking bag who

252
00:18:01,920 --> 00:18:05,440
Speaker 1: can't even fucking that cock eyed bag of Vanna. She's

253
00:18:05,560 --> 00:18:07,719
Speaker 1: cock eyed? She what are you gonna do with her?

254
00:18:10,080 --> 00:18:12,280
Speaker 1: This is Quincy Jones we're talking about. He goes after

255
00:18:12,400 --> 00:18:15,879
Speaker 1: the daughter. Oh man, he's a dirty old He's a

256
00:18:15,960 --> 00:18:21,520
Speaker 1: dirty old dude. Man. Hey, I gotta tell you, I

257
00:18:21,720 --> 00:18:24,240
Speaker 1: was happy when I found out that he piped down

258
00:18:24,480 --> 00:18:28,640
Speaker 1: the president's daughter. Okay, I was happy when I found

259
00:18:28,680 --> 00:18:32,920
Speaker 1: out that he did that, because what more could the

260
00:18:33,000 --> 00:18:37,960
Speaker 1: president hate? Then hearing that Quincy Jones old ass eighty

261
00:18:38,080 --> 00:18:40,520
Speaker 1: four years old? Night, This probably was about twenty years ago.

262
00:18:42,480 --> 00:18:45,760
Speaker 1: She's not that old. He was sugar dick and your daughter.

263
00:18:46,040 --> 00:18:47,800
Speaker 1: You don't want to hear that about anybody, let alone

264
00:18:47,880 --> 00:18:51,040
Speaker 1: Quincy Jones. But the apple doesn't fall that far from

265
00:18:51,080 --> 00:18:55,760
Speaker 1: the tree. Trump has a pain for young women, right,

266
00:18:56,440 --> 00:19:01,080
Speaker 1: He's he's, you know, chasing skirt young girls. Quincy Jones,

267
00:19:01,200 --> 00:19:04,400
Speaker 1: same thing. The daughters into it. She loves her father.

268
00:19:04,720 --> 00:19:07,159
Speaker 1: That's why Quincy Jones was able to get her. He

269
00:19:07,320 --> 00:19:11,240
Speaker 1: was kicking that same ship, that fly ship. So I

270
00:19:11,400 --> 00:19:17,160
Speaker 1: was glad that he piped her out. Um. Quincy Jones

271
00:19:17,280 --> 00:19:21,400
Speaker 1: also said, and I quote Marlon Brando would fuck anything.

272
00:19:22,880 --> 00:19:26,040
Speaker 1: I mean, this is disturbing, he said, Marlon Brando would

273
00:19:26,080 --> 00:19:29,639
Speaker 1: fuck anything. This is gonna did you did you read this?

274
00:19:29,680 --> 00:19:31,639
Speaker 1: Do you know where I'm going with this? Yeah? I

275
00:19:31,760 --> 00:19:34,280
Speaker 1: know where you go. This is a hard pill to swallow.

276
00:19:34,640 --> 00:19:36,840
Speaker 1: And you know it's like, if you're gonna if you're

277
00:19:36,840 --> 00:19:40,920
Speaker 1: gonna listen and and take the Michael Jackson comments and

278
00:19:41,000 --> 00:19:43,760
Speaker 1: the Ivanka Trump's comments, then you gotta be able to

279
00:19:43,800 --> 00:19:48,320
Speaker 1: stomach this one. He said, Marlon Brando, we used to

280
00:19:48,400 --> 00:19:52,720
Speaker 1: go out chot chot dancing. He could dance his ass off.

281
00:19:53,480 --> 00:19:57,600
Speaker 1: He was the most charming motherfucker you ever met. He'd

282
00:19:57,680 --> 00:20:05,280
Speaker 1: fuck anything anything. He fuck a mailbox, James Baldwin, Richard Pryor,

283
00:20:06,040 --> 00:20:10,040
Speaker 1: Marvin Gay. And the reporter said he slept with them.

284
00:20:10,280 --> 00:20:13,840
Speaker 1: How do you know that? Quincy Jones said, come on, man,

285
00:20:14,440 --> 00:20:17,840
Speaker 1: he did not give a fuck. Damn. He ran up.

286
00:20:17,920 --> 00:20:20,840
Speaker 1: He ran up in Richard Pryce. Marlon Brando ran up

287
00:20:20,880 --> 00:20:24,600
Speaker 1: in Richard Pryor. Yo, he said, James Baldwin, who was

288
00:20:24,640 --> 00:20:28,879
Speaker 1: openly gay, Richard Pryor, who who talked about his confusion

289
00:20:28,920 --> 00:20:33,560
Speaker 1: with his sexuality all the time. And he said, Marvin Gay,

290
00:20:33,560 --> 00:20:39,240
Speaker 1: I don't know how everybody's skipping over the Marvin Gay thing, yo, ship,

291
00:20:40,160 --> 00:20:43,600
Speaker 1: But why is this guy I don't know, throwing motherfucker's

292
00:20:43,640 --> 00:20:45,960
Speaker 1: in the street like that. Man, that's funked up. Man.

293
00:20:46,760 --> 00:20:51,720
Speaker 1: Let Marlon Brando say that up in you. He probably

294
00:20:51,760 --> 00:20:53,480
Speaker 1: ran up in you too, but you ain't saying that.

295
00:20:55,600 --> 00:20:59,560
Speaker 1: It was interesting because he threw Michael Jackson under the bus.

296
00:21:00,119 --> 00:21:03,200
Speaker 1: He threw Richard Pryor, Marvin Gay, and James all Baldwin

297
00:21:03,320 --> 00:21:06,440
Speaker 1: under the bus, even threw more essentially Marlon Brando under

298
00:21:06,480 --> 00:21:09,640
Speaker 1: the bus. But when he was asked about his friend,

299
00:21:09,760 --> 00:21:12,880
Speaker 1: his longtime friend, Bill Cosby, he said, I can't talk

300
00:21:12,920 --> 00:21:15,119
Speaker 1: about that. I can't talk about in private. You just

301
00:21:15,200 --> 00:21:19,400
Speaker 1: said that Marlon Brando, fuck Richard Pryor, but you don't

302
00:21:19,400 --> 00:21:25,320
Speaker 1: want to say anything about fucking Bill Cosby. That's a

303
00:21:25,400 --> 00:21:28,320
Speaker 1: lot to swallow. And just like a little article. Yeah,

304
00:21:28,400 --> 00:21:31,320
Speaker 1: you put that ship out. That's irresponsible. Man. You gotta

305
00:21:31,359 --> 00:21:35,720
Speaker 1: checked his dudes for someone were something. Man, Yo, you

306
00:21:35,840 --> 00:21:39,480
Speaker 1: can't do that, man, So you can't do that. So

307
00:21:39,680 --> 00:21:44,760
Speaker 1: based on what what you know, do you think Black

308
00:21:44,840 --> 00:21:49,840
Speaker 1: Twitter should attack Quincy Jones with the venom that they

309
00:21:49,920 --> 00:21:54,359
Speaker 1: attacked me with, throwing that question to you. Yeah, but

310
00:21:54,480 --> 00:21:58,080
Speaker 1: he's black, So what well they got after me? I'm

311
00:21:58,080 --> 00:22:01,920
Speaker 1: a racist, now, hey you're not black. But but so

312
00:22:02,000 --> 00:22:03,560
Speaker 1: what should they say that? What should they say that

313
00:22:03,600 --> 00:22:07,840
Speaker 1: Quincy Jones the same ship. I'm a fair dude. You

314
00:22:07,880 --> 00:22:10,280
Speaker 1: know how they went at you is how they should

315
00:22:10,280 --> 00:22:13,480
Speaker 1: go at him, because you know, you don't throw motherfucker's

316
00:22:14,280 --> 00:22:17,639
Speaker 1: Michael Jackson is dead. He can't speak for himself. Uh,

317
00:22:18,000 --> 00:22:21,679
Speaker 1: Marlon Brando, you're saying Marlon Brando ran up in Uh

318
00:22:21,840 --> 00:22:26,320
Speaker 1: Marvin Gaye and and then Yo, that's a violation, man,

319
00:22:26,760 --> 00:22:29,439
Speaker 1: Because I don't know if Quincy Jones is on Twitter.

320
00:22:30,480 --> 00:22:32,600
Speaker 1: But if you feel like you you you have something

321
00:22:32,640 --> 00:22:38,040
Speaker 1: to say to him. Uh, feel free? Um what else?

322
00:22:38,119 --> 00:22:39,879
Speaker 1: I mean, there's so much going on, and we're not

323
00:22:39,880 --> 00:22:42,200
Speaker 1: gonna be able to get to everything. We're not gonna

324
00:22:42,240 --> 00:22:45,399
Speaker 1: be able to get to everything. Uh, the the the

325
00:22:45,520 --> 00:22:49,440
Speaker 1: Philadelphia Eagles and there some of there because I love

326
00:22:49,560 --> 00:22:51,680
Speaker 1: I love the city of Philadelphia. Some of their horse

327
00:22:51,680 --> 00:22:56,919
Speaker 1: shooting fans, they had their their parade. Um, there's been

328
00:22:56,920 --> 00:22:59,159
Speaker 1: a lot of discussions. I'll listen. I want to explain this.

329
00:22:59,600 --> 00:23:04,640
Speaker 1: There's been a lot of discussion about Nick Foles. Somehow

330
00:23:04,880 --> 00:23:07,480
Speaker 1: or another. There's been a rumor that a lot of

331
00:23:07,600 --> 00:23:11,120
Speaker 1: a lot of websites and media places are are are

332
00:23:11,200 --> 00:23:14,359
Speaker 1: curious about I could give a fun now. Anointing someone

333
00:23:14,680 --> 00:23:18,359
Speaker 1: a stickman has nothing to do with a few things

334
00:23:19,359 --> 00:23:21,840
Speaker 1: the amount of women they've slept with or the size

335
00:23:21,880 --> 00:23:26,879
Speaker 1: of their pipe, their loaf, I could care less. Okay,

336
00:23:27,119 --> 00:23:28,960
Speaker 1: what kind of pipe you have? If you're a stickman,

337
00:23:29,000 --> 00:23:30,640
Speaker 1: you're going to get it in one way or another,

338
00:23:30,640 --> 00:23:33,000
Speaker 1: because you have that Genes s Kua, you have that swag,

339
00:23:33,240 --> 00:23:36,320
Speaker 1: you have that flying's about you. There's been there's been

340
00:23:36,640 --> 00:23:41,760
Speaker 1: legitimate sports media outlets trying to get to the bottom

341
00:23:42,000 --> 00:23:45,440
Speaker 1: of whether or not Nick Foles, whose whose nickname is

342
00:23:45,560 --> 00:23:49,760
Speaker 1: Big Dick Nick and foot long Folds, actually has a

343
00:23:49,880 --> 00:23:53,280
Speaker 1: foot long loaf. Yeah, I heard that. How is that

344
00:23:53,400 --> 00:23:55,600
Speaker 1: coming up? I think the Eagles fans just made it

345
00:23:55,720 --> 00:23:58,200
Speaker 1: up because it rhymes right. It's not like they was

346
00:23:58,240 --> 00:24:00,639
Speaker 1: in the locker room and they were able to see money.

347
00:24:00,880 --> 00:24:03,760
Speaker 1: He's already got enough going against him because next year

348
00:24:03,880 --> 00:24:05,760
Speaker 1: he's not going to be the starting quarterback for the

349
00:24:05,800 --> 00:24:07,800
Speaker 1: team that he led to the Super Bowl. He's gonna

350
00:24:07,840 --> 00:24:10,040
Speaker 1: have this scrutiny on him for so long and then

351
00:24:10,160 --> 00:24:14,480
Speaker 1: y'all worried about his pipe. Let him let him rest

352
00:24:14,560 --> 00:24:17,000
Speaker 1: his loaf. Man, he just played, he just won the

353
00:24:17,040 --> 00:24:20,080
Speaker 1: Super Bowl. Let him take his loaf in whatever fashion,

354
00:24:21,280 --> 00:24:24,320
Speaker 1: whatever kind of pipe. He's got to go to Disneyland

355
00:24:24,480 --> 00:24:29,199
Speaker 1: and chill out. Yeah, he won. He got you out

356
00:24:29,240 --> 00:24:33,160
Speaker 1: of Super Bowl. He's now an icon forever in the city.

357
00:24:33,760 --> 00:24:37,000
Speaker 1: A backup quarterback won you your first Super Bowl in

358
00:24:37,040 --> 00:24:40,000
Speaker 1: a fucking a hundred years. Let this man live, Let

359
00:24:40,119 --> 00:24:43,320
Speaker 1: him start next year. That's it. And why are you

360
00:24:43,359 --> 00:24:47,640
Speaker 1: worried about his his loaf? Yeah, get off that man.

361
00:24:47,920 --> 00:24:51,680
Speaker 1: Get off from a man's loaf. Um. The NBA trade

362
00:24:51,720 --> 00:24:58,320
Speaker 1: line came and went, and I mean, holy shit, holy shit,

363
00:24:58,920 --> 00:25:02,560
Speaker 1: everybody sort of no is what's happened? Uh Isaiah Thomas,

364
00:25:03,600 --> 00:25:09,439
Speaker 1: who Gerald affectionately refers to as as as what uh tattoo? Um?

365
00:25:09,520 --> 00:25:12,360
Speaker 1: And if you don't know the reference the classic ABC

366
00:25:12,640 --> 00:25:17,440
Speaker 1: television show Fantasy Island. What was the actor's name, Hervey

367
00:25:17,960 --> 00:25:21,960
Speaker 1: villa Che something like that, little Hervey so Jared and

368
00:25:22,119 --> 00:25:25,200
Speaker 1: his character's named Tattoo And Hervey was about five? What

369
00:25:25,400 --> 00:25:27,960
Speaker 1: was he's like? He wasn't a little person. I was

370
00:25:28,000 --> 00:25:30,840
Speaker 1: gonna say, but God forbid, I God forbid, I have

371
00:25:31,080 --> 00:25:34,399
Speaker 1: black Twitter coming after me and then little person Twitter

372
00:25:34,480 --> 00:25:36,959
Speaker 1: coming after me in the same fucking week. How much

373
00:25:37,000 --> 00:25:39,200
Speaker 1: could one man it take? So we'll call him a

374
00:25:39,240 --> 00:25:45,960
Speaker 1: little person today, I'll say it the little midget. Huh,

375
00:25:48,040 --> 00:25:52,199
Speaker 1: what's your what's your Twitter handle? Gerald moot sixty? Come

376
00:25:52,240 --> 00:25:56,320
Speaker 1: at me? Motherfucker's up with it? Um So. Isaiah Thomas,

377
00:25:57,400 --> 00:26:00,119
Speaker 1: who was traded with big and dramatic fashion in the

378
00:26:00,200 --> 00:26:05,080
Speaker 1: summertime to the Cleveland Cavaliers, played about fifteen games. It

379
00:26:05,119 --> 00:26:07,200
Speaker 1: could be fourteen, it could be twelve, could be sixteen.

380
00:26:07,359 --> 00:26:09,760
Speaker 1: We don't fact check. At the Iron Rapports Stereo podcast,

381
00:26:09,960 --> 00:26:13,879
Speaker 1: Isaiah Thomas and half of the Cleveland Cavaliers roster was

382
00:26:14,080 --> 00:26:18,760
Speaker 1: sent the fuck all over the globe. They sent Dwyane

383
00:26:18,800 --> 00:26:24,000
Speaker 1: Wade to Miami, they sent Derrick Rose to Minnesota, Imon

384
00:26:24,119 --> 00:26:26,639
Speaker 1: Schumpert to Sacramento. You know it's bad when you get

385
00:26:26,680 --> 00:26:31,639
Speaker 1: sent to Sacramento. Yeah, that's Siberia, NBA Siberia, And you

386
00:26:31,720 --> 00:26:36,280
Speaker 1: know what's fucked up? G what? Because I was just

387
00:26:36,600 --> 00:26:40,520
Speaker 1: talking to Scott Pollard, who was part of those iconic

388
00:26:42,320 --> 00:26:46,359
Speaker 1: through two thousand and three Sacramento Kings teams who just

389
00:26:46,400 --> 00:26:49,160
Speaker 1: couldn't get over the hump with our guy, Jason Williams,

390
00:26:49,200 --> 00:26:55,280
Speaker 1: White Chocolate, Mike Bibbie, obviously, Chris Webber, Vladi Divach. He's

391
00:26:55,320 --> 00:26:57,919
Speaker 1: coming on the podcast telling dope stories. And I was like, Yo,

392
00:26:58,080 --> 00:27:01,800
Speaker 1: that team, they had so many uh pieces and they

393
00:27:01,880 --> 00:27:04,640
Speaker 1: can never get over the Kobe Bryant, Shaquille O'Neil hump

394
00:27:05,960 --> 00:27:09,119
Speaker 1: and and and before that team, you know, put it

395
00:27:09,200 --> 00:27:11,520
Speaker 1: together and they came to they made it to the

396
00:27:11,560 --> 00:27:17,000
Speaker 1: Western Conference Finals. Sacramento stunk. And now Sacramento, unfortunately, is

397
00:27:17,080 --> 00:27:20,000
Speaker 1: being back to being a place where you get shipped.

398
00:27:20,359 --> 00:27:21,840
Speaker 1: It's like, if they don't know what to do with you,

399
00:27:21,960 --> 00:27:26,320
Speaker 1: they'll just send you to Sacramento. Yeah, right with the

400
00:27:26,400 --> 00:27:31,360
Speaker 1: cow bells and all that. Yeah, Aman Shumper went there.

401
00:27:32,160 --> 00:27:35,320
Speaker 1: And and of course Isaiah Thomas a k A what

402
00:27:35,400 --> 00:27:39,800
Speaker 1: do you call him? Uh tattoo um he got sent

403
00:27:40,000 --> 00:27:43,800
Speaker 1: to um the Lakers and and and you know, apparently

404
00:27:44,560 --> 00:27:48,679
Speaker 1: Isaiah Thomas, he doesn't funk around because this is all rumors.

405
00:27:49,000 --> 00:27:51,800
Speaker 1: But as soon as he got traded, his agent made

406
00:27:51,840 --> 00:27:54,680
Speaker 1: a statement saying, Isaiah Thomas isn't coming off the bench

407
00:27:54,960 --> 00:27:57,720
Speaker 1: now as of now, when he's healthy. The starting point

408
00:27:57,760 --> 00:28:02,960
Speaker 1: guard for the Los Angeles Lake Kers is Alonzo Ball. Yeah.

409
00:28:04,080 --> 00:28:06,640
Speaker 1: Look this guy got this little this this Isaiah guy

410
00:28:06,680 --> 00:28:08,680
Speaker 1: got a big mouth. Man. He talks a lot. He

411
00:28:08,800 --> 00:28:11,359
Speaker 1: was talking a lot in Cleveland. I'm sure that's what

412
00:28:11,560 --> 00:28:15,800
Speaker 1: hastened him getting shipped out. And and uh, you know,

413
00:28:15,920 --> 00:28:18,159
Speaker 1: you can't really guard nobody out there, man, you know,

414
00:28:18,320 --> 00:28:22,080
Speaker 1: just take the spot. You ain't got the cash to

415
00:28:22,240 --> 00:28:26,240
Speaker 1: be talking like demanding. Ship. You got Zeke's you got

416
00:28:26,440 --> 00:28:31,120
Speaker 1: Zeke's name, you got Isaiah Thomas's name, but you ain't

417
00:28:31,119 --> 00:28:35,520
Speaker 1: got that game to be out again. You got Zeke's name,

418
00:28:36,800 --> 00:28:40,000
Speaker 1: but you don't got that game to be demanding. You know,

419
00:28:40,080 --> 00:28:47,360
Speaker 1: I'm starting, Alonzo got that beat. Well do Lebron James

420
00:28:48,480 --> 00:28:53,320
Speaker 1: or as I like to call him, Lebron blames him

421
00:28:53,400 --> 00:28:57,440
Speaker 1: and Tyler they just they just shut the whole ship down.

422
00:28:58,040 --> 00:29:04,320
Speaker 1: Jay crowder really good piece for the Boston Celtics, gone

423
00:29:04,560 --> 00:29:07,600
Speaker 1: sent to Utah. Derrick Rose was sent to Utah, then

424
00:29:07,640 --> 00:29:10,280
Speaker 1: back to Minnesota. I don't know. I couldn't even keep track.

425
00:29:11,360 --> 00:29:15,720
Speaker 1: Channing Fry sent to the Lakers, Imon Schumper again, like

426
00:29:15,840 --> 00:29:18,680
Speaker 1: we said, sent to the Kings, and then d Wade

427
00:29:19,440 --> 00:29:22,800
Speaker 1: Lebron James running mate from the Miami Heats, the team

428
00:29:22,920 --> 00:29:27,200
Speaker 1: that started all his bullshit, Gerald, the team that started

429
00:29:27,240 --> 00:29:31,600
Speaker 1: all this fucking nonsense that the NBA. Until the rule

430
00:29:31,960 --> 00:29:35,680
Speaker 1: gets changed, they will be reeling from this friends and

431
00:29:35,800 --> 00:29:39,440
Speaker 1: family bullshit. You could say what you want about Kevin Durant,

432
00:29:41,000 --> 00:29:44,320
Speaker 1: but this, this is what started all this nonsense. This

433
00:29:44,480 --> 00:29:47,360
Speaker 1: is what started it. And Lebron James is always in

434
00:29:47,400 --> 00:29:49,000
Speaker 1: the middle of it, and until he gets the funk

435
00:29:49,040 --> 00:29:50,920
Speaker 1: out of the league, he's always gonna be in the

436
00:29:51,000 --> 00:29:55,440
Speaker 1: middle of it. This big three, big four friends and

437
00:29:55,520 --> 00:29:58,200
Speaker 1: family bullshit. We all hang out, we're all on the

438
00:29:58,240 --> 00:30:02,880
Speaker 1: banana boat, We're all yachted up. You're wrong, Ray Allen, KG,

439
00:30:03,440 --> 00:30:08,680
Speaker 1: Paul Pierce is that's this inception. That's the inception of

440
00:30:08,800 --> 00:30:13,600
Speaker 1: the friends and family, not Lebron KG, Ray Allen and

441
00:30:13,720 --> 00:30:18,160
Speaker 1: Paul Pierce. We've had this discussion and to to we

442
00:30:18,240 --> 00:30:24,440
Speaker 1: can't have it anymore. But but Ray Allen, Kevin Garnett,

443
00:30:25,240 --> 00:30:30,000
Speaker 1: we're in their twelve seasons. Lebron James, Dwyane Wade and

444
00:30:30,120 --> 00:30:32,760
Speaker 1: Chris Bosh were in the primes of their twenty four

445
00:30:33,320 --> 00:30:35,800
Speaker 1: five year old careers. Twenty six. I don't know what

446
00:30:35,880 --> 00:30:37,800
Speaker 1: the hell they are again, this is the Iron Rapports

447
00:30:37,840 --> 00:30:40,160
Speaker 1: Stereo podcast. We don't factor And I want to say

448
00:30:40,200 --> 00:30:44,160
Speaker 1: this to all the new listeners, welcome. We're so happy

449
00:30:44,200 --> 00:30:47,400
Speaker 1: to have you. We have been kicking so much ass.

450
00:30:47,640 --> 00:30:52,400
Speaker 1: Every listen the episode the other day with Robert Patrick.

451
00:30:54,120 --> 00:30:57,040
Speaker 1: I love that dude, Yo, that was so fucking good.

452
00:30:57,520 --> 00:30:59,360
Speaker 1: I was so proud of that. Not only was that

453
00:30:59,440 --> 00:31:02,440
Speaker 1: proud of the interview with my guy Robert Patrick, the

454
00:31:02,520 --> 00:31:04,680
Speaker 1: Way You Meet and Moody last name rhymes with duty

455
00:31:04,760 --> 00:31:09,360
Speaker 1: set the Table. Yeah. I mean again, no disrespect to

456
00:31:09,440 --> 00:31:11,640
Speaker 1: any of the other great podcasts out there, and they're

457
00:31:11,680 --> 00:31:14,240
Speaker 1: out there, my guys Fighter and the Kid, my guy

458
00:31:14,400 --> 00:31:20,280
Speaker 1: Bill burn all the Barstool podcast. M hmm, they're great, Okay,

459
00:31:20,880 --> 00:31:22,719
Speaker 1: But I told my guys on Fighter and the Kid

460
00:31:22,800 --> 00:31:25,440
Speaker 1: the other day, no disrespect. I think I have surpassed you.

461
00:31:25,560 --> 00:31:27,880
Speaker 1: You fuck you. And those are my guys like I

462
00:31:28,240 --> 00:31:30,840
Speaker 1: genuinely have affection for the Fighter and the Kids. Guys.

463
00:31:31,040 --> 00:31:33,280
Speaker 1: Those are those guys are comrades. You know what I

464
00:31:33,400 --> 00:31:36,360
Speaker 1: like about those guys and Bill Burr. They're not player

465
00:31:36,440 --> 00:31:39,480
Speaker 1: hating Fox. A lot of people out of here their

466
00:31:39,520 --> 00:31:43,160
Speaker 1: player hating Fox. Okay, those guys ain't player hating Fox.

467
00:31:43,240 --> 00:31:47,160
Speaker 1: You know what, because they're popping. Also, yeah they're popping.

468
00:31:47,200 --> 00:31:49,120
Speaker 1: Are also Bill Burrs and one of the old Jesus

469
00:31:49,200 --> 00:31:59,200
Speaker 1: this whole ship, but Lebron blames Sorry, Lebron James is

470
00:31:59,360 --> 00:32:06,160
Speaker 1: clearly following, following, following, following, following the Yellow Brick Road,

471
00:32:06,480 --> 00:32:12,160
Speaker 1: or as Quincy Jones put in the whiz with Michael Jackson,

472
00:32:12,840 --> 00:32:16,520
Speaker 1: He's he's on down. He's on down the road. Hey,

473
00:32:17,600 --> 00:32:22,880
Speaker 1: he's on down, He's on down the road. Hey, seven

474
00:32:22,920 --> 00:32:25,680
Speaker 1: straight finals. He earned the right to do what the

475
00:32:25,760 --> 00:32:31,720
Speaker 1: funk he wants. You love this guy. I love Lebron.

476
00:32:31,840 --> 00:32:34,040
Speaker 1: And he's gonna go to the Lakers. He's gonna win,

477
00:32:34,200 --> 00:32:36,400
Speaker 1: and they may win, and they may win this year.

478
00:32:37,480 --> 00:32:44,560
Speaker 1: Who the Lakers the Calves Unless unless they shut down

479
00:32:44,680 --> 00:32:49,160
Speaker 1: all NBA All Star Game festivities and go to Hawaii

480
00:32:49,200 --> 00:32:52,080
Speaker 1: and have a training camp, they're gonna be so far behind.

481
00:32:52,360 --> 00:32:54,240
Speaker 1: Who do you know how long it takes to get

482
00:32:55,080 --> 00:32:58,680
Speaker 1: a chemistry? Now, they got some good players, Larry Nance Jr.

483
00:32:58,840 --> 00:33:02,560
Speaker 1: Who's father was Larry Nance, who if you don't know,

484
00:33:03,680 --> 00:33:06,440
Speaker 1: I hated Larry Nance for the sole reason that I

485
00:33:06,520 --> 00:33:12,840
Speaker 1: believe it was in nineteen eighty one three could I

486
00:33:12,920 --> 00:33:15,520
Speaker 1: don't fact check. I don't. I could care less what

487
00:33:15,680 --> 00:33:18,719
Speaker 1: year it is, It doesn't matter. But when Larry Nance Sr.

488
00:33:20,360 --> 00:33:23,720
Speaker 1: Beat Dr J in the Slam Dunk Contest in the

489
00:33:23,840 --> 00:33:28,200
Speaker 1: revival year of the Slam Dunk Contest, I swear to god,

490
00:33:28,640 --> 00:33:31,719
Speaker 1: it was literally like seeing Snoop Superman try to fly

491
00:33:32,400 --> 00:33:37,560
Speaker 1: and falling straight on his face. Like I was so emotional.

492
00:33:38,120 --> 00:33:41,720
Speaker 1: That hurt me so so to my core. That he

493
00:33:41,840 --> 00:33:44,440
Speaker 1: beat Dr J and that slam Dunk contest and Doc

494
00:33:44,520 --> 00:33:46,280
Speaker 1: had missed the dunk and then he banged his head

495
00:33:46,320 --> 00:33:49,400
Speaker 1: on the backboard. And Larry Nance was was great, and

496
00:33:49,480 --> 00:33:51,440
Speaker 1: he was tall, and he could jump, and he was creative,

497
00:33:51,680 --> 00:33:53,280
Speaker 1: and you sort of at the time, I've never seen

498
00:33:53,320 --> 00:33:56,200
Speaker 1: anything like that. I could give two ships when he

499
00:33:56,520 --> 00:34:00,920
Speaker 1: beat Doc, and Isaiah Thomas and Magic Johnson were on

500
00:34:00,960 --> 00:34:09,040
Speaker 1: the sidelines wearing the Valor Converse sweatsuits witnessing, Yo, that

501
00:34:09,160 --> 00:34:15,120
Speaker 1: ship hurt my heart, like sincerely, like it really, it

502
00:34:15,320 --> 00:34:18,480
Speaker 1: hurt me to my to my core. So Larry Nance Jr.

503
00:34:18,520 --> 00:34:20,239
Speaker 1: Good luck to you. But I'm just gonna tell you

504
00:34:20,880 --> 00:34:25,320
Speaker 1: I had resentment to your pops, like for real, Like

505
00:34:25,400 --> 00:34:27,759
Speaker 1: I didn't funk with Larry Nance like his father, like

506
00:34:28,040 --> 00:34:30,319
Speaker 1: Larry Nance Jr. Good luck. I like the way you play.

507
00:34:30,760 --> 00:34:34,560
Speaker 1: He's like an energy, high energy slam duncan, high jumping motherfucker,

508
00:34:34,719 --> 00:34:37,360
Speaker 1: just like his father. But he's not gonna put up

509
00:34:37,360 --> 00:34:41,440
Speaker 1: any big numbers. Jordan Clarkson, he's good. He's talented. Rodney

510
00:34:41,480 --> 00:34:44,680
Speaker 1: Hood has talented to George Hill. Uh, you might not

511
00:34:44,800 --> 00:34:47,160
Speaker 1: remember this movie, but two seasons ago he came out

512
00:34:47,239 --> 00:34:49,600
Speaker 1: with the blond hair. We had to check him on

513
00:34:49,760 --> 00:34:54,279
Speaker 1: this podcast. Yeah he was yeah that bullshit. Yeah, we

514
00:34:54,400 --> 00:34:57,560
Speaker 1: checked him. He came out with them. Uh what what

515
00:34:57,760 --> 00:35:02,080
Speaker 1: was the singer thong for funk funk fung Cisco. Yeah,

516
00:35:02,840 --> 00:35:04,800
Speaker 1: he had a laps He had a laps In judgment,

517
00:35:04,880 --> 00:35:07,200
Speaker 1: you give a guy a pass. Jason Kidd did that

518
00:35:07,280 --> 00:35:10,120
Speaker 1: same Sucker ship years ago. You have a lapse. They don't,

519
00:35:10,400 --> 00:35:14,160
Speaker 1: they don't know what the fuss going on. After the games, Well,

520
00:35:14,840 --> 00:35:17,080
Speaker 1: Cleveland a winning ship and and if you go through

521
00:35:17,120 --> 00:35:23,160
Speaker 1: the matchups, basically it's George Hill. If we're assuming that

522
00:35:23,239 --> 00:35:25,880
Speaker 1: the East is uh comes down to Cleveland and Boston

523
00:35:26,000 --> 00:35:32,600
Speaker 1: barring injuries. Uh, George Hill's matching up against Kyrie Lebron

524
00:35:32,719 --> 00:35:34,880
Speaker 1: James is always gonna win any matchup he's got Jalen

525
00:35:34,880 --> 00:35:38,759
Speaker 1: Brown and Marcus Smart to you know, keep him in

526
00:35:38,840 --> 00:35:40,839
Speaker 1: some sort of check, but obviously you can't keep him

527
00:35:40,880 --> 00:35:44,960
Speaker 1: in track. Tristan Thompson, Al Horford and Aaron Baines. Who's

528
00:35:45,000 --> 00:35:48,520
Speaker 1: got the man bun looks fucking nuts. Um that goes

529
00:35:48,600 --> 00:35:51,719
Speaker 1: to Boston, Rodney Hood and Jason Tatum. I go with

530
00:35:51,880 --> 00:35:54,920
Speaker 1: Jayson Tatum j R. Smith. Remember how he wasn't the

531
00:35:55,000 --> 00:35:58,440
Speaker 1: fucking fight in the playoffs last year. That's last year.

532
00:35:59,239 --> 00:36:01,920
Speaker 1: It's not like he's a merged back this year. Hey,

533
00:36:02,719 --> 00:36:04,399
Speaker 1: don't you got You're putting your foot in your mouth.

534
00:36:04,480 --> 00:36:06,040
Speaker 1: Be you better chill out. You don't know what the

535
00:36:06,040 --> 00:36:08,279
Speaker 1: fun is gonna happen. Hey, all I care about, Listen,

536
00:36:09,000 --> 00:36:12,600
Speaker 1: all I care about is the Cavaliers. I want them

537
00:36:12,640 --> 00:36:14,160
Speaker 1: to make it to the finals, because you know what's

538
00:36:14,160 --> 00:36:16,239
Speaker 1: gonna happen. If they make it to the finals, They're

539
00:36:16,239 --> 00:36:19,480
Speaker 1: gonna get the fucking the ship beating out of them. Now,

540
00:36:19,560 --> 00:36:22,560
Speaker 1: I gotta say this. The other night Golden State lost

541
00:36:22,600 --> 00:36:27,440
Speaker 1: to Okay see Okay See looked good. They looked very

542
00:36:27,480 --> 00:36:31,480
Speaker 1: good because Paul George and and and Russell Westbrook have

543
00:36:31,640 --> 00:36:33,480
Speaker 1: figured out how to play together. I don't know if

544
00:36:33,520 --> 00:36:36,840
Speaker 1: we've seen him. Because we talked Creasy about about Paul George,

545
00:36:37,719 --> 00:36:40,360
Speaker 1: about Russell Westbrook the other day. You know, Carmelo is

546
00:36:40,400 --> 00:36:43,520
Speaker 1: comfortable with with his role as the third the third banana.

547
00:36:44,040 --> 00:36:46,839
Speaker 1: And we'll see. I'm just telling you what I'm saying.

548
00:36:46,920 --> 00:36:50,560
Speaker 1: Like they like they are playing very well right now.

549
00:36:50,680 --> 00:36:54,160
Speaker 1: And Paul George defensively is a problem, and they they're

550
00:36:54,200 --> 00:36:56,240
Speaker 1: getting him his shots and his looks and his points,

551
00:36:57,120 --> 00:36:59,800
Speaker 1: and and Steven Adams is tough. And you know, Russell

552
00:37:00,160 --> 00:37:02,400
Speaker 1: Brooke like he's got a fucking chip on his shoulder.

553
00:37:02,440 --> 00:37:04,880
Speaker 1: When he wakes up, he probably wakes up like angry

554
00:37:04,920 --> 00:37:07,560
Speaker 1: at his fucking dogs and ship. But let me ask

555
00:37:07,560 --> 00:37:12,000
Speaker 1: you a question. Do you think Carmelo is okay with

556
00:37:12,280 --> 00:37:15,080
Speaker 1: not being in the mix, not getting his points? Do

557
00:37:15,200 --> 00:37:17,359
Speaker 1: you think he goes home and you do you think

558
00:37:17,440 --> 00:37:22,000
Speaker 1: he's happy with that? Listen, I have to say I

559
00:37:22,320 --> 00:37:26,040
Speaker 1: I do, based on the way he's playing lately, based

560
00:37:26,080 --> 00:37:27,640
Speaker 1: on the way he's playing the last two weeks in it,

561
00:37:27,760 --> 00:37:30,200
Speaker 1: I say about three games I saw, I think he's

562
00:37:30,239 --> 00:37:34,080
Speaker 1: cool with it. That that's my opinion. That's my opinion.

563
00:37:34,080 --> 00:37:36,440
Speaker 1: I think he's matured and I think he's just happy

564
00:37:36,480 --> 00:37:37,759
Speaker 1: to be out in New York. And I think he's

565
00:37:37,760 --> 00:37:40,240
Speaker 1: happy to be around those guys. He don't have anything

566
00:37:40,280 --> 00:37:41,960
Speaker 1: else to prove. I'm not saying he's gonna go to

567
00:37:42,040 --> 00:37:45,239
Speaker 1: being you know, uh, you know, Mr Facilitator and all

568
00:37:45,280 --> 00:37:48,120
Speaker 1: that ship. But I think the three those three guys

569
00:37:48,200 --> 00:37:50,120
Speaker 1: have figured out how to play now. Whether or not

570
00:37:50,239 --> 00:37:52,000
Speaker 1: they could beat Houston or whether or not they could

571
00:37:52,360 --> 00:37:54,480
Speaker 1: be gold say is all of his story. But they

572
00:37:54,560 --> 00:37:57,160
Speaker 1: have definitely improved in the last two to three weeks.

573
00:37:57,560 --> 00:38:00,319
Speaker 1: I think he's shell shocked and and it will come

574
00:38:00,360 --> 00:38:04,759
Speaker 1: out because Westbrook has such a domineering personality. I think

575
00:38:05,200 --> 00:38:10,319
Speaker 1: I think, uh, he shell shocked. Um well, I mean,

576
00:38:10,400 --> 00:38:11,879
Speaker 1: what else can we say. There's no more to say

577
00:38:11,880 --> 00:38:14,640
Speaker 1: about the Cavaliers. You guys have heard it all. Uh

578
00:38:14,800 --> 00:38:18,480
Speaker 1: Lebron blames he set the place on fire. Um and

579
00:38:18,760 --> 00:38:21,360
Speaker 1: and and you know, there's apparently a lot of problems

580
00:38:21,400 --> 00:38:23,880
Speaker 1: with him and uh the the owner of the calves

581
00:38:23,920 --> 00:38:28,279
Speaker 1: and why whatever, it's over, it's over. They clean fucking house. Yeah,

582
00:38:28,560 --> 00:38:31,680
Speaker 1: they clean house. They didn't And you gotta think about it.

583
00:38:32,040 --> 00:38:35,440
Speaker 1: He's probably leaving. He's like, yo, let's let's try to

584
00:38:35,520 --> 00:38:38,800
Speaker 1: let's try to make a run here. They probably won't

585
00:38:38,880 --> 00:38:42,120
Speaker 1: win with with the with the previous crew. So he's like, yo,

586
00:38:42,600 --> 00:38:44,160
Speaker 1: see what you could get. Let's try to make a

587
00:38:44,239 --> 00:38:50,080
Speaker 1: run because you know, I'm out, Um what else is

588
00:38:50,120 --> 00:38:53,640
Speaker 1: going on? We got Dame Dollar. Damian Lillard is on

589
00:38:53,719 --> 00:38:58,560
Speaker 1: the Iron Rapp Reports stereo podcast today. Okay, uh nice

590
00:39:00,120 --> 00:39:02,640
Speaker 1: Giselle bunched in. I don't know if it was you

591
00:39:02,760 --> 00:39:06,680
Speaker 1: who prompted her to respond, but the old j you

592
00:39:06,800 --> 00:39:08,640
Speaker 1: made a comment and it was I guess it was true,

593
00:39:09,440 --> 00:39:13,919
Speaker 1: um that she said, Uh she said to her kids, um, dad,

594
00:39:14,000 --> 00:39:17,680
Speaker 1: let somebody else win this time, or uh, you know,

595
00:39:17,760 --> 00:39:21,000
Speaker 1: trying to explain it to her kids. And then Giselle

596
00:39:21,040 --> 00:39:25,320
Speaker 1: bunched him came back and said, just to be clear,

597
00:39:25,680 --> 00:39:29,319
Speaker 1: no one let anyone win. People. Uh, people win because

598
00:39:29,360 --> 00:39:31,920
Speaker 1: of their own merit. I'm tired of people twisting my

599
00:39:32,000 --> 00:39:36,040
Speaker 1: words to create that doesn't exist. Blah blah blah blah blah.

600
00:39:36,400 --> 00:39:40,120
Speaker 1: And I gotta be honest. I think that I've been

601
00:39:40,160 --> 00:39:42,440
Speaker 1: one of the people on the front lines, boots on

602
00:39:42,520 --> 00:39:48,319
Speaker 1: the ground, bashing Tom Brady. They lost. He played fantastic.

603
00:39:48,440 --> 00:39:51,399
Speaker 1: They just lost that game. They lost that Super Bowl.

604
00:39:52,120 --> 00:39:54,520
Speaker 1: The crazy shit about the Patriots is they're gonna be

605
00:39:54,600 --> 00:39:57,719
Speaker 1: favorited to make it back next season. They're gonna make

606
00:39:57,760 --> 00:40:01,440
Speaker 1: all kinds of changes in the off season. Uh, Brady's

607
00:40:01,440 --> 00:40:05,200
Speaker 1: gonna come back. He's gonna be pumped up on scientology

608
00:40:05,239 --> 00:40:08,040
Speaker 1: and Illuminati and and and they're gonna be ready to

609
00:40:08,120 --> 00:40:09,799
Speaker 1: rock and roll. So I don't feel bad for them.

610
00:40:10,200 --> 00:40:13,320
Speaker 1: They didn't ship the bed. He's an animal and so

611
00:40:13,520 --> 00:40:15,360
Speaker 1: on and so forth. And that brings us to this.

612
00:40:17,160 --> 00:40:24,960
Speaker 1: I got a very crass phone call from Bizarro Jimmy Garoppolo. Okay,

613
00:40:26,200 --> 00:40:27,680
Speaker 1: I would like to share it with you. This is

614
00:40:27,719 --> 00:40:32,840
Speaker 1: an exclusive. This, this is an exclusive. Okay, Bizarro Jimmy

615
00:40:32,960 --> 00:40:37,800
Speaker 1: Garoppolo's calling me, bragging about the money he's made, and

616
00:40:37,880 --> 00:40:40,360
Speaker 1: he's having some sort of fucking party with Too Short

617
00:40:40,840 --> 00:40:43,880
Speaker 1: and Mr Fab and he forty. He's cursing in me.

618
00:40:44,920 --> 00:40:48,320
Speaker 1: He's cursing and everybody insulted the podcast I want to

619
00:40:48,360 --> 00:40:53,640
Speaker 1: share with you. Bizarro Jimmy Garoppolo, very rude, abrasive phone

620
00:40:53,640 --> 00:40:57,440
Speaker 1: call to me. Uh, Michael Rapport Miles, please cue the tape.

621
00:40:58,840 --> 00:41:03,120
Speaker 1: Yea up? Oh this Jimmy G. Motherfucking Jimmy G in

622
00:41:03,160 --> 00:41:06,640
Speaker 1: the place to be. What's really good. Look at my

623
00:41:06,800 --> 00:41:09,920
Speaker 1: fingers cleaning this motherfucker ink off. My fingers signed this

624
00:41:10,080 --> 00:41:16,160
Speaker 1: motherfucking contract for a hundred thirty six million dollars. Like what, bitch, listen,

625
00:41:16,239 --> 00:41:18,279
Speaker 1: y'all gonna let y'all know what the funk it is.

626
00:41:18,840 --> 00:41:22,800
Speaker 1: My motherfucker's asking me about Yo, Yo, what what happened

627
00:41:22,800 --> 00:41:26,000
Speaker 1: in in New England? Like, yo, check this ship out.

628
00:41:26,680 --> 00:41:30,319
Speaker 1: Everything is true, everything is you. First of all, fuck

629
00:41:30,440 --> 00:41:36,040
Speaker 1: Tom Brady. Fuck motherfucking Tom Brady teeth prison, motherfuck sold

630
00:41:36,080 --> 00:41:37,520
Speaker 1: me down the river. You know what, I'm gonna tell

631
00:41:37,560 --> 00:41:40,880
Speaker 1: you why it wasn't even about no quarterback ship. He go,

632
00:41:42,040 --> 00:41:45,719
Speaker 1: I can't front on him. He go, my fucker show

633
00:41:45,840 --> 00:41:50,480
Speaker 1: us in my motherfucking heir. Bust Tom Brady. I'm gonna

634
00:41:50,480 --> 00:41:55,480
Speaker 1: break some motherfucking news for you. Rapp Rappaport with your

635
00:41:55,560 --> 00:42:00,160
Speaker 1: motherfucking little I am Rappaport stereo podcast. Bullshit, my fun

636
00:42:00,239 --> 00:42:03,279
Speaker 1: I made a hundred thirty six million dollars that they're like,

637
00:42:03,480 --> 00:42:09,600
Speaker 1: what your little motherfucker podcast, deadly squad, Tom Brady got

638
00:42:09,680 --> 00:42:13,480
Speaker 1: motherfucking hair plugs? What that swede? Look it up. I'm

639
00:42:13,560 --> 00:42:17,000
Speaker 1: breaking the motherfucking news and I'm making the motherfucking news

640
00:42:17,520 --> 00:42:20,680
Speaker 1: all right, still got the motherfucking ink on my fingers,

641
00:42:21,080 --> 00:42:25,400
Speaker 1: all right. Motherfucker was mad seeing my motherfucking hair. Wife

642
00:42:25,520 --> 00:42:27,319
Speaker 1: was looking at me out the side of his eyes.

643
00:42:27,560 --> 00:42:31,000
Speaker 1: Not like she wanted to get it. She didn't want

644
00:42:31,000 --> 00:42:34,600
Speaker 1: to get the salt, okay, but she's seen me. You

645
00:42:34,640 --> 00:42:37,799
Speaker 1: know what I'm saying. My men got hair deficiencies, all right,

646
00:42:38,200 --> 00:42:42,640
Speaker 1: My ship is full. Ship. Stick just signed some motherfucking endower,

647
00:42:42,719 --> 00:42:46,919
Speaker 1: some contracts for motherfucker's shampoos over in Europe and all

648
00:42:47,040 --> 00:42:50,080
Speaker 1: that good ship all right. So it came down to

649
00:42:50,239 --> 00:42:53,200
Speaker 1: the motherfucking hair. You know what I'm saying. He dope,

650
00:42:53,239 --> 00:42:55,600
Speaker 1: he dope, he go, he go. They got their motherfucking

651
00:42:55,760 --> 00:43:00,279
Speaker 1: ass crack cameras, and motherfucker was good. Shout out to

652
00:43:00,360 --> 00:43:04,680
Speaker 1: my man, big Dick nick Folds bus. They motherfucking as.

653
00:43:05,040 --> 00:43:08,520
Speaker 1: But it all just comes down to that ship. Motherfucker's

654
00:43:08,520 --> 00:43:12,720
Speaker 1: asked me about. Oh oh well, Jimmy g what about

655
00:43:13,080 --> 00:43:16,920
Speaker 1: uh spy gate true? What about the flake gate? True?

656
00:43:17,440 --> 00:43:21,080
Speaker 1: Motherfucking worter gate true. All that ship is true, All

657
00:43:21,160 --> 00:43:24,359
Speaker 1: that ship is true. Trust from Robert Kraft has something

658
00:43:24,400 --> 00:43:27,880
Speaker 1: to do with all of it. Spok Gate, the flake Gate,

659
00:43:28,239 --> 00:43:32,360
Speaker 1: Worter Gate, all that ship. That's it. I'm telling you

660
00:43:32,480 --> 00:43:34,880
Speaker 1: like it is. You know what I'm saying, motherfucker's Oh

661
00:43:35,200 --> 00:43:38,239
Speaker 1: want to who this piece of information? This Patriot? Wait,

662
00:43:38,760 --> 00:43:43,520
Speaker 1: motherfucker Patriot? Wait? Fuck the Patriot? Wait? Man? You know yeah?

663
00:43:44,800 --> 00:43:48,040
Speaker 1: What what what? What? What? What it is? I'm on

664
00:43:48,160 --> 00:43:52,440
Speaker 1: the motherfucker game phone. Huh yeah, got the hold up

665
00:43:53,520 --> 00:43:57,000
Speaker 1: my fuck Patriot? Wait, my fucks get all sensitive about

666
00:43:57,080 --> 00:44:00,560
Speaker 1: the motherfucker Patriot. Wait. Fuck, the motherfucker can picture you,

667
00:44:00,680 --> 00:44:02,960
Speaker 1: pat You know what I'm saying. We'll just sign this

668
00:44:03,080 --> 00:44:07,280
Speaker 1: motherfuck contract out here tonight. We are in East Open.

669
00:44:07,320 --> 00:44:09,600
Speaker 1: We're getting ready to shut ship down. I got my men,

670
00:44:09,800 --> 00:44:13,440
Speaker 1: Mr fab too short et forty. They're all performing to

671
00:44:13,600 --> 00:44:18,080
Speaker 1: night free, free, I'm paying everybody. The whole thing is

672
00:44:18,120 --> 00:44:22,560
Speaker 1: on me. Party on, Jimmy cheek. You know what I'm saying, Ship,

673
00:44:23,200 --> 00:44:26,319
Speaker 1: I'll tell you some mothership, all right, some mother ship

674
00:44:26,400 --> 00:44:31,680
Speaker 1: about this motherfucker corny ass motherfuck Tom Brady. Keep doing

675
00:44:31,760 --> 00:44:35,600
Speaker 1: your little bullshit Facebook movies, TV shows, whatever the funk

676
00:44:35,680 --> 00:44:40,120
Speaker 1: you're doing, Whack Guss documentary series, kissing son on the

677
00:44:40,200 --> 00:44:42,560
Speaker 1: mouth or a funny style and all that ship. Yo,

678
00:44:42,960 --> 00:44:45,719
Speaker 1: I ain't talking about my man. See you kissing your

679
00:44:45,760 --> 00:44:49,399
Speaker 1: motherfucking son on your mouth in a lingering way. Why

680
00:44:49,440 --> 00:44:52,480
Speaker 1: the fuck you lingering on Shorty's mouth? Shorty, you're making

681
00:44:52,520 --> 00:44:56,640
Speaker 1: Shorty uncomfortable. Man, hold your motherfucking hey. Listen, you might

682
00:44:56,760 --> 00:44:59,799
Speaker 1: need that money. Okay, I know your white paper up.

683
00:45:00,280 --> 00:45:03,560
Speaker 1: You're trying to catch up until you wipe yourself by

684
00:45:03,600 --> 00:45:05,960
Speaker 1: the where. I've seen a sister sisters bad. You think

685
00:45:06,000 --> 00:45:08,600
Speaker 1: your sellers bad? You got to see the motherfucker's sister

686
00:45:08,840 --> 00:45:12,560
Speaker 1: might have been sister or cousin. It's bad. Shell at

687
00:45:12,600 --> 00:45:16,120
Speaker 1: my type my time, like dick, If you y'all, I'm

688
00:45:16,120 --> 00:45:18,920
Speaker 1: gonna tell you what Tom Brady's mother fucking hurt. Check

689
00:45:19,000 --> 00:45:21,800
Speaker 1: this out. You get Brazilian chick. She's bad, She's fine,

690
00:45:22,280 --> 00:45:24,239
Speaker 1: no disrespect. I ain't looking at her like that. I

691
00:45:24,280 --> 00:45:27,400
Speaker 1: come home. But just how you gonna have a Brazilian

692
00:45:28,040 --> 00:45:31,160
Speaker 1: We're now asks. So I'm gonna tell you something. I'm

693
00:45:31,160 --> 00:45:33,440
Speaker 1: gonna tell you a hundred and thirty six reasons why

694
00:45:33,440 --> 00:45:36,799
Speaker 1: I don't give a fuck about the Patriots. It's all

695
00:45:36,840 --> 00:45:40,320
Speaker 1: about the motherfucking nineties, all about the motherfucker's San Francisco

696
00:45:40,440 --> 00:45:42,960
Speaker 1: forty nine is I'm moving on my way, took my

697
00:45:43,000 --> 00:45:46,759
Speaker 1: ship to green the pastures, getting this motherfucking mansion built,

698
00:45:47,880 --> 00:45:51,080
Speaker 1: getting this constant phantom built. You know what I'm saying

699
00:45:51,120 --> 00:45:54,360
Speaker 1: that we're moving on. What it is, I'm on the

700
00:45:54,440 --> 00:46:01,200
Speaker 1: phone to go, I'm on the motherfucker. Man. What the

701
00:46:01,280 --> 00:46:08,759
Speaker 1: motherfucking motherfucker? I just made us in the street. And

702
00:46:08,840 --> 00:46:14,719
Speaker 1: there you have it. Jimmy G. What's good? Jimmy G

703
00:46:14,960 --> 00:46:17,080
Speaker 1: in the place to be, as he calls himself. He

704
00:46:17,160 --> 00:46:19,920
Speaker 1: calls us as he said, Yo, I'm Jimmy G in

705
00:46:20,000 --> 00:46:23,799
Speaker 1: the place to be. Hey, man, I'll fucking don't call

706
00:46:23,880 --> 00:46:27,959
Speaker 1: me with that bullshit. Yo. Since you you're talking about

707
00:46:28,000 --> 00:46:33,080
Speaker 1: the Patriots, I want to say, Josh McDaniels, you saw dude.

708
00:46:34,239 --> 00:46:39,480
Speaker 1: You saw dude, Josh McDaniels, the offensive coordinator for the

709
00:46:40,120 --> 00:46:43,800
Speaker 1: New England Patriots. It was all, Uh, the ink was

710
00:46:43,880 --> 00:46:47,239
Speaker 1: lined up, it just wasn't signed. He pulled a fast

711
00:46:47,320 --> 00:46:51,480
Speaker 1: one on the on the Indianapolis Colts. Pat The Patriot

712
00:46:51,520 --> 00:46:55,680
Speaker 1: ways like fuck you. Bill Patriot probably said, Yo, don't

713
00:46:55,760 --> 00:46:59,440
Speaker 1: leave me. I'll give you the keys to Gillette. We're

714
00:46:59,440 --> 00:47:01,400
Speaker 1: gonna we're gonna run this back one more time and

715
00:47:01,480 --> 00:47:05,000
Speaker 1: then everybody's shutting it down with a fifty year old quarterback.

716
00:47:05,239 --> 00:47:08,480
Speaker 1: You should have went to Indianapolis and forged your own way.

717
00:47:08,920 --> 00:47:14,080
Speaker 1: Stop riding Belichick's dick, b get your old ship. Well,

718
00:47:14,160 --> 00:47:17,560
Speaker 1: if you didn't see the thirty for thirty the Two Bills,

719
00:47:18,400 --> 00:47:21,480
Speaker 1: you should watch it because it really breaks down Belichick

720
00:47:22,320 --> 00:47:26,360
Speaker 1: and um Bill Parcels relationship and and this kind of

721
00:47:26,440 --> 00:47:31,239
Speaker 1: sort of stunting stopping um taking jobs not taking them

722
00:47:31,600 --> 00:47:36,240
Speaker 1: being replaced. I really forgot how much uh Bill Belichick

723
00:47:36,400 --> 00:47:40,080
Speaker 1: was was sort of underneath Parcels as as a Giants

724
00:47:40,360 --> 00:47:43,960
Speaker 1: coordinator and as as and as the Jets coordinator. Um.

725
00:47:44,400 --> 00:47:46,440
Speaker 1: And I gotta say this about that thirty thirty. I

726
00:47:46,560 --> 00:47:50,000
Speaker 1: highly recommend it. Yeah, I'm not gonna say that it

727
00:47:50,120 --> 00:47:53,879
Speaker 1: made me like Bill Belichick. The thing that I learned

728
00:47:53,880 --> 00:47:57,880
Speaker 1: from is that he was always an unsocialized, fucking weirdo.

729
00:47:58,600 --> 00:48:01,360
Speaker 1: Yeah yeah, I get that to look like he's be

730
00:48:01,560 --> 00:48:07,200
Speaker 1: eating eating fucking legs and ship. Yeah. Man. Um. Finally

731
00:48:07,280 --> 00:48:10,440
Speaker 1: with the NFL, uh, I guess they're trying to get

732
00:48:10,560 --> 00:48:13,520
Speaker 1: Rob Gronkowski in the in the in the movies. Oh,

733
00:48:13,719 --> 00:48:16,320
Speaker 1: I want to ask you about that, you being an

734
00:48:16,360 --> 00:48:18,880
Speaker 1: an actor, dude? What what? What chance does he have

735
00:48:19,080 --> 00:48:20,840
Speaker 1: to be in some of these films out here that

736
00:48:21,000 --> 00:48:22,759
Speaker 1: you know he's good films, Well, you're not going to

737
00:48:22,800 --> 00:48:24,920
Speaker 1: be an actor, but he could do, like, you know,

738
00:48:25,040 --> 00:48:27,840
Speaker 1: some parts in movies like the what's the movie with

739
00:48:27,920 --> 00:48:31,520
Speaker 1: all the the action stars, the expendable expendables. He could

740
00:48:31,520 --> 00:48:35,640
Speaker 1: be in one of those because listen, he's never gonna

741
00:48:35,680 --> 00:48:40,680
Speaker 1: be uh, you know, lewis okay, but but he's cool.

742
00:48:40,719 --> 00:48:44,160
Speaker 1: He's got enough, he's got enough charisma to do those parts.

743
00:48:44,200 --> 00:48:47,080
Speaker 1: And he's a big goon and you know he drinks

744
00:48:47,120 --> 00:48:50,359
Speaker 1: milk and all that ship, so he'll be fine. Listen,

745
00:48:51,120 --> 00:48:53,560
Speaker 1: enough enough with the NFL's over. I am so done

746
00:48:53,600 --> 00:48:57,960
Speaker 1: with this freaking NFL. It's all basketball everything now. No

747
00:48:58,080 --> 00:49:01,160
Speaker 1: more baseball, no more, no more, no more NFL. It's

748
00:49:01,200 --> 00:49:05,560
Speaker 1: all basketball and life itself. Okay, And what what a

749
00:49:05,680 --> 00:49:10,640
Speaker 1: better way to enter the old basketball season of the

750
00:49:10,719 --> 00:49:15,240
Speaker 1: Iron Rapp Reports stereo podcast. Then to bring in Dame Dollar.

751
00:49:15,960 --> 00:49:22,680
Speaker 1: Damian Lillard, the point guard, asked Cracker from Oakland Portland

752
00:49:22,760 --> 00:49:26,560
Speaker 1: Trailblazers on the Iron Rapp Reports stereo podcast. Coming up next,

753
00:49:27,040 --> 00:49:30,720
Speaker 1: Dame Dollar, Then don't go away. Then don't go away,

754
00:49:30,960 --> 00:49:33,520
Speaker 1: because me and ge Moody, whose last name rhymes with

755
00:49:33,680 --> 00:49:38,520
Speaker 1: duty for show. We're gonna close the show with some fantastic,

756
00:49:38,840 --> 00:49:43,000
Speaker 1: freaky sick Fox of the week, Dame Dollar. Let's go

757
00:49:45,560 --> 00:49:49,279
Speaker 1: all right. Brand new Buttasoft I am Rappaport Stereo Podcast

758
00:49:49,400 --> 00:49:53,080
Speaker 1: t shirts are available at store dot bar stool sports

759
00:49:53,400 --> 00:49:57,239
Speaker 1: dot com. You wanted it, I wanted it. We are

760
00:49:57,320 --> 00:50:02,680
Speaker 1: introducing the very first stick Man Hall of Fame T shirt. Oh,

761
00:50:02,840 --> 00:50:06,520
Speaker 1: it's a thing of beauty. It's butter soft. The Stickman

762
00:50:06,920 --> 00:50:09,880
Speaker 1: Hall of Fame T shirt. Okay, And of course we

763
00:50:09,960 --> 00:50:12,320
Speaker 1: have the Youth Fuck U T shirt, the world Famous

764
00:50:12,320 --> 00:50:15,360
Speaker 1: Suckership T shirt, the Greno Man Dingo T shirt, the

765
00:50:15,480 --> 00:50:20,040
Speaker 1: Wrapnatic T shirt, and all iron Wrappports Stereo podcast products

766
00:50:20,320 --> 00:50:24,040
Speaker 1: at store dot bar stool sports dot com. I mean,

767
00:50:24,120 --> 00:50:28,279
Speaker 1: who doesn't want a world famous stick Man Hall of

768
00:50:28,360 --> 00:50:31,480
Speaker 1: Fame T shirt and you know it's butter soft. Go

769
00:50:31,640 --> 00:50:47,600
Speaker 1: to store dot barstool sports dot com. Now, often I

770
00:50:47,719 --> 00:50:50,520
Speaker 1: asked myself, why the Lord pig me? I mean, my

771
00:50:50,680 --> 00:50:53,480
Speaker 1: city and family so rich in history, greatness in my

772
00:50:53,640 --> 00:50:57,040
Speaker 1: DNA is tifan y'all epiphany? Back me to the crowd. Dog,

773
00:50:57,200 --> 00:51:00,080
Speaker 1: I gotta lead to symphony A big difference with you

774
00:51:00,200 --> 00:51:02,960
Speaker 1: make it in when you arrive these days to find

775
00:51:03,000 --> 00:51:05,759
Speaker 1: his thanks, get me through the side, open your something

776
00:51:05,760 --> 00:51:08,480
Speaker 1: for my fami like some suicide, because we will never

777
00:51:08,640 --> 00:51:11,279
Speaker 1: right away, not of the time. This is a lot

778
00:51:11,320 --> 00:51:14,239
Speaker 1: of casts of money. We ain't unified, and many say

779
00:51:14,360 --> 00:51:18,040
Speaker 1: doing the same things to this track, loseing sight, tasting coins,

780
00:51:18,080 --> 00:51:20,560
Speaker 1: what the foolest trap. I try to show my true

781
00:51:20,600 --> 00:51:24,600
Speaker 1: colors and I do with priss. Hello this damn damn

782
00:51:24,640 --> 00:51:28,520
Speaker 1: what up? It's Michael Rappaport's good bro ha Um. I

783
00:51:28,560 --> 00:51:30,439
Speaker 1: appreciate you coming to rock with me on the Iron

784
00:51:30,520 --> 00:51:34,359
Speaker 1: Rappaport Stereo Podcast. Obviously I'm a fan. I respect your

785
00:51:35,120 --> 00:51:38,480
Speaker 1: your music and hip hop. You take it seriously. My

786
00:51:38,640 --> 00:51:41,080
Speaker 1: first question, my first question, cause we're talking hip hop.

787
00:51:41,160 --> 00:51:47,040
Speaker 1: Your NBA here is NAS relevant? Dame Dollar relative. I

788
00:51:47,080 --> 00:51:50,360
Speaker 1: don't understand how that could ever been, but nos one

789
00:51:50,440 --> 00:51:55,040
Speaker 1: of mine, my favorites of all time. Um, one of

790
00:51:55,120 --> 00:51:58,080
Speaker 1: the first albums that I got that I bought for

791
00:51:58,200 --> 00:52:03,080
Speaker 1: myself personally was still that. So uh, you know, I

792
00:52:03,160 --> 00:52:07,480
Speaker 1: don't I think that's that stands um all right, Yeah,

793
00:52:07,520 --> 00:52:10,000
Speaker 1: I agree, obviously, all right, So what are you listening

794
00:52:10,080 --> 00:52:12,040
Speaker 1: to these days? Man, like, what what what's the last

795
00:52:12,120 --> 00:52:15,239
Speaker 1: few you know, there's so much music being put out. Um,

796
00:52:15,600 --> 00:52:18,560
Speaker 1: you know everybody could put joints out uh, you know

797
00:52:18,680 --> 00:52:22,160
Speaker 1: so quickly. But what are the last few records uh

798
00:52:22,680 --> 00:52:28,000
Speaker 1: that that have gotten you excited recently? Um? I really

799
00:52:28,080 --> 00:52:32,640
Speaker 1: like Kendrick Gamar so obviously that damn album it wasn't

800
00:52:32,719 --> 00:52:38,520
Speaker 1: it was in rotation for me. Um. Other than that,

801
00:52:38,600 --> 00:52:41,040
Speaker 1: I don't I wouldn't say I listened to to any

802
00:52:41,120 --> 00:52:46,160
Speaker 1: project consistently like that. Um. But I'm a big fan

803
00:52:46,280 --> 00:52:49,680
Speaker 1: of like the older music. Um, you know, I'm a

804
00:52:49,760 --> 00:52:55,960
Speaker 1: big Tupac fan, UM, jay Z, Little Nose guys like that.

805
00:52:56,120 --> 00:52:58,400
Speaker 1: But I you know, I tapped into the new music obviously,

806
00:52:59,200 --> 00:53:02,640
Speaker 1: Sony One said, Virgin Uh, Little Loozie and all them

807
00:53:02,680 --> 00:53:04,920
Speaker 1: type of people. I you know, I gotta take a

808
00:53:04,960 --> 00:53:07,239
Speaker 1: listen because I just I'm such a fan of music

809
00:53:07,320 --> 00:53:10,279
Speaker 1: that I take the time. But I'm a much bigger

810
00:53:10,320 --> 00:53:11,960
Speaker 1: fan of the guys in the past, you know, the

811
00:53:12,040 --> 00:53:16,040
Speaker 1: Andre two thousands, those guys. Yeah, so you you're from Oakland.

812
00:53:16,080 --> 00:53:19,200
Speaker 1: Tupac you know was he represented Oakland. He's from the

813
00:53:19,239 --> 00:53:21,840
Speaker 1: East Coast. If you had to pick, you know, a

814
00:53:22,000 --> 00:53:24,440
Speaker 1: few you don't have to pick exact number. What are

815
00:53:24,480 --> 00:53:29,560
Speaker 1: some of your favorite TUPAC joints? Um so many tears?

816
00:53:30,880 --> 00:53:33,000
Speaker 1: You know, I was in trind of that song. Uh,

817
00:53:34,080 --> 00:53:41,160
Speaker 1: Brenda's got a Baby, I get around? Oh Mary, Okay,

818
00:53:41,560 --> 00:53:44,319
Speaker 1: I ain't mad at you. That's probably my favorite, that's right.

819
00:53:44,400 --> 00:53:47,400
Speaker 1: My favorite park song. One of my favorite joints is

820
00:53:47,760 --> 00:53:50,719
Speaker 1: from a basketball movie. It was only I believe it

821
00:53:50,880 --> 00:53:55,200
Speaker 1: only came out on the Above the Rim c D

822
00:53:55,560 --> 00:53:57,760
Speaker 1: or it only came out on the Above the Rim tape.

823
00:53:58,200 --> 00:54:01,800
Speaker 1: The joint pain that he did. Oh yeah, yeah, that

824
00:54:01,960 --> 00:54:04,480
Speaker 1: wasn't gooding on that On the Butt the Rim album,

825
00:54:04,520 --> 00:54:06,200
Speaker 1: it was a song there. It wasn't a boy two'clock.

826
00:54:06,239 --> 00:54:09,160
Speaker 1: It was called uh for Old Times Sake? My favorite

827
00:54:09,200 --> 00:54:11,680
Speaker 1: song on that album. Yeah, I mean you know now

828
00:54:11,800 --> 00:54:14,680
Speaker 1: it's like uh, you know tapes and and and CD.

829
00:54:14,760 --> 00:54:16,320
Speaker 1: I I can't remember what it was, but I remember

830
00:54:16,360 --> 00:54:18,799
Speaker 1: that song is like some people, even TUPUC fans, never

831
00:54:18,880 --> 00:54:21,160
Speaker 1: heard of it because it was only on one version

832
00:54:21,239 --> 00:54:23,320
Speaker 1: of it. Yeah, it was kind of hidden. It was

833
00:54:23,400 --> 00:54:25,920
Speaker 1: kind of hidden. So you got a big game, a

834
00:54:26,000 --> 00:54:30,520
Speaker 1: big playoff game, you know, on the road. What what

835
00:54:30,600 --> 00:54:32,560
Speaker 1: would you say, like if you say, all right, this

836
00:54:32,680 --> 00:54:34,440
Speaker 1: is it. This is the biggest game in your career.

837
00:54:34,800 --> 00:54:36,480
Speaker 1: What would you listen to to get you hype? What

838
00:54:36,600 --> 00:54:39,840
Speaker 1: record would be? Like, Yo, what's your go to kid hype?

839
00:54:40,040 --> 00:54:42,440
Speaker 1: It's gonna get your blood flowing, or maybe you need

840
00:54:42,480 --> 00:54:44,480
Speaker 1: to get relaxed, Like what's your go to get hype

841
00:54:44,520 --> 00:54:47,120
Speaker 1: record go to? I wouldn't say I had to go

842
00:54:47,280 --> 00:54:48,920
Speaker 1: to but when I'm when I'm in that type of

843
00:54:49,000 --> 00:54:52,879
Speaker 1: move Um, it's game whatever, game five or games seven,

844
00:54:52,920 --> 00:54:55,520
Speaker 1: you're on the road, it's the rest you need to

845
00:54:55,719 --> 00:54:58,719
Speaker 1: you need to feel comfortable. I'll probably go to show

846
00:54:58,800 --> 00:55:06,240
Speaker 1: hind of Degrees, okay, jun Now uh degrees Um Black

847
00:55:06,400 --> 00:55:11,840
Speaker 1: Robe like light Whoa Whoa by Black Rob Another like

848
00:55:12,719 --> 00:55:14,279
Speaker 1: those are the type of songs I like, the whole

849
00:55:14,320 --> 00:55:17,960
Speaker 1: for a running Degrees album Snoop Dog he had a

850
00:55:18,080 --> 00:55:22,320
Speaker 1: song called wrong Head that gave me going what what arena?

851
00:55:22,880 --> 00:55:25,160
Speaker 1: Because you know, I'm shocked. You know, if if you

852
00:55:25,239 --> 00:55:26,600
Speaker 1: ever heard me talk to him, you know I'm not

853
00:55:26,680 --> 00:55:29,919
Speaker 1: I'm not a Cavaliers fan, but even the Cavaliers. DJ

854
00:55:30,120 --> 00:55:33,040
Speaker 1: has stepped it up. You know, I noticed the Golden

855
00:55:33,080 --> 00:55:37,280
Speaker 1: State Warriors arena there. DJ gets busy. Uh, the Brooklyn,

856
00:55:37,400 --> 00:55:40,120
Speaker 1: the Brooklyn arena they get busy. What arena would you

857
00:55:40,239 --> 00:55:43,320
Speaker 1: say plays like the dopest music when you're you know,

858
00:55:43,360 --> 00:55:45,000
Speaker 1: when you because when you guys are walking, you know,

859
00:55:45,040 --> 00:55:47,520
Speaker 1: bringing the ball up the court or defending, like they'll

860
00:55:47,560 --> 00:55:50,279
Speaker 1: play breakbeats, they'll play parts of songs. What arena would

861
00:55:50,280 --> 00:55:56,120
Speaker 1: you say as the best consistently music? Um, I would

862
00:55:56,160 --> 00:55:59,040
Speaker 1: have to say golden stay. Are you aware of the

863
00:55:59,160 --> 00:56:01,200
Speaker 1: music while you're out there? I mean obviously you know

864
00:56:01,280 --> 00:56:02,920
Speaker 1: you can't be so much more, but like, will a

865
00:56:02,960 --> 00:56:06,800
Speaker 1: certain song catch your your attention when you're when you're playing. Definitely,

866
00:56:06,840 --> 00:56:10,200
Speaker 1: I'm always listening for the music. Um, you know, I

867
00:56:10,239 --> 00:56:11,960
Speaker 1: want to see how they mixing. I want to see

868
00:56:12,000 --> 00:56:15,719
Speaker 1: how they blending the older music, all the songs that

869
00:56:15,800 --> 00:56:18,719
Speaker 1: got samples that come out now. Um, you know, I

870
00:56:18,840 --> 00:56:22,200
Speaker 1: like when they played the original and then they blended

871
00:56:22,239 --> 00:56:25,800
Speaker 1: into or they mix it into, you know, the the

872
00:56:25,880 --> 00:56:27,640
Speaker 1: remake of it that you know a lot of the

873
00:56:27,920 --> 00:56:30,319
Speaker 1: younger people you know might be bigger fans of now

874
00:56:30,560 --> 00:56:33,359
Speaker 1: you know, I listened for those types of things. Um,

875
00:56:33,440 --> 00:56:35,440
Speaker 1: usually when I'm doing my pregame one if I you know,

876
00:56:35,480 --> 00:56:36,880
Speaker 1: I wanted to have a good time, you know what

877
00:56:36,920 --> 00:56:39,879
Speaker 1: I'm saying it's it's kind of like that loose, loose

878
00:56:39,920 --> 00:56:42,000
Speaker 1: space before the game is starting. There's a lot of people,

879
00:56:42,239 --> 00:56:45,239
Speaker 1: you know, moving around doing their jobs and trying to

880
00:56:45,320 --> 00:56:48,640
Speaker 1: keep ready for the game to start. I'm usually listening

881
00:56:48,719 --> 00:56:50,320
Speaker 1: to have a good time, you know, I want to

882
00:56:50,360 --> 00:56:54,520
Speaker 1: hear some good music. Yeah, I mean, I think it's cool.

883
00:56:54,520 --> 00:56:56,880
Speaker 1: I mean even Utah's got a dope DJ, which I

884
00:56:56,960 --> 00:56:58,560
Speaker 1: never would have thought that, even like I heard them

885
00:56:58,560 --> 00:57:00,520
Speaker 1: playing the beat Nuts. I was like, I don't even know,

886
00:57:00,640 --> 00:57:03,279
Speaker 1: like beat Nuts music, like you could even play it

887
00:57:03,320 --> 00:57:06,000
Speaker 1: out there, like they stepped their game up out in Utah.

888
00:57:06,840 --> 00:57:09,480
Speaker 1: I mean that's man, you can't look at it like

889
00:57:09,640 --> 00:57:12,040
Speaker 1: as Utah. I think. You know, anytime you you have

890
00:57:12,200 --> 00:57:15,239
Speaker 1: a DJ and you know you you know they're gonna

891
00:57:15,239 --> 00:57:19,360
Speaker 1: have some type of um live arian music and you

892
00:57:19,400 --> 00:57:21,520
Speaker 1: know it might be deeper than whatever that city is.

893
00:57:21,640 --> 00:57:25,560
Speaker 1: So um There's been so many UH athletes that have

894
00:57:25,680 --> 00:57:29,440
Speaker 1: rapped over the years, starting with Shock my man, Dion

895
00:57:29,560 --> 00:57:33,040
Speaker 1: Sanders had a had a nice joint, Roy Jones, Spit,

896
00:57:33,280 --> 00:57:37,280
Speaker 1: Kobe Spit. Who were the dudes that you respect, uh,

897
00:57:37,560 --> 00:57:39,440
Speaker 1: you know the older dudes, Because I like there's a

898
00:57:39,480 --> 00:57:42,280
Speaker 1: whole like a bunch of younger dudes NBA and NFL.

899
00:57:42,360 --> 00:57:44,000
Speaker 1: But like, who would you who would you say is

900
00:57:44,040 --> 00:57:50,920
Speaker 1: your favorite basketball player? Slash rapper my favorite basketball players?

901
00:57:51,120 --> 00:57:52,960
Speaker 1: And you could say none. You could shoot on them

902
00:57:52,960 --> 00:57:55,960
Speaker 1: if you have to. I ain't never really like I

903
00:57:56,440 --> 00:58:01,880
Speaker 1: actually listened to uh The Shocks because when I first

904
00:58:01,880 --> 00:58:04,400
Speaker 1: started trying to wrap one of my um, one of

905
00:58:04,480 --> 00:58:06,959
Speaker 1: my managers, he you know, just kept talking about the album,

906
00:58:07,000 --> 00:58:08,440
Speaker 1: and I had heard a few songs from but act

907
00:58:08,880 --> 00:58:11,840
Speaker 1: it and I thought, I thought Shacks was like a

908
00:58:11,920 --> 00:58:13,800
Speaker 1: lot of like nineties wrapped and he wrapped like a

909
00:58:13,880 --> 00:58:17,320
Speaker 1: basketball player, Like he used a lot of basketball analogies

910
00:58:17,360 --> 00:58:20,080
Speaker 1: and talked about dunking on people and being the first

911
00:58:20,120 --> 00:58:22,720
Speaker 1: pick and stuff like that, and you know, I thought

912
00:58:22,760 --> 00:58:25,600
Speaker 1: it was cool. So I mean I would say shack, um,

913
00:58:26,640 --> 00:58:29,240
Speaker 1: you know, but I think the way guys are now,

914
00:58:29,360 --> 00:58:32,680
Speaker 1: they're like really being they're rapping about stuff outside of

915
00:58:32,720 --> 00:58:36,000
Speaker 1: the sport, so um, it's a little different. So I

916
00:58:36,040 --> 00:58:39,320
Speaker 1: would say shack. Though. Now you've got Andre Drummond lot,

917
00:58:39,440 --> 00:58:41,280
Speaker 1: like a week or two ago, he put out five

918
00:58:41,400 --> 00:58:45,240
Speaker 1: joints in five days. Uh LEVI on Bell. I've seen

919
00:58:45,320 --> 00:58:49,320
Speaker 1: him freestyle. He's nice. Uh this kid from Duke Uh,

920
00:58:49,640 --> 00:58:53,720
Speaker 1: Victor Oladipo put out an R and B joint Alonzo Ball,

921
00:58:53,800 --> 00:58:55,320
Speaker 1: I don't know what the hell he put out, but

922
00:58:55,400 --> 00:58:58,959
Speaker 1: he put out a joint like you're competitive on the court,

923
00:58:59,560 --> 00:59:02,120
Speaker 1: hip hop. You know the essence of it, especially the

924
00:59:02,200 --> 00:59:05,640
Speaker 1: friendly competition. Uh, you know that that's the nature of it.

925
00:59:05,680 --> 00:59:07,960
Speaker 1: It doesn't have to turn in anything crazy. Who are

926
00:59:08,000 --> 00:59:11,120
Speaker 1: the dudes that you respect? Who can anyone take you

927
00:59:11,200 --> 00:59:12,960
Speaker 1: down in the NBA? Who have you heard? Who do

928
00:59:13,040 --> 00:59:15,000
Speaker 1: you respect? And who would you who would you like

929
00:59:15,120 --> 00:59:19,200
Speaker 1: to battle in the NBA, in sports or in sports

930
00:59:19,240 --> 00:59:22,800
Speaker 1: in general? Well, I think Um in the n B A.

931
00:59:23,880 --> 00:59:26,120
Speaker 1: I've heard him mind chamfer wrap. I think he can rap.

932
00:59:27,000 --> 00:59:30,720
Speaker 1: I've heard Alonzo Ball rap and I think he I

933
00:59:30,800 --> 00:59:35,640
Speaker 1: think he can wrap. Wow, you are wow, keep going.

934
00:59:36,440 --> 00:59:39,040
Speaker 1: I've heard I've heard like a little bit of his

935
00:59:39,240 --> 00:59:42,200
Speaker 1: I didn't know he was like really seriously wrapping. He's

936
00:59:42,240 --> 00:59:44,960
Speaker 1: serious about it. I haven't heard. I haven't heard a

937
00:59:45,040 --> 00:59:48,640
Speaker 1: lot about it. Um. And it's another person who I

938
00:59:48,760 --> 00:59:54,160
Speaker 1: just listened to. Keep Um play in Toronto right now? Okay,

939
00:59:54,240 --> 00:59:56,040
Speaker 1: I don't know, I don't know, but there's someone up

940
00:59:56,040 --> 01:00:00,440
Speaker 1: there spitting. Yeah, he's spitting in Toronto. I don't know why.

941
01:00:00,440 --> 01:00:02,800
Speaker 1: I'm having a brain front right now. That's all right,

942
01:00:02,880 --> 01:00:04,360
Speaker 1: that's right. And what do you think? I'm a man

943
01:00:04,440 --> 01:00:07,240
Speaker 1: olda Depot's R and B album. I thought it was cool.

944
01:00:07,280 --> 01:00:09,400
Speaker 1: It was different. Um, I only heard like two songs

945
01:00:09,480 --> 01:00:11,120
Speaker 1: from it, but I thought it was good. He can

946
01:00:11,120 --> 01:00:13,320
Speaker 1: actually sing, so that I thought that was different. That

947
01:00:13,440 --> 01:00:15,920
Speaker 1: was real cool of him. And what have you heard of?

948
01:00:16,040 --> 01:00:19,800
Speaker 1: What do you know about the Kyrie Irving mix tapes?

949
01:00:19,920 --> 01:00:25,200
Speaker 1: Because apparently, okay, apparently Kyrie spits and and you know,

950
01:00:25,280 --> 01:00:27,960
Speaker 1: obviously it's yet to go public, but apparently he spits

951
01:00:28,200 --> 01:00:30,480
Speaker 1: like you guys are in the inner circle of the NBA.

952
01:00:30,600 --> 01:00:34,600
Speaker 1: What do you know about the lost Kyrie tapes? I

953
01:00:34,640 --> 01:00:37,760
Speaker 1: don't know nothing about that. I know, I know, I

954
01:00:37,880 --> 01:00:40,880
Speaker 1: know Kyrie be singing, and uh, me and him talked

955
01:00:40,880 --> 01:00:42,880
Speaker 1: about it. I was like, man, you're singing. He singing

956
01:00:42,880 --> 01:00:44,400
Speaker 1: a little bit. So I was telling you we should

957
01:00:44,440 --> 01:00:47,120
Speaker 1: do something, and uh he was like, yeah, let's do it.

958
01:00:47,200 --> 01:00:51,480
Speaker 1: But he told me he never recorded before. So as

959
01:00:51,520 --> 01:00:52,880
Speaker 1: far as I know, I don't know if there's no

960
01:00:52,960 --> 01:00:54,960
Speaker 1: tapes out there. All right, Well, I'm telling you, I'm

961
01:00:55,000 --> 01:00:57,439
Speaker 1: not saying I heard him, But I've heard that there's

962
01:00:57,560 --> 01:01:00,600
Speaker 1: actual freestyles out there. Okay, and if I know it,

963
01:01:01,080 --> 01:01:03,680
Speaker 1: you should you you know, you're like seventeen steps closer

964
01:01:03,920 --> 01:01:06,440
Speaker 1: to the actual facts. I'm just letting you know, if

965
01:01:06,480 --> 01:01:08,480
Speaker 1: you should sniff around, you should find out about it.

966
01:01:08,720 --> 01:01:11,040
Speaker 1: Put some feelers out there that there's some Kyrie tapes

967
01:01:11,080 --> 01:01:13,080
Speaker 1: out there. I'm gonna check on I'm gonna check on it.

968
01:01:13,440 --> 01:01:17,520
Speaker 1: Oh the other rapper in torontover the CJ. Okay, and

969
01:01:18,080 --> 01:01:20,080
Speaker 1: have you heard him? Yeah? I heard him. We can

970
01:01:20,160 --> 01:01:23,720
Speaker 1: wrap okay, Okay. Like, so if if you cross somebody up,

971
01:01:24,360 --> 01:01:26,240
Speaker 1: like are you a ship talker? Like when you play,

972
01:01:26,240 --> 01:01:28,280
Speaker 1: because you you you kind of keep to yourself like

973
01:01:28,360 --> 01:01:30,800
Speaker 1: you're you're low keepers, you're hyped. But do you talk

974
01:01:30,840 --> 01:01:34,000
Speaker 1: to it? No, I don't. I don't talk sho. Um.

975
01:01:35,080 --> 01:01:37,640
Speaker 1: I take I take exception to it, though. I mean,

976
01:01:37,760 --> 01:01:40,400
Speaker 1: I ain't gonna if you say something to me, I'm

977
01:01:40,400 --> 01:01:43,240
Speaker 1: gonna say something back. Um. You know, but for the

978
01:01:43,280 --> 01:01:45,840
Speaker 1: most part, people don't say don't say nothing to me,

979
01:01:45,920 --> 01:01:49,120
Speaker 1: And I don't know. I know that I'm a competitor.

980
01:01:49,120 --> 01:01:52,280
Speaker 1: I know they don't. I ain't worried about nobody. So, um,

981
01:01:53,360 --> 01:01:55,120
Speaker 1: you know, I think I got the respect of my peers,

982
01:01:55,200 --> 01:01:58,400
Speaker 1: and you know, I keep it that way until somebody

983
01:01:58,440 --> 01:02:00,280
Speaker 1: sayss on the meat and it's gonna be what it's

984
01:02:00,280 --> 01:02:04,840
Speaker 1: gonna be. How serious are you about music? You know,

985
01:02:04,920 --> 01:02:07,440
Speaker 1: obviously you're not even I don't even think you're in

986
01:02:07,480 --> 01:02:10,720
Speaker 1: your prime. You're young. I mean, as great as you

987
01:02:10,840 --> 01:02:12,800
Speaker 1: are and as great as your career has been as

988
01:02:12,840 --> 01:02:15,480
Speaker 1: a basketball player, I really don't even think you've you've

989
01:02:15,520 --> 01:02:19,280
Speaker 1: reached your peek yet. Um. How serious are you about

990
01:02:20,000 --> 01:02:24,560
Speaker 1: music and continuing your music and producing music like or

991
01:02:24,640 --> 01:02:27,520
Speaker 1: is it just something like a phase thing that you're doing. No,

992
01:02:27,800 --> 01:02:31,560
Speaker 1: I'm real serious about it. Um. You know, obviously my

993
01:02:31,720 --> 01:02:34,800
Speaker 1: primary concern is basketball because that's what that's what I do.

994
01:02:36,360 --> 01:02:40,160
Speaker 1: Music is also what I do. But um, I think

995
01:02:40,200 --> 01:02:43,040
Speaker 1: I I gotta make sure that I keep the first

996
01:02:43,120 --> 01:02:45,640
Speaker 1: thing first. But you know, as far as music, it's

997
01:02:45,640 --> 01:02:49,840
Speaker 1: a reason why, Um, I put out two albums in

998
01:02:49,920 --> 01:02:52,560
Speaker 1: two years, and you know they've done well. And I've

999
01:02:52,640 --> 01:02:56,360
Speaker 1: done shows and I put out singles on SoundCloud. I

1000
01:02:56,440 --> 01:02:59,160
Speaker 1: started a rap platform on Instagram for four years now

1001
01:02:59,680 --> 01:03:01,560
Speaker 1: for our Friday. You know, it's a lot of things

1002
01:03:01,600 --> 01:03:04,720
Speaker 1: that I've done as an artist, um and just putting

1003
01:03:04,760 --> 01:03:07,440
Speaker 1: in my time. But even besides that, you know, I

1004
01:03:08,200 --> 01:03:12,520
Speaker 1: know the history. You know how I respect the game,

1005
01:03:12,960 --> 01:03:15,840
Speaker 1: and you know, I think that's really important. If you wanna,

1006
01:03:16,000 --> 01:03:17,880
Speaker 1: you know, be serious as an artist, you may need

1007
01:03:17,960 --> 01:03:19,800
Speaker 1: to know what. You know the foundation, you need to

1008
01:03:19,840 --> 01:03:23,160
Speaker 1: note who built, and you know what what you're getting into.

1009
01:03:23,280 --> 01:03:25,440
Speaker 1: And I take it series. You know, I'm I can

1010
01:03:25,520 --> 01:03:28,920
Speaker 1: sider myself a serious artist. Now he was saying, you

1011
01:03:29,000 --> 01:03:31,680
Speaker 1: know me, now it's all I let this, this t

1012
01:03:31,880 --> 01:03:34,760
Speaker 1: someth that this is love. It was going hard now

1013
01:03:34,840 --> 01:03:39,560
Speaker 1: we came up. I let this this this is love. Hey,

1014
01:03:39,680 --> 01:03:41,920
Speaker 1: all of this is hustle, y'all are about to make

1015
01:03:41,960 --> 01:03:44,400
Speaker 1: it where I gotta show my muscle. When I'm getting

1016
01:03:44,440 --> 01:03:46,640
Speaker 1: to a girls is easier to love. You try to

1017
01:03:46,680 --> 01:03:48,720
Speaker 1: give me scrap some of them pieces to the puzzle.

1018
01:03:48,800 --> 01:03:52,880
Speaker 1: I ain't no secret money on man, sit at my

1019
01:03:53,040 --> 01:03:55,360
Speaker 1: table that you won't mind tell and I don't play that.

1020
01:03:55,560 --> 01:03:58,000
Speaker 1: I'm starting for the payback from a golden state, that

1021
01:03:58,240 --> 01:04:01,280
Speaker 1: reportland where I lay at. I'm daddy mc mcdaddy with

1022
01:04:01,440 --> 01:04:04,760
Speaker 1: hub rapper. Y'all be on your criss crossing back. Was

1023
01:04:05,040 --> 01:04:06,960
Speaker 1: all this game on giving is probably gonna be a

1024
01:04:07,080 --> 01:04:11,720
Speaker 1: caption winner, Lights and cameraon IMNNA steal obviously. You know,

1025
01:04:12,080 --> 01:04:17,160
Speaker 1: uh rappers and actors. Uh, you know, there's a mutual

1026
01:04:17,320 --> 01:04:20,520
Speaker 1: respect between the athletes. You know, everybody says like, you know,

1027
01:04:20,760 --> 01:04:23,920
Speaker 1: ballplayers want to be actors or rappers and vice versa.

1028
01:04:24,440 --> 01:04:27,320
Speaker 1: Who what rapper did you meet while you were on

1029
01:04:27,400 --> 01:04:29,880
Speaker 1: the court where you were playing where after you became

1030
01:04:30,080 --> 01:04:32,160
Speaker 1: you know, Damian Lillard the basketball player that you were like,

1031
01:04:32,240 --> 01:04:34,560
Speaker 1: oh ship, like you were most excited to meet throughout

1032
01:04:34,600 --> 01:04:38,800
Speaker 1: your career as a as a famous basketball player. Um,

1033
01:04:39,400 --> 01:04:42,880
Speaker 1: the one I was most excited to meet. H I say,

1034
01:04:42,960 --> 01:04:45,040
Speaker 1: Little Wayne was one of them. Did you me him

1035
01:04:45,040 --> 01:04:48,880
Speaker 1: at a game? He actually came to Portland. I met him.

1036
01:04:49,040 --> 01:04:51,720
Speaker 1: I met him in Miami my rookie year. But then

1037
01:04:52,000 --> 01:04:53,600
Speaker 1: it was like brief, you know, there's a lot of

1038
01:04:53,680 --> 01:04:57,400
Speaker 1: people around. UM. And then he uh invited me to

1039
01:04:57,520 --> 01:05:01,280
Speaker 1: the studio in l A and U you know, we was,

1040
01:05:01,480 --> 01:05:02,840
Speaker 1: we was in there and that was like the other

1041
01:05:02,880 --> 01:05:05,520
Speaker 1: time where I was like, man, that's it's really Wayne.

1042
01:05:05,600 --> 01:05:07,640
Speaker 1: And then the next time, you know, he came all

1043
01:05:07,680 --> 01:05:10,160
Speaker 1: the way to Portland's you know to watch me play.

1044
01:05:10,360 --> 01:05:13,640
Speaker 1: So that was one and then the other one. I

1045
01:05:14,000 --> 01:05:17,800
Speaker 1: met J Cole opening at a concert. I met Jay Coole,

1046
01:05:17,840 --> 01:05:20,000
Speaker 1: and I'm mean J Cole fans, so it was like, man,

1047
01:05:21,440 --> 01:05:23,400
Speaker 1: you know, I just had one of those moments where

1048
01:05:23,400 --> 01:05:25,360
Speaker 1: I you know, I got to be a fan. So cool.

1049
01:05:26,080 --> 01:05:28,680
Speaker 1: If you could invite, I mean, the hip hop group

1050
01:05:29,840 --> 01:05:33,160
Speaker 1: is gone, you know, uh me goes is. You know,

1051
01:05:33,240 --> 01:05:35,800
Speaker 1: they're they're doing their thing. But I mean as far

1052
01:05:35,840 --> 01:05:37,880
Speaker 1: as the tradition of hip hop groups going back to

1053
01:05:37,920 --> 01:05:40,720
Speaker 1: the sugar Hill Game to run DMC, the Beastie Boys tribe,

1054
01:05:40,960 --> 01:05:43,880
Speaker 1: I mean, it's over. You know, guys are pretty much solo.

1055
01:05:44,160 --> 01:05:48,400
Speaker 1: If you could invite and bring back one hip hop

1056
01:05:48,520 --> 01:05:52,000
Speaker 1: group to a game, send them courtside. Who would that be?

1057
01:05:53,160 --> 01:05:57,040
Speaker 1: I would say Bone Thugs? Oh shit, okay, that that

1058
01:05:57,040 --> 01:05:58,320
Speaker 1: would be a I don't even know. If you could

1059
01:05:58,320 --> 01:05:59,960
Speaker 1: get them all on the same building together, that would

1060
01:05:59,960 --> 01:06:03,520
Speaker 1: be you could you could. I was. I was on

1061
01:06:03,720 --> 01:06:06,360
Speaker 1: stage with him not too long ago, not even try,

1062
01:06:06,480 --> 01:06:08,919
Speaker 1: like a couple of months ago in Portland, the whole crew,

1063
01:06:09,920 --> 01:06:12,360
Speaker 1: everybody was there. What are your five favorite groups of

1064
01:06:12,400 --> 01:06:19,200
Speaker 1: all time? My five favorite groups Bone Thugs, Um, I

1065
01:06:19,280 --> 01:06:24,960
Speaker 1: gotta go with somebody from uh three times crazy. I'm

1066
01:06:25,040 --> 01:06:30,320
Speaker 1: a huge outcast fan. I was like outcast um in

1067
01:06:30,640 --> 01:06:35,880
Speaker 1: w a uh trip called Quests. So what else do

1068
01:06:35,880 --> 01:06:38,240
Speaker 1: you do besides hip hop or any kind of like

1069
01:06:38,560 --> 01:06:41,480
Speaker 1: hip hop mumble rap rap rap? Like what else you

1070
01:06:41,560 --> 01:06:44,200
Speaker 1: what else you rock with? I mean I like that,

1071
01:06:44,960 --> 01:06:47,320
Speaker 1: I like the mumble rap stuff. You know, sometimes I

1072
01:06:47,400 --> 01:06:51,320
Speaker 1: think it's a different category. Um, don't you didn't? Don't

1073
01:06:51,360 --> 01:06:53,160
Speaker 1: you think so? Like in my opinion, that should be

1074
01:06:53,560 --> 01:06:56,360
Speaker 1: that way. Like the people like myself, the stubborn old

1075
01:06:56,440 --> 01:06:59,360
Speaker 1: motherfucker's will will stop sort of arguing about it. Like,

1076
01:06:59,480 --> 01:07:00,840
Speaker 1: but I think they need to come up with a

1077
01:07:00,920 --> 01:07:03,120
Speaker 1: new a new name for it and declare it a

1078
01:07:03,240 --> 01:07:07,120
Speaker 1: different thing. Yeah, I think they should because it's different. Um,

1079
01:07:07,280 --> 01:07:08,720
Speaker 1: you know, I think you would get bad at it,

1080
01:07:09,560 --> 01:07:12,920
Speaker 1: but you know, it's just like anything else. Man, the

1081
01:07:13,000 --> 01:07:15,600
Speaker 1: game is gonna involved, you know. I think it's just

1082
01:07:15,720 --> 01:07:18,960
Speaker 1: a new dimension that's been added to hip hop. And

1083
01:07:20,200 --> 01:07:21,840
Speaker 1: it's been a lot of success with it, so you

1084
01:07:21,880 --> 01:07:23,560
Speaker 1: can't get mad at it, you know, that's what some

1085
01:07:23,720 --> 01:07:28,200
Speaker 1: people do. Obviously, did a lot of this generation really

1086
01:07:28,680 --> 01:07:30,360
Speaker 1: clean to it. They liked it a lot, So I

1087
01:07:30,480 --> 01:07:33,680
Speaker 1: think it's been successful enough to what you gotta add that.

1088
01:07:33,840 --> 01:07:35,360
Speaker 1: You gotta add it to it, you know, and just

1089
01:07:35,760 --> 01:07:39,240
Speaker 1: name it something else. Yeah, I agree. Um, you mentioned

1090
01:07:39,280 --> 01:07:42,600
Speaker 1: the four Bar Friday. How proud of you are you

1091
01:07:42,720 --> 01:07:44,840
Speaker 1: that that that's sort of taken off because it's you know,

1092
01:07:45,000 --> 01:07:48,760
Speaker 1: because it's you. And have you found anybody that you

1093
01:07:48,840 --> 01:07:51,400
Speaker 1: were like, this is a real talented person from four

1094
01:07:51,480 --> 01:07:54,360
Speaker 1: Bar Friday. Oh yeah, I've had a lot of people

1095
01:07:54,440 --> 01:07:57,040
Speaker 1: like that. Whereas, like, you know, I'm proud of that

1096
01:07:57,160 --> 01:07:59,400
Speaker 1: I came up with that platform to give people opportunity

1097
01:07:59,400 --> 01:08:01,720
Speaker 1: because someone people follow it down, so many people know

1098
01:08:01,840 --> 01:08:04,840
Speaker 1: about it. Um, so many of those artists have linked

1099
01:08:04,920 --> 01:08:06,760
Speaker 1: up with each other and being part of events that

1100
01:08:06,840 --> 01:08:09,800
Speaker 1: I've done that. Um, I just feel good about giving

1101
01:08:09,800 --> 01:08:12,040
Speaker 1: people an opportunity or giving them a voice and a

1102
01:08:12,160 --> 01:08:13,919
Speaker 1: chance to be heard that they might not have heard

1103
01:08:13,960 --> 01:08:17,040
Speaker 1: had I not done it. So um, that's that's why

1104
01:08:17,120 --> 01:08:18,920
Speaker 1: why I take the most pride in it, because of

1105
01:08:19,080 --> 01:08:20,800
Speaker 1: you know, what they could do for other people. You know,

1106
01:08:20,840 --> 01:08:22,599
Speaker 1: I could put a song out on sound Clouds today

1107
01:08:22,640 --> 01:08:26,200
Speaker 1: and millions of people were here. So I'm just happy

1108
01:08:26,200 --> 01:08:28,000
Speaker 1: that I could come up with something to help from

1109
01:08:28,080 --> 01:08:30,240
Speaker 1: other aspiring artists. And I think that's what it's what

1110
01:08:30,360 --> 01:08:34,560
Speaker 1: it's about. Yeah, I think I think it's adult platform producers.

1111
01:08:34,680 --> 01:08:36,560
Speaker 1: Who are the producers now that you love? Like you

1112
01:08:36,600 --> 01:08:38,120
Speaker 1: would love to get a track from that. You You

1113
01:08:38,280 --> 01:08:40,160
Speaker 1: just love, like love the sound of what they're doing.

1114
01:08:40,680 --> 01:08:45,720
Speaker 1: I love what metro Booman is doing. Um. I don't

1115
01:08:45,760 --> 01:08:48,200
Speaker 1: know who does the production for Young Tug, but I

1116
01:08:48,320 --> 01:08:52,200
Speaker 1: love his production. Um, you know, I know Jay Cole

1117
01:08:52,320 --> 01:08:54,120
Speaker 1: does his own production. I would like to do something

1118
01:08:54,200 --> 01:08:56,599
Speaker 1: with him. I like his stuff because with my music,

1119
01:08:56,680 --> 01:08:59,200
Speaker 1: I like stuff that, you know, where the beat tells

1120
01:08:59,280 --> 01:09:02,280
Speaker 1: the story batches up to the story, and I think

1121
01:09:02,320 --> 01:09:05,360
Speaker 1: he does that's great with that. So I would love

1122
01:09:05,680 --> 01:09:08,280
Speaker 1: to do some of his stuff too. Yeah he's dope. Yeah,

1123
01:09:08,360 --> 01:09:11,360
Speaker 1: Swiss Swiss beat stuff too. It so yeah because he

1124
01:09:11,560 --> 01:09:13,560
Speaker 1: Swiss Beats is dope because obviously, I mean, he's so

1125
01:09:13,720 --> 01:09:16,360
Speaker 1: prolific for so long, and he's evolved with the times

1126
01:09:16,400 --> 01:09:20,400
Speaker 1: without giving up his his sound and his he didn't compromise.

1127
01:09:20,439 --> 01:09:22,559
Speaker 1: He's not just like I'm doing this you it's still

1128
01:09:22,600 --> 01:09:25,920
Speaker 1: Swiss beats beats exactly. He got his prints on it,

1129
01:09:26,040 --> 01:09:27,680
Speaker 1: but it's it's not right in a way. He just

1130
01:09:29,280 --> 01:09:31,439
Speaker 1: let that was saying, Um, all right, I want to

1131
01:09:31,479 --> 01:09:33,600
Speaker 1: ask you NBA question, and I'm gonna let you go

1132
01:09:33,720 --> 01:09:35,800
Speaker 1: because I appreciate you. Rock on me, Dame. I'm such

1133
01:09:35,840 --> 01:09:37,880
Speaker 1: a fan of yours on the court, and I love

1134
01:09:37,920 --> 01:09:40,320
Speaker 1: all the stuff you do for hip hop. You you

1135
01:09:40,520 --> 01:09:42,160
Speaker 1: fought so hard to get in the n B A

1136
01:09:42,840 --> 01:09:45,760
Speaker 1: Uh you know, you know no one unless you you know,

1137
01:09:45,840 --> 01:09:48,640
Speaker 1: they caught eye of you in college. Uh, you know

1138
01:09:48,800 --> 01:09:52,360
Speaker 1: heard of you. Uh what would you say, like you're like, oh, shoot,

1139
01:09:52,400 --> 01:09:54,960
Speaker 1: I'm in the NBA. Moments where we're like you were

1140
01:09:55,000 --> 01:09:57,320
Speaker 1: you finally made it, where you got on the court,

1141
01:09:57,960 --> 01:10:00,080
Speaker 1: and what you remember about like those first Cup, the

1142
01:10:00,200 --> 01:10:05,120
Speaker 1: game's first couple of moments, baskets, somebody crossing you up, Kobe, whatever, Like,

1143
01:10:05,200 --> 01:10:07,479
Speaker 1: what are some of those moments that you'll you'll cherish

1144
01:10:07,520 --> 01:10:10,599
Speaker 1: forever even though they might not have been the best ones. Um.

1145
01:10:10,680 --> 01:10:13,560
Speaker 1: I think the first, the biggest moment, I said was

1146
01:10:14,680 --> 01:10:18,360
Speaker 1: um getting drafted. But then even after that, my very

1147
01:10:18,439 --> 01:10:20,360
Speaker 1: first game of my career was against the Lakers and

1148
01:10:20,400 --> 01:10:27,200
Speaker 1: they had Kobe, Stu, Nash White, pal Antoine Jamison. You know,

1149
01:10:27,360 --> 01:10:29,040
Speaker 1: it was just crazy, you know, just being on the

1150
01:10:29,120 --> 01:10:31,880
Speaker 1: court with all those dudes. You know, Jamison was like

1151
01:10:32,040 --> 01:10:33,680
Speaker 1: the man on the Warriors when I was a kid

1152
01:10:34,200 --> 01:10:37,320
Speaker 1: season tickets to those games, So I mean even him,

1153
01:10:37,400 --> 01:10:42,519
Speaker 1: he probably was, um, the smallest star of all those guys,

1154
01:10:42,960 --> 01:10:45,240
Speaker 1: and um, you know, even that was a big deal

1155
01:10:45,320 --> 01:10:47,080
Speaker 1: for me. And I remember in that game my very

1156
01:10:47,160 --> 01:10:51,080
Speaker 1: first points, I made a corner three, but it didn't

1157
01:10:51,080 --> 01:10:52,800
Speaker 1: count because I stepped out of bound. So it was

1158
01:10:52,880 --> 01:10:55,840
Speaker 1: a you know, it was a cool moment. It was

1159
01:10:55,880 --> 01:11:00,200
Speaker 1: really cool. And what what's your favorite competing against Kobe's work,

1160
01:11:00,240 --> 01:11:03,720
Speaker 1: Because you know, as I've done all these interviews, everybody,

1161
01:11:03,880 --> 01:11:05,559
Speaker 1: you know, especially the ages of the guys that I'm

1162
01:11:05,600 --> 01:11:09,160
Speaker 1: talking to, everybody has a Kobe story. When you're eighty

1163
01:11:09,240 --> 01:11:12,280
Speaker 1: six and you're still rhyming and you finished playing basketball

1164
01:11:12,280 --> 01:11:15,400
Speaker 1: and your grandkids, grandkids say, tell me about Kobe Bryant,

1165
01:11:15,439 --> 01:11:20,760
Speaker 1: what will you tell them? Um, my rookie year also, Um,

1166
01:11:20,880 --> 01:11:22,200
Speaker 1: it was at the end of the season and my

1167
01:11:22,280 --> 01:11:25,080
Speaker 1: team was out of the playoff race, and I remember

1168
01:11:25,200 --> 01:11:27,360
Speaker 1: that the Lakers had to win like they last four

1169
01:11:27,760 --> 01:11:30,040
Speaker 1: four games of the season to get into the playoffs.

1170
01:11:30,120 --> 01:11:31,960
Speaker 1: It was the year Kobe towards the Killers at the

1171
01:11:32,040 --> 01:11:35,759
Speaker 1: end of the season, and um, they was in Portland

1172
01:11:35,840 --> 01:11:38,599
Speaker 1: and we came out. We had like the Markets was hurt,

1173
01:11:38,680 --> 01:11:40,759
Speaker 1: so he set out. I think you know, the Markets

1174
01:11:40,800 --> 01:11:43,080
Speaker 1: played West set out. Nick Betune said out. We had

1175
01:11:43,120 --> 01:11:46,120
Speaker 1: like a bunch of dudies out that didn't play. You know,

1176
01:11:46,920 --> 01:11:48,800
Speaker 1: they had to make the playoffs. So basically I was

1177
01:11:48,880 --> 01:11:50,560
Speaker 1: mashed up with his Kovie and he was guarding me.

1178
01:11:50,920 --> 01:11:54,040
Speaker 1: We was like going at it the whole gun, you know.

1179
01:11:55,400 --> 01:11:57,479
Speaker 1: You know, he pretty much just embarrassed, like it was.

1180
01:11:58,520 --> 01:12:00,240
Speaker 1: It was just like one of them, Kobe whence he

1181
01:12:00,360 --> 01:12:02,360
Speaker 1: ended up with for the other and they beat us.

1182
01:12:02,439 --> 01:12:04,600
Speaker 1: But I had thirty eight, so I was like, that

1183
01:12:04,720 --> 01:12:08,679
Speaker 1: was a good moment for me. That's dope. All right. Well, listen, Dame,

1184
01:12:08,720 --> 01:12:11,120
Speaker 1: I appreciate you rock with me. I hope to see

1185
01:12:11,120 --> 01:12:12,920
Speaker 1: you in l A at the All Star Game playing

1186
01:12:12,920 --> 01:12:14,960
Speaker 1: in the All Star Game. You deserve it, You've always

1187
01:12:15,000 --> 01:12:18,400
Speaker 1: deserved it, You've been deserving it. Um. I love what

1188
01:12:18,520 --> 01:12:20,360
Speaker 1: you're doing with your music. I love what you're doing

1189
01:12:20,400 --> 01:12:23,000
Speaker 1: with hip hop in general, and uh, you know, hopefully

1190
01:12:23,040 --> 01:12:25,160
Speaker 1: I'll see you soon in Los Angeles. Have a healthy,

1191
01:12:25,240 --> 01:12:28,120
Speaker 1: healthy rest of the season, my man. Yea, all right, Dame,

1192
01:12:30,400 --> 01:12:34,599
Speaker 1: you better not. It's member so only could never crack

1193
01:12:34,720 --> 01:12:37,240
Speaker 1: the code. Better not it's Nember so only better. No,

1194
01:12:37,400 --> 01:12:40,600
Speaker 1: it's member, feel like they think I'm goofy. Don't never disrespect.

1195
01:12:41,120 --> 01:12:43,960
Speaker 1: Thankful for all my people. Look, you can really blessed me.

1196
01:12:44,360 --> 01:12:46,479
Speaker 1: Many come out of the blue day from the field

1197
01:12:46,520 --> 01:12:49,800
Speaker 1: they left once that never left me, weet me ratting.

1198
01:12:50,000 --> 01:12:53,320
Speaker 1: Excuse the outsiders coming on my ground? What y'all laugh?

1199
01:12:53,760 --> 01:12:56,439
Speaker 1: Can we put up on your I don't hollo back,

1200
01:12:56,560 --> 01:12:59,880
Speaker 1: don't curve games, strong moving silence some my mac one

1201
01:13:00,160 --> 01:13:02,759
Speaker 1: get with us because we up to heal Jilly Chass,

1202
01:13:02,800 --> 01:13:06,400
Speaker 1: small Circle, Joe Family, cup of homes. No, the suckers

1203
01:13:06,479 --> 01:13:09,040
Speaker 1: Hayden saw him never by my mouth, by myse know

1204
01:13:09,160 --> 01:13:11,880
Speaker 1: how we rack you. This is a testimony, Honey, he

1205
01:13:12,000 --> 01:13:14,639
Speaker 1: never cracked the crone better than no, it's members, only

1206
01:13:14,720 --> 01:13:18,640
Speaker 1: better than not. It's member sony all right, Yo, I

1207
01:13:18,680 --> 01:13:20,640
Speaker 1: want to thank Damian Lillard for rock with me on

1208
01:13:20,680 --> 01:13:24,519
Speaker 1: the Iron Rap or Stereo podcast. No, Yo, he's really

1209
01:13:24,560 --> 01:13:28,360
Speaker 1: into his hip hop. Yo. He am ces man and

1210
01:13:28,520 --> 01:13:35,880
Speaker 1: a point guard extraordinary, so double whammy. Um all right, Miles,

1211
01:13:36,160 --> 01:13:39,120
Speaker 1: it's that time of the episode. You the sick Funk

1212
01:13:39,160 --> 01:13:43,000
Speaker 1: of the week music. This award is earned, not giving.

1213
01:13:43,080 --> 01:13:46,519
Speaker 1: It's called the sick fucking a week. This guy is

1214
01:13:46,560 --> 01:13:49,439
Speaker 1: really sick. Lock him up? How could you do it?

1215
01:13:49,600 --> 01:13:53,760
Speaker 1: Don't let him out? Damn when the door you want

1216
01:13:54,040 --> 01:13:56,280
Speaker 1: you fuck the door? Why would you fuck the dog?

1217
01:13:57,000 --> 01:14:01,120
Speaker 1: Why would you fuck your girlfriend's dog? Sick fuck the

1218
01:14:01,280 --> 01:14:05,360
Speaker 1: sick funk of the week. It's earned earned, not giving.

1219
01:14:05,439 --> 01:14:14,479
Speaker 1: You did what? No, no, no, you hear the drums,

1220
01:14:14,600 --> 01:14:18,200
Speaker 1: that's the sick funk of the week. Music um crafted

1221
01:14:18,240 --> 01:14:22,639
Speaker 1: meticulously by Mr Moodeh's lastname rhymes with duty. Yes, um,

1222
01:14:24,600 --> 01:14:30,400
Speaker 1: let's get to it. Uh. Student on Spirit Airlines Spirit

1223
01:14:30,479 --> 01:14:33,400
Speaker 1: I I I say this. Listen if you could save

1224
01:14:33,520 --> 01:14:35,439
Speaker 1: sixty three dollars. Now, I know you might be like

1225
01:14:35,479 --> 01:14:37,680
Speaker 1: cool rappaport. You don't know what it's like. I'm a

1226
01:14:37,760 --> 01:14:40,720
Speaker 1: college june, or I'm broke or whatever. I I. We've

1227
01:14:40,760 --> 01:14:42,960
Speaker 1: said it once. I'm gonna say it again. Don't play

1228
01:14:43,000 --> 01:14:47,240
Speaker 1: around with these with these mid range airlines. That's how

1229
01:14:47,280 --> 01:14:49,599
Speaker 1: you wind up getting into a fight on the plane.

1230
01:14:49,800 --> 01:14:52,880
Speaker 1: That's how you wind up getting duct taped to a

1231
01:14:53,000 --> 01:14:57,920
Speaker 1: seat on a plane. Well, some poor bastard flying home

1232
01:14:59,120 --> 01:15:02,920
Speaker 1: to Florida on a Spirit Airlines flight came on the

1233
01:15:03,000 --> 01:15:08,320
Speaker 1: plane with the hamster, their pet hamster Now, we just

1234
01:15:08,479 --> 01:15:12,120
Speaker 1: talked about this the other day. This ain't a fucking zoo,

1235
01:15:12,400 --> 01:15:15,439
Speaker 1: this ain't the animal shelter. Don't bring your fucking animals

1236
01:15:15,720 --> 01:15:20,639
Speaker 1: on the plane. A hamster. You're bringing your fucking hamster

1237
01:15:20,760 --> 01:15:23,280
Speaker 1: on the plane. What's it in the cage? I don't

1238
01:15:23,280 --> 01:15:25,679
Speaker 1: give a funk if it's in the cage, in your pocket,

1239
01:15:25,880 --> 01:15:29,000
Speaker 1: and know, whatever the funk it is, you bring your

1240
01:15:29,080 --> 01:15:32,439
Speaker 1: hamster pebbles onto the plane. See we we a lot

1241
01:15:32,520 --> 01:15:36,000
Speaker 1: of people have found compassion for Balon. That's the person's name.

1242
01:15:36,000 --> 01:15:38,559
Speaker 1: I can't even pronounce her last name. That when when

1243
01:15:38,600 --> 01:15:40,760
Speaker 1: she came on the plane and then they caught her

1244
01:15:40,880 --> 01:15:43,840
Speaker 1: trying to sneak contraband a k a. A fucking hamster

1245
01:15:43,960 --> 01:15:48,680
Speaker 1: onto the plane. You think you're gonna get compassion to

1246
01:15:48,800 --> 01:15:52,639
Speaker 1: me when the when the stewardesses and the flight attendants said, he, oh, duke,

1247
01:15:53,760 --> 01:15:55,720
Speaker 1: you can't come on here with a fucking with a

1248
01:15:55,800 --> 01:15:59,920
Speaker 1: hamster that's contraband. And so we're lucky we don't fucking

1249
01:16:00,120 --> 01:16:03,559
Speaker 1: land is plane and arrestue fuck flushed that little bastard

1250
01:16:03,600 --> 01:16:12,040
Speaker 1: down the toilet. So she flushed little pebbles down the toilet.

1251
01:16:12,200 --> 01:16:15,880
Speaker 1: And then I was emotional I was crying. I sat

1252
01:16:15,960 --> 01:16:18,760
Speaker 1: there for a good ten minutes crying in the bathroom. Yo,

1253
01:16:19,400 --> 01:16:23,040
Speaker 1: get the motherfucking hamster off the plane, duke. That's it.

1254
01:16:23,520 --> 01:16:25,880
Speaker 1: Don't come on the plane with the hamster, duke. That's it.

1255
01:16:26,560 --> 01:16:31,160
Speaker 1: That's it. We say say that over the loudspeaker. Oh

1256
01:16:31,280 --> 01:16:35,479
Speaker 1: this is Spirit Airlines. Put your seatbelt on. Uh have

1257
01:16:35,600 --> 01:16:39,240
Speaker 1: a safe flight. Uh, don't stand in the aisles. And uh,

1258
01:16:39,360 --> 01:16:43,320
Speaker 1: what's the final part, Mr Moody, Get that motherfucking hams

1259
01:16:43,439 --> 01:16:45,759
Speaker 1: off the plane, duke. But I come back there. Flush

1260
01:16:45,840 --> 01:16:49,560
Speaker 1: that motherfucking hamster, duke. Some people thought that I was

1261
01:16:49,600 --> 01:16:54,080
Speaker 1: gonna give Spirit Airlines the sick funk of the week. Sorry, sorry,

1262
01:16:54,360 --> 01:16:59,080
Speaker 1: I give you you killed little pebbles the hamster. Oh man,

1263
01:17:00,080 --> 01:17:04,080
Speaker 1: I can I can I one up you? No problem?

1264
01:17:06,040 --> 01:17:08,640
Speaker 1: Or on the flight we're gonna stay on the same aviation.

1265
01:17:08,960 --> 01:17:16,000
Speaker 1: On a flight to Seattle, Alaskan Airlines, a man got

1266
01:17:16,120 --> 01:17:22,680
Speaker 1: bass naked, barricaded himself in the bathroom, which forced the

1267
01:17:22,800 --> 01:17:27,840
Speaker 1: plane to turn around and land. But the sick fuck

1268
01:17:29,160 --> 01:17:34,519
Speaker 1: is the pilot. Because if it's your aircraft and your flight,

1269
01:17:36,320 --> 01:17:39,439
Speaker 1: put the ship on autopilot and go back there and

1270
01:17:39,560 --> 01:17:43,280
Speaker 1: regulate homeboard get the funk up, up, upout this bathroom.

1271
01:17:44,479 --> 01:17:46,519
Speaker 1: We're not turning this ship around and go back and

1272
01:17:46,680 --> 01:17:49,800
Speaker 1: land and uh and and and have all these people Uh,

1273
01:17:50,240 --> 01:17:52,280
Speaker 1: they can't get to where they gotta go because you're

1274
01:17:52,280 --> 01:17:55,880
Speaker 1: in the bathroom naked. You're sucking up my plans. Duke,

1275
01:17:55,920 --> 01:18:00,599
Speaker 1: Get the funk about the bathroom, Duke. Yeah, everybody's scared. Pilot,

1276
01:18:00,920 --> 01:18:04,240
Speaker 1: regulate your aircraft. That's when you take out the stunt

1277
01:18:04,320 --> 01:18:06,640
Speaker 1: gun and you zip money with this. Hit him with

1278
01:18:06,720 --> 01:18:11,000
Speaker 1: this taste that motherfucker real quick. This is yeah, you're

1279
01:18:11,040 --> 01:18:13,760
Speaker 1: not you're not determining what goes on on this flight.

1280
01:18:13,800 --> 01:18:15,759
Speaker 1: And we're gonna wait for you to come out the bathroom.

1281
01:18:16,080 --> 01:18:19,200
Speaker 1: I'm breaking the door and I'm dragging you off. I

1282
01:18:19,280 --> 01:18:21,360
Speaker 1: got a meeting to go to. When you're fucking around

1283
01:18:21,400 --> 01:18:26,400
Speaker 1: in here, duct taping you to the seats. Duct tape.

1284
01:18:26,439 --> 01:18:31,720
Speaker 1: That motherfucker speaking of duct tape. Uh. An American Airlines

1285
01:18:31,800 --> 01:18:37,040
Speaker 1: Boeing three seven landed in l a for the very

1286
01:18:37,120 --> 01:18:42,240
Speaker 1: same reason. A female plane passenger had to be restrained

1287
01:18:42,640 --> 01:18:50,040
Speaker 1: with the aforementioned is duct tape and zip ties following

1288
01:18:50,080 --> 01:18:55,439
Speaker 1: an attack on three crew members during a flight from Charlotte,

1289
01:18:55,640 --> 01:18:58,920
Speaker 1: North Carolina. The people that put her in the duct

1290
01:18:58,960 --> 01:19:03,519
Speaker 1: tape and the zip to eyes are not the sick fox. Okay,

1291
01:19:03,760 --> 01:19:06,280
Speaker 1: she made a dash for the cockpit when the plane

1292
01:19:06,360 --> 01:19:09,479
Speaker 1: was touching down. Yo, we're not having any of that ship.

1293
01:19:09,560 --> 01:19:12,120
Speaker 1: I don't care what you drink, what kind of medical

1294
01:19:12,760 --> 01:19:15,519
Speaker 1: reaction you're having to some medicine you're taking. You're getting

1295
01:19:15,520 --> 01:19:18,759
Speaker 1: that duct tape you're getting that could relitate that black

1296
01:19:19,120 --> 01:19:21,720
Speaker 1: thick duct tape that ship that you're not getting out of,

1297
01:19:22,520 --> 01:19:24,920
Speaker 1: and then we're gonna let everybody off the plane. Then

1298
01:19:24,960 --> 01:19:27,400
Speaker 1: we're gonna deal with you. You're not holder than anybody up.

1299
01:19:28,840 --> 01:19:31,719
Speaker 1: Nobody can run past me if I see you running

1300
01:19:31,800 --> 01:19:36,240
Speaker 1: towards the cockpit. Oh no, you're getting clothes lined. I'm

1301
01:19:36,280 --> 01:19:41,519
Speaker 1: a clothes line your ask An Ohio father is on

1302
01:19:41,720 --> 01:19:47,160
Speaker 1: leave from being a firefighter in Ohio after allegedly cutting

1303
01:19:47,240 --> 01:19:52,439
Speaker 1: his teenage daughter's hair extremely short as a punishment because

1304
01:19:52,479 --> 01:19:56,280
Speaker 1: his daughter got highlights for her birthday in her hair,

1305
01:19:56,600 --> 01:19:59,360
Speaker 1: so money gave her like the same haircut that I got.

1306
01:20:01,960 --> 01:20:04,920
Speaker 1: Is this good parenting he's trying to keep his daughter

1307
01:20:05,000 --> 01:20:09,120
Speaker 1: off the stripper pole? Or is this successive moody? Um,

1308
01:20:10,080 --> 01:20:14,280
Speaker 1: that's good parenting. I think I was gonna give him

1309
01:20:14,320 --> 01:20:15,760
Speaker 1: the sick funk, but then I thought about it, like

1310
01:20:15,840 --> 01:20:19,200
Speaker 1: he's just you know, as a father to to a daughter,

1311
01:20:19,240 --> 01:20:21,120
Speaker 1: We're just trying to keep you off the strip of pole.

1312
01:20:21,360 --> 01:20:25,360
Speaker 1: That's it. Yeah, that's it. Yeah, these are preventive measures.

1313
01:20:26,200 --> 01:20:27,880
Speaker 1: And I got I want to one up you too.

1314
01:20:27,920 --> 01:20:31,720
Speaker 1: I got I gotta give Kim Kay Kim kardashi and

1315
01:20:32,120 --> 01:20:37,240
Speaker 1: the sick fuck for having her daughter take niked topless

1316
01:20:37,320 --> 01:20:41,880
Speaker 1: pictures of her. That is some sick funk ship and

1317
01:20:41,960 --> 01:20:44,439
Speaker 1: she was getting she was getting it on Twitter from

1318
01:20:44,479 --> 01:20:48,360
Speaker 1: all the people to that's some bullshit. Your money check

1319
01:20:48,479 --> 01:20:51,000
Speaker 1: your girl, man, And let me tell you something about that.

1320
01:20:51,160 --> 01:20:53,920
Speaker 1: I think that whole thing was a hoax. If you

1321
01:20:54,000 --> 01:20:58,120
Speaker 1: saw the picture that Kim Kardashian she gave credit to

1322
01:20:58,200 --> 01:21:00,599
Speaker 1: her daughter, it was like it was take by North.

1323
01:21:01,320 --> 01:21:07,439
Speaker 1: It was like a perfectly framed, perfectly well lit photography.

1324
01:21:08,960 --> 01:21:11,680
Speaker 1: But no, I'm not saying that she shouldn't get lambassat

1325
01:21:11,720 --> 01:21:13,320
Speaker 1: and be the sick funk of the week, which is,

1326
01:21:13,360 --> 01:21:15,280
Speaker 1: by the way, this is two times in one week

1327
01:21:15,479 --> 01:21:18,000
Speaker 1: we've given a car to Slash Jenner the sick funk

1328
01:21:18,040 --> 01:21:20,040
Speaker 1: of the week because obviously we we we gave Chris

1329
01:21:20,160 --> 01:21:23,240
Speaker 1: Jenner the award earlier. I'm saying that these people are

1330
01:21:23,360 --> 01:21:27,800
Speaker 1: so desperate, yeah, to get attention in any way, shape

1331
01:21:27,880 --> 01:21:31,639
Speaker 1: or form. Your daughter took a high end, high level

1332
01:21:32,439 --> 01:21:36,719
Speaker 1: photo of you, perfectly, perfectly frame, the cameras totally straight,

1333
01:21:37,040 --> 01:21:40,760
Speaker 1: the lighting is perfect. That was about your five year

1334
01:21:40,760 --> 01:21:42,920
Speaker 1: old daughter. Get the funk out of here. You're trying

1335
01:21:42,920 --> 01:21:45,519
Speaker 1: to pimp out a little North. Leave Little North alone.

1336
01:21:46,479 --> 01:21:49,200
Speaker 1: Why don't we get Ray J? Part two? Why don't

1337
01:21:49,200 --> 01:21:51,120
Speaker 1: you fucking put ray J in it so we can

1338
01:21:51,200 --> 01:21:56,200
Speaker 1: get a part two with that? Finally, a football player

1339
01:21:56,200 --> 01:22:00,719
Speaker 1: who's National Signing Day for football players, kid Jay up Copeland,

1340
01:22:01,040 --> 01:22:06,479
Speaker 1: a four star wide receiver, highly recruited football player. Um,

1341
01:22:08,400 --> 01:22:10,200
Speaker 1: he didn't know if he was gonna go to Florida,

1342
01:22:10,360 --> 01:22:13,720
Speaker 1: Tennessee or Alabama. This was like on ESPN, you know,

1343
01:22:13,800 --> 01:22:15,559
Speaker 1: there's all. He was in his high school. The band

1344
01:22:15,680 --> 01:22:18,760
Speaker 1: was behind him. Um, when he announced that he was

1345
01:22:18,840 --> 01:22:22,120
Speaker 1: going to go to Florida, his mother, who was dressed

1346
01:22:23,040 --> 01:22:27,639
Speaker 1: top to bottom in Alabama gear, got up and left

1347
01:22:27,800 --> 01:22:31,680
Speaker 1: her son there embarrassed and and and like looking like

1348
01:22:31,760 --> 01:22:33,920
Speaker 1: a shame of himself. And I felt so bad for

1349
01:22:34,040 --> 01:22:37,000
Speaker 1: this kid and this woman. You're the sick funk of

1350
01:22:37,040 --> 01:22:40,599
Speaker 1: the week. Okay, you're the sick funk of the week.

1351
01:22:40,920 --> 01:22:42,519
Speaker 1: And then like and then the sun had to come

1352
01:22:42,520 --> 01:22:43,880
Speaker 1: out and said he was putting it, put her on

1353
01:22:43,920 --> 01:22:46,639
Speaker 1: the show because it's not about the mom. The kid

1354
01:22:46,800 --> 01:22:49,559
Speaker 1: was embarrassed, like he announced to he announced, he said

1355
01:22:49,600 --> 01:22:51,439
Speaker 1: he was going to Florida. Maybe his mom thought he

1356
01:22:51,479 --> 01:22:53,320
Speaker 1: was going to Alabama and to walk up there on

1357
01:22:53,439 --> 01:22:55,840
Speaker 1: the biggest moment of his life and make it all

1358
01:22:55,880 --> 01:23:01,000
Speaker 1: about you and your antics. That's not good, right. You

1359
01:23:01,040 --> 01:23:03,639
Speaker 1: should be happy he's in college. She should be happy

1360
01:23:03,680 --> 01:23:05,960
Speaker 1: that I got an opportunity to play football with a

1361
01:23:06,040 --> 01:23:09,599
Speaker 1: college scholarship. And if he goes to Alabama, Tennessee, Hofsture,

1362
01:23:09,640 --> 01:23:13,679
Speaker 1: wherever the funk he goes, don't make this important event

1363
01:23:13,840 --> 01:23:17,080
Speaker 1: about yourself. This that Lamar ball bullshit. This is what

1364
01:23:17,160 --> 01:23:21,519
Speaker 1: I'm saying. As soon as he made his decision, the

1365
01:23:21,640 --> 01:23:24,160
Speaker 1: first thing the reporter asked him was where did your

1366
01:23:24,240 --> 01:23:26,320
Speaker 1: mother go? Who was that woman who got up and

1367
01:23:26,400 --> 01:23:29,960
Speaker 1: walked away? Not why did you make the decision? How

1368
01:23:30,000 --> 01:23:31,880
Speaker 1: did you come to the decision? They talk about the

1369
01:23:31,960 --> 01:23:36,679
Speaker 1: mom anyway, listen, done, I told you have no Fear

1370
01:23:36,680 --> 01:23:39,240
Speaker 1: of the Iron Rapports Stereo podcast is here. We came,

1371
01:23:39,320 --> 01:23:44,040
Speaker 1: we saw, we conquered. It's another smash mouth episode of

1372
01:23:44,080 --> 01:23:47,360
Speaker 1: the Iron rapp Reports stereo podcast. We don't steer you wrong,

1373
01:23:47,640 --> 01:23:52,800
Speaker 1: We only steer you strong. Name is Michael Rappaport, a k.

1374
01:23:53,000 --> 01:23:58,719
Speaker 1: The Gringo Man Dingo g Moody. The last name rhymes

1375
01:23:58,760 --> 01:24:04,200
Speaker 1: with duty, Hell Yeah, The Dust Brothers. Miles David's actual

1376
01:24:04,360 --> 01:24:08,120
Speaker 1: name is Miles Davis is an Asian kid. His name

1377
01:24:08,200 --> 01:24:11,720
Speaker 1: is Miles Davis. What I thought, Jordan Winter, take us

1378
01:24:11,760 --> 01:24:14,599
Speaker 1: out of here with something funky, something something nice, something

1379
01:24:14,760 --> 01:24:18,680
Speaker 1: really really property. I am Rappaport Stereo Podcast. Tell a

1380
01:24:18,800 --> 01:24:21,240
Speaker 1: friend to tell a friend to tell a friend We're

1381
01:24:21,280 --> 01:24:21,479
Speaker 1: out