WEBVTT - Torrey DeVitto

0:00:00.200 --> 0:00:01.080
<v Speaker 1>Do you eat eggs?

0:00:02.040 --> 0:00:04.880
<v Speaker 2>I do eat eggs. So my duck has started laying eggs,

0:00:04.920 --> 0:00:06.080
<v Speaker 2>but I can't.

0:00:07.280 --> 0:00:07.960
<v Speaker 1>Is that a thing?

0:00:09.080 --> 0:00:12.320
<v Speaker 2>Yeah, they're eggs groups, just like chicken eggs, but they're bigger,

0:00:12.680 --> 0:00:16.319
<v Speaker 2>and apparently they make baking even fluffier. So I've heard.

0:00:17.720 --> 0:00:18.200
<v Speaker 2>I can't.

0:00:18.760 --> 0:00:21.279
<v Speaker 1>We need to we need to share that sound, we

0:00:21.280 --> 0:00:24.200
<v Speaker 1>need to clip that sound. But right there, they make

0:00:23.960 --> 0:00:26.080
<v Speaker 1>baking even fluffier.

0:00:32.280 --> 0:00:36.680
<v Speaker 2>Hi, I'm Toriy Devido and I don't eat duck eggs.

0:00:42.320 --> 0:00:45.400
<v Speaker 1>Hello, everybody, it's so good to have you back here

0:00:45.720 --> 0:00:49.320
<v Speaker 1>on Off the Beat, and I am delighted. I'm pleased

0:00:49.320 --> 0:00:53.520
<v Speaker 1>as punch to be your host. Brian Baumgartner, my guest

0:00:53.560 --> 0:00:58.720
<v Speaker 1>today is Well some might call a violin prodigy. Yep,

0:00:59.240 --> 0:01:03.560
<v Speaker 1>toy to veto. Now. I didn't say she was necessarily

0:01:03.600 --> 0:01:07.959
<v Speaker 1>famous for playing the violin, mind you, but she's very

0:01:08.240 --> 0:01:11.720
<v Speaker 1>very good at it from everything she led me to believe.

0:01:12.160 --> 0:01:15.440
<v Speaker 1>Tory is, of course a fantastic actor. You may know

0:01:15.520 --> 0:01:19.160
<v Speaker 1>her from a number of different shows, Nanny Carey on

0:01:19.160 --> 0:01:23.720
<v Speaker 1>One Tree Hill, Melissa on Pretty Little Liars, or Doctor

0:01:23.880 --> 0:01:29.200
<v Speaker 1>Natalie Manning on Chicago Med. She's also been playing the

0:01:29.280 --> 0:01:32.480
<v Speaker 1>violin since she was very little. She even played at

0:01:32.560 --> 0:01:38.840
<v Speaker 1>Christy Brinkley's wedding and on Stevie Nick's album. So she

0:01:39.040 --> 0:01:43.959
<v Speaker 1>is not only very talented, she's also very very cool.

0:01:44.560 --> 0:01:47.520
<v Speaker 1>You'll find out how she went from touring with the

0:01:47.640 --> 0:01:50.560
<v Speaker 1>likes of Billie Joel to traveling the world as a

0:01:50.600 --> 0:01:55.360
<v Speaker 1>fashion model to now living on a small farm in

0:01:55.520 --> 0:02:01.240
<v Speaker 1>rural Michigan that does not currently have any pigs. Let's

0:02:01.240 --> 0:02:07.360
<v Speaker 1>hear it straight from her, the absolutely delightful Tory DeVito.

0:02:11.000 --> 0:02:18.520
<v Speaker 3>Bubble and Squeak. I love it, Bubble and squeak, Bubble

0:02:18.600 --> 0:02:22.440
<v Speaker 3>and Squeaker, cook it every more. Lift over from the

0:02:22.600 --> 0:02:23.440
<v Speaker 3>Nine People.

0:02:33.880 --> 0:02:36.560
<v Speaker 4>Hi, Torri, Hi, how are you?

0:02:37.120 --> 0:02:38.520
<v Speaker 1>I'm all right? How are you doing?

0:02:39.000 --> 0:02:39.600
<v Speaker 2>Pretty good?

0:02:40.320 --> 0:02:44.760
<v Speaker 1>Yeah? Yeah, no, no one, no one. I always say

0:02:44.760 --> 0:02:47.360
<v Speaker 1>I can't complain because no one would care anyway, I

0:02:47.400 --> 0:02:53.320
<v Speaker 1>would care how you're doing. But uh yeah, where where

0:02:53.320 --> 0:02:54.200
<v Speaker 1>are you right now?

0:02:54.680 --> 0:02:57.200
<v Speaker 2>I'm in Michigan. I live full time in Michigan.

0:02:58.080 --> 0:02:58.640
<v Speaker 1>Michigan.

0:02:59.360 --> 0:03:01.480
<v Speaker 4>H wow, Yeah, I don't.

0:03:01.720 --> 0:03:04.760
<v Speaker 1>I don't get a lot of Michigan. Where in Michigan.

0:03:05.440 --> 0:03:09.320
<v Speaker 2>So I live near a town called Saugatuck, Okay, And

0:03:09.400 --> 0:03:11.840
<v Speaker 2>I have a I have a farm there and then

0:03:12.080 --> 0:03:14.400
<v Speaker 2>we also have a place about an hour away from

0:03:14.480 --> 0:03:19.720
<v Speaker 2>the farm in Kalamazoo where my fiance works. Okay, but

0:03:19.840 --> 0:03:23.320
<v Speaker 2>I moved to Michigan, uh because I just love it.

0:03:23.800 --> 0:03:26.360
<v Speaker 2>Before I met him, before anything, I just I love

0:03:26.760 --> 0:03:29.320
<v Speaker 2>I love Michigan. And I was like, I'm done with La.

0:03:29.400 --> 0:03:31.560
<v Speaker 2>I'm stick of LA staying in Michigan.

0:03:31.919 --> 0:03:35.440
<v Speaker 1>You're staying in Michigan. Good for you. I had a

0:03:35.480 --> 0:03:39.200
<v Speaker 1>great experience with one of my old co workers there

0:03:39.240 --> 0:03:43.120
<v Speaker 1>in uh what I say, Grand Rapids and oh yeah

0:03:43.160 --> 0:03:45.160
<v Speaker 1>and big big Rapids.

0:03:46.720 --> 0:03:49.720
<v Speaker 2>Yeah. Grand Rapids is like an hour from me, and there's.

0:03:49.560 --> 0:03:51.760
<v Speaker 1>A Big Rapids. That's where the college I was at

0:03:51.800 --> 0:03:54.560
<v Speaker 1>a college there, Right, big Rapids.

0:03:54.160 --> 0:03:57.040
<v Speaker 2>I think. So I know there's I only know Grand

0:03:57.120 --> 0:04:00.920
<v Speaker 2>Rapids personally, but I know there's all sorts of rapids,

0:04:01.040 --> 0:04:03.320
<v Speaker 2>which I didn't know. There was so much about Michigan.

0:04:03.360 --> 0:04:03.880
<v Speaker 2>I didn't know.

0:04:04.480 --> 0:04:06.800
<v Speaker 1>Well, you you grew up in New York or you

0:04:06.800 --> 0:04:09.840
<v Speaker 1>were born in New York, I understand. So, yeah, you

0:04:09.960 --> 0:04:13.320
<v Speaker 1>falling in love with Michigan. That doesn't sound on brand.

0:04:14.000 --> 0:04:16.960
<v Speaker 2>No, Well, my mother's from Michigan, and so we did

0:04:17.040 --> 0:04:19.640
<v Speaker 2>come here to visit her family for the summers. So

0:04:19.720 --> 0:04:21.680
<v Speaker 2>I had a little bit of a background with Michigan,

0:04:21.720 --> 0:04:24.760
<v Speaker 2>but when we would visit them, I didn't feel connected

0:04:24.760 --> 0:04:28.400
<v Speaker 2>to Michigan. Then it was I was filming in Chicago

0:04:28.560 --> 0:04:31.520
<v Speaker 2>and my mom had moved to this little town in

0:04:31.560 --> 0:04:36.159
<v Speaker 2>Michigan that's on the water, a very artsy, cute community

0:04:36.320 --> 0:04:39.400
<v Speaker 2>that you see in movies and you're like, yeah, yeah, yeah,

0:04:39.440 --> 0:04:42.919
<v Speaker 2>but it really exists. And I'd come up on my

0:04:42.920 --> 0:04:44.960
<v Speaker 2>weekends because it was a two hour drive to Chicago.

0:04:45.480 --> 0:04:47.599
<v Speaker 2>I just fell in love with it. So during the pandemic,

0:04:47.640 --> 0:04:51.560
<v Speaker 2>I was like, that's it, I'm out. Just stayed.

0:04:52.160 --> 0:04:55.080
<v Speaker 1>Yeah. I have some friends. It's exactly what you said

0:04:55.120 --> 0:04:57.880
<v Speaker 1>when they were like, we summer in Michigan and this

0:04:57.920 --> 0:05:01.560
<v Speaker 1>is from Atlanta, Georgia are in Michigan. Like what does

0:05:01.640 --> 0:05:06.640
<v Speaker 1>that even mean? But the lake there is very beautiful.

0:05:06.880 --> 0:05:09.400
<v Speaker 1>And do you boat? Are you like? Are you like

0:05:09.440 --> 0:05:10.720
<v Speaker 1>an outdoors I mean you.

0:05:10.680 --> 0:05:11.360
<v Speaker 4>Have a farm.

0:05:11.880 --> 0:05:13.640
<v Speaker 2>Yeah, what's on your farm?

0:05:13.680 --> 0:05:14.760
<v Speaker 1>What do you have on your farm?

0:05:15.160 --> 0:05:18.560
<v Speaker 2>I have two goats and two ducks and two dogs

0:05:18.960 --> 0:05:20.200
<v Speaker 2>and two cats.

0:05:20.680 --> 0:05:26.000
<v Speaker 1>Okay, goats, that's exotic. You don't have like alpacas and.

0:05:26.400 --> 0:05:30.840
<v Speaker 2>No, no, it's no. I think I'm sticking with this

0:05:30.960 --> 0:05:34.719
<v Speaker 2>for now. I obviously would like to expand. But you know,

0:05:35.080 --> 0:05:37.400
<v Speaker 2>one step at a time, at a time.

0:05:38.480 --> 0:05:41.239
<v Speaker 1>But you're I moved to Michigan. Give me a break.

0:05:41.320 --> 0:05:43.200
<v Speaker 1>I already did the step.

0:05:44.600 --> 0:05:47.159
<v Speaker 2>One step at a time. But no, I love it.

0:05:47.200 --> 0:05:49.640
<v Speaker 2>I love being in nature. I love getting to walk outside.

0:05:49.680 --> 0:05:53.279
<v Speaker 2>I love that it's just more pure here.

0:05:53.920 --> 0:05:56.360
<v Speaker 1>Okay, fine, pure.

0:05:56.839 --> 0:06:01.440
<v Speaker 2>The air is cleaner, things are just cleaner. You know,

0:06:01.760 --> 0:06:06.839
<v Speaker 2>I can just outside, Yes, and I'm not inundated with

0:06:07.600 --> 0:06:11.080
<v Speaker 2>city crap, you know. Yes, But I'm two hours from Chicago,

0:06:11.160 --> 0:06:13.839
<v Speaker 2>so if I need that hit, it's right there, take

0:06:13.839 --> 0:06:14.560
<v Speaker 2>a two hour drive.

0:06:14.680 --> 0:06:15.200
<v Speaker 4>Yeah right.

0:06:15.440 --> 0:06:17.920
<v Speaker 1>I mean, I do know that you're wearing overalls right now.

0:06:18.000 --> 0:06:20.320
<v Speaker 1>I don't know if those are like I don't know

0:06:20.360 --> 0:06:24.240
<v Speaker 1>if those are like Levi's though. Those seem a little

0:06:24.279 --> 0:06:26.720
<v Speaker 1>bit more like like overalls you would wear a New

0:06:26.800 --> 0:06:31.960
<v Speaker 1>York or Chicago. But I'm just their corduroy. Yeah, I

0:06:32.000 --> 0:06:38.680
<v Speaker 1>don't see. I don't see goat debris on the Okay, yeah,

0:06:38.839 --> 0:06:41.080
<v Speaker 1>small steps, I understand. Small steps.

0:06:41.480 --> 0:06:46.200
<v Speaker 2>You to move the move designer overalls. Then we'll get

0:06:46.279 --> 0:06:48.799
<v Speaker 2>to the non designer overall soon.

0:06:49.920 --> 0:06:54.720
<v Speaker 1>Okay. All right, baby steps, baby steps. Uh, you had

0:06:55.080 --> 0:07:00.159
<v Speaker 1>a fascinating childhood. I know, I'm not the first to

0:07:00.200 --> 0:07:04.040
<v Speaker 1>tell you this. Your parents, they were in the music industry.

0:07:04.600 --> 0:07:10.280
<v Speaker 1>You as a child, you went on tours. I'm guessing

0:07:10.520 --> 0:07:13.120
<v Speaker 1>with people like, oh, I don't know, like Billy Joel

0:07:13.800 --> 0:07:17.000
<v Speaker 1>and Stevie Nicks. Tell me a little bit about your

0:07:17.360 --> 0:07:21.480
<v Speaker 1>your childhood. Your dad was the drummer for for Billy Joel.

0:07:22.120 --> 0:07:25.080
<v Speaker 2>Yes, my dad played with Billy for thirty.

0:07:24.880 --> 0:07:27.680
<v Speaker 4>Years years stop.

0:07:27.960 --> 0:07:30.360
<v Speaker 2>Yeah, a long time. They met when they were like

0:07:30.480 --> 0:07:34.480
<v Speaker 2>nineteen years old or something on Long Island. Yeah, so

0:07:34.520 --> 0:07:38.440
<v Speaker 2>I grew up going on tour. Alexa, his daughter is

0:07:38.800 --> 0:07:41.520
<v Speaker 2>in between my age and my sister's age, so we

0:07:41.560 --> 0:07:45.400
<v Speaker 2>all grew up together. And yeah, it was. It's so

0:07:45.640 --> 0:07:48.000
<v Speaker 2>I feel so pretentious when I'm like, I don't know

0:07:48.080 --> 0:07:50.760
<v Speaker 2>any other childhood. So when people say like, oh, it's

0:07:50.800 --> 0:07:52.760
<v Speaker 2>such an interesting channel, and I'm like, yeah, but what

0:07:52.840 --> 0:07:55.440
<v Speaker 2>is it like when your parents are like doctors like that,

0:07:55.680 --> 0:07:59.280
<v Speaker 2>what they save a lot? That's crazy, you know, like,

0:07:59.360 --> 0:08:04.280
<v Speaker 2>what is that? So? Yeah, but I mean, look, it's

0:08:04.840 --> 0:08:07.840
<v Speaker 2>my dad still. He's playing all the time and every

0:08:07.840 --> 0:08:10.040
<v Speaker 2>time I go visit him. He's in a new band

0:08:10.120 --> 0:08:12.400
<v Speaker 2>right now called the slim Kings, and also the original

0:08:12.440 --> 0:08:17.720
<v Speaker 2>Billy Joel guys play together and tour, so he's always

0:08:17.760 --> 0:08:20.320
<v Speaker 2>doing something, so there's always something going on and I

0:08:20.360 --> 0:08:20.720
<v Speaker 2>love it.

0:08:21.440 --> 0:08:25.960
<v Speaker 1>By the way, it did sound pretentious. I how many

0:08:26.000 --> 0:08:30.280
<v Speaker 1>times have you heard piano man live live live? A lot,

0:08:30.760 --> 0:08:31.080
<v Speaker 1>a lot.

0:08:31.280 --> 0:08:34.480
<v Speaker 2>But what's funny is I actually could not sing a

0:08:34.520 --> 0:08:37.120
<v Speaker 2>full Billy Joel's song start to finish all the lyrics

0:08:37.120 --> 0:08:40.360
<v Speaker 2>because I would go to the shows and then sometimes

0:08:40.440 --> 0:08:43.040
<v Speaker 2>we would be playing backstage or whatever. We didn't really

0:08:43.080 --> 0:08:46.040
<v Speaker 2>sit through the whole show. And I never listened to

0:08:46.080 --> 0:08:49.679
<v Speaker 2>it until honestly, kind of recently, I'm like, man, these

0:08:49.679 --> 0:08:52.280
<v Speaker 2>are really good songs. Not that I couldn't acknowledge that,

0:08:52.360 --> 0:08:54.480
<v Speaker 2>but it's like it's your dad's you know what I mean.

0:08:54.520 --> 0:08:56.760
<v Speaker 2>I wasn't sitting in my bedroom listening to Billy Joel,

0:08:57.160 --> 0:08:59.880
<v Speaker 2>So people, I think, always find that funny that I might.

0:09:00.160 --> 0:09:01.880
<v Speaker 2>I don't know all the work, Like I don't know

0:09:02.000 --> 0:09:03.040
<v Speaker 2>every song.

0:09:04.920 --> 0:09:09.160
<v Speaker 1>So he was a drummer, Yeah, was constant? Was that

0:09:09.400 --> 0:09:12.440
<v Speaker 1>sound the sound of your childhood? Like do you do

0:09:12.520 --> 0:09:17.760
<v Speaker 1>you remember hearing that from I don't know, from the garage,

0:09:17.880 --> 0:09:24.080
<v Speaker 1>from the guest bedroom, whatever, Like constantly hearing music and

0:09:24.200 --> 0:09:27.240
<v Speaker 1>experiencing music as you were growing up.

0:09:27.880 --> 0:09:30.719
<v Speaker 2>Absolutely to this day. It's like, even if we're at

0:09:30.840 --> 0:09:33.240
<v Speaker 2>a restaurant, he's constantly like with like the fork and

0:09:33.280 --> 0:09:36.400
<v Speaker 2>a knife doing something and I'm like, Dad, everybody wants

0:09:36.440 --> 0:09:38.720
<v Speaker 2>to hear this right now, like take it down a notch.

0:09:40.000 --> 0:09:42.280
<v Speaker 2>But yeah, No, he had a drum set and we

0:09:42.320 --> 0:09:45.520
<v Speaker 2>had my parents had this office room. He had a

0:09:45.600 --> 0:09:48.760
<v Speaker 2>drum set in there, and when they would be on hiatus,

0:09:48.880 --> 0:09:51.480
<v Speaker 2>he was always playing with other people you know around

0:09:51.520 --> 0:09:53.640
<v Speaker 2>that would come over and just have like jam sessions

0:09:53.679 --> 0:09:55.680
<v Speaker 2>all the time in the house. And he was always

0:09:55.679 --> 0:09:57.840
<v Speaker 2>playing loud music. And I think one of the things

0:09:58.280 --> 0:10:01.600
<v Speaker 2>I wish I would have been more into. But you know,

0:10:01.679 --> 0:10:04.040
<v Speaker 2>as a daughter, I was like, go away, leave me alone.

0:10:04.240 --> 0:10:05.920
<v Speaker 2>He'd like run into my room like, oh, you got

0:10:05.920 --> 0:10:07.560
<v Speaker 2>to listen to this song, listen to this part. And

0:10:07.559 --> 0:10:12.320
<v Speaker 2>I was like, okay, whatever, go away. And now I

0:10:12.400 --> 0:10:13.599
<v Speaker 2>wish I would.

0:10:13.320 --> 0:10:16.720
<v Speaker 1>Have been That's like me in sports with my daughter,

0:10:16.920 --> 0:10:20.000
<v Speaker 1>like something like I'll be like, oh, yeah, come here,

0:10:20.120 --> 0:10:22.640
<v Speaker 1>you got to see this. This is something really cool.

0:10:23.280 --> 0:10:28.319
<v Speaker 1>No interest, no, just just a total dismissal job of

0:10:28.400 --> 0:10:28.920
<v Speaker 1>a child.

0:10:29.000 --> 0:10:30.679
<v Speaker 2>I think, I.

0:10:30.720 --> 0:10:36.680
<v Speaker 1>Guess, I don't know. At some point you moved to Florida,

0:10:37.440 --> 0:10:41.800
<v Speaker 1>Central Florida specifically, this is I don't know if you

0:10:41.920 --> 0:10:45.280
<v Speaker 1>know this. This is very different from New York and

0:10:45.679 --> 0:10:48.160
<v Speaker 1>Long Island. What was the reason for that move? Was

0:10:48.200 --> 0:10:49.760
<v Speaker 1>that just he was on the road, or.

0:10:50.360 --> 0:10:53.800
<v Speaker 2>It's so my parents. So my mom was best friends

0:10:53.840 --> 0:10:58.280
<v Speaker 2>with Stevie and when dad and Billie were on Hiatus Tory,

0:10:59.120 --> 0:11:01.640
<v Speaker 2>my dad played on Stevie's solo tour. That's how he

0:11:01.720 --> 0:11:07.760
<v Speaker 2>met my mom. My mom was a very hippy California girl,

0:11:07.920 --> 0:11:10.160
<v Speaker 2>like loved the sun and palm trees, it all this,

0:11:10.280 --> 0:11:13.080
<v Speaker 2>and my dad is a very East Coast Italian New Yorker,

0:11:13.559 --> 0:11:16.880
<v Speaker 2>so they got together. Everything happened very quickly, and she

0:11:17.040 --> 0:11:19.720
<v Speaker 2>moved to New York. And I think the promise was

0:11:19.800 --> 0:11:22.680
<v Speaker 2>you will be around palm trees again. One day I promised.

0:11:22.960 --> 0:11:26.800
<v Speaker 2>They were on tour, we were in Florida, they decided

0:11:26.840 --> 0:11:29.040
<v Speaker 2>to look at houses. My mom loved this little town

0:11:29.080 --> 0:11:32.000
<v Speaker 2>called Winter Park, so we ended up moving there. And

0:11:33.080 --> 0:11:39.320
<v Speaker 2>I can hate Florida. It was I was not It

0:11:39.440 --> 0:11:42.240
<v Speaker 2>was not the direction I would have gone right, and

0:11:42.320 --> 0:11:45.200
<v Speaker 2>none of my family lives there anymore. I really do

0:11:45.240 --> 0:11:48.160
<v Speaker 2>think it was part of the downfall of us to

0:11:48.240 --> 0:11:50.760
<v Speaker 2>beatos moving to Florida. My dad went back to Brooklyn.

0:11:50.800 --> 0:11:55.040
<v Speaker 2>My mom now lives in Michigan. So but yeah, Florida.

0:11:57.600 --> 0:11:59.720
<v Speaker 1>So was that tough for you as a How old

0:11:59.760 --> 0:12:01.000
<v Speaker 1>were you when you moved?

0:12:01.360 --> 0:12:04.439
<v Speaker 2>I was eleven, Okay, yeah, so it was sad. It

0:12:04.520 --> 0:12:06.240
<v Speaker 2>was sad, saying God by all my friends. I was

0:12:06.280 --> 0:12:08.559
<v Speaker 2>excited about the high school. I knew we would all

0:12:08.600 --> 0:12:11.360
<v Speaker 2>go to together one day in King's Park, New York.

0:12:11.440 --> 0:12:15.200
<v Speaker 2>And you know, it's always hard making new friends. And

0:12:15.240 --> 0:12:20.679
<v Speaker 2>I found Florida to be very weird, even at that age.

0:12:20.840 --> 0:12:23.439
<v Speaker 2>I noticed that even in my high school, like my school,

0:12:23.480 --> 0:12:25.360
<v Speaker 2>we had like four thousand kids in our school. It

0:12:25.400 --> 0:12:29.840
<v Speaker 2>was huge. Wow, and the segregation was insane. I was like,

0:12:29.960 --> 0:12:34.240
<v Speaker 2>and I was so taken it back by so much

0:12:34.240 --> 0:12:37.120
<v Speaker 2>about Florida that wasn't in New York. I was like,

0:12:37.280 --> 0:12:40.120
<v Speaker 2>oh my god, it was just it was a very

0:12:40.520 --> 0:12:41.480
<v Speaker 2>alarming place.

0:12:41.760 --> 0:12:45.240
<v Speaker 1>I think you played the violin. Now, what I read

0:12:45.440 --> 0:12:51.000
<v Speaker 1>was violin prodigy. That's not true, that's not true.

0:12:51.240 --> 0:12:53.520
<v Speaker 2>I mean I started playing when I was six, and

0:12:54.440 --> 0:12:58.400
<v Speaker 2>six is young. Six is young. And I did play

0:12:58.640 --> 0:13:01.760
<v Speaker 2>all throughout high school, and I traveled over to Europe

0:13:01.880 --> 0:13:05.160
<v Speaker 2>and I played for Chrissy Brinkley's wedding when I was

0:13:05.200 --> 0:13:07.600
<v Speaker 2>like twelve, and so I think that's why the word

0:13:07.640 --> 0:13:09.000
<v Speaker 2>prodigy gets lost, and I.

0:13:08.960 --> 0:13:17.600
<v Speaker 1>Didn't do a lot prodigy though, that's prodigy. Yeah, that's prodigy, right,

0:13:18.160 --> 0:13:22.839
<v Speaker 1>I mean I know this was there were friends, but but.

0:13:23.000 --> 0:13:27.640
<v Speaker 2>Still yeah, yeah, no, I mean it was, it was.

0:13:27.720 --> 0:13:28.320
<v Speaker 1>I was.

0:13:28.360 --> 0:13:30.360
<v Speaker 2>It was a huge part of my life. It still is,

0:13:30.440 --> 0:13:32.480
<v Speaker 2>but it was even bigger.

0:13:32.160 --> 0:13:34.720
<v Speaker 1>Part of my life than you still play.

0:13:35.440 --> 0:13:37.280
<v Speaker 2>I do still play. I took a little bit of

0:13:37.320 --> 0:13:40.160
<v Speaker 2>a break the last couple of years because I fractured

0:13:40.160 --> 0:13:41.960
<v Speaker 2>my finger, and then it was really hard to get

0:13:41.960 --> 0:13:46.360
<v Speaker 2>back into it because I noticed, like as a classical musician,

0:13:46.679 --> 0:13:49.480
<v Speaker 2>improv and all the things were allowed to do as

0:13:49.520 --> 0:13:52.040
<v Speaker 2>actors you can't do as a classical musice. So that

0:13:52.080 --> 0:13:55.440
<v Speaker 2>was actually the hardest switchover for me. When I started acting,

0:13:55.480 --> 0:13:57.280
<v Speaker 2>people were like, just go with it, and I'm like, no, no,

0:13:57.320 --> 0:13:59.720
<v Speaker 2>give me the words, let me act it. They're like, no, no,

0:13:59.840 --> 0:14:02.120
<v Speaker 2>just go with your and I'm like, wait a second.

0:14:02.160 --> 0:14:04.240
<v Speaker 2>I'm so used to being told exactly what I have

0:14:04.320 --> 0:14:07.800
<v Speaker 2>to play. So when I broke factured my finger and

0:14:07.800 --> 0:14:10.360
<v Speaker 2>then took some time off, it was like, wait, I'm

0:14:10.679 --> 0:14:15.440
<v Speaker 2>gonna be terrible. I can't play violin and not be

0:14:15.600 --> 0:14:18.800
<v Speaker 2>good at it because I'm so classically trained. It's like

0:14:19.000 --> 0:14:21.240
<v Speaker 2>you have to Everything has to be perfect. So I

0:14:21.280 --> 0:14:23.440
<v Speaker 2>put off playing for about two and a half years,

0:14:23.440 --> 0:14:25.440
<v Speaker 2>but I just started again, which has been fun.

0:14:26.040 --> 0:14:29.560
<v Speaker 1>This is fascinating to me. So as a classical musician,

0:14:30.160 --> 0:14:32.880
<v Speaker 1>does that mean that there's no personal interpretation?

0:14:34.560 --> 0:14:38.640
<v Speaker 2>Well, I obviously think everybody has their styles and their

0:14:38.720 --> 0:14:42.320
<v Speaker 2>way of doing things, and that's why the greats happened.

0:14:42.680 --> 0:14:46.040
<v Speaker 2>But when it comes to the music, you know, Mozart

0:14:46.120 --> 0:14:48.960
<v Speaker 2>and bait, there's no room for interpretation. It's not like

0:14:49.040 --> 0:14:50.960
<v Speaker 2>you'd be like, well, he put this as a half note,

0:14:50.960 --> 0:14:54.400
<v Speaker 2>but I'm bake it a bordant note. It's like, no,

0:14:54.480 --> 0:14:57.120
<v Speaker 2>you can't. You can't do that. And every note has

0:14:57.160 --> 0:15:00.440
<v Speaker 2>to be pitch per Everything has to be so perfect.

0:15:00.520 --> 0:15:03.160
<v Speaker 2>There's no improv unless you're playing jazz or fiddle or

0:15:03.200 --> 0:15:04.640
<v Speaker 2>something like that. But that's for music.

0:15:04.680 --> 0:15:09.920
<v Speaker 1>No, Yeah, So what does distinguish.

0:15:08.960 --> 0:15:11.160
<v Speaker 2>That's a really good question. I've actually never thought of that.

0:15:11.240 --> 0:15:17.200
<v Speaker 2>I think style, you know, charisma, the way people and

0:15:17.280 --> 0:15:22.480
<v Speaker 2>also just being so much better than everyone else. It's

0:15:22.520 --> 0:15:25.760
<v Speaker 2>a really hard instrument to get really really great at

0:15:25.960 --> 0:15:26.680
<v Speaker 2>you know what I mean.

0:15:27.240 --> 0:15:30.560
<v Speaker 1>So there's hitting the notes, but then there's a way

0:15:31.200 --> 0:15:35.000
<v Speaker 1>to hit the notes pure or well.

0:15:35.000 --> 0:15:40.880
<v Speaker 2>It's funny. It's like even some string musicians, some have

0:15:40.960 --> 0:15:43.080
<v Speaker 2>better tone than others. And I don't even know how

0:15:43.120 --> 0:15:45.920
<v Speaker 2>to explain that. It's almost like singing. It's like how

0:15:45.960 --> 0:15:48.960
<v Speaker 2>somebody could be hitting the same pitch, but somebody's tone

0:15:49.040 --> 0:15:51.840
<v Speaker 2>is just better. Right, It's like, I don't know if

0:15:51.880 --> 0:15:54.920
<v Speaker 2>that's finesse, if that's just like more of a natural

0:15:55.640 --> 0:15:58.360
<v Speaker 2>thing that you have it than someone else. I'm not

0:15:58.400 --> 0:16:01.520
<v Speaker 2>really sure. But that's kind of where I stop, not

0:16:01.680 --> 0:16:03.760
<v Speaker 2>stop playing, but decided it wasn't going to be a

0:16:04.000 --> 0:16:07.840
<v Speaker 2>because of profession for me, because I realized I wasn't

0:16:07.920 --> 0:16:11.080
<v Speaker 2>ever gonna be good enough to be the soloist, and

0:16:11.120 --> 0:16:13.760
<v Speaker 2>they didn't want to be in an orchestra forever.

0:16:14.640 --> 0:16:17.920
<v Speaker 1>Right. That's fascinating to me. I've never thought I mean,

0:16:17.960 --> 0:16:19.800
<v Speaker 1>you said, you've never thought of it. I've never thought

0:16:19.800 --> 0:16:23.760
<v Speaker 1>about that. The ability. Yeah. Yeah, when you're acting to

0:16:23.800 --> 0:16:25.800
<v Speaker 1>say like, oh, go no, go with what you're feeling

0:16:25.880 --> 0:16:28.240
<v Speaker 1>right now, go, Yeah, you can play around with this

0:16:28.320 --> 0:16:32.200
<v Speaker 1>a little bit, and you're saying like, no, no, no,

0:16:32.280 --> 0:16:35.120
<v Speaker 1>tell me what the notes are. I'll hit the notes right,

0:16:35.240 --> 0:16:37.920
<v Speaker 1>I'll hit the notes in the tambra, in the in

0:16:38.000 --> 0:16:39.880
<v Speaker 1>the pace that you want me to.

0:16:40.600 --> 0:16:45.840
<v Speaker 2>That's fascinating piano, I'm actually thinking, because at least with violin,

0:16:45.960 --> 0:16:48.680
<v Speaker 2>it's like you have to hit all those notes. Piano,

0:16:49.040 --> 0:16:52.000
<v Speaker 2>it's all there. So what makes a great pianist versus

0:16:52.760 --> 0:16:54.960
<v Speaker 2>you know, if they can play the same music and

0:16:55.200 --> 0:16:58.160
<v Speaker 2>they have to say, well, you're not even pitch at

0:16:58.160 --> 0:17:00.000
<v Speaker 2>that point, because the pianos as long as you're hitting

0:17:00.080 --> 0:17:03.600
<v Speaker 2>the keys or pitch perfect. So what makes a great pianist? Huh?

0:17:03.840 --> 0:17:05.000
<v Speaker 2>I really think about this today.

0:17:06.600 --> 0:17:08.720
<v Speaker 1>All right, I'm gonna have to dive into this well

0:17:08.760 --> 0:17:11.639
<v Speaker 1>because I'm also thinking about singers too, right, which in

0:17:11.680 --> 0:17:14.000
<v Speaker 1>a way, I mean, once you get into opera, then

0:17:14.000 --> 0:17:19.399
<v Speaker 1>there is performance, there's presence. But you know what makes

0:17:19.480 --> 0:17:26.040
<v Speaker 1>the great singers of classical music? What makes them great?

0:17:26.400 --> 0:17:26.760
<v Speaker 2>Emotion?

0:17:28.160 --> 0:17:29.760
<v Speaker 1>The emotion that comes through the voice.

0:17:29.840 --> 0:17:31.920
<v Speaker 2>I think, Yeah, being able to pull So maybe it's

0:17:31.920 --> 0:17:36.439
<v Speaker 2>the same with as well. Yeah, it's being able to

0:17:36.480 --> 0:17:39.440
<v Speaker 2>convey that emotion, pulling somebody in because.

0:17:39.240 --> 0:17:43.200
<v Speaker 1>You feel it. I mean, I mean great classical music

0:17:43.240 --> 0:17:48.199
<v Speaker 1>you feel yeah, and it is it the composer that

0:17:48.280 --> 0:17:50.840
<v Speaker 1>makes you feel or is it the artist that's that

0:17:51.240 --> 0:17:53.439
<v Speaker 1>has the instruments that makes you feel. I didn't think

0:17:53.480 --> 0:17:55.280
<v Speaker 1>we were going to be talking about this, by the way,

0:17:55.440 --> 0:17:59.000
<v Speaker 1>but I know, but I think this is very interesting

0:17:59.040 --> 0:17:59.280
<v Speaker 1>to me.

0:18:00.119 --> 0:18:01.960
<v Speaker 2>No, it is, for sure. I think it has to

0:18:02.000 --> 0:18:05.119
<v Speaker 2>be a combination. Like obviously the it's like when you

0:18:05.160 --> 0:18:08.200
<v Speaker 2>get a really great script, you're like, oh, the words

0:18:08.200 --> 0:18:11.879
<v Speaker 2>speak for themselves, but you still have to put in

0:18:11.920 --> 0:18:15.280
<v Speaker 2>that emotion and still so I think it's it's got

0:18:15.280 --> 0:18:16.119
<v Speaker 2>to be a combination.

0:18:17.040 --> 0:18:32.640
<v Speaker 3>That's fascinating.

0:18:35.760 --> 0:18:38.600
<v Speaker 1>So you had decided that that was not going to

0:18:38.600 --> 0:18:42.040
<v Speaker 1>be your profession, though you still play it. You started

0:18:42.400 --> 0:18:48.320
<v Speaker 1>modeling at age fifteen, and I have read that you

0:18:48.480 --> 0:18:51.480
<v Speaker 1>have said that that was in order to get eventually

0:18:51.560 --> 0:18:55.680
<v Speaker 1>into film and television. So even at fifteen, you saw

0:18:55.760 --> 0:18:58.600
<v Speaker 1>this path, this was the path you wanted, and this

0:18:58.760 --> 0:18:59.960
<v Speaker 1>was the path you decided to take.

0:19:00.680 --> 0:19:09.160
<v Speaker 2>No. No, So I I went into modeling and not

0:19:09.200 --> 0:19:11.840
<v Speaker 2>really knowing what I was doing. I got an agent,

0:19:12.600 --> 0:19:17.600
<v Speaker 2>and I was very shy, and I didn't really love it.

0:19:17.640 --> 0:19:20.520
<v Speaker 2>I found it to be very boring, and not to

0:19:20.560 --> 0:19:22.119
<v Speaker 2>say that people don't have fun with it, but I

0:19:22.160 --> 0:19:24.119
<v Speaker 2>personally was like, it's a lot of waiting around just

0:19:24.160 --> 0:19:26.199
<v Speaker 2>to go take pictures. Like, I didn't really love it.

0:19:26.560 --> 0:19:28.720
<v Speaker 2>And a photographer had said to my mom, you know

0:19:28.760 --> 0:19:30.639
<v Speaker 2>she's very shy in front of the camera. You should

0:19:30.640 --> 0:19:32.480
<v Speaker 2>put her in an acting class to kind of open

0:19:32.520 --> 0:19:35.119
<v Speaker 2>her up. And so I went into an acting class,

0:19:35.119 --> 0:19:37.680
<v Speaker 2>and I was like, Oh, this is what I want

0:19:37.720 --> 0:19:40.280
<v Speaker 2>to do, not that, And so I kind of used

0:19:40.320 --> 0:19:43.480
<v Speaker 2>modeling while I was still in high school, like commercials

0:19:43.520 --> 0:19:47.040
<v Speaker 2>and commercial modeling to save up the money to move

0:19:47.080 --> 0:19:49.240
<v Speaker 2>to La got it.

0:19:50.240 --> 0:19:54.120
<v Speaker 1>What was it about the acting class that attracted you

0:19:54.359 --> 0:19:56.800
<v Speaker 1>that made you say that this is what I want

0:19:56.840 --> 0:19:57.080
<v Speaker 1>to do.

0:19:57.760 --> 0:20:01.919
<v Speaker 2>I honestly just found it to be so fun. I

0:20:01.960 --> 0:20:05.200
<v Speaker 2>am a very I could be very emotional and dramatic,

0:20:05.320 --> 0:20:07.960
<v Speaker 2>and I was like, wait, I can do this just

0:20:08.040 --> 0:20:11.480
<v Speaker 2>because I am having fun doing this, that's cool. It's

0:20:11.520 --> 0:20:14.080
<v Speaker 2>not because I'm just like a teen in my bedroom

0:20:14.160 --> 0:20:15.960
<v Speaker 2>being all emo. This is so fun.

0:20:18.160 --> 0:20:22.560
<v Speaker 1>Were you taking like like did you do classical stuff?

0:20:22.560 --> 0:20:24.960
<v Speaker 1>Were you doing acting for film and television or was

0:20:25.000 --> 0:20:27.480
<v Speaker 1>it more theater. I know you did some theater in Orlando.

0:20:28.280 --> 0:20:30.159
<v Speaker 2>I did some theater in Orlando. So I took a

0:20:30.200 --> 0:20:34.080
<v Speaker 2>class outside of my school. I never did it in school,

0:20:34.080 --> 0:20:37.880
<v Speaker 2>but this class was a scene study class. So that's

0:20:37.960 --> 0:20:41.760
<v Speaker 2>kind of where I started, and I loved it, although

0:20:42.400 --> 0:20:44.920
<v Speaker 2>admittedly I hated going to class. I still hate going

0:20:44.920 --> 0:20:46.359
<v Speaker 2>to class. Like if I knew I was going to

0:20:46.400 --> 0:20:48.679
<v Speaker 2>a class tonight at six, I would be thinking of

0:20:48.760 --> 0:20:51.160
<v Speaker 2>excuses from now until that of why I can't show up.

0:20:51.520 --> 0:20:53.560
<v Speaker 2>I just I hate showing up, But once I'm there,

0:20:53.640 --> 0:20:56.400
<v Speaker 2>I love it. But I hated showing up, but it's

0:20:56.440 --> 0:21:00.960
<v Speaker 2>a scene study class. And then back and Nickelodeon was

0:21:01.000 --> 0:21:04.600
<v Speaker 2>actually still in Orlando. I don't think it had fully

0:21:04.600 --> 0:21:08.119
<v Speaker 2>moved to LA yet, so there was like little extra

0:21:08.200 --> 0:21:10.760
<v Speaker 2>work I did, and like I did a guest star

0:21:10.840 --> 0:21:14.200
<v Speaker 2>on a CW well was WB a show that came

0:21:14.240 --> 0:21:18.919
<v Speaker 2>into Jacksonville, and then like commercials for Bush Gardens and

0:21:19.000 --> 0:21:22.560
<v Speaker 2>things like that, and I was like, I'm ready to

0:21:22.640 --> 0:21:24.600
<v Speaker 2>move to LA and I was like, got there and

0:21:24.640 --> 0:21:25.760
<v Speaker 2>I was like, no, you're not.

0:21:28.560 --> 0:21:31.480
<v Speaker 1>What Why did you Why did you think? No, you're not?

0:21:31.960 --> 0:21:33.640
<v Speaker 1>Once you got there, I.

0:21:33.600 --> 0:21:37.000
<v Speaker 2>Went into auditions and I was just so I hate

0:21:37.119 --> 0:21:38.879
<v Speaker 2>using this term because I thought this term, I was like,

0:21:39.160 --> 0:21:41.480
<v Speaker 2>what does that even mean? It was so green. I

0:21:41.520 --> 0:21:45.080
<v Speaker 2>didn't know what I was doing. I thought, I was like, oh,

0:21:45.080 --> 0:21:47.679
<v Speaker 2>but haven't you seen my reel of riding the rollercoaster

0:21:47.800 --> 0:21:50.720
<v Speaker 2>nine times? It's like, no, that doesn't cut it out here.

0:21:51.760 --> 0:21:54.440
<v Speaker 2>I just I was so nervous. I was so green.

0:21:54.560 --> 0:21:58.720
<v Speaker 2>I didn't yet know how to really like dig totally

0:21:58.800 --> 0:22:02.000
<v Speaker 2>deep into my work. Like it was very superficial. When

0:22:02.040 --> 0:22:04.720
<v Speaker 2>I moved out, and luckily I met this acting coach

0:22:04.720 --> 0:22:09.840
<v Speaker 2>in LA that totally changed everything for me. He used

0:22:09.840 --> 0:22:12.320
<v Speaker 2>to train under Larry Moss, and so I did like

0:22:12.320 --> 0:22:17.320
<v Speaker 2>a Larry Moss intentive intensive as well and read his

0:22:17.400 --> 0:22:21.080
<v Speaker 2>book and that was like something clicked for me there.

0:22:21.200 --> 0:22:24.000
<v Speaker 2>I was like, oh my gosh, like this way of

0:22:24.200 --> 0:22:26.760
<v Speaker 2>breaking down a script and all that stuff really made

0:22:26.800 --> 0:22:31.000
<v Speaker 2>sense to me and I it really changed my work,

0:22:31.119 --> 0:22:31.679
<v Speaker 2>thank god.

0:22:32.680 --> 0:22:35.680
<v Speaker 1>From the time you moved to LA though, you wanted

0:22:35.680 --> 0:22:36.920
<v Speaker 1>to work in film and television.

0:22:37.560 --> 0:22:41.639
<v Speaker 2>Yes, yeah, I actually I went to a professional children's school.

0:22:41.760 --> 0:22:46.800
<v Speaker 2>It was not really but in Orlando, and I graduated

0:22:46.840 --> 0:22:51.240
<v Speaker 2>six months early. I got my manager and then I'm like,

0:22:51.320 --> 0:22:53.639
<v Speaker 2>the month I moved turned eighteen, I moved to LA.

0:22:54.320 --> 0:22:59.080
<v Speaker 1>So you were on a path even in Orlando. Yeah, yeah,

0:22:59.240 --> 0:23:01.880
<v Speaker 1>what age did you decided. I mean, you start modeling

0:23:01.880 --> 0:23:04.440
<v Speaker 1>at fifteen, you take this class, So was it by

0:23:04.560 --> 0:23:07.479
<v Speaker 1>sixteen seventeen you're like, oh, this is this is what

0:23:07.520 --> 0:23:08.040
<v Speaker 1>I want to do.

0:23:08.720 --> 0:23:09.760
<v Speaker 2>Yeah, totally.

0:23:09.880 --> 0:23:15.760
<v Speaker 1>Yeah. You got on a number of shows pretty quickly.

0:23:16.040 --> 0:23:19.840
<v Speaker 1>Safe Harbor, No One Knows Best, I don't know that one,

0:23:20.119 --> 0:23:26.679
<v Speaker 1>Drake and Josh Dawson's Creek, to name a few. What

0:23:26.720 --> 0:23:30.800
<v Speaker 1>were those early experiences like for you just being on

0:23:31.359 --> 0:23:35.200
<v Speaker 1>a set for the first times.

0:23:35.400 --> 0:23:37.960
<v Speaker 2>So the Safe Harbor, No Knows Best actually were the

0:23:38.000 --> 0:23:40.600
<v Speaker 2>two I did in high school before moving to LA.

0:23:40.880 --> 0:23:43.480
<v Speaker 2>The Safe Harbor filmed in Jacksonville, and then No One

0:23:43.480 --> 0:23:47.719
<v Speaker 2>Knows Best was in Orlando at Nickelodeon, and I remember

0:23:47.760 --> 0:23:50.120
<v Speaker 2>that being very fun. I was so nervous. I had

0:23:50.160 --> 0:23:53.600
<v Speaker 2>one line on Safe Harbor and I was so nervous.

0:23:54.000 --> 0:23:56.000
<v Speaker 2>But I remember thinking like, oh, this was so fun

0:23:56.040 --> 0:23:57.440
<v Speaker 2>that when I left, I was like, I want more.

0:23:58.600 --> 0:24:02.879
<v Speaker 2>I remember, this is going to say probably another pretentious remark,

0:24:03.400 --> 0:24:08.040
<v Speaker 2>but and ridiculous, when I booked Dawson's Creek. I I

0:24:08.080 --> 0:24:11.399
<v Speaker 2>think I'd been in LA less than a year, and

0:24:11.480 --> 0:24:15.439
<v Speaker 2>I remember sitting on the balcony and being like I

0:24:15.600 --> 0:24:20.200
<v Speaker 2>made it. I was like, oh my god, I can

0:24:20.240 --> 0:24:22.199
<v Speaker 2>call all my friends at home and tell them I

0:24:22.240 --> 0:24:25.000
<v Speaker 2>have made it. And I have like two lines. And

0:24:25.080 --> 0:24:26.959
<v Speaker 2>I thought because it was such a big show, I

0:24:27.000 --> 0:24:31.320
<v Speaker 2>was like, that's it, like and no, that's not it,

0:24:31.359 --> 0:24:34.440
<v Speaker 2>and that's not how it works. But it was weird.

0:24:34.440 --> 0:24:36.800
<v Speaker 2>I remember I had to show up so early. They

0:24:36.840 --> 0:24:38.760
<v Speaker 2>didn't turn the heat on in my trailer, you know,

0:24:38.760 --> 0:24:41.159
<v Speaker 2>because I'm like barely a character, so they don't care

0:24:41.200 --> 0:24:43.720
<v Speaker 2>about me. I was freezing my ass off. I was like,

0:24:43.800 --> 0:24:46.280
<v Speaker 2>oh my god, this is the life I wanted. What

0:24:46.440 --> 0:24:48.760
<v Speaker 2>is this? So this is scary?

0:24:49.240 --> 0:24:51.560
<v Speaker 1>But was this? Was this back in North Carolina?

0:24:52.520 --> 0:24:54.800
<v Speaker 2>Yeah? Yeah, I had to fly, so you flew.

0:24:55.040 --> 0:24:57.920
<v Speaker 1>I mean this is this becomes a real job when

0:24:57.960 --> 0:25:02.000
<v Speaker 1>you get when you get on a plane and you

0:25:02.040 --> 0:25:05.359
<v Speaker 1>have an itinerary and someone picks you up and you

0:25:05.440 --> 0:25:09.439
<v Speaker 1>go to a hotel. Yeah yeah was that? Oh but

0:25:10.000 --> 0:25:14.919
<v Speaker 1>so this wasn't You were like, I made it, this

0:25:15.080 --> 0:25:15.400
<v Speaker 1>is it?

0:25:16.040 --> 0:25:18.080
<v Speaker 2>And what's ironic is I remember when I was in

0:25:18.119 --> 0:25:21.240
<v Speaker 2>eighth grade, was when Dawson's Creek came out. And in

0:25:21.280 --> 0:25:24.399
<v Speaker 2>the pilot episode, I think one of the characters, I

0:25:24.440 --> 0:25:28.199
<v Speaker 2>think Katie Holmes actually suggests giving a blowjob, and my

0:25:28.240 --> 0:25:30.399
<v Speaker 2>mom walked in and she was like, you're not watching this.

0:25:30.880 --> 0:25:32.520
<v Speaker 2>So I found it so ironic that that was the

0:25:32.520 --> 0:25:36.000
<v Speaker 2>first job I got. I was like, aha, mom, Dawson's Creek.

0:25:39.640 --> 0:25:43.640
<v Speaker 1>Oh my, I mean it was a huge show at

0:25:43.640 --> 0:25:48.359
<v Speaker 1>that time. Yeah, and everyone was like exploding off of it.

0:25:48.400 --> 0:25:49.560
<v Speaker 1>What were they nice to you?

0:25:50.800 --> 0:25:53.800
<v Speaker 2>Yeah? You know. I did this episode where I was

0:25:53.840 --> 0:25:56.040
<v Speaker 2>one of the college kids in the audience asking do

0:25:56.119 --> 0:26:00.480
<v Speaker 2>you remember Loveline with Doctor Drew and were in the

0:26:00.520 --> 0:26:03.560
<v Speaker 2>episode answering questions for college and one of the episodes

0:26:03.600 --> 0:26:06.520
<v Speaker 2>I really had to ask questions was is it okaytie?

0:26:06.520 --> 0:26:08.560
<v Speaker 2>He's a vibrator. So not only was I like haha,

0:26:08.600 --> 0:26:10.560
<v Speaker 2>mom my mom on Dawson's Creek, but I'm like, now

0:26:10.600 --> 0:26:13.840
<v Speaker 2>I'm making the comments you didn't want me to hear. Oh.

0:26:14.240 --> 0:26:18.119
<v Speaker 2>It was like a double sticking to the man. But

0:26:20.560 --> 0:26:23.640
<v Speaker 2>it was nerve wracking. Joshua Jackson, one of the stars

0:26:23.680 --> 0:26:26.200
<v Speaker 2>of Dawson's Creek, was actually directing that episode, so it

0:26:26.240 --> 0:26:28.480
<v Speaker 2>was a little late later in the seasons, but he

0:26:28.600 --> 0:26:30.280
<v Speaker 2>was only when I met and I met Katie Holmes

0:26:30.320 --> 0:26:33.320
<v Speaker 2>in the the hair and makeup trailer, and I remember

0:26:33.400 --> 0:26:37.400
<v Speaker 2>being like, but I didn't get to work with anybody else.

0:26:37.440 --> 0:26:43.560
<v Speaker 1>Really, Okay, you eventually get cast as Karen on an

0:26:43.600 --> 0:26:51.400
<v Speaker 1>ABC family show, Beautiful People. This is your first regular job. Well,

0:26:51.440 --> 0:26:54.439
<v Speaker 1>first off, was this just an audition? You auditioned and

0:26:54.760 --> 0:26:57.320
<v Speaker 1>went through the process. So this is your first time

0:26:57.400 --> 0:27:01.960
<v Speaker 1>kind of going through that studio network process, right.

0:27:02.640 --> 0:27:04.919
<v Speaker 2>Yes, it was my first time screen testing like that.

0:27:05.040 --> 0:27:07.439
<v Speaker 2>It was so nerve wracking, and it was like I

0:27:07.520 --> 0:27:12.200
<v Speaker 2>did it from the zero to one hundred, like casting callback,

0:27:12.240 --> 0:27:15.679
<v Speaker 2>with casting callback with director, call back with director and producers,

0:27:16.200 --> 0:27:18.440
<v Speaker 2>and then they had already cast the woman playing my mom,

0:27:18.480 --> 0:27:21.240
<v Speaker 2>who was Daphnie's uniga, and so they were like, we're

0:27:21.240 --> 0:27:23.320
<v Speaker 2>going to do chemistry reads with Daphney. So I had

0:27:23.320 --> 0:27:24.879
<v Speaker 2>to do that and I did to do chemistry with

0:27:24.920 --> 0:27:26.439
<v Speaker 2>my sister. Then you have to do the network, then

0:27:26.480 --> 0:27:28.520
<v Speaker 2>you have to do the studio. And I think I

0:27:28.640 --> 0:27:31.320
<v Speaker 2>blacked out every time. I couldn't believe I got the job.

0:27:31.960 --> 0:27:35.440
<v Speaker 1>Wow. Was that another moment where you felt like, Okay,

0:27:36.160 --> 0:27:38.680
<v Speaker 1>now I thought I had made it before, but now

0:27:38.920 --> 0:27:41.520
<v Speaker 1>I've this is actually a job. I've got my name.

0:27:41.640 --> 0:27:45.439
<v Speaker 1>They'll turn the heat on before I get there, like

0:27:45.840 --> 0:27:49.439
<v Speaker 1>so they all have heat this is an important step.

0:27:50.359 --> 0:27:53.280
<v Speaker 2>It is. Yeah, it felt really exciting because we had

0:27:53.320 --> 0:27:55.639
<v Speaker 2>to relocate to Toronto, so I had to find an

0:27:55.680 --> 0:27:59.160
<v Speaker 2>apartment and you know then it was the first time,

0:27:59.280 --> 0:28:01.880
<v Speaker 2>like we had to do upfronts in New York and

0:28:02.440 --> 0:28:03.960
<v Speaker 2>they flows down and they put me up at the

0:28:04.040 --> 0:28:06.200
<v Speaker 2>Ritz Carlton in Central Park and I was like, these

0:28:06.200 --> 0:28:09.320
<v Speaker 2>pillows are like clouds. What am I sleeping on right now?

0:28:09.600 --> 0:28:12.800
<v Speaker 2>Like it was just it was yeah, everything was new

0:28:12.840 --> 0:28:17.720
<v Speaker 2>and different, and I turned twenty one during that upfront stay.

0:28:17.840 --> 0:28:19.880
<v Speaker 2>I remember on that day and I was like, oh,

0:28:20.000 --> 0:28:22.800
<v Speaker 2>this is so cool, Like this is awesome.

0:28:23.800 --> 0:28:28.520
<v Speaker 1>Yeah, I remember that those times as well. I mean

0:28:28.760 --> 0:28:32.480
<v Speaker 1>like going to New York, having the shows announced and

0:28:32.680 --> 0:28:36.280
<v Speaker 1>the advertisers and they treat you very nice, at least

0:28:36.280 --> 0:28:40.480
<v Speaker 1>for two or three days. It's yeah, it's very fun.

0:28:40.640 --> 0:28:43.880
<v Speaker 1>You You also got an opportunity to play a villain

0:28:44.360 --> 0:28:52.960
<v Speaker 1>on One Tree Hill, Nanny Carrey. This is another huge show.

0:28:53.000 --> 0:28:54.720
<v Speaker 1>I mean, I wonder I'd have to go back and

0:28:54.720 --> 0:28:58.080
<v Speaker 1>look how many people were on Dawson's Creek and One

0:28:58.120 --> 0:29:02.200
<v Speaker 1>Tree Hill, sort of the may Your shows of that time.

0:29:02.760 --> 0:29:06.680
<v Speaker 1>I know, how was it for you? Joining that cast?

0:29:07.000 --> 0:29:10.640
<v Speaker 2>That was super saying that was the time that you know,

0:29:11.000 --> 0:29:13.000
<v Speaker 2>because the show that I was a series regular on,

0:29:13.360 --> 0:29:15.440
<v Speaker 2>I knew it was on ABC Family and it was

0:29:15.480 --> 0:29:17.920
<v Speaker 2>its first scripted series, so it was like, Okay, it's

0:29:17.960 --> 0:29:20.760
<v Speaker 2>not going to be like the lead on a CW

0:29:20.800 --> 0:29:24.840
<v Speaker 2>show because it's a new network for scripted. So but

0:29:25.120 --> 0:29:28.520
<v Speaker 2>One Tree Hill was such a huge show and I

0:29:28.600 --> 0:29:31.360
<v Speaker 2>was actually doing a really big arc. I ended up

0:29:31.400 --> 0:29:34.800
<v Speaker 2>doing like sixteen episodes or something or I don't know,

0:29:34.880 --> 0:29:41.440
<v Speaker 2>something like that, and I was so nervous, like when

0:29:41.480 --> 0:29:45.320
<v Speaker 2>I tell people my nerves, like I think for the

0:29:45.360 --> 0:29:48.640
<v Speaker 2>first like five episodes, I was like shaking in every scene.

0:29:48.680 --> 0:29:50.920
<v Speaker 2>I couldn't get a hold of myself. Luckily you couldn't

0:29:50.960 --> 0:29:53.760
<v Speaker 2>see it, but I was so nervous, and I remember

0:29:53.880 --> 0:29:57.000
<v Speaker 2>it was it was a really pivotal moment for me

0:29:57.200 --> 0:30:00.600
<v Speaker 2>in our industry because I went on to set and

0:30:01.200 --> 0:30:04.320
<v Speaker 2>the girl that I had to play opposite against most

0:30:04.360 --> 0:30:06.520
<v Speaker 2>of the time, one of the series regular's Joy. She

0:30:06.640 --> 0:30:09.840
<v Speaker 2>was so kind to me, and she put this like

0:30:10.640 --> 0:30:15.040
<v Speaker 2>male letter opener in my trailers, like all the fan mail.

0:30:15.440 --> 0:30:19.080
<v Speaker 2>She was just so sweet. Everybody else that I met,

0:30:19.160 --> 0:30:22.040
<v Speaker 2>I felt like there was a lot of big egos

0:30:22.080 --> 0:30:24.880
<v Speaker 2>on that show, and I'd never really stepped into that before.

0:30:25.000 --> 0:30:27.960
<v Speaker 2>And when you're in the space, you know, we're in

0:30:27.960 --> 0:30:31.120
<v Speaker 2>this reconditioned air all day. You don't see if it's light,

0:30:31.120 --> 0:30:34.000
<v Speaker 2>if it's dark outside, and then you're with a lot

0:30:34.040 --> 0:30:37.320
<v Speaker 2>of egos like that, it can get a little depressing.

0:30:37.440 --> 0:30:40.360
<v Speaker 2>And I got really depressed, and I thought to myself,

0:30:40.400 --> 0:30:42.240
<v Speaker 2>I was like, Okay, I'm in the position I've always

0:30:42.280 --> 0:30:44.600
<v Speaker 2>wanted to be in. I'm on a show that is

0:30:44.680 --> 0:30:48.360
<v Speaker 2>so big, and I got to play this crazy nanny

0:30:48.400 --> 0:30:50.080
<v Speaker 2>that got to do so many cool things. So I

0:30:50.120 --> 0:30:52.520
<v Speaker 2>was like really grateful for that. I wasn't my girlfriend

0:30:52.560 --> 0:30:57.560
<v Speaker 2>number one anymore, but I was like so depressed. And

0:30:57.600 --> 0:31:01.360
<v Speaker 2>I think also my childhood of growing up around people

0:31:01.520 --> 0:31:05.280
<v Speaker 2>like Billy Joel and Stevie Nicks and who I knew

0:31:05.320 --> 0:31:09.280
<v Speaker 2>to be very giving and generous people, and whether they

0:31:09.320 --> 0:31:11.640
<v Speaker 2>acted a different way around the kids, I'll never know,

0:31:12.040 --> 0:31:14.840
<v Speaker 2>but around us they were always just normal people who

0:31:14.880 --> 0:31:17.880
<v Speaker 2>were very humble. And then when I'm around people that

0:31:17.920 --> 0:31:20.880
<v Speaker 2>are on the CW and can't even make eye contact

0:31:20.880 --> 0:31:24.840
<v Speaker 2>with you, it's like, wait, what what are you talking

0:31:24.840 --> 0:31:28.400
<v Speaker 2>about here? So yeah, I remember going home for a

0:31:28.440 --> 0:31:31.120
<v Speaker 2>break from that show and being like, I have got

0:31:31.560 --> 0:31:35.600
<v Speaker 2>to also do something other than just acting to get

0:31:35.640 --> 0:31:38.280
<v Speaker 2>my head out of justice, because I'm not going to

0:31:38.360 --> 0:31:40.400
<v Speaker 2>fall in with these people. I can't.

0:31:41.120 --> 0:31:46.600
<v Speaker 1>Hm, that's unfortunate. Yeah, I had this opportunity. Yeah, yeah,

0:31:46.640 --> 0:31:49.400
<v Speaker 1>and that was that was filmed away too, right? Was

0:31:49.400 --> 0:31:51.080
<v Speaker 1>that in? Was that in North Carolina too?

0:31:51.360 --> 0:31:53.840
<v Speaker 2>Yes? It was in the same stages as Dawson's Creek.

0:31:54.080 --> 0:31:59.920
<v Speaker 1>I ended up working there years later after Town William

0:32:00.880 --> 0:32:01.240
<v Speaker 1>What is it?

0:32:02.000 --> 0:32:03.800
<v Speaker 2>No, Oh my god, Wilmington.

0:32:04.800 --> 0:32:09.600
<v Speaker 1>Yes, loved it, loved it, loved being there, loved those stages.

0:32:09.640 --> 0:32:11.640
<v Speaker 1>They weren't as vibrant as they were when you were

0:32:11.680 --> 0:32:14.000
<v Speaker 1>there because a lot of stuff had moved to Atlanta.

0:32:14.040 --> 0:32:17.720
<v Speaker 1>But that's a whole other conversation. So that's got to

0:32:17.760 --> 0:32:22.280
<v Speaker 1>be very difficult to be away from your support system

0:32:22.400 --> 0:32:25.640
<v Speaker 1>and there and being and having an experience that was

0:32:26.440 --> 0:32:28.200
<v Speaker 1>that was that was difficult.

0:32:28.960 --> 0:32:34.600
<v Speaker 2>Yeah. I was very intimidated, for sure, But I'm grateful

0:32:34.600 --> 0:32:39.240
<v Speaker 2>I had that experience because it really showed me even

0:32:39.440 --> 0:32:42.800
<v Speaker 2>more the kind of artists and actor I wanted to

0:32:42.840 --> 0:32:47.440
<v Speaker 2>be and just how none of this matters. We're doing

0:32:47.440 --> 0:32:51.280
<v Speaker 2>it because we love it and we're not saving lives.

0:32:51.440 --> 0:32:53.840
<v Speaker 2>So check your ego at the door and have fun

0:32:53.960 --> 0:32:55.560
<v Speaker 2>or don't be here, do you know what I mean.

0:32:55.960 --> 0:32:58.240
<v Speaker 2>So really kind of solidified all of that from me,

0:32:58.280 --> 0:32:59.400
<v Speaker 2>which I think was important.

0:33:00.080 --> 0:33:02.440
<v Speaker 1>Well yeah, I mean it's I'm sorry that you had

0:33:02.440 --> 0:33:05.080
<v Speaker 1>to go through that experience, but I think, yeah, I

0:33:05.080 --> 0:33:08.040
<v Speaker 1>think for me, I mean, I was just thinking about myself.

0:33:09.240 --> 0:33:12.280
<v Speaker 1>I think I learned it the opposite way, because when

0:33:12.320 --> 0:33:17.959
<v Speaker 1>I started, there were people who were just so great,

0:33:18.880 --> 0:33:23.120
<v Speaker 1>like truly, like so great and so generous, and so

0:33:23.400 --> 0:33:28.920
<v Speaker 1>ego checked and you know, becoming quickly or already having

0:33:29.440 --> 0:33:35.760
<v Speaker 1>achieved like legend status. Yeah, and yeah, it I think

0:33:35.800 --> 0:33:39.000
<v Speaker 1>it taught me how I want to be as like them,

0:33:39.120 --> 0:33:42.400
<v Speaker 1>whereas it feels like you may have gotten the same

0:33:42.480 --> 0:33:45.400
<v Speaker 1>but from sort of a different place.

0:33:46.240 --> 0:33:48.480
<v Speaker 2>Yeah, But I find that I find that with a

0:33:48.480 --> 0:33:53.160
<v Speaker 2>lot of people. The more I look at somebody's resume

0:33:53.720 --> 0:33:56.880
<v Speaker 2>and I'm like, whoa, look at everything they've done, the

0:33:57.040 --> 0:34:00.480
<v Speaker 2>more awesome they are to work with. Most likely, you know,

0:34:00.520 --> 0:34:03.160
<v Speaker 2>when I was doing Chicago Med with you know, Oliver

0:34:03.280 --> 0:34:06.400
<v Speaker 2>Platt and se Payson Merkerson, they could not be cooler,

0:34:06.640 --> 0:34:09.600
<v Speaker 2>like just the best human beings on the planet. And

0:34:09.719 --> 0:34:11.840
<v Speaker 2>so I'm like, yeah, you're awesome.

0:34:12.640 --> 0:34:15.239
<v Speaker 1>You said before you discover that you needed to find

0:34:15.320 --> 0:34:19.360
<v Speaker 1>something else. What was the other thing that you found?

0:34:20.120 --> 0:34:21.360
<v Speaker 1>A farm? I won Michigan.

0:34:22.640 --> 0:34:25.920
<v Speaker 2>That was later in life, Okay, No, I actually I

0:34:26.000 --> 0:34:29.239
<v Speaker 2>wanted to volunteer somewhere, and I found hospice work. And

0:34:30.160 --> 0:34:32.920
<v Speaker 2>I didn't even know what hospice was. It like popped

0:34:32.960 --> 0:34:35.560
<v Speaker 2>up on one of my searches, and I started doing

0:34:35.640 --> 0:34:40.080
<v Speaker 2>inpatient care and I loved it so much, and then

0:34:40.200 --> 0:34:43.359
<v Speaker 2>so much so I was talking to somebody who did

0:34:43.400 --> 0:34:45.680
<v Speaker 2>something and they were like, you know, not enough people

0:34:46.080 --> 0:34:48.239
<v Speaker 2>know about hospice volunteering. You should talk to like the

0:34:48.400 --> 0:34:51.160
<v Speaker 2>mothership hospice and see if they need like a spokesperson.

0:34:51.239 --> 0:34:52.960
<v Speaker 2>I was like, okay, So then I started talking to

0:34:53.040 --> 0:34:55.000
<v Speaker 2>them and I started actually doing work with them and

0:34:55.080 --> 0:34:58.160
<v Speaker 2>bringing awareness this hospice while I was still doing inpatient care,

0:34:58.560 --> 0:35:00.400
<v Speaker 2>and I did it for almost a day decade. I

0:35:00.560 --> 0:35:03.600
<v Speaker 2>stopped during the pandemic because we couldn't do in person anymore.

0:35:03.640 --> 0:35:05.479
<v Speaker 2>And then now just being at the farm, I haven't

0:35:05.640 --> 0:35:07.080
<v Speaker 2>sought out another hospice.

0:35:07.160 --> 0:35:12.200
<v Speaker 1>But yeah, that's so important and valuable and that's got

0:35:12.239 --> 0:35:14.800
<v Speaker 1>to feed you, right exactly.

0:35:15.080 --> 0:35:16.960
<v Speaker 2>That's what and that's what I need it because a

0:35:17.000 --> 0:35:18.960
<v Speaker 2>lot of I feel like what we do is so

0:35:19.280 --> 0:35:22.920
<v Speaker 2>like we have so much focus on ourselves and how

0:35:23.040 --> 0:35:25.000
<v Speaker 2>is my performance? I have to be in my emotion

0:35:25.160 --> 0:35:27.160
<v Speaker 2>to that to be able to get out of that

0:35:27.280 --> 0:35:32.040
<v Speaker 2>and focus on somebody else who's literally dying and they

0:35:32.160 --> 0:35:34.200
<v Speaker 2>just want to tell their story and all you can

0:35:34.280 --> 0:35:37.600
<v Speaker 2>do is be present for them, really help it, Like

0:35:37.719 --> 0:35:40.279
<v Speaker 2>helped refocus me for sure.

0:35:41.040 --> 0:36:04.319
<v Speaker 1>That's awesome. Melissa, the Hastings, Pretty Little Liars another, I mean,

0:36:04.560 --> 0:36:08.200
<v Speaker 1>you're it's crazy. When I was looking at like your

0:36:08.480 --> 0:36:13.759
<v Speaker 1>Dawson's Creek and One Tree Hill, Pretty Little Liars, Vampire Diaries,

0:36:14.480 --> 0:36:17.719
<v Speaker 1>there's I don't even know how you define this niche.

0:36:17.600 --> 0:36:22.080
<v Speaker 2>That you have. Do you hit the teen mecca?

0:36:23.080 --> 0:36:25.560
<v Speaker 1>Is that what it is? Is it like a teen mecca?

0:36:26.200 --> 0:36:28.080
<v Speaker 2>I think? So I really did?

0:36:29.000 --> 0:36:31.920
<v Speaker 1>Should I look? I should? I should know? No, No,

0:36:32.120 --> 0:36:33.919
<v Speaker 1>gossip Girls. I don't see gossip girls.

0:36:34.440 --> 0:36:37.560
<v Speaker 2>Gossip Girls. I just did though. I was doing One

0:36:37.640 --> 0:36:40.160
<v Speaker 2>Tree Hill and then I did Pretty Little Liars and

0:36:40.239 --> 0:36:44.600
<v Speaker 2>Vampies at the same time, and so they were all

0:36:44.719 --> 0:36:46.880
<v Speaker 2>back to back, so it was it was a pretty

0:36:47.440 --> 0:36:49.719
<v Speaker 2>trippy experience all.

0:36:49.880 --> 0:36:52.799
<v Speaker 1>Those shows you were shooting simultaneously.

0:36:53.560 --> 0:36:54.239
<v Speaker 2>Pretty Little Liars.

0:36:54.280 --> 0:36:59.520
<v Speaker 1>Yeah, wow, okay, like on your off time or going

0:36:59.640 --> 0:37:01.719
<v Speaker 1>back in fourth, going.

0:37:01.560 --> 0:37:04.800
<v Speaker 2>Back and forth. And that's when I learned the value

0:37:05.160 --> 0:37:09.200
<v Speaker 2>of getting really really cool because I did a recurring

0:37:09.280 --> 0:37:14.160
<v Speaker 2>on Pretty Lot Liars the all seven seasons and I

0:37:14.560 --> 0:37:17.120
<v Speaker 2>loved that. I was like, oh my god, it's so

0:37:17.320 --> 0:37:19.880
<v Speaker 2>fun to do recurrings because you're not locked into anybody,

0:37:20.280 --> 0:37:22.480
<v Speaker 2>and if you get a really really sick one, then

0:37:22.520 --> 0:37:24.200
<v Speaker 2>you can like go do something else and you're not

0:37:24.280 --> 0:37:26.640
<v Speaker 2>locked in. I was like, Oh, this is the value

0:37:26.719 --> 0:37:30.399
<v Speaker 2>of maybe not being contractually obligated to just write the show.

0:37:30.480 --> 0:37:31.160
<v Speaker 2>It's really cool.

0:37:31.680 --> 0:37:37.319
<v Speaker 1>Right, was working in I don't know, fantasy, I guess.

0:37:37.400 --> 0:37:40.960
<v Speaker 1>I guess that's what you would call vampire. Is it fantasy?

0:37:41.360 --> 0:37:43.919
<v Speaker 1>Did you feel like that was different in some way

0:37:44.200 --> 0:37:47.040
<v Speaker 1>the approach to the work or is it? Is it

0:37:47.640 --> 0:37:50.759
<v Speaker 1>just the character is and that's a given circumstance of

0:37:50.840 --> 0:37:51.320
<v Speaker 1>the character.

0:37:52.480 --> 0:37:55.440
<v Speaker 2>Yeah, it was a given circumstance for sure. And I

0:37:55.520 --> 0:37:58.040
<v Speaker 2>felt like you had to just play it the way

0:37:58.040 --> 0:37:59.959
<v Speaker 2>you play anything else or else it's going to seem

0:38:00.200 --> 0:38:02.520
<v Speaker 2>ridiculous even more so than maybe.

0:38:04.000 --> 0:38:10.719
<v Speaker 1>Right right, right, Well, that makes sense. It's funny we

0:38:10.960 --> 0:38:14.080
<v Speaker 1>share something in common which is all of those shows

0:38:14.200 --> 0:38:20.279
<v Speaker 1>I was not on. It's very weird. It's no, it's

0:38:20.480 --> 0:38:25.680
<v Speaker 1>very it's very weird. It's a weird thing. But oh,

0:38:25.800 --> 0:38:31.759
<v Speaker 1>we do have a little overlap. Corey, you entered eventually

0:38:32.080 --> 0:38:36.960
<v Speaker 1>the universe of Dick Wolf. Yes, I did the Chicago

0:38:38.280 --> 0:38:43.440
<v Speaker 1>Monopoly that or the Stranglehold. I mean, Jimmy Hoffa was

0:38:43.480 --> 0:38:47.480
<v Speaker 1>big in Chicago, but then came Dick Wolf. Talk to

0:38:47.560 --> 0:38:51.480
<v Speaker 1>me a little bit about how you got cast, because

0:38:51.640 --> 0:38:54.279
<v Speaker 1>this is a different universe than where you had been

0:38:54.600 --> 0:39:00.719
<v Speaker 1>playing previously, doctor Natalie Manning on Chicago Med. Now I

0:39:00.840 --> 0:39:05.279
<v Speaker 1>know you did some overlap on Fire and PD, but

0:39:05.400 --> 0:39:08.920
<v Speaker 1>you were you were cast on Chicago Met. Talk to

0:39:08.960 --> 0:39:10.680
<v Speaker 1>me about how that, how that happened.

0:39:12.040 --> 0:39:16.279
<v Speaker 2>I went in, I did one audition, and Dick Wolf

0:39:16.400 --> 0:39:19.920
<v Speaker 2>cast off tape, which I find to be wild, and

0:39:20.520 --> 0:39:22.759
<v Speaker 2>so the tape just went to the network and all

0:39:22.800 --> 0:39:26.680
<v Speaker 2>that stuff, which is kind of grueling in its own

0:39:26.800 --> 0:39:29.880
<v Speaker 2>way because you have so much time to overthink everything

0:39:29.920 --> 0:39:31.680
<v Speaker 2>you did and didn't do, and you're like, oh, I

0:39:31.719 --> 0:39:33.320
<v Speaker 2>wish I had one more chance, and it's just a

0:39:33.400 --> 0:39:36.600
<v Speaker 2>ta and you have to wait so long. But that

0:39:36.760 --> 0:39:40.240
<v Speaker 2>was the process, and I remember I was so excited

0:39:40.320 --> 0:39:45.840
<v Speaker 2>because kind of embarrassingly and admittedly, when I got Pretty

0:39:45.840 --> 0:39:48.000
<v Speaker 2>Little Liars, I didn't want to go in for the

0:39:48.040 --> 0:39:51.200
<v Speaker 2>audition because it was on ABC Family again for a

0:39:51.320 --> 0:39:55.240
<v Speaker 2>free form it was at that time, and I was like, hey, guys,

0:39:55.400 --> 0:39:57.719
<v Speaker 2>I really I want to get out of this team thing.

0:39:58.080 --> 0:39:59.920
<v Speaker 2>I like, I'm ready to be an adult, you know.

0:40:04.440 --> 0:40:06.839
<v Speaker 2>And I'm so glad I didn't because Pretty Little Liars

0:40:06.880 --> 0:40:10.520
<v Speaker 2>ended up being really doing so many things for me.

0:40:11.160 --> 0:40:14.600
<v Speaker 2>It was amazing. So when I hit med, I was like,

0:40:14.840 --> 0:40:17.640
<v Speaker 2>oh my god, I'm an adult, Like this is so cool,

0:40:17.719 --> 0:40:22.320
<v Speaker 2>Like I'm playing a doctor, I'm working opposite like really

0:40:22.480 --> 0:40:25.040
<v Speaker 2>amazing actors. And then I got to set and it

0:40:25.160 --> 0:40:27.239
<v Speaker 2>was a whole new set of worries. I was like,

0:40:27.440 --> 0:40:29.279
<v Speaker 2>I'm out of my league. What am I doing here?

0:40:30.040 --> 0:40:30.239
<v Speaker 1>Oh?

0:40:30.640 --> 0:40:33.960
<v Speaker 2>Did you They're gonna fire me? No? I yeah, I

0:40:34.080 --> 0:40:37.840
<v Speaker 2>mean I overthink everything and I have like slow anxiety

0:40:37.920 --> 0:40:40.880
<v Speaker 2>that's always like riding right under my chest. But so

0:40:41.040 --> 0:40:43.120
<v Speaker 2>I for sure I was like, oh my god, I'm

0:40:43.160 --> 0:40:44.960
<v Speaker 2>going to mess all this up. I thought I was

0:40:45.000 --> 0:40:47.480
<v Speaker 2>gonna get fired probably every day of season one, season two.

0:40:47.520 --> 0:40:50.840
<v Speaker 2>I started to settling to myself, Wait, so but.

0:40:50.920 --> 0:40:53.560
<v Speaker 1>This is what you're saying is crazy. You did one

0:40:53.840 --> 0:40:59.200
<v Speaker 1>tape to be cast straight as a serious regular, yes, for.

0:40:59.320 --> 0:41:02.759
<v Speaker 2>The pilot, on which I find to be crazy too. Yeah,

0:41:03.080 --> 0:41:03.800
<v Speaker 2>just one tape.

0:41:05.400 --> 0:41:08.160
<v Speaker 1>That's insane. So they just kept sending the same tape.

0:41:08.520 --> 0:41:12.040
<v Speaker 2>The same tape. And I did the tape with you know,

0:41:12.239 --> 0:41:17.799
<v Speaker 2>casting right, so I didn't do it at home. But yeah, wow,

0:41:18.040 --> 0:41:20.640
<v Speaker 2>all the people making the decisions just saw that one tape.

0:41:21.280 --> 0:41:25.640
<v Speaker 1>That's the easiest casting process of all time. I no,

0:41:25.800 --> 0:41:31.360
<v Speaker 1>I envy that. That's incredible. That's incredible. You say you

0:41:31.440 --> 0:41:33.600
<v Speaker 1>felt like you were out of your league, but I mean, look,

0:41:33.680 --> 0:41:37.440
<v Speaker 1>you're working with a lot of amazing actors, some of

0:41:37.480 --> 0:41:41.200
<v Speaker 1>which you mentioned before. But you're also you're doing now

0:41:41.760 --> 0:41:46.920
<v Speaker 1>twenty twenty two to twenty four episode seasons as opposed

0:41:47.000 --> 0:41:50.480
<v Speaker 1>to not that many on most of the other shows,

0:41:50.600 --> 0:41:53.360
<v Speaker 1>or doing as you mentioned before, like recurring arcs and

0:41:53.520 --> 0:41:57.880
<v Speaker 1>going and coming back or whatever. Was that grind difficult

0:41:58.480 --> 0:42:00.360
<v Speaker 1>for you? Was that a new muscle for you?

0:42:01.480 --> 0:42:04.920
<v Speaker 2>It was a new muscle in the sense of, especially

0:42:05.040 --> 0:42:08.919
<v Speaker 2>on medical procedural dramas, you can only find so many

0:42:09.000 --> 0:42:11.400
<v Speaker 2>ways to say we'll be back to check on you shortly.

0:42:11.600 --> 0:42:14.960
<v Speaker 2>Interesting and so that was like a muscle I had

0:42:14.960 --> 0:42:17.279
<v Speaker 2>to because I was like, you know, I do feel

0:42:17.320 --> 0:42:20.160
<v Speaker 2>like sometimes when actors are doing you know, twenty two

0:42:20.200 --> 0:42:23.520
<v Speaker 2>episodes on a primetime drama, there is a little bit

0:42:23.600 --> 0:42:26.360
<v Speaker 2>a bit of complacency that gets set in probably around

0:42:26.400 --> 0:42:31.040
<v Speaker 2>season three, four, five, six, and trying to work against

0:42:31.120 --> 0:42:33.439
<v Speaker 2>that and being like, no, I want this to feel

0:42:33.480 --> 0:42:36.880
<v Speaker 2>fresh every episode. You know, I gotta show up do

0:42:37.040 --> 0:42:40.640
<v Speaker 2>it because on procedurals, a lot of the episodes are

0:42:40.719 --> 0:42:43.080
<v Speaker 2>really guests are heavy too.

0:42:43.760 --> 0:42:43.960
<v Speaker 1>Yeah.

0:42:43.960 --> 0:42:48.160
<v Speaker 2>So yeah, so that sometimes that's when I was like, oh,

0:42:48.239 --> 0:42:51.400
<v Speaker 2>it's you know, I love doing all those fun recurrings

0:42:51.440 --> 0:42:53.560
<v Speaker 2>because like the episode you do, you have so much

0:42:53.600 --> 0:42:56.279
<v Speaker 2>to do, and sometimes when you're this series regular, it's

0:42:56.560 --> 0:42:59.200
<v Speaker 2>it's not that way. And I was like, okay, so

0:42:59.440 --> 0:43:02.239
<v Speaker 2>keeping that fresh and interesting was a new muscle for sure.

0:43:03.120 --> 0:43:06.399
<v Speaker 1>Right. Yeah. I was Chicago Fire.

0:43:07.000 --> 0:43:07.560
<v Speaker 4>Oh fun.

0:43:07.719 --> 0:43:08.560
<v Speaker 2>How long did you do that?

0:43:09.600 --> 0:43:11.560
<v Speaker 1>I mean no, I mean I showed. I was one

0:43:11.600 --> 0:43:14.040
<v Speaker 1>of those guest stars you were talking about. I can't

0:43:14.800 --> 0:43:17.879
<v Speaker 1>I can't remember. I can't remember. I think it was one,

0:43:18.120 --> 0:43:19.839
<v Speaker 1>maybe two. Yeah, that I did.

0:43:20.000 --> 0:43:20.239
<v Speaker 2>I was.

0:43:20.560 --> 0:43:23.160
<v Speaker 1>I was a law I was a smarmy lawyer and

0:43:23.320 --> 0:43:26.239
<v Speaker 1>went and it was great and I had a great time.

0:43:26.360 --> 0:43:33.160
<v Speaker 1>Everybody was so nice, and all I remember was it

0:43:33.480 --> 0:43:41.720
<v Speaker 1>was hot hot in Chicago, like hot. We were filming

0:43:41.840 --> 0:43:46.680
<v Speaker 1>for it to be cold cold. And I remember this

0:43:47.440 --> 0:43:51.640
<v Speaker 1>bar that they had built that we were all we

0:43:51.760 --> 0:43:56.120
<v Speaker 1>had all we were all entering into with coats on

0:43:56.640 --> 0:44:01.759
<v Speaker 1>and jackets and scarves and out of the snow, and

0:44:01.840 --> 0:44:06.120
<v Speaker 1>it was nine million degrees in there. And I was like, God, damn,

0:44:06.680 --> 0:44:09.120
<v Speaker 1>I don't know how I'm going to survive this night.

0:44:09.280 --> 0:44:11.640
<v Speaker 1>It was like this night shoot. I was like, this

0:44:11.920 --> 0:44:15.279
<v Speaker 1>is how do these people do it? It's crazy. Not

0:44:15.440 --> 0:44:17.560
<v Speaker 1>that I hadn't done that before, but there was something

0:44:17.560 --> 0:44:20.360
<v Speaker 1>about it there that I was like, this is oppressively

0:44:20.480 --> 0:44:25.000
<v Speaker 1>hot and we're all in like wool coats and scarves

0:44:25.080 --> 0:44:25.920
<v Speaker 1>and gloves and.

0:44:26.480 --> 0:44:30.600
<v Speaker 2>Oh yeah, the weather is a key star of those shows.

0:44:30.920 --> 0:44:33.480
<v Speaker 1>Of those shows. Yeah, I mean I imagine when it

0:44:33.600 --> 0:44:37.680
<v Speaker 1>is really cold and snowing, it's got to be incredibly difficult.

0:44:38.760 --> 0:44:41.920
<v Speaker 2>Yes, because at that point you're wearing spring jackets because

0:44:42.040 --> 0:44:44.239
<v Speaker 2>that's those are the episodes that are going to film

0:44:44.320 --> 0:44:46.640
<v Speaker 2>the spring, and you're outside trying not to like show

0:44:46.680 --> 0:44:49.480
<v Speaker 2>the frostbite on your eyelashers you're like, oh my god,

0:44:49.520 --> 0:44:49.919
<v Speaker 2>him dying.

0:44:51.840 --> 0:44:55.160
<v Speaker 1>You did the show for a very long time. You

0:44:55.320 --> 0:44:58.840
<v Speaker 1>did leave at a certain point, then you came back

0:44:59.320 --> 0:45:02.479
<v Speaker 1>once you ended for good. Were you Was it time

0:45:02.680 --> 0:45:02.880
<v Speaker 1>for you?

0:45:03.880 --> 0:45:07.320
<v Speaker 2>Yeah? It was time for me. Also, they kind of

0:45:07.360 --> 0:45:10.080
<v Speaker 2>wrote my character into a hole with a bunch of

0:45:10.120 --> 0:45:12.759
<v Speaker 2>stuff they were doing, and I don't think they knew

0:45:12.800 --> 0:45:16.640
<v Speaker 2>how to get her out. So it was definitely a mutual,

0:45:17.320 --> 0:45:22.360
<v Speaker 2>mutual decision on moving forward. And I was really grateful

0:45:22.440 --> 0:45:26.280
<v Speaker 2>for that moment with them and having that conversation, because

0:45:26.440 --> 0:45:28.320
<v Speaker 2>I don't think I would have been brave enough to

0:45:28.440 --> 0:45:30.600
<v Speaker 2>just leave on my own, even though I want to

0:45:30.680 --> 0:45:33.640
<v Speaker 2>do at that point, because it is such an art industry,

0:45:33.640 --> 0:45:38.600
<v Speaker 2>it's hard to find security, and shows like that give

0:45:38.640 --> 0:45:41.840
<v Speaker 2>you massive security. But I also was like, Okay, I

0:45:41.960 --> 0:45:45.399
<v Speaker 2>think it's time to get out there and do something else.

0:45:45.520 --> 0:45:49.120
<v Speaker 2>And also, you know, I was about to be forty,

0:45:49.280 --> 0:45:51.960
<v Speaker 2>and I'm like, I still want to have a family

0:45:52.200 --> 0:45:54.879
<v Speaker 2>and kids and so many things, and I just felt

0:45:54.960 --> 0:45:57.680
<v Speaker 2>like I couldn't do that if I stayed much longer.

0:45:57.880 --> 0:46:00.800
<v Speaker 2>So yeah, it was time. It was time to go.

0:46:01.440 --> 0:46:04.680
<v Speaker 1>But when you went, when you had gone back, were

0:46:04.719 --> 0:46:09.080
<v Speaker 1>those planned in advance or they called, and you were like, Okay,

0:46:09.160 --> 0:46:10.600
<v Speaker 1>I'll come back and play for a little bit.

0:46:11.320 --> 0:46:13.640
<v Speaker 2>Yeah, they called, and it was just because so I

0:46:13.760 --> 0:46:16.399
<v Speaker 2>had one character, we had a whole romance the whole

0:46:16.400 --> 0:46:19.200
<v Speaker 2>time I was there, and his character was leaving the show,

0:46:19.520 --> 0:46:21.719
<v Speaker 2>and they wanted to make it like they were leaving

0:46:21.880 --> 0:46:25.560
<v Speaker 2>to be together finally. And I was actually very happy

0:46:25.640 --> 0:46:28.200
<v Speaker 2>to do that because I felt like we did not

0:46:28.320 --> 0:46:31.480
<v Speaker 2>get the ending that they deserved at all. So and

0:46:31.560 --> 0:46:33.440
<v Speaker 2>also he became like a brother to me, so I

0:46:33.560 --> 0:46:36.000
<v Speaker 2>really like the incentive to go back was basically to

0:46:36.040 --> 0:46:38.600
<v Speaker 2>support his leaving and to kind of have our characters

0:46:38.680 --> 0:46:39.560
<v Speaker 2>have that last moment.

0:46:40.160 --> 0:46:42.480
<v Speaker 1>That's awesome. Horror movies.

0:46:43.600 --> 0:46:43.960
<v Speaker 4>Love them.

0:46:43.960 --> 0:46:47.560
<v Speaker 1>I love them, love them, love to watch them, love

0:46:47.600 --> 0:46:47.799
<v Speaker 1>to be.

0:46:47.880 --> 0:46:50.000
<v Speaker 4>In a love to do them, love all of it,

0:46:50.760 --> 0:46:52.279
<v Speaker 4>see all of it, all of it.

0:46:52.880 --> 0:46:56.239
<v Speaker 1>Why what is it? Oh, I'm fascinating.

0:46:57.000 --> 0:46:59.000
<v Speaker 2>I haven't been in one in a very long time,

0:46:59.080 --> 0:47:01.400
<v Speaker 2>and I keep saying, My that's what I want to do.

0:47:01.520 --> 0:47:05.160
<v Speaker 2>I'm really smart. Like a really good horror movie. I

0:47:05.480 --> 0:47:08.760
<v Speaker 2>love being scared, like horror movies with really great jump scares.

0:47:08.880 --> 0:47:12.440
<v Speaker 2>I love although watching them alone at the farm just

0:47:12.719 --> 0:47:16.040
<v Speaker 2>hits different than anywhere else. That is a little a

0:47:16.080 --> 0:47:18.840
<v Speaker 2>little much for me, but I just love them. I

0:47:18.920 --> 0:47:20.000
<v Speaker 2>find them to be so fun.

0:47:20.760 --> 0:47:22.960
<v Speaker 1>So that's your that's the's what you want to do next.

0:47:23.960 --> 0:47:27.120
<v Speaker 2>Yeah, I want to do a really good horror movie

0:47:27.760 --> 0:47:28.160
<v Speaker 2>because you.

0:47:28.400 --> 0:47:31.040
<v Speaker 1>Because you're I mean, you're you're a what do you

0:47:31.160 --> 0:47:34.719
<v Speaker 1>call it, a something wrapped in an enigma? You're so

0:47:34.840 --> 0:47:36.719
<v Speaker 1>you've got I can't I can't even think of the

0:47:36.760 --> 0:47:38.080
<v Speaker 1>phrase New.

0:47:38.080 --> 0:47:40.640
<v Speaker 4>York, Florida.

0:47:41.600 --> 0:47:51.239
<v Speaker 1>Classical Violinist, One Tree Hill, Hallmark Christmas Movies. I mean

0:47:51.280 --> 0:47:56.000
<v Speaker 1>you literally it's a dichotomy wrapped in I'll think of

0:47:56.040 --> 0:48:00.640
<v Speaker 1>the phrase at some point, Like, So, do you just

0:48:00.840 --> 0:48:04.279
<v Speaker 1>love it all? You like exploring whatever it is and

0:48:05.320 --> 0:48:07.960
<v Speaker 1>whatever opportunities you have, you just say, let's go.

0:48:09.120 --> 0:48:15.360
<v Speaker 2>Yeah. Yeah. I always had friends that were so picky

0:48:15.560 --> 0:48:17.759
<v Speaker 2>and would turn things down all the time. And I'm

0:48:17.760 --> 0:48:20.600
<v Speaker 2>not saying I haven't turned things down because obviously there's

0:48:20.719 --> 0:48:22.920
<v Speaker 2>some stuff that's come through just like, oh, okay, I

0:48:22.960 --> 0:48:26.080
<v Speaker 2>don't know if I'll be doing that, but but I've

0:48:26.080 --> 0:48:27.840
<v Speaker 2>always said, like, if I feel like I could have

0:48:27.960 --> 0:48:31.000
<v Speaker 2>fun with the character and I want to do it,

0:48:31.120 --> 0:48:34.080
<v Speaker 2>I'm going to do it. I So I just like

0:48:35.000 --> 0:48:38.640
<v Speaker 2>kind of testing everything really, that's great.

0:48:39.360 --> 0:48:41.520
<v Speaker 1>Do you enjoy Have you enjoyed? I mean you've done

0:48:41.960 --> 0:48:46.240
<v Speaker 1>a few Hallmark Christmas movies? You enjoy doing that? Making

0:48:46.280 --> 0:48:46.960
<v Speaker 1>people happy?

0:48:48.080 --> 0:48:54.400
<v Speaker 2>I do? You know? Think made my grandma so And honestly,

0:48:54.520 --> 0:48:56.960
<v Speaker 2>it was the last thing she was watching before she passed.

0:48:57.000 --> 0:48:59.279
<v Speaker 2>As she was passing, she would just watch it on

0:48:59.440 --> 0:49:03.279
<v Speaker 2>repeat the one I did, and I just I did

0:49:03.560 --> 0:49:05.600
<v Speaker 2>like it because I felt like to, like in between

0:49:05.680 --> 0:49:08.319
<v Speaker 2>meds sometimes over the summer, if one that would come

0:49:08.360 --> 0:49:11.000
<v Speaker 2>in that I thought was endearing would come through. And

0:49:11.239 --> 0:49:13.279
<v Speaker 2>the only filmed like three and a half weeks, you

0:49:13.360 --> 0:49:15.319
<v Speaker 2>know what I mean, it's a very short amount of time.

0:49:15.800 --> 0:49:17.080
<v Speaker 2>And the last one I did, I got to go

0:49:17.160 --> 0:49:21.400
<v Speaker 2>to Greece and travel and I was like, yeah, I'm like, sure,

0:49:21.800 --> 0:49:24.399
<v Speaker 2>of course I'll go to Santorini and film for three

0:49:24.440 --> 0:49:26.960
<v Speaker 2>and a half weeks. And why why not?

0:49:27.440 --> 0:49:27.800
<v Speaker 3>Why not?

0:49:28.960 --> 0:49:32.520
<v Speaker 1>Yeah, I mean I've done one. Mine wasn't Christmas Chris.

0:49:32.640 --> 0:49:36.239
<v Speaker 1>There is something different about the Christmas wins for sure.

0:49:38.040 --> 0:49:41.840
<v Speaker 1>In fact, mine was a procedural or something not really No, no,

0:49:42.000 --> 0:49:44.480
<v Speaker 1>it wasn't really a procedural. I was a doctor, That's

0:49:44.480 --> 0:49:47.759
<v Speaker 1>why I was saying it. But yeah, no, I I

0:49:47.880 --> 0:49:51.600
<v Speaker 1>get that. And by the way, like you say, you know,

0:49:51.920 --> 0:49:55.759
<v Speaker 1>doing it for your grandma, I mean that's just like

0:49:56.000 --> 0:49:58.640
<v Speaker 1>people saying they do it, you know, animated stuff for

0:49:58.680 --> 0:50:01.520
<v Speaker 1>their kids, or they do children shows for their kids.

0:50:01.600 --> 0:50:05.680
<v Speaker 1>It's the same thing. It's entertainment and having the opportunity,

0:50:06.560 --> 0:50:11.759
<v Speaker 1>you know, to what you have done something wrapped in

0:50:11.840 --> 0:50:16.600
<v Speaker 1>an enigma. I don't know, it's like killing me. Yeah,

0:50:16.800 --> 0:50:21.920
<v Speaker 1>I mean having an opportunity also makes you exposed to

0:50:22.200 --> 0:50:28.279
<v Speaker 1>such an incredible diverse body of people. Yeah, I mean

0:50:28.320 --> 0:50:32.120
<v Speaker 1>the opportunities that you have had working in all of

0:50:32.200 --> 0:50:34.640
<v Speaker 1>the different genres and all of the different types on

0:50:34.840 --> 0:50:37.959
<v Speaker 1>all of the different networks. Yeah, that's really cool.

0:50:38.840 --> 0:50:40.719
<v Speaker 2>Yeah. And you know, I have to say one thing

0:50:41.160 --> 0:50:43.839
<v Speaker 2>I love is when I work in an environment where

0:50:44.640 --> 0:50:48.240
<v Speaker 2>you feel valued, where everybody feels valued, and it becomes

0:50:48.960 --> 0:50:51.360
<v Speaker 2>and I have to say, out of everyone I've worked with,

0:50:51.880 --> 0:50:55.719
<v Speaker 2>homework really makes me feel like a part of their

0:50:55.840 --> 0:50:59.359
<v Speaker 2>team more than anybody else. Like every birthday I hear

0:50:59.400 --> 0:51:02.560
<v Speaker 2>from them, Miles, so I got engaged. I heard from Falmark,

0:51:02.680 --> 0:51:04.200
<v Speaker 2>do you know what I mean? Like, they just make

0:51:04.280 --> 0:51:07.280
<v Speaker 2>you feel valued. And I think nowadays it's very popular

0:51:07.360 --> 0:51:09.200
<v Speaker 2>to get on a show even as a serious regular,

0:51:09.200 --> 0:51:10.840
<v Speaker 2>and they're like, listen, if it's not, you would be

0:51:10.920 --> 0:51:13.520
<v Speaker 2>someone else, So don't ask us for too much. And

0:51:13.600 --> 0:51:17.320
<v Speaker 2>you're like, all right, but makes you feel.

0:51:17.160 --> 0:51:22.279
<v Speaker 1>Loved, And I love that, dude, there is value in that.

0:51:22.960 --> 0:51:26.600
<v Speaker 1>Let me let me tell there is value in that.

0:51:28.320 --> 0:51:31.120
<v Speaker 1>I mean, I mean, I'm not mentioning any names, but

0:51:32.200 --> 0:51:35.200
<v Speaker 1>you know, there's companies that I've worked with for ten

0:51:35.320 --> 0:51:37.279
<v Speaker 1>years and I'll get a coffee cup on the way

0:51:37.360 --> 0:51:41.920
<v Speaker 1>out the door. Totally, I can't not mentioning any names,

0:51:42.080 --> 0:51:46.239
<v Speaker 1>but it's as possible that may have happened to me

0:51:47.239 --> 0:51:50.600
<v Speaker 1>in the past. Uh No, that's that's that's great. And

0:51:50.680 --> 0:51:53.800
<v Speaker 1>I actually have some very good friends who have worked

0:51:54.200 --> 0:51:58.120
<v Speaker 1>for Hallmark and love it as well, and that's, uh,

0:51:58.680 --> 0:52:02.680
<v Speaker 1>that's important. Look, I mean, whatever it is that we're exploring,

0:52:02.760 --> 0:52:04.920
<v Speaker 1>and clearly you're willing to go to a lot of

0:52:05.000 --> 0:52:09.279
<v Speaker 1>different places. If you haven't seen the right by the way, like,

0:52:09.520 --> 0:52:18.040
<v Speaker 1>that's not Hallmark, it's a spoiler alert. That's that's very cool. Well, look,

0:52:18.239 --> 0:52:20.080
<v Speaker 1>I know you have to take care of your goats

0:52:20.400 --> 0:52:23.880
<v Speaker 1>right now. I think that there should be some chickens

0:52:24.680 --> 0:52:29.359
<v Speaker 1>for sure. Next time we chat. I want chickens, alpacas,

0:52:29.520 --> 0:52:36.000
<v Speaker 1>that's got to be an investments. Yeah, pigs, I just

0:52:36.120 --> 0:52:40.080
<v Speaker 1>saw pigs. Yeah, they do tricks, by the way, I

0:52:40.239 --> 0:52:43.200
<v Speaker 1>just I just saw. I just was introduced to a

0:52:43.280 --> 0:52:45.000
<v Speaker 1>pig that did tricks.

0:52:45.920 --> 0:52:48.520
<v Speaker 2>They're very smart. I'm thinking a pig and a donkey

0:52:48.960 --> 0:52:51.080
<v Speaker 2>or next, Well, you know.

0:52:51.200 --> 0:52:54.000
<v Speaker 1>My my ex coworker, he is a zonkey.

0:52:55.440 --> 0:52:59.800
<v Speaker 2>Really yeah, that's so cool.

0:53:00.440 --> 0:53:03.080
<v Speaker 1>Yeah, yeah, he has a he has a donkey and

0:53:03.320 --> 0:53:06.600
<v Speaker 1>pigs and he lives on a farm. And what does

0:53:06.640 --> 0:53:09.960
<v Speaker 1>he have. He has a lot of weird, weird peacocks.

0:53:10.040 --> 0:53:14.720
<v Speaker 1>I think they're so loud albino people. They're very loud.

0:53:15.080 --> 0:53:20.960
<v Speaker 1>They're very very that. Yes, that's see. You know, not

0:53:21.120 --> 0:53:25.799
<v Speaker 1>a lot of people know that. They're very very loud. Yeah,

0:53:26.000 --> 0:53:29.120
<v Speaker 1>I think at least some chickens. Do you eat eggs?

0:53:30.160 --> 0:53:32.960
<v Speaker 2>I do eat eggs. So my duck has started laying eggs,

0:53:33.040 --> 0:53:34.160
<v Speaker 2>but I can't.

0:53:35.440 --> 0:53:36.040
<v Speaker 1>Is that a thing?

0:53:37.200 --> 0:53:40.840
<v Speaker 2>Yeah, they're just like chicken eggs, but they're bigger, and

0:53:40.960 --> 0:53:46.239
<v Speaker 2>apparently they make baking even fluffier. So I've heard. I can't.

0:53:46.880 --> 0:53:49.360
<v Speaker 1>We need to we need to share that sound, we

0:53:49.400 --> 0:53:51.839
<v Speaker 1>need to clip that sound. But right there, they make

0:53:52.080 --> 0:53:58.480
<v Speaker 1>baking even fluffier. I don't. Yeah, am I sounding like

0:53:58.560 --> 0:54:00.319
<v Speaker 1>a rube? I don't know. I've never heard of duck

0:54:00.400 --> 0:54:00.719
<v Speaker 1>egg you.

0:54:01.640 --> 0:54:03.440
<v Speaker 4>Yeah, you cook with duck eggs?

0:54:04.000 --> 0:54:06.200
<v Speaker 2>Yeah? And people people you know eat?

0:54:06.680 --> 0:54:07.960
<v Speaker 1>Do you fry up duck eggs?

0:54:08.200 --> 0:54:11.160
<v Speaker 2>Uh? Huh? It looks just like the yolk is just bigger,

0:54:11.760 --> 0:54:15.160
<v Speaker 2>and sometimes it's a little more orange than chicken eggs.

0:54:15.200 --> 0:54:17.640
<v Speaker 2>But it looks just like a chicken egg, just bigger.

0:54:18.000 --> 0:54:18.759
<v Speaker 1>Are you eating them?

0:54:19.239 --> 0:54:22.600
<v Speaker 2>No? I can't. It's like too personal or something like

0:54:22.760 --> 0:54:24.800
<v Speaker 2>I know her, you know what I mean. I don't know.

0:54:25.320 --> 0:54:26.359
<v Speaker 2>It doesn't make any sense.

0:54:26.760 --> 0:54:28.320
<v Speaker 1>But what do you do with the eggs?

0:54:28.560 --> 0:54:31.480
<v Speaker 2>They just I give them to my fiance's brother, and

0:54:31.600 --> 0:54:32.160
<v Speaker 2>he loves them.

0:54:32.880 --> 0:54:33.880
<v Speaker 1>Oh, he will eat it.

0:54:34.200 --> 0:54:36.640
<v Speaker 2>He eats them. Yeah, and he sent me sure, he

0:54:36.760 --> 0:54:39.200
<v Speaker 2>cried it up. He had it all. It looks like

0:54:39.239 --> 0:54:39.799
<v Speaker 2>a fried egg.

0:54:41.520 --> 0:54:41.799
<v Speaker 3>All right.

0:54:41.840 --> 0:54:43.759
<v Speaker 1>I'm gonna look up that phrase that I keep screwing up,

0:54:43.800 --> 0:54:46.600
<v Speaker 1>and I'm gonna look up duck eggs because I'm not sure.

0:54:47.520 --> 0:54:50.319
<v Speaker 1>I don't know. I haven't heard quail eggs. I've heard

0:54:50.360 --> 0:54:50.520
<v Speaker 1>of that.

0:54:51.480 --> 0:54:52.560
<v Speaker 4>Yeah, duck eggs.

0:54:52.960 --> 0:54:58.000
<v Speaker 1>Huh yeah, all right, Well, good luck with the ducks.

0:54:59.520 --> 0:55:05.120
<v Speaker 1>But yeah, I think a pig, maybe a donkey, definitely somebolpacas.

0:55:05.160 --> 0:55:07.480
<v Speaker 1>I don't know why I want. I'll pacus for you.

0:55:07.640 --> 0:55:12.400
<v Speaker 1>I just do. Good luck, it's been such a pleasure.

0:55:13.840 --> 0:55:19.600
<v Speaker 1>Good Luck in whatever genre field you end up in next.

0:55:19.760 --> 0:55:22.960
<v Speaker 1>I have no doubt that it will be but be

0:55:23.200 --> 0:55:25.759
<v Speaker 1>very interesting if you can pull yourself away from the farm.

0:55:26.400 --> 0:55:29.319
<v Speaker 2>I know, right, I mean, it's gotta be. Really, it's

0:55:29.360 --> 0:55:32.120
<v Speaker 2>gotta be a good horror movie, just for anyone out

0:55:32.160 --> 0:55:33.799
<v Speaker 2>there to pull me away from the farm.

0:55:34.200 --> 0:55:36.879
<v Speaker 1>Good. That's what we're looking for. A good horror movie

0:55:37.680 --> 0:55:40.279
<v Speaker 1>is all you're leaving the farm for. Is that what

0:55:40.360 --> 0:55:43.960
<v Speaker 1>they're saying. If HBO calls, you're like, nope, I just

0:55:44.080 --> 0:55:45.319
<v Speaker 1>need a horror movie.

0:55:45.960 --> 0:55:49.120
<v Speaker 2>Spielberg, Nope, nope, not sure. I'm not doing it.

0:55:49.520 --> 0:55:54.400
<v Speaker 1>Just horror. Just Saw twelve is what we're looking for,

0:55:55.280 --> 0:55:57.759
<v Speaker 1>all right, all right, I'll get my people on it.

0:55:58.080 --> 0:56:01.840
<v Speaker 1>We'll get it done. Tory, thank you so much, and

0:56:02.719 --> 0:56:06.640
<v Speaker 1>good luck. I hope truly that you find some time

0:56:06.680 --> 0:56:10.200
<v Speaker 1>from the farm to continue the important, important work that

0:56:10.280 --> 0:56:12.680
<v Speaker 1>you're doing with hospice and end of your care. And

0:56:13.840 --> 0:56:16.280
<v Speaker 1>I know that that gives a lot to other people,

0:56:16.360 --> 0:56:19.879
<v Speaker 1>but also for yourself. So God bless you and very

0:56:20.280 --> 0:56:21.800
<v Speaker 1>very nice chatting with you.

0:56:21.880 --> 0:56:37.000
<v Speaker 4>Thanks for coming on, he was well, Thank you, Tory.

0:56:37.480 --> 0:56:40.840
<v Speaker 1>Thanks again for being here. Look, you are a woman

0:56:41.000 --> 0:56:45.360
<v Speaker 1>of many, many talents. You truly are a riddle wrapped

0:56:45.400 --> 0:56:50.520
<v Speaker 1>in a mystery inside and enigma nailed it finally.

0:56:51.440 --> 0:56:51.600
<v Speaker 2>Huh.

0:56:52.520 --> 0:56:54.920
<v Speaker 1>That's the praise I was dying to find for the

0:56:55.000 --> 0:56:59.640
<v Speaker 1>last hour. But guess what, it still fits listeners. Thanks

0:56:59.719 --> 0:57:03.480
<v Speaker 1>for doing what you do so well. That's right, listening.

0:57:03.600 --> 0:57:05.759
<v Speaker 1>I hope you'll come back next week because guess what,

0:57:06.360 --> 0:57:09.440
<v Speaker 1>I'll be here and if you're not here, it will

0:57:09.520 --> 0:57:15.759
<v Speaker 1>be very very lonely. Until then, have a really good week.

0:57:24.760 --> 0:57:27.680
<v Speaker 1>Off the Beat is hosted and executive produced by me

0:57:28.080 --> 0:57:32.520
<v Speaker 1>Brian Baumgartner, alongside our executive producer Lang Lee. Our senior

0:57:32.600 --> 0:57:37.080
<v Speaker 1>producer is Diego Tapia. Our producers are Liz Hayes, Hannah Harris,

0:57:37.280 --> 0:57:41.480
<v Speaker 1>and Emily Carr. Our talent producer is Ryan Papa Zachary,

0:57:41.800 --> 0:57:45.520
<v Speaker 1>and our intern is Ali Amir Sahim. Our theme song

0:57:45.720 --> 0:57:49.680
<v Speaker 1>Bubble and Squeak, performed by the one and only Creed

0:57:49.760 --> 0:57:50.120
<v Speaker 1>Bratton