1 00:00:05,160 --> 00:00:07,720 Speaker 1: Okay, keep playing the song. We're just we have so 2 00:00:07,840 --> 00:00:10,520 Speaker 1: much to do. We're just gonna start during the song. 3 00:00:10,600 --> 00:00:11,039 Speaker 2: I'll do this. 4 00:00:11,119 --> 00:00:13,119 Speaker 3: It was me as it was Kevin, and we were 5 00:00:13,200 --> 00:00:14,720 Speaker 3: about to do something really exciting. 6 00:00:15,200 --> 00:00:19,240 Speaker 1: So this is a huge episode of our show. Sorry 7 00:00:19,239 --> 00:00:21,560 Speaker 1: that we're still kind of writing a little high. 8 00:00:21,680 --> 00:00:28,120 Speaker 3: Yeah, the adrenaline is still kind of dumping through my 9 00:00:28,240 --> 00:00:33,480 Speaker 3: body because we well, let's just say so to give 10 00:00:33,520 --> 00:00:37,640 Speaker 3: you context for what you're about to hear. We I 11 00:00:37,640 --> 00:00:39,720 Speaker 3: have always been fans of movies and stuff like that, 12 00:00:39,840 --> 00:00:42,920 Speaker 3: and a lot of times a big director will after 13 00:00:43,080 --> 00:00:47,080 Speaker 3: their greatest movie comes out on DBD or whatever, they'll 14 00:00:47,080 --> 00:00:48,919 Speaker 3: do kind of a commentary on it where they talk 15 00:00:48,920 --> 00:00:51,000 Speaker 3: about what was going through their head at certain points 16 00:00:51,040 --> 00:00:53,559 Speaker 3: and how they came up with a certain shot or 17 00:00:53,960 --> 00:00:56,680 Speaker 3: how the script got changed on set that day. And 18 00:00:57,240 --> 00:01:02,440 Speaker 3: we have just recorded probably our best definitely our best 19 00:01:02,640 --> 00:01:07,000 Speaker 3: creative work that we've ever done. And yeah, movies, television, whatever, 20 00:01:07,040 --> 00:01:10,240 Speaker 3: but it's a podcast episode, it's a live episode, and 21 00:01:10,360 --> 00:01:13,880 Speaker 3: we destroyed, which is just good good luck for us. 22 00:01:13,920 --> 00:01:18,000 Speaker 1: Yes, right, Yes, Sean and I recorded at Comic Kid yesterday, 23 00:01:18,480 --> 00:01:22,160 Speaker 1: the biggest venue, the most exciting venue we've ever been 24 00:01:22,240 --> 00:01:26,080 Speaker 1: a part of this is something for real fans. This performance. 25 00:01:26,760 --> 00:01:31,320 Speaker 1: We were very scared going in, which is so funny now. 26 00:01:31,440 --> 00:01:36,600 Speaker 3: No looking back, we didn't know because we thought there 27 00:01:36,640 --> 00:01:38,600 Speaker 3: was a chance the audience would be just kind of 28 00:01:38,680 --> 00:01:41,680 Speaker 3: run off from people who couldn't get into the main 29 00:01:41,800 --> 00:01:47,440 Speaker 3: convention center and were actually hardcore fans of ours. 30 00:01:47,560 --> 00:01:49,440 Speaker 1: Yes, it was a show that we found out had 31 00:01:49,480 --> 00:01:52,880 Speaker 1: been fully booked. It had sold out before our names 32 00:01:52,920 --> 00:01:56,160 Speaker 1: were added to the list. 33 00:01:56,040 --> 00:01:59,520 Speaker 3: So people had purchased tickets without knowing that we were performing, 34 00:02:00,320 --> 00:02:01,960 Speaker 3: mainly to see these other stand ups. 35 00:02:01,960 --> 00:02:03,880 Speaker 2: So we thought, well, is there going to be crossover? 36 00:02:03,960 --> 00:02:06,400 Speaker 3: Are they gonna know Sean and Hayes? Are they gonna 37 00:02:06,440 --> 00:02:08,680 Speaker 3: know Hollywood Handbook? Are they gonna know what a podcast is? 38 00:02:09,200 --> 00:02:12,160 Speaker 1: And it's so crazy now that we ever talked about that, 39 00:02:12,280 --> 00:02:14,440 Speaker 1: because this audience. 40 00:02:15,440 --> 00:02:17,200 Speaker 2: It's hard for me to talk about them. 41 00:02:17,560 --> 00:02:21,960 Speaker 1: Without getting a little I don't know, they're very special 42 00:02:22,000 --> 00:02:22,200 Speaker 1: to me. 43 00:02:23,440 --> 00:02:28,720 Speaker 3: I I've always said that this this thing we do 44 00:02:29,200 --> 00:02:30,480 Speaker 3: is in exchange. 45 00:02:31,320 --> 00:02:35,000 Speaker 4: It's a conversation, yea. And even though we're the ones doing. 46 00:02:34,800 --> 00:02:38,320 Speaker 3: A lot of the talking, we're also fans of our 47 00:02:38,360 --> 00:02:46,280 Speaker 3: audience and this particular group that we were lucky enough 48 00:02:46,280 --> 00:02:48,920 Speaker 3: to share this room, in this moment with. 49 00:02:51,240 --> 00:02:52,320 Speaker 2: They're my favorite. 50 00:02:52,080 --> 00:02:54,360 Speaker 1: Artists, These are my these are my favorite artists. They 51 00:02:54,360 --> 00:02:57,200 Speaker 1: are my brothers and sisters. I feel like I was 52 00:02:57,200 --> 00:03:01,080 Speaker 1: performing with them. Oh yeah, I felt it was. 53 00:03:01,760 --> 00:03:07,040 Speaker 3: A dance honestly, and sometimes I was leading, and sometimes 54 00:03:07,120 --> 00:03:09,480 Speaker 3: it was hey, sometimes it was the audience. Mosha Kasher 55 00:03:09,520 --> 00:03:15,280 Speaker 3: was there, sho and yes, and just another one of 56 00:03:15,280 --> 00:03:19,639 Speaker 3: those things where you're lucky to share it with someone 57 00:03:19,680 --> 00:03:21,760 Speaker 3: who's been so special to you. Mosha obviously has been 58 00:03:21,760 --> 00:03:25,040 Speaker 3: one of our best friends forever. Yeah, and that we 59 00:03:25,360 --> 00:03:28,480 Speaker 3: finally got him on on the same day that for him, 60 00:03:28,520 --> 00:03:30,480 Speaker 3: I know he it was very special for him because 61 00:03:30,480 --> 00:03:32,120 Speaker 3: he had been nervous to do the show. He wanted 62 00:03:32,120 --> 00:03:35,000 Speaker 3: it to go well, and it was beyond his wildest dreams. 63 00:03:35,480 --> 00:03:36,960 Speaker 2: So let's just get into it. 64 00:03:37,040 --> 00:03:41,240 Speaker 1: Well, this will cut a lot out of the actual record. 65 00:03:40,920 --> 00:03:44,760 Speaker 3: Because I say one more thing, yes, just I know 66 00:03:44,800 --> 00:03:48,200 Speaker 3: we have a lot of new listeners. Yes, yes, yes, 67 00:03:48,360 --> 00:03:50,440 Speaker 3: Patton was a big guest last week, and. 68 00:03:50,960 --> 00:03:52,240 Speaker 2: We're like, how do we follow that? 69 00:03:52,320 --> 00:03:55,960 Speaker 3: People subscribed and we said, how are we gonna try 70 00:03:56,000 --> 00:03:58,480 Speaker 3: to not even just top this, but how are we 71 00:03:58,520 --> 00:04:01,520 Speaker 3: going to keep these new lists paying attention. 72 00:04:01,800 --> 00:04:03,240 Speaker 2: But we did end up topping it. 73 00:04:03,760 --> 00:04:06,320 Speaker 3: The answer is, yeah, that you top it, and you 74 00:04:07,120 --> 00:04:09,360 Speaker 3: and you blow the fucking doors off of all of 75 00:04:09,400 --> 00:04:12,360 Speaker 3: San Diego. Uh So anyway, yeah, we'll cut a lot 76 00:04:12,360 --> 00:04:15,320 Speaker 3: of the actual record out playing clips. 77 00:04:15,440 --> 00:04:18,000 Speaker 2: Yeah, we'll just play clips and talk about that. And 78 00:04:18,040 --> 00:04:20,719 Speaker 2: it was the energy in the room was such a 79 00:04:20,720 --> 00:04:22,880 Speaker 2: big let I just want to go ahead. 80 00:04:32,560 --> 00:04:36,680 Speaker 5: So I was with. 81 00:04:38,120 --> 00:04:46,240 Speaker 3: Arlie Quinn yea and Amy Tam Yes, and we were 82 00:04:46,920 --> 00:04:48,040 Speaker 3: doing a jigsaw puzzle. 83 00:04:48,200 --> 00:04:54,400 Speaker 1: Okay, that's hard, oh yeah, much harder. 84 00:04:54,640 --> 00:04:59,080 Speaker 3: Yeah, and so it's only you're only going by shade. 85 00:04:59,160 --> 00:05:01,080 Speaker 2: Yeah you know that. Yeah. 86 00:05:01,200 --> 00:05:09,280 Speaker 3: And at a certain point, I just decide, let's not 87 00:05:09,440 --> 00:05:10,359 Speaker 3: do this anymore. 88 00:05:11,080 --> 00:05:14,440 Speaker 2: Just quit. Yeah, we'll just quit. Yeah right, let's just 89 00:05:14,480 --> 00:05:16,200 Speaker 2: move on and do the show. Let's just do the show. 90 00:05:16,440 --> 00:05:17,920 Speaker 2: The show. Hey, welcome to Hollywood. 91 00:05:17,960 --> 00:05:21,600 Speaker 1: So so I mean, let's just talk about it. 92 00:05:21,960 --> 00:05:22,239 Speaker 2: Yeah. 93 00:05:22,400 --> 00:05:25,359 Speaker 1: It might be a little confusing for the for the 94 00:05:25,400 --> 00:05:27,040 Speaker 1: people listening at home to this. 95 00:05:27,240 --> 00:05:30,800 Speaker 3: I didn't realize because I was there, Uh, listening back, 96 00:05:30,839 --> 00:05:36,160 Speaker 3: it almost sounds like we're yeah, no, no one knows 97 00:05:36,800 --> 00:05:41,039 Speaker 3: what's happening, and we're playing to absolute dead silence, and 98 00:05:41,160 --> 00:05:46,839 Speaker 3: we almost instantly are experiencing like a flop sweat kind 99 00:05:46,839 --> 00:05:50,000 Speaker 3: of thing. What really is and that's just the audio 100 00:05:50,040 --> 00:05:51,719 Speaker 3: of it. What really is happening, if you could see 101 00:05:51,720 --> 00:05:55,159 Speaker 3: it is I know you don't hear laughs, it's because 102 00:05:55,200 --> 00:05:59,200 Speaker 3: there was this collective gasp and sort of everyone's face 103 00:05:59,279 --> 00:06:01,240 Speaker 3: is frozen in with ecstasy. 104 00:06:01,360 --> 00:06:05,599 Speaker 2: Yes, and I and I do take a beat. 105 00:06:05,640 --> 00:06:07,800 Speaker 3: I take a moment where I have to catch my 106 00:06:07,880 --> 00:06:13,880 Speaker 3: breath because I've never looked down upon reverence like that. 107 00:06:15,160 --> 00:06:19,320 Speaker 3: And so there's there's some pauses there where we're kind 108 00:06:19,320 --> 00:06:20,760 Speaker 3: of sharing eyes. 109 00:06:21,080 --> 00:06:22,880 Speaker 4: With individual audience members. 110 00:06:23,200 --> 00:06:31,960 Speaker 3: A lot of convulsing, they're shuddering, and they're they're having 111 00:06:31,960 --> 00:06:35,640 Speaker 3: this sensory overload right where. And we spoke to a 112 00:06:35,640 --> 00:06:37,680 Speaker 3: lot of them afterwards for hours an hour. I went 113 00:06:37,680 --> 00:06:41,240 Speaker 3: out to dinner with everyone, and they were saying that 114 00:06:41,400 --> 00:06:45,400 Speaker 3: like they had imagined the day for so long of 115 00:06:45,440 --> 00:06:49,440 Speaker 3: actually seeing us in person, and when it happened, it 116 00:06:49,520 --> 00:06:51,839 Speaker 3: was almost like they just shut down because they couldn't 117 00:06:51,839 --> 00:06:52,280 Speaker 3: handle it. 118 00:06:52,440 --> 00:06:55,960 Speaker 1: Yeah, and so you can hear us openly quitting on 119 00:06:56,560 --> 00:06:58,400 Speaker 1: the on the story that we were doing. 120 00:06:58,600 --> 00:07:02,640 Speaker 3: Yeah, we're making a commentary. I believe it's a story 121 00:07:02,800 --> 00:07:05,520 Speaker 3: that I've done before. I believe it's an activity we've 122 00:07:05,560 --> 00:07:10,160 Speaker 3: already talked about and that I just remembered it in 123 00:07:10,200 --> 00:07:15,119 Speaker 3: the moment because I had nothing. I had not gone 124 00:07:15,120 --> 00:07:19,440 Speaker 3: out with anything in mind, which is always smart at 125 00:07:19,520 --> 00:07:22,800 Speaker 3: one of these live events to just kind of feel 126 00:07:22,800 --> 00:07:30,520 Speaker 3: it and play jazz a little. And as we're doing it, 127 00:07:31,040 --> 00:07:35,119 Speaker 3: we start to realize, like God, even this story, although 128 00:07:35,120 --> 00:07:37,239 Speaker 3: it's a big part of our show, although it's always great, 129 00:07:37,440 --> 00:07:39,400 Speaker 3: although they've heard it before and I'm sure liked it 130 00:07:39,440 --> 00:07:45,240 Speaker 3: the first time and are enjoying the secondary retelling, we 131 00:07:45,280 --> 00:07:46,520 Speaker 3: do want to get into. 132 00:07:46,320 --> 00:07:49,680 Speaker 1: The show, and we are hurting people. It was way 133 00:07:49,680 --> 00:07:50,239 Speaker 1: too much. 134 00:07:50,320 --> 00:07:54,880 Speaker 3: It was way too much, too soon, And to openly 135 00:07:55,080 --> 00:07:59,920 Speaker 3: bail on the very first thing that's happening in the 136 00:08:00,160 --> 00:08:04,600 Speaker 3: show and just say, literally verbatim. 137 00:08:04,360 --> 00:08:06,200 Speaker 2: Let's not do this. Why are we doing this? 138 00:08:09,160 --> 00:08:12,440 Speaker 3: Uh? And then say three times, let's get into the show, 139 00:08:12,880 --> 00:08:15,320 Speaker 3: knowing full well that the show will be no different. 140 00:08:15,000 --> 00:08:16,040 Speaker 2: Than what we're already doing. 141 00:08:18,280 --> 00:08:22,920 Speaker 4: Is it's it's a fifth dimension like pro move. 142 00:08:24,200 --> 00:08:25,760 Speaker 2: So let's let's continue. 143 00:08:26,080 --> 00:08:28,320 Speaker 3: Let's let them off the hook, and we'll explain a 144 00:08:28,320 --> 00:08:30,160 Speaker 3: little bit about ourselves. 145 00:08:29,800 --> 00:08:34,040 Speaker 2: About our deal. Uh. Sean and I this is Sean. 146 00:08:34,280 --> 00:08:34,800 Speaker 2: I'm Sean. 147 00:08:36,400 --> 00:08:43,960 Speaker 1: We have done Hollywood basically the whole, pretty much all 148 00:08:44,040 --> 00:08:47,920 Speaker 1: of it, the whole. We uh, what would we be 149 00:08:47,920 --> 00:08:50,600 Speaker 1: best known for for like a comic con crowd. Well, 150 00:08:50,679 --> 00:08:56,480 Speaker 1: for me, I obviously played the original in the original series, 151 00:08:57,040 --> 00:09:00,640 Speaker 1: Missus Batman. 152 00:09:01,760 --> 00:09:08,199 Speaker 2: Let's stop it so again. 153 00:09:08,440 --> 00:09:11,880 Speaker 3: I think this was it worked out, but it was 154 00:09:11,960 --> 00:09:15,640 Speaker 3: possibly an overcorrection because we were thinking people might not. 155 00:09:15,679 --> 00:09:16,320 Speaker 2: Know who we are. 156 00:09:16,880 --> 00:09:18,800 Speaker 3: Let's do almost what we did in the very first 157 00:09:18,800 --> 00:09:23,360 Speaker 3: episode of our podcast and do these kind of quick 158 00:09:23,600 --> 00:09:28,319 Speaker 3: you know, cheat sheet crib notes bios. 159 00:09:27,880 --> 00:09:28,600 Speaker 2: To who we are. 160 00:09:28,760 --> 00:09:33,040 Speaker 3: Yes, and you wanted to list your most famous credit 161 00:09:33,640 --> 00:09:37,920 Speaker 3: and lean into the audience and say Missus Batman, and 162 00:09:38,080 --> 00:09:45,760 Speaker 3: you just feel the wave of adulation people are they're 163 00:09:45,800 --> 00:09:52,160 Speaker 3: remembering Missus Batman. But they could get so funny and 164 00:09:52,160 --> 00:09:54,080 Speaker 3: and I. 165 00:09:54,040 --> 00:09:55,839 Speaker 2: Was afraid we might get. 166 00:09:58,679 --> 00:10:03,480 Speaker 3: A generous amount of polite laughter at points like this, 167 00:10:03,840 --> 00:10:07,800 Speaker 3: where just the cadence was indicating this is the punchline 168 00:10:07,800 --> 00:10:11,400 Speaker 3: of what I'm saying, and that people. 169 00:10:11,120 --> 00:10:19,040 Speaker 2: Wouldn't actually be losing it from how funny it was. 170 00:10:20,000 --> 00:10:22,520 Speaker 3: I was so pleasantly surprised to see there was none 171 00:10:22,520 --> 00:10:26,679 Speaker 3: of that polite laughter that I mentioned earlier. It was 172 00:10:26,800 --> 00:10:37,319 Speaker 3: all the real deal or again the frozen, joyful, almost 173 00:10:37,400 --> 00:10:39,320 Speaker 3: catatonic pleasure face. 174 00:10:42,000 --> 00:10:45,679 Speaker 2: So just I mean, it's just so fun to relive this. 175 00:10:45,840 --> 00:10:57,800 Speaker 1: It was, this was yesterday, and you know, the thing. 176 00:10:57,640 --> 00:11:00,679 Speaker 2: That I just want to keep going, like keep living 177 00:11:00,720 --> 00:11:02,000 Speaker 2: in it. I want to keep listening. 178 00:11:02,040 --> 00:11:06,080 Speaker 3: The thing that I want to know here is, uh, 179 00:11:06,280 --> 00:11:09,160 Speaker 3: you'll feel us still having a little bit of nerves 180 00:11:10,200 --> 00:11:13,560 Speaker 3: because it is going so well and we're thinking, can 181 00:11:13,600 --> 00:11:17,280 Speaker 3: we maintain this pace for another At this point was 182 00:11:17,679 --> 00:11:20,240 Speaker 3: full fifty seven minutes of Joe. 183 00:11:21,080 --> 00:11:24,240 Speaker 2: Uh. You know, now I have relief when I listen. 184 00:11:24,320 --> 00:11:25,559 Speaker 2: I know that we kept it going. 185 00:11:26,800 --> 00:11:30,400 Speaker 1: Then Missus Batman has been played exclusively by women. This 186 00:11:30,480 --> 00:11:33,959 Speaker 1: was a different time. Missus Batman was a man. Then 187 00:11:34,000 --> 00:11:35,240 Speaker 1: I'm glad it's women now. 188 00:11:35,240 --> 00:11:37,640 Speaker 2: We didn't know? Yes, what else? 189 00:11:37,840 --> 00:11:39,880 Speaker 5: Well for me, I. 190 00:11:39,840 --> 00:11:43,439 Speaker 3: Guess people don't know me necessarily by my name Sean Clements. 191 00:11:43,480 --> 00:11:48,200 Speaker 3: They probably know me as the renegade cowboy journalist Tex Blose. 192 00:11:48,960 --> 00:11:49,240 Speaker 2: Yeah. 193 00:11:49,600 --> 00:11:54,640 Speaker 3: Uh. He was sort of a clownish cowboy who would 194 00:11:54,640 --> 00:11:56,600 Speaker 3: try to get a big scoop. We'd got a surprising 195 00:11:56,600 --> 00:12:02,640 Speaker 3: answer to a question, he would explode, can so so 196 00:12:02,720 --> 00:12:07,280 Speaker 3: what you hear is the first thing I say, I'm 197 00:12:07,320 --> 00:12:09,520 Speaker 3: going to list to credits during the show. And the 198 00:12:09,559 --> 00:12:12,960 Speaker 3: first thing I say, which is sort of just a 199 00:12:13,040 --> 00:12:23,319 Speaker 3: crazy pun murders, murders, and and and I'm and. 200 00:12:23,320 --> 00:12:26,680 Speaker 2: I'm swimming, I'm swimming in the laughter. It's a missus 201 00:12:26,720 --> 00:12:30,000 Speaker 2: batveil level. Pop. I was worried about how you were 202 00:12:30,040 --> 00:12:32,400 Speaker 2: gonna follow. I didn't know if I could follow. 203 00:12:32,800 --> 00:12:36,080 Speaker 3: So you might think, oh, well, they're going to move 204 00:12:36,080 --> 00:12:38,720 Speaker 3: on from listing credits. He's not going to do another 205 00:12:40,120 --> 00:12:45,560 Speaker 3: crazy pun as one of his old jobs because that 206 00:12:45,640 --> 00:12:48,680 Speaker 3: would be too greedy and certainly the audience won't go 207 00:12:48,800 --> 00:12:49,040 Speaker 3: for it. 208 00:12:49,080 --> 00:12:51,360 Speaker 4: Again, Let's see what happens. 209 00:12:51,679 --> 00:12:54,679 Speaker 3: Yeah, And of course I also did a movie that 210 00:12:54,800 --> 00:12:56,800 Speaker 3: kind of got stepped on a little bit, but it 211 00:12:56,960 --> 00:13:01,800 Speaker 3: was called Troy Story. It was before Toy Story, but 212 00:13:01,840 --> 00:13:03,959 Speaker 3: it was that at night, the Trojan Horse would come 213 00:13:03,960 --> 00:13:06,959 Speaker 3: to life, yeah, and kiss the Queen. 214 00:13:08,240 --> 00:13:09,000 Speaker 2: Helen of Troy. 215 00:13:09,720 --> 00:13:12,160 Speaker 3: And that was obviously a good idea because now I 216 00:13:12,240 --> 00:13:14,600 Speaker 3: made a bunch of very successful movies that are like that. 217 00:13:14,800 --> 00:13:19,719 Speaker 1: But you know, yeah, so one reason today is kind 218 00:13:19,760 --> 00:13:22,320 Speaker 1: of exciting for us. They announced a lot of stuff 219 00:13:22,320 --> 00:13:25,440 Speaker 1: that Comic Con. Yes, to do a lot of this 220 00:13:25,520 --> 00:13:29,040 Speaker 1: comic book stuff. Sean and I we do want to 221 00:13:29,040 --> 00:13:37,760 Speaker 1: announce that we are writing and directing the next Avengers movie. Yeah, yeah, 222 00:13:37,800 --> 00:13:41,000 Speaker 1: so you can hear us initiate the premise. 223 00:13:41,200 --> 00:13:44,360 Speaker 3: Yes, when we get into the main premise of the show, 224 00:13:44,720 --> 00:13:52,000 Speaker 3: we're lighting the fuse. Now they're so into it that 225 00:13:52,160 --> 00:13:55,679 Speaker 3: I wonder should we have done something not aimed. 226 00:13:55,440 --> 00:13:56,360 Speaker 2: At this comic con? 227 00:13:56,640 --> 00:14:01,960 Speaker 3: Yes, yeah, because the idea of us writing the Avengers movie. 228 00:14:02,240 --> 00:14:05,600 Speaker 2: You, I mean, you heard it yourself, And. 229 00:14:05,600 --> 00:14:08,520 Speaker 1: It may sound like I just want to clarify it 230 00:14:08,600 --> 00:14:13,360 Speaker 1: sounds like this is a ten thousand seat arena. There 231 00:14:13,400 --> 00:14:16,160 Speaker 1: were about one hundred feet one hundred and fifty people 232 00:14:16,200 --> 00:14:21,560 Speaker 1: in this audience. So one of the larger shows that 233 00:14:21,680 --> 00:14:24,520 Speaker 1: we have that we have done. Yeah, of course, but 234 00:14:25,360 --> 00:14:28,560 Speaker 1: not quite as huge a pop as it sounds. 235 00:14:28,920 --> 00:14:31,480 Speaker 2: Yeah, and they're fairly large audios. 236 00:14:31,480 --> 00:14:36,520 Speaker 3: There are even these in between moments where the main 237 00:14:36,760 --> 00:14:39,640 Speaker 3: roar of the crowd has died down and you hear 238 00:14:39,760 --> 00:14:44,240 Speaker 3: what sort of sounds like three fans of the show 239 00:14:45,240 --> 00:14:48,080 Speaker 3: and who are getting more and more shy about laughing. 240 00:14:48,320 --> 00:14:52,800 Speaker 1: And I will say that lots of them are involved 241 00:14:52,840 --> 00:14:58,040 Speaker 1: in this production, and like administrative capacity sent to Chef Kevin, 242 00:14:58,080 --> 00:14:58,600 Speaker 1: who was there. 243 00:14:58,640 --> 00:15:01,160 Speaker 2: I think you can kind of hear Chef Gavin. 244 00:15:01,240 --> 00:15:02,840 Speaker 3: You can pick out a little bit in some of 245 00:15:02,840 --> 00:15:07,120 Speaker 3: those quieter spots Outama invited us to do it, and is. 246 00:15:08,720 --> 00:15:12,400 Speaker 2: You know, I'll get it. Very good about the decision 247 00:15:13,920 --> 00:15:18,280 Speaker 2: at this point. So let's keep going. 248 00:15:18,920 --> 00:15:20,800 Speaker 1: We are gonna do should we say, well, I don't 249 00:15:20,840 --> 00:15:21,720 Speaker 1: know how much we can say. 250 00:15:22,120 --> 00:15:24,480 Speaker 3: Well, we already have a title, which is it'll be 251 00:15:24,640 --> 00:15:29,440 Speaker 3: Infinity plus one War. Yeah, and we're not necessarily gonna 252 00:15:29,440 --> 00:15:31,200 Speaker 3: make it war because we don't necessarily like that. 253 00:15:31,520 --> 00:15:34,400 Speaker 2: It's not No, it's not funny, it's not cool. 254 00:15:34,680 --> 00:15:38,680 Speaker 3: No, it might be Infinity plus one plus a million cafe. 255 00:15:40,880 --> 00:15:42,760 Speaker 2: And then can we just have some of these guys 256 00:15:42,800 --> 00:15:45,880 Speaker 2: just hang out. Yes, and it's Central Perk there at 257 00:15:45,920 --> 00:15:48,200 Speaker 2: Central Perk, So. 258 00:15:48,120 --> 00:15:51,000 Speaker 3: We're gonna have them all work together at Central Perk 259 00:15:51,040 --> 00:15:52,040 Speaker 3: at a cafe. 260 00:15:51,960 --> 00:15:55,000 Speaker 2: Yeah, and just mostly it'll be meals. 261 00:15:55,120 --> 00:15:57,400 Speaker 1: But we're jumping the gun a little bit, shooting into 262 00:15:57,400 --> 00:16:00,040 Speaker 1: what the movie is gonna be. We're gonna let you 263 00:16:00,040 --> 00:16:04,040 Speaker 1: guys watch us work out what this movie is on stage. 264 00:16:04,080 --> 00:16:09,000 Speaker 3: Well, this show's about transparency, well, translucency and yeah, and 265 00:16:09,200 --> 00:16:12,080 Speaker 3: letting people inside the show business process. 266 00:16:12,160 --> 00:16:14,040 Speaker 2: And so what we want to do is kind of 267 00:16:14,080 --> 00:16:14,720 Speaker 2: as a treat. 268 00:16:15,040 --> 00:16:17,440 Speaker 3: We're gonna bring up our friend who writes with us, 269 00:16:18,200 --> 00:16:21,800 Speaker 3: and we are all going to break the story on stage. 270 00:16:21,920 --> 00:16:26,320 Speaker 1: All right, So let's bring out our friend Moshi Casher 271 00:16:25,760 --> 00:16:28,239 Speaker 1: Moche please. 272 00:16:32,280 --> 00:16:32,760 Speaker 2: All right? 273 00:16:33,920 --> 00:16:37,120 Speaker 6: Hey man, hey, such good friends. You mispronounced my first name. 274 00:16:37,160 --> 00:16:38,960 Speaker 6: That was well, this is what I'm saying. 275 00:16:39,080 --> 00:16:41,560 Speaker 1: We're just we're just meeting now because this is what 276 00:16:41,600 --> 00:16:44,320 Speaker 1: Marvel does. He's making a joke. We work together as 277 00:16:44,320 --> 00:16:49,480 Speaker 1: a group. Yeah, can we stop it. Moshow was so 278 00:16:49,760 --> 00:16:52,320 Speaker 1: nice to do this. We were, of course very nice 279 00:16:53,160 --> 00:16:56,840 Speaker 1: to invite him to be a part of this opportunity. 280 00:16:56,880 --> 00:16:58,320 Speaker 2: That was a big chance for him. 281 00:16:58,640 --> 00:17:02,840 Speaker 3: He uh had to be at Comic Con already, he 282 00:17:02,960 --> 00:17:06,680 Speaker 3: was doing multiple other shows. I mean, I guess it's 283 00:17:06,680 --> 00:17:09,359 Speaker 3: gonna be hard for him to do them now having 284 00:17:09,400 --> 00:17:13,240 Speaker 3: been part of this and Marvel reference here Juggernaut. Yes, 285 00:17:14,840 --> 00:17:17,000 Speaker 3: I think he had to do his own podcast today, 286 00:17:17,119 --> 00:17:19,119 Speaker 3: so he must be going like, oh shit, how do 287 00:17:19,160 --> 00:17:19,760 Speaker 3: I follow that? 288 00:17:21,359 --> 00:17:24,760 Speaker 1: I Uh, we made a lot of out of how 289 00:17:24,800 --> 00:17:28,240 Speaker 1: I mispronounced his name. It wasn't quite as often as 290 00:17:28,280 --> 00:17:31,040 Speaker 1: I as I thought, I guess I thought after he 291 00:17:31,080 --> 00:17:32,719 Speaker 1: said I mispronounced that, I said Moshi. 292 00:17:33,119 --> 00:17:34,560 Speaker 2: You did say moshi the first time. 293 00:17:34,720 --> 00:17:37,480 Speaker 4: Note I said Mosha, then you went moshe. 294 00:17:38,359 --> 00:17:39,200 Speaker 2: That was a joke. 295 00:17:39,480 --> 00:17:43,639 Speaker 1: Yeah, but I was having trouble controlling my voice modulation 296 00:17:43,720 --> 00:17:44,240 Speaker 1: in that moment. 297 00:17:44,280 --> 00:17:46,600 Speaker 2: But from joy, I don't know how much. 298 00:17:46,480 --> 00:17:48,760 Speaker 1: We can say we've written all these fucking movies. Yeah, 299 00:17:48,800 --> 00:17:50,200 Speaker 1: we've written every single one. 300 00:17:50,680 --> 00:17:53,119 Speaker 6: I mean, I won't say that you created the character 301 00:17:53,160 --> 00:17:55,480 Speaker 6: Spider Man, but I won't not say that you didn't. 302 00:17:55,560 --> 00:17:59,560 Speaker 2: Well, just from the way I was jumping around right basically. 303 00:17:59,240 --> 00:18:01,560 Speaker 3: Yes, I mean that was the thing is you got 304 00:18:01,560 --> 00:18:04,080 Speaker 3: so excited and we're sort of like getting up on 305 00:18:04,119 --> 00:18:06,800 Speaker 3: the table, yeah, and you're like slapping your hands against 306 00:18:06,840 --> 00:18:08,960 Speaker 3: the wall. Yeah, And we sort of went like, I 307 00:18:09,000 --> 00:18:11,800 Speaker 3: think this is a movie and I can spop and 308 00:18:11,840 --> 00:18:14,560 Speaker 3: I can spit in a very long way. 309 00:18:14,840 --> 00:18:15,879 Speaker 5: Oh yeah, we were. 310 00:18:16,040 --> 00:18:18,520 Speaker 3: We were doing the thing where you lean over the 311 00:18:18,520 --> 00:18:21,000 Speaker 3: top rail at like the mall, and you see how 312 00:18:21,040 --> 00:18:23,400 Speaker 3: low you can let a loogie get before you suck 313 00:18:23,440 --> 00:18:23,959 Speaker 3: it back up. 314 00:18:24,000 --> 00:18:26,280 Speaker 2: And I could let it touch the ground and bring 315 00:18:26,320 --> 00:18:27,520 Speaker 2: it all the way back up. 316 00:18:27,600 --> 00:18:29,879 Speaker 6: And that's where the phrase it's clobber and time comes 317 00:18:29,880 --> 00:18:31,480 Speaker 6: from Actually, yeah. 318 00:18:31,400 --> 00:18:33,760 Speaker 2: That's right, it's slobberyn. Time is what it was, what 319 00:18:33,840 --> 00:18:36,040 Speaker 2: it used to be. Yeah, that's what I would just say. 320 00:18:36,119 --> 00:18:37,320 Speaker 2: We had to change it. 321 00:18:37,280 --> 00:18:40,280 Speaker 6: Yes, for to trademark purposes, because that was already in 322 00:18:40,320 --> 00:18:40,960 Speaker 6: the Fantastic four. 323 00:18:41,040 --> 00:18:43,960 Speaker 2: Yeah, Clobert, different guy. We learned that it was a 324 00:18:44,000 --> 00:18:46,760 Speaker 2: different guy. Yeah, we didn't get yeah, yeah, but we said, 325 00:18:46,800 --> 00:18:48,600 Speaker 2: let's make him green and do another thing. 326 00:18:49,600 --> 00:18:53,680 Speaker 6: And that was, as you know, the Hobgoblin. So yes, yeah, 327 00:18:53,720 --> 00:18:57,320 Speaker 6: classic classic character. So let's show them how we do 328 00:18:57,359 --> 00:18:57,879 Speaker 6: these movies. 329 00:18:57,920 --> 00:18:59,280 Speaker 2: We are Can we stop it? Kevin? 330 00:19:00,119 --> 00:19:03,880 Speaker 3: So, I guess one thing I had been nervous about 331 00:19:03,920 --> 00:19:11,000 Speaker 3: beforehand again is also silly now, is that the comic 332 00:19:11,040 --> 00:19:17,840 Speaker 3: con audience would not be open to people who weren't 333 00:19:17,840 --> 00:19:24,920 Speaker 3: exactly like them, poking light fun at the very thing 334 00:19:24,960 --> 00:19:26,040 Speaker 3: they were there to celebrate. 335 00:19:26,160 --> 00:19:29,960 Speaker 2: Extremely like yes, saying. 336 00:19:29,920 --> 00:19:31,960 Speaker 3: For instance, that the Hulk is kind of just a 337 00:19:32,000 --> 00:19:40,600 Speaker 3: green version of Ben Grimm. Yeah, it turns out we 338 00:19:40,600 --> 00:19:45,400 Speaker 3: were wrong. They love that best sense of humor on 339 00:19:45,440 --> 00:19:49,480 Speaker 3: the planet about comic book stuff. 340 00:19:51,200 --> 00:19:51,600 Speaker 2: If you. 341 00:19:53,240 --> 00:19:55,399 Speaker 3: Sort of make reference to the fact that you're not 342 00:19:55,680 --> 00:19:58,520 Speaker 3: as into it and you don't know all the ins 343 00:19:58,520 --> 00:19:59,280 Speaker 3: and outs of it. 344 00:19:59,480 --> 00:20:00,840 Speaker 2: They I love. 345 00:20:00,720 --> 00:20:03,320 Speaker 3: That they were lapping it up. I almost thought maybe 346 00:20:03,320 --> 00:20:04,400 Speaker 3: we were doing too. 347 00:20:04,280 --> 00:20:06,440 Speaker 4: Much of it, but they couldn't get enough. 348 00:20:07,080 --> 00:20:10,399 Speaker 2: So what we do is we have these cards. Yeah, 349 00:20:10,400 --> 00:20:11,200 Speaker 2: different guys. 350 00:20:11,480 --> 00:20:15,440 Speaker 3: These are nineteen ninety four Flear ultra unopened X Men 351 00:20:15,560 --> 00:20:17,680 Speaker 3: Marvel Comics cards. 352 00:20:18,320 --> 00:20:19,520 Speaker 2: And they're the premiere edition. 353 00:20:20,320 --> 00:20:23,320 Speaker 3: So what we do is open up a pack and 354 00:20:23,359 --> 00:20:25,040 Speaker 3: then whoever's on the card. 355 00:20:24,880 --> 00:20:26,639 Speaker 2: We just decide what they're doing in the movie. 356 00:20:26,920 --> 00:20:28,520 Speaker 3: Yes, by the time you get to the bottom of 357 00:20:28,520 --> 00:20:31,160 Speaker 3: the pack, you've got sometimes. 358 00:20:30,680 --> 00:20:32,159 Speaker 2: Two or three finished movies. 359 00:20:32,320 --> 00:20:36,520 Speaker 6: Yes, yes, that's how The English Patient was first written, right. 360 00:20:36,520 --> 00:20:38,280 Speaker 5: Yes, yeah, So. 361 00:20:39,960 --> 00:20:43,400 Speaker 3: Just to for people who weren't there, we have real 362 00:20:43,440 --> 00:20:46,200 Speaker 3: packs of cards that I went on pay purchased. 363 00:20:47,200 --> 00:20:48,479 Speaker 2: It's a really smart device. 364 00:20:48,880 --> 00:20:50,920 Speaker 3: I notice I get a little jealous when I'm listening 365 00:20:50,960 --> 00:20:53,600 Speaker 3: because it does sound like Mosha's crushing And I do 366 00:20:53,680 --> 00:20:55,320 Speaker 3: want to say that we set him. 367 00:20:55,280 --> 00:20:56,080 Speaker 2: Up to succeed. 368 00:20:56,280 --> 00:20:59,439 Speaker 3: Oh God put him in such a great position. Ye 369 00:21:00,040 --> 00:21:05,920 Speaker 3: Guild comic seasoned performer. But I don't know that, although 370 00:21:05,960 --> 00:21:08,240 Speaker 3: he's a funny guy, he would have done as well. 371 00:21:08,560 --> 00:21:11,200 Speaker 2: We do want to take a little of the credit Yeah, 372 00:21:11,200 --> 00:21:11,800 Speaker 2: for how. 373 00:21:12,119 --> 00:21:15,159 Speaker 3: Because a lot of the jokes that he's doing, he's 374 00:21:15,200 --> 00:21:17,560 Speaker 3: forced to do yes, and we have buy in a scenario. 375 00:21:17,680 --> 00:21:20,240 Speaker 1: We have laid a foundation of course with this is 376 00:21:20,320 --> 00:21:27,480 Speaker 1: Batman sex flose that he is no kind of like 377 00:21:27,720 --> 00:21:31,960 Speaker 1: drafting off of you watch a NASCAR race, you know 378 00:21:32,040 --> 00:21:34,840 Speaker 1: that the fastest guy is a guy writing behind the 379 00:21:34,920 --> 00:21:37,280 Speaker 1: other guy. That's right, because there's no wind. 380 00:21:37,640 --> 00:21:37,960 Speaker 2: Yeah. 381 00:21:38,000 --> 00:21:40,720 Speaker 3: So yeah, so we've sort of broken through that barrier 382 00:21:40,800 --> 00:21:46,520 Speaker 3: for him. Also, we knew ahead of time that we 383 00:21:46,520 --> 00:21:49,000 Speaker 3: were going to say we were writing an Avengers movie 384 00:21:49,000 --> 00:21:50,879 Speaker 3: but open X Men card so that none of the 385 00:21:50,960 --> 00:21:55,000 Speaker 3: characters would actually be the Avengers. I think we maybe 386 00:21:55,040 --> 00:21:57,600 Speaker 3: were gonna talk about it more before we got there, 387 00:21:57,760 --> 00:22:02,440 Speaker 3: but they got it, and the like tongue in cheek 388 00:22:02,520 --> 00:22:04,639 Speaker 3: kind of we're introducing characters that wouldn't be in the 389 00:22:04,640 --> 00:22:09,360 Speaker 3: Inventors thing was so rich and so understood. 390 00:22:09,640 --> 00:22:11,760 Speaker 2: Yeah, instantly we. 391 00:22:11,840 --> 00:22:14,040 Speaker 3: Kind of just blow by it, almost as if we're 392 00:22:14,240 --> 00:22:17,840 Speaker 3: trying to get away from the idea while we do it. 393 00:22:18,200 --> 00:22:21,439 Speaker 3: So right off the rip, we're gonna find that we 394 00:22:21,560 --> 00:22:26,680 Speaker 3: have like a huge, huge character and this is one 395 00:22:26,760 --> 00:22:30,120 Speaker 3: that everybody probably knows strife. 396 00:22:30,560 --> 00:22:33,640 Speaker 2: Oh yeah. Oh so everyone's very excited. 397 00:22:33,760 --> 00:22:39,639 Speaker 1: The star of the New Avengers Inffinity War movie is Strife. 398 00:22:39,280 --> 00:22:40,399 Speaker 2: So obscure character. 399 00:22:40,480 --> 00:22:43,000 Speaker 6: I'm actually cause playing as Strife right now. 400 00:22:43,920 --> 00:22:46,080 Speaker 5: So it's Strife and you go, oh, Stripe out there 401 00:22:46,080 --> 00:22:51,840 Speaker 5: by himself. No, he's with Ravance. So I so I 402 00:22:51,920 --> 00:22:55,400 Speaker 5: got a wonder our Strife. 403 00:22:54,920 --> 00:22:57,240 Speaker 2: And Ravancha the audience right now. 404 00:22:57,800 --> 00:22:59,840 Speaker 1: Okay, let's let's look out and see if we can 405 00:22:59,840 --> 00:23:01,240 Speaker 1: have strife and revenge. 406 00:23:01,760 --> 00:23:05,439 Speaker 3: You know, no one truly knows what motivated Strife's deadly 407 00:23:05,480 --> 00:23:09,080 Speaker 3: acts of terrorism. The real agenda of this mutant madman 408 00:23:09,200 --> 00:23:11,600 Speaker 3: from the future died with him, though not before he 409 00:23:11,680 --> 00:23:15,000 Speaker 3: unleashed the deadly Legacy virus on mutants everywhere. 410 00:23:15,400 --> 00:23:16,200 Speaker 2: His real name. 411 00:23:16,160 --> 00:23:19,280 Speaker 3: Unrevealed, and his group affiliation is none. So that opens 412 00:23:19,320 --> 00:23:23,920 Speaker 3: the door for us in a lot of fun ways. 413 00:23:24,119 --> 00:23:26,959 Speaker 1: Okay, so let's see, does anyone raise their hand and 414 00:23:27,040 --> 00:23:29,800 Speaker 1: want to be strive let's pose it. 415 00:23:31,560 --> 00:23:34,360 Speaker 3: We obviously it's a great idea to have this audience participate. 416 00:23:34,480 --> 00:23:38,240 Speaker 3: It's enthusiastic audience, we realize at this moment, because everyone's 417 00:23:38,280 --> 00:23:40,760 Speaker 3: hand shot up, there's gonna be a riot if we had. 418 00:23:40,640 --> 00:23:43,200 Speaker 2: To shut down the show for a little while after this. 419 00:23:44,080 --> 00:23:48,200 Speaker 3: Yeah, we took everyone out and we decided right there, 420 00:23:48,720 --> 00:23:51,160 Speaker 3: if any one person gets on stage, they're all gonna 421 00:23:51,160 --> 00:23:52,640 Speaker 3: get on stage and it's gonna collapse. 422 00:23:52,800 --> 00:23:53,680 Speaker 2: Yeah, there was. 423 00:23:53,840 --> 00:23:57,840 Speaker 1: There was a sort of a massive wurch towards the stage, 424 00:23:57,840 --> 00:23:59,600 Speaker 1: all one hundred and fifty people who were there. 425 00:24:00,520 --> 00:24:01,080 Speaker 2: There were a. 426 00:24:01,080 --> 00:24:04,520 Speaker 1: Couple of Fire up Department people in attendance anticipating that 427 00:24:04,560 --> 00:24:07,720 Speaker 1: something like this might happen, so they turned the lights on. 428 00:24:08,200 --> 00:24:11,040 Speaker 1: They gave a speech to everybody. It seemed like then 429 00:24:11,160 --> 00:24:12,600 Speaker 1: they wanted to volunteer. 430 00:24:12,800 --> 00:24:15,199 Speaker 3: Yeah, Unfortunately a big part of the speech from the 431 00:24:15,200 --> 00:24:17,840 Speaker 3: fire department was, you know, it's not safe for all 432 00:24:17,840 --> 00:24:19,520 Speaker 3: these audience members to be on stage. 433 00:24:19,600 --> 00:24:22,200 Speaker 2: I'm already on stage. Maybe I'm levant and I could 434 00:24:22,240 --> 00:24:24,159 Speaker 2: be really good at being revenge. 435 00:24:24,359 --> 00:24:27,679 Speaker 3: Yes, we didn't think that was fair either, So we 436 00:24:27,760 --> 00:24:32,080 Speaker 3: found a way to pivot everyone whoa come on, we 437 00:24:32,119 --> 00:24:33,840 Speaker 3: can't all be strike. 438 00:24:33,640 --> 00:24:37,800 Speaker 1: Not everyone could be strived. Do we force Adam Sachs, 439 00:24:37,840 --> 00:24:40,800 Speaker 1: the person who coordinated this show, to come on? 440 00:24:40,920 --> 00:24:42,800 Speaker 5: I don't know why he wouldn't be struck. 441 00:24:42,920 --> 00:24:44,760 Speaker 2: I think he kind of stop it. 442 00:24:45,760 --> 00:24:49,119 Speaker 1: So this obviously, what is the thing in this moment 443 00:24:49,280 --> 00:24:51,479 Speaker 1: that is really going to take the show to the 444 00:24:51,520 --> 00:24:52,080 Speaker 1: next level. 445 00:24:52,119 --> 00:24:54,240 Speaker 3: That's going to pop the roof off the place, because 446 00:24:54,240 --> 00:24:56,159 Speaker 3: we've got them at this, like we got them at 447 00:24:56,160 --> 00:24:59,639 Speaker 3: this sort of slow rolling boy, they need that w 448 00:25:00,160 --> 00:25:04,480 Speaker 3: to bust. And so is there anything that has a 449 00:25:04,480 --> 00:25:06,960 Speaker 3: bigger crossover than the fans of Hollywood Handbook and the 450 00:25:06,960 --> 00:25:10,280 Speaker 3: comic con audience. It is, of course wolf Den heads. 451 00:25:11,000 --> 00:25:11,440 Speaker 2: Uh. 452 00:25:11,600 --> 00:25:13,919 Speaker 3: There were so many people there who were head to 453 00:25:13,920 --> 00:25:18,960 Speaker 3: toe in wolf Den gear. Uh, you know, it would 454 00:25:19,000 --> 00:25:20,240 Speaker 3: say poor Man's. 455 00:25:20,000 --> 00:25:20,840 Speaker 2: All rich. 456 00:25:22,119 --> 00:25:25,480 Speaker 3: Or or I mean there were some South Golden startup 457 00:25:25,480 --> 00:25:28,400 Speaker 3: school guys too, but for the most part, Uh, they 458 00:25:28,520 --> 00:25:31,280 Speaker 3: liked the latter incarnation that was hosted by Adam Sachs. 459 00:25:31,880 --> 00:25:34,320 Speaker 3: And we know that he's there. He's kind of our 460 00:25:34,359 --> 00:25:37,159 Speaker 3: ace in the hole. Yeah, and it's it's time to 461 00:25:37,600 --> 00:25:38,119 Speaker 3: it's time to. 462 00:25:38,119 --> 00:25:40,280 Speaker 1: Bub We were thinking of saving him for the end 463 00:25:40,320 --> 00:25:42,800 Speaker 1: of the show, but I thought, like, let's just you know, 464 00:25:42,920 --> 00:25:45,679 Speaker 1: we've already hit such a high. Let's really. 465 00:25:46,119 --> 00:25:49,040 Speaker 4: Yeah, it was, and it was risky. 466 00:25:49,080 --> 00:25:51,639 Speaker 3: It was risky because it could have given us a 467 00:25:51,800 --> 00:25:53,840 Speaker 3: high that we couldn't top for the rest of the show, 468 00:25:53,840 --> 00:25:55,480 Speaker 3: and it might have just been a slow descending action. 469 00:25:55,600 --> 00:25:58,400 Speaker 3: But it is in fact, just the first of many peaks. 470 00:25:59,520 --> 00:26:02,680 Speaker 1: Look, I think when I think about him, I think 471 00:26:03,000 --> 00:26:05,720 Speaker 1: no one knows why he commits such deadly acts of terrorism. 472 00:26:05,880 --> 00:26:07,200 Speaker 2: No, the real. 473 00:26:07,040 --> 00:26:10,040 Speaker 3: Agenda is completely unknown. He's just a mutant man man 474 00:26:10,400 --> 00:26:11,440 Speaker 3: and from the future. 475 00:26:11,680 --> 00:26:13,399 Speaker 1: Yes, I've been wondering that for a long time. Is 476 00:26:13,440 --> 00:26:17,959 Speaker 1: Adam Sacks here, come up on stage? Adam Sacks, come on, 477 00:26:18,040 --> 00:26:27,159 Speaker 1: Adam So, Adam Sachs is the person to complain to 478 00:26:27,480 --> 00:26:30,720 Speaker 1: about this show when you leave, when you go. 479 00:26:30,840 --> 00:26:32,919 Speaker 3: Hey, there were a bunch of stand up comics, and 480 00:26:32,960 --> 00:26:35,080 Speaker 3: I understood what they were doing, But first I sat 481 00:26:35,160 --> 00:26:36,720 Speaker 3: through this show. 482 00:26:37,840 --> 00:26:39,400 Speaker 5: Where they open. 483 00:26:39,200 --> 00:26:42,520 Speaker 1: It was his idea. It was his idea, and he 484 00:26:42,560 --> 00:26:45,040 Speaker 1: gave us the script. Everything we're saying right now. 485 00:26:44,880 --> 00:26:47,880 Speaker 5: He wrote everything was he wanted us to do it. 486 00:26:48,440 --> 00:26:50,040 Speaker 3: Yeah, so we're gonna have to bring him back to 487 00:26:50,080 --> 00:26:52,520 Speaker 3: life so that he can hang out with Ravong. 488 00:26:53,000 --> 00:26:54,560 Speaker 2: Okay, And is that Chef Kevin? 489 00:26:55,320 --> 00:26:57,200 Speaker 5: Chef Kevin, would you like to be Ravonge? 490 00:26:57,359 --> 00:26:57,800 Speaker 2: Okay? 491 00:26:58,320 --> 00:27:02,240 Speaker 1: I was just feeling generous in this moment. Yeah, I thought, 492 00:27:03,280 --> 00:27:06,000 Speaker 1: Chef Kevin has been a big part of this show 493 00:27:06,400 --> 00:27:07,320 Speaker 1: for a long time. 494 00:27:07,840 --> 00:27:08,840 Speaker 2: I want some heat. 495 00:27:09,040 --> 00:27:14,480 Speaker 1: I want him to be able to share in what's happening. 496 00:27:14,600 --> 00:27:19,159 Speaker 1: It's not like his doing. He's not responsible for it. 497 00:27:19,280 --> 00:27:22,840 Speaker 2: But we can afford to have him involved in the show. 498 00:27:22,880 --> 00:27:24,159 Speaker 2: I can give a little bit in this. 499 00:27:24,320 --> 00:27:27,760 Speaker 3: Yeah, we've got a little bit of extra, you know, 500 00:27:28,000 --> 00:27:31,640 Speaker 3: money to burn, essentially, because the show has been going 501 00:27:31,680 --> 00:27:34,480 Speaker 3: so well. And if there's a tiny dip when he 502 00:27:34,520 --> 00:27:35,560 Speaker 3: comes out, who cares? 503 00:27:36,240 --> 00:27:37,800 Speaker 2: Kevin? What was that like for you? 504 00:27:38,320 --> 00:27:42,200 Speaker 7: Hey, guys, Chef Kevin here, Boy, it was awesome. I mean, 505 00:27:42,240 --> 00:27:45,760 Speaker 7: obviously the audience was going freaking nuts, and I've never 506 00:27:45,800 --> 00:27:49,760 Speaker 7: been in an environment like that before, So I'm still 507 00:27:50,160 --> 00:27:52,880 Speaker 7: writing high off of it. I'm trembling a little bit 508 00:27:53,080 --> 00:27:54,280 Speaker 7: just listening back. 509 00:27:54,040 --> 00:28:00,879 Speaker 2: With you, guys. How far into this are we? Fifteen minutes? God? Okay, Hi, 510 00:28:01,080 --> 00:28:01,640 Speaker 2: Chef Kevin. 511 00:28:01,680 --> 00:28:03,920 Speaker 8: Hey, guys, Chef Kevin here, sit down. 512 00:28:06,960 --> 00:28:13,560 Speaker 3: Okay, everyone relaxed. Chef Kevin. Here's a little bit about you. 513 00:28:14,960 --> 00:28:17,440 Speaker 3: So you've got mental powers. First of all, your name 514 00:28:17,480 --> 00:28:20,160 Speaker 3: is Revenge. That name is. 515 00:28:20,160 --> 00:28:21,639 Speaker 5: French for revenge. 516 00:28:23,119 --> 00:28:25,200 Speaker 3: What do you think would be your specialty dish at 517 00:28:25,200 --> 00:28:27,119 Speaker 3: Central Perk where you work as a chef? 518 00:28:28,359 --> 00:28:28,879 Speaker 2: Pisketti? 519 00:28:29,600 --> 00:28:31,080 Speaker 5: Okay, Pisketti. 520 00:28:32,880 --> 00:28:35,840 Speaker 7: Okay, I just I just want to pause it real quick. 521 00:28:37,640 --> 00:28:39,920 Speaker 7: I thought it was a really good choice to make 522 00:28:39,960 --> 00:28:43,000 Speaker 7: a reference to another episode, to a sold out show. 523 00:28:43,160 --> 00:28:45,120 Speaker 4: You know, you're dealing with megafans. 524 00:28:46,040 --> 00:28:48,920 Speaker 3: You know that coming up with a new dish on 525 00:28:48,960 --> 00:28:50,720 Speaker 3: the spot isn't the way to go when they want 526 00:28:50,760 --> 00:28:53,600 Speaker 3: to hear you say the thing you said two episodes ago, 527 00:28:54,040 --> 00:28:56,880 Speaker 3: and they listen to Yeah, go ahead. 528 00:29:00,600 --> 00:29:01,760 Speaker 2: So I guess what we have to do. 529 00:29:01,840 --> 00:29:05,960 Speaker 1: Streife is dead, we know, so the beginning of the 530 00:29:06,080 --> 00:29:09,560 Speaker 1: movie has to be I guess Revench digging up Strife 531 00:29:09,920 --> 00:29:12,960 Speaker 1: and screaming to the gods, I will have my revene 532 00:29:13,400 --> 00:29:17,280 Speaker 1: right for Yeah, for Streyfe's death. Strife, of course, was 533 00:29:17,360 --> 00:29:22,200 Speaker 1: killed by cannonball. Growing up in remote coal mine country, 534 00:29:22,240 --> 00:29:25,479 Speaker 1: Sam Guthrie never guessed he'd someday blasted to action as 535 00:29:25,520 --> 00:29:27,200 Speaker 1: a superhero camp voter. 536 00:29:28,800 --> 00:29:30,200 Speaker 2: What thing? 537 00:29:31,040 --> 00:29:33,280 Speaker 6: These are the voters that Hillary did not reach and 538 00:29:33,280 --> 00:29:35,720 Speaker 6: that's why Strife had to die. 539 00:29:36,400 --> 00:29:41,680 Speaker 3: Yes, crazy, how much our Avengers movie that only stars 540 00:29:41,800 --> 00:29:44,560 Speaker 3: X Men reflects the current political climbs. 541 00:29:44,640 --> 00:29:47,720 Speaker 2: It's an allegory for our current situation. 542 00:29:48,320 --> 00:29:51,760 Speaker 3: It's all you know, we say that we don't want 543 00:29:51,760 --> 00:29:53,760 Speaker 3: to get political, but it's all political. 544 00:29:53,840 --> 00:29:54,120 Speaker 2: Now. 545 00:29:54,560 --> 00:29:57,120 Speaker 3: You've got to take a side. You're either with Cannonball 546 00:29:57,280 --> 00:29:58,240 Speaker 3: or you're with Ravence. 547 00:29:58,680 --> 00:29:59,920 Speaker 2: Yeah. 548 00:30:00,160 --> 00:30:03,080 Speaker 6: Things are political and progressiveness is important, which is why 549 00:30:03,160 --> 00:30:06,680 Speaker 6: we've cast exclusively handsome white men in every role. 550 00:30:06,960 --> 00:30:09,240 Speaker 2: It's coming back, We're cycling back to that. 551 00:30:09,360 --> 00:30:11,520 Speaker 6: But let's move away from handsome white man because our 552 00:30:11,560 --> 00:30:14,800 Speaker 6: next character that comes in is the character from the 553 00:30:14,960 --> 00:30:16,600 Speaker 6: Marvel universe, Tyler. 554 00:30:17,520 --> 00:30:21,120 Speaker 3: Okay, Tyler, I'm getting excited. It's time for me to 555 00:30:21,200 --> 00:30:23,960 Speaker 3: burn out and fan out a little bit. I heard 556 00:30:24,880 --> 00:30:26,840 Speaker 3: I heard a no from the audience. 557 00:30:28,040 --> 00:30:34,280 Speaker 1: Okay, no, like no way Tyler, Tyler, Yeah, Tyler is back. 558 00:30:34,400 --> 00:30:34,680 Speaker 2: People. 559 00:30:34,760 --> 00:30:34,960 Speaker 1: Yeah. 560 00:30:35,680 --> 00:30:37,400 Speaker 2: I just want to say there were there were. 561 00:30:37,960 --> 00:30:41,400 Speaker 1: Multiple members of the audience during the show who keepts 562 00:30:41,440 --> 00:30:43,560 Speaker 1: saying some variation on. 563 00:30:44,400 --> 00:30:50,520 Speaker 3: No, yes, yes, just like I guess they needed a 564 00:30:50,600 --> 00:30:53,240 Speaker 3: chance to catch their breath. They couldn't take it anymore 565 00:30:53,240 --> 00:30:58,640 Speaker 3: going like no like uh because they could feel that 566 00:30:58,680 --> 00:31:00,760 Speaker 3: we weren't gonna let up for a second with the 567 00:31:00,840 --> 00:31:01,600 Speaker 3: good comedy. 568 00:31:02,080 --> 00:31:04,480 Speaker 1: Okay, So we have a lot of characters, and maybe 569 00:31:04,480 --> 00:31:06,920 Speaker 1: we'll bring people on as we go through this movie, 570 00:31:07,320 --> 00:31:11,520 Speaker 1: but it has to begin with Ravanch obviously needs a 571 00:31:11,560 --> 00:31:15,800 Speaker 1: shift picked up at Central Perk has to dig up 572 00:31:15,920 --> 00:31:19,280 Speaker 1: her friends strife who is dead to cover for her. 573 00:31:20,520 --> 00:31:26,440 Speaker 2: So you're at the grave, Chef Kevin, Hey, guys here good. 574 00:31:27,400 --> 00:31:29,400 Speaker 1: So this is how our movies are a little different. 575 00:31:31,120 --> 00:31:33,640 Speaker 1: A lot of these other Marvel movies are very rude, 576 00:31:34,000 --> 00:31:37,000 Speaker 1: where you never they never introduce themselves at the beginning 577 00:31:37,040 --> 00:31:40,560 Speaker 1: of the movie, and our movies they introduce themselves at 578 00:31:40,560 --> 00:31:41,760 Speaker 1: the beginning of each scene. 579 00:31:42,160 --> 00:31:46,040 Speaker 3: Yes, everyone says who they are, what you're doing, and why. 580 00:31:46,200 --> 00:31:48,000 Speaker 1: And I'm sitting in the audience and some of these 581 00:31:48,040 --> 00:31:50,600 Speaker 1: movies and I'm like, I'm right here. Are you just 582 00:31:50,640 --> 00:31:54,080 Speaker 1: gonna have a whole conversation as if I'm not there? 583 00:31:55,040 --> 00:31:58,720 Speaker 1: So you can hear our decision in this moment. Time 584 00:31:58,760 --> 00:31:59,640 Speaker 1: to play the hits. 585 00:32:00,240 --> 00:32:05,560 Speaker 3: Yep, we're going back to an idea first introduced during 586 00:32:05,640 --> 00:32:11,080 Speaker 3: the teaser freezer for Jersey Boys, where we said that 587 00:32:11,160 --> 00:32:14,080 Speaker 3: it was the only polite movie because they talked directly 588 00:32:14,160 --> 00:32:19,240 Speaker 3: to us through the screen. And we thought, well, this 589 00:32:19,400 --> 00:32:23,560 Speaker 3: audience is now ready, We've done so much original material 590 00:32:23,640 --> 00:32:27,680 Speaker 3: that they love. Maybe let's a Chef Kevin style with 591 00:32:27,720 --> 00:32:31,880 Speaker 3: his pisquetti move. Maybe let's wind it back and give 592 00:32:31,920 --> 00:32:34,640 Speaker 3: him some of the fucking crowd please and favorite and. 593 00:32:34,600 --> 00:32:38,040 Speaker 1: You can hear in my voice specifically, and I'm sort 594 00:32:38,080 --> 00:32:40,320 Speaker 1: of creating the illusion that I'm thinking of this for 595 00:32:40,360 --> 00:32:43,960 Speaker 1: the first time, even though it's something that we said. 596 00:32:44,240 --> 00:32:46,880 Speaker 2: Four years ago maybe maybe. 597 00:32:46,800 --> 00:32:50,560 Speaker 1: And that that might seem like a fraudulent, cowardly decision, 598 00:32:51,480 --> 00:32:54,280 Speaker 1: but in fact, I was, again being very generous. I 599 00:32:54,320 --> 00:32:57,360 Speaker 1: wanted the audience to feel like they were there for 600 00:32:57,440 --> 00:33:00,720 Speaker 1: the conception of one of their favorite bits, to create 601 00:33:00,760 --> 00:33:05,520 Speaker 1: the illusion that it was that that was being discovered 602 00:33:05,560 --> 00:33:07,640 Speaker 1: for the first time in front of them, because I 603 00:33:07,720 --> 00:33:09,800 Speaker 1: knew what such a thrill that would be for them. 604 00:33:09,880 --> 00:33:13,040 Speaker 3: Well, what you're what you're feeling is these people have 605 00:33:13,080 --> 00:33:18,400 Speaker 3: come to see the Rolling Stones. Oh, and they're thinking 606 00:33:19,160 --> 00:33:20,840 Speaker 3: these guys are gonna play gimme shelter. 607 00:33:20,680 --> 00:33:21,360 Speaker 2: Or what right? 608 00:33:21,440 --> 00:33:23,880 Speaker 1: And so then But like imagine if on stage they 609 00:33:23,880 --> 00:33:25,880 Speaker 1: were like, hey, I have an idea for a song. 610 00:33:27,200 --> 00:33:28,760 Speaker 2: Yeah, and they start going. 611 00:33:28,600 --> 00:33:30,480 Speaker 4: Yeah, here's something new I've been toying with. 612 00:33:33,920 --> 00:33:35,760 Speaker 2: Hey, is this rift? Do anything for you? And I 613 00:33:35,800 --> 00:33:38,360 Speaker 2: go play that again. Let me pick that up. Read 614 00:33:46,880 --> 00:33:47,360 Speaker 2: keep good. 615 00:33:49,080 --> 00:33:52,719 Speaker 8: Gosh, I gotta dig strife out of the ground. But 616 00:33:52,880 --> 00:33:58,240 Speaker 8: there's no shovels. Okay, I'll use my psychic sword and 617 00:33:58,320 --> 00:33:59,440 Speaker 8: turn it into a shovel. 618 00:34:00,080 --> 00:34:02,760 Speaker 2: Uh huh. It's psychic power is that it can go 619 00:34:02,840 --> 00:34:03,920 Speaker 2: from sword to shovel. 620 00:34:04,520 --> 00:34:09,719 Speaker 1: That's this main thing that it can do. It has 621 00:34:09,760 --> 00:34:12,799 Speaker 1: a little attachment at the end. 622 00:34:14,040 --> 00:34:18,840 Speaker 5: Yeah, you can go straight from battle to digging. 623 00:34:21,200 --> 00:34:22,799 Speaker 6: You slay your enemy and then you dig them a 624 00:34:22,800 --> 00:34:24,840 Speaker 6: grad You dig them a very the most polite of 625 00:34:24,880 --> 00:34:25,480 Speaker 6: all weapons. 626 00:34:25,600 --> 00:34:29,319 Speaker 2: Yes, yeah, okay, so you dig up strive. Can you 627 00:34:29,360 --> 00:34:29,839 Speaker 2: pause it? 628 00:34:31,400 --> 00:34:34,120 Speaker 3: So? I guess this is the beginning of a series 629 00:34:34,160 --> 00:34:35,280 Speaker 3: of spots. 630 00:34:36,360 --> 00:34:39,880 Speaker 2: Where we. 631 00:34:41,360 --> 00:34:44,960 Speaker 3: Can feel that the crowd noise is so loud we 632 00:34:45,160 --> 00:34:50,520 Speaker 3: possibly are going to need to reaffirm, rephrase everything we say. 633 00:34:50,719 --> 00:34:53,120 Speaker 3: Let's do it four times and it's and we've lowered 634 00:34:53,160 --> 00:34:55,440 Speaker 3: the crowd noise a little bit in the mix. So, uh, 635 00:34:56,680 --> 00:34:59,640 Speaker 3: what it might sound like. What it might sound like 636 00:34:59,719 --> 00:35:03,400 Speaker 3: is that we all feel so unsafe saying anything on stage. 637 00:35:04,400 --> 00:35:07,480 Speaker 3: Is that we have to just say something that's already 638 00:35:07,800 --> 00:35:12,920 Speaker 3: been said without consequence. So if it's a sort of 639 00:35:12,920 --> 00:35:15,520 Speaker 3: a shovel, then I go like, you fight with a 640 00:35:15,560 --> 00:35:16,640 Speaker 3: sword and you dig with a shovel. 641 00:35:16,680 --> 00:35:18,400 Speaker 4: I'll say you go from fighting to digging. 642 00:35:19,520 --> 00:35:22,120 Speaker 3: As if it's a new idea or as if it's 643 00:35:22,160 --> 00:35:23,239 Speaker 3: anything at all, And. 644 00:35:23,200 --> 00:35:26,160 Speaker 1: At least no one was punished for that the first 645 00:35:26,200 --> 00:35:26,799 Speaker 1: time it was. 646 00:35:27,360 --> 00:35:32,960 Speaker 3: That's right, and in fact it filled time, So you're 647 00:35:33,000 --> 00:35:36,560 Speaker 3: gonna just catch that as a pattern that the kind 648 00:35:36,640 --> 00:35:41,399 Speaker 3: of deafening laughter, applause and cheers forced us to get 649 00:35:41,440 --> 00:35:44,319 Speaker 3: in there and say stuff over and over again and 650 00:35:44,400 --> 00:35:47,480 Speaker 3: reread the back of the cards, sort of look at 651 00:35:47,520 --> 00:35:48,759 Speaker 3: the cards for a long time. 652 00:35:48,800 --> 00:35:49,480 Speaker 2: Stuff like that. 653 00:35:49,680 --> 00:35:54,880 Speaker 3: Okay, smash cut too Central Perk Cafe where when to 654 00:35:54,960 --> 00:35:58,239 Speaker 3: Go has been forced to cover the register, which he's 655 00:35:58,320 --> 00:36:01,959 Speaker 3: never even used before because Riggan Ravach is off digging 656 00:36:02,040 --> 00:36:02,520 Speaker 3: up strive. 657 00:36:03,360 --> 00:36:06,800 Speaker 5: So basically, this rigging mystical beast. 658 00:36:07,320 --> 00:36:10,160 Speaker 3: Is how to take orders for these uh mocha frapple 659 00:36:10,239 --> 00:36:12,240 Speaker 3: latte chinos. 660 00:36:11,880 --> 00:36:14,879 Speaker 2: Yeah whatever they call them. Yeah, can I just get 661 00:36:14,880 --> 00:36:15,840 Speaker 2: a cup of coffee? 662 00:36:17,040 --> 00:36:20,080 Speaker 3: And uh, I think it's not going well and Hayes, 663 00:36:20,120 --> 00:36:22,719 Speaker 3: I think you were cast as sort of a difficult customer. 664 00:36:23,640 --> 00:36:29,400 Speaker 1: Yeah, Hi, can I get a freaking uh grande uh 665 00:36:29,960 --> 00:36:34,440 Speaker 1: freaking soy almond frappa mocha lataccino? 666 00:36:34,600 --> 00:36:38,880 Speaker 2: Please? Oh what that's when to go? 667 00:36:41,400 --> 00:36:46,879 Speaker 3: And uh and then uh and then as a side note, uh, 668 00:36:47,000 --> 00:36:51,719 Speaker 3: and what lengeets exactly is a grande translate to medium 669 00:36:52,680 --> 00:36:53,040 Speaker 3: thank you? 670 00:36:53,160 --> 00:36:57,600 Speaker 1: So he has a whole routine on this it's too 671 00:36:57,680 --> 00:36:59,480 Speaker 1: long for the rest of this show. 672 00:37:00,040 --> 00:37:01,520 Speaker 2: Wait is it you? Or when to Go has a 673 00:37:01,600 --> 00:37:04,200 Speaker 2: routine on the Grande? When to Go has a routine? 674 00:37:04,360 --> 00:37:06,480 Speaker 2: When Go does it in everything? When to Go turns 675 00:37:06,520 --> 00:37:08,520 Speaker 2: to camera in the film. 676 00:37:08,719 --> 00:37:11,279 Speaker 1: This is another break. This is another thing we're trying 677 00:37:11,320 --> 00:37:13,239 Speaker 1: to change about these movies. There's gonna be a lot 678 00:37:13,280 --> 00:37:19,120 Speaker 1: more stand up uh in the past in these movies. 679 00:37:19,239 --> 00:37:22,920 Speaker 1: Jeremy Renner specifically goes on these very long runs that 680 00:37:22,920 --> 00:37:26,320 Speaker 1: they just cut out, so we will be leaving those 681 00:37:26,400 --> 00:37:28,480 Speaker 1: in to this movie. 682 00:37:29,239 --> 00:37:31,040 Speaker 2: Side note When to Go here. 683 00:37:33,880 --> 00:37:37,360 Speaker 3: He knows Jeremy Renner actually has more superpowers in the 684 00:37:37,360 --> 00:37:39,880 Speaker 3: movie Tag than he does in these Marvel movies. 685 00:37:41,440 --> 00:37:44,800 Speaker 2: So we break the flea stuff. 686 00:37:47,960 --> 00:37:51,279 Speaker 3: Should we play that moment again? If you didn't, if 687 00:37:51,320 --> 00:37:53,880 Speaker 3: you didn't hear the woman say oh no in a 688 00:37:53,960 --> 00:37:57,480 Speaker 3: truly distressed way, doesn't. 689 00:37:57,120 --> 00:37:58,200 Speaker 2: These Marvel movies. 690 00:37:59,719 --> 00:38:03,160 Speaker 6: So we break if we say out loud that we're 691 00:38:03,200 --> 00:38:05,880 Speaker 6: in the Marvel universe, and in the Marvel universe, we 692 00:38:05,960 --> 00:38:08,400 Speaker 6: know about the movie Tag. We're huge fans of the 693 00:38:08,440 --> 00:38:11,480 Speaker 6: actor Jeremy Renner. Yeah, in this world, he's not playing 694 00:38:12,480 --> 00:38:16,719 Speaker 6: hawk Hawk hawk Guy. Yeah, he's not. It's it's the 695 00:38:16,800 --> 00:38:20,160 Speaker 6: Hawkey man hawk Guy, hoty hawk Guy. 696 00:38:20,200 --> 00:38:23,399 Speaker 2: He's not, He's he's the actor Jeremy Renner. Still hawk Guy. 697 00:38:23,480 --> 00:38:25,759 Speaker 1: Can I say again, this is my kinship with this 698 00:38:25,880 --> 00:38:27,400 Speaker 1: audience so giving. 699 00:38:28,320 --> 00:38:31,880 Speaker 2: Oh yeah, they can feel some issue with getting the 700 00:38:32,280 --> 00:38:32,839 Speaker 2: name of this. 701 00:38:32,920 --> 00:38:35,400 Speaker 4: Character as well, because we're so keyed up. 702 00:38:35,480 --> 00:38:37,600 Speaker 2: We're so jacked up that uh. 703 00:38:38,719 --> 00:38:41,440 Speaker 3: I mean, just in read listening, I'm hearing myself mispronounced 704 00:38:41,440 --> 00:38:42,520 Speaker 3: words left and right. 705 00:38:43,360 --> 00:38:43,960 Speaker 2: Uh. 706 00:38:44,320 --> 00:38:48,240 Speaker 3: And it's because I'm on such a high. The fact 707 00:38:48,280 --> 00:38:51,279 Speaker 3: that we're having this miscommunication where it's noisy and we 708 00:38:51,320 --> 00:38:55,560 Speaker 3: can't necessarily distinguish, you know, is it Hawkeye or hawk Guy. 709 00:38:56,440 --> 00:38:59,840 Speaker 3: The audience who's so loosey goosey goat the float, they 710 00:38:59,840 --> 00:39:01,920 Speaker 3: don't care what we call him. I mean, they just 711 00:39:01,960 --> 00:39:04,760 Speaker 3: want more show, but they do want to help us. 712 00:39:06,719 --> 00:39:08,960 Speaker 1: And so they all had unison and say Hawkey. I 713 00:39:08,960 --> 00:39:12,040 Speaker 1: will say, listening to this again is so invigorating. 714 00:39:12,280 --> 00:39:16,600 Speaker 2: It makes me want to keep doing this show. Oh yeah, forever. 715 00:39:17,000 --> 00:39:20,160 Speaker 6: And actually I'm not Mosha the door. There's a ring 716 00:39:20,160 --> 00:39:21,560 Speaker 6: at the doorbelt to Central Park. 717 00:39:21,760 --> 00:39:25,439 Speaker 5: Oh the dog, it sounds like Tyler's ring. 718 00:39:27,880 --> 00:39:34,400 Speaker 6: Door flies open. Hey guys, Tyler here, Wow, are you ever. 719 00:39:34,239 --> 00:39:36,640 Speaker 3: Mad at your dad Cable for giving you such a 720 00:39:36,680 --> 00:39:37,439 Speaker 3: weird name? 721 00:39:37,960 --> 00:39:41,080 Speaker 6: No, I'm mostly mad at my dad Cable because of 722 00:39:42,000 --> 00:39:44,880 Speaker 6: when he turned against the villainous strife. He killed me. 723 00:39:45,000 --> 00:39:48,640 Speaker 6: He literally murdered me to save the child chosen. Wow, 724 00:39:48,680 --> 00:39:49,840 Speaker 6: that makes me really angry. 725 00:39:50,000 --> 00:39:52,440 Speaker 2: Okay, because Cablesough. 726 00:39:53,080 --> 00:39:55,480 Speaker 3: Cable's from far enough in the future that Cable is 727 00:39:55,480 --> 00:39:57,839 Speaker 3: a normal name to give a person. But then by 728 00:39:57,880 --> 00:40:00,760 Speaker 3: the time his son is born, Tyler has come back around. 729 00:40:01,360 --> 00:40:06,320 Speaker 3: So of course, initially you heard me say, Tyler, you 730 00:40:06,400 --> 00:40:09,000 Speaker 3: ever met at your dad Cable for giving you such 731 00:40:09,040 --> 00:40:09,799 Speaker 3: a weird name? 732 00:40:11,520 --> 00:40:14,000 Speaker 2: It hits, it crushes. 733 00:40:14,680 --> 00:40:16,640 Speaker 3: But we find ourselves in a position that I was 734 00:40:16,800 --> 00:40:19,400 Speaker 3: referencing Hayes being in earlier, where I go. 735 00:40:19,920 --> 00:40:21,920 Speaker 2: I think there's more juice in this baby. 736 00:40:23,040 --> 00:40:29,239 Speaker 3: Let me more thoroughly explain the joke I tried to 737 00:40:29,320 --> 00:40:33,680 Speaker 3: make and scored on and see if I could just 738 00:40:33,880 --> 00:40:40,000 Speaker 3: rack up some extra points, and wow, did it pay off. 739 00:40:41,239 --> 00:40:44,040 Speaker 5: Hey, guys, richer I was underground, might help you get 740 00:40:44,040 --> 00:40:44,160 Speaker 5: in this. 741 00:40:44,200 --> 00:40:44,480 Speaker 2: Okay. 742 00:40:44,480 --> 00:40:46,960 Speaker 6: At this point in the film, every character introduces themselves 743 00:40:47,040 --> 00:40:50,520 Speaker 6: every line, sometimes within lines. 744 00:40:50,920 --> 00:40:53,040 Speaker 5: For me as a writer, I just see it's easier 745 00:40:53,040 --> 00:40:53,920 Speaker 5: for me to keep trying. 746 00:40:54,280 --> 00:40:58,640 Speaker 6: Now, Well, what's even your group affiliation? Man, it's at 747 00:40:58,680 --> 00:41:04,360 Speaker 6: the bottom of the card. It says, Hey, that's my group. 748 00:41:04,400 --> 00:41:05,240 Speaker 6: It's me Mimic. 749 00:41:05,280 --> 00:41:05,440 Speaker 2: Here. 750 00:41:06,480 --> 00:41:08,920 Speaker 3: My name's mimic, and I also have a group affiliation 751 00:41:09,080 --> 00:41:14,280 Speaker 3: with none. My name is mimic and my superpower is mimic. 752 00:41:14,320 --> 00:41:20,400 Speaker 3: Read So what a great name for me. So I 753 00:41:20,440 --> 00:41:23,319 Speaker 3: can duplicate the abilities of any living superpower being that 754 00:41:23,400 --> 00:41:24,840 Speaker 3: comes within a one mile. 755 00:41:24,719 --> 00:41:27,480 Speaker 2: Radius of me. So you would have been great to 756 00:41:27,560 --> 00:41:28,440 Speaker 2: cover the shift. 757 00:41:29,080 --> 00:41:33,160 Speaker 1: Oh yeah, you could have like assumed the cash registered powers. 758 00:41:33,880 --> 00:41:34,399 Speaker 5: That's right. 759 00:41:34,480 --> 00:41:37,640 Speaker 3: I could have become the frouther Yeah uh. 760 00:41:38,000 --> 00:41:39,359 Speaker 2: But instead I wasn't. 761 00:41:39,920 --> 00:41:43,759 Speaker 3: I just showed up now, and I just really hope 762 00:41:43,760 --> 00:41:47,080 Speaker 3: no superpower stand one mile and one foot away. 763 00:41:46,800 --> 00:41:47,200 Speaker 2: From me. 764 00:41:49,040 --> 00:41:51,719 Speaker 3: Because of the very specific radius at which I am 765 00:41:51,760 --> 00:41:54,680 Speaker 3: able to mimic their powers from, because. 766 00:41:54,360 --> 00:41:54,640 Speaker 2: Of my. 767 00:41:57,560 --> 00:42:06,319 Speaker 9: Second We pause it. So I'm not crying as I 768 00:42:06,480 --> 00:42:08,120 Speaker 9: listen to. 769 00:42:08,120 --> 00:42:12,480 Speaker 3: This particular moment from the show from secondhand embarrassment. 770 00:42:14,920 --> 00:42:21,560 Speaker 1: For me, you definitely weren't crying that either, I want 771 00:42:21,600 --> 00:42:23,359 Speaker 1: to say, not even close. 772 00:42:28,800 --> 00:42:31,720 Speaker 3: The the show. 773 00:42:32,880 --> 00:42:34,880 Speaker 2: It's good. I'm remember. 774 00:42:36,120 --> 00:42:40,400 Speaker 3: I'm remembering a point backstage where we pointed out that. 775 00:42:40,600 --> 00:42:42,480 Speaker 2: We didn't think anyone in the audience was going to. 776 00:42:42,560 --> 00:42:45,960 Speaker 3: Know the show, and Mosha said, well, I guess you'll 777 00:42:45,960 --> 00:42:47,600 Speaker 3: find out if your podcast is funny. 778 00:42:47,640 --> 00:42:51,240 Speaker 4: And we really did, and we really did. 779 00:42:52,480 --> 00:42:55,759 Speaker 3: We are hearing how most people would react to a 780 00:42:55,800 --> 00:42:59,440 Speaker 3: given episode where things are being pretty clearly laid out. Oh, 781 00:43:01,680 --> 00:43:07,719 Speaker 3: I do want to keep doing the show. 782 00:43:14,400 --> 00:43:17,319 Speaker 2: With strife. But we missed you at the last group meeting. 783 00:43:17,360 --> 00:43:20,240 Speaker 2: What happened? You were buried underground? Yeah? I was buried underground. 784 00:43:20,280 --> 00:43:24,359 Speaker 2: Oh I think it turns out my power is telekinesis. Yeah, 785 00:43:24,400 --> 00:43:26,040 Speaker 2: I could have use that to move the dirt that 786 00:43:26,080 --> 00:43:26,680 Speaker 2: was on top of me. 787 00:43:28,400 --> 00:43:28,640 Speaker 5: Yeah. 788 00:43:28,680 --> 00:43:30,799 Speaker 2: Well, it's one of its main things that it does. 789 00:43:32,440 --> 00:43:35,120 Speaker 2: Can we pause it again? What's going on for Adam? 790 00:43:36,080 --> 00:43:39,160 Speaker 1: Adam communicated after the show that he was having a 791 00:43:39,320 --> 00:43:43,239 Speaker 1: very bad time, but he said it was he didn't 792 00:43:43,280 --> 00:43:45,319 Speaker 1: want to be on stage. He wanted just to be 793 00:43:45,560 --> 00:43:47,800 Speaker 1: watching this playoff. 794 00:43:47,880 --> 00:43:51,000 Speaker 3: But he was watching the show for the first like 795 00:43:51,360 --> 00:43:54,120 Speaker 3: fifteen minutes where all of the information that he appears 796 00:43:54,160 --> 00:43:59,000 Speaker 3: to not have was expressed, and he's holding the card 797 00:43:59,040 --> 00:44:00,240 Speaker 3: in his hand. 798 00:44:00,760 --> 00:44:01,080 Speaker 2: Yeah. 799 00:44:01,200 --> 00:44:04,960 Speaker 1: I think putting him on stage was the result of 800 00:44:05,040 --> 00:44:10,160 Speaker 1: some uh pretty in my head explicit desire to punish, to. 801 00:44:10,080 --> 00:44:12,560 Speaker 2: Punish him, and I guess it worked. And I guess 802 00:44:12,719 --> 00:44:13,399 Speaker 2: he is. 803 00:44:15,239 --> 00:44:20,120 Speaker 3: Lacking out harder than we are, which is pretty hard. 804 00:44:20,840 --> 00:44:23,680 Speaker 4: So that's something to listen for, I guess. 805 00:44:24,320 --> 00:44:25,120 Speaker 2: And so we were. 806 00:44:25,040 --> 00:44:27,800 Speaker 5: Also thinking about some of these Avengers movies. 807 00:44:27,960 --> 00:44:30,400 Speaker 3: Obviously we feel they don't have enough X men usually 808 00:44:31,280 --> 00:44:34,680 Speaker 3: we I also had a brainstorm, why aren't they working 809 00:44:34,680 --> 00:44:35,360 Speaker 3: with Batman? 810 00:44:36,040 --> 00:44:40,319 Speaker 1: Yeah, or like like a Superman, some of these guys 811 00:44:40,320 --> 00:44:41,960 Speaker 1: that are much more famous. 812 00:44:42,320 --> 00:44:46,680 Speaker 2: First of all, should people like that be in this movie? 813 00:44:47,040 --> 00:44:50,040 Speaker 2: And what? They're bad guys this time? That's right? And 814 00:44:50,080 --> 00:44:52,759 Speaker 2: they're all Trump supporters, Yes, that's right. 815 00:44:53,960 --> 00:44:58,000 Speaker 5: Well, so Chef Kevin, do you want to play Trump Batman? 816 00:45:00,560 --> 00:45:03,520 Speaker 2: Hey, hey guys Trump Batman here? 817 00:45:04,200 --> 00:45:07,680 Speaker 6: Okay, perfect spot on impression. Hold on a second, are 818 00:45:07,719 --> 00:45:12,680 Speaker 6: you mimic as well? That was crazy? 819 00:45:12,719 --> 00:45:16,680 Speaker 1: I just givin feel to be dragged back into this 820 00:45:17,080 --> 00:45:17,440 Speaker 1: mm hmm. 821 00:45:17,680 --> 00:45:17,919 Speaker 2: Yeah. 822 00:45:18,040 --> 00:45:22,040 Speaker 3: Did you think for a minute that you were only 823 00:45:22,080 --> 00:45:24,600 Speaker 3: going to get that one shot, that maybe, like. 824 00:45:24,760 --> 00:45:27,239 Speaker 1: Sean and I were going to be able to do 825 00:45:27,440 --> 00:45:29,280 Speaker 1: the carry the show ourselves. 826 00:45:29,320 --> 00:45:32,279 Speaker 7: Sure, I was afraid of that. That Uh that was 827 00:45:32,320 --> 00:45:35,360 Speaker 7: my one moment, and I was glad to be brought 828 00:45:35,440 --> 00:45:39,319 Speaker 7: back in with a very different voice that I'm executing 829 00:45:39,360 --> 00:45:41,320 Speaker 7: here and I'm trying to It's. 830 00:45:41,160 --> 00:45:43,200 Speaker 3: Sort of like the guy in the band who maybe 831 00:45:43,200 --> 00:45:45,880 Speaker 3: plays like the symbols, so he's like waiting the whole 832 00:45:45,960 --> 00:45:48,680 Speaker 3: song for his one spot to hit yeah, and then 833 00:45:48,840 --> 00:45:51,160 Speaker 3: unexpectedly towards the end of the song, people point at 834 00:45:51,239 --> 00:45:52,600 Speaker 3: him and go symbol solo. 835 00:45:57,680 --> 00:46:03,680 Speaker 1: I like central, Okay, that's that's nice, thank you. 836 00:46:05,000 --> 00:46:10,480 Speaker 3: I want to own its crossing the aisle a little bit. Uh, 837 00:46:10,520 --> 00:46:14,839 Speaker 3: that's really nice. Trump Batman, but uh, you know you're 838 00:46:14,840 --> 00:46:16,280 Speaker 3: not allowed here in here anymore. 839 00:46:17,640 --> 00:46:21,680 Speaker 2: Why no fair? Hey guys, Trump Batman here, no fair. 840 00:46:23,000 --> 00:46:27,239 Speaker 2: I'll runna pause it real quick. Uh feel free. This 841 00:46:27,320 --> 00:46:28,160 Speaker 2: is uh. 842 00:46:28,440 --> 00:46:32,239 Speaker 7: When I executed the kind of palette cleanser that we 843 00:46:32,280 --> 00:46:36,719 Speaker 7: were talking about where it was getting too crazy and 844 00:46:36,840 --> 00:46:39,879 Speaker 7: it was suggested, I, you know, cool cool it down 845 00:46:39,920 --> 00:46:40,399 Speaker 7: a little bit. 846 00:46:40,680 --> 00:46:42,840 Speaker 1: Yes, we need it was important that we have a 847 00:46:42,920 --> 00:46:46,440 Speaker 1: cooler on hand for this show. 848 00:46:46,719 --> 00:46:48,760 Speaker 4: Casinos will have a cooler on staff. 849 00:46:48,800 --> 00:46:51,919 Speaker 3: If a craps table gets too hot and people are 850 00:46:52,239 --> 00:46:55,640 Speaker 3: you know, winning thousands of pound thousands of dollars, which 851 00:46:55,640 --> 00:46:58,240 Speaker 3: we're doing the equivalent on stage, just with laughs instead 852 00:46:58,239 --> 00:47:02,920 Speaker 3: of money. And you kind of need the cooler to 853 00:47:02,920 --> 00:47:04,920 Speaker 3: come in just to sort of make sure it's safe 854 00:47:04,960 --> 00:47:09,960 Speaker 3: for everyone. So I did set Kevin up and he 855 00:47:10,000 --> 00:47:11,200 Speaker 3: went ahead and knocked it down. 856 00:47:12,320 --> 00:47:14,160 Speaker 2: But we do have to eventually get to we have 857 00:47:14,200 --> 00:47:15,360 Speaker 2: an event. We all have to get to. 858 00:47:15,640 --> 00:47:17,359 Speaker 6: The reason I'm trying to get all these shifts covered, yeah, 859 00:47:17,360 --> 00:47:19,480 Speaker 6: because everybody's trying to get to the big event. 860 00:47:19,640 --> 00:47:19,879 Speaker 2: Yeah. 861 00:47:20,080 --> 00:47:26,120 Speaker 6: Of course the wedding of Cyclops and Jean Gray. That's 862 00:47:26,200 --> 00:47:30,120 Speaker 6: kind of the major card. Yeah, that's a big card 863 00:47:30,160 --> 00:47:30,520 Speaker 6: to get. 864 00:47:30,680 --> 00:47:31,960 Speaker 2: Yeah, a huge car. 865 00:47:32,120 --> 00:47:36,960 Speaker 6: This is plus four mana and uh so it's boy 866 00:47:37,000 --> 00:47:39,480 Speaker 6: meets girl with a mutant twist. 867 00:47:40,000 --> 00:47:41,160 Speaker 2: And uh, just. 868 00:47:41,080 --> 00:47:42,880 Speaker 3: In case you thought we only had one wedding of 869 00:47:42,920 --> 00:47:46,520 Speaker 3: Cyclops and gen Greg Car, I can kind of back 870 00:47:46,560 --> 00:47:48,560 Speaker 3: you up a little bit too. For a while, it 871 00:47:48,640 --> 00:47:51,120 Speaker 3: seemed like the millionaire playboy Angel was gonna win the 872 00:47:51,200 --> 00:47:53,760 Speaker 3: ladies heart, but Jean fell in love with the moody, 873 00:47:53,800 --> 00:47:55,120 Speaker 3: repressed Cyclops. 874 00:47:56,640 --> 00:47:58,240 Speaker 2: There's hope for me after all. 875 00:48:00,280 --> 00:48:03,040 Speaker 5: Secretly fell for her, secretly fell for her. 876 00:48:03,280 --> 00:48:06,040 Speaker 6: Yeah, well it wasn't until months later that Scott confessed 877 00:48:06,040 --> 00:48:09,279 Speaker 6: his true feelings and the two became a couple. So 878 00:48:09,880 --> 00:48:11,440 Speaker 6: that's sort of what we're dealing with here. 879 00:48:11,600 --> 00:48:14,520 Speaker 3: So everybody's got to get to the wedding, and I 880 00:48:14,640 --> 00:48:16,880 Speaker 3: just hope that there's not a big fight on the way, 881 00:48:17,480 --> 00:48:20,320 Speaker 3: something like Wolverine versus Hulk. 882 00:48:21,000 --> 00:48:25,359 Speaker 1: Wow, that would be scary at a wedding, especially very scary. 883 00:48:26,200 --> 00:48:27,319 Speaker 2: Yeah, so. 884 00:48:29,160 --> 00:48:33,800 Speaker 5: It looks like they fought. 885 00:48:35,920 --> 00:48:40,319 Speaker 2: Can we pause it. I'm actually happy with that. I'm 886 00:48:40,360 --> 00:48:41,640 Speaker 2: happy with that moment. 887 00:48:44,440 --> 00:48:47,480 Speaker 3: I'm not ashamed of that moment. I'm happy with it 888 00:48:48,760 --> 00:48:58,239 Speaker 3: at that point. I think the audience deserves that. So basically, 889 00:48:58,480 --> 00:49:01,000 Speaker 3: I guess what we're gonna want to do is just 890 00:49:01,120 --> 00:49:02,640 Speaker 3: close up Central early. 891 00:49:03,239 --> 00:49:07,520 Speaker 8: Yeah, what if, Hey, guys, chef Kevin here, what if. 892 00:49:08,560 --> 00:49:09,279 Speaker 2: What's his name? 893 00:49:13,280 --> 00:49:15,439 Speaker 7: I'm gonna pause real quick and say I was gonna 894 00:49:15,440 --> 00:49:18,160 Speaker 7: commit to this bit where I called it ravelanche h 895 00:49:19,480 --> 00:49:23,920 Speaker 7: and I started twice and each time I bail and 896 00:49:23,960 --> 00:49:26,400 Speaker 7: then just say, what what was that actually called? 897 00:49:26,600 --> 00:49:28,600 Speaker 3: Oh? I had a yeah, I had a joke in 898 00:49:28,680 --> 00:49:31,480 Speaker 3: mind where I was gonna, as I was reading that card, 899 00:49:32,320 --> 00:49:34,960 Speaker 3: start saying that the incredible Hulk to me seems more 900 00:49:35,000 --> 00:49:47,680 Speaker 3: like the incredible hunk and an angel came back climbed 901 00:49:47,719 --> 00:49:53,960 Speaker 3: inside my body, robbed me of the instinct to make 902 00:49:54,000 --> 00:49:55,840 Speaker 3: that joke. I was reading And you can kind of 903 00:49:55,880 --> 00:49:58,120 Speaker 3: hear me pause as I say the incredible hulk and 904 00:49:58,840 --> 00:50:02,160 Speaker 3: looking at it and I and I'm about to go 905 00:50:02,239 --> 00:50:04,440 Speaker 3: on a run about like to me, seems like incredible. 906 00:50:04,520 --> 00:50:06,000 Speaker 2: Ooh, the gene shorts and. 907 00:50:06,480 --> 00:50:10,080 Speaker 3: I and I'm going to get into that and I 908 00:50:10,040 --> 00:50:10,840 Speaker 3: I am saved. 909 00:50:11,840 --> 00:50:15,200 Speaker 8: Was like digging with the Telekenisa's shovel and it was 910 00:50:15,280 --> 00:50:18,160 Speaker 8: hitting all the bodies and turned him into zombies. And 911 00:50:18,160 --> 00:50:21,359 Speaker 8: now they're all going to the wedding and it's it's 912 00:50:21,400 --> 00:50:22,400 Speaker 8: gonna be crazy. 913 00:50:22,719 --> 00:50:23,840 Speaker 2: Can you give me pause it? 914 00:50:24,120 --> 00:50:26,919 Speaker 1: Can I just say how thankful I was every time 915 00:50:27,360 --> 00:50:30,000 Speaker 1: Chef Kevin started to speak, I knew it was going 916 00:50:30,080 --> 00:50:32,600 Speaker 1: to kind of take a little while. Just by the 917 00:50:32,760 --> 00:50:35,560 Speaker 1: gratitude I experienced in that moment. I would like to 918 00:50:35,600 --> 00:50:40,240 Speaker 1: be able to reproduce like for my entire life. 919 00:50:40,560 --> 00:50:42,719 Speaker 2: That's the That's the kind of feeling I want to 920 00:50:42,760 --> 00:50:49,279 Speaker 2: have always, the sense of relief. It was just a uh, 921 00:50:50,000 --> 00:50:51,480 Speaker 2: it was water in the desert. 922 00:50:51,520 --> 00:50:53,919 Speaker 1: I could have I could have kissed him I could 923 00:50:53,960 --> 00:50:56,840 Speaker 1: have walked up to him on that stage and kissed 924 00:50:56,920 --> 00:50:59,480 Speaker 1: him every time he initiated in this moment. 925 00:50:59,560 --> 00:51:02,120 Speaker 3: I am thin If he didn't do this, I would 926 00:51:02,120 --> 00:51:05,040 Speaker 3: have started talking about the incredible hunk because it was 927 00:51:05,080 --> 00:51:07,959 Speaker 3: the only idea that I had of what to say. 928 00:51:08,400 --> 00:51:11,120 Speaker 2: Shake. Kevin was the angel, That's right. 929 00:51:13,320 --> 00:51:20,880 Speaker 3: So it's sort of like a Walking Dead A yes, yeah. 930 00:51:18,880 --> 00:51:22,239 Speaker 2: We do that. Yeah, that's another thing. 931 00:51:22,239 --> 00:51:24,240 Speaker 3: Why aren't any of these Walking Dead guys and these 932 00:51:24,239 --> 00:51:24,959 Speaker 3: Avengers movies? 933 00:51:25,000 --> 00:51:27,359 Speaker 2: People love that. People are obsessed with this. 934 00:51:28,160 --> 00:51:31,720 Speaker 6: Hey, guys, Robert Kirkman here, you don't have the rights 935 00:51:31,719 --> 00:51:33,719 Speaker 6: to use any of my characters in perpetuity. 936 00:51:33,880 --> 00:51:36,240 Speaker 2: It's not we can't have this in the film. Oh wow, 937 00:51:36,320 --> 00:51:38,880 Speaker 2: thank you, Robert. That was I mean, thank you for 938 00:51:38,960 --> 00:51:39,560 Speaker 2: just coming in. 939 00:51:39,800 --> 00:51:44,399 Speaker 6: Yes, and actually, you know, for the sake of this game, 940 00:51:44,440 --> 00:51:47,360 Speaker 6: I'm gonna allow it. But in reality, which is the 941 00:51:47,400 --> 00:51:49,000 Speaker 6: world that I've created the Walking Dead, which is a 942 00:51:49,040 --> 00:51:53,120 Speaker 6: real documentary about five years from now, you. 943 00:51:53,080 --> 00:51:55,080 Speaker 2: Can't do it. But for now, okay, And I actually 944 00:51:55,080 --> 00:51:56,600 Speaker 2: got to go. I got another pant Okay. I just 945 00:51:56,640 --> 00:51:58,560 Speaker 2: want to know, are you gonna do whatever the thing 946 00:51:58,640 --> 00:52:01,239 Speaker 2: is that makes that happen in five years. Yeah, yeah, 947 00:52:01,239 --> 00:52:01,920 Speaker 2: you create it. 948 00:52:02,000 --> 00:52:04,440 Speaker 6: I start a zombie virus with Oh you are gonna 949 00:52:04,480 --> 00:52:07,200 Speaker 6: do it? Yeah, it's me and me and this girl Ravan. 950 00:52:07,680 --> 00:52:10,439 Speaker 6: We start fucking so much that we create this weird 951 00:52:10,520 --> 00:52:14,319 Speaker 6: virus and it takes overall of humanity and then and 952 00:52:14,440 --> 00:52:16,399 Speaker 6: a lot of other shit happens. But there's a lot 953 00:52:16,400 --> 00:52:18,800 Speaker 6: of diversity in the cast. And no one ever wears 954 00:52:18,840 --> 00:52:21,600 Speaker 6: long sleeves made of duct tape, which would solve the 955 00:52:21,719 --> 00:52:24,960 Speaker 6: entire zombie problem altogether. Yeah, nobody can do that. It's 956 00:52:25,000 --> 00:52:27,520 Speaker 6: all short sleeves. That's a big part of the thing 957 00:52:27,520 --> 00:52:29,600 Speaker 6: that I'm trying to solve. Story Wise, I don't have 958 00:52:29,640 --> 00:52:30,560 Speaker 6: time for this podcast. 959 00:52:30,560 --> 00:52:32,480 Speaker 2: I do have to go. The duct tape thing is 960 00:52:32,520 --> 00:52:33,160 Speaker 2: really bothering me. 961 00:52:33,560 --> 00:52:35,880 Speaker 3: Kirkman out, sure, sure, we don't want to hold you 962 00:52:35,960 --> 00:52:39,240 Speaker 3: up at all. Robert Kirkman, Hey, what's with these. 963 00:52:39,160 --> 00:52:42,160 Speaker 2: Drink sizes at some of these places? I mean, you 964 00:52:42,200 --> 00:52:44,480 Speaker 2: notice that crazy when to go here? You know what 965 00:52:44,640 --> 00:52:48,359 Speaker 2: that craz to me. It's just like when we're having 966 00:52:48,400 --> 00:52:50,200 Speaker 2: a small, medium and large and. 967 00:52:50,520 --> 00:52:53,600 Speaker 1: We should clarify we we did get word just before 968 00:52:53,640 --> 00:52:55,960 Speaker 1: we came out here that team Coco House today is 969 00:52:56,000 --> 00:52:59,279 Speaker 1: going to be just this for the rest of the 970 00:52:59,480 --> 00:53:03,000 Speaker 1: entire time. Yeah, for the rest of Comic Con. Yeah, 971 00:53:03,040 --> 00:53:07,000 Speaker 1: and beyond. I think they extended us beyond Comic Con. 972 00:53:07,360 --> 00:53:09,600 Speaker 6: It's not just it stops being teen kocos. At a 973 00:53:09,600 --> 00:53:12,719 Speaker 6: certain point, we're actually this, this game is taking over 974 00:53:13,000 --> 00:53:16,040 Speaker 6: the Conan O'Brien show as Yes, so there is no 975 00:53:16,080 --> 00:53:17,080 Speaker 6: more He's gone. 976 00:53:17,440 --> 00:53:19,240 Speaker 2: Conan's gone gone. 977 00:53:19,600 --> 00:53:22,920 Speaker 6: Yes, it's a nightly show where we break then everyone 978 00:53:22,920 --> 00:53:23,560 Speaker 6: don't clap that. 979 00:53:23,640 --> 00:53:27,719 Speaker 2: Conan is gone. Come on, guys, you want us to 980 00:53:27,760 --> 00:53:32,000 Speaker 2: replace Conan and do this forever? Everybody respect? Please can 981 00:53:32,000 --> 00:53:32,680 Speaker 2: you pause it. 982 00:53:33,120 --> 00:53:36,520 Speaker 3: I think that once we realized that there were sort 983 00:53:36,560 --> 00:53:39,200 Speaker 3: of no sacred cows with these people, that it was 984 00:53:39,239 --> 00:53:42,920 Speaker 3: even okay to tease them about the comic book characters, 985 00:53:43,200 --> 00:53:47,040 Speaker 3: we went how far can we push it? Because they 986 00:53:47,080 --> 00:53:50,480 Speaker 3: had bought I guess expensive passes, they were free. 987 00:53:50,640 --> 00:53:51,640 Speaker 2: They were totally free. 988 00:53:51,560 --> 00:53:54,080 Speaker 7: Yes, right, Chef Kevin, they were And those people were 989 00:53:54,120 --> 00:53:58,799 Speaker 7: waiting in line hours before your show because Conan came 990 00:53:58,880 --> 00:53:59,920 Speaker 7: in the night Conan. 991 00:53:59,680 --> 00:54:00,640 Speaker 2: Show up the night before. 992 00:54:00,719 --> 00:54:03,319 Speaker 3: So it was it was free passes, but a lot 993 00:54:03,320 --> 00:54:07,600 Speaker 3: of time lined up in order to see possibly Conan O'Brien, Yes, 994 00:54:08,040 --> 00:54:09,360 Speaker 3: but definitely us. 995 00:54:09,880 --> 00:54:11,399 Speaker 2: Hey, Hey, guys, Conan here. 996 00:54:11,719 --> 00:54:16,239 Speaker 6: Oh hey, I put up all the money for this, 997 00:54:16,400 --> 00:54:18,440 Speaker 6: and you guys are sitting here disrespecting me. 998 00:54:19,000 --> 00:54:21,319 Speaker 2: Hey man, that that wasn't that was the audience. The 999 00:54:21,400 --> 00:54:22,319 Speaker 2: audience did that. 1000 00:54:22,400 --> 00:54:27,000 Speaker 6: Hey guys, Conan here, fuck you audience, classic Conan quote, 1001 00:54:27,040 --> 00:54:28,440 Speaker 6: Conan out, you want to hang out? 1002 00:54:28,440 --> 00:54:31,680 Speaker 2: My friend Robert Kirkman, Hey, guys, Andy Richter here? Is 1003 00:54:31,680 --> 00:54:42,040 Speaker 2: it cool if I still chill? Hey guys, wow, can 1004 00:54:42,080 --> 00:54:50,319 Speaker 2: you pause it? I was confused again as I. 1005 00:54:50,400 --> 00:54:54,400 Speaker 3: Lause break, yes, as I I'm so lightheaded from the 1006 00:54:54,400 --> 00:54:56,960 Speaker 3: success we've had that I I sort of am grasping 1007 00:54:57,000 --> 00:55:00,760 Speaker 3: for anything to say at all that's even loosely connected 1008 00:55:00,800 --> 00:55:01,720 Speaker 3: to what we've been saying. 1009 00:55:02,880 --> 00:55:05,360 Speaker 2: The fact that that scored, I. 1010 00:55:05,560 --> 00:55:07,839 Speaker 1: Can think of three different possibilities. One is that they 1011 00:55:07,880 --> 00:55:10,640 Speaker 1: loved it, they were applauding for that. Another is that 1012 00:55:10,680 --> 00:55:14,120 Speaker 1: they were supportive of Andy Richter, the idea of Andy 1013 00:55:14,239 --> 00:55:19,240 Speaker 1: Richter maybe just showing up or being allowed to just stay. 1014 00:55:20,400 --> 00:55:22,520 Speaker 1: And three is maybe that they were trying to applaud 1015 00:55:22,600 --> 00:55:24,080 Speaker 1: us off the stage. 1016 00:55:24,120 --> 00:55:25,600 Speaker 2: But that was the end of the show. 1017 00:55:26,760 --> 00:55:32,200 Speaker 1: So anyway, the doors are locked, no one can leave. 1018 00:55:32,239 --> 00:55:34,440 Speaker 1: It's just this, I should we like to do a 1019 00:55:34,440 --> 00:55:36,520 Speaker 1: time check every now and then. We're four minutes into 1020 00:55:36,520 --> 00:55:36,920 Speaker 1: the show. 1021 00:55:37,200 --> 00:55:41,720 Speaker 3: Yes, so usually they don't make decisions like this that quickly. 1022 00:55:41,800 --> 00:55:44,000 Speaker 3: But yeah, it's been a solid four minutes and everyone 1023 00:55:44,000 --> 00:55:46,200 Speaker 3: feels like it's going so well, let's just keep it 1024 00:55:46,320 --> 00:55:47,759 Speaker 3: for the rest of all time. 1025 00:55:47,840 --> 00:55:49,920 Speaker 2: I guess I'm bumped. 1026 00:55:49,960 --> 00:55:51,919 Speaker 5: I wanted to go home, you know, I don't live here. 1027 00:55:52,800 --> 00:55:54,920 Speaker 7: I just want to say, real quick, I think that 1028 00:55:55,080 --> 00:55:57,520 Speaker 7: was the strongest minute so far. 1029 00:55:57,680 --> 00:56:01,719 Speaker 2: Oh for sure, Yeah, that was that. We're at miniforty. 1030 00:56:02,440 --> 00:56:05,560 Speaker 5: Hey, guys, Heisenberg here, can you imagine? 1031 00:56:07,320 --> 00:56:09,720 Speaker 2: Yeah, what what are we doing? Where's Eisenberg? 1032 00:56:10,760 --> 00:56:11,000 Speaker 9: Yeah? 1033 00:56:11,120 --> 00:56:14,920 Speaker 5: And then so he is gonna fight with Cyber. 1034 00:56:16,920 --> 00:56:20,240 Speaker 2: Hey, guys, Batman Trump here, I put. 1035 00:56:20,040 --> 00:56:23,040 Speaker 1: A Okay, wait, I'm sorry. So we've met Trump Batman, 1036 00:56:24,200 --> 00:56:31,960 Speaker 1: but this new character is Batman Trump whoa, which sounds 1037 00:56:32,000 --> 00:56:36,960 Speaker 1: like it is not a Trump supporting batman, but Donald 1038 00:56:37,000 --> 00:56:39,360 Speaker 1: Trump as a Batman costume. 1039 00:56:39,480 --> 00:56:41,760 Speaker 2: No, it's like it's like Donald Trump Junior. 1040 00:56:41,800 --> 00:56:45,640 Speaker 6: You know, he ah Trump Batman Trump. 1041 00:56:45,719 --> 00:56:48,359 Speaker 2: Yeah, I can't wait to hear this. 1042 00:56:50,160 --> 00:56:53,959 Speaker 8: Hey, guys, Batman Trump here, I put a I put 1043 00:56:53,960 --> 00:56:56,439 Speaker 8: a brigain bomb in in Cyclops' ring. 1044 00:56:56,760 --> 00:56:57,319 Speaker 2: That was good. 1045 00:56:57,360 --> 00:57:01,080 Speaker 1: As we know, President Donald Trump does say friggin' a lot, 1046 00:57:03,480 --> 00:57:07,319 Speaker 1: sort of his signature word you and you put a 1047 00:57:07,320 --> 00:57:08,160 Speaker 1: bomb where. 1048 00:57:08,480 --> 00:57:11,400 Speaker 2: And cyclops his ring, oh. 1049 00:57:11,080 --> 00:57:15,400 Speaker 1: Okay, and his ring for the wedding so his finger 1050 00:57:15,480 --> 00:57:16,720 Speaker 1: could get blown. 1051 00:57:16,440 --> 00:57:24,360 Speaker 2: Off, which, oh, no, important. Okay. Another new thing. The 1052 00:57:24,760 --> 00:57:27,560 Speaker 2: bad guys are establishing that the stuff they're trying to 1053 00:57:27,560 --> 00:57:29,000 Speaker 2: do is important. 1054 00:57:29,440 --> 00:57:32,240 Speaker 3: Can we pause it? This seems like it'll be a 1055 00:57:32,240 --> 00:57:34,479 Speaker 3: few minutes of the show, just. 1056 00:57:34,360 --> 00:57:36,800 Speaker 2: In case you don't you think it's dumb or something, 1057 00:57:36,840 --> 00:57:37,720 Speaker 2: It is important. 1058 00:57:38,600 --> 00:57:41,360 Speaker 5: Yeah, that's a little screenwriting trick. We like to share 1059 00:57:41,400 --> 00:57:42,120 Speaker 5: these tips. 1060 00:57:41,920 --> 00:57:42,400 Speaker 2: When we can. 1061 00:57:42,720 --> 00:57:44,880 Speaker 5: Yeah, if you're having a character do something that. 1062 00:57:44,880 --> 00:57:48,960 Speaker 3: Seems unimportant, just go ahead and tell the audience say 1063 00:57:49,000 --> 00:57:49,600 Speaker 3: this matters. 1064 00:57:50,920 --> 00:57:54,320 Speaker 2: And I think it helps we go back. 1065 00:57:54,360 --> 00:57:59,600 Speaker 1: Thank you so much, Kevin for that supportive noise. I 1066 00:57:59,600 --> 00:58:02,880 Speaker 1: would like dear Kevin helping us out a little bit. 1067 00:58:03,880 --> 00:58:07,840 Speaker 5: Tell the audience he say this matters, and I think it's. 1068 00:58:11,360 --> 00:58:14,720 Speaker 3: Are you doing an impression of the audience? Soundard that's right, 1069 00:58:15,320 --> 00:58:15,720 Speaker 3: that's right. 1070 00:58:15,760 --> 00:58:16,480 Speaker 2: Somebody goes. 1071 00:58:17,920 --> 00:58:20,480 Speaker 3: And then Kevin decides to make that noise of Mike 1072 00:58:20,520 --> 00:58:21,880 Speaker 3: signal boost for that sound. 1073 00:58:24,520 --> 00:58:26,080 Speaker 2: I want to point out too, that as. 1074 00:58:25,920 --> 00:58:28,840 Speaker 3: We're listening to this in the studio, having done it 1075 00:58:28,920 --> 00:58:35,160 Speaker 3: yesterday and lived it, we're not squirming constantly taking our 1076 00:58:35,200 --> 00:58:36,040 Speaker 3: headphones off. 1077 00:58:36,040 --> 00:58:39,200 Speaker 1: I have to take my headphones off every couple minutes 1078 00:58:39,240 --> 00:58:41,680 Speaker 1: because I know what I'm about to do and I 1079 00:58:41,880 --> 00:58:43,160 Speaker 1: cannot hear it again. 1080 00:58:43,320 --> 00:58:51,240 Speaker 3: Yeap, don old Trump. I mean this clown's in office now. 1081 00:58:51,400 --> 00:58:53,720 Speaker 3: I mean it's literally a reality TV show. 1082 00:58:53,800 --> 00:58:54,960 Speaker 2: Hey guys, Tyler here. 1083 00:58:55,280 --> 00:58:58,080 Speaker 6: I don't need some freaking comedian coming on stage and 1084 00:58:58,120 --> 00:58:58,960 Speaker 6: making it political. 1085 00:58:59,000 --> 00:59:00,240 Speaker 2: I came to get my laugh on. 1086 00:59:01,160 --> 00:59:03,640 Speaker 5: Okay, hey guys, hey Tyler. 1087 00:59:04,040 --> 00:59:08,560 Speaker 2: Yeah, it's me fucking Tyler, and I Tyler has heckling powers. 1088 00:59:08,600 --> 00:59:10,840 Speaker 6: Well, I'm not even heckling right now. It's just like 1089 00:59:11,120 --> 00:59:13,240 Speaker 6: I paid twenty nine to ninety nine to get my 1090 00:59:13,280 --> 00:59:16,440 Speaker 6: freaking laugh on here. And I really feeling this batman 1091 00:59:16,520 --> 00:59:19,280 Speaker 6: Trump character and this Trump Batman character. But then this 1092 00:59:19,400 --> 00:59:21,680 Speaker 6: fucking libtard wind to Go starts talking. 1093 00:59:23,400 --> 00:59:26,880 Speaker 2: And I was with him on the Grande, the whole 1094 00:59:27,160 --> 00:59:29,200 Speaker 2: cup size thing. I'm with him on. 1095 00:59:29,280 --> 00:59:32,480 Speaker 6: The dating is difficult because I'm an incell have never 1096 00:59:32,560 --> 00:59:37,920 Speaker 6: had sex, partially because when you were dead, when my 1097 00:59:38,000 --> 00:59:39,840 Speaker 6: father killed me, nobody exactly knows why. 1098 00:59:40,720 --> 00:59:44,640 Speaker 2: But then you start talking about my guy Maga, so 1099 00:59:44,760 --> 00:59:45,160 Speaker 2: stop it. 1100 00:59:45,280 --> 00:59:47,600 Speaker 5: Uh huh hey guys, when to Go here, get it 1101 00:59:47,640 --> 00:59:48,200 Speaker 5: back off? 1102 00:59:48,800 --> 00:59:53,000 Speaker 2: Just you know, it's not worthy to me. It's like, 1103 00:59:53,160 --> 00:59:54,840 Speaker 2: what guy makes some good points. 1104 00:59:55,040 --> 00:59:56,880 Speaker 3: A lot of people are just here to sort of 1105 00:59:57,040 --> 00:59:59,760 Speaker 3: escape from, uh, some of what's going on out there, 1106 01:00:00,040 --> 01:00:03,000 Speaker 3: so you know, let's just laugh down and maybe more 1107 01:00:03,040 --> 01:00:05,920 Speaker 3: observations about uh, you know, traffic or whatever. 1108 01:00:06,400 --> 01:00:08,040 Speaker 2: Hey, hey guys, Tyler here. 1109 01:00:09,000 --> 01:00:12,680 Speaker 6: You know, I've often put people in an ideological political 1110 01:00:12,760 --> 01:00:15,760 Speaker 6: camp that opposite for me, in a non human category. 1111 01:00:15,800 --> 01:00:17,840 Speaker 6: I think of them, I call them names like libtard, 1112 01:00:18,240 --> 01:00:20,520 Speaker 6: thus making them less than human and somebody that I 1113 01:00:20,560 --> 01:00:22,880 Speaker 6: can't connect with. But when that guy wind to Go 1114 01:00:23,040 --> 01:00:24,520 Speaker 6: said he was going to back off and that we 1115 01:00:24,520 --> 01:00:27,040 Speaker 6: could just laugh down, it made me rethink sort of 1116 01:00:27,040 --> 01:00:30,400 Speaker 6: my humanity and our mutual humanity. Hey, guys, Tyler here, 1117 01:00:30,480 --> 01:00:33,040 Speaker 6: I think I've changed in America can finally come together 1118 01:00:33,360 --> 01:00:33,920 Speaker 6: as a whole. 1119 01:00:34,080 --> 01:00:35,720 Speaker 2: Let's go to this wedding. Wow. 1120 01:00:36,040 --> 01:00:43,640 Speaker 1: Wow, Hey guys, Sarah Silverman here, Uh hey, right, this 1121 01:00:43,720 --> 01:00:45,720 Speaker 1: is what this is, of course, an episode of my 1122 01:00:45,760 --> 01:00:46,960 Speaker 1: show I Love You America. 1123 01:00:48,160 --> 01:00:50,920 Speaker 2: This is what this show is all about. 1124 01:00:51,280 --> 01:00:54,240 Speaker 1: Uh, and I'm so glad that we that we solved 1125 01:00:54,280 --> 01:00:55,320 Speaker 1: all the problems. 1126 01:00:55,560 --> 01:00:56,280 Speaker 2: Can you pause it? 1127 01:00:57,720 --> 01:00:59,960 Speaker 1: It's a it's it seems like there was a feeling 1128 01:01:00,160 --> 01:01:03,760 Speaker 1: when I initiated the Saria Silverman thing, people were anticipating 1129 01:01:04,000 --> 01:01:06,600 Speaker 1: me doing something different than I was going to do. 1130 01:01:06,800 --> 01:01:09,520 Speaker 3: Yes, because we're definitely excited when you did it, and 1131 01:01:09,560 --> 01:01:11,040 Speaker 3: we're like, oh, that's really funny. 1132 01:01:11,120 --> 01:01:11,720 Speaker 2: I still have it. 1133 01:01:11,880 --> 01:01:14,720 Speaker 1: With now twenty four hours to reflect on it, I 1134 01:01:14,800 --> 01:01:19,800 Speaker 1: still haven't quite decoded what the correct thing was to 1135 01:01:19,960 --> 01:01:22,919 Speaker 1: follow with no, but that's what I was planning. 1136 01:01:22,560 --> 01:01:23,600 Speaker 2: On doing all long again. 1137 01:01:23,680 --> 01:01:26,160 Speaker 3: And I immediately knew what you were doing and was like, Okay, 1138 01:01:26,200 --> 01:01:31,800 Speaker 3: good idea, I'm about to flame as work. That was 1139 01:01:31,960 --> 01:01:36,440 Speaker 3: part one of two of Mosha, who had been quiet 1140 01:01:36,440 --> 01:01:40,000 Speaker 3: for a bit, taking over and saving the show God 1141 01:01:40,640 --> 01:01:42,120 Speaker 3: in a pretty impressive way. 1142 01:01:42,920 --> 01:01:46,600 Speaker 2: That whole Tyler Road. We were so lucky that that 1143 01:01:47,120 --> 01:01:49,320 Speaker 2: was Himley. So many of the guests that we've had 1144 01:01:49,560 --> 01:01:52,200 Speaker 2: or could have had, would have. 1145 01:01:53,240 --> 01:01:58,680 Speaker 3: Hung us up to dry, disappeared, been rightfully mad, but 1146 01:01:58,760 --> 01:01:59,880 Speaker 3: you kind of couldn't phase them. 1147 01:02:00,080 --> 01:02:04,840 Speaker 5: Hey guys, Bill Maher, here, what am I doing here? 1148 01:02:05,760 --> 01:02:06,000 Speaker 2: You know? 1149 01:02:06,400 --> 01:02:10,600 Speaker 3: I gotta wonder, like what am I still doing here? 1150 01:02:11,600 --> 01:02:14,520 Speaker 3: What is going on? Where I am still a here? 1151 01:02:15,560 --> 01:02:16,640 Speaker 3: Doesn't it seem like. 1152 01:02:16,680 --> 01:02:18,520 Speaker 5: So much of what I've done would make it that 1153 01:02:18,560 --> 01:02:19,840 Speaker 5: I'm not here anymore? 1154 01:02:20,480 --> 01:02:23,840 Speaker 2: But here I am. Hey, now you're now You're in 1155 01:02:23,840 --> 01:02:24,720 Speaker 2: a Marvel movie. 1156 01:02:24,960 --> 01:02:32,080 Speaker 6: Yeah, hey, guys, James gunn here rough day? 1157 01:02:32,920 --> 01:02:35,920 Speaker 2: Did you hear that too soon? I heard it too soon? Yes, 1158 01:02:39,920 --> 01:02:44,360 Speaker 2: hey guys, when to go here? Not touching that? 1159 01:02:46,000 --> 01:02:48,360 Speaker 1: So what we'll do pas the purposes of recording the 1160 01:02:48,440 --> 01:02:50,720 Speaker 1: show is we will record this and then we'll wait 1161 01:02:50,760 --> 01:02:53,440 Speaker 1: and see how the James gun stuff plays out, and 1162 01:02:53,480 --> 01:02:55,440 Speaker 1: if people are mad at him in a couple of days, 1163 01:02:55,480 --> 01:02:58,000 Speaker 1: then we'll record an extra thing where we come in. 1164 01:02:57,960 --> 01:03:00,200 Speaker 3: And be like going hard and we go day of 1165 01:03:00,360 --> 01:03:02,760 Speaker 3: we knew it, we were ammering him. But if it 1166 01:03:02,840 --> 01:03:04,920 Speaker 3: kind of comes around it, it's like, you know, like 1167 01:03:05,000 --> 01:03:07,280 Speaker 3: I made the jokes and bad taste and people aren't 1168 01:03:07,320 --> 01:03:09,800 Speaker 3: really mad anymore. Yeah, you sort of victimized by these 1169 01:03:09,840 --> 01:03:13,600 Speaker 3: Like all right, guys, Then those guys will go like, hey, 1170 01:03:13,720 --> 01:03:16,560 Speaker 3: I stand and I support, but let's just let it 1171 01:03:16,600 --> 01:03:19,760 Speaker 3: play out first, yes, and then plug in what we say. 1172 01:03:19,920 --> 01:03:22,760 Speaker 5: So I guess we need a supportive audience regardless. 1173 01:03:22,960 --> 01:03:26,520 Speaker 1: Yes, we just need one huge audience pop on each 1174 01:03:26,560 --> 01:03:29,520 Speaker 1: of our perspectives on and if you could be muttering 1175 01:03:29,640 --> 01:03:34,880 Speaker 1: like very brave something like that, because that's gonna work 1176 01:03:34,920 --> 01:03:35,439 Speaker 1: either way. 1177 01:03:36,920 --> 01:03:39,280 Speaker 3: So go ahead, and uh, we'll just do We're gonna 1178 01:03:39,280 --> 01:03:40,720 Speaker 3: point the mics that you guys just give. 1179 01:03:40,640 --> 01:03:43,760 Speaker 1: Us like a general like, wait, okay, let's do each one, okay, 1180 01:03:43,800 --> 01:03:44,360 Speaker 1: and so we'll do. 1181 01:03:44,480 --> 01:03:53,520 Speaker 2: Okay, what James gun did was bad. Look, hey, nobody's perfect. 1182 01:03:53,600 --> 01:03:55,720 Speaker 3: James Gunn made some mistakes, but at the end of 1183 01:03:55,760 --> 01:03:59,480 Speaker 3: the day, that freaking raccoon's funny. 1184 01:04:01,880 --> 01:04:06,720 Speaker 1: Okay, So we'll use the YA for either one of them. Yes, yeah, So. 1185 01:04:08,320 --> 01:04:11,959 Speaker 3: So I liked the decision because I'm just I. I 1186 01:04:12,000 --> 01:04:14,320 Speaker 3: sort of had the idea of let's get these two 1187 01:04:14,720 --> 01:04:17,200 Speaker 3: audience reactions, but then you had the idea of it 1188 01:04:17,200 --> 01:04:21,240 Speaker 3: would fill more time, Oh yeah, to restate the two 1189 01:04:21,400 --> 01:04:23,440 Speaker 3: perspectives that we did. 1190 01:04:24,880 --> 01:04:26,600 Speaker 2: And I almost feel like we could have milked it 1191 01:04:26,640 --> 01:04:28,920 Speaker 2: even more. Oh sure, we could have gotten much longer 1192 01:04:28,960 --> 01:04:31,000 Speaker 2: on it. We didn't. Going into the show. We had 1193 01:04:31,080 --> 01:04:33,120 Speaker 2: kind of just heard about because of course the show 1194 01:04:33,160 --> 01:04:34,400 Speaker 2: was at three PM. 1195 01:04:34,680 --> 01:04:38,200 Speaker 1: We had sort of just figured out what was. 1196 01:04:38,200 --> 01:04:40,680 Speaker 2: Going on with this James Gunn thing. We knew he 1197 01:04:40,720 --> 01:04:41,200 Speaker 2: had been. 1198 01:04:41,080 --> 01:04:44,560 Speaker 1: Fired, we didn't really know exactly what the deal was, uh, 1199 01:04:44,600 --> 01:04:45,680 Speaker 1: and we decided I. 1200 01:04:45,640 --> 01:04:47,360 Speaker 4: Hadn't read any of the actual tweets. 1201 01:04:47,480 --> 01:04:49,440 Speaker 3: It was like we knew that someone had dug up 1202 01:04:49,480 --> 01:04:51,040 Speaker 3: some tweets about that he'd made. 1203 01:04:51,160 --> 01:04:54,200 Speaker 2: But so we still said, let's talk about it. Sure, 1204 01:04:54,440 --> 01:04:57,760 Speaker 2: it's it's comic book stuff. These people will eat this up. 1205 01:04:58,680 --> 01:04:59,680 Speaker 2: They'll be on board. 1206 01:05:00,400 --> 01:05:04,560 Speaker 1: And of course you hear that we request a positive 1207 01:05:04,600 --> 01:05:06,600 Speaker 1: audience reaction, and. 1208 01:05:06,560 --> 01:05:07,760 Speaker 2: We do get booed. 1209 01:05:08,200 --> 01:05:14,600 Speaker 3: Yeah, it's not a boot's I know. 1210 01:05:14,720 --> 01:05:17,880 Speaker 1: I hear some actual booze, and one person who obliged 1211 01:05:17,920 --> 01:05:19,400 Speaker 1: it did say, very very brave. 1212 01:05:21,360 --> 01:05:21,919 Speaker 2: He's right. 1213 01:05:22,880 --> 01:05:24,840 Speaker 3: And then of course, but to be on stage at 1214 01:05:24,840 --> 01:05:26,600 Speaker 3: this point in the show was very brave. 1215 01:05:29,280 --> 01:05:33,919 Speaker 1: And that you say the next opinion and we get 1216 01:05:34,000 --> 01:05:37,320 Speaker 1: not applause. Really there's yet. People are saying yet, but 1217 01:05:37,360 --> 01:05:41,840 Speaker 1: in the same tone instead of boo they go ye, well. 1218 01:05:41,720 --> 01:05:44,360 Speaker 3: Because I undercut even the positive thing I said about 1219 01:05:44,440 --> 01:05:47,480 Speaker 3: James Gunn, I think by saying that the raccoon is 1220 01:05:47,520 --> 01:05:52,600 Speaker 3: freaking funny, again correctly identifying that what this audience wants 1221 01:05:53,480 --> 01:05:56,080 Speaker 3: is for me to say that a lot of the 1222 01:05:56,080 --> 01:05:58,280 Speaker 3: shit they like is kind of fucking stupid. 1223 01:06:01,360 --> 01:06:04,760 Speaker 8: Hey, guys, revanch here, I'm still at the grave. Uh, 1224 01:06:06,080 --> 01:06:09,800 Speaker 8: I'm not sure what I'm supposed to be doing. I 1225 01:06:09,840 --> 01:06:12,440 Speaker 8: am going to the wedding shout. 1226 01:06:12,640 --> 01:06:14,400 Speaker 2: Can you posit? Yeah? 1227 01:06:14,680 --> 01:06:17,920 Speaker 1: Are you spending all the time in between here thinking 1228 01:06:18,000 --> 01:06:21,400 Speaker 1: of like kind of a next move to save the show? 1229 01:06:22,560 --> 01:06:24,840 Speaker 7: Always thinking about that? And I think the way to 1230 01:06:24,920 --> 01:06:28,200 Speaker 7: do that is to keep coming back to the film. 1231 01:06:28,480 --> 01:06:29,640 Speaker 2: Well you, yeah, you. 1232 01:06:29,720 --> 01:06:31,720 Speaker 3: It was the film, and it was going back to 1233 01:06:31,800 --> 01:06:34,040 Speaker 3: the very early part of the show where things were 1234 01:06:34,040 --> 01:06:35,240 Speaker 3: going so well. 1235 01:06:35,040 --> 01:06:37,840 Speaker 1: Yes, let's bring us back to that moment before we did. 1236 01:06:37,920 --> 01:06:39,760 Speaker 3: And I'll admit, as much as it was the near 1237 01:06:39,800 --> 01:06:42,600 Speaker 3: perfect show, we did sort of lose our way a 1238 01:06:42,640 --> 01:06:47,040 Speaker 3: tiny bit. I do want to say too, I did 1239 01:06:47,080 --> 01:06:49,040 Speaker 3: say that a lot of the shit these people like 1240 01:06:49,040 --> 01:06:52,880 Speaker 3: its fucking stupid. I don't mean that to be like, hey, 1241 01:06:53,080 --> 01:06:55,520 Speaker 3: I like the Marvel movies too. And something I was 1242 01:06:55,600 --> 01:06:57,560 Speaker 3: thinking about a lot while we were there was. 1243 01:06:58,640 --> 01:07:00,560 Speaker 2: These people are just here for something they enjoy. 1244 01:07:00,880 --> 01:07:04,360 Speaker 4: Yes, look at these people genuinely enjoying something. 1245 01:07:04,520 --> 01:07:06,280 Speaker 2: Yeah, you know, why can't I feel that? 1246 01:07:06,800 --> 01:07:09,400 Speaker 3: Mm hmm. But then I got on stage and I 1247 01:07:09,480 --> 01:07:12,560 Speaker 3: did feel what I genuinely enjoy, which is just the. 1248 01:07:12,520 --> 01:07:15,520 Speaker 2: Thrill of a crowd loving your stuff. 1249 01:07:15,720 --> 01:07:19,280 Speaker 1: And I think that to imply that any of their 1250 01:07:19,400 --> 01:07:23,720 Speaker 1: reaction was the result of things that we were saying 1251 01:07:23,880 --> 01:07:27,560 Speaker 1: about comic books or the stuff that they liked, is 1252 01:07:28,200 --> 01:07:31,240 Speaker 1: not necessarily fair to how much they were reacting to 1253 01:07:31,480 --> 01:07:33,200 Speaker 1: just how much they loved us. 1254 01:07:33,000 --> 01:07:33,400 Speaker 2: Just us. 1255 01:07:33,680 --> 01:07:37,720 Speaker 3: Yeah, it was almost that. Yeah, it was absent of content. 1256 01:07:37,880 --> 01:07:40,439 Speaker 3: It was they were responding to the tone, the way 1257 01:07:40,520 --> 01:07:43,760 Speaker 3: you looked, how received we had them in the top 1258 01:07:43,800 --> 01:07:53,240 Speaker 3: of our hands. So ah, geez, I guess any of 1259 01:07:53,280 --> 01:07:54,680 Speaker 3: these cards gonna give me something. 1260 01:07:55,760 --> 01:07:56,640 Speaker 2: The cyber has. 1261 01:07:56,520 --> 01:08:02,440 Speaker 6: A cool superpower I'm seeing here, which is his Admantium 1262 01:08:02,480 --> 01:08:04,760 Speaker 6: blades are tipped with a hallucinogenic drug. 1263 01:08:05,160 --> 01:08:07,680 Speaker 1: Oh wow, I just figured it would have something to 1264 01:08:07,720 --> 01:08:11,000 Speaker 1: do with, uh, the internet and technology. 1265 01:08:11,120 --> 01:08:14,640 Speaker 2: But Cyber's power is that he has he can he 1266 01:08:14,680 --> 01:08:17,640 Speaker 2: can dose you at the party. He can micro dos 1267 01:08:17,920 --> 01:08:18,960 Speaker 2: with his blades. 1268 01:08:19,720 --> 01:08:24,200 Speaker 6: So okay, so hey, guys, cyber here, let's turn this 1269 01:08:24,240 --> 01:08:27,639 Speaker 6: fucking party out. I'm about to poke everybody here with 1270 01:08:27,720 --> 01:08:32,559 Speaker 6: my ayahuasca dipped claw. So I'm at the graveyard, I'm 1271 01:08:32,560 --> 01:08:36,000 Speaker 6: like dip dip motherfucker. And then I'm over here with strife. 1272 01:08:36,040 --> 01:08:38,160 Speaker 6: I'm like dipity dip and wow. 1273 01:08:38,160 --> 01:08:41,080 Speaker 3: Hey guys, Trey Anastasio here Ooh I hope I don't 1274 01:08:41,080 --> 01:08:42,920 Speaker 3: get scratched by Cyber's claws. 1275 01:08:43,760 --> 01:08:49,000 Speaker 2: Oh I'm jamming. Oh wow. Yeah. A lot of Marvel 1276 01:08:49,040 --> 01:08:56,080 Speaker 2: movies don't show the beginning of fish change. Yeah. 1277 01:08:56,160 --> 01:08:58,560 Speaker 1: I would love to hear a little bit of Strife 1278 01:08:58,800 --> 01:08:59,879 Speaker 1: having been dosed. 1279 01:09:03,320 --> 01:09:06,000 Speaker 2: But I really want to leave the stay. 1280 01:09:04,800 --> 01:09:08,360 Speaker 1: Take your idea to have the show. I want to 1281 01:09:08,360 --> 01:09:14,439 Speaker 1: watch it, so now you know want all that. Adam 1282 01:09:14,520 --> 01:09:17,879 Speaker 1: Sachs does an entire show just for his viewing pleasure. 1283 01:09:19,520 --> 01:09:23,240 Speaker 2: What a sick fuck. Yes, thank you. 1284 01:09:25,200 --> 01:09:28,519 Speaker 5: I can't believe that. Man, we're just little puppets. 1285 01:09:28,600 --> 01:09:28,840 Speaker 1: Huh. 1286 01:09:28,920 --> 01:09:30,000 Speaker 5: You just set it up. 1287 01:09:31,520 --> 01:09:35,120 Speaker 1: Now, do as you were told and play stripe. Haven't 1288 01:09:35,160 --> 01:09:38,439 Speaker 1: gotten a micro dose of ayahuasca? 1289 01:09:38,640 --> 01:09:46,640 Speaker 10: Now, this this is aahuasca. It's making nauseous. Where's my 1290 01:09:46,720 --> 01:09:54,960 Speaker 10: where's my barf bucket? They got stripe out. 1291 01:09:54,960 --> 01:09:56,200 Speaker 5: I thought it'd be more fun. 1292 01:09:57,240 --> 01:09:59,519 Speaker 6: No, that's pretty much an ayahuasca trip. You bought out, 1293 01:09:59,560 --> 01:10:01,559 Speaker 6: he's saying out. And then you're done with the trip. 1294 01:10:01,800 --> 01:10:04,160 Speaker 2: Oh you really are out? Oh yeah? And he just 1295 01:10:04,240 --> 01:10:10,120 Speaker 2: sat down maybe six inches away from where he was before. 1296 01:10:10,800 --> 01:10:13,240 Speaker 2: That's bumming me out. 1297 01:10:13,720 --> 01:10:18,000 Speaker 1: Okay, So strefe barfed. We checked that box. We still 1298 01:10:18,040 --> 01:10:20,160 Speaker 1: psycholops in Geen Gray still have to get married. 1299 01:10:20,360 --> 01:10:20,639 Speaker 7: Huh. 1300 01:10:20,800 --> 01:10:27,040 Speaker 1: But Batman Trump has initiated his nefarious plot. I guess 1301 01:10:27,080 --> 01:10:31,080 Speaker 1: he has probably disguised himself as a ring bearer. So 1302 01:10:31,760 --> 01:10:34,280 Speaker 1: he's on his knees with little shoes attached to his 1303 01:10:34,360 --> 01:10:38,080 Speaker 1: knees like he's a little boy, and he's going up 1304 01:10:38,120 --> 01:10:39,280 Speaker 1: the aisle with the rint. 1305 01:10:39,160 --> 01:10:40,000 Speaker 2: That boy Trump. 1306 01:10:41,040 --> 01:10:44,160 Speaker 7: Okay, And you can feel in that moment everyone just 1307 01:10:44,240 --> 01:10:44,880 Speaker 7: losing it. 1308 01:10:45,120 --> 01:10:49,679 Speaker 3: Yeah, that was where I was afraid you'd be guilding 1309 01:10:49,680 --> 01:10:53,599 Speaker 3: the lily. We have this scenario that everyone's on board for. 1310 01:10:54,280 --> 01:10:58,240 Speaker 3: They're loving it, they're loving the imagery. But you managed 1311 01:10:58,280 --> 01:11:01,640 Speaker 3: to find this kind of cool language trick. And I 1312 01:11:01,920 --> 01:11:05,559 Speaker 3: was Batman Trump and you had said little boy hey, and. 1313 01:11:05,560 --> 01:11:10,360 Speaker 2: He went bat boy Trump. I. 1314 01:11:10,360 --> 01:11:14,360 Speaker 1: As I mentioned earlier, this audience was very young, skewing, 1315 01:11:14,600 --> 01:11:17,680 Speaker 1: and so I thought it would be like that they 1316 01:11:17,720 --> 01:11:20,240 Speaker 1: would enjoy basically a dwarf reference. 1317 01:11:21,880 --> 01:11:26,120 Speaker 2: Yeah, that I really liked. I gotta say it was 1318 01:11:26,160 --> 01:11:27,920 Speaker 2: a while back now, but there. 1319 01:11:27,840 --> 01:11:31,519 Speaker 3: Is a moment where I go, oh, geez, these cards 1320 01:11:31,520 --> 01:11:35,719 Speaker 3: have anything for me. And there's a lot of parts 1321 01:11:35,720 --> 01:11:38,439 Speaker 3: that I listened to or I think, what was I doing? 1322 01:11:38,880 --> 01:11:41,840 Speaker 3: You know, why was this happening? How'd I get in 1323 01:11:41,920 --> 01:11:48,000 Speaker 3: the zone like that? But I am okay with the 1324 01:11:48,080 --> 01:11:53,439 Speaker 3: moments where I'm just openly acknowledging that you're just like 1325 01:11:53,880 --> 01:11:58,120 Speaker 3: trading water and there's nothing I'm going, Hey, hey, whatever 1326 01:11:58,160 --> 01:12:00,880 Speaker 3: comes out of my mouth next, it's gonna be to guess. 1327 01:12:02,800 --> 01:12:05,040 Speaker 2: So can we just be in this together? 1328 01:12:06,520 --> 01:12:08,439 Speaker 5: So, so Magma's standing there. 1329 01:12:08,479 --> 01:12:12,400 Speaker 3: Hey, guys, Magma here, do you Cyclops take Jean Gray 1330 01:12:13,800 --> 01:12:15,639 Speaker 3: to be your mutant wife? 1331 01:12:16,080 --> 01:12:18,720 Speaker 6: Hey, guys, Cyclops here, I do okay, And so, of 1332 01:12:18,720 --> 01:12:22,160 Speaker 6: course Cyclops is not gonna wear his glasses during a wedding. 1333 01:12:22,400 --> 01:12:23,519 Speaker 2: Oh so you have your. 1334 01:12:23,360 --> 01:12:26,040 Speaker 1: Head tipped back with a full beam, so you're just 1335 01:12:26,120 --> 01:12:27,200 Speaker 1: blasting a. 1336 01:12:27,120 --> 01:12:28,360 Speaker 2: Hole in the ceiling. 1337 01:12:28,600 --> 01:12:36,640 Speaker 6: Hey, guys, Cyclops here, I do Cyclops in all the way. 1338 01:12:37,320 --> 01:12:38,760 Speaker 5: Thank you, Cyclops. 1339 01:12:38,800 --> 01:12:43,800 Speaker 3: Magma here, So, Jean Gray, do you take Cyclops to 1340 01:12:43,880 --> 01:12:46,679 Speaker 3: be your mutant husband? 1341 01:12:46,800 --> 01:12:50,840 Speaker 1: And Jean Gray, of course, is so emotionally excited by 1342 01:12:51,160 --> 01:12:53,679 Speaker 1: marrying Cyclops that she has become the dark fiend. 1343 01:12:53,880 --> 01:12:55,920 Speaker 2: Very good once again, she's the dark. 1344 01:12:56,200 --> 01:13:02,320 Speaker 1: She is emitting a huge explosion all around, vaporizing everyone. 1345 01:13:02,160 --> 01:13:02,840 Speaker 2: So you can hear. 1346 01:13:03,800 --> 01:13:09,120 Speaker 1: I'm so relieved to have introduced like an actual, like comedy. Proud, 1347 01:13:09,240 --> 01:13:13,440 Speaker 1: yeah we're not Yes of Cyclops not wearing his glasses 1348 01:13:13,560 --> 01:13:17,200 Speaker 1: during the wedding, so he is admitting a full beam 1349 01:13:17,439 --> 01:13:19,880 Speaker 1: blasting a hole of the ceiling that I try to 1350 01:13:19,920 --> 01:13:23,320 Speaker 1: go back to do essentially the exact same thing again, Yep. 1351 01:13:23,280 --> 01:13:26,880 Speaker 3: With Jean Gray and with a real you know, comic 1352 01:13:26,880 --> 01:13:30,800 Speaker 3: book storyline, I mean, sort of the most famously retold one, 1353 01:13:30,880 --> 01:13:36,559 Speaker 3: but certainly no longer subverting the idea of these comic 1354 01:13:36,640 --> 01:13:39,400 Speaker 3: characters at all, just saying like this is their power 1355 01:13:39,439 --> 01:13:40,639 Speaker 3: and something they did. 1356 01:13:40,640 --> 01:13:46,479 Speaker 1: Yes, which they They reacted, interestingly exactly the same when 1357 01:13:46,520 --> 01:13:50,040 Speaker 1: we were subverting the comic book characters, is when we 1358 01:13:50,040 --> 01:13:51,760 Speaker 1: were acting like. 1359 01:13:51,720 --> 01:13:54,439 Speaker 4: We were actually addressing, addressing actual. 1360 01:13:54,479 --> 01:13:57,879 Speaker 1: Yeah, it's the audience was very consistent in that regard. 1361 01:13:57,920 --> 01:14:01,479 Speaker 1: I thought a reference to dark Feet X would play 1362 01:14:01,560 --> 01:14:04,639 Speaker 1: differently than us not pretending to not know Hawkeye's name, 1363 01:14:05,240 --> 01:14:06,400 Speaker 1: but pretty much. 1364 01:14:06,320 --> 01:14:10,200 Speaker 3: Exactly same thing. You can you can set your watch 1365 01:14:10,240 --> 01:14:12,519 Speaker 3: to this audience, mad. 1366 01:14:12,400 --> 01:14:15,120 Speaker 2: Respect you have many more cards, well. 1367 01:14:14,960 --> 01:14:17,559 Speaker 5: I got more cards, and so these game for free. 1368 01:14:18,600 --> 01:14:23,040 Speaker 3: It was open packs of series three Space Shots cards 1369 01:14:23,520 --> 01:14:25,000 Speaker 3: that just commemorate. 1370 01:14:24,560 --> 01:14:25,760 Speaker 2: Some NASA missions. 1371 01:14:27,960 --> 01:14:31,400 Speaker 3: So I don't see why we wouldn't smash cut to 1372 01:14:31,680 --> 01:14:36,840 Speaker 3: the Cassini mission. Well, this is the Space Trivia Challenge 1373 01:14:36,920 --> 01:14:38,280 Speaker 3: number six sixty seven. 1374 01:14:38,439 --> 01:14:41,559 Speaker 2: What game was played on? Soyu's nine? Does anybody know 1375 01:14:42,120 --> 01:14:48,839 Speaker 2: the easy one kind of Russian roulette? Someone said that's funny. 1376 01:14:49,360 --> 01:14:53,000 Speaker 2: So that was good. Maybe you could have been doing 1377 01:14:53,000 --> 01:14:55,400 Speaker 2: stuff like that for the entire show, and. 1378 01:14:55,360 --> 01:14:57,720 Speaker 6: Maybe you could have said, hey, guys, audience member here, 1379 01:14:58,840 --> 01:15:01,840 Speaker 6: now we can't use it, yes, but. 1380 01:15:02,040 --> 01:15:04,400 Speaker 1: Can you pause that That turned out to be a 1381 01:15:04,439 --> 01:15:09,560 Speaker 1: guy who worked for TBS. Yeah, and he was embarrassed 1382 01:15:09,840 --> 01:15:13,639 Speaker 1: later even though we were. That was a very nice 1383 01:15:13,680 --> 01:15:15,479 Speaker 1: moment for us, the best part of the whole show. 1384 01:15:15,920 --> 01:15:19,839 Speaker 3: Can I ask, how aware are you during the show 1385 01:15:20,680 --> 01:15:22,000 Speaker 3: that we're being recorded? 1386 01:15:22,880 --> 01:15:25,240 Speaker 2: Oh? That's interesting, not at all. 1387 01:15:25,479 --> 01:15:28,880 Speaker 1: Oh I am so aware of it, Okay, I as 1388 01:15:29,080 --> 01:15:31,880 Speaker 1: I've said, I'm so in the moment with this audience. 1389 01:15:32,280 --> 01:15:36,559 Speaker 1: I'm looking at people in the front row resting their 1390 01:15:36,640 --> 01:15:38,880 Speaker 1: cheek on their fists. 1391 01:15:39,240 --> 01:15:41,840 Speaker 7: Yes, just like their friends that the show's going so well. 1392 01:15:42,000 --> 01:15:44,720 Speaker 3: Yes, And just like in awe that they got to 1393 01:15:44,760 --> 01:15:47,840 Speaker 3: get down here, that they get to participate in this, 1394 01:15:49,160 --> 01:15:52,200 Speaker 3: and so the idea that we were being recorded there 1395 01:15:52,280 --> 01:15:55,599 Speaker 3: was absolutely no room in my brain for that thought. 1396 01:15:55,840 --> 01:16:00,439 Speaker 3: I have obviously a very long history of stage performing. 1397 01:16:00,479 --> 01:16:03,920 Speaker 3: I've done ten thousand improv shows. Some of them have 1398 01:16:04,080 --> 01:16:09,679 Speaker 3: gone well, some have it. Sometimes with people I have 1399 01:16:09,800 --> 01:16:12,040 Speaker 3: a ton of respect for. I'm getting a chance to 1400 01:16:12,080 --> 01:16:15,080 Speaker 3: improvise with or someone important in the audience, and who knows, 1401 01:16:15,120 --> 01:16:16,559 Speaker 3: you know, could go one way or the other. 1402 01:16:17,920 --> 01:16:20,200 Speaker 2: But the one thing I do know during. 1403 01:16:19,960 --> 01:16:22,639 Speaker 3: All of them is that as soon as I get 1404 01:16:22,640 --> 01:16:24,959 Speaker 3: off stage, it will be over forever. 1405 01:16:25,560 --> 01:16:27,760 Speaker 2: But in this case, we get to live in it. 1406 01:16:28,040 --> 01:16:28,759 Speaker 2: It's a feeling. 1407 01:16:28,880 --> 01:16:31,480 Speaker 3: The feeling I'm having is what I'm sort of familiar 1408 01:16:31,520 --> 01:16:35,519 Speaker 3: with of being on stage and having, you know, this 1409 01:16:35,680 --> 01:16:38,600 Speaker 3: type of audience reaction and this type of you know, 1410 01:16:38,880 --> 01:16:42,680 Speaker 3: judgment of myself and my own abilities and performance, but 1411 01:16:43,000 --> 01:16:46,800 Speaker 3: also with the added sort of twist on it that 1412 01:16:47,640 --> 01:16:53,920 Speaker 3: it's gonna be around forever, and your enemies could listen 1413 01:16:53,960 --> 01:16:56,519 Speaker 3: to it as many times as they want, They can 1414 01:16:56,720 --> 01:16:59,960 Speaker 3: send it to each other and sort of fuel their 1415 01:17:00,000 --> 01:17:03,439 Speaker 3: own hatred for me by going like, Wow, he's done 1416 01:17:03,479 --> 01:17:03,920 Speaker 3: it again. 1417 01:17:04,080 --> 01:17:08,840 Speaker 4: This guy can't be stopped. He's so funny good. 1418 01:17:09,720 --> 01:17:12,800 Speaker 1: So I am hearing that we should wrap up. Comic 1419 01:17:12,840 --> 01:17:16,120 Speaker 1: Con is over. We have been here for twenty days. 1420 01:17:17,040 --> 01:17:19,479 Speaker 1: Everyone's bosses called me to say that you have all 1421 01:17:19,520 --> 01:17:23,920 Speaker 1: lost your jobs. But it was worth it, I guess, 1422 01:17:23,960 --> 01:17:25,400 Speaker 1: and we should. Yeah, let's do. 1423 01:17:25,439 --> 01:17:28,360 Speaker 2: Our big You guys are closing card. You guys are 1424 01:17:28,360 --> 01:17:29,040 Speaker 2: gonna believe this. 1425 01:17:29,320 --> 01:17:32,400 Speaker 6: As shadow Cat kills the son of Jean Gray and 1426 01:17:32,880 --> 01:17:38,640 Speaker 6: and Psycops from the sky comes the character Askani, the 1427 01:17:38,760 --> 01:17:42,000 Speaker 6: last hope of her dying future era. Askani made a 1428 01:17:42,040 --> 01:17:46,040 Speaker 6: dangerous journey to the past to save the son of Cyclops. 1429 01:17:46,479 --> 01:17:49,760 Speaker 6: We sat him in her time where he became the 1430 01:17:49,800 --> 01:17:54,519 Speaker 6: warrior called Cable father of me. 1431 01:17:55,360 --> 01:18:01,000 Speaker 2: Hey, guys, it's Tyler. I love my bad. 1432 01:18:02,600 --> 01:18:06,960 Speaker 5: Thank you good ba. 1433 01:18:08,040 --> 01:18:12,679 Speaker 1: So complicated moment for me, if I can trace back 1434 01:18:12,720 --> 01:18:15,320 Speaker 1: to it, there is, you know, the feeling that the 1435 01:18:15,320 --> 01:18:19,960 Speaker 1: show is about to end. There's excitement that comes with that, 1436 01:18:20,000 --> 01:18:21,680 Speaker 1: but also the feeling of like, as soon as I 1437 01:18:21,760 --> 01:18:25,120 Speaker 1: get off stage now I have to fully wreck it 1438 01:18:25,640 --> 01:18:27,600 Speaker 1: with the emotional impact of this. 1439 01:18:27,720 --> 01:18:28,000 Speaker 2: For me. 1440 01:18:28,479 --> 01:18:30,800 Speaker 1: While I'm on stage, I have to at least keep 1441 01:18:31,080 --> 01:18:34,759 Speaker 1: like working, but I'm worried about the period of rest 1442 01:18:34,800 --> 01:18:37,440 Speaker 1: because again, it was so emotional. 1443 01:18:37,600 --> 01:18:42,840 Speaker 3: It's intense, and there is not much time for any 1444 01:18:42,880 --> 01:18:46,719 Speaker 3: sincere self reflection while you're actively on stage. Yeah, you're 1445 01:18:47,360 --> 01:18:51,040 Speaker 3: the very active observing an object, changes the object. 1446 01:18:51,240 --> 01:18:53,439 Speaker 2: Yes, so I. 1447 01:18:53,400 --> 01:18:56,880 Speaker 3: Know that, and I know I'm going to get immediately 1448 01:18:56,920 --> 01:19:00,920 Speaker 3: off stage and share a moment with you. I'm going 1449 01:19:00,960 --> 01:19:03,839 Speaker 3: to have the extremely comfortable experience of all the TBS 1450 01:19:03,920 --> 01:19:04,960 Speaker 3: people telling me how. 1451 01:19:04,840 --> 01:19:05,479 Speaker 2: Good it was. 1452 01:19:05,720 --> 01:19:10,360 Speaker 3: Yeah, that was fun, over and over again so many times. Yes, 1453 01:19:12,160 --> 01:19:14,360 Speaker 3: I'm going to be asked to do some weird interview thing, 1454 01:19:14,960 --> 01:19:17,400 Speaker 3: a twenty minute interview, a twenty minute interview that took 1455 01:19:17,439 --> 01:19:21,799 Speaker 3: forty minutes about our comedy style, Yeah, which was great, 1456 01:19:21,880 --> 01:19:25,200 Speaker 3: and reassured throughout all that that we were just so 1457 01:19:25,320 --> 01:19:29,720 Speaker 3: good on stage. Then you know, I'll have time with you, 1458 01:19:30,560 --> 01:19:33,040 Speaker 3: will go eat some food. 1459 01:19:33,920 --> 01:19:36,600 Speaker 2: Very kind of quiet taco loudge uh huh, and. 1460 01:19:37,000 --> 01:19:39,280 Speaker 3: Sort of like you know, like shaking each other's shoulders 1461 01:19:39,280 --> 01:19:41,680 Speaker 3: a bit like hey, you know, I'm crazy, but. 1462 01:19:42,080 --> 01:19:45,920 Speaker 2: We're ultimately were we pump into the fan? Oh yeah? Well, 1463 01:19:46,120 --> 01:19:48,800 Speaker 2: But ultimately, what I know is that at some. 1464 01:19:48,880 --> 01:19:53,799 Speaker 4: Point I will get home and be alone with my thoughts. 1465 01:19:55,880 --> 01:19:59,080 Speaker 1: I would like to dig by the way, a fan 1466 01:19:59,160 --> 01:20:01,760 Speaker 1: of ours named who we happened to run into it 1467 01:20:01,760 --> 01:20:05,240 Speaker 1: Attago Place, had not gone to the show, which is why. 1468 01:20:05,080 --> 01:20:08,800 Speaker 2: He was still a fan. And he I know he 1469 01:20:08,960 --> 01:20:09,320 Speaker 2: was fake. 1470 01:20:09,400 --> 01:20:12,560 Speaker 1: I know he was planted by Adam Sachs or somebody 1471 01:20:12,640 --> 01:20:16,559 Speaker 1: to basically keep us alive for another day. Who said 1472 01:20:16,600 --> 01:20:19,320 Speaker 1: that he really liked the show and he was really 1473 01:20:19,360 --> 01:20:23,720 Speaker 1: excited to see us Gage, I know whatever you were 1474 01:20:23,760 --> 01:20:27,160 Speaker 1: compensated to say that you did a great job and 1475 01:20:27,240 --> 01:20:28,240 Speaker 1: should have page a double. 1476 01:20:28,360 --> 01:20:33,439 Speaker 2: You are my best friend. So sorry to everyone who. 1477 01:20:33,280 --> 01:20:36,519 Speaker 1: Didn't get to go, who feels like they wish they 1478 01:20:36,520 --> 01:20:38,559 Speaker 1: had been. They wish they had been there to hear me. 1479 01:20:38,960 --> 01:20:40,400 Speaker 1: Do you think they gave Gauge. 1480 01:20:40,160 --> 01:20:42,360 Speaker 3: A fake name that's kind of like the name Cable 1481 01:20:42,720 --> 01:20:45,080 Speaker 3: as a little wink to the show. 1482 01:20:44,560 --> 01:20:46,760 Speaker 1: Just so we would know that in the back of 1483 01:20:46,800 --> 01:20:50,680 Speaker 1: our minds that it was fake. Yes, I'm sure you 1484 01:20:50,760 --> 01:20:54,519 Speaker 1: wish you got to hear me say that this isn't 1485 01:20:54,560 --> 01:20:59,599 Speaker 1: how they normally do Marvel movies. Seventy eight ten times 1486 01:21:00,200 --> 01:21:02,439 Speaker 1: hear sure. I go back to the cards. 1487 01:21:02,560 --> 01:21:07,320 Speaker 3: Hear me read the cards, hear me make just these 1488 01:21:07,320 --> 01:21:14,519 Speaker 3: sort of weak wordplay line, semi jokes as just a 1489 01:21:14,680 --> 01:21:17,080 Speaker 3: thing that I thought of that I could say that 1490 01:21:17,160 --> 01:21:21,719 Speaker 3: it's technically in the same neighborhood as comedy, just. 1491 01:21:21,640 --> 01:21:26,760 Speaker 1: A show about searching for answers. I'm a little it's 1492 01:21:26,800 --> 01:21:31,000 Speaker 1: bittersweet to close the book on this now and to 1493 01:21:31,640 --> 01:21:32,479 Speaker 1: try and move on. 1494 01:21:33,720 --> 01:21:35,639 Speaker 4: But how do we come in next week? 1495 01:21:35,800 --> 01:21:38,640 Speaker 2: Yeah, you know, try to do a normal show and 1496 01:21:39,000 --> 01:21:39,680 Speaker 2: we haven't. 1497 01:21:39,439 --> 01:21:43,599 Speaker 1: Peeked, but you have to. You just have to keep 1498 01:21:44,040 --> 01:21:46,080 Speaker 1: moving on. It's a lot like life own. 1499 01:21:46,160 --> 01:21:48,320 Speaker 3: To all the new listeners who are fans of patent, 1500 01:21:49,080 --> 01:21:50,040 Speaker 3: goodbye bye,