WEBVTT - Cary Joji Fukunaga

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<v Speaker 1>Welcome to River Cafe Table four, a production of iHeartRadio

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<v Speaker 1>and Adami Studios.

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<v Speaker 2>A conversation takes place every Thursday morning between me and

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<v Speaker 2>Carrie Fucanaga. It begins like this, what are we going

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<v Speaker 2>to cook on Sunday night?

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<v Speaker 3>You call it dramatic. It does look like a murder scene.

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<v Speaker 3>It's like you're trying to hide the body of the fish.

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<v Speaker 3>It's somehow been revealed by the elements.

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<v Speaker 2>It is a whole fish covered in salt. It's kind

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<v Speaker 2>of an eccentric recipe, isn't it. That is kind of weird.

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<v Speaker 2>Ever since February twenty first, when Carrie came back to

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<v Speaker 2>London to direct the series Masters of the Air, we

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<v Speaker 2>have cooked dinner together for the same group of six

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<v Speaker 2>friends for twenty four Sundays.

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<v Speaker 3>I hadn't thought about it as being dramatic before I

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<v Speaker 3>picked it, but I suppose there's a whole theatrical element

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<v Speaker 3>to it. I remember seeing the way people do it

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<v Speaker 3>in Italy, for example, and they sit there and they

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<v Speaker 3>crack open the sawt and it's a whole process, and then

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<v Speaker 3>using the two spoons, you know, slowly pulling off that soft,

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<v Speaker 3>juicy flesh that retains all of its moisture.

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<v Speaker 2>You are destroying the evidence.

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<v Speaker 3>Afterwards, especially you.

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<v Speaker 2>Didn't say when you serve it and then you crack

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<v Speaker 2>it open. Maybe nobody would know that.

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<v Speaker 3>All the best food he destroyed the evidence.

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<v Speaker 2>We destroy the evidence. Right now. If my voice sounds hoarse,

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<v Speaker 2>it's due to celebrating the premiere of No Time to Die,

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<v Speaker 2>including a screening in Monaco where we all planned not

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<v Speaker 2>just what to wear, where to stay, but what we

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<v Speaker 2>were going to eat. Carrie flew on to New York

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<v Speaker 2>for more Bond, and the first text I received from

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<v Speaker 2>him was a photo of a tomato sauce he'd made

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<v Speaker 2>on arrival. Everyone knows Carrie is a great writer and

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<v Speaker 2>a great director. I know Carrie is a great cook.

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<v Speaker 2>Your mother was Swedish and your father Japanese.

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<v Speaker 3>My mom was like a Midwestern Swede essentially, you know,

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<v Speaker 3>and so like for her cooking was like I think,

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<v Speaker 3>very Midwestern, but like for Christmas, her gift to people

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<v Speaker 3>would be doing a Swedish meatball mix, you know, and

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<v Speaker 3>give the sort of spice package away to people so

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<v Speaker 3>they can make, you know, Swedish meatballs. My dad had

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<v Speaker 3>kind of his go to favorites One of the things,

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<v Speaker 3>like when I started going to friends houses and seeing

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<v Speaker 3>other people lived it was different, was that no matter

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<v Speaker 3>what my dad made it could be spaghetti, he still

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<v Speaker 3>had rice with the meal, spaghetti with rice, always rice.

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<v Speaker 3>One was white rice inside within the rice maker all

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<v Speaker 3>the time. And then in the morning there was always

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<v Speaker 3>rice fried rice for breakfast.

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<v Speaker 2>So and did he grow up?

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<v Speaker 3>Was he born in Japan or I know he So

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<v Speaker 3>he's third generation, which makes me fourth generation, and my

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<v Speaker 3>grandparents are considered niece second generation, but they're kind of

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<v Speaker 3>a special class because they were sent back to Japan

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<v Speaker 3>for their education. So it's a different name, which was Kibe,

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<v Speaker 3>and so they're more Japanese, I would say, than American.

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<v Speaker 3>They would speak Japanese to each other and uh do

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<v Speaker 3>you speak Japanese? Uh? You know, like like my dad's generation,

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<v Speaker 3>they understand it, but they can't speak it. And then

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<v Speaker 3>my generation, if we speak, it's because we learned in school.

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<v Speaker 3>So I studied after university and lived in Japan for

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<v Speaker 3>a while. I was teaching English and French and snowboarding,

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<v Speaker 3>so it's great. I was living in Hokkaido, which was

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<v Speaker 3>like a really did you say snowboarding? Yeah? Snowboarding. So

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<v Speaker 3>you're in the ski area of Yakaido, like northern Northern Island.

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<v Speaker 2>Is it a regional Japanese food? Can would you have

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<v Speaker 2>a different kind of It's very regionally. Yeah. What what

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<v Speaker 2>was it like then?

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<v Speaker 3>Well, it's a lot of fresh vegetables, soba especially, which

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<v Speaker 3>is a big part of New Year soba uni, a

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<v Speaker 3>lot of uni from Hokkaido. So it's just seafood in general.

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<v Speaker 3>But yeah, I would say the buckwheat and the uni

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<v Speaker 3>are like the two things I think of when I

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<v Speaker 3>think of Hokkaido. After Hokkaido, I think q Shoe for

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<v Speaker 3>me has like the next sort of most distinct sort

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<v Speaker 3>of food.

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<v Speaker 2>Where is that.

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<v Speaker 3>Q Sho's an island in the south. My family's from

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<v Speaker 3>the southern part of Hanshu. They're from the last county

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<v Speaker 3>the bottom of han Shoe, which is Yamaguchi, which is

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<v Speaker 3>right next to Hiroshima, and Qshu is kind of in

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<v Speaker 3>that region. And Qshu, for example, one of the things

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<v Speaker 3>they're known for is, aside from also a lot of

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<v Speaker 3>different fish and produce, is horse meat. For example, horse

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<v Speaker 3>sashimi is a specialty there. I really like it, you know,

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<v Speaker 3>it comes in a kind of you dip it in

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<v Speaker 3>sort of a sweeter soy sauce sometimes with like you know,

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<v Speaker 3>green onions. It's not super tender, but it's also not

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<v Speaker 3>you know, it's similar to beef chuck. I remember I

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<v Speaker 3>had this moment the last time I was in Tokyo

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<v Speaker 3>for work, where I was at a kind of a

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<v Speaker 3>group dinner and there was a guy sitting across from

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<v Speaker 3>me that he was half Asian like me, and I

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<v Speaker 3>think he was trying to have one of those like

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<v Speaker 3>who's more exotic kind of competitions of me, and I

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<v Speaker 3>didn't realize it was happening until until he was kind

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<v Speaker 3>of like, you know, what's the weirdest thing you've ever

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<v Speaker 3>had or eaten? And I was like, I think the

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<v Speaker 3>two strangest things I can imagine eating are either like

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<v Speaker 3>whale blubber or spiders. Okay, and whale blobber is in Alaska.

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<v Speaker 3>A buddy of mine I was in film school with

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<v Speaker 3>he was intuit, and he eat the whale blubber when

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<v Speaker 3>you're on the ice because it actually has a lot

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<v Speaker 3>of calories and it keeps you warm. And the spider

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<v Speaker 3>was kind of an anomaly that when I was traveling

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<v Speaker 3>in Cambodia late nineties, actually with the Japanese guy that

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<v Speaker 3>met one of the hostels. We were motorcyclan across the country.

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<v Speaker 3>He wanted a detour to this town that was known

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<v Speaker 3>for its stir fried sort of spiders. These giant spiders

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<v Speaker 3>to me, yeah, tasted like crab crab.

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<v Speaker 2>I was gonna say, there's you know, we crab liked spiders,

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<v Speaker 2>not a spider like spider.

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<v Speaker 3>But he wanted to one up me and he's like, well,

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<v Speaker 3>have you ever had horse? Oh?

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<v Speaker 2>And you said?

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<v Speaker 3>I said I hadn't, you know? And he was really

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<v Speaker 3>satisfied that he'd eaten a lot of horse, and I

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<v Speaker 3>just wasn't sure. Really did he win that competition?

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<v Speaker 2>I think he won that competition.

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<v Speaker 3>He won that competition.

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<v Speaker 2>Didn't Maybe I had to say that you might have

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<v Speaker 2>lost having played cards with you, that you might have

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<v Speaker 2>lost that. What did spiders taste like?

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<v Speaker 3>The ones I had in Cambodia were so covered in sauce.

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<v Speaker 3>They mainly tasted like this, with a kind of a

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<v Speaker 3>crunchy texture, with the white meat of a spider inside

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<v Speaker 3>of the legs. The body was pretty gross. I have

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<v Speaker 3>to say, it wasn't mine. Maybe it's an acquired taste.

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<v Speaker 2>Welcome back to River Cafe Table four.

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<v Speaker 3>I was in Mexico in January. I was in Naith,

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<v Speaker 3>so it was on the Pacific coast.

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<v Speaker 2>Do you love the food of Mexico?

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<v Speaker 3>I do. Actually, I realized when I was there how

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<v Speaker 3>much I missed it.

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<v Speaker 2>I was shocked by it. Not shocked, but the only

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<v Speaker 2>Mexican food that I'd had before I went to Mexico

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<v Speaker 2>was that kind of Mexican food where you get so

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<v Speaker 2>many dishes on a plate and it's also heavy, and

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<v Speaker 2>then you go and it's so so clean, fine, and

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<v Speaker 2>I love the breakfast.

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<v Speaker 3>Oh yeah, when I was so when I made Seen Numbre,

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<v Speaker 3>we were based in Mexico City lot and when we

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<v Speaker 3>drive to the studio, a lot of the early morning

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<v Speaker 3>sort of commuter would stop at these vendors and get

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<v Speaker 3>in line and order this like sort of steaming milky drink.

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<v Speaker 3>And I didn't know what it was, and so I asked,

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<v Speaker 3>you know, our location scout, if we could stop one

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<v Speaker 3>time and have this. And it was a kind of

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<v Speaker 3>a corn meal drink with cinnamon and sugar that was

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<v Speaker 3>just delicious. And from every day on after that, I

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<v Speaker 3>would stop. My breakfast would be to have some of that.

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<v Speaker 2>Did you cook? On set?

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<v Speaker 3>They have this thing in Mexico you do with your

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<v Speaker 3>crews which is different than the States, which is you

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<v Speaker 3>work a six day week, with the six days just

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<v Speaker 3>a half day, and at the end of the half day,

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<v Speaker 3>it's not a written rule, but it's an expected rule

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<v Speaker 3>that you have what's called a snack, and a snack

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<v Speaker 3>is not like peanut butter on toast and hand it around.

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<v Speaker 3>It's beer and tequila and a cook to launch and

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<v Speaker 3>the entire crew kind of basically gets drunk together and

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<v Speaker 3>hangs out and you sort of it's a bonding moment.

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<v Speaker 3>You get your any kind of tension that was building

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<v Speaker 3>up out for the week, and then I'm sure a

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<v Speaker 3>lot of new relationships started out as well. But the

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<v Speaker 3>snack was like one of the best parts of the

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<v Speaker 3>filming week. And you had the rest of Saturday to

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<v Speaker 3>recover and Sunday and then start working on Monday, and

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<v Speaker 3>you know, usually like the rest of Saturday was usually

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<v Speaker 3>driven by pace our production designer, you know, you know,

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<v Speaker 3>leading the parade into whatever kind of shenanigans Mexico City

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<v Speaker 3>offered on a Saturday it's like really common, I think

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<v Speaker 3>in Latin America tonight dinner until after ten pm or

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<v Speaker 3>eleven pm. And I was talking to a friend of

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<v Speaker 3>mine about they invited me over for brunch and the

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<v Speaker 3>idea of like breakfast in the between breakfast and lunch

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<v Speaker 3>is brunch, and there's lunch, and they had never heard

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<v Speaker 3>of the term liner linar, which is lunch between lunch

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<v Speaker 3>and dinner. Yeah, right, which then got us thinking about

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<v Speaker 3>with then what's between dinner and breakfast? And then then

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<v Speaker 3>it's just dick fist. And then we realized that the

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<v Speaker 3>dick fist really was the two or three a am,

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<v Speaker 3>you know, food you had after going out to a

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<v Speaker 3>bar or a club or whatever. And now, you know,

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<v Speaker 3>one year of lockdown, none of us could remember the

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<v Speaker 3>last time we had dick fist.

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<v Speaker 2>Yeah, when did you have fist?

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<v Speaker 3>Thus, I really don't think it's got to be at

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<v Speaker 3>least three years now, because I was also just working

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<v Speaker 3>so hard before before lockdown. But actually that's not true.

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<v Speaker 3>On our night shoots to be at thick fist at

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<v Speaker 3>four or five am meals. But in Mexico, what I

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<v Speaker 3>loved was, you know, after a hard night out, you'd

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<v Speaker 3>go there's a cold place you'd go. So either like

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<v Speaker 3>if you're in Guadalajara, you'd go out and you'd have

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<v Speaker 3>tacos made of a tongue, like two or three in

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<v Speaker 3>the morning, which are just delicious, like really really tender meat,

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<v Speaker 3>you know, in a great way to sort of like

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<v Speaker 3>cap off, you know, whatever hangover you might have the

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<v Speaker 3>next day. But in Mexico City, you'd go to this

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<v Speaker 3>place it was like called the Blind Goat or something

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<v Speaker 3>like that, and you'd have tacosa pastor that's that it's

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<v Speaker 3>at Pastor to be the one that's sort of you'd

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<v Speaker 3>probably equate it to the kind of schwarma you'd seen

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<v Speaker 3>the Middle East, where the meats cooking on a vertical

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<v Speaker 3>skewer slowly rotating as a pineapple on top. But I

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<v Speaker 3>think what really makes it popular it's the sauce they

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<v Speaker 3>put on top, and it's kind of like a brown

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<v Speaker 3>sort of pepper driven chili pepper driven sauce, and it's

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<v Speaker 3>just smoky and delicious and rich with that little bit

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<v Speaker 3>of pineapple the meat and that sauce and the corn

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<v Speaker 3>to teas. It was like the perfect time in the morning.

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<v Speaker 3>Would that be anywhere from like two to five am,

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<v Speaker 3>you know, until the sun was coming up.

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<v Speaker 2>Yeah. Do you go to restaurants when you're filming? Dude?

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<v Speaker 2>Like not used to come to the Riverman cafes often could.

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<v Speaker 3>Yeah, you know we used to have a kind of

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<v Speaker 3>like every now and then a kind of crew catch

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<v Speaker 3>up dinner just to get all on the same page

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<v Speaker 3>while having good pizzas and wine and yeah, do you.

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<v Speaker 2>Work over food? Do you like have a beale out

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<v Speaker 2>to just you would did that?

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<v Speaker 3>But we ate in a lot. We had a lot

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<v Speaker 3>of late dinners at Pinewood, you know on Bond where

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<v Speaker 3>the producers and Daniel and I would be there working

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<v Speaker 3>on the script and just trying to sort out all

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<v Speaker 3>the kind of you know, dilemmas we had in front

0:10:45.320 --> 0:10:46.400
<v Speaker 3>of us used to get through it.

0:10:46.600 --> 0:10:49.040
<v Speaker 2>Are the dinner scenes in the movie? Are the food

0:10:49.040 --> 0:10:49.840
<v Speaker 2>scenes in the movie.

0:10:49.880 --> 0:10:51.959
<v Speaker 3>There is a food scene in the movie. It was

0:10:52.000 --> 0:10:54.400
<v Speaker 3>an interrupted food scene because and.

0:10:54.400 --> 0:10:57.960
<v Speaker 2>Two Detective my favorite of all time. There's a scene

0:10:58.520 --> 0:11:01.880
<v Speaker 2>where he's with his wife with Matthew mcgonfy. He isn't

0:11:01.920 --> 0:11:04.440
<v Speaker 2>he isn't a diner and there's no food and they're

0:11:04.440 --> 0:11:07.240
<v Speaker 2>talking about something really personal about there.

0:11:07.600 --> 0:11:09.679
<v Speaker 3>He's at a scene with Michelle on a hand kind

0:11:09.720 --> 0:11:12.200
<v Speaker 3>of deeper in the diner. But early, I think in

0:11:12.280 --> 0:11:16.720
<v Speaker 3>episode one, he comes over to dinner at Woody Harrelson's

0:11:16.760 --> 0:11:20.599
<v Speaker 3>character's house. Yeah, he drinks a little too much, or

0:11:20.600 --> 0:11:23.400
<v Speaker 3>he shows up I think a little bit drunk. But

0:11:23.480 --> 0:11:26.160
<v Speaker 3>what was interesting about shooting that scene is Woody, for example,

0:11:26.640 --> 0:11:29.800
<v Speaker 3>doesn't eat meat. In fact, he's vegan, and we were

0:11:29.800 --> 0:11:33.160
<v Speaker 3>having spaghetti, and so we had to figure out a

0:11:33.160 --> 0:11:35.440
<v Speaker 3>different set of noodles for him, and we ended up

0:11:35.480 --> 0:11:39.640
<v Speaker 3>using these kind of spaghetti squash for his But I

0:11:39.640 --> 0:11:41.400
<v Speaker 3>remember when we were shooting it and he was chewing

0:11:41.400 --> 0:11:45.200
<v Speaker 3>and talking. You know, spaghetti squash has a distinct crunchy sound,

0:11:45.800 --> 0:11:47.120
<v Speaker 3>you know when you're eating, and so in the scene

0:11:47.160 --> 0:11:49.880
<v Speaker 3>you have this. Actually I find it's a really pleasing sound,

0:11:50.280 --> 0:11:52.200
<v Speaker 3>you know, as wood he's eating his food, it's got

0:11:52.240 --> 0:11:55.160
<v Speaker 3>a nice kind of like hearty, kind of like you know,

0:11:55.320 --> 0:11:58.560
<v Speaker 3>jaw and cutting kind of sound to it. And everyone

0:11:58.600 --> 0:12:01.080
<v Speaker 3>else's kind of that sloppy nowdlely sound, you know as

0:12:01.080 --> 0:12:01.559
<v Speaker 3>they're eating.

0:12:01.800 --> 0:12:04.319
<v Speaker 2>Did Jane I have a food food.

0:12:04.120 --> 0:12:07.600
<v Speaker 3>Movies, the home economist who makes the food on a movie,

0:12:07.720 --> 0:12:10.439
<v Speaker 3>And we had an amazing one on Jane Eyre, who

0:12:10.520 --> 0:12:14.000
<v Speaker 3>made this ham, the sort of Christmas ham for a

0:12:14.080 --> 0:12:17.920
<v Speaker 3>scene when Blanche Ingram arrives with this big party. So

0:12:17.960 --> 0:12:19.720
<v Speaker 3>the house is sort of buzz preparing all the food,

0:12:19.760 --> 0:12:21.120
<v Speaker 3>and they had this ham there and I was just

0:12:21.400 --> 0:12:23.079
<v Speaker 3>we're prepping the scene. I just happened to take a

0:12:23.120 --> 0:12:24.720
<v Speaker 3>little slice of it just to see how it tasted.

0:12:25.120 --> 0:12:26.920
<v Speaker 3>And it was probably one of the best hams I've

0:12:26.960 --> 0:12:29.040
<v Speaker 3>ever had, And over the course of the scene that

0:12:29.040 --> 0:12:32.600
<v Speaker 3>I have got smaller and smaller eating and I liked

0:12:32.600 --> 0:12:34.959
<v Speaker 3>this so much. I literally sought out the home economists

0:12:35.000 --> 0:12:37.040
<v Speaker 3>after we're done, just to get the recipe to that ham,

0:12:37.120 --> 0:12:39.480
<v Speaker 3>because it was she did, Yeah, oh, let's make it.

0:12:39.559 --> 0:12:40.719
<v Speaker 3>I've never made it, but I want to know.

0:12:40.880 --> 0:12:44.719
<v Speaker 2>Okay, if you have it somewhere, we could try make that. Yeah,

0:12:44.880 --> 0:12:47.280
<v Speaker 2>I was trying to think about food in movies. I

0:12:47.320 --> 0:12:49.640
<v Speaker 2>mean again, it goes back to the drama of the

0:12:49.679 --> 0:12:53.600
<v Speaker 2>sea bass and salt, and the drama of feeding people

0:12:53.640 --> 0:12:56.679
<v Speaker 2>and the drama of watching them respond. You know, your

0:12:57.000 --> 0:12:59.920
<v Speaker 2>creativity is there forever, we can watch the first movie

0:13:00.160 --> 0:13:02.400
<v Speaker 2>ever made and it lasts. And I also think that

0:13:02.480 --> 0:13:06.000
<v Speaker 2>I make something I'm really proud of and then it's gone. No,

0:13:06.080 --> 0:13:07.120
<v Speaker 2>it's over.

0:13:07.200 --> 0:13:07.920
<v Speaker 3>It's very different.

0:13:08.920 --> 0:13:10.920
<v Speaker 2>Cook and you cook, and then they eat it, and

0:13:10.920 --> 0:13:12.760
<v Speaker 2>then it's it's over done. It's over.

0:13:12.920 --> 0:13:15.000
<v Speaker 3>You know, there is something I think more meaningful in

0:13:15.080 --> 0:13:19.040
<v Speaker 3>things that don't last, because you're forced to appreciate it

0:13:19.080 --> 0:13:23.160
<v Speaker 3>in the brief moments it exists. And there's the immortality

0:13:23.200 --> 0:13:26.400
<v Speaker 3>of film. So if you think about like Sunset Boulevard,

0:13:26.440 --> 0:13:29.560
<v Speaker 3>Glorious Wanson walking down the stairwell saying I'm ready for

0:13:29.600 --> 0:13:31.840
<v Speaker 3>my close up, she will always be that age for

0:13:31.880 --> 0:13:33.800
<v Speaker 3>the people who watch that film. You know, even if

0:13:33.840 --> 0:13:37.840
<v Speaker 3>she's long gone. There is something special about it existing forever.

0:13:37.880 --> 0:13:41.760
<v Speaker 3>But then because it's it exists forever, sometimes people may

0:13:41.800 --> 0:13:44.200
<v Speaker 3>not watch it because they can just keep pushing off

0:13:44.280 --> 0:13:45.680
<v Speaker 3>till the at a time where it's a great meal.

0:13:45.960 --> 0:13:47.800
<v Speaker 3>You can't delay that. You have to appreciate it while

0:13:47.800 --> 0:13:48.320
<v Speaker 3>it exists.

0:13:51.120 --> 0:13:53.320
<v Speaker 2>And also, it's memory, isn't it. I'm just when you

0:13:53.320 --> 0:13:56.000
<v Speaker 2>were talking about your father or your mother or going

0:13:56.040 --> 0:14:06.120
<v Speaker 2>to a restaurant. It's the memories. I was trying to

0:14:06.120 --> 0:14:08.400
<v Speaker 2>think when we met and it was a dinner, it

0:14:08.480 --> 0:14:11.040
<v Speaker 2>was very the river cafe was actually cooking the meat

0:14:12.040 --> 0:14:13.880
<v Speaker 2>and it was a dinner for Jake, Jill and all,

0:14:14.080 --> 0:14:20.080
<v Speaker 2>and it was given by Cartier Jewelry shop, and we

0:14:20.080 --> 0:14:24.880
<v Speaker 2>were sitting there, yeah, in this fancy place, and I

0:14:24.920 --> 0:14:27.280
<v Speaker 2>remember I was introduced to you, and I said, well,

0:14:27.600 --> 0:14:29.480
<v Speaker 2>how long do I have to wait until I tell

0:14:29.520 --> 0:14:32.640
<v Speaker 2>you that the first season of True Detective changed my

0:14:32.720 --> 0:14:35.000
<v Speaker 2>life or whatever? But I think that it's nice that

0:14:35.000 --> 0:14:36.920
<v Speaker 2>we met over food and we talk about food, and

0:14:36.960 --> 0:14:39.360
<v Speaker 2>then I think the first text message that you sent

0:14:39.400 --> 0:14:42.480
<v Speaker 2>me was a photograph of tomato sauce that.

0:14:42.360 --> 0:14:44.920
<v Speaker 3>You've made, and the specifically the butter part of it,

0:14:45.560 --> 0:14:47.880
<v Speaker 3>that's right, which I don't know if I could say

0:14:47.880 --> 0:14:51.400
<v Speaker 3>that out loud, if that's a family secret. Well, the

0:14:51.440 --> 0:14:53.720
<v Speaker 3>secret is dropping in that stick of butter right before

0:14:53.720 --> 0:14:56.800
<v Speaker 3>it's being served in the Pomodoro sort of pasta mix

0:14:56.920 --> 0:14:58.960
<v Speaker 3>in the pot, you know. And I don't know why

0:14:59.040 --> 0:15:02.080
<v Speaker 3>it tastes better, but because butter probably be better taste it.

0:15:02.120 --> 0:15:04.120
<v Speaker 2>But what did that jag? You made it when you

0:15:04.200 --> 0:15:04.640
<v Speaker 2>used to cook.

0:15:04.800 --> 0:15:07.480
<v Speaker 3>I've never used butter before. That was it. I walked

0:15:07.480 --> 0:15:09.760
<v Speaker 3>away from that dinner we had, which is different dinner

0:15:10.200 --> 0:15:13.040
<v Speaker 3>with like, oh, I'm going to use this. I knew

0:15:13.080 --> 0:15:15.320
<v Speaker 3>I was going to use this again. I actually asked

0:15:15.360 --> 0:15:18.400
<v Speaker 3>another common friend I have with Jake, which is Greta Cruso.

0:15:19.480 --> 0:15:21.840
<v Speaker 3>I asked Greta for advice, like on a little napkin,

0:15:21.880 --> 0:15:24.440
<v Speaker 3>we're at a also at a dinner, trying to figure

0:15:24.480 --> 0:15:26.680
<v Speaker 3>out what's the best shape of the kitchen for someone

0:15:26.720 --> 0:15:28.680
<v Speaker 3>like me who's not professional cook by any means that

0:15:28.720 --> 0:15:30.400
<v Speaker 3>I like to cook and I like to have people

0:15:30.400 --> 0:15:33.920
<v Speaker 3>over and cook for multiple people. I think during lockdown

0:15:34.000 --> 0:15:36.320
<v Speaker 3>a lot of people experimented with different kinds of cooking

0:15:36.320 --> 0:15:39.960
<v Speaker 3>and baking and whatever. And I remember, as lockdown was

0:15:40.000 --> 0:15:42.280
<v Speaker 3>easying and people could come over to the house, I

0:15:42.360 --> 0:15:45.480
<v Speaker 3>decided to make ramen like tom Kotsu ramen, which was

0:15:45.520 --> 0:15:48.720
<v Speaker 3>like an eight day process to get that stock and everything,

0:15:48.720 --> 0:15:50.880
<v Speaker 3>you know, done by scratch, and then when you actually

0:15:50.880 --> 0:15:52.120
<v Speaker 3>serve the ram and you kind of have to do

0:15:52.160 --> 0:15:54.640
<v Speaker 3>the noodles right before you're serving a bowl, and all

0:15:54.640 --> 0:15:56.320
<v Speaker 3>these other sort of ingredients had to go and everything

0:15:56.360 --> 0:15:59.040
<v Speaker 3>has to be timed pretty precisely. I'd never done it before,

0:15:59.120 --> 0:16:01.040
<v Speaker 3>but I wanted to get it all right. So that

0:16:01.160 --> 0:16:04.360
<v Speaker 3>was actually pretty stressful and like I'd just done bond

0:16:04.360 --> 0:16:06.080
<v Speaker 3>and I don't think it ever felt that much stress

0:16:06.840 --> 0:16:09.880
<v Speaker 3>as I was preparing that bowl of ramen and hoping that.

0:16:09.880 --> 0:16:11.680
<v Speaker 2>It did you have? I was it for?

0:16:12.040 --> 0:16:14.720
<v Speaker 3>I ended up making like eight balls of ramen. Yeah yeah,

0:16:14.760 --> 0:16:16.880
<v Speaker 3>and then I still had enough like stock for about

0:16:17.000 --> 0:16:19.120
<v Speaker 3>thirty more people. I think that kind of killed my

0:16:19.600 --> 0:16:21.720
<v Speaker 3>cooking routine for lockdown, Like that was.

0:16:21.680 --> 0:16:23.920
<v Speaker 2>Like the kind Yeah, it's like people making a lot

0:16:23.920 --> 0:16:26.160
<v Speaker 2>of bread in lockdown too, weren't they. I think people

0:16:26.200 --> 0:16:28.760
<v Speaker 2>made a lot of food that took a long time,

0:16:28.920 --> 0:16:33.160
<v Speaker 2>that took the process, and certainly for the first lockdown here,

0:16:33.240 --> 0:16:36.680
<v Speaker 2>you couldn't buy flour apparently anywhere because everybody was making bread.

0:16:36.760 --> 0:16:38.960
<v Speaker 3>Yeah, because everyone was alone. You'd try to like do

0:16:39.480 --> 0:16:42.880
<v Speaker 3>almost like virtual meals together, Like my dad and I

0:16:42.920 --> 0:16:44.840
<v Speaker 3>did a virtual meal where we cooked the same thing,

0:16:44.920 --> 0:16:47.240
<v Speaker 3>but like you know, I'm obviously ahead of his time zone,

0:16:47.280 --> 0:16:49.760
<v Speaker 3>so it's my dinner, his lunch. And then like India

0:16:50.160 --> 0:16:53.000
<v Speaker 3>and I did a pasta for my lunch, her dinner,

0:16:53.080 --> 0:16:54.400
<v Speaker 3>you know, where we cooked the same things. So it

0:16:54.440 --> 0:16:56.280
<v Speaker 3>feels like really's got to eat together.

0:16:56.400 --> 0:16:58.400
<v Speaker 2>But what about your father and cooking? What was it

0:16:58.440 --> 0:17:01.760
<v Speaker 2>like growing up? Did your father cook? See the cook in.

0:17:02.080 --> 0:17:03.360
<v Speaker 3>He was the cook in the family, and like He

0:17:03.480 --> 0:17:07.160
<v Speaker 3>was the one we talk about careers or jobs, right,

0:17:07.160 --> 0:17:08.840
<v Speaker 3>He always had a job, never like a career that

0:17:08.880 --> 0:17:11.200
<v Speaker 3>he loved. And I think he always dreamed about opening

0:17:11.240 --> 0:17:14.120
<v Speaker 3>a restaurant one day, which never happened. But like enjoy

0:17:14.200 --> 0:17:16.919
<v Speaker 3>cooking and cooking for lots of people. And one of

0:17:16.920 --> 0:17:19.080
<v Speaker 3>our sort of like bonding things when I was a

0:17:19.160 --> 0:17:21.600
<v Speaker 3>kid was like trying to guess the ingredients of a

0:17:21.640 --> 0:17:23.960
<v Speaker 3>meal at a restaurant and so really to sit there

0:17:23.960 --> 0:17:25.680
<v Speaker 3>and taste the food and to try to break down

0:17:25.720 --> 0:17:28.840
<v Speaker 3>its particulars. There was this Cambodian restaurant we used to

0:17:28.880 --> 0:17:30.479
<v Speaker 3>go to when I was a kid that had this

0:17:30.720 --> 0:17:32.760
<v Speaker 3>one special kind of pork chop that had like the

0:17:32.800 --> 0:17:35.280
<v Speaker 3>best glaze, and we're always trying to figure out, you know,

0:17:35.320 --> 0:17:37.520
<v Speaker 3>what were the elements, you know, in the sauce that

0:17:38.000 --> 0:17:40.439
<v Speaker 3>created that flavor. Do you still do that, try to

0:17:40.440 --> 0:17:43.720
<v Speaker 3>guess the flavors? Yeah, definitely, yeah too, Yeah, yeah.

0:17:43.359 --> 0:17:45.639
<v Speaker 2>Because I think there's a real palette, you know, I

0:17:45.680 --> 0:17:48.200
<v Speaker 2>think of how I mean, it's interesting even with wine,

0:17:48.240 --> 0:17:50.320
<v Speaker 2>how people you know that thing. I used to go

0:17:50.359 --> 0:17:52.600
<v Speaker 2>and wine tastings with my again with Rose, and she

0:17:52.640 --> 0:17:57.359
<v Speaker 2>would say, you know this wine tastes of chocolate and cigarettes.

0:17:57.600 --> 0:17:59.600
<v Speaker 2>But it is it's all to do with the you know,

0:17:59.640 --> 0:18:03.040
<v Speaker 2>the memories and the associations and the taste of food.

0:18:03.480 --> 0:18:05.480
<v Speaker 2>And so I think that when we're you know, talking

0:18:05.480 --> 0:18:10.240
<v Speaker 2>about sort of being together and food and memories, there's

0:18:10.280 --> 0:18:12.960
<v Speaker 2>also the sense of comfort of food, there's excitement. You're

0:18:13.000 --> 0:18:15.720
<v Speaker 2>such a you're such an adventurous eater. I mean, I

0:18:15.760 --> 0:18:17.600
<v Speaker 2>have to say that. You know, I think you're a

0:18:17.680 --> 0:18:21.480
<v Speaker 2>pretty adventurous person, but you certainly are an adventurous eater.

0:18:21.600 --> 0:18:23.720
<v Speaker 2>You know, spiders and you know.

0:18:24.640 --> 0:18:26.280
<v Speaker 3>Whale blobber, whale blubber.

0:18:27.320 --> 0:18:28.320
<v Speaker 2>No, we didn't have the horse.

0:18:28.720 --> 0:18:29.560
<v Speaker 3>I don't horse.

0:18:31.640 --> 0:18:34.520
<v Speaker 2>I'd like to beat your friend on the scale of adventure.

0:18:34.600 --> 0:18:37.359
<v Speaker 2>He probably does with But you are, you are an

0:18:37.400 --> 0:18:41.240
<v Speaker 2>adventurous eater, and that's really that's it's it's fun.

0:18:41.320 --> 0:18:43.200
<v Speaker 3>Well, you know, I don't know if I do it

0:18:43.240 --> 0:18:46.960
<v Speaker 3>for the experience or the cloud is definitely from curiosity

0:18:47.400 --> 0:18:50.120
<v Speaker 3>as well. I mean I can the whale in particular,

0:18:50.160 --> 0:18:52.760
<v Speaker 3>I can. I'll never forget what whale tastes like?

0:18:52.760 --> 0:18:53.719
<v Speaker 2>What did it taste like?

0:18:53.840 --> 0:18:55.760
<v Speaker 3>Well, there's blubber, and then there's some kinds of fermented

0:18:55.800 --> 0:18:57.879
<v Speaker 3>meats as well, you know, and one of them is

0:18:57.920 --> 0:19:00.440
<v Speaker 3>you ferment, whether it's seal or whale. Me you can

0:19:00.560 --> 0:19:03.840
<v Speaker 3>ferment it. And it's blood, and that's probably even funkier,

0:19:03.920 --> 0:19:06.160
<v Speaker 3>Like the blubberer is kind of mellow compared to that.

0:19:06.280 --> 0:19:09.480
<v Speaker 3>But that taste of whale blood, that iron heavy whale

0:19:09.480 --> 0:19:12.199
<v Speaker 3>blood is so strong that when I went to Nantucket

0:19:12.359 --> 0:19:15.000
<v Speaker 3>years later, when I went to the Whaling Museum in Nantucket,

0:19:15.320 --> 0:19:18.199
<v Speaker 3>I could smell the blood on the presses in the

0:19:18.280 --> 0:19:20.400
<v Speaker 3>museum that hadn't been used in one hundred and fifty years,

0:19:20.480 --> 0:19:23.960
<v Speaker 3>just because there was enough residual. You know, if you've

0:19:23.960 --> 0:19:25.640
<v Speaker 3>never had whale but I don't know if you could

0:19:26.000 --> 0:19:27.440
<v Speaker 3>connect those sensations.

0:19:27.520 --> 0:19:30.480
<v Speaker 2>But so it stays in your state. That's again back

0:19:30.520 --> 0:19:34.520
<v Speaker 2>to the memory. Yeah, but did you like it? Did you?

0:19:34.840 --> 0:19:37.520
<v Speaker 2>Did you like the taste? Is it's something that you thought, this.

0:19:37.520 --> 0:19:40.120
<v Speaker 3>Is really probably not like it was one of those

0:19:40.119 --> 0:19:41.919
<v Speaker 3>things where, oh man, I really wish I had some

0:19:41.920 --> 0:19:44.800
<v Speaker 3>whale blubber right now. Yeah, I don't think that that

0:19:44.800 --> 0:19:47.520
<v Speaker 3>would ever occur, but it really was. When we were

0:19:47.680 --> 0:19:51.800
<v Speaker 3>out negative thirty, negative fifty degree environments, it kept you warm.

0:19:51.800 --> 0:19:53.959
<v Speaker 3>It really you felt the heat coming from inside you.

0:19:54.440 --> 0:19:57.919
<v Speaker 3>But I mean, yeah, I would still say, as adventurous

0:19:57.960 --> 0:20:02.120
<v Speaker 3>as those things sound, my every day sort of cravings

0:20:02.119 --> 0:20:06.520
<v Speaker 3>are quite normal. I think. I mean pasta I could

0:20:06.560 --> 0:20:11.080
<v Speaker 3>eat almost every day, and I love slashimi and sushi.

0:20:11.640 --> 0:20:13.960
<v Speaker 3>I think those two things are what I eat probably

0:20:14.160 --> 0:20:16.800
<v Speaker 3>around you know, the course of a week, pretty often,

0:20:17.119 --> 0:20:18.360
<v Speaker 3>probably too much pasta.

0:20:18.400 --> 0:20:20.960
<v Speaker 2>And if you said for comfort for.

0:20:20.960 --> 0:20:24.640
<v Speaker 3>Me, it would probably be fried rice. And it goes back.

0:20:24.680 --> 0:20:27.159
<v Speaker 3>I think to you know, my dad for breakfast, as

0:20:27.280 --> 0:20:29.280
<v Speaker 3>you know, watching cartoons or something when you're a kid

0:20:29.320 --> 0:20:31.440
<v Speaker 3>and having a bowl of fried rice, and it was

0:20:31.480 --> 0:20:34.399
<v Speaker 3>the most If I told you the recipe, it doesn't

0:20:34.400 --> 0:20:39.119
<v Speaker 3>sound even Asian at all because it involves ketchup. Yeah,

0:20:39.720 --> 0:20:41.679
<v Speaker 3>and I found out much later. I mean, for me,

0:20:41.800 --> 0:20:43.919
<v Speaker 3>that's just what it was, that's fried rice. But obviously

0:20:44.000 --> 0:20:46.720
<v Speaker 3>later contextualizing where that came from. What it came from

0:20:46.920 --> 0:20:49.600
<v Speaker 3>was so my grandparents were in the internment camps during

0:20:49.640 --> 0:20:52.199
<v Speaker 3>World War Two, and my father was born in the

0:20:52.200 --> 0:20:55.320
<v Speaker 3>internment camps as well as my uncles, and so you

0:20:55.359 --> 0:20:58.159
<v Speaker 3>were given certain rations in the camps. In fact, my

0:20:58.160 --> 0:21:01.679
<v Speaker 3>grandpa was a cook and one of them, and mayonnaise, ketchup,

0:21:01.720 --> 0:21:04.159
<v Speaker 3>those kind of ingredients were quite common and so you

0:21:04.240 --> 0:21:06.640
<v Speaker 3>make new recipes out of what you're given and you

0:21:06.680 --> 0:21:09.159
<v Speaker 3>just make do. So my dad grew up on a

0:21:09.200 --> 0:21:11.000
<v Speaker 3>fried rice that wasn't made of soy sauce. It was

0:21:11.000 --> 0:21:12.560
<v Speaker 3>mede with ketchup, and it was really basically you use

0:21:12.600 --> 0:21:14.920
<v Speaker 3>whatever vegetables or meats you had from night before the rice,

0:21:15.359 --> 0:21:17.800
<v Speaker 3>put it all together and cook it up. And my

0:21:17.920 --> 0:21:20.760
<v Speaker 3>favorite version was the simplest one, which was just bacon,

0:21:21.040 --> 0:21:23.960
<v Speaker 3>onions and then put an egg with a yolk, you know,

0:21:24.040 --> 0:21:26.600
<v Speaker 3>still running on top. And that to me is like

0:21:26.720 --> 0:21:30.040
<v Speaker 3>the epitome of comfort food. What's strange that the legacy

0:21:30.119 --> 0:21:31.200
<v Speaker 3>goes back to an internment camp?

0:21:31.200 --> 0:21:32.800
<v Speaker 2>Would you make it now? Yeah?

0:21:32.920 --> 0:21:36.640
<v Speaker 3>Make it pretty? Yeah? I just like yeah, Like even

0:21:36.680 --> 0:21:38.879
<v Speaker 3>when my dad would use other vegetables in it, like

0:21:38.920 --> 0:21:41.320
<v Speaker 3>you do, like the real proper way of doing fried rice,

0:21:41.359 --> 0:21:43.720
<v Speaker 3>I still prefer just the onions and baked and the bacon.

0:21:43.840 --> 0:21:46.359
<v Speaker 2>Yeah, so what you would it be? The rice? Just

0:21:46.520 --> 0:21:47.240
<v Speaker 2>plain rice?

0:21:47.280 --> 0:21:49.639
<v Speaker 3>So whatever you'd made from dinner night before, you keep

0:21:49.680 --> 0:21:51.840
<v Speaker 3>that rice. And this is something else I just in

0:21:51.880 --> 0:21:53.800
<v Speaker 3>my family, we just left the rice out, you didn't

0:21:53.800 --> 0:21:55.960
<v Speaker 3>put it in the fridge and the next morning and yeah,

0:21:56.040 --> 0:21:58.280
<v Speaker 3>someone told me later on You're not, So that's like

0:21:58.320 --> 0:21:59.520
<v Speaker 3>a pick no no, because.

0:21:59.400 --> 0:22:01.920
<v Speaker 2>Apparently it's they say the bacteria and rice is a

0:22:02.040 --> 0:22:03.200
<v Speaker 2>most worse than anything.

0:22:03.240 --> 0:22:05.360
<v Speaker 3>But I think if you grow up eating it does

0:22:05.400 --> 0:22:07.560
<v Speaker 3>not affect you. So like, you know, I would leave

0:22:07.560 --> 0:22:09.679
<v Speaker 3>my rice out all night and the next day, you know,

0:22:09.720 --> 0:22:11.560
<v Speaker 3>you make the fried rice, and they usually someone.

0:22:11.480 --> 0:22:13.480
<v Speaker 2>Start, so what do you do? Put oil in the pan,

0:22:13.600 --> 0:22:14.320
<v Speaker 2>and then you take.

0:22:14.200 --> 0:22:16.800
<v Speaker 3>That r I use the fat from the bacon, so

0:22:16.920 --> 0:22:18.840
<v Speaker 3>I start off, you know, I cut the bacon in

0:22:18.880 --> 0:22:21.600
<v Speaker 3>pieces first, and then I slow cook the bacon so

0:22:21.640 --> 0:22:24.440
<v Speaker 3>that the oil doesn't evaporate too quickly, and then salt

0:22:24.480 --> 0:22:26.840
<v Speaker 3>and pepper the bacon, and then then add the onions,

0:22:26.920 --> 0:22:28.919
<v Speaker 3>and then I add the rice, which is usually in

0:22:28.960 --> 0:22:32.840
<v Speaker 3>big chunky bits because it's been sitting. Then you squeeze

0:22:32.880 --> 0:22:35.480
<v Speaker 3>a bunch of like farting ketchup on the top of it,

0:22:35.800 --> 0:22:37.560
<v Speaker 3>and then you chop it up and get that going.

0:22:37.600 --> 0:22:39.240
<v Speaker 3>And then once it's kind of mixed to a nice

0:22:39.280 --> 0:22:42.119
<v Speaker 3>sort of light red pinkish color, blow it up. And

0:22:42.119 --> 0:22:44.600
<v Speaker 3>then separately you can just cook some eggs to slap

0:22:44.640 --> 0:22:46.639
<v Speaker 3>on top. It's really quick.

0:22:46.800 --> 0:22:51.720
<v Speaker 2>Okay, well, now I've got some expectations of when I

0:22:51.760 --> 0:22:53.399
<v Speaker 2>come and stay in your house and we're going to

0:22:53.480 --> 0:23:00.359
<v Speaker 2>have some rice, I could have the wrong then we

0:23:00.359 --> 0:23:04.119
<v Speaker 2>could do that. It sounds. You know, you're a great cook,

0:23:04.520 --> 0:23:06.480
<v Speaker 2>you're a great director, and you're a great friend.

0:23:06.760 --> 0:23:12.679
<v Speaker 3>Thank you, Carrie, Thank you Ruthy.

0:23:14.720 --> 0:23:18.000
<v Speaker 2>To visit the online shop of the River Cafe, go

0:23:18.119 --> 0:23:21.440
<v Speaker 2>to shop Therivercafe dot co dot uk.

0:23:25.520 --> 0:23:28.359
<v Speaker 1>River Cafe Table four is a production of iHeartRadio and

0:23:28.400 --> 0:23:33.600
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0:23:33.760 --> 0:23:36.719
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