WEBVTT - Geoffrey Zakarian: An Iron Chef Adds Content Production to His Menu

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<v Speaker 1>Welcome to Strictly Business Varieties weekly podcast featuring conversations with

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<v Speaker 1>industry leaders about the business of media and entertainment. I'm

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<v Speaker 1>Cynthia Littleton, co editor in chief of Variety Today. My

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<v Speaker 1>guest is Chef Jeffrey Zacharyon. Zacarion landed in the sweet

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<v Speaker 1>spot where culinary and TV fame meat about a decade ago.

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<v Speaker 1>When he became a judge, John chopped and he won

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<v Speaker 1>the coveted Iron Chef title. For the past four years,

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<v Speaker 1>Zacarion has steadily been expanding his activity as a content producer.

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<v Speaker 1>He founded corner Table Entertainment with partner Jared Keller in

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<v Speaker 1>that put him in a good position to produce content

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<v Speaker 1>for Food network parent Discovery and the fledgling Discovery Plus streamer,

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<v Speaker 1>which has a voracious appetite for shows. Zacarion, in our

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<v Speaker 1>interview discusses the differences between launching a restaurant and launching

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<v Speaker 1>a TV In his mind, there's no question about which

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<v Speaker 1>task is harder. He also reveals that the company has

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<v Speaker 1>cameras on the ground working on a documentary with Tribeca

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<v Speaker 1>about the pandemics devastation of New York's restaurant scene or

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<v Speaker 1>capturing it as it actually happens, he says, and that's

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<v Speaker 1>all coming up today on Strictly Business. Welcome back to

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<v Speaker 1>Strictly Business. Here's Jeffreys, a Carrion chef, entrepreneur and head

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<v Speaker 1>of Corner Table Entertainment, a bustling production company that is

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<v Speaker 1>right there in the nexus of food and content. Jeffrey,

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<v Speaker 1>thank you so much for joining us. Thank you so much, Cynthia.

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<v Speaker 1>It's lovely to talk to you. We've talked before and

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<v Speaker 1>it's always it's always a pleasure. I love you had

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<v Speaker 1>your finger, the true finger on the pulse of what's

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<v Speaker 1>happening in the world of media, because it's an all

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<v Speaker 1>important world that you know, no one seems to be

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<v Speaker 1>able to live without, especially today. It is it is

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<v Speaker 1>just like the food world. It is an incredibly dynamic

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<v Speaker 1>business where you never know where the next hit, the

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<v Speaker 1>next great idea is coming around the corner. I've always

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<v Speaker 1>been a fan of your appearances on Food Network. I

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<v Speaker 1>always really get the sense that you are speaking as

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<v Speaker 1>a as a both as a as a culinary as

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<v Speaker 1>a decorated chef, but also as a businessman. And it's

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<v Speaker 1>in that context that I wanted that we want to

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<v Speaker 1>talk about um your evolution as a TV personality and

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<v Speaker 1>as now for the last couple of years been increasingly

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<v Speaker 1>active as a producer behind the scenes with Corner Table Entertainment,

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<v Speaker 1>and would I would love to start by just asking

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<v Speaker 1>you what you obviously have become one of the most

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<v Speaker 1>recognizable faces on a food network, and I can only

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<v Speaker 1>imagine that that has been good for your business overall.

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<v Speaker 1>But what was it that made you in seen? What

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<v Speaker 1>is it that made you decide to plant your flag

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<v Speaker 1>and launch Corner Table Entertainment and start your own production entity.

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<v Speaker 1>Well that's um. I don't know if it doesn't all,

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<v Speaker 1>it doesn't work seamlessly like that. It's sort of like

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<v Speaker 1>comes in bits and pieces. So I can only get

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<v Speaker 1>telling you that as a TV chef, and as someone

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<v Speaker 1>has been on a lot of shows Chops since two

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<v Speaker 1>thousand I believe ten or whenever White started, I can't remember.

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<v Speaker 1>And then we've had so much success with those shows.

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<v Speaker 1>What happens is, um Cynthia, as you you start to

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<v Speaker 1>get in everyone else's head and you start giving your

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<v Speaker 1>opinions on what will work and what won't work. Correct,

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<v Speaker 1>So as you're asked by the producers, what did you

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<v Speaker 1>like about this? What did you like about that? That

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<v Speaker 1>that airs well? This areed well, this didn't do so well.

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<v Speaker 1>I think we should do more of that. And what

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<v Speaker 1>happens is you have this sort of conversation with the

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<v Speaker 1>people around you and the producers and the executive producer

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<v Speaker 1>and EP be how's your talent and you're not back

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<v Speaker 1>on the scene. You're right up there and they want

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<v Speaker 1>to know how it felt and they see the results

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<v Speaker 1>from from the from the ratings right, And what happens

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<v Speaker 1>is you're actually then producing or co producing. You're like, okay,

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<v Speaker 1>we're gonna have this idea. What do you think you

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<v Speaker 1>run up by your test that you do it? So

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<v Speaker 1>that's it's as simple as that. Honestly, it's just things work.

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<v Speaker 1>You're asking more direction, you're asking more, you know more,

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<v Speaker 1>what you think works, Like, tell me why you would

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<v Speaker 1>like to do this? This work better? That was great,

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<v Speaker 1>it was a great idea. Let's do it again in

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<v Speaker 1>different ways. So it really is a creative process based

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<v Speaker 1>upon doing a couple of things right and getting good

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<v Speaker 1>feedback right. That's the base of everything. And like you said,

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<v Speaker 1>TV is the Food Network and everything else, but especially

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<v Speaker 1>food is all about content. If you don't have content,

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<v Speaker 1>a story of beginning to lead a competition, show stand

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<v Speaker 1>and stir um uh, some sort of holiday theme. Uh,

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<v Speaker 1>there's all kinds of things. But you know, the Kitchen

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<v Speaker 1>is evergreen and extent that every year and follows the season. Uh.

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<v Speaker 1>And some shows like Chopped or really every green we

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<v Speaker 1>could you know, you can send you know, other than

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<v Speaker 1>throwing a Christmas show on in July, you can show

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<v Speaker 1>show this chop any time of the year. So for us,

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<v Speaker 1>it's just a very you know, Jared and I launched

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<v Speaker 1>it in two thousand and SEVENTI is a natural sort

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<v Speaker 1>of ideation about all this creative stuff we've been talking

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<v Speaker 1>about with our executive producers and Food Network, Like we

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<v Speaker 1>talked with David Zaslaw, Kathleen Finch, and Courtney White. They

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<v Speaker 1>run it, and you know, they need all this content

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<v Speaker 1>for Discovery Plus, and they need all this content for

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<v Speaker 1>Food Network. So it's just we've been around so long

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<v Speaker 1>and we've been doing this, we know it works, what

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<v Speaker 1>doesn't work. So they asked us to help with content,

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<v Speaker 1>and we decided to just like put it out there.

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<v Speaker 1>And we actually had a great run with the telephones

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<v Speaker 1>that we did in the pandemic. It was just the

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<v Speaker 1>timing and we like, you know, we just did it

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<v Speaker 1>um and we produced it like everyone else did. And

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<v Speaker 1>it was sort of like a nice test, a way

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<v Speaker 1>to test the production keeping abilities and what worked and

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<v Speaker 1>what didn't work. We found out some partners how to

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<v Speaker 1>edit and all that stuff. So ow and behold. We

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<v Speaker 1>raised two an a half million dollars with to one national,

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<v Speaker 1>one local, and you know, now we have this production company.

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<v Speaker 1>So it's it's not how we sat down and said,

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<v Speaker 1>what's the five year goal. It was not that at all.

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<v Speaker 1>It was like, we have these ideas, let's let's start

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<v Speaker 1>like writing them down on paper and pitching them because

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<v Speaker 1>they need content. So it all comes down to that.

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<v Speaker 1>But I love that part of it because that's still creating,

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<v Speaker 1>you know. So you like the you like the idea stage.

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<v Speaker 1>You like being in the at the germ of the

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<v Speaker 1>idea of that what you're going to execute. It's so wonderful.

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<v Speaker 1>And everyone anyone else that does this for a living,

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<v Speaker 1>what I do in that same in a different profession,

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<v Speaker 1>we'll tell you the same thing. Say creating music, and uh,

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<v Speaker 1>it's writing a script, and it's it's so fun to

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<v Speaker 1>sort of collaborate and then see it happen and then

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<v Speaker 1>either fix it or do more of it. So that's

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<v Speaker 1>sort of what we're really loving. And what's great about it, Cynthia,

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<v Speaker 1>is that I was allows me to continue to cook,

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<v Speaker 1>continue to do the shows, have a behind the scenes

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<v Speaker 1>sort of inventory of stuff that like, oh boy, this

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<v Speaker 1>would work right here, this would be a great way

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<v Speaker 1>to like take one of these shows that we haven't

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<v Speaker 1>on Brain and let's do a segment on the kitchen.

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<v Speaker 1>Let's do a seven minute segment. Let's try it and

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<v Speaker 1>see what happens. You know, we don't have to spend

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<v Speaker 1>any money. We're all there. Let's just do it. You

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<v Speaker 1>have their own incubation lab right there. So that's what like,

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<v Speaker 1>we're doing a lot of and you know, we we

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<v Speaker 1>just shot a sizzle. We're doing a restaurant documented with

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<v Speaker 1>Trybic of Productions. Were very excited about that. Um And

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<v Speaker 1>it's all because of just this natural sort of consultation

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<v Speaker 1>with the producers and the people there, because ultimately, your

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<v Speaker 1>boss now is now your collaborator because they need content,

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<v Speaker 1>unique content to stay in the year. You love to

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<v Speaker 1>do content. You're a professional. That's been doing Cookie for

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<v Speaker 1>forty years. You've seen just about everything, and you've been

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<v Speaker 1>working on a show that's very current. So how do

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<v Speaker 1>we keep how do we put into a beak or

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<v Speaker 1>shake it and come up with a great new cocktails.

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<v Speaker 1>So that's that's really what we do and what we're doing.

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<v Speaker 1>So UM, we're very excited about it. Um and you know,

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<v Speaker 1>I were just at the beginning. You know, we haven't

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<v Speaker 1>even started. I mean, Bobby Flay has been uh producing

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<v Speaker 1>his shows sort of I think fifteen years or twelve

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<v Speaker 1>years at least. M What was it? Was it the

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<v Speaker 1>kind of thing did you have to get it? Did

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<v Speaker 1>it sort of start very small? Or did you line up?

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<v Speaker 1>As you said, you did not have a five year plan,

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<v Speaker 1>but did you was it the kind of thing you

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<v Speaker 1>had to line up some backing or some financing? Did

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<v Speaker 1>did food? And we just partnered with with bstv Um

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<v Speaker 1>one of our partners in the in the kitchen, and

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<v Speaker 1>they sort of helped us along and we showed us

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<v Speaker 1>the rope and we just went, you know, we did

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<v Speaker 1>these ideation meetings and we just came up with some

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<v Speaker 1>great shows and we do sizzle reels and it's a

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<v Speaker 1>very simple process because it was so already are you

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<v Speaker 1>doing it? So basically it was we didn't have to

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<v Speaker 1>really raise all this capital, like let's just start real small.

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<v Speaker 1>So basically, Jarrett um Tower, myself and my wife Margaret

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<v Speaker 1>and the four of us, we just did it. We

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<v Speaker 1>you know, just huddled, got it together, wrote it up,

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<v Speaker 1>met with someone who's who has all the capability of

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<v Speaker 1>doing that, just like we did the telephone. You have

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<v Speaker 1>to find someone that is actually in the editing booth

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<v Speaker 1>and has all you know, people on the grounds and

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<v Speaker 1>people doing the documentaries, you know, boots on the ground,

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<v Speaker 1>and so that's how we started. At one point in time,

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<v Speaker 1>we're gonna probably have boots on the ground also probably

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<v Speaker 1>a big fancy office if they ever open. But in

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<v Speaker 1>the meantime, you know, we're just going along with what

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<v Speaker 1>really is important, which is this content, you know, the

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<v Speaker 1>idea and how to get that idea to the film

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<v Speaker 1>because there we all give we all have you know,

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<v Speaker 1>expertisees and the people that in the editing who's not

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<v Speaker 1>necessarily understand what we're talking about and what we're talking

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<v Speaker 1>about we don't necessarily understand when when production telling us

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<v Speaker 1>about like the budget and how we work it over

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<v Speaker 1>four days and how you know breaks and how we

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<v Speaker 1>have to do it, and how we have to shoot

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<v Speaker 1>it in the state because of this and not going

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<v Speaker 1>in overtime. So it's all that sort of like nice

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<v Speaker 1>shared value and shared common cause that we don't have

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<v Speaker 1>to be an expert in everything. Well, we're really good

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<v Speaker 1>at content and really good with ideation. So that's that's

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<v Speaker 1>why we're very excited about it. Do you, um, how

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<v Speaker 1>would you compare the process of you know, assembling that team,

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<v Speaker 1>executing on you know, just settling on ideas, you know,

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<v Speaker 1>setting the goal, executing to those goals. How would you

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<v Speaker 1>compare launching a show or a telethone like the telethone

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<v Speaker 1>that you've done, to launching a new restaurant or setting

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<v Speaker 1>up setting up a new business that was in the

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<v Speaker 1>you know, in the in the core cooking world. Well

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<v Speaker 1>and in a restaurant, you know, it's it's far more

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<v Speaker 1>difficult to get the ball across the line. For the

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<v Speaker 1>very re and is you have one goal. You you

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<v Speaker 1>come up with a piece of paper, a plan, You've

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<v Speaker 1>sold it to someone that has investment. It's gonna put

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<v Speaker 1>three million dollars stay in a restaurant. That's all you're doing.

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<v Speaker 1>It's that one thing, and if it doesn't work, you're screwed.

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<v Speaker 1>So if they don't like one show, we have another one,

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<v Speaker 1>and then have another one. You might do three or

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<v Speaker 1>four pilots and none of them, none of them get

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<v Speaker 1>picked up. But it's a very fluid um sort of roll.

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<v Speaker 1>So I would say the pain is far greater and

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<v Speaker 1>the physical um you know, brick and mortar world of

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<v Speaker 1>opening a restaurant. And I mean that because you're literally

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<v Speaker 1>on your feet a hundred hours a week. The first

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<v Speaker 1>three months are like having a wisdom tooth pulled every minutes. Uh.

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<v Speaker 1>It's just it's it's crazy, nutty and volatile, and you know,

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<v Speaker 1>rife with problems and and legal stuff and lawsuits and

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<v Speaker 1>all this stuff that comes at you. Uh, because people

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<v Speaker 1>are just like, you know, crazy in this world of restaurants.

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<v Speaker 1>But that's the way they're so exciting. But what they

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<v Speaker 1>do provide is they provide a vivid, sort of peaky

0:12:12.120 --> 0:12:18.120
<v Speaker 1>dish of possible content that you can't imagine is gonna

0:12:18.160 --> 0:12:20.040
<v Speaker 1>be there until you actually see it happen. So this,

0:12:20.200 --> 0:12:25.960
<v Speaker 1>you've you've created this, this I don't know vacuum where

0:12:26.120 --> 0:12:29.720
<v Speaker 1>stuff happens. Now you're managing it. Now it's a full

0:12:29.760 --> 0:12:31.880
<v Speaker 1>time job. Now you're waiting for the critics to come.

0:12:31.920 --> 0:12:33.600
<v Speaker 1>And now you hope it works. Now you hope it

0:12:33.600 --> 0:12:35.160
<v Speaker 1>makes money. Now you have to try to pay your

0:12:35.160 --> 0:12:38.319
<v Speaker 1>investors back. So there's so much content that you get

0:12:38.320 --> 0:12:41.160
<v Speaker 1>out of that. Plus you get a marquee that you

0:12:41.440 --> 0:12:43.680
<v Speaker 1>wouldn't necessarily have if you weren't in brick and mortar.

0:12:43.679 --> 0:12:45.640
<v Speaker 1>It doesn't mean that you can't be in the restaurant business,

0:12:46.760 --> 0:12:49.200
<v Speaker 1>and it can be in a production business and not

0:12:49.240 --> 0:12:51.560
<v Speaker 1>being a restaurant business. But if you're in the restaurant business,

0:12:52.880 --> 0:12:57.839
<v Speaker 1>the movement to the restaurant the producing business is a

0:12:57.960 --> 0:13:02.280
<v Speaker 1>far more fluid and creative and fun experience because it's

0:13:02.480 --> 0:13:05.440
<v Speaker 1>very little downside other than getting rejected all the time,

0:13:05.480 --> 0:13:08.719
<v Speaker 1>which is normal, you know, right, just like I said, no,

0:13:08.840 --> 0:13:10.520
<v Speaker 1>that's a no, that's a yes. And if it hits,

0:13:10.720 --> 0:13:14.080
<v Speaker 1>it hits, you know. But you I would imagine that

0:13:14.080 --> 0:13:17.960
<v Speaker 1>that experience of of launching your own businesses in the

0:13:18.040 --> 0:13:21.200
<v Speaker 1>in the circumstances and the fraud nature that you described,

0:13:21.240 --> 0:13:25.440
<v Speaker 1>like that that is training for combat. That is training

0:13:25.480 --> 0:13:28.360
<v Speaker 1>for the the insanity and and you know the one

0:13:28.360 --> 0:13:30.720
<v Speaker 1>thing producers have to do most is think on their feet.

0:13:30.800 --> 0:13:33.480
<v Speaker 1>It sounds like you've you've been there, uh you know

0:13:34.240 --> 0:13:36.520
<v Speaker 1>back there. You know you've been there with the line cooks,

0:13:36.520 --> 0:13:37.920
<v Speaker 1>and you've been there at the front of the house.

0:13:37.960 --> 0:13:40.920
<v Speaker 1>And you know, I had had all those experiences. And

0:13:41.240 --> 0:13:43.160
<v Speaker 1>you know, the funny thing is is with a restaurant,

0:13:43.240 --> 0:13:45.800
<v Speaker 1>you open up with the menu right and you you

0:13:45.800 --> 0:13:48.920
<v Speaker 1>you go through these tortuous processes of getting in a

0:13:49.000 --> 0:13:51.079
<v Speaker 1>chef and a menu and you think it's great to

0:13:51.120 --> 0:13:56.840
<v Speaker 1>food and all that, and you know, and then someone

0:13:57.040 --> 0:13:59.880
<v Speaker 1>in the restaurant said, you know what I really want

0:13:59.880 --> 0:14:03.280
<v Speaker 1>to gott can I have like a I've just wanted

0:14:03.320 --> 0:14:05.679
<v Speaker 1>to a piece of You know, you have this, man,

0:14:05.720 --> 0:14:08.800
<v Speaker 1>You've done right, it's tested, it's prompted. What it means.

0:14:08.840 --> 0:14:10.880
<v Speaker 1>You test everything and you bring it and you make

0:14:10.920 --> 0:14:13.160
<v Speaker 1>five hundred of them. You've got the recipe done that

0:14:13.280 --> 0:14:15.079
<v Speaker 1>you order to that recipe, so you have not no

0:14:15.520 --> 0:14:17.600
<v Speaker 1>ship left over in the box. You know your inventory

0:14:17.679 --> 0:14:21.640
<v Speaker 1>is perfect. You don't have you know, poor crimes when

0:14:21.640 --> 0:14:24.240
<v Speaker 1>you don't in the inventory where you don't need poor

0:14:24.280 --> 0:14:28.440
<v Speaker 1>pranks as it's money, so money, very perishable money. To

0:14:28.600 --> 0:14:31.200
<v Speaker 1>be one of these books, because it's two d fifty dollars. Right,

0:14:31.240 --> 0:14:33.000
<v Speaker 1>So it's like, you don't need the books that you're

0:14:33.040 --> 0:14:34.920
<v Speaker 1>not gonna read, so get rid of half of them. Right.

0:14:35.760 --> 0:14:37.520
<v Speaker 1>So you know, you do all this work, you get

0:14:37.520 --> 0:14:40.720
<v Speaker 1>the man. You think it's brilliant and unbelievable, right, and

0:14:40.720 --> 0:14:43.840
<v Speaker 1>then someone comes to a very valued customer summon. That

0:14:45.320 --> 0:14:48.800
<v Speaker 1>is someone that you who has a restaurant or someone

0:14:48.840 --> 0:14:51.320
<v Speaker 1>that is in sort of a business that he goes

0:14:51.360 --> 0:14:54.200
<v Speaker 1>out a lot and he orders, like you know, he's

0:14:54.200 --> 0:14:58.920
<v Speaker 1>on a diet or something whatever, and he orders, can

0:14:58.960 --> 0:15:01.600
<v Speaker 1>I just have a grill piece of chicken with some

0:15:01.600 --> 0:15:05.040
<v Speaker 1>some French fries? I want a chicken free? And it's

0:15:05.040 --> 0:15:07.920
<v Speaker 1>not so as a chef, I make it. I'm like, sure,

0:15:07.920 --> 0:15:10.320
<v Speaker 1>I'll do it, no problem. So you make it and

0:15:10.320 --> 0:15:12.000
<v Speaker 1>then that guy sees you eat it, and then guy,

0:15:12.000 --> 0:15:13.640
<v Speaker 1>can I have that? Can I have this? And then

0:15:13.680 --> 0:15:16.560
<v Speaker 1>that becomes the best seller. You gotta put it on

0:15:16.600 --> 0:15:18.440
<v Speaker 1>your menu. You had no intention of it, and this

0:15:18.600 --> 0:15:22.320
<v Speaker 1>thing you thought was gonna go gangbusters, cells you know,

0:15:23.160 --> 0:15:27.400
<v Speaker 1>so there's no telling how the restaurant works, and you

0:15:27.440 --> 0:15:29.760
<v Speaker 1>need to react to the customers. So the customers starts.

0:15:29.840 --> 0:15:32.560
<v Speaker 1>Using a restaurant is more of a barring grill versus

0:15:32.640 --> 0:15:36.000
<v Speaker 1>fine dining. It's a bar and grill. Now, you're not

0:15:36.040 --> 0:15:38.360
<v Speaker 1>gonna force someone fine dining. You didn't see it. It

0:15:38.360 --> 0:15:40.760
<v Speaker 1>didn't see it coming. The time was such they really

0:15:40.760 --> 0:15:42.720
<v Speaker 1>felt more comfortable as this, and they used it the

0:15:42.800 --> 0:15:45.200
<v Speaker 1>order and started to get different. And so they hit

0:15:45.280 --> 0:15:48.160
<v Speaker 1>these seven, seven out of twenty items with them big sellers.

0:15:48.160 --> 0:15:50.520
<v Speaker 1>They had nothing to do with your fancy pants. Right,

0:15:50.560 --> 0:15:52.720
<v Speaker 1>So you do. You've gotta listen to that and get

0:15:52.720 --> 0:15:55.720
<v Speaker 1>off your high horse. It's very that's what you do

0:15:55.800 --> 0:16:00.600
<v Speaker 1>in the restaurant world. Right, So your customer is always right, Well, no,

0:16:02.560 --> 0:16:04.800
<v Speaker 1>they're they're always going to use the restaurant their way

0:16:04.880 --> 0:16:06.560
<v Speaker 1>they want to use it. So you have to be

0:16:06.600 --> 0:16:10.840
<v Speaker 1>available to change that. It's far. There's two different things.

0:16:10.880 --> 0:16:12.960
<v Speaker 1>That's a great point brought up. The customers ares right.

0:16:13.000 --> 0:16:17.000
<v Speaker 1>The customer when sort of putting forth in opinion or

0:16:17.000 --> 0:16:21.520
<v Speaker 1>putting forth a critique of something. I'm talking about asking

0:16:21.560 --> 0:16:23.360
<v Speaker 1>for something they want to eat. I'm not talking about

0:16:23.400 --> 0:16:25.880
<v Speaker 1>that's that thing, that's that that's the make it and

0:16:25.880 --> 0:16:27.680
<v Speaker 1>give it to them. I'm talking about the critique or

0:16:27.880 --> 0:16:30.680
<v Speaker 1>this or this is not right or right that I

0:16:30.720 --> 0:16:32.800
<v Speaker 1>want to like this, and blah blah blah. The customers

0:16:32.880 --> 0:16:36.600
<v Speaker 1>usually you have to treat them like they're always right,

0:16:36.640 --> 0:16:41.040
<v Speaker 1>but they're usually misinformed. Right, I want my soup hot.

0:16:41.120 --> 0:16:44.320
<v Speaker 1>I wanted boiling hot. You can't eat boiling hots. You know,

0:16:44.560 --> 0:16:46.760
<v Speaker 1>that's not a critique, that's just just that just doesn't

0:16:46.760 --> 0:16:49.440
<v Speaker 1>make sense because you you pale it your tongue wild

0:16:49.520 --> 0:16:52.320
<v Speaker 1>scorch okay, even at a hundred and twenty degrees which

0:16:52.360 --> 0:16:55.360
<v Speaker 1>is very warm. It's fine stuff like that. You have

0:16:55.400 --> 0:16:58.560
<v Speaker 1>to be really intuitive and that's what you have to

0:16:58.600 --> 0:17:02.080
<v Speaker 1>do in producing. So with trying to figure out what

0:17:02.200 --> 0:17:06.280
<v Speaker 1>the customer is intuitively going to be drawn to. That's relevant,

0:17:07.000 --> 0:17:09.520
<v Speaker 1>it's fun, and it's watchable on the first five minutes

0:17:09.520 --> 0:17:11.840
<v Speaker 1>because that's the key. You gotta ground. And then they're

0:17:11.840 --> 0:17:14.040
<v Speaker 1>there at the last five minutes when there's a finale

0:17:14.240 --> 0:17:19.000
<v Speaker 1>or the reveal they call it. You know, advertisers look

0:17:19.000 --> 0:17:21.120
<v Speaker 1>at the first ten. In the last ten, they don't

0:17:21.119 --> 0:17:23.320
<v Speaker 1>give a shit about the rest of it. They don't really.

0:17:23.600 --> 0:17:25.159
<v Speaker 1>Then you know that once you hear it here, you're

0:17:25.200 --> 0:17:28.240
<v Speaker 1>probably gonna watch the whole thing. That's what's the measure

0:17:28.240 --> 0:17:30.840
<v Speaker 1>of engagement. It's kind of the fascinating part that I've

0:17:30.960 --> 0:17:34.440
<v Speaker 1>learned is that's you really have to have that. So

0:17:34.680 --> 0:17:36.760
<v Speaker 1>you have to have a wow and a reveal, but

0:17:36.840 --> 0:17:40.639
<v Speaker 1>you have to have a wow in the reveal. Be authentic, right,

0:17:40.880 --> 0:17:44.040
<v Speaker 1>So when the customer comes in, if you feel them

0:17:44.080 --> 0:17:47.320
<v Speaker 1>complaining and they're authentic, you take it seriously because you

0:17:47.359 --> 0:17:50.399
<v Speaker 1>know that five or ten or fifteen more people are

0:17:50.400 --> 0:17:52.480
<v Speaker 1>saying the same thing. And you can lose customers out

0:17:52.480 --> 0:17:55.600
<v Speaker 1>of like not listening to that one critique that you

0:17:55.600 --> 0:17:57.760
<v Speaker 1>you've you heard it and it was authentic and you

0:17:57.840 --> 0:18:02.040
<v Speaker 1>check it out and they were right. Most customers don't

0:18:02.119 --> 0:18:06.359
<v Speaker 1>just complain to complain. Most customers have a legitimate misinformation,

0:18:06.800 --> 0:18:10.760
<v Speaker 1>a complaint, or something is actually wrong. There's those three things.

0:18:10.760 --> 0:18:13.320
<v Speaker 1>So you have to learn about all of those. And

0:18:13.400 --> 0:18:15.320
<v Speaker 1>the best way to get customers that are piste off

0:18:15.359 --> 0:18:18.000
<v Speaker 1>back is a call them up or email them say

0:18:18.040 --> 0:18:19.959
<v Speaker 1>come on back, we made a mistake. We're so sorry

0:18:20.440 --> 0:18:23.440
<v Speaker 1>that right away. If you let it sit, they're never

0:18:23.480 --> 0:18:27.920
<v Speaker 1>coming back. Once they come back. Once they come back,

0:18:28.720 --> 0:18:34.560
<v Speaker 1>your best customer, now they know the chef that's to

0:18:34.600 --> 0:18:36.119
<v Speaker 1>make you good fun. I'm like, come on, I'll make

0:18:36.160 --> 0:18:38.640
<v Speaker 1>you and they spend money and they're happy like they're

0:18:38.640 --> 0:18:43.320
<v Speaker 1>your best customers. So that's is a big difference in

0:18:43.440 --> 0:18:46.600
<v Speaker 1>the two, but not really. I mean, I'm still trying

0:18:46.600 --> 0:18:50.199
<v Speaker 1>to keep that customer happy by balancing the relevance, their experience,

0:18:50.320 --> 0:18:53.480
<v Speaker 1>the lighting, the music, and keep them coming back. It's

0:18:53.480 --> 0:18:56.679
<v Speaker 1>all entertainment. It's all It's like Hollywood, You're just you.

0:18:56.880 --> 0:18:59.680
<v Speaker 1>It's a it's a movie. There's three breakfast luncheon, did

0:18:59.680 --> 0:19:03.679
<v Speaker 1>a three Curtains shows a day. There's no difference. So

0:19:03.720 --> 0:19:09.879
<v Speaker 1>that's why it's such an easy sort of jump. We

0:19:10.000 --> 0:19:12.680
<v Speaker 1>need to take a quick break, but we'll be back

0:19:12.720 --> 0:19:15.480
<v Speaker 1>with Jeffreys A. Carrion discussing the details of the new

0:19:15.520 --> 0:19:25.840
<v Speaker 1>documentary he's working on for Tribeca. And we're back with

0:19:25.960 --> 0:19:30.040
<v Speaker 1>Jeffreys A. Carrion. What was it that made TV happen

0:19:30.119 --> 0:19:32.840
<v Speaker 1>for you? Was it something that you aspired to as

0:19:32.880 --> 0:19:41.320
<v Speaker 1>you got successful? I guess I was in two thousand seven, Um,

0:19:41.440 --> 0:19:43.280
<v Speaker 1>so that's an eight. I got it. I got it.

0:19:43.400 --> 0:19:45.879
<v Speaker 1>I was in a restaurant, you know, I had great

0:19:45.920 --> 0:19:48.600
<v Speaker 1>reviews and I was working in restaurants. Food that was

0:19:48.800 --> 0:19:52.760
<v Speaker 1>was going gangbusters. It was about I mean now it's

0:19:52.760 --> 0:19:55.800
<v Speaker 1>still was thirty years old, so it was about ten.

0:19:55.880 --> 0:19:57.840
<v Speaker 1>So it's like it was about eighteen years old, seventeen

0:19:57.920 --> 0:20:02.760
<v Speaker 1>years on Flay and you know, um uh Emeral Lagassi

0:20:02.960 --> 0:20:05.119
<v Speaker 1>and you know there's some Tyler of Florence. There was

0:20:05.200 --> 0:20:08.720
<v Speaker 1>some mon key players, and that it really hadn't gotten

0:20:08.800 --> 0:20:11.080
<v Speaker 1>nuts yet, but it was on the on the verge. Sure,

0:20:12.720 --> 0:20:15.840
<v Speaker 1>Iron Chef had started. And in two thousand and nine

0:20:15.840 --> 0:20:17.440
<v Speaker 1>I I Can approached some and said, we know, we'd

0:20:17.720 --> 0:20:21.160
<v Speaker 1>like a judge on we we're casting for the show

0:20:21.200 --> 0:20:29.120
<v Speaker 1>called Chopped. And I'm sort of like on the show,

0:20:29.160 --> 0:20:31.479
<v Speaker 1>I'm very serious, but I'm not a serious character at all.

0:20:31.560 --> 0:20:33.320
<v Speaker 1>I'm like, I have fun. Then the kitchen is really

0:20:33.320 --> 0:20:34.800
<v Speaker 1>who I am. That the Chopped is like, you know,

0:20:34.880 --> 0:20:36.800
<v Speaker 1>show them, you know, to serious show and we have

0:20:36.840 --> 0:20:41.200
<v Speaker 1>to be serious. Yeah, but they as it chopped and

0:20:41.240 --> 0:20:42.800
<v Speaker 1>I'm like, I heard the word. That's sort of like

0:20:42.880 --> 0:20:46.160
<v Speaker 1>it was like a little juvenile. First, I'm like, okay,

0:20:46.200 --> 0:20:48.719
<v Speaker 1>what's the premise. I'm like, well, four people will get

0:20:48.800 --> 0:20:51.400
<v Speaker 1>a basket of foreign reading. I gotta make an appetize

0:20:51.400 --> 0:20:54.680
<v Speaker 1>in twenty minutes if they you know, whoever, losers gets

0:20:54.760 --> 0:20:56.920
<v Speaker 1>chopped in there's three and two and one and whoever

0:20:56.960 --> 0:21:01.159
<v Speaker 1>wins get tent oil of dollars the winner, and I'm like, like, okay,

0:21:01.200 --> 0:21:03.240
<v Speaker 1>I thought it was corny and cornball. I really didn't

0:21:03.280 --> 0:21:06.960
<v Speaker 1>like it. And then they said, and the host, and

0:21:07.000 --> 0:21:11.399
<v Speaker 1>it's a dog. In the original uh pilot they did

0:21:11.480 --> 0:21:17.040
<v Speaker 1>there was a dog really not kidding they fed the

0:21:17.119 --> 0:21:21.439
<v Speaker 1>losing dish to the dog. Wow. I wonder why that

0:21:21.520 --> 0:21:24.000
<v Speaker 1>never took off, never made it didn't even get it,

0:21:24.359 --> 0:21:28.840
<v Speaker 1>didn't even get to the sizzle reel. So offut of

0:21:28.840 --> 0:21:31.439
<v Speaker 1>it comes, Jeff. I would imagine the chefs on the

0:21:31.480 --> 0:21:34.040
<v Speaker 1>set were like, what the heck? I think I did

0:21:34.040 --> 0:21:36.480
<v Speaker 1>the pilot with Alexe Born and Shelley Rock and dispirit

0:21:36.560 --> 0:21:38.960
<v Speaker 1>over myself. I think those are the three my brain

0:21:39.040 --> 0:21:41.399
<v Speaker 1>is gonna probably it's one of the I know is

0:21:41.440 --> 0:21:43.959
<v Speaker 1>Alex and Rocco or me and Rocco and Alex. I

0:21:43.960 --> 0:21:46.160
<v Speaker 1>know Alex was there. They might even Scott Conan too,

0:21:46.160 --> 0:21:50.000
<v Speaker 1>I'm not quite sure. Well over a few days and

0:21:50.040 --> 0:21:51.719
<v Speaker 1>I was paid nothing. It was like, you know, if

0:21:51.720 --> 0:21:53.160
<v Speaker 1>you want to be on the show, it's like two

0:21:53.520 --> 0:21:56.600
<v Speaker 1>fifty dollars, but that's if they pick it up. So

0:21:56.600 --> 0:21:59.320
<v Speaker 1>I needs he said no, um, and then I want

0:21:59.359 --> 0:22:01.320
<v Speaker 1>to show. And I was the guy that was very

0:22:01.400 --> 0:22:03.439
<v Speaker 1>chef be because I was the I think one of

0:22:03.440 --> 0:22:05.720
<v Speaker 1>the most experienced chefs on the show. And I was

0:22:05.800 --> 0:22:08.360
<v Speaker 1>the serious one. So I had the glasses and I

0:22:08.400 --> 0:22:09.920
<v Speaker 1>was I was the one. Every one something was mean

0:22:10.680 --> 0:22:12.360
<v Speaker 1>and so I mean it works. So I just kept

0:22:12.400 --> 0:22:14.680
<v Speaker 1>being like mean and tough and you know, I don't

0:22:14.680 --> 0:22:18.639
<v Speaker 1>care about your story and the food sucks, You're out. Um.

0:22:18.680 --> 0:22:22.960
<v Speaker 1>I wasn't Gordon Ramsey, but I was a more genteel

0:22:23.119 --> 0:22:27.080
<v Speaker 1>version version of him. Um. Uh So that was two

0:22:27.080 --> 0:22:29.600
<v Speaker 1>thousand nine, and you know that we've just done let me,

0:22:30.560 --> 0:22:34.520
<v Speaker 1>we've done on my uh seven hundred episodes we've filmed

0:22:34.640 --> 0:22:38.360
<v Speaker 1>and I just got booked for two more and um,

0:22:38.400 --> 0:22:41.240
<v Speaker 1>you know there's twelve judges. All the original judges are

0:22:41.280 --> 0:22:44.480
<v Speaker 1>still there. Uh. So it's been like a juggernaut. And

0:22:44.480 --> 0:22:47.000
<v Speaker 1>then you know it's one of the highest rated shows

0:22:47.040 --> 0:22:49.600
<v Speaker 1>on on TV. And I think just the ad Reverend

0:22:49.640 --> 0:22:51.639
<v Speaker 1>Malone in the last ten years has been extraordinary for

0:22:51.760 --> 0:22:55.600
<v Speaker 1>Discovery and that which was um Script Scripts, which was

0:22:55.640 --> 0:22:59.720
<v Speaker 1>now Discovery. That's basically the intro to that. And then

0:22:59.760 --> 0:23:02.119
<v Speaker 1>from that show two years later, I was I was

0:23:02.240 --> 0:23:05.879
<v Speaker 1>asked to do Iron Chef. Did you find the work

0:23:05.920 --> 0:23:08.879
<v Speaker 1>of being on TV, being on camera, speaking, speaking in

0:23:08.960 --> 0:23:13.439
<v Speaker 1>temp extemporaneously did you find that Did you find that easy?

0:23:13.640 --> 0:23:15.639
<v Speaker 1>Was that? Was that a learning curve for you to

0:23:15.680 --> 0:23:18.639
<v Speaker 1>be on TV? It was a learning I found it easy,

0:23:18.960 --> 0:23:23.040
<v Speaker 1>but I got better at it because I learned how

0:23:23.160 --> 0:23:27.719
<v Speaker 1>to forget about the camera. And when I saw some

0:23:27.800 --> 0:23:31.160
<v Speaker 1>pictures of myself just doing like, you know, not even

0:23:31.520 --> 0:23:33.760
<v Speaker 1>when I cameras rolling, I didn't know it was rolling.

0:23:33.800 --> 0:23:35.920
<v Speaker 1>It was actually I was like, well that's very natural.

0:23:36.640 --> 0:23:38.679
<v Speaker 1>Let's do more of that. And so I started to

0:23:38.760 --> 0:23:43.879
<v Speaker 1>just like become myself. And I worry about like anything

0:23:43.880 --> 0:23:46.679
<v Speaker 1>other than authenticity because people really see it now and

0:23:46.720 --> 0:23:49.239
<v Speaker 1>I think that they understand the authenticity. That's what they

0:23:49.280 --> 0:23:51.879
<v Speaker 1>like it. Because I speak to like their mistakes. I

0:23:51.880 --> 0:23:55.560
<v Speaker 1>speak to like my shortcomings. I speak to like like

0:23:55.720 --> 0:23:57.439
<v Speaker 1>I'm really lazy. I don't want to do all this

0:23:57.560 --> 0:24:01.240
<v Speaker 1>prepping and it just it's not worth it and play golf,

0:24:01.280 --> 0:24:02.760
<v Speaker 1>you know what I mean. So I talked to people

0:24:02.800 --> 0:24:05.480
<v Speaker 1>like they like to be. They want to hear because normal,

0:24:05.520 --> 0:24:07.480
<v Speaker 1>most normal people are gonna actually spend three hours a

0:24:07.560 --> 0:24:13.280
<v Speaker 1>day prepping a meal. Okay, unless you're in Italy and

0:24:13.320 --> 0:24:16.040
<v Speaker 1>you have nothing else to do, right, and you have

0:24:16.400 --> 0:24:19.120
<v Speaker 1>all this produce and you can take time to do it.

0:24:19.800 --> 0:24:25.040
<v Speaker 1>So I think it for busy Americans and for busy people. Um.

0:24:25.160 --> 0:24:28.199
<v Speaker 1>I it was authentic, but I learned that, I mean

0:24:28.240 --> 0:24:29.880
<v Speaker 1>it sounds weird, and learned to be authentic. I learned

0:24:29.880 --> 0:24:33.399
<v Speaker 1>to relax authentic at the same time. Um, but it

0:24:33.520 --> 0:24:36.199
<v Speaker 1>took time. I was very natural speaking because I have

0:24:36.240 --> 0:24:37.800
<v Speaker 1>a lot of information that I want to get out.

0:24:38.280 --> 0:24:42.640
<v Speaker 1>That's easy for me. But the being authentic and then

0:24:42.680 --> 0:24:45.320
<v Speaker 1>being authentic under pressure, and then be authentic under pressure

0:24:45.320 --> 0:24:48.520
<v Speaker 1>on the show live what people are interrupting you is

0:24:48.560 --> 0:24:51.400
<v Speaker 1>the hardest part of everything. You know, you really need

0:24:51.440 --> 0:24:54.040
<v Speaker 1>a sense of humor because you'll get in your own

0:24:54.080 --> 0:24:56.840
<v Speaker 1>head and you'll you'll you're a short circuit. You'll forget,

0:24:57.440 --> 0:25:00.119
<v Speaker 1>you know, that's just what happens. What's it been like

0:25:00.480 --> 0:25:02.800
<v Speaker 1>being at Food Network in the last couple of years

0:25:02.840 --> 0:25:06.280
<v Speaker 1>after the Discovery deal went down, enlarged, you know, kind

0:25:06.280 --> 0:25:09.800
<v Speaker 1>of just enlarged the scope of the bigger company. And

0:25:10.080 --> 0:25:14.200
<v Speaker 1>they've been doing a lot with streaming of Food Network

0:25:14.200 --> 0:25:17.160
<v Speaker 1>content specifically, and now they have Discovery Plus, of which

0:25:17.200 --> 0:25:20.639
<v Speaker 1>Food Network and Cooking is a huge, huge cornerstones of

0:25:21.160 --> 0:25:23.960
<v Speaker 1>how have you got any sense of what that could

0:25:24.000 --> 0:25:27.640
<v Speaker 1>mean long term for Food Network for your brand? I mean,

0:25:28.760 --> 0:25:30.960
<v Speaker 1>I know David zazzels have it, has a vision, he's

0:25:31.000 --> 0:25:33.880
<v Speaker 1>a real is one of the smartest people I've ever met.

0:25:33.960 --> 0:25:36.159
<v Speaker 1>And he and Kathleen Finch and Courtney White, I mean

0:25:36.200 --> 0:25:38.040
<v Speaker 1>Courtney and Kathy had been there for years. I have

0:25:38.080 --> 0:25:39.600
<v Speaker 1>a great relationship with him. And then when he came

0:25:39.600 --> 0:25:43.280
<v Speaker 1>in and he's pushing Discovery Plus in the streaming, he

0:25:43.359 --> 0:25:47.600
<v Speaker 1>did it all coalists around this timing, and it's been

0:25:47.640 --> 0:25:49.760
<v Speaker 1>just an incredible ride, I'm sure for the stock and

0:25:49.880 --> 0:25:52.119
<v Speaker 1>for the company, But I think that what he brings

0:25:52.160 --> 0:25:56.240
<v Speaker 1>to us is this this horizontal integration of HDTV and

0:25:56.280 --> 0:25:58.719
<v Speaker 1>all the shows. So like you know you have you know,

0:25:58.880 --> 0:26:01.120
<v Speaker 1>you can build a home, and then the home comes

0:26:01.119 --> 0:26:04.440
<v Speaker 1>in the friend is the home, let's stock it right

0:26:04.760 --> 0:26:06.680
<v Speaker 1>over the pantry at home and the home goes over

0:26:06.760 --> 0:26:09.520
<v Speaker 1>here and like we're gonna demolish the home. Another HB

0:26:09.600 --> 0:26:12.080
<v Speaker 1>TV show and then you know there's another home that

0:26:12.119 --> 0:26:13.920
<v Speaker 1>comes through here, Well, we're gonna electoral party, and this

0:26:14.000 --> 0:26:16.199
<v Speaker 1>one on this so we have all these people around

0:26:16.320 --> 0:26:23.240
<v Speaker 1>us that are basically fomenting lives around the household and

0:26:23.240 --> 0:26:28.639
<v Speaker 1>and and and you know, landownership and and homesteading, you know,

0:26:28.720 --> 0:26:31.639
<v Speaker 1>and so we're in the homesteading business. And David realizes that.

0:26:31.720 --> 0:26:34.719
<v Speaker 1>So he's tying empty together and he's trying to cross Polly,

0:26:35.000 --> 0:26:40.000
<v Speaker 1>HDTV and the twenty seven channels just in that in

0:26:40.000 --> 0:26:42.359
<v Speaker 1>that genre, there's so many. So we can have some

0:26:42.440 --> 0:26:47.679
<v Speaker 1>Discovery personalities now on um the food you have a

0:26:47.800 --> 0:26:51.800
<v Speaker 1>guest from you know, Vanilla Ice and the Vanilla Ice

0:26:51.800 --> 0:26:54.200
<v Speaker 1>Project comes on because he loves the cookies, come making

0:26:54.200 --> 0:26:57.520
<v Speaker 1>wings on the kitchen. But this, this integration is fantastic.

0:26:57.800 --> 0:27:01.399
<v Speaker 1>There's clearly a deadliest cash for network crossed over just

0:27:01.440 --> 0:27:04.480
<v Speaker 1>waiting to happen. It is, it is, and it's gonna happen.

0:27:04.520 --> 0:27:05.920
<v Speaker 1>You can just see it. And then we have Shark

0:27:05.960 --> 0:27:08.360
<v Speaker 1>Week and all that. So that that's what David has done.

0:27:08.359 --> 0:27:12.000
<v Speaker 1>And you know, he's he doesn't mess around. This guy

0:27:12.040 --> 0:27:15.800
<v Speaker 1>goes at warp speed, you know, literally, so he makes

0:27:15.840 --> 0:27:18.480
<v Speaker 1>breat mistakes too. I don't know what they are, but

0:27:18.520 --> 0:27:20.800
<v Speaker 1>I'm sure there are. We don't worry about it. But

0:27:21.080 --> 0:27:22.920
<v Speaker 1>this Discovery plus it's like, you know, you see it's

0:27:22.920 --> 0:27:26.640
<v Speaker 1>everywhere there's you know, seventy five or sixty five episodes.

0:27:26.680 --> 0:27:30.160
<v Speaker 1>I mean, it's like unbelievable. I'm on a programming content,

0:27:30.920 --> 0:27:34.360
<v Speaker 1>so it's the same thing. It's like, but you we're

0:27:34.400 --> 0:27:37.560
<v Speaker 1>on a rocket ship because of where we're placed in

0:27:37.560 --> 0:27:40.760
<v Speaker 1>that whole Discovery world. And like I said before, the

0:27:40.760 --> 0:27:45.040
<v Speaker 1>one thing we're lacking is we're always lacking new Town

0:27:45.119 --> 0:27:47.760
<v Speaker 1>new content. So it's just so it's like it's like

0:27:47.760 --> 0:27:50.720
<v Speaker 1>a voracious animal just keeps eating up the content because

0:27:50.840 --> 0:27:53.040
<v Speaker 1>like keep beating the thing and it never gets fat,

0:27:53.560 --> 0:27:55.920
<v Speaker 1>just always coming more and more and more. It's like

0:27:55.960 --> 0:27:58.960
<v Speaker 1>a marathon run, right. So it's I need more, I

0:27:58.960 --> 0:28:00.920
<v Speaker 1>need more. I need more than five people, and there's

0:28:00.960 --> 0:28:02.800
<v Speaker 1>twenty people, and there's a hundred people that need more,

0:28:03.000 --> 0:28:04.919
<v Speaker 1>and so we're at a hundred two thousand people that

0:28:04.960 --> 0:28:10.200
<v Speaker 1>need more stuff all the time. And it's so hard

0:28:10.280 --> 0:28:12.480
<v Speaker 1>to get one thing off the ground. One thing takes

0:28:12.560 --> 0:28:17.120
<v Speaker 1>probably unless it's so unless it's a remake of something

0:28:17.160 --> 0:28:18.800
<v Speaker 1>that work before, you just plug and play and you're like,

0:28:18.800 --> 0:28:20.440
<v Speaker 1>I'm gonna try it again, because it was it's twolve

0:28:20.480 --> 0:28:22.800
<v Speaker 1>years ago worked and we we shelve it. Let's let's

0:28:23.119 --> 0:28:25.280
<v Speaker 1>let's put some new bells and whistles on it. Let's

0:28:25.280 --> 0:28:27.320
<v Speaker 1>try that. We do that once in a while, but

0:28:27.359 --> 0:28:29.040
<v Speaker 1>the real good things take time. Is a meeting, and

0:28:29.119 --> 0:28:31.960
<v Speaker 1>there's another meeting, there's another meaning, then there's okay, what

0:28:32.000 --> 0:28:33.280
<v Speaker 1>do you think on the show? Is a sizzle, and

0:28:33.320 --> 0:28:35.040
<v Speaker 1>there's a green light, and then there's a production and

0:28:35.080 --> 0:28:38.160
<v Speaker 1>that's like two years, you know, and so it's like

0:28:38.280 --> 0:28:41.560
<v Speaker 1>it's like writing a book from you need a lot

0:28:41.560 --> 0:28:43.960
<v Speaker 1>of balls in the air to keep that, to feed

0:28:44.000 --> 0:28:47.400
<v Speaker 1>that here. And so they have we have reduced the

0:28:47.480 --> 0:28:50.520
<v Speaker 1>time because they need to reduce the time. So, you know,

0:28:50.600 --> 0:28:52.560
<v Speaker 1>before it's like two years to find Now it's like

0:28:53.240 --> 0:28:55.560
<v Speaker 1>in two months, if you don't have a sizzle, it's like,

0:28:55.640 --> 0:28:58.120
<v Speaker 1>let's go. So what we love that because that's like

0:28:58.560 --> 0:29:00.560
<v Speaker 1>sometimes you think too much, you know, Like I said,

0:29:00.560 --> 0:29:02.520
<v Speaker 1>a person with the chicken fries, just put a chicken

0:29:02.520 --> 0:29:05.160
<v Speaker 1>frying of manu and they're gonna sell. I do know that.

0:29:05.240 --> 0:29:09.120
<v Speaker 1>Obviously in the wider world, and particularly in the culinary world,

0:29:09.120 --> 0:29:12.000
<v Speaker 1>there's been a lot of pain in this pandemic, a

0:29:12.000 --> 0:29:15.680
<v Speaker 1>lot of shutdowns, a lot of painful job losses. Do you.

0:29:15.760 --> 0:29:18.120
<v Speaker 1>I know you've done great work with your telepons on

0:29:18.160 --> 0:29:21.240
<v Speaker 1>the hunger issue. What is it? Does America need a

0:29:21.320 --> 0:29:24.560
<v Speaker 1>martial plan? Does there's something that that you can think of,

0:29:24.640 --> 0:29:28.240
<v Speaker 1>can that can help the sector that is so beloved

0:29:28.360 --> 0:29:32.560
<v Speaker 1>and so important to the fabric of communities? Any any thoughts?

0:29:32.680 --> 0:29:34.720
<v Speaker 1>You know, that's great that you let off with that, that

0:29:34.640 --> 0:29:37.080
<v Speaker 1>that we're on both sides of the coin. I'm sharing

0:29:37.120 --> 0:29:39.840
<v Speaker 1>of U the food counts for City Harvests and I'm

0:29:39.880 --> 0:29:43.640
<v Speaker 1>on the board and a wonderful organization. That's great, almost

0:29:43.640 --> 0:29:46.080
<v Speaker 1>ten years that I'm doing that. And you know, when

0:29:46.080 --> 0:29:47.960
<v Speaker 1>you can do a telephone and raise a couple million

0:29:48.000 --> 0:29:51.360
<v Speaker 1>dollars and deep people that day or the day after,

0:29:52.200 --> 0:29:54.320
<v Speaker 1>that's job. I mean there's people who may thybe get

0:29:54.320 --> 0:29:56.560
<v Speaker 1>fed right away. So City Harvest has done a hundred

0:29:56.600 --> 0:29:58.560
<v Speaker 1>million pounds this year, which is like double what they

0:29:58.600 --> 0:30:01.360
<v Speaker 1>normally do in the whole year last year. So it

0:30:01.440 --> 0:30:03.400
<v Speaker 1>was like incredible what they did. Um And so all

0:30:03.440 --> 0:30:04.720
<v Speaker 1>we have to do is try to feed the beast

0:30:04.760 --> 0:30:06.040
<v Speaker 1>and give more money to him if we can do,

0:30:06.080 --> 0:30:09.719
<v Speaker 1>because it's expensive to hire trucks and coreguration. But you know,

0:30:09.840 --> 0:30:11.320
<v Speaker 1>in the mean and in the midst of all that

0:30:11.360 --> 0:30:14.480
<v Speaker 1>they had to move their location. Who knew the pandemics

0:30:14.520 --> 0:30:16.120
<v Speaker 1>a getting hit and it was supposed to move in

0:30:16.240 --> 0:30:19.120
<v Speaker 1>artist you know, like oh my god, and all that

0:30:19.200 --> 0:30:21.680
<v Speaker 1>fell through. So it's been a real mess. But that

0:30:21.760 --> 0:30:24.040
<v Speaker 1>was a job one. Just get some food to people,

0:30:24.080 --> 0:30:29.720
<v Speaker 1>good food, vegetables. That's our mantra, no crap. We actually

0:30:29.760 --> 0:30:33.960
<v Speaker 1>reject a lot of stuff. We've talked about you can have,

0:30:34.280 --> 0:30:37.160
<v Speaker 1>you can have the like the you know, the the

0:30:37.320 --> 0:30:42.680
<v Speaker 1>sugar laden cereals. We don't need those, um. So that's

0:30:42.680 --> 0:30:45.280
<v Speaker 1>great that we have to do that. The other side

0:30:45.280 --> 0:30:47.280
<v Speaker 1>of it is, um, you know, we're producing this documentary

0:30:47.280 --> 0:30:50.960
<v Speaker 1>with Rebecca Um, which we're doing so that we really

0:30:51.000 --> 0:30:53.800
<v Speaker 1>tell the story of why this restaurant industry is so vital,

0:30:53.960 --> 0:30:56.200
<v Speaker 1>and I tell it from a New York standpoint. We

0:30:56.280 --> 0:30:59.200
<v Speaker 1>hired Mathamelely to do it. We did, you know, crazy

0:30:59.200 --> 0:31:02.080
<v Speaker 1>about Tiffany's and pays had the car Alisle was too great,

0:31:02.120 --> 0:31:07.000
<v Speaker 1>the documentaries um, and you know, Kate karg is involved

0:31:07.000 --> 0:31:09.040
<v Speaker 1>and all that. So it's been really this it's a

0:31:09.080 --> 0:31:13.520
<v Speaker 1>love letter. It's a love letter to New York with

0:31:13.600 --> 0:31:18.400
<v Speaker 1>a real sharp needle to poke people into seeing look

0:31:18.440 --> 0:31:22.440
<v Speaker 1>what's happened. This is this can't go on you. Something

0:31:22.480 --> 0:31:24.760
<v Speaker 1>has to be done because they shut the switch out

0:31:24.840 --> 0:31:26.800
<v Speaker 1>on us. We didn't you know, we didn't have a flood.

0:31:28.000 --> 0:31:34.120
<v Speaker 1>You know, eleven was one monster's day and maybe a

0:31:34.200 --> 0:31:38.360
<v Speaker 1>monster's month. But then everything went like this because you

0:31:38.440 --> 0:31:42.840
<v Speaker 1>had finality, and finality coupled with money and the grid

0:31:42.880 --> 0:31:45.000
<v Speaker 1>of the Americans and people in New York City just

0:31:45.040 --> 0:31:49.680
<v Speaker 1>went like this. This is pandemic shutting off. It was

0:31:49.760 --> 0:31:53.560
<v Speaker 1>worse than anything I've seen in forty years. Come back,

0:31:54.800 --> 0:31:57.120
<v Speaker 1>no finality. You don't want to. You know, you're on

0:31:57.200 --> 0:31:59.360
<v Speaker 1>your you're in your out, you're off your cup, you're

0:31:59.400 --> 0:32:02.680
<v Speaker 1>on your clothes, you're open, you're inside your outside. You can't.

0:32:02.720 --> 0:32:06.400
<v Speaker 1>It's just a disaster. So we're trying to document this

0:32:06.520 --> 0:32:10.040
<v Speaker 1>and show what how beautiful restaurants are, what they've fulfilled

0:32:10.040 --> 0:32:12.640
<v Speaker 1>the people, and just you don't feed people feed their

0:32:12.680 --> 0:32:15.880
<v Speaker 1>souls is like what people take all their angst out.

0:32:15.880 --> 0:32:17.680
<v Speaker 1>They just where they put all their passion. That's where

0:32:17.680 --> 0:32:20.160
<v Speaker 1>they spill the beans. That's where they fall in love

0:32:20.240 --> 0:32:23.960
<v Speaker 1>and signed contracts that they do all this stuff in

0:32:24.040 --> 0:32:27.240
<v Speaker 1>conjunction to us feeding And what's more intimate than giving

0:32:27.280 --> 0:32:30.800
<v Speaker 1>people food that they putting them up. Know any other

0:32:30.840 --> 0:32:34.360
<v Speaker 1>profession as that intimate, maybe some some forms of acting,

0:32:34.960 --> 0:32:38.160
<v Speaker 1>but this is substance, a very basic in the jobs

0:32:38.200 --> 0:32:41.560
<v Speaker 1>is form some jobs in New York alone, restaurant is

0:32:41.680 --> 0:32:45.880
<v Speaker 1>it's the largest employer. So we're writing a documentary. It's

0:32:45.920 --> 0:32:48.560
<v Speaker 1>gonna be. It's happening right now. People are on the

0:32:48.560 --> 0:32:52.080
<v Speaker 1>boots with with with cameras. We started about twelve weeks

0:32:52.120 --> 0:32:56.320
<v Speaker 1>ago and again quick turn around, a couple of meetings, boom,

0:32:56.360 --> 0:32:58.560
<v Speaker 1>let's get cameras. We've get some heat, seed capital, go

0:32:58.600 --> 0:33:01.040
<v Speaker 1>out in the streets. Who we talking on We called chefs.

0:33:01.040 --> 0:33:03.360
<v Speaker 1>Of course they all said yes, and you have these

0:33:03.360 --> 0:33:05.880
<v Speaker 1>incredible vin Yes, I saw it. I was touched, and

0:33:05.880 --> 0:33:08.160
<v Speaker 1>that's just like a little bits and pieces. I saw it,

0:33:08.320 --> 0:33:14.520
<v Speaker 1>but um uh, you know, it just captures such a

0:33:14.560 --> 0:33:17.560
<v Speaker 1>critical moment. So we are capturing as it actually happens,

0:33:18.680 --> 0:33:20.560
<v Speaker 1>and we so hope to be on the other side

0:33:20.560 --> 0:33:22.600
<v Speaker 1>when it comes out. I think point to I think

0:33:22.600 --> 0:33:31.400
<v Speaker 1>that's what little really come to do. Thanks for listening.

0:33:31.600 --> 0:33:34.160
<v Speaker 1>Be sure to leave us a review at Apple Podcasts.

0:33:34.440 --> 0:33:37.480
<v Speaker 1>We love to hear from listeners, and please tune in

0:33:37.560 --> 0:33:40.240
<v Speaker 1>next week for another episode of Strictly Business