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Speaker 1: I listen to the black guy who tips because Rod

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Speaker 1: and Karen are so hot.

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Speaker 2: Hey, welcome to another episode of the Blackout Tells podcast.

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Speaker 2: I'm your host Rod, joined us always by my co

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Speaker 2: host Karen, and we are live on a Wednesday, ready

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Speaker 2: to do some Walking Dead recap.

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Speaker 3: And that's right.

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Speaker 2: We're wrapping up the week of just regular shows and

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Speaker 2: preparing for our live show tomorrow obviously, and we're still

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Speaker 2: gonna give you that Walking Dead recap that you so

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Speaker 2: much neat, and we will do our feedback episode this weekend,

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Speaker 2: but then we'll probably take some time off next week.

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Speaker 3: You know, it's been a busy week, as.

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Speaker 2: You guys can imagine. Scheduling all this stuff and doing

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Speaker 2: all these things is.

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Speaker 3: Uh a lot of work, a lot of work behind

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Speaker 3: the scenes, planning a lot of preparations. And we didn't

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Speaker 3: have an event planning this time, so it was on us.

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Speaker 1: It on us with the event planning. You'd be like,

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Speaker 1: y'all handle that, yeah.

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Speaker 3: But I'm looking forward to it.

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Speaker 1: Man.

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Speaker 3: Tickets are still available, but oh my god, y'all are

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Speaker 3: really doing the damn thing.

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Speaker 1: Y'all are showing out.

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Speaker 2: We're saying, the ticket sales people are like even though

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Speaker 2: I say you don't have to, and you know we

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Speaker 2: have more than enough, people are still buying tickets that

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Speaker 2: can't make it. They're just buying in person tickets and

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Speaker 2: being like give them away. I was like, oh my god,

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Speaker 2: I feel like Oprah and I did give one away.

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Speaker 2: So I mean, look, people do want them, So what

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Speaker 2: do I know. Maybe tomorrow be super busy with that.

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Speaker 2: But you know, I understand it's a pandemic. So you know,

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Speaker 2: get you a virtual ticket. That's how you feel comfortable.

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Speaker 2: Don't miss out. It's gonna be fun. I'm gonna be drinking.

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Speaker 2: It's my fucking birthday. Justin's gonna be there, Andy and

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Speaker 2: Randolph are gonna be there. I mean, it's gonna be

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Speaker 2: a good fucking time. If you like comedy and you

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Speaker 2: like having a good time, I think you'll enjoy.

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Speaker 3: What we're about to do.

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Speaker 1: Ya.

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Speaker 2: And also if you like comedy, This podcast is brought

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Speaker 2: to you by Shy Hands Comedy Showcase at the Comedy

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Speaker 2: Market South in Charlotte, North Carolina.

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Speaker 3: That's right, how black women doing stand up?

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Speaker 2: Hello in our home, in our hometown, in our home city,

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Speaker 2: Charlotte listeners, let me tell you about a month Let

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Speaker 2: Comedy showcase of amazing local in touring comedians where you

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Speaker 2: can enjoy two hours of glorious and authentic stand up comedy.

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Speaker 3: That's right.

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Speaker 2: It is at the Common Market South and first Friday

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Speaker 2: of every month, seven pm to nine pm. Two comics

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Speaker 2: are selected directly from the weekly open mic. Tickets are

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Speaker 2: fifteen dollars and I'll have a link in the show

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Speaker 2: notes so you can go to the event bright and

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Speaker 2: you can buy tickets. So go out there, support Shine,

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Speaker 2: support the local comedy people. If you're in the if

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Speaker 2: you're in Charlotte, the local comedy scene, go check it out.

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Speaker 3: All right, let's get into the Walking Dad Recap. Let's

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Speaker 3: go do we.

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Speaker 2: Say the official weapon and unoficial sport? All right, good,

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Speaker 2: let's get into Now that we've done all that business,

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Speaker 2: let's get into this Walking Dad recap.

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Speaker 3: What if this is what the live show was? It

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Speaker 3: was the Walking Dad Recap' hilarious. People will be hot

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Speaker 3: as hell, and I will do to everybody show up

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Speaker 3: for that ship.

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Speaker 2: Oh man, you're like, all right, so Glenn was trapped

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Speaker 2: under the dumpster.

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Speaker 3: Everybody's like, what the fuck are y'all talking about? All Right?

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Speaker 2: This episode is called Out of the Ashes. It is

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Speaker 2: episode number five, which means there's only three more episodes

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Speaker 2: this year.

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Speaker 3: The end of the season is.

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Speaker 2: October tenth, so after that, no more episodes till next

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Speaker 2: next year. Wow, you know, well we know what happens

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Speaker 2: every time eight eight, and I think this time is

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Speaker 2: gonna be eight eight and eight.

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Speaker 3: Probably it was called Out of the Ashes.

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Speaker 2: Directed by great Nikko Taro, written by LaToya Morgan. Now

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Speaker 2: if that's not a black woman, and I don't know what,

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Speaker 2: I don't know what it could be.

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Speaker 3: But uh yeah, so.

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Speaker 2: Karen will start the way we always started. What did

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Speaker 2: you think about this episode?

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Speaker 1: I actually enjoyed it. I enjoyed it a lot. I

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Speaker 1: think it was a lot better than I thought it

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Speaker 1: was gonna be.

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Speaker 3: Why you thought it was gonna be bad?

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Speaker 1: Now that I thought it was gonna be bad, But

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Speaker 1: it's like I didn't really know what direction they was

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Speaker 1: going to go into with it.

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Speaker 2: Okay, Yeah, I enjoyed this episode. It was actually kind

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Speaker 2: of fast moving and a lot of shit happened, and.

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Speaker 1: In such a short period of time.

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Speaker 2: Yeah, we've technically had like four different locations, which we

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Speaker 2: haven't done in a while, like a lot of these

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Speaker 2: episodes have kind of been drilling down to like, let's

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Speaker 2: spend all our time in one location, maybe two, right,

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Speaker 2: And this is the first time it felt like I

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Speaker 2: kind of an old school episode where it was like

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Speaker 2: and then over here, and now look over there. Now,

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Speaker 2: of course, I, your lovely narrator, went out and broke

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Speaker 2: it down into the four locations, so we don't got

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Speaker 2: to do all that skipping around.

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Speaker 3: But still like it was a when I.

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Speaker 2: Was rewatching this ship, I found myself taking kopeous notes,

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Speaker 2: so I was like, God, damn, what when.

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Speaker 3: Did this happen? Let me watch this again? And I

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Speaker 3: got another conspiracy theory, y'all. Oh shit, I know, dum.

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Speaker 3: So let's get into it.

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Speaker 2: The four locations as I've broken them down as Alexandria, Hilltop,

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Speaker 2: the Commonwealth, and Niaga and Maggie. I say we start

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Speaker 2: with the short one, the short, quick, straightforward one.

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Speaker 3: Nigga and Maggie.

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Speaker 2: So Niaga and Maggie is out there on the road

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Speaker 2: together just hating each other. Yeah, oh man, they killed

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Speaker 2: some walkers in the woods alone, they uh head towards

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Speaker 2: uh this outpost that Maggie said was out there for

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Speaker 2: them to like stock up and get some supplies so.

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Speaker 3: They can finish the mission.

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Speaker 2: Niagan is very much just they saying the whole thing.

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Speaker 2: He's basically like, why we gotta do that? We ain't

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Speaker 2: gonna like like, ain't nobody.

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Speaker 3: Gonna be there?

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Speaker 4: Well?

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Speaker 3: We rain around folk like he he very much had

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Speaker 3: like my energy. When anybody brings up and get together,

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Speaker 3: it's like, who are all gonna be there? Why are

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Speaker 3: we doing this for?

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Speaker 1: Like you we wasting time?

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Speaker 3: Yeah? Why can't we just go home?

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Speaker 2: Like it was me at every party I've ever been to,

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Speaker 2: Just why oh can we just go home?

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Speaker 3: Already?

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Speaker 1: We just got here, I know, and it's time to

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Speaker 1: go home.

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Speaker 3: Uh but yeah, he she.

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Speaker 2: They basically have like the little back and forth like

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Speaker 2: because I don't trust you, He's like, well, you need

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Speaker 2: to start trusting me if you want to live. We

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Speaker 2: we out here together, we are all we got, all

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Speaker 2: we got And she's like, well I still don't trust you.

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Speaker 3: He's like, well then why ain't you just fucking kill me?

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Speaker 1: Cause damn right, you just fucking around?

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Speaker 3: And then they do the zombie fake out where she

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Speaker 3: throws a knife at his head. He moves and actually

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Speaker 3: she was throwing a knife at a zombie behind him.

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Speaker 3: The whole time. Yeah, it was like, oh shit, that

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Speaker 3: only works on TV.

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Speaker 2: Colong, y'all understand that only works and TV were like

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Speaker 2: I'm having a fight with you, and then I shoot

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Speaker 2: my gun at you hit somebody that you didn't see

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Speaker 2: behind you, saving your life, and then you don't be

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Speaker 2: upset in any way.

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Speaker 3: You just be like, oh, well, another one of these days.

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Speaker 3: Like no, I'll be like, bitch, say duck right to

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Speaker 3: get out of the way. What if I would have

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Speaker 3: ducked the other way and got shot? Like come on now.

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Speaker 2: So now they arrive at the outpost, which is just

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Speaker 2: an abandoned house, and they find some clothes and a

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Speaker 2: little bit of food, but just like a milk crate

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Speaker 2: work for food, you know, like it wasn't a lot.

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Speaker 2: It looked almost like the same milk crates they had

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Speaker 2: when Georgie came down there. Remember Georgie was from the

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Speaker 2: Commonwealth or something, the place that Maggie went off to.

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Speaker 1: Yes, remember they had records and.

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Speaker 2: Yes, so it felt it was like that. So I

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Speaker 2: don't know if that's related or not. I mean, maybe

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Speaker 2: that's just doing the milk creak challenge and they had

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Speaker 2: some boxes left.

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Speaker 1: The zommies out there doing that shit all on top

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Speaker 1: of each other.

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Speaker 3: That's what really started the epoch was the milk Creak Challenge.

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Speaker 3: A lot of people didn't know.

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Speaker 1: That, right right, you dying then all of a sudden

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Speaker 1: your zombie.

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Speaker 3: Uh So then.

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Speaker 2: Nia was like, man, we uh ain't nobody else here

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Speaker 2: and that means ain't nobody else alive. Let's just go

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Speaker 2: back home. And she's like, no, we got to wait

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Speaker 2: on them. We could have beat them here.

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Speaker 3: And he was like, yeah, I think I think we

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Speaker 3: should just head out.

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Speaker 2: But if you say so, I just think you need

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Speaker 2: to start accepting that you need to learn when to

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Speaker 2: cut your losses.

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Speaker 3: And she's like, those losses.

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Speaker 2: Were my people, and he's like yeah, and you still

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Speaker 2: got some more people back in Alexandria depending on you.

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Speaker 2: So let's just cut our losses, turn around and get

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Speaker 2: away from these crazy crazy pants.

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Speaker 1: Right because we know today probably all around the vicinity

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Speaker 1: somewhere you.

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Speaker 2: Ain't like before they show up here and just you know,

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Speaker 2: like do something to me and right to us.

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Speaker 1: And it's not like we got in they walker talkers

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Speaker 1: that we could communicate to beat sure people alive we're

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Speaker 1: just hoping that they show up.

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Speaker 2: Yeah, So she reaches down into one of the boxes

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Speaker 2: and actually there's a gun with a full like a

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Speaker 2: clip she could load in there. So now she got

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Speaker 2: a gun.

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Speaker 3: And so he basically was like, well, I say wait,

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Speaker 3: if we're gonna wait, I give them to sundown, right.

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Speaker 3: So he's like, listen at the sundown. If they ain't here,

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Speaker 3: Dan ain't coming, we need to get the fuck out.

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Speaker 1: Right because we're sitting ducks in here.

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Speaker 3: So then time passed. It's not really sundown, but it's

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Speaker 3: like four o'clock.

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Speaker 1: Man about say at four or five o'clock when the

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Speaker 1: sun go down at.

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Speaker 2: Nine, right, But Nina decided it was sundown and was

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Speaker 2: like he starts. She sees them packing up the supplies

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Speaker 2: and shit, She's like, where you going?

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Speaker 3: And he was like, I'm.

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Speaker 2: About to take the supplies back to Alexandria so they

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Speaker 2: could at least get something, and she's like, no, you

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Speaker 2: sit down, and they tussle, and it was weird because

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Speaker 2: there's this fan theory floating that people are trying to

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Speaker 2: ship Kneaghin and Maggie, and when they started tussling, they

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Speaker 2: had that standoff with their looking at each other's eyes,

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Speaker 2: and you know, he's taller than her, and to me,

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Speaker 2: that moment was very indicative of the fact that they

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Speaker 2: like the size difference.

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Speaker 3: They're one on one.

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Speaker 2: He possibly could take her in a fight and kill

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Speaker 2: her or something like that. But I think some people

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Speaker 2: think it's like, oh, sexy Jeffer Deine Morgan.

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Speaker 1: Nigga, you killed my husband the fuck.

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Speaker 2: Yeah, I don't get it either. Like, it's just just

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Speaker 2: as characters. I'm not saying I'm so opposed to those

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Speaker 2: two actors or anything. It's just as what they've written

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Speaker 2: on the page. I feel like that would be such

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Speaker 2: a soap opera level, just like we wrote. We wrote

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Speaker 2: this to surprise the audience. We didn't really there's no

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Speaker 2: reason this isn't in the script anywhere.

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Speaker 3: We just thought it would be.

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Speaker 2: Like shocking anyway. They don't like, there's nothing sexual about.

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Speaker 3: It to me, but like, I wanted to throw that

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Speaker 3: out there in case somebody's gonna write in with that bullshit.

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Speaker 2: But but then before there's like any real fight, they

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Speaker 2: hear some sounds and it's Elijah and Gabe and they

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Speaker 2: come limping in the door and they're alive, so Elijah

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Speaker 2: is snake eyes, the dude that usually wear a mask.

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Speaker 3: So it was good to see two brothers alive.

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Speaker 1: Come out more than one. You don't know that that

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Speaker 1: can on.

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Speaker 2: And so then they pull, uh, they basically pull a

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Speaker 2: rank on on Meagan.

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Speaker 1: Yeah, they eat out number now.

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Speaker 2: Because because because she's like, well, they're like where the

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Speaker 2: others at? And then she runs down the list like

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Speaker 2: everybody did except for Darryl and Frost.

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Speaker 3: Yeah, and Aidan is in the church.

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Speaker 1: Okay, aid is in the church, and Darryl and Frost's

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Speaker 1: with the other group.

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Speaker 2: Yes, so they don't know that Darren Frost's with the reapers.

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Speaker 2: But you know, basically they decide we're gonna wait then,

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Speaker 2: and Meigan was in the background looking blown like he

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Speaker 2: really looked.

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Speaker 3: Like, damn, I guess they did survive. Well, he was

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Speaker 3: just looking like, well, now I gotta stay here. You know.

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Speaker 1: He was like, both of them are are somewhat injured,

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Speaker 1: and we're still back. Niggan's point was with the because

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Speaker 1: we bought a big ass group to haul all these supplies,

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Speaker 1: the number has dwindled. So let's say we get there

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Speaker 1: and we find a bunch of shit. How the fuck

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Speaker 1: are we even going to get it back? It is

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Speaker 1: not enough of us.

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Speaker 2: Yeah, they're not really in fighting shape. You know, they

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Speaker 2: didn't get they didn't really become stronger when these niggas

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Speaker 2: limped in the door.

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Speaker 1: But I mean it's more numbers, but you went from

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Speaker 1: two to four, you doubled.

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Speaker 3: But yeah, he just looked blown, like fuck man, I

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Speaker 3: was I'm ready to go home, Like, right.

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Speaker 1: We out here and got me this bullshit. I don't

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Speaker 1: want to come out here in the first play mad.

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Speaker 3: Yeah, it's like when you go to a party and.

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Speaker 2: Like everybody orders pizza, but then somebody orders the shit.

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Speaker 3: Like it's like people decide, like we need anchovies because

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Speaker 3: if he want anchovies, then you know, he should get

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Speaker 3: the pieces his birthday.

286
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Speaker 2: And he's just like, nigga, you fucked the whole pizza.

287
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Speaker 2: I don't even want pizza no more.

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Speaker 3: Fuck it.

289
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Speaker 1: I don't want pizza.

290
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Speaker 2: So all right, that was all that happened out there.

291
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Speaker 2: Let's go to the Commonwealth. The Commonwealth was cool this

292
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Speaker 2: week because they really did some funny stuff.

293
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Speaker 3: Yeah, we got this really cheesy, like nineteen eighties looking

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Speaker 3: introduction video that they showed everybody into Commonwealth and it

295
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Speaker 3: reminds me a bit of when Fear of the Walking Dead.

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Speaker 2: They remember when they were making a documentary. Yes, but

297
00:14:26,920 --> 00:14:30,280
Speaker 2: the reduction values wasn't like this, and it wasn't. It

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Speaker 2: was more like reality, like, Hey, come to this group

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Speaker 2: because we look out for each other. This is what

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Speaker 2: we do every day.

301
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Speaker 3: We save people. We're good people and in this case,

302
00:14:42,040 --> 00:14:46,800
Speaker 3: this looked more like the video they show you to

303
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Speaker 3: not sexually harass me at your job.

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Speaker 5: This orientation will give you a taste of what we

305
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Speaker 5: have in store for you.

306
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Speaker 3: Do not workers starts here.

307
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Speaker 1: Do not talk about pulp tics at work?

308
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Speaker 3: Right now? What did he do wrong? Well, maybe if

309
00:15:02,640 --> 00:15:04,480
Speaker 3: maybe you go to dinner with me and we'll see

310
00:15:04,480 --> 00:15:07,360
Speaker 3: about getting you that promotion. Stop it right there? Now,

311
00:15:07,360 --> 00:15:09,360
Speaker 3: what did he do wrong? That's that's the vibe of

312
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Speaker 3: this whole video.

313
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Speaker 1: Now what what? What is the correct thing to do

314
00:15:13,280 --> 00:15:17,680
Speaker 1: in this situation? The video speak to your manager, be

315
00:15:18,240 --> 00:15:21,800
Speaker 1: taking in your own hands, or see slept your coworker.

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00:15:22,080 --> 00:15:25,200
Speaker 2: The video that it's the video that McDonald's has an

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00:15:25,240 --> 00:15:26,640
Speaker 2: update that says nineteen eighty two.

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Speaker 1: Yeah, come on store for you.

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Speaker 4: The future starts here.

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Speaker 3: Community, lots of children, old people.

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Speaker 1: You know what this also looks like. This also looks

322
00:15:50,200 --> 00:15:53,280
Speaker 1: like how they like to do colleges whenever they do

323
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Speaker 1: the intros that change.

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Speaker 3: Yeah, nineteen oh, nineteen sixty three.

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Speaker 1: Yes, they try to act like we want to we

326
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Speaker 1: want to show you diversity. Here are the old people,

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00:16:01,480 --> 00:16:05,080
Speaker 1: Here are the young people, Here are the commuters.

328
00:16:03,960 --> 00:16:06,280
Speaker 3: This ship has.

329
00:16:06,040 --> 00:16:12,360
Speaker 2: Every fucking PowerPoint transition effect like it's like the slow

330
00:16:12,400 --> 00:16:15,840
Speaker 2: swhite you know, everything turned into stars.

331
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Speaker 3: Like it's just it's just so old character security got

332
00:16:27,520 --> 00:16:32,880
Speaker 3: the Commonwealth Way and that music. Yeah, and lots of

333
00:16:32,960 --> 00:16:34,200
Speaker 3: stormtroopers in the video.

334
00:16:34,440 --> 00:16:38,880
Speaker 1: Come on, they feminis on the handicam.

335
00:16:38,800 --> 00:16:41,720
Speaker 2: And it says this message approved by Pamela Milton, which

336
00:16:41,760 --> 00:16:45,760
Speaker 2: is a name we hear again later. So then we

337
00:16:45,960 --> 00:16:48,680
Speaker 2: zoom out and they were showing that video as an

338
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Speaker 2: introduction video to our crew of yamco Uh, Eugene Zeke and.

339
00:16:54,720 --> 00:17:00,840
Speaker 3: Princess so shout out to taking it back the old school.

340
00:17:01,000 --> 00:17:02,360
Speaker 1: Come on, old school for real.

341
00:17:02,560 --> 00:17:04,119
Speaker 3: They had no photoshop no.

342
00:17:05,200 --> 00:17:08,440
Speaker 1: M M, it was old school editing department. Boy.

343
00:17:08,600 --> 00:17:10,840
Speaker 2: I guess the z pok started before The Eye movie

344
00:17:10,920 --> 00:17:17,280
Speaker 2: was out in this universe, Yes it did anyway, So then.

345
00:17:18,920 --> 00:17:22,199
Speaker 3: They all get job assignments. Eugene is a teacher and

346
00:17:22,200 --> 00:17:25,960
Speaker 3: who stays in Bungalow thirteen, Section one. Princess is a

347
00:17:26,040 --> 00:17:27,400
Speaker 3: retail clerk in the mall.

348
00:17:27,680 --> 00:17:31,800
Speaker 2: Zeke works in animal control, and Umko gets an invitation

349
00:17:31,960 --> 00:17:36,040
Speaker 2: to a meeting. Now, remember she's like the Princeton Harvard

350
00:17:36,160 --> 00:17:40,480
Speaker 2: educated lawyer, so you know she she she made you know,

351
00:17:40,520 --> 00:17:42,919
Speaker 2: since their jobs kind of correspond what they used to do,

352
00:17:42,960 --> 00:17:45,640
Speaker 2: because Eugenie used to be like a like a teacher

353
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Speaker 2: of some type, like a science teacher. I think Princess

354
00:17:49,960 --> 00:17:52,840
Speaker 2: said she used to work in retail, and then Zeke

355
00:17:52,920 --> 00:17:58,040
Speaker 2: of course used to work in the zoo. So it

356
00:17:58,080 --> 00:18:00,960
Speaker 2: looks like your job is based on your job, right,

357
00:18:00,960 --> 00:18:03,320
Speaker 2: what you just did before, which would make sense because

358
00:18:03,440 --> 00:18:09,280
Speaker 2: they seem to be using the American dollars currency in there, yes,

359
00:18:09,520 --> 00:18:12,720
Speaker 2: so they kind of want to replicate the society as

360
00:18:12,760 --> 00:18:13,159
Speaker 2: we have it.

361
00:18:13,280 --> 00:18:17,600
Speaker 3: Now. Princess got her two dollar bill back, which she

362
00:18:17,680 --> 00:18:18,879
Speaker 3: thought was a good sign.

363
00:18:19,880 --> 00:18:23,239
Speaker 2: Eugene doesn't like this because he's like, y'all treating us

364
00:18:23,240 --> 00:18:26,159
Speaker 2: like we're gonna be permanent residents, and we didn't come

365
00:18:26,200 --> 00:18:26,600
Speaker 2: in for that.

366
00:18:26,680 --> 00:18:27,760
Speaker 3: We came here to get.

367
00:18:27,560 --> 00:18:31,960
Speaker 2: Help for our people and go back so well, we

368
00:18:32,119 --> 00:18:34,000
Speaker 2: you know, when he left, they were fighting a ward

369
00:18:34,000 --> 00:18:38,239
Speaker 2: with the Whispers, and this whole mission was like we

370
00:18:38,320 --> 00:18:41,160
Speaker 2: need to go get some help and then bring them

371
00:18:41,160 --> 00:18:43,880
Speaker 2: back and then we defeat the Whisperers. Now we all

372
00:18:43,920 --> 00:18:46,800
Speaker 2: know they defeated the Whispers at great costs and they

373
00:18:46,800 --> 00:18:49,600
Speaker 2: still need help now. But it's supplies.

374
00:18:49,080 --> 00:18:52,639
Speaker 3: And food and shit and maybe manpower, I guess yes.

375
00:18:53,840 --> 00:18:54,959
Speaker 3: So then Eugene.

376
00:18:56,000 --> 00:18:59,159
Speaker 2: They decide that Eugene's gonna meet with Stephanie, Zeke and

377
00:18:59,160 --> 00:19:02,000
Speaker 2: princes are gonna go off to see if they can

378
00:19:02,040 --> 00:19:05,400
Speaker 2: talk to like someone higher up about going back and

379
00:19:05,440 --> 00:19:08,639
Speaker 2: all this stuff. And Yumica's gonna go to her meeting.

380
00:19:08,720 --> 00:19:12,080
Speaker 2: But first after everyone leaves, she stops, turns around and

381
00:19:12,200 --> 00:19:18,080
Speaker 2: asks the same guy who was like over there introduction meeting.

382
00:19:18,520 --> 00:19:21,639
Speaker 2: She asked him about her cause she see her brother.

383
00:19:22,160 --> 00:19:24,440
Speaker 2: And what was funny is when she before she even

384
00:19:24,480 --> 00:19:27,240
Speaker 2: got the question out, he was like, uh, you just

385
00:19:27,320 --> 00:19:30,000
Speaker 2: talk to your handler, and she was like, okay, but

386
00:19:30,160 --> 00:19:31,159
Speaker 2: I didn't get a handler.

387
00:19:31,160 --> 00:19:33,640
Speaker 3: It doesn't even say my job is. I got this

388
00:19:33,760 --> 00:19:34,800
Speaker 3: invitation instead.

389
00:19:35,440 --> 00:19:37,880
Speaker 2: And the way he changed his tone when he's seen

390
00:19:38,880 --> 00:19:42,159
Speaker 2: that that invitation, like whatever that.

391
00:19:42,080 --> 00:19:44,720
Speaker 3: Means means she.

392
00:19:43,760 --> 00:19:47,360
Speaker 2: She gonna be somebody, And it seemed like he snapped

393
00:19:47,359 --> 00:19:48,960
Speaker 2: to it, almost like it was a mill, Like he

394
00:19:49,000 --> 00:19:51,000
Speaker 2: found out somebody was a higher rank in the military.

395
00:19:51,000 --> 00:19:55,199
Speaker 2: He's like, oh, I mean sure, I'll look him up

396
00:19:55,280 --> 00:19:59,080
Speaker 2: right now. So she goes to a cake shop and

397
00:19:59,520 --> 00:20:02,119
Speaker 2: finds out her brother is working there as a baker,

398
00:20:02,600 --> 00:20:05,320
Speaker 2: and he drops the cake that he just finished, and

399
00:20:05,440 --> 00:20:06,359
Speaker 2: I hope somebody.

400
00:20:06,080 --> 00:20:06,800
Speaker 3: Got a refund.

401
00:20:06,880 --> 00:20:08,960
Speaker 1: I hope they did. Somebody gonna come there for the

402
00:20:09,119 --> 00:20:12,120
Speaker 1: three o'clock appointment, And but like, why is my cake

403
00:20:12,200 --> 00:20:13,040
Speaker 1: on the floor?

404
00:20:13,480 --> 00:20:16,480
Speaker 3: Yeah, that must be what's happening with my cook unity boxes?

405
00:20:19,480 --> 00:20:22,720
Speaker 3: I think her brother must be handling them, because my

406
00:20:22,800 --> 00:20:25,640
Speaker 3: shit ain't never been it only got one delivery that work.

407
00:20:25,720 --> 00:20:27,960
Speaker 1: We got one delivery and the other two we get

408
00:20:28,000 --> 00:20:31,960
Speaker 1: it and nothing. Nothing's functioning. That customer service you call

409
00:20:32,119 --> 00:20:35,280
Speaker 1: and they're like, uh, can you eat some of it? No, bitch, no,

410
00:20:35,280 --> 00:20:35,840
Speaker 1: none of it.

411
00:20:36,400 --> 00:20:39,360
Speaker 3: So he's shocked to see her that she's alive. Obviously.

412
00:20:40,040 --> 00:20:44,000
Speaker 2: Uh, Eugene, Stephanie gets some ice cream. He asked a

413
00:20:44,040 --> 00:20:47,440
Speaker 2: woman if like another woman comes to get some ice

414
00:20:47,480 --> 00:20:50,960
Speaker 2: cream for miss Milton, which I assume is to say

415
00:20:51,080 --> 00:20:55,000
Speaker 2: you know, Pamela Milton, who must run everything, and that

416
00:20:55,080 --> 00:21:01,040
Speaker 2: woman also wears glasses, has dark hair and says to

417
00:21:01,119 --> 00:21:03,800
Speaker 2: her like, you know, was that rocky road.

418
00:21:04,400 --> 00:21:07,200
Speaker 3: Even though he was getting two scoops of some ice cream,

419
00:21:07,920 --> 00:21:09,720
Speaker 3: some like raspberry ice cream.

420
00:21:09,600 --> 00:21:11,200
Speaker 1: He was like, I didn't see that on the lease.

421
00:21:11,440 --> 00:21:15,600
Speaker 2: Yeah, apparently the people with the good jobs get to

422
00:21:15,760 --> 00:21:18,960
Speaker 2: get the good ice cream, and they got the rest

423
00:21:19,000 --> 00:21:21,160
Speaker 2: of y'all, like, take some of this vanilla nigga, get.

424
00:21:21,080 --> 00:21:23,760
Speaker 1: Out of my face, get some of this playing their strawberry.

425
00:21:23,920 --> 00:21:28,000
Speaker 3: Yeah. So she but she didn't really answer him, and

426
00:21:28,119 --> 00:21:31,760
Speaker 3: she looked a little like either stand office or like

427
00:21:31,840 --> 00:21:33,159
Speaker 3: I'm not supposed to be talking in.

428
00:21:34,160 --> 00:21:35,320
Speaker 1: Like why are you talking to me?

429
00:21:35,440 --> 00:21:37,560
Speaker 3: Like, but they made a big point out of them

430
00:21:37,760 --> 00:21:38,560
Speaker 3: seeing each other.

431
00:21:38,680 --> 00:21:43,160
Speaker 1: M Okay, so I think that's gonna come back soon.

432
00:21:44,240 --> 00:21:45,560
Speaker 3: I'm so this gout.

433
00:21:45,840 --> 00:21:49,920
Speaker 2: This is my conspiracy theory, right and matter of fact,

434
00:21:50,119 --> 00:21:54,000
Speaker 2: remind let me save my conspiracy for the end so

435
00:21:54,119 --> 00:21:55,879
Speaker 2: that you know it's better storytelling.

436
00:21:55,920 --> 00:21:57,840
Speaker 3: I don't want to blow my conspiracy right away.

437
00:21:57,720 --> 00:22:04,640
Speaker 2: Okay, but uh you Muldo go to uh I mean,

438
00:22:04,640 --> 00:22:09,920
Speaker 2: I'm sorry. Eugene and and Stephanie then sit down or whatever,

439
00:22:10,200 --> 00:22:14,040
Speaker 2: and like as they're walking through town before they sit down,

440
00:22:14,080 --> 00:22:17,520
Speaker 2: you can see like this is a great place, like

441
00:22:17,560 --> 00:22:19,240
Speaker 2: it's like ain o z pop happy here.

442
00:22:20,600 --> 00:22:23,480
Speaker 1: It literally looks like a real small town in the

443
00:22:23,480 --> 00:22:26,840
Speaker 1: middle of nowhere that's just functioning, like normal people are

444
00:22:26,880 --> 00:22:31,760
Speaker 1: moving around, people are eating and not un funny. To

445
00:22:31,800 --> 00:22:36,239
Speaker 1: go back to the cake shop. It looked like like

446
00:22:36,320 --> 00:22:39,000
Speaker 1: a fresh place. You was like, oh, y'all got real

447
00:22:39,080 --> 00:22:43,560
Speaker 1: sugar and real milk and eggs, just like, oh, like

448
00:22:44,560 --> 00:22:48,840
Speaker 1: this is something else versus outside of the walls. When

449
00:22:48,840 --> 00:22:51,199
Speaker 1: you look at the other group, you're like, oh no,

450
00:22:51,280 --> 00:22:52,800
Speaker 1: we're in two different worlds.

451
00:22:52,680 --> 00:22:58,280
Speaker 2: Right, And and you could see like security still around them,

452
00:22:58,280 --> 00:23:00,840
Speaker 2: storing troopers like that every other buil ain't they though

453
00:23:01,960 --> 00:23:05,639
Speaker 2: it looked like I imagine not except after nine to eleven

454
00:23:05,720 --> 00:23:07,920
Speaker 2: how New York They said they always had like soldiers

455
00:23:07,920 --> 00:23:10,040
Speaker 2: in the subway and all.

456
00:23:09,880 --> 00:23:10,560
Speaker 3: This type of shit.

457
00:23:10,720 --> 00:23:13,840
Speaker 2: It kind of looked like that vibe of like it's nice,

458
00:23:13,960 --> 00:23:16,720
Speaker 2: people are living life, but like if some shit go down,

459
00:23:16,880 --> 00:23:19,080
Speaker 2: these motherfuckers right here, they gonna come back to nohel

460
00:23:19,160 --> 00:23:23,400
Speaker 2: It's gonna blow your ass away. So he tells Stephanie

461
00:23:23,440 --> 00:23:25,400
Speaker 2: they can't stay. He needs help cutting through the red

462
00:23:25,400 --> 00:23:28,200
Speaker 2: tape so they can return home. And she's like, well,

463
00:23:28,960 --> 00:23:30,359
Speaker 2: you might not be able to leave, but you can

464
00:23:30,480 --> 00:23:33,399
Speaker 2: use the radio tower to talk to your friends, but

465
00:23:33,680 --> 00:23:35,560
Speaker 2: it will take a couple weeks to get the permits.

466
00:23:35,720 --> 00:23:38,280
Speaker 1: Yeah, And it was one of those things where when

467
00:23:38,320 --> 00:23:41,040
Speaker 1: they was walking into ice cream, Eugene like seeing a

468
00:23:41,040 --> 00:23:44,200
Speaker 1: woman and the baby, and I really think it made

469
00:23:44,280 --> 00:23:46,760
Speaker 1: him think of Rosita and her baby, you know, and

470
00:23:46,800 --> 00:23:49,520
Speaker 1: think about people struggling and you know, all of a

471
00:23:49,560 --> 00:23:52,199
Speaker 1: sudden you see children moving around and he was like,

472
00:23:52,400 --> 00:23:55,480
Speaker 1: oh because and then it's almost like you get so

473
00:23:55,680 --> 00:23:58,439
Speaker 1: swept up into oh my gosh, what's happening here to

474
00:23:58,600 --> 00:24:01,680
Speaker 1: like think seeing that stuff here, remember that, Oh it's

475
00:24:01,720 --> 00:24:04,359
Speaker 1: people out there depending on us and I can't stay.

476
00:24:04,800 --> 00:24:06,120
Speaker 3: Yeah, it made them feel guilty.

477
00:24:07,520 --> 00:24:09,800
Speaker 2: And then the other part I kept thinking too, is

478
00:24:09,880 --> 00:24:14,080
Speaker 2: like it's wild if if if the Commonwealth has just

479
00:24:14,160 --> 00:24:18,040
Speaker 2: been here this whole time and just never run into

480
00:24:18,119 --> 00:24:20,640
Speaker 2: some of the same issues that wreck and that group had,

481
00:24:21,160 --> 00:24:24,000
Speaker 2: Like they've never fucked with the wolves, they never fucked

482
00:24:24,040 --> 00:24:26,760
Speaker 2: with the whisperers, they've never had knee and in the

483
00:24:26,840 --> 00:24:30,080
Speaker 2: savers try to come through, Like that's wild to think

484
00:24:30,119 --> 00:24:33,920
Speaker 2: about you know that's that you know, right up the

485
00:24:34,000 --> 00:24:35,880
Speaker 2: road somebody could be having that good of luck.

486
00:24:36,400 --> 00:24:38,360
Speaker 1: Yeah, and it also may be one of the thing

487
00:24:38,600 --> 00:24:42,560
Speaker 1: reasons why the entry is so rigorous, like why they

488
00:24:42,680 --> 00:24:44,800
Speaker 1: like nope, do it again, Nope, dude again.

489
00:24:45,000 --> 00:24:48,600
Speaker 2: Yeah, they decided to they decided to handle that contract

490
00:24:48,640 --> 00:24:52,719
Speaker 2: that that uh, they have adversity a different way, and

491
00:24:52,760 --> 00:24:56,000
Speaker 2: it's just so well running, well organized. It's I mean,

492
00:24:56,040 --> 00:24:57,679
Speaker 2: you know when the other shoe drops are gonna be

493
00:24:57,680 --> 00:25:00,679
Speaker 2: fucked up, because it always is, But this.

494
00:25:00,560 --> 00:25:01,560
Speaker 3: Is this ain't that bad?

495
00:25:01,640 --> 00:25:02,080
Speaker 1: Like I was.

496
00:25:02,520 --> 00:25:04,480
Speaker 2: I was like, if I was Eugene, man, I see how,

497
00:25:04,560 --> 00:25:07,720
Speaker 2: I'll see how you can leave everybody behind. You know,

498
00:25:07,760 --> 00:25:09,639
Speaker 2: a couple of days in the air condition, you'd be like,

499
00:25:09,720 --> 00:25:11,280
Speaker 2: you know what, man, fuck them niggas.

500
00:25:11,359 --> 00:25:12,879
Speaker 1: And you know what, I met it our way up

501
00:25:12,920 --> 00:25:14,359
Speaker 1: here and you show this pretty girl.

502
00:25:14,560 --> 00:25:16,600
Speaker 3: Mm hm, you know what. Rosie didn't want to give

503
00:25:16,640 --> 00:25:17,879
Speaker 3: me none anyway. Right.

504
00:25:18,960 --> 00:25:20,760
Speaker 1: In fact, I was three men in the baby. Now

505
00:25:20,760 --> 00:25:21,960
Speaker 1: I could just be a man in you.

506
00:25:22,520 --> 00:25:23,160
Speaker 3: So then.

507
00:25:24,560 --> 00:25:27,520
Speaker 2: He uh, Zeke and Princes come over and say it'll

508
00:25:27,560 --> 00:25:30,199
Speaker 2: be five weeks before they can meet with Stephanie's boss

509
00:25:31,359 --> 00:25:35,119
Speaker 2: to see about going out or contacting their people.

510
00:25:35,200 --> 00:25:37,080
Speaker 1: So I bet you they have to handwrite you in

511
00:25:37,119 --> 00:25:39,080
Speaker 1: the calendar. You know, they ain't got no Google calendar,

512
00:25:39,119 --> 00:25:43,360
Speaker 1: so they have to handwright you in the open slot. Yeah.

513
00:25:43,359 --> 00:25:45,960
Speaker 3: It's definitely like the I think they were trying to

514
00:25:46,000 --> 00:25:46,640
Speaker 3: get across.

515
00:25:46,680 --> 00:25:49,760
Speaker 2: Like it's a lot of bureaucratic tape, and it's a

516
00:25:49,800 --> 00:25:52,960
Speaker 2: lot of like procedures and laws and rules, which is

517
00:25:53,000 --> 00:25:55,800
Speaker 2: something that we're not used to in the ZPOC, even

518
00:25:55,840 --> 00:25:58,440
Speaker 2: though obviously the world can use that. And it kind

519
00:25:58,440 --> 00:26:01,879
Speaker 2: of made me think about how Machean wrote that charter,

520
00:26:02,359 --> 00:26:06,840
Speaker 2: and you know, eventually, maybe that's what our communities would

521
00:26:06,840 --> 00:26:10,840
Speaker 2: have become without the whispers and shit. Is some form

522
00:26:10,920 --> 00:26:12,480
Speaker 2: of this with rules and laws?

523
00:26:12,640 --> 00:26:16,359
Speaker 1: Yeah yeah, And also is one of those things too

524
00:26:16,440 --> 00:26:22,520
Speaker 1: to where your status matters because umicode did not have

525
00:26:22,560 --> 00:26:25,800
Speaker 1: to go through any of that, you know, which well

526
00:26:25,880 --> 00:26:28,240
Speaker 1: we don't know. I mean, I mean, when is not.

527
00:26:28,280 --> 00:26:31,320
Speaker 2: Asking for what they're asking, they're asking for something that

528
00:26:31,440 --> 00:26:32,480
Speaker 2: is much more dangerous.

529
00:26:32,800 --> 00:26:34,600
Speaker 3: You was like, can I go see my brother?

530
00:26:34,920 --> 00:26:39,199
Speaker 2: They're asking what can we leave and go to an

531
00:26:39,240 --> 00:26:43,919
Speaker 2: outside community after we just got here, which if security wise,

532
00:26:44,040 --> 00:26:46,320
Speaker 2: I can see why that's a completely different ass.

533
00:26:46,160 --> 00:26:48,560
Speaker 1: Yes, yes, oh yes, yes, I mean completely different asks.

534
00:26:48,560 --> 00:26:51,000
Speaker 1: But when I mean the difference was like when that

535
00:26:51,119 --> 00:26:53,400
Speaker 1: dude talked to her. You can tell it's a difference

536
00:26:53,480 --> 00:26:57,320
Speaker 1: in status because when they first sty like talk to

537
00:26:57,359 --> 00:26:59,560
Speaker 1: your manager, talk to your manage to talk, he was like,

538
00:26:59,600 --> 00:27:02,679
Speaker 1: oh you, all of a sudden he was attended and

539
00:27:02,720 --> 00:27:05,639
Speaker 1: he could actually do whatever she asked. So that's why

540
00:27:05,680 --> 00:27:07,840
Speaker 1: I say it's a difference not only with the laws,

541
00:27:07,840 --> 00:27:08,840
Speaker 1: but in the status.

542
00:27:09,240 --> 00:27:09,840
Speaker 3: So then.

543
00:27:11,480 --> 00:27:15,679
Speaker 2: Eugene asked Stephanie if there's a non official version of

544
00:27:15,680 --> 00:27:19,720
Speaker 2: her offer, and she kind of like says, like.

545
00:27:19,840 --> 00:27:21,280
Speaker 3: You know, looks like she's into it.

546
00:27:21,320 --> 00:27:23,080
Speaker 2: And then they walk off together and then you see

547
00:27:23,119 --> 00:27:26,439
Speaker 2: Mercer looking at the whole group as they walk off, they.

548
00:27:26,320 --> 00:27:27,280
Speaker 3: Go to town hall.

549
00:27:27,680 --> 00:27:30,199
Speaker 2: In the town hall, Eugene, Stephanie, they have like a

550
00:27:30,200 --> 00:27:33,360
Speaker 2: whole plan. They're gonna go to the radio tower, communications room,

551
00:27:33,440 --> 00:27:34,240
Speaker 2: sneak in there.

552
00:27:35,960 --> 00:27:38,880
Speaker 3: There's a sign that says legal.

553
00:27:38,600 --> 00:27:42,680
Speaker 2: Communications and security, like in different directions, so they're going

554
00:27:42,720 --> 00:27:46,280
Speaker 2: towards communication. And it looks like this used to be

555
00:27:46,320 --> 00:27:48,399
Speaker 2: an old train station, but now it's some sort of

556
00:27:48,960 --> 00:27:52,400
Speaker 2: I don't think they have trained obviously, so now it's

557
00:27:52,440 --> 00:27:53,120
Speaker 2: probably just like.

558
00:27:53,080 --> 00:27:56,520
Speaker 3: The town Hall and Princess and Zeke are lookouts.

559
00:27:57,160 --> 00:27:59,719
Speaker 1: Yeah, and it's just hilarious. They were terrible lookouts. I

560
00:27:59,760 --> 00:28:01,840
Speaker 1: was like, y'all are doing a really bad job, Like

561
00:28:02,400 --> 00:28:04,840
Speaker 1: y'all just looking around and shit, like people would know

562
00:28:05,000 --> 00:28:06,120
Speaker 1: that y'all don't belong here.

563
00:28:06,840 --> 00:28:09,040
Speaker 3: Yeah, well I think they. There's no way.

564
00:28:09,240 --> 00:28:12,879
Speaker 2: It's that thing with TV where like you gotta look

565
00:28:13,240 --> 00:28:17,760
Speaker 2: like you're conspicuous because that's what the show is asking

566
00:28:17,800 --> 00:28:20,159
Speaker 2: you to do, but obviously in real life you wouldn't

567
00:28:20,160 --> 00:28:22,160
Speaker 2: want to necessarily stand.

568
00:28:21,840 --> 00:28:22,919
Speaker 3: Out like that.

569
00:28:22,920 --> 00:28:23,399
Speaker 1: That's true.

570
00:28:23,440 --> 00:28:23,800
Speaker 3: That's true.

571
00:28:23,960 --> 00:28:26,480
Speaker 2: Yeah, you know, it's like it's you know, it was

572
00:28:26,560 --> 00:28:29,200
Speaker 2: kind of goofy Umico talks with her brother.

573
00:28:29,760 --> 00:28:31,480
Speaker 4: How did you even find this place?

574
00:28:33,440 --> 00:28:38,440
Speaker 5: I fled Chicago when things first started going bad afore

575
00:28:38,480 --> 00:28:40,480
Speaker 5: I left you that voicemail, Like gods in the car

576
00:28:40,760 --> 00:28:41,400
Speaker 5: headed east.

577
00:28:42,240 --> 00:28:47,200
Speaker 2: He's given me Asian Pierce Brosnan vibes. But also I

578
00:28:47,400 --> 00:28:49,960
Speaker 2: like how they made sure that he still had the

579
00:28:50,040 --> 00:28:50,640
Speaker 2: accent too.

580
00:28:51,480 --> 00:28:53,000
Speaker 3: You know, I thought they could drop the ball with

581
00:28:53,080 --> 00:28:55,880
Speaker 3: that or whatever, because you know, Umico is Asian, but

582
00:28:55,960 --> 00:29:00,480
Speaker 3: she has this like European accent, this like she's Britain

583
00:29:00,600 --> 00:29:03,080
Speaker 3: or somewhere like she's from overseas.

584
00:29:04,040 --> 00:29:06,040
Speaker 2: And when they said her brother, I was like, Oh,

585
00:29:06,160 --> 00:29:08,440
Speaker 2: is he gonna Are they gonna talk the same, you know,

586
00:29:10,240 --> 00:29:13,240
Speaker 2: But it sounds like he came here straight after the fall,

587
00:29:14,240 --> 00:29:19,840
Speaker 2: so he been here for whatever nineteen years, and like

588
00:29:20,920 --> 00:29:23,320
Speaker 2: he's just been here baking cakes. Yeah, because you and

589
00:29:23,360 --> 00:29:25,960
Speaker 2: he didn't sound like, oh, we had to deal with

590
00:29:26,000 --> 00:29:28,160
Speaker 2: the wolves and we had to do it. It sounds

591
00:29:28,200 --> 00:29:32,120
Speaker 2: almost like how American citizens sound when we talk about

592
00:29:32,480 --> 00:29:36,640
Speaker 2: our government and our country, where there's certain privileges and

593
00:29:36,680 --> 00:29:39,080
Speaker 2: shit we take for granted because we're part of this

594
00:29:39,240 --> 00:29:41,680
Speaker 2: big evil empire.

595
00:29:41,880 --> 00:29:44,800
Speaker 3: And so we be talking about war.

596
00:29:45,320 --> 00:29:47,160
Speaker 2: None of us had to go fight it for the

597
00:29:47,200 --> 00:29:50,080
Speaker 2: most part, unless you unless you want to go, unless

598
00:29:50,080 --> 00:29:53,480
Speaker 2: you sign up to go fight it. And maybe because

599
00:29:53,560 --> 00:29:55,360
Speaker 2: you know a bunch of different reasons that people do,

600
00:29:55,400 --> 00:29:57,760
Speaker 2: had to go to college, a bunch of stuff, but

601
00:29:57,880 --> 00:30:01,200
Speaker 2: unless you like, we lived that type of existence for

602
00:30:01,280 --> 00:30:05,440
Speaker 2: the last since Vietnam that we haven't had a draft.

603
00:30:05,480 --> 00:30:09,240
Speaker 2: So we have this idea about war that we can

604
00:30:09,240 --> 00:30:10,320
Speaker 2: put it on the back burner.

605
00:30:10,320 --> 00:30:11,719
Speaker 3: We don't care what it does to the people who

606
00:30:11,760 --> 00:30:13,880
Speaker 3: have to fight it, right, we don't care what it

607
00:30:13,920 --> 00:30:17,920
Speaker 3: does to the people who get bombed and shot and

608
00:30:18,000 --> 00:30:20,200
Speaker 3: all that type of shit. And he kind of like

609
00:30:20,440 --> 00:30:23,280
Speaker 3: for people like Nico, they've been out and shit for

610
00:30:23,400 --> 00:30:26,960
Speaker 3: nine years, like fighting for every scrap, killing people all

611
00:30:26,960 --> 00:30:29,200
Speaker 3: this stuff, and her brother don something. It's something like

612
00:30:29,240 --> 00:30:33,360
Speaker 3: he just just like I left Chicago and I headed

613
00:30:33,400 --> 00:30:35,520
Speaker 3: here and it's been here ever.

614
00:30:35,520 --> 00:30:37,880
Speaker 1: Since, making cakes, right, because it's one of those things,

615
00:30:37,880 --> 00:30:40,520
Speaker 1: but you assume that everybody's dead. So at some point

616
00:30:40,600 --> 00:30:42,280
Speaker 1: you go, why am I looking for somebody that I

617
00:30:42,320 --> 00:30:43,400
Speaker 1: don't even know if they're alive.

618
00:30:43,560 --> 00:30:47,760
Speaker 3: Yeah, not just about that, but just the different existence. Yeah,

619
00:30:47,840 --> 00:30:49,960
Speaker 3: because it's one thing to assume people are dead. I

620
00:30:50,040 --> 00:30:52,680
Speaker 3: get that that could happen to anybody. You know, it's

621
00:30:52,720 --> 00:30:56,040
Speaker 3: the epoch. But it's like, not only that, but I've

622
00:30:56,040 --> 00:30:58,440
Speaker 3: been watching cable TV. You know what I'm saying.

623
00:30:58,440 --> 00:30:59,920
Speaker 1: Fast, we got running war.

624
00:31:00,360 --> 00:31:03,480
Speaker 3: He's like, I watched Gilmore Girls.

625
00:31:04,920 --> 00:31:05,120
Speaker 1: You know.

626
00:31:05,160 --> 00:31:06,960
Speaker 3: It was quite hard, quite difficult.

627
00:31:07,080 --> 00:31:09,280
Speaker 1: I mean, we do have Netflix, but you know we

628
00:31:09,360 --> 00:31:11,360
Speaker 1: have to use the DVDs. You know, we return them

629
00:31:11,360 --> 00:31:13,320
Speaker 1: to the library and trade them out.

630
00:31:13,600 --> 00:31:17,800
Speaker 3: Very difficult. The season four had a scratch on several

631
00:31:17,840 --> 00:31:20,600
Speaker 3: of the CDs, so on the DVD so I didn't

632
00:31:20,600 --> 00:31:23,840
Speaker 3: get to watch tomorrow. How's things with you? Though, She's like,

633
00:31:23,920 --> 00:31:24,320
Speaker 3: I don't know.

634
00:31:24,360 --> 00:31:28,960
Speaker 2: I had to eat horse, right, I think I killed

635
00:31:28,960 --> 00:31:29,920
Speaker 2: a zombie baby.

636
00:31:30,080 --> 00:31:31,840
Speaker 3: He's like, hmmm, oh interesting.

637
00:31:32,800 --> 00:31:35,080
Speaker 5: Ran out of gas about twenty miles north of here,

638
00:31:35,120 --> 00:31:37,840
Speaker 5: but got lucky enough to link up with some good people.

639
00:31:38,960 --> 00:31:41,560
Speaker 5: We all wound up here pretty early on when the

640
00:31:41,600 --> 00:31:45,720
Speaker 5: Miltons made this place of safe haven and started with

641
00:31:45,800 --> 00:31:49,160
Speaker 5: a few secure blocks, but the community has been expanding

642
00:31:49,200 --> 00:31:53,800
Speaker 5: of it a lot of time ever since. I I

643
00:31:54,040 --> 00:31:58,400
Speaker 5: almost forget what's going on outside these walls.

644
00:32:00,080 --> 00:32:05,400
Speaker 4: Have just been here this whole time, just making.

645
00:32:05,120 --> 00:32:10,840
Speaker 5: Cakes, like faking it makes me happy.

646
00:32:12,560 --> 00:32:12,720
Speaker 1: Now.

647
00:32:12,800 --> 00:32:16,200
Speaker 3: He looked like that's a no, no, yes, He's like,

648
00:32:16,240 --> 00:32:18,240
Speaker 3: you can't be saying the colt works. Yeah.

649
00:32:18,480 --> 00:32:21,520
Speaker 2: So that sounded like something is like something is up

650
00:32:21,560 --> 00:32:23,520
Speaker 2: with your status and your job in this place.

651
00:32:24,320 --> 00:32:25,360
Speaker 3: Like it's very like.

652
00:32:25,760 --> 00:32:29,640
Speaker 2: Hey, hey, it's name on the urgencay shit says, come

653
00:32:29,680 --> 00:32:33,640
Speaker 2: on now, we just I'm a I baked cakes, wink wink.

654
00:32:34,760 --> 00:32:35,800
Speaker 4: You could save people.

655
00:32:35,920 --> 00:32:38,160
Speaker 5: Still trying to run people's lives.

656
00:32:40,000 --> 00:32:43,880
Speaker 1: So so who knows, like what happened or it may

657
00:32:43,920 --> 00:32:46,240
Speaker 1: be something where he never told them. That's what he

658
00:32:46,320 --> 00:32:50,360
Speaker 1: did or either you know, he may have done something,

659
00:32:50,400 --> 00:32:52,560
Speaker 1: something went wrong and they demoted him to a baker,

660
00:32:52,960 --> 00:32:54,320
Speaker 1: like you just never know.

661
00:32:54,400 --> 00:32:56,480
Speaker 2: There's some kind of backstory. But it also sounds like

662
00:32:56,520 --> 00:32:58,640
Speaker 2: he didn't want people to know that. It didn't sound

663
00:32:58,720 --> 00:33:01,200
Speaker 2: like it is sound like it was a great shame

664
00:33:01,280 --> 00:33:02,320
Speaker 2: that he got demoted.

665
00:33:02,440 --> 00:33:04,320
Speaker 3: To me. It sounded like he was like, hey, don't

666
00:33:04,320 --> 00:33:05,720
Speaker 3: nobody know I'm a surgeon.

667
00:33:05,640 --> 00:33:07,680
Speaker 1: Right right, and and it's one of those things. But

668
00:33:07,760 --> 00:33:09,920
Speaker 1: he basically that I got to start over and our

669
00:33:10,440 --> 00:33:13,160
Speaker 1: right actually enjoy fucking baking, like that ship is for

670
00:33:13,200 --> 00:33:13,880
Speaker 1: the birds.

671
00:33:14,200 --> 00:33:17,360
Speaker 2: Yeah, like there's something to the status stuff that's just

672
00:33:18,160 --> 00:33:20,440
Speaker 2: I don't know, I don't know. I mean, also, I

673
00:33:20,440 --> 00:33:22,720
Speaker 2: guess it would be a completely different type of work

674
00:33:24,160 --> 00:33:26,320
Speaker 2: that he would be doing if he, you know, did

675
00:33:26,360 --> 00:33:26,760
Speaker 2: it that way.

676
00:33:26,960 --> 00:33:29,880
Speaker 1: But sound like when everything was functioning, he didn't enjoy

677
00:33:29,920 --> 00:33:30,520
Speaker 1: being a doctor.

678
00:33:30,840 --> 00:33:32,960
Speaker 2: She asked, is it gonna be possible for us to

679
00:33:33,000 --> 00:33:35,800
Speaker 2: like leave and like talk.

680
00:33:35,640 --> 00:33:38,800
Speaker 3: To our people? And he says anything, as possible as

681
00:33:38,840 --> 00:33:40,560
Speaker 3: long as you follow the rules.

682
00:33:42,400 --> 00:33:42,680
Speaker 1: Rules.

683
00:33:42,920 --> 00:33:46,360
Speaker 2: So then the trailer that is heating up back at

684
00:33:46,360 --> 00:33:52,640
Speaker 2: the at the town Center, because at city Hall, because Mercer.

685
00:33:52,480 --> 00:33:56,120
Speaker 3: Goes to to to the city.

686
00:33:55,840 --> 00:33:59,880
Speaker 2: Hall where eugeneing them at and Princess is playing lookout,

687
00:34:00,080 --> 00:34:04,320
Speaker 2: and so Princess tries to stall them.

688
00:34:03,800 --> 00:34:06,120
Speaker 1: Oh, they clearly got a gym in this joint.

689
00:34:06,160 --> 00:34:10,280
Speaker 4: Your chiseling is perfake though, excuse.

690
00:34:09,880 --> 00:34:11,800
Speaker 5: Me, got business inside.

691
00:34:12,160 --> 00:34:16,400
Speaker 1: Wait wait, wait wait, I I wanted to thank you.

692
00:34:18,160 --> 00:34:18,640
Speaker 3: For what.

693
00:34:21,840 --> 00:34:23,880
Speaker 1: For making sure just gone back to me?

694
00:34:24,520 --> 00:34:33,640
Speaker 3: Have two dollars bill, just returning your property, Princess, was

695
00:34:33,680 --> 00:34:34,600
Speaker 3: there something else.

696
00:34:37,760 --> 00:34:41,840
Speaker 4: You have? Really beautiful?

697
00:34:41,920 --> 00:34:44,400
Speaker 5: All right, ascious.

698
00:34:45,760 --> 00:34:46,759
Speaker 3: You have a big dick.

699
00:34:50,360 --> 00:34:51,720
Speaker 1: That would have been a nice question.

700
00:34:52,440 --> 00:34:52,680
Speaker 3: Yeah.

701
00:34:52,760 --> 00:34:57,479
Speaker 2: She was definitely like like stalling him, but stalling him

702
00:34:57,560 --> 00:34:58,400
Speaker 2: with a very.

703
00:34:58,360 --> 00:35:03,799
Speaker 3: Like kind of flirtation vibe. You know, it wasn't you know,

704
00:35:03,840 --> 00:35:09,160
Speaker 3: it wasn't some like you know, it's just it's you

705
00:35:09,200 --> 00:35:11,440
Speaker 3: did call it hmm.

706
00:35:27,960 --> 00:35:28,520
Speaker 1: About something.

707
00:35:31,320 --> 00:35:31,560
Speaker 3: Yeah.

708
00:35:32,840 --> 00:35:35,040
Speaker 2: So I don't know if he's gonna be in the

709
00:35:35,040 --> 00:35:37,440
Speaker 2: Princess or not, but it kind of I felt vibes

710
00:35:38,280 --> 00:35:39,320
Speaker 2: like he could be.

711
00:35:39,560 --> 00:35:44,000
Speaker 1: Yes, yes, because I mean he, you know, say, made

712
00:35:44,040 --> 00:35:46,640
Speaker 1: sure she got her two dollars. It was like, you

713
00:35:46,760 --> 00:35:50,200
Speaker 1: know what, you're welcome, prince, you know, duping down.

714
00:35:50,120 --> 00:35:51,560
Speaker 3: When he said anything else.

715
00:35:52,080 --> 00:35:59,279
Speaker 2: I was like, this dick, you know, maybe he was

716
00:35:59,560 --> 00:36:02,439
Speaker 2: maybe that it's his way of hollering when he asked,

717
00:36:02,520 --> 00:36:03,480
Speaker 2: was there anything else?

718
00:36:03,840 --> 00:36:04,480
Speaker 3: How are you?

719
00:36:06,760 --> 00:36:07,000
Speaker 1: What?

720
00:36:07,200 --> 00:36:09,919
Speaker 3: Damn stank holls do heart motion?

721
00:36:12,960 --> 00:36:13,800
Speaker 1: That's my shoe.

722
00:36:16,120 --> 00:36:17,520
Speaker 3: So then so then.

723
00:36:18,960 --> 00:36:22,719
Speaker 2: Eugenie Stephanie go to call home and they get like

724
00:36:23,440 --> 00:36:26,280
Speaker 2: an update. But of course the signal cuts out because

725
00:36:26,280 --> 00:36:31,080
Speaker 2: it's the Walking Dead and all walkie talkies, phones, anything

726
00:36:31,120 --> 00:36:34,960
Speaker 2: that you use conveniently cut out when the plot could

727
00:36:34,960 --> 00:36:36,360
Speaker 2: be more complicated.

728
00:36:36,560 --> 00:36:39,840
Speaker 4: Well, the war's over, Alpha Beta dead.

729
00:36:40,040 --> 00:36:47,000
Speaker 2: He's talking to Rosita and uh Judith through the walkie talkie.

730
00:36:47,800 --> 00:36:58,239
Speaker 5: But Alexandri is trashed and we're running out of food. Yeah, Eugene,

731
00:36:59,320 --> 00:37:03,719
Speaker 5: Eugenia still there, Eugene, where are you?

732
00:37:04,600 --> 00:37:05,120
Speaker 1: Is it gone?

733
00:37:06,280 --> 00:37:11,560
Speaker 3: Something to take where I lost the feet? Tryfflquency. That's

734
00:37:11,640 --> 00:37:15,320
Speaker 3: up away Mercer bus. Then now.

735
00:37:16,840 --> 00:37:21,239
Speaker 2: This is where my conspiracy starts because okay, because uh,

736
00:37:22,160 --> 00:37:23,879
Speaker 2: you know, I'll play a little bit more of the scene.

737
00:37:23,920 --> 00:37:28,800
Speaker 3: But there's a look between Mercer and Stephanie at the

738
00:37:28,880 --> 00:37:29,600
Speaker 3: end of the scene the.

739
00:37:29,719 --> 00:37:32,359
Speaker 4: Radio no harm has been done.

740
00:37:34,480 --> 00:37:38,319
Speaker 3: You're gonna do arrest all the rest of you used

741
00:37:38,320 --> 00:37:46,520
Speaker 3: to coming their property, Like she don't really look like

742
00:37:46,600 --> 00:37:50,560
Speaker 3: she in much trouble. They don't arrest her. They've arrested

743
00:37:50,640 --> 00:37:52,400
Speaker 3: Princess and Zeke outside.

744
00:37:53,040 --> 00:37:56,800
Speaker 1: Yeah, and I understand why she's a citizen, Like yeah.

745
00:37:56,760 --> 00:37:58,560
Speaker 3: That's that's what they want you to think for sure.

746
00:37:59,640 --> 00:38:07,320
Speaker 3: So my conspiracy is that's not Stephanie. That because what

747
00:38:07,480 --> 00:38:09,120
Speaker 3: he don't know what Stephanie looked like, you know, he

748
00:38:09,280 --> 00:38:11,239
Speaker 3: just not How the fuck they know the whole plan,

749
00:38:12,800 --> 00:38:15,040
Speaker 3: you know what I'm saying, Like they knew everything, the

750
00:38:15,160 --> 00:38:17,960
Speaker 3: lookout where to be. It seemed like maybe it's some

751
00:38:19,280 --> 00:38:21,920
Speaker 3: inside information getting leaked that maybe she part of it.

752
00:38:21,960 --> 00:38:24,919
Speaker 2: I don't trust this. I don't trust her, like maybe

753
00:38:24,960 --> 00:38:26,840
Speaker 2: she is Stephanie, you know, I don't. I don't have

754
00:38:26,920 --> 00:38:30,600
Speaker 2: any inside information. I don't know for sure. But the

755
00:38:30,719 --> 00:38:33,360
Speaker 2: way how easy that plan got busted, it was like damn,

756
00:38:34,360 --> 00:38:37,120
Speaker 2: like immediately as soon as they like maybe they put

757
00:38:37,200 --> 00:38:39,120
Speaker 2: people around you to watch you, to kind of like

758
00:38:39,680 --> 00:38:41,600
Speaker 2: make because it's like you basically on a ninety day

759
00:38:41,719 --> 00:38:45,360
Speaker 2: probationary period like before you can even become a citizen.

760
00:38:46,040 --> 00:38:49,600
Speaker 2: And you know, I can understand from their point of

761
00:38:49,680 --> 00:38:53,560
Speaker 2: view security wise, why you would want extra eyes on them,

762
00:38:53,640 --> 00:38:56,239
Speaker 2: because what if this is somebody that gets into your

763
00:38:56,320 --> 00:39:00,879
Speaker 2: community finds the weaknesses like the Whispers did in Alexandra,

764
00:39:01,080 --> 00:39:04,880
Speaker 2: and they basically backchanneled a bunch of ways to like

765
00:39:05,000 --> 00:39:06,560
Speaker 2: sabotage your community from within.

766
00:39:07,719 --> 00:39:10,000
Speaker 3: So I don't know, man, I'm not saying I know

767
00:39:10,120 --> 00:39:12,600
Speaker 3: that for sure. I don't. Like I said, I don't

768
00:39:12,600 --> 00:39:15,319
Speaker 3: even remember this part from the comics, So I don't think.

769
00:39:15,440 --> 00:39:17,000
Speaker 3: I don't think they did this in the comic.

770
00:39:17,080 --> 00:39:22,760
Speaker 2: They didn't, But I don't know some about some about

771
00:39:22,800 --> 00:39:25,839
Speaker 2: this shit just feels kind of like too easy, too

772
00:39:26,800 --> 00:39:27,400
Speaker 2: too quick.

773
00:39:28,760 --> 00:39:29,400
Speaker 3: So they take.

774
00:39:29,320 --> 00:39:32,560
Speaker 2: Eugenia now to an office and a man comes in

775
00:39:32,640 --> 00:39:35,440
Speaker 2: and tells him they've been charged of trespassing, endangerment, and

776
00:39:35,520 --> 00:39:38,920
Speaker 2: the legal communication with a foreign endity. They'll have a

777
00:39:39,000 --> 00:39:42,600
Speaker 2: hearing with a judge within an hour, apparently habeas corpus, if.

778
00:39:42,480 --> 00:39:43,160
Speaker 3: You know what I'm saying.

779
00:39:44,640 --> 00:39:49,719
Speaker 2: And they say, like Eugene, and there was like what

780
00:39:49,880 --> 00:39:52,160
Speaker 2: about our lawyer? And they was like, nigga, you ain't

781
00:39:52,200 --> 00:39:55,520
Speaker 2: no citizens. And he was like, we got one of

782
00:39:55,560 --> 00:39:57,920
Speaker 2: the finest lawyers in the world. And I was like, oh,

783
00:39:57,960 --> 00:40:02,680
Speaker 2: he must be talking about Yumiko. And so then they

784
00:40:02,760 --> 00:40:07,239
Speaker 2: get brought the door opens up. Oh no, then they

785
00:40:07,280 --> 00:40:09,360
Speaker 2: find out that step he's like well, what about Stephanie,

786
00:40:09,360 --> 00:40:12,040
Speaker 2: And like Stephanie getting tried separately because she's a citizen.

787
00:40:14,680 --> 00:40:20,040
Speaker 2: So then the dude from the corny video comes in, yes,

788
00:40:21,000 --> 00:40:24,440
Speaker 2: and he's with Stephanie and he's like, let them go

789
00:40:24,680 --> 00:40:28,000
Speaker 2: and they're like, no, okay, let them go, like they

790
00:40:28,160 --> 00:40:30,279
Speaker 2: violated the law, and he's like, well, then keep them

791
00:40:30,480 --> 00:40:34,280
Speaker 2: right here, and then he leaves Stephanie with them once again,

792
00:40:34,360 --> 00:40:36,920
Speaker 2: another like why the fuck would.

793
00:40:36,719 --> 00:40:37,160
Speaker 4: You do that?

794
00:40:38,440 --> 00:40:39,080
Speaker 3: You know what I'm saying.

795
00:40:39,160 --> 00:40:42,480
Speaker 2: That feels like if you think this person was conspiring

796
00:40:42,800 --> 00:40:45,399
Speaker 2: to do whatever, Like why are you leaving Stephanie with them?

797
00:40:45,520 --> 00:40:46,759
Speaker 3: Why they letting you do it?

798
00:40:47,640 --> 00:40:47,800
Speaker 4: You know?

799
00:40:48,040 --> 00:40:49,320
Speaker 3: It just feels weird to me.

800
00:40:51,080 --> 00:40:55,200
Speaker 2: And so then Stephanie tells them they can trust the

801
00:40:55,320 --> 00:40:58,399
Speaker 2: dude from the video. It looks like better call Saul

802
00:40:58,520 --> 00:40:58,880
Speaker 2: or whatever.

803
00:41:00,680 --> 00:41:03,360
Speaker 1: And she's like, you can trust the dude from the

804
00:41:03,480 --> 00:41:04,319
Speaker 1: VHS tape.

805
00:41:04,560 --> 00:41:04,799
Speaker 3: Yeah.

806
00:41:04,880 --> 00:41:08,080
Speaker 2: She's like, if y'all work with him, he'll, like y'all

807
00:41:08,200 --> 00:41:10,800
Speaker 2: might not he can stop y'all from being banished, because

808
00:41:10,800 --> 00:41:13,800
Speaker 2: that's basically what the punishment is, you get banished. She's like,

809
00:41:13,880 --> 00:41:16,839
Speaker 2: he can stop y'all from being banished, but you won't

810
00:41:16,880 --> 00:41:18,000
Speaker 2: get the way Scott Free.

811
00:41:18,080 --> 00:41:20,200
Speaker 3: You gotta pay for what you did, and then they

812
00:41:20,280 --> 00:41:21,759
Speaker 3: don't tell you what the payment is.

813
00:41:22,280 --> 00:41:25,040
Speaker 2: I mean, I guess we'll find out what punishment like

814
00:41:25,160 --> 00:41:28,200
Speaker 2: is in this society and maybe that stuff, you know,

815
00:41:29,239 --> 00:41:33,400
Speaker 2: but it doesn't sound like the other societies where punishment

816
00:41:33,480 --> 00:41:34,720
Speaker 2: is death for everything.

817
00:41:35,080 --> 00:41:36,960
Speaker 1: Yeah, they don't care you. They be like you can

818
00:41:37,040 --> 00:41:37,680
Speaker 1: never return.

819
00:41:38,160 --> 00:41:41,120
Speaker 3: Yeah, so like you know, I don't know, it's just

820
00:41:42,160 --> 00:41:44,640
Speaker 3: I don't know. Some tulf with the Commonwealth. There's a

821
00:41:44,719 --> 00:41:47,840
Speaker 3: lot of layers to it. Let's go to Alexandria. That

822
00:41:47,920 --> 00:41:54,440
Speaker 3: will do Hilltop, Alexandria. Aaron had a dream. He had

823
00:41:54,480 --> 00:41:56,480
Speaker 3: a dream he was walking through the woods with GRACEI

824
00:41:56,600 --> 00:42:00,360
Speaker 3: it really a nightmare. It was montage all the.

825
00:42:00,480 --> 00:42:03,400
Speaker 2: Enemy showed up like a wolf for Savior Whisper and

826
00:42:03,480 --> 00:42:06,239
Speaker 2: the zombie, and he tries to kill him and to

827
00:42:06,320 --> 00:42:09,640
Speaker 2: protect Gracie. Then Gracie disappears and he gets stabbed to death.

828
00:42:09,680 --> 00:42:11,440
Speaker 2: And then he wakes up and Gracie sleeping in the

829
00:42:11,520 --> 00:42:14,920
Speaker 2: bed next to him peacefully. But you know, he's had

830
00:42:14,960 --> 00:42:19,800
Speaker 2: a nightmare. Jerry wakes up in a house full of people,

831
00:42:20,400 --> 00:42:22,720
Speaker 2: goes to take a leek and looks out the window

832
00:42:22,760 --> 00:42:23,880
Speaker 2: and sees a fucking walker.

833
00:42:23,880 --> 00:42:24,680
Speaker 3: He's gotten inside.

834
00:42:25,000 --> 00:42:29,799
Speaker 1: Yes, he's doing his morning PiZZ and he like, wait

835
00:42:29,840 --> 00:42:31,920
Speaker 1: a minute, in a minute, that on look right, he

836
00:42:32,040 --> 00:42:32,279
Speaker 1: had to.

837
00:42:32,280 --> 00:42:33,719
Speaker 3: Wrap up that piss real quick.

838
00:42:33,920 --> 00:42:36,240
Speaker 1: Yeah, then I forgot they got like forty five kids,

839
00:42:36,360 --> 00:42:38,160
Speaker 1: so yes, the house is gonna be full of people.

840
00:42:38,280 --> 00:42:41,239
Speaker 3: It wasn't kids though, those are adults. I looked. I

841
00:42:41,320 --> 00:42:43,360
Speaker 3: think what they're saying is so many of the houses

842
00:42:43,440 --> 00:42:46,080
Speaker 3: got destroyed. Okay, they have they sleeping a lot of

843
00:42:46,080 --> 00:42:47,080
Speaker 3: people in the same house.

844
00:42:47,280 --> 00:42:47,879
Speaker 1: That makes sense.

845
00:42:48,880 --> 00:42:52,520
Speaker 2: So he had to make that decision that every man

846
00:42:52,600 --> 00:42:55,200
Speaker 2: has to make at some point. I don't know how

847
00:42:55,239 --> 00:42:56,120
Speaker 2: it works for women, so.

848
00:42:56,160 --> 00:42:58,680
Speaker 3: I can't really say, but I'll say people with penises,

849
00:42:58,840 --> 00:43:02,200
Speaker 3: So you gotta make that decision sometimes shug it off.

850
00:43:02,640 --> 00:43:06,719
Speaker 3: Do I pee faster? Or do I try to turn

851
00:43:06,760 --> 00:43:11,359
Speaker 3: it off? This is a lot more. It's a very

852
00:43:11,440 --> 00:43:12,239
Speaker 3: complicated thing.

853
00:43:12,360 --> 00:43:15,040
Speaker 1: I can't turn it off once the flasst stars you

854
00:43:15,160 --> 00:43:16,120
Speaker 1: got the finish.

855
00:43:16,080 --> 00:43:18,759
Speaker 3: Okay, Yeah, I don't know how it works for anybody else.

856
00:43:18,880 --> 00:43:20,480
Speaker 1: I mean, they are also women that can stop it,

857
00:43:20,520 --> 00:43:20,719
Speaker 1: but I.

858
00:43:20,800 --> 00:43:24,200
Speaker 3: Take tremendous, tremendous will power to stop the flow.

859
00:43:25,000 --> 00:43:25,760
Speaker 1: Greatggles.

860
00:43:26,000 --> 00:43:29,000
Speaker 2: I don't know, like anytime you go to a doctor

861
00:43:29,000 --> 00:43:30,440
Speaker 2: to tell you to pee in that cup and you're like,

862
00:43:31,280 --> 00:43:32,319
Speaker 2: just this little bit in this.

863
00:43:32,440 --> 00:43:34,720
Speaker 1: Cup, Like you get to piss and your over floored.

864
00:43:34,719 --> 00:43:36,799
Speaker 3: If you're like I need, I need, y'all don't got

865
00:43:36,840 --> 00:43:41,239
Speaker 3: nothing bigger, you know what I'm saying. But so then

866
00:43:43,280 --> 00:43:46,200
Speaker 3: the go outside. There's a dude that got eaten, which

867
00:43:46,200 --> 00:43:48,719
Speaker 3: I'm like, bro, what were you doing sleeping outside?

868
00:43:49,440 --> 00:43:50,239
Speaker 1: How did he get you?

869
00:43:50,560 --> 00:43:52,520
Speaker 3: How the fuck you get killed by a zombie?

870
00:43:53,960 --> 00:43:54,240
Speaker 1: Fell?

871
00:43:55,600 --> 00:43:58,360
Speaker 3: Didn't warn nobody else? Nobody heard you dying? Did you

872
00:43:58,440 --> 00:43:59,680
Speaker 3: quietly dine in your sleep?

873
00:43:59,760 --> 00:43:59,880
Speaker 4: Right?

874
00:44:00,680 --> 00:44:04,600
Speaker 3: What are weird? Anyway, they go outside that dude's dead.

875
00:44:04,840 --> 00:44:08,879
Speaker 2: They block off the section of the wall that's got

876
00:44:09,000 --> 00:44:10,440
Speaker 2: pushed in by the walkers.

877
00:44:10,520 --> 00:44:11,719
Speaker 3: They killed the walkers.

878
00:44:13,440 --> 00:44:20,640
Speaker 2: They hammered the wall back up, and it's It reminded

879
00:44:20,680 --> 00:44:23,480
Speaker 2: me that Aaron told Carol that they needed help on

880
00:44:23,560 --> 00:44:25,560
Speaker 2: the walls, when she was like, no, I'm going out

881
00:44:25,600 --> 00:44:27,040
Speaker 2: looking for horse burgers.

882
00:44:29,239 --> 00:44:32,160
Speaker 3: They don't have any tools. They almost had a horse jerky.

883
00:44:33,480 --> 00:44:35,600
Speaker 2: Uh So now they say, we gotta go to Hilltop

884
00:44:35,719 --> 00:44:38,040
Speaker 2: and see if we can savage anything from that area.

885
00:44:38,320 --> 00:44:40,279
Speaker 1: Yeah, and I think they end up losing so hot

886
00:44:40,360 --> 00:44:42,280
Speaker 1: the horses from the because of the Zandies.

887
00:44:42,640 --> 00:44:45,480
Speaker 2: Nah nah, they said, they they said, basically, we ate

888
00:44:45,560 --> 00:44:48,759
Speaker 2: the horses and what's left of them is the jerky, okay,

889
00:44:48,760 --> 00:44:50,839
Speaker 2: they said. And they was like, it ain't it don't

890
00:44:50,880 --> 00:44:52,080
Speaker 2: taste good, but it's going.

891
00:44:52,000 --> 00:44:53,239
Speaker 3: Fast, right.

892
00:44:53,880 --> 00:44:55,040
Speaker 1: It ain't loud of it, but it's still.

893
00:44:56,360 --> 00:44:59,320
Speaker 2: Rosita hints that they might need to start thinking about leaving,

894
00:44:59,400 --> 00:45:01,479
Speaker 2: and Aaron's all like, we're not leaving.

895
00:45:01,560 --> 00:45:03,239
Speaker 3: This is our home. We're not giving up.

896
00:45:04,120 --> 00:45:06,640
Speaker 1: So it's like, well, at least not yet.

897
00:45:07,400 --> 00:45:10,480
Speaker 3: So a small crew of them leave to go to Hilltop.

898
00:45:10,520 --> 00:45:14,600
Speaker 3: We'll get to them in a minute. Meanwhile, in Alexandria,

899
00:45:15,600 --> 00:45:17,960
Speaker 3: Judah teaches little kids how to use swords. Come on,

900
00:45:18,800 --> 00:45:19,560
Speaker 3: and she sees some.

901
00:45:19,600 --> 00:45:22,520
Speaker 2: Bigger kids playing chicken with zombies by the wall where

902
00:45:22,520 --> 00:45:24,200
Speaker 2: they almost let the zombie bite him, and they're like

903
00:45:25,600 --> 00:45:27,160
Speaker 2: and so she goes in front of him and says,

904
00:45:27,200 --> 00:45:29,480
Speaker 2: I'm gonna tell Rosie if y'all don't stop, and one

905
00:45:29,520 --> 00:45:32,160
Speaker 2: of the kids says she's annoying, pushes her down and says,

906
00:45:32,200 --> 00:45:33,279
Speaker 2: that's why, no wonder your.

907
00:45:33,200 --> 00:45:37,440
Speaker 3: Mom abandoned you. And she said, what you say? She

908
00:45:37,600 --> 00:45:39,520
Speaker 3: poured that motherfucking sword out.

909
00:45:39,840 --> 00:45:41,120
Speaker 1: I was like, oh, should kill her.

910
00:45:41,200 --> 00:45:45,800
Speaker 3: You just don't know right. She said, what you say, mama?

911
00:45:46,800 --> 00:45:49,000
Speaker 3: She put that motherfucker sword to his neck, and he

912
00:45:49,480 --> 00:45:50,640
Speaker 3: had some act right then.

913
00:45:52,280 --> 00:45:54,920
Speaker 1: She really looked at him like, I don't, nigga, I

914
00:45:54,960 --> 00:45:56,719
Speaker 1: don't seen some things he.

915
00:45:56,840 --> 00:45:57,520
Speaker 3: Was acting way.

916
00:45:57,920 --> 00:46:02,040
Speaker 2: He was like, listen, we got off to the wrong

917
00:46:02,440 --> 00:46:07,040
Speaker 2: Foothell see, I meant your mama is so lovely, Please

918
00:46:07,080 --> 00:46:08,600
Speaker 2: don't kill me in front of my friends.

919
00:46:08,920 --> 00:46:10,640
Speaker 1: And a bully hub. But I was like, oh, he

920
00:46:10,760 --> 00:46:11,560
Speaker 1: caught the wrong one.

921
00:46:12,000 --> 00:46:15,680
Speaker 2: And so then Gracie basically saves the dude because she's like,

922
00:46:15,800 --> 00:46:18,840
Speaker 2: don't kill him, because Judy would.

923
00:46:18,680 --> 00:46:21,279
Speaker 1: Have and would have thought twice. And when I looked

924
00:46:21,280 --> 00:46:23,120
Speaker 1: at everybody was like he deserved it.

925
00:46:23,440 --> 00:46:25,399
Speaker 2: And then the kid went right back to being a dick.

926
00:46:25,440 --> 00:46:27,600
Speaker 2: He's like, but it was a different type of dick.

927
00:46:27,719 --> 00:46:29,759
Speaker 2: It wasn't like he wanted to smoke. It was like,

928
00:46:30,480 --> 00:46:33,719
Speaker 2: you're a freak because you get out of here or whatever.

929
00:46:33,560 --> 00:46:33,719
Speaker 1: You know.

930
00:46:33,840 --> 00:46:37,160
Speaker 3: And then she leaves and she walks off with her

931
00:46:37,239 --> 00:46:39,439
Speaker 3: head hell high. But you can see as her back

932
00:46:39,560 --> 00:46:41,840
Speaker 3: is to him that there are tears forming in.

933
00:46:41,880 --> 00:46:44,440
Speaker 1: Her eyes because I mean, she's a kid that let

934
00:46:44,440 --> 00:46:46,000
Speaker 1: that hurts, Yeah.

935
00:46:47,880 --> 00:46:48,759
Speaker 4: But I was.

936
00:46:50,600 --> 00:46:59,040
Speaker 3: Very impressed off. Yeah, I think her. The actor is

937
00:47:01,440 --> 00:47:06,400
Speaker 3: Kayleie Fleming. I think it's her name, and she is

938
00:47:06,600 --> 00:47:07,839
Speaker 3: so good.

939
00:47:08,080 --> 00:47:10,000
Speaker 2: It's one of the things about this show that I

940
00:47:10,200 --> 00:47:12,759
Speaker 2: that I it happened with the actor of the play

941
00:47:12,840 --> 00:47:15,960
Speaker 2: is called Too is like watching the the kids grow

942
00:47:16,040 --> 00:47:18,480
Speaker 2: up and grow into the roles and get better and

943
00:47:18,560 --> 00:47:21,280
Speaker 2: better at acting. And they gave her some heavy lifting

944
00:47:21,360 --> 00:47:22,719
Speaker 2: this week, and I was so proud of her.

945
00:47:22,760 --> 00:47:24,640
Speaker 3: I don't know this little girl, but I was like,

946
00:47:24,960 --> 00:47:27,400
Speaker 3: you're killing it, Like look at you, Like you're carrying

947
00:47:28,120 --> 00:47:31,800
Speaker 3: the scene and being the emotional center of a scene,

948
00:47:31,800 --> 00:47:34,120
Speaker 3: which is you know, for a eleven year old or

949
00:47:34,200 --> 00:47:36,239
Speaker 3: thirteen year old kid, Like that's a lot to ask.

950
00:47:36,400 --> 00:47:39,960
Speaker 2: And you're acting with like, you know, legit grown up

951
00:47:40,040 --> 00:47:42,600
Speaker 2: actors who've been playing these roles sometimes for years, who

952
00:47:43,080 --> 00:47:45,520
Speaker 2: go on to play bigger roles and like the emcu

953
00:47:45,680 --> 00:47:48,560
Speaker 2: and shit, and you're sharing screen with them and you're

954
00:47:48,600 --> 00:47:49,480
Speaker 2: really holding it down.

955
00:47:49,600 --> 00:47:51,400
Speaker 3: So I was really impressed with that scene.

956
00:47:52,000 --> 00:47:54,280
Speaker 2: And then later the kids all hang out at Juda's

957
00:47:54,360 --> 00:47:57,279
Speaker 2: house and she sees someone broke the handprint art that

958
00:47:57,440 --> 00:48:00,680
Speaker 2: her and Carl made when she was a little kid, uh,

959
00:48:01,080 --> 00:48:03,400
Speaker 2: and the kids say they didn't do it. And she

960
00:48:03,560 --> 00:48:07,480
Speaker 2: definitely asked that same boy like did you break ma shit?

961
00:48:07,560 --> 00:48:11,480
Speaker 3: And he's like no, while you asking me and he's like,

962
00:48:11,600 --> 00:48:13,360
Speaker 3: come on, guys's get out of here. And I'm like,

963
00:48:13,480 --> 00:48:15,920
Speaker 3: you broke that ship? Of course he did, all right,

964
00:48:16,000 --> 00:48:18,960
Speaker 3: he just knew he didn't want that sword smoke. Uh.

965
00:48:19,120 --> 00:48:23,879
Speaker 2: So then Judah goes outside holding the broken thing and oh,

966
00:48:24,280 --> 00:48:24,760
Speaker 2: I'm sorry.

967
00:48:25,719 --> 00:48:27,799
Speaker 3: R J and Gracie say they can help her put

968
00:48:27,840 --> 00:48:33,360
Speaker 3: it together. But she goes outside and okay, and herschel, I.

969
00:48:33,400 --> 00:48:37,520
Speaker 1: Mean yeah, herschel was all there. It was like three.

970
00:48:37,680 --> 00:48:39,560
Speaker 1: He didn't say anything, but he was in the scene.

971
00:48:40,000 --> 00:48:42,600
Speaker 2: So then they She goes outside sitting by herself, and

972
00:48:42,719 --> 00:48:45,400
Speaker 2: Rosita comes over to talk to her, where she basically

973
00:48:45,400 --> 00:48:47,840
Speaker 2: talks about how, you know, is she gonna start to

974
00:48:47,880 --> 00:48:52,040
Speaker 2: forget Carl and she misses her family and she is

975
00:48:52,160 --> 00:48:52,640
Speaker 2: all alone.

976
00:48:52,680 --> 00:48:55,120
Speaker 3: And this is something I felt like they had to deal.

977
00:48:55,040 --> 00:48:57,960
Speaker 2: With at some point because you know, I know it's

978
00:48:58,040 --> 00:49:02,800
Speaker 2: not her, it's just unfortunate because the actor that plays

979
00:49:02,880 --> 00:49:06,839
Speaker 2: Rick Grimes got tired of doing it. Jana Guerrera got

980
00:49:07,040 --> 00:49:12,360
Speaker 2: that MCU check, I mean, I get it, and also, she's.

981
00:49:12,239 --> 00:49:13,360
Speaker 3: Been doing that role forever.

982
00:49:15,400 --> 00:49:18,400
Speaker 2: But unfortunately as long as as since they didn't recast

983
00:49:18,440 --> 00:49:21,600
Speaker 2: the characters, you kind of have to deal with the

984
00:49:21,680 --> 00:49:26,040
Speaker 2: fact that this little girl, according to script, has been abandoned.

985
00:49:27,320 --> 00:49:27,480
Speaker 3: You know.

986
00:49:29,000 --> 00:49:31,400
Speaker 2: So when are we gonna have our moment of at

987
00:49:31,480 --> 00:49:34,640
Speaker 2: least recognizing, like Jude probably going through some shit, right,

988
00:49:35,000 --> 00:49:36,080
Speaker 2: So this was that moment.

989
00:49:37,000 --> 00:49:41,360
Speaker 3: So Rosita then talks to Judith about her mama.

990
00:49:44,560 --> 00:49:46,080
Speaker 4: I remember when he made those.

991
00:49:48,200 --> 00:49:49,040
Speaker 1: You were so small.

992
00:49:51,760 --> 00:49:55,560
Speaker 4: Carl wanted to do to have a memory together. Now

993
00:49:55,600 --> 00:50:14,040
Speaker 4: it's broken, he's gone. Everybody is I missed them all too?

994
00:50:21,600 --> 00:50:27,560
Speaker 4: Does it get easier? I'd be lying if I said

995
00:50:27,600 --> 00:50:27,799
Speaker 4: it did.

996
00:50:30,640 --> 00:50:32,839
Speaker 1: I'm worried I'll start to forget.

997
00:50:32,600 --> 00:50:40,960
Speaker 3: About them, so then I'm sorry.

998
00:50:41,040 --> 00:50:43,759
Speaker 2: So then Rosita tells the story of her mom and

999
00:50:43,880 --> 00:50:47,759
Speaker 2: how her mom what she passed when she was about

1000
00:50:47,840 --> 00:50:51,600
Speaker 2: Juda's age and what Rosite does about Juda's age. But

1001
00:50:52,280 --> 00:50:55,000
Speaker 2: her mom was always moving around doing job all the stuff,

1002
00:50:55,440 --> 00:51:00,520
Speaker 2: and she says that prepared her to be a survivor

1003
00:51:01,000 --> 00:51:04,840
Speaker 2: because her mom was making her depend on herself at

1004
00:51:04,840 --> 00:51:05,600
Speaker 2: a young age.

1005
00:51:05,640 --> 00:51:07,560
Speaker 3: And her father. I think she said she never knew

1006
00:51:07,600 --> 00:51:11,920
Speaker 3: her father. He never was around. So she's saying, essentially,

1007
00:51:12,080 --> 00:51:15,560
Speaker 3: like the things that your mom and your dad are

1008
00:51:15,640 --> 00:51:18,320
Speaker 3: doing are the things that's gonna make you a survivor.

1009
00:51:19,719 --> 00:51:22,279
Speaker 3: And it's because they're not around. But the things they

1010
00:51:22,320 --> 00:51:23,279
Speaker 3: did teach you was how to.

1011
00:51:23,320 --> 00:51:26,440
Speaker 2: Depend on yourself, which according to that big ass gun

1012
00:51:26,520 --> 00:51:30,200
Speaker 2: and that sword is true. I didn't know that she

1013
00:51:30,360 --> 00:51:35,600
Speaker 2: was practicing with a smaller sword this time, not her

1014
00:51:35,680 --> 00:51:36,280
Speaker 2: mama sword.

1015
00:51:36,520 --> 00:51:38,520
Speaker 3: So you know mama got her sword.

1016
00:51:38,600 --> 00:51:41,719
Speaker 1: Yeah, Harma, I think yeah, Harmma got her got her sword. Yeah, right,

1017
00:51:42,000 --> 00:51:45,440
Speaker 1: so yeah, so she had to do a smaller version

1018
00:51:45,520 --> 00:51:45,680
Speaker 1: of it.

1019
00:51:46,320 --> 00:51:47,279
Speaker 3: Yeah, So.

1020
00:51:49,800 --> 00:51:53,800
Speaker 2: I think that's how Alexandria. And let's talk about Hilltop.

1021
00:51:53,880 --> 00:51:56,239
Speaker 2: The final section Hilltop.

1022
00:51:57,280 --> 00:52:06,360
Speaker 3: They arrive in Hilltop, it's Carol, Jerry, Aaron, and Lydia

1023
00:52:08,719 --> 00:52:12,520
Speaker 3: and they show up. It's all burned up. It's like

1024
00:52:12,719 --> 00:52:15,239
Speaker 3: Puffed Addy at the end of fucking Victory, where it's like,

1025
00:52:15,320 --> 00:52:18,600
Speaker 3: what I'm gonna do now it's all fucked up? Now,

1026
00:52:19,640 --> 00:52:20,720
Speaker 3: everything's ashes.

1027
00:52:20,840 --> 00:52:23,560
Speaker 2: I think this episode is called from the Ashes and

1028
00:52:23,840 --> 00:52:28,520
Speaker 2: burned walkers are just stumbling around, and the walkers are

1029
00:52:28,960 --> 00:52:33,680
Speaker 2: mostly the people that used to be there, to residents

1030
00:52:33,719 --> 00:52:37,919
Speaker 2: of Hilltop that didn't that didn't I guess they get killed,

1031
00:52:38,080 --> 00:52:39,680
Speaker 2: killed and turned into walkers.

1032
00:52:39,640 --> 00:52:41,960
Speaker 1: Right, They end up dying doing the process, and like

1033
00:52:42,040 --> 00:52:44,880
Speaker 1: you said, they just when everybody was running the fleeing,

1034
00:52:44,920 --> 00:52:46,880
Speaker 1: they stayed long enough and just got up and was like,

1035
00:52:46,960 --> 00:52:47,880
Speaker 1: you know what, I'm here now.

1036
00:52:48,120 --> 00:52:51,160
Speaker 2: But also the place has been picked clean, so they're like,

1037
00:52:51,320 --> 00:52:54,640
Speaker 2: it's more than just walkers here, Like the supplies, the tubes,

1038
00:52:54,680 --> 00:52:56,960
Speaker 2: A bunch of shit is missing, okay, right, so somebody

1039
00:52:57,000 --> 00:52:59,160
Speaker 2: that have been through here, So they're like, be on

1040
00:52:59,239 --> 00:53:01,040
Speaker 2: the lookout, you know, just make sure don't see no

1041
00:53:01,120 --> 00:53:06,880
Speaker 2: people in here. So, uh, they killed the walkers. Lydia

1042
00:53:06,960 --> 00:53:09,239
Speaker 2: looks uncomfortable, I think because hey, she used to be

1043
00:53:09,280 --> 00:53:12,200
Speaker 2: a whisper and then her people were responsible for this,

1044
00:53:12,440 --> 00:53:15,680
Speaker 2: and them taking care of them, trying to take care

1045
00:53:15,680 --> 00:53:19,200
Speaker 2: of her is what really led to this, like escalated

1046
00:53:19,280 --> 00:53:21,719
Speaker 2: this war. So I think she'll always feel a lot

1047
00:53:21,760 --> 00:53:25,160
Speaker 2: of guilt around this. Yes, but she also those were

1048
00:53:25,239 --> 00:53:29,560
Speaker 2: her people, so it's just sad. They get a few supplies,

1049
00:53:30,000 --> 00:53:33,880
Speaker 2: but most most of everything is burning ashes.

1050
00:53:35,160 --> 00:53:36,920
Speaker 3: But then they see some walkers moving in the.

1051
00:53:36,960 --> 00:53:39,640
Speaker 2: Distance in a herd like pattern like the whispers used

1052
00:53:39,640 --> 00:53:43,720
Speaker 2: to do, and so they immediately recognized some Whispers is here.

1053
00:53:43,719 --> 00:53:46,440
Speaker 1: Yeah, because it was like everybody else just kind of

1054
00:53:46,719 --> 00:53:48,360
Speaker 1: off on their own, and it was like it's not

1055
00:53:48,600 --> 00:53:51,440
Speaker 1: enough for a herd to form, so why basically they

1056
00:53:51,440 --> 00:53:53,880
Speaker 1: were going around in circles, was like, oh no, somebody

1057
00:53:54,000 --> 00:53:55,760
Speaker 1: hurting them. They don't go around circles.

1058
00:53:56,000 --> 00:54:00,360
Speaker 2: So then they killed all the walkers and they knocked

1059
00:54:00,360 --> 00:54:03,000
Speaker 2: down the whisper that was hurting them, pull off his

1060
00:54:03,200 --> 00:54:07,000
Speaker 2: mask and Lydia stops them from killing him because she

1061
00:54:07,080 --> 00:54:11,840
Speaker 2: says she knows them, and they started questioning the whisper.

1062
00:54:12,040 --> 00:54:12,840
Speaker 3: He says, his name is.

1063
00:54:12,920 --> 00:54:17,640
Speaker 2: Keith, and he says that her u that the actual

1064
00:54:17,800 --> 00:54:21,640
Speaker 2: like members of the the herd, and the members of

1065
00:54:21,719 --> 00:54:25,919
Speaker 2: the Whispers are scattered at the Alpha died and Beta died,

1066
00:54:26,480 --> 00:54:30,080
Speaker 2: and they asked why he kept the walkers and he

1067
00:54:30,120 --> 00:54:33,160
Speaker 2: said it was for comfort, protection or maybe just old habits.

1068
00:54:35,360 --> 00:54:37,800
Speaker 2: Aaron says he hasn't made a whisper that wasn't a liar,

1069
00:54:38,600 --> 00:54:41,720
Speaker 2: and Lydia says, remind's Aaron that he believed Mary.

1070
00:54:42,640 --> 00:54:43,440
Speaker 3: He did now.

1071
00:54:43,560 --> 00:54:46,240
Speaker 2: Mary was the one who they was raising her baby,

1072
00:54:46,800 --> 00:54:50,880
Speaker 2: which turned out to be Adam, and she wanted to

1073
00:54:50,920 --> 00:54:52,719
Speaker 2: see her or her sister's baby, right.

1074
00:54:52,800 --> 00:54:54,920
Speaker 3: She wanted to see like a sister's baby or something

1075
00:54:55,000 --> 00:55:01,080
Speaker 3: like that. And if y'all, if y'all can remember, that

1076
00:55:01,360 --> 00:55:03,359
Speaker 3: wasn't like Aaron just believed her.

1077
00:55:03,440 --> 00:55:06,400
Speaker 2: He didn't believe her for a long ass time, and

1078
00:55:07,000 --> 00:55:08,840
Speaker 2: like there was a lot of back and forth and

1079
00:55:09,360 --> 00:55:11,680
Speaker 2: like a lot of mistrust and then they kind of

1080
00:55:11,760 --> 00:55:14,759
Speaker 2: overcame that and when he figured out she was kind

1081
00:55:14,800 --> 00:55:15,640
Speaker 2: of telling the truth.

1082
00:55:16,280 --> 00:55:18,360
Speaker 3: And then she ends up getting killed I believe by

1083
00:55:18,440 --> 00:55:19,560
Speaker 3: Beta in the woods.

1084
00:55:19,840 --> 00:55:26,359
Speaker 2: But the key teller says that he actually snuck food

1085
00:55:26,400 --> 00:55:28,280
Speaker 2: to Lydia when Alpha wasn't looking.

1086
00:55:29,120 --> 00:55:31,799
Speaker 3: But then Lydia says, she don't remember, and I can.

1087
00:55:31,760 --> 00:55:34,040
Speaker 1: See that because specifically if they all got masks on,

1088
00:55:34,200 --> 00:55:35,040
Speaker 1: she not gonna remember that.

1089
00:55:35,880 --> 00:55:40,359
Speaker 3: Yeah, I guess, so, I guess. So I couldn't tell.

1090
00:55:40,520 --> 00:55:42,600
Speaker 3: I couldn't tell at this So at this point, did

1091
00:55:42,640 --> 00:55:45,239
Speaker 3: you think he was lying to tell the truth? M

1092
00:55:47,320 --> 00:55:48,040
Speaker 3: that's a good question.

1093
00:55:48,080 --> 00:55:50,080
Speaker 1: I see, I don't know, you know what, Like I said,

1094
00:55:50,160 --> 00:55:51,680
Speaker 1: he could have been lying just for the fact that

1095
00:55:52,360 --> 00:55:55,200
Speaker 1: just she recognized him from being in the herb. But

1096
00:55:55,320 --> 00:55:57,520
Speaker 1: it does, which is true, But it does not mean

1097
00:55:57,600 --> 00:55:59,080
Speaker 1: that he was doing bringing her food.

1098
00:56:00,000 --> 00:56:01,600
Speaker 3: I mean about all of it. You thought he was.

1099
00:56:01,640 --> 00:56:03,640
Speaker 2: So you thought he was telling the truth about everything?

1100
00:56:03,680 --> 00:56:05,320
Speaker 2: He thought he was lying about everything. What do you

1101
00:56:05,400 --> 00:56:09,160
Speaker 2: think at the time, not asking what we know the

1102
00:56:09,239 --> 00:56:10,839
Speaker 2: answer now, but what do you think at the moment,

1103
00:56:10,920 --> 00:56:12,359
Speaker 2: at the moment, Oh.

1104
00:56:12,400 --> 00:56:17,120
Speaker 1: At that moment, I do think he was telling I

1105
00:56:17,239 --> 00:56:21,640
Speaker 1: know my sound wow, because like I said, let one

1106
00:56:21,680 --> 00:56:24,239
Speaker 1: we found out differently. But I do think initially he

1107
00:56:24,480 --> 00:56:26,719
Speaker 1: was telling some parts of the truth, of some parts

1108
00:56:26,760 --> 00:56:28,840
Speaker 1: wouldn't almost like a mixture.

1109
00:56:28,960 --> 00:56:32,080
Speaker 2: That's what the truth ended up being. So anyway, for me,

1110
00:56:32,239 --> 00:56:35,000
Speaker 2: I believed him. I totally thought he was telling the

1111
00:56:35,040 --> 00:56:37,280
Speaker 2: truth when he said I'm here by myself.

1112
00:56:38,120 --> 00:56:39,560
Speaker 3: Ain't nobody with me?

1113
00:56:40,000 --> 00:56:40,160
Speaker 1: Yes?

1114
00:56:40,239 --> 00:56:42,680
Speaker 3: Yes, yes, okay, I broke out from the group. I'm

1115
00:56:42,760 --> 00:56:43,960
Speaker 3: just doing this for comfort.

1116
00:56:44,160 --> 00:56:44,600
Speaker 1: I believed.

1117
00:56:45,280 --> 00:56:50,040
Speaker 2: I was totally like, yeah, let him go. Apparently this

1118
00:56:50,200 --> 00:56:53,799
Speaker 2: motherfucker he's harmless, Like, let this nigga.

1119
00:56:53,520 --> 00:56:55,640
Speaker 1: Go off in the woods and y'all found him alone.

1120
00:56:55,680 --> 00:56:59,040
Speaker 3: Anyway, like listen, I believe the ship he was he

1121
00:56:59,160 --> 00:57:03,600
Speaker 3: was telling them. Why good shit. So then Aaron says,

1122
00:57:03,960 --> 00:57:04,759
Speaker 3: I don't trust him.

1123
00:57:04,880 --> 00:57:07,680
Speaker 2: Jerry's like, I don't really trust him either, But so

1124
00:57:07,800 --> 00:57:09,520
Speaker 2: we're gonna throw him in the cellar because you know

1125
00:57:09,600 --> 00:57:11,280
Speaker 2: the cellar down there used to be a prison.

1126
00:57:11,719 --> 00:57:14,880
Speaker 3: They go to the cellar, it's Moe whisperers. So this

1127
00:57:15,000 --> 00:57:18,120
Speaker 3: nigga was lying. He wasn't there alone at all, and

1128
00:57:18,840 --> 00:57:21,760
Speaker 3: he was alone too. Now the whispers down there do look.

1129
00:57:21,680 --> 00:57:25,840
Speaker 2: In bad shape, like these did not look like no

1130
00:57:26,320 --> 00:57:28,680
Speaker 2: like they look like they wasn't getting no vitamin indeed,

1131
00:57:28,720 --> 00:57:32,240
Speaker 2: because they were staying inside underneath the ground all.

1132
00:57:32,160 --> 00:57:35,360
Speaker 3: Day and they looked through.

1133
00:57:36,200 --> 00:57:38,080
Speaker 2: Aaron looks through their stuff because he's like, let's see

1134
00:57:38,080 --> 00:57:40,840
Speaker 2: what else he lying about, and they find a mask,

1135
00:57:42,360 --> 00:57:43,959
Speaker 2: so it's like, oh, y'all, try to get the band

1136
00:57:44,040 --> 00:57:44,560
Speaker 2: back together.

1137
00:57:46,040 --> 00:57:48,360
Speaker 3: So then Aaron goes off Jack Bower and shit and

1138
00:57:48,440 --> 00:57:49,920
Speaker 3: ask how many more people is it.

1139
00:57:52,240 --> 00:57:52,520
Speaker 5: You got?

1140
00:57:52,920 --> 00:57:56,240
Speaker 2: And Lydia points out the whispers are scared, like they

1141
00:57:56,320 --> 00:57:57,400
Speaker 2: don't look that fucked up.

1142
00:57:57,960 --> 00:58:00,560
Speaker 3: We're not all monster, we weren't all. This is what

1143
00:58:00,720 --> 00:58:07,400
Speaker 3: she says. And you know, Lydia just you know, she's

1144
00:58:07,440 --> 00:58:09,920
Speaker 3: like an impath without boundaries, and this used to be

1145
00:58:10,040 --> 00:58:21,640
Speaker 3: her people. But then this happens. Jerry finds the Biela

1146
00:58:21,760 --> 00:58:24,640
Speaker 3: scarf hanging in the fucking thing.

1147
00:58:24,840 --> 00:58:26,400
Speaker 1: On you know, he loved that chocolate woman.

1148
00:58:29,520 --> 00:58:30,600
Speaker 3: They were in Alexandria.

1149
00:58:31,720 --> 00:58:32,240
Speaker 4: They burnt.

1150
00:58:35,680 --> 00:58:38,640
Speaker 3: Now, you don't see Jerry getting moved to anger too often.

1151
00:58:38,720 --> 00:58:40,400
Speaker 1: You know, most of the time he is happy.

1152
00:58:40,840 --> 00:58:45,320
Speaker 3: I'm like, oh, these motherfucker's dead, Like Jerry, don't play.

1153
00:58:45,360 --> 00:58:47,000
Speaker 3: They're not gonna be fucking up his family and his

1154
00:58:47,160 --> 00:58:56,760
Speaker 3: children's They know where they live, you know too. So

1155
00:58:57,000 --> 00:58:58,760
Speaker 3: the whispers exchange.

1156
00:58:58,320 --> 00:59:00,680
Speaker 2: A glance and the one whispered that was doing out

1157
00:59:00,720 --> 00:59:03,800
Speaker 2: a begging and Line pulls out a shank.

1158
00:59:07,440 --> 00:59:11,160
Speaker 3: And he he cuts Aaron across the stomach area, and

1159
00:59:11,320 --> 00:59:12,560
Speaker 3: the rest of them run away.

1160
00:59:29,120 --> 00:59:31,560
Speaker 1: I was like, then he made things worse.

1161
00:59:32,720 --> 00:59:36,760
Speaker 3: Yeah, but it makes me wonder if so there's an

1162
00:59:36,880 --> 00:59:39,560
Speaker 3: angle where I can see it as a noble thing

1163
00:59:39,720 --> 00:59:40,320
Speaker 3: that he did.

1164
00:59:40,680 --> 00:59:44,000
Speaker 2: The whisperer, well, he's like, I want to take the

1165
00:59:44,280 --> 00:59:47,560
Speaker 2: l so y'all can escape, and then I know they're

1166
00:59:47,560 --> 00:59:50,160
Speaker 2: gonna kill me, but at least y'all all be safe,

1167
00:59:50,760 --> 00:59:52,960
Speaker 2: because it didn't seem like this is gonna end too

1168
00:59:53,040 --> 00:59:56,400
Speaker 2: well for us anyway, Like I lied to protect y'all.

1169
00:59:56,600 --> 00:59:58,360
Speaker 3: I didn't want them to know y'all was down here.

1170
00:59:59,560 --> 01:00:01,440
Speaker 3: And that's of course giving him a benefit of the

1171
01:00:01,480 --> 01:00:04,080
Speaker 3: doubt that they aren't all down there. Evilly plotting to

1172
01:00:04,720 --> 01:00:08,560
Speaker 3: to get the band back together, right, but yeah, Aaron

1173
01:00:08,640 --> 01:00:09,240
Speaker 3: wasn't feeling it.

1174
01:00:15,000 --> 01:00:15,400
Speaker 1: Yeah, So.

1175
01:00:17,160 --> 01:00:19,840
Speaker 3: Like Jerry hands them the knife and Aaron's like, my turn,

1176
01:00:20,040 --> 01:00:22,360
Speaker 3: and I was like, boy, just a jack Bowell.

1177
01:00:24,560 --> 01:00:28,920
Speaker 2: About to pull out some flyers, right, That's how I

1178
01:00:28,960 --> 01:00:31,320
Speaker 2: should have went to commercial boxes.

1179
01:00:32,160 --> 01:00:36,040
Speaker 3: Uh. So then Aaron and Jerry like.

1180
01:00:37,440 --> 01:00:40,760
Speaker 2: Tie up the Whisperer and then rigged some type of

1181
01:00:41,000 --> 01:00:44,960
Speaker 2: zombie torture device where they gonna let it bite him.

1182
01:00:45,080 --> 01:00:48,520
Speaker 2: They let it bite his sleeve first, it doesn't bite

1183
01:00:48,600 --> 01:00:52,280
Speaker 2: through the clothes, and he begs Lydia for help, like.

1184
01:00:52,440 --> 01:00:57,040
Speaker 3: Help, you know, Lydia, you know all this shit. And

1185
01:01:00,080 --> 01:01:01,880
Speaker 3: Lydia doesn't feel too comfortable with this.

1186
01:01:01,920 --> 01:01:04,400
Speaker 1: Ship no, because it's like torture and like you say,

1187
01:01:05,240 --> 01:01:07,480
Speaker 1: they are her they were her people. So she's like,

1188
01:01:07,640 --> 01:01:09,400
Speaker 1: damn human beings, Like come on.

1189
01:01:09,520 --> 01:01:12,600
Speaker 2: Now, yeah, I won't lie. At this point, I fel

1190
01:01:12,600 --> 01:01:21,440
Speaker 2: like Lydia didn't have a leg to stay down. I

1191
01:01:21,520 --> 01:01:24,360
Speaker 2: think the reason he got me is because he's so

1192
01:01:24,840 --> 01:01:26,720
Speaker 2: this actor is so good at begging.

1193
01:01:27,560 --> 01:01:31,440
Speaker 3: Yeah, like he's so this ship like he made me

1194
01:01:31,560 --> 01:01:34,680
Speaker 3: feel like he believed it, so I believed him. Right,

1195
01:01:35,000 --> 01:01:35,919
Speaker 3: where are they.

1196
01:01:44,680 --> 01:01:50,880
Speaker 2: Your friends, so he said for those that can't hear

1197
01:01:50,960 --> 01:01:55,200
Speaker 2: him through the sobbing, so the Jim Baker sobs. He said, uh,

1198
01:01:57,320 --> 01:02:00,520
Speaker 2: Alpha was right about you people. You pretended him, and

1199
01:02:00,800 --> 01:02:03,080
Speaker 2: but the dead are better the dead are honest. Your

1200
01:02:03,120 --> 01:02:04,160
Speaker 2: friends are better off.

1201
01:02:04,360 --> 01:02:07,320
Speaker 3: Assuming he's talking about your dead friends who became walkers.

1202
01:02:08,040 --> 01:02:09,880
Speaker 2: So he still got some of that coat up in him,

1203
01:02:12,200 --> 01:02:17,800
Speaker 2: and Aaron finally just says fuck it, Lett the zombie

1204
01:02:17,840 --> 01:02:18,479
Speaker 2: bite his hand.

1205
01:02:20,680 --> 01:02:23,240
Speaker 3: Lydia was looking like why I never look what's happening

1206
01:02:23,240 --> 01:02:28,800
Speaker 3: in him? She looked at Carol like, you're not You're

1207
01:02:28,840 --> 01:02:30,400
Speaker 3: gonna stu. You're gonna do something.

1208
01:02:38,440 --> 01:02:38,560
Speaker 4: Now.

1209
01:02:40,240 --> 01:02:44,200
Speaker 3: So basically what Aaron did was collins bluff and say,

1210
01:02:45,040 --> 01:02:48,840
Speaker 3: do you really want to be a walker since they

1211
01:02:48,960 --> 01:02:51,600
Speaker 3: so much better than everybody? They my friends are better off.

1212
01:02:51,720 --> 01:02:52,800
Speaker 3: Do you want to be better off?

1213
01:02:53,400 --> 01:02:55,840
Speaker 1: Because your friends jump off the roof, You're gonna jump

1214
01:02:55,880 --> 01:02:56,600
Speaker 1: off the roof too.

1215
01:02:56,680 --> 01:02:59,800
Speaker 2: Going to my calculations, Uh, I got about five minutes

1216
01:02:59,840 --> 01:03:02,560
Speaker 2: at your hand off, or you're gonna.

1217
01:03:02,400 --> 01:03:04,200
Speaker 3: Join your little homies and you ain't gonna have to

1218
01:03:04,240 --> 01:03:05,080
Speaker 3: put on no masks.

1219
01:03:05,120 --> 01:03:06,600
Speaker 1: You're gonna beat You're gonna be over there with your

1220
01:03:06,640 --> 01:03:07,480
Speaker 1: the friends.

1221
01:03:08,640 --> 01:03:14,320
Speaker 3: And so he's gonna continue to torture this dude. Lydia

1222
01:03:14,440 --> 01:03:16,400
Speaker 3: walks off. She's just like, I can't take this.

1223
01:03:16,520 --> 01:03:18,000
Speaker 1: I would have walked off to that's too much.

1224
01:03:18,320 --> 01:03:20,200
Speaker 3: And then Carroll steps up. The world is full of

1225
01:03:20,280 --> 01:03:22,880
Speaker 3: people who are beyond saving, and I am not gonna

1226
01:03:22,880 --> 01:03:24,280
Speaker 3: wait for them to show up at our doorstep.

1227
01:03:27,760 --> 01:03:33,920
Speaker 4: What happened to Henry and how I felt after I

1228
01:03:34,040 --> 01:03:36,760
Speaker 4: controlled me? I let it take me down a very

1229
01:03:36,920 --> 01:03:41,680
Speaker 4: dork path. People that I care about or hurt know

1230
01:03:41,840 --> 01:03:47,200
Speaker 4: everything that I do. I carry that this is a

1231
01:03:47,320 --> 01:03:50,440
Speaker 4: path you don't want to go down. And you let

1232
01:03:50,520 --> 01:03:50,760
Speaker 4: him go.

1233
01:04:03,880 --> 01:04:06,560
Speaker 1: Yeah, because she knows what happened. When you get that

1234
01:04:06,760 --> 01:04:10,240
Speaker 1: anger built up in you, you just become blind and

1235
01:04:10,520 --> 01:04:13,360
Speaker 1: race and shit like that. And I think that also

1236
01:04:14,680 --> 01:04:17,840
Speaker 1: she ended up killing the zombie, which made Aaron really mad.

1237
01:04:19,160 --> 01:04:21,520
Speaker 3: Yeah, it's one of those things where.

1238
01:04:23,800 --> 01:04:27,240
Speaker 2: I get it, but I always kind of hate that

1239
01:04:27,480 --> 01:04:30,760
Speaker 2: when somebody who's done fucked up shit goes.

1240
01:04:31,160 --> 01:04:33,080
Speaker 3: You don't want to be like me. It's like, well, nigga,

1241
01:04:33,080 --> 01:04:35,720
Speaker 3: ac should I do today? You got to be you?

1242
01:04:36,040 --> 01:04:37,080
Speaker 1: But they got a point.

1243
01:04:37,960 --> 01:04:39,840
Speaker 3: I don't care, but I'm a human.

1244
01:04:40,160 --> 01:04:42,160
Speaker 1: That's true too, and that's why they're trying to plead

1245
01:04:42,200 --> 01:04:43,440
Speaker 1: with another human being.

1246
01:04:43,320 --> 01:04:45,600
Speaker 3: Going, you don't want to go down that road, I know,

1247
01:04:45,920 --> 01:04:47,800
Speaker 3: but like maybe I need to get a little further

1248
01:04:47,880 --> 01:04:49,320
Speaker 3: up that road. And it's all for myself.

1249
01:04:49,560 --> 01:04:52,120
Speaker 1: That got is like it's not a healthy place to be.

1250
01:04:52,840 --> 01:04:55,320
Speaker 3: So then Aaron does let the dude go, and.

1251
01:04:58,200 --> 01:05:01,080
Speaker 2: I just thought, you know what, I appreciate Aaron in

1252
01:05:01,160 --> 01:05:04,240
Speaker 2: this scene because not for letting him go, but because

1253
01:05:04,560 --> 01:05:07,600
Speaker 2: Aaron took that ship him and gave went through to heart.

1254
01:05:09,000 --> 01:05:12,480
Speaker 2: You don't negotiate with crazy. You don't bring crazy into

1255
01:05:12,560 --> 01:05:12,960
Speaker 2: the fold.

1256
01:05:13,680 --> 01:05:17,680
Speaker 3: You put crazy down, ze Fox, you just put it,

1257
01:05:18,000 --> 01:05:20,160
Speaker 3: put it down, and then you go.

1258
01:05:20,360 --> 01:05:22,400
Speaker 2: Okay, I don't have to deal with this no more.

1259
01:05:23,000 --> 01:05:25,520
Speaker 2: But you know, this shit comes back to hunting people.

1260
01:05:25,680 --> 01:05:29,320
Speaker 2: All this mercy and forgiveness of motherfuckers that's really so

1261
01:05:29,600 --> 01:05:32,320
Speaker 2: cold blood and murderers. Like when she said we weren't

1262
01:05:32,360 --> 01:05:34,800
Speaker 2: all monsters, I'm like, what the fuck do that mean?

1263
01:05:34,920 --> 01:05:38,360
Speaker 2: Y'all niggas was walking around in these masks and y'all

1264
01:05:38,520 --> 01:05:44,200
Speaker 2: was letting people get killed by this shit. Uh So uh,

1265
01:05:44,520 --> 01:05:46,120
Speaker 2: he lets him down to gives him a night, says

1266
01:05:46,120 --> 01:05:46,920
Speaker 2: you can cut your hand off.

1267
01:05:46,960 --> 01:05:49,320
Speaker 3: I could do it. For your choices yours. You can

1268
01:05:49,400 --> 01:05:50,720
Speaker 3: give it this, you can give it that.

1269
01:05:51,760 --> 01:05:53,160
Speaker 1: Ah, call him bad, call him beep.

1270
01:05:54,640 --> 01:05:57,560
Speaker 3: So then Lydia we cut back, and Lydia is like

1271
01:05:57,760 --> 01:06:00,520
Speaker 3: nursing the dude and his stuff up, you know what

1272
01:06:00,520 --> 01:06:03,440
Speaker 3: I'm saying, like trying to help him out and apologizing,

1273
01:06:04,480 --> 01:06:07,360
Speaker 3: and he says he's actually in pretty good spirits. He's like,

1274
01:06:07,480 --> 01:06:09,440
Speaker 3: you know what Outpha would have did worse.

1275
01:06:11,760 --> 01:06:15,640
Speaker 2: And Carol says, here's some mushrooms for you and your people,

1276
01:06:15,880 --> 01:06:18,520
Speaker 2: and he thanks her for saving him and stopping uh,

1277
01:06:19,280 --> 01:06:20,600
Speaker 2: stopping air from killing him.

1278
01:06:21,520 --> 01:06:22,200
Speaker 3: It would be funny.

1279
01:06:22,240 --> 01:06:23,840
Speaker 2: He'll be like, you couldn't have stopped them like five

1280
01:06:23,880 --> 01:06:26,840
Speaker 2: minutes sooner, so I could have both my hands.

1281
01:06:27,160 --> 01:06:27,520
Speaker 4: You had to.

1282
01:06:28,320 --> 01:06:29,880
Speaker 3: You just had to see how I was gonna play out.

1283
01:06:29,960 --> 01:06:36,440
Speaker 3: Huh uh so uh. He sees Jerry looking at him, and.

1284
01:06:37,960 --> 01:06:40,800
Speaker 2: He feels the judgment flowing out for Jerry and says,

1285
01:06:40,880 --> 01:06:44,840
Speaker 2: you don't think we changed, do you? And Jerry said

1286
01:06:44,880 --> 01:06:47,760
Speaker 2: something like it's not up to me to decide, right,

1287
01:06:48,800 --> 01:06:53,000
Speaker 2: and he says, well, I prove that we changed. You know,

1288
01:06:53,280 --> 01:06:55,640
Speaker 2: there was a woman with y'all had the caves. We

1289
01:06:55,880 --> 01:06:59,720
Speaker 2: saw her come out of the caves, and they're talking about.

1290
01:07:00,600 --> 01:07:05,200
Speaker 3: You'd been missing all season, so if they would, if

1291
01:07:05,320 --> 01:07:08,120
Speaker 3: Aaron would have killed him, they would have never found

1292
01:07:08,160 --> 01:07:11,520
Speaker 3: out that Connie is still alive, right, which we knew

1293
01:07:11,560 --> 01:07:14,120
Speaker 3: Connie was still alive, but we don't know what's happened

1294
01:07:14,160 --> 01:07:17,920
Speaker 3: with Connie sense and all this stuff. So then he

1295
01:07:17,960 --> 01:07:19,880
Speaker 3: starts giving him information. Was she all right?

1296
01:07:20,240 --> 01:07:21,800
Speaker 1: She looked hurt but a lot.

1297
01:07:22,000 --> 01:07:25,280
Speaker 3: Where did you last year in the woods by the

1298
01:07:25,440 --> 01:07:29,480
Speaker 3: screaming cave? What do you think?

1299
01:07:30,280 --> 01:07:31,400
Speaker 4: I think that's probably a good thing.

1300
01:07:31,440 --> 01:07:32,040
Speaker 3: It didn't kill him.

1301
01:07:32,200 --> 01:07:35,520
Speaker 4: Do you know where that is he's talking about. Yeah, yeah, Andrea,

1302
01:07:36,440 --> 01:07:40,000
Speaker 4: I gotta go now, Connie's out there alive. I know

1303
01:07:40,080 --> 01:07:42,040
Speaker 4: it's getting late, it'll be dark before we get back,

1304
01:07:42,640 --> 01:07:43,360
Speaker 4: start at first light.

1305
01:07:43,440 --> 01:07:43,640
Speaker 1: Yeah.

1306
01:07:49,360 --> 01:07:52,040
Speaker 3: Now, Carol, I think it's pressed because she feels guilty.

1307
01:07:52,880 --> 01:07:54,200
Speaker 1: She was like, oh, let's go right now.

1308
01:07:54,720 --> 01:07:57,560
Speaker 2: Yeah, Like she's like, that's my fault, what happened with Connie.

1309
01:07:58,800 --> 01:08:01,960
Speaker 2: So then we also get the very end with his

1310
01:08:02,240 --> 01:08:03,560
Speaker 2: what Key's people coming.

1311
01:08:03,400 --> 01:08:09,440
Speaker 3: Back to him. Aaron was looking like, I should have

1312
01:08:09,480 --> 01:08:14,160
Speaker 3: killed them, niggas. I don't blame them. So it looks

1313
01:08:14,240 --> 01:08:20,320
Speaker 3: like we have my favorite shape, my favorite geographical shape

1314
01:08:20,360 --> 01:08:27,400
Speaker 3: going on next week A love triangle. Yeah, Darryl, Leah

1315
01:08:27,720 --> 01:08:33,800
Speaker 3: and Connie. Mm hmmm, let's see what happens. So what

1316
01:08:33,880 --> 01:08:35,240
Speaker 3: are you looking forward to next week? Karen?

1317
01:08:35,920 --> 01:08:37,800
Speaker 1: To find out what happened to Conne. It's not like

1318
01:08:37,960 --> 01:08:41,160
Speaker 1: Connie caught up with the dude from Oceanside that ended

1319
01:08:41,240 --> 01:08:42,400
Speaker 1: up coming back.

1320
01:08:43,200 --> 01:08:43,320
Speaker 3: Uh.

1321
01:08:43,479 --> 01:08:45,840
Speaker 1: They didn't want to initially leave with Micheaan and ended

1322
01:08:45,880 --> 01:08:48,559
Speaker 1: up coming back. Uh litt like they end up prossing

1323
01:08:48,640 --> 01:08:50,679
Speaker 1: each other's path and now they're on the run together.

1324
01:08:51,800 --> 01:08:55,040
Speaker 1: Yet it looks like some something, somebody or something is

1325
01:08:55,120 --> 01:08:57,400
Speaker 1: following her as Yeah.

1326
01:08:57,400 --> 01:09:02,200
Speaker 3: What was what was his name in that show? I

1327
01:09:02,320 --> 01:09:03,519
Speaker 3: can't think it's fucking now.

1328
01:09:03,720 --> 01:09:04,800
Speaker 1: He just ain't ship nigga.

1329
01:09:04,840 --> 01:09:12,240
Speaker 3: I've seen him and I've seen him in so many

1330
01:09:12,360 --> 01:09:15,560
Speaker 3: things as different characters. For some reason, I want to

1331
01:09:15,560 --> 01:09:18,639
Speaker 3: say it's Alvin, but I'm this isn't Virgil and Virgil

1332
01:09:18,760 --> 01:09:19,799
Speaker 3: that's it? Yeah, Virgil.

1333
01:09:19,800 --> 01:09:21,360
Speaker 2: I want to call him Alvin, but I was like,

1334
01:09:21,920 --> 01:09:24,559
Speaker 2: has he just been Alvin in another show that I watched?

1335
01:09:25,200 --> 01:09:27,960
Speaker 1: You know, you just have some characters just get nicknames

1336
01:09:28,000 --> 01:09:29,439
Speaker 1: to you and't even know the name. That's what I

1337
01:09:29,520 --> 01:09:30,080
Speaker 1: know him like this?

1338
01:09:31,120 --> 01:09:34,880
Speaker 2: Yeah, oh, man, I hate Virgil. He's the worst, and

1339
01:09:35,120 --> 01:09:37,599
Speaker 2: it looks like him and Connie are gonna be there.

1340
01:09:38,200 --> 01:09:41,479
Speaker 2: And from the whisperers description of what happened with the cave,

1341
01:09:41,960 --> 01:09:47,320
Speaker 2: he said something to the effect of she was I

1342
01:09:47,400 --> 01:09:52,200
Speaker 2: think I wrote it down. He said, there were there

1343
01:09:52,280 --> 01:09:54,519
Speaker 2: were many, but then there were two, and then she

1344
01:09:54,760 --> 01:09:57,360
Speaker 2: was all alone in the woods by the screaming cave.

1345
01:09:57,680 --> 01:10:03,000
Speaker 2: So's there were two her and Virgil, and then she

1346
01:10:03,200 --> 01:10:06,160
Speaker 2: was all alone and something happened to Virgil, right, Or.

1347
01:10:06,200 --> 01:10:10,639
Speaker 1: Either it could be like the group, like they were many,

1348
01:10:11,000 --> 01:10:13,519
Speaker 1: many of us around and then after while we kind

1349
01:10:13,560 --> 01:10:16,960
Speaker 1: of separated eventually, you know, it was just her and

1350
01:10:17,280 --> 01:10:21,680
Speaker 1: like real zombis, you know, like I don't know, like

1351
01:10:21,800 --> 01:10:23,960
Speaker 1: it could be I can interpretate that either way.

1352
01:10:24,400 --> 01:10:26,840
Speaker 3: Yeah, but it definitely had a vibe to it where

1353
01:10:26,840 --> 01:10:30,200
Speaker 3: it's like, what does this mean? You know what I'm saying.

1354
01:10:31,240 --> 01:10:34,960
Speaker 2: So, yeah, but that's what I'm looking forward to mostly. Obviously,

1355
01:10:36,000 --> 01:10:39,560
Speaker 2: it looks like we may get some Darryl and the

1356
01:10:40,080 --> 01:10:46,160
Speaker 2: Reapers versus Maggie and Nigan and them stuff, maybe because

1357
01:10:46,200 --> 01:10:46,640
Speaker 2: that's got to.

1358
01:10:46,640 --> 01:10:48,360
Speaker 3: Come to a head over there at some point.

1359
01:10:49,160 --> 01:10:51,800
Speaker 2: No way, all those people over there and they're literally

1360
01:10:51,880 --> 01:10:53,360
Speaker 2: on their last legs.

1361
01:10:55,000 --> 01:10:58,200
Speaker 3: With Gabe and the Elijah and Maggie and Nigan. So

1362
01:10:59,160 --> 01:11:00,880
Speaker 3: that's what I'm looking for next week.

1363
01:11:01,080 --> 01:11:03,640
Speaker 2: And uh, if we don't have if we don't do

1364
01:11:03,760 --> 01:11:06,519
Speaker 2: this recap next week, we'll maybe do a double recap

1365
01:11:06,560 --> 01:11:08,920
Speaker 2: the week after, or we may just take off like

1366
01:11:08,960 --> 01:11:11,640
Speaker 2: three or four days next week and then do the

1367
01:11:11,760 --> 01:11:15,800
Speaker 2: recap anyway, So we'll let y'all know, or if you know,

1368
01:11:15,920 --> 01:11:17,920
Speaker 2: look at your feet, you'll see what we decided by

1369
01:11:17,960 --> 01:11:20,880
Speaker 2: then tomorrow's the live show.

1370
01:11:21,400 --> 01:11:21,639
Speaker 4: Yay.

1371
01:11:22,200 --> 01:11:26,920
Speaker 1: I am so excited and I want to tell everybody

1372
01:11:27,240 --> 01:11:30,560
Speaker 1: thank you. Y'all are showing up and showing out on

1373
01:11:30,680 --> 01:11:34,320
Speaker 1: them tickets. Yeah, man, we're looking at I'll be like,

1374
01:11:34,439 --> 01:11:37,360
Speaker 1: oh bitch, they gonna be in the house at home.

1375
01:11:38,479 --> 01:11:38,719
Speaker 3: Yeah.

1376
01:11:38,800 --> 01:11:40,800
Speaker 2: And so, like I said, I appreciate the people that

1377
01:11:40,880 --> 01:11:43,880
Speaker 2: were virtual, the people that bought in person, the people

1378
01:11:43,960 --> 01:11:47,960
Speaker 2: that are giving saying I just about this take. I

1379
01:11:48,000 --> 01:11:50,040
Speaker 2: can't make it, but feel free to give it away,

1380
01:11:51,720 --> 01:11:54,360
Speaker 2: you know, y'all. Y'all dope, y'all are real MVPs. And

1381
01:11:54,920 --> 01:11:58,080
Speaker 2: I can't express to y'all how how important this is

1382
01:11:58,160 --> 01:12:00,439
Speaker 2: and how dope this is that y'aller doing that.

1383
01:12:00,680 --> 01:12:02,679
Speaker 3: So yeah, I appreciate y'all.

1384
01:12:02,520 --> 01:12:05,519
Speaker 1: And I'm very very excited. We're going to be signing

1385
01:12:05,560 --> 01:12:08,920
Speaker 1: the posters so people don't get posters.

1386
01:12:08,560 --> 01:12:11,040
Speaker 2: And well, yeah, we'll try to see what we can

1387
01:12:11,120 --> 01:12:13,840
Speaker 2: do about like maybe some giveaways or prizes and stuff

1388
01:12:13,920 --> 01:12:16,240
Speaker 2: if we have, you know, depend on how many people

1389
01:12:16,280 --> 01:12:17,120
Speaker 2: are there and all that stuff.

1390
01:12:17,160 --> 01:12:19,840
Speaker 3: But you know, we'll see. I don't that's uh.

1391
01:12:20,000 --> 01:12:22,479
Speaker 2: They got different COVID protocols and stuff like that. With

1392
01:12:22,920 --> 01:12:24,720
Speaker 2: like approaching the stage. I don't think we're going to

1393
01:12:24,800 --> 01:12:27,960
Speaker 2: have a mic for the audience this time, according to

1394
01:12:28,000 --> 01:12:29,320
Speaker 2: what they were describing.

1395
01:12:29,000 --> 01:12:30,680
Speaker 1: So you know, we'll kind of play that on the fly,

1396
01:12:31,280 --> 01:12:33,000
Speaker 1: so we put on end of the stage or something.

1397
01:12:33,120 --> 01:12:34,599
Speaker 3: Yeah, we'll see. We'll see.

1398
01:12:34,760 --> 01:12:36,160
Speaker 2: So that might not be a thing we can do,

1399
01:12:36,479 --> 01:12:39,040
Speaker 2: but we'll figure something out. All right, y'all, Thank you,

1400
01:12:39,600 --> 01:12:40,840
Speaker 2: Uh talk to okay.

1401
01:12:41,360 --> 01:12:45,040
Speaker 1: Oh and don't forget if you want to bring gifts,

1402
01:12:45,120 --> 01:12:47,439
Speaker 1: you're not obligated to. But if you want to bring.

1403
01:12:47,520 --> 01:12:49,400
Speaker 2: Oh yeah, if you have something you want to give us,

1404
01:12:49,880 --> 01:12:51,439
Speaker 2: you can leave it with like the usher or the

1405
01:12:51,479 --> 01:12:53,120
Speaker 2: door people, and I believe they'll get it to us.

1406
01:12:53,640 --> 01:12:55,920
Speaker 3: So all right, y'all, that's it. We'll talk to you

1407
01:12:57,720 --> 01:13:01,120
Speaker 3: Saturday until then or got live sholl taking us talk

1408
01:13:01,120 --> 01:13:03,800
Speaker 3: tomorrow until then. I love you.

1409
01:13:03,920 --> 01:13:04,400
Speaker 1: I love you too,