WEBVTT - Wed Part 2: Terri Clark On Why She Turned Down Playboy + Tipping Etiquette

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<v Speaker 1>Show this school in Massachusetts, four and fifty four students

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<v Speaker 1>in this one class, a thirty class, and they have

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<v Speaker 1>twenty four sets of twins. Wow, whoa on there?

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<v Speaker 2>What the heck?

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<v Speaker 1>They have twenty four sets of twins out of four

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<v Speaker 1>hundred and fifty four students, ten percent of the classes twin.

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<v Speaker 3>I wonder how many of those are that's just runs

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<v Speaker 3>in their family or their IVF.

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<v Speaker 2>Oh, that's a good question.

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<v Speaker 1>Hey, well, if any of that's the case, it's still wild.

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<v Speaker 1>That's an abnormal amount of twins.

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<v Speaker 4>We have these twins in high school, and like we

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<v Speaker 4>always got it mixed up, like everyone would call the

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<v Speaker 4>wrong twin by the wrong name.

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<v Speaker 1>Like I wondered if that's the problem at this school.

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<v Speaker 5>Yes, it's got to be.

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<v Speaker 1>Yeah, no, Tim, I'm sorry, but I mean, all the

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<v Speaker 1>twins don't look alike, Eddie. It's not like all the

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<v Speaker 1>twins looking like every other one of the twins that

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<v Speaker 1>we had in our school did. No, but I'm saying

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<v Speaker 1>look alike. But they're not looking like the other twins,

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<v Speaker 1>other sets of twins.

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<v Speaker 4>Oh no, no, I know. But you know, do you

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<v Speaker 4>miss up one set of twins? I'm sure you mess

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<v Speaker 4>up with the other sets.

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<v Speaker 6>Yeah, that's true because like Pam and that's not true.

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<v Speaker 6>You just saying words.

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<v Speaker 3>But also what's cool that this is it leads to

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<v Speaker 3>opportunity for twins dating twins, like that'd be fun.

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<v Speaker 1>That's like some in bred types see them hold their

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<v Speaker 1>hands down the hall and they they're starts. They're switching

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<v Speaker 1>it like hand. It's like, oh wait, I'm Tim, No Jim,

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<v Speaker 1>that's from twenty five New. Now my family, I know,

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<v Speaker 1>not a lot of twins. I guess no twins, but

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<v Speaker 1>you know we I have a weird family tree in

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<v Speaker 1>that my mom and her sister married my biological dad

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<v Speaker 1>and his brother. So it's two sisters. No, not Arkansas,

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<v Speaker 1>it's not, although I do get that a lot, but

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<v Speaker 1>our family tree is very much no branches. Wow, anybody

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<v Speaker 1>any of my cousins, we're all related to the same people.

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<v Speaker 1>There's no other sides of the family. That's wild. So

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<v Speaker 1>it's again my mom her sister married my biological dad

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<v Speaker 1>and his brother, so I have double cousins. My cousins

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<v Speaker 1>are cousins on both sides. That is, so anybody they're

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<v Speaker 1>related to, I'm also related to. There's no other way

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<v Speaker 1>around it. I wonder if we have like more matching

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<v Speaker 1>DNA than normal cousins. We have to write. I don't

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<v Speaker 1>know we got enough double both sides.

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<v Speaker 7>Mm hmm.

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<v Speaker 1>It's not inbred. It's nothing about Arkansas.

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<v Speaker 3>It's like my sister we went to Arkansas when we

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<v Speaker 3>were younger, like family road trip to visit our aunt, uncle,

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<v Speaker 3>and our cousin. There became kind of like a kissing

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<v Speaker 3>cousin with my sister.

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<v Speaker 5>I don't know if we don't have to.

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<v Speaker 1>Do Arkansas kissing cousins.

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<v Speaker 5>Were from Texas, Arkansas.

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<v Speaker 3>No, No, he was really cute, like I get it,

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<v Speaker 3>and we didn't.

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<v Speaker 1>Know Arkansas relatives making out go ahead.

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<v Speaker 3>I was going somewhere with that, Like we didn't really

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<v Speaker 3>know him.

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<v Speaker 5>So it's sort of just like was a thing. But

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<v Speaker 5>I get it.

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<v Speaker 3>They weren't as yours would be closer to you, like

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<v Speaker 3>we were more removed. So you definitely couldn't have a

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<v Speaker 3>kissing cousin.

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<v Speaker 1>No, your cousin, No, I hear you. But so what

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<v Speaker 1>you could have just said your sister had a cousin,

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<v Speaker 1>you had to go to Arkansas, where I'm from.

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<v Speaker 3>No, I remember the whole drive back, she listened to

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<v Speaker 3>that song.

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<v Speaker 5>It must have been love Arkansas.

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<v Speaker 1>Not get to happen on the show.

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<v Speaker 3>I think it was kind of like, dang, we're cousins,

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<v Speaker 3>Like this isn't gonna go anywhere.

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<v Speaker 5>I don't even think they really kissed, you know, there

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<v Speaker 5>was like an attraction.

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<v Speaker 3>And yeah, but we didn't know him. Doesn't matter, Amy, Well, we're.

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<v Speaker 1>Still related if you know them or not.

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<v Speaker 5>That's why.

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<v Speaker 3>On the way back she was like, it must have

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<v Speaker 3>been loved, but it's over now because we're cousins.

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<v Speaker 1>You know what in the world this is crazy. Okay.

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<v Speaker 1>Let's say you meet your cousin and you never met

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<v Speaker 1>him your whole life, and you fall in love. Do

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<v Speaker 1>you marry them? Well, I mean, well, what state your cousin?

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<v Speaker 1>What state? Doesn't matter? Do you When do you find

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<v Speaker 1>out they're your cousins?

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<v Speaker 5>The thing is back in the day, this is the thing.

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<v Speaker 4>What do you mean when do you find Because if

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<v Speaker 4>you get married and then you find out your five

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<v Speaker 4>years married divorce, you do it's over?

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<v Speaker 8>What?

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<v Speaker 1>Okay, whole time I would say done at all.

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<v Speaker 5>Just let it be.

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<v Speaker 1>I have kids too, Yeah, they don't have tales though. Okay,

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<v Speaker 1>here's the thing. Let's say you date for you don't

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<v Speaker 1>know them at all, Your parents or families are strange,

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<v Speaker 1>and you finally like run to them. Oh we're cousins. Wow,

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<v Speaker 1>first cousins. You fall in love, right then? Can you date? No? No?

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<v Speaker 2>Yeah, if you'd had no relationship prior.

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<v Speaker 1>And your parents family that they don't have a relationship, no.

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<v Speaker 6>That's okay, but no, no, just think how easy the

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<v Speaker 6>wedding will be because you don't have to decide like, ooh, no,

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<v Speaker 6>sides right exactly everyone?

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<v Speaker 7>We have friends, but yeah, who you're here for my cousins.

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<v Speaker 3>I think we're to a point now where that's not

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<v Speaker 3>what we do. We don't we don't marry our cousins.

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<v Speaker 1>But we just kissed him. But again, what if you

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<v Speaker 1>fell in love and didn't know they were okay? What

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<v Speaker 1>if again, you fall in love you don't know they're

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<v Speaker 1>your cousin. You do a twenty three and me or

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<v Speaker 1>whatever ancestry or whatever it is, and it's like you're

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<v Speaker 1>first cousins and you're in love, you're engaged, you're engaged.

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<v Speaker 1>Call it off.

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<v Speaker 5>Yeah, it's totally not happening.

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<v Speaker 6>Oh, guys, I think you're I think you're overreacting. I

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<v Speaker 6>think you keep it together.

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<v Speaker 1>I think if you're engaged and you already have a love.

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<v Speaker 6>What if you meet at a family reunion and you've

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<v Speaker 6>never met him, and you're twenty eight years old and

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<v Speaker 6>she's twenty five and you've never met.

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<v Speaker 2>And you meet at a family reunion, you're like, hey,

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<v Speaker 2>you know what, Like.

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<v Speaker 1>Let's look and see that those cousins if that is like,

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<v Speaker 1>first of all, is it legal to marry your first cousin?

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<v Speaker 5>Yeah, didn't Rudy Julie?

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<v Speaker 1>You want to do that? And see this history that something?

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<v Speaker 5>Didn't Rudy Giuliani, Mary's first cousin.

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<v Speaker 1>I don't know for all that stuff, I forget.

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<v Speaker 3>He's I don't really mind whatever we say about him.

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<v Speaker 1>It's legal for cousins to marry. See a new bill

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<v Speaker 1>would change that. How about is it legal to marry

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<v Speaker 1>your cousin's federal federal law? I mean that would mean

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<v Speaker 1>national law. I mean, why don't we bringing the law

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<v Speaker 1>into this. Let's just would you do? First cousin marriage

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<v Speaker 1>remains completely legal in these seventeen states Alabama, California, Colorado, Connecticut, Florida, Georgia, Maryland, Massachusetts,

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<v Speaker 1>New Jersey, New York, New Mexico, North Carolina, Rhode Island,

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<v Speaker 1>South Carolina, Tennessee or Moonton, Virginia. Hey, no, Arkansas, their suckers,

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<v Speaker 1>did you one? No, I turned in it's they.

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<v Speaker 5>Don't even need a law about it. Whatever room for

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<v Speaker 5>that in the prison.

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<v Speaker 1>You guys have haters, and I hate all of you too.

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<v Speaker 1>Here's they make a map that shows where you can

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<v Speaker 1>marry your cousin, Like, go to this state to marry them.

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<v Speaker 1>Twenty four states prohibit marriages between first cousins. Seven states

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<v Speaker 1>allow first cousin marriages with conditions such as genetic counseling

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<v Speaker 1>or if the partner is sterile.

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<v Speaker 5>Oh yeah, because you can't procreate.

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<v Speaker 6>What does it mean when someone's once are moved, that's

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<v Speaker 6>second cousin?

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<v Speaker 1>Yeah, well it says first cousins once are moved. Does

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<v Speaker 1>that mean second cousin?

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<v Speaker 5>I never understand when people speak that way.

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<v Speaker 1>So yeah, either. Okay. So let's say you on your

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<v Speaker 1>wedding day you find out that that's your first cousin.

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<v Speaker 4>But before you get married, before the ideas before yeah day,

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<v Speaker 4>what over you say, I'm out. Yeah, I'm not doing this.

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<v Speaker 4>We can't do this. We're cousins. Yeah, hopefully she agrees.

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<v Speaker 5>It's just one of those things you're not going to

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<v Speaker 5>be able to get over.

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<v Speaker 1>I'm down down, well, Bobby, I expect that.

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<v Speaker 2>I just don't. I think you guys are overreacting.

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<v Speaker 1>I think it reacted. You're crazy. Yeah, and okay, fine,

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<v Speaker 1>Caitlin's my cousin. I said, the whole segment have to

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<v Speaker 1>reveal that. Okay, you guys are haters. And I'd like

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<v Speaker 1>to shout out to everybody in Arkansas. I love you. You

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<v Speaker 1>know who loves you me, you know who doesn't. These

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<v Speaker 1>three I don't ever let them come in your day,

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<v Speaker 1>which is Josh, wake up, wake Up.

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<v Speaker 8>The mall.

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<v Speaker 9>And the turning radio and the Davis's Tidy lunchbox, more

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<v Speaker 9>game two, good Steve Bread, haven't trying to put you through.

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<v Speaker 9>Fogy's running this week's next Minute, and Bobby's on the box.

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<v Speaker 1>So you knowing this.

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<v Speaker 7>The Bobby Balls.

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<v Speaker 1>Time for the news. Bobby's. A recent twenty twenty four

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<v Speaker 1>survey said, what are the top regrets in your life

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<v Speaker 1>that are still on your mind? Already A couple here.

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<v Speaker 1>I'll ask you guys that question. Top regrets of your

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<v Speaker 1>life that you still think about sometimes? Number one spending

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<v Speaker 1>too much time on your phone, not prioritizing life moments

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<v Speaker 1>number two. Losing touch with friends past and present. Number

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<v Speaker 1>three not standing up to bullies during childhood and even work.

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<v Speaker 1>If you guys don't have one, I can go first

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<v Speaker 1>get one.

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<v Speaker 5>Yeah, I have a.

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<v Speaker 3>Yeah, I think, oh, well, a big one. Because I've

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<v Speaker 3>lost both my mom and my dad. There's just so

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<v Speaker 3>many conversations I never had with them, and it's a

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<v Speaker 3>huge regret. And if they were around, I know there's

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<v Speaker 3>very specific things I would ask them. I would talk

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<v Speaker 3>to them about and I wouldn't be so shy or nervous,

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<v Speaker 3>like I think I didn't want to ask them to

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<v Speaker 3>dig a little bit deeper, but I think it would

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<v Speaker 3>have been beneficial for everybody.

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<v Speaker 1>Yeah.

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<v Speaker 6>I think about like chicks, Like, Okay, so I'm in

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<v Speaker 6>a bar and I make out with you know, there's

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<v Speaker 6>two chicks and I'm like, oh, which one I choose

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<v Speaker 6>a ad to for the night instead of B And I'm like,

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<v Speaker 6>oh man, I've gone.

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<v Speaker 1>With be like or try to and be everything about that.

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<v Speaker 6>I thought about that, but they didn't know each other

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<v Speaker 6>as they weren't down. But you know, things like that,

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<v Speaker 6>It's like, ah, man.

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<v Speaker 4>Eddie, I still think about it. I mean, not starting

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<v Speaker 4>a four to one came much, much, much earlier in

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<v Speaker 4>my life. You don't even started one now.

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<v Speaker 1>No, no, But for me, I think, why don't start?

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<v Speaker 1>Start today? You feel like it's too late, it's not.

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<v Speaker 8>Dude.

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<v Speaker 4>If I would have started at twenty twenty one, oh

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<v Speaker 4>my goodness, and ten years.

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<v Speaker 1>You're going to go. I wish I would have started

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<v Speaker 1>when he was forty five.

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<v Speaker 2>Right, that's a good point.

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<v Speaker 5>I started it a year ago when we started talking

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<v Speaker 5>about that.

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<v Speaker 1>You know what, I regret that too, Okay, I think

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<v Speaker 1>mine is probably not. When my grandma was sick, I

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<v Speaker 1>just thought she'd live forever, which is a dumb thing

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<v Speaker 1>to think. But my grandma raised me and I was

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<v Speaker 1>in college and it wasn't like an easy drive home,

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<v Speaker 1>and I was like eh, and I did occasionally, but

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<v Speaker 1>I just didn't do it enough. And so I regret

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<v Speaker 1>that because when she got sick, she got sick, and

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<v Speaker 1>then you know, she died pretty quick, and I had

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<v Speaker 1>a It's crazy because I know we talked about this.

0:10:39.120 --> 0:10:42.160
<v Speaker 1>I had a deal with my grandma and I was like, hey,

0:10:42.200 --> 0:10:45.280
<v Speaker 1>when you die, you have to like and she was

0:10:45.320 --> 0:10:48.560
<v Speaker 1>like way older. My mom was the youngest of like

0:10:48.600 --> 0:10:51.480
<v Speaker 1>many many kids, and so my grandma was way older

0:10:51.480 --> 0:10:53.440
<v Speaker 1>than like a normal grandma as well. And I was like, well,

0:10:53.440 --> 0:10:55.080
<v Speaker 1>I'm gonna talk about it, like when you die, you

0:10:55.080 --> 0:10:57.559
<v Speaker 1>have to like give me a sign that you're still

0:10:57.559 --> 0:11:01.120
<v Speaker 1>out there. And I don't think she gave me a sign.

0:11:01.920 --> 0:11:04.880
<v Speaker 1>What's up? Talk about it? No, I think the air

0:11:04.920 --> 0:11:06.840
<v Speaker 1>conditioner came on and like her old guitar fell at

0:11:06.880 --> 0:11:09.640
<v Speaker 1>some But I'm saying, you said, give me a sign.

0:11:09.720 --> 0:11:11.280
<v Speaker 5>Yeah, but what are you saying that you would have been?

0:11:11.360 --> 0:11:12.800
<v Speaker 5>You wish you would have been more specific?

0:11:13.040 --> 0:11:16.160
<v Speaker 1>Yeah, I wish i'd have been, like, get make a

0:11:16.240 --> 0:11:18.000
<v Speaker 1>musical instrument fall over when you die?

0:11:18.080 --> 0:11:19.719
<v Speaker 5>I just that way you would know.

0:11:19.960 --> 0:11:24.719
<v Speaker 1>Yeah, So that my regret there is that. Otherwise I

0:11:27.400 --> 0:11:29.719
<v Speaker 1>most things that I'm not happy about what happened, I've

0:11:29.760 --> 0:11:32.280
<v Speaker 1>learned great lessons from them. They've actually led to even

0:11:32.280 --> 0:11:35.560
<v Speaker 1>better decisions that when I got to find a million

0:11:35.559 --> 0:11:37.920
<v Speaker 1>bucks by the SEC, I learned nothing from that. So

0:11:37.960 --> 0:11:39.680
<v Speaker 1>I wish that wouldn't have happened. But I can't really

0:11:39.679 --> 0:11:41.000
<v Speaker 1>regret how I did it because I don't do anything

0:11:41.000 --> 0:11:46.360
<v Speaker 1>wrong unless they're listening. Sorry finding that, but I regret

0:11:46.360 --> 0:11:52.440
<v Speaker 1>that that happened. Yeah, regrets that happened. Next up, let's listen.

0:11:52.440 --> 0:11:55.600
<v Speaker 1>If you're a SCC, you guys are cool. You guys

0:11:55.600 --> 0:11:55.880
<v Speaker 1>are cool.

0:11:55.960 --> 0:11:56.160
<v Speaker 2>Yeah.

0:11:56.280 --> 0:11:58.280
<v Speaker 3>In line with that, I'll just hear something really quick

0:11:58.320 --> 0:12:00.000
<v Speaker 3>that you know. My niece is living with right now.

0:12:00.200 --> 0:12:02.040
<v Speaker 3>She's twenty one, and she wrote a high school paper

0:12:02.040 --> 0:12:05.520
<v Speaker 3>on living without regret, and she based it off my mom,

0:12:05.840 --> 0:12:07.960
<v Speaker 3>and she said that she learned that when my mom

0:12:08.080 --> 0:12:10.679
<v Speaker 3>was dying. One of the things she said was that

0:12:10.720 --> 0:12:13.160
<v Speaker 3>she didn't live out her dreams. And so I think

0:12:13.160 --> 0:12:15.120
<v Speaker 3>that's a big regret, is sometimes not taking time to

0:12:15.240 --> 0:12:17.320
<v Speaker 3>dream and then chase your dreams, whatever they are. But

0:12:17.360 --> 0:12:19.480
<v Speaker 3>my mom just didn't take time to even dream for herself.

0:12:19.840 --> 0:12:22.360
<v Speaker 1>And I promise everybody listening right now, you're gonna regret

0:12:22.400 --> 0:12:24.360
<v Speaker 1>more things you didn't try, the more things you tried

0:12:24.360 --> 0:12:26.680
<v Speaker 1>and failed and did wrong, right, because you're always gonna

0:12:26.679 --> 0:12:27.840
<v Speaker 1>be like I wish I would at least tried this.

0:12:28.840 --> 0:12:30.160
<v Speaker 1>I've screwed up a lot of things. I messed up

0:12:30.160 --> 0:12:31.320
<v Speaker 1>a lot of things. I don't regret any of that

0:12:31.320 --> 0:12:34.040
<v Speaker 1>stuff because at least I gave it a run. But

0:12:34.920 --> 0:12:37.440
<v Speaker 1>I just would not not feel good about not trying it.

0:12:37.480 --> 0:12:39.839
<v Speaker 1>The stuff you don't try, and stuff you're gonna hate

0:12:39.840 --> 0:12:41.200
<v Speaker 1>that you didn't do, not the stuff you did wrong

0:12:41.600 --> 0:12:45.439
<v Speaker 1>unless you murder. Oh yeah, that's a bad don't try that.

0:12:44.920 --> 0:12:45.600
<v Speaker 3>That you can.

0:12:46.000 --> 0:12:48.960
<v Speaker 1>People are reserving baby names within a friend group now,

0:12:49.679 --> 0:12:51.560
<v Speaker 1>so people are like calling DIBs on baby names. You

0:12:51.559 --> 0:12:53.199
<v Speaker 1>can't do that, well, I mean you can't. Well it's

0:12:53.200 --> 0:12:55.079
<v Speaker 1>not legal, but yes, you can have an agreement and

0:12:55.200 --> 0:12:58.760
<v Speaker 1>your friends. Weird people are talking about baby names and

0:12:58.920 --> 0:13:01.680
<v Speaker 1>they claim them within a friend group if they want it,

0:13:01.720 --> 0:13:04.760
<v Speaker 1>so another friend doesn't like undercut them with the name.

0:13:05.920 --> 0:13:08.000
<v Speaker 5>But it isn't it like whoever has the baby.

0:13:07.760 --> 0:13:10.160
<v Speaker 1>First, Well, then you get to it. But unless it's

0:13:10.200 --> 0:13:15.200
<v Speaker 1>called it's like shotgun Drew, Okay, shotgun never really really works.

0:13:16.000 --> 0:13:20.959
<v Speaker 1>Always over shot. It was only trouble with deciphering what

0:13:21.040 --> 0:13:23.040
<v Speaker 1>the rules were as soon as you said you're going,

0:13:23.080 --> 0:13:24.520
<v Speaker 1>or when you could see the car or when you

0:13:24.520 --> 0:13:26.559
<v Speaker 1>could touch the car. Everybody different rules.

0:13:26.400 --> 0:13:28.400
<v Speaker 4>A shotgun always you could always say it in here,

0:13:28.440 --> 0:13:29.680
<v Speaker 4>you say shotgun.

0:13:29.559 --> 0:13:31.320
<v Speaker 1>But it doesn't matter what you heard, did anybody else here?

0:13:31.800 --> 0:13:33.320
<v Speaker 3>My kids still play it and I have to be

0:13:33.360 --> 0:13:34.920
<v Speaker 3>the judge, like they'll be like mom, did you hear

0:13:35.040 --> 0:13:35.600
<v Speaker 3>me say it first?

0:13:35.600 --> 0:13:38.000
<v Speaker 5>And unfortunately have to be like, yeah, okay, she said

0:13:38.000 --> 0:13:38.440
<v Speaker 5>it first.

0:13:38.840 --> 0:13:40.640
<v Speaker 1>Shotgun is really one of the great things about being

0:13:40.640 --> 0:13:43.040
<v Speaker 1>in an American Still around most people adhere to shotgun.

0:13:43.160 --> 0:13:44.240
<v Speaker 2>Yeah.

0:13:44.400 --> 0:13:47.400
<v Speaker 1>Paralyzed puppy walks again thanks to three D printed spine. Yeah,

0:13:47.520 --> 0:13:51.479
<v Speaker 1>he was able to do. Arthur, a six month old cockapoo,

0:13:51.840 --> 0:13:54.319
<v Speaker 1>was unable to move after his limbs became weak and collapsed.

0:13:54.600 --> 0:13:57.920
<v Speaker 1>His owner rushed him to the vet. They did MRI scans.

0:13:58.120 --> 0:14:00.000
<v Speaker 1>They discovered a part of a spine was not connected

0:14:00.000 --> 0:14:02.960
<v Speaker 1>together properly, which can presses spinal cord. The dogs then

0:14:03.000 --> 0:14:06.040
<v Speaker 1>had a four hour surgery. Surgeons placed a three D

0:14:06.440 --> 0:14:10.040
<v Speaker 1>printed spinal screw and surgical cement into the spine and

0:14:10.040 --> 0:14:12.600
<v Speaker 1>now it works and he's moving and they were able

0:14:12.600 --> 0:14:14.400
<v Speaker 1>to just print this stuff out, say what they needed

0:14:14.400 --> 0:14:14.800
<v Speaker 1>and got it.

0:14:14.880 --> 0:14:15.280
<v Speaker 5>Love it.

0:14:15.360 --> 0:14:18.440
<v Speaker 1>So the New York Posts Technology man is pretty cool.

0:14:19.320 --> 0:14:22.640
<v Speaker 1>Digital price tags are coming to Walmart. So here's why

0:14:22.640 --> 0:14:25.640
<v Speaker 1>it's good. Here's why it's bad. Digital price tags are

0:14:25.680 --> 0:14:28.040
<v Speaker 1>cool because let's say the price tag isn't on it

0:14:28.360 --> 0:14:31.920
<v Speaker 1>for some reason, it get ripped off, or you can

0:14:31.920 --> 0:14:34.560
<v Speaker 1>save in your phone. You can take a picture of

0:14:34.600 --> 0:14:36.240
<v Speaker 1>it too. But why they're bad as people think they

0:14:36.240 --> 0:14:37.400
<v Speaker 1>do dynamic pricing with them.

0:14:37.720 --> 0:14:38.440
<v Speaker 5>What does that? I don't know.

0:14:39.400 --> 0:14:42.200
<v Speaker 1>Because the price tag, it's a QR code, right, So

0:14:42.240 --> 0:14:43.720
<v Speaker 1>you put the QR code, you see how much of

0:14:43.720 --> 0:14:45.160
<v Speaker 1>the things are. You can have a QR code on

0:14:45.200 --> 0:14:47.160
<v Speaker 1>the tag. But what's what's up is if a bunch

0:14:47.200 --> 0:14:50.000
<v Speaker 1>of them starts to sell, they could start to lift

0:14:50.000 --> 0:14:51.720
<v Speaker 1>the price of them because it's not paper you're having

0:14:51.720 --> 0:14:54.600
<v Speaker 1>to replace. It's literally, if we sell thirty two percent

0:14:54.640 --> 0:14:55.920
<v Speaker 1>of them, let's mark it up five bucks.

0:14:55.960 --> 0:14:58.360
<v Speaker 4>I wonder too if they know, like you're you're like,

0:14:58.520 --> 0:15:01.480
<v Speaker 4>how much you have? This guy's rich mark it up?

0:15:01.920 --> 0:15:05.120
<v Speaker 1>Oh hey, you know what I mean. Nothing would surprised

0:15:05.160 --> 0:15:07.000
<v Speaker 1>me at this point. But that's a funny thought that

0:15:07.040 --> 0:15:09.720
<v Speaker 1>they're also part of the Big Brother and looking at

0:15:09.720 --> 0:15:11.440
<v Speaker 1>your bank account and pricing it based on who you are.

0:15:11.560 --> 0:15:14.960
<v Speaker 3>It's like the minute your phone access level the QR code,

0:15:15.120 --> 0:15:17.360
<v Speaker 3>they have access to your money and they're like.

0:15:17.400 --> 0:15:19.520
<v Speaker 1>Or when you walk in, they automatically know who you

0:15:19.560 --> 0:15:22.000
<v Speaker 1>are and what you have by like your facial scan.

0:15:21.400 --> 0:15:25.360
<v Speaker 2>D Yeah, they followed you from the bank and they know.

0:15:25.680 --> 0:15:27.000
<v Speaker 1>They didn't fight you from the bank. I just know

0:15:27.040 --> 0:15:32.640
<v Speaker 1>your face. There's no physical on the Bobbycast Drew Baldridges

0:15:32.680 --> 0:15:35.400
<v Speaker 1>on I'm telling you, I walked away from this going

0:15:35.960 --> 0:15:38.840
<v Speaker 1>that I'm motivated and inspired by this dude. Here's a

0:15:38.840 --> 0:15:42.440
<v Speaker 1>clip of his song She's Somebody's Daughter, She Somebody's doll.

0:15:45.560 --> 0:15:47.880
<v Speaker 1>He put the song out over three years ago and

0:15:47.960 --> 0:15:50.320
<v Speaker 1>his record label fell apart and that was it no more.

0:15:50.560 --> 0:15:53.520
<v Speaker 1>But he puts it on TikTok and he not even

0:15:53.560 --> 0:15:55.760
<v Speaker 1>a big TikToker, and it goes next morning, he wakes

0:15:55.800 --> 0:15:58.119
<v Speaker 1>up and he's like, wait, what on our honeymoon?

0:15:58.320 --> 0:16:00.280
<v Speaker 10>I posted TikTok And I just say, hey, if this

0:16:00.360 --> 0:16:02.400
<v Speaker 10>gets three thousand likes, I'll put it out on Friday,

0:16:02.440 --> 0:16:04.680
<v Speaker 10>you know, just trying to tease. It was Wednesday. I

0:16:04.720 --> 0:16:07.000
<v Speaker 10>woke up Thursday and I had almost ten million views.

0:16:07.160 --> 0:16:09.840
<v Speaker 10>Mind you. I'm like, I don't look all night because

0:16:09.880 --> 0:16:11.240
<v Speaker 10>I haven't had a video do that.

0:16:11.320 --> 0:16:11.480
<v Speaker 1>You know.

0:16:11.520 --> 0:16:13.440
<v Speaker 10>I'm just thinking, like I'm gonna wake up the next day.

0:16:13.480 --> 0:16:15.880
<v Speaker 10>Obviously I'm with my wife. It's our honeymoon. We're enjoying it.

0:16:16.120 --> 0:16:17.840
<v Speaker 10>And I wake up and I look at her and

0:16:17.880 --> 0:16:20.040
<v Speaker 10>I'm like wow. And I pulled up and my followers

0:16:20.200 --> 0:16:21.840
<v Speaker 10>jump like one hundred thousand.

0:16:22.040 --> 0:16:24.360
<v Speaker 1>So he had this song from three years ago, but

0:16:24.360 --> 0:16:25.640
<v Speaker 1>he's like, I'll put out a wedding version of it.

0:16:25.680 --> 0:16:29.080
<v Speaker 1>He just got married, and so he gets ten million

0:16:29.160 --> 0:16:32.040
<v Speaker 1>in a night, which is wild. Okay, so you're like, dang,

0:16:32.040 --> 0:16:34.320
<v Speaker 1>look at that, blew up. Pretty cool story. So then

0:16:34.360 --> 0:16:36.560
<v Speaker 1>he's like, no, no record label is going to sign him.

0:16:36.640 --> 0:16:38.640
<v Speaker 1>They're like I don't know. So then it just starts

0:16:38.680 --> 0:16:41.840
<v Speaker 1>going to everybody's backyard, like I'll play any backyard to

0:16:41.880 --> 0:16:43.760
<v Speaker 1>make money in order to get his career going.

0:16:43.760 --> 0:16:46.120
<v Speaker 10>Here's this clip I decided to post on Socials and

0:16:46.120 --> 0:16:48.240
<v Speaker 10>I say I'll play anybody's backyard that wants.

0:16:48.080 --> 0:16:48.440
<v Speaker 8>To have me.

0:16:48.600 --> 0:16:50.760
<v Speaker 10>I'm broke, Yeah, I feel and so I thought I'd

0:16:50.760 --> 0:16:53.440
<v Speaker 10>get like five requests, and so I get like twenty

0:16:53.480 --> 0:16:55.880
<v Speaker 10>some thousand requests on TikTok. For two years, I go

0:16:55.920 --> 0:16:58.320
<v Speaker 10>play three hundred people's backyard. Wow, just me and a guitar.

0:16:58.480 --> 0:16:59.920
<v Speaker 1>Just take whatever money they gave you. Yeah.

0:17:00.040 --> 0:17:02.120
<v Speaker 10>It started off that way of like hey, whatever you

0:17:02.120 --> 0:17:03.400
<v Speaker 10>could give me, and then I was like this is

0:17:03.400 --> 0:17:05.240
<v Speaker 10>what I need. Because there were some times I would

0:17:05.240 --> 0:17:07.000
<v Speaker 10>lose on it and so I'd be like this is

0:17:07.000 --> 0:17:09.320
<v Speaker 10>what I really need two or three grand, pay for

0:17:09.359 --> 0:17:11.680
<v Speaker 10>mym my tour manager, and I will come play in

0:17:11.680 --> 0:17:14.200
<v Speaker 10>your backyard for seventy five minutes, play corn, holy barbecue.

0:17:14.680 --> 0:17:17.280
<v Speaker 1>He did that three hundred times all over the country.

0:17:17.680 --> 0:17:19.879
<v Speaker 1>Took us a guitar and played in people's backyards so

0:17:19.920 --> 0:17:21.880
<v Speaker 1>we could survive being uneasy.

0:17:21.880 --> 0:17:23.679
<v Speaker 2>Now that's not a lot of days off man.

0:17:23.880 --> 0:17:26.679
<v Speaker 1>So he then talked about how even now he has

0:17:26.680 --> 0:17:28.880
<v Speaker 1>a song it's maybe in topting close to top ten,

0:17:29.000 --> 0:17:32.000
<v Speaker 1>he has no record label, no management, no agent. He's

0:17:32.000 --> 0:17:33.920
<v Speaker 1>having to finance everything himself.

0:17:34.280 --> 0:17:37.600
<v Speaker 10>I had to put on a manager hat and be like, Okay,

0:17:38.240 --> 0:17:40.719
<v Speaker 10>how do I get shows? How do I create income?

0:17:41.160 --> 0:17:43.080
<v Speaker 10>And then I had to run a promo staff. I'm

0:17:43.080 --> 0:17:45.520
<v Speaker 10>doing a calls every Monday, running a promo team, and

0:17:45.560 --> 0:17:47.879
<v Speaker 10>then like shows coming in and booking that and booking

0:17:47.880 --> 0:17:50.720
<v Speaker 10>in myself. And you know what's most exciting, Bobby is

0:17:50.760 --> 0:17:52.919
<v Speaker 10>like being on this podcast with you, man is a

0:17:52.960 --> 0:17:54.760
<v Speaker 10>really big deal and a dream of mine.

0:17:54.840 --> 0:17:56.440
<v Speaker 1>I think I'm your biggest fan. I'm gonna tell you

0:17:57.680 --> 0:17:59.879
<v Speaker 1>it's I was blown away by the dude. That's so

0:18:00.040 --> 0:18:03.200
<v Speaker 1>he's like buying radio commercials for a song. He's doing

0:18:03.200 --> 0:18:04.720
<v Speaker 1>it all himself because he doesn't have a team, but

0:18:04.720 --> 0:18:06.760
<v Speaker 1>it's all blown up and he's like, screw it, I'll

0:18:06.760 --> 0:18:09.119
<v Speaker 1>go play backyards. I'll do it all myself. That's nobody else.

0:18:08.960 --> 0:18:11.960
<v Speaker 5>Wants to help chasing dreams, but he just is a.

0:18:11.880 --> 0:18:13.840
<v Speaker 1>Guy who was like, I'll figure out way to do

0:18:13.880 --> 0:18:15.480
<v Speaker 1>it even if it's really hard. I'm gonna keep going

0:18:15.560 --> 0:18:18.600
<v Speaker 1>until I absolutely can't. And he has now popped. Wow.

0:18:18.600 --> 0:18:21.040
<v Speaker 1>Super cool. Check out the Bobby Cast. That entire interview

0:18:21.240 --> 0:18:24.520
<v Speaker 1>with Drew Baldridge is up on the Bobby Cast. Wherever

0:18:24.520 --> 0:18:26.160
<v Speaker 1>you listen to your podcast. That's the news.

0:18:27.119 --> 0:18:30.919
<v Speaker 6>Bobby's story.

0:18:31.520 --> 0:18:34.000
<v Speaker 1>Terry Clarkson Studio, good to see you again. I didn't.

0:18:34.000 --> 0:18:35.919
<v Speaker 1>We didn't know each other until you came over to

0:18:35.960 --> 0:18:38.920
<v Speaker 1>the house. I really enjoyed that. I don't always enjoy him.

0:18:38.960 --> 0:18:41.560
<v Speaker 7>I did too. It felt like a really intense therapy session.

0:18:41.640 --> 0:18:43.040
<v Speaker 7>Part of that it was really great.

0:18:44.040 --> 0:18:48.400
<v Speaker 1>I rarely don't enjoy them, but you know, with anything else,

0:18:48.440 --> 0:18:51.680
<v Speaker 1>it'sd be like a show that you do if you're try.

0:18:51.720 --> 0:18:53.359
<v Speaker 1>You don't hate doing shows, but some of them just

0:18:53.400 --> 0:18:54.760
<v Speaker 1>fall in and you're just like, you just do a

0:18:54.760 --> 0:18:56.520
<v Speaker 1>show and it was good and you move on. But

0:18:56.600 --> 0:18:58.399
<v Speaker 1>I like, really enjoyed the time. I guess because I

0:18:58.400 --> 0:19:00.360
<v Speaker 1>was a fan of you for a long, long long

0:19:00.400 --> 0:19:03.360
<v Speaker 1>time and didn't know you. And some that can go

0:19:03.800 --> 0:19:06.320
<v Speaker 1>either way when you meet somebody.

0:19:06.520 --> 0:19:08.879
<v Speaker 7>Yeah, are they going to be you know, what you

0:19:09.000 --> 0:19:10.679
<v Speaker 7>think they are or are they going to be just

0:19:11.280 --> 0:19:15.600
<v Speaker 7>what they are? Yeah? Well, I enjoyed meeting you too.

0:19:16.280 --> 0:19:19.119
<v Speaker 7>You know, I'm a fan of yours and I have

0:19:19.160 --> 0:19:21.280
<v Speaker 7>a radio show, and you tend to kind of want

0:19:21.320 --> 0:19:25.400
<v Speaker 7>to listen to people and their conversational skills when they're

0:19:25.600 --> 0:19:27.439
<v Speaker 7>interviewing people, and you're one of those people that I

0:19:27.480 --> 0:19:30.080
<v Speaker 7>think a lot of artists are starting to dabble in

0:19:30.160 --> 0:19:31.120
<v Speaker 7>radio now, you know.

0:19:31.240 --> 0:19:33.320
<v Speaker 1>Podcasting radio, and yeah, yeah, but you're good at it.

0:19:33.400 --> 0:19:36.280
<v Speaker 7>Well, thank you very much, but you're you know, there's

0:19:36.280 --> 0:19:39.440
<v Speaker 7>a reason you're winning all these awards and stuff. So congratulations.

0:19:39.480 --> 0:19:41.479
<v Speaker 7>And I really enjoyed our last chat. So when they

0:19:41.480 --> 0:19:43.960
<v Speaker 7>said we were coming back now we can actually talk

0:19:44.000 --> 0:19:47.960
<v Speaker 7>about the record, we couldn't remember the publicity people were

0:19:47.960 --> 0:19:50.640
<v Speaker 7>all like, no, they were giving us the whole win.

0:19:50.760 --> 0:19:52.199
<v Speaker 1>I don't think that was weird. It was like, hey,

0:19:52.240 --> 0:19:54.280
<v Speaker 1>Terry Clark's coming over, but she can't talk about anything, right,

0:19:55.080 --> 0:19:57.639
<v Speaker 1>but we wonder talk about I wonder what we're going

0:19:57.720 --> 0:19:57.879
<v Speaker 1>to do.

0:19:57.960 --> 0:19:59.800
<v Speaker 7>We talked about childhood baggage instead.

0:20:00.280 --> 0:20:02.560
<v Speaker 1>I So how I found out about your record is

0:20:02.600 --> 0:20:06.680
<v Speaker 1>one of my best dear friends, Ben Rector. Oh, today

0:20:06.720 --> 0:20:08.919
<v Speaker 1>I'm going to go record what Terry Clark? Do you

0:20:08.960 --> 0:20:10.639
<v Speaker 1>know her? And at the time I didn't, And I

0:20:10.720 --> 0:20:12.200
<v Speaker 1>was like, I don't know her, but I'm a fan

0:20:12.240 --> 0:20:14.080
<v Speaker 1>of her. Let me know how it goes. And he

0:20:14.119 --> 0:20:16.560
<v Speaker 1>came back and he was like, she was delightful that

0:20:16.800 --> 0:20:21.440
<v Speaker 1>that was his description of you. Delightful. So you got

0:20:21.440 --> 0:20:25.680
<v Speaker 1>a lot of artists to come back and sing your

0:20:25.760 --> 0:20:28.920
<v Speaker 1>big songs. How what's that problem? I don't know. How

0:20:28.920 --> 0:20:32.760
<v Speaker 1>do you pick? Does everybody say yes? Sometimes? Does they

0:20:32.800 --> 0:20:34.120
<v Speaker 1>not sing it exactly like you want?

0:20:34.160 --> 0:20:34.200
<v Speaker 11>Like?

0:20:34.240 --> 0:20:35.320
<v Speaker 1>What is that process? Like?

0:20:36.080 --> 0:20:37.919
<v Speaker 7>Well, I started with kind of a you know, a

0:20:38.000 --> 0:20:41.320
<v Speaker 7>list of my wish list of people, and I called

0:20:41.359 --> 0:20:45.160
<v Speaker 7>Ashley McBride first, and we've been friends since twenty seventeen.

0:20:45.240 --> 0:20:47.600
<v Speaker 7>So she said yes and jumped on board. And I

0:20:47.640 --> 0:20:49.480
<v Speaker 7>wanted her to do better things to do because it

0:20:49.520 --> 0:20:51.920
<v Speaker 7>was the debut single and she had publicly talked about

0:20:51.920 --> 0:20:54.000
<v Speaker 7>how much that debut album meant to her when she

0:20:54.080 --> 0:20:56.439
<v Speaker 7>was a kid growing up in Arkansas, and how she

0:20:56.880 --> 0:20:59.080
<v Speaker 7>you know, she felt like she was different than the

0:20:59.119 --> 0:21:00.960
<v Speaker 7>rest of the girls. She was, you know, she was

0:21:01.000 --> 0:21:03.920
<v Speaker 7>a tomboy, and she saw my image and really got

0:21:03.920 --> 0:21:06.520
<v Speaker 7>into music in it and it helped her feel like

0:21:06.600 --> 0:21:11.120
<v Speaker 7>she belonged, I guess. And so her singing on Better

0:21:11.119 --> 0:21:13.320
<v Speaker 7>Things to Do was a natural fit to me. And

0:21:13.359 --> 0:21:16.480
<v Speaker 7>then after Ashley agreed, you know, when you get one,

0:21:16.800 --> 0:21:19.520
<v Speaker 7>it's kind of easier to start going, well, Ashley McBride's

0:21:19.520 --> 0:21:22.920
<v Speaker 7>doing this, did you go to Landy Wilson's crazy. Yeah,

0:21:23.160 --> 0:21:28.280
<v Speaker 7>Ashley is, like, she is amazing, and she's so respected

0:21:28.760 --> 0:21:31.880
<v Speaker 7>around town for her songwriting and her artistry especially, it's

0:21:32.000 --> 0:21:36.000
<v Speaker 7>just amazing. So and then I love Landy Wilson for

0:21:36.119 --> 0:21:38.360
<v Speaker 7>so many reasons. I love the fact that she's such

0:21:38.359 --> 0:21:41.280
<v Speaker 7>an individual. You can recognize her by a silhouette. There

0:21:41.320 --> 0:21:43.280
<v Speaker 7>aren't a lot of people that you know, you see

0:21:43.280 --> 0:21:46.200
<v Speaker 7>their silhouette, you know the automatically who it is. Laney

0:21:46.240 --> 0:21:48.919
<v Speaker 7>Wilson is one of those people. And I loved her music,

0:21:48.960 --> 0:21:51.159
<v Speaker 7>and so I asked her. Everybody said, yes, there were

0:21:51.160 --> 0:21:54.119
<v Speaker 7>only a couple There are only a couple of people

0:21:54.160 --> 0:21:57.000
<v Speaker 7>that schedule had scheduling conflicts that couldn't do it. But

0:21:57.080 --> 0:21:58.920
<v Speaker 7>Ben Rector, I've been a fan of. We talked about

0:21:59.000 --> 0:22:02.320
<v Speaker 7>him last time and his immense talent. He's genius. You know,

0:22:02.359 --> 0:22:04.720
<v Speaker 7>he's one of those almost prodigy type guys.

0:22:04.720 --> 0:22:08.600
<v Speaker 1>It's annoying. Let's say it's annoying. Yes, he's so good.

0:22:08.760 --> 0:22:11.040
<v Speaker 7>It's so annoying. We could have kept the first take

0:22:11.080 --> 0:22:12.760
<v Speaker 7>on now that I found you and been and been

0:22:12.800 --> 0:22:16.479
<v Speaker 7>fine with that. And he's just incredibly talented. And I

0:22:16.520 --> 0:22:18.240
<v Speaker 7>was so happy to see him opening for Dan and

0:22:18.280 --> 0:22:21.199
<v Speaker 7>Shay because he needs to be exposed to those huge audiences.

0:22:22.000 --> 0:22:24.840
<v Speaker 7>My manager actually wasn't as familiar with Ben Rector until

0:22:24.880 --> 0:22:26.680
<v Speaker 7>she went to their show and she texted me and

0:22:26.720 --> 0:22:29.520
<v Speaker 7>she said, man, now I know why he's on your record.

0:22:29.560 --> 0:22:31.320
<v Speaker 7>Why you wanted to get him on your record? She said,

0:22:31.359 --> 0:22:32.919
<v Speaker 7>I wasn't that familiar with him, but I am a

0:22:32.960 --> 0:22:37.639
<v Speaker 7>fan now, and that's that's he And he was so gracious, humble, kind,

0:22:38.240 --> 0:22:40.879
<v Speaker 7>and added so much to that arrangement and track.

0:22:41.119 --> 0:22:43.840
<v Speaker 1>The album is called Terry Clark Take Two. I'm gonna

0:22:43.880 --> 0:22:45.359
<v Speaker 1>read some of the other people on it, Lauren Laana,

0:22:46.160 --> 0:22:49.080
<v Speaker 1>Kelly Clarks, and Cody Johnson. Ashley McBride, Carly Pierces, Been Rector,

0:22:49.160 --> 0:22:53.080
<v Speaker 1>Laney Wilson, and Paul Brandt. Paul is from because our

0:22:53.080 --> 0:22:56.080
<v Speaker 1>show's in Canada as well. Paul's a massive Canadian star.

0:22:56.240 --> 0:22:59.960
<v Speaker 7>He is, yeah, and we you know, we'd never toured together,

0:23:00.520 --> 0:23:03.200
<v Speaker 7>and it always made sense to me. That kind of

0:23:03.240 --> 0:23:05.800
<v Speaker 7>a ticket always made sense to me. But he was

0:23:05.800 --> 0:23:09.320
<v Speaker 7>always headlining, and then I was headlining, and then we

0:23:09.400 --> 0:23:11.560
<v Speaker 7>both kind of gave the market a bit of a break.

0:23:11.600 --> 0:23:14.399
<v Speaker 7>Paul is very very savvy businessman. He's very smart. He

0:23:14.480 --> 0:23:18.080
<v Speaker 7>knows not to overplay Canada. There are only so many

0:23:18.200 --> 0:23:20.680
<v Speaker 7>venues in Canada. We don't have the population, we don't

0:23:20.680 --> 0:23:23.120
<v Speaker 7>have the venues that the United States does. And I'm

0:23:23.200 --> 0:23:24.919
<v Speaker 7>lucky that I can bounce back and forth, you know,

0:23:25.320 --> 0:23:28.520
<v Speaker 7>across the border and play both markets. But Paul's been

0:23:28.560 --> 0:23:31.240
<v Speaker 7>really careful and protected that as an artist, and I

0:23:31.320 --> 0:23:35.680
<v Speaker 7>really respect his business model in doing that. So when

0:23:35.720 --> 0:23:37.679
<v Speaker 7>I went to him with this idea, I said, I

0:23:37.720 --> 0:23:41.560
<v Speaker 7>had just a few years earlier done across Canada solo tour.

0:23:41.600 --> 0:23:42.920
<v Speaker 7>I do a lot of solo shows. I just have

0:23:43.000 --> 0:23:45.480
<v Speaker 7>guitars around me. I have a Ditto Looper, which is

0:23:46.280 --> 0:23:48.560
<v Speaker 7>a little stomp box thing that you can create loops

0:23:48.600 --> 0:23:52.520
<v Speaker 7>on and I have a porchboard which creates kind of

0:23:52.640 --> 0:23:54.960
<v Speaker 7>a kick drum. So I do this one woman show

0:23:55.000 --> 0:23:58.199
<v Speaker 7>and tell jokes and stories about songs and it was

0:23:58.200 --> 0:24:00.800
<v Speaker 7>sold out across Canada and twenty six and so I

0:24:00.800 --> 0:24:03.000
<v Speaker 7>went to him with the same concept in twenty eighteen.

0:24:03.040 --> 0:24:06.639
<v Speaker 7>I said, we should do this together, like it just

0:24:06.680 --> 0:24:10.399
<v Speaker 7>makes total sense and fans love that intimate type of setting.

0:24:10.440 --> 0:24:12.600
<v Speaker 7>So we went out in October and November last year

0:24:12.640 --> 0:24:16.959
<v Speaker 7>and did you know BC through Ontario and we're in

0:24:17.000 --> 0:24:20.680
<v Speaker 7>talks about possibly doing another run. But it's uh, that's cool. Yeah,

0:24:20.720 --> 0:24:23.080
<v Speaker 7>that that take of Easy on the Eyes was live

0:24:23.119 --> 0:24:25.800
<v Speaker 7>in Toronto. We didn't go in and fix any vocal things,

0:24:25.800 --> 0:24:27.920
<v Speaker 7>we didn't go tweak a whole lot. We added bass

0:24:27.960 --> 0:24:30.080
<v Speaker 7>and drums in the studio when I was in tracking

0:24:30.160 --> 0:24:31.760
<v Speaker 7>the last four for take two, just to give it

0:24:31.760 --> 0:24:34.320
<v Speaker 7>a little lyft. But what you what you see, is

0:24:34.320 --> 0:24:37.320
<v Speaker 7>what you hear, is what you get. And it was

0:24:37.359 --> 0:24:38.840
<v Speaker 7>fun to be able to have a live track on

0:24:38.880 --> 0:24:41.600
<v Speaker 7>there and have my friend Paul be doing it with

0:24:41.680 --> 0:24:42.520
<v Speaker 7>me as a duet.

0:24:42.960 --> 0:24:44.480
<v Speaker 1>I don't know if it's a sensitive to ask, but

0:24:44.800 --> 0:24:48.000
<v Speaker 1>there was a story about Playboy asking to be in

0:24:48.040 --> 0:24:51.600
<v Speaker 1>the magazine, but then they asked you to be fully clothed,

0:24:52.080 --> 0:24:54.879
<v Speaker 1>and then they then you said no to all. Is

0:24:54.960 --> 0:24:55.640
<v Speaker 1>that accurate?

0:24:55.760 --> 0:24:58.760
<v Speaker 7>No, okay, there's no way Playboy is going to pay

0:24:58.760 --> 0:25:01.400
<v Speaker 7>me money to be fully clothed, and they're not gonna

0:25:01.440 --> 0:25:03.240
<v Speaker 7>pay me anything these days. But this is about twenty

0:25:03.359 --> 0:25:08.800
<v Speaker 7>years ago, I would say, and it's so stupid that

0:25:09.200 --> 0:25:11.960
<v Speaker 7>you know what female country singer would you like to

0:25:12.000 --> 0:25:17.600
<v Speaker 7>see pose for Playboy? And I came in. I don't

0:25:17.640 --> 0:25:19.280
<v Speaker 7>remember who was first and who was second, but me

0:25:19.320 --> 0:25:21.879
<v Speaker 7>and Shania Twain, who could not be more polar opposite

0:25:22.320 --> 0:25:25.680
<v Speaker 7>twenty years ago, especially, came in top two. I don't

0:25:25.760 --> 0:25:29.040
<v Speaker 7>understand why. So they came to me and offered me,

0:25:29.640 --> 0:25:33.080
<v Speaker 7>I'm just gonna say a million dollars twenty years ago, which.

0:25:32.880 --> 0:25:36.560
<v Speaker 5>Is more like three right now because of inflation.

0:25:37.480 --> 0:25:41.359
<v Speaker 7>And then my manager, Clarence, I said, there's no way

0:25:41.400 --> 0:25:44.120
<v Speaker 7>I'm posing like meet and greets can get weird enough

0:25:44.160 --> 0:25:44.560
<v Speaker 7>as it is.

0:25:44.600 --> 0:25:46.439
<v Speaker 1>Can you imagine you imagine they bring that.

0:25:48.040 --> 0:25:53.080
<v Speaker 7>Man? And then so Clarence, this is the funniest story. Marnie,

0:25:53.080 --> 0:25:56.000
<v Speaker 7>my day to day manager at the time, walked into

0:25:56.040 --> 0:25:59.760
<v Speaker 7>my manager, Clarence Spaulding's office, and she had an intern

0:25:59.800 --> 0:26:02.359
<v Speaker 7>with with her, and the intern looked at his desk

0:26:02.400 --> 0:26:05.359
<v Speaker 7>and he was researching. He had Playboy magazines all over

0:26:05.440 --> 0:26:10.840
<v Speaker 7>his desk. Who am I going to work for? But

0:26:11.040 --> 0:26:14.040
<v Speaker 7>he called me and he says, well, they said you

0:26:14.080 --> 0:26:17.720
<v Speaker 7>can just show you can go topless for like this

0:26:17.800 --> 0:26:20.680
<v Speaker 7>amount of money, the whole the full Monty, you get

0:26:20.720 --> 0:26:25.000
<v Speaker 7>the full million. So he's negotiating body parts to post

0:26:25.040 --> 0:26:28.760
<v Speaker 7>for Playboy, and I just said, Clarence, you know that

0:26:28.880 --> 0:26:31.440
<v Speaker 7>all sounds like if I wanted a money grab, I

0:26:31.480 --> 0:26:34.520
<v Speaker 7>would have done it. But I was just like, I can't.

0:26:34.720 --> 0:26:37.879
<v Speaker 7>I just can't. I have too many young girls that

0:26:37.920 --> 0:26:39.800
<v Speaker 7>are looking up to me, and I've always been pretty

0:26:39.800 --> 0:26:43.040
<v Speaker 7>buttoned up. I'm not one of these people who's I'm

0:26:43.119 --> 0:26:46.879
<v Speaker 7>very modest about my body and I don't like to

0:26:46.960 --> 0:26:49.160
<v Speaker 7>show all anyway. And I said, this would go against

0:26:49.200 --> 0:26:52.880
<v Speaker 7>every single thing I stand for being a strong woman.

0:26:52.960 --> 0:26:55.440
<v Speaker 7>What's between your ears is more important than what's between

0:26:55.600 --> 0:27:00.800
<v Speaker 7>everything else. So I said no, And I really glad

0:27:00.840 --> 0:27:06.040
<v Speaker 7>I made that decision and didn't let greed or the

0:27:06.119 --> 0:27:08.560
<v Speaker 7>dollars you know, get in mine. And at the time,

0:27:09.160 --> 0:27:11.399
<v Speaker 7>you know, I was. I was still trying to save

0:27:11.680 --> 0:27:13.280
<v Speaker 7>and you know, I didn't know when I was going

0:27:13.320 --> 0:27:15.200
<v Speaker 7>to have another hit. I always treated my last hit

0:27:15.280 --> 0:27:16.600
<v Speaker 7>like it was going to be my last hit. So

0:27:16.640 --> 0:27:19.600
<v Speaker 7>I've always been pretty frugal with money and things like that.

0:27:19.760 --> 0:27:21.840
<v Speaker 7>So you know, if that's all that I had in

0:27:21.880 --> 0:27:23.600
<v Speaker 7>my crosshairs, I would have gone for it. But I

0:27:23.920 --> 0:27:26.280
<v Speaker 7>had there was such a bigger picture in playing the

0:27:26.320 --> 0:27:30.640
<v Speaker 7>tape forward in that scenario, and not even six months later,

0:27:30.680 --> 0:27:32.760
<v Speaker 7>I was asked to become a member of the Opry,

0:27:32.800 --> 0:27:33.560
<v Speaker 7>and I don't know.

0:27:33.480 --> 0:27:36.520
<v Speaker 1>That that by would happened, right, Yeah, Yeah, I saw

0:27:36.560 --> 0:27:38.359
<v Speaker 1>on Instagram you gave Lanny like an old school like

0:27:38.400 --> 0:27:40.840
<v Speaker 1>a vintage Terry Clark shirt. Yeah, which is super cool.

0:27:40.920 --> 0:27:43.439
<v Speaker 1>Do you have Ronnie don and Irag friends and he

0:27:43.480 --> 0:27:45.919
<v Speaker 1>talks about how they have all this old stuff and

0:27:46.000 --> 0:27:47.200
<v Speaker 1>Kicks got a lot of it, and he's kind of

0:27:47.400 --> 0:27:49.080
<v Speaker 1>He's like, I gave it all to Kick when we split,

0:27:49.160 --> 0:27:51.840
<v Speaker 1>So Kicks like in the early divorce because they're back together,

0:27:51.880 --> 0:27:54.080
<v Speaker 1>her Kicks got a bunch of the merch. He's like,

0:27:54.160 --> 0:27:56.600
<v Speaker 1>it was the dumbest thing is merch? Is that vintage

0:27:56.640 --> 0:27:59.480
<v Speaker 1>merch so valuable? Do you have a lot of your

0:27:59.480 --> 0:28:01.520
<v Speaker 1>old school merch or just like a couple of things.

0:28:01.760 --> 0:28:03.479
<v Speaker 7>I have a couple of things because I've given all

0:28:03.520 --> 0:28:05.720
<v Speaker 7>my T shirts to the artists on take two, I

0:28:05.880 --> 0:28:08.359
<v Speaker 7>walked into the I've walked into the session with a

0:28:08.400 --> 0:28:14.760
<v Speaker 7>T shirt. And you know, my mom, you know, God

0:28:14.800 --> 0:28:17.040
<v Speaker 7>bless her, would keep a lot of that old stuff.

0:28:17.119 --> 0:28:19.400
<v Speaker 7>And I even had stuff from the very first tour

0:28:19.440 --> 0:28:21.800
<v Speaker 7>of ninety five for a long time. And I happen

0:28:21.920 --> 0:28:23.760
<v Speaker 7>to be a mover. I tend to move a lot

0:28:23.840 --> 0:28:28.000
<v Speaker 7>and change the scenery around me. I buy houses and

0:28:28.080 --> 0:28:31.879
<v Speaker 7>I've got a bit of an eye for design and renovation,

0:28:32.080 --> 0:28:35.240
<v Speaker 7>so I seem to be kind of addicted to make,

0:28:35.400 --> 0:28:37.520
<v Speaker 7>you know, making a house really really cool and then

0:28:37.600 --> 0:28:39.280
<v Speaker 7>leaving it and going to doing it.

0:28:39.240 --> 0:28:39.880
<v Speaker 5>For another one.

0:28:39.960 --> 0:28:43.479
<v Speaker 7>So I've lost a few of those those little gems

0:28:43.480 --> 0:28:45.760
<v Speaker 7>and moves, I think. And I may move again and

0:28:45.920 --> 0:28:48.120
<v Speaker 7>end up, you know, finding some stuff in a bin

0:28:48.120 --> 0:28:50.680
<v Speaker 7>that I don't know about, but I probably have, like

0:28:50.840 --> 0:28:52.240
<v Speaker 7>you know, ten left.

0:28:52.320 --> 0:28:54.040
<v Speaker 1>Now do you ever look on eBay and see what

0:28:54.080 --> 0:28:55.720
<v Speaker 1>the old stuff of yours is going for?

0:28:56.080 --> 0:28:59.200
<v Speaker 7>No, I don't. I have no idea. Okay, that's like

0:29:00.320 --> 0:29:05.200
<v Speaker 7>it's not going to be what you think. Let's see, Oh, Bobby.

0:29:05.040 --> 0:29:12.560
<v Speaker 1>Terry Clark vintage T shirt forty two dollars. Oh, no chance,

0:29:13.120 --> 0:29:13.560
<v Speaker 1>no chance.

0:29:14.040 --> 0:29:15.360
<v Speaker 5>Well will Bobby's loading that up?

0:29:15.400 --> 0:29:18.000
<v Speaker 3>Do you know where that intern is that was assigned

0:29:18.000 --> 0:29:19.520
<v Speaker 3>to my hiy boy magazines for you?

0:29:19.680 --> 0:29:22.120
<v Speaker 7>I don't know. I don't And Marnie's here, who brought

0:29:22.120 --> 0:29:23.760
<v Speaker 7>her in? I don't know where she is she. I

0:29:23.800 --> 0:29:26.080
<v Speaker 7>don't know if she actually left because of that. I

0:29:26.080 --> 0:29:28.320
<v Speaker 7>don't know she just can you imagine?

0:29:28.360 --> 0:29:30.760
<v Speaker 1>I have your answer here. The cheapest one that's actually

0:29:30.840 --> 0:29:34.400
<v Speaker 1>vintage from the nineties. The cheapest one is eighty dollars.

0:29:34.640 --> 0:29:37.760
<v Speaker 7>Oh wow, Well you know I'm going to keep.

0:29:37.720 --> 0:29:42.720
<v Speaker 1>Them vintage Terry Clark's shirt, poor pitif for me, nineteen nineties.

0:29:43.000 --> 0:29:46.840
<v Speaker 1>This one's extra large, ninety one dollars. Wow, it's this one.

0:29:46.760 --> 0:29:49.880
<v Speaker 7>Too, the one I gave Lanny probably remember that one. Yeah,

0:29:49.880 --> 0:29:52.560
<v Speaker 7>that's the one I gave Lanny Wilson. And I don't

0:29:52.600 --> 0:29:54.120
<v Speaker 7>know if I have I don't have any more of those.

0:29:54.160 --> 0:29:55.760
<v Speaker 7>That was the only one I had in the bin,

0:29:55.840 --> 0:29:56.840
<v Speaker 7>and she had to pin it.

0:29:56.840 --> 0:29:58.400
<v Speaker 1>It was like a dress on by it. Now I'm

0:29:58.400 --> 0:30:01.360
<v Speaker 1>buying I'm literally buying it right now. You are not set.

0:30:01.440 --> 0:30:04.080
<v Speaker 1>I am last one and I don't. We're actual arts

0:30:04.080 --> 0:30:06.400
<v Speaker 1>and I'm gonna have it. You can. You can get

0:30:06.440 --> 0:30:11.600
<v Speaker 1>it all like a dress, okay, and it has been

0:30:12.560 --> 0:30:16.600
<v Speaker 1>paid for. Boom, Oh you're so sweet. Why did you didn't?

0:30:16.800 --> 0:30:18.560
<v Speaker 7>No, I didn't make any money. I don't make any

0:30:18.600 --> 0:30:21.600
<v Speaker 7>money off it now. It's merch is a promotion tool.

0:30:21.640 --> 0:30:24.520
<v Speaker 7>By the time you pay everybody their commissions, pay for

0:30:24.560 --> 0:30:27.320
<v Speaker 7>the merch, and pay the taxes, you're you have about

0:30:27.320 --> 0:30:28.320
<v Speaker 7>three dollars left.

0:30:28.600 --> 0:30:30.400
<v Speaker 1>Did you say you don't you go to McDonald's so

0:30:30.480 --> 0:30:37.120
<v Speaker 1>you don't pay taxes. I do, totally kidding totting the auditor.

0:30:37.160 --> 0:30:37.360
<v Speaker 8>Do you.

0:30:39.200 --> 0:30:41.600
<v Speaker 1>What do you consider your big break? If you had

0:30:41.600 --> 0:30:45.479
<v Speaker 1>to identify one moment and someone said, Terry, what's your

0:30:45.480 --> 0:30:47.200
<v Speaker 1>big break? Microphone in your face?

0:30:48.720 --> 0:30:51.520
<v Speaker 7>When I went and auditioned for Mercury Records.

0:30:51.320 --> 0:30:52.320
<v Speaker 1>How did you get the audition?

0:30:52.880 --> 0:30:57.120
<v Speaker 7>Well, that's it's such a long story. I had a

0:30:57.160 --> 0:30:59.840
<v Speaker 7>demo tape floating around town when I was playing at Tootsi's.

0:31:00.240 --> 0:31:02.840
<v Speaker 7>A producer from a Popka, Florida who did a lot

0:31:02.840 --> 0:31:06.560
<v Speaker 7>of production for Disney and Epcot Center Big productions on

0:31:06.600 --> 0:31:09.840
<v Speaker 7>this thing called a sincleavier. It's a keyboard that has

0:31:10.040 --> 0:31:13.280
<v Speaker 7>that can mimic drums based any kind of instrument you want.

0:31:13.320 --> 0:31:15.560
<v Speaker 7>And he had this studio at his house in Florida.

0:31:16.040 --> 0:31:17.960
<v Speaker 7>He walked in looking for a burger and I was

0:31:17.960 --> 0:31:21.000
<v Speaker 7>playing at Tootsi's in the in the front, you know,

0:31:21.080 --> 0:31:23.400
<v Speaker 7>on the stage where it's now a VIP booth. That's

0:31:23.400 --> 0:31:26.000
<v Speaker 7>where my stage was. And he sat down and listened

0:31:26.040 --> 0:31:27.840
<v Speaker 7>to me for two hours and then said, I'd like to,

0:31:28.160 --> 0:31:30.560
<v Speaker 7>you know, make a demo tape on you and try

0:31:30.600 --> 0:31:34.200
<v Speaker 7>and get your record deal. So long story short, I

0:31:34.280 --> 0:31:36.560
<v Speaker 7>go to Florida for like a month and stay in

0:31:36.560 --> 0:31:40.320
<v Speaker 7>his basement and he had a son the same age.

0:31:40.320 --> 0:31:41.440
<v Speaker 7>We won't get into that, but.

0:31:42.960 --> 0:31:44.239
<v Speaker 1>Is there any part of you though that's like, this

0:31:44.240 --> 0:31:46.360
<v Speaker 1>guy's watching me for two hours and it's like this

0:31:46.440 --> 0:31:46.840
<v Speaker 1>is weird.

0:31:47.040 --> 0:31:50.360
<v Speaker 7>Yeah, well he was. He was observing I guess the.

0:31:51.080 --> 0:31:52.840
<v Speaker 1>I see why. I mean, But I still as a

0:31:52.880 --> 0:31:55.160
<v Speaker 1>creature in its natural habitat, and he wants me to

0:31:55.200 --> 0:31:56.800
<v Speaker 1>stay at his house, Like a little bit of me

0:31:56.800 --> 0:31:58.280
<v Speaker 1>would be like, I don't know if I should do this.

0:31:58.520 --> 0:32:01.480
<v Speaker 7>I think my mom obviously checked it out and interviewed

0:32:01.520 --> 0:32:03.400
<v Speaker 7>him and made sure that I wasn't gonna end up

0:32:03.440 --> 0:32:06.360
<v Speaker 7>chopped up in pieces somewhere, and so I did that,

0:32:06.480 --> 0:32:09.080
<v Speaker 7>and we made this demo tape and and he took

0:32:09.120 --> 0:32:11.200
<v Speaker 7>it to a few people in Nashville shopped it around.

0:32:12.000 --> 0:32:14.760
<v Speaker 7>I wound up with a manager named Woody Bowles through

0:32:14.840 --> 0:32:18.479
<v Speaker 7>and we kind of, you know, the demo was okay.

0:32:19.000 --> 0:32:22.920
<v Speaker 7>It was very manufactured sounding, but it caught the attention

0:32:23.000 --> 0:32:24.920
<v Speaker 7>of a guy named Brian Kennedy who had a spec

0:32:24.960 --> 0:32:27.760
<v Speaker 7>deal with MCA Publishing where he could bring artists in

0:32:28.320 --> 0:32:32.320
<v Speaker 7>and make demos like demo Masters. So he got ten

0:32:32.360 --> 0:32:35.240
<v Speaker 7>thousand dollars and he called me and wanted to take

0:32:35.280 --> 0:32:37.520
<v Speaker 7>me in, and he became one of my very good

0:32:37.520 --> 0:32:40.240
<v Speaker 7>friends in town. And he's also really tight with Garth

0:32:40.280 --> 0:32:43.000
<v Speaker 7>Brooks and and Tricia and that whole camp still is.

0:32:43.040 --> 0:32:45.160
<v Speaker 7>I think he works for Garth now, but he his

0:32:45.240 --> 0:32:47.600
<v Speaker 7>dad was Jerry Kennedy, who produced all the early REBA

0:32:47.680 --> 0:32:50.040
<v Speaker 7>stuff that so I was like, oh my god, Kennedy,

0:32:50.360 --> 0:32:53.720
<v Speaker 7>Not those Kennedy's, These the Kennedys of Nashville. So we

0:32:53.760 --> 0:32:56.720
<v Speaker 7>went in and we cut I think four sides, and

0:32:57.160 --> 0:32:59.320
<v Speaker 7>Vince Gill came and sang on one, and Carl Jackson

0:32:59.320 --> 0:33:04.680
<v Speaker 7>played guitar and oh god, we had just amazing players

0:33:04.720 --> 0:33:07.719
<v Speaker 7>on this. It was super country. Keith Stegall ends up

0:33:07.720 --> 0:33:11.560
<v Speaker 7>hearing this demo like three years after we did it.

0:33:11.560 --> 0:33:14.560
<v Speaker 7>It floated around town. Carl Jackson played it for a

0:33:14.560 --> 0:33:18.920
<v Speaker 7>few people, and so long story short long, he called

0:33:18.920 --> 0:33:22.160
<v Speaker 7>me to come play live for him, and he had

0:33:22.160 --> 0:33:23.800
<v Speaker 7>so much going on at the time. He said, I

0:33:23.880 --> 0:33:25.200
<v Speaker 7>want to work with you so bad, but I got

0:33:25.360 --> 0:33:27.760
<v Speaker 7>all these other people. I'm trying to wrap some projects up,

0:33:27.760 --> 0:33:30.520
<v Speaker 7>and I thought that's just a no. Right six months later,

0:33:31.120 --> 0:33:33.920
<v Speaker 7>Woody calls me and says, Keith Stegall's just been promoted

0:33:33.920 --> 0:33:36.720
<v Speaker 7>to the head of an R at Mercury Records, or

0:33:36.800 --> 0:33:38.800
<v Speaker 7>hired as the head of an R at Mercury Records,

0:33:39.120 --> 0:33:40.720
<v Speaker 7>and he wants you to come in and sing for

0:33:40.800 --> 0:33:44.720
<v Speaker 7>Luke Lewis. And I had thought he'd forgotten about me.

0:33:45.600 --> 0:33:47.560
<v Speaker 7>So I went in with my guitar, sat in the

0:33:47.600 --> 0:33:49.360
<v Speaker 7>boardroom in front of him and Luke and wood He

0:33:49.480 --> 0:33:52.040
<v Speaker 7>was there, and I wore the most god awful Mobeta shirt.

0:33:52.040 --> 0:33:53.720
<v Speaker 7>It looked like somebody threw up on it. It was

0:33:53.800 --> 0:33:56.240
<v Speaker 7>you know, in the nineties, the Brooks and dun Garth

0:33:56.240 --> 0:33:59.680
<v Speaker 7>Brooks shirts. I still got the shirt and they called

0:33:59.680 --> 0:34:01.280
<v Speaker 7>me the name Stay and offered me a record deal.

0:34:01.320 --> 0:34:03.920
<v Speaker 7>And this is after I had already been in talks

0:34:03.960 --> 0:34:06.720
<v Speaker 7>with Sony Music because I was a Sony Tree writer

0:34:06.840 --> 0:34:10.120
<v Speaker 7>at the time, and Paul Worley had gone over to

0:34:10.200 --> 0:34:12.600
<v Speaker 7>Sony and he had a full roster of females, so

0:34:12.640 --> 0:34:15.280
<v Speaker 7>he couldn't do it. And so they offered me a

0:34:15.360 --> 0:34:19.440
<v Speaker 7>full fledged record deal, and I just I couldn't believe

0:34:19.640 --> 0:34:21.759
<v Speaker 7>it was finally happening. And it was eight years after

0:34:21.800 --> 0:34:23.960
<v Speaker 7>I moved to town. It was a long process.

0:34:24.080 --> 0:34:25.920
<v Speaker 1>What I hear, and I think what everybody should hear,

0:34:25.960 --> 0:34:31.319
<v Speaker 1>is your big break was actually you grinding it out,

0:34:31.320 --> 0:34:33.839
<v Speaker 1>taking advantage of a very small break, turning that with

0:34:33.880 --> 0:34:37.560
<v Speaker 1>your work, ethic and talent into a mid break. You

0:34:37.600 --> 0:34:40.839
<v Speaker 1>stayed focused, somebody happened like you were prepared when the

0:34:40.880 --> 0:34:44.000
<v Speaker 1>opportunity hit. Then it wasn't like here's a platter and

0:34:44.040 --> 0:34:46.080
<v Speaker 1>here's your life. You now get to have a record deal.

0:34:46.360 --> 0:34:48.840
<v Speaker 1>It was like you worked hard and took one small

0:34:48.880 --> 0:34:50.960
<v Speaker 1>thing and that just kept leading to another to another,

0:34:51.160 --> 0:34:52.960
<v Speaker 1>and then before you know it, you're an overnight success.

0:34:53.000 --> 0:34:57.440
<v Speaker 7>Well, it was such a heartbreaking process. Because I went

0:34:57.480 --> 0:35:02.280
<v Speaker 7>and sang for Curb Records and Electro record and Sony,

0:35:02.480 --> 0:35:06.319
<v Speaker 7>you know, and and they all showed interest in you know,

0:35:06.360 --> 0:35:09.160
<v Speaker 7>I even had one of them tell Woodie she's probably

0:35:09.160 --> 0:35:12.439
<v Speaker 7>the most powerful country singer, female country singer I've heard

0:35:12.440 --> 0:35:14.000
<v Speaker 7>in a really, really long time. But it's not what

0:35:14.040 --> 0:35:16.760
<v Speaker 7>we're looking for. And there were a lot of tears.

0:35:16.800 --> 0:35:16.920
<v Speaker 1>You know.

0:35:16.960 --> 0:35:19.000
<v Speaker 7>I'd go home and my husband at the time and

0:35:19.080 --> 0:35:21.600
<v Speaker 7>I would, you know, just be like, what's it going

0:35:21.680 --> 0:35:25.520
<v Speaker 7>to you know, one heartbreak after another. But every door

0:35:25.560 --> 0:35:28.080
<v Speaker 7>that closed, another one open. And there was always like

0:35:28.120 --> 0:35:33.719
<v Speaker 7>that carrot dangling that kept me focused, and I just

0:35:33.800 --> 0:35:36.520
<v Speaker 7>something inside told me not to give up. That the

0:35:36.800 --> 0:35:39.439
<v Speaker 7>right opportunity was going to come along. And when Luke

0:35:39.480 --> 0:35:41.560
<v Speaker 7>and Keith signed me, that was the right place for

0:35:41.600 --> 0:35:44.600
<v Speaker 7>me to be. And Keith was Alan Jackson's producer Randy

0:35:44.640 --> 0:35:47.680
<v Speaker 7>Travis like he he got the country thing. He wasn't

0:35:47.680 --> 0:35:49.920
<v Speaker 7>trying to turn me into something else. He signed me

0:35:50.000 --> 0:35:53.759
<v Speaker 7>because of that, and you know, I really appreciated the

0:35:53.920 --> 0:35:58.759
<v Speaker 7>artistic freedom they gave me, especially on my fourth album

0:35:58.800 --> 0:36:02.279
<v Speaker 7>that was not as mainstream. They were really great. They

0:36:02.280 --> 0:36:03.839
<v Speaker 7>were a great label for me to be on, and

0:36:03.840 --> 0:36:05.160
<v Speaker 7>that worked out the way it was supposed to. I

0:36:05.200 --> 0:36:06.200
<v Speaker 7>just had to wait a little while.

0:36:06.719 --> 0:36:10.880
<v Speaker 1>Do you ever perform not in a cowboy hat? Yeah?

0:36:11.000 --> 0:36:13.880
<v Speaker 7>I have. Yeah, there are when I do solo shows

0:36:13.920 --> 0:36:16.520
<v Speaker 7>there there is mostly for those ones. Sometimes I'll kind

0:36:16.520 --> 0:36:18.799
<v Speaker 7>of wear it for half the show. But you know,

0:36:19.320 --> 0:36:22.000
<v Speaker 7>I realized it's such a trademark that that I really

0:36:22.000 --> 0:36:24.840
<v Speaker 7>don't take a cowboy hat. I do a rock encore

0:36:25.160 --> 0:36:27.440
<v Speaker 7>in my show. I do a rock medley of you know,

0:36:27.520 --> 0:36:29.840
<v Speaker 7>pop and rock songs, and I'll take it off for

0:36:29.920 --> 0:36:33.080
<v Speaker 7>that and and just just for something a little bit different,

0:36:33.080 --> 0:36:34.120
<v Speaker 7>but then I put it right back on.

0:36:34.320 --> 0:36:36.640
<v Speaker 1>Have you had to sign thousands of cowboy hats? Oh? Gosh, yeah,

0:36:36.680 --> 0:36:37.480
<v Speaker 1>probably the number one thing.

0:36:37.520 --> 0:36:40.080
<v Speaker 7>Oh absolutely a lot of cowboy hats. And I hate

0:36:40.080 --> 0:36:42.560
<v Speaker 7>those ones that are those really cheap ones that that

0:36:42.560 --> 0:36:45.279
<v Speaker 7>that look like they've been woven. They're hard to they're

0:36:45.280 --> 0:36:48.319
<v Speaker 7>hard to sign, they got holes in them. Real hat.

0:36:48.440 --> 0:36:51.719
<v Speaker 1>And I learned John Parties a friend of mine, and he,

0:36:52.320 --> 0:36:54.440
<v Speaker 1>you know, has given me cowboy hats. I'm not a

0:36:54.440 --> 0:36:57.719
<v Speaker 1>cowboy hat guy, but he's like, you wear like a

0:36:57.760 --> 0:37:00.600
<v Speaker 1>felt I could be wrong, like a felt hat in

0:37:00.600 --> 0:37:03.080
<v Speaker 1>the winter, and definitely a straw type hat in the summer.

0:37:03.080 --> 0:37:04.200
<v Speaker 1>Do you do that o real day?

0:37:04.320 --> 0:37:05.080
<v Speaker 7>Yeah?

0:37:05.120 --> 0:37:07.680
<v Speaker 1>Are you kidding? Like the white like you can't wear white?

0:37:07.760 --> 0:37:10.440
<v Speaker 1>You can't wear So do you have different kinds of

0:37:10.440 --> 0:37:11.640
<v Speaker 1>hats depending on the weather?

0:37:11.960 --> 0:37:15.040
<v Speaker 7>Yeah? I usually switched to straw, you know, June first

0:37:15.080 --> 0:37:17.200
<v Speaker 7>or right after Memorial Days. It's the thing to do.

0:37:17.520 --> 0:37:22.239
<v Speaker 7>And yeah, And I honestly was wearing straw hats because

0:37:22.239 --> 0:37:23.879
<v Speaker 7>I had a bit of a deal with a hat

0:37:23.920 --> 0:37:27.200
<v Speaker 7>company for a while, and they didn't really make great

0:37:27.239 --> 0:37:30.279
<v Speaker 7>felt hats, So I wore straw hats for a good

0:37:30.360 --> 0:37:32.919
<v Speaker 7>ten years all the time. And then when that deal

0:37:33.000 --> 0:37:34.680
<v Speaker 7>was over, I'm like, I'm going right back to the

0:37:34.719 --> 0:37:38.880
<v Speaker 7>whole Texas Cattleman's crown cowboy hat, and I'm gonna do

0:37:38.960 --> 0:37:40.920
<v Speaker 7>it the right way, you know, felt in the winter

0:37:41.520 --> 0:37:43.840
<v Speaker 7>and fall and straw in the summer.

0:37:44.080 --> 0:37:47.080
<v Speaker 1>Two more hat questions because I just thought about them.

0:37:47.200 --> 0:37:49.120
<v Speaker 1>Your hat has been in a specific way. It's very much

0:37:49.400 --> 0:37:52.640
<v Speaker 1>your shape. Yeah, who does that?

0:37:52.760 --> 0:37:53.239
<v Speaker 7>I do it?

0:37:53.400 --> 0:37:55.040
<v Speaker 1>And how do you do it? Do you have like

0:37:55.080 --> 0:37:57.120
<v Speaker 1>a mold now that's just the tarry mold, and you

0:37:57.120 --> 0:37:57.560
<v Speaker 1>put it in.

0:37:57.520 --> 0:38:00.560
<v Speaker 7>The hat steamer. You use the steamer and and you

0:38:00.600 --> 0:38:02.239
<v Speaker 7>can shape a hat the way you want. In fact,

0:38:02.320 --> 0:38:04.480
<v Speaker 7>this is a funny story. I had to go get

0:38:04.520 --> 0:38:06.600
<v Speaker 7>a hat for a photo shoot and I was in

0:38:06.600 --> 0:38:08.560
<v Speaker 7>the middle of another move, so all of my felt

0:38:08.600 --> 0:38:12.200
<v Speaker 7>hats were in storage. So I went down town to

0:38:12.480 --> 0:38:14.799
<v Speaker 7>I think it's a boot Country down on a lower

0:38:14.840 --> 0:38:17.560
<v Speaker 7>Broadway to get a felt hat. And I walked in

0:38:17.680 --> 0:38:20.080
<v Speaker 7>and bought the hat and they wouldn't let me shape it.

0:38:20.760 --> 0:38:22.600
<v Speaker 7>They said, it's just we have to do it, and

0:38:22.600 --> 0:38:25.840
<v Speaker 7>I said, oh God please. So funny thing is, I

0:38:25.920 --> 0:38:28.040
<v Speaker 7>used to work at boot Country in Hendersonville before I

0:38:28.040 --> 0:38:29.840
<v Speaker 7>got a record deal, and the same guy owns the

0:38:29.880 --> 0:38:31.680
<v Speaker 7>whole chain. So I said, can you call ed Smith

0:38:31.719 --> 0:38:33.759
<v Speaker 7>and telling him his former employee with like the shape

0:38:33.800 --> 0:38:37.400
<v Speaker 7>her own hat got him right, so they did. They said, well,

0:38:37.440 --> 0:38:39.040
<v Speaker 7>let just let her do it. They made the exception

0:38:39.120 --> 0:38:41.040
<v Speaker 7>it's an insurance thing. The steamer can burn you or

0:38:41.080 --> 0:38:43.359
<v Speaker 7>something like that. So because I was going right from

0:38:43.400 --> 0:38:45.120
<v Speaker 7>the store to the photo shoot, I didn't have time

0:38:45.160 --> 0:38:47.000
<v Speaker 7>to go home and do it. But that's how you

0:38:47.000 --> 0:38:48.960
<v Speaker 7>shape them. You use a steamer and it makes them

0:38:49.000 --> 0:38:50.640
<v Speaker 7>soft and you can shape them. But yeah, I do

0:38:50.760 --> 0:38:53.160
<v Speaker 7>kind of have my own shape. I never just wear

0:38:53.160 --> 0:38:54.520
<v Speaker 7>a hat the way it is off the shelf.

0:38:54.600 --> 0:38:56.160
<v Speaker 1>If you don't wear a hat, well, there were people

0:38:56.200 --> 0:38:58.200
<v Speaker 1>that don't recognize you that should that, you know, because

0:38:58.200 --> 0:39:00.799
<v Speaker 1>I've not worn my glasses, and executives past me didn't

0:39:00.800 --> 0:39:01.319
<v Speaker 1>even know it was me.

0:39:01.520 --> 0:39:05.640
<v Speaker 7>Right, Yeah, it's definitely your glasses are your trademark. You know.

0:39:06.239 --> 0:39:08.360
<v Speaker 7>People you could somebody could draw a caricature of you

0:39:08.520 --> 0:39:09.879
<v Speaker 7>with with your life, they'd know it too.

0:39:09.960 --> 0:39:11.920
<v Speaker 1>Yeah, Or Harry Carey one of the two. All right,

0:39:12.000 --> 0:39:15.560
<v Speaker 1>carrect Okay, so look, we're gonna play some stuff from

0:39:15.560 --> 0:39:19.239
<v Speaker 1>your record, and you're just so fun to talk to you.

0:39:19.520 --> 0:39:21.920
<v Speaker 1>So let me say this. She's doing She has like

0:39:21.920 --> 0:39:24.960
<v Speaker 1>twenty dates left this year. The record is out, Terry

0:39:24.960 --> 0:39:29.040
<v Speaker 1>Clark Take two. I think we'll play the Ashley Better

0:39:29.080 --> 0:39:32.319
<v Speaker 1>Things to Do in its entirety. Okay, I like I

0:39:32.360 --> 0:39:33.680
<v Speaker 1>like this one a lot too, because I like both

0:39:33.680 --> 0:39:35.400
<v Speaker 1>of you, and I think this is the song I

0:39:35.440 --> 0:39:37.400
<v Speaker 1>think about. Is this most people's number one song with you?

0:39:38.160 --> 0:39:40.360
<v Speaker 7>I would say it's the number one streamer, But the

0:39:40.960 --> 0:39:44.520
<v Speaker 7>Cody Johnson Kelly Clarkson duets on Take two are blowing

0:39:44.600 --> 0:39:46.200
<v Speaker 7>up stream Wark. They're doing really well.

0:39:46.239 --> 0:39:48.480
<v Speaker 1>I guess I mean just in general with your songs.

0:39:48.440 --> 0:39:50.440
<v Speaker 7>My songs. Yeah, that's the one I think most people

0:39:50.680 --> 0:39:53.880
<v Speaker 7>identify me with. Yeah, it was the first one. It

0:39:53.960 --> 0:39:56.000
<v Speaker 7>was you know, that whole pan from my boots all

0:39:56.040 --> 0:39:58.320
<v Speaker 7>the way up, you know, and I'm this super skinny

0:39:58.320 --> 0:40:00.640
<v Speaker 7>twenty six year old girl. That's the thing. Remember And

0:40:00.920 --> 0:40:03.480
<v Speaker 7>the T shirt sleeves rolled up in the hat with

0:40:03.560 --> 0:40:06.120
<v Speaker 7>the electric guitar. That was the very it was a

0:40:06.320 --> 0:40:09.759
<v Speaker 7>very uh it was it was. Yeah, it was a

0:40:09.880 --> 0:40:14.960
<v Speaker 7>very defining moment in your show. Yes, I play it last,

0:40:15.000 --> 0:40:17.759
<v Speaker 7>and the audience gets to sing and it's a big

0:40:17.800 --> 0:40:20.239
<v Speaker 7>party and it's it's so much fun. And we're doing

0:40:20.280 --> 0:40:23.080
<v Speaker 7>the new the new arrangement from the new record. Actually

0:40:23.080 --> 0:40:25.600
<v Speaker 7>on that one, it's not that different, so I don't

0:40:25.600 --> 0:40:27.440
<v Speaker 7>even know if nobody notices it. But it's fun for

0:40:27.480 --> 0:40:29.279
<v Speaker 7>the band, you know, I'm going I'm playing electric on

0:40:29.320 --> 0:40:31.839
<v Speaker 7>it now and I used to play acoustic, and we uh,

0:40:32.040 --> 0:40:34.600
<v Speaker 7>we're enjoying playing some fresh takes on these.

0:40:34.719 --> 0:40:36.279
<v Speaker 1>The melodies are the same, though, r because the worst

0:40:36.320 --> 0:40:38.120
<v Speaker 1>thing is when you go watch an artist and it's like,

0:40:38.360 --> 0:40:39.880
<v Speaker 1>here's a song that was a hit for me, but

0:40:39.920 --> 0:40:41.800
<v Speaker 1>I'm now going to do it operatic style.

0:40:42.120 --> 0:40:44.480
<v Speaker 7>No yeah, no, no, no, no, no, I think you

0:40:44.520 --> 0:40:46.480
<v Speaker 7>the customer is always right, and they're they're buying a

0:40:46.520 --> 0:40:49.000
<v Speaker 7>ticket to hear something that they can sing along to.

0:40:49.360 --> 0:40:52.120
<v Speaker 7>Don't mess with the business. That is the business. You

0:40:52.120 --> 0:40:55.640
<v Speaker 7>don't mess with. And I'm not going I'm not going

0:40:55.719 --> 0:40:58.320
<v Speaker 7>to go see James Taylor, Fleetwood Mac or somebody or

0:40:58.400 --> 0:41:01.640
<v Speaker 7>Bonnie Rate and want to hear something and completely off

0:41:01.680 --> 0:41:04.120
<v Speaker 7>the wall of a song that I love so much,

0:41:04.239 --> 0:41:04.520
<v Speaker 7>you know.

0:41:05.080 --> 0:41:06.680
<v Speaker 1>Or a whole lot of new stuff. I'm good with

0:41:06.680 --> 0:41:07.120
<v Speaker 1>a couple of news.

0:41:07.160 --> 0:41:07.799
<v Speaker 7>Oh yeah, I don't want.

0:41:07.800 --> 0:41:08.799
<v Speaker 1>I don't want a whole show on news.

0:41:08.880 --> 0:41:11.400
<v Speaker 7>Yeah yeah, I I you know, I even play like,

0:41:11.440 --> 0:41:14.560
<v Speaker 7>if I need more content in my show, I'll play

0:41:14.640 --> 0:41:17.759
<v Speaker 7>some stuff that were hits in Canada that but but

0:41:18.040 --> 0:41:23.200
<v Speaker 7>weren't here. But I'll also, you know, I'll also play

0:41:23.200 --> 0:41:26.920
<v Speaker 7>songs that maybe weren't huge hits here, but were singles

0:41:26.960 --> 0:41:29.120
<v Speaker 7>like dirty Girl and three Mississippi.

0:41:29.200 --> 0:41:31.000
<v Speaker 1>And I don't even mind new stuff, but as long

0:41:31.000 --> 0:41:31.879
<v Speaker 1>as like five in a row.

0:41:32.719 --> 0:41:35.520
<v Speaker 7>Yeah, yeah, no, I think it's I think it's important

0:41:35.520 --> 0:41:38.479
<v Speaker 7>for artists to stick to a roadmap as it hits

0:41:38.600 --> 0:41:40.440
<v Speaker 7>in their show because that's what people really want to

0:41:40.520 --> 0:41:43.799
<v Speaker 7>and nineties countries kind of this thing now that people

0:41:43.880 --> 0:41:46.359
<v Speaker 7>have really gone back to and are digging deeper. And

0:41:46.920 --> 0:41:49.680
<v Speaker 7>you know, some of them may have heard your songs

0:41:49.680 --> 0:41:53.400
<v Speaker 7>for the very first time listening to a playlist, and

0:41:53.680 --> 0:41:55.040
<v Speaker 7>they're gonna show up and buy a ticket to your

0:41:55.040 --> 0:41:57.560
<v Speaker 7>show and it's gonna sound completely different. Yeah no, that

0:41:57.600 --> 0:41:58.120
<v Speaker 7>would suck.

0:41:58.480 --> 0:42:01.880
<v Speaker 1>Okay, Now it's our straight to talk wireless question, Terry

0:42:01.920 --> 0:42:04.120
<v Speaker 1>to stay grounded. Who tells it to you straight?

0:42:04.520 --> 0:42:06.640
<v Speaker 7>Well, I'll tell you that my manager, Clarence is no

0:42:06.760 --> 0:42:10.319
<v Speaker 7>bs at all, like he is very very honest, and

0:42:12.640 --> 0:42:14.520
<v Speaker 7>he will give me the real story. And I think

0:42:14.560 --> 0:42:17.600
<v Speaker 7>that's really important. My mom, when she was alive, was

0:42:17.680 --> 0:42:20.719
<v Speaker 7>definitely that person. And I've got friends that I ate

0:42:20.760 --> 0:42:23.000
<v Speaker 7>dirt with in my life that have been around for

0:42:23.000 --> 0:42:27.799
<v Speaker 7>forty years who are very very honest with me. You know,

0:42:27.880 --> 0:42:31.560
<v Speaker 7>I have I have some and music fans in general

0:42:31.760 --> 0:42:36.120
<v Speaker 7>and see artists and ask questions about the industry. But

0:42:37.160 --> 0:42:39.920
<v Speaker 7>that I can lean on for you know, when you

0:42:39.960 --> 0:42:43.280
<v Speaker 7>go to a show or Okay, if somebody really iconic,

0:42:43.400 --> 0:42:45.800
<v Speaker 7>not me, I'm talking about a James Taylor or somebody,

0:42:45.880 --> 0:42:50.200
<v Speaker 7>it makes a new record, Are you excited about that? No, okay,

0:42:50.880 --> 0:42:55.120
<v Speaker 7>like it's sort of that. It's that honesty, like do

0:42:55.160 --> 0:42:57.600
<v Speaker 7>I make another record of new music or not, I

0:42:57.640 --> 0:42:59.600
<v Speaker 7>don't know if I do it, I'm doing it for me. Yeah,

0:42:59.600 --> 0:43:02.040
<v Speaker 7>I'm gonna do it because it's something I really want

0:43:02.080 --> 0:43:04.960
<v Speaker 7>to do without any kind of expectation of an outcome,

0:43:05.440 --> 0:43:07.759
<v Speaker 7>because it's the only reason to do that stuff now.

0:43:07.800 --> 0:43:10.080
<v Speaker 7>But you know, I do talk to my friends. I

0:43:11.000 --> 0:43:14.319
<v Speaker 7>have people in my life that are very honest and

0:43:14.480 --> 0:43:17.480
<v Speaker 7>always will be and people who's, you know, opinions I

0:43:17.520 --> 0:43:18.200
<v Speaker 7>really respect.

0:43:18.640 --> 0:43:21.160
<v Speaker 1>I have found that the people that I care about

0:43:21.200 --> 0:43:22.759
<v Speaker 1>that will tell me when something's not good are the

0:43:22.760 --> 0:43:24.439
<v Speaker 1>people that I care about when they tell me something

0:43:24.520 --> 0:43:27.759
<v Speaker 1>is good, because it's anybody. You know, people say all

0:43:27.840 --> 0:43:29.200
<v Speaker 1>kinds of good stuff to you if things are going

0:43:29.239 --> 0:43:30.640
<v Speaker 1>well for you because they want to be around they

0:43:30.719 --> 0:43:33.839
<v Speaker 1>run the success, right, So it's really I only take

0:43:33.880 --> 0:43:36.920
<v Speaker 1>good from the people that I care about, and we'll

0:43:36.960 --> 0:43:37.640
<v Speaker 1>hear bad from it.

0:43:37.800 --> 0:43:40.120
<v Speaker 7>It's well, it's amazing who I'm hearing from, you know,

0:43:40.160 --> 0:43:42.720
<v Speaker 7>who's texting me because now I'm talking about this project

0:43:42.760 --> 0:43:44.640
<v Speaker 7>and I'm a little more in the forefront as far

0:43:44.640 --> 0:43:47.400
<v Speaker 7>as you know, doing some interviews and press and stuff.

0:43:47.400 --> 0:43:51.239
<v Speaker 7>And it's like, oh, look who just texted me? Right,

0:43:52.520 --> 0:43:55.160
<v Speaker 7>It's just you know, you have to take take it

0:43:55.200 --> 0:43:55.840
<v Speaker 7>as it comes.

0:43:55.880 --> 0:43:57.880
<v Speaker 1>And I try not to take criticism from anybody. I

0:43:57.880 --> 0:43:59.200
<v Speaker 1>wouldn't take advice from.

0:43:59.520 --> 0:44:01.359
<v Speaker 7>Absolutely, because that's right.

0:44:01.400 --> 0:44:05.640
<v Speaker 1>Everybody wants to offer criticism out of nowhere.

0:44:05.640 --> 0:44:10.040
<v Speaker 7>Everybody's an armchair expert, you know, and and thinks they know.

0:44:11.960 --> 0:44:14.600
<v Speaker 7>You know, there was somebody who the comments on the

0:44:14.600 --> 0:44:16.640
<v Speaker 7>new record have been all so positive and so great,

0:44:16.640 --> 0:44:18.360
<v Speaker 7>and everybody's loving it. But you know, there's always a

0:44:18.400 --> 0:44:21.480
<v Speaker 7>couple and one person was like, uh, why does your

0:44:21.520 --> 0:44:24.040
<v Speaker 7>voice sound like it's in a wind tunnel. It's compression, right,

0:44:24.080 --> 0:44:29.160
<v Speaker 7>But people who aren't engineers, engineers mix records now with

0:44:30.400 --> 0:44:32.719
<v Speaker 7>different effects because you know how most people listen to

0:44:32.800 --> 0:44:36.520
<v Speaker 7>music through their iPhone speaker, Like a lot of people

0:44:36.640 --> 0:44:38.279
<v Speaker 7>just run around listening to stuff through.

0:44:38.160 --> 0:44:40.799
<v Speaker 1>And there are engineers.

0:44:40.600 --> 0:44:43.280
<v Speaker 7>They have to almost like the volume has to be different,

0:44:43.320 --> 0:44:45.759
<v Speaker 7>like it's a whole different it's a whole different world now.

0:44:46.280 --> 0:44:50.120
<v Speaker 1>Terry Clark Take two with music from obviously all Terry songs,

0:44:50.200 --> 0:44:52.480
<v Speaker 1>but Laura Alaina, Paul Brant, Kelly Clarks and Cody Johnson,

0:44:52.480 --> 0:44:55.560
<v Speaker 1>Ashley McBride Carly Pierre spin rector Laney Wilson also go

0:44:55.600 --> 0:44:57.880
<v Speaker 1>to Terry Clark dot com. A bunch of shows all

0:44:57.920 --> 0:45:00.160
<v Speaker 1>the way through twenty twenty. You have a show in

0:45:00.160 --> 0:45:01.600
<v Speaker 1>twenty twenty five on the list, I.

0:45:01.680 --> 0:45:04.560
<v Speaker 7>Know, And there's a whole bunch of shows that I

0:45:04.680 --> 0:45:07.040
<v Speaker 7>have that we haven't announced yet that are coming up

0:45:07.200 --> 0:45:11.080
<v Speaker 7>this winter, and we're adding stuff all the time, so

0:45:11.200 --> 0:45:13.000
<v Speaker 7>we're all in all, we're probably going to be at

0:45:13.080 --> 0:45:15.080
<v Speaker 7>seventy five shows for the year by the time we're done,

0:45:15.080 --> 0:45:16.000
<v Speaker 7>which is a really good year.

0:45:16.200 --> 0:45:19.600
<v Speaker 1>Final final question. I washed dishes for about a year

0:45:19.600 --> 0:45:21.520
<v Speaker 1>and a half. Is I did too? It's a terrible job.

0:45:21.719 --> 0:45:22.520
<v Speaker 7>I washed dishes.

0:45:22.560 --> 0:45:24.480
<v Speaker 1>It's terrible. I watched the restaurant's a terrible job. I

0:45:24.520 --> 0:45:25.880
<v Speaker 1>had to work out of that to be a bus boy.

0:45:26.360 --> 0:45:28.520
<v Speaker 1>But and I am not somebody who likes gross. I

0:45:28.520 --> 0:45:30.240
<v Speaker 1>don't do well with gross. But I washed dishes.

0:45:30.600 --> 0:45:31.640
<v Speaker 7>You don't do well with gross?

0:45:31.719 --> 0:45:32.000
<v Speaker 8>I don't.

0:45:32.040 --> 0:45:34.040
<v Speaker 1>And that's the grossest job, especially if you don't have

0:45:34.080 --> 0:45:35.759
<v Speaker 1>a good wait staff that's helping you, at least on

0:45:35.800 --> 0:45:37.560
<v Speaker 1>the front side cleaning like scraping the plate.

0:45:37.880 --> 0:45:38.120
<v Speaker 8>It is.

0:45:38.320 --> 0:45:41.239
<v Speaker 7>It is horrendous. Did you have the big Sprayer. Yes, yes,

0:45:41.760 --> 0:45:43.839
<v Speaker 7>I did that in high school for my high school job.

0:45:43.880 --> 0:45:45.800
<v Speaker 1>Yeah. What did you learn from washing dishes?

0:45:46.480 --> 0:45:47.360
<v Speaker 7>That people are gross?

0:45:47.640 --> 0:45:51.800
<v Speaker 1>Exactly exactly and I try to not be so gross

0:45:51.880 --> 0:45:55.239
<v Speaker 1>because of that. Yes, Sarah Gross. Terry Clark, great to

0:45:55.320 --> 0:45:58.200
<v Speaker 1>see you. You're one of my favorites. Now, you're one

0:45:58.239 --> 0:45:59.560
<v Speaker 1>of my favorites. And I didn't know you, but now

0:45:59.600 --> 0:46:01.400
<v Speaker 1>that I know you, like, you're one of my favorites.

0:46:01.920 --> 0:46:04.520
<v Speaker 7>Thank you, Bobby, You're You're absolutely one of my favorites.

0:46:04.560 --> 0:46:07.640
<v Speaker 7>Maybe the favorite interview ever that I've gotten to be

0:46:07.680 --> 0:46:11.279
<v Speaker 7>a part of today. It's not we'gotten, no, I mean

0:46:11.760 --> 0:46:13.680
<v Speaker 7>I really enjoy talking to you, Like I would sit

0:46:13.719 --> 0:46:15.279
<v Speaker 7>and have dinner with you and we could have some

0:46:15.560 --> 0:46:19.000
<v Speaker 7>really like, you know, off the record conversations that would

0:46:19.000 --> 0:46:21.960
<v Speaker 7>be I think, really meaningful. So I like getting that

0:46:22.040 --> 0:46:23.840
<v Speaker 7>feeling from somebody I'm talking to and I appreciate it.

0:46:23.880 --> 0:46:25.640
<v Speaker 1>Yeah, I'll seecretly recorded and bring it on the next day,

0:46:25.640 --> 0:46:34.919
<v Speaker 1>but it would be good, though, Terry Clark. Everybody, here's

0:46:34.920 --> 0:46:36.799
<v Speaker 1>a voicemail from Stephanie and Sacramento.

0:46:37.040 --> 0:46:41.080
<v Speaker 8>What do you do if your dog or pet hurts

0:46:41.320 --> 0:46:45.440
<v Speaker 8>an animal? So today, Michelden retriever caught a bird and

0:46:45.719 --> 0:46:48.359
<v Speaker 8>it didn't die, and it was injured and could not fly.

0:46:48.680 --> 0:46:50.520
<v Speaker 8>I put it in a box with some paper towels,

0:46:50.560 --> 0:46:52.960
<v Speaker 8>and I called a local wildlife rescue that has a

0:46:53.040 --> 0:46:55.640
<v Speaker 8>bird nursery, and I took it in and sadly, both

0:46:55.640 --> 0:46:57.279
<v Speaker 8>of its legs are broken and it's not going to

0:46:57.360 --> 0:46:57.560
<v Speaker 8>make it.

0:46:57.800 --> 0:46:59.440
<v Speaker 4>If this happens again, what should I do?

0:46:59.560 --> 0:47:00.480
<v Speaker 5>What's the right thing to do?

0:47:00.600 --> 0:47:01.160
<v Speaker 1>What would you do?

0:47:01.520 --> 0:47:04.080
<v Speaker 8>Leave it out for nature to take its course, or

0:47:04.520 --> 0:47:05.480
<v Speaker 8>did I do the right thing?

0:47:05.719 --> 0:47:06.600
<v Speaker 11>Or what would you guys do?

0:47:06.680 --> 0:47:07.240
<v Speaker 5>I'm curious?

0:47:07.360 --> 0:47:08.439
<v Speaker 8>Thanks so much, love the show.

0:47:08.520 --> 0:47:10.080
<v Speaker 1>I don't think there's a wrong thing to do here.

0:47:10.080 --> 0:47:12.400
<v Speaker 1>I think if you're from the country, you shoot it.

0:47:12.640 --> 0:47:14.640
<v Speaker 1>If you have a gun, you put it out of

0:47:14.680 --> 0:47:17.839
<v Speaker 1>his misery from the country, country. If you are from

0:47:17.880 --> 0:47:19.279
<v Speaker 1>the city, or like, why is a bird here? This

0:47:19.440 --> 0:47:24.520
<v Speaker 1>is the city? You're just confused, right, Yeah, there are

0:47:24.560 --> 0:47:26.680
<v Speaker 1>so many diseases on wild animals. I don't think I'm

0:47:26.719 --> 0:47:30.040
<v Speaker 1>touching it. That sucks. But I think if you if

0:47:30.040 --> 0:47:32.759
<v Speaker 1>you're Arkansas Keith, my stepdad, you probably shoot it. But

0:47:32.800 --> 0:47:34.759
<v Speaker 1>I don't think there's a wrong answer here. YEA sounds

0:47:34.800 --> 0:47:36.799
<v Speaker 1>like what she did was you had a good heart. Yeah,

0:47:37.000 --> 0:47:39.840
<v Speaker 1>big heart, totally the right thing for what needed to

0:47:40.000 --> 0:47:42.920
<v Speaker 1>be done. You could stomp it. Oh no, you could

0:47:42.920 --> 0:47:43.520
<v Speaker 1>stop its head.

0:47:43.560 --> 0:47:46.480
<v Speaker 5>No, that's that's traumatic for me.

0:47:46.920 --> 0:47:48.960
<v Speaker 1>No, No, I hear you. You could. I'm saying, if

0:47:48.960 --> 0:47:50.960
<v Speaker 1>you don't have a gun, you you could. How I

0:47:51.040 --> 0:47:53.239
<v Speaker 1>grew up. If an animal there's no bouncy back, you

0:47:53.280 --> 0:47:56.040
<v Speaker 1>put out of its misery as fast as possible? Shouble,

0:47:56.560 --> 0:47:58.759
<v Speaker 1>Can you let the dog finish it off? You can't.

0:47:59.120 --> 0:48:00.480
<v Speaker 1>But the problem with that is I don't want to

0:48:00.520 --> 0:48:02.400
<v Speaker 1>do that. Then the dogs I got it in the

0:48:02.480 --> 0:48:05.359
<v Speaker 1>holl the dog you don't want to do. Not feel

0:48:05.400 --> 0:48:07.400
<v Speaker 1>bad about this. This is my point. You did nothing

0:48:07.480 --> 0:48:10.040
<v Speaker 1>wrong here. Do not feel bad about it. That's a

0:48:10.160 --> 0:48:13.319
<v Speaker 1>terrible situation. You have a big heart, and I think

0:48:13.400 --> 0:48:15.560
<v Speaker 1>any of the options would have been big heart. It

0:48:15.760 --> 0:48:17.200
<v Speaker 1>stinks I have to kill an animal like that.

0:48:17.760 --> 0:48:19.839
<v Speaker 3>I have to answer her specific question about it. If

0:48:19.880 --> 0:48:21.760
<v Speaker 3>she should what she should do the next time it happens.

0:48:21.800 --> 0:48:23.560
<v Speaker 3>If it happens, do exactly that again.

0:48:23.640 --> 0:48:26.399
<v Speaker 5>The dog. The bird may live and may be totally fine.

0:48:26.440 --> 0:48:28.000
<v Speaker 1>And okay, who's going to take care of a bird

0:48:28.080 --> 0:48:28.919
<v Speaker 1>with two broken legs?

0:48:28.960 --> 0:48:30.719
<v Speaker 5>It can't function but bird sanctuary.

0:48:31.280 --> 0:48:34.400
<v Speaker 1>Okay, you know what, big heart, love it all right?

0:48:34.440 --> 0:48:35.520
<v Speaker 1>Play the next one please.

0:48:35.480 --> 0:48:36.560
<v Speaker 11>Good morning studio.

0:48:36.719 --> 0:48:38.080
<v Speaker 1>This question goes out to lunch box.

0:48:38.200 --> 0:48:40.839
<v Speaker 11>So I have a dating question for you. Actually, I've

0:48:40.880 --> 0:48:43.319
<v Speaker 11>been seeing this girl write for almost a month now,

0:48:43.680 --> 0:48:45.640
<v Speaker 11>and you know, we're getting to the point where instead

0:48:45.640 --> 0:48:47.440
<v Speaker 11>of just like go on the specific dates, we're kind

0:48:47.440 --> 0:48:49.160
<v Speaker 11>of just hanging out. Now I've been on more than

0:48:49.239 --> 0:48:51.200
<v Speaker 11>like seven days by now. But anyways, I have the

0:48:51.360 --> 0:48:53.359
<v Speaker 11>questions right, So I'm starting to thinking about this first

0:48:53.440 --> 0:48:55.719
<v Speaker 11>kiss with her. I'm wondering, do I go fool out,

0:48:55.760 --> 0:48:57.799
<v Speaker 11>make on sesh, you know, just make out with her,

0:48:57.920 --> 0:49:00.440
<v Speaker 11>you know, come bare or you know? Are you going

0:49:00.480 --> 0:49:01.800
<v Speaker 11>to go for a little peck on the list and

0:49:01.880 --> 0:49:04.120
<v Speaker 11>let her be much about figured you'd be Ananda tummy.

0:49:04.200 --> 0:49:06.000
<v Speaker 1>So you tell me what I should do and I'll

0:49:06.040 --> 0:49:08.040
<v Speaker 1>do it. What is wrong with you?

0:49:08.080 --> 0:49:09.640
<v Speaker 2>You've been hanging out for a month and you haven't

0:49:09.719 --> 0:49:10.400
<v Speaker 2>French kissed her.

0:49:10.440 --> 0:49:13.000
<v Speaker 1>You have been gone days, he said, more than seven.

0:49:13.160 --> 0:49:16.080
<v Speaker 2>That's ridiculous. You gotta go full on tongue all up

0:49:16.080 --> 0:49:16.680
<v Speaker 2>in her mouth.

0:49:17.360 --> 0:49:19.439
<v Speaker 1>When would you have gone full on to a tongue

0:49:19.520 --> 0:49:19.960
<v Speaker 1>up in her mouth?

0:49:20.200 --> 0:49:22.040
<v Speaker 2>Probably first night yeah.

0:49:22.320 --> 0:49:23.880
<v Speaker 1>Did you have to go full on tongue up in

0:49:23.920 --> 0:49:25.200
<v Speaker 1>her mouth before you ever knew their name?

0:49:25.360 --> 0:49:25.560
<v Speaker 12>Yeah?

0:49:25.600 --> 0:49:27.799
<v Speaker 6>Oh oh yeah, I still I mean I can still

0:49:27.920 --> 0:49:30.080
<v Speaker 6>name some of the girls, like what they're wearing. Don't

0:49:30.120 --> 0:49:34.080
<v Speaker 6>know their name, but you know what's wearing, yeah, green dress,

0:49:34.120 --> 0:49:37.239
<v Speaker 6>because she was in my phone as green dress.

0:49:38.360 --> 0:49:41.960
<v Speaker 1>No idea, is she still in your phone as green dress?

0:49:42.760 --> 0:49:44.560
<v Speaker 1>Did you ever clear all of them out? Like did

0:49:44.600 --> 0:49:45.239
<v Speaker 1>you in check?

0:49:46.040 --> 0:49:48.040
<v Speaker 6>Because I you know, I wonder if like if they

0:49:48.120 --> 0:49:50.400
<v Speaker 6>get rid of their phone number, does it like delete

0:49:50.440 --> 0:49:51.320
<v Speaker 6>from my phone.

0:49:51.120 --> 0:49:55.640
<v Speaker 1>Now she just calls whomever answers. Now, would you ever

0:49:56.160 --> 0:49:56.719
<v Speaker 1>how to ask this?

0:49:57.040 --> 0:49:57.160
<v Speaker 7>Uh?

0:49:57.600 --> 0:50:00.600
<v Speaker 1>Gently? Would you ever do more with that? Knowing their name?

0:50:01.400 --> 0:50:04.400
<v Speaker 2>Yeah, no, it's not in there for some reason Green dress.

0:50:04.680 --> 0:50:06.560
<v Speaker 6>No, maybe it didn't transfer over when I got an

0:50:06.600 --> 0:50:08.719
<v Speaker 6>iPhone because I used to have a flip phone back

0:50:08.719 --> 0:50:09.239
<v Speaker 6>in those days.

0:50:09.400 --> 0:50:12.360
<v Speaker 1>Yeah, yeah, of course green dressing the flip phone day's

0:50:12.360 --> 0:50:12.839
<v Speaker 1>flip phone.

0:50:12.920 --> 0:50:15.759
<v Speaker 2>Yeah yeah, no, Yeah, there's definitely girls I did more

0:50:15.800 --> 0:50:16.920
<v Speaker 2>with it. I didn't even know their name.

0:50:17.560 --> 0:50:18.399
<v Speaker 1>They were just hot.

0:50:18.680 --> 0:50:20.839
<v Speaker 6>Do you think they knew your name? Oh for sure,

0:50:20.920 --> 0:50:26.000
<v Speaker 6>probably for sure. Probably did they know it as lunchbox? Yeah, yeah,

0:50:26.280 --> 0:50:28.520
<v Speaker 6>there was no real name given, no need for that.

0:50:28.719 --> 0:50:29.800
<v Speaker 1>Is that why they hooked up with you?

0:50:29.880 --> 0:50:33.160
<v Speaker 6>Probably is that I was good looking, thought I was funny,

0:50:33.239 --> 0:50:36.320
<v Speaker 6>thought I was entertaining, and yeah, being a celebrity it helps.

0:50:37.200 --> 0:50:40.239
<v Speaker 5>No, he knew you. I always thought those girls were

0:50:40.239 --> 0:50:40.800
<v Speaker 5>trying to get to you.

0:50:41.400 --> 0:50:45.920
<v Speaker 1>You thought they come to my house. Wow, he's like

0:50:46.040 --> 0:50:49.920
<v Speaker 1>the opening band. I don't want to be on that stage.

0:50:50.880 --> 0:50:53.600
<v Speaker 1>I'm off that venue and the no bill I'm not there. No,

0:50:53.800 --> 0:50:55.839
<v Speaker 1>I don't think that's I never thought that was the case.

0:50:56.640 --> 0:50:59.440
<v Speaker 1>If you weren't lunchbox and whatever that means, could you

0:50:59.520 --> 0:51:00.839
<v Speaker 1>still got these girls? Yes?

0:51:01.880 --> 0:51:03.040
<v Speaker 2>I got skills, all right?

0:51:03.520 --> 0:51:06.480
<v Speaker 1>Okay, Okayay, So your advice to this person is oh,

0:51:06.600 --> 0:51:09.000
<v Speaker 1>full on tongue and I mean, dude, you have I

0:51:09.040 --> 0:51:10.359
<v Speaker 1>don't know why you waited seven days.

0:51:10.400 --> 0:51:11.080
<v Speaker 2>This is ridiculous.

0:51:11.080 --> 0:51:13.960
<v Speaker 3>No, No, everybody goes at their own pace. It totally fine.

0:51:14.200 --> 0:51:15.800
<v Speaker 1>I hear you. But this pace is even for me.

0:51:16.000 --> 0:51:16.680
<v Speaker 2>Seven dates.

0:51:16.760 --> 0:51:18.479
<v Speaker 1>That's like she thinks you're her buddy at this point.

0:51:18.560 --> 0:51:23.000
<v Speaker 1>Oh man, we're just pals. Okay. A lot is defined

0:51:23.040 --> 0:51:26.200
<v Speaker 1>in the first couple to three. That's good luck, though.

0:51:26.280 --> 0:51:28.840
<v Speaker 5>Man, some people don't even give still their wedding.

0:51:28.880 --> 0:51:29.680
<v Speaker 1>Oh that's not sure.

0:51:29.840 --> 0:51:30.160
<v Speaker 2>Who does?

0:51:30.200 --> 0:51:32.680
<v Speaker 1>Like three people who like that's a new story when

0:51:32.719 --> 0:51:36.799
<v Speaker 1>it happens, because that never happens. Thank you. You guys

0:51:36.840 --> 0:51:40.359
<v Speaker 1>can call us anytime. Eight seven, seven seventy seven Bobby.

0:51:40.719 --> 0:51:41.880
<v Speaker 5>Bobby Bone Show.

0:51:43.239 --> 0:51:43.560
<v Speaker 1>Today.

0:51:44.239 --> 0:51:48.040
<v Speaker 6>This story comes us from Pennsylvania. Eight twenty two year

0:51:48.040 --> 0:51:50.439
<v Speaker 6>old man was going to visit his buddy in jail,

0:51:50.480 --> 0:51:52.640
<v Speaker 6>and his buddy's like, hey, I need you to bring

0:51:52.760 --> 0:51:55.239
<v Speaker 6>me a gun. He's like, man, I don't know if

0:51:55.239 --> 0:51:56.960
<v Speaker 6>I can get the gun in, but I'll do my best.

0:51:57.440 --> 0:52:00.359
<v Speaker 6>So he hid the gun in his shoe walk. Then

0:52:00.800 --> 0:52:04.560
<v Speaker 6>beppeep metal detector goes off. He goes, oh, must be

0:52:04.680 --> 0:52:08.440
<v Speaker 6>my nose ring, takes out the nose ring, tries to

0:52:08.480 --> 0:52:12.279
<v Speaker 6>go through the metal detector again, beppppepep, and they.

0:52:12.280 --> 0:52:14.800
<v Speaker 2>Do his search and they finally gun like, eventually.

0:52:16.040 --> 0:52:18.600
<v Speaker 1>They're gonna find whatever that metal is. Right, did he

0:52:18.680 --> 0:52:20.759
<v Speaker 1>think if he took his nose ring out they would

0:52:20.760 --> 0:52:22.840
<v Speaker 1>be like, that must be it. You're good to go,

0:52:23.120 --> 0:52:25.400
<v Speaker 1>no need to go back through. We found it. I

0:52:25.480 --> 0:52:27.319
<v Speaker 1>wonder if he said, like, uh, I guess it wasn't

0:52:27.320 --> 0:52:31.520
<v Speaker 1>the nose ring. He's confused. I wonder what they'll find

0:52:31.560 --> 0:52:32.800
<v Speaker 1>this time. You know, that's when you could run. You

0:52:32.880 --> 0:52:35.000
<v Speaker 1>get out of there. All right, thank you, I'm munch Box.

0:52:35.080 --> 0:52:38.399
<v Speaker 2>That's your Boneheads story of the day. All right.

0:52:38.440 --> 0:52:40.800
<v Speaker 1>I think we all can agree that tipping culture is

0:52:41.239 --> 0:52:43.400
<v Speaker 1>it's a bit out of control. Oh yeah, but you

0:52:43.440 --> 0:52:45.680
<v Speaker 1>don't have to tip in some places where they're like

0:52:46.080 --> 0:52:48.440
<v Speaker 1>you did this, You can't tip. Some places you probably

0:52:48.480 --> 0:52:52.200
<v Speaker 1>should tip, but it's all on a who you are,

0:52:52.280 --> 0:52:52.759
<v Speaker 1>what you believe.

0:52:52.800 --> 0:52:52.920
<v Speaker 11>Man.

0:52:53.000 --> 0:52:54.640
<v Speaker 1>But yes, there are too many tip lines. I will

0:52:54.680 --> 0:52:56.600
<v Speaker 1>even agree with that. And I'm someone who feels like

0:52:56.640 --> 0:52:58.399
<v Speaker 1>I need to tip everywhere because I people will tip

0:52:58.480 --> 0:53:00.719
<v Speaker 1>me with all my jobs going up, Morgan, what is

0:53:00.719 --> 0:53:02.200
<v Speaker 1>your question? So I went to a.

0:53:02.239 --> 0:53:05.360
<v Speaker 12>Restaurant and they automatically had the gratuity included.

0:53:05.440 --> 0:53:06.279
<v Speaker 7>This is just a two top.

0:53:06.360 --> 0:53:08.200
<v Speaker 1>It wasn't a big group or anything, and it was

0:53:08.280 --> 0:53:12.439
<v Speaker 1>a twenty two people. They automatically Wow, it wasn't even

0:53:12.480 --> 0:53:12.879
<v Speaker 1>a question.

0:53:13.000 --> 0:53:14.160
<v Speaker 5>It was like and she told us.

0:53:14.200 --> 0:53:15.680
<v Speaker 12>The server was like, hey, just so you know, it's

0:53:15.719 --> 0:53:17.160
<v Speaker 12>automatically added into the bill.

0:53:17.400 --> 0:53:20.879
<v Speaker 1>What's what was it twenty Was it twenty twenty percent? Wow?

0:53:20.960 --> 0:53:22.560
<v Speaker 1>I've never heard it. Okay, go ahead.

0:53:22.640 --> 0:53:25.960
<v Speaker 12>Yeah, And so but we signed that, and we were

0:53:25.960 --> 0:53:27.920
<v Speaker 12>sitting there like, do we still tip? They're still a

0:53:27.960 --> 0:53:30.520
<v Speaker 12>tip line. But this is the first time we've ever

0:53:30.600 --> 0:53:33.040
<v Speaker 12>been at a situation with two people, not like a

0:53:33.080 --> 0:53:36.279
<v Speaker 12>big group where they've automatically included it. So do you

0:53:36.480 --> 0:53:37.800
<v Speaker 12>add an additional tip.

0:53:37.680 --> 0:53:39.000
<v Speaker 5>Or are you like, okay, we're good.

0:53:39.360 --> 0:53:39.960
<v Speaker 7>That was the bill.

0:53:40.320 --> 0:53:43.799
<v Speaker 1>Uh. If you would have tipped twenty percent, you're good,

0:53:44.760 --> 0:53:46.360
<v Speaker 1>you're good. If you wanted to tip more, if you

0:53:46.360 --> 0:53:49.400
<v Speaker 1>would have tipped more, anyway you can add another few bucks.

0:53:50.440 --> 0:53:53.360
<v Speaker 1>And even the fact that the waiter, waitress whomever knew that,

0:53:53.600 --> 0:53:55.520
<v Speaker 1>that's them also saying, hey, you don't have to add anymore,

0:53:56.120 --> 0:53:58.520
<v Speaker 1>like for them to go, hey, it's already added. You

0:53:58.600 --> 0:54:00.560
<v Speaker 1>don't have to add anymore. They're also tell you this

0:54:00.680 --> 0:54:06.160
<v Speaker 1>is kind of weird. So if the problem is, let's say,

0:54:07.239 --> 0:54:09.560
<v Speaker 1>and I'm not I always tip at least twenty percent,

0:54:09.640 --> 0:54:12.000
<v Speaker 1>but let's say you didn't want to tip twenty percent

0:54:12.400 --> 0:54:14.239
<v Speaker 1>and they've already added in twenty the problem is that

0:54:14.560 --> 0:54:16.520
<v Speaker 1>they just have that money. You can't take that off.

0:54:17.040 --> 0:54:18.120
<v Speaker 2>You're gonna have to call a manager.

0:54:18.280 --> 0:54:18.400
<v Speaker 8>Right.

0:54:18.440 --> 0:54:21.160
<v Speaker 1>A little minus can type like a minus because imagine this,

0:54:21.239 --> 0:54:22.960
<v Speaker 1>what if you did a minus for all that you

0:54:23.040 --> 0:54:25.879
<v Speaker 1>paid and you got everything free. I've bet no one's

0:54:25.920 --> 0:54:29.080
<v Speaker 1>done that. Let's flip that around. I think that's a

0:54:29.120 --> 0:54:31.359
<v Speaker 1>little bizarre. I've never heard of that. At a two top,

0:54:31.480 --> 0:54:33.520
<v Speaker 1>for sure, parties of six or more, we had a

0:54:33.560 --> 0:54:35.920
<v Speaker 1>tip built in, for sure, because you just didn't want

0:54:35.920 --> 0:54:37.279
<v Speaker 1>to spend and put a lot of effort into a

0:54:37.400 --> 0:54:39.919
<v Speaker 1>friggin six top with a baby in a high chair

0:54:40.040 --> 0:54:42.640
<v Speaker 1>and they get stabbed with no tip. You just dedicated

0:54:42.680 --> 0:54:44.759
<v Speaker 1>a bunch of your night to it. But I think

0:54:44.800 --> 0:54:46.880
<v Speaker 1>you don't have to tip anymore. The expectation is not

0:54:46.960 --> 0:54:49.560
<v Speaker 1>to tip anymore, and if you do, that's great. But

0:54:49.719 --> 0:54:51.480
<v Speaker 1>I haven't heard of that. But I think you're totally cool,

0:54:51.520 --> 0:54:53.120
<v Speaker 1>and I think the weight person knew that too.

0:54:53.920 --> 0:54:56.200
<v Speaker 12>What would you add if you decided to add some

0:54:56.840 --> 0:54:58.000
<v Speaker 12>what would be the threshold?

0:54:58.040 --> 0:54:59.440
<v Speaker 5>Would it be like five dollars?

0:54:59.480 --> 0:55:00.800
<v Speaker 7>Would it be two dollars?

0:55:01.200 --> 0:55:04.120
<v Speaker 1>That's how good you are at math, so you can

0:55:04.200 --> 0:55:07.400
<v Speaker 1>break down the percentages, or at twenty percent, Let's say

0:55:07.440 --> 0:55:10.879
<v Speaker 1>your bill was twenty eight bucks, right, you could add

0:55:10.880 --> 0:55:13.920
<v Speaker 1>another three or four bucks because anything over that is

0:55:14.120 --> 0:55:18.000
<v Speaker 1>that's that's just that's money. What's twenty percent of twenty eight. Well,

0:55:18.040 --> 0:55:19.719
<v Speaker 1>so ten percent of twenty eight would be two dollars

0:55:19.719 --> 0:55:22.719
<v Speaker 1>and eighty cents, right, okay, now double that that would

0:55:22.719 --> 0:55:25.319
<v Speaker 1>be five or sixty. That's fast, it's slow down.

0:55:26.560 --> 0:55:27.160
<v Speaker 2>I got a question.

0:55:27.239 --> 0:55:28.680
<v Speaker 1>No, I did it slow so I can explain to

0:55:28.719 --> 0:55:29.480
<v Speaker 1>you how it works.

0:55:29.520 --> 0:55:31.440
<v Speaker 6>Go ahead, So now the waiter really doesn't have to

0:55:31.480 --> 0:55:33.400
<v Speaker 6>do a good job and you get they get twenty percent.

0:55:33.560 --> 0:55:34.680
<v Speaker 1>Yeah, that is so stupid.

0:55:34.719 --> 0:55:36.600
<v Speaker 2>Can you tell me the restaurant it's off my list?

0:55:36.840 --> 0:55:39.920
<v Speaker 1>Well, it is a nicer restaurant, so it was already

0:55:39.920 --> 0:55:43.040
<v Speaker 1>off your listing. Yeah, it's a nicer restaurant. It's offulous already.

0:55:44.520 --> 0:55:46.799
<v Speaker 1>Good question. Never heard of that or two. But also

0:55:46.840 --> 0:55:48.719
<v Speaker 1>they must be doing it because people aren't tipping.

0:55:49.239 --> 0:55:51.880
<v Speaker 12>I think, And it takes out that question of you know,

0:55:51.960 --> 0:55:54.439
<v Speaker 12>you're at a nice restaurant. It's already included. Don't worry

0:55:54.480 --> 0:55:54.800
<v Speaker 12>about it.

0:55:55.280 --> 0:55:57.200
<v Speaker 1>They should write that, don't worry about it unless you

0:55:57.280 --> 0:55:58.719
<v Speaker 1>really want to worry about it. Do you think people

0:55:58.760 --> 0:56:02.560
<v Speaker 1>aren't tipping? No, but some people will tip away less.

0:56:03.040 --> 0:56:05.160
<v Speaker 1>That's crazy, like I don't know less people will do that.

0:56:05.680 --> 0:56:08.440
<v Speaker 1>I think some people are like revolting against tipping culture

0:56:08.440 --> 0:56:10.120
<v Speaker 1>and tipping way less just to be like, I hate

0:56:10.120 --> 0:56:11.719
<v Speaker 1>tipping culture, but it's like some of those places you

0:56:11.760 --> 0:56:14.000
<v Speaker 1>have to tip because they're making two bucks an hour.

0:56:14.600 --> 0:56:16.520
<v Speaker 1>But no, it's a good question, and I think a

0:56:16.520 --> 0:56:17.880
<v Speaker 1>lot of people probably wonder that. But you're fine, you

0:56:17.960 --> 0:56:19.719
<v Speaker 1>have to tip anything. Did you tip anything? On top

0:56:19.760 --> 0:56:22.040
<v Speaker 1>of that? I didn't. You weren't supposed to because I

0:56:22.160 --> 0:56:24.279
<v Speaker 1>was like twenty percent. Sweet, Okay, you're not a loser.

0:56:24.320 --> 0:56:26.359
<v Speaker 1>You're not a loser. I would tell you if you were.

0:56:26.440 --> 0:56:27.800
<v Speaker 1>Don't worry everybody