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Speaker 1: Show this school in Massachusetts, four and fifty four students

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Speaker 1: in this one class, a thirty class, and they have

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Speaker 1: twenty four sets of twins. Wow, whoa on there?

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Speaker 2: What the heck?

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Speaker 1: They have twenty four sets of twins out of four

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Speaker 1: hundred and fifty four students, ten percent of the classes twin.

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Speaker 3: I wonder how many of those are that's just runs

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Speaker 3: in their family or their IVF.

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Speaker 2: Oh, that's a good question.

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Speaker 1: Hey, well, if any of that's the case, it's still wild.

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Speaker 1: That's an abnormal amount of twins.

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Speaker 4: We have these twins in high school, and like we

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Speaker 4: always got it mixed up, like everyone would call the

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Speaker 4: wrong twin by the wrong name.

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Speaker 1: Like I wondered if that's the problem at this school.

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Speaker 5: Yes, it's got to be.

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Speaker 1: Yeah, no, Tim, I'm sorry, but I mean, all the

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Speaker 1: twins don't look alike, Eddie. It's not like all the

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Speaker 1: twins looking like every other one of the twins that

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Speaker 1: we had in our school did. No, but I'm saying

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Speaker 1: look alike. But they're not looking like the other twins,

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Speaker 1: other sets of twins.

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Speaker 4: Oh no, no, I know. But you know, do you

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Speaker 4: miss up one set of twins? I'm sure you mess

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Speaker 4: up with the other sets.

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Speaker 6: Yeah, that's true because like Pam and that's not true.

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Speaker 6: You just saying words.

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Speaker 3: But also what's cool that this is it leads to

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Speaker 3: opportunity for twins dating twins, like that'd be fun.

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Speaker 1: That's like some in bred types see them hold their

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Speaker 1: hands down the hall and they they're starts. They're switching

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Speaker 1: it like hand. It's like, oh wait, I'm Tim, No Jim,

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Speaker 1: that's from twenty five New. Now my family, I know,

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Speaker 1: not a lot of twins. I guess no twins, but

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Speaker 1: you know we I have a weird family tree in

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Speaker 1: that my mom and her sister married my biological dad

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Speaker 1: and his brother. So it's two sisters. No, not Arkansas,

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Speaker 1: it's not, although I do get that a lot, but

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Speaker 1: our family tree is very much no branches. Wow, anybody

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Speaker 1: any of my cousins, we're all related to the same people.

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Speaker 1: There's no other sides of the family. That's wild. So

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Speaker 1: it's again my mom her sister married my biological dad

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Speaker 1: and his brother, so I have double cousins. My cousins

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Speaker 1: are cousins on both sides. That is, so anybody they're

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Speaker 1: related to, I'm also related to. There's no other way

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Speaker 1: around it. I wonder if we have like more matching

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Speaker 1: DNA than normal cousins. We have to write. I don't

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Speaker 1: know we got enough double both sides.

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Speaker 7: Mm hmm.

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Speaker 1: It's not inbred. It's nothing about Arkansas.

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Speaker 3: It's like my sister we went to Arkansas when we

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Speaker 3: were younger, like family road trip to visit our aunt, uncle,

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Speaker 3: and our cousin. There became kind of like a kissing

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Speaker 3: cousin with my sister.

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Speaker 5: I don't know if we don't have to.

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Speaker 1: Do Arkansas kissing cousins.

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Speaker 5: Were from Texas, Arkansas.

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Speaker 3: No, No, he was really cute, like I get it,

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Speaker 3: and we didn't.

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Speaker 1: Know Arkansas relatives making out go ahead.

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Speaker 3: I was going somewhere with that, Like we didn't really

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Speaker 3: know him.

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Speaker 5: So it's sort of just like was a thing. But

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Speaker 5: I get it.

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Speaker 3: They weren't as yours would be closer to you, like

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Speaker 3: we were more removed. So you definitely couldn't have a

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Speaker 3: kissing cousin.

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Speaker 1: No, your cousin, No, I hear you. But so what

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Speaker 1: you could have just said your sister had a cousin,

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Speaker 1: you had to go to Arkansas, where I'm from.

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Speaker 3: No, I remember the whole drive back, she listened to

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Speaker 3: that song.

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Speaker 5: It must have been love Arkansas.

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Speaker 1: Not get to happen on the show.

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Speaker 3: I think it was kind of like, dang, we're cousins,

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Speaker 3: Like this isn't gonna go anywhere.

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Speaker 5: I don't even think they really kissed, you know, there

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Speaker 5: was like an attraction.

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Speaker 3: And yeah, but we didn't know him. Doesn't matter, Amy, Well, we're.

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Speaker 1: Still related if you know them or not.

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Speaker 5: That's why.

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Speaker 3: On the way back she was like, it must have

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Speaker 3: been loved, but it's over now because we're cousins.

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Speaker 1: You know what in the world this is crazy. Okay.

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Speaker 1: Let's say you meet your cousin and you never met

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Speaker 1: him your whole life, and you fall in love. Do

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Speaker 1: you marry them? Well, I mean, well, what state your cousin?

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Speaker 1: What state? Doesn't matter? Do you When do you find

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Speaker 1: out they're your cousins?

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Speaker 5: The thing is back in the day, this is the thing.

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Speaker 4: What do you mean when do you find Because if

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Speaker 4: you get married and then you find out your five

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Speaker 4: years married divorce, you do it's over?

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Speaker 8: What?

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Speaker 1: Okay, whole time I would say done at all.

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Speaker 5: Just let it be.

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Speaker 1: I have kids too, Yeah, they don't have tales though. Okay,

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Speaker 1: here's the thing. Let's say you date for you don't

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Speaker 1: know them at all, Your parents or families are strange,

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Speaker 1: and you finally like run to them. Oh we're cousins. Wow,

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Speaker 1: first cousins. You fall in love, right then? Can you date? No? No?

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Speaker 2: Yeah, if you'd had no relationship prior.

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Speaker 1: And your parents family that they don't have a relationship, no.

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Speaker 6: That's okay, but no, no, just think how easy the

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Speaker 6: wedding will be because you don't have to decide like, ooh, no,

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Speaker 6: sides right exactly everyone?

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Speaker 7: We have friends, but yeah, who you're here for my cousins.

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Speaker 3: I think we're to a point now where that's not

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Speaker 3: what we do. We don't we don't marry our cousins.

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Speaker 1: But we just kissed him. But again, what if you

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Speaker 1: fell in love and didn't know they were okay? What

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Speaker 1: if again, you fall in love you don't know they're

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Speaker 1: your cousin. You do a twenty three and me or

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Speaker 1: whatever ancestry or whatever it is, and it's like you're

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Speaker 1: first cousins and you're in love, you're engaged, you're engaged.

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Speaker 1: Call it off.

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Speaker 5: Yeah, it's totally not happening.

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Speaker 6: Oh, guys, I think you're I think you're overreacting. I

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Speaker 6: think you keep it together.

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Speaker 1: I think if you're engaged and you already have a love.

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Speaker 6: What if you meet at a family reunion and you've

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Speaker 6: never met him, and you're twenty eight years old and

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Speaker 6: she's twenty five and you've never met.

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Speaker 2: And you meet at a family reunion, you're like, hey,

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Speaker 2: you know what, Like.

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Speaker 1: Let's look and see that those cousins if that is like,

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Speaker 1: first of all, is it legal to marry your first cousin?

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Speaker 5: Yeah, didn't Rudy Julie?

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Speaker 1: You want to do that? And see this history that something?

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Speaker 5: Didn't Rudy Giuliani, Mary's first cousin.

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Speaker 1: I don't know for all that stuff, I forget.

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Speaker 3: He's I don't really mind whatever we say about him.

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Speaker 1: It's legal for cousins to marry. See a new bill

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Speaker 1: would change that. How about is it legal to marry

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Speaker 1: your cousin's federal federal law? I mean that would mean

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Speaker 1: national law. I mean, why don't we bringing the law

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Speaker 1: into this. Let's just would you do? First cousin marriage

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Speaker 1: remains completely legal in these seventeen states Alabama, California, Colorado, Connecticut, Florida, Georgia, Maryland, Massachusetts,

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Speaker 1: New Jersey, New York, New Mexico, North Carolina, Rhode Island,

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Speaker 1: South Carolina, Tennessee or Moonton, Virginia. Hey, no, Arkansas, their suckers,

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Speaker 1: did you one? No, I turned in it's they.

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Speaker 5: Don't even need a law about it. Whatever room for

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Speaker 5: that in the prison.

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Speaker 1: You guys have haters, and I hate all of you too.

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Speaker 1: Here's they make a map that shows where you can

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Speaker 1: marry your cousin, Like, go to this state to marry them.

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Speaker 1: Twenty four states prohibit marriages between first cousins. Seven states

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Speaker 1: allow first cousin marriages with conditions such as genetic counseling

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Speaker 1: or if the partner is sterile.

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Speaker 5: Oh yeah, because you can't procreate.

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Speaker 6: What does it mean when someone's once are moved, that's

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Speaker 6: second cousin?

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Speaker 1: Yeah, well it says first cousins once are moved. Does

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Speaker 1: that mean second cousin?

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Speaker 5: I never understand when people speak that way.

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Speaker 1: So yeah, either. Okay. So let's say you on your

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Speaker 1: wedding day you find out that that's your first cousin.

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Speaker 4: But before you get married, before the ideas before yeah day,

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Speaker 4: what over you say, I'm out. Yeah, I'm not doing this.

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Speaker 4: We can't do this. We're cousins. Yeah, hopefully she agrees.

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Speaker 5: It's just one of those things you're not going to

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Speaker 5: be able to get over.

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Speaker 1: I'm down down, well, Bobby, I expect that.

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Speaker 2: I just don't. I think you guys are overreacting.

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Speaker 1: I think it reacted. You're crazy. Yeah, and okay, fine,

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Speaker 1: Caitlin's my cousin. I said, the whole segment have to

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Speaker 1: reveal that. Okay, you guys are haters. And I'd like

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Speaker 1: to shout out to everybody in Arkansas. I love you. You

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Speaker 1: know who loves you me, you know who doesn't. These

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Speaker 1: three I don't ever let them come in your day,

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Speaker 1: which is Josh, wake up, wake Up.

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Speaker 8: The mall.

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Speaker 9: And the turning radio and the Davis's Tidy lunchbox, more

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Speaker 9: game two, good Steve Bread, haven't trying to put you through.

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Speaker 9: Fogy's running this week's next Minute, and Bobby's on the box.

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Speaker 1: So you knowing this.

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Speaker 7: The Bobby Balls.

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Speaker 1: Time for the news. Bobby's. A recent twenty twenty four

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Speaker 1: survey said, what are the top regrets in your life

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Speaker 1: that are still on your mind? Already A couple here.

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Speaker 1: I'll ask you guys that question. Top regrets of your

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Speaker 1: life that you still think about sometimes? Number one spending

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Speaker 1: too much time on your phone, not prioritizing life moments

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Speaker 1: number two. Losing touch with friends past and present. Number

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Speaker 1: three not standing up to bullies during childhood and even work.

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Speaker 1: If you guys don't have one, I can go first

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Speaker 1: get one.

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Speaker 5: Yeah, I have a.

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Speaker 3: Yeah, I think, oh, well, a big one. Because I've

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Speaker 3: lost both my mom and my dad. There's just so

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Speaker 3: many conversations I never had with them, and it's a

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Speaker 3: huge regret. And if they were around, I know there's

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Speaker 3: very specific things I would ask them. I would talk

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Speaker 3: to them about and I wouldn't be so shy or nervous,

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Speaker 3: like I think I didn't want to ask them to

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Speaker 3: dig a little bit deeper, but I think it would

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Speaker 3: have been beneficial for everybody.

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Speaker 1: Yeah.

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Speaker 6: I think about like chicks, Like, Okay, so I'm in

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Speaker 6: a bar and I make out with you know, there's

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Speaker 6: two chicks and I'm like, oh, which one I choose

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Speaker 6: a ad to for the night instead of B And I'm like,

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Speaker 6: oh man, I've gone.

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Speaker 1: With be like or try to and be everything about that.

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Speaker 6: I thought about that, but they didn't know each other

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Speaker 6: as they weren't down. But you know, things like that,

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Speaker 6: It's like, ah, man.

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Speaker 4: Eddie, I still think about it. I mean, not starting

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Speaker 4: a four to one came much, much, much earlier in

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Speaker 4: my life. You don't even started one now.

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Speaker 1: No, no, But for me, I think, why don't start?

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Speaker 1: Start today? You feel like it's too late, it's not.

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Speaker 8: Dude.

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Speaker 4: If I would have started at twenty twenty one, oh

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Speaker 4: my goodness, and ten years.

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Speaker 1: You're going to go. I wish I would have started

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Speaker 1: when he was forty five.

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Speaker 2: Right, that's a good point.

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Speaker 5: I started it a year ago when we started talking

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Speaker 5: about that.

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Speaker 1: You know what, I regret that too, Okay, I think

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Speaker 1: mine is probably not. When my grandma was sick, I

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Speaker 1: just thought she'd live forever, which is a dumb thing

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Speaker 1: to think. But my grandma raised me and I was

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Speaker 1: in college and it wasn't like an easy drive home,

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Speaker 1: and I was like eh, and I did occasionally, but

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Speaker 1: I just didn't do it enough. And so I regret

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Speaker 1: that because when she got sick, she got sick, and

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Speaker 1: then you know, she died pretty quick, and I had

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Speaker 1: a It's crazy because I know we talked about this.

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Speaker 1: I had a deal with my grandma and I was like, hey,

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Speaker 1: when you die, you have to like and she was

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Speaker 1: like way older. My mom was the youngest of like

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Speaker 1: many many kids, and so my grandma was way older

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Speaker 1: than like a normal grandma as well. And I was like, well,

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Speaker 1: I'm gonna talk about it, like when you die, you

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Speaker 1: have to like give me a sign that you're still

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Speaker 1: out there. And I don't think she gave me a sign.

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Speaker 1: What's up? Talk about it? No, I think the air

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Speaker 1: conditioner came on and like her old guitar fell at

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Speaker 1: some But I'm saying, you said, give me a sign.

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Speaker 5: Yeah, but what are you saying that you would have been?

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Speaker 5: You wish you would have been more specific?

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Speaker 1: Yeah, I wish i'd have been, like, get make a

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Speaker 1: musical instrument fall over when you die?

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Speaker 5: I just that way you would know.

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Speaker 1: Yeah, So that my regret there is that. Otherwise I

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Speaker 1: most things that I'm not happy about what happened, I've

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Speaker 1: learned great lessons from them. They've actually led to even

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Speaker 1: better decisions that when I got to find a million

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Speaker 1: bucks by the SEC, I learned nothing from that. So

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Speaker 1: I wish that wouldn't have happened. But I can't really

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Speaker 1: regret how I did it because I don't do anything

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Speaker 1: wrong unless they're listening. Sorry finding that, but I regret

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Speaker 1: that that happened. Yeah, regrets that happened. Next up, let's listen.

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Speaker 1: If you're a SCC, you guys are cool. You guys

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Speaker 1: are cool.

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Speaker 2: Yeah.

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Speaker 3: In line with that, I'll just hear something really quick

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Speaker 3: that you know. My niece is living with right now.

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Speaker 3: She's twenty one, and she wrote a high school paper

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Speaker 3: on living without regret, and she based it off my mom,

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Speaker 3: and she said that she learned that when my mom

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Speaker 3: was dying. One of the things she said was that

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Speaker 3: she didn't live out her dreams. And so I think

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Speaker 3: that's a big regret, is sometimes not taking time to

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Speaker 3: dream and then chase your dreams, whatever they are. But

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Speaker 3: my mom just didn't take time to even dream for herself.

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Speaker 1: And I promise everybody listening right now, you're gonna regret

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Speaker 1: more things you didn't try, the more things you tried

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Speaker 1: and failed and did wrong, right, because you're always gonna

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Speaker 1: be like I wish I would at least tried this.

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Speaker 1: I've screwed up a lot of things. I messed up

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Speaker 1: a lot of things. I don't regret any of that

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Speaker 1: stuff because at least I gave it a run. But

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Speaker 1: I just would not not feel good about not trying it.

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Speaker 1: The stuff you don't try, and stuff you're gonna hate

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Speaker 1: that you didn't do, not the stuff you did wrong

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Speaker 1: unless you murder. Oh yeah, that's a bad don't try that.

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Speaker 3: That you can.

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Speaker 1: People are reserving baby names within a friend group now,

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Speaker 1: so people are like calling DIBs on baby names. You

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Speaker 1: can't do that, well, I mean you can't. Well it's

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Speaker 1: not legal, but yes, you can have an agreement and

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Speaker 1: your friends. Weird people are talking about baby names and

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Speaker 1: they claim them within a friend group if they want it,

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Speaker 1: so another friend doesn't like undercut them with the name.

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Speaker 5: But it isn't it like whoever has the baby.

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Speaker 1: First, Well, then you get to it. But unless it's

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Speaker 1: called it's like shotgun Drew, Okay, shotgun never really really works.

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Speaker 1: Always over shot. It was only trouble with deciphering what

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Speaker 1: the rules were as soon as you said you're going,

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Speaker 1: or when you could see the car or when you

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Speaker 1: could touch the car. Everybody different rules.

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Speaker 4: A shotgun always you could always say it in here,

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Speaker 4: you say shotgun.

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Speaker 1: But it doesn't matter what you heard, did anybody else here?

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Speaker 3: My kids still play it and I have to be

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Speaker 3: the judge, like they'll be like mom, did you hear

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Speaker 3: me say it first?

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Speaker 5: And unfortunately have to be like, yeah, okay, she said

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Speaker 5: it first.

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Speaker 1: Shotgun is really one of the great things about being

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Speaker 1: in an American Still around most people adhere to shotgun.

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Speaker 2: Yeah.

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Speaker 1: Paralyzed puppy walks again thanks to three D printed spine. Yeah,

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Speaker 1: he was able to do. Arthur, a six month old cockapoo,

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Speaker 1: was unable to move after his limbs became weak and collapsed.

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Speaker 1: His owner rushed him to the vet. They did MRI scans.

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Speaker 1: They discovered a part of a spine was not connected

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Speaker 1: together properly, which can presses spinal cord. The dogs then

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Speaker 1: had a four hour surgery. Surgeons placed a three D

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Speaker 1: printed spinal screw and surgical cement into the spine and

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Speaker 1: now it works and he's moving and they were able

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Speaker 1: to just print this stuff out, say what they needed

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Speaker 1: and got it.

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Speaker 5: Love it.

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Speaker 1: So the New York Posts Technology man is pretty cool.

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Speaker 1: Digital price tags are coming to Walmart. So here's why

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Speaker 1: it's good. Here's why it's bad. Digital price tags are

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Speaker 1: cool because let's say the price tag isn't on it

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Speaker 1: for some reason, it get ripped off, or you can

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Speaker 1: save in your phone. You can take a picture of

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Speaker 1: it too. But why they're bad as people think they

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Speaker 1: do dynamic pricing with them.

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Speaker 5: What does that? I don't know.

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Speaker 1: Because the price tag, it's a QR code, right, So

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Speaker 1: you put the QR code, you see how much of

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Speaker 1: the things are. You can have a QR code on

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Speaker 1: the tag. But what's what's up is if a bunch

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Speaker 1: of them starts to sell, they could start to lift

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Speaker 1: the price of them because it's not paper you're having

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Speaker 1: to replace. It's literally, if we sell thirty two percent

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Speaker 1: of them, let's mark it up five bucks.

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Speaker 4: I wonder too if they know, like you're you're like,

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Speaker 4: how much you have? This guy's rich mark it up?

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Speaker 1: Oh hey, you know what I mean. Nothing would surprised

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Speaker 1: me at this point. But that's a funny thought that

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Speaker 1: they're also part of the Big Brother and looking at

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Speaker 1: your bank account and pricing it based on who you are.

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Speaker 3: It's like the minute your phone access level the QR code,

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Speaker 3: they have access to your money and they're like.

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Speaker 1: Or when you walk in, they automatically know who you

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Speaker 1: are and what you have by like your facial scan.

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Speaker 2: D Yeah, they followed you from the bank and they know.

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Speaker 1: They didn't fight you from the bank. I just know

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Speaker 1: your face. There's no physical on the Bobbycast Drew Baldridges

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Speaker 1: on I'm telling you, I walked away from this going

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Speaker 1: that I'm motivated and inspired by this dude. Here's a

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Speaker 1: clip of his song She's Somebody's Daughter, She Somebody's doll.

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Speaker 1: He put the song out over three years ago and

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Speaker 1: his record label fell apart and that was it no more.

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Speaker 1: But he puts it on TikTok and he not even

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Speaker 1: a big TikToker, and it goes next morning, he wakes

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Speaker 1: up and he's like, wait, what on our honeymoon?

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Speaker 10: I posted TikTok And I just say, hey, if this

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Speaker 10: gets three thousand likes, I'll put it out on Friday,

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Speaker 10: you know, just trying to tease. It was Wednesday. I

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Speaker 10: woke up Thursday and I had almost ten million views.

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Speaker 10: Mind you. I'm like, I don't look all night because

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Speaker 10: I haven't had a video do that.

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Speaker 1: You know.

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Speaker 10: I'm just thinking, like I'm gonna wake up the next day.

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Speaker 10: Obviously I'm with my wife. It's our honeymoon. We're enjoying it.

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Speaker 10: And I wake up and I look at her and

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Speaker 10: I'm like wow. And I pulled up and my followers

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Speaker 10: jump like one hundred thousand.

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Speaker 1: So he had this song from three years ago, but

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Speaker 1: he's like, I'll put out a wedding version of it.

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Speaker 1: He just got married, and so he gets ten million

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Speaker 1: in a night, which is wild. Okay, so you're like, dang,

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Speaker 1: look at that, blew up. Pretty cool story. So then

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Speaker 1: he's like, no, no record label is going to sign him.

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Speaker 1: They're like I don't know. So then it just starts

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Speaker 1: going to everybody's backyard, like I'll play any backyard to

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Speaker 1: make money in order to get his career going.

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Speaker 10: Here's this clip I decided to post on Socials and

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Speaker 10: I say I'll play anybody's backyard that wants.

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Speaker 8: To have me.

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Speaker 10: I'm broke, Yeah, I feel and so I thought I'd

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Speaker 10: get like five requests, and so I get like twenty

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Speaker 10: some thousand requests on TikTok. For two years, I go

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Speaker 10: play three hundred people's backyard. Wow, just me and a guitar.

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Speaker 1: Just take whatever money they gave you. Yeah.

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Speaker 10: It started off that way of like hey, whatever you

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Speaker 10: could give me, and then I was like this is

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Speaker 10: what I need. Because there were some times I would

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Speaker 10: lose on it and so I'd be like this is

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Speaker 10: what I really need two or three grand, pay for

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Speaker 10: mym my tour manager, and I will come play in

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Speaker 10: your backyard for seventy five minutes, play corn, holy barbecue.

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Speaker 1: He did that three hundred times all over the country.

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Speaker 1: Took us a guitar and played in people's backyards so

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Speaker 1: we could survive being uneasy.

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Speaker 2: Now that's not a lot of days off man.

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Speaker 1: So he then talked about how even now he has

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Speaker 1: a song it's maybe in topting close to top ten,

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Speaker 1: he has no record label, no management, no agent. He's

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Speaker 1: having to finance everything himself.

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Speaker 10: I had to put on a manager hat and be like, Okay,

401
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Speaker 10: how do I get shows? How do I create income?

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Speaker 10: And then I had to run a promo staff. I'm

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Speaker 10: doing a calls every Monday, running a promo team, and

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Speaker 10: then like shows coming in and booking that and booking

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Speaker 10: in myself. And you know what's most exciting, Bobby is

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Speaker 10: like being on this podcast with you, man is a

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Speaker 10: really big deal and a dream of mine.

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Speaker 1: I think I'm your biggest fan. I'm gonna tell you

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Speaker 1: it's I was blown away by the dude. That's so

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Speaker 1: he's like buying radio commercials for a song. He's doing

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Speaker 1: it all himself because he doesn't have a team, but

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Speaker 1: it's all blown up and he's like, screw it, I'll

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Speaker 1: go play backyards. I'll do it all myself. That's nobody else.

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Speaker 5: Wants to help chasing dreams, but he just is a.

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Speaker 1: Guy who was like, I'll figure out way to do

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Speaker 1: it even if it's really hard. I'm gonna keep going

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Speaker 1: until I absolutely can't. And he has now popped. Wow.

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Speaker 1: Super cool. Check out the Bobby Cast. That entire interview

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Speaker 1: with Drew Baldridge is up on the Bobby Cast. Wherever

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Speaker 1: you listen to your podcast. That's the news.

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Speaker 6: Bobby's story.

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Speaker 1: Terry Clarkson Studio, good to see you again. I didn't.

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Speaker 1: We didn't know each other until you came over to

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Speaker 1: the house. I really enjoyed that. I don't always enjoy him.

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Speaker 7: I did too. It felt like a really intense therapy session.

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Speaker 7: Part of that it was really great.

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Speaker 1: I rarely don't enjoy them, but you know, with anything else,

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Speaker 1: it'sd be like a show that you do if you're try.

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Speaker 1: You don't hate doing shows, but some of them just

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Speaker 1: fall in and you're just like, you just do a

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Speaker 1: show and it was good and you move on. But

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Speaker 1: I like, really enjoyed the time. I guess because I

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Speaker 1: was a fan of you for a long, long long

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Speaker 1: time and didn't know you. And some that can go

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Speaker 1: either way when you meet somebody.

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Speaker 7: Yeah, are they going to be you know, what you

437
00:19:09,000 --> 00:19:10,679
Speaker 7: think they are or are they going to be just

438
00:19:11,280 --> 00:19:15,600
Speaker 7: what they are? Yeah? Well, I enjoyed meeting you too.

439
00:19:16,280 --> 00:19:19,119
Speaker 7: You know, I'm a fan of yours and I have

440
00:19:19,160 --> 00:19:21,280
Speaker 7: a radio show, and you tend to kind of want

441
00:19:21,320 --> 00:19:25,400
Speaker 7: to listen to people and their conversational skills when they're

442
00:19:25,600 --> 00:19:27,439
Speaker 7: interviewing people, and you're one of those people that I

443
00:19:27,480 --> 00:19:30,080
Speaker 7: think a lot of artists are starting to dabble in

444
00:19:30,160 --> 00:19:31,120
Speaker 7: radio now, you know.

445
00:19:31,240 --> 00:19:33,320
Speaker 1: Podcasting radio, and yeah, yeah, but you're good at it.

446
00:19:33,400 --> 00:19:36,280
Speaker 7: Well, thank you very much, but you're you know, there's

447
00:19:36,280 --> 00:19:39,440
Speaker 7: a reason you're winning all these awards and stuff. So congratulations.

448
00:19:39,480 --> 00:19:41,479
Speaker 7: And I really enjoyed our last chat. So when they

449
00:19:41,480 --> 00:19:43,960
Speaker 7: said we were coming back now we can actually talk

450
00:19:44,000 --> 00:19:47,960
Speaker 7: about the record, we couldn't remember the publicity people were

451
00:19:47,960 --> 00:19:50,640
Speaker 7: all like, no, they were giving us the whole win.

452
00:19:50,760 --> 00:19:52,199
Speaker 1: I don't think that was weird. It was like, hey,

453
00:19:52,240 --> 00:19:54,280
Speaker 1: Terry Clark's coming over, but she can't talk about anything, right,

454
00:19:55,080 --> 00:19:57,639
Speaker 1: but we wonder talk about I wonder what we're going

455
00:19:57,720 --> 00:19:57,879
Speaker 1: to do.

456
00:19:57,960 --> 00:19:59,800
Speaker 7: We talked about childhood baggage instead.

457
00:20:00,280 --> 00:20:02,560
Speaker 1: I So how I found out about your record is

458
00:20:02,600 --> 00:20:06,680
Speaker 1: one of my best dear friends, Ben Rector. Oh, today

459
00:20:06,720 --> 00:20:08,919
Speaker 1: I'm going to go record what Terry Clark? Do you

460
00:20:08,960 --> 00:20:10,639
Speaker 1: know her? And at the time I didn't, And I

461
00:20:10,720 --> 00:20:12,200
Speaker 1: was like, I don't know her, but I'm a fan

462
00:20:12,240 --> 00:20:14,080
Speaker 1: of her. Let me know how it goes. And he

463
00:20:14,119 --> 00:20:16,560
Speaker 1: came back and he was like, she was delightful that

464
00:20:16,800 --> 00:20:21,440
Speaker 1: that was his description of you. Delightful. So you got

465
00:20:21,440 --> 00:20:25,680
Speaker 1: a lot of artists to come back and sing your

466
00:20:25,760 --> 00:20:28,920
Speaker 1: big songs. How what's that problem? I don't know. How

467
00:20:28,920 --> 00:20:32,760
Speaker 1: do you pick? Does everybody say yes? Sometimes? Does they

468
00:20:32,800 --> 00:20:34,120
Speaker 1: not sing it exactly like you want?

469
00:20:34,160 --> 00:20:34,200
Speaker 11: Like?

470
00:20:34,240 --> 00:20:35,320
Speaker 1: What is that process? Like?

471
00:20:36,080 --> 00:20:37,919
Speaker 7: Well, I started with kind of a you know, a

472
00:20:38,000 --> 00:20:41,320
Speaker 7: list of my wish list of people, and I called

473
00:20:41,359 --> 00:20:45,160
Speaker 7: Ashley McBride first, and we've been friends since twenty seventeen.

474
00:20:45,240 --> 00:20:47,600
Speaker 7: So she said yes and jumped on board. And I

475
00:20:47,640 --> 00:20:49,480
Speaker 7: wanted her to do better things to do because it

476
00:20:49,520 --> 00:20:51,920
Speaker 7: was the debut single and she had publicly talked about

477
00:20:51,920 --> 00:20:54,000
Speaker 7: how much that debut album meant to her when she

478
00:20:54,080 --> 00:20:56,439
Speaker 7: was a kid growing up in Arkansas, and how she

479
00:20:56,880 --> 00:20:59,080
Speaker 7: you know, she felt like she was different than the

480
00:20:59,119 --> 00:21:00,960
Speaker 7: rest of the girls. She was, you know, she was

481
00:21:01,000 --> 00:21:03,920
Speaker 7: a tomboy, and she saw my image and really got

482
00:21:03,920 --> 00:21:06,520
Speaker 7: into music in it and it helped her feel like

483
00:21:06,600 --> 00:21:11,120
Speaker 7: she belonged, I guess. And so her singing on Better

484
00:21:11,119 --> 00:21:13,320
Speaker 7: Things to Do was a natural fit to me. And

485
00:21:13,359 --> 00:21:16,480
Speaker 7: then after Ashley agreed, you know, when you get one,

486
00:21:16,800 --> 00:21:19,520
Speaker 7: it's kind of easier to start going, well, Ashley McBride's

487
00:21:19,520 --> 00:21:22,920
Speaker 7: doing this, did you go to Landy Wilson's crazy. Yeah,

488
00:21:23,160 --> 00:21:28,280
Speaker 7: Ashley is, like, she is amazing, and she's so respected

489
00:21:28,760 --> 00:21:31,880
Speaker 7: around town for her songwriting and her artistry especially, it's

490
00:21:32,000 --> 00:21:36,000
Speaker 7: just amazing. So and then I love Landy Wilson for

491
00:21:36,119 --> 00:21:38,360
Speaker 7: so many reasons. I love the fact that she's such

492
00:21:38,359 --> 00:21:41,280
Speaker 7: an individual. You can recognize her by a silhouette. There

493
00:21:41,320 --> 00:21:43,280
Speaker 7: aren't a lot of people that you know, you see

494
00:21:43,280 --> 00:21:46,200
Speaker 7: their silhouette, you know the automatically who it is. Laney

495
00:21:46,240 --> 00:21:48,919
Speaker 7: Wilson is one of those people. And I loved her music,

496
00:21:48,960 --> 00:21:51,159
Speaker 7: and so I asked her. Everybody said, yes, there were

497
00:21:51,160 --> 00:21:54,119
Speaker 7: only a couple There are only a couple of people

498
00:21:54,160 --> 00:21:57,000
Speaker 7: that schedule had scheduling conflicts that couldn't do it. But

499
00:21:57,080 --> 00:21:58,920
Speaker 7: Ben Rector, I've been a fan of. We talked about

500
00:21:59,000 --> 00:22:02,320
Speaker 7: him last time and his immense talent. He's genius. You know,

501
00:22:02,359 --> 00:22:04,720
Speaker 7: he's one of those almost prodigy type guys.

502
00:22:04,720 --> 00:22:08,600
Speaker 1: It's annoying. Let's say it's annoying. Yes, he's so good.

503
00:22:08,760 --> 00:22:11,040
Speaker 7: It's so annoying. We could have kept the first take

504
00:22:11,080 --> 00:22:12,760
Speaker 7: on now that I found you and been and been

505
00:22:12,800 --> 00:22:16,479
Speaker 7: fine with that. And he's just incredibly talented. And I

506
00:22:16,520 --> 00:22:18,240
Speaker 7: was so happy to see him opening for Dan and

507
00:22:18,280 --> 00:22:21,199
Speaker 7: Shay because he needs to be exposed to those huge audiences.

508
00:22:22,000 --> 00:22:24,840
Speaker 7: My manager actually wasn't as familiar with Ben Rector until

509
00:22:24,880 --> 00:22:26,680
Speaker 7: she went to their show and she texted me and

510
00:22:26,720 --> 00:22:29,520
Speaker 7: she said, man, now I know why he's on your record.

511
00:22:29,560 --> 00:22:31,320
Speaker 7: Why you wanted to get him on your record? She said,

512
00:22:31,359 --> 00:22:32,919
Speaker 7: I wasn't that familiar with him, but I am a

513
00:22:32,960 --> 00:22:37,639
Speaker 7: fan now, and that's that's he And he was so gracious, humble, kind,

514
00:22:38,240 --> 00:22:40,879
Speaker 7: and added so much to that arrangement and track.

515
00:22:41,119 --> 00:22:43,840
Speaker 1: The album is called Terry Clark Take Two. I'm gonna

516
00:22:43,880 --> 00:22:45,359
Speaker 1: read some of the other people on it, Lauren Laana,

517
00:22:46,160 --> 00:22:49,080
Speaker 1: Kelly Clarks, and Cody Johnson. Ashley McBride, Carly Pierces, Been Rector,

518
00:22:49,160 --> 00:22:53,080
Speaker 1: Laney Wilson, and Paul Brandt. Paul is from because our

519
00:22:53,080 --> 00:22:56,080
Speaker 1: show's in Canada as well. Paul's a massive Canadian star.

520
00:22:56,240 --> 00:22:59,960
Speaker 7: He is, yeah, and we you know, we'd never toured together,

521
00:23:00,520 --> 00:23:03,200
Speaker 7: and it always made sense to me. That kind of

522
00:23:03,240 --> 00:23:05,800
Speaker 7: a ticket always made sense to me. But he was

523
00:23:05,800 --> 00:23:09,320
Speaker 7: always headlining, and then I was headlining, and then we

524
00:23:09,400 --> 00:23:11,560
Speaker 7: both kind of gave the market a bit of a break.

525
00:23:11,600 --> 00:23:14,399
Speaker 7: Paul is very very savvy businessman. He's very smart. He

526
00:23:14,480 --> 00:23:18,080
Speaker 7: knows not to overplay Canada. There are only so many

527
00:23:18,200 --> 00:23:20,680
Speaker 7: venues in Canada. We don't have the population, we don't

528
00:23:20,680 --> 00:23:23,120
Speaker 7: have the venues that the United States does. And I'm

529
00:23:23,200 --> 00:23:24,919
Speaker 7: lucky that I can bounce back and forth, you know,

530
00:23:25,320 --> 00:23:28,520
Speaker 7: across the border and play both markets. But Paul's been

531
00:23:28,560 --> 00:23:31,240
Speaker 7: really careful and protected that as an artist, and I

532
00:23:31,320 --> 00:23:35,680
Speaker 7: really respect his business model in doing that. So when

533
00:23:35,720 --> 00:23:37,679
Speaker 7: I went to him with this idea, I said, I

534
00:23:37,720 --> 00:23:41,560
Speaker 7: had just a few years earlier done across Canada solo tour.

535
00:23:41,600 --> 00:23:42,920
Speaker 7: I do a lot of solo shows. I just have

536
00:23:43,000 --> 00:23:45,480
Speaker 7: guitars around me. I have a Ditto Looper, which is

537
00:23:46,280 --> 00:23:48,560
Speaker 7: a little stomp box thing that you can create loops

538
00:23:48,600 --> 00:23:52,520
Speaker 7: on and I have a porchboard which creates kind of

539
00:23:52,640 --> 00:23:54,960
Speaker 7: a kick drum. So I do this one woman show

540
00:23:55,000 --> 00:23:58,199
Speaker 7: and tell jokes and stories about songs and it was

541
00:23:58,200 --> 00:24:00,800
Speaker 7: sold out across Canada and twenty six and so I

542
00:24:00,800 --> 00:24:03,000
Speaker 7: went to him with the same concept in twenty eighteen.

543
00:24:03,040 --> 00:24:06,639
Speaker 7: I said, we should do this together, like it just

544
00:24:06,680 --> 00:24:10,399
Speaker 7: makes total sense and fans love that intimate type of setting.

545
00:24:10,440 --> 00:24:12,600
Speaker 7: So we went out in October and November last year

546
00:24:12,640 --> 00:24:16,959
Speaker 7: and did you know BC through Ontario and we're in

547
00:24:17,000 --> 00:24:20,680
Speaker 7: talks about possibly doing another run. But it's uh, that's cool. Yeah,

548
00:24:20,720 --> 00:24:23,080
Speaker 7: that that take of Easy on the Eyes was live

549
00:24:23,119 --> 00:24:25,800
Speaker 7: in Toronto. We didn't go in and fix any vocal things,

550
00:24:25,800 --> 00:24:27,920
Speaker 7: we didn't go tweak a whole lot. We added bass

551
00:24:27,960 --> 00:24:30,080
Speaker 7: and drums in the studio when I was in tracking

552
00:24:30,160 --> 00:24:31,760
Speaker 7: the last four for take two, just to give it

553
00:24:31,760 --> 00:24:34,320
Speaker 7: a little lyft. But what you what you see, is

554
00:24:34,320 --> 00:24:37,320
Speaker 7: what you hear, is what you get. And it was

555
00:24:37,359 --> 00:24:38,840
Speaker 7: fun to be able to have a live track on

556
00:24:38,880 --> 00:24:41,600
Speaker 7: there and have my friend Paul be doing it with

557
00:24:41,680 --> 00:24:42,520
Speaker 7: me as a duet.

558
00:24:42,960 --> 00:24:44,480
Speaker 1: I don't know if it's a sensitive to ask, but

559
00:24:44,800 --> 00:24:48,000
Speaker 1: there was a story about Playboy asking to be in

560
00:24:48,040 --> 00:24:51,600
Speaker 1: the magazine, but then they asked you to be fully clothed,

561
00:24:52,080 --> 00:24:54,879
Speaker 1: and then they then you said no to all. Is

562
00:24:54,960 --> 00:24:55,640
Speaker 1: that accurate?

563
00:24:55,760 --> 00:24:58,760
Speaker 7: No, okay, there's no way Playboy is going to pay

564
00:24:58,760 --> 00:25:01,400
Speaker 7: me money to be fully clothed, and they're not gonna

565
00:25:01,440 --> 00:25:03,240
Speaker 7: pay me anything these days. But this is about twenty

566
00:25:03,359 --> 00:25:08,800
Speaker 7: years ago, I would say, and it's so stupid that

567
00:25:09,200 --> 00:25:11,960
Speaker 7: you know what female country singer would you like to

568
00:25:12,000 --> 00:25:17,600
Speaker 7: see pose for Playboy? And I came in. I don't

569
00:25:17,640 --> 00:25:19,280
Speaker 7: remember who was first and who was second, but me

570
00:25:19,320 --> 00:25:21,879
Speaker 7: and Shania Twain, who could not be more polar opposite

571
00:25:22,320 --> 00:25:25,680
Speaker 7: twenty years ago, especially, came in top two. I don't

572
00:25:25,760 --> 00:25:29,040
Speaker 7: understand why. So they came to me and offered me,

573
00:25:29,640 --> 00:25:33,080
Speaker 7: I'm just gonna say a million dollars twenty years ago, which.

574
00:25:32,880 --> 00:25:36,560
Speaker 5: Is more like three right now because of inflation.

575
00:25:37,480 --> 00:25:41,359
Speaker 7: And then my manager, Clarence, I said, there's no way

576
00:25:41,400 --> 00:25:44,120
Speaker 7: I'm posing like meet and greets can get weird enough

577
00:25:44,160 --> 00:25:44,560
Speaker 7: as it is.

578
00:25:44,600 --> 00:25:46,439
Speaker 1: Can you imagine you imagine they bring that.

579
00:25:48,040 --> 00:25:53,080
Speaker 7: Man? And then so Clarence, this is the funniest story. Marnie,

580
00:25:53,080 --> 00:25:56,000
Speaker 7: my day to day manager at the time, walked into

581
00:25:56,040 --> 00:25:59,760
Speaker 7: my manager, Clarence Spaulding's office, and she had an intern

582
00:25:59,800 --> 00:26:02,359
Speaker 7: with with her, and the intern looked at his desk

583
00:26:02,400 --> 00:26:05,359
Speaker 7: and he was researching. He had Playboy magazines all over

584
00:26:05,440 --> 00:26:10,840
Speaker 7: his desk. Who am I going to work for? But

585
00:26:11,040 --> 00:26:14,040
Speaker 7: he called me and he says, well, they said you

586
00:26:14,080 --> 00:26:17,720
Speaker 7: can just show you can go topless for like this

587
00:26:17,800 --> 00:26:20,680
Speaker 7: amount of money, the whole the full Monty, you get

588
00:26:20,720 --> 00:26:25,000
Speaker 7: the full million. So he's negotiating body parts to post

589
00:26:25,040 --> 00:26:28,760
Speaker 7: for Playboy, and I just said, Clarence, you know that

590
00:26:28,880 --> 00:26:31,440
Speaker 7: all sounds like if I wanted a money grab, I

591
00:26:31,480 --> 00:26:34,520
Speaker 7: would have done it. But I was just like, I can't.

592
00:26:34,720 --> 00:26:37,879
Speaker 7: I just can't. I have too many young girls that

593
00:26:37,920 --> 00:26:39,800
Speaker 7: are looking up to me, and I've always been pretty

594
00:26:39,800 --> 00:26:43,040
Speaker 7: buttoned up. I'm not one of these people who's I'm

595
00:26:43,119 --> 00:26:46,879
Speaker 7: very modest about my body and I don't like to

596
00:26:46,960 --> 00:26:49,160
Speaker 7: show all anyway. And I said, this would go against

597
00:26:49,200 --> 00:26:52,880
Speaker 7: every single thing I stand for being a strong woman.

598
00:26:52,960 --> 00:26:55,440
Speaker 7: What's between your ears is more important than what's between

599
00:26:55,600 --> 00:27:00,800
Speaker 7: everything else. So I said no, And I really glad

600
00:27:00,840 --> 00:27:06,040
Speaker 7: I made that decision and didn't let greed or the

601
00:27:06,119 --> 00:27:08,560
Speaker 7: dollars you know, get in mine. And at the time,

602
00:27:09,160 --> 00:27:11,399
Speaker 7: you know, I was. I was still trying to save

603
00:27:11,680 --> 00:27:13,280
Speaker 7: and you know, I didn't know when I was going

604
00:27:13,320 --> 00:27:15,200
Speaker 7: to have another hit. I always treated my last hit

605
00:27:15,280 --> 00:27:16,600
Speaker 7: like it was going to be my last hit. So

606
00:27:16,640 --> 00:27:19,600
Speaker 7: I've always been pretty frugal with money and things like that.

607
00:27:19,760 --> 00:27:21,840
Speaker 7: So you know, if that's all that I had in

608
00:27:21,880 --> 00:27:23,600
Speaker 7: my crosshairs, I would have gone for it. But I

609
00:27:23,920 --> 00:27:26,280
Speaker 7: had there was such a bigger picture in playing the

610
00:27:26,320 --> 00:27:30,640
Speaker 7: tape forward in that scenario, and not even six months later,

611
00:27:30,680 --> 00:27:32,760
Speaker 7: I was asked to become a member of the Opry,

612
00:27:32,800 --> 00:27:33,560
Speaker 7: and I don't know.

613
00:27:33,480 --> 00:27:36,520
Speaker 1: That that by would happened, right, Yeah, Yeah, I saw

614
00:27:36,560 --> 00:27:38,359
Speaker 1: on Instagram you gave Lanny like an old school like

615
00:27:38,400 --> 00:27:40,840
Speaker 1: a vintage Terry Clark shirt. Yeah, which is super cool.

616
00:27:40,920 --> 00:27:43,439
Speaker 1: Do you have Ronnie don and Irag friends and he

617
00:27:43,480 --> 00:27:45,919
Speaker 1: talks about how they have all this old stuff and

618
00:27:46,000 --> 00:27:47,200
Speaker 1: Kicks got a lot of it, and he's kind of

619
00:27:47,400 --> 00:27:49,080
Speaker 1: He's like, I gave it all to Kick when we split,

620
00:27:49,160 --> 00:27:51,840
Speaker 1: So Kicks like in the early divorce because they're back together,

621
00:27:51,880 --> 00:27:54,080
Speaker 1: her Kicks got a bunch of the merch. He's like,

622
00:27:54,160 --> 00:27:56,600
Speaker 1: it was the dumbest thing is merch? Is that vintage

623
00:27:56,640 --> 00:27:59,480
Speaker 1: merch so valuable? Do you have a lot of your

624
00:27:59,480 --> 00:28:01,520
Speaker 1: old school merch or just like a couple of things.

625
00:28:01,760 --> 00:28:03,479
Speaker 7: I have a couple of things because I've given all

626
00:28:03,520 --> 00:28:05,720
Speaker 7: my T shirts to the artists on take two, I

627
00:28:05,880 --> 00:28:08,359
Speaker 7: walked into the I've walked into the session with a

628
00:28:08,400 --> 00:28:14,760
Speaker 7: T shirt. And you know, my mom, you know, God

629
00:28:14,800 --> 00:28:17,040
Speaker 7: bless her, would keep a lot of that old stuff.

630
00:28:17,119 --> 00:28:19,400
Speaker 7: And I even had stuff from the very first tour

631
00:28:19,440 --> 00:28:21,800
Speaker 7: of ninety five for a long time. And I happen

632
00:28:21,920 --> 00:28:23,760
Speaker 7: to be a mover. I tend to move a lot

633
00:28:23,840 --> 00:28:28,000
Speaker 7: and change the scenery around me. I buy houses and

634
00:28:28,080 --> 00:28:31,879
Speaker 7: I've got a bit of an eye for design and renovation,

635
00:28:32,080 --> 00:28:35,240
Speaker 7: so I seem to be kind of addicted to make,

636
00:28:35,400 --> 00:28:37,520
Speaker 7: you know, making a house really really cool and then

637
00:28:37,600 --> 00:28:39,280
Speaker 7: leaving it and going to doing it.

638
00:28:39,240 --> 00:28:39,880
Speaker 5: For another one.

639
00:28:39,960 --> 00:28:43,479
Speaker 7: So I've lost a few of those those little gems

640
00:28:43,480 --> 00:28:45,760
Speaker 7: and moves, I think. And I may move again and

641
00:28:45,920 --> 00:28:48,120
Speaker 7: end up, you know, finding some stuff in a bin

642
00:28:48,120 --> 00:28:50,680
Speaker 7: that I don't know about, but I probably have, like

643
00:28:50,840 --> 00:28:52,240
Speaker 7: you know, ten left.

644
00:28:52,320 --> 00:28:54,040
Speaker 1: Now do you ever look on eBay and see what

645
00:28:54,080 --> 00:28:55,720
Speaker 1: the old stuff of yours is going for?

646
00:28:56,080 --> 00:28:59,200
Speaker 7: No, I don't. I have no idea. Okay, that's like

647
00:29:00,320 --> 00:29:05,200
Speaker 7: it's not going to be what you think. Let's see, Oh, Bobby.

648
00:29:05,040 --> 00:29:12,560
Speaker 1: Terry Clark vintage T shirt forty two dollars. Oh, no chance,

649
00:29:13,120 --> 00:29:13,560
Speaker 1: no chance.

650
00:29:14,040 --> 00:29:15,360
Speaker 5: Well will Bobby's loading that up?

651
00:29:15,400 --> 00:29:18,000
Speaker 3: Do you know where that intern is that was assigned

652
00:29:18,000 --> 00:29:19,520
Speaker 3: to my hiy boy magazines for you?

653
00:29:19,680 --> 00:29:22,120
Speaker 7: I don't know. I don't And Marnie's here, who brought

654
00:29:22,120 --> 00:29:23,760
Speaker 7: her in? I don't know where she is she. I

655
00:29:23,800 --> 00:29:26,080
Speaker 7: don't know if she actually left because of that. I

656
00:29:26,080 --> 00:29:28,320
Speaker 7: don't know she just can you imagine?

657
00:29:28,360 --> 00:29:30,760
Speaker 1: I have your answer here. The cheapest one that's actually

658
00:29:30,840 --> 00:29:34,400
Speaker 1: vintage from the nineties. The cheapest one is eighty dollars.

659
00:29:34,640 --> 00:29:37,760
Speaker 7: Oh wow, Well you know I'm going to keep.

660
00:29:37,720 --> 00:29:42,720
Speaker 1: Them vintage Terry Clark's shirt, poor pitif for me, nineteen nineties.

661
00:29:43,000 --> 00:29:46,840
Speaker 1: This one's extra large, ninety one dollars. Wow, it's this one.

662
00:29:46,760 --> 00:29:49,880
Speaker 7: Too, the one I gave Lanny probably remember that one. Yeah,

663
00:29:49,880 --> 00:29:52,560
Speaker 7: that's the one I gave Lanny Wilson. And I don't

664
00:29:52,600 --> 00:29:54,120
Speaker 7: know if I have I don't have any more of those.

665
00:29:54,160 --> 00:29:55,760
Speaker 7: That was the only one I had in the bin,

666
00:29:55,840 --> 00:29:56,840
Speaker 7: and she had to pin it.

667
00:29:56,840 --> 00:29:58,400
Speaker 1: It was like a dress on by it. Now I'm

668
00:29:58,400 --> 00:30:01,360
Speaker 1: buying I'm literally buying it right now. You are not set.

669
00:30:01,440 --> 00:30:04,080
Speaker 1: I am last one and I don't. We're actual arts

670
00:30:04,080 --> 00:30:06,400
Speaker 1: and I'm gonna have it. You can. You can get

671
00:30:06,440 --> 00:30:11,600
Speaker 1: it all like a dress, okay, and it has been

672
00:30:12,560 --> 00:30:16,600
Speaker 1: paid for. Boom, Oh you're so sweet. Why did you didn't?

673
00:30:16,800 --> 00:30:18,560
Speaker 7: No, I didn't make any money. I don't make any

674
00:30:18,600 --> 00:30:21,600
Speaker 7: money off it now. It's merch is a promotion tool.

675
00:30:21,640 --> 00:30:24,520
Speaker 7: By the time you pay everybody their commissions, pay for

676
00:30:24,560 --> 00:30:27,320
Speaker 7: the merch, and pay the taxes, you're you have about

677
00:30:27,320 --> 00:30:28,320
Speaker 7: three dollars left.

678
00:30:28,600 --> 00:30:30,400
Speaker 1: Did you say you don't you go to McDonald's so

679
00:30:30,480 --> 00:30:37,120
Speaker 1: you don't pay taxes. I do, totally kidding totting the auditor.

680
00:30:37,160 --> 00:30:37,360
Speaker 8: Do you.

681
00:30:39,200 --> 00:30:41,600
Speaker 1: What do you consider your big break? If you had

682
00:30:41,600 --> 00:30:45,479
Speaker 1: to identify one moment and someone said, Terry, what's your

683
00:30:45,480 --> 00:30:47,200
Speaker 1: big break? Microphone in your face?

684
00:30:48,720 --> 00:30:51,520
Speaker 7: When I went and auditioned for Mercury Records.

685
00:30:51,320 --> 00:30:52,320
Speaker 1: How did you get the audition?

686
00:30:52,880 --> 00:30:57,120
Speaker 7: Well, that's it's such a long story. I had a

687
00:30:57,160 --> 00:30:59,840
Speaker 7: demo tape floating around town when I was playing at Tootsi's.

688
00:31:00,240 --> 00:31:02,840
Speaker 7: A producer from a Popka, Florida who did a lot

689
00:31:02,840 --> 00:31:06,560
Speaker 7: of production for Disney and Epcot Center Big productions on

690
00:31:06,600 --> 00:31:09,840
Speaker 7: this thing called a sincleavier. It's a keyboard that has

691
00:31:10,040 --> 00:31:13,280
Speaker 7: that can mimic drums based any kind of instrument you want.

692
00:31:13,320 --> 00:31:15,560
Speaker 7: And he had this studio at his house in Florida.

693
00:31:16,040 --> 00:31:17,960
Speaker 7: He walked in looking for a burger and I was

694
00:31:17,960 --> 00:31:21,000
Speaker 7: playing at Tootsi's in the in the front, you know,

695
00:31:21,080 --> 00:31:23,400
Speaker 7: on the stage where it's now a VIP booth. That's

696
00:31:23,400 --> 00:31:26,000
Speaker 7: where my stage was. And he sat down and listened

697
00:31:26,040 --> 00:31:27,840
Speaker 7: to me for two hours and then said, I'd like to,

698
00:31:28,160 --> 00:31:30,560
Speaker 7: you know, make a demo tape on you and try

699
00:31:30,600 --> 00:31:34,200
Speaker 7: and get your record deal. So long story short, I

700
00:31:34,280 --> 00:31:36,560
Speaker 7: go to Florida for like a month and stay in

701
00:31:36,560 --> 00:31:40,320
Speaker 7: his basement and he had a son the same age.

702
00:31:40,320 --> 00:31:41,440
Speaker 7: We won't get into that, but.

703
00:31:42,960 --> 00:31:44,239
Speaker 1: Is there any part of you though that's like, this

704
00:31:44,240 --> 00:31:46,360
Speaker 1: guy's watching me for two hours and it's like this

705
00:31:46,440 --> 00:31:46,840
Speaker 1: is weird.

706
00:31:47,040 --> 00:31:50,360
Speaker 7: Yeah, well he was. He was observing I guess the.

707
00:31:51,080 --> 00:31:52,840
Speaker 1: I see why. I mean, But I still as a

708
00:31:52,880 --> 00:31:55,160
Speaker 1: creature in its natural habitat, and he wants me to

709
00:31:55,200 --> 00:31:56,800
Speaker 1: stay at his house, Like a little bit of me

710
00:31:56,800 --> 00:31:58,280
Speaker 1: would be like, I don't know if I should do this.

711
00:31:58,520 --> 00:32:01,480
Speaker 7: I think my mom obviously checked it out and interviewed

712
00:32:01,520 --> 00:32:03,400
Speaker 7: him and made sure that I wasn't gonna end up

713
00:32:03,440 --> 00:32:06,360
Speaker 7: chopped up in pieces somewhere, and so I did that,

714
00:32:06,480 --> 00:32:09,080
Speaker 7: and we made this demo tape and and he took

715
00:32:09,120 --> 00:32:11,200
Speaker 7: it to a few people in Nashville shopped it around.

716
00:32:12,000 --> 00:32:14,760
Speaker 7: I wound up with a manager named Woody Bowles through

717
00:32:14,840 --> 00:32:18,479
Speaker 7: and we kind of, you know, the demo was okay.

718
00:32:19,000 --> 00:32:22,920
Speaker 7: It was very manufactured sounding, but it caught the attention

719
00:32:23,000 --> 00:32:24,920
Speaker 7: of a guy named Brian Kennedy who had a spec

720
00:32:24,960 --> 00:32:27,760
Speaker 7: deal with MCA Publishing where he could bring artists in

721
00:32:28,320 --> 00:32:32,320
Speaker 7: and make demos like demo Masters. So he got ten

722
00:32:32,360 --> 00:32:35,240
Speaker 7: thousand dollars and he called me and wanted to take

723
00:32:35,280 --> 00:32:37,520
Speaker 7: me in, and he became one of my very good

724
00:32:37,520 --> 00:32:40,240
Speaker 7: friends in town. And he's also really tight with Garth

725
00:32:40,280 --> 00:32:43,000
Speaker 7: Brooks and and Tricia and that whole camp still is.

726
00:32:43,040 --> 00:32:45,160
Speaker 7: I think he works for Garth now, but he his

727
00:32:45,240 --> 00:32:47,600
Speaker 7: dad was Jerry Kennedy, who produced all the early REBA

728
00:32:47,680 --> 00:32:50,040
Speaker 7: stuff that so I was like, oh my god, Kennedy,

729
00:32:50,360 --> 00:32:53,720
Speaker 7: Not those Kennedy's, These the Kennedys of Nashville. So we

730
00:32:53,760 --> 00:32:56,720
Speaker 7: went in and we cut I think four sides, and

731
00:32:57,160 --> 00:32:59,320
Speaker 7: Vince Gill came and sang on one, and Carl Jackson

732
00:32:59,320 --> 00:33:04,680
Speaker 7: played guitar and oh god, we had just amazing players

733
00:33:04,720 --> 00:33:07,719
Speaker 7: on this. It was super country. Keith Stegall ends up

734
00:33:07,720 --> 00:33:11,560
Speaker 7: hearing this demo like three years after we did it.

735
00:33:11,560 --> 00:33:14,560
Speaker 7: It floated around town. Carl Jackson played it for a

736
00:33:14,560 --> 00:33:18,920
Speaker 7: few people, and so long story short long, he called

737
00:33:18,920 --> 00:33:22,160
Speaker 7: me to come play live for him, and he had

738
00:33:22,160 --> 00:33:23,800
Speaker 7: so much going on at the time. He said, I

739
00:33:23,880 --> 00:33:25,200
Speaker 7: want to work with you so bad, but I got

740
00:33:25,360 --> 00:33:27,760
Speaker 7: all these other people. I'm trying to wrap some projects up,

741
00:33:27,760 --> 00:33:30,520
Speaker 7: and I thought that's just a no. Right six months later,

742
00:33:31,120 --> 00:33:33,920
Speaker 7: Woody calls me and says, Keith Stegall's just been promoted

743
00:33:33,920 --> 00:33:36,720
Speaker 7: to the head of an R at Mercury Records, or

744
00:33:36,800 --> 00:33:38,800
Speaker 7: hired as the head of an R at Mercury Records,

745
00:33:39,120 --> 00:33:40,720
Speaker 7: and he wants you to come in and sing for

746
00:33:40,800 --> 00:33:44,720
Speaker 7: Luke Lewis. And I had thought he'd forgotten about me.

747
00:33:45,600 --> 00:33:47,560
Speaker 7: So I went in with my guitar, sat in the

748
00:33:47,600 --> 00:33:49,360
Speaker 7: boardroom in front of him and Luke and wood He

749
00:33:49,480 --> 00:33:52,040
Speaker 7: was there, and I wore the most god awful Mobeta shirt.

750
00:33:52,040 --> 00:33:53,720
Speaker 7: It looked like somebody threw up on it. It was

751
00:33:53,800 --> 00:33:56,240
Speaker 7: you know, in the nineties, the Brooks and dun Garth

752
00:33:56,240 --> 00:33:59,680
Speaker 7: Brooks shirts. I still got the shirt and they called

753
00:33:59,680 --> 00:34:01,280
Speaker 7: me the name Stay and offered me a record deal.

754
00:34:01,320 --> 00:34:03,920
Speaker 7: And this is after I had already been in talks

755
00:34:03,960 --> 00:34:06,720
Speaker 7: with Sony Music because I was a Sony Tree writer

756
00:34:06,840 --> 00:34:10,120
Speaker 7: at the time, and Paul Worley had gone over to

757
00:34:10,200 --> 00:34:12,600
Speaker 7: Sony and he had a full roster of females, so

758
00:34:12,640 --> 00:34:15,280
Speaker 7: he couldn't do it. And so they offered me a

759
00:34:15,360 --> 00:34:19,440
Speaker 7: full fledged record deal, and I just I couldn't believe

760
00:34:19,640 --> 00:34:21,759
Speaker 7: it was finally happening. And it was eight years after

761
00:34:21,800 --> 00:34:23,960
Speaker 7: I moved to town. It was a long process.

762
00:34:24,080 --> 00:34:25,920
Speaker 1: What I hear, and I think what everybody should hear,

763
00:34:25,960 --> 00:34:31,319
Speaker 1: is your big break was actually you grinding it out,

764
00:34:31,320 --> 00:34:33,839
Speaker 1: taking advantage of a very small break, turning that with

765
00:34:33,880 --> 00:34:37,560
Speaker 1: your work, ethic and talent into a mid break. You

766
00:34:37,600 --> 00:34:40,839
Speaker 1: stayed focused, somebody happened like you were prepared when the

767
00:34:40,880 --> 00:34:44,000
Speaker 1: opportunity hit. Then it wasn't like here's a platter and

768
00:34:44,040 --> 00:34:46,080
Speaker 1: here's your life. You now get to have a record deal.

769
00:34:46,360 --> 00:34:48,840
Speaker 1: It was like you worked hard and took one small

770
00:34:48,880 --> 00:34:50,960
Speaker 1: thing and that just kept leading to another to another,

771
00:34:51,160 --> 00:34:52,960
Speaker 1: and then before you know it, you're an overnight success.

772
00:34:53,000 --> 00:34:57,440
Speaker 7: Well, it was such a heartbreaking process. Because I went

773
00:34:57,480 --> 00:35:02,280
Speaker 7: and sang for Curb Records and Electro record and Sony,

774
00:35:02,480 --> 00:35:06,319
Speaker 7: you know, and and they all showed interest in you know,

775
00:35:06,360 --> 00:35:09,160
Speaker 7: I even had one of them tell Woodie she's probably

776
00:35:09,160 --> 00:35:12,439
Speaker 7: the most powerful country singer, female country singer I've heard

777
00:35:12,440 --> 00:35:14,000
Speaker 7: in a really, really long time. But it's not what

778
00:35:14,040 --> 00:35:16,760
Speaker 7: we're looking for. And there were a lot of tears.

779
00:35:16,800 --> 00:35:16,920
Speaker 1: You know.

780
00:35:16,960 --> 00:35:19,000
Speaker 7: I'd go home and my husband at the time and

781
00:35:19,080 --> 00:35:21,600
Speaker 7: I would, you know, just be like, what's it going

782
00:35:21,680 --> 00:35:25,520
Speaker 7: to you know, one heartbreak after another. But every door

783
00:35:25,560 --> 00:35:28,080
Speaker 7: that closed, another one open. And there was always like

784
00:35:28,120 --> 00:35:33,719
Speaker 7: that carrot dangling that kept me focused, and I just

785
00:35:33,800 --> 00:35:36,520
Speaker 7: something inside told me not to give up. That the

786
00:35:36,800 --> 00:35:39,439
Speaker 7: right opportunity was going to come along. And when Luke

787
00:35:39,480 --> 00:35:41,560
Speaker 7: and Keith signed me, that was the right place for

788
00:35:41,600 --> 00:35:44,600
Speaker 7: me to be. And Keith was Alan Jackson's producer Randy

789
00:35:44,640 --> 00:35:47,680
Speaker 7: Travis like he he got the country thing. He wasn't

790
00:35:47,680 --> 00:35:49,920
Speaker 7: trying to turn me into something else. He signed me

791
00:35:50,000 --> 00:35:53,759
Speaker 7: because of that, and you know, I really appreciated the

792
00:35:53,920 --> 00:35:58,759
Speaker 7: artistic freedom they gave me, especially on my fourth album

793
00:35:58,800 --> 00:36:02,279
Speaker 7: that was not as mainstream. They were really great. They

794
00:36:02,280 --> 00:36:03,839
Speaker 7: were a great label for me to be on, and

795
00:36:03,840 --> 00:36:05,160
Speaker 7: that worked out the way it was supposed to. I

796
00:36:05,200 --> 00:36:06,200
Speaker 7: just had to wait a little while.

797
00:36:06,719 --> 00:36:10,880
Speaker 1: Do you ever perform not in a cowboy hat? Yeah?

798
00:36:11,000 --> 00:36:13,880
Speaker 7: I have. Yeah, there are when I do solo shows

799
00:36:13,920 --> 00:36:16,520
Speaker 7: there there is mostly for those ones. Sometimes I'll kind

800
00:36:16,520 --> 00:36:18,799
Speaker 7: of wear it for half the show. But you know,

801
00:36:19,320 --> 00:36:22,000
Speaker 7: I realized it's such a trademark that that I really

802
00:36:22,000 --> 00:36:24,840
Speaker 7: don't take a cowboy hat. I do a rock encore

803
00:36:25,160 --> 00:36:27,440
Speaker 7: in my show. I do a rock medley of you know,

804
00:36:27,520 --> 00:36:29,840
Speaker 7: pop and rock songs, and I'll take it off for

805
00:36:29,920 --> 00:36:33,080
Speaker 7: that and and just just for something a little bit different,

806
00:36:33,080 --> 00:36:34,120
Speaker 7: but then I put it right back on.

807
00:36:34,320 --> 00:36:36,640
Speaker 1: Have you had to sign thousands of cowboy hats? Oh? Gosh, yeah,

808
00:36:36,680 --> 00:36:37,480
Speaker 1: probably the number one thing.

809
00:36:37,520 --> 00:36:40,080
Speaker 7: Oh absolutely a lot of cowboy hats. And I hate

810
00:36:40,080 --> 00:36:42,560
Speaker 7: those ones that are those really cheap ones that that

811
00:36:42,560 --> 00:36:45,279
Speaker 7: that look like they've been woven. They're hard to they're

812
00:36:45,280 --> 00:36:48,319
Speaker 7: hard to sign, they got holes in them. Real hat.

813
00:36:48,440 --> 00:36:51,719
Speaker 1: And I learned John Parties a friend of mine, and he,

814
00:36:52,320 --> 00:36:54,440
Speaker 1: you know, has given me cowboy hats. I'm not a

815
00:36:54,440 --> 00:36:57,719
Speaker 1: cowboy hat guy, but he's like, you wear like a

816
00:36:57,760 --> 00:37:00,600
Speaker 1: felt I could be wrong, like a felt hat in

817
00:37:00,600 --> 00:37:03,080
Speaker 1: the winter, and definitely a straw type hat in the summer.

818
00:37:03,080 --> 00:37:04,200
Speaker 1: Do you do that o real day?

819
00:37:04,320 --> 00:37:05,080
Speaker 7: Yeah?

820
00:37:05,120 --> 00:37:07,680
Speaker 1: Are you kidding? Like the white like you can't wear white?

821
00:37:07,760 --> 00:37:10,440
Speaker 1: You can't wear So do you have different kinds of

822
00:37:10,440 --> 00:37:11,640
Speaker 1: hats depending on the weather?

823
00:37:11,960 --> 00:37:15,040
Speaker 7: Yeah? I usually switched to straw, you know, June first

824
00:37:15,080 --> 00:37:17,200
Speaker 7: or right after Memorial Days. It's the thing to do.

825
00:37:17,520 --> 00:37:22,239
Speaker 7: And yeah, And I honestly was wearing straw hats because

826
00:37:22,239 --> 00:37:23,879
Speaker 7: I had a bit of a deal with a hat

827
00:37:23,920 --> 00:37:27,200
Speaker 7: company for a while, and they didn't really make great

828
00:37:27,239 --> 00:37:30,279
Speaker 7: felt hats, So I wore straw hats for a good

829
00:37:30,360 --> 00:37:32,919
Speaker 7: ten years all the time. And then when that deal

830
00:37:33,000 --> 00:37:34,680
Speaker 7: was over, I'm like, I'm going right back to the

831
00:37:34,719 --> 00:37:38,880
Speaker 7: whole Texas Cattleman's crown cowboy hat, and I'm gonna do

832
00:37:38,960 --> 00:37:40,920
Speaker 7: it the right way, you know, felt in the winter

833
00:37:41,520 --> 00:37:43,840
Speaker 7: and fall and straw in the summer.

834
00:37:44,080 --> 00:37:47,080
Speaker 1: Two more hat questions because I just thought about them.

835
00:37:47,200 --> 00:37:49,120
Speaker 1: Your hat has been in a specific way. It's very much

836
00:37:49,400 --> 00:37:52,640
Speaker 1: your shape. Yeah, who does that?

837
00:37:52,760 --> 00:37:53,239
Speaker 7: I do it?

838
00:37:53,400 --> 00:37:55,040
Speaker 1: And how do you do it? Do you have like

839
00:37:55,080 --> 00:37:57,120
Speaker 1: a mold now that's just the tarry mold, and you

840
00:37:57,120 --> 00:37:57,560
Speaker 1: put it in.

841
00:37:57,520 --> 00:38:00,560
Speaker 7: The hat steamer. You use the steamer and and you

842
00:38:00,600 --> 00:38:02,239
Speaker 7: can shape a hat the way you want. In fact,

843
00:38:02,320 --> 00:38:04,480
Speaker 7: this is a funny story. I had to go get

844
00:38:04,520 --> 00:38:06,600
Speaker 7: a hat for a photo shoot and I was in

845
00:38:06,600 --> 00:38:08,560
Speaker 7: the middle of another move, so all of my felt

846
00:38:08,600 --> 00:38:12,200
Speaker 7: hats were in storage. So I went down town to

847
00:38:12,480 --> 00:38:14,799
Speaker 7: I think it's a boot Country down on a lower

848
00:38:14,840 --> 00:38:17,560
Speaker 7: Broadway to get a felt hat. And I walked in

849
00:38:17,680 --> 00:38:20,080
Speaker 7: and bought the hat and they wouldn't let me shape it.

850
00:38:20,760 --> 00:38:22,600
Speaker 7: They said, it's just we have to do it, and

851
00:38:22,600 --> 00:38:25,840
Speaker 7: I said, oh God please. So funny thing is, I

852
00:38:25,920 --> 00:38:28,040
Speaker 7: used to work at boot Country in Hendersonville before I

853
00:38:28,040 --> 00:38:29,840
Speaker 7: got a record deal, and the same guy owns the

854
00:38:29,880 --> 00:38:31,680
Speaker 7: whole chain. So I said, can you call ed Smith

855
00:38:31,719 --> 00:38:33,759
Speaker 7: and telling him his former employee with like the shape

856
00:38:33,800 --> 00:38:37,400
Speaker 7: her own hat got him right, so they did. They said, well,

857
00:38:37,440 --> 00:38:39,040
Speaker 7: let just let her do it. They made the exception

858
00:38:39,120 --> 00:38:41,040
Speaker 7: it's an insurance thing. The steamer can burn you or

859
00:38:41,080 --> 00:38:43,359
Speaker 7: something like that. So because I was going right from

860
00:38:43,400 --> 00:38:45,120
Speaker 7: the store to the photo shoot, I didn't have time

861
00:38:45,160 --> 00:38:47,000
Speaker 7: to go home and do it. But that's how you

862
00:38:47,000 --> 00:38:48,960
Speaker 7: shape them. You use a steamer and it makes them

863
00:38:49,000 --> 00:38:50,640
Speaker 7: soft and you can shape them. But yeah, I do

864
00:38:50,760 --> 00:38:53,160
Speaker 7: kind of have my own shape. I never just wear

865
00:38:53,160 --> 00:38:54,520
Speaker 7: a hat the way it is off the shelf.

866
00:38:54,600 --> 00:38:56,160
Speaker 1: If you don't wear a hat, well, there were people

867
00:38:56,200 --> 00:38:58,200
Speaker 1: that don't recognize you that should that, you know, because

868
00:38:58,200 --> 00:39:00,799
Speaker 1: I've not worn my glasses, and executives past me didn't

869
00:39:00,800 --> 00:39:01,319
Speaker 1: even know it was me.

870
00:39:01,520 --> 00:39:05,640
Speaker 7: Right, Yeah, it's definitely your glasses are your trademark. You know.

871
00:39:06,239 --> 00:39:08,360
Speaker 7: People you could somebody could draw a caricature of you

872
00:39:08,520 --> 00:39:09,879
Speaker 7: with with your life, they'd know it too.

873
00:39:09,960 --> 00:39:11,920
Speaker 1: Yeah, Or Harry Carey one of the two. All right,

874
00:39:12,000 --> 00:39:15,560
Speaker 1: carrect Okay, so look, we're gonna play some stuff from

875
00:39:15,560 --> 00:39:19,239
Speaker 1: your record, and you're just so fun to talk to you.

876
00:39:19,520 --> 00:39:21,920
Speaker 1: So let me say this. She's doing She has like

877
00:39:21,920 --> 00:39:24,960
Speaker 1: twenty dates left this year. The record is out, Terry

878
00:39:24,960 --> 00:39:29,040
Speaker 1: Clark Take two. I think we'll play the Ashley Better

879
00:39:29,080 --> 00:39:32,319
Speaker 1: Things to Do in its entirety. Okay, I like I

880
00:39:32,360 --> 00:39:33,680
Speaker 1: like this one a lot too, because I like both

881
00:39:33,680 --> 00:39:35,400
Speaker 1: of you, and I think this is the song I

882
00:39:35,440 --> 00:39:37,400
Speaker 1: think about. Is this most people's number one song with you?

883
00:39:38,160 --> 00:39:40,360
Speaker 7: I would say it's the number one streamer, But the

884
00:39:40,960 --> 00:39:44,520
Speaker 7: Cody Johnson Kelly Clarkson duets on Take two are blowing

885
00:39:44,600 --> 00:39:46,200
Speaker 7: up stream Wark. They're doing really well.

886
00:39:46,239 --> 00:39:48,480
Speaker 1: I guess I mean just in general with your songs.

887
00:39:48,440 --> 00:39:50,440
Speaker 7: My songs. Yeah, that's the one I think most people

888
00:39:50,680 --> 00:39:53,880
Speaker 7: identify me with. Yeah, it was the first one. It

889
00:39:53,960 --> 00:39:56,000
Speaker 7: was you know, that whole pan from my boots all

890
00:39:56,040 --> 00:39:58,320
Speaker 7: the way up, you know, and I'm this super skinny

891
00:39:58,320 --> 00:40:00,640
Speaker 7: twenty six year old girl. That's the thing. Remember And

892
00:40:00,920 --> 00:40:03,480
Speaker 7: the T shirt sleeves rolled up in the hat with

893
00:40:03,560 --> 00:40:06,120
Speaker 7: the electric guitar. That was the very it was a

894
00:40:06,320 --> 00:40:09,759
Speaker 7: very uh it was it was. Yeah, it was a

895
00:40:09,880 --> 00:40:14,960
Speaker 7: very defining moment in your show. Yes, I play it last,

896
00:40:15,000 --> 00:40:17,759
Speaker 7: and the audience gets to sing and it's a big

897
00:40:17,800 --> 00:40:20,239
Speaker 7: party and it's it's so much fun. And we're doing

898
00:40:20,280 --> 00:40:23,080
Speaker 7: the new the new arrangement from the new record. Actually

899
00:40:23,080 --> 00:40:25,600
Speaker 7: on that one, it's not that different, so I don't

900
00:40:25,600 --> 00:40:27,440
Speaker 7: even know if nobody notices it. But it's fun for

901
00:40:27,480 --> 00:40:29,279
Speaker 7: the band, you know, I'm going I'm playing electric on

902
00:40:29,320 --> 00:40:31,839
Speaker 7: it now and I used to play acoustic, and we uh,

903
00:40:32,040 --> 00:40:34,600
Speaker 7: we're enjoying playing some fresh takes on these.

904
00:40:34,719 --> 00:40:36,279
Speaker 1: The melodies are the same, though, r because the worst

905
00:40:36,320 --> 00:40:38,120
Speaker 1: thing is when you go watch an artist and it's like,

906
00:40:38,360 --> 00:40:39,880
Speaker 1: here's a song that was a hit for me, but

907
00:40:39,920 --> 00:40:41,800
Speaker 1: I'm now going to do it operatic style.

908
00:40:42,120 --> 00:40:44,480
Speaker 7: No yeah, no, no, no, no, no, I think you

909
00:40:44,520 --> 00:40:46,480
Speaker 7: the customer is always right, and they're they're buying a

910
00:40:46,520 --> 00:40:49,000
Speaker 7: ticket to hear something that they can sing along to.

911
00:40:49,360 --> 00:40:52,120
Speaker 7: Don't mess with the business. That is the business. You

912
00:40:52,120 --> 00:40:55,640
Speaker 7: don't mess with. And I'm not going I'm not going

913
00:40:55,719 --> 00:40:58,320
Speaker 7: to go see James Taylor, Fleetwood Mac or somebody or

914
00:40:58,400 --> 00:41:01,640
Speaker 7: Bonnie Rate and want to hear something and completely off

915
00:41:01,680 --> 00:41:04,120
Speaker 7: the wall of a song that I love so much,

916
00:41:04,239 --> 00:41:04,520
Speaker 7: you know.

917
00:41:05,080 --> 00:41:06,680
Speaker 1: Or a whole lot of new stuff. I'm good with

918
00:41:06,680 --> 00:41:07,120
Speaker 1: a couple of news.

919
00:41:07,160 --> 00:41:07,799
Speaker 7: Oh yeah, I don't want.

920
00:41:07,800 --> 00:41:08,799
Speaker 1: I don't want a whole show on news.

921
00:41:08,880 --> 00:41:11,400
Speaker 7: Yeah yeah, I I you know, I even play like,

922
00:41:11,440 --> 00:41:14,560
Speaker 7: if I need more content in my show, I'll play

923
00:41:14,640 --> 00:41:17,759
Speaker 7: some stuff that were hits in Canada that but but

924
00:41:18,040 --> 00:41:23,200
Speaker 7: weren't here. But I'll also, you know, I'll also play

925
00:41:23,200 --> 00:41:26,920
Speaker 7: songs that maybe weren't huge hits here, but were singles

926
00:41:26,960 --> 00:41:29,120
Speaker 7: like dirty Girl and three Mississippi.

927
00:41:29,200 --> 00:41:31,000
Speaker 1: And I don't even mind new stuff, but as long

928
00:41:31,000 --> 00:41:31,879
Speaker 1: as like five in a row.

929
00:41:32,719 --> 00:41:35,520
Speaker 7: Yeah, yeah, no, I think it's I think it's important

930
00:41:35,520 --> 00:41:38,479
Speaker 7: for artists to stick to a roadmap as it hits

931
00:41:38,600 --> 00:41:40,440
Speaker 7: in their show because that's what people really want to

932
00:41:40,520 --> 00:41:43,799
Speaker 7: and nineties countries kind of this thing now that people

933
00:41:43,880 --> 00:41:46,359
Speaker 7: have really gone back to and are digging deeper. And

934
00:41:46,920 --> 00:41:49,680
Speaker 7: you know, some of them may have heard your songs

935
00:41:49,680 --> 00:41:53,400
Speaker 7: for the very first time listening to a playlist, and

936
00:41:53,680 --> 00:41:55,040
Speaker 7: they're gonna show up and buy a ticket to your

937
00:41:55,040 --> 00:41:57,560
Speaker 7: show and it's gonna sound completely different. Yeah no, that

938
00:41:57,600 --> 00:41:58,120
Speaker 7: would suck.

939
00:41:58,480 --> 00:42:01,880
Speaker 1: Okay, Now it's our straight to talk wireless question, Terry

940
00:42:01,920 --> 00:42:04,120
Speaker 1: to stay grounded. Who tells it to you straight?

941
00:42:04,520 --> 00:42:06,640
Speaker 7: Well, I'll tell you that my manager, Clarence is no

942
00:42:06,760 --> 00:42:10,319
Speaker 7: bs at all, like he is very very honest, and

943
00:42:12,640 --> 00:42:14,520
Speaker 7: he will give me the real story. And I think

944
00:42:14,560 --> 00:42:17,600
Speaker 7: that's really important. My mom, when she was alive, was

945
00:42:17,680 --> 00:42:20,719
Speaker 7: definitely that person. And I've got friends that I ate

946
00:42:20,760 --> 00:42:23,000
Speaker 7: dirt with in my life that have been around for

947
00:42:23,000 --> 00:42:27,799
Speaker 7: forty years who are very very honest with me. You know,

948
00:42:27,880 --> 00:42:31,560
Speaker 7: I have I have some and music fans in general

949
00:42:31,760 --> 00:42:36,120
Speaker 7: and see artists and ask questions about the industry. But

950
00:42:37,160 --> 00:42:39,920
Speaker 7: that I can lean on for you know, when you

951
00:42:39,960 --> 00:42:43,280
Speaker 7: go to a show or Okay, if somebody really iconic,

952
00:42:43,400 --> 00:42:45,800
Speaker 7: not me, I'm talking about a James Taylor or somebody,

953
00:42:45,880 --> 00:42:50,200
Speaker 7: it makes a new record, Are you excited about that? No, okay,

954
00:42:50,880 --> 00:42:55,120
Speaker 7: like it's sort of that. It's that honesty, like do

955
00:42:55,160 --> 00:42:57,600
Speaker 7: I make another record of new music or not, I

956
00:42:57,640 --> 00:42:59,600
Speaker 7: don't know if I do it, I'm doing it for me. Yeah,

957
00:42:59,600 --> 00:43:02,040
Speaker 7: I'm gonna do it because it's something I really want

958
00:43:02,080 --> 00:43:04,960
Speaker 7: to do without any kind of expectation of an outcome,

959
00:43:05,440 --> 00:43:07,759
Speaker 7: because it's the only reason to do that stuff now.

960
00:43:07,800 --> 00:43:10,080
Speaker 7: But you know, I do talk to my friends. I

961
00:43:11,000 --> 00:43:14,319
Speaker 7: have people in my life that are very honest and

962
00:43:14,480 --> 00:43:17,480
Speaker 7: always will be and people who's, you know, opinions I

963
00:43:17,520 --> 00:43:18,200
Speaker 7: really respect.

964
00:43:18,640 --> 00:43:21,160
Speaker 1: I have found that the people that I care about

965
00:43:21,200 --> 00:43:22,759
Speaker 1: that will tell me when something's not good are the

966
00:43:22,760 --> 00:43:24,439
Speaker 1: people that I care about when they tell me something

967
00:43:24,520 --> 00:43:27,759
Speaker 1: is good, because it's anybody. You know, people say all

968
00:43:27,840 --> 00:43:29,200
Speaker 1: kinds of good stuff to you if things are going

969
00:43:29,239 --> 00:43:30,640
Speaker 1: well for you because they want to be around they

970
00:43:30,719 --> 00:43:33,839
Speaker 1: run the success, right, So it's really I only take

971
00:43:33,880 --> 00:43:36,920
Speaker 1: good from the people that I care about, and we'll

972
00:43:36,960 --> 00:43:37,640
Speaker 1: hear bad from it.

973
00:43:37,800 --> 00:43:40,120
Speaker 7: It's well, it's amazing who I'm hearing from, you know,

974
00:43:40,160 --> 00:43:42,720
Speaker 7: who's texting me because now I'm talking about this project

975
00:43:42,760 --> 00:43:44,640
Speaker 7: and I'm a little more in the forefront as far

976
00:43:44,640 --> 00:43:47,400
Speaker 7: as you know, doing some interviews and press and stuff.

977
00:43:47,400 --> 00:43:51,239
Speaker 7: And it's like, oh, look who just texted me? Right,

978
00:43:52,520 --> 00:43:55,160
Speaker 7: It's just you know, you have to take take it

979
00:43:55,200 --> 00:43:55,840
Speaker 7: as it comes.

980
00:43:55,880 --> 00:43:57,880
Speaker 1: And I try not to take criticism from anybody. I

981
00:43:57,880 --> 00:43:59,200
Speaker 1: wouldn't take advice from.

982
00:43:59,520 --> 00:44:01,359
Speaker 7: Absolutely, because that's right.

983
00:44:01,400 --> 00:44:05,640
Speaker 1: Everybody wants to offer criticism out of nowhere.

984
00:44:05,640 --> 00:44:10,040
Speaker 7: Everybody's an armchair expert, you know, and and thinks they know.

985
00:44:11,960 --> 00:44:14,600
Speaker 7: You know, there was somebody who the comments on the

986
00:44:14,600 --> 00:44:16,640
Speaker 7: new record have been all so positive and so great,

987
00:44:16,640 --> 00:44:18,360
Speaker 7: and everybody's loving it. But you know, there's always a

988
00:44:18,400 --> 00:44:21,480
Speaker 7: couple and one person was like, uh, why does your

989
00:44:21,520 --> 00:44:24,040
Speaker 7: voice sound like it's in a wind tunnel. It's compression, right,

990
00:44:24,080 --> 00:44:29,160
Speaker 7: But people who aren't engineers, engineers mix records now with

991
00:44:30,400 --> 00:44:32,719
Speaker 7: different effects because you know how most people listen to

992
00:44:32,800 --> 00:44:36,520
Speaker 7: music through their iPhone speaker, Like a lot of people

993
00:44:36,640 --> 00:44:38,279
Speaker 7: just run around listening to stuff through.

994
00:44:38,160 --> 00:44:40,799
Speaker 1: And there are engineers.

995
00:44:40,600 --> 00:44:43,280
Speaker 7: They have to almost like the volume has to be different,

996
00:44:43,320 --> 00:44:45,759
Speaker 7: like it's a whole different it's a whole different world now.

997
00:44:46,280 --> 00:44:50,120
Speaker 1: Terry Clark Take two with music from obviously all Terry songs,

998
00:44:50,200 --> 00:44:52,480
Speaker 1: but Laura Alaina, Paul Brant, Kelly Clarks and Cody Johnson,

999
00:44:52,480 --> 00:44:55,560
Speaker 1: Ashley McBride Carly Pierre spin rector Laney Wilson also go

1000
00:44:55,600 --> 00:44:57,880
Speaker 1: to Terry Clark dot com. A bunch of shows all

1001
00:44:57,920 --> 00:45:00,160
Speaker 1: the way through twenty twenty. You have a show in

1002
00:45:00,160 --> 00:45:01,600
Speaker 1: twenty twenty five on the list, I.

1003
00:45:01,680 --> 00:45:04,560
Speaker 7: Know, And there's a whole bunch of shows that I

1004
00:45:04,680 --> 00:45:07,040
Speaker 7: have that we haven't announced yet that are coming up

1005
00:45:07,200 --> 00:45:11,080
Speaker 7: this winter, and we're adding stuff all the time, so

1006
00:45:11,200 --> 00:45:13,000
Speaker 7: we're all in all, we're probably going to be at

1007
00:45:13,080 --> 00:45:15,080
Speaker 7: seventy five shows for the year by the time we're done,

1008
00:45:15,080 --> 00:45:16,000
Speaker 7: which is a really good year.

1009
00:45:16,200 --> 00:45:19,600
Speaker 1: Final final question. I washed dishes for about a year

1010
00:45:19,600 --> 00:45:21,520
Speaker 1: and a half. Is I did too? It's a terrible job.

1011
00:45:21,719 --> 00:45:22,520
Speaker 7: I washed dishes.

1012
00:45:22,560 --> 00:45:24,480
Speaker 1: It's terrible. I watched the restaurant's a terrible job. I

1013
00:45:24,520 --> 00:45:25,880
Speaker 1: had to work out of that to be a bus boy.

1014
00:45:26,360 --> 00:45:28,520
Speaker 1: But and I am not somebody who likes gross. I

1015
00:45:28,520 --> 00:45:30,240
Speaker 1: don't do well with gross. But I washed dishes.

1016
00:45:30,600 --> 00:45:31,640
Speaker 7: You don't do well with gross?

1017
00:45:31,719 --> 00:45:32,000
Speaker 8: I don't.

1018
00:45:32,040 --> 00:45:34,040
Speaker 1: And that's the grossest job, especially if you don't have

1019
00:45:34,080 --> 00:45:35,759
Speaker 1: a good wait staff that's helping you, at least on

1020
00:45:35,800 --> 00:45:37,560
Speaker 1: the front side cleaning like scraping the plate.

1021
00:45:37,880 --> 00:45:38,120
Speaker 8: It is.

1022
00:45:38,320 --> 00:45:41,239
Speaker 7: It is horrendous. Did you have the big Sprayer. Yes, yes,

1023
00:45:41,760 --> 00:45:43,839
Speaker 7: I did that in high school for my high school job.

1024
00:45:43,880 --> 00:45:45,800
Speaker 1: Yeah. What did you learn from washing dishes?

1025
00:45:46,480 --> 00:45:47,360
Speaker 7: That people are gross?

1026
00:45:47,640 --> 00:45:51,800
Speaker 1: Exactly exactly and I try to not be so gross

1027
00:45:51,880 --> 00:45:55,239
Speaker 1: because of that. Yes, Sarah Gross. Terry Clark, great to

1028
00:45:55,320 --> 00:45:58,200
Speaker 1: see you. You're one of my favorites. Now, you're one

1029
00:45:58,239 --> 00:45:59,560
Speaker 1: of my favorites. And I didn't know you, but now

1030
00:45:59,600 --> 00:46:01,400
Speaker 1: that I know you, like, you're one of my favorites.

1031
00:46:01,920 --> 00:46:04,520
Speaker 7: Thank you, Bobby, You're You're absolutely one of my favorites.

1032
00:46:04,560 --> 00:46:07,640
Speaker 7: Maybe the favorite interview ever that I've gotten to be

1033
00:46:07,680 --> 00:46:11,279
Speaker 7: a part of today. It's not we'gotten, no, I mean

1034
00:46:11,760 --> 00:46:13,680
Speaker 7: I really enjoy talking to you, Like I would sit

1035
00:46:13,719 --> 00:46:15,279
Speaker 7: and have dinner with you and we could have some

1036
00:46:15,560 --> 00:46:19,000
Speaker 7: really like, you know, off the record conversations that would

1037
00:46:19,000 --> 00:46:21,960
Speaker 7: be I think, really meaningful. So I like getting that

1038
00:46:22,040 --> 00:46:23,840
Speaker 7: feeling from somebody I'm talking to and I appreciate it.

1039
00:46:23,880 --> 00:46:25,640
Speaker 1: Yeah, I'll seecretly recorded and bring it on the next day,

1040
00:46:25,640 --> 00:46:34,919
Speaker 1: but it would be good, though, Terry Clark. Everybody, here's

1041
00:46:34,920 --> 00:46:36,799
Speaker 1: a voicemail from Stephanie and Sacramento.

1042
00:46:37,040 --> 00:46:41,080
Speaker 8: What do you do if your dog or pet hurts

1043
00:46:41,320 --> 00:46:45,440
Speaker 8: an animal? So today, Michelden retriever caught a bird and

1044
00:46:45,719 --> 00:46:48,359
Speaker 8: it didn't die, and it was injured and could not fly.

1045
00:46:48,680 --> 00:46:50,520
Speaker 8: I put it in a box with some paper towels,

1046
00:46:50,560 --> 00:46:52,960
Speaker 8: and I called a local wildlife rescue that has a

1047
00:46:53,040 --> 00:46:55,640
Speaker 8: bird nursery, and I took it in and sadly, both

1048
00:46:55,640 --> 00:46:57,279
Speaker 8: of its legs are broken and it's not going to

1049
00:46:57,360 --> 00:46:57,560
Speaker 8: make it.

1050
00:46:57,800 --> 00:46:59,440
Speaker 4: If this happens again, what should I do?

1051
00:46:59,560 --> 00:47:00,480
Speaker 5: What's the right thing to do?

1052
00:47:00,600 --> 00:47:01,160
Speaker 1: What would you do?

1053
00:47:01,520 --> 00:47:04,080
Speaker 8: Leave it out for nature to take its course, or

1054
00:47:04,520 --> 00:47:05,480
Speaker 8: did I do the right thing?

1055
00:47:05,719 --> 00:47:06,600
Speaker 11: Or what would you guys do?

1056
00:47:06,680 --> 00:47:07,240
Speaker 5: I'm curious?

1057
00:47:07,360 --> 00:47:08,439
Speaker 8: Thanks so much, love the show.

1058
00:47:08,520 --> 00:47:10,080
Speaker 1: I don't think there's a wrong thing to do here.

1059
00:47:10,080 --> 00:47:12,400
Speaker 1: I think if you're from the country, you shoot it.

1060
00:47:12,640 --> 00:47:14,640
Speaker 1: If you have a gun, you put it out of

1061
00:47:14,680 --> 00:47:17,839
Speaker 1: his misery from the country, country. If you are from

1062
00:47:17,880 --> 00:47:19,279
Speaker 1: the city, or like, why is a bird here? This

1063
00:47:19,440 --> 00:47:24,520
Speaker 1: is the city? You're just confused, right, Yeah, there are

1064
00:47:24,560 --> 00:47:26,680
Speaker 1: so many diseases on wild animals. I don't think I'm

1065
00:47:26,719 --> 00:47:30,040
Speaker 1: touching it. That sucks. But I think if you if

1066
00:47:30,040 --> 00:47:32,759
Speaker 1: you're Arkansas Keith, my stepdad, you probably shoot it. But

1067
00:47:32,800 --> 00:47:34,759
Speaker 1: I don't think there's a wrong answer here. YEA sounds

1068
00:47:34,800 --> 00:47:36,799
Speaker 1: like what she did was you had a good heart. Yeah,

1069
00:47:37,000 --> 00:47:39,840
Speaker 1: big heart, totally the right thing for what needed to

1070
00:47:40,000 --> 00:47:42,920
Speaker 1: be done. You could stomp it. Oh no, you could

1071
00:47:42,920 --> 00:47:43,520
Speaker 1: stop its head.

1072
00:47:43,560 --> 00:47:46,480
Speaker 5: No, that's that's traumatic for me.

1073
00:47:46,920 --> 00:47:48,960
Speaker 1: No, No, I hear you. You could. I'm saying, if

1074
00:47:48,960 --> 00:47:50,960
Speaker 1: you don't have a gun, you you could. How I

1075
00:47:51,040 --> 00:47:53,239
Speaker 1: grew up. If an animal there's no bouncy back, you

1076
00:47:53,280 --> 00:47:56,040
Speaker 1: put out of its misery as fast as possible? Shouble,

1077
00:47:56,560 --> 00:47:58,759
Speaker 1: Can you let the dog finish it off? You can't.

1078
00:47:59,120 --> 00:48:00,480
Speaker 1: But the problem with that is I don't want to

1079
00:48:00,520 --> 00:48:02,400
Speaker 1: do that. Then the dogs I got it in the

1080
00:48:02,480 --> 00:48:05,359
Speaker 1: holl the dog you don't want to do. Not feel

1081
00:48:05,400 --> 00:48:07,400
Speaker 1: bad about this. This is my point. You did nothing

1082
00:48:07,480 --> 00:48:10,040
Speaker 1: wrong here. Do not feel bad about it. That's a

1083
00:48:10,160 --> 00:48:13,319
Speaker 1: terrible situation. You have a big heart, and I think

1084
00:48:13,400 --> 00:48:15,560
Speaker 1: any of the options would have been big heart. It

1085
00:48:15,760 --> 00:48:17,200
Speaker 1: stinks I have to kill an animal like that.

1086
00:48:17,760 --> 00:48:19,839
Speaker 3: I have to answer her specific question about it. If

1087
00:48:19,880 --> 00:48:21,760
Speaker 3: she should what she should do the next time it happens.

1088
00:48:21,800 --> 00:48:23,560
Speaker 3: If it happens, do exactly that again.

1089
00:48:23,640 --> 00:48:26,399
Speaker 5: The dog. The bird may live and may be totally fine.

1090
00:48:26,440 --> 00:48:28,000
Speaker 1: And okay, who's going to take care of a bird

1091
00:48:28,080 --> 00:48:28,919
Speaker 1: with two broken legs?

1092
00:48:28,960 --> 00:48:30,719
Speaker 5: It can't function but bird sanctuary.

1093
00:48:31,280 --> 00:48:34,400
Speaker 1: Okay, you know what, big heart, love it all right?

1094
00:48:34,440 --> 00:48:35,520
Speaker 1: Play the next one please.

1095
00:48:35,480 --> 00:48:36,560
Speaker 11: Good morning studio.

1096
00:48:36,719 --> 00:48:38,080
Speaker 1: This question goes out to lunch box.

1097
00:48:38,200 --> 00:48:40,839
Speaker 11: So I have a dating question for you. Actually, I've

1098
00:48:40,880 --> 00:48:43,319
Speaker 11: been seeing this girl write for almost a month now,

1099
00:48:43,680 --> 00:48:45,640
Speaker 11: and you know, we're getting to the point where instead

1100
00:48:45,640 --> 00:48:47,440
Speaker 11: of just like go on the specific dates, we're kind

1101
00:48:47,440 --> 00:48:49,160
Speaker 11: of just hanging out. Now I've been on more than

1102
00:48:49,239 --> 00:48:51,200
Speaker 11: like seven days by now. But anyways, I have the

1103
00:48:51,360 --> 00:48:53,359
Speaker 11: questions right, So I'm starting to thinking about this first

1104
00:48:53,440 --> 00:48:55,719
Speaker 11: kiss with her. I'm wondering, do I go fool out,

1105
00:48:55,760 --> 00:48:57,799
Speaker 11: make on sesh, you know, just make out with her,

1106
00:48:57,920 --> 00:49:00,440
Speaker 11: you know, come bare or you know? Are you going

1107
00:49:00,480 --> 00:49:01,800
Speaker 11: to go for a little peck on the list and

1108
00:49:01,880 --> 00:49:04,120
Speaker 11: let her be much about figured you'd be Ananda tummy.

1109
00:49:04,200 --> 00:49:06,000
Speaker 1: So you tell me what I should do and I'll

1110
00:49:06,040 --> 00:49:08,040
Speaker 1: do it. What is wrong with you?

1111
00:49:08,080 --> 00:49:09,640
Speaker 2: You've been hanging out for a month and you haven't

1112
00:49:09,719 --> 00:49:10,400
Speaker 2: French kissed her.

1113
00:49:10,440 --> 00:49:13,000
Speaker 1: You have been gone days, he said, more than seven.

1114
00:49:13,160 --> 00:49:16,080
Speaker 2: That's ridiculous. You gotta go full on tongue all up

1115
00:49:16,080 --> 00:49:16,680
Speaker 2: in her mouth.

1116
00:49:17,360 --> 00:49:19,439
Speaker 1: When would you have gone full on to a tongue

1117
00:49:19,520 --> 00:49:19,960
Speaker 1: up in her mouth?

1118
00:49:20,200 --> 00:49:22,040
Speaker 2: Probably first night yeah.

1119
00:49:22,320 --> 00:49:23,880
Speaker 1: Did you have to go full on tongue up in

1120
00:49:23,920 --> 00:49:25,200
Speaker 1: her mouth before you ever knew their name?

1121
00:49:25,360 --> 00:49:25,560
Speaker 12: Yeah?

1122
00:49:25,600 --> 00:49:27,799
Speaker 6: Oh oh yeah, I still I mean I can still

1123
00:49:27,920 --> 00:49:30,080
Speaker 6: name some of the girls, like what they're wearing. Don't

1124
00:49:30,120 --> 00:49:34,080
Speaker 6: know their name, but you know what's wearing, yeah, green dress,

1125
00:49:34,120 --> 00:49:37,239
Speaker 6: because she was in my phone as green dress.

1126
00:49:38,360 --> 00:49:41,960
Speaker 1: No idea, is she still in your phone as green dress?

1127
00:49:42,760 --> 00:49:44,560
Speaker 1: Did you ever clear all of them out? Like did

1128
00:49:44,600 --> 00:49:45,239
Speaker 1: you in check?

1129
00:49:46,040 --> 00:49:48,040
Speaker 6: Because I you know, I wonder if like if they

1130
00:49:48,120 --> 00:49:50,400
Speaker 6: get rid of their phone number, does it like delete

1131
00:49:50,440 --> 00:49:51,320
Speaker 6: from my phone.

1132
00:49:51,120 --> 00:49:55,640
Speaker 1: Now she just calls whomever answers. Now, would you ever

1133
00:49:56,160 --> 00:49:56,719
Speaker 1: how to ask this?

1134
00:49:57,040 --> 00:49:57,160
Speaker 7: Uh?

1135
00:49:57,600 --> 00:50:00,600
Speaker 1: Gently? Would you ever do more with that? Knowing their name?

1136
00:50:01,400 --> 00:50:04,400
Speaker 2: Yeah, no, it's not in there for some reason Green dress.

1137
00:50:04,680 --> 00:50:06,560
Speaker 6: No, maybe it didn't transfer over when I got an

1138
00:50:06,600 --> 00:50:08,719
Speaker 6: iPhone because I used to have a flip phone back

1139
00:50:08,719 --> 00:50:09,239
Speaker 6: in those days.

1140
00:50:09,400 --> 00:50:12,360
Speaker 1: Yeah, yeah, of course green dressing the flip phone day's

1141
00:50:12,360 --> 00:50:12,839
Speaker 1: flip phone.

1142
00:50:12,920 --> 00:50:15,759
Speaker 2: Yeah yeah, no, Yeah, there's definitely girls I did more

1143
00:50:15,800 --> 00:50:16,920
Speaker 2: with it. I didn't even know their name.

1144
00:50:17,560 --> 00:50:18,399
Speaker 1: They were just hot.

1145
00:50:18,680 --> 00:50:20,839
Speaker 6: Do you think they knew your name? Oh for sure,

1146
00:50:20,920 --> 00:50:26,000
Speaker 6: probably for sure. Probably did they know it as lunchbox? Yeah, yeah,

1147
00:50:26,280 --> 00:50:28,520
Speaker 6: there was no real name given, no need for that.

1148
00:50:28,719 --> 00:50:29,800
Speaker 1: Is that why they hooked up with you?

1149
00:50:29,880 --> 00:50:33,160
Speaker 6: Probably is that I was good looking, thought I was funny,

1150
00:50:33,239 --> 00:50:36,320
Speaker 6: thought I was entertaining, and yeah, being a celebrity it helps.

1151
00:50:37,200 --> 00:50:40,239
Speaker 5: No, he knew you. I always thought those girls were

1152
00:50:40,239 --> 00:50:40,800
Speaker 5: trying to get to you.

1153
00:50:41,400 --> 00:50:45,920
Speaker 1: You thought they come to my house. Wow, he's like

1154
00:50:46,040 --> 00:50:49,920
Speaker 1: the opening band. I don't want to be on that stage.

1155
00:50:50,880 --> 00:50:53,600
Speaker 1: I'm off that venue and the no bill I'm not there. No,

1156
00:50:53,800 --> 00:50:55,839
Speaker 1: I don't think that's I never thought that was the case.

1157
00:50:56,640 --> 00:50:59,440
Speaker 1: If you weren't lunchbox and whatever that means, could you

1158
00:50:59,520 --> 00:51:00,839
Speaker 1: still got these girls? Yes?

1159
00:51:01,880 --> 00:51:03,040
Speaker 2: I got skills, all right?

1160
00:51:03,520 --> 00:51:06,480
Speaker 1: Okay, Okayay, So your advice to this person is oh,

1161
00:51:06,600 --> 00:51:09,000
Speaker 1: full on tongue and I mean, dude, you have I

1162
00:51:09,040 --> 00:51:10,359
Speaker 1: don't know why you waited seven days.

1163
00:51:10,400 --> 00:51:11,080
Speaker 2: This is ridiculous.

1164
00:51:11,080 --> 00:51:13,960
Speaker 3: No, No, everybody goes at their own pace. It totally fine.

1165
00:51:14,200 --> 00:51:15,800
Speaker 1: I hear you. But this pace is even for me.

1166
00:51:16,000 --> 00:51:16,680
Speaker 2: Seven dates.

1167
00:51:16,760 --> 00:51:18,479
Speaker 1: That's like she thinks you're her buddy at this point.

1168
00:51:18,560 --> 00:51:23,000
Speaker 1: Oh man, we're just pals. Okay. A lot is defined

1169
00:51:23,040 --> 00:51:26,200
Speaker 1: in the first couple to three. That's good luck, though.

1170
00:51:26,280 --> 00:51:28,840
Speaker 5: Man, some people don't even give still their wedding.

1171
00:51:28,880 --> 00:51:29,680
Speaker 1: Oh that's not sure.

1172
00:51:29,840 --> 00:51:30,160
Speaker 2: Who does?

1173
00:51:30,200 --> 00:51:32,680
Speaker 1: Like three people who like that's a new story when

1174
00:51:32,719 --> 00:51:36,799
Speaker 1: it happens, because that never happens. Thank you. You guys

1175
00:51:36,840 --> 00:51:40,359
Speaker 1: can call us anytime. Eight seven, seven seventy seven Bobby.

1176
00:51:40,719 --> 00:51:41,880
Speaker 5: Bobby Bone Show.

1177
00:51:43,239 --> 00:51:43,560
Speaker 1: Today.

1178
00:51:44,239 --> 00:51:48,040
Speaker 6: This story comes us from Pennsylvania. Eight twenty two year

1179
00:51:48,040 --> 00:51:50,439
Speaker 6: old man was going to visit his buddy in jail,

1180
00:51:50,480 --> 00:51:52,640
Speaker 6: and his buddy's like, hey, I need you to bring

1181
00:51:52,760 --> 00:51:55,239
Speaker 6: me a gun. He's like, man, I don't know if

1182
00:51:55,239 --> 00:51:56,960
Speaker 6: I can get the gun in, but I'll do my best.

1183
00:51:57,440 --> 00:52:00,359
Speaker 6: So he hid the gun in his shoe walk. Then

1184
00:52:00,800 --> 00:52:04,560
Speaker 6: beppeep metal detector goes off. He goes, oh, must be

1185
00:52:04,680 --> 00:52:08,440
Speaker 6: my nose ring, takes out the nose ring, tries to

1186
00:52:08,480 --> 00:52:12,279
Speaker 6: go through the metal detector again, beppppepep, and they.

1187
00:52:12,280 --> 00:52:14,800
Speaker 2: Do his search and they finally gun like, eventually.

1188
00:52:16,040 --> 00:52:18,600
Speaker 1: They're gonna find whatever that metal is. Right, did he

1189
00:52:18,680 --> 00:52:20,759
Speaker 1: think if he took his nose ring out they would

1190
00:52:20,760 --> 00:52:22,840
Speaker 1: be like, that must be it. You're good to go,

1191
00:52:23,120 --> 00:52:25,400
Speaker 1: no need to go back through. We found it. I

1192
00:52:25,480 --> 00:52:27,319
Speaker 1: wonder if he said, like, uh, I guess it wasn't

1193
00:52:27,320 --> 00:52:31,520
Speaker 1: the nose ring. He's confused. I wonder what they'll find

1194
00:52:31,560 --> 00:52:32,800
Speaker 1: this time. You know, that's when you could run. You

1195
00:52:32,880 --> 00:52:35,000
Speaker 1: get out of there. All right, thank you, I'm munch Box.

1196
00:52:35,080 --> 00:52:38,399
Speaker 2: That's your Boneheads story of the day. All right.

1197
00:52:38,440 --> 00:52:40,800
Speaker 1: I think we all can agree that tipping culture is

1198
00:52:41,239 --> 00:52:43,400
Speaker 1: it's a bit out of control. Oh yeah, but you

1199
00:52:43,440 --> 00:52:45,680
Speaker 1: don't have to tip in some places where they're like

1200
00:52:46,080 --> 00:52:48,440
Speaker 1: you did this, You can't tip. Some places you probably

1201
00:52:48,480 --> 00:52:52,200
Speaker 1: should tip, but it's all on a who you are,

1202
00:52:52,280 --> 00:52:52,759
Speaker 1: what you believe.

1203
00:52:52,800 --> 00:52:52,920
Speaker 11: Man.

1204
00:52:53,000 --> 00:52:54,640
Speaker 1: But yes, there are too many tip lines. I will

1205
00:52:54,680 --> 00:52:56,600
Speaker 1: even agree with that. And I'm someone who feels like

1206
00:52:56,640 --> 00:52:58,399
Speaker 1: I need to tip everywhere because I people will tip

1207
00:52:58,480 --> 00:53:00,719
Speaker 1: me with all my jobs going up, Morgan, what is

1208
00:53:00,719 --> 00:53:02,200
Speaker 1: your question? So I went to a.

1209
00:53:02,239 --> 00:53:05,360
Speaker 12: Restaurant and they automatically had the gratuity included.

1210
00:53:05,440 --> 00:53:06,279
Speaker 7: This is just a two top.

1211
00:53:06,360 --> 00:53:08,200
Speaker 1: It wasn't a big group or anything, and it was

1212
00:53:08,280 --> 00:53:12,439
Speaker 1: a twenty two people. They automatically Wow, it wasn't even

1213
00:53:12,480 --> 00:53:12,879
Speaker 1: a question.

1214
00:53:13,000 --> 00:53:14,160
Speaker 5: It was like and she told us.

1215
00:53:14,200 --> 00:53:15,680
Speaker 12: The server was like, hey, just so you know, it's

1216
00:53:15,719 --> 00:53:17,160
Speaker 12: automatically added into the bill.

1217
00:53:17,400 --> 00:53:20,879
Speaker 1: What's what was it twenty Was it twenty twenty percent? Wow?

1218
00:53:20,960 --> 00:53:22,560
Speaker 1: I've never heard it. Okay, go ahead.

1219
00:53:22,640 --> 00:53:25,960
Speaker 12: Yeah, And so but we signed that, and we were

1220
00:53:25,960 --> 00:53:27,920
Speaker 12: sitting there like, do we still tip? They're still a

1221
00:53:27,960 --> 00:53:30,520
Speaker 12: tip line. But this is the first time we've ever

1222
00:53:30,600 --> 00:53:33,040
Speaker 12: been at a situation with two people, not like a

1223
00:53:33,080 --> 00:53:36,279
Speaker 12: big group where they've automatically included it. So do you

1224
00:53:36,480 --> 00:53:37,800
Speaker 12: add an additional tip.

1225
00:53:37,680 --> 00:53:39,000
Speaker 5: Or are you like, okay, we're good.

1226
00:53:39,360 --> 00:53:39,960
Speaker 7: That was the bill.

1227
00:53:40,320 --> 00:53:43,799
Speaker 1: Uh. If you would have tipped twenty percent, you're good,

1228
00:53:44,760 --> 00:53:46,360
Speaker 1: you're good. If you wanted to tip more, if you

1229
00:53:46,360 --> 00:53:49,400
Speaker 1: would have tipped more, anyway you can add another few bucks.

1230
00:53:50,440 --> 00:53:53,360
Speaker 1: And even the fact that the waiter, waitress whomever knew that,

1231
00:53:53,600 --> 00:53:55,520
Speaker 1: that's them also saying, hey, you don't have to add anymore,

1232
00:53:56,120 --> 00:53:58,520
Speaker 1: like for them to go, hey, it's already added. You

1233
00:53:58,600 --> 00:54:00,560
Speaker 1: don't have to add anymore. They're also tell you this

1234
00:54:00,680 --> 00:54:06,160
Speaker 1: is kind of weird. So if the problem is, let's say,

1235
00:54:07,239 --> 00:54:09,560
Speaker 1: and I'm not I always tip at least twenty percent,

1236
00:54:09,640 --> 00:54:12,000
Speaker 1: but let's say you didn't want to tip twenty percent

1237
00:54:12,400 --> 00:54:14,239
Speaker 1: and they've already added in twenty the problem is that

1238
00:54:14,560 --> 00:54:16,520
Speaker 1: they just have that money. You can't take that off.

1239
00:54:17,040 --> 00:54:18,120
Speaker 2: You're gonna have to call a manager.

1240
00:54:18,280 --> 00:54:18,400
Speaker 8: Right.

1241
00:54:18,440 --> 00:54:21,160
Speaker 1: A little minus can type like a minus because imagine this,

1242
00:54:21,239 --> 00:54:22,960
Speaker 1: what if you did a minus for all that you

1243
00:54:23,040 --> 00:54:25,879
Speaker 1: paid and you got everything free. I've bet no one's

1244
00:54:25,920 --> 00:54:29,080
Speaker 1: done that. Let's flip that around. I think that's a

1245
00:54:29,120 --> 00:54:31,359
Speaker 1: little bizarre. I've never heard of that. At a two top,

1246
00:54:31,480 --> 00:54:33,520
Speaker 1: for sure, parties of six or more, we had a

1247
00:54:33,560 --> 00:54:35,920
Speaker 1: tip built in, for sure, because you just didn't want

1248
00:54:35,920 --> 00:54:37,279
Speaker 1: to spend and put a lot of effort into a

1249
00:54:37,400 --> 00:54:39,919
Speaker 1: friggin six top with a baby in a high chair

1250
00:54:40,040 --> 00:54:42,640
Speaker 1: and they get stabbed with no tip. You just dedicated

1251
00:54:42,680 --> 00:54:44,759
Speaker 1: a bunch of your night to it. But I think

1252
00:54:44,800 --> 00:54:46,880
Speaker 1: you don't have to tip anymore. The expectation is not

1253
00:54:46,960 --> 00:54:49,560
Speaker 1: to tip anymore, and if you do, that's great. But

1254
00:54:49,719 --> 00:54:51,480
Speaker 1: I haven't heard of that. But I think you're totally cool,

1255
00:54:51,520 --> 00:54:53,120
Speaker 1: and I think the weight person knew that too.

1256
00:54:53,920 --> 00:54:56,200
Speaker 12: What would you add if you decided to add some

1257
00:54:56,840 --> 00:54:58,000
Speaker 12: what would be the threshold?

1258
00:54:58,040 --> 00:54:59,440
Speaker 5: Would it be like five dollars?

1259
00:54:59,480 --> 00:55:00,800
Speaker 7: Would it be two dollars?

1260
00:55:01,200 --> 00:55:04,120
Speaker 1: That's how good you are at math, so you can

1261
00:55:04,200 --> 00:55:07,400
Speaker 1: break down the percentages, or at twenty percent, Let's say

1262
00:55:07,440 --> 00:55:10,879
Speaker 1: your bill was twenty eight bucks, right, you could add

1263
00:55:10,880 --> 00:55:13,920
Speaker 1: another three or four bucks because anything over that is

1264
00:55:14,120 --> 00:55:18,000
Speaker 1: that's that's just that's money. What's twenty percent of twenty eight. Well,

1265
00:55:18,040 --> 00:55:19,719
Speaker 1: so ten percent of twenty eight would be two dollars

1266
00:55:19,719 --> 00:55:22,719
Speaker 1: and eighty cents, right, okay, now double that that would

1267
00:55:22,719 --> 00:55:25,319
Speaker 1: be five or sixty. That's fast, it's slow down.

1268
00:55:26,560 --> 00:55:27,160
Speaker 2: I got a question.

1269
00:55:27,239 --> 00:55:28,680
Speaker 1: No, I did it slow so I can explain to

1270
00:55:28,719 --> 00:55:29,480
Speaker 1: you how it works.

1271
00:55:29,520 --> 00:55:31,440
Speaker 6: Go ahead, So now the waiter really doesn't have to

1272
00:55:31,480 --> 00:55:33,400
Speaker 6: do a good job and you get they get twenty percent.

1273
00:55:33,560 --> 00:55:34,680
Speaker 1: Yeah, that is so stupid.

1274
00:55:34,719 --> 00:55:36,600
Speaker 2: Can you tell me the restaurant it's off my list?

1275
00:55:36,840 --> 00:55:39,920
Speaker 1: Well, it is a nicer restaurant, so it was already

1276
00:55:39,920 --> 00:55:43,040
Speaker 1: off your listing. Yeah, it's a nicer restaurant. It's offulous already.

1277
00:55:44,520 --> 00:55:46,799
Speaker 1: Good question. Never heard of that or two. But also

1278
00:55:46,840 --> 00:55:48,719
Speaker 1: they must be doing it because people aren't tipping.

1279
00:55:49,239 --> 00:55:51,880
Speaker 12: I think, And it takes out that question of you know,

1280
00:55:51,960 --> 00:55:54,439
Speaker 12: you're at a nice restaurant. It's already included. Don't worry

1281
00:55:54,480 --> 00:55:54,800
Speaker 12: about it.

1282
00:55:55,280 --> 00:55:57,200
Speaker 1: They should write that, don't worry about it unless you

1283
00:55:57,280 --> 00:55:58,719
Speaker 1: really want to worry about it. Do you think people

1284
00:55:58,760 --> 00:56:02,560
Speaker 1: aren't tipping? No, but some people will tip away less.

1285
00:56:03,040 --> 00:56:05,160
Speaker 1: That's crazy, like I don't know less people will do that.

1286
00:56:05,680 --> 00:56:08,440
Speaker 1: I think some people are like revolting against tipping culture

1287
00:56:08,440 --> 00:56:10,120
Speaker 1: and tipping way less just to be like, I hate

1288
00:56:10,120 --> 00:56:11,719
Speaker 1: tipping culture, but it's like some of those places you

1289
00:56:11,760 --> 00:56:14,000
Speaker 1: have to tip because they're making two bucks an hour.

1290
00:56:14,600 --> 00:56:16,520
Speaker 1: But no, it's a good question, and I think a

1291
00:56:16,520 --> 00:56:17,880
Speaker 1: lot of people probably wonder that. But you're fine, you

1292
00:56:17,960 --> 00:56:19,719
Speaker 1: have to tip anything. Did you tip anything? On top

1293
00:56:19,760 --> 00:56:22,040
Speaker 1: of that? I didn't. You weren't supposed to because I

1294
00:56:22,160 --> 00:56:24,279
Speaker 1: was like twenty percent. Sweet, Okay, you're not a loser.

1295
00:56:24,320 --> 00:56:26,359
Speaker 1: You're not a loser. I would tell you if you were.

1296
00:56:26,440 --> 00:56:27,800
Speaker 1: Don't worry everybody