WEBVTT - Anna Faris

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<v Speaker 1>Do you think I'm too old to play Annie? I?

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<v Speaker 1>I do. Won't you be my Miss Hannigan though? You know,

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<v Speaker 1>because by the way, we're at the perfect age to

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<v Speaker 1>play Miss Hannigan and I'm older than you. I'll tell

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<v Speaker 1>you what man up? Play Daddy Warbox? Yeah, I will

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<v Speaker 1>do that. Now you're not you can forever be Annie.

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<v Speaker 1>I come see that, I come see that like every night. Hello,

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<v Speaker 1>I'm Mini driver and welcome to many questions. I've always

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<v Speaker 1>loved pruce questionnaire. It was originally an eighteenth century parlor

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<v Speaker 1>game meant to reveal an individual's true nature. But with

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<v Speaker 1>so many questions, there wasn't really an opportunity to expand

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<v Speaker 1>on anything. So I took the format of Pruce's questionnaire

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<v Speaker 1>and adapted What I think are seven of the most

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<v Speaker 1>important questions you could ever ask someone. They are when

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<v Speaker 1>and where were you happiest? What is the quality you

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<v Speaker 1>least about yourself? What relationship, real or fictionalized, defines love

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<v Speaker 1>for you? What question would you most like answered, What person, place,

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<v Speaker 1>or experience has shaped you the most? What would be

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<v Speaker 1>your last meal? And can you tell me something in

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<v Speaker 1>your life that has grown out of a personal disaster?

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<v Speaker 1>The more people we ask, the more we begin to

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<v Speaker 1>see what makes us similar and what makes us individual.

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<v Speaker 1>I've gathered a group of really remarkable people who I

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<v Speaker 1>am honored and humbled to have had a chance to

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<v Speaker 1>engage with. My guest today is actress and podcaster Anna Faris.

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<v Speaker 1>Anna is a very curious creature. I was recently the

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<v Speaker 1>guest on her podcast Unqualified, and the questions she asked

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<v Speaker 1>me were not only far reaching and interesting, they gently

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<v Speaker 1>asked for real interrogation of my experience having a second

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<v Speaker 1>chapter to a conversation. By inviting her onto this podcast

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<v Speaker 1>was an absolute treat, as her answers have the same

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<v Speaker 1>depth as her questions, which always makes for a lively

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<v Speaker 1>and memorable chat. What is the quality you like least

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<v Speaker 1>about yourself? I think that I can be neglectful towards

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<v Speaker 1>my relationships, specifically my friendships, and that also ties in

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<v Speaker 1>with my laziness. I have developed a reputation for being

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<v Speaker 1>very phone inattentive, so people don't really reach out to

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<v Speaker 1>me so much anymore. It's my friend Amanda's birthday today.

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<v Speaker 1>She was one of my very first friends that I

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<v Speaker 1>made in Los Angeles and she is great with birthdays.

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<v Speaker 1>Which is always thoughtful, always sending cards, always thinking about me,

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<v Speaker 1>and I haven't done anything for her birthday. Yeah, I'm

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<v Speaker 1>embarrassed and lazy about it. Do you mean that you

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<v Speaker 1>are bad about maintaining friendships because work and that programming

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<v Speaker 1>of ambition which you sort of have to have if

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<v Speaker 1>you're an actress an actor? Is that what got on

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<v Speaker 1>the way of it? Perhaps? But I was. I've always

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<v Speaker 1>been a person with few friends me too. I believe

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<v Speaker 1>that about you, Minnie. Yeah, really, really, Johnny, no friends,

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<v Speaker 1>I mean really, maybe like six friends. I believe that

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<v Speaker 1>because I believe that you're an intimate person and will

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<v Speaker 1>not to say that people with tons of friends aren't

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<v Speaker 1>intimate people. That's rude, incorrect. You are quite right, But

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<v Speaker 1>it does feel like I'm not great at the day

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<v Speaker 1>to day attentiveness. I never was, and I feel like

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<v Speaker 1>there is maybe more pressure on our gender to be

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<v Speaker 1>better at those things. Thank you notes, birthday cards, just

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<v Speaker 1>being thoughtful. I think about myself a lot, Minnie. You

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<v Speaker 1>think about yourself being an asshole. You're not. You're not.

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<v Speaker 1>You're so attentive and sort of involved and engaged with people,

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<v Speaker 1>but then they think goodbye, goodbye and meeting for all. Yes, please,

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<v Speaker 1>it's funny. I think that massive expansion that fame like

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<v Speaker 1>if fame is like a bomb going off, and there's

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<v Speaker 1>that extraordinary pressure that is released. In order to kind

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<v Speaker 1>of cope with the fallout after it and the sheer

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<v Speaker 1>kind of mass of energy, one becomes inattentive to other things,

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<v Speaker 1>things that are other than the maintenance of that energy.

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<v Speaker 1>In a way, I found it impossible in my twenties

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<v Speaker 1>to maintain friendships because I was so busy working and

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<v Speaker 1>sort of prostrating myself at the altar of fame and

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<v Speaker 1>ambition and loving working so much and loving that experience.

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<v Speaker 1>As I got a bit older, I became more attentive

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<v Speaker 1>to less friendships. And don't you find the would age

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<v Speaker 1>your feelings get hurt so much less? Yeah? Yes, yes,

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<v Speaker 1>laugh of an enormous amount do, But that's good. The

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<v Speaker 1>other day, we were in Hawaii. My parents invested in

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<v Speaker 1>a time share there about twenty years ago. On the

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<v Speaker 1>way to the airport, I was talking with the cab

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<v Speaker 1>driver about lava and he was giving me a great

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<v Speaker 1>lecture on different forms of lava and what its uses are,

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<v Speaker 1>and so I was, you know, gaining a new appreciation

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<v Speaker 1>for rock and and then at the end of the

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<v Speaker 1>trip he said, this is such a weird humble brag,

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<v Speaker 1>I suppose, but he said, you know, you're pretty funny

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<v Speaker 1>in person too, which I was delighted by. But I

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<v Speaker 1>also had not made the assumption that he had recognized me.

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<v Speaker 1>And I think that I go through even with this

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<v Speaker 1>shockingly bleached blonde hair, I move about life without that assumption.

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<v Speaker 1>And it took me aback a little bit, and I

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<v Speaker 1>was a little bit to disappoint. It sounds drastic, but um,

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<v Speaker 1>you were bum You weren't just having a regular conversation

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<v Speaker 1>about love that it might have been fueled by his

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<v Speaker 1>shit I'm having it. I'm having a conversation with aunt

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<v Speaker 1>affairs a little bit. Or maybe it was that because

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<v Speaker 1>I felt like I was being kind of funny and witty,

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<v Speaker 1>and everybody in the car was exhausted and silent, and

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<v Speaker 1>so I was just kind of hamming it up with

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<v Speaker 1>the taxi driver, and I felt anonymous, I guess, and

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<v Speaker 1>liberated in that if he had mentioned that before, I

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<v Speaker 1>probably would have been pretty quiet. Maybe I don't know.

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<v Speaker 1>Sometimes I lean into it and ham it up more.

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<v Speaker 1>But it's also a relief, I think because there was

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<v Speaker 1>a time in my twenties when it felt electric to

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<v Speaker 1>be recognized and I did you know, I went through

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<v Speaker 1>those phases of wondering if I would get a good

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<v Speaker 1>table or what you know what I mean, like just

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<v Speaker 1>if somehow people would be you know, breathless. It's oh god,

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<v Speaker 1>there she is, scary, scary movie, There she is, Tana.

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<v Speaker 1>I think I've shed a little bit of that with age,

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<v Speaker 1>which is nice, or at least just what it occupied

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<v Speaker 1>in my mind. Then it's funny. It's just funny about

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<v Speaker 1>wanting to escape the thing which you was so exciting

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<v Speaker 1>and that you wanted to foster. Like I loved it

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<v Speaker 1>when people recognize me when I was younger, and now

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<v Speaker 1>I sort of hope that they don't. Usually it's because

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<v Speaker 1>you're in your pajamas browing milk. I was at the

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<v Speaker 1>Beverly Center probably when I was twenty three, and I

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<v Speaker 1>was wearing white, low slung jeans. I was probably wearing

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<v Speaker 1>a G string. Maybe probably not because I'm verified of

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<v Speaker 1>bump flows. Yeah I don't. I don't need to be

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<v Speaker 1>reminded all the time that I have a crot. But

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<v Speaker 1>this man came up to me and he said are

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<v Speaker 1>you who I think you are? And I was coy

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<v Speaker 1>because I was so excited, and I said, uh, god,

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<v Speaker 1>you know, I don't know, like who do you? Who

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<v Speaker 1>do you think I am? And he said, no, you're not.

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<v Speaker 1>And so we did that for a second, which was stupid,

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<v Speaker 1>and he was like, I don't know if you are

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<v Speaker 1>and I said, I'm the girl from Scary Movie and

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<v Speaker 1>he said, ah funk, I thought you were Britney Spears,

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<v Speaker 1>which was a huge compliment. Oh my god. It was

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<v Speaker 1>a complicated moment just in general. Wait, did I tell

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<v Speaker 1>you about Did I tell you about Stevie Wonder? No.

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<v Speaker 1>I was at the Grove, like I don't know, fifteen

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<v Speaker 1>years ago, and I just come from a photo shoot

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<v Speaker 1>and I did have big hair and I was still

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<v Speaker 1>in sort of like heels, and I walked by Stevie

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<v Speaker 1>Wonder and his security guarden his girlfriend and I walked

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<v Speaker 1>by them and then I I just stopped and I

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<v Speaker 1>was like, there was Stevie Wonder, maybe only like two

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<v Speaker 1>other people who have meant as much musically. I have

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<v Speaker 1>to go back and say hello. I just have to.

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<v Speaker 1>So I went back and I did the completely embarrassing

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<v Speaker 1>thing of saying hello and the whole thing and you know,

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<v Speaker 1>I love you and in a vision has changed my

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<v Speaker 1>life and I love you and you're amazing and I

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<v Speaker 1>love you, and he was he was so he was like,

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<v Speaker 1>that's great, that's great. And he was like, and what's

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<v Speaker 1>your name? And his girlfriend went, oh, Stevie, it's Mariah

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<v Speaker 1>Carey and I went, no, no, no, no, it isn't.

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<v Speaker 1>I was so mortified, and I was so embarrassed in

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<v Speaker 1>the girl. The girl really confused and I was like,

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<v Speaker 1>I'm I'm British. It was honestly, it was one of

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<v Speaker 1>those moments where you hope that someone might recognize who

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<v Speaker 1>you are, but you also hope that they might not

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<v Speaker 1>think that you're Mariah Carey, because I carry that could

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<v Speaker 1>be only one, you know. Okay, So what person, place,

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<v Speaker 1>or experience has most altered your life? I thought about

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<v Speaker 1>this question, and I think the best, the largest idea

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<v Speaker 1>I could come up with is my parents decision to

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<v Speaker 1>move to Seattle when I was six years old. I

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<v Speaker 1>was born in Baltimore. My dad was a professor at

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<v Speaker 1>Housing State University of Sociology, and both my parents grew

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<v Speaker 1>up in Washington State, and my parents insistence on Raisin

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<v Speaker 1>Us in Washington gave me the theater culture that I

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<v Speaker 1>grew up with. It was also a really fascinating time

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<v Speaker 1>in Seattle too, even though I was definitely observing it

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<v Speaker 1>from a distance. But it was a time of economic depression,

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<v Speaker 1>and so it gave birth to grunge and in the

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<v Speaker 1>nineties I wish it could I could legitimize that more

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<v Speaker 1>and not use the word angst. But did it give

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<v Speaker 1>you something to push up against? Like watching you know,

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<v Speaker 1>this sort of musical movement happened and it was clearly

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<v Speaker 1>a super vibe place, and there were other people who

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<v Speaker 1>were reacting to it, all those musicians, all those bands.

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<v Speaker 1>Was that the general feeling that you feel was good.

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<v Speaker 1>It fed into something in my personality that felt very resistant,

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<v Speaker 1>that felt very angry. I can't remember if I told

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<v Speaker 1>you this. I was very angry that I was born

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<v Speaker 1>a woman. Were you not that I was born a woman?

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<v Speaker 1>But I was. I had just really absorbed the inequality.

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<v Speaker 1>I have an older brother who I love him dearly,

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<v Speaker 1>but growing up we did not get along. He was

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<v Speaker 1>big and popular and like physically big, and we were

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<v Speaker 1>completely opposite and we just fought all the time. And

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<v Speaker 1>I just felt that injustice of being a woman, and

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<v Speaker 1>at that time too, being in Seattle, where there was

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<v Speaker 1>like it felt like it could be nurtured easily. That

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<v Speaker 1>just unchangeable frustration of circumstance in life, and that felt good,

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<v Speaker 1>Um to feed that. Do you think that it's creative

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<v Speaker 1>to feel that like that, that feeling, that conflict, feeling

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<v Speaker 1>that that is actually super creative that when you feel

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<v Speaker 1>a bit uncomfortable, it forces you to reimagine and to

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<v Speaker 1>keep imagining and to create. Definitely, I wrote a lot more,

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<v Speaker 1>and I had an odd sense of style. I wore

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<v Speaker 1>a lot of black, I wore big boots. I went

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<v Speaker 1>through this period freshman year where it was the first

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<v Speaker 1>time I felt attractive in my life, and I would

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<v Speaker 1>wear these tiny little skirts just barely covering my ass

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<v Speaker 1>and like thy high stockings, and it was like I

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<v Speaker 1>was truly experimenting. Yet I was terrified of men. I

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<v Speaker 1>was so terrified of the boys. It was like I

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<v Speaker 1>was I got to experiment playing various characters during that

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<v Speaker 1>time as well. I remember my brother ran into me

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<v Speaker 1>on campus. I was like smoking, I was wearing this

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<v Speaker 1>really promiscuous outfit, and he was just shocked and I

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<v Speaker 1>was so embarrassed. I think that's part of the right

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<v Speaker 1>of passage of women, is that we were so unsure

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<v Speaker 1>of how sexuality is meant to be metabolized because we're

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<v Speaker 1>told that it is to be metabolized by a man.

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<v Speaker 1>So are you supposed to dress for them to attract

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<v Speaker 1>them or you to dress for you to feel that

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<v Speaker 1>so you you become more confident in whatever it is.

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<v Speaker 1>I've always been confused, but I think that it is

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<v Speaker 1>someone part of a woman trying to figure out who

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<v Speaker 1>she is is the way that she dresses when she's young,

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<v Speaker 1>and her relationship with the world. I e. Men, but many,

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<v Speaker 1>and I felt so hungry for it. I was so

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<v Speaker 1>hungry in high school. I had a couple of stunning

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<v Speaker 1>friends and I just yearned. I wanted to be that, so,

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<v Speaker 1>I mean, who doesn't. So getting a little bit of

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<v Speaker 1>attention in college made me feel like it made me

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<v Speaker 1>feel irrationally angry because it felt like, fuck you, where

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<v Speaker 1>have you been? Which is nonsense. But I think I

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<v Speaker 1>was hungry for glances and attention from men. And I

0:14:51.040 --> 0:14:54.600
<v Speaker 1>would go to fraternity parties and I would pretend that

0:14:54.600 --> 0:14:58.200
<v Speaker 1>I was fifteen because my theory was these guys would

0:14:58.240 --> 0:15:01.880
<v Speaker 1>still try to sleep with me. Like I I was

0:15:02.200 --> 0:15:05.680
<v Speaker 1>very confused. I was mad, and I wanted them to

0:15:05.800 --> 0:15:12.120
<v Speaker 1>prove me right. Isn't that odd? Oh god, yeah, it's awful.

0:15:12.480 --> 0:15:16.640
<v Speaker 1>It's like the gauntlet, the gauntlet that young women run,

0:15:16.880 --> 0:15:19.160
<v Speaker 1>or feel that they're expected to run in order to

0:15:19.200 --> 0:15:23.440
<v Speaker 1>figure out this thing that sort of biased against them fundamentally,

0:15:23.880 --> 0:15:26.600
<v Speaker 1>which is judgment, judgment of the way that you look,

0:15:26.800 --> 0:15:30.440
<v Speaker 1>judgment of how in quotes hot you are. My mom

0:15:30.520 --> 0:15:34.720
<v Speaker 1>tried to protect me from it. She tried to. She

0:15:34.880 --> 0:15:39.240
<v Speaker 1>never let me look at women's magazines. I wasn't allowed

0:15:39.280 --> 0:15:43.560
<v Speaker 1>to like watch MTV or she has the whole diet

0:15:43.600 --> 0:15:49.680
<v Speaker 1>tribe about pretty woman and grief for that matter. Um,

0:15:50.120 --> 0:15:54.560
<v Speaker 1>she really hated it if they and detained for the man. Yeah,

0:15:54.760 --> 0:15:58.080
<v Speaker 1>I mean, I gotta say. I mean I liked her

0:15:58.080 --> 0:16:01.080
<v Speaker 1>curly hair and wearing the leather at it, but it

0:16:01.120 --> 0:16:03.800
<v Speaker 1>did bother me. I was like it did. I liked

0:16:03.840 --> 0:16:07.080
<v Speaker 1>her skirts more than hers brion pants. But I think

0:16:07.160 --> 0:16:11.680
<v Speaker 1>my mom's insistence that I not be boy crazy just

0:16:12.600 --> 0:16:17.720
<v Speaker 1>made it worse. Oh yeah, it's so weird. You see,

0:16:17.760 --> 0:16:20.560
<v Speaker 1>even with direction, even when you have your mother giving

0:16:20.600 --> 0:16:25.560
<v Speaker 1>you that direction, you still and saying this, really, this

0:16:25.640 --> 0:16:28.480
<v Speaker 1>is not a good idea, that what is this compulsion

0:16:28.560 --> 0:16:30.640
<v Speaker 1>that we have. It's almost like it comes in fully

0:16:30.680 --> 0:16:33.840
<v Speaker 1>formed that we have to go and garner that attention

0:16:33.880 --> 0:16:38.320
<v Speaker 1>and that somehow qualifies us. You can't just gently explore it.

0:16:39.000 --> 0:16:41.800
<v Speaker 1>I remember being so willing to be like, oh, change, yes,

0:16:41.920 --> 0:16:44.280
<v Speaker 1>so you'll fancy me absolutely, What would you like me

0:16:44.320 --> 0:16:47.400
<v Speaker 1>to do? Shave my head? You know what will it be, sir?

0:16:48.840 --> 0:16:51.640
<v Speaker 1>I don't know. It's it's terrible. I mean, I'm very

0:16:51.680 --> 0:16:53.480
<v Speaker 1>happy that we're still here, because I mean, when we

0:16:53.520 --> 0:16:55.520
<v Speaker 1>talk about it, it's like, Jesus Christ, how did you

0:16:55.560 --> 0:17:05.400
<v Speaker 1>say childhood? So where and when were you happiest? Mini?

0:17:05.800 --> 0:17:09.680
<v Speaker 1>All right, if I were ten years old, I would

0:17:09.760 --> 0:17:16.960
<v Speaker 1>tell you that I would be so euphoric galloping on

0:17:17.040 --> 0:17:20.840
<v Speaker 1>a horse, like through the fields of Wyoming. Even though

0:17:21.080 --> 0:17:25.159
<v Speaker 1>I'm not a horsewoman. I know how to write a

0:17:25.200 --> 0:17:34.040
<v Speaker 1>pony that feeling of like childhood euphoria, where happiness and

0:17:34.200 --> 0:17:38.919
<v Speaker 1>sadness are at such extremities in your life. As I

0:17:38.960 --> 0:17:41.480
<v Speaker 1>was thinking about this question, I was thinking, do we

0:17:41.600 --> 0:17:45.840
<v Speaker 1>get those highs anymore? I didn't grow up very wealthy

0:17:45.880 --> 0:17:50.640
<v Speaker 1>at all, but my parents prioritized traveling specifically to Italy

0:17:51.200 --> 0:17:54.200
<v Speaker 1>as we got older, and we would all pile into

0:17:54.240 --> 0:17:58.520
<v Speaker 1>a minivan with suitcases on our laps, six of us usually.

0:17:59.119 --> 0:18:03.879
<v Speaker 1>And there's a restaurant on the Amalfi coast called Da

0:18:04.160 --> 0:18:08.680
<v Speaker 1>Teresa and it's a little family place and it's right

0:18:08.680 --> 0:18:12.919
<v Speaker 1>on the beach and you walk down like four hundred

0:18:13.000 --> 0:18:16.760
<v Speaker 1>stairs to get there in the heat, and they serve

0:18:16.840 --> 0:18:21.840
<v Speaker 1>you like peach wine and this shaliaatelli, this hand rolled

0:18:21.880 --> 0:18:26.399
<v Speaker 1>pasta with these cherry tomatoes and these little dime sized

0:18:26.440 --> 0:18:31.960
<v Speaker 1>sweet clams. And being there with my family and my

0:18:32.119 --> 0:18:35.080
<v Speaker 1>fiance we were able to go there a couple of

0:18:35.160 --> 0:18:41.560
<v Speaker 1>years ago, is kind of the most perfect afternoon being

0:18:41.640 --> 0:18:44.600
<v Speaker 1>with people that you love in a place that's so

0:18:44.720 --> 0:18:50.240
<v Speaker 1>astoundingly beautiful, eating food that's made with love. I'm so

0:18:50.320 --> 0:18:55.320
<v Speaker 1>glad that I have those memories, and I'm really grateful

0:18:55.720 --> 0:18:57.720
<v Speaker 1>that I was able to experience. I hope that I'll

0:18:57.720 --> 0:19:02.040
<v Speaker 1>be able to experience that lunch again at Datosa. That

0:19:02.119 --> 0:19:06.199
<v Speaker 1>makes for a pretty perfect moment. I love that, I

0:19:06.200 --> 0:19:08.879
<v Speaker 1>mean I love I love the Amalficas. It was the

0:19:08.920 --> 0:19:11.000
<v Speaker 1>cheapest holiday that you could get, was just going to

0:19:11.400 --> 0:19:14.399
<v Speaker 1>Europe from England. When I was a kid. I have

0:19:14.480 --> 0:19:17.760
<v Speaker 1>a restaurant like that on the Amalfikas La Scolia, which

0:19:17.840 --> 0:19:21.040
<v Speaker 1>is again it's just right on the water, and we

0:19:21.080 --> 0:19:23.720
<v Speaker 1>would usually get a little put put boat and either

0:19:23.720 --> 0:19:26.359
<v Speaker 1>come up to the jetty or you just dive in

0:19:26.440 --> 0:19:28.600
<v Speaker 1>and swim up the beach and then go into the restaurant.

0:19:28.640 --> 0:19:31.480
<v Speaker 1>And they grow everything up on the hillside behind the restaurant,

0:19:31.560 --> 0:19:34.320
<v Speaker 1>so the white anchovies that you eat that have just

0:19:34.400 --> 0:19:37.560
<v Speaker 1>come out of the sea, with the warm tomatoes that

0:19:37.640 --> 0:19:41.960
<v Speaker 1>they've just harvested. I had an Italian woman tell me

0:19:42.240 --> 0:19:46.800
<v Speaker 1>that the tomatoes taste so good in Italy because it

0:19:46.880 --> 0:19:50.880
<v Speaker 1>is the continent where Jesus built his blood. This has

0:19:50.920 --> 0:19:53.119
<v Speaker 1>never left me, Mini, and I had to pass it

0:19:53.119 --> 0:19:56.199
<v Speaker 1>on to you now, so do with it what you

0:19:56.240 --> 0:19:59.560
<v Speaker 1>will do, you know, I think that's a very interesting

0:19:59.640 --> 0:20:03.680
<v Speaker 1>reason for the tomatoes tasting good. I like that because,

0:20:03.720 --> 0:20:06.520
<v Speaker 1>funny enough, we would go and we would end up

0:20:06.520 --> 0:20:09.280
<v Speaker 1>in this little tiny town called Ravello, which is up

0:20:09.320 --> 0:20:13.359
<v Speaker 1>above Positano, and we'd stay in this tiny bed and breakfast.

0:20:13.440 --> 0:20:16.399
<v Speaker 1>And when I was about sixteen, I went out with

0:20:16.440 --> 0:20:19.199
<v Speaker 1>this guy who was so cute, and he told me

0:20:19.240 --> 0:20:22.800
<v Speaker 1>he was a barrista, and my mom was asking me, like,

0:20:23.160 --> 0:20:25.560
<v Speaker 1>who was the guy? And I was like, he's a barrister,

0:20:25.720 --> 0:20:29.760
<v Speaker 1>which in England you know, means a lawyer, like a litigator.

0:20:30.840 --> 0:20:33.360
<v Speaker 1>She was like, no, he's fucking not. He makes coffee,

0:20:33.400 --> 0:20:43.360
<v Speaker 1>you idiots. And I was like it doesn't know anyway,

0:20:43.480 --> 0:21:05.439
<v Speaker 1>I didn't mind that he in your life. Can you

0:21:05.520 --> 0:21:08.359
<v Speaker 1>tell me about something that has grown out of a

0:21:08.400 --> 0:21:13.240
<v Speaker 1>personal disaster. I have two big incidences. The first one

0:21:13.720 --> 0:21:20.640
<v Speaker 1>was I was in a relationship well let me, I'll

0:21:20.640 --> 0:21:26.080
<v Speaker 1>put it okay, during my first divorce to the last

0:21:26.119 --> 0:21:29.119
<v Speaker 1>chapter carry on. During my first of us, I found

0:21:29.119 --> 0:21:33.560
<v Speaker 1>out something that I had suspected, which was my dear friend,

0:21:34.240 --> 0:21:41.320
<v Speaker 1>My dear, dear, dear friend had slept with my husband.

0:21:43.520 --> 0:21:48.520
<v Speaker 1>Oh god, and I had suspected it and then it

0:21:48.600 --> 0:21:56.399
<v Speaker 1>was confirmed. And I loved this woman so intensely. I

0:21:56.440 --> 0:22:00.000
<v Speaker 1>wonder if that's why you you know, you're neglectful of relationships,

0:22:00.040 --> 0:22:02.640
<v Speaker 1>Perhaps because it's like, look what happens when you're well.

0:22:03.600 --> 0:22:06.800
<v Speaker 1>This is something I'm kind of proud of though, because

0:22:06.800 --> 0:22:12.119
<v Speaker 1>what happened was for four years, I imagined running into

0:22:12.160 --> 0:22:15.280
<v Speaker 1>her in Los Angeles, and I imagined what it would

0:22:15.280 --> 0:22:17.920
<v Speaker 1>be like I imagine just getting into her face. I

0:22:17.920 --> 0:22:22.520
<v Speaker 1>imagined just I would fantasize about it, you know. And

0:22:23.440 --> 0:22:27.240
<v Speaker 1>I didn't run into her years past, which was surprising

0:22:27.320 --> 0:22:29.560
<v Speaker 1>because you know, we live alone but not far from

0:22:29.560 --> 0:22:33.200
<v Speaker 1>each other. We're both actors. But I would miss her

0:22:33.760 --> 0:22:38.679
<v Speaker 1>like I would ask people, like, what do you think?

0:22:38.960 --> 0:22:40.720
<v Speaker 1>What does it mean that I missed her so much?

0:22:41.000 --> 0:22:43.600
<v Speaker 1>Like my heart? It kind of aches in a way

0:22:43.920 --> 0:22:47.680
<v Speaker 1>that it didn't at all for my ex That's hilarious,

0:22:47.960 --> 0:22:53.359
<v Speaker 1>that's amazing. And I was on a flight with my son,

0:22:53.480 --> 0:22:56.160
<v Speaker 1>who was ten months old at the time, to London,

0:22:57.080 --> 0:23:00.760
<v Speaker 1>and I had our nanny with us. We decided to

0:23:01.280 --> 0:23:07.040
<v Speaker 1>exit the plane after everybody else because this kid, you know,

0:23:07.520 --> 0:23:11.520
<v Speaker 1>all this stuff, and I'm leaving the flight with a

0:23:11.520 --> 0:23:16.600
<v Speaker 1>whole of my ship and I hear Anna and I

0:23:16.680 --> 0:23:20.760
<v Speaker 1>turned around and coming up the other aisle was my

0:23:20.840 --> 0:23:29.440
<v Speaker 1>friend and I just dropped my stuff. I burst into tears.

0:23:29.720 --> 0:23:33.960
<v Speaker 1>We like collapsed into each other's arms. The flight attendants

0:23:34.040 --> 0:23:39.720
<v Speaker 1>must have been just totally freaked out. We held each

0:23:39.720 --> 0:23:44.000
<v Speaker 1>other as we walked to baggage claim. My nanny was like,

0:23:44.240 --> 0:23:50.240
<v Speaker 1>row boy, what's happening? And now we're dear friends. It

0:23:50.400 --> 0:23:55.359
<v Speaker 1>felt so good. It felt so good. She was. She

0:23:55.560 --> 0:23:58.240
<v Speaker 1>was just like, I'm so sorry, and I said, I

0:23:58.400 --> 0:24:03.959
<v Speaker 1>just missed you so and it felt so good. And

0:24:04.000 --> 0:24:07.560
<v Speaker 1>I'm proud that my first reaction my gut wasn't like

0:24:08.160 --> 0:24:11.240
<v Speaker 1>fuck you, you know it was it was so it

0:24:11.280 --> 0:24:16.560
<v Speaker 1>felt very honest, and I'm I'm I'm proud of myself

0:24:16.720 --> 0:24:20.199
<v Speaker 1>for prioritizing what I really felt, which was that I

0:24:20.240 --> 0:24:24.240
<v Speaker 1>missed her. It's so commendable. I mean, it's really extraordinary.

0:24:24.480 --> 0:24:27.439
<v Speaker 1>It's really extraordinary to still be friends with the person

0:24:27.600 --> 0:24:31.520
<v Speaker 1>that was instrumental in part of the ending of a marriage.

0:24:31.520 --> 0:24:33.880
<v Speaker 1>Because maybe it's not the whole story, but like it's

0:24:33.880 --> 0:24:37.200
<v Speaker 1>a pretty huge thing. It's a huge betrayal of a friendship.

0:24:37.240 --> 0:24:38.960
<v Speaker 1>But then to be able to go beyond that and

0:24:39.040 --> 0:24:42.840
<v Speaker 1>into the friendship is actually stronger and needs to survive

0:24:43.040 --> 0:24:47.800
<v Speaker 1>more than the betrayal does. That's that's a beautiful evolution.

0:24:48.160 --> 0:24:51.080
<v Speaker 1>If I may. The other moment that I thought about

0:24:51.119 --> 0:24:55.480
<v Speaker 1>what this question was, my son was born early. He

0:24:55.640 --> 0:25:01.840
<v Speaker 1>was born ten weeks early. And I'm really well, I

0:25:01.840 --> 0:25:07.119
<v Speaker 1>don't know if I'm proud, but I was able to

0:25:07.359 --> 0:25:11.919
<v Speaker 1>be very present and focused in the moment my mind

0:25:11.960 --> 0:25:17.119
<v Speaker 1>didn't leap too far into tragedy, into whatever. You know.

0:25:17.800 --> 0:25:23.080
<v Speaker 1>I was able to absorb information that was scary and

0:25:23.680 --> 0:25:29.560
<v Speaker 1>process it and continue to march forward and be there

0:25:30.600 --> 0:25:35.200
<v Speaker 1>at the nick you with my son in that position

0:25:35.200 --> 0:25:38.400
<v Speaker 1>that one just doesn't imagine, you know. So I think

0:25:38.440 --> 0:25:43.560
<v Speaker 1>that knowing that I could do that, I think was affirming. Yeah,

0:25:44.359 --> 0:25:46.840
<v Speaker 1>oh my god, especially at that time, in that moment

0:25:46.840 --> 0:25:51.119
<v Speaker 1>when you're flooded with expectation and then there's a different

0:25:51.119 --> 0:25:53.840
<v Speaker 1>set of circumstances that you're faced with in this you know,

0:25:54.040 --> 0:25:57.520
<v Speaker 1>the anticipated most joyful moment of your life is then

0:25:57.880 --> 0:26:02.520
<v Speaker 1>kind of co opted by serious medical concerns. Yeah. I remember,

0:26:02.680 --> 0:26:05.600
<v Speaker 1>because it was my first pregnancy, my first baby. I

0:26:05.640 --> 0:26:09.359
<v Speaker 1>remember having a couple of moments of envy and a

0:26:09.400 --> 0:26:14.679
<v Speaker 1>couple of moments of why me. But I'm really proud

0:26:14.720 --> 0:26:17.040
<v Speaker 1>that there were only a couple of them, you know.

0:26:17.359 --> 0:26:21.159
<v Speaker 1>I'm really proud that I was able to like no, no, no,

0:26:21.560 --> 0:26:25.800
<v Speaker 1>like this, Well, here's what we do. How old is

0:26:25.840 --> 0:26:31.240
<v Speaker 1>he now? He's eight, he's about to turn nine. I

0:26:31.280 --> 0:26:37.240
<v Speaker 1>can't believe he's great. He's just a confident gem. He's

0:26:37.280 --> 0:26:42.120
<v Speaker 1>so confident it's wild. Yeah, these kids are I mean

0:26:42.160 --> 0:26:44.280
<v Speaker 1>I think they're just kids who are very different to

0:26:44.359 --> 0:26:46.560
<v Speaker 1>when I was young. They feel like they're more confident

0:26:46.600 --> 0:26:48.800
<v Speaker 1>and they're way more knowledgeable about like what's up in

0:26:48.800 --> 0:26:52.840
<v Speaker 1>the world. Oh completely, I am such a luddite, and

0:26:53.359 --> 0:26:57.679
<v Speaker 1>I think I'm both a willing and unwilling luddite. I

0:26:57.720 --> 0:27:02.760
<v Speaker 1>think because I got scary movie right after college, I

0:27:02.840 --> 0:27:07.120
<v Speaker 1>didn't have to learn how to use anything. So yeah,

0:27:07.160 --> 0:27:09.359
<v Speaker 1>so I'm in trouble when it comes to him being

0:27:09.400 --> 0:27:13.639
<v Speaker 1>a teenager with technology. Well, maybe he'll teach you. My

0:27:13.680 --> 0:27:17.960
<v Speaker 1>son is very patient and sweetly patronizing. I can't wait

0:27:18.000 --> 0:27:20.400
<v Speaker 1>to meet your son, Minie. He's like, Okay, now, what's

0:27:20.400 --> 0:27:23.520
<v Speaker 1>your password? Have you written it down? Have you written

0:27:23.520 --> 0:27:26.560
<v Speaker 1>it down somewhere mom? Yet in my notes? Okay, we

0:27:26.680 --> 0:27:28.520
<v Speaker 1>might want to have a hard copy as well as

0:27:28.520 --> 0:27:33.800
<v Speaker 1>a digital copy because sometimes you delete shit. Okay, all right,

0:27:34.280 --> 0:27:39.000
<v Speaker 1>thanks Dad. It's so funny, it really is, And I

0:27:39.080 --> 0:27:41.360
<v Speaker 1>think there's something so sweet, like he loves teaching me,

0:27:41.640 --> 0:27:43.719
<v Speaker 1>and sometimes I pretend not to know stuff so that

0:27:43.760 --> 0:27:46.880
<v Speaker 1>he can tell me. Oh that's really sweet. I mean

0:27:46.880 --> 0:27:49.640
<v Speaker 1>it's a bit manipulative, but I really like watching him

0:27:49.680 --> 0:27:53.840
<v Speaker 1>figure out stuff and tell me about it. Oh, love.

0:27:53.880 --> 0:27:55.560
<v Speaker 1>I can't wait. I can't wait to see. I don't

0:27:55.560 --> 0:27:57.640
<v Speaker 1>know whenever that will be, but I hope that it's

0:27:58.760 --> 0:28:02.320
<v Speaker 1>I hope that it's soon. Earnie. Thank you, Minnie, I

0:28:02.480 --> 0:28:08.720
<v Speaker 1>just love you. Recent guests on Anna's podcast Unqualified include

0:28:08.760 --> 0:28:17.679
<v Speaker 1>me Hassan Minaj, Bob Odenkirk, and Glennon Doyle. Mini Questions

0:28:17.800 --> 0:28:21.919
<v Speaker 1>is hosted and written by me Mini Driver, supervising producer

0:28:22.040 --> 0:28:30.040
<v Speaker 1>Aaron Kaufman, Producer Morgan Lavoy, Research assistant Marissa Brown. Original

0:28:30.160 --> 0:28:36.040
<v Speaker 1>music Sorry Baby by Minni Driver, Additional music by Aaron Kaufman.

0:28:36.720 --> 0:28:41.560
<v Speaker 1>Executive produced by me Mini Driver. Special thanks to Jim Nikolay,

0:28:42.320 --> 0:28:46.800
<v Speaker 1>Will Pearson, Addison No Day, Lisa Castella and a Nick

0:28:46.880 --> 0:28:52.280
<v Speaker 1>Oppenheim at w kPr, de La Pescador, Kate Driver and

0:28:52.360 --> 0:28:57.520
<v Speaker 1>Jason Weinberg, and for constantly solicited tech support, Henry Driver