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Speaker 1: So writer, back in the day, you and I used

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Speaker 1: to have on running conversations about different I mean, philosophies

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Speaker 1: or walks of life, whatever you want to talk about it.

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Speaker 2: You and I would find a conversation about it. And

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Speaker 2: there was one that you and I.

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Speaker 1: Used to constantly go back to, which was fate versus coincidence. Okay,

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Speaker 1: and fate is something that you roundly rejected back in

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Speaker 1: the day.

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Speaker 2: It was everything's coincidence.

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Speaker 1: Now, so let's pretend that's true and there is no

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Speaker 1: fate back in the day.

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Speaker 2: He's back back in the day he used to Okay.

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Speaker 1: Yeah, it's true, but let's just say that it is

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Speaker 1: all coincidence. I would then ask a sub question, which

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Speaker 1: is are there degrees of coincidence? Is there a big

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Speaker 1: coincidence and a small coincidence or are there just coincidence?

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Speaker 3: Uh?

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Speaker 4: Oh man, do I really want to get into this?

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Speaker 2: Well, I'm going to tell you why, because something pretty

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Speaker 2: out amazing happened.

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Speaker 3: I don't.

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Speaker 4: I don't, look, do you do I believe that that

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Speaker 4: that there's an order to the universe. Potentially yes, but

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Speaker 4: it's a material order, so you know, there's complexity. So

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Speaker 4: things happen for reasons, but those reasons can be explored

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Speaker 4: by investigating science and evidence and right and it's so

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Speaker 4: complex that it's outside of the grasp of our minds

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Speaker 4: most of the time.

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Speaker 1: But again, would you would would you say, like somebody

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Speaker 1: who flies, to you know, from their home in California

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Speaker 1: to Africa and is on Safarian in the middle of Safari,

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Speaker 1: they meet their childhood friend that they haven't seen forever

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Speaker 1: that they grew up on the street next to you.

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Speaker 1: Is that the same kind of coincidence as Hey, I'm

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Speaker 1: standing next to some guy in a train and we're

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Speaker 1: both drinking the same soda.

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Speaker 2: I mean, are both equal? Just coincidences and that one

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Speaker 2: is bigger than the other?

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Speaker 1: Right, Yeah, Okay, So I believe in at the very least,

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Speaker 1: I believe in fate, but I also believe in degrees

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Speaker 1: of coincidence. So here's what happened to me. And when

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Speaker 1: I tell the story, it's to me. Some people are

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Speaker 1: like okay, and I'm like, this is nuts to me.

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Speaker 1: So I'm home with at the time to see my parents.

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Speaker 2: And I always because I don't like flying, and I

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Speaker 2: every time there's a flight to another flight, I don't

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Speaker 2: like to connect because it's just one more chance to

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Speaker 2: have a delayed flight or they're gonna lose your bag

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Speaker 2: or something. So I and then there's no direct flights

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Speaker 2: in Hartford, so I always fly from LA to Boston,

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Speaker 2: and I rent a car and I drive.

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Speaker 1: And one of my favorite things has become my drive

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Speaker 1: from Boston. It takes about an hour and forty five minutes.

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Speaker 1: I usually get there. I'm in there by myself in

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Speaker 1: the afternoon, and then I take a very early flight home.

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Speaker 1: I usually get like a six am flight, So I

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Speaker 1: leave my house in Connecticut at like two o'clock in

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Speaker 1: the morning to thirty in the morning. And that drive

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Speaker 1: has become just kind of a magical time for me.

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Speaker 2: It's dark, there's nobody on the road.

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Speaker 1: I'm completely by myself. I'm listening to whatever I want.

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Speaker 2: It's great.

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Speaker 1: So, as everybody else knows, we have a lot of

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Speaker 1: podcasts to do, and we podcast quite a bit. So

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Speaker 1: one of the things we do is we get the

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Speaker 1: edits of our podcast and we get to listen to

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Speaker 1: our podcast and then we say, I said I'm here

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Speaker 1: or I stumbled this word, can you cut this?

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Speaker 2: Can you tighten it?

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Speaker 1: So I'm listening to my podcast, and I'm now in

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Speaker 1: Logan Airport and I'm listening to the last episode of

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Speaker 1: Magical Rewind, the other show that I do to edit

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Speaker 1: what I have to edit, and a character in I'm

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Speaker 1: listening to myself and I say, oh, and then this

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Speaker 1: character walks on screen and they look like Justin Long.

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Speaker 2: Yeah. And before the g hits my headphones, I look

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Speaker 2: over and Justin Long is standing next to me.

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Speaker 3: Wow.

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Speaker 2: Wow.

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Speaker 1: So the idea that I say a random actor's name

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Speaker 1: that and what I mean literally, I mean literally the

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Speaker 1: Jief long Go is there as I go like this

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Speaker 1: and he's standing next to me at the airport.

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Speaker 2: To me, is a big coincidence.

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Speaker 3: That's a big coincidence.

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Speaker 1: Of all the people in the world. I say an actor's.

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Speaker 2: Name in the middle of the night. By the way, correct,

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Speaker 2: it's like four o'clock in the morning, four thirty five

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Speaker 2: o'clock in the morning.

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Speaker 4: So what does that mean to you?

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Speaker 2: There's no. To me, I don't know. I don't know.

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Speaker 1: But the idea that that's just the same as hey,

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Speaker 1: the guy I'm sitting next to using the same pencil

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Speaker 1: as me, is crazy Like that big coincidence and sall no, no, it's.

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Speaker 4: Not why Okay, so what what does it mean? Why

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Speaker 4: is there a face connecting you and Justin Long in

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Speaker 4: that moment?

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Speaker 3: Did you fall in love with Justin Long?

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Speaker 1: First of all, I'd already been in love with Justin Long.

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Speaker 1: This just solidified it.

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Speaker 2: Okay, no, I but again, take fade out of it?

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Speaker 2: Is that the same?

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Speaker 1: Is there a degree of coincidence where even you'd have

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Speaker 1: to admit, like, wow, that's a huge coincidence, as opposed to.

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Speaker 4: It has more meaning to you? Right, there's more like

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Speaker 4: you somebody's using the same pencil next to you, how

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Speaker 4: many times you don't even notice?

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Speaker 2: Right?

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Speaker 1: In this case, isn't that more of a chance of

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Speaker 1: that happening than saying some random person's name of the

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Speaker 1: eight billion people on the planet and he's standing next

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Speaker 1: to you in a random airport.

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Speaker 4: But if it, even if it is more or less likely,

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Speaker 4: it doesn't have any more or less meaning.

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Speaker 2: I'm not talking about the meaning. I'm asking is there

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Speaker 2: degrees of coincidence? To you?

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Speaker 4: Is there a small coincidence? Or is an American? He

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Speaker 4: probably has a house in Boston? Right, Like, there's there's

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Speaker 4: reasons for all of these things, right, who knows what

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Speaker 4: they answer.

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Speaker 3: I think you're talking about, Like what you're really thinking about, well,

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Speaker 3: is like, what's the what are the odds are there

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Speaker 3: better or worse odds?

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Speaker 4: Of course, there's more odds that an American is going

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Speaker 4: to be next to you and you know, and then

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Speaker 4: I don't know, like are you flying first class? So

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Speaker 4: that you know that means the more the odds that

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Speaker 4: it's somebody who is also wealthy in the same.

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Speaker 3: Class, just combined using the same pencil versus being next

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Speaker 3: to the same person, right, Like how many pencils.

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Speaker 2: Are there in the world, I'm saying, how many people.

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Speaker 3: Use pencils like versus naming a person on a podcast,

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Speaker 3: listening to that podcast in that moment, seeing that person

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Speaker 3: in that moment like that to me does feel like

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Speaker 3: the percent chance of that happening sure is much smaller

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Speaker 3: than just running into someone who has the same pendel.

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Speaker 4: I would say, yeah, like it's worth like remarking on

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Speaker 4: it being like, oh my god, right, well, the chances

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Speaker 4: that odds are the odds are low, and.

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Speaker 2: It happened, and it happened, that's okay.

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Speaker 4: Crazy, But then the next whatever that you take for

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Speaker 4: the next step is like now I have to talk

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Speaker 4: to Justin Long because our fates are intertwined. No, I

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Speaker 4: never thought that there's a meaning, there's a sign to this.

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Speaker 4: I have to, you know, respond appropriately.

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Speaker 2: That's where I go.

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Speaker 4: No, No, I agree with.

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Speaker 2: You ondred percent there. Yeah, but I would.

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Speaker 1: That's why I took fade out of it and just

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Speaker 1: ask if there was to you degrees of quincy because

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Speaker 1: like some people are like, no, the pencil next to

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Speaker 1: you is exactly the same as running into your childhood

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Speaker 1: friend nine thousand mobs And it's like, okay, I don't

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Speaker 1: agree with that.

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Speaker 2: I it's exactly the.

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Speaker 4: Same meaning, I think. So it's it's there's no more

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Speaker 4: meaning to it.

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Speaker 2: But for the record, yeah, he was in front of

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Speaker 2: me in line waiting to go on. A fan came

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Speaker 2: up to him.

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Speaker 1: He could not have been nicer to the woman that

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Speaker 1: came up to him, which is kind of all I

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Speaker 1: need to know about his character. When you see somebody

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Speaker 1: in how they treat their fans. And he was lovely

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Speaker 1: to this woman. And so Justin Long I saw that

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Speaker 1: I see you, Justin and it was it was a

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Speaker 1: cool moment and I was like, okay, good because I

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Speaker 1: really admire him and I'm glad that he was a

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Speaker 1: cool guy.

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Speaker 2: It seemed to be a.

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Speaker 4: Very women Going back to like when we were on Boy,

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Speaker 4: we would talk about him in Galaxy Quest. It was

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Speaker 4: like one of the greatest, like one of the all

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Speaker 4: time performances.

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Speaker 2: He is so good in that movie.

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Speaker 4: I mean it launched his whole career, and understandably so,

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Speaker 4: because he is so good in that movie.

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Speaker 2: Yeah, it was great, But that's I Did you tell him?

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Speaker 3: Did you tell him what had happened?

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Speaker 2: No? I didn't. I didn't put The funny funny thing

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Speaker 2: was we walk on the plane and he gets on first,

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Speaker 2: and he's putting his bag up and he looks at

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Speaker 2: me and he's like, I'm sorry, it's sorry.

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Speaker 1: It's taken a little while. And I'm like, no, no, no,

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Speaker 1: take your time. In about ten seconds, go by him.

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Speaker 2: Well now it's too long, and he starts and.

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Speaker 1: He starts to laugh, and I walk by him, and

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Speaker 1: the first woman that saw him went, you're on.

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Speaker 2: Boy Meets World. How many of you are on this plane?

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Speaker 2: How many of you? And so I was like, oh, hi,

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Speaker 2: how are you? And she's like yelling at it. I'm

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Speaker 2: like hey, and she tells her friends and I'm like, hi,

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Speaker 2: So it was like it was a strange kind of flight.

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Speaker 3: Were you in four seed because you're no longer seen?

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Speaker 2: I wasn't.

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Speaker 1: I was too a although there's they're now saying I

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Speaker 1: got four seed at Dancing with the Stars again the

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Speaker 1: other day.

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Speaker 2: Did you hear about that? No?

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Speaker 3: What happened.

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Speaker 1: So I'm sitting there watching a really close friend and

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Speaker 1: somebody I love dancing their heart out.

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Speaker 2: I'm watching Robert Irwin. It's really amazing. No, I'm there

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Speaker 2: watching you.

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Speaker 1: And in between, these two people come up and they're like,

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Speaker 1: we're live on TikTok?

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Speaker 2: Did you mind it for you to? Okay? I did

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Speaker 2: not put that together at first.

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Speaker 1: I just saw two people come up and I was like,

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Speaker 1: this guy kind of looks familiar and he's.

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Speaker 2: Like, hey, who are you here rooting for? And I said, well,

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Speaker 2: we're we're here rooting for Danielle Fischle.

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Speaker 1: And and and he's and then a moment goes by

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Speaker 1: and he goes, well, of course you are. And so

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Speaker 1: somebody set me that clip and all the comments are

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Speaker 1: like foreseed again.

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Speaker 2: He got completely foreseed again, like because then he's like, well, oh,

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Speaker 2: I just got something in my ear what do you

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Speaker 2: think about Bill Daniels so obviously like that's Will Forred

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Speaker 2: Della glasses off, that's Will for so yeah, foreseed again God, which.

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Speaker 3: Is pretty so funny.

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Speaker 2: What are the odds? What are the odds?

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Speaker 3: What are the odds of that?

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Speaker 1: That's that's pencil lots. Those are pencils.

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Speaker 3: Welcome to Pond Meets World.

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Speaker 2: I'm Daniel Fishal, I'm right or Strong, and I'm Will Fordell.

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Speaker 5: Halloween is around the corner, and your favorite podcasters serving

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Speaker 5: up episodes that are so good it's actually scary. Sex

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Speaker 5: and the City meet Severance when Adam Scott joins Christi

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Speaker 5: Davis to discuss the haunting relationship between Big and Natasha

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Speaker 5: on Are You a Charlotte?

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Speaker 2: And nine one one?

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Speaker 5: What's Your Emergency? The new episode of Call It What

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Speaker 5: It Is? Of course nine one one Nashville co star

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Speaker 5: Kimberly Williams Paisley joins Jessica Kapshaw and Camilla Leddington to

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Speaker 5: talk about her health scare, her superstar hubby Brad Paisley,

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Speaker 5: and her memories on the set of Father of the

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Speaker 5: Bride with the legendary Diane Keaton, Oscar winner Bree Larsen

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Speaker 5: is a.

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Speaker 2: Work in progress.

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Speaker 5: Sophia Bush finds out why and waltz right over to

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Speaker 5: Danielle with the Stars because Danielle Fischel has fellow Dancing

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Speaker 5: with the Stars contestant Dylan Effron on to talk about

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Speaker 5: the ballroom, the leaderboard and more. Listen now on the

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Speaker 5: iHeartRadio app, Apple Podcasts, or wherever you get your podcast.

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Speaker 3: Okay, Halloween is just days away, and we acknowledge that

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Speaker 3: we have picked apart and then there was Sean the

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Speaker 3: way vultures tear it a dead body in the desert.

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Speaker 3: So rather than revisit our beloved spooky episode, we have

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Speaker 3: decided to tackle some of our tag If Neighbors Halloween

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Speaker 3: specials in hopes that it helps us understand why ours

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Speaker 3: is considered so good. And this week we are looking

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Speaker 3: at season eight, episode seven of Family Matters. The episode

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Speaker 3: is titled stevel Have you have either of you ever

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Speaker 3: seen a Family Matters episode before?

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Speaker 4: Never in my life.

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Speaker 3: First one, I had seen Family Matters back when we

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Speaker 3: were on Boy Meets World. I definitely saw it leading

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Speaker 3: into the night because you.

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Speaker 2: Couldn't skip it back at the time. Nope, there was

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Speaker 2: no boodoop doo doo no.

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Speaker 3: Technic, which, by the way, is now an outdated technical

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Speaker 3: term because is from what was that thing called.

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Speaker 4: TV though exactly first time I remember seeing TVO was

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Speaker 4: our finale.

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Speaker 2: Are watching We're Able to someone else TiVo?

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Speaker 4: And I was like, oh, you can scow commercial discrease.

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Speaker 4: But that was two thousand, right eat. Yeah.

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Speaker 3: So it first aired on ABC as part of our

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Speaker 3: TGIF programming block on October twenty fifth, nineteen ninety six,

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Speaker 3: and is actually regarded as one of the better Halloween episodes.

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Speaker 3: It is currently available to stream on Hulu, so feel

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Speaker 3: free to check it out. This script is very much

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Speaker 3: influenced by Chucky and the movie Child's Play. Have either

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Speaker 3: of you seen those movies?

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Speaker 2: Oh?

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Speaker 4: Yeah, no, it's been a long time. I was one

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Speaker 4: of the first horror films I saw. I went over

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Speaker 4: to Ryan Bloom's house when I was probably like only eight.

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Speaker 2: Oh my god.

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Speaker 4: Yeah, Child's Play scared the crap out of me, but I.

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Speaker 2: Love I wouldn't be able to sleep. Yeah, so you

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Speaker 2: liked being the Actually being scared is something.

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Speaker 4: That you like totally totally.

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Speaker 2: I still do.

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Speaker 4: I mean that's why I like it's pretty rare. As

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Speaker 4: you get older, you know, and you get more like

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Speaker 4: immune to being scared. Like when I find something that

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Speaker 4: actually puts me on edge, I'm so excited, but it's.

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Speaker 2: Yourself. What are you talking about?

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Speaker 3: Yesterday we were in an elevator and something made a

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Speaker 3: loud sound and I was I literally jumped, like.

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Speaker 2: I was not ready to die.

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Speaker 3: I know, I don't. I don't enjoy it. Both of

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Speaker 3: my children are obsessed with Chucky now because we took

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Speaker 3: them to see Justin Willeman at the Thousand Oaks Theater.

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Speaker 3: He's a comedian slash magician, and he had a whole

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Speaker 3: bit with a little ventriloquist dummy, and actually it wasn't

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Speaker 3: a ventriloquist dummy.

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Speaker 4: It was my buddy, remember my Buddy, which is what

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Speaker 4: Chucky I think was based on exactly.

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Speaker 3: So he had his my Buddy on stage and my

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Speaker 3: buddy does tricks with a person where like it feels

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Speaker 3: as though my buddy is alive. And then he goes

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Speaker 3: to put my Buddy in the box and he pulls

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Speaker 3: it out really quick, and the camera zooms in on

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Speaker 3: it and it suddenly it's Chucky. And both of our

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Speaker 3: kids were like, what was that?

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Speaker 2: What's that?

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Speaker 3: Why did it look like that? And so we had

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Speaker 3: to talk to them about Chucky, And now they talk

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Speaker 3: about Chucky. You never movie though, Yeah, I've never seen it,

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Speaker 3: but then it is stuck with them before sure geez.

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Speaker 3: So the synopsis of Ventriloquist Stummy, which looks exactly like Arkle,

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Speaker 3: comes to life to terrorize.

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Speaker 2: The Winslows, and Steve Urkle must stop it.

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Speaker 3: It was directed by Rich Carrell, one of the busiest

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Speaker 3: directors in the history of TV for family sitcoms. It

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Speaker 3: was written by Gregory Thomas Garcia, a veteran TV writer.

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Speaker 3: He has written for My Name Is Earl, Yes, Dear,

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Speaker 3: Raising Hope, The Millers, and last year's Emmy Awards. It

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Speaker 3: was also written by Fred Rubin, who has similar credits

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Speaker 3: but goes back to Webster, Mama's Family, and night Court.

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Speaker 3: The show stars reginaldvil Johnson is Carl Winslow, one of

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Speaker 3: the more recognizable sitcom stars of the nineties, and he

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Speaker 3: is a man who seems to always play a policeman.

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Speaker 3: He appears in movies like Diehard Turner and is he

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Speaker 3: a cop on this show?

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Speaker 2: I think he is?

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Speaker 1: Have you never heard There's a y, There's a an

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Speaker 1: online theory that it's essentially the same character you're from Diehard,

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Speaker 1: that it's like he had to change his name because

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Speaker 1: of some weird thing and move to a small town

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Speaker 1: because of kids.

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Speaker 2: Like, yeah, it's like the same exact Yes, it's like

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Speaker 2: the same exact thing. That's why he takes in Steve Rkle.

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Speaker 4: I was just trying to figure out what because I

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Speaker 4: don't know what Family Matters is about. I just know

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Speaker 4: that there's a character, and I know most I see

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Speaker 4: these actors and I'm like, oh yeah, because we would

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Speaker 4: see them at parties or whatever they were. They were

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Speaker 4: on the same network. But I had I was trying

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Speaker 4: to be together what the story is, like, why does

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Speaker 4: Erkele live with them? Who are the Winslows?

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Speaker 2: I didn't under anybody.

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Speaker 3: Does he live with them?

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Speaker 2: Yes, he kept coming from and he's in sharing the

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Speaker 2: room with them.

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Speaker 4: So I kept being like, what is the pitch, Like,

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Speaker 4: what was the original pitch for Family Matters?

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Speaker 2: Well, you know, he wasn't he was. He was a tipanga.

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Speaker 2: He was when he was on our show.

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Speaker 1: He wasn't supposed to be on the shows, right, So

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Speaker 1: that's what I was trying to get straight up family sick.

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Speaker 4: So the original pitch was just it's a story of

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Speaker 4: the Winslows.

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Speaker 1: Yeah, and the original Johnson well, well there yeah, and

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Speaker 1: there wasn't one at the time. It was it was

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Speaker 1: just reginaldvel Johnson. I think they made a show for

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Speaker 1: him and that was it. And then I think that's

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Speaker 1: one of the reasons why the cast, you know, if

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Speaker 1: you Julia's talked about in his book and everything, the

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Speaker 1: cast kind of didn't like him for a while because

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Speaker 1: he came in and took over the whole show.

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Speaker 3: Steve Erkele lives with the Winslows because his parents moved

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Speaker 3: to Russia and left him behind.

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Speaker 4: That's interesting, Okay, Russia, Russia? I know, Okay, did that

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Speaker 4: happen right away? Like we met Rkele and then he

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Speaker 4: just moved in or was that.

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Speaker 2: Yeah? Because he was the wacky neighbor. He was like

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Speaker 2: the actual whacky ye.

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Speaker 3: Yeah, he would always come.

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Speaker 4: In and did they have like school scenes? Did they

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Speaker 4: have teachers?

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Speaker 2: They must have? They must have, they must have.

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Speaker 3: He was also in Ghostbusters and an episode of Girl

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Speaker 3: Meets World where he played a police officer.

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Speaker 2: Really, who was he in Ghostbusters? I'm gonna go with

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Speaker 2: a cop trying to remember who he was in Ghostbusters. Okay,

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Speaker 2: I gotta watch the movie in my head. Right now.

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Speaker 3: We have Joe Marie Payton as Harriet Winsley. Hello. She

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Speaker 3: appeared on dozens of shows like two two seven, Silver

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Speaker 3: Spoons and Perfect Strangers. She's also well known as the

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Speaker 3: voice of Sugar Mama on The Proud Family and is

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Speaker 3: still working more recently on the Netflix show Miss Governor.

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Speaker 3: There's Rosetta le Noir as a Stelle mother Winslow. As

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Speaker 3: a child, she was taught to dance by her godfather,

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Speaker 3: Bill bo Jangles Robinson. Wow really hmm, and in her

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Speaker 3: twenties was cast in Orson Wells's stage production of Macbeth.

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Speaker 3: She had a regular role on Gimme a Break, and

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Speaker 3: is best known from Family Matters. She passed away in

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Speaker 3: two thousand and two at the age of ninety. Wow

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Speaker 3: and then Darius McCrae as Eddie Winslow. McCrae made his

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Speaker 3: film debut in nineteen eighty six's Hotshot and would later

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Speaker 3: appear in movies like Mississippi Burning and Fifteen Minutes. He

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Speaker 3: also was a regular on The Young and the Restless

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Speaker 3: and Kelly Shaneine Williams as Laura Winslow. She was also

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Speaker 3: a recurring guest star on Militia and The Parkers. And

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Speaker 3: then we have Brighton James as Richie Crawford. James went

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Speaker 3: on to become one of daytime soap's biggest stars, joining

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Speaker 3: the cast of The Young and the Restless in two

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Speaker 3: thousand and four, where he's won two Emmys and is

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Speaker 3: still playing billionaire Devin Hamilton. And finally, Jilliel White as

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Speaker 3: Steve Erkele. Jialiel was the face of ABC and its

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Speaker 3: uber successful TGIF lineup. We interviewed Juliel a while back

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Speaker 3: and he is a lovely, very interesting guy, So go

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Speaker 3: check it out now and learn more about this TV

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Speaker 3: legend guest starring Orlando Brown as three j best known

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Speaker 3: as Eddie Thomas on That So Raven. He also appeared

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Speaker 3: in movies Major Pain in Eddie's Million Dollar Cookoff and

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Speaker 3: shows like The Jamie Foxx Show and The Proud Family,

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Speaker 3: but he is now best known for some crazy TMZ headlines.

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Speaker 3: And for those wondering, we have two interesting behind the

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Speaker 3: scenes appearances. The episodes director Rich Carell is the voice

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Speaker 3: of Stevel and Josh Ryan Evans was the double for Stevel.

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Speaker 3: Josh was three feet two inches tall and had a chondroplagia,

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Speaker 3: which is a form of dwarfism. It was well known

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Speaker 3: from his time on the Surreal Daytime soap Passions as

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Speaker 3: Timmy Lennox. He was nominated for an Emmy in two

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Speaker 3: thousand and won two Soap Opera Digest Awards.

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Speaker 2: He also played the role.

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Speaker 3: Of Baby Grinch in the two thousand Jim Carrey version

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Speaker 3: of How the Grinch Stole Christmas. Sadly, Josh passed away

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Speaker 3: in two thousand and two at the young age of twenty.

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Speaker 3: Jumping into our recap, we start in the cold open

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Speaker 3: in the living room. Steve Urkel sits behind a dimly

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Speaker 3: lit pumpkin, breaking the fourth wall to introduce to Night's

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Speaker 3: family matters. It works as a warning, describing what viewers

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Speaker 3: will see as a little scary, and he recommends that

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Speaker 3: you watch it with someone brave.

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Speaker 4: And immediately I was like, why didn't we do this?

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Speaker 4: And then there was Sean, I know, we just really

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Speaker 4: just threw our dreams ris unsuspectingly.

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Speaker 1: We never we never did a warning, did we, even

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Speaker 1: when it was like the Ariana Richard's episode or anything

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Speaker 1: more the drinking episode. There was never a hey, everybody,

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Speaker 1: this is a special kind of episode.

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Speaker 2: Yeah, interesting interesting.

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Speaker 3: Yeah, you're right though that it have been a really

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Speaker 3: smart one, like this is a little different than our

441
00:20:03,240 --> 00:20:04,320
Speaker 3: usual episode.

442
00:20:04,560 --> 00:20:04,800
Speaker 2: Yeah.

443
00:20:05,280 --> 00:20:07,840
Speaker 3: It's revealed that Little Ritchie and three J are sitting

444
00:20:07,920 --> 00:20:11,000
Speaker 3: next to him. Ritchie chimes in, don't worry, Uncle Rkle.

445
00:20:11,200 --> 00:20:14,120
Speaker 3: Three J insists, Yeah, man, we're here for you. Erkele

446
00:20:14,160 --> 00:20:15,040
Speaker 3: looks around in fear.

447
00:20:15,160 --> 00:20:16,240
Speaker 2: Can we turn on the lights?

448
00:20:16,640 --> 00:20:20,320
Speaker 3: The audience laughs, and we start the actual episode. We're

449
00:20:20,359 --> 00:20:22,960
Speaker 3: in the living room. Urkle walks downstairs carrying a large

450
00:20:23,000 --> 00:20:27,359
Speaker 3: white sheet. He greets the family, Hello halloweeners happy to

451
00:20:27,400 --> 00:20:30,760
Speaker 3: see him. Harriet wonders what's under the sheet. Erkele can't

452
00:20:30,800 --> 00:20:33,840
Speaker 3: wait to show them. He excitedly reveals a ventriloquist dummy

453
00:20:33,920 --> 00:20:38,080
Speaker 3: that looks and is dressed exactly like him. Everyone screams

454
00:20:38,160 --> 00:20:41,040
Speaker 3: in horror at the sight. Erkele isn't impressed with their reaction,

455
00:20:41,119 --> 00:20:44,280
Speaker 3: and Laura calls it disturbing. Erkele explains that the key

456
00:20:44,359 --> 00:20:46,399
Speaker 3: to being a good ventriloquist is to give the dummy

457
00:20:46,560 --> 00:20:49,840
Speaker 3: a funny voice. He asks the dummy, does your mom

458
00:20:49,960 --> 00:20:52,320
Speaker 3: know where you are? He takes a breath and responds

459
00:20:52,359 --> 00:20:54,840
Speaker 3: on what is very close to Julian's real voice. My

460
00:20:54,920 --> 00:20:58,200
Speaker 3: mom doesn't know anything. She's a telephone poll in Kansas City.

461
00:20:58,840 --> 00:21:01,119
Speaker 4: This is probably the best joke the whole episode, by

462
00:21:01,160 --> 00:21:04,760
Speaker 4: the for me a better one. I was like, that's great,

463
00:21:04,960 --> 00:21:08,200
Speaker 4: Like because because my inter reaction, I've never seen the show,

464
00:21:08,240 --> 00:21:11,320
Speaker 4: I'm like, so that that's the voice of Arcle, Like yes,

465
00:21:12,160 --> 00:21:13,840
Speaker 4: the whole time, I was like, oh right, I mean,

466
00:21:14,280 --> 00:21:17,600
Speaker 4: I guess because we're in season eight eight, and I

467
00:21:17,720 --> 00:21:20,000
Speaker 4: imagine jillil started the show when he was very young,

468
00:21:20,200 --> 00:21:23,240
Speaker 4: and that the Erkle voice probably felt more natural or

469
00:21:23,359 --> 00:21:25,760
Speaker 4: seemed more possible. But as it is, you're watching like

470
00:21:25,840 --> 00:21:29,720
Speaker 4: a twenty year old do this, you know, ridiculously high voice.

471
00:21:30,000 --> 00:21:32,160
Speaker 4: So when he did the ventriloquist as like a normal

472
00:21:32,320 --> 00:21:35,719
Speaker 4: I was like, that's fun. That's so fun funny, how

473
00:21:35,800 --> 00:21:36,960
Speaker 4: crazy that this guy.

474
00:21:36,880 --> 00:21:39,600
Speaker 2: Talks like this? One of my favorite sitcom jokes I think, ever,

475
00:21:39,920 --> 00:21:41,920
Speaker 2: what was in this episode? I was like, oh my god,

476
00:21:42,000 --> 00:21:43,320
Speaker 2: that's brilliant and I'll tell you when we get there,

477
00:21:43,440 --> 00:21:45,800
Speaker 2: Like this is this is absolutely genius. I wish I

478
00:21:45,840 --> 00:21:46,359
Speaker 2: had thought of this.

479
00:21:46,680 --> 00:21:50,720
Speaker 3: I mean, I'm just going to say it here. Jilliel

480
00:21:50,800 --> 00:21:54,840
Speaker 3: White is on another.

481
00:21:56,160 --> 00:22:02,640
Speaker 2: US is brilliant. He has this entire show on his shoulders. Yeah.

482
00:22:03,480 --> 00:22:06,280
Speaker 2: But the show, that's my question is is since we've

483
00:22:06,320 --> 00:22:09,560
Speaker 2: only watched one episode, is the show essentially because that

484
00:22:09,640 --> 00:22:11,640
Speaker 2: was what I took away from this is it's essentially

485
00:22:11,920 --> 00:22:15,160
Speaker 2: five or six actors that stand in a line and go, Steve,

486
00:22:15,240 --> 00:22:17,320
Speaker 2: what are you doing? And then he goes off and

487
00:22:17,400 --> 00:22:19,639
Speaker 2: does a bunch I think? So, is that is that

488
00:22:19,800 --> 00:22:22,879
Speaker 2: the whole show? Is that like, ye oh Steve and

489
00:22:22,960 --> 00:22:25,440
Speaker 2: then he goes off and does his thing. Yeah, I

490
00:22:25,760 --> 00:22:27,359
Speaker 2: don't know if that's what the entire show is. And

491
00:22:27,400 --> 00:22:29,480
Speaker 2: then occasionally, like in Family Ties, what you turn it

492
00:22:29,520 --> 00:22:30,960
Speaker 2: on and be like, oh god, it's a teena.

493
00:22:30,800 --> 00:22:33,639
Speaker 1: Others episode, So you wonder if there's if it's gonna

494
00:22:33,640 --> 00:22:35,960
Speaker 1: be like that where occasionally one of the other characters

495
00:22:36,000 --> 00:22:37,879
Speaker 1: gets an episode, but for the most part, it's like,

496
00:22:38,280 --> 00:22:40,000
Speaker 1: what are you doing, Steve? And then Steve tells you

497
00:22:40,080 --> 00:22:41,439
Speaker 1: what he's doing, and then you follow what he does

498
00:22:41,480 --> 00:22:43,960
Speaker 1: and they go, man, that's crazy, Steve, and then that's

499
00:22:44,040 --> 00:22:44,680
Speaker 1: kind of the show.

500
00:22:45,440 --> 00:22:47,840
Speaker 4: So yeah, it was It's almost as if, like Boy

501
00:22:47,920 --> 00:22:50,399
Speaker 4: Meets World, were just everyone looking at Eric being like.

502
00:22:51,000 --> 00:22:52,760
Speaker 2: Right, right, exactly. Well.

503
00:22:52,800 --> 00:22:56,359
Speaker 1: I also watching this show gave me a huge realization

504
00:22:56,800 --> 00:23:01,000
Speaker 1: of what TGIF actually was, and actually the diversity of

505
00:23:01,160 --> 00:23:05,680
Speaker 1: TGIF because when you think about it, Sabrina is bewitched

506
00:23:06,040 --> 00:23:11,480
Speaker 1: right where Happy Days mm hmm, and then Erkele is

507
00:23:11,760 --> 00:23:15,200
Speaker 1: kind of Three's Company where it's the crazy, wacky guy

508
00:23:15,400 --> 00:23:16,000
Speaker 1: that you're following.

509
00:23:16,040 --> 00:23:16,800
Speaker 2: It's like they've.

510
00:23:16,680 --> 00:23:21,439
Speaker 1: Taken sitcom tra all different sitcom tropes, made them kids,

511
00:23:21,800 --> 00:23:23,240
Speaker 1: and then put them on the air again.

512
00:23:23,440 --> 00:23:26,600
Speaker 2: And it's really brilliant when you think about it, because

513
00:23:26,640 --> 00:23:29,520
Speaker 2: they know they work. Happy Days works, Okay, why wouldn't

514
00:23:29,520 --> 00:23:32,680
Speaker 2: it work if Richie was eleven? How much of that?

515
00:23:33,680 --> 00:23:36,400
Speaker 4: How much of that is just falling into what people

516
00:23:36,440 --> 00:23:38,800
Speaker 4: want to watch? Do you know it was that conscious?

517
00:23:38,800 --> 00:23:40,040
Speaker 2: I think it was. It's brilliant.

518
00:23:40,240 --> 00:23:42,920
Speaker 4: It's difficult to see what sticks and what stock was

519
00:23:43,119 --> 00:23:45,320
Speaker 4: like traditional sitcom trops, that's.

520
00:23:45,119 --> 00:23:45,520
Speaker 2: The thing, though.

521
00:23:45,520 --> 00:23:48,760
Speaker 1: They took traditional sitcom tropes, aged them down, and put

522
00:23:48,840 --> 00:23:49,480
Speaker 1: them back on the air.

523
00:23:49,560 --> 00:23:50,520
Speaker 2: Brilliant, brilliant.

524
00:23:51,000 --> 00:23:53,560
Speaker 3: So Erkele lets out his high pitched laugh, loving his

525
00:23:53,640 --> 00:23:56,280
Speaker 3: own joke, but no one else gets it except Grandma Stell,

526
00:23:56,359 --> 00:23:59,359
Speaker 3: who visibly loves it. He asks the family their opinion,

527
00:23:59,440 --> 00:24:02,240
Speaker 3: and Harriet's imply wonders, are your lips supposed to flap

528
00:24:02,359 --> 00:24:02,520
Speaker 3: like that?

529
00:24:03,240 --> 00:24:03,480
Speaker 2: Erkle?

530
00:24:03,560 --> 00:24:06,720
Speaker 3: That's reality sink in. I'm awful, r and I the

531
00:24:06,920 --> 00:24:09,359
Speaker 3: entire family can't help but agree, And just like that,

532
00:24:09,480 --> 00:24:12,560
Speaker 3: they're into the perfect you know, don't need to waste

533
00:24:12,560 --> 00:24:14,480
Speaker 3: a bunch of time. He wants to be he wants

534
00:24:14,520 --> 00:24:17,840
Speaker 3: to be a ventriloquiest. He's not good at it. Great,

535
00:24:17,880 --> 00:24:20,720
Speaker 3: move on, that's all. We got it. We got it

536
00:24:20,800 --> 00:24:23,760
Speaker 3: all right. Now we're in Erkele's bedroom with a large

537
00:24:23,800 --> 00:24:26,760
Speaker 3: poster of Michael Jordan and Dennis Rodman above his bed,

538
00:24:27,400 --> 00:24:28,960
Speaker 3: something that did not seem.

539
00:24:28,840 --> 00:24:31,520
Speaker 2: Very easy to clear, by the way, Like you know

540
00:24:31,960 --> 00:24:33,240
Speaker 2: they had to work for that.

541
00:24:33,880 --> 00:24:35,760
Speaker 4: I wouldn't have noticed. I thought they were just you know,

542
00:24:35,920 --> 00:24:37,320
Speaker 4: generic basketball play generic.

543
00:24:38,240 --> 00:24:40,680
Speaker 2: Did you notice one of those Michael Jordans?

544
00:24:41,760 --> 00:24:43,680
Speaker 4: I mean I saw a Bulls, so I figured.

545
00:24:43,400 --> 00:24:45,520
Speaker 2: Like, did you not see the number twenty three?

546
00:24:46,560 --> 00:24:47,440
Speaker 3: That means nothing to you?

547
00:24:47,760 --> 00:24:50,960
Speaker 4: Nope, I do remember the Bulls being big back in

548
00:24:51,040 --> 00:24:52,960
Speaker 4: the day. No, why would I know any of it?

549
00:24:53,040 --> 00:24:55,199
Speaker 1: How about because Ben Savage was on the show with us,

550
00:24:55,240 --> 00:24:57,359
Speaker 1: and he was a huge bulls Sure.

551
00:24:57,840 --> 00:25:01,240
Speaker 4: Sure, I was like sports ball people doing sports ball

552
00:25:01,359 --> 00:25:04,120
Speaker 4: things like, and I was like, why is it so permanent?

553
00:25:04,160 --> 00:25:06,040
Speaker 4: And then of course when they are captured in the

554
00:25:06,080 --> 00:25:07,879
Speaker 4: poster later, I was like, oh, that's why they had

555
00:25:07,960 --> 00:25:09,560
Speaker 4: to like make a big deal out of this poster.

556
00:25:10,600 --> 00:25:10,720
Speaker 5: You No.

557
00:25:10,840 --> 00:25:13,000
Speaker 4: At this point, I was thinking, do you guys notice

558
00:25:13,040 --> 00:25:18,920
Speaker 4: how small their sets seemed? That even the living room

559
00:25:18,960 --> 00:25:22,720
Speaker 4: felt closer to me than my actually think about it interesting.

560
00:25:23,119 --> 00:25:25,680
Speaker 4: And then when they were like destroying the kitchen and

561
00:25:25,760 --> 00:25:27,200
Speaker 4: like doing stuff later, I was like, Wow, this is

562
00:25:27,240 --> 00:25:31,360
Speaker 4: a really production like art department heavy episode, and but yeah,

563
00:25:31,440 --> 00:25:33,359
Speaker 4: it did just feel close to me. It felt like

564
00:25:33,680 --> 00:25:37,320
Speaker 4: very like our show, just some felt spacious compared to this.

565
00:25:37,440 --> 00:25:38,040
Speaker 4: It was interesting.

566
00:25:38,440 --> 00:25:40,200
Speaker 1: Do you think they dealt with the same things we

567
00:25:40,320 --> 00:25:42,239
Speaker 1: did or do you think being on Warner Brothers as

568
00:25:42,359 --> 00:25:45,480
Speaker 1: a hit show, they were like they had money, here's

569
00:25:45,560 --> 00:25:47,760
Speaker 1: money or and and Disney was tight with the person

570
00:25:48,040 --> 00:25:49,480
Speaker 1: or do you think it's just the same all the

571
00:25:49,480 --> 00:25:51,359
Speaker 1: way across the industry where they're just gonna.

572
00:25:51,080 --> 00:25:55,040
Speaker 4: Be The reputation that Disney had back in the day

573
00:25:55,160 --> 00:25:57,920
Speaker 4: was that they were very cheap compared to other studios,

574
00:25:58,280 --> 00:26:00,640
Speaker 4: and that was part of their success frugal there you go. Yeah,

575
00:26:00,880 --> 00:26:03,200
Speaker 4: because I was considered. You know, when you were working

576
00:26:03,280 --> 00:26:05,000
Speaker 4: for them, there was a sense of like they would

577
00:26:05,040 --> 00:26:08,440
Speaker 4: never give anything. But in retrospect, of course, as part

578
00:26:08,480 --> 00:26:10,720
Speaker 4: of their success as a company is that you held

579
00:26:10,760 --> 00:26:17,399
Speaker 4: on to their capitalism. Well, yeah, I wondered the same thing,

580
00:26:17,480 --> 00:26:20,600
Speaker 4: like very but they weren't spending that much money on sets.

581
00:26:21,240 --> 00:26:26,560
Speaker 2: Right, Well, that's probably did this point, hopefully hopefully.

582
00:26:27,800 --> 00:26:30,760
Speaker 3: Erkle is lying in bed, his dummies is sitting in

583
00:26:30,840 --> 00:26:32,760
Speaker 3: a seat just a few feet away, and there appears

584
00:26:32,840 --> 00:26:35,520
Speaker 3: to be thunder and lightning outside. Eddie walks in and

585
00:26:35,600 --> 00:26:38,800
Speaker 3: points out that a storm is coming. Erkle sarcastically responds,

586
00:26:39,000 --> 00:26:42,760
Speaker 3: thank you, al roker. Eddie asks what's wrong, and Erkle winds,

587
00:26:42,840 --> 00:26:46,920
Speaker 3: I'm only the world's worst ventriloquist, right. Eddie nods, yeah,

588
00:26:47,040 --> 00:26:49,240
Speaker 3: you blow chunks, but he reminds him that no one's

589
00:26:49,240 --> 00:26:51,880
Speaker 3: good at everything. Then he smiles, although I do come

590
00:26:51,920 --> 00:26:55,240
Speaker 3: awfully close. Erkele walks over to his lookalike doll. He

591
00:26:55,359 --> 00:26:58,040
Speaker 3: just wants to make him talk. Eddie can't relate. The

592
00:26:58,119 --> 00:27:00,600
Speaker 3: only doll he wants on his lap can talk on

593
00:27:00,720 --> 00:27:01,680
Speaker 3: her own nap.

594
00:27:03,240 --> 00:27:07,080
Speaker 1: So, but so that's that's the thing. Older brother, girl,

595
00:27:07,160 --> 00:27:08,840
Speaker 1: crazy or stupid. That's that's right.

596
00:27:08,920 --> 00:27:11,919
Speaker 2: Yeah, that's that's the trope. That's the trope. All as

597
00:27:11,960 --> 00:27:13,680
Speaker 2: I was watching, I was like, oh, Derek, but it's

598
00:27:13,720 --> 00:27:14,960
Speaker 2: not technically his older brother.

599
00:27:15,119 --> 00:27:18,760
Speaker 1: It's his older Maybe at the time they started the show,

600
00:27:18,840 --> 00:27:21,840
Speaker 1: I think he's considered the older brother, like because it wasn't.

601
00:27:22,400 --> 00:27:24,960
Speaker 2: Yeah, it's just like it really is the same trope,

602
00:27:25,080 --> 00:27:25,520
Speaker 2: over and over.

603
00:27:26,240 --> 00:27:28,600
Speaker 3: With that, he pats Erkele on the shoulder and heads out.

604
00:27:28,800 --> 00:27:31,400
Speaker 3: Arkle sadly looks at his puppet once more perfectly, time

605
00:27:31,440 --> 00:27:34,440
Speaker 3: with some lightning. He shrugs, then lays down to sleep,

606
00:27:34,680 --> 00:27:39,520
Speaker 3: suspenders and glasses still on, and shoes which cannot be comfortable.

607
00:27:39,800 --> 00:27:43,040
Speaker 3: It was a nap, and then a bolt of lightning

608
00:27:43,160 --> 00:27:46,119
Speaker 3: flashes through the open window directly onto the dummy, shakes

609
00:27:46,119 --> 00:27:50,000
Speaker 3: with electrocution. Once the lightning subsides, the dummy opens his

610
00:27:50,160 --> 00:27:52,879
Speaker 3: eyes on his own and glances around the room. The

611
00:27:52,920 --> 00:27:56,080
Speaker 3: studio audience, most likely not filled with inmates on a

612
00:27:56,280 --> 00:28:00,520
Speaker 3: field trip, react Erkele, who did not feel the lightning

613
00:28:00,560 --> 00:28:03,280
Speaker 3: in his room or hear what should have been ear

614
00:28:03,440 --> 00:28:06,920
Speaker 3: numbing thunder turns the lights back on to close the

615
00:28:07,040 --> 00:28:10,560
Speaker 3: open window. Along the way, the puppet watches his every move.

616
00:28:11,080 --> 00:28:13,440
Speaker 3: Erkele notices its head move and is confused, but he

617
00:28:13,480 --> 00:28:16,160
Speaker 3: brushes it off. He lays back down and closes his eyes,

618
00:28:16,200 --> 00:28:19,920
Speaker 3: but when he quickly reopens them, the dummy is gone.

619
00:28:21,160 --> 00:28:23,440
Speaker 3: Erkele screams and looks around the room, but he can't

620
00:28:23,480 --> 00:28:26,720
Speaker 3: find him. We then hear a deep and grisly voice. Hey,

621
00:28:27,720 --> 00:28:31,240
Speaker 3: the Erkle. Dummy springs up in Eddie's bed. Erkele screams

622
00:28:31,359 --> 00:28:34,960
Speaker 3: bloody murder, just as lightning flashes and thunder erupts. The

623
00:28:35,080 --> 00:28:37,919
Speaker 3: dummy just maniacally laughs in response.

624
00:28:38,520 --> 00:28:41,720
Speaker 1: So one of the things from the time I was

625
00:28:41,760 --> 00:28:44,760
Speaker 1: a little kid that scares the hell out of me

626
00:28:45,520 --> 00:28:47,840
Speaker 1: is creepy voices really.

627
00:28:49,080 --> 00:28:51,280
Speaker 2: Like this. Yes, it's one of the reasons I think

628
00:28:51,320 --> 00:28:52,440
Speaker 2: I became a voice over guy.

629
00:28:52,520 --> 00:28:55,040
Speaker 1: Like the Freddy Krueger voice back in the day used

630
00:28:55,040 --> 00:28:56,360
Speaker 1: to scare the hell out of me.

631
00:28:57,080 --> 00:29:00,680
Speaker 2: Any kind of like little kid voice, I come like,

632
00:29:00,800 --> 00:29:03,360
Speaker 2: all that stuff freaks the hell out of it. So

633
00:29:03,480 --> 00:29:06,160
Speaker 2: this kind of Freddy Krueger they obviously put in it,

634
00:29:06,240 --> 00:29:09,080
Speaker 2: did They came under digitally, They gave it a gravelly

635
00:29:09,160 --> 00:29:12,040
Speaker 2: kind of. So when he starts, Steve, I was like, ah,

636
00:29:12,680 --> 00:29:16,600
Speaker 2: like totally. This is one of my freaky triggers is

637
00:29:17,160 --> 00:29:20,200
Speaker 2: creepy voices, and this one it really hit the creepy

638
00:29:20,280 --> 00:29:23,120
Speaker 2: voice aspect. It did. It was a great creepy voice.

639
00:29:24,240 --> 00:29:28,880
Speaker 3: All right. I already was super into this episode. I

640
00:29:29,000 --> 00:29:33,120
Speaker 3: was like, all right, we've got a storyline on hooks too.

641
00:29:33,840 --> 00:29:36,000
Speaker 2: All right, we're in the living room. Ercle hurries down

642
00:29:36,040 --> 00:29:36,479
Speaker 2: the stairs.

643
00:29:36,560 --> 00:29:37,520
Speaker 3: The dummy is alive.

644
00:29:38,000 --> 00:29:40,240
Speaker 2: He shows them the doll, but it's as lifeless as ever.

645
00:29:40,520 --> 00:29:44,360
Speaker 3: Carl rolls his eyes. Nothing with a plywood brain is alive.

646
00:29:44,720 --> 00:29:46,600
Speaker 3: But Erkle tells them what he witnessed, and he tries

647
00:29:46,640 --> 00:29:48,480
Speaker 3: to prove it to them. He sets the dummy on

648
00:29:48,520 --> 00:29:51,160
Speaker 3: the chair and presents him with urgency, but it doesn't

649
00:29:51,160 --> 00:29:51,640
Speaker 3: move an inch.

650
00:29:52,080 --> 00:29:55,160
Speaker 2: What are you doing now, Steve? What's going on?

651
00:29:55,320 --> 00:30:01,680
Speaker 4: Steve? What's going on? At this point, I was, so,

652
00:30:01,800 --> 00:30:04,600
Speaker 4: you're terrified of the dummy and you pick it up

653
00:30:05,080 --> 00:30:07,440
Speaker 4: and you carry it downstairs, and then later when he

654
00:30:07,600 --> 00:30:11,840
Speaker 4: just pulls it apart, So so what's the problem here.

655
00:30:12,440 --> 00:30:13,680
Speaker 4: Just take a part of the dummy.

656
00:30:13,760 --> 00:30:13,880
Speaker 3: Man.

657
00:30:15,040 --> 00:30:18,040
Speaker 2: He came back to it comes back to life. You

658
00:30:18,120 --> 00:30:20,640
Speaker 2: can't kill him. He just stepped him in the refrigerator

659
00:30:20,680 --> 00:30:23,560
Speaker 2: and he just broke out. He came up right out.

660
00:30:24,040 --> 00:30:25,440
Speaker 3: What what are you not understanding?

661
00:30:25,760 --> 00:30:26,760
Speaker 4: You're the horror guy.

662
00:30:27,080 --> 00:30:27,920
Speaker 2: How do you not get it?

663
00:30:28,560 --> 00:30:29,640
Speaker 3: You can't be destroyed?

664
00:30:31,200 --> 00:30:31,400
Speaker 1: Sure?

665
00:30:33,160 --> 00:30:34,400
Speaker 2: Why can't you destroy him? Steve?

666
00:30:34,840 --> 00:30:35,280
Speaker 3: What's going on?

667
00:30:35,440 --> 00:30:35,720
Speaker 2: Steve?

668
00:30:37,400 --> 00:30:39,959
Speaker 3: After a couple beats of silence, Carl compliments him, if

669
00:30:40,040 --> 00:30:42,800
Speaker 3: this is your new act, it's actually an improvement. Erkle

670
00:30:42,840 --> 00:30:45,160
Speaker 3: doubles down on this revelation, and Carl just asks, has

671
00:30:45,200 --> 00:30:47,920
Speaker 3: anyone from your family checked into the rubber ramata before?

672
00:30:48,360 --> 00:30:51,200
Speaker 3: Has anybody ever heard of rubber ramata before? But it's

673
00:30:51,280 --> 00:30:54,240
Speaker 3: kind of awesome, It's it's pretty funny. I'm sure, I'm

674
00:30:54,240 --> 00:30:55,520
Speaker 3: sure it's offensive to someone.

675
00:30:55,320 --> 00:31:01,280
Speaker 2: But you can make you can make it. Yeah, Caramata,

676
00:31:04,160 --> 00:31:05,320
Speaker 2: We'll leave the foe on for you.

677
00:31:11,800 --> 00:31:14,560
Speaker 3: Rkle earnestly answers, my aunt Edna thought she was an

678
00:31:14,560 --> 00:31:17,080
Speaker 3: air conditioner. Carl asks if they took her away, and

679
00:31:17,160 --> 00:31:18,920
Speaker 3: Erkle answers, heck no, she kept.

680
00:31:18,840 --> 00:31:22,960
Speaker 2: Us school in the summer. The weirdest, weirdest were just

681
00:31:23,080 --> 00:31:26,440
Speaker 2: like just just put it in like it was so random.

682
00:31:26,480 --> 00:31:28,960
Speaker 2: I'm just like, oh, okay, I want to know what

683
00:31:29,000 --> 00:31:31,920
Speaker 2: They rejected. Yes, oh my god, I didn't make it

684
00:31:32,080 --> 00:31:34,760
Speaker 2: because that was like, okay, all right.

685
00:31:36,040 --> 00:31:38,280
Speaker 3: Carl and Harriet agree they don't want to deal with

686
00:31:38,360 --> 00:31:40,360
Speaker 3: this any longer, and even Estelle puts a hand on

687
00:31:40,480 --> 00:31:44,000
Speaker 3: Erkele's cheek and begs, please get some rest. Erkle keeps

688
00:31:44,040 --> 00:31:46,160
Speaker 3: trying to prove himself, but eventually he just gives up.

689
00:31:46,400 --> 00:31:48,680
Speaker 3: He moves the dummy to the couch and says, maybe

690
00:31:48,720 --> 00:31:52,120
Speaker 3: I have lost my mind. Then on cue, the dummy growls, no,

691
00:31:52,440 --> 00:31:56,240
Speaker 3: you're fine. Erkle looks directly at the camera and disbelief.

692
00:31:56,320 --> 00:31:59,200
Speaker 3: He's startled. Harriet's right, I need to lie down, He

693
00:31:59,320 --> 00:32:02,440
Speaker 3: recites to him. My name is Stephen q Erkle. My

694
00:32:02,600 --> 00:32:04,080
Speaker 3: IQ is one hundred and ninety six.

695
00:32:04,160 --> 00:32:04,920
Speaker 2: I like cheese.

696
00:32:05,000 --> 00:32:07,560
Speaker 3: I like polka. Then, as he walks to the stairs,

697
00:32:07,600 --> 00:32:09,520
Speaker 3: the dummy gets off the couch and follows him.

698
00:32:10,280 --> 00:32:13,680
Speaker 2: You're the audience gasp. Yeah, they must have like shot

699
00:32:13,720 --> 00:32:15,400
Speaker 2: the whole show and done it as a playback, because

700
00:32:15,440 --> 00:32:18,320
Speaker 2: they obviously they were shocked, as was I that the

701
00:32:18,400 --> 00:32:20,920
Speaker 2: thing gets up and starts to walk like, oh god,

702
00:32:21,360 --> 00:32:24,520
Speaker 2: it was a moment. It's really alive.

703
00:32:25,000 --> 00:32:29,440
Speaker 4: We are no longer just cutting to solo shots of it. Yeah,

704
00:32:29,960 --> 00:32:30,840
Speaker 4: it was a great moment.

705
00:32:31,080 --> 00:32:34,560
Speaker 3: It totally adds another element and a layer to this

706
00:32:34,800 --> 00:32:38,640
Speaker 3: episode and and a Halloween story in general, that it

707
00:32:38,800 --> 00:32:41,760
Speaker 3: actually moves and it isn't just like I I love voice.

708
00:32:42,400 --> 00:32:45,520
Speaker 1: And that was a that was a clear first take gasp.

709
00:32:46,240 --> 00:32:48,440
Speaker 1: The audience had never seen that before. And when he

710
00:32:48,520 --> 00:32:51,120
Speaker 1: stood up, everyone was freaking, myself included. It was like, oh,

711
00:32:51,360 --> 00:32:52,040
Speaker 1: how'd they do that?

712
00:32:52,240 --> 00:32:53,560
Speaker 2: So, yeah, that was that was good.

713
00:32:53,920 --> 00:32:57,240
Speaker 3: Erkele notices and stops deadness tracks. The dummy rapidly raises

714
00:32:57,280 --> 00:33:01,200
Speaker 3: his eyebrows in response. Erkele determines he's hallucinating and continues

715
00:33:01,240 --> 00:33:03,920
Speaker 3: to walk up the stairs, continuing to recite basic information

716
00:33:03,960 --> 00:33:07,800
Speaker 3: about himself. He assures himself, I'm perfectly saying, and then

717
00:33:07,880 --> 00:33:10,120
Speaker 3: the dummy calls out his name. Erkele turns around in

718
00:33:10,120 --> 00:33:13,600
Speaker 3: the dummy shouts boo, which sends Erkele sprinting up the

719
00:33:13,640 --> 00:33:17,200
Speaker 3: stairs in a panic. Now in Erkle's room, he quickly

720
00:33:17,280 --> 00:33:19,320
Speaker 3: locks the door and grabs a nearby chair to place

721
00:33:19,400 --> 00:33:21,760
Speaker 3: under the doorknob. He then grabs some scotch tape and

722
00:33:21,840 --> 00:33:23,360
Speaker 3: places individual.

723
00:33:22,920 --> 00:33:26,720
Speaker 2: Strands across the door frame one by one. Joke of

724
00:33:26,960 --> 00:33:29,520
Speaker 2: the show. I wish I had thought of this. What

725
00:33:29,640 --> 00:33:32,720
Speaker 2: scotch tape genius? You shut the door and then you're

726
00:33:32,800 --> 00:33:36,200
Speaker 2: scotching little pieces of scotch tape to close the door.

727
00:33:36,480 --> 00:33:36,640
Speaker 4: Oh.

728
00:33:37,080 --> 00:33:38,920
Speaker 3: I thought it was very funny and it would have

729
00:33:39,000 --> 00:33:43,120
Speaker 3: been amazing if it was Eric doing it. But we

730
00:33:43,560 --> 00:33:49,360
Speaker 3: just heard Steve and then the first thing he does

731
00:33:49,520 --> 00:33:51,360
Speaker 3: is little pieces of scotch tape.

732
00:33:51,960 --> 00:33:52,760
Speaker 2: But oh, got it.

733
00:33:52,920 --> 00:33:55,360
Speaker 1: If I could have taken that joke was It's a

734
00:33:55,440 --> 00:33:57,120
Speaker 1: ten out of ten sitcom joke right there.

735
00:33:57,120 --> 00:34:01,800
Speaker 2: I barricading the door with much tape so funny. Loved

736
00:34:01,840 --> 00:34:02,320
Speaker 2: it well.

737
00:34:02,560 --> 00:34:05,280
Speaker 3: Steve is preoccupied with this idea. The dummy sneaks in

738
00:34:05,440 --> 00:34:08,800
Speaker 3: through the open window. It watches Erkle fiddling with the

739
00:34:08,840 --> 00:34:11,800
Speaker 3: tape and comments, good job. Erkele thanks him, but quickly

740
00:34:11,880 --> 00:34:14,200
Speaker 3: realizes who said it. He screams in horror and the

741
00:34:14,280 --> 00:34:17,200
Speaker 3: audience is having a blast. The dummy tells him to

742
00:34:17,239 --> 00:34:20,000
Speaker 3: relax and sit down. Erkle argues back, but you're made

743
00:34:20,000 --> 00:34:24,160
Speaker 3: of wood. You can't walk, you can't talk. The dummy smiles, Oh, yeah,

744
00:34:24,360 --> 00:34:27,120
Speaker 3: I bet I can't dance either. Then he proceeds to

745
00:34:27,160 --> 00:34:31,279
Speaker 3: do a little samba to prove him wrong. Erkele makes

746
00:34:31,280 --> 00:34:34,160
Speaker 3: it official, he's gone insane, but the dummy disagrees. You

747
00:34:34,400 --> 00:34:36,680
Speaker 3: just got what you wished for. You wanted me to talk,

748
00:34:36,760 --> 00:34:41,960
Speaker 3: and you got it. Bucko Bucco was big in the nineties.

749
00:34:42,680 --> 00:34:45,800
Speaker 3: Buck Up, buckers, buckers. Yeah, and then we've got we

750
00:34:46,000 --> 00:34:49,600
Speaker 3: got that that hard like in the book.

751
00:34:50,040 --> 00:34:50,960
Speaker 2: Yeah, it's got that.

752
00:34:51,200 --> 00:34:54,520
Speaker 3: Yeah, Yeah, K's are always funny, always funny. Now, sitting

753
00:34:54,560 --> 00:34:56,600
Speaker 3: on his bed, Erkle wonders, then why didn't you talk

754
00:34:56,640 --> 00:35:00,239
Speaker 3: in front of the Winslows. The dummy responds confidently. I

755
00:35:00,360 --> 00:35:04,560
Speaker 3: don't like the Winslows. Erkele argues, but they're the finest

756
00:35:04,600 --> 00:35:07,920
Speaker 3: family in the whole wide world. The dummy agrees, I know.

757
00:35:08,480 --> 00:35:11,359
Speaker 3: They make me sick. He takes it one step further.

758
00:35:11,719 --> 00:35:13,960
Speaker 3: The Winslows are in the way, so we'll have to

759
00:35:13,960 --> 00:35:16,440
Speaker 3: get rid of them. Erkele let's out the biggest, most

760
00:35:16,520 --> 00:35:19,719
Speaker 3: dramatic gasp ever on television and runs towards the door.

761
00:35:20,239 --> 00:35:23,560
Speaker 3: He scolds the rotten little puppet for even suggesting such

762
00:35:23,600 --> 00:35:25,600
Speaker 3: a thing. You may look like me, but you're not

763
00:35:25,800 --> 00:35:28,960
Speaker 3: like me at all. You're evil. The dummy smiles, Hey,

764
00:35:29,200 --> 00:35:32,200
Speaker 3: I like that evil? Huh From now on, you can

765
00:35:32,440 --> 00:35:34,799
Speaker 3: just call me Stevel.

766
00:35:36,040 --> 00:35:36,360
Speaker 2: Come on.

767
00:35:37,040 --> 00:35:39,600
Speaker 3: This entire episode came from someone who was like, what

768
00:35:39,719 --> 00:35:41,840
Speaker 3: if for our Halloween episode we have Stevel?

769
00:35:42,000 --> 00:35:42,400
Speaker 2: Yeah, that's it.

770
00:35:43,200 --> 00:35:47,360
Speaker 1: And you know, the first pitch was probably Steve Erkele

771
00:35:47,480 --> 00:35:51,279
Speaker 1: himself becomes evil and becomes stevil, and then they were like, well,

772
00:35:51,560 --> 00:35:53,200
Speaker 1: let's do a movie parody and make it a puppet

773
00:35:53,280 --> 00:35:53,560
Speaker 1: kind of thing.

774
00:35:53,640 --> 00:35:55,160
Speaker 2: Yeah, does you know that hat? I get. I think

775
00:35:55,200 --> 00:35:56,880
Speaker 2: he does that a lot, doesn't he He has got

776
00:35:56,920 --> 00:36:00,440
Speaker 2: a cool guy persona. Yeah, like there's Steve even then

777
00:36:00,880 --> 00:36:01,279
Speaker 2: remember that.

778
00:36:01,800 --> 00:36:03,719
Speaker 4: Yeah, so Steven or Kel?

779
00:36:04,480 --> 00:36:04,680
Speaker 1: Yes?

780
00:36:04,760 --> 00:36:07,000
Speaker 2: Is that what it is? Stephen or Kell? So yeah,

781
00:36:07,080 --> 00:36:08,040
Speaker 2: so maybe I'm guessing that.

782
00:36:09,800 --> 00:36:10,000
Speaker 5: Kell.

783
00:36:10,120 --> 00:36:12,960
Speaker 1: Yeah, that's gonna be I'm guessing that was the first pitch,

784
00:36:13,040 --> 00:36:14,959
Speaker 1: is that he turns evil somehow.

785
00:36:14,880 --> 00:36:16,640
Speaker 2: Right, and he was Steve. Yeah.

786
00:36:17,239 --> 00:36:19,880
Speaker 4: So the show is about Erkle just sort of ruining

787
00:36:19,960 --> 00:36:24,000
Speaker 4: the Winslow's lives constantly, like that's the okay, and they

788
00:36:24,040 --> 00:36:24,360
Speaker 4: love it.

789
00:36:24,400 --> 00:36:27,920
Speaker 2: In so he can ruin it from inside. The ruining

790
00:36:28,040 --> 00:36:28,560
Speaker 2: is coming.

791
00:36:28,440 --> 00:36:44,479
Speaker 3: From So we're back in the Winslow's living room. Carl

792
00:36:44,520 --> 00:36:46,600
Speaker 3: peeks outside and tells three J and Richie that they

793
00:36:46,680 --> 00:36:48,600
Speaker 3: have to hurry the boys are dressed up as Michael

794
00:36:48,640 --> 00:36:51,760
Speaker 3: Jordan and Dennis Rodman, creating quite a theme for this episode.

795
00:36:52,080 --> 00:36:54,319
Speaker 3: He reminds the boys if it starts to rain, tell

796
00:36:54,400 --> 00:36:56,920
Speaker 3: Charlie's dad to bring you straight home. They nod and

797
00:36:56,960 --> 00:36:59,080
Speaker 3: then head out the door with their Halloween bags. On

798
00:36:59,160 --> 00:37:01,680
Speaker 3: their way out, Car has one last reminder, do not

799
00:37:01,920 --> 00:37:04,680
Speaker 3: eat your Halloween candy until I look at it, which

800
00:37:04,719 --> 00:37:06,359
Speaker 3: feels like an ABC note.

801
00:37:06,880 --> 00:37:12,080
Speaker 4: Yep, in the apples, which never happened in the history

802
00:37:12,120 --> 00:37:12,600
Speaker 4: of the world.

803
00:37:12,920 --> 00:37:15,200
Speaker 2: No, it was. This whole thing was from one guy

804
00:37:15,239 --> 00:37:16,399
Speaker 2: who poisoned his own kid.

805
00:37:16,880 --> 00:37:17,040
Speaker 3: Yep.

806
00:37:17,320 --> 00:37:17,360
Speaker 2: No.

807
00:37:17,480 --> 00:37:19,399
Speaker 4: And then and then the other thing that's been going

808
00:37:19,440 --> 00:37:21,719
Speaker 4: around is like every every season now they're like they're

809
00:37:21,760 --> 00:37:24,840
Speaker 4: giving out drug They're giving out drug candies. What what

810
00:37:25,480 --> 00:37:28,120
Speaker 4: people are saving their drugs? Why do they want to

811
00:37:28,400 --> 00:37:30,840
Speaker 4: give drugs to kids? They want to use them for themselves.

812
00:37:30,840 --> 00:37:31,959
Speaker 4: It's the dumbest the question.

813
00:37:32,120 --> 00:37:34,160
Speaker 1: You also have to find the family. This is what

814
00:37:34,280 --> 00:37:35,279
Speaker 1: you want to do, is you want to find the

815
00:37:35,320 --> 00:37:38,440
Speaker 1: family that gives out the full size drugs, because the

816
00:37:38,640 --> 00:37:39,800
Speaker 1: little drugs it's.

817
00:37:39,719 --> 00:37:42,480
Speaker 2: Like I'm kinda high, but like I'm not not where

818
00:37:42,520 --> 00:37:45,320
Speaker 2: I want to be. I want the full sized drugs.

819
00:37:49,200 --> 00:37:52,480
Speaker 3: Richie responds, but you remember, don't eat our candy while

820
00:37:52,520 --> 00:37:55,239
Speaker 3: you look at it. Carl shuts the door just as

821
00:37:55,320 --> 00:37:57,840
Speaker 3: Zirkle appears. He explains, we don't need to worry anymore.

822
00:37:57,880 --> 00:38:00,800
Speaker 3: I just locked Stevel away upstairs in a trunk. I

823
00:38:00,840 --> 00:38:04,480
Speaker 3: feel like maybe we would have wanted to see that, Yeah, but.

824
00:38:06,520 --> 00:38:08,040
Speaker 2: To get him in but yeah, okay.

825
00:38:08,280 --> 00:38:10,959
Speaker 3: Carl raises an eyebrow. He has a name now, Erkele

826
00:38:11,040 --> 00:38:13,480
Speaker 3: nods yep, named him myself. I'm telling you, Carl, he's

827
00:38:13,520 --> 00:38:17,359
Speaker 3: Satan's sock puppet. That dummy ain't no dummy. Not only

828
00:38:17,480 --> 00:38:20,399
Speaker 3: does he talk, but what he says, oh, it ain't good.

829
00:38:20,719 --> 00:38:25,319
Speaker 4: And what does Stevel want to do? Kill them?

830
00:38:25,800 --> 00:38:27,800
Speaker 2: He explains later that he wants to go on like

831
00:38:27,880 --> 00:38:29,040
Speaker 2: a ski trip with her.

832
00:38:29,160 --> 00:38:32,400
Speaker 1: No, he wants to go on the road with and

833
00:38:32,600 --> 00:38:36,040
Speaker 1: but he's gonna be Erkle's gonna be his puppet on

834
00:38:36,120 --> 00:38:36,480
Speaker 1: the road.

835
00:38:36,640 --> 00:38:38,960
Speaker 2: So he thinks he's like gonna go on stage and

836
00:38:39,080 --> 00:38:43,000
Speaker 2: do all this stuff. It was during this speech where

837
00:38:43,080 --> 00:38:48,240
Speaker 2: I was like, jaliel is working, Oh my god, my god, work.

838
00:38:47,600 --> 00:38:50,880
Speaker 4: And all the special effects and stuff they meant a

839
00:38:51,040 --> 00:38:52,799
Speaker 4: crazy tape week and but.

840
00:38:53,000 --> 00:38:57,400
Speaker 2: It's also every he's every beat. He's just working so

841
00:38:58,120 --> 00:39:01,200
Speaker 2: hard as actor. It's un watch this.

842
00:39:01,600 --> 00:39:06,720
Speaker 3: Yeah, no, he's He's truly incredible. Yeah, Carl is seriously

843
00:39:06,760 --> 00:39:09,480
Speaker 3: afraid that Erkele is losing his mind. Erkle follows along

844
00:39:09,520 --> 00:39:12,480
Speaker 3: and rattles off, I know Erkle's crazy. Erkle's crazy. Erkle's crazy,

845
00:39:12,520 --> 00:39:14,799
Speaker 3: but he urges Carl to trust him. The important thing

846
00:39:14,920 --> 00:39:18,560
Speaker 3: is Stevel's locked away and the family is safe. But

847
00:39:18,719 --> 00:39:21,520
Speaker 3: up in Erkle's dark room there's a locked chest with

848
00:39:21,680 --> 00:39:25,600
Speaker 3: signs that Warren beware danger and evil puppet inside. And

849
00:39:25,680 --> 00:39:28,120
Speaker 3: then a hand breaks through the wood from inside and

850
00:39:28,200 --> 00:39:30,800
Speaker 3: reaches for the lock. With some quick movement, he opens

851
00:39:30,840 --> 00:39:34,400
Speaker 3: the crate and the chest slowly opens. The camera zooms

852
00:39:34,440 --> 00:39:37,000
Speaker 3: into its pitch blackness, and then after a few seconds,

853
00:39:37,440 --> 00:39:42,080
Speaker 3: lighting illuminates Stevel inside. His eyes glow and he eerily

854
00:39:42,239 --> 00:39:45,360
Speaker 3: laughs to himself. Creepy, super creepy.

855
00:39:45,880 --> 00:39:47,000
Speaker 2: I like this shot a lot.

856
00:39:47,080 --> 00:39:50,080
Speaker 4: You're just going back to Stevel wants to be an entertainer.

857
00:39:50,640 --> 00:39:52,120
Speaker 2: Yes, yes, Stevel wants.

858
00:39:53,640 --> 00:39:56,719
Speaker 4: It's it's it's an analogy to Erkle taking over the show.

859
00:39:59,280 --> 00:40:03,359
Speaker 2: Stevel's villain. His plan is to entertain people more than

860
00:40:03,400 --> 00:40:04,920
Speaker 2: the winslows they're.

861
00:40:04,760 --> 00:40:05,640
Speaker 4: Standing in the way.

862
00:40:11,400 --> 00:40:12,240
Speaker 2: What are you doing, Steve.

863
00:40:13,840 --> 00:40:16,399
Speaker 4: I'm going to take over the world. I'm gonna get

864
00:40:16,440 --> 00:40:18,520
Speaker 4: more per episode than anybody else.

865
00:40:22,680 --> 00:40:24,640
Speaker 3: Back in the living room, Eddie gives out candy to

866
00:40:24,760 --> 00:40:26,920
Speaker 3: some trigger treaters. Then he closes the door and plops

867
00:40:26,960 --> 00:40:29,200
Speaker 3: back onto the couch. He begins to read a magazine

868
00:40:29,239 --> 00:40:32,000
Speaker 3: and then Steve's little hands up here in the fireplace.

869
00:40:32,320 --> 00:40:36,520
Speaker 3: He hangs down from the chimney and whispers Eddie. Eddie

870
00:40:36,560 --> 00:40:39,680
Speaker 3: looks up in confusion and nervously asks who said that. Steve,

871
00:40:39,920 --> 00:40:43,320
Speaker 3: now back in hiding, whispers, help help me. I'm trapped

872
00:40:43,360 --> 00:40:50,480
Speaker 3: in the chimney. Eddie adorably asks Santa Sta, so you

873
00:40:52,080 --> 00:40:54,399
Speaker 3: and he hurries over to the chimney to help.

874
00:40:54,640 --> 00:40:55,040
Speaker 2: Is that you?

875
00:41:00,239 --> 00:41:03,080
Speaker 3: He peers inside and then screams as he's pulled up

876
00:41:03,120 --> 00:41:06,560
Speaker 3: and disappears entirely. Stevel hangs down from the chimney once

877
00:41:06,560 --> 00:41:09,440
Speaker 3: again and says to camera, one down, five to go,

878
00:41:12,360 --> 00:41:15,840
Speaker 3: and then we're outside. Three j and Ritchie are speeding

879
00:41:15,920 --> 00:41:17,840
Speaker 3: down the road on their bikes, reminding each other to.

880
00:41:17,920 --> 00:41:18,960
Speaker 2: Keep pettling faster.

881
00:41:19,520 --> 00:41:22,320
Speaker 3: The camera reveals a tiny car right on their tail,

882
00:41:22,400 --> 00:41:25,440
Speaker 3: and Stevel is behind the wheel. He grunts and laughs,

883
00:41:25,800 --> 00:41:27,840
Speaker 3: foot on the pedal, catching up quickly.

884
00:41:28,600 --> 00:41:29,399
Speaker 4: Huge set piece.

885
00:41:29,960 --> 00:41:33,160
Speaker 2: Yeah a lot. Where did Stevel get this car?

886
00:41:33,880 --> 00:41:35,480
Speaker 1: I don't know, but I think it's a peel P

887
00:41:35,760 --> 00:41:39,520
Speaker 1: fifty if I'm right. Which is the smallest automobile ever made.

888
00:41:39,760 --> 00:41:41,160
Speaker 1: I believe that's what that one is.

889
00:41:41,280 --> 00:41:41,800
Speaker 2: Yeah, did you?

890
00:41:41,840 --> 00:41:44,560
Speaker 1: It opens in the front and all the well top

891
00:41:44,600 --> 00:41:46,680
Speaker 1: gear is like one of my favorite shows tested this

892
00:41:46,800 --> 00:41:47,840
Speaker 1: car out, So I'm.

893
00:41:47,680 --> 00:41:50,479
Speaker 2: Pretty sure that's a peel P fifty. Wow, tiny little car.

894
00:41:50,920 --> 00:41:53,919
Speaker 3: Very tiny. All right, we're back in Erkle's room. Arkle

895
00:41:53,960 --> 00:41:57,320
Speaker 3: sees the chest has been destroyed. He screams, jumpin Jehosa

896
00:41:57,400 --> 00:42:02,279
Speaker 3: fat He's loose. Then the door slams shut and we

897
00:42:02,320 --> 00:42:05,040
Speaker 3: get a jump scare when Stevel is standing right behind him.

898
00:42:05,239 --> 00:42:07,880
Speaker 2: He tells me, I'm sorry. I just a weird riding thing.

899
00:42:10,360 --> 00:42:14,680
Speaker 2: The dad tells the kids Carl. Carl tells the kids,

900
00:42:14,760 --> 00:42:18,440
Speaker 2: if it's raining, have somebody bring you back. Have he

901
00:42:18,600 --> 00:42:21,560
Speaker 2: mentioned somebody? Yeah, but the kids aren't with anybody. They're

902
00:42:21,600 --> 00:42:22,200
Speaker 2: on bikes.

903
00:42:22,960 --> 00:42:23,760
Speaker 3: It seems as.

904
00:42:23,640 --> 00:42:25,359
Speaker 4: Though they were going to someone's house.

905
00:42:25,440 --> 00:42:31,640
Speaker 3: Maybe yes, they may be on or uh, they just

906
00:42:31,719 --> 00:42:33,360
Speaker 3: had to pedal away. From the people they were with

907
00:42:33,480 --> 00:42:35,400
Speaker 3: when they were being chased by the scary puppet.

908
00:42:35,680 --> 00:42:38,800
Speaker 1: Okay, so then they would just leave their bikes somewhere

909
00:42:39,040 --> 00:42:41,399
Speaker 1: if it started drain, and the guy would drive them home.

910
00:42:42,320 --> 00:42:45,680
Speaker 2: Sure, right, okay, put the bikes in the trunk. That

911
00:42:45,920 --> 00:42:48,600
Speaker 2: was the thing that really took me, right, that's you wanted,

912
00:42:48,640 --> 00:42:49,239
Speaker 2: the realism.

913
00:42:49,680 --> 00:42:56,160
Speaker 4: Yeah, like puppet, fine bikes car somewhere, the keys for sure.

914
00:42:56,760 --> 00:42:59,359
Speaker 1: I'm guessing we've never seen the We've never seen the show,

915
00:42:59,480 --> 00:43:00,719
Speaker 1: but it's so a weird car.

916
00:43:00,920 --> 00:43:02,440
Speaker 2: I will guarantee you that.

917
00:43:02,560 --> 00:43:05,680
Speaker 3: It's fromone's car, right right, right, that's actually Erkele's car.

918
00:43:05,880 --> 00:43:07,600
Speaker 2: But yeah, but don't you know, we don't know that.

919
00:43:07,880 --> 00:43:08,880
Speaker 2: But yeah, that took me out of it.

920
00:43:13,760 --> 00:43:16,640
Speaker 3: He tells Erkele to relax. It's the Winslows he's after,

921
00:43:17,000 --> 00:43:19,840
Speaker 3: and he's been a very busy dummy. Erkle doesn't get it,

922
00:43:19,920 --> 00:43:23,399
Speaker 3: so Stevell suggests he check out what's behind Murphy Bed

923
00:43:23,520 --> 00:43:26,799
Speaker 3: number one. Erkele pulls down the mattress to reveal three

924
00:43:26,880 --> 00:43:29,480
Speaker 3: j and Ritchie are trapped behind the wall, their faces

925
00:43:29,560 --> 00:43:32,799
Speaker 3: peeking out where Jordan and Rodman's heads were. They beg

926
00:43:32,960 --> 00:43:35,279
Speaker 3: Ergle to help and Erkele asks the puppet, what kind

927
00:43:35,360 --> 00:43:39,800
Speaker 3: of diabolical, demented dummy are you? Stevell calmly responds the

928
00:43:39,880 --> 00:43:42,719
Speaker 3: kind that stuffed Eddie in the chimney. Erkele gasps in

929
00:43:42,760 --> 00:43:44,960
Speaker 3: horror and assures him he won't get anyone else they

930
00:43:45,040 --> 00:43:47,600
Speaker 3: can count on him, and with that he runs right

931
00:43:47,680 --> 00:43:50,399
Speaker 3: into the closed bedroom door, but he pulls himself together

932
00:43:50,440 --> 00:43:51,440
Speaker 3: and quickly hurries off.

933
00:43:51,680 --> 00:43:52,520
Speaker 2: Okay, wait a second.

934
00:43:53,200 --> 00:43:55,880
Speaker 1: This also showed me I think how much of a

935
00:43:55,960 --> 00:44:00,360
Speaker 1: difference a half an hour in television makes because we

936
00:44:00,600 --> 00:44:05,440
Speaker 1: killed people on our show, an actual dead knives in

937
00:44:05,520 --> 00:44:08,080
Speaker 1: the back, Phoenie's dead, the janitor's dead.

938
00:44:08,520 --> 00:44:10,600
Speaker 2: Nobody dies in this episode.

939
00:44:11,360 --> 00:44:15,320
Speaker 1: They're they're specifically talking to each character to show you

940
00:44:15,520 --> 00:44:17,880
Speaker 1: that they're still alive. And I wonder if that's seriously

941
00:44:18,239 --> 00:44:20,239
Speaker 1: the difference in being on an eight or being on

942
00:44:20,280 --> 00:44:23,440
Speaker 1: an eight thirty. Yeah, where they literally couldn't kill anybody.

943
00:44:23,840 --> 00:44:25,799
Speaker 1: We were killing people left and right a half hour later.

944
00:44:26,320 --> 00:44:29,320
Speaker 1: I know you're right, I mean, is that all it is?

945
00:44:29,400 --> 00:44:31,440
Speaker 1: Do you think is that thirty minutes that changes everything?

946
00:44:31,640 --> 00:44:33,080
Speaker 4: It could just context, you know.

947
00:44:33,239 --> 00:44:35,320
Speaker 3: You could also just be a choice on the writers,

948
00:44:35,320 --> 00:44:36,600
Speaker 3: like I don't don't want it. We don't want to

949
00:44:36,680 --> 00:44:39,520
Speaker 3: like we our episode very much wanted to go for

950
00:44:40,400 --> 00:44:41,560
Speaker 3: horror moly trope.

951
00:44:41,560 --> 00:44:43,920
Speaker 2: And it also wasn't a Halloween episode, which somehow I

952
00:44:43,960 --> 00:44:47,200
Speaker 2: think gives us more leeway. Right right, yeah? Maybe?

953
00:44:47,880 --> 00:44:51,240
Speaker 3: The dummy turns to the camera and comments, what a goof?

954
00:44:52,760 --> 00:44:54,040
Speaker 3: And then we're in the kitchen.

955
00:44:55,800 --> 00:44:57,800
Speaker 4: Character being like myrcle's crazy.

956
00:45:01,239 --> 00:45:03,640
Speaker 3: Rkele car calls out for the remaining family members, with

957
00:45:03,719 --> 00:45:06,879
Speaker 3: Stevel following close behind. No one answers, and Steville asks,

958
00:45:06,920 --> 00:45:09,000
Speaker 3: why don't you check the cupboard There may be a

959
00:45:09,080 --> 00:45:12,279
Speaker 3: little honey on the shelf. Rkele opens it to find

960
00:45:12,360 --> 00:45:15,080
Speaker 3: Laura's head, and when he opens another cupboard, he finds

961
00:45:15,120 --> 00:45:18,200
Speaker 3: her legs and feet, then her torso in another. Rkele

962
00:45:18,239 --> 00:45:21,239
Speaker 3: begs her to pull herself together, then realizes that was

963
00:45:21,280 --> 00:45:24,760
Speaker 3: a poor choice of words. Laura agrees she's totally beside herself.

964
00:45:25,400 --> 00:45:28,439
Speaker 3: Stevell adds Laura's a nice girl, but she suffers from

965
00:45:28,640 --> 00:45:30,280
Speaker 3: low shelf esteem.

966
00:45:31,880 --> 00:45:32,120
Speaker 5: Wow.

967
00:45:33,800 --> 00:45:36,080
Speaker 3: Laura tells Rkle to shut the cupboards because she doesn't

968
00:45:36,080 --> 00:45:39,080
Speaker 3: want anyone else to see her like this. Erkele obliges

969
00:45:39,120 --> 00:45:43,280
Speaker 3: and then asks the dummy, where's Harriet? Stevel exclaims special delivery,

970
00:45:43,480 --> 00:45:46,160
Speaker 3: then motions to a giant jack in the box nearby.

971
00:45:46,719 --> 00:45:48,920
Speaker 3: Stevel urges him to turn the crank and find out

972
00:45:48,960 --> 00:45:51,359
Speaker 3: what's inside. Erkele does as he's told, and we hear

973
00:45:51,440 --> 00:45:55,240
Speaker 3: a creepy pop, goes the weasel. Finally, Harriet's head pops

974
00:45:55,239 --> 00:45:57,680
Speaker 3: out of the box. Her head is dressed in clown gear,

975
00:45:57,719 --> 00:45:59,600
Speaker 3: while the rest of her body is a giant spring.

976
00:46:00,239 --> 00:46:02,719
Speaker 3: She asks Erkele for a baseball bat to knock this

977
00:46:02,920 --> 00:46:05,880
Speaker 3: dummy upside his head, but Stevel just taunts her in

978
00:46:06,000 --> 00:46:09,680
Speaker 3: your dreams bozo. Erkele snarls at his puppet, that's it,

979
00:46:10,080 --> 00:46:12,680
Speaker 3: You've got to be stopped. He lunges for the dummy

980
00:46:12,719 --> 00:46:14,560
Speaker 3: and carries him over to the fridge, where he stuffs

981
00:46:14,600 --> 00:46:17,680
Speaker 3: him inside. Erkele feels triumphant for a split second, but

982
00:46:17,800 --> 00:46:21,520
Speaker 3: then the fridge begins to rattle. Stevel's stronger than he expected,

983
00:46:21,920 --> 00:46:25,439
Speaker 3: but then the rattling stops all together, just before Erkele

984
00:46:25,560 --> 00:46:28,520
Speaker 3: notices some smoke coming out of the fridge. He opens

985
00:46:28,560 --> 00:46:30,640
Speaker 3: the door to see that Stevel has put a hole

986
00:46:30,760 --> 00:46:33,400
Speaker 3: through the back of it to escape. Erkele gasps in

987
00:46:33,480 --> 00:46:36,920
Speaker 3: horror and runs into the living room. Erkel notices Krl

988
00:46:37,000 --> 00:46:39,400
Speaker 3: is just nonchalantly lounging on the couch and asks him

989
00:46:39,400 --> 00:46:41,359
Speaker 3: if he saw a demented dummy come through the wall.

990
00:46:41,800 --> 00:46:44,080
Speaker 3: Carl laughs, if that had happened, I would have noticed.

991
00:46:44,400 --> 00:46:46,960
Speaker 3: Erkele explains that everything he warned him about has happened.

992
00:46:47,200 --> 00:46:49,840
Speaker 3: He rattles off all of the victims thus far. Carl

993
00:46:49,880 --> 00:46:52,880
Speaker 3: oddly laughs, maybe your dummy did do away with the

994
00:46:52,920 --> 00:46:55,080
Speaker 3: whole family, but let's be honest.

995
00:46:55,280 --> 00:46:56,200
Speaker 2: Is that so bad?

996
00:46:57,200 --> 00:47:00,319
Speaker 3: Erkele, shocked, Carl tells him to lighten up, but then

997
00:47:00,360 --> 00:47:03,480
Speaker 3: he convulses and falls to his side, revealing Stevel was

998
00:47:03,560 --> 00:47:07,000
Speaker 3: controlling him the whole time. Stevel says that Carl is

999
00:47:07,239 --> 00:47:10,279
Speaker 3: his new personal puppet. He lifts Carl back up to

1000
00:47:10,320 --> 00:47:13,000
Speaker 3: do a little joke. Carl robotically announces that he took

1001
00:47:13,000 --> 00:47:17,960
Speaker 3: his wife to the islands. Stevel asks Jamaica, and Carl responds, no,

1002
00:47:18,480 --> 00:47:19,279
Speaker 3: she wanted to go.

1003
00:47:19,880 --> 00:47:24,719
Speaker 2: Oh great joke. It's an awful and wonderful, perfect Ventriloquist joke.

1004
00:47:25,719 --> 00:47:29,399
Speaker 1: It is the perfect Trilloquist joke, such a hacky joke,

1005
00:47:29,440 --> 00:47:30,200
Speaker 1: and it's great.

1006
00:47:30,719 --> 00:47:36,239
Speaker 2: No, she wanted to go so bad.

1007
00:47:36,520 --> 00:47:39,480
Speaker 3: Ercle cringes. Oh, for the love of fried pickles, why

1008
00:47:39,560 --> 00:47:42,520
Speaker 3: are you doing this? Stevel reveals I took care of

1009
00:47:42,560 --> 00:47:44,480
Speaker 3: the Winslows so we could go on the road together.

1010
00:47:44,800 --> 00:47:46,840
Speaker 3: I knew you'd never come unless they were out of

1011
00:47:46,880 --> 00:47:50,480
Speaker 3: the way. Erkle is shocked. On the road, Stevel nods

1012
00:47:50,680 --> 00:47:53,239
Speaker 3: we can do a ventriloquist act together, only I'll do

1013
00:47:53,360 --> 00:47:56,359
Speaker 3: the talking and you'll be the dummy. Erkele shouts never,

1014
00:47:56,800 --> 00:47:59,560
Speaker 3: I'm not going anywhere without a fight. He challenges the

1015
00:47:59,600 --> 00:48:02,680
Speaker 3: dummy to a one on one monoey puppet battle, then

1016
00:48:02,880 --> 00:48:05,759
Speaker 3: shows off his quick feet in steady hand movements. The

1017
00:48:05,800 --> 00:48:07,760
Speaker 3: two of them talk trash before getting into an awkward

1018
00:48:07,800 --> 00:48:11,040
Speaker 3: brawl when Stevel charges at Erkle. He trips the puppet

1019
00:48:11,120 --> 00:48:13,160
Speaker 3: and tries to pin him on the ground, but Stevel

1020
00:48:13,200 --> 00:48:16,000
Speaker 3: smacks his ear to buy time. Stevel crawls away and

1021
00:48:16,080 --> 00:48:19,040
Speaker 3: somehow Erkele loses track of him. Finally, he finds him

1022
00:48:19,040 --> 00:48:21,680
Speaker 3: behind the couch and shouts, come back here and fight

1023
00:48:21,920 --> 00:48:25,560
Speaker 3: like a mannequin, just before belly flopping to get him,

1024
00:48:26,000 --> 00:48:28,600
Speaker 3: but Stevell manages to then ride Erkle's back and use

1025
00:48:28,680 --> 00:48:31,640
Speaker 3: his wooden hands to forcibly open his mouth. Erkele tries

1026
00:48:31,680 --> 00:48:34,040
Speaker 3: to pull him off, but Stevel has a tight grip. Finally,

1027
00:48:34,200 --> 00:48:36,920
Speaker 3: Urkle's it's the whole episode.

1028
00:48:37,280 --> 00:48:40,880
Speaker 2: He's working so hard. I was tired watching this.

1029
00:48:41,360 --> 00:48:44,160
Speaker 4: I mean, my god, this is like a four hour shoot,

1030
00:48:44,320 --> 00:48:47,120
Speaker 4: just in the scene sitting there with like, Okay, get

1031
00:48:47,160 --> 00:48:49,680
Speaker 4: the actor in, Okay, now replace him with a puppet.

1032
00:48:49,960 --> 00:48:55,400
Speaker 2: Okay, yep, this was massive, massive, and it's all Jalil,

1033
00:48:55,440 --> 00:48:57,520
Speaker 2: the whole thing. It's not even it's not even broken

1034
00:48:57,600 --> 00:48:59,879
Speaker 2: up amongst all the other cast. It's all jel.

1035
00:49:00,760 --> 00:49:02,640
Speaker 3: Erkele's able to throw the puppet to the ground and

1036
00:49:02,680 --> 00:49:04,360
Speaker 3: fall on top of him to keep him from getting up.

1037
00:49:04,520 --> 00:49:06,640
Speaker 3: Erkele grabs a hold of Stevel's head and pulls it

1038
00:49:06,840 --> 00:49:09,759
Speaker 3: right off. He disassembles each body part to be safe,

1039
00:49:09,880 --> 00:49:12,120
Speaker 3: then falls onto the couch with a sigh of relief.

1040
00:49:12,560 --> 00:49:16,440
Speaker 3: He proclaims it's over. The demon is dead until the

1041
00:49:16,760 --> 00:49:20,120
Speaker 3: arm starts to move, and then it quickly rejoins the body.

1042
00:49:20,360 --> 00:49:24,279
Speaker 3: The rest of the dummy's limbs follows soon after. Once reassembled,

1043
00:49:24,320 --> 00:49:26,279
Speaker 3: Stevel sits up with a look of fury on his

1044
00:49:26,360 --> 00:49:31,239
Speaker 3: wooden face. Okay, now it's personal. Erkele lets out a

1045
00:49:31,239 --> 00:49:34,000
Speaker 3: scream and disbelief. He tells himself over and over, this

1046
00:49:34,160 --> 00:49:37,400
Speaker 3: isn't happening, This isn't happening. The dummy jumps onto the

1047
00:49:37,440 --> 00:49:40,000
Speaker 3: couch with ease and starts to strangle him, and Erkele

1048
00:49:40,120 --> 00:49:45,000
Speaker 3: realizes this is happening or is it? Because we start

1049
00:49:45,040 --> 00:49:49,560
Speaker 3: to transition into Erkele's room. Erkele is screaming in his sleep,

1050
00:49:49,640 --> 00:49:52,439
Speaker 3: fighting a pillow. The dummy is back, lifeless in the chair.

1051
00:49:52,800 --> 00:49:54,680
Speaker 3: Eddie quickly runs in and hits him with his pillow.

1052
00:49:54,880 --> 00:49:56,840
Speaker 3: Erkle snaps out of it. How'd you get out of

1053
00:49:56,880 --> 00:50:00,200
Speaker 3: the chimney? Eddie's confused, so Erkele explains, my tell me

1054
00:50:00,520 --> 00:50:02,239
Speaker 3: it's alive. It put you in the chimney and Laura

1055
00:50:02,280 --> 00:50:05,000
Speaker 3: in the kitchen cabinets. Eddie assures him it was a dream.

1056
00:50:05,440 --> 00:50:07,640
Speaker 3: Erkle can't believe it. He taps the dummy with his

1057
00:50:07,680 --> 00:50:10,320
Speaker 3: foot to make sure and stevel doesn't move. Erkele wonders,

1058
00:50:10,440 --> 00:50:12,759
Speaker 3: why would I have a dream like that? Eddie laughs

1059
00:50:12,800 --> 00:50:16,160
Speaker 3: and explains, very calmly, that's no mystery. You have an obsessive,

1060
00:50:16,200 --> 00:50:19,239
Speaker 3: compulsive personality which manifests itself in your extreme need to

1061
00:50:19,320 --> 00:50:23,200
Speaker 3: achieve perfection. Rkle asks you think I need therapy, and

1062
00:50:23,360 --> 00:50:25,840
Speaker 3: Eddie leads Rkle to his bed. Not at all, a

1063
00:50:25,960 --> 00:50:30,520
Speaker 3: simple surgical procedure will alleviate the problem. Erkele lies down nervously,

1064
00:50:30,600 --> 00:50:33,040
Speaker 3: going along with everything, but then Eddie pulls out an

1065
00:50:33,080 --> 00:50:36,120
Speaker 3: electric whisker to match a now devious look on his face.

1066
00:50:36,440 --> 00:50:38,040
Speaker 3: Erkle begs him to put it down, but Eddie just

1067
00:50:38,080 --> 00:50:40,520
Speaker 3: sels lie back and close your eyes because this is

1068
00:50:40,760 --> 00:50:41,879
Speaker 3: really gonna hurt.

1069
00:50:42,400 --> 00:50:45,440
Speaker 4: So there really is no bet story, no, no.

1070
00:50:45,760 --> 00:50:47,880
Speaker 2: No, this whole episode is just.

1071
00:50:49,560 --> 00:50:55,040
Speaker 3: Let because like family matters aka whatch you doing?

1072
00:50:55,080 --> 00:50:55,360
Speaker 2: Steve?

1073
00:50:55,480 --> 00:50:58,000
Speaker 4: What we know the kids were going trick or treaty?

1074
00:50:58,080 --> 00:50:58,319
Speaker 4: And where?

1075
00:50:58,960 --> 00:51:00,839
Speaker 3: Because he was going downstairs just to pass out candy

1076
00:51:00,840 --> 00:51:02,560
Speaker 3: because we see him. Well, it's part of the dream,

1077
00:51:02,960 --> 00:51:06,000
Speaker 3: right you know. Erkle screams in horror as the whisker

1078
00:51:06,040 --> 00:51:08,560
Speaker 3: gets closer and closer to his face, but then this

1079
00:51:08,800 --> 00:51:11,840
Speaker 3: reality starts to fade away as well. Erkle wakes up

1080
00:51:11,840 --> 00:51:15,719
Speaker 3: the screaming bloody murder and fighting the pillow. Eddie comes

1081
00:51:15,760 --> 00:51:18,560
Speaker 3: storming in. What is the matter with you? Arkle explains,

1082
00:51:18,600 --> 00:51:20,960
Speaker 3: I just had a horrible Halloween nightmare with a false ending,

1083
00:51:22,320 --> 00:51:25,080
Speaker 3: great joke Eddie wonders what's with him and holidays? Last

1084
00:51:25,160 --> 00:51:27,120
Speaker 3: Easter you dream that the Easter bunny jumped you in

1085
00:51:27,200 --> 00:51:29,719
Speaker 3: the alley and slapped you pink. At Thanksgiving, you dreamed

1086
00:51:29,719 --> 00:51:33,080
Speaker 3: that a turkey stuffed you. Erkle announces Next Groundhog Day,

1087
00:51:33,200 --> 00:51:34,800
Speaker 3: I'm wearing steel pants.

1088
00:51:35,640 --> 00:51:41,040
Speaker 2: I don't get that joke. Yeah, so steal groundhog maybe

1089
00:51:41,160 --> 00:51:44,359
Speaker 2: is coming out of him going into him?

1090
00:51:45,040 --> 00:51:47,640
Speaker 4: I mean, why not just next groundhog Day. I'm wearing armor?

1091
00:51:48,120 --> 00:51:49,280
Speaker 4: Why steel pants?

1092
00:51:50,200 --> 00:51:51,440
Speaker 2: Yeah, I don't know.

1093
00:51:51,840 --> 00:51:52,120
Speaker 3: I don't know.

1094
00:51:52,600 --> 00:51:55,560
Speaker 2: I want to know what happened last groundhog Day? My question. Yeah,

1095
00:51:55,600 --> 00:51:55,840
Speaker 2: As the.

1096
00:51:55,840 --> 00:51:58,359
Speaker 3: Pair leaves the room, the camera zooms in on the doll,

1097
00:51:58,480 --> 00:51:59,960
Speaker 3: who just stares at the camera blank.

1098
00:52:00,800 --> 00:52:05,239
Speaker 2: How do you not have the puppet blink or a hand?

1099
00:52:05,320 --> 00:52:08,880
Speaker 4: It's too predictable? But this way it's lingering.

1100
00:52:11,320 --> 00:52:14,520
Speaker 2: Or is it not. One eyebrow goes up, just something like,

1101
00:52:14,600 --> 00:52:15,239
Speaker 2: how do you do?

1102
00:52:15,920 --> 00:52:17,680
Speaker 4: They probably they probably did a version of that, and

1103
00:52:17,719 --> 00:52:19,439
Speaker 4: then they were debated and they were like, no, let's

1104
00:52:19,440 --> 00:52:20,160
Speaker 4: just not do it at all.

1105
00:52:20,200 --> 00:52:21,920
Speaker 2: I liked it. I was like, don't do it at all.

1106
00:52:22,360 --> 00:52:22,800
Speaker 2: It lingering.

1107
00:52:23,360 --> 00:52:25,480
Speaker 4: But then the making of which was my favorite part

1108
00:52:25,520 --> 00:52:27,840
Speaker 4: of mind to my favorite part of the whole episode.

1109
00:52:28,080 --> 00:52:30,320
Speaker 2: I loved the episode, but I also loved this.

1110
00:52:31,040 --> 00:52:33,439
Speaker 3: We see that the hole was cut into the couch

1111
00:52:33,520 --> 00:52:36,000
Speaker 3: to make the doll move, the stand they used for

1112
00:52:36,120 --> 00:52:38,520
Speaker 3: standing shots, the different faces they had for the doll,

1113
00:52:38,719 --> 00:52:42,200
Speaker 3: and the Stevel double who played him, and eventually we

1114
00:52:42,400 --> 00:52:45,600
Speaker 3: see Rich Correll voicing Stevel just before he yells cut.

1115
00:52:46,280 --> 00:52:54,360
Speaker 3: And that is our episode. What a fun Halloween romp.

1116
00:52:54,840 --> 00:52:59,040
Speaker 1: Great Halloween episode. With anybody but Jalil, it would have

1117
00:52:59,120 --> 00:53:01,520
Speaker 1: been I know, But.

1118
00:53:01,960 --> 00:53:07,040
Speaker 3: Boy, I thoroughly enjoyed those twenty two minutes. Me too,

1119
00:53:07,239 --> 00:53:09,520
Speaker 3: I really did. I thought it was very I thought

1120
00:53:09,520 --> 00:53:11,960
Speaker 3: it was very enjoyable. I didn't. I didn't spend a

1121
00:53:11,960 --> 00:53:13,120
Speaker 3: whole bunch of time going like.

1122
00:53:13,160 --> 00:53:14,799
Speaker 2: Wait, let me think about this math.

1123
00:53:14,960 --> 00:53:18,239
Speaker 3: I just, I really just I enjoyed it, and I

1124
00:53:18,320 --> 00:53:20,600
Speaker 3: thought everybody, everybody put in the effort to make it

1125
00:53:20,840 --> 00:53:23,240
Speaker 3: as funny as it possibly could be, and it they succeeded.

1126
00:53:23,800 --> 00:53:23,960
Speaker 2: Well.

1127
00:53:24,040 --> 00:53:25,600
Speaker 3: Thank you all for joining us for this episode of

1128
00:53:25,640 --> 00:53:27,400
Speaker 3: Pod Meets World. As always, you can follow us on

1129
00:53:27,480 --> 00:53:29,920
Speaker 3: Instagram pod meets World Show. You can send us your

1130
00:53:29,920 --> 00:53:32,359
Speaker 3: emails pod meets World Show at gmail dot com.

1131
00:53:32,640 --> 00:53:36,960
Speaker 2: And we've got merch What are you doing merchy. What's

1132
00:53:37,000 --> 00:53:39,200
Speaker 2: going on? March March? You're crazy?

1133
00:53:40,840 --> 00:53:43,719
Speaker 3: Podmeetsworldshow dot com will send us out.

1134
00:53:44,239 --> 00:53:45,920
Speaker 2: We love you all, pod dismissed.

1135
00:53:47,120 --> 00:53:49,839
Speaker 1: Pod Meets World is nheart podcast producer and hosted by

1136
00:53:49,960 --> 00:53:54,080
Speaker 1: Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen Karp

1137
00:53:54,120 --> 00:53:57,400
Speaker 1: and Amy Sugarman Executive in charge of production, Danielle Romo,

1138
00:53:57,719 --> 00:54:01,960
Speaker 1: producer and editor, Tara Sudbaksh producer, Maddy Moore, engineer and

1139
00:54:02,040 --> 00:54:04,800
Speaker 1: Boy Meets World superfan Easton Allen. Our theme song is

1140
00:54:04,840 --> 00:54:06,920
Speaker 1: by Kyle Morton of Typhoon and you can follow us

1141
00:54:06,960 --> 00:54:09,680
Speaker 1: on Instagram at Podmets World Show or email us at

1142
00:54:09,719 --> 00:54:11,719
Speaker 1: Podmetsworldshow at gmail dot com