1 00:00:00,120 --> 00:00:04,440 Speaker 1: Welcome to another episode of Eating While Broke. I'm your host, 2 00:00:04,440 --> 00:00:09,840 Speaker 1: Colleen Witz, and today we have in the building music artists, 3 00:00:10,560 --> 00:00:17,480 Speaker 1: philosopher entrepreneur Larussell, and I am truly excited. Nothing made 4 00:00:17,520 --> 00:00:19,600 Speaker 1: my day more than like what two days ago when 5 00:00:19,680 --> 00:00:21,960 Speaker 1: your crew I think his crew confirmed like two or 6 00:00:22,000 --> 00:00:24,599 Speaker 1: three days ago, and it literally they were like, holy 7 00:00:24,600 --> 00:00:26,599 Speaker 1: why are you so silent? You're supposed to be happy? 8 00:00:26,600 --> 00:00:27,880 Speaker 1: And I was like, well, I'm just making sure you 9 00:00:27,920 --> 00:00:29,440 Speaker 1: tell me the date because if you tell me a 10 00:00:29,520 --> 00:00:32,040 Speaker 1: month from now, I'm not getting excited, because just in 11 00:00:32,040 --> 00:00:34,560 Speaker 1: case something happens. And she was like, so you're happy, 12 00:00:34,600 --> 00:00:37,199 Speaker 1: I said, what's the date two days from now? I said, hell, yeah, 13 00:00:37,240 --> 00:00:40,159 Speaker 1: I'm happy. Girl Danks shout outs and Nicole from the 14 00:00:40,159 --> 00:00:44,159 Speaker 1: Black Effect for booking you. Super happy to have you. 15 00:00:44,240 --> 00:00:46,199 Speaker 1: I love the name of your company and I love 16 00:00:46,240 --> 00:00:49,199 Speaker 1: what you're about. I'm the name of his company is 17 00:00:49,200 --> 00:00:54,560 Speaker 1: called Good Come Penny as in Points, which I was like, 18 00:00:54,680 --> 00:00:59,160 Speaker 1: ooh ooh, that's different, I said, Man, Larussell's hitting us 19 00:00:59,160 --> 00:01:00,960 Speaker 1: with so much integ do you remind me of a 20 00:01:01,000 --> 00:01:03,400 Speaker 1: cross between jay Z and Drake and anyone that has 21 00:01:03,440 --> 00:01:06,399 Speaker 1: not heard your music or kind of even try to 22 00:01:06,600 --> 00:01:09,039 Speaker 1: cyberspy on you. It was like really missing out, like 23 00:01:09,160 --> 00:01:12,640 Speaker 1: on some good stuff. But since I have you in 24 00:01:12,680 --> 00:01:15,600 Speaker 1: my kitchen, the eating while broke kitchen, I have to 25 00:01:15,640 --> 00:01:17,320 Speaker 1: know what were you eating when you were broke? 26 00:01:18,000 --> 00:01:18,319 Speaker 2: Man. 27 00:01:19,319 --> 00:01:22,800 Speaker 3: Today I'm going to be making an egg sandwich. This 28 00:01:23,080 --> 00:01:25,039 Speaker 3: was a classic. My mama taught me how to make 29 00:01:25,080 --> 00:01:27,480 Speaker 3: eggs when I was like five, and I used to 30 00:01:27,480 --> 00:01:29,560 Speaker 3: wake up every morning and make eggs and that was 31 00:01:29,600 --> 00:01:31,720 Speaker 3: the only thing I knew how to make. So we 32 00:01:31,880 --> 00:01:34,640 Speaker 3: taking it back to the basics. We got some eggs, 33 00:01:34,760 --> 00:01:37,360 Speaker 3: we got some salt and pepper. Today we're gonna be 34 00:01:37,360 --> 00:01:40,560 Speaker 3: doing it on garlic bread. Yeah, because I usually use 35 00:01:40,640 --> 00:01:42,520 Speaker 3: regular bread and we just throw it in a toaster. 36 00:01:42,640 --> 00:01:45,280 Speaker 3: But my boy Austin was like, you gotta do garlic bread, 37 00:01:45,400 --> 00:02:09,760 Speaker 3: so I figured we just spice it up today. 38 00:02:10,360 --> 00:02:13,880 Speaker 1: Yeah, we had a whole discussion about the whole garlic bread, 39 00:02:13,919 --> 00:02:16,280 Speaker 1: you and I because I've actually never even thought of 40 00:02:16,320 --> 00:02:18,519 Speaker 1: garlic bread. Actually, the first time I ever had garlic 41 00:02:18,560 --> 00:02:21,240 Speaker 1: bread for real, for real was the Texas toast in 42 00:02:21,320 --> 00:02:23,720 Speaker 1: the box. And now if you go into a store, 43 00:02:24,280 --> 00:02:27,480 Speaker 1: it is sold out, like you can't get it. It's 44 00:02:27,520 --> 00:02:31,000 Speaker 1: a miracle. If you find one maybe on eBay, but 45 00:02:31,120 --> 00:02:34,239 Speaker 1: I don't know the pandemic. Just like said, take away 46 00:02:34,280 --> 00:02:38,239 Speaker 1: the best bread on earth. But I'm excited to eat 47 00:02:38,280 --> 00:02:42,080 Speaker 1: with you, so let's get it cracking. Oh my gosh, 48 00:02:42,800 --> 00:02:49,800 Speaker 1: egg let's get it cracked, all right. I listened to 49 00:02:49,919 --> 00:02:53,880 Speaker 1: rap music so much that my girlfriend and I shout 50 00:02:53,919 --> 00:02:58,440 Speaker 1: out to a lap behind the mirror over there. I 51 00:02:58,480 --> 00:03:00,840 Speaker 1: listened to rap soap music so much that I actually 52 00:03:00,919 --> 00:03:03,799 Speaker 1: speak in metaphors and sometimes people have to stop me 53 00:03:03,880 --> 00:03:06,280 Speaker 1: and say, coly, we get it. You know you don't 54 00:03:06,280 --> 00:03:07,959 Speaker 1: have to. You don't have to rebreak it down in 55 00:03:08,040 --> 00:03:08,880 Speaker 1: puzzle times. 56 00:03:09,320 --> 00:03:11,920 Speaker 3: You know, I'm a metaphor speakers. Can I move this 57 00:03:12,000 --> 00:03:12,920 Speaker 3: so I can crack some eggs? 58 00:03:12,960 --> 00:03:13,160 Speaker 1: Here? 59 00:03:14,360 --> 00:03:16,160 Speaker 3: Slide over to my side the greatest? 60 00:03:18,360 --> 00:03:19,320 Speaker 2: Are you eating one too? 61 00:03:19,360 --> 00:03:21,120 Speaker 1: So I should make all you have to cook for 62 00:03:21,160 --> 00:03:23,800 Speaker 1: both of us because if it's trash, we can both 63 00:03:23,840 --> 00:03:27,280 Speaker 1: discover that garlic bread egg sandwiches is just. 64 00:03:27,240 --> 00:03:30,080 Speaker 3: Not I'm finna drop some butter up in here, because 65 00:03:30,120 --> 00:03:32,919 Speaker 3: my mom would be like, use some pam so you 66 00:03:33,000 --> 00:03:35,120 Speaker 3: don't leave eggs stained all over there. 67 00:03:35,480 --> 00:03:36,920 Speaker 1: Now, are you one of those people that are really 68 00:03:36,960 --> 00:03:40,360 Speaker 1: going to use metal on a Yes? 69 00:03:40,760 --> 00:03:42,000 Speaker 3: Yeah, yeah, I do. Use. 70 00:03:43,160 --> 00:03:44,400 Speaker 2: We're not supposed to do that. 71 00:03:44,800 --> 00:03:47,440 Speaker 1: Even every listener is hearing that scratching is like, what 72 00:03:47,560 --> 00:03:48,160 Speaker 1: is he doing? 73 00:03:48,400 --> 00:03:49,080 Speaker 3: That's crazy? 74 00:03:49,160 --> 00:03:51,800 Speaker 1: What is he doing? His mama couldn't have ever let 75 00:03:51,880 --> 00:03:52,360 Speaker 1: him do that. 76 00:03:52,960 --> 00:03:55,040 Speaker 3: Man, she did. You wouldn't believe how much stuff my 77 00:03:55,080 --> 00:04:00,960 Speaker 3: mom let me dot. I don't think we had teflon 78 00:04:01,160 --> 00:04:04,240 Speaker 3: back then. Maybe I don't remember. 79 00:04:05,160 --> 00:04:08,720 Speaker 1: You're right then it was like a luxury. I'm sure. Yeah, yeah, 80 00:04:08,760 --> 00:04:11,040 Speaker 1: back then I think it was. You're right, you just 81 00:04:11,080 --> 00:04:13,920 Speaker 1: had to butter everything down. Otherwise it's stuck. 82 00:04:13,760 --> 00:04:16,680 Speaker 3: Or you get that good old pam spray and you 83 00:04:16,800 --> 00:04:18,599 Speaker 3: in it. Oh I'm getting it all over there? 84 00:04:18,800 --> 00:04:23,240 Speaker 1: Yeah, I'm not. I'm not a you know, So tell 85 00:04:23,320 --> 00:04:26,400 Speaker 1: me a little bit about what was going on. I 86 00:04:26,440 --> 00:04:28,920 Speaker 1: know this is like the first dish that you ever cooked, 87 00:04:28,920 --> 00:04:32,320 Speaker 1: but tell me what was going on during the time of. 88 00:04:33,160 --> 00:04:37,200 Speaker 3: Also, I usually add bacon, beet bacon bits, and chaddar cheese. 89 00:04:37,480 --> 00:04:41,560 Speaker 3: But I heard y'all broke, so it wasn't a here, 90 00:04:42,640 --> 00:04:45,279 Speaker 3: So we're gonna go pepper. I don't see salt over here. 91 00:04:45,320 --> 00:04:47,600 Speaker 3: There's lors y'all struggling. 92 00:04:48,560 --> 00:04:54,040 Speaker 1: Hey, yo, so much fun of us over here yet? 93 00:04:54,400 --> 00:04:56,080 Speaker 1: You're not even gonna use lorries because. 94 00:04:57,400 --> 00:04:59,479 Speaker 3: Now I'm not gonna use Larry. I've never done that. 95 00:04:59,520 --> 00:05:00,719 Speaker 3: I'm trying to keep it authentic. 96 00:05:01,680 --> 00:05:04,440 Speaker 1: Wow, okay, okay, I respect it to be honest. I 97 00:05:04,440 --> 00:05:08,200 Speaker 1: don't use lowries. Well I just started to recently, but 98 00:05:08,240 --> 00:05:13,200 Speaker 1: it's only because I married a black man from Detroit 99 00:05:13,240 --> 00:05:13,960 Speaker 1: who believes. 100 00:05:13,760 --> 00:05:19,560 Speaker 3: Lawry's is everything seasoning. Yeah, yes, yes, beautiful. 101 00:05:20,000 --> 00:05:25,040 Speaker 1: So what was going on growing up? Like around when 102 00:05:25,040 --> 00:05:27,520 Speaker 1: you were making egg sandwiches? I know you started at five, 103 00:05:28,080 --> 00:05:30,320 Speaker 1: you know, making these, but like kind of tell me 104 00:05:30,360 --> 00:05:32,280 Speaker 1: a little bit of your background growing up, Like were 105 00:05:32,320 --> 00:05:34,520 Speaker 1: you middle class? 106 00:05:36,880 --> 00:05:40,880 Speaker 3: I thought I was middle class until I got older 107 00:05:40,920 --> 00:05:44,480 Speaker 3: and realized we're definitely lower middle class. But my pops 108 00:05:44,560 --> 00:05:47,080 Speaker 3: was a hustler, so we were like we had enough 109 00:05:47,120 --> 00:05:50,520 Speaker 3: money to be like the richest niggas in the broke 110 00:05:50,600 --> 00:05:56,279 Speaker 3: neighborhood type shit you feel me, but definitely, uh, lower class, 111 00:05:56,360 --> 00:06:01,680 Speaker 3: just regular neighborhood. Hard to describe when people ask that 112 00:06:01,800 --> 00:06:03,479 Speaker 3: question because you got to kind of grow up in 113 00:06:03,520 --> 00:06:05,039 Speaker 3: it to be familiar. 114 00:06:05,160 --> 00:06:06,599 Speaker 1: Did you grow up in a two parent household? 115 00:06:07,000 --> 00:06:07,320 Speaker 3: Yeah? 116 00:06:07,360 --> 00:06:07,960 Speaker 2: Definitely. 117 00:06:08,400 --> 00:06:10,920 Speaker 1: Wow, Okay, Okay. A lot of people on the show, 118 00:06:12,080 --> 00:06:19,000 Speaker 1: they haven't I'm going in that's good. So when did 119 00:06:19,080 --> 00:06:20,159 Speaker 1: you transition to music. 120 00:06:21,920 --> 00:06:26,280 Speaker 3: I've been writing since I was like seven, whether through 121 00:06:26,360 --> 00:06:32,800 Speaker 3: like writing poems or just journaling, drawing, just I've just 122 00:06:32,839 --> 00:06:35,360 Speaker 3: always used kind of writing and art as like an 123 00:06:35,520 --> 00:06:40,520 Speaker 3: artistic expression and form. So yeah, since I was seven, 124 00:06:40,839 --> 00:06:43,040 Speaker 3: and it's kind of just cultivated. Me and my sister 125 00:06:43,680 --> 00:06:46,960 Speaker 3: had this boom box and we used to download instrumentals 126 00:06:47,000 --> 00:06:50,960 Speaker 3: from LimeWire and burn them on the cdy the instrumentals 127 00:06:51,040 --> 00:06:52,919 Speaker 3: on the boom box and wrap over it. And I 128 00:06:52,960 --> 00:06:55,240 Speaker 3: remember we had a wrapped over knock if you buck 129 00:06:56,000 --> 00:06:58,440 Speaker 3: and I was going crazy, but my sister was better 130 00:06:58,480 --> 00:07:00,680 Speaker 3: than me at the time, so I just had to 131 00:07:00,760 --> 00:07:01,279 Speaker 3: keep working. 132 00:07:02,080 --> 00:07:03,479 Speaker 1: Your sister was rapping too. 133 00:07:03,680 --> 00:07:05,160 Speaker 3: Yeah, my sister was rapping too. 134 00:07:06,160 --> 00:07:07,320 Speaker 1: So does she still rap? 135 00:07:07,560 --> 00:07:08,960 Speaker 3: No, she doesn't. 136 00:07:09,160 --> 00:07:11,680 Speaker 1: So you surpassed her in the rap skills and then 137 00:07:11,720 --> 00:07:13,880 Speaker 1: she was like, I'm good. Is that what happened? 138 00:07:13,920 --> 00:07:15,840 Speaker 3: I don't think she ever had a passion for it. 139 00:07:15,840 --> 00:07:17,920 Speaker 3: It was just something we like to play around and do, 140 00:07:18,560 --> 00:07:20,520 Speaker 3: and I just kind of stuck with it. 141 00:07:21,120 --> 00:07:26,720 Speaker 1: Okay, okay, okay, that's pretty cool. So you is it 142 00:07:26,760 --> 00:07:30,600 Speaker 1: that you like Drake because it like from what I've 143 00:07:30,640 --> 00:07:34,560 Speaker 1: researched on you. Is that you from other articles and 144 00:07:34,880 --> 00:07:38,400 Speaker 1: you could correct me if I'm wrong, But your goal 145 00:07:38,720 --> 00:07:42,760 Speaker 1: was to be on the level I want to say, 146 00:07:42,760 --> 00:07:46,600 Speaker 1: and on the I don't know, like numbers level, because 147 00:07:46,600 --> 00:07:49,559 Speaker 1: obviously talent wise, you're on the same level as Drake, 148 00:07:50,000 --> 00:07:53,200 Speaker 1: but I'm saying numbers wise, you want to be on 149 00:07:53,240 --> 00:07:57,880 Speaker 1: the same level, but independently. Yeah, is that correct? 150 00:07:58,080 --> 00:08:03,640 Speaker 3: Not necessarily numbers wise, but impacting notoriety wise. You know, 151 00:08:03,760 --> 00:08:07,520 Speaker 3: I want people to respect me as such, and partially 152 00:08:07,560 --> 00:08:09,760 Speaker 3: the way to do that is to put up the numbers. Right, 153 00:08:09,760 --> 00:08:12,080 Speaker 3: If you're not scoring as well as Jordan, people don't 154 00:08:12,120 --> 00:08:16,000 Speaker 3: expect you respect you like a Jordan, right, And yeah, 155 00:08:16,080 --> 00:08:18,360 Speaker 3: to do that independently and just show people that it's 156 00:08:18,400 --> 00:08:23,560 Speaker 3: possible to be the greatest at something without having to 157 00:08:23,680 --> 00:08:26,880 Speaker 3: utilize someone else's infrastructure that they tell you got to 158 00:08:26,880 --> 00:08:28,960 Speaker 3: go through and you got to use these methods and 159 00:08:29,000 --> 00:08:31,520 Speaker 3: you got to sell away your ownership, you know, like 160 00:08:31,600 --> 00:08:34,680 Speaker 3: everyone knows early on Drake didn't have his masters and 161 00:08:34,720 --> 00:08:37,600 Speaker 3: had a horrible deal. I want to show people that 162 00:08:37,640 --> 00:08:39,440 Speaker 3: you can get to that level without having to go 163 00:08:39,520 --> 00:08:39,800 Speaker 3: through that. 164 00:08:39,960 --> 00:08:40,160 Speaker 2: Right. 165 00:08:41,400 --> 00:08:44,560 Speaker 1: When you say just want to rewind. You said it 166 00:08:44,640 --> 00:08:48,400 Speaker 1: was important for you to have impact and notoriety, Like why, 167 00:08:49,360 --> 00:08:52,000 Speaker 1: what does that even mean to me? 168 00:08:52,080 --> 00:08:57,680 Speaker 3: It just it enables you to to It enables you 169 00:08:57,920 --> 00:09:01,000 Speaker 3: to make change, like right now, feed the whole hood 170 00:09:01,040 --> 00:09:03,360 Speaker 3: where I'm from. You know, from now to the end 171 00:09:03,360 --> 00:09:04,840 Speaker 3: of the year, I've been feeding the hood out of 172 00:09:04,840 --> 00:09:07,160 Speaker 3: my own pocket. And I've only been able to do 173 00:09:07,240 --> 00:09:10,560 Speaker 3: that because of my impact and my notoriety. I've become 174 00:09:10,600 --> 00:09:12,840 Speaker 3: so great that I make enough money to where I 175 00:09:12,840 --> 00:09:14,920 Speaker 3: could take care of the place that birthed me right, 176 00:09:15,880 --> 00:09:17,920 Speaker 3: And a lot of people don't get to do that 177 00:09:18,000 --> 00:09:20,160 Speaker 3: because they don't have either the talent level or the 178 00:09:20,240 --> 00:09:23,120 Speaker 3: resource to do it. I've been able to do it independently. 179 00:09:23,640 --> 00:09:25,800 Speaker 3: I'm Finnah. Drop this garlic bread on this joint. 180 00:09:26,440 --> 00:09:29,720 Speaker 1: It's already, it's already done, already toasted it. 181 00:09:29,840 --> 00:09:31,120 Speaker 3: Oh that's crazy. 182 00:09:31,280 --> 00:09:32,839 Speaker 1: Yeah, I try to cheat it because I wanted to 183 00:09:32,840 --> 00:09:35,720 Speaker 1: get all up in your kool aid. Wow, So I 184 00:09:35,760 --> 00:09:41,560 Speaker 1: put the temple because you can't find that anywhere intriguing. 185 00:09:42,040 --> 00:09:47,440 Speaker 1: Let's try it. Let's be a team here. Dang, why 186 00:09:47,520 --> 00:09:49,360 Speaker 1: do we have to break from your story? Though? 187 00:09:49,800 --> 00:09:50,000 Speaker 3: Right? 188 00:09:50,920 --> 00:09:53,079 Speaker 1: Is this not the hardest interview? Process. 189 00:09:53,520 --> 00:09:56,800 Speaker 3: This is great, This is great. I'm a multitasker. 190 00:09:56,960 --> 00:09:58,960 Speaker 1: I'm going to try this too. All right, so we 191 00:09:59,000 --> 00:10:03,280 Speaker 1: get the bread everyone, we're getting the garlic bread situation 192 00:10:03,360 --> 00:10:05,000 Speaker 1: together and we're putting eggs in it. 193 00:10:05,520 --> 00:10:07,880 Speaker 3: Yeah, this is new. I've never had this. Shout out 194 00:10:07,880 --> 00:10:11,440 Speaker 3: Austin off the store. Ye let me get right on there. 195 00:10:13,800 --> 00:10:16,679 Speaker 1: Berthie was talking is mess about us being broke. 196 00:10:16,880 --> 00:10:19,079 Speaker 3: Now, well, I was going to put garlic bread on there, 197 00:10:19,120 --> 00:10:21,679 Speaker 3: but you know, you guys did it, so okay, I 198 00:10:21,760 --> 00:10:23,280 Speaker 3: completely forgot you were. 199 00:10:23,280 --> 00:10:24,880 Speaker 1: Going to actually make it. You don't even know how 200 00:10:24,920 --> 00:10:25,960 Speaker 1: to make garlic bread, do you. 201 00:10:26,640 --> 00:10:29,320 Speaker 3: I mean, I use Texas toes, so I was just 202 00:10:29,360 --> 00:10:31,120 Speaker 3: going to throw it up on that joint and then 203 00:10:31,160 --> 00:10:33,319 Speaker 3: it does what it does and you're good after. 204 00:10:34,640 --> 00:10:39,679 Speaker 1: Let's trying. Okay, let's go back to notoriety and impact 205 00:10:39,880 --> 00:10:47,680 Speaker 1: and you feeding your community. Okay, stealing all your eggs, buddy, 206 00:10:48,640 --> 00:10:51,560 Speaker 1: All right, here we go. Do you want to sample 207 00:10:51,600 --> 00:10:54,680 Speaker 1: it first before we get into the nuts and bolts. 208 00:10:57,360 --> 00:11:07,880 Speaker 4: Sure, all right, let's try and see here we good? 209 00:11:08,960 --> 00:11:10,600 Speaker 3: It did. It's a lot of bread. 210 00:11:11,000 --> 00:11:13,120 Speaker 1: I think Texas garlic. 211 00:11:14,280 --> 00:11:15,760 Speaker 3: It Texas. 212 00:11:16,320 --> 00:11:21,760 Speaker 1: At least we now know we actually now know how 213 00:11:21,760 --> 00:11:23,640 Speaker 1: to do it in the future. But there's way too 214 00:11:23,679 --> 00:11:24,320 Speaker 1: much bread. 215 00:11:24,080 --> 00:11:26,080 Speaker 2: On this one, way too much bread. 216 00:11:26,320 --> 00:11:30,120 Speaker 3: It's like a bread with a side of eggs. It's 217 00:11:30,160 --> 00:11:33,320 Speaker 3: actually garlic, a garlic bread sandwich. 218 00:11:35,240 --> 00:11:38,880 Speaker 1: Would you ever serve the in almost mm hmmm. That 219 00:11:38,920 --> 00:11:44,720 Speaker 1: could be an idea, but withinner bread, right, yeah, look 220 00:11:44,760 --> 00:11:46,360 Speaker 1: at me? Do I Can we call it the eating 221 00:11:46,360 --> 00:11:48,760 Speaker 1: whall Brooks? No, that would probably be horrible. Hunts to 222 00:11:48,840 --> 00:11:50,800 Speaker 1: name it the eating whall broke sandwich while you're at 223 00:11:50,800 --> 00:11:53,120 Speaker 1: a pay pay as you go? Is it pay as 224 00:11:53,120 --> 00:11:55,320 Speaker 1: you go or pay what you want, pay what you want? 225 00:11:55,400 --> 00:11:55,959 Speaker 3: Proud to pay? 226 00:11:56,080 --> 00:11:59,120 Speaker 1: Will come sit with me so I can get all 227 00:11:59,200 --> 00:12:02,120 Speaker 1: up in your I know he jumped off camera on 228 00:12:02,160 --> 00:12:09,480 Speaker 1: that one, right, fine, real life, real life. So let's 229 00:12:09,520 --> 00:12:15,839 Speaker 1: go into Momoss Cafe for a second. What inspired all 230 00:12:15,840 --> 00:12:21,000 Speaker 1: of that? Mm hmmm, or at least a partner. 231 00:12:23,360 --> 00:12:28,839 Speaker 3: Just seeing the need. There's a lot of homeless in 232 00:12:28,920 --> 00:12:32,320 Speaker 3: Balayale and just people who don't get to eat. And 233 00:12:32,400 --> 00:12:35,320 Speaker 3: I'm always outside, so I always see it. I'm always 234 00:12:35,320 --> 00:12:38,280 Speaker 3: giving someone money or taking care of someone, whether my 235 00:12:38,320 --> 00:12:41,920 Speaker 3: mom gonna drop off boxes of merch to the homeless 236 00:12:41,920 --> 00:12:46,360 Speaker 3: community out there, to different encampments, and I'm just always 237 00:12:46,360 --> 00:12:48,960 Speaker 3: trying to help, right, and this is the way that 238 00:12:49,000 --> 00:12:50,880 Speaker 3: we can help now that I'm in a grander position. 239 00:12:52,000 --> 00:12:53,960 Speaker 3: I've done a few of these prior this year, but 240 00:12:54,080 --> 00:12:56,520 Speaker 3: just for a day. And when you do it today, 241 00:12:56,520 --> 00:12:58,679 Speaker 3: it's like everybody don't get a chance to eat. So 242 00:12:58,920 --> 00:13:01,440 Speaker 3: this time it was like, let's make sure everybody gets 243 00:13:01,440 --> 00:13:02,439 Speaker 3: a chance to eat. 244 00:13:03,200 --> 00:13:06,600 Speaker 1: Yeah, So I think what you're doing is great. I'm 245 00:13:06,600 --> 00:13:11,800 Speaker 1: gonna circle back to your music again. So you're a 246 00:13:11,840 --> 00:13:15,880 Speaker 1: talented artist again. For anyone that hasn't heard your music, 247 00:13:15,920 --> 00:13:18,200 Speaker 1: I definitely would say you're in the same lay as 248 00:13:18,280 --> 00:13:22,440 Speaker 1: jay Z and Drake, which, by the way, I'm a 249 00:13:22,480 --> 00:13:24,680 Speaker 1: hardcore jay Z fan. Everyone that listens to this show 250 00:13:24,720 --> 00:13:27,959 Speaker 1: knows this. I have a huge five foot painting that's 251 00:13:28,000 --> 00:13:30,560 Speaker 1: literally the only one in the world that was custom 252 00:13:30,600 --> 00:13:33,079 Speaker 1: made of jay Z like hanging out and from projects. 253 00:13:33,120 --> 00:13:33,880 Speaker 1: I'm from Brooklyn. 254 00:13:35,120 --> 00:13:35,720 Speaker 2: There it goes. 255 00:13:36,800 --> 00:13:42,720 Speaker 1: But I will say this in all truest form. Currently, 256 00:13:43,040 --> 00:13:45,760 Speaker 1: over the last couple of years, I listen to Drake 257 00:13:45,840 --> 00:13:48,720 Speaker 1: more and I feel guilty. I feel like I'm cheating, 258 00:13:48,920 --> 00:13:51,600 Speaker 1: like for real, Like I don't let nobody know that, 259 00:13:51,679 --> 00:13:53,600 Speaker 1: Like nobody knows that. This is the first time I've 260 00:13:53,640 --> 00:13:56,280 Speaker 1: said it out loud, but in my heart, I'm like, Yo, 261 00:13:56,480 --> 00:13:58,160 Speaker 1: just listen to jay Z today, don't You don't have 262 00:13:58,200 --> 00:14:01,920 Speaker 1: to always pick Drake, but I listened to your lyrics. 263 00:14:02,000 --> 00:14:04,880 Speaker 1: I'm just wondering, like, what did? Have you ever been signed? 264 00:14:07,640 --> 00:14:11,440 Speaker 3: Not in the capacity that artists get signed, like, I've 265 00:14:11,480 --> 00:14:13,520 Speaker 3: never been signed to a major deal. All of my 266 00:14:13,600 --> 00:14:14,079 Speaker 3: deals have. 267 00:14:14,080 --> 00:14:16,599 Speaker 1: Been partnerships, like distribution deals. 268 00:14:17,480 --> 00:14:20,720 Speaker 3: No, I've done like record deals, but in partnership form 269 00:14:20,760 --> 00:14:23,920 Speaker 3: like fifty to fifty profit shares, like I don't belong 270 00:14:24,000 --> 00:14:27,040 Speaker 3: to anyone on my own entity and we just split 271 00:14:27,080 --> 00:14:30,440 Speaker 3: profit versus when a record label usually signed to you, 272 00:14:30,440 --> 00:14:32,600 Speaker 3: you're in like a royalty deal and they own your shit. 273 00:14:32,760 --> 00:14:34,840 Speaker 3: And if they don't own your shit, they likense it 274 00:14:34,920 --> 00:14:37,280 Speaker 3: for twenty years and they have power and rule over 275 00:14:37,320 --> 00:14:39,360 Speaker 3: when you release and how you release to any of that. So, 276 00:14:39,400 --> 00:14:42,120 Speaker 3: I've never been in a major deal. All of my 277 00:14:42,200 --> 00:14:43,560 Speaker 3: deals have been partnerships. 278 00:14:44,000 --> 00:14:46,680 Speaker 1: Currently, are you in a partnership deal or are you independent? 279 00:14:47,480 --> 00:14:49,920 Speaker 3: I've been independent the entire time, So all of these 280 00:14:49,960 --> 00:14:53,320 Speaker 3: partnerships are completely like me and my team do everything. 281 00:14:53,360 --> 00:14:57,520 Speaker 1: You see, you're controlling all the marketing everything. So and 282 00:14:57,560 --> 00:15:00,360 Speaker 1: they're controlling because nowadays it's a little confusing what record 283 00:15:00,440 --> 00:15:02,880 Speaker 1: label is really bringing to the table at this point. 284 00:15:03,240 --> 00:15:08,280 Speaker 1: It depends now I mean with I mean if oh 285 00:15:08,320 --> 00:15:10,760 Speaker 1: my gosh, why am I spacing when it comes to 286 00:15:11,360 --> 00:15:13,600 Speaker 1: who is Draked in Lil Wayne? And what's their name 287 00:15:13,600 --> 00:15:17,280 Speaker 1: of their young Money is it? No, it's not young Money, 288 00:15:17,320 --> 00:15:23,640 Speaker 1: it's Ovo but no, no, no, he was signed to Lil Wayne, 289 00:15:23,680 --> 00:15:30,160 Speaker 1: who was the cash So they're so from what I 290 00:15:30,200 --> 00:15:33,640 Speaker 1: know of the history of uh, the music industry, Birdman 291 00:15:33,800 --> 00:15:38,920 Speaker 1: had the best deal in the industry. So young money, 292 00:15:38,960 --> 00:15:42,640 Speaker 1: cash Money has literally the best deals on the table. 293 00:15:43,360 --> 00:15:47,440 Speaker 1: Cash money, cash money. So if cash Money calls you 294 00:15:47,520 --> 00:15:51,280 Speaker 1: up right now, I'm just playing it. It was advocate with 295 00:15:51,880 --> 00:15:52,640 Speaker 1: no to see. 296 00:15:52,680 --> 00:15:57,320 Speaker 3: There's a cash Money had the best deal in terms 297 00:15:57,320 --> 00:16:00,880 Speaker 3: of their deal with Republic, not in the deals that 298 00:16:00,920 --> 00:16:02,040 Speaker 3: they gave artists. 299 00:16:02,160 --> 00:16:04,480 Speaker 1: Really, you don't think they gave artists really good deals? 300 00:16:04,640 --> 00:16:07,440 Speaker 3: No, because they Drake didn't have his masters. He just 301 00:16:07,480 --> 00:16:09,520 Speaker 3: got him. He was in a royalty deal. Lil Wayne 302 00:16:09,600 --> 00:16:11,760 Speaker 3: had to take him to court to get his money. 303 00:16:12,040 --> 00:16:15,640 Speaker 3: How could they be in a great deal? Tiger has 304 00:16:15,680 --> 00:16:17,920 Speaker 3: been complaining for years, how could they be in a 305 00:16:17,960 --> 00:16:19,600 Speaker 3: great deal that doesn't make any sense. 306 00:16:19,920 --> 00:16:21,080 Speaker 1: Yeah, I didn't know that. 307 00:16:21,600 --> 00:16:25,400 Speaker 3: Yeah, but yeah, cash Money had a substantial deal. 308 00:16:25,560 --> 00:16:25,720 Speaker 1: You know. 309 00:16:25,840 --> 00:16:27,720 Speaker 3: Wen dy Day was a part of helping put that 310 00:16:27,800 --> 00:16:30,040 Speaker 3: together with Republic. They really broke the bank. 311 00:16:30,760 --> 00:16:33,960 Speaker 1: When did you? So you're a music artist? What is 312 00:16:34,040 --> 00:16:37,840 Speaker 1: intriguing about you is, for instance, today we gave you 313 00:16:38,080 --> 00:16:44,560 Speaker 1: a release, Clarence, and you sat there quietly and read it. 314 00:16:45,200 --> 00:16:48,200 Speaker 1: You're a businessman all the way through. So were you 315 00:16:48,240 --> 00:16:50,360 Speaker 1: do you think you're an entrepreneur before you were an artist? 316 00:16:50,720 --> 00:16:55,800 Speaker 3: Definitely? Definitely. Before I was releasing art, I was selling beats, 317 00:16:56,040 --> 00:16:59,840 Speaker 3: I was making like album covers for people and selling 318 00:17:00,800 --> 00:17:05,840 Speaker 3: I've been I used to sell swishers. One of your parents, Yeah, 319 00:17:06,000 --> 00:17:08,359 Speaker 3: my pops was a hustler. He sold everything under the 320 00:17:08,440 --> 00:17:10,199 Speaker 3: sun except drugs, like everything. 321 00:17:10,240 --> 00:17:12,440 Speaker 1: It's gonna be my next question because when I hear hustler, I'm. 322 00:17:12,359 --> 00:17:13,320 Speaker 2: Like, what was he saying there? 323 00:17:14,720 --> 00:17:16,320 Speaker 3: Everything exactly? 324 00:17:16,359 --> 00:17:19,080 Speaker 1: So you got your entrepreneur spirit from him, and then 325 00:17:19,160 --> 00:17:23,080 Speaker 1: your talent girls kind of came from you and your sister, 326 00:17:23,200 --> 00:17:24,760 Speaker 1: like in this boombox. 327 00:17:25,560 --> 00:17:29,680 Speaker 3: Kind of my pops as well. He's very creatively inclined, right, 328 00:17:29,760 --> 00:17:32,960 Speaker 3: and he's a problem solver, right, And I feel like 329 00:17:33,080 --> 00:17:35,280 Speaker 3: a part of my talent and just my skill, my 330 00:17:35,359 --> 00:17:38,879 Speaker 3: business acumen is because I'm a problem solver. My favorite 331 00:17:38,880 --> 00:17:41,120 Speaker 3: thing to say is I'll figure it out, and I will. 332 00:17:41,440 --> 00:17:44,280 Speaker 1: Yeah, yeah, yeah, spoken like a true entrepreneur. You know 333 00:17:44,280 --> 00:17:47,919 Speaker 1: how to pivot, RIGHTVT. Yeah, that's whenever I see a problem, 334 00:17:48,000 --> 00:17:50,880 Speaker 1: I'm always like, it's not a problem, it's a challenge, right. 335 00:17:50,960 --> 00:17:54,000 Speaker 3: What I was I was walking to get my daughter 336 00:17:54,040 --> 00:17:55,600 Speaker 3: the other day and I was talking with my brother 337 00:17:55,800 --> 00:17:59,120 Speaker 3: and I was like, Man, are you looking for problems 338 00:17:59,160 --> 00:18:02,440 Speaker 3: or are you looking for loosening? You usually find whatever 339 00:18:02,480 --> 00:18:03,120 Speaker 3: you're looking for. 340 00:18:04,320 --> 00:18:08,600 Speaker 1: I like that, you know what you say? How I think. 341 00:18:08,760 --> 00:18:12,000 Speaker 1: I think that's why I like you so much. I genuinely, 342 00:18:13,160 --> 00:18:16,360 Speaker 1: I genuinely fuck with you hard. Do I say fuck 343 00:18:16,400 --> 00:18:20,280 Speaker 1: on the show ever? Really, I genuinely mess with you. 344 00:18:20,560 --> 00:18:23,080 Speaker 1: I was just like, yo, is he as dope? So 345 00:18:23,680 --> 00:18:25,960 Speaker 1: what I've learned being a Christian and just living in 346 00:18:26,000 --> 00:18:28,679 Speaker 1: the world is like, there's so many dope people that 347 00:18:28,760 --> 00:18:33,359 Speaker 1: are doing great things externally. But now that I'm old, older, 348 00:18:34,760 --> 00:18:37,880 Speaker 1: I've grown enough, wasn't to ask myself, well, if they're 349 00:18:37,960 --> 00:18:41,399 Speaker 1: externally have all this integrity I just wonder, like if 350 00:18:41,440 --> 00:18:44,639 Speaker 1: I was a fly on their wall at home, you know, 351 00:18:45,119 --> 00:18:48,480 Speaker 1: do they carry that same level of integrity. When I 352 00:18:48,520 --> 00:18:51,800 Speaker 1: listen to some of your rap lyrics, I'm like, Okay, 353 00:18:52,240 --> 00:18:54,760 Speaker 1: they're great, And then there's some that teeter into like 354 00:18:55,640 --> 00:18:59,760 Speaker 1: how you enjoy women in the past. I don't know 355 00:18:59,760 --> 00:19:02,640 Speaker 1: if it it's current. I don't know. You know, it's 356 00:19:02,640 --> 00:19:05,000 Speaker 1: hard being a man. I'm not a man, So I 357 00:19:05,160 --> 00:19:08,399 Speaker 1: just wondering, like, I think, if. 358 00:19:08,240 --> 00:19:09,920 Speaker 3: You are a fly on the wall in my house, 359 00:19:10,000 --> 00:19:13,320 Speaker 3: you'd see a human and supreme form right in every 360 00:19:13,400 --> 00:19:16,720 Speaker 3: aspect on their roller coaster and on their journey. I 361 00:19:16,760 --> 00:19:20,760 Speaker 3: think there's everyone around me could speak to my heart 362 00:19:20,880 --> 00:19:23,960 Speaker 3: and my greatness and my moral and my character. But 363 00:19:24,040 --> 00:19:27,720 Speaker 3: I also have issues as a human as well that 364 00:19:27,920 --> 00:19:30,320 Speaker 3: I have to develop from and that I've had to 365 00:19:30,359 --> 00:19:35,399 Speaker 3: grow from just through a journey. Right, Like you you 366 00:19:35,520 --> 00:19:38,600 Speaker 3: learn self respect and you learn value, and you learn 367 00:19:38,680 --> 00:19:42,399 Speaker 3: respecting other people throughout your journey, depending on your experience 368 00:19:42,400 --> 00:19:45,199 Speaker 3: and you're surrounding and what you witness. Right, most of 369 00:19:45,280 --> 00:19:48,200 Speaker 3: us just replicate whatever we see. If you don't see 370 00:19:48,240 --> 00:19:52,280 Speaker 3: anybody in like loving and nurturing situations and providing that 371 00:19:52,480 --> 00:19:55,159 Speaker 3: you don't often replicate it, right, because that's not something 372 00:19:55,200 --> 00:19:58,800 Speaker 3: you're familiar with. So just through that process. Of course, 373 00:19:59,200 --> 00:20:02,119 Speaker 3: I'm a human, but I think for the most part, 374 00:20:02,680 --> 00:20:05,080 Speaker 3: what you see externally of me is what you see 375 00:20:05,119 --> 00:20:07,719 Speaker 3: and when you meet me, I'm the exact same person. 376 00:20:07,840 --> 00:20:14,240 Speaker 1: Right when I hear your lyrics, you're I feel like 377 00:20:14,359 --> 00:20:17,800 Speaker 1: you're vulnerable, You're you're honest with yourself, and I think 378 00:20:17,920 --> 00:20:20,440 Speaker 1: for a lot of men, I don't want to say 379 00:20:20,440 --> 00:20:23,880 Speaker 1: a lot of men, for humans, I think we we 380 00:20:24,000 --> 00:20:26,080 Speaker 1: tend to either tell ourselves the truth or we tell 381 00:20:26,119 --> 00:20:30,080 Speaker 1: ourselves a lie, and it's the battle of you know, 382 00:20:30,200 --> 00:20:32,760 Speaker 1: but the only way to grow is to tell yourself 383 00:20:32,760 --> 00:20:35,960 Speaker 1: the truth. So there's a lot of vulnerability in your lyrics, 384 00:20:36,080 --> 00:20:37,720 Speaker 1: and I love it like I love it well, the 385 00:20:37,720 --> 00:20:40,320 Speaker 1: same reason why I love a lot of y'all. You know, 386 00:20:40,760 --> 00:20:45,040 Speaker 1: you are my top three, you know, come, so now 387 00:20:45,440 --> 00:20:49,200 Speaker 1: I do do snooping. Obviously I had to cyberstock the 388 00:20:49,240 --> 00:20:53,159 Speaker 1: hell out of you, but I noticed you were like, 389 00:20:53,280 --> 00:20:58,399 Speaker 1: if you're a fan of mine, you come directly to me, Like, 390 00:20:58,560 --> 00:21:01,560 Speaker 1: how did you even conceive that concept of like you 391 00:21:01,560 --> 00:21:03,119 Speaker 1: want to come to my show? You buy the tickets 392 00:21:03,119 --> 00:21:05,480 Speaker 1: for me? No, ticket mass and no middle man, Like 393 00:21:05,840 --> 00:21:09,000 Speaker 1: where did that come from? 394 00:21:09,119 --> 00:21:09,560 Speaker 2: Life? 395 00:21:09,840 --> 00:21:12,800 Speaker 3: That's always been the process, you know, Like I've watched 396 00:21:12,800 --> 00:21:16,040 Speaker 3: my dad hustle, and everyone who bought product from him 397 00:21:16,400 --> 00:21:18,600 Speaker 3: pulled up on him or he pulled up on them. 398 00:21:18,840 --> 00:21:21,359 Speaker 3: If you want something from Larussell, you have to go 399 00:21:21,400 --> 00:21:24,800 Speaker 3: communicate with Larussell. When you start adding third parties, you 400 00:21:24,840 --> 00:21:28,119 Speaker 3: could either miss opportunity or something get misplaced. Like I 401 00:21:28,200 --> 00:21:30,720 Speaker 3: used to do booking for a theater and I was 402 00:21:30,760 --> 00:21:33,280 Speaker 3: trying to book certain artists and I'd have to go 403 00:21:33,359 --> 00:21:36,879 Speaker 3: through their agents and It'll be like a caaw whatever. 404 00:21:37,000 --> 00:21:39,879 Speaker 1: Sometimes they shut you down, get to it, and then 405 00:21:39,920 --> 00:21:42,000 Speaker 1: when I meet them later, I'm like, bro, I was trying. 406 00:21:41,840 --> 00:21:43,200 Speaker 3: To get you for it would have been dope because 407 00:21:43,240 --> 00:21:44,879 Speaker 3: I was building this thing. And they're like, man, I 408 00:21:44,880 --> 00:21:48,080 Speaker 3: didn't even know right, And that's because and they ain't 409 00:21:48,119 --> 00:21:51,200 Speaker 3: hollering at you. And then as the more middleman you have, 410 00:21:51,440 --> 00:21:54,840 Speaker 3: the more pie that's getting dipped into. And I'm a 411 00:21:54,840 --> 00:21:57,320 Speaker 3: firm believer in if I'm splitting pie, it needs to 412 00:21:57,320 --> 00:21:59,600 Speaker 3: be with people who helped me bake the pie, not 413 00:21:59,680 --> 00:22:03,120 Speaker 3: someone one who's just there. Because the end of this 414 00:22:03,160 --> 00:22:05,280 Speaker 3: is a standard. You need to have a business manager. 415 00:22:05,359 --> 00:22:07,399 Speaker 3: You need to have this that like, we're not going 416 00:22:07,480 --> 00:22:10,520 Speaker 3: to do that. You got to actually provide something. If 417 00:22:10,520 --> 00:22:12,639 Speaker 3: you didn't bring no ingredients or help bake this, you 418 00:22:12,640 --> 00:22:13,960 Speaker 3: shouldn't get a slice of it. 419 00:22:14,800 --> 00:22:17,920 Speaker 1: Now, you do have a team, because to get to you, 420 00:22:18,560 --> 00:22:21,560 Speaker 1: I tried emailing. Okay, I was like, this is the email, 421 00:22:21,880 --> 00:22:23,800 Speaker 1: this is how I gets hel But you do have 422 00:22:23,800 --> 00:22:25,640 Speaker 1: a team. Do you have a role amongst your team 423 00:22:25,680 --> 00:22:29,679 Speaker 1: that they don't get to say no, that you have 424 00:22:29,760 --> 00:22:31,480 Speaker 1: to at least they have to at least present the 425 00:22:31,520 --> 00:22:34,040 Speaker 1: opportunity to you. Because that's a valid point that happens 426 00:22:34,040 --> 00:22:34,560 Speaker 1: in the industry. 427 00:22:34,760 --> 00:22:37,679 Speaker 3: Just about everything comes to me. And I may have 428 00:22:37,880 --> 00:22:41,639 Speaker 3: seen this, I was telling Austin. No, I'm for sure 429 00:22:41,840 --> 00:22:44,200 Speaker 3: I have. I was telling Austin when it first came, 430 00:22:44,680 --> 00:22:46,919 Speaker 3: I had seen the show similar and I was like, 431 00:22:47,800 --> 00:22:49,840 Speaker 3: I don't know because I seen the time the eating 432 00:22:49,840 --> 00:22:51,520 Speaker 3: while broke thing, and I feel like a lot of 433 00:22:51,520 --> 00:22:54,440 Speaker 3: people play on like poor people and shit, and I didn't. 434 00:22:54,600 --> 00:22:56,440 Speaker 3: I didn't like it. So I was just like, ah, 435 00:22:56,520 --> 00:22:58,280 Speaker 3: I'm not gonna deal with that right now. Let me 436 00:22:58,320 --> 00:23:00,760 Speaker 3: see as it cultivates. So I've seen it. There's not 437 00:23:00,840 --> 00:23:03,080 Speaker 3: too much that come through the email that I don't see, 438 00:23:03,320 --> 00:23:05,680 Speaker 3: and if I don't see it, my two right hands 439 00:23:05,960 --> 00:23:08,720 Speaker 3: always see it and it still makes its way to me. 440 00:23:08,840 --> 00:23:10,919 Speaker 3: So with the eating when I broke, that was one 441 00:23:10,960 --> 00:23:14,600 Speaker 3: of the reasons. I was like, ah, the title, don't 442 00:23:14,720 --> 00:23:17,760 Speaker 3: I don't like when people play on the on poverty, 443 00:23:17,800 --> 00:23:18,960 Speaker 3: and like, it's just. 444 00:23:18,840 --> 00:23:24,399 Speaker 1: Like when I created Eating While Broke, I I was like, 445 00:23:24,440 --> 00:23:28,399 Speaker 1: I just I have so many dope, successful friends that 446 00:23:28,440 --> 00:23:32,480 Speaker 1: are like millionaires, influence celebrities, entrepreneurs, and they always have 447 00:23:32,520 --> 00:23:35,000 Speaker 1: these crazy stories like they were in jail, or they 448 00:23:35,000 --> 00:23:39,320 Speaker 1: were male escorts or just crazy ass stories, and I 449 00:23:39,359 --> 00:23:41,080 Speaker 1: love them. I lived for them. We go on to hiking, 450 00:23:41,160 --> 00:23:43,360 Speaker 1: like tell me more, what else did you do? You're 451 00:23:43,400 --> 00:23:46,520 Speaker 1: a hooker? Okay, let's there, you know, And so I 452 00:23:46,600 --> 00:23:49,120 Speaker 1: just love the journey. I actually don't even I do 453 00:23:49,240 --> 00:23:51,720 Speaker 1: enjoy the solutions, but I love the journey. I love 454 00:23:51,760 --> 00:23:54,239 Speaker 1: the storytelling. I love the hero's journey. And so when 455 00:23:54,280 --> 00:23:56,480 Speaker 1: I came up with Eating While Broke, I was like, well, 456 00:23:56,480 --> 00:23:58,239 Speaker 1: we got to start it at the route you know 457 00:23:58,440 --> 00:24:01,199 Speaker 1: that everyone can relate to, like, you know, people that 458 00:24:01,240 --> 00:24:03,520 Speaker 1: are aspiring rappers that are literally only have two pennies 459 00:24:03,520 --> 00:24:05,920 Speaker 1: to rub together, and I named it Eating while Broke. 460 00:24:06,600 --> 00:24:09,840 Speaker 1: But then I realized, damn, every time I pitched the show, 461 00:24:10,080 --> 00:24:13,359 Speaker 1: I have to say, hey, I have this great opportunity 462 00:24:13,400 --> 00:24:16,760 Speaker 1: for you. It's ignore the name, let me tell you 463 00:24:16,800 --> 00:24:19,720 Speaker 1: what it is. And I always have to say, ignore 464 00:24:19,760 --> 00:24:21,680 Speaker 1: the name, and then I tell them, you know, the 465 00:24:21,720 --> 00:24:24,520 Speaker 1: show is about inspiring people and just kind of leveling 466 00:24:24,560 --> 00:24:27,600 Speaker 1: with them and inspiring them that they can do exactly 467 00:24:27,600 --> 00:24:29,280 Speaker 1: what you did, or they should believe in themselves no 468 00:24:29,359 --> 00:24:31,800 Speaker 1: matter what their environment is in. But I always have 469 00:24:31,840 --> 00:24:35,280 Speaker 1: to do this, dang explain her on eating wall Sometimes. 470 00:24:35,320 --> 00:24:37,880 Speaker 3: That's why, like certain things would get to me through email, 471 00:24:37,960 --> 00:24:41,240 Speaker 3: but since it doesn't have full context, it's like I 472 00:24:41,280 --> 00:24:43,679 Speaker 3: can't tend to it right because it doesn't resonate. But 473 00:24:43,720 --> 00:24:46,199 Speaker 3: that's why I'm always somebody. I'm so open. If you 474 00:24:46,240 --> 00:24:49,359 Speaker 3: see me anywhere, you can come to me and address me. 475 00:24:49,680 --> 00:24:52,399 Speaker 3: And once I meet you and feel your energy, it's like, oh, okay, 476 00:24:52,440 --> 00:24:55,439 Speaker 3: that makes sense, right, But emails have no context, like 477 00:24:55,560 --> 00:24:57,760 Speaker 3: that's just you gotta take it for whatever you want. 478 00:24:59,000 --> 00:25:03,000 Speaker 1: I'm uh. Pippole told me this once. He said, if 479 00:25:03,040 --> 00:25:04,879 Speaker 1: they locked the door, you're climbing through the window. I 480 00:25:04,920 --> 00:25:08,119 Speaker 1: was like, oh, he didn't respond. He Nicole, better use 481 00:25:08,200 --> 00:25:22,680 Speaker 1: that my heart email drop this Charlottemade you know it's 482 00:25:22,760 --> 00:25:26,240 Speaker 1: running this show, and uh, you know, get his attention. 483 00:25:27,200 --> 00:25:28,800 Speaker 1: And not only did I do that, but I liked 484 00:25:28,840 --> 00:25:32,600 Speaker 1: you so much. I literally was like Earner Leisure should 485 00:25:32,640 --> 00:25:35,280 Speaker 1: have him, Charlemagne should have him, all these people should 486 00:25:35,320 --> 00:25:38,440 Speaker 1: have him, and she was like, I think they already did. 487 00:25:38,680 --> 00:25:40,439 Speaker 1: Like I was like the last ones at the table, 488 00:25:40,480 --> 00:25:42,720 Speaker 1: like these are the shows he should be on. I 489 00:25:42,720 --> 00:25:44,719 Speaker 1: don't even I don't even never had an opportunity meet 490 00:25:44,760 --> 00:25:46,440 Speaker 1: with you, but I was like, dam all your publicists 491 00:25:46,440 --> 00:25:48,760 Speaker 1: over there, like this is who I want. Love it 492 00:25:49,359 --> 00:25:53,720 Speaker 1: and and that's you know why we named the show, 493 00:25:54,040 --> 00:25:55,720 Speaker 1: you know, at the end of the day, eating while broke. 494 00:25:55,760 --> 00:25:58,280 Speaker 1: But I get it because I literally every time I 495 00:25:58,320 --> 00:26:00,880 Speaker 1: sell someone on the idea, I'm like, just ignore the name, 496 00:26:01,880 --> 00:26:04,359 Speaker 1: ignore the name. But I'm glad that you take time 497 00:26:04,400 --> 00:26:07,479 Speaker 1: to come and sit with me and super excited. I 498 00:26:07,520 --> 00:26:14,359 Speaker 1: love literally everything you're about. And sorry, one of the 499 00:26:14,400 --> 00:26:20,160 Speaker 1: things that kind of surprised me is the entrepreneur in 500 00:26:20,200 --> 00:26:26,159 Speaker 1: you and like, also, like, why did you name your 501 00:26:26,240 --> 00:26:28,840 Speaker 1: company the Good Company? 502 00:26:29,280 --> 00:26:29,520 Speaker 2: Right? 503 00:26:30,080 --> 00:26:32,960 Speaker 3: Well, I mean good company just because there's a quote. 504 00:26:33,000 --> 00:26:35,240 Speaker 3: Let's say your mama say you just by the company 505 00:26:35,280 --> 00:26:37,919 Speaker 3: you keep, right, So I feel like good company is 506 00:26:38,040 --> 00:26:40,720 Speaker 3: encompassing of just I like to have good people around me, 507 00:26:40,840 --> 00:26:43,520 Speaker 3: and we build great energy when we go into places. 508 00:26:43,560 --> 00:26:46,520 Speaker 3: We're a good company to have, right, Just that name 509 00:26:46,720 --> 00:26:49,640 Speaker 3: is welcoming. And then I use pennies because I feel 510 00:26:49,640 --> 00:26:52,880 Speaker 3: like pennies are undervalued and overlooked. Right. If you see 511 00:26:52,920 --> 00:26:54,840 Speaker 3: a penny on the ground, you usually don't stop and 512 00:26:54,840 --> 00:26:57,080 Speaker 3: pick it up. But imagine if you stopped and picked 513 00:26:57,160 --> 00:26:59,720 Speaker 3: up every penny you walk past throughout your whole life, 514 00:27:00,320 --> 00:27:02,439 Speaker 3: have more money than a lot of the people besides you. 515 00:27:02,520 --> 00:27:05,120 Speaker 3: Even though it's a penny. There's a multitude of them, 516 00:27:05,200 --> 00:27:08,320 Speaker 3: like we passed them up all the time everywhere, and 517 00:27:08,359 --> 00:27:11,800 Speaker 3: no one really cares. Right, But it exists for a reason. 518 00:27:12,800 --> 00:27:17,840 Speaker 1: I sometimes think pennies exist to go in my daughter's mouth. Right, 519 00:27:19,000 --> 00:27:21,560 Speaker 1: that's a terrible joke. I'm a new mom. I'm a 520 00:27:21,560 --> 00:27:24,000 Speaker 1: brand new mom. I spend most of my days trying 521 00:27:24,040 --> 00:27:26,120 Speaker 1: to convince my daughter not to try a new way 522 00:27:26,119 --> 00:27:29,719 Speaker 1: to commit suicide. Right right now, now you see why 523 00:27:29,800 --> 00:27:32,919 Speaker 1: our parents are like tired by eight o'clock because they 524 00:27:32,960 --> 00:27:35,199 Speaker 1: like spent the entire day, like what do you have 525 00:27:35,280 --> 00:27:41,600 Speaker 1: to do next? But what can people expect from you 526 00:27:42,480 --> 00:27:43,879 Speaker 1: in the future music wise? 527 00:27:45,440 --> 00:27:48,000 Speaker 2: A ton of it, A whole lot of it. 528 00:27:48,080 --> 00:27:51,200 Speaker 3: You know. I'm someone I live by this theory of 529 00:27:51,280 --> 00:27:54,399 Speaker 3: like leaving empty. I don't want to leave with nothing 530 00:27:54,480 --> 00:27:56,840 Speaker 3: on my plate and all the music I have I 531 00:27:56,880 --> 00:27:59,600 Speaker 3: intend to release and get out. I don't want to 532 00:27:59,640 --> 00:28:04,960 Speaker 3: sit on things for years. I'm currently building crazy infrastructure 533 00:28:05,000 --> 00:28:07,800 Speaker 3: at home. I keep saying I'm building Disneyland because we're 534 00:28:07,800 --> 00:28:13,760 Speaker 3: building something like that completely laterally. But really, I don't know. 535 00:28:13,840 --> 00:28:16,240 Speaker 3: I don't have any expectation of myself. So I think 536 00:28:16,280 --> 00:28:18,719 Speaker 3: people shouldn't. They should just enjoy the journey. Like how 537 00:28:18,800 --> 00:28:20,720 Speaker 3: you say you've been spying, Like I hope when you 538 00:28:20,760 --> 00:28:23,199 Speaker 3: spy you're smiling because it's just it's a hell of 539 00:28:23,200 --> 00:28:25,360 Speaker 3: a show to watch, you know, it's a beautiful shavn't 540 00:28:25,359 --> 00:28:28,719 Speaker 3: got to see too many artists actually make it in 541 00:28:28,760 --> 00:28:31,840 Speaker 3: front of us, right, Like we see the resulting that 542 00:28:31,960 --> 00:28:34,479 Speaker 3: the label post and share, but we don't see like 543 00:28:35,000 --> 00:28:37,399 Speaker 3: them going city to city. Hey yo, I'm gonna do 544 00:28:37,400 --> 00:28:39,000 Speaker 3: a pop up, you know, Like we don't get to 545 00:28:39,040 --> 00:28:41,360 Speaker 3: see that part of the journey, and I'm showing all 546 00:28:41,400 --> 00:28:43,480 Speaker 3: of it. I'm showing us running merch for filming out 547 00:28:43,480 --> 00:28:46,400 Speaker 3: of my house. My mom is dropping them, dropping them off, 548 00:28:46,440 --> 00:28:49,320 Speaker 3: like I'm showing the entire process, and we're sharing the 549 00:28:49,400 --> 00:28:52,560 Speaker 3: gyms along. So I think people should just stay tuned 550 00:28:52,640 --> 00:28:56,360 Speaker 3: and this We got enough sequels to beat the Fast 551 00:28:56,440 --> 00:28:59,320 Speaker 3: and Furious series, you know, like we're coming. 552 00:28:59,120 --> 00:29:03,360 Speaker 1: Like that when you do your pop YouTube pop up shows, right. 553 00:29:03,320 --> 00:29:06,120 Speaker 3: We're doing one tonight. I just I just got off 554 00:29:06,120 --> 00:29:08,120 Speaker 3: a plane and I was like, man, I want to 555 00:29:08,160 --> 00:29:10,120 Speaker 3: do a show. So we announced it and now the 556 00:29:10,160 --> 00:29:13,520 Speaker 3: show tickets have been selling tonight. It's going to be 557 00:29:13,600 --> 00:29:20,320 Speaker 3: at where going to be? This is This one's gonna 558 00:29:20,320 --> 00:29:22,840 Speaker 3: be special because it's an unplugged version and it's like 559 00:29:22,920 --> 00:29:23,960 Speaker 3: live Q and A like. 560 00:29:23,880 --> 00:29:29,040 Speaker 1: People, I'm not gonna lie like I would love to go. 561 00:29:32,720 --> 00:29:39,480 Speaker 3: Please. What's dope about our shows is like this one 562 00:29:39,720 --> 00:29:42,200 Speaker 3: is a bit different, but generally with our shows, like 563 00:29:42,560 --> 00:29:45,000 Speaker 3: I use the second half of my set to just 564 00:29:45,120 --> 00:29:47,280 Speaker 3: let the fans choose the songs they want to hear, 565 00:29:47,440 --> 00:29:49,920 Speaker 3: and I rap whatever they say they want to hear. Right, 566 00:29:49,960 --> 00:29:52,959 Speaker 3: So it's like a really interactive show. We did one 567 00:29:53,040 --> 00:29:54,960 Speaker 3: in New York and Brooklyn. When we went out there, 568 00:29:55,000 --> 00:29:57,640 Speaker 3: it sold out in six hours, five hundred tickets. So 569 00:29:58,040 --> 00:30:00,800 Speaker 3: now I've just kind of been in this wave where 570 00:30:00,800 --> 00:30:02,880 Speaker 3: it's like I just be like, I feel like doing it, 571 00:30:02,920 --> 00:30:05,120 Speaker 3: and we do it and it usually goes well. 572 00:30:06,160 --> 00:30:08,920 Speaker 1: And then who kind of does the logistics? 573 00:30:09,360 --> 00:30:12,560 Speaker 3: So myself for Nadi, he's a member of my team. 574 00:30:12,640 --> 00:30:16,760 Speaker 3: He helps with booking, Tiata helps with logistics. Milli is 575 00:30:16,800 --> 00:30:19,000 Speaker 3: on my team. So anytime we go to a tour 576 00:30:19,080 --> 00:30:20,120 Speaker 3: route and she kind of. 577 00:30:20,080 --> 00:30:24,520 Speaker 1: Plans and give a guy and girl team you yeah, yeah, okay, 578 00:30:24,760 --> 00:30:26,600 Speaker 1: I like that because sometimes you work with people and 579 00:30:26,640 --> 00:30:31,560 Speaker 1: they like Slayholder, like Charlemagne's company is pretty much ran 580 00:30:31,600 --> 00:30:34,040 Speaker 1: by women black women, which is amazing by the way 581 00:30:34,080 --> 00:30:36,080 Speaker 1: he treat the man. 582 00:30:36,480 --> 00:30:38,760 Speaker 3: I wouldn't be where I am without women. I have 583 00:30:38,840 --> 00:30:41,960 Speaker 3: a team of like the most incredible creative intuit in 584 00:30:42,280 --> 00:30:44,840 Speaker 3: women when it comes to just business and everything. 585 00:30:45,880 --> 00:30:48,320 Speaker 1: Now, one of the things I did see, and I 586 00:30:48,360 --> 00:30:52,560 Speaker 1: could be wrong, maybe lack of research, but I feel 587 00:30:52,560 --> 00:30:55,120 Speaker 1: like on one of the things you have posted was 588 00:30:55,200 --> 00:30:57,360 Speaker 1: like if people buy your records, they have like some 589 00:30:57,480 --> 00:30:59,440 Speaker 1: kind of ownership in it. 590 00:30:59,800 --> 00:30:59,960 Speaker 2: Yeah. 591 00:31:00,080 --> 00:31:03,160 Speaker 3: Yeah, So not necessarily if you buy it some people. 592 00:31:03,560 --> 00:31:07,080 Speaker 3: So on Usually on projects, I'll sell my album before 593 00:31:07,120 --> 00:31:10,760 Speaker 3: it comes to streaming, and anyone who buys that project 594 00:31:10,960 --> 00:31:13,880 Speaker 3: is up for selection to receive a royalty. So I 595 00:31:14,000 --> 00:31:16,080 Speaker 3: usually go through the list of buyers and I'll pick 596 00:31:16,160 --> 00:31:18,360 Speaker 3: like fifty to one hundred people, sometimes one hundred and 597 00:31:18,360 --> 00:31:20,800 Speaker 3: fifty if I'm feeling good, sometimes two hundred, and I'll 598 00:31:20,800 --> 00:31:23,320 Speaker 3: give them a percentage of royalty in different songs from 599 00:31:23,360 --> 00:31:26,720 Speaker 3: that album. You can also buy royalties, like you could 600 00:31:26,760 --> 00:31:28,880 Speaker 3: make an offer to purchase a share. So if you 601 00:31:28,920 --> 00:31:31,040 Speaker 3: have a favorite song you like, I love this song, 602 00:31:31,280 --> 00:31:32,960 Speaker 3: I know it's gonna be big, or just I love 603 00:31:33,000 --> 00:31:34,760 Speaker 3: this song, I just want to have a stake in it, 604 00:31:35,040 --> 00:31:37,120 Speaker 3: you can make an offer to me and say I 605 00:31:37,160 --> 00:31:39,440 Speaker 3: want five percent of the revenue from this song. I'm 606 00:31:39,480 --> 00:31:42,400 Speaker 3: willing to give you a thousand dollars five hundred dollars, 607 00:31:42,400 --> 00:31:45,320 Speaker 3: and I'll hit you and negotiate and say I'm willing 608 00:31:45,360 --> 00:31:47,480 Speaker 3: to take this or I'm not, and then I send 609 00:31:47,480 --> 00:31:49,920 Speaker 3: you a percentage to the distro you collect every month 610 00:31:49,960 --> 00:31:51,960 Speaker 3: into perpetuity for the rest of your life. 611 00:31:52,200 --> 00:31:54,600 Speaker 1: Yeah, I've never heard of someone do that, Brover, I've 612 00:31:54,640 --> 00:31:56,200 Speaker 1: never heard a song. I was like, did he do 613 00:31:56,280 --> 00:31:57,000 Speaker 1: what I think he did? 614 00:31:57,120 --> 00:31:57,719 Speaker 2: Yeah? 615 00:31:59,360 --> 00:32:00,880 Speaker 3: How do you right? 616 00:32:01,040 --> 00:32:02,000 Speaker 1: How did you come up with that? 617 00:32:02,040 --> 00:32:02,320 Speaker 2: Though? 618 00:32:02,680 --> 00:32:05,760 Speaker 3: Like how it was just a late night thought of 619 00:32:05,920 --> 00:32:08,880 Speaker 3: Like I've always been split in revenue with my team. 620 00:32:09,120 --> 00:32:12,080 Speaker 3: Everyone who helped, producers, engineers, they all get a percent. 621 00:32:12,200 --> 00:32:14,720 Speaker 3: So one day it was just like we should give 622 00:32:14,760 --> 00:32:17,160 Speaker 3: the fans some They listened to this shit every day. 623 00:32:17,280 --> 00:32:19,760 Speaker 3: Imagine if your favorite jay Z song, I Man, you 624 00:32:19,800 --> 00:32:21,440 Speaker 3: listen to it every day, but you don't want to 625 00:32:21,480 --> 00:32:24,600 Speaker 3: percent it. My fans, like bagas Claim blew up. Some 626 00:32:24,640 --> 00:32:26,960 Speaker 3: of my fans had equity in that song when it 627 00:32:27,000 --> 00:32:29,880 Speaker 3: first dropped, a year before it even took off. 628 00:32:29,920 --> 00:32:31,760 Speaker 2: So they for the rest of their. 629 00:32:31,640 --> 00:32:34,040 Speaker 3: Life they're going to be getting money off bagas Claim 630 00:32:34,080 --> 00:32:36,920 Speaker 3: because they just made the right call. They enjoyed the song. 631 00:32:36,840 --> 00:32:37,880 Speaker 2: So and then, but. 632 00:32:40,120 --> 00:32:42,280 Speaker 1: They reached out to you, or how did you even 633 00:32:42,320 --> 00:32:42,840 Speaker 1: announce that? 634 00:32:43,440 --> 00:32:46,280 Speaker 3: I made this big announcement and Tieta on my team. 635 00:32:46,400 --> 00:32:48,800 Speaker 3: She created this form for people to go fill out 636 00:32:49,000 --> 00:32:51,320 Speaker 3: and you put all your information, you put your offer amount, 637 00:32:51,360 --> 00:32:53,480 Speaker 3: how much you want. It comes to a database. I 638 00:32:53,560 --> 00:32:55,880 Speaker 3: look at all the offers, I'll email you and say yeh, 639 00:32:55,880 --> 00:32:58,520 Speaker 3: I send your offer. I liked it, I accept you 640 00:32:58,760 --> 00:33:02,520 Speaker 3: email me. I go through every offered personal badass even 641 00:33:02,560 --> 00:33:05,200 Speaker 3: through email, like when we do bookings and shit like, 642 00:33:05,240 --> 00:33:07,560 Speaker 3: people are always surprised that they're talking to me. It's like, 643 00:33:07,680 --> 00:33:10,280 Speaker 3: it's my business. Of course you're talking to me. 644 00:33:11,120 --> 00:33:15,400 Speaker 1: It makes sense, right. Most of my companies, for some 645 00:33:15,720 --> 00:33:19,240 Speaker 1: reason cannot get them past a certain threshold. I don't 646 00:33:19,240 --> 00:33:22,600 Speaker 1: know if it's like my whatever, but so most of 647 00:33:22,600 --> 00:33:25,000 Speaker 1: my companies are smaller. So I'll email, but I email 648 00:33:25,080 --> 00:33:28,120 Speaker 1: under an alias. It'll be like Samantha, and it'll be 649 00:33:28,120 --> 00:33:29,800 Speaker 1: like Samantha's so crazy. 650 00:33:29,880 --> 00:33:32,200 Speaker 3: When I used to send out emails to get booked, 651 00:33:32,320 --> 00:33:34,280 Speaker 3: to go to venues and try to book them, I 652 00:33:34,360 --> 00:33:36,920 Speaker 3: used to act like I was my own manager, and 653 00:33:36,960 --> 00:33:39,080 Speaker 3: then eventually it's like, bro, it's me. 654 00:33:39,680 --> 00:33:42,080 Speaker 2: I am l Russell. I'm gonna DIVI vinue. This is 655 00:33:42,080 --> 00:33:43,400 Speaker 2: what I want to do right. 656 00:33:43,440 --> 00:33:46,360 Speaker 3: And I've gotten so much more rapport and response because 657 00:33:46,360 --> 00:33:48,880 Speaker 3: it's like, of course people want to talk to you 658 00:33:49,080 --> 00:33:50,440 Speaker 3: like I'm doing it right. 659 00:33:50,480 --> 00:33:57,440 Speaker 1: You didn't feel at some point it hinders how much 660 00:33:58,120 --> 00:34:01,320 Speaker 1: more you can get because like I'll give it pretty 661 00:34:01,400 --> 00:34:06,040 Speaker 1: v uh. I emailed her and I'm like okay, you know, 662 00:34:06,120 --> 00:34:09,640 Speaker 1: she responded, and then like it was her, and then 663 00:34:09,680 --> 00:34:11,120 Speaker 1: she got on the phone with me. She like just 664 00:34:11,160 --> 00:34:13,880 Speaker 1: called me, and then I hear the Jamaican accent. I'm like, 665 00:34:13,880 --> 00:34:16,720 Speaker 1: wait a minute, I said, and we ended up vibing 666 00:34:16,760 --> 00:34:19,680 Speaker 1: on the phone like for forty five minutes. And but 667 00:34:19,719 --> 00:34:22,360 Speaker 1: it was it was the first time that I cold 668 00:34:22,440 --> 00:34:25,840 Speaker 1: called emailed somebody and not only did they respond in 669 00:34:25,920 --> 00:34:27,759 Speaker 1: record speed, but I mean, first of all, that girl 670 00:34:27,840 --> 00:34:30,800 Speaker 1: is as humble as a yet, right, but that was 671 00:34:30,840 --> 00:34:33,279 Speaker 1: the first time that I've ever seen like someone on 672 00:34:33,320 --> 00:34:36,439 Speaker 1: that level just be like, what's up, what's up? Let's 673 00:34:36,480 --> 00:34:38,560 Speaker 1: do it. She was like, what do you want me 674 00:34:38,600 --> 00:34:40,239 Speaker 1: to cook? I got beans and that. I was like, 675 00:34:41,280 --> 00:34:43,080 Speaker 1: what are you doing? You're dope. I was just like 676 00:34:43,080 --> 00:34:45,919 Speaker 1: you do you know, and it was past, no team, 677 00:34:46,080 --> 00:34:47,799 Speaker 1: no nothing. And you know, I didn't even know it 678 00:34:47,840 --> 00:34:49,680 Speaker 1: was her until she called me, and I was like, oh, 679 00:34:49,760 --> 00:34:52,239 Speaker 1: it's you. You know, that's like if jay Z calls 680 00:34:52,239 --> 00:34:53,319 Speaker 1: me after an email and be like. 681 00:34:53,400 --> 00:34:56,200 Speaker 3: Right, people usually get that same shock, but it just 682 00:34:56,239 --> 00:35:00,719 Speaker 3: builds a different relationship, right. You respect what someone is 683 00:35:00,760 --> 00:35:03,319 Speaker 3: building a lot more when you know they're working it, right, 684 00:35:03,360 --> 00:35:05,399 Speaker 3: It's hard to fuck someone over when it's like oh 685 00:35:05,440 --> 00:35:08,640 Speaker 3: it's you. Yeah, yeah, yeah, they're right, builds a different 686 00:35:08,680 --> 00:35:10,399 Speaker 3: rapport you have to do. 687 00:35:10,440 --> 00:35:14,520 Speaker 1: You have an internal rule about letting new people into 688 00:35:14,680 --> 00:35:16,919 Speaker 1: your camp, because it seems like you have a very 689 00:35:17,040 --> 00:35:17,680 Speaker 1: large camp. 690 00:35:18,400 --> 00:35:22,080 Speaker 3: It is kind kind of yeah, even my immediate group 691 00:35:22,200 --> 00:35:26,879 Speaker 3: is pretty large. There's not really a rule, just an energy, right, 692 00:35:27,000 --> 00:35:29,600 Speaker 3: if I know who I like and who I don't like, 693 00:35:29,680 --> 00:35:32,480 Speaker 3: and who fits and who doesn't. Sometimes we'll trial people 694 00:35:32,480 --> 00:35:34,759 Speaker 3: out and it's like ah, that didn't really work, and 695 00:35:34,920 --> 00:35:37,560 Speaker 3: we kind of maneuver forward. But it's not really any rule, 696 00:35:37,719 --> 00:35:41,600 Speaker 3: just your energy, how you feel, how everyone feels about you, 697 00:35:41,680 --> 00:35:44,680 Speaker 3: how you feel about everyone, and we could usually get 698 00:35:44,680 --> 00:35:47,480 Speaker 3: a sense of that really fast. I also have like 699 00:35:48,280 --> 00:35:50,960 Speaker 3: I like to work with people who work hard, like 700 00:35:51,120 --> 00:35:53,520 Speaker 3: the best. You know, I don't want to It's like, bro, 701 00:35:53,640 --> 00:35:55,799 Speaker 3: I'm playing at a high level at all times. If 702 00:35:55,800 --> 00:35:57,680 Speaker 3: you can't keep up, you need to go on the 703 00:35:57,760 --> 00:35:59,719 Speaker 3: other court and play with the little kids for a 704 00:35:59,719 --> 00:36:01,359 Speaker 3: bit to your game get up. 705 00:36:02,280 --> 00:36:07,040 Speaker 1: Have you experienced failure or let me just rephrase that, 706 00:36:07,120 --> 00:36:08,640 Speaker 1: have you experienced perceived failure? 707 00:36:08,640 --> 00:36:13,200 Speaker 3: I hate the word, of course, yeah, of course me about. 708 00:36:12,840 --> 00:36:15,360 Speaker 1: Like perceived failure, and like what the experience was. 709 00:36:15,800 --> 00:36:18,600 Speaker 3: Man, I've had shows where there was five people in 710 00:36:18,600 --> 00:36:21,160 Speaker 3: the crowd and I had to pay for a venue. 711 00:36:21,280 --> 00:36:23,480 Speaker 3: I rented a sprinter van to get my team there. 712 00:36:23,520 --> 00:36:25,799 Speaker 3: We brought the equipment, We brought a ton of merch 713 00:36:25,920 --> 00:36:28,080 Speaker 3: that we didn't sell because there wasn't no one to 714 00:36:28,120 --> 00:36:31,479 Speaker 3: sell it to. And I was a tough ride home. 715 00:36:31,680 --> 00:36:33,880 Speaker 3: You know, I was silent. I'm usually the allowing and 716 00:36:34,000 --> 00:36:36,480 Speaker 3: talking and childing, but I was silent, right. And I've 717 00:36:36,480 --> 00:36:41,040 Speaker 3: had several of those moments of perceive failure even beyond that, 718 00:36:41,239 --> 00:36:44,399 Speaker 3: just sometimes releasing merch and putting all your money into 719 00:36:44,440 --> 00:36:47,040 Speaker 3: it and it doesn't go that people don't react. Early on, 720 00:36:47,120 --> 00:36:50,400 Speaker 3: I had a lot of albums. I dropped twenty two albums. 721 00:36:50,520 --> 00:36:52,120 Speaker 3: I've had a lot of albums early on where I 722 00:36:52,160 --> 00:36:54,759 Speaker 3: was like, this is gonna be Yeah, we've been we've 723 00:36:54,800 --> 00:36:59,280 Speaker 3: been overlow. We didn't blow nothing. Albums is a lot, yeah, 724 00:36:59,440 --> 00:37:00,040 Speaker 3: way more. 725 00:37:00,560 --> 00:37:02,880 Speaker 1: Two hours, not even twenty two singles. 726 00:37:03,120 --> 00:37:06,440 Speaker 3: No, And that's just my catalog. I've written other EP 727 00:37:06,760 --> 00:37:09,279 Speaker 3: single albums for a bunch of other people, so, but 728 00:37:09,520 --> 00:37:11,680 Speaker 3: just in my own album, it's twenty two. 729 00:37:12,719 --> 00:37:17,600 Speaker 1: When you experience perceived failure. Can you walk me through 730 00:37:17,640 --> 00:37:20,880 Speaker 1: your thoughts? 731 00:37:22,160 --> 00:37:25,440 Speaker 3: Usually is negative first, right, It's all like I look 732 00:37:25,520 --> 00:37:28,560 Speaker 3: for all the problems, what I didn't do, how I 733 00:37:28,560 --> 00:37:30,560 Speaker 3: didn't do it while I could have done it better, 734 00:37:30,960 --> 00:37:34,920 Speaker 3: And then eventually it just becomes like analytical solution based, 735 00:37:35,080 --> 00:37:39,600 Speaker 3: like I always want to I always want to prove 736 00:37:40,520 --> 00:37:43,720 Speaker 3: me wrong or anybody wrong. I'm like, well, I'm finna 737 00:37:43,920 --> 00:37:47,279 Speaker 3: next time. I'm gonna do it triple besides, and it's 738 00:37:47,320 --> 00:37:50,560 Speaker 3: gonna be a success. But yeah, it's usually just that 739 00:37:50,680 --> 00:37:54,360 Speaker 3: immersed emotional turmoil that comes with it first, where you know, 740 00:37:54,440 --> 00:37:57,000 Speaker 3: you feel that dark cloud over you and sometimes you 741 00:37:57,040 --> 00:37:59,879 Speaker 3: gotta cry or you gotta sit in that and kind 742 00:37:59,880 --> 00:38:02,279 Speaker 3: of be in that space until you could work through it. 743 00:38:02,880 --> 00:38:07,319 Speaker 1: I'm surprised that you didn't just say, well, maybe this 744 00:38:07,440 --> 00:38:11,160 Speaker 1: is a question. But in that negative space, have you 745 00:38:11,280 --> 00:38:15,680 Speaker 1: questioned your worth? Like whether you know, like, oh, well 746 00:38:15,680 --> 00:38:18,720 Speaker 1: five people. I get the logistics because I as an entrepreneur, 747 00:38:18,719 --> 00:38:20,800 Speaker 1: I get like what did we do? What could we 748 00:38:20,840 --> 00:38:24,520 Speaker 1: have done differently? But in that negative space, can you say, 749 00:38:24,640 --> 00:38:30,040 Speaker 1: and you are prolific for sure, but have you questioned your. 750 00:38:29,880 --> 00:38:34,560 Speaker 3: Own not in music, like anytime I failed in music. 751 00:38:34,719 --> 00:38:37,000 Speaker 3: It wasn't a question of my own worth. It was 752 00:38:37,080 --> 00:38:40,480 Speaker 3: just like, they don't see it. Right, I knew, I 753 00:38:40,560 --> 00:38:43,080 Speaker 3: knew I was it. I'm just like they don't see it. 754 00:38:43,120 --> 00:38:45,319 Speaker 3: I haven't done enough work for them to see it. 755 00:38:45,360 --> 00:38:48,399 Speaker 3: They don't see it. So I've never questioned my worth 756 00:38:48,400 --> 00:38:50,960 Speaker 3: in that aspect. If I'm questioning my worth, it's usually 757 00:38:50,960 --> 00:38:55,560 Speaker 3: through some life shit, like me doing something against my 758 00:38:55,640 --> 00:38:58,960 Speaker 3: own morals or against my own code, or just I 759 00:38:59,080 --> 00:39:01,960 Speaker 3: let somebody down and that's dear to me. Those are 760 00:39:02,000 --> 00:39:04,400 Speaker 3: moments I questioned my worth when I can't show up 761 00:39:04,440 --> 00:39:06,239 Speaker 3: for my daughter in a way that I felt like 762 00:39:06,280 --> 00:39:10,760 Speaker 3: I should. Things like that, but not music, And I put. 763 00:39:10,560 --> 00:39:11,840 Speaker 1: My hour career wise. 764 00:39:12,480 --> 00:39:17,000 Speaker 3: No, yeah, no, not career wise at all. I know 765 00:39:17,280 --> 00:39:19,560 Speaker 3: what I'm worth in my career. I know what I deliver, 766 00:39:19,680 --> 00:39:22,680 Speaker 3: I know what I bring forth, and even even through life, 767 00:39:22,719 --> 00:39:25,360 Speaker 3: like I'm getting to a point where I know my 768 00:39:25,640 --> 00:39:28,840 Speaker 3: impact and how significant I am to you know, the 769 00:39:28,920 --> 00:39:33,120 Speaker 3: life around me and the world. I'm feeding a community. 770 00:39:33,200 --> 00:39:36,279 Speaker 1: A community. So there's a book I just recently checked out. 771 00:39:36,280 --> 00:39:37,640 Speaker 1: I don't know if you ever heard of it. It's 772 00:39:37,920 --> 00:39:42,879 Speaker 1: called Mail Versus Man. Dedre Whitfield shout outs to him. 773 00:39:42,920 --> 00:39:45,399 Speaker 1: I picked up the book. I thought it was for men, 774 00:39:46,160 --> 00:39:50,040 Speaker 1: but so I got it from my my friend and 775 00:39:51,520 --> 00:39:53,239 Speaker 1: but I ended up reading it because I like to 776 00:39:53,280 --> 00:39:56,840 Speaker 1: read to get to a book. I'm literally in a 777 00:39:57,000 --> 00:40:01,880 Speaker 1: book head that I am obsessed with books. But I 778 00:40:01,920 --> 00:40:04,640 Speaker 1: read the book and one of the things he pointed 779 00:40:04,640 --> 00:40:06,480 Speaker 1: out in the book, which I will gift you the 780 00:40:06,520 --> 00:40:08,120 Speaker 1: book now that I have, I think I have your 781 00:40:08,120 --> 00:40:12,120 Speaker 1: address on them. I'll get to information. Yes, But anyways, 782 00:40:12,160 --> 00:40:14,960 Speaker 1: one of the things he talked about was like the 783 00:40:15,000 --> 00:40:18,640 Speaker 1: male versus man. You know, the male is self seeking 784 00:40:19,080 --> 00:40:22,080 Speaker 1: and the man is of service, which is different problem. 785 00:40:22,200 --> 00:40:23,919 Speaker 1: I never thought of that, Like, so when a guy 786 00:40:23,960 --> 00:40:26,360 Speaker 1: takes me on a date, I'm like, are you trying 787 00:40:26,360 --> 00:40:29,200 Speaker 1: to give me? Are you trying to serve me? Now, 788 00:40:29,600 --> 00:40:31,279 Speaker 1: at first I was like, oh, that's messed up to 789 00:40:31,360 --> 00:40:34,840 Speaker 1: like seek service, But as a female, it's actually not, 790 00:40:35,000 --> 00:40:38,439 Speaker 1: because you know, we seek protection and we seek Some 791 00:40:38,480 --> 00:40:41,279 Speaker 1: of us do need help providing and some of us 792 00:40:41,320 --> 00:40:44,399 Speaker 1: need of course, everyone wants to be professed. Marry me, 793 00:40:44,800 --> 00:40:50,080 Speaker 1: the announce the world. I'm the one. I also in 794 00:40:50,200 --> 00:40:53,000 Speaker 1: my hip hop head and after reading that book lately, 795 00:40:53,040 --> 00:40:56,080 Speaker 1: it's like every song on the radio is like shout 796 00:40:56,120 --> 00:40:59,520 Speaker 1: out to my sneaky link er or yeah, I'm having 797 00:40:59,560 --> 00:41:01,960 Speaker 1: sex with him my side chick raw. But I'm never 798 00:41:02,040 --> 00:41:06,200 Speaker 1: gonna leave you. I'm never gonna leave my family for you. 799 00:41:06,760 --> 00:41:09,640 Speaker 1: And and I'm like, yo, did he really just say 800 00:41:09,680 --> 00:41:12,200 Speaker 1: he's having sex with his side chick raw and that's 801 00:41:12,239 --> 00:41:14,480 Speaker 1: why she's attached? And some of these lyrics are so 802 00:41:14,880 --> 00:41:18,560 Speaker 1: terrible to women. I'm like, at what point? And who 803 00:41:18,760 --> 00:41:21,600 Speaker 1: is responsible? And this is just an honest like friend 804 00:41:22,239 --> 00:41:26,600 Speaker 1: or you know you you you have responsibilities as a 805 00:41:26,640 --> 00:41:30,880 Speaker 1: philosopher and entrepreneur and a leader and being a vulnerable 806 00:41:30,880 --> 00:41:34,680 Speaker 1: man yourself, Like, who do you think is responsible? Is 807 00:41:34,719 --> 00:41:38,200 Speaker 1: it the art form, is it the male energy, or 808 00:41:38,239 --> 00:41:38,959 Speaker 1: is it us women? 809 00:41:39,960 --> 00:41:42,720 Speaker 2: Uh? 810 00:41:42,840 --> 00:41:46,239 Speaker 3: I don't think anyone's responsible, but I think everyone is accountable. 811 00:41:46,320 --> 00:41:49,040 Speaker 3: I hear the same music coming from females as well. 812 00:41:49,640 --> 00:41:50,200 Speaker 3: I agree. 813 00:41:50,280 --> 00:41:52,279 Speaker 1: I went into an ail salon, I saw nothing but 814 00:41:52,360 --> 00:41:54,480 Speaker 1: strippers all then. 815 00:41:54,560 --> 00:41:57,720 Speaker 3: I don't think there's a responsibility, but there's an accountability. 816 00:41:57,840 --> 00:42:00,279 Speaker 3: And uh, I think that's one of those things that 817 00:42:01,160 --> 00:42:03,839 Speaker 3: it's hard to ever be what you never see, right. 818 00:42:04,000 --> 00:42:05,919 Speaker 3: A lot of these men that make it in hip 819 00:42:05,920 --> 00:42:10,920 Speaker 3: hop and music, they haven't had great examples of leadership 820 00:42:11,120 --> 00:42:14,480 Speaker 3: or of men that have that in them to not 821 00:42:14,680 --> 00:42:18,719 Speaker 3: fall to desire, or that are disciplined or impeccable in 822 00:42:18,800 --> 00:42:22,200 Speaker 3: their soul or fulfilled to where they don't need to 823 00:42:22,239 --> 00:42:24,560 Speaker 3: seek or go get extra and the same with women. 824 00:42:25,200 --> 00:42:28,840 Speaker 3: So I think that's just we often act these artists 825 00:42:29,480 --> 00:42:33,680 Speaker 3: to build things that they don't have the tools to build, right. Yeah, 826 00:42:34,160 --> 00:42:39,239 Speaker 3: Like if you go look in their toolbox, it's it's 827 00:42:39,320 --> 00:42:41,319 Speaker 3: like you want to build a house with guys. 828 00:42:41,400 --> 00:42:43,480 Speaker 1: Feel like jay Z kind of touched on that in 829 00:42:44,000 --> 00:42:45,560 Speaker 1: I want to say four for four or one of 830 00:42:45,560 --> 00:42:47,200 Speaker 1: the hourists like where he was the first one to. 831 00:42:47,239 --> 00:42:53,319 Speaker 3: Be where we've seen that, Oh wow, you've upgraded your toolbox, right, 832 00:42:53,360 --> 00:42:55,440 Speaker 3: But a lot of artists don't have that. We're coming 833 00:42:55,480 --> 00:42:58,560 Speaker 3: out of environments that don't nurture that type of behavior 834 00:42:58,840 --> 00:43:01,760 Speaker 3: or system. Like when I was coming up, the older 835 00:43:01,800 --> 00:43:05,000 Speaker 3: men around me was like players too, Like, bro, what 836 00:43:05,160 --> 00:43:07,440 Speaker 3: you feel me? So you grow up embracing that and 837 00:43:07,480 --> 00:43:09,960 Speaker 3: wanting to be like that. That's what you replicate, That's 838 00:43:09,960 --> 00:43:15,120 Speaker 3: what you know. You don't see anyone I've I don't 839 00:43:15,120 --> 00:43:17,279 Speaker 3: think I've ever seen a man that was just so 840 00:43:17,480 --> 00:43:20,800 Speaker 3: in love and revere their family so much and treated 841 00:43:20,840 --> 00:43:23,960 Speaker 3: they women so well, like they meant the world to me. 842 00:43:24,040 --> 00:43:26,600 Speaker 3: For me to be like, man, that's what I want right. 843 00:43:27,200 --> 00:43:30,600 Speaker 3: Very seldom do you witness that and experience that. But 844 00:43:30,680 --> 00:43:34,520 Speaker 3: yet you expect someone to conduct themselves in that manner. 845 00:43:34,600 --> 00:43:35,920 Speaker 3: That's what's not gonna happen. 846 00:43:37,000 --> 00:43:40,799 Speaker 1: That's interesting. So when it comes to accountability in your 847 00:43:40,880 --> 00:43:45,000 Speaker 1: personal life, who holds you accountable? Is it? I don't 848 00:43:45,000 --> 00:43:47,120 Speaker 1: want to answer the questions. 849 00:43:47,800 --> 00:43:51,720 Speaker 3: Everyone around me in a sense holds me accountable in 850 00:43:51,760 --> 00:43:55,440 Speaker 3: some way, but ultimately me like I have to be. 851 00:43:55,680 --> 00:43:57,839 Speaker 3: I have to be the one that wants to get 852 00:43:57,920 --> 00:44:00,319 Speaker 3: up every day and put in work and be better 853 00:44:00,400 --> 00:44:02,279 Speaker 3: and want to drop my daughter off and pick her 854 00:44:02,360 --> 00:44:04,800 Speaker 3: up and do work and things like that. But everyone 855 00:44:04,840 --> 00:44:08,160 Speaker 3: around me, from myself, my mom, my dad, my daughter, 856 00:44:08,280 --> 00:44:12,640 Speaker 3: her mother, tieda Millie testing everyone are fani. Just all 857 00:44:12,680 --> 00:44:15,280 Speaker 3: of my friends hold me accountable in some aspect. They're 858 00:44:15,600 --> 00:44:18,440 Speaker 3: always in my you know, I can only stoop so 859 00:44:18,600 --> 00:44:22,319 Speaker 3: low sometimes before someone's like, hey, brouh, what we doing? 860 00:44:23,040 --> 00:44:26,399 Speaker 1: Oh? I like that? I like that? Okay? Is there 861 00:44:26,440 --> 00:44:32,279 Speaker 1: anything that your fans are me don't know about you? 862 00:44:35,320 --> 00:44:40,279 Speaker 3: I mean everything, I mean, I guess you only. 863 00:44:40,040 --> 00:44:42,880 Speaker 1: Know the music well because you kind of signed a 864 00:44:42,920 --> 00:44:46,760 Speaker 1: camera on your entrepreneurship. You also do all these little 865 00:44:47,160 --> 00:44:49,080 Speaker 1: I don't want to say little, but these gems on 866 00:44:49,120 --> 00:44:53,040 Speaker 1: social media. So when I say is there anything we 867 00:44:53,160 --> 00:44:56,560 Speaker 1: don't know about you? I feel like you're it's like 868 00:44:56,600 --> 00:44:58,399 Speaker 1: you learn a lesson. You're like, let's put it out there. 869 00:44:58,600 --> 00:44:59,600 Speaker 1: You learn that lesson? 870 00:45:00,040 --> 00:45:07,640 Speaker 3: What about there really else today? 871 00:45:15,040 --> 00:45:16,319 Speaker 2: So I battle that. 872 00:45:16,440 --> 00:45:21,520 Speaker 1: I like, I don't know if I want to get personal, man, real. 873 00:45:21,920 --> 00:45:24,520 Speaker 3: No such thing. I've had the really reals, and I 874 00:45:24,680 --> 00:45:27,640 Speaker 3: shared there's no such thing. Because there's a billion people 875 00:45:27,640 --> 00:45:29,960 Speaker 3: in the world, and someone's been through exactly what you've 876 00:45:30,000 --> 00:45:32,400 Speaker 3: been through, and they may need your help, right, but 877 00:45:32,440 --> 00:45:34,600 Speaker 3: you're refusing to hell, you have all the tools and 878 00:45:34,640 --> 00:45:36,680 Speaker 3: all the means to help them, but you're refusing to 879 00:45:36,680 --> 00:45:40,160 Speaker 3: do it because of your own fear, right, And like, 880 00:45:40,239 --> 00:45:42,560 Speaker 3: I don't want to deny nobody of that tool. Like 881 00:45:42,640 --> 00:45:44,839 Speaker 3: I want people to be able to grow. If that's 882 00:45:44,880 --> 00:45:47,080 Speaker 3: going to be through me just sharing what I felt 883 00:45:47,160 --> 00:45:49,360 Speaker 3: or experienced, that's an easy call. 884 00:45:49,320 --> 00:45:50,719 Speaker 2: Right do you do. 885 00:45:54,000 --> 00:45:57,800 Speaker 1: The The world is always a sensitive around this topic, 886 00:45:57,880 --> 00:45:59,759 Speaker 1: but I'm gonna go ahead and throw it out there. 887 00:45:59,800 --> 00:46:02,680 Speaker 1: But do you believe in therapy? Do you do therapy? 888 00:46:02,880 --> 00:46:06,520 Speaker 3: So I recently started therapy, probably a few months back, 889 00:46:06,840 --> 00:46:10,719 Speaker 3: and I had a few sessions and it's cool. I'm 890 00:46:10,719 --> 00:46:14,600 Speaker 3: not consistent with it because I don't feel like I'm 891 00:46:14,640 --> 00:46:18,400 Speaker 3: gaining much from it. But I also had like an 892 00:46:18,480 --> 00:46:20,759 Speaker 3: expectation of what I was supposed to get from it, 893 00:46:20,880 --> 00:46:22,560 Speaker 3: like I'm supposed to be here, like I have a 894 00:46:22,600 --> 00:46:24,920 Speaker 3: new sessions. It's like, man, I'm a gold new Man, right, 895 00:46:24,960 --> 00:46:27,920 Speaker 3: And that's not how it happens. And for me, I 896 00:46:28,080 --> 00:46:30,440 Speaker 3: just I just realized that it was work that I 897 00:46:30,560 --> 00:46:32,680 Speaker 3: need to do. Right. I don't need anyone's help to 898 00:46:32,719 --> 00:46:34,520 Speaker 3: be a better human. I just need to choose to 899 00:46:34,560 --> 00:46:36,719 Speaker 3: be a better human and commit to that. That's not 900 00:46:36,760 --> 00:46:39,200 Speaker 3: something I need to talk to someone about if you 901 00:46:39,719 --> 00:46:43,279 Speaker 3: want to, yes, But for me personally, it's like I 902 00:46:43,360 --> 00:46:46,960 Speaker 3: built an entire empire. I could definitely build myself as 903 00:46:47,000 --> 00:46:49,480 Speaker 3: a man, right. I don't need anyone's assistant to do that, 904 00:46:49,600 --> 00:46:52,920 Speaker 3: But I chose. I've chosen not to, right, I've chosen 905 00:46:53,000 --> 00:46:55,799 Speaker 3: not to allocate my energy towards that, which is the 906 00:46:55,840 --> 00:46:58,759 Speaker 3: only reason I haven't grown in any way that I 907 00:46:58,800 --> 00:46:59,200 Speaker 3: wish to. 908 00:46:59,719 --> 00:47:03,359 Speaker 1: It's funny you say that because I recently full vulnerability here. 909 00:47:04,719 --> 00:47:08,160 Speaker 1: I recently did try therapy, and I kind of felt like, 910 00:47:09,640 --> 00:47:11,839 Speaker 1: oh man, this is gonna sound really shitty for all 911 00:47:11,840 --> 00:47:13,120 Speaker 1: those people that give. 912 00:47:13,000 --> 00:47:13,399 Speaker 2: It to them. 913 00:47:13,440 --> 00:47:15,440 Speaker 1: But I felt like, yeah, I wasn't getting the response 914 00:47:15,640 --> 00:47:18,279 Speaker 1: in that I needed, the in the record speed that 915 00:47:18,280 --> 00:47:21,400 Speaker 1: I needed and it was like I knew the answers, 916 00:47:21,480 --> 00:47:24,960 Speaker 1: but I just wasn't choosing to make the choice that 917 00:47:25,000 --> 00:47:28,239 Speaker 1: I needed to make. And in therapy it takes so 918 00:47:28,400 --> 00:47:31,239 Speaker 1: much uprooting of your childhood to get to the root 919 00:47:31,480 --> 00:47:33,520 Speaker 1: that I was like, yo, I'm not trying to relive 920 00:47:33,560 --> 00:47:36,200 Speaker 1: the thing that I ran from, like trying to give 921 00:47:36,239 --> 00:47:39,640 Speaker 1: me PTSD. Like, no, I'm good, but I do agree 922 00:47:39,680 --> 00:47:41,400 Speaker 1: with you, and I'm glad you were honest about that 923 00:47:41,480 --> 00:47:45,919 Speaker 1: because people say therapy therapy, therapy, and I actually thought 924 00:47:45,960 --> 00:47:49,680 Speaker 1: you weren't gonna say that you do therapy because I 925 00:47:50,360 --> 00:47:53,440 Speaker 1: low key feel like your vulnerability and your lyrics is 926 00:47:53,480 --> 00:47:54,600 Speaker 1: a form of therapy. 927 00:47:54,760 --> 00:47:58,080 Speaker 3: Definitely. Definitely, that's where I get to get all of 928 00:47:58,120 --> 00:47:58,600 Speaker 3: that from. 929 00:47:58,680 --> 00:48:01,520 Speaker 1: And someone gets you, man, And like, because I feel 930 00:48:01,560 --> 00:48:02,400 Speaker 1: like Drake, every time. 931 00:48:04,280 --> 00:48:07,040 Speaker 3: Writing and talking really helps and that's the thing about 932 00:48:07,040 --> 00:48:09,680 Speaker 3: the past, like you're saying, and that shows you how 933 00:48:09,760 --> 00:48:13,240 Speaker 3: much you're how deep your trauma is because you think 934 00:48:13,320 --> 00:48:16,560 Speaker 3: like speaking about it is reliving it. You can't relive 935 00:48:16,640 --> 00:48:19,359 Speaker 3: the past, right, it's already been lived, it's gone. It 936 00:48:19,400 --> 00:48:22,440 Speaker 3: only exists in your memory. You can't relive it. But 937 00:48:22,760 --> 00:48:25,239 Speaker 3: we when trauma hits in a certain way, it makes 938 00:48:25,280 --> 00:48:27,759 Speaker 3: you feel like you're going through that experience again, but 939 00:48:27,800 --> 00:48:30,120 Speaker 3: it's not, and you really have to work through that 940 00:48:30,200 --> 00:48:32,000 Speaker 3: to get You got to go through it to get 941 00:48:32,040 --> 00:48:32,960 Speaker 3: through it, right. 942 00:48:33,560 --> 00:48:38,560 Speaker 1: Yeah, Or you can try. 943 00:48:39,080 --> 00:48:39,359 Speaker 2: I don't. 944 00:48:39,520 --> 00:48:43,200 Speaker 1: I tried my hardest to I believe. I tell myself this, 945 00:48:44,040 --> 00:48:46,360 Speaker 1: every storm. At the end of every storm is a rainbow. 946 00:48:46,800 --> 00:48:51,239 Speaker 1: So the faster I don't cope through it or the 947 00:48:51,320 --> 00:48:54,320 Speaker 1: more I do not cope and numb, the faster I 948 00:48:54,360 --> 00:48:57,120 Speaker 1: get through the storm. So like if I were to 949 00:48:57,200 --> 00:49:00,160 Speaker 1: numb something, drink, get high, have sex, or do whatever 950 00:49:00,200 --> 00:49:02,960 Speaker 1: it is, go go to the mall, look pretty, whatever 951 00:49:03,000 --> 00:49:06,160 Speaker 1: I gotta do, go to the clubs. If I cope 952 00:49:06,160 --> 00:49:09,319 Speaker 1: through it, then it's gonna take me longer to heal. 953 00:49:09,880 --> 00:49:11,880 Speaker 1: So if I go through it and like blow up 954 00:49:11,920 --> 00:49:16,000 Speaker 1: my girlfriends, then to strangers and seven elevens. You know whatever, 955 00:49:16,239 --> 00:49:19,120 Speaker 1: I'm gonna get through it faster, even though it's gonna hurt, 956 00:49:19,200 --> 00:49:21,640 Speaker 1: Like you know what I'm saying, right. 957 00:49:21,480 --> 00:49:25,680 Speaker 3: So definitely, you definitely prolong the healing process as you 958 00:49:26,239 --> 00:49:29,640 Speaker 3: as you act right, every every twinkie you eat just 959 00:49:29,880 --> 00:49:32,319 Speaker 3: makes you closer to the opposite end of where you 960 00:49:32,360 --> 00:49:34,480 Speaker 3: want to be, right, like exactly, And that that's how 961 00:49:34,520 --> 00:49:36,920 Speaker 3: it is with everything. Every time you do another act 962 00:49:36,960 --> 00:49:39,480 Speaker 3: that goes against what you want to be, you're just 963 00:49:39,560 --> 00:49:43,360 Speaker 3: adding it. Because the thing with with how the human 964 00:49:43,440 --> 00:49:45,680 Speaker 3: system work is the more you do something, the better 965 00:49:45,760 --> 00:49:49,040 Speaker 3: you get at it, right, So the more you live found, 966 00:49:49,120 --> 00:49:52,240 Speaker 3: the better you get at it. Some people are phenomenal cheaters, 967 00:49:52,360 --> 00:49:55,000 Speaker 3: and it's because they do it a whole lot. Yeah, right, 968 00:49:55,080 --> 00:49:57,799 Speaker 3: So every time you do it, you're getting better at it, 969 00:49:57,840 --> 00:49:59,840 Speaker 3: which means it's going to take a lot. 970 00:49:59,719 --> 00:50:01,080 Speaker 2: Longer to get better. 971 00:50:01,160 --> 00:50:04,040 Speaker 3: And the other direction, because you're so exceptional at what 972 00:50:04,080 --> 00:50:06,239 Speaker 3: you do. If you lie a lot, you're exceptional, it's 973 00:50:06,280 --> 00:50:09,120 Speaker 3: gonna take you a lot to become someone who tells 974 00:50:09,239 --> 00:50:10,480 Speaker 3: the truth exceptionally. 975 00:50:10,560 --> 00:50:10,719 Speaker 2: Right. 976 00:50:10,800 --> 00:50:14,600 Speaker 1: Yeah, that's that's deep, that's deep. But I think at 977 00:50:14,600 --> 00:50:18,040 Speaker 1: the end of the day, I mean I personally give 978 00:50:18,080 --> 00:50:19,640 Speaker 1: people a lot of grace. I'm one of those people 979 00:50:19,680 --> 00:50:21,440 Speaker 1: that you could literally push me off my seat and 980 00:50:21,480 --> 00:50:24,480 Speaker 1: be like, I was just angry my bagm. So I'd 981 00:50:24,520 --> 00:50:28,239 Speaker 1: be like, no, it's okay. But now I'm at the 982 00:50:28,239 --> 00:50:29,920 Speaker 1: place where it's like I get it, you're anger. I 983 00:50:29,960 --> 00:50:31,719 Speaker 1: just don't want to sit next to you anymore. Like 984 00:50:32,280 --> 00:50:34,880 Speaker 1: take your anger out on the flowers over there, you know. 985 00:50:35,640 --> 00:50:38,160 Speaker 1: But it's a pleasure to have you. I know, we 986 00:50:38,239 --> 00:50:41,440 Speaker 1: kind of we're all over this space. I really would 987 00:50:41,480 --> 00:50:42,879 Speaker 1: like to go to your show tonight. I know, yes, 988 00:50:43,280 --> 00:50:45,480 Speaker 1: I do have some plans, but I'm a pivot and 989 00:50:45,960 --> 00:50:48,560 Speaker 1: and I'm a mother now, so trust me, everything is 990 00:50:48,600 --> 00:50:52,040 Speaker 1: like a babysitter, babysitter, nanny, babysitter is like any amount 991 00:50:52,080 --> 00:50:53,040 Speaker 1: of freedom cost. 992 00:50:52,880 --> 00:50:54,640 Speaker 3: You have to come. This is going to be special. 993 00:50:55,480 --> 00:50:58,960 Speaker 1: I'm definitely gonna come. I am a true fan. I 994 00:50:59,000 --> 00:51:01,439 Speaker 1: have so much admir generation for the way you run 995 00:51:01,480 --> 00:51:04,120 Speaker 1: your businesses, how everyone gets a buy and how everyone 996 00:51:04,160 --> 00:51:07,400 Speaker 1: gets an option to invest in how you partner and 997 00:51:07,680 --> 00:51:10,839 Speaker 1: do this restaurant where it's like pay what you what 998 00:51:10,920 --> 00:51:15,960 Speaker 1: you want, which is brilliant, and it's just something that 999 00:51:16,160 --> 00:51:18,520 Speaker 1: a lot of artists aren't doing right, you know, and 1000 00:51:18,560 --> 00:51:22,000 Speaker 1: I love the vulnerability and your lyrics. So I'm truly 1001 00:51:22,080 --> 00:51:26,080 Speaker 1: thankful that we finally got you on the show. Thank 1002 00:51:26,200 --> 00:51:29,720 Speaker 1: you all listeners for checking out another episode of Eating 1003 00:51:30,200 --> 00:51:32,719 Speaker 1: While Broke. I'm your host, Colleen Witt, and today we 1004 00:51:32,800 --> 00:51:36,239 Speaker 1: have Larussell in the building. Where can they find your 1005 00:51:36,520 --> 00:51:38,400 Speaker 1: Like your Instagram handle? What's your Instagram? 1006 00:51:38,520 --> 00:51:40,280 Speaker 2: I'm at l Russell on everything. 1007 00:51:40,520 --> 00:51:40,640 Speaker 1: L A. 1008 00:51:40,800 --> 00:51:42,160 Speaker 2: R us has EOL. 1009 00:51:42,360 --> 00:51:46,160 Speaker 3: You can find me on social media on DSPs. At 1010 00:51:46,160 --> 00:51:48,400 Speaker 3: home in Valleo, walking around. 1011 00:51:49,480 --> 00:51:51,439 Speaker 1: So oh, you stay in the bay. 1012 00:51:51,920 --> 00:51:55,160 Speaker 3: I stay home. I live where I'm from and I'm 1013 00:51:55,200 --> 00:51:57,839 Speaker 3: there every day. I'm taking my daughter to school, I'm 1014 00:51:57,880 --> 00:52:01,880 Speaker 3: picking it up momos, checking it on people. I'm around. 1015 00:52:01,920 --> 00:52:02,600 Speaker 3: I'm at home. 1016 00:52:03,160 --> 00:52:06,040 Speaker 1: They when they told me that I got you, it 1017 00:52:06,160 --> 00:52:08,120 Speaker 1: was like I had like two days to notice, like 1018 00:52:08,200 --> 00:52:11,040 Speaker 1: you know or whatever. And I was like negotiating with 1019 00:52:11,080 --> 00:52:13,239 Speaker 1: the team everyone's schedule. There's like four people that have 1020 00:52:13,280 --> 00:52:18,080 Speaker 1: to all align schedules, and there was a hiccup and 1021 00:52:18,120 --> 00:52:19,960 Speaker 1: I'm like going back and forth, like yo, do you 1022 00:52:20,040 --> 00:52:24,920 Speaker 1: think we can push back? And We're all like no, 1023 00:52:25,080 --> 00:52:28,359 Speaker 1: it's not worth it. And we got an hour let's 1024 00:52:28,360 --> 00:52:30,920 Speaker 1: take it. But thank you and thanks for feeding me. 1025 00:52:31,080 --> 00:52:33,600 Speaker 1: You and I both agree, you know, moving forward, we 1026 00:52:33,600 --> 00:52:37,040 Speaker 1: could do eggs, but maybe on a dinner garlic bread. 1027 00:52:39,360 --> 00:53:03,799 Speaker 2: Yeah, beautiful. 1028 00:53:05,840 --> 00:53:09,120 Speaker 1: For more eating while broke from iHeartRadio and The Black Effect, 1029 00:53:09,280 --> 00:53:12,839 Speaker 1: visit the iHeartRadio app, Apple podcasts, or wherever you listen 1030 00:53:12,880 --> 00:53:14,000 Speaker 1: to your favorite shows.