WEBVTT - Start Believin’ w/ Ryan Murphy (pt2)

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<v Speaker 1>And that's what you really missed with Jenna and Kevin

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<v Speaker 1>and I Heart Radio podcast and welcome back to and

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<v Speaker 1>that's what you really missed Part two with the one

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<v Speaker 1>and only Ryan Murphy. We know we left you on

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<v Speaker 1>a cliffhanger last week when Bryan dropped that little nugget

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<v Speaker 1>that when they created Will Schuster, they apparently were interested

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<v Speaker 1>in Justin timber Like playing the part. So why don't

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<v Speaker 1>we we gotta go back. We gotta go back and

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<v Speaker 1>check check out what he's deep on that one. I

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<v Speaker 1>don't even think justin Timberloke knows this, but there was

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<v Speaker 1>like a one week window and talking to his people

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<v Speaker 1>where I thought maybe he was interested, but maybe that

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<v Speaker 1>meant we interested in having a script dropped off at

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<v Speaker 1>his front door. I don't remember. I wasn't as fastile

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<v Speaker 1>at the Star casting back then, but that was our

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<v Speaker 1>idea for Mr Shoe was justin Timberlike. And then it

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<v Speaker 1>was very quickly like um yeah, just in his book

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<v Speaker 1>for tours through Ton threeteen or something. It's like okay, no,

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<v Speaker 1>justin Timberlake. So when that happened, I was like, well,

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<v Speaker 1>let's just let's just find everyone and the only person

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<v Speaker 1>that we just straight out offered it to. Was We

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<v Speaker 1>kept talking about a Jane Lynch type of Jane Lynch type,

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<v Speaker 1>and finally I was like, let's just offer it to Jane.

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<v Speaker 1>She's probably gonna say no, um, but to my shock

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<v Speaker 1>and thrill, she said yes instantly. So she was the

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<v Speaker 1>only real name. And then we just had this magical

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<v Speaker 1>period where for six months we we um went all

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<v Speaker 1>around the country and anybody who wanted to audition could

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<v Speaker 1>send in tapes, and we looked at everybody and everybody

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<v Speaker 1>and everything, and you know, and then had narrowed it

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<v Speaker 1>down to for each of the parts, three roles. And

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<v Speaker 1>then we brought all of those actors, and I believe

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<v Speaker 1>there were fifty actors in total were brought to l A.

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<v Speaker 1>And you guys remember walking into these hideous, fluorescently lit

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<v Speaker 1>rooms with like all of these people that you staring

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<v Speaker 1>at you with notepads with pins ready to judge. It was.

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<v Speaker 1>It was the most like cliche we're gonna get suits.

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<v Speaker 1>It was. They were actually all in black suits, sitting

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<v Speaker 1>in this teared room staring at you with no expression.

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<v Speaker 1>And I had no power back then, like I was,

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<v Speaker 1>I I really was just like a voice in the Wilderness.

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<v Speaker 1>But there was a moment in the casting of that

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<v Speaker 1>show where I kind of would be the first person

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<v Speaker 1>to speak. I would make sure like I would would

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<v Speaker 1>talk first, and in both of your cases, I was

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<v Speaker 1>I remember saying, it's Jenna, or I don't want to

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<v Speaker 1>do it, it's Kevin, it's Kevin, or I can't go on.

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<v Speaker 1>I would say something like that, because what are they

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<v Speaker 1>going to say? Um? And you know, there were other

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<v Speaker 1>people who were considered for for your parts, and I

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<v Speaker 1>don't really like to talk about that, but many of

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<v Speaker 1>them I've worked with. You know. The weird thing about

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<v Speaker 1>it is like you meet the people when you get

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<v Speaker 1>to that far in a casting process. People don't know,

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<v Speaker 1>like you meet the person that you're up again, you're

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<v Speaker 1>sitting in the room with you're against yourself, Like, yes,

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<v Speaker 1>that was written for him based on his he did

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<v Speaker 1>a tremendous audition. Yeah, I mean it was interesting, Like

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<v Speaker 1>I do remember that I would be not telling the

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<v Speaker 1>truth if I didn't tell you, Like, you know, when

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<v Speaker 1>I was working with Johnny Groth and Pretty Handsome, that's

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<v Speaker 1>when I first met Leah and so Jonathan and I

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<v Speaker 1>were filming Pretty Handsome and Leah came out to visit Jonathan,

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<v Speaker 1>and you know, that was also a period in time

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<v Speaker 1>where the ideal look were people who are on like,

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<v Speaker 1>you know, quote unquote, look, we're on c W shows totally,

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<v Speaker 1>And I remember Leah saying like, oh my god, I

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<v Speaker 1>can't even get an audition on a goddamn c W show,

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<v Speaker 1>Like it's really gonna be hard for me, because you know,

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<v Speaker 1>so I remember thinking like, oh, she'd be a really

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<v Speaker 1>good Rachel and I in the writing. I think we

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<v Speaker 1>would all start to I don't think Brad and Ian

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<v Speaker 1>new Lea then, but I would kind of right in

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<v Speaker 1>things Lee and I had spoken about. So she kind

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<v Speaker 1>of always was the front writer for that part. Like

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<v Speaker 1>you know, I do remember her auditioning and me sneaking

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<v Speaker 1>her sides I think really early, so she was very

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<v Speaker 1>familiar with what she was doing and Kevin Riley saying, well,

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<v Speaker 1>thank god we've found that actress because it almost looks

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<v Speaker 1>like it was written for her, and I was like,

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<v Speaker 1>kind of was, but it was. It was, Um, it

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<v Speaker 1>was really really really fun to do the casting of

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<v Speaker 1>that part and for all of your parts, and um,

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<v Speaker 1>and I was directing it too, so I kind of

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<v Speaker 1>was thinking like, well, you know, and I had worked

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<v Speaker 1>with Amber. Amber was um little baby Amber came in,

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<v Speaker 1>was on my delta, broke failed pilot another thing. And

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<v Speaker 1>I always say that from every tragedy comes re birth.

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<v Speaker 1>But I never forgot Amber and how great she was.

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<v Speaker 1>And I think we kind of thought of Mercedes for Amber,

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<v Speaker 1>to be quite honest, but um, there were other contenders,

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<v Speaker 1>but just you know. But it was also like one

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<v Speaker 1>of those things that once you guys got into the

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<v Speaker 1>room and read and you don't know this as actors

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<v Speaker 1>because again, no one ever tells you and sit you

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<v Speaker 1>down and looks you in the eye and said, you

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<v Speaker 1>know what, you were phenomenal. That was the best moment

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<v Speaker 1>I think in many of your auditioning lives, because you

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<v Speaker 1>just walked in and and you nailed it. And also

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<v Speaker 1>even if you didn't kind of get some things right,

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<v Speaker 1>it was sort of like, well, that's the person I

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<v Speaker 1>want to hang out with. That's the essence of that character.

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<v Speaker 1>The spirit of who you all were as young people

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<v Speaker 1>was the thing that I'm like, well, I want to

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<v Speaker 1>I want to showcase that. I want to showcase and

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<v Speaker 1>of course you know the great Irony Kevin is you

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<v Speaker 1>were the big dancer and the cast and we put

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<v Speaker 1>you in a wheelchair. So well, the show was made today.

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<v Speaker 1>You couldn't cast me anyway, No, we couldn't. And that's

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<v Speaker 1>another interesting thing to think about, and that I talked about,

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<v Speaker 1>like that would not have happened. There were many things

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<v Speaker 1>that would not have happened, but um, it was. It

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<v Speaker 1>was a really magical, protected experience that was about um

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<v Speaker 1>talent and the love of talent and the love of

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<v Speaker 1>actors and wow. And also like you guys had to

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<v Speaker 1>read two scenes and sing a song as I recall,

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<v Speaker 1>and Kevin, I recall that your song was let it

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<v Speaker 1>be am I wrong, And so you and I used

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<v Speaker 1>to have that joke, right, just be like Kevin, just

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<v Speaker 1>let it be bad. You just walk up out of

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<v Speaker 1>nowhere and I'd like this, let it be Kevin, But

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<v Speaker 1>you were just so But also what so cute is

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<v Speaker 1>everybody was really nervous and it was hard. And what

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<v Speaker 1>was it like when you guys got the call? Who

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<v Speaker 1>called you? Guys? Did I call? You know? It was

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<v Speaker 1>my age, my manager? Yeah, Oh that's right. I wasn't

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<v Speaker 1>allowed to because that was corporate policy where the casting

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<v Speaker 1>person had to call the agent, Yeah, because you remember

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<v Speaker 1>you came in. Are you going to tell yeah, well

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<v Speaker 1>you came in, so I had already been in two

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<v Speaker 1>days before. For it was the network. What was first

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<v Speaker 1>studio network studio was first network, so I had a

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<v Speaker 1>studio and then by network, you had flown all the

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<v Speaker 1>people in from New York that we were testing with

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<v Speaker 1>or against. And then that's when Jenna was there, had

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<v Speaker 1>already met Chris, and you stuck your head in the

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<v Speaker 1>room and I had never tested for anything, and I

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<v Speaker 1>was shocked. I had made it to the fourth audition.

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<v Speaker 1>And I have terrible nerves, especially one auditioning, and you

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<v Speaker 1>stuck your head in the room and you go hi. Everyone,

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<v Speaker 1>You're like hi, and you're like a nervous, dumping nervous

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<v Speaker 1>and you are and I remember you shut the door

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<v Speaker 1>and you it was sort of like popping an inflated

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<v Speaker 1>balloon because you released like the tension and we all

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<v Speaker 1>start of laughing like he's nervous, Like are you kidding me?

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<v Speaker 1>Like we have no his show is getting made, but

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<v Speaker 1>it was I was like, that's very so nice of

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<v Speaker 1>him to come in here and acknowledge that, like they

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<v Speaker 1>also have to pick someone and they're also nervous about

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<v Speaker 1>finding the right people. It's like, all right, we have

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<v Speaker 1>here everyone, like just id I kind of instinctively knew,

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<v Speaker 1>like maybe in the back of my lizard brain, like

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<v Speaker 1>this was my chance. This this show was my shot.

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<v Speaker 1>And I've never prepared or worked harder than anything. And

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<v Speaker 1>then in the preparation of directing that pilot, like pilots phenomenal.

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<v Speaker 1>I watched it yesterday. It is hold up, It's very

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<v Speaker 1>good from every detail. It's like, you're just so it

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<v Speaker 1>worked hard. Thank you. I mean I I of making it,

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<v Speaker 1>and it was like it was such a wonderful experience.

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<v Speaker 1>We made it in the fall, it was beautiful weather,

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<v Speaker 1>I think, you know, I remember shooting on Halloween, right

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<v Speaker 1>around Matt Morrison's birthday. That was the day that was

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<v Speaker 1>the end, and it was just so fun. I remember,

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<v Speaker 1>and I was, you know, it was in my head.

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<v Speaker 1>And nobody had ever directed in our world or made

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<v Speaker 1>a musical. So the you know, the the Andrew Mitchell

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<v Speaker 1>and I um and Chris Baffa who was doing the

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<v Speaker 1>who was our DP? Like we were trying to figure

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<v Speaker 1>out how do you what is the language of making

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<v Speaker 1>a musical? And like we kind of were I had

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<v Speaker 1>a very strong sense of what I wanted to do,

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<v Speaker 1>but it was just joy. It was really fun. And

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<v Speaker 1>and then Jenny, you had asked me about the casting

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<v Speaker 1>of the other the other Yes, you know, the guest

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<v Speaker 1>star cast. Like, I'm trying to even think how that

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<v Speaker 1>star did. Um. Who was our first celebrity, Kristen Channa

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<v Speaker 1>with that was written for her? Um. I loved her. Um,

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<v Speaker 1>I mean everybody from like Stay Moos you know who

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<v Speaker 1>we loved too, I mean Gwyn. I mean I would

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<v Speaker 1>imagine that a lot of people were like, hey, like

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<v Speaker 1>by the time the show had kind of taken off,

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<v Speaker 1>people were like, Ryan, please put me in this show. Yeah. Yeah,

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<v Speaker 1>I got a lot of phone calls and um, you know,

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<v Speaker 1>oh this is another hot piece of dish. I've never

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<v Speaker 1>talked about this. Okay, So do you remember that the

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<v Speaker 1>role that Eve played love Eve almost Whitney Houston had

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<v Speaker 1>agreed to play that part. Um, so you've given you

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<v Speaker 1>some Justin Timberlake tea. Again. I don't know if Justin

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<v Speaker 1>Timberloke ever knew about that, but I thought, but Whitney Houston,

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<v Speaker 1>that actually made it pretty far down the line. And

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<v Speaker 1>I had a phone call with Whitney about that part.

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<v Speaker 1>You to Whitney about it, Yes, oh my god, and

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<v Speaker 1>that's what well? That lovely and charming and sweet. And

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<v Speaker 1>I don't I don't think she was in the right

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<v Speaker 1>place and time to do it as all I'll say.

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<v Speaker 1>But I remember even with her her agent at the time,

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<v Speaker 1>like she just loved that it was about kids in

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<v Speaker 1>choir and she was like, this is phenomenal, like that

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<v Speaker 1>you're doing a show about show choirs and you know,

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<v Speaker 1>she was in a choir. Whitney, and I just said,

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<v Speaker 1>I think you as a teacher would be a great

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<v Speaker 1>kind of thing for you to play and she said,

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<v Speaker 1>I agree, um, and yeah, and then we talked about

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<v Speaker 1>I don't know, it was just but she she didn't

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<v Speaker 1>end up doing it, and Eve was phenomenal. But I

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<v Speaker 1>think that Eve was fierce. But I think at the

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<v Speaker 1>moment that I got close to Whitney Houston, I was like, well,

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<v Speaker 1>there's other there's people that we can put in here.

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<v Speaker 1>And then you know, um, I spent years trying to

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<v Speaker 1>write a role for Jennifer Lopez, who's a friend. I

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<v Speaker 1>could never figure out the right part, and her schedule

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<v Speaker 1>was and Anne Hathaway, like there were always people who

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<v Speaker 1>wanted to do it, but we can never figure out

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<v Speaker 1>the timing that I called the one that got away.

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<v Speaker 1>But they were lovely and great after love, like I

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<v Speaker 1>just wanted to be on it and I was like, please,

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<v Speaker 1>can you please of them? But every everybody, like there

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<v Speaker 1>was a moment in time where because people wanted to

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<v Speaker 1>come and show off, like normally you see actors and

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<v Speaker 1>they're just acting and they're like, I mean, like all

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<v Speaker 1>of them, they're incredible. Yes. And I would also like

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<v Speaker 1>to speaking of Sarah Jessica, do you know that I've

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<v Speaker 1>gotten death threats about the Turkey Lurkey number. I would

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<v Speaker 1>just like to say that I don't care and I

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<v Speaker 1>love that. I love let's have a Kiki Turkey Lurkey

0:12:53.280 --> 0:12:55.560
<v Speaker 1>one of my faiths, and I did not deserve the

0:12:55.559 --> 0:12:59.160
<v Speaker 1>death threats. I had a friend last night randomly text

0:12:59.200 --> 0:13:02.560
<v Speaker 1>me about that number in particular and said, do you

0:13:02.640 --> 0:13:05.080
<v Speaker 1>remember this number? And I was like yes, He's like

0:13:05.360 --> 0:13:08.600
<v Speaker 1>I was walking my son with with my husband and

0:13:08.640 --> 0:13:12.559
<v Speaker 1>I thought it was a dream I had and when

0:13:12.559 --> 0:13:16.439
<v Speaker 1>I played it for my toddler and he was like, huh,

0:13:16.240 --> 0:13:18.520
<v Speaker 1>I stand by it. But the but the But the

0:13:18.520 --> 0:13:24.200
<v Speaker 1>thing about that was, you know, again, it was it

0:13:24.280 --> 0:13:26.280
<v Speaker 1>was a moment in time where you could turn on

0:13:26.360 --> 0:13:29.360
<v Speaker 1>television and there was Adele on Entertainment at night talking

0:13:29.400 --> 0:13:32.000
<v Speaker 1>about the Glee episode like it was just something that

0:13:32.040 --> 0:13:33.840
<v Speaker 1>people loved and wanted to be a part of it

0:13:33.920 --> 0:13:37.640
<v Speaker 1>and UM wanted to like I can sing, We all

0:13:37.720 --> 0:13:39.800
<v Speaker 1>like it was. It was fun. Sometimes I would do it.

0:13:39.920 --> 0:13:45.160
<v Speaker 1>Sometimes I would search for um, you know what I like.

0:13:45.240 --> 0:13:48.680
<v Speaker 1>With Anne, I could never the timing was off, and

0:13:48.679 --> 0:13:50.640
<v Speaker 1>with Jennifer, we can never find the right part. But

0:13:50.679 --> 0:13:53.400
<v Speaker 1>it was always but it meant a lot that people

0:13:53.440 --> 0:13:55.360
<v Speaker 1>at that level would reach out and say, we see

0:13:55.400 --> 0:13:57.400
<v Speaker 1>what you're doing, and we love what it's about, and

0:13:57.440 --> 0:14:00.400
<v Speaker 1>it's cool and god, you know what, I wouldn't have

0:14:00.559 --> 0:14:02.400
<v Speaker 1>killed to have been a kid and been able to

0:14:02.440 --> 0:14:04.559
<v Speaker 1>see something like that on the air. That was always

0:14:04.559 --> 0:14:06.640
<v Speaker 1>the running thing, like I wish this had been on

0:14:06.679 --> 0:14:08.400
<v Speaker 1>the air when I was a kid. And I felt

0:14:08.400 --> 0:14:12.480
<v Speaker 1>that too, and that was the reason why, you know,

0:14:12.559 --> 0:14:14.400
<v Speaker 1>But for a while there, I did have a really

0:14:14.720 --> 0:14:18.360
<v Speaker 1>lucky Golden Rolodex. I really did, and it was it

0:14:18.480 --> 0:14:20.720
<v Speaker 1>was fun special for us too. We got to meet

0:14:20.760 --> 0:14:23.200
<v Speaker 1>all these really awesome people who came in and were like,

0:14:23.400 --> 0:14:25.640
<v Speaker 1>I'm a fan of you, and you're like, wait, is

0:14:25.680 --> 0:14:27.880
<v Speaker 1>that you're a fan of the show first, but like also,

0:14:30.440 --> 0:14:35.320
<v Speaker 1>and I got to have moments that remained with me, like, um,

0:14:35.360 --> 0:14:37.920
<v Speaker 1>when I was growing up, one of my idols was

0:14:38.000 --> 0:14:41.000
<v Speaker 1>Carol Burnette and that show aired at ten o'clock and

0:14:41.040 --> 0:14:43.360
<v Speaker 1>my father used to get so mad that I would

0:14:43.400 --> 0:14:47.000
<v Speaker 1>sneak out of bed and watch it. And I get

0:14:47.040 --> 0:14:49.920
<v Speaker 1>to have a moment with Carol Burnett on the set

0:14:49.960 --> 0:14:52.880
<v Speaker 1>of Glee where I got to hold her hand and say,

0:14:52.880 --> 0:14:58.360
<v Speaker 1>when I was a child, I felt completely like an

0:14:58.400 --> 0:15:02.360
<v Speaker 1>alien and you made me laugh and I recognized in

0:15:02.440 --> 0:15:04.880
<v Speaker 1>you some energy that I wanted to have. And then

0:15:04.880 --> 0:15:07.000
<v Speaker 1>of course I broke down and she rubbed my back.

0:15:07.040 --> 0:15:09.760
<v Speaker 1>But I got to have moments like that with people

0:15:09.800 --> 0:15:12.880
<v Speaker 1>that I grew up loving, and I got to say, like,

0:15:13.160 --> 0:15:17.240
<v Speaker 1>you know, Burt back Rack, like I got to say

0:15:17.240 --> 0:15:21.480
<v Speaker 1>thank you. You meant something to me. You influenced my

0:15:21.560 --> 0:15:23.680
<v Speaker 1>life in other people's lives. And you know the moving

0:15:23.720 --> 0:15:29.720
<v Speaker 1>thing about that is nine out of ten times those

0:15:29.960 --> 0:15:33.320
<v Speaker 1>icons would say wow, Really they have no idea how

0:15:33.360 --> 0:15:36.280
<v Speaker 1>people feel about them, because people are too exhy in

0:15:36.400 --> 0:15:41.560
<v Speaker 1>expressing love and expressing you meant this to me, you know,

0:15:41.920 --> 0:15:44.000
<v Speaker 1>So I got to have those moments as I'm sure

0:15:44.040 --> 0:15:47.400
<v Speaker 1>you guys did, you know, so many of them with

0:15:47.480 --> 0:15:50.040
<v Speaker 1>so many great icons. You know, Stevie was one, and

0:15:50.120 --> 0:15:54.560
<v Speaker 1>that started up relationship with me and her and that

0:15:54.720 --> 0:15:57.600
<v Speaker 1>continues to this day, which is it was. I was

0:15:57.720 --> 0:16:01.760
<v Speaker 1>lucky and I'm very humbled by it. And I think now,

0:16:01.920 --> 0:16:04.720
<v Speaker 1>like what if if Glee were on the air, Like

0:16:04.760 --> 0:16:06.320
<v Speaker 1>who do you who would you guys like to put

0:16:06.360 --> 0:16:13.880
<v Speaker 1>on that you have a bucket list? Well? Beyonce? Yes, obviously,

0:16:14.000 --> 0:16:15.560
<v Speaker 1>I know you guys were always mad that I never

0:16:15.600 --> 0:16:19.880
<v Speaker 1>did a Beyonce tribute episode. I feel like I feel

0:16:19.880 --> 0:16:23.080
<v Speaker 1>like Lizzo would have been like the newer um like

0:16:23.160 --> 0:16:27.840
<v Speaker 1>also would have done as right, would be great to

0:16:27.840 --> 0:16:30.720
<v Speaker 1>get start. Oh yes, she would be good, you know.

0:16:30.800 --> 0:16:34.320
<v Speaker 1>Like my only regret the I only have one regret musically,

0:16:34.560 --> 0:16:40.640
<v Speaker 1>which I I wish she probably wouldn't have done it then,

0:16:40.720 --> 0:16:44.040
<v Speaker 1>but like I really wanted to do a Taylor Swift

0:16:44.120 --> 0:16:48.560
<v Speaker 1>tribute episode. Um, we kind of tried a little bit.

0:16:48.680 --> 0:16:50.880
<v Speaker 1>We certainly did Taylor songs, but I think she's so

0:16:51.080 --> 0:16:54.200
<v Speaker 1>amazing and those songs would have worked so well on Glee,

0:16:54.480 --> 0:16:57.480
<v Speaker 1>Taylor Swift was kind of the one that got away back. God,

0:16:57.480 --> 0:16:59.720
<v Speaker 1>there's so many Beyonce we should have. I wish we

0:16:59.760 --> 0:17:02.920
<v Speaker 1>could figure it out. But fiance it's hard though, Like

0:17:02.960 --> 0:17:04.720
<v Speaker 1>that was like doing the Micael episode where it's like,

0:17:04.720 --> 0:17:07.800
<v Speaker 1>who can sing all these songs? Michael episode, which almost

0:17:07.840 --> 0:17:12.720
<v Speaker 1>killed us, that's what That's what tore us apart. That

0:17:12.840 --> 0:17:14.840
<v Speaker 1>was the worst shoot of all time because it was

0:17:14.920 --> 0:17:18.639
<v Speaker 1>so long, it was so hard. Oh God, I just

0:17:18.720 --> 0:17:21.520
<v Speaker 1>remember that. I was so paranoid about like because I

0:17:21.560 --> 0:17:24.879
<v Speaker 1>was obsessed with Michael and you were like, Okay, you

0:17:24.920 --> 0:17:27.320
<v Speaker 1>can come in and pitch us songs. Yeah, tell me

0:17:27.400 --> 0:17:29.919
<v Speaker 1>what you want. Right. He was like, what Michael was

0:17:30.000 --> 0:17:33.360
<v Speaker 1>my breaking point? I wasn't in the Michael episode. That's right,

0:17:33.400 --> 0:17:38.359
<v Speaker 1>you got fired. I got fired for an episode. Really,

0:17:38.520 --> 0:17:40.760
<v Speaker 1>I didn't get fired for an episode. I was. I

0:17:40.800 --> 0:17:45.479
<v Speaker 1>was told to go take a vacation. It was and honestly,

0:17:45.480 --> 0:17:47.280
<v Speaker 1>we've never talked about this, but it was like my

0:17:47.440 --> 0:17:50.320
<v Speaker 1>mental it was like my mental health episode. Was that

0:17:50.400 --> 0:17:53.760
<v Speaker 1>right after you did the video with Gaga? I think

0:17:54.160 --> 0:17:56.600
<v Speaker 1>when was that? It was right around that time, Kevin. Yes,

0:17:57.200 --> 0:17:59.920
<v Speaker 1>that's right, that's right. When called you Ryan to ask

0:18:00.080 --> 0:18:02.040
<v Speaker 1>Jenna could do the video. Yes, when Gag got called

0:18:02.040 --> 0:18:05.080
<v Speaker 1>and said, Hi, you need to release Jenna for three

0:18:05.119 --> 0:18:08.440
<v Speaker 1>weeks something like that, and like, I'll do anything you say.

0:18:08.640 --> 0:18:10.960
<v Speaker 1>It was like two nights got me out. But yeah,

0:18:11.000 --> 0:18:16.560
<v Speaker 1>there was nothing. But yeah, you know what, I think that, Yeah,

0:18:16.680 --> 0:18:19.080
<v Speaker 1>you look back on those moments, right that we all had,

0:18:19.200 --> 0:18:24.120
<v Speaker 1>and they seemed so overblown, and Michael was a big one,

0:18:24.720 --> 0:18:27.280
<v Speaker 1>you know. And of course, now, Jennet, if you had said,

0:18:27.320 --> 0:18:30.680
<v Speaker 1>you know what, I'm a young person who is not

0:18:31.280 --> 0:18:35.560
<v Speaker 1>loving or adjusting well to the schedule, to the limelight,

0:18:36.280 --> 0:18:39.000
<v Speaker 1>to trying to figure out who I am as a person.

0:18:39.119 --> 0:18:42.080
<v Speaker 1>I need a minute, that would have been it would

0:18:42.119 --> 0:18:44.280
<v Speaker 1>have been like, you know what, Jenna, here is two

0:18:44.400 --> 0:18:47.320
<v Speaker 1>tickets to Hawaii, paid for by the corporation, and please

0:18:47.600 --> 0:18:50.399
<v Speaker 1>do it. But back then there was no language or

0:18:50.960 --> 0:18:53.959
<v Speaker 1>so it was like just it was just um, you know,

0:18:54.880 --> 0:18:56.560
<v Speaker 1>keep it down, keep it down, keep it down. And

0:18:56.600 --> 0:19:00.040
<v Speaker 1>then you explode and everybody says, what's wrong with you?

0:19:00.080 --> 0:19:03.040
<v Speaker 1>Know what? What's going on? And as like your roommate

0:19:03.080 --> 0:19:05.800
<v Speaker 1>at the time, I think I also didn't even recognize

0:19:05.840 --> 0:19:07.919
<v Speaker 1>what was going on because I was still tired and

0:19:08.040 --> 0:19:11.080
<v Speaker 1>just going to work, and like, to me, it was

0:19:11.119 --> 0:19:13.639
<v Speaker 1>surprising too because you just didn't know to look for

0:19:13.680 --> 0:19:15.439
<v Speaker 1>these things like, oh, we're all doing the same thing.

0:19:15.480 --> 0:19:17.920
<v Speaker 1>We're fine. If I'm fine, she's fine. Well, And then

0:19:17.960 --> 0:19:21.000
<v Speaker 1>like you have like these crazy episodes with these massive

0:19:21.040 --> 0:19:24.080
<v Speaker 1>things that every the press is talking about, and you

0:19:24.080 --> 0:19:27.840
<v Speaker 1>know you're going all of these like social pressures are

0:19:27.880 --> 0:19:31.280
<v Speaker 1>now like pushing down on you externally that you're like

0:19:31.400 --> 0:19:34.320
<v Speaker 1>you don't even have the time or energy to actually

0:19:34.560 --> 0:19:37.960
<v Speaker 1>looking inward and say like I need a second, right,

0:19:38.000 --> 0:19:40.320
<v Speaker 1>it's just you act out or you act or you

0:19:40.400 --> 0:19:43.080
<v Speaker 1>explode or whatever it is, and you know your an

0:19:43.200 --> 0:19:46.440
<v Speaker 1>emotional meth and you don't know how to quite regulate

0:19:46.520 --> 0:19:49.639
<v Speaker 1>what you're feeling or you know, tell anybody what's going on.

0:19:49.840 --> 0:19:51.800
<v Speaker 1>And I think the other thing at the time was

0:19:51.920 --> 0:19:53.480
<v Speaker 1>there was just like I said, of it, there was

0:19:53.520 --> 0:19:57.280
<v Speaker 1>no there was no corporate language like you are an

0:19:57.280 --> 0:20:00.880
<v Speaker 1>employee and you signed a contract and we're shooting, and

0:20:00.920 --> 0:20:02.679
<v Speaker 1>what do you mean you don't feel like going in,

0:20:02.720 --> 0:20:05.600
<v Speaker 1>which is going to require rewrite. But it was just

0:20:05.680 --> 0:20:08.680
<v Speaker 1>a different time and I don't think that any anybody

0:20:08.760 --> 0:20:12.680
<v Speaker 1>knew the vernacular about But I'm glad that you got

0:20:12.760 --> 0:20:16.240
<v Speaker 1>that time and I don't you know, it's all a blur,

0:20:16.520 --> 0:20:19.080
<v Speaker 1>like I just remember, like what do you I don't

0:20:19.119 --> 0:20:21.320
<v Speaker 1>really want to do a super Bowl episode. I really

0:20:21.320 --> 0:20:24.000
<v Speaker 1>don't want to because it's like, why are people who

0:20:24.160 --> 0:20:26.760
<v Speaker 1>people who watched the Super Bowl are not going to

0:20:26.800 --> 0:20:29.199
<v Speaker 1>watch Glee and we're just going to get attacked and

0:20:29.240 --> 0:20:32.320
<v Speaker 1>picked on. And it took a month, and it took

0:20:32.320 --> 0:20:35.160
<v Speaker 1>a month to shoot that episode. It did and there

0:20:35.240 --> 0:20:37.480
<v Speaker 1>was great things that came out of it, like there

0:20:37.560 --> 0:20:40.080
<v Speaker 1>was there and there are moments that remain indelible. But

0:20:40.320 --> 0:20:43.679
<v Speaker 1>it was a lot of pressure and um that's when

0:20:43.720 --> 0:20:46.440
<v Speaker 1>I had bron critis and the flu. Well, we kept

0:20:46.520 --> 0:20:49.760
<v Speaker 1>getting canceled. The night shoots um to for Thriller kept

0:20:49.800 --> 0:20:53.600
<v Speaker 1>getting canceled because everybody kept getting strapped or passing it

0:20:53.600 --> 0:20:55.679
<v Speaker 1>around and we have to cancel the night shoot if

0:20:55.680 --> 0:20:59.720
<v Speaker 1>somebody couldn't show up. Yeah, they were in the Michael

0:20:59.800 --> 0:21:02.919
<v Speaker 1>Jack in the State was very very particular about you

0:21:02.960 --> 0:21:05.600
<v Speaker 1>know how we were going to you know, when I

0:21:05.640 --> 0:21:08.359
<v Speaker 1>suggested we were going to mash up Thriller with heads

0:21:08.400 --> 0:21:13.639
<v Speaker 1>Will Roll, it was it was hours of of conversations

0:21:13.680 --> 0:21:15.480
<v Speaker 1>and they didn't like it was just a lot, and

0:21:16.080 --> 0:21:18.320
<v Speaker 1>I do really think that that probably was the apex

0:21:18.359 --> 0:21:20.119
<v Speaker 1>that we were all like, you know what, this has

0:21:20.160 --> 0:21:24.680
<v Speaker 1>got to calm down now because this this cannot sustain physically,

0:21:24.960 --> 0:21:28.360
<v Speaker 1>this is too much. And was that season three? Yes,

0:21:28.480 --> 0:21:33.560
<v Speaker 1>to Michael Jackson, I don't think was too Jackson was three.

0:21:33.640 --> 0:21:37.000
<v Speaker 1>But super Bowl is too super bowls Okay wait what

0:21:37.119 --> 0:21:41.400
<v Speaker 1>was our super Bowl episode? So that? Okay, right, Okay,

0:21:41.440 --> 0:21:44.240
<v Speaker 1>that's why I'm confused. So it's a blur. Yeah, yeah,

0:21:44.600 --> 0:21:47.360
<v Speaker 1>twenty two episodes, like it's it all is just a blur,

0:21:47.480 --> 0:21:50.800
<v Speaker 1>But it was. It was at that end of season two.

0:21:51.520 --> 0:21:53.240
<v Speaker 1>I'll never forget it. It was at the end of

0:21:53.240 --> 0:21:56.600
<v Speaker 1>season one. It was like, yeah, we get to go

0:21:56.640 --> 0:21:59.000
<v Speaker 1>on a tour to a mall. What do you the

0:21:59.119 --> 0:22:02.439
<v Speaker 1>radio city? Yay, oh my god, look there's a T shirt.

0:22:02.840 --> 0:22:06.359
<v Speaker 1>And then at the end of season two, what we

0:22:06.400 --> 0:22:08.719
<v Speaker 1>don't want to do that? We didn't We call you

0:22:08.760 --> 0:22:11.800
<v Speaker 1>into like a rehearsal room to have a talk with you,

0:22:11.960 --> 0:22:14.680
<v Speaker 1>to like I don't think we can do this. Yes

0:22:14.760 --> 0:22:18.439
<v Speaker 1>you did, because there were many moments like that. There

0:22:18.480 --> 0:22:20.320
<v Speaker 1>was a moment where we're like we can't do this,

0:22:20.359 --> 0:22:23.800
<v Speaker 1>and I'm like, well, I don't know what to do,

0:22:24.040 --> 0:22:26.760
<v Speaker 1>like I'm an employee to here. But I will say

0:22:26.800 --> 0:22:30.760
<v Speaker 1>that our bosses had they really they were great and

0:22:30.800 --> 0:22:33.000
<v Speaker 1>they had great compassion. And it was one of those

0:22:33.040 --> 0:22:36.080
<v Speaker 1>things where this had never happened before. So there was

0:22:36.119 --> 0:22:38.639
<v Speaker 1>no roadmap for any of us in any way to

0:22:38.800 --> 0:22:42.120
<v Speaker 1>understand anything that we were doing. Um, it was sort

0:22:42.119 --> 0:22:46.560
<v Speaker 1>of like, you know, stumbling towards the next and and

0:22:46.640 --> 0:22:49.040
<v Speaker 1>there's just like diconomy of like we don't want to

0:22:49.040 --> 0:22:52.160
<v Speaker 1>say no, they don't want to say no. Nobody knows

0:22:52.240 --> 0:22:55.840
<v Speaker 1>how to kind of say like I'm at my ropes

0:22:55.880 --> 0:22:57.320
<v Speaker 1>at and like we just don't know how to We

0:22:57.320 --> 0:22:59.200
<v Speaker 1>didn't know how to do that. There was no roadmap

0:22:59.240 --> 0:23:01.200
<v Speaker 1>for it. And so I look back at it now

0:23:01.200 --> 0:23:03.280
<v Speaker 1>and it's like, Okay, so you have these group of

0:23:03.320 --> 0:23:05.919
<v Speaker 1>actors who've given you ten months of their year to

0:23:05.960 --> 0:23:08.760
<v Speaker 1>shoot twenty two episodes, and now you want them to

0:23:08.800 --> 0:23:12.600
<v Speaker 1>go on a musical tour. I wish I could have

0:23:12.640 --> 0:23:15.560
<v Speaker 1>gone to tour with fresh eyes, because going stepping into

0:23:15.600 --> 0:23:18.600
<v Speaker 1>any arena now to see an artist perform, you're like, God,

0:23:18.640 --> 0:23:21.439
<v Speaker 1>they're so lucky. This is so cool. And I say

0:23:21.480 --> 0:23:23.479
<v Speaker 1>that to Kevin every time I'm like, I wish I

0:23:23.520 --> 0:23:26.000
<v Speaker 1>appreciated tour more, but how could you? You were like,

0:23:26.119 --> 0:23:28.639
<v Speaker 1>you know, we were all kind of being just It

0:23:28.680 --> 0:23:30.960
<v Speaker 1>was a nutty time and had three days off in

0:23:31.000 --> 0:23:33.480
<v Speaker 1>between wrapping the season before we went to Veggas to start.

0:23:35.080 --> 0:23:36.879
<v Speaker 1>How are those three days? Because I didn't have three

0:23:36.960 --> 0:23:42.920
<v Speaker 1>days off? Did you enjoy them? Episodes? Kevin, we slept.

0:23:43.800 --> 0:23:45.400
<v Speaker 1>I was the one that enjoyed the tour of the most.

0:23:45.520 --> 0:23:48.960
<v Speaker 1>I had a great time. It was all dream true.

0:23:49.600 --> 0:23:52.760
<v Speaker 1>Oh yeah. We got to London and the girls disappeared.

0:23:53.040 --> 0:23:54.719
<v Speaker 1>They all just fell off the face that they were

0:23:54.760 --> 0:24:00.359
<v Speaker 1>crying in their room and why were you crying? Like

0:24:02.080 --> 0:24:06.360
<v Speaker 1>everybody wanted to go home and see there. We had

0:24:06.359 --> 0:24:08.280
<v Speaker 1>sold out seven shows in a row at the O

0:24:08.400 --> 0:24:11.679
<v Speaker 1>two in London and walking up to the stage like

0:24:11.720 --> 0:24:13.320
<v Speaker 1>take our places for the first show, I had my

0:24:13.359 --> 0:24:16.600
<v Speaker 1>arm around Leah. I'm like, Leah, isn't this amazing. We're

0:24:16.600 --> 0:24:20.320
<v Speaker 1>at the most famous arena in the entire world and

0:24:20.359 --> 0:24:22.680
<v Speaker 1>we're going to do seven sol And I was genuine

0:24:22.840 --> 0:24:26.000
<v Speaker 1>like that was my dream and she was like, I

0:24:26.080 --> 0:24:31.320
<v Speaker 1>just want to see my family. Okay, okay, you know,

0:24:31.560 --> 0:24:35.159
<v Speaker 1>youth has wasted on the young. It's very true. But

0:24:35.359 --> 0:24:37.840
<v Speaker 1>when I understood it, I understand like that people didn't

0:24:37.840 --> 0:24:40.000
<v Speaker 1>have the same dreams I had, Like I wanted to

0:24:40.000 --> 0:24:42.439
<v Speaker 1>be a music pop star, and this was the only

0:24:42.480 --> 0:24:43.560
<v Speaker 1>way I was going to get to be able to

0:24:43.560 --> 0:24:55.400
<v Speaker 1>do it. Ryan, you said you wanted to be editor

0:24:55.440 --> 0:24:58.320
<v Speaker 1>in chief of Vogue growing up. But like you, your

0:24:58.400 --> 0:25:02.040
<v Speaker 1>fashions have always been very um iconic, if you will

0:25:02.880 --> 0:25:06.760
<v Speaker 1>um talk about like your your love for costumes and

0:25:06.800 --> 0:25:09.679
<v Speaker 1>the details of like all of that going into the

0:25:09.760 --> 0:25:13.680
<v Speaker 1>pilot and the show because it was so specific and

0:25:13.520 --> 0:25:19.040
<v Speaker 1>it was also so telling of our characters. That's it. Yeah,

0:25:19.320 --> 0:25:21.679
<v Speaker 1>I was just talking to somebody about that. You know.

0:25:21.840 --> 0:25:24.960
<v Speaker 1>The thing, the thing that I loved the most in

0:25:25.040 --> 0:25:32.400
<v Speaker 1>my life is creating a world and then entering into it.

0:25:32.600 --> 0:25:36.840
<v Speaker 1>And that was always evidenced by my childhood. You know.

0:25:36.880 --> 0:25:39.879
<v Speaker 1>I grew up in Indiana. Literally in the backyard was

0:25:39.920 --> 0:25:43.159
<v Speaker 1>a cornfield in a church, and I would be reading

0:25:43.280 --> 0:25:46.040
<v Speaker 1>articles in the local paper, the Liz Smith column about

0:25:46.080 --> 0:25:48.800
<v Speaker 1>Studio fifty four, and I couldn't go there. So I

0:25:48.840 --> 0:25:52.640
<v Speaker 1>turned my bedroom into Studio fifty four. I found reference photos,

0:25:52.680 --> 0:25:54.840
<v Speaker 1>and I made a disco ball, and I made my

0:25:54.960 --> 0:25:58.080
<v Speaker 1>room look like like I made my room look like

0:25:58.119 --> 0:26:01.800
<v Speaker 1>Studio fifty four. Then, for example, when Grace Kelly died,

0:26:02.800 --> 0:26:05.920
<v Speaker 1>I took a photograph of Grace Kelly to the local

0:26:06.000 --> 0:26:08.320
<v Speaker 1>hardware store and said, see the color of her eyes.

0:26:08.480 --> 0:26:10.639
<v Speaker 1>I want to paint my room the color of Grace

0:26:10.720 --> 0:26:14.239
<v Speaker 1>Kelly's eyes. Can you make me this color? And they

0:26:14.280 --> 0:26:17.920
<v Speaker 1>were like what, but they did. So I always did

0:26:17.960 --> 0:26:20.600
<v Speaker 1>that and that was a way to escape my pain.

0:26:20.760 --> 0:26:24.160
<v Speaker 1>I think, you know, a tortured, picked on, little gay kid.

0:26:24.920 --> 0:26:30.359
<v Speaker 1>So once I started to do things in Hollywood, and

0:26:30.840 --> 0:26:33.040
<v Speaker 1>I started off writing movies and none of them got made.

0:26:33.040 --> 0:26:35.080
<v Speaker 1>And then I did a television show and I instantly

0:26:35.119 --> 0:26:37.720
<v Speaker 1>loved it because I'm like, oh, I can make a world.

0:26:38.680 --> 0:26:42.440
<v Speaker 1>I can create something that is in my head and

0:26:42.520 --> 0:26:44.760
<v Speaker 1>other people can kind of have a porthold so to

0:26:44.880 --> 0:26:50.240
<v Speaker 1>do it. So everything that I do, um, you know.

0:26:50.320 --> 0:26:54.520
<v Speaker 1>I spent a lot of time um on the costumes,

0:26:54.520 --> 0:26:56.520
<v Speaker 1>on the sets, on the colors. And when I was

0:26:56.560 --> 0:27:01.440
<v Speaker 1>doing Glees specifically, I thought it had to be so

0:27:01.600 --> 0:27:04.359
<v Speaker 1>bright and poppy and inviting, from the sets, to the

0:27:04.440 --> 0:27:07.960
<v Speaker 1>costumes to the way it was lit. Because maybe people

0:27:07.960 --> 0:27:10.359
<v Speaker 1>wouldn't hang around in a musical number, but they would

0:27:10.440 --> 0:27:13.600
<v Speaker 1>if it was like a candy box, so I was.

0:27:13.680 --> 0:27:16.439
<v Speaker 1>It was always that level of detail. And you know,

0:27:16.600 --> 0:27:19.320
<v Speaker 1>I do have really bad O c D. I've been

0:27:19.359 --> 0:27:22.840
<v Speaker 1>treated for it. I've been on medication for it, and

0:27:25.040 --> 0:27:27.119
<v Speaker 1>it does not go away no matter what I do.

0:27:27.200 --> 0:27:30.760
<v Speaker 1>It becomes less as I get older, but it becomes

0:27:30.760 --> 0:27:33.720
<v Speaker 1>a way to put my anxiety. So I one of

0:27:33.760 --> 0:27:36.639
<v Speaker 1>the things about my life that I love is is

0:27:36.720 --> 0:27:39.000
<v Speaker 1>that I will stay up until two in the morning

0:27:40.119 --> 0:27:44.200
<v Speaker 1>researching and referencing different patterns and colors. Like I'm working

0:27:44.200 --> 0:27:48.080
<v Speaker 1>on a thing right now about Truman Capodi and I'm

0:27:48.119 --> 0:27:50.760
<v Speaker 1>doing that, Like so it's like, well, I want to

0:27:50.760 --> 0:27:55.480
<v Speaker 1>go to Lacote bass v, a famous restaurant in New York,

0:27:55.560 --> 0:27:58.719
<v Speaker 1>So let me fall into that wormhole. I've loved that

0:27:58.800 --> 0:28:01.760
<v Speaker 1>part of my life, but that's also been a torment

0:28:01.920 --> 0:28:05.240
<v Speaker 1>for me because anybody who has O c D knows

0:28:05.280 --> 0:28:09.080
<v Speaker 1>that it's very difficult. And but it was I think

0:28:09.080 --> 0:28:11.320
<v Speaker 1>that looking back on it, it's all been a place

0:28:11.440 --> 0:28:15.320
<v Speaker 1>to put my anxieties, but more than that, my hopes

0:28:15.359 --> 0:28:18.679
<v Speaker 1>and optimism. But I love that, and I spent a

0:28:18.680 --> 0:28:24.199
<v Speaker 1>lot of time on all of it. Like just I

0:28:24.240 --> 0:28:29.080
<v Speaker 1>remember painting the lockers in those hallways of Glee, the

0:28:29.359 --> 0:28:32.240
<v Speaker 1>hours of research about the exact right shade. Of course,

0:28:32.280 --> 0:28:34.720
<v Speaker 1>I can't remember what Michael Jackson episode it was, so

0:28:35.600 --> 0:28:38.960
<v Speaker 1>that's growing old. But um, I did spend a lot

0:28:38.960 --> 0:28:40.680
<v Speaker 1>of time and energy on and I spent a lot

0:28:40.720 --> 0:28:44.600
<v Speaker 1>of time and energy on the the the costumes that

0:28:44.640 --> 0:28:47.800
<v Speaker 1>you guys wore, and that that began the phase of

0:28:47.840 --> 0:28:51.760
<v Speaker 1>my career that I call my funko pop doll phase,

0:28:52.440 --> 0:28:56.240
<v Speaker 1>where if you're going to have a character, you have

0:28:56.440 --> 0:28:59.400
<v Speaker 1>to instantly think about how do I make that character

0:28:59.600 --> 0:29:02.640
<v Speaker 1>a doll so that it's instantly iconic and has its

0:29:02.720 --> 0:29:06.760
<v Speaker 1>own iconography. So you know, Tina had her own likes

0:29:06.760 --> 0:29:09.719
<v Speaker 1>and dislikes, already had his own, well, he would never

0:29:09.760 --> 0:29:12.040
<v Speaker 1>wear that. Like, it's just things that I instantly just

0:29:12.400 --> 0:29:14.640
<v Speaker 1>I had mood boards and all of those things. And

0:29:15.560 --> 0:29:17.720
<v Speaker 1>I do think that that was a way in from

0:29:17.720 --> 0:29:23.880
<v Speaker 1>many people. The clothes sets, the it just was kind

0:29:23.920 --> 0:29:28.440
<v Speaker 1>of a delicious um world, the Glee world. It wasn't

0:29:28.440 --> 0:29:30.280
<v Speaker 1>the real world. And I always say, like, I don't

0:29:30.320 --> 0:29:32.520
<v Speaker 1>want to live in the world the real world. I

0:29:32.560 --> 0:29:35.560
<v Speaker 1>want to live in my world and I get to

0:29:35.600 --> 0:29:37.840
<v Speaker 1>create my World's how lucky am I am? I to

0:29:37.960 --> 0:29:41.800
<v Speaker 1>do that, Like, I have very specific rules when I

0:29:41.840 --> 0:29:45.320
<v Speaker 1>create things. You know, I just did this show about

0:29:45.440 --> 0:29:48.840
<v Speaker 1>Jeffrey Dahmer that's very popular and people are kind of

0:29:48.880 --> 0:29:52.760
<v Speaker 1>obsessed with why so much yellow? What's up with the yellow?

0:29:53.960 --> 0:29:56.560
<v Speaker 1>And when I made that show, it was based on

0:29:56.640 --> 0:29:59.560
<v Speaker 1>I saw one picture of of a hallway and Jeffrey

0:29:59.600 --> 0:30:03.520
<v Speaker 1>Dahmer's a apartment that had this very weird fluorescent lighting.

0:30:04.480 --> 0:30:06.800
<v Speaker 1>And I kept trying to figure out where is that

0:30:06.880 --> 0:30:09.360
<v Speaker 1>color from? And I finally found that color and it

0:30:09.440 --> 0:30:14.080
<v Speaker 1>was in a urinal cake, the exact same shape of yellow.

0:30:14.160 --> 0:30:16.520
<v Speaker 1>So I kept holding up this thing saying this is

0:30:16.560 --> 0:30:20.680
<v Speaker 1>the color, and everything then bounced off that like how

0:30:20.840 --> 0:30:24.800
<v Speaker 1>lit it the clothes? What does that mean? It's just

0:30:24.880 --> 0:30:30.040
<v Speaker 1>a concept, and so I'm very um those those kind

0:30:30.040 --> 0:30:33.240
<v Speaker 1>of things matter to me, and I'm always know before

0:30:33.280 --> 0:30:38.280
<v Speaker 1>I sell any show, I have learned, like there's so

0:30:38.400 --> 0:30:41.440
<v Speaker 1>much stuff that you kind of have to design the poster,

0:30:42.160 --> 0:30:44.840
<v Speaker 1>and you have to design the typography on the poster.

0:30:45.640 --> 0:30:47.680
<v Speaker 1>You kind of have to have a concept before you

0:30:47.720 --> 0:30:51.320
<v Speaker 1>make something, because that's you have to or else you're

0:30:51.320 --> 0:30:54.360
<v Speaker 1>gonna get lost. So all those things I spent a

0:30:54.360 --> 0:30:56.680
<v Speaker 1>lot of time on, but thank you for noticing that.

0:30:56.880 --> 0:30:59.160
<v Speaker 1>I mean, I never get to talk about these sort

0:30:59.200 --> 0:31:02.080
<v Speaker 1>of weird things, but it is the two am decisions,

0:31:02.800 --> 0:31:05.520
<v Speaker 1>you know. Yeah, I mean I think being on sort

0:31:05.520 --> 0:31:08.000
<v Speaker 1>of like the receiving end of some of those things

0:31:08.080 --> 0:31:10.520
<v Speaker 1>where anytime we'd go in with Lou who did the

0:31:10.560 --> 0:31:18.000
<v Speaker 1>costumes and an incredible team that everything was so specific

0:31:18.520 --> 0:31:21.200
<v Speaker 1>where she knew the rules, like if you set up

0:31:21.200 --> 0:31:23.440
<v Speaker 1>the rules of like this is she she got it,

0:31:23.520 --> 0:31:27.640
<v Speaker 1>she speaks the same language. Yeah. Yeah, it's about having her,

0:31:27.640 --> 0:31:30.640
<v Speaker 1>who's an expert completely just play within that with each

0:31:30.680 --> 0:31:32.680
<v Speaker 1>of us. Yeah, there's I think that, Like, I think

0:31:32.680 --> 0:31:35.520
<v Speaker 1>people want rules and boundaries, both his viewers and his

0:31:35.640 --> 0:31:38.080
<v Speaker 1>department hasn't even as actors like okay, well this is

0:31:38.120 --> 0:31:39.880
<v Speaker 1>the box that I get to be in. Great Like

0:31:39.920 --> 0:31:42.640
<v Speaker 1>there's there's a discipline to it, you know. And I

0:31:42.640 --> 0:31:44.239
<v Speaker 1>don't know how you guys felt, but I think as

0:31:44.280 --> 0:31:46.680
<v Speaker 1>soon as I saw you in those costumes, I was like, well,

0:31:46.720 --> 0:31:49.040
<v Speaker 1>there you go, there's your character. You knew what to do.

0:31:49.720 --> 0:31:52.680
<v Speaker 1>It influenced everything. Well, there wasn't and there wasn't a

0:31:52.680 --> 0:31:55.640
<v Speaker 1>lot about like Tina in the pilot, right, like even

0:31:55.720 --> 0:31:58.560
<v Speaker 1>in my audition, you were like, can you improval at all?

0:31:58.600 --> 0:32:00.680
<v Speaker 1>Can you just tell me who she? And I had

0:32:00.720 --> 0:32:02.880
<v Speaker 1>done work on the plane to l a of like

0:32:03.000 --> 0:32:04.920
<v Speaker 1>figuring out who she was. So I walked in and

0:32:05.040 --> 0:32:08.480
<v Speaker 1>thin a very specific um idea of who you know

0:32:08.520 --> 0:32:13.120
<v Speaker 1>and her intent. But like with the costumes, my first fitting,

0:32:13.320 --> 0:32:16.840
<v Speaker 1>I looked like Artie and I had mom jeans and

0:32:16.920 --> 0:32:20.400
<v Speaker 1>these very like right, I remember those pictures letters And

0:32:20.880 --> 0:32:24.000
<v Speaker 1>Luke called me and she said, so we're taking a turn,

0:32:24.120 --> 0:32:28.920
<v Speaker 1>I hope, and Ryan thinks you look too much like Artie.

0:32:28.960 --> 0:32:31.000
<v Speaker 1>Let's let's switch it up. And I come in and

0:32:31.000 --> 0:32:33.360
<v Speaker 1>I see all this chains and black and I was

0:32:33.520 --> 0:32:37.080
<v Speaker 1>vampire music. I mean I was game, but like walking

0:32:37.240 --> 0:32:40.440
<v Speaker 1>stepping into those outfits, I was like, oh, this is

0:32:40.800 --> 0:32:43.640
<v Speaker 1>this is who she is. This makes sense to me now.

0:32:43.720 --> 0:32:46.080
<v Speaker 1>And then my audition song changed right away, and like

0:32:46.320 --> 0:32:49.160
<v Speaker 1>everything just kind of like clicked, you know, and and

0:32:49.240 --> 0:32:52.120
<v Speaker 1>that you know it was it started with the costume,

0:32:52.760 --> 0:32:55.560
<v Speaker 1>you know, yeah, because we I just remember thinking Ian

0:32:55.640 --> 0:32:59.560
<v Speaker 1>was always obsessed with Tina's stutter and the pilot and

0:32:59.640 --> 0:33:02.080
<v Speaker 1>like idea, and I was like, what is that about?

0:33:02.320 --> 0:33:04.480
<v Speaker 1>Like is that even real? I mean could we even

0:33:04.520 --> 0:33:07.440
<v Speaker 1>do that today? Could you could we even have done

0:33:07.520 --> 0:33:09.680
<v Speaker 1>in that this day and age, could we have a character?

0:33:10.520 --> 0:33:13.920
<v Speaker 1>I don't know, I don't know, but it just became

0:33:14.000 --> 0:33:17.640
<v Speaker 1>sort of a like I always imagined her as someone

0:33:17.760 --> 0:33:22.280
<v Speaker 1>who was shy and yet also secretly tough and had

0:33:22.320 --> 0:33:25.080
<v Speaker 1>an armor, which is where that look came from. And

0:33:25.080 --> 0:33:28.480
<v Speaker 1>once Lou and I I remember saying like, also, I

0:33:28.520 --> 0:33:31.280
<v Speaker 1>think Jenna would look really good and a lot of purple,

0:33:32.120 --> 0:33:34.640
<v Speaker 1>and and that became a thing, and then like we

0:33:34.760 --> 0:33:37.960
<v Speaker 1>just built it and became ye yeah, and then you know,

0:33:38.040 --> 0:33:39.680
<v Speaker 1>you watch that pilot and you're like, well, these are

0:33:39.680 --> 0:33:41.960
<v Speaker 1>all funko dolls, like they just are like they're all

0:33:42.280 --> 0:33:46.120
<v Speaker 1>every one of you, everybody from Jane and with the

0:33:46.160 --> 0:33:51.080
<v Speaker 1>track suits, yeah who I mean, that was your idea

0:33:51.080 --> 0:33:53.000
<v Speaker 1>of the track se and that was was it the

0:33:53.040 --> 0:33:56.320
<v Speaker 1>plan to always have her in track suits always? Like

0:33:56.640 --> 0:33:58.640
<v Speaker 1>you know, some things were like you figure out when

0:33:58.640 --> 0:34:01.560
<v Speaker 1>you're building something, like all the inspiration doesn't come at once,

0:34:01.560 --> 0:34:03.800
<v Speaker 1>and sometimes you need to put something next to something

0:34:03.840 --> 0:34:07.200
<v Speaker 1>to make a decision. But I just remember thinking that

0:34:07.320 --> 0:34:11.680
<v Speaker 1>Sue Sylvester would never would always be ready to jog

0:34:12.200 --> 0:34:17.239
<v Speaker 1>and ready for like so um yeah, and I really

0:34:17.280 --> 0:34:20.680
<v Speaker 1>I and I remember talking to Jane and the making

0:34:20.680 --> 0:34:22.719
<v Speaker 1>of the pilot, and I'm like, I think this is

0:34:22.840 --> 0:34:25.799
<v Speaker 1>kind of the best role ever because you're always going

0:34:25.840 --> 0:34:28.279
<v Speaker 1>to be comfortable. You're always just going to be in

0:34:28.360 --> 0:34:30.319
<v Speaker 1>like a track cozy track suit. And she was like,

0:34:30.440 --> 0:34:36.920
<v Speaker 1>please layers of sweaters. I know you suffered butts. And

0:34:36.960 --> 0:34:39.200
<v Speaker 1>also you had a lot of like there was a

0:34:39.239 --> 0:34:42.880
<v Speaker 1>lot of b York and and and Tina, Like that

0:34:42.960 --> 0:34:47.040
<v Speaker 1>was another influence. Like that was a thing like we

0:34:47.080 --> 0:34:49.520
<v Speaker 1>couldn't find her. We were like, we want to do them.

0:34:49.840 --> 0:34:54.839
<v Speaker 1>I follow we can't find York, New York had fallen

0:34:54.880 --> 0:34:58.520
<v Speaker 1>off the face of the earth. Gladly we found her. Um, yeah,

0:34:58.600 --> 0:35:01.399
<v Speaker 1>I don't know. It's it's a toyous process. And also

0:35:01.480 --> 0:35:04.920
<v Speaker 1>it's really fun, you know when you guys were all

0:35:04.960 --> 0:35:08.520
<v Speaker 1>playing misfits. So the idea that I always had is

0:35:08.560 --> 0:35:10.600
<v Speaker 1>this is a group of people who were literally the

0:35:10.680 --> 0:35:13.720
<v Speaker 1>Island of Lost Toys. And when I was a child,

0:35:14.160 --> 0:35:17.920
<v Speaker 1>that Christmas musical that had the where the Island of

0:35:17.960 --> 0:35:21.759
<v Speaker 1>Lost Toys number, I was like, I should be on

0:35:21.760 --> 0:35:24.480
<v Speaker 1>that island, and I related, and I remember all of

0:35:24.520 --> 0:35:28.279
<v Speaker 1>their outfits were so singular in their looks, and I'm like,

0:35:28.880 --> 0:35:31.040
<v Speaker 1>I don't want to be something else, other like remember

0:35:31.080 --> 0:35:34.160
<v Speaker 1>the doll with the jelly thing, was that it was

0:35:34.200 --> 0:35:36.400
<v Speaker 1>all these weird things that I and I never wanted

0:35:36.440 --> 0:35:38.400
<v Speaker 1>them to change. I wanted them to keep their misfit

0:35:38.520 --> 0:35:40.600
<v Speaker 1>chet because I thought it was so great. Don't be

0:35:40.640 --> 0:35:43.839
<v Speaker 1>something else. But it's kind of fun how we are

0:35:43.880 --> 0:35:46.080
<v Speaker 1>able to do that in this business. Well, and also

0:35:46.160 --> 0:35:48.640
<v Speaker 1>the tidbit I'm sorry, Kevin, the weird thing talking about

0:35:48.680 --> 0:35:51.000
<v Speaker 1>this morning, Like that iconic scene in the pilot of

0:35:51.040 --> 0:35:53.399
<v Speaker 1>being you know, being a part of something special makes

0:35:53.400 --> 0:35:57.680
<v Speaker 1>you special. That was shot in a different costume for Rachel, right,

0:35:57.840 --> 0:36:00.719
<v Speaker 1>and you are like, he's not working, can't we can't

0:36:00.760 --> 0:36:04.800
<v Speaker 1>have it like that? No, because she looked like, um,

0:36:04.840 --> 0:36:08.120
<v Speaker 1>a flamingo dancer. Like it was just like this weird costume.

0:36:08.320 --> 0:36:10.279
<v Speaker 1>And then we looked at it like, okay, well this

0:36:10.320 --> 0:36:12.880
<v Speaker 1>is the most this is the thesis statement of the show.

0:36:13.160 --> 0:36:17.239
<v Speaker 1>And she's not relatable at all. It's like people, she

0:36:17.320 --> 0:36:25.880
<v Speaker 1>looks like Lola Flana, so we we we shot it.

0:36:26.000 --> 0:36:32.480
<v Speaker 1>And you know that was also things like that I I, um,

0:36:32.560 --> 0:36:35.879
<v Speaker 1>I didn't know, you know, I didn't have kids then.

0:36:36.040 --> 0:36:39.399
<v Speaker 1>So a lot of those, a lot of those that

0:36:39.440 --> 0:36:44.239
<v Speaker 1>moment came from Dana Walden and Jennifer Sulky seeing the

0:36:44.320 --> 0:36:49.360
<v Speaker 1>rushes and saying like no, and also like what I

0:36:49.360 --> 0:36:52.839
<v Speaker 1>had originally planned for Don't Stop Believing was completely out

0:36:52.960 --> 0:36:56.400
<v Speaker 1>to Mars, and it was. It was those two women

0:36:56.480 --> 0:37:00.720
<v Speaker 1>who said they should just be real people, simple girls

0:37:00.719 --> 0:37:04.080
<v Speaker 1>and boys who were wearing like clothes from the gap relatable.

0:37:04.160 --> 0:37:07.480
<v Speaker 1>That's their version of a uniform. And I was like, oh, yeah, right,

0:37:07.560 --> 0:37:11.719
<v Speaker 1>let's do that. So it was a very fluid process, um,

0:37:12.200 --> 0:37:15.239
<v Speaker 1>the making of that pilot and little things that we

0:37:15.280 --> 0:37:17.600
<v Speaker 1>would shoot and then throw away and then re shoot,

0:37:17.800 --> 0:37:20.000
<v Speaker 1>and sometimes I would sneak on the lot and do

0:37:20.040 --> 0:37:24.520
<v Speaker 1>them without permission, which I would pay for later. But um,

0:37:24.640 --> 0:37:27.560
<v Speaker 1>I just it was always a living, breathing organism until

0:37:27.960 --> 0:37:30.440
<v Speaker 1>it wasn't like I just kept working on it. I

0:37:30.520 --> 0:37:33.080
<v Speaker 1>was obsessed with that. Yeah, I mean even if something

0:37:33.160 --> 0:37:36.120
<v Speaker 1>is simple like you watch Don't Stop Now and it

0:37:36.160 --> 0:37:40.040
<v Speaker 1>seems so simple, like we rehearse that for weeks and

0:37:40.120 --> 0:37:42.319
<v Speaker 1>I filled in for Corey because Corey didn't have a

0:37:42.320 --> 0:37:44.960
<v Speaker 1>work Pieza yet. There were like five different versions of

0:37:45.040 --> 0:37:48.320
<v Speaker 1>that number that remember, you could like Ryan would come in,

0:37:48.400 --> 0:37:52.920
<v Speaker 1>you come in and be like I want something twilight

0:37:57.120 --> 0:38:00.279
<v Speaker 1>arms up, I want lots of arms up. Yeah, I

0:38:00.320 --> 0:38:02.960
<v Speaker 1>mean the thing. I did have a vision, but I

0:38:03.000 --> 0:38:05.799
<v Speaker 1>also didn't my vision was yes or no, So like

0:38:05.840 --> 0:38:08.120
<v Speaker 1>I remember you guys, I do remember. We worked on

0:38:08.160 --> 0:38:10.640
<v Speaker 1>it a lot, and I also knew you know. Also,

0:38:10.719 --> 0:38:13.759
<v Speaker 1>I will tell you no one wanted to do Don't

0:38:13.760 --> 0:38:18.600
<v Speaker 1>Stop Believing Brad in the studio. No one wanted to

0:38:18.640 --> 0:38:20.960
<v Speaker 1>do it because it had just been done on The Sopranos,

0:38:21.760 --> 0:38:24.680
<v Speaker 1>and I kept saying, I don't care. I just know

0:38:24.800 --> 0:38:27.120
<v Speaker 1>it's this song because it meant something to me as

0:38:27.160 --> 0:38:33.799
<v Speaker 1>a kid, and just the phrase don't stop believing um.

0:38:33.840 --> 0:38:36.120
<v Speaker 1>And also when I was working on it, more important

0:38:36.120 --> 0:38:41.000
<v Speaker 1>than the number was the look on Mr. Shoes face

0:38:41.200 --> 0:38:44.440
<v Speaker 1>watching it, remembering his own dreams. And I remember we

0:38:44.480 --> 0:38:48.319
<v Speaker 1>did one take and Matt just kind of started to

0:38:48.480 --> 0:38:50.880
<v Speaker 1>cry and then like that's it. That's what I wanted,

0:38:50.920 --> 0:38:52.680
<v Speaker 1>and he was like, no, no, that was a mistake.

0:38:53.239 --> 0:38:55.480
<v Speaker 1>I was like, no, that's what I wanted. Like that

0:38:55.600 --> 0:38:59.440
<v Speaker 1>idea of looking back at your life and thinking I

0:38:59.480 --> 0:39:02.520
<v Speaker 1>wish I had done something differently and move towards the

0:39:02.560 --> 0:39:06.040
<v Speaker 1>person that I was afraid to be. That's what that

0:39:06.120 --> 0:39:10.759
<v Speaker 1>song was for. Me. So in terms of seeing it,

0:39:10.760 --> 0:39:13.200
<v Speaker 1>it was you know that that Mike Nichols quote of

0:39:13.239 --> 0:39:15.319
<v Speaker 1>this is, you know the elephant dancing on the head

0:39:15.360 --> 0:39:18.440
<v Speaker 1>of a pin. That was what that number was. And

0:39:18.440 --> 0:39:20.600
<v Speaker 1>if it didn't if that number wasn't working and didn't

0:39:20.600 --> 0:39:23.680
<v Speaker 1>make you cry, I'll probably cry talking about it, like

0:39:23.760 --> 0:39:28.040
<v Speaker 1>it's not gonna work. So there was the big exuberant

0:39:28.080 --> 0:39:30.120
<v Speaker 1>don't stop believing, and then there was the middle of

0:39:30.120 --> 0:39:31.719
<v Speaker 1>the road one, and then there was the one where

0:39:31.719 --> 0:39:34.239
<v Speaker 1>I think it was like you know, movement shots where

0:39:34.239 --> 0:39:35.799
<v Speaker 1>it was like blue man, I don't know what you

0:39:35.840 --> 0:39:38.800
<v Speaker 1>were doing, and I just remember, we have to distill

0:39:38.960 --> 0:39:43.359
<v Speaker 1>this down to make it feel like relatable kids who

0:39:43.480 --> 0:39:45.879
<v Speaker 1>don't know what they're doing, but it's kind of good

0:39:47.040 --> 0:39:52.759
<v Speaker 1>and it's just like this, you know. I remember, I

0:39:52.800 --> 0:39:57.680
<v Speaker 1>remember the moments and shooting that number where something would

0:39:57.760 --> 0:40:01.600
<v Speaker 1>matter to me more than other things. I wasn't so

0:40:01.680 --> 0:40:04.960
<v Speaker 1>much interested in some of the steps as I was

0:40:04.960 --> 0:40:09.480
<v Speaker 1>was was interested in Jenna, like how you would fling

0:40:09.560 --> 0:40:12.480
<v Speaker 1>your hair around or Leah would like do that, or

0:40:12.560 --> 0:40:15.919
<v Speaker 1>like what that meant, like youth, the exuberant of being

0:40:16.040 --> 0:40:19.200
<v Speaker 1>free in a space. You're free on that stage, You're

0:40:19.239 --> 0:40:21.440
<v Speaker 1>not free in the hallway so you can fling your

0:40:21.440 --> 0:40:25.040
<v Speaker 1>body around. I remember being so moved by your hair

0:40:25.120 --> 0:40:29.279
<v Speaker 1>acting like things like that. That hit and then we

0:40:29.280 --> 0:40:32.360
<v Speaker 1>did an episode based by bursting into tears that the

0:40:32.400 --> 0:40:35.319
<v Speaker 1>youthfulness of hair being flung. But it was like, um,

0:40:36.160 --> 0:40:41.359
<v Speaker 1>it was just it was such a great um. We

0:40:41.400 --> 0:40:44.080
<v Speaker 1>worked really hard on it, and we we we were

0:40:44.120 --> 0:40:48.120
<v Speaker 1>given the time to rehearse and to work things out

0:40:48.640 --> 0:40:51.160
<v Speaker 1>and for me to say yes, no, not that, more

0:40:51.200 --> 0:40:54.960
<v Speaker 1>of that, do more of that? Um. I was obsessed

0:40:55.000 --> 0:40:59.720
<v Speaker 1>with the way Amber would pat her leg at the beginning,

0:41:00.080 --> 0:41:02.799
<v Speaker 1>like little moments that probably no one ever cared about.

0:41:02.880 --> 0:41:05.399
<v Speaker 1>These are the things that I obsessed over because for me,

0:41:05.520 --> 0:41:11.359
<v Speaker 1>they represented hope, youth, freedom, safety. I remember when I

0:41:11.400 --> 0:41:15.000
<v Speaker 1>was in drama club. It was the only place in

0:41:15.000 --> 0:41:17.399
<v Speaker 1>the world where I felt that I could be me

0:41:17.480 --> 0:41:19.799
<v Speaker 1>and not be judged. So I was looking for things

0:41:19.880 --> 0:41:23.239
<v Speaker 1>like that and and those were powerful moving things that

0:41:23.400 --> 0:41:26.320
<v Speaker 1>And I almost also have this rule in my career

0:41:26.480 --> 0:41:31.120
<v Speaker 1>where which I learned from Glee, which is the most

0:41:31.239 --> 0:41:35.040
<v Speaker 1>the more specific something is, the more universal it becomes.

0:41:35.880 --> 0:41:39.200
<v Speaker 1>So we're making like no one thought a show about

0:41:39.440 --> 0:41:41.759
<v Speaker 1>show choir would ever work. But the reason it did

0:41:41.840 --> 0:41:45.080
<v Speaker 1>is because everybody knows what it's like to be misunderstood,

0:41:45.200 --> 0:41:49.279
<v Speaker 1>unseen and bullied everybody, and that is the thing that

0:41:49.320 --> 0:41:54.200
<v Speaker 1>people glommed onto. And um, I've never forgot it. I've

0:41:54.239 --> 0:41:58.080
<v Speaker 1>never forgot the the the shooting of that episode and

0:41:58.120 --> 0:42:02.200
<v Speaker 1>the specificity. And I kept, you know, I don't know

0:42:02.239 --> 0:42:05.080
<v Speaker 1>how many takes we would do, sometimes fifteen and also

0:42:05.120 --> 0:42:07.279
<v Speaker 1>I will I will be honest, like it was so

0:42:08.160 --> 0:42:11.759
<v Speaker 1>sometimes you guys would be doing numbers. You have to

0:42:11.800 --> 0:42:16.759
<v Speaker 1>remember that we built that auditorium on stage right, and

0:42:16.880 --> 0:42:19.160
<v Speaker 1>we would be doing and I'll like, for example, when

0:42:19.160 --> 0:42:23.040
<v Speaker 1>we were doing them troubled Tones, mashup of the Adele songs,

0:42:23.920 --> 0:42:27.760
<v Speaker 1>Rumor has It? And what was the other song, Jenna?

0:42:27.840 --> 0:42:32.080
<v Speaker 1>What was that song? Someone like you? That was a

0:42:32.120 --> 0:42:35.800
<v Speaker 1>moment where you guys, we're just doing it and Adele

0:42:36.000 --> 0:42:40.160
<v Speaker 1>was you know Adele. And that was a day where

0:42:40.280 --> 0:42:41.879
<v Speaker 1>I think I said, we're going to shoot the whole

0:42:41.960 --> 0:42:45.480
<v Speaker 1>day this number, that's what doll we're doing, and everyone

0:42:45.600 --> 0:42:48.880
<v Speaker 1>on the lot, from all of these different departments at Fox,

0:42:49.400 --> 0:42:52.000
<v Speaker 1>we just came and we sat in the audience and

0:42:52.040 --> 0:42:54.319
<v Speaker 1>it was so magical that I think you guys maybe

0:42:54.360 --> 0:42:56.520
<v Speaker 1>had to run it like fifteen times before we kick

0:42:56.600 --> 0:43:00.520
<v Speaker 1>people out. People would you got standing ovations in the rehearsal.

0:43:00.560 --> 0:43:03.719
<v Speaker 1>I remember like it was just moving to see young

0:43:03.800 --> 0:43:08.520
<v Speaker 1>people performing at that level and being able to be creative,

0:43:08.560 --> 0:43:11.240
<v Speaker 1>and the lighting and it was just kind of nutty

0:43:11.320 --> 0:43:13.919
<v Speaker 1>and magical. But that's what I remember, the joy of

0:43:14.120 --> 0:43:18.400
<v Speaker 1>seeing you guys kill it. And also like when we

0:43:18.480 --> 0:43:21.440
<v Speaker 1>did wheels that episode in the first season, that number

0:43:21.480 --> 0:43:24.960
<v Speaker 1>all of you in the wheelchairs. Again, probably not something

0:43:25.080 --> 0:43:30.400
<v Speaker 1>we could do today, but I remember enjoyed shooting that. Yeah,

0:43:30.440 --> 0:43:34.000
<v Speaker 1>and I remember Paris and I sitting in that director

0:43:34.719 --> 0:43:38.680
<v Speaker 1>sitting in the auditorium just marveling, like I can't believe,

0:43:38.880 --> 0:43:42.759
<v Speaker 1>like that these kids get to sing this song and

0:43:43.120 --> 0:43:48.240
<v Speaker 1>talk about um, yeah, you know, disabilities in this way,

0:43:48.320 --> 0:43:50.840
<v Speaker 1>and it sometimes you just felt like you were outside

0:43:50.840 --> 0:43:52.760
<v Speaker 1>watching it, like you couldn't believe what we were getting

0:43:52.760 --> 0:43:55.120
<v Speaker 1>away with and like, okay, but I knew when we

0:43:55.120 --> 0:43:57.680
<v Speaker 1>were doing it the reaction that the audience would feel

0:43:57.680 --> 0:44:02.960
<v Speaker 1>that way, and they did, maybe not Tom style, but

0:44:03.160 --> 0:44:05.319
<v Speaker 1>I think we felt that within it too though even

0:44:05.360 --> 0:44:09.399
<v Speaker 1>telling it, especially those first third team where like you said,

0:44:09.440 --> 0:44:12.440
<v Speaker 1>we had the time and had the care like even

0:44:12.480 --> 0:44:15.919
<v Speaker 1>when we go into the recording studio later on, we'd

0:44:15.960 --> 0:44:18.400
<v Speaker 1>have to record a song basically in thirty minutes, but

0:44:18.520 --> 0:44:21.840
<v Speaker 1>we had half a day to figure out with Adam

0:44:21.880 --> 0:44:25.520
<v Speaker 1>Ander's like what are the three parts gonna sound like?

0:44:25.640 --> 0:44:28.279
<v Speaker 1>And b Mary we didn't know because our voices are

0:44:28.320 --> 0:44:30.080
<v Speaker 1>so different. We were still figuring all that out, and

0:44:30.120 --> 0:44:34.480
<v Speaker 1>there was so much excitement from every department to figure

0:44:34.480 --> 0:44:37.920
<v Speaker 1>it out and make it all work together, and having

0:44:38.520 --> 0:44:40.640
<v Speaker 1>you know, people who were designing the sets come out

0:44:40.680 --> 0:44:43.360
<v Speaker 1>and finally see like what it looked like as everyone's performing,

0:44:43.360 --> 0:44:46.279
<v Speaker 1>as Andrew Mitchell was shooting it, you know, with these

0:44:46.320 --> 0:44:50.400
<v Speaker 1>beautiful steadicam shots and seeing the joy it brought so

0:44:50.440 --> 0:44:53.080
<v Speaker 1>many different people for so many different reasons, and it

0:44:54.040 --> 0:44:57.080
<v Speaker 1>just magically working over and over again, Like I remember

0:44:57.200 --> 0:45:00.000
<v Speaker 1>Don't Stop, which was maybe this one of the simplest

0:45:00.040 --> 0:45:02.160
<v Speaker 1>umbers we've ever done. We should I think we shot

0:45:02.200 --> 0:45:04.759
<v Speaker 1>it for day and a half. Yes, we get like

0:45:04.840 --> 0:45:07.120
<v Speaker 1>seventies something takes and you watch it like, well, this

0:45:07.160 --> 0:45:09.200
<v Speaker 1>is very simple, but had you not taken the care

0:45:11.280 --> 0:45:13.600
<v Speaker 1>big musical number we had done like that, and also

0:45:13.719 --> 0:45:17.560
<v Speaker 1>like directing a musical, do you know how hard it

0:45:17.680 --> 0:45:20.600
<v Speaker 1>is to get a light flare to go off at

0:45:20.600 --> 0:45:24.200
<v Speaker 1>the exact moment Lia Michelle puts her head. It was hard,

0:45:24.360 --> 0:45:27.520
<v Speaker 1>like we've never done anything like that, so we had

0:45:27.560 --> 0:45:30.399
<v Speaker 1>the space to be like and I just kept saying,

0:45:30.440 --> 0:45:32.359
<v Speaker 1>that's not it, that's not it, that's not it, that's it.

0:45:32.520 --> 0:45:35.799
<v Speaker 1>And then when that took a while, but I just

0:45:36.239 --> 0:45:40.240
<v Speaker 1>it was it was like, Um. One of my favorite

0:45:40.280 --> 0:45:45.000
<v Speaker 1>moments in the show was when we were doing the

0:45:45.120 --> 0:45:49.160
<v Speaker 1>Vitamin D number. And you know, the story of the

0:45:49.239 --> 0:45:51.960
<v Speaker 1>Vitamin D number was because at that point, you know,

0:45:52.000 --> 0:45:53.520
<v Speaker 1>we were in the middle of shooting in and I

0:45:53.560 --> 0:45:56.799
<v Speaker 1>was so tired, and um, we noticed that whenever I

0:45:56.800 --> 0:45:59.319
<v Speaker 1>took a claret and d from my allergy, suddenly we

0:45:59.360 --> 0:46:04.400
<v Speaker 1>had the energy to continue one with the screenwriting. But

0:46:04.480 --> 0:46:08.800
<v Speaker 1>I remember, I remember the day that we were doing

0:46:09.040 --> 0:46:11.640
<v Speaker 1>I didn't like the boys part of it. I'm sorry, Kevin,

0:46:11.800 --> 0:46:15.759
<v Speaker 1>but I was obsessed with the Halo walking on Sunshine

0:46:15.920 --> 0:46:19.000
<v Speaker 1>part of it. I remember thinking, like, how are these

0:46:19.040 --> 0:46:23.560
<v Speaker 1>girls going to do this number because I had not

0:46:23.640 --> 0:46:27.920
<v Speaker 1>seen the rehearsal, and just how insane you guys were

0:46:27.920 --> 0:46:29.759
<v Speaker 1>and how much fun you had. That was another day

0:46:29.800 --> 0:46:31.640
<v Speaker 1>where we just sat there and laughed and watched it

0:46:31.680 --> 0:46:35.120
<v Speaker 1>all day, and there were so many times where even

0:46:35.120 --> 0:46:36.600
<v Speaker 1>if we were in the scenes, we would all just

0:46:36.640 --> 0:46:40.399
<v Speaker 1>go watch each other's numbers so impressed. There were days

0:46:40.400 --> 0:46:42.640
<v Speaker 1>where you guys would not be filming and you would

0:46:42.680 --> 0:46:46.840
<v Speaker 1>come in to watch other cast members perform, just to

0:46:46.880 --> 0:46:48.840
<v Speaker 1>sit there and say like, well, what are they gonna do?

0:46:48.840 --> 0:46:50.959
<v Speaker 1>You know how often I'd sit in that choir room

0:46:51.120 --> 0:46:54.239
<v Speaker 1>and be like, I'm getting paid to sit here and

0:46:54.280 --> 0:46:57.400
<v Speaker 1>watch these people get up here and perform their asses

0:46:57.400 --> 0:47:03.319
<v Speaker 1>off real and respond to it. Yeah, you know. I

0:47:03.360 --> 0:47:05.200
<v Speaker 1>was like, you guys are so talented, and like you

0:47:05.200 --> 0:47:08.200
<v Speaker 1>would have ideas that would push us, Like you would

0:47:08.239 --> 0:47:11.200
<v Speaker 1>have me doing songs I never would have picked for

0:47:11.239 --> 0:47:14.200
<v Speaker 1>myself or given. Amber never used to like do the

0:47:14.960 --> 0:47:17.799
<v Speaker 1>like yellow singing sort of like that. She's like, I've

0:47:17.800 --> 0:47:20.880
<v Speaker 1>never done that before, and now can you imagine hearing

0:47:21.040 --> 0:47:24.880
<v Speaker 1>her not do that? Where we were all pushed to

0:47:25.200 --> 0:47:28.200
<v Speaker 1>challenge ourselves, and then I think you also saw that

0:47:28.280 --> 0:47:31.040
<v Speaker 1>and then started to sort of implement some of those

0:47:31.120 --> 0:47:34.560
<v Speaker 1>changes into the characters, like from our real lives, and

0:47:34.600 --> 0:47:38.200
<v Speaker 1>I felt sometimes it was great. Sometimes we're like this

0:47:38.239 --> 0:47:44.319
<v Speaker 1>seems familiar, but it was. It all came from us

0:47:44.320 --> 0:47:47.480
<v Speaker 1>being able to just push ourselves and that Yeah, that's

0:47:47.560 --> 0:47:51.839
<v Speaker 1>first thirteen, even into year one and two. Like I

0:47:51.880 --> 0:47:57.160
<v Speaker 1>remember that I would never ever do anything on Friday

0:47:57.239 --> 0:48:00.000
<v Speaker 1>nights because most of the time we would be shooting

0:48:00.080 --> 0:48:04.080
<v Speaker 1>in that choir room until four in the morning Friday night,

0:48:04.880 --> 0:48:08.520
<v Speaker 1>and it was you know, we would all sit around

0:48:08.560 --> 0:48:12.960
<v Speaker 1>in a huddle in our crappy director's chairs and that

0:48:13.040 --> 0:48:15.239
<v Speaker 1>have given me years of back problems, and we would

0:48:15.280 --> 0:48:17.359
<v Speaker 1>just like shoot the ship and talk and like make

0:48:17.440 --> 0:48:21.200
<v Speaker 1>jokes and um and a lot of the things that

0:48:21.239 --> 0:48:25.480
<v Speaker 1>we would write would come from those moments of like,

0:48:25.560 --> 0:48:28.800
<v Speaker 1>wait a minute, why are Naya and um Amber singing

0:48:28.840 --> 0:48:30.520
<v Speaker 1>the boy's mind? Well, we got to put that into

0:48:30.520 --> 0:48:36.600
<v Speaker 1>an episode. Like it was like Heather, the whole character was, Yeah,

0:48:36.800 --> 0:48:40.759
<v Speaker 1>the dolphins have yet like moments just hanging out and

0:48:41.640 --> 0:48:48.920
<v Speaker 1>they were Hi, It's Bethany Frankel. My time on the

0:48:48.920 --> 0:48:51.400
<v Speaker 1>Wheelhousewives of New York is a few years behind me,

0:48:51.560 --> 0:48:53.719
<v Speaker 1>and now I'm ready to put the wheel back into

0:48:53.800 --> 0:48:57.560
<v Speaker 1>the Wheelhousewives. That's where my new podcast, We Wives comes in.

0:48:57.880 --> 0:49:01.319
<v Speaker 1>Isn't your typical rewatch podcast. I'm watching only the most

0:49:01.480 --> 0:49:04.919
<v Speaker 1>iconic episodes from all cities. I'm sharing never before heard

0:49:04.960 --> 0:49:07.839
<v Speaker 1>stories of what happened behind the scenes. And I'm not

0:49:08.160 --> 0:49:11.520
<v Speaker 1>just pulling in cast members for postgame analysis. I'm doing

0:49:11.520 --> 0:49:13.880
<v Speaker 1>something a little more interesting. If you've ever seen an

0:49:13.880 --> 0:49:16.160
<v Speaker 1>episode of The wheelhouse Wives, you know the drill, But

0:49:16.200 --> 0:49:21.240
<v Speaker 1>beyond throwing drinks and legs, there are lessons about marriage, divorce, friendship, money, parenting,

0:49:21.440 --> 0:49:24.160
<v Speaker 1>and fame if you have the right minds, analyze and

0:49:24.200 --> 0:49:27.799
<v Speaker 1>dig deeper. So I'm bringing on unexpected thought leaders and

0:49:27.800 --> 0:49:30.480
<v Speaker 1>celebrities to get their take on the chaos this season.

0:49:30.520 --> 0:49:33.479
<v Speaker 1>I sit down with Elizabeth Moss, Kevin Neal and Zusie Orman,

0:49:33.560 --> 0:49:36.120
<v Speaker 1>Griffin Johnson and more. You think that there isn't much

0:49:36.160 --> 0:49:39.080
<v Speaker 1>to learn from flipping tables and yanking wigs, but that's

0:49:39.080 --> 0:49:42.520
<v Speaker 1>where you're wrong. Listen to Rewives with Bethany Frankel on

0:49:42.680 --> 0:49:45.640
<v Speaker 1>the I Heart Radio app, Apple Podcasts or wherever you

0:49:45.640 --> 0:49:56.160
<v Speaker 1>get your favorite podcasts. Ryan, Like, this show has had

0:49:56.200 --> 0:49:59.920
<v Speaker 1>so much impact on like everybody right around the world.

0:50:00.200 --> 0:50:02.400
<v Speaker 1>But you know, we talked about us in the bubble

0:50:02.680 --> 0:50:07.439
<v Speaker 1>and you, um, like, there's so much media out there

0:50:09.040 --> 0:50:13.120
<v Speaker 1>they raises us, brings us down, but like, what what

0:50:13.200 --> 0:50:16.880
<v Speaker 1>do you want this show to leave? And and how

0:50:16.960 --> 0:50:19.160
<v Speaker 1>do you want it to imprint on people, on you,

0:50:19.320 --> 0:50:21.279
<v Speaker 1>on us, Like, what is it that you want this

0:50:21.280 --> 0:50:32.200
<v Speaker 1>show's legacy to be? You know, I for me personally

0:50:32.320 --> 0:50:36.800
<v Speaker 1>right it. I said this at the Coreries memorial service,

0:50:36.840 --> 0:50:39.840
<v Speaker 1>where I said, you know, Glee was the best of

0:50:39.880 --> 0:50:41.640
<v Speaker 1>times and it was the worst of times in all

0:50:41.680 --> 0:50:44.040
<v Speaker 1>of our lives. I think that's true because of the tragedies,

0:50:44.080 --> 0:50:46.960
<v Speaker 1>because of things. But also the thing that I have

0:50:47.120 --> 0:50:50.960
<v Speaker 1>learned the older I get is lean into the best

0:50:50.960 --> 0:50:54.080
<v Speaker 1>of times. And I look at that show and what

0:50:54.160 --> 0:51:00.400
<v Speaker 1>it did, and um, how we don't we don't read remember,

0:51:00.719 --> 0:51:04.680
<v Speaker 1>but I'd remember because I forced myself sometimes to go

0:51:04.760 --> 0:51:08.239
<v Speaker 1>back that first season when Glee came on. I think

0:51:08.600 --> 0:51:13.440
<v Speaker 1>attendance and show choirs left something in this country. There

0:51:13.520 --> 0:51:15.640
<v Speaker 1>was some article I remember cutting it out and showing

0:51:15.680 --> 0:51:19.320
<v Speaker 1>it to you, back when there was newspapers. I remember

0:51:19.360 --> 0:51:24.120
<v Speaker 1>things like that, the legacy of m a love for music,

0:51:24.320 --> 0:51:31.239
<v Speaker 1>a legacy of looking at social issues. UM like UM,

0:51:31.360 --> 0:51:34.360
<v Speaker 1>so many episodes that we did that were very heavy

0:51:34.400 --> 0:51:38.120
<v Speaker 1>and we're really about something that young kids. I think

0:51:38.120 --> 0:51:42.840
<v Speaker 1>that the legacy of UM examining you know, high school

0:51:42.840 --> 0:51:45.200
<v Speaker 1>bullying was was a big thing coming out was a

0:51:45.239 --> 0:51:47.839
<v Speaker 1>big thing. Drug addiction was a big thing. There were

0:51:47.880 --> 0:51:52.000
<v Speaker 1>just so many things that we covered to me that

0:51:52.080 --> 0:51:57.120
<v Speaker 1>were important. But the legacy that I want to last,

0:51:57.160 --> 0:52:01.320
<v Speaker 1>which I think is lasting, is the show celebrates music

0:52:01.400 --> 0:52:04.040
<v Speaker 1>of all kinds and it is a love letter to

0:52:04.120 --> 0:52:09.200
<v Speaker 1>musical artists and to um misfits in high school who

0:52:09.280 --> 0:52:13.040
<v Speaker 1>can express what they're feeling from song. And that was

0:52:13.080 --> 0:52:15.120
<v Speaker 1>the conceit that you would just be walking down the

0:52:15.160 --> 0:52:17.120
<v Speaker 1>hallway and you'd burst into song. But that's kind of

0:52:17.120 --> 0:52:20.759
<v Speaker 1>what life is always felt to me, Like, I just

0:52:20.880 --> 0:52:25.400
<v Speaker 1>care now about you know, young kids watching the show

0:52:25.800 --> 0:52:31.360
<v Speaker 1>who can feel the thing I'm embarrassed about myself is

0:52:31.360 --> 0:52:33.560
<v Speaker 1>the very thing I should be celebrating. That to me

0:52:33.640 --> 0:52:36.120
<v Speaker 1>is what the show was about and will always be about.

0:52:37.320 --> 0:52:39.960
<v Speaker 1>And I'm at the phase now with that show, you know,

0:52:40.160 --> 0:52:44.280
<v Speaker 1>where it's like, well, there's been enough time, Like maybe

0:52:44.280 --> 0:52:48.239
<v Speaker 1>we should really re examine it as a brand, you know,

0:52:48.560 --> 0:52:54.200
<v Speaker 1>should we do um a reboot of it in some way?

0:52:54.360 --> 0:52:57.200
<v Speaker 1>Should we do a Broadway musical of it? In some way?

0:52:57.719 --> 0:53:00.359
<v Speaker 1>Like it's sort of like an interesting legacy see that

0:53:00.440 --> 0:53:03.520
<v Speaker 1>I'm interested in doing in a positive way. After sort

0:53:03.520 --> 0:53:06.080
<v Speaker 1>of pausing for a while, but I don't know. I

0:53:06.160 --> 0:53:10.279
<v Speaker 1>just love what it says and what it did, and

0:53:10.320 --> 0:53:13.800
<v Speaker 1>there will never be in my life another Glee anything

0:53:13.880 --> 0:53:18.640
<v Speaker 1>close to it in terms of me feeling so close

0:53:18.719 --> 0:53:21.040
<v Speaker 1>to it and the feeling that I really did have

0:53:21.160 --> 0:53:25.040
<v Speaker 1>when I made it, which was just pure love and

0:53:25.719 --> 0:53:28.920
<v Speaker 1>feeling that I, as a misunderstood, unloved kid, had a

0:53:29.000 --> 0:53:33.120
<v Speaker 1>moment where maybe I was understood. That's what it means

0:53:33.160 --> 0:53:36.160
<v Speaker 1>to me. It was it's very much that show about

0:53:36.320 --> 0:53:38.359
<v Speaker 1>how I felt as a kid and how I wish

0:53:38.440 --> 0:53:43.719
<v Speaker 1>I had a friend like that show, Like if that

0:53:43.719 --> 0:53:45.439
<v Speaker 1>show had aired when I was a kid, it would

0:53:45.440 --> 0:53:48.320
<v Speaker 1>have been my friend. And I find that really moving,

0:53:48.480 --> 0:53:50.719
<v Speaker 1>and I find it so important that so many young

0:53:50.840 --> 0:53:54.200
<v Speaker 1>kids do see that show as that, And that's what

0:53:54.320 --> 0:53:56.319
<v Speaker 1>I love about it, and that's what I'll always love

0:53:56.320 --> 0:53:57.680
<v Speaker 1>about it. And well, that's what I think we all

0:53:57.719 --> 0:54:01.680
<v Speaker 1>tried to do with it. Are we all crying now?

0:54:01.880 --> 0:54:07.760
<v Speaker 1>I see tears. I mean, that's that's how it feels

0:54:07.800 --> 0:54:10.440
<v Speaker 1>for me. And I think I don't speak for Dinner,

0:54:10.600 --> 0:54:15.080
<v Speaker 1>but it was it brought us all together, it made us.

0:54:15.280 --> 0:54:19.319
<v Speaker 1>It was you know, meta in that way where yeah,

0:54:19.360 --> 0:54:23.400
<v Speaker 1>we were playing characters, but we were those kids, and

0:54:23.440 --> 0:54:26.560
<v Speaker 1>we did get brought together and did get to have

0:54:26.640 --> 0:54:30.200
<v Speaker 1>this incredible, wild experience where we felt appreciated and that

0:54:30.239 --> 0:54:35.759
<v Speaker 1>we belonged, and how around the world people got to

0:54:35.760 --> 0:54:38.279
<v Speaker 1>connect with that, connect with us, connect with you. And

0:54:39.520 --> 0:54:42.719
<v Speaker 1>it's incredible that anything can last that long and still

0:54:42.760 --> 0:54:46.040
<v Speaker 1>have that that much meaning. And so it's incredible to

0:54:47.000 --> 0:54:49.279
<v Speaker 1>be a part of something that has and still does

0:54:49.360 --> 0:54:53.239
<v Speaker 1>mean that much to people. Yeah, it's sweet, it's it's

0:54:53.320 --> 0:54:56.560
<v Speaker 1>um I look at it in just such a different light,

0:54:56.640 --> 0:54:59.440
<v Speaker 1>like it's the thing that never should have worked, that worked,

0:54:59.560 --> 0:55:01.479
<v Speaker 1>and it work just because of the group of people

0:55:01.560 --> 0:55:04.040
<v Speaker 1>who made it and how much we all believed in

0:55:04.080 --> 0:55:07.759
<v Speaker 1>it and we just we had no idea and like,

0:55:07.840 --> 0:55:12.239
<v Speaker 1>I've never had that feeling again of let's roll up

0:55:12.320 --> 0:55:14.640
<v Speaker 1>art literally like that. That's the reason why you go

0:55:14.680 --> 0:55:16.880
<v Speaker 1>into show business. First of all, you do. Anybody in

0:55:16.920 --> 0:55:19.279
<v Speaker 1>show businesses in show business because you are in love.

0:55:19.400 --> 0:55:21.920
<v Speaker 1>That's just the truth. And you go into that to

0:55:21.920 --> 0:55:24.920
<v Speaker 1>try and get this universal feeling of acceptance and love

0:55:24.960 --> 0:55:29.719
<v Speaker 1>and that you're missing, which show business and success gives you. Right,

0:55:29.800 --> 0:55:33.920
<v Speaker 1>That's what I've learned from my decades of therapy. But um,

0:55:33.960 --> 0:55:39.080
<v Speaker 1>I just feel like it was such a wonderful time,

0:55:39.080 --> 0:55:41.200
<v Speaker 1>and I'm glad that we get to, you know, have

0:55:41.280 --> 0:55:44.879
<v Speaker 1>conversations like this where we're we're able to look back

0:55:44.920 --> 0:55:47.520
<v Speaker 1>in it in a fond way, like we're not in

0:55:47.560 --> 0:55:49.960
<v Speaker 1>the pressure cooker of making it, and when you're in

0:55:50.000 --> 0:55:55.960
<v Speaker 1>the pressure cooker, it's hard. But now we're like, um

0:55:56.000 --> 0:55:58.040
<v Speaker 1>old enough and we have an a distance that I

0:55:58.080 --> 0:56:00.600
<v Speaker 1>hope everybody who did it could see that it really

0:56:00.640 --> 0:56:04.000
<v Speaker 1>was made with pure love and great intent. But I'm

0:56:04.040 --> 0:56:06.719
<v Speaker 1>just curious to you guys, have any because I'll never

0:56:06.760 --> 0:56:09.760
<v Speaker 1>talk about this again. Do you have any undying questions

0:56:09.760 --> 0:56:11.759
<v Speaker 1>you've always wanted to ask me about the show? Because

0:56:11.800 --> 0:56:13.800
<v Speaker 1>I feel like there has to be something we didn't

0:56:13.800 --> 0:56:17.960
<v Speaker 1>talk about or have we talked about everything? Um, I

0:56:18.040 --> 0:56:20.440
<v Speaker 1>have something dark I was going to ask about, like

0:56:20.480 --> 0:56:22.120
<v Speaker 1>we were to do it, we were talking about now

0:56:22.120 --> 0:56:23.800
<v Speaker 1>we're talking about Corey, and we were talking about but

0:56:23.840 --> 0:56:25.440
<v Speaker 1>I don't think we ever got to talk about like

0:56:26.200 --> 0:56:30.239
<v Speaker 1>the decision and the conflict of like actually making the

0:56:30.320 --> 0:56:36.440
<v Speaker 1>quarterback right, Like we obviously were very we were contracted

0:56:36.480 --> 0:56:38.160
<v Speaker 1>and we were going to make it whether we wanted

0:56:38.200 --> 0:56:40.440
<v Speaker 1>to or not, right, Like we were a part of that.

0:56:40.600 --> 0:56:42.360
<v Speaker 1>But we were given the option to not do it,

0:56:42.400 --> 0:56:46.360
<v Speaker 1>but yeah, I think I remember Ryan or somebody saying like,

0:56:46.400 --> 0:56:48.680
<v Speaker 1>you don't have to do this, but it felt like

0:56:49.760 --> 0:56:51.279
<v Speaker 1>I feel like everyone's gonna do it. I don't want

0:56:51.280 --> 0:56:53.400
<v Speaker 1>to be the one person who's not right. And then

0:56:53.440 --> 0:56:54.799
<v Speaker 1>I think a part of it was like we did

0:56:54.800 --> 0:56:58.759
<v Speaker 1>it for Cory in some way, um, in hopes that

0:56:58.800 --> 0:57:01.640
<v Speaker 1>we would get some sort of closure within in some

0:57:02.000 --> 0:57:05.359
<v Speaker 1>weird way. So I'm just curious, like we never really

0:57:05.400 --> 0:57:08.160
<v Speaker 1>got to hear about your guys side of that decision

0:57:08.200 --> 0:57:12.560
<v Speaker 1>to like actually doing yeah, and make that decision, like

0:57:12.640 --> 0:57:17.400
<v Speaker 1>how Finn was going to exit the show. That's a

0:57:17.440 --> 0:57:20.960
<v Speaker 1>really good question because I've thought a lot about that recently,

0:57:21.040 --> 0:57:24.120
<v Speaker 1>and I would not have done that show now. I

0:57:24.200 --> 0:57:26.640
<v Speaker 1>just would not have done it. I would never have.

0:57:26.480 --> 0:57:30.000
<v Speaker 1>I felt like it was way too raw and way

0:57:30.040 --> 0:57:35.080
<v Speaker 1>too soon. And but this is what happened. So Corey died,

0:57:37.320 --> 0:57:41.000
<v Speaker 1>and the months leading up to that were very fraught

0:57:41.000 --> 0:57:45.800
<v Speaker 1>and emotional and difficult to love someone. And and I

0:57:45.840 --> 0:57:50.680
<v Speaker 1>had no idea that he had a drug problem. Um,

0:57:50.720 --> 0:57:56.760
<v Speaker 1>I was naive. I didn't no, Um, I don't. Yeah,

0:57:56.840 --> 0:58:01.000
<v Speaker 1>And then you know I was the person who had

0:58:01.040 --> 0:58:04.360
<v Speaker 1>to lead the intervention, not knowing what to do or

0:58:04.400 --> 0:58:07.880
<v Speaker 1>what to say, Like I was just like desperate for

0:58:07.960 --> 0:58:12.600
<v Speaker 1>him to live, you know, and it was again I

0:58:12.680 --> 0:58:18.560
<v Speaker 1>had no training for that. So when he passed, you know,

0:58:18.920 --> 0:58:26.560
<v Speaker 1>there was a decision that we had to make about, um,

0:58:26.600 --> 0:58:29.040
<v Speaker 1>do we cancel the show or do we go on?

0:58:29.320 --> 0:58:32.800
<v Speaker 1>And it was a difficult decision. And I had a

0:58:32.840 --> 0:58:37.080
<v Speaker 1>conversation with Leah about it because she was dating Corey

0:58:37.280 --> 0:58:43.160
<v Speaker 1>and was very you know, involved in in the thing,

0:58:43.200 --> 0:58:44.840
<v Speaker 1>and it was like, well, what do you want to do?

0:58:45.040 --> 0:58:47.800
<v Speaker 1>And it was it was it was a big corporate decision.

0:58:47.880 --> 0:58:50.280
<v Speaker 1>And there was a decision after a couple of of

0:58:50.320 --> 0:58:54.960
<v Speaker 1>weeks of well, there's a crew here that's been with

0:58:55.040 --> 0:58:57.640
<v Speaker 1>us from day one, there are many jobs on the

0:58:57.680 --> 0:59:03.960
<v Speaker 1>line the show. The show was still doing well, Um,

0:59:04.120 --> 0:59:06.400
<v Speaker 1>do you keep it going or do you cancel it?

0:59:06.600 --> 0:59:11.840
<v Speaker 1>Of course there's no right answer, um, And I didn't

0:59:11.920 --> 0:59:13.680
<v Speaker 1>really know what to do, so I just sort of

0:59:16.520 --> 0:59:20.680
<v Speaker 1>I remember, after many conversations from a lot of people

0:59:20.720 --> 0:59:23.439
<v Speaker 1>weighing in, we made the decision to well, let's keep

0:59:23.440 --> 0:59:25.640
<v Speaker 1>it going. And if you're going to keep it going

0:59:25.720 --> 0:59:28.040
<v Speaker 1>and keep these jobs going, how do you address what

0:59:28.120 --> 0:59:32.280
<v Speaker 1>happened because the male lead of the show, you know, died,

0:59:32.600 --> 0:59:36.440
<v Speaker 1>So what do you do? Do you just pretend it

0:59:36.480 --> 0:59:39.880
<v Speaker 1>didn't happen. You can't do that. Did he die off camera?

0:59:40.200 --> 0:59:44.760
<v Speaker 1>That didn't feel right to me? Um, And I just

0:59:44.800 --> 0:59:47.400
<v Speaker 1>think that with a lot of conversations, we decided to

0:59:47.480 --> 0:59:53.760
<v Speaker 1>pay tribute to him. Yeah, And it was something that

0:59:53.880 --> 0:59:56.800
<v Speaker 1>I remember even then thinking, Okay, well, if we're gonna

0:59:56.800 --> 0:59:58.720
<v Speaker 1>do this, people are going to have a lot of feelings.

0:59:58.720 --> 1:00:01.480
<v Speaker 1>And I don't even remember. I was in such a

1:00:01.520 --> 1:00:05.160
<v Speaker 1>blur of grief, to be honest, and so devastated by

1:00:05.240 --> 1:00:13.160
<v Speaker 1>his death that you know, I don't know if I

1:00:13.280 --> 1:00:15.880
<v Speaker 1>told you guys the story, but you know I helped

1:00:15.960 --> 1:00:19.960
<v Speaker 1>him in his intervention and he seemed to have gotten

1:00:20.000 --> 1:00:22.880
<v Speaker 1>through it in a good way. And then I went

1:00:22.880 --> 1:00:24.720
<v Speaker 1>off to make The Normal Heart and I was always

1:00:24.760 --> 1:00:27.840
<v Speaker 1>talking to him every day, and he came to the

1:00:27.880 --> 1:00:30.280
<v Speaker 1>set of The Normal Heart to be with me, and

1:00:30.320 --> 1:00:34.440
<v Speaker 1>he was like my child, and I remember thinking like,

1:00:34.520 --> 1:00:36.480
<v Speaker 1>oh my god, thank god he made it, thank God

1:00:36.520 --> 1:00:39.800
<v Speaker 1>he's gonna be okay. He came to Fire Island and

1:00:39.880 --> 1:00:43.200
<v Speaker 1>he spent time with me, and I remember thinking like,

1:00:43.280 --> 1:00:45.480
<v Speaker 1>against all odds, he's going to be okay, and then

1:00:45.520 --> 1:00:48.760
<v Speaker 1>two days later, three days later, he died, so it

1:00:48.840 --> 1:00:54.440
<v Speaker 1>was very unexpected and um, anyway, so we decided to

1:00:54.480 --> 1:00:56.560
<v Speaker 1>do the tribute episode, and I remember that the one

1:00:56.600 --> 1:00:58.320
<v Speaker 1>thing that I asked for was that there was a

1:00:58.360 --> 1:01:02.240
<v Speaker 1>grief counselor on set who at any moment could you know?

1:01:02.720 --> 1:01:05.280
<v Speaker 1>People weren't really doing that back then to my knowledge.

1:01:06.760 --> 1:01:10.960
<v Speaker 1>But I also remember that not one single person talked

1:01:10.960 --> 1:01:15.760
<v Speaker 1>to that grief counselor. Nobody was interested in really sharing it.

1:01:15.800 --> 1:01:21.040
<v Speaker 1>And I think that, um, it's it's an episode. I

1:01:21.120 --> 1:01:23.400
<v Speaker 1>was able to watch once and at it, never looked

1:01:23.400 --> 1:01:26.959
<v Speaker 1>at it again. I probably think that it was not right.

1:01:28.200 --> 1:01:31.680
<v Speaker 1>Two Again, it was complicated because, as I recall it,

1:01:31.880 --> 1:01:34.000
<v Speaker 1>everybody had the choice do you want to sing? Do

1:01:34.040 --> 1:01:35.480
<v Speaker 1>you not want to do this? Do you want to

1:01:35.480 --> 1:01:36.840
<v Speaker 1>be in it? Do you not want to be in it?

1:01:37.000 --> 1:01:40.840
<v Speaker 1>If you don't want to be in it, I will understand. Um,

1:01:40.880 --> 1:01:43.840
<v Speaker 1>it just felt like an impossible corner. We were all

1:01:43.840 --> 1:01:46.720
<v Speaker 1>put in right like there's no right or wrong, there's

1:01:46.800 --> 1:01:52.120
<v Speaker 1>no it just felt like and it blurred to me

1:01:52.160 --> 1:01:56.240
<v Speaker 1>to like I don't remember being given the option. I'm

1:01:56.280 --> 1:01:59.840
<v Speaker 1>which now like I remember briefly, but like it just

1:02:00.040 --> 1:02:02.080
<v Speaker 1>was one of those things that, like I think the

1:02:02.080 --> 1:02:04.280
<v Speaker 1>grief counselor was like it was just a sign that

1:02:04.320 --> 1:02:06.800
<v Speaker 1>it was all too soon, too raw, like nobody was

1:02:06.840 --> 1:02:09.520
<v Speaker 1>ready to talk about it right, Like nobody was in

1:02:09.600 --> 1:02:14.520
<v Speaker 1>the place too. And also we were all very very

1:02:14.560 --> 1:02:17.880
<v Speaker 1>protective of each other, like we were all very close

1:02:18.600 --> 1:02:24.080
<v Speaker 1>on all levels, and it felt like that we were

1:02:24.160 --> 1:02:27.840
<v Speaker 1>having to sort of I had never lost anyone before

1:02:27.880 --> 1:02:30.560
<v Speaker 1>that I was that close with, and I didn't know

1:02:30.600 --> 1:02:33.440
<v Speaker 1>how to personally deal with it other than like being

1:02:33.480 --> 1:02:36.160
<v Speaker 1>around all of you guys and being able to talk

1:02:36.200 --> 1:02:39.439
<v Speaker 1>about it, and because I knew everybody felt the same

1:02:40.240 --> 1:02:43.640
<v Speaker 1>and so having you know, yeah, we're in a scene

1:02:43.640 --> 1:02:46.920
<v Speaker 1>talking about a character, obviously we're talking about our real friend,

1:02:47.920 --> 1:02:50.640
<v Speaker 1>and then there's a camera on you, and it's like

1:02:50.640 --> 1:02:53.320
<v Speaker 1>when those things happened, like you don't know when you're

1:02:53.320 --> 1:02:56.080
<v Speaker 1>going to lose it and not lose it and break down.

1:02:56.120 --> 1:02:58.800
<v Speaker 1>And I remember the camera turned on me and I

1:02:58.880 --> 1:03:00.760
<v Speaker 1>just got up out of the wheelchair and walked out

1:03:00.920 --> 1:03:03.360
<v Speaker 1>of the scene and I was just outside stage is

1:03:03.440 --> 1:03:07.480
<v Speaker 1>just like losing it and crying and and I was like,

1:03:07.520 --> 1:03:10.640
<v Speaker 1>what is happening? Like what is going on because the separation.

1:03:10.680 --> 1:03:14.160
<v Speaker 1>I've watched other shows shows do it too since just

1:03:14.280 --> 1:03:16.880
<v Speaker 1>to see and it is that you know, there's no

1:03:16.960 --> 1:03:20.320
<v Speaker 1>correct answer, there's no right way to do it. And

1:03:21.240 --> 1:03:24.720
<v Speaker 1>I just remember feeling like our little group here is

1:03:24.760 --> 1:03:28.280
<v Speaker 1>being exposed in a way where by that point too,

1:03:28.600 --> 1:03:30.600
<v Speaker 1>you know, we were constantly in the press or It's

1:03:30.640 --> 1:03:34.520
<v Speaker 1>like I just wanted to, I think, get even closer

1:03:34.840 --> 1:03:37.120
<v Speaker 1>and protect ourselves, and it felt like we were sort

1:03:37.160 --> 1:03:41.600
<v Speaker 1>of opening the thing to the public. And there was

1:03:41.640 --> 1:03:44.800
<v Speaker 1>also a thing I remember when we had to go

1:03:44.880 --> 1:03:47.800
<v Speaker 1>to the Teen Choice Awards and accept an award and

1:03:47.840 --> 1:03:50.840
<v Speaker 1>they wanted us to speak about Corey and there's all

1:03:50.840 --> 1:03:53.840
<v Speaker 1>this weird stuff like what is like what is happening

1:03:54.160 --> 1:03:57.440
<v Speaker 1>where you are still managing a brand and a job,

1:03:58.160 --> 1:04:00.760
<v Speaker 1>but also at the core of it, it's like, okay,

1:04:00.800 --> 1:04:03.720
<v Speaker 1>one of our closest friends is gone and like and

1:04:03.760 --> 1:04:05.480
<v Speaker 1>we also, yeah, we didn't know what to do. We

1:04:05.480 --> 1:04:08.200
<v Speaker 1>had never been in this very peculiar specifics. What do

1:04:08.200 --> 1:04:10.560
<v Speaker 1>you what do you guys? You know, what do you

1:04:10.600 --> 1:04:13.760
<v Speaker 1>think we should have done? That's the thing I don't know,

1:04:14.160 --> 1:04:16.800
<v Speaker 1>because creatively, I don't know how you get around it.

1:04:16.960 --> 1:04:18.840
<v Speaker 1>As you do address it, and it also feels like

1:04:18.880 --> 1:04:22.440
<v Speaker 1>an elephant in the room if you don't address it right. Yeah,

1:04:22.520 --> 1:04:29.200
<v Speaker 1>it was very, very difficult, and yeah, if I yeah,

1:04:29.320 --> 1:04:31.120
<v Speaker 1>if I could do it all over again, I think,

1:04:31.440 --> 1:04:34.800
<v Speaker 1>knowing now what I do know, I probably would have said,

1:04:34.840 --> 1:04:37.120
<v Speaker 1>you know what, we're going to take a year off

1:04:37.480 --> 1:04:39.360
<v Speaker 1>and then we're going to check in and see how

1:04:39.400 --> 1:04:44.600
<v Speaker 1>does everybody even six months? Remember, I remember that everybody

1:04:44.640 --> 1:04:48.320
<v Speaker 1>had time off after he died. I remember we kept

1:04:48.400 --> 1:04:53.000
<v Speaker 1>moving the shooting date. Um. But you know, the world

1:04:53.160 --> 1:04:55.600
<v Speaker 1>was a different place than again. It was. It was

1:04:55.640 --> 1:04:58.520
<v Speaker 1>such a and everybody who were you know, our bosses

1:04:58.560 --> 1:05:01.680
<v Speaker 1>had great empathy. None of us knew what to do,

1:05:01.720 --> 1:05:03.920
<v Speaker 1>but I know none of us knew how to handle it.

1:05:03.960 --> 1:05:05.600
<v Speaker 1>None of us knew how to pay tribute to him.

1:05:05.680 --> 1:05:07.920
<v Speaker 1>None of us knew what to do with the business.

1:05:07.960 --> 1:05:10.080
<v Speaker 1>But all of us did know that when that happened,

1:05:10.120 --> 1:05:12.600
<v Speaker 1>I think our hearts all kind of broke and we

1:05:12.600 --> 1:05:15.520
<v Speaker 1>were kind of done. Even though it was it was

1:05:15.600 --> 1:05:18.920
<v Speaker 1>not said, we were like, okay, well that that there,

1:05:20.200 --> 1:05:23.320
<v Speaker 1>it's gone, that the spirit of joy of it has

1:05:23.440 --> 1:05:27.120
<v Speaker 1>left the building. And you know, you can keep things

1:05:27.120 --> 1:05:31.480
<v Speaker 1>going for financial reasons and to keep crew members being paid.

1:05:31.560 --> 1:05:34.680
<v Speaker 1>And again, the crew that we had was several hundred

1:05:34.720 --> 1:05:36.840
<v Speaker 1>people who were with us from the beginning who did

1:05:36.920 --> 1:05:39.720
<v Speaker 1>depend on those paychecks, so that that was a big

1:05:39.800 --> 1:05:45.600
<v Speaker 1>thing to be thinking about. But I wasn't thrilled with

1:05:47.520 --> 1:05:50.920
<v Speaker 1>how it was. It just I didn't know what to do.

1:05:51.040 --> 1:05:52.760
<v Speaker 1>Nobody did, and I think we did the best with

1:05:52.800 --> 1:05:54.800
<v Speaker 1>what we could. But it was very dark, and you

1:05:54.840 --> 1:05:58.040
<v Speaker 1>were right to say, like, let's talk about that, because

1:05:58.160 --> 1:06:02.120
<v Speaker 1>none of us have really talked about it. Um I

1:06:02.240 --> 1:06:06.320
<v Speaker 1>blocked it out of my memory. I do remember talking

1:06:06.360 --> 1:06:10.240
<v Speaker 1>to everybody and saying, do you want to sing a

1:06:10.280 --> 1:06:12.560
<v Speaker 1>song or not? Or what do you want to do?

1:06:12.800 --> 1:06:17.240
<v Speaker 1>Like I remember Leah was very unsure and that was

1:06:17.280 --> 1:06:19.960
<v Speaker 1>her ideas to sing that song, and it was like,

1:06:20.480 --> 1:06:25.040
<v Speaker 1>are you sure? Okay? Like I don't remember. I remember

1:06:25.080 --> 1:06:28.640
<v Speaker 1>everything being very tender and tentative and not knowing where

1:06:28.720 --> 1:06:30.640
<v Speaker 1>to move. But if I had to do it again,

1:06:31.400 --> 1:06:33.720
<v Speaker 1>I wouldn't. I would we would have stopped for a

1:06:33.800 --> 1:06:38.240
<v Speaker 1>long time and different world, probably not come back. I

1:06:38.280 --> 1:06:40.840
<v Speaker 1>don't think we would have come back now if this

1:06:40.880 --> 1:06:43.400
<v Speaker 1>had happened, I would be like, that's the end, because

1:06:43.440 --> 1:06:46.240
<v Speaker 1>you can't really recover from something like that. And also

1:06:46.800 --> 1:06:52.400
<v Speaker 1>it wasn't like a normal death where someone was sick

1:06:52.440 --> 1:06:55.600
<v Speaker 1>and you can see them. It happened so quickly with

1:06:55.760 --> 1:07:00.880
<v Speaker 1>no warning, and we thought things had been first of all,

1:07:02.080 --> 1:07:03.800
<v Speaker 1>we had no idea, and then it was sort of

1:07:03.840 --> 1:07:08.680
<v Speaker 1>dealing with the crisis, and um, yeah, we just have

1:07:08.800 --> 1:07:12.000
<v Speaker 1>such a young cast to lose so many people that

1:07:12.120 --> 1:07:16.600
<v Speaker 1>it feels so, I don't know, a bit much bigger

1:07:16.680 --> 1:07:21.439
<v Speaker 1>and more tragic because it's these people who aren't having

1:07:21.480 --> 1:07:24.120
<v Speaker 1>lived out their time right or havn't like, had the

1:07:24.160 --> 1:07:28.160
<v Speaker 1>full experience. They're full time spent here. Yeah, and that's again,

1:07:28.200 --> 1:07:29.880
<v Speaker 1>to be blunt, I think that's part of the reason

1:07:29.880 --> 1:07:31.959
<v Speaker 1>why none of us have wanted to do anything else

1:07:31.960 --> 1:07:34.440
<v Speaker 1>with the show, because of respect for the people who

1:07:34.560 --> 1:07:38.200
<v Speaker 1>have passed. And like, Okay, well maybe it's fine as

1:07:38.240 --> 1:07:40.760
<v Speaker 1>it is, and if you bring it up again, it

1:07:41.360 --> 1:07:46.040
<v Speaker 1>maybe it's not healthy to examine these emotions and feelings,

1:07:46.040 --> 1:07:48.040
<v Speaker 1>but maybe it is. I don't know the answer. I

1:07:48.120 --> 1:07:50.080
<v Speaker 1>just know that whenever we talk about it or things

1:07:50.120 --> 1:07:53.880
<v Speaker 1>like this, like I'm sure you guys have no idea

1:07:53.960 --> 1:07:57.600
<v Speaker 1>that there were all of these conversations like about should

1:07:57.640 --> 1:08:00.400
<v Speaker 1>we or shouldn't we? You just thought, like, this is

1:08:00.440 --> 1:08:03.480
<v Speaker 1>what we're doing. You did not get to see the

1:08:03.560 --> 1:08:07.200
<v Speaker 1>parent exactly crying in the room on his knees, sobbing,

1:08:07.280 --> 1:08:10.440
<v Speaker 1>saying I can't go on. You didn't see dad do that.

1:08:10.520 --> 1:08:14.240
<v Speaker 1>You just saw Okay, here's here's trying to be a leader.

1:08:15.880 --> 1:08:18.800
<v Speaker 1>Um yes, trying to be stoic in front of us,

1:08:18.920 --> 1:08:21.479
<v Speaker 1>keep it together. And in some ways we all just

1:08:21.520 --> 1:08:24.240
<v Speaker 1>wanted to be together. So what what other way but

1:08:24.360 --> 1:08:26.840
<v Speaker 1>to come and do the show and be together and

1:08:26.880 --> 1:08:31.360
<v Speaker 1>he'll together, you know. So I remember talking to like

1:08:31.880 --> 1:08:34.960
<v Speaker 1>Telly was in the writer's building and he was just like,

1:08:35.000 --> 1:08:37.160
<v Speaker 1>it's really hard to even just be on the lot

1:08:37.640 --> 1:08:40.439
<v Speaker 1>every day, even to just be in the same places

1:08:40.439 --> 1:08:42.880
<v Speaker 1>where we were with him every single day, where no

1:08:42.880 --> 1:08:47.920
<v Speaker 1>matter where we went, it was just a constant remind reminder. Yeah, yeah,

1:08:48.320 --> 1:08:51.639
<v Speaker 1>I think you're probably right in the the decision probably

1:08:51.680 --> 1:08:54.439
<v Speaker 1>to have if it happened today that you were just yeah,

1:08:54.479 --> 1:08:58.160
<v Speaker 1>it's a no brainer, right, like in in hindsight, but

1:08:58.280 --> 1:09:01.559
<v Speaker 1>like you know, again, we live in a different world.

1:09:01.680 --> 1:09:03.880
<v Speaker 1>That's why like these new eyes of like watching the

1:09:03.880 --> 1:09:07.400
<v Speaker 1>show and looking at the show as adults, and you know,

1:09:08.400 --> 1:09:11.400
<v Speaker 1>with all this time, you know in space between it,

1:09:11.520 --> 1:09:15.120
<v Speaker 1>like it's it's a different beast now, and like we

1:09:15.240 --> 1:09:19.599
<v Speaker 1>look back so much more fondly than the the anger

1:09:19.640 --> 1:09:22.080
<v Speaker 1>and the pain that you know kind of was over

1:09:22.200 --> 1:09:24.439
<v Speaker 1>shadow over shadowed a lot of it for a lot

1:09:24.479 --> 1:09:28.040
<v Speaker 1>of time. I also think because a lot of the

1:09:28.080 --> 1:09:30.760
<v Speaker 1>bad stuff happened towards the end, and so that's the

1:09:30.760 --> 1:09:34.120
<v Speaker 1>most what what do you like? I'm interested in that, Like,

1:09:34.160 --> 1:09:38.320
<v Speaker 1>what do you define the bad stuff? Corey? I think

1:09:38.960 --> 1:09:42.840
<v Speaker 1>you know the mark of it all Naya and so

1:09:42.920 --> 1:09:46.559
<v Speaker 1>like the things that happened more recently were losing people

1:09:47.120 --> 1:09:49.960
<v Speaker 1>we were close with, and then I think there were

1:09:50.400 --> 1:09:52.800
<v Speaker 1>other things that happened towards the end of the show,

1:09:53.560 --> 1:09:58.320
<v Speaker 1>behavioral things well, and also the core casts that we

1:09:58.560 --> 1:10:03.360
<v Speaker 1>that grew into this thing, you know, like everybody separated,

1:10:03.400 --> 1:10:05.960
<v Speaker 1>Like we didn't see half of our friends. They went

1:10:06.040 --> 1:10:08.960
<v Speaker 1>off to New York and half the show was split

1:10:09.040 --> 1:10:12.160
<v Speaker 1>into two different shows, and so it felt like our

1:10:12.200 --> 1:10:16.880
<v Speaker 1>whole family went, you know away, and you're like, I'm

1:10:17.040 --> 1:10:18.479
<v Speaker 1>you know, Kevin and I are still in the choir

1:10:18.560 --> 1:10:20.519
<v Speaker 1>room and we're like, what's going over you know, happening

1:10:20.520 --> 1:10:22.559
<v Speaker 1>in New York And you're hearing of all these things

1:10:22.600 --> 1:10:26.680
<v Speaker 1>and you know, the media wheel is going and the

1:10:26.720 --> 1:10:29.599
<v Speaker 1>gossip wheel is going, and it just felt like everybody

1:10:29.640 --> 1:10:32.920
<v Speaker 1>took the show and ran with it versus like the

1:10:32.960 --> 1:10:36.320
<v Speaker 1>bubble that we were able to experience and the law

1:10:36.360 --> 1:10:39.280
<v Speaker 1>that we're able to experience in the pilot and in

1:10:39.360 --> 1:10:43.160
<v Speaker 1>that short you know, in those first couple of years. Yeah,

1:10:43.200 --> 1:10:44.960
<v Speaker 1>of course, that's the dilemma when you do a high

1:10:44.960 --> 1:10:49.160
<v Speaker 1>school show, right, It's like, Okay, well they have to graduate,

1:10:49.560 --> 1:10:52.439
<v Speaker 1>and they have to they have to. And of course

1:10:52.439 --> 1:10:56.360
<v Speaker 1>when you're I remember hating that idea, it's like, I

1:10:56.400 --> 1:10:58.959
<v Speaker 1>don't want to leave this choir room. I'm not interested

1:10:58.960 --> 1:11:01.880
<v Speaker 1>in going to New York. I don't care about that.

1:11:01.960 --> 1:11:05.160
<v Speaker 1>I only cared about those kids in that room. And

1:11:05.600 --> 1:11:10.760
<v Speaker 1>um hm, that was a creative decision that maybe, um

1:11:10.800 --> 1:11:14.800
<v Speaker 1>I should have addressed in the writing. Like I don't know,

1:11:14.920 --> 1:11:17.240
<v Speaker 1>maybe we had done four seasons and like one of

1:11:17.280 --> 1:11:19.320
<v Speaker 1>them was like an acid trip, and then you got

1:11:19.320 --> 1:11:22.760
<v Speaker 1>to repeat your senior years so that all of you

1:11:22.800 --> 1:11:24.800
<v Speaker 1>and then it should probably have ended once we left

1:11:24.800 --> 1:11:27.080
<v Speaker 1>that choir room. And I think that you learned, like,

1:11:27.160 --> 1:11:29.800
<v Speaker 1>you know, you learned that when you're doing a high

1:11:29.840 --> 1:11:32.439
<v Speaker 1>school show, other people who struggle with that too, you know,

1:11:33.240 --> 1:11:35.720
<v Speaker 1>Um yeah, I mean there are shows on now that

1:11:35.760 --> 1:11:39.200
<v Speaker 1>they just replaced entire casts every two seasons. Just like

1:11:39.360 --> 1:11:42.960
<v Speaker 1>in here, the new people, but also like the characters,

1:11:43.000 --> 1:11:44.559
<v Speaker 1>you don't want to leave them. I think we live

1:11:44.560 --> 1:11:47.080
<v Speaker 1>in a world now with television particularly well, where the

1:11:47.120 --> 1:11:50.000
<v Speaker 1>appetite for a hit show is probably three seasons. That

1:11:50.080 --> 1:11:52.320
<v Speaker 1>seems to be the streaming model, and there's a reason

1:11:52.360 --> 1:11:55.640
<v Speaker 1>for that, and I wish, but also we did some

1:11:55.760 --> 1:11:59.560
<v Speaker 1>great things in those last two seasons that were phenomenal

1:11:59.680 --> 1:12:04.160
<v Speaker 1>and musical numbers that were great, and so I wouldn't

1:12:04.240 --> 1:12:06.920
<v Speaker 1>change anything. But I do have regrets, you know. I

1:12:06.960 --> 1:12:12.080
<v Speaker 1>think what I wish I had really done is to

1:12:12.200 --> 1:12:17.240
<v Speaker 1>have more, you know, in talking about it with you guys,

1:12:17.360 --> 1:12:19.160
<v Speaker 1>I wish that we had had more sort of State

1:12:19.200 --> 1:12:22.640
<v Speaker 1>of the Union's meetings where you were allowed and I

1:12:22.720 --> 1:12:24.479
<v Speaker 1>was allowed to sit with you guys and say, Okay,

1:12:24.479 --> 1:12:26.479
<v Speaker 1>this is where I am. What do you want to know?

1:12:26.720 --> 1:12:29.360
<v Speaker 1>Because I would have told you it was just like

1:12:29.640 --> 1:12:32.160
<v Speaker 1>we were always in different places and running around and

1:12:32.200 --> 1:12:35.280
<v Speaker 1>just trying to keep up. I just remember that feeling

1:12:35.320 --> 1:12:38.240
<v Speaker 1>like I'm trying not to drown. I am. I am

1:12:38.240 --> 1:12:41.120
<v Speaker 1>paddling as fast as I can. I did not have

1:12:41.160 --> 1:12:44.240
<v Speaker 1>the resources or the training or the skills to really

1:12:44.479 --> 1:12:46.640
<v Speaker 1>do it or know what I was doing, and I

1:12:46.680 --> 1:12:49.120
<v Speaker 1>was faking it till I made it. Of course, now

1:12:49.439 --> 1:12:51.760
<v Speaker 1>I would be able to handle it in a completely

1:12:51.800 --> 1:12:56.920
<v Speaker 1>different way, and many relationships in a very different way. Um,

1:12:56.920 --> 1:12:59.880
<v Speaker 1>and I wish I had. But um, but you're able

1:12:59.880 --> 1:13:02.439
<v Speaker 1>to do that now, and you're able to be apparently

1:13:02.520 --> 1:13:05.519
<v Speaker 1>like a more well rounded human, probably because you did

1:13:05.720 --> 1:13:09.680
<v Speaker 1>go through all of these things. Yeah, I mean I

1:13:09.680 --> 1:13:11.920
<v Speaker 1>would love to come back on your podcast and really

1:13:11.920 --> 1:13:14.160
<v Speaker 1>go through some of these later episodes that I did

1:13:14.200 --> 1:13:16.479
<v Speaker 1>direct and tell you like because I like talking about

1:13:16.479 --> 1:13:19.160
<v Speaker 1>the joy of it, Like I enjoyed this conversation you

1:13:19.200 --> 1:13:22.400
<v Speaker 1>tell us when come back, Like I really want to

1:13:22.439 --> 1:13:24.880
<v Speaker 1>talk about Um, well this is the pilot, but I

1:13:24.920 --> 1:13:28.800
<v Speaker 1>mean there's so many great I mean episodes like have

1:13:28.960 --> 1:13:31.000
<v Speaker 1>me back because I want to talk like I love

1:13:31.080 --> 1:13:35.320
<v Speaker 1>love talking about well the Madonna when we can talk

1:13:35.320 --> 1:13:37.800
<v Speaker 1>about that right now, but like, yes, like I mean

1:13:37.840 --> 1:13:39.920
<v Speaker 1>there's so many I will come back from Madonna. But

1:13:39.960 --> 1:13:42.240
<v Speaker 1>I want to like even talking with you guys about

1:13:42.280 --> 1:13:46.200
<v Speaker 1>the joy of of the Adele mash up or the

1:13:46.280 --> 1:13:49.360
<v Speaker 1>vitamin D number or don't stop you leaving, just sitting

1:13:49.360 --> 1:13:54.639
<v Speaker 1>here talking about God. We had so much fun. We

1:13:54.640 --> 1:13:59.800
<v Speaker 1>were all just fans like we were fans. And Amber

1:14:00.080 --> 1:14:02.200
<v Speaker 1>Ley is the one who first turned me onto Adele.

1:14:03.000 --> 1:14:07.400
<v Speaker 1>She was the one who said, have you heard this singer? Um, Kevin,

1:14:07.400 --> 1:14:09.479
<v Speaker 1>I think you were the first person who told me

1:14:09.520 --> 1:14:13.240
<v Speaker 1>about Lady Gaga because you guys were on some show

1:14:13.320 --> 1:14:16.200
<v Speaker 1>with her and I'm like, who's Lady God? Yeah, yeah

1:14:16.240 --> 1:14:20.800
<v Speaker 1>we did. And so these were just like um creative

1:14:21.360 --> 1:14:23.840
<v Speaker 1>moments where we're like, I love this person, listen to

1:14:23.880 --> 1:14:26.000
<v Speaker 1>this or check out this or remember this. And then

1:14:26.360 --> 1:14:29.040
<v Speaker 1>you know, it was my job to inform you guys

1:14:29.200 --> 1:14:34.719
<v Speaker 1>of ancient Barbara streisand songs. I knew that I didn't

1:14:34.720 --> 1:14:37.360
<v Speaker 1>know any musical theater. You kid. I remember I've told

1:14:37.360 --> 1:14:38.560
<v Speaker 1>the story of a billion times, but I don't know

1:14:38.560 --> 1:14:40.960
<v Speaker 1>if you knew this right and that when Chris and

1:14:41.040 --> 1:14:44.960
<v Speaker 1>Chenowith was doing Maybe this time during between one of

1:14:44.960 --> 1:14:47.280
<v Speaker 1>the setups, I was walking around the halls with her.

1:14:47.280 --> 1:14:49.439
<v Speaker 1>I was like, I'd never heard this song before. You

1:14:49.520 --> 1:14:55.200
<v Speaker 1>sound great, right, yeah, Kevin, no idea? I was like,

1:14:59.040 --> 1:15:03.519
<v Speaker 1>you cannot fix me. Imagine how heretical and bizarre. It

1:15:03.680 --> 1:15:08.800
<v Speaker 1>was to be doing a Kandarin Ebb song on a

1:15:09.080 --> 1:15:13.840
<v Speaker 1>mainstream network television show, like that's just so weird, and

1:15:13.880 --> 1:15:16.479
<v Speaker 1>we did that. You can do now dance on TV.

1:15:16.680 --> 1:15:19.280
<v Speaker 1>It was like a dream come true. You know. It's

1:15:19.280 --> 1:15:22.800
<v Speaker 1>like everything you either have to choose between TV or Broadway,

1:15:22.960 --> 1:15:25.760
<v Speaker 1>right my whole life, people were like, we have to

1:15:25.840 --> 1:15:28.479
<v Speaker 1>choose one acting or singing, like no, I can't write,

1:15:28.600 --> 1:15:32.599
<v Speaker 1>And then here we happened. Yeah, um, please come back Ryan.

1:15:32.720 --> 1:15:35.639
<v Speaker 1>We well I'm coming back from Madonna. So like, what

1:15:35.680 --> 1:15:39.280
<v Speaker 1>was that episode fifteen or sixteen of season one? So

1:15:39.320 --> 1:15:40.559
<v Speaker 1>how are you telling me you guys, how you guys

1:15:40.600 --> 1:15:42.360
<v Speaker 1>are going to do this show? Because I love when

1:15:42.400 --> 1:15:45.320
<v Speaker 1>you guys talk about Glee and I have kind of

1:15:45.400 --> 1:15:49.599
<v Speaker 1>we've had conversations, but I've always been I've never let

1:15:49.640 --> 1:15:52.479
<v Speaker 1>anybody else do anything like this except for you too,

1:15:52.560 --> 1:15:55.000
<v Speaker 1>because I do believe that you have a love of

1:15:55.080 --> 1:15:58.200
<v Speaker 1>the show and that you believe in the message of

1:15:58.240 --> 1:16:00.840
<v Speaker 1>the show, and I trust you implicit So tell me, like,

1:16:01.320 --> 1:16:02.720
<v Speaker 1>how do you do how are you going to do

1:16:02.800 --> 1:16:05.519
<v Speaker 1>this this show that I think people are going to

1:16:05.600 --> 1:16:09.679
<v Speaker 1>really enjoy? Do you do an episode? One? Episode a week, okay,

1:16:09.960 --> 1:16:12.479
<v Speaker 1>and we'll go through the episodes and then we're going

1:16:12.520 --> 1:16:16.920
<v Speaker 1>to obviously go through the actual narrative of the episode,

1:16:17.040 --> 1:16:19.439
<v Speaker 1>go through the characters and all that our half hour

1:16:19.520 --> 1:16:22.320
<v Speaker 1>stories memories, and then there's sort of all the other

1:16:22.360 --> 1:16:25.040
<v Speaker 1>fun things that we can add in, you know, addressing

1:16:25.120 --> 1:16:28.920
<v Speaker 1>some of the crazy like TikTok rumors and things that

1:16:29.040 --> 1:16:31.559
<v Speaker 1>dispel some of those sort of things you tell me

1:16:31.600 --> 1:16:33.759
<v Speaker 1>about those what are those? Oh my god, it's crazy.

1:16:37.640 --> 1:16:40.560
<v Speaker 1>So this is I think what started the Glee resurgence

1:16:40.640 --> 1:16:44.720
<v Speaker 1>during the pandemic was TikTok. There's Glee talk because the

1:16:44.760 --> 1:16:48.559
<v Speaker 1>algorithm can get so specific that people started sharing all

1:16:48.640 --> 1:16:53.920
<v Speaker 1>of like their favorite or most hated or wildest conspiracies

1:16:53.920 --> 1:16:57.639
<v Speaker 1>about the show. But also like Glee is still being

1:16:57.680 --> 1:17:01.160
<v Speaker 1>talked about two thousand twenty two, as you know, and

1:17:01.240 --> 1:17:03.320
<v Speaker 1>so like let's talk about what people were talking about

1:17:03.320 --> 1:17:05.840
<v Speaker 1>the show currently and address some of those things. I mean,

1:17:05.880 --> 1:17:08.200
<v Speaker 1>we also wanted to like bring on some of the

1:17:08.240 --> 1:17:11.800
<v Speaker 1>actual artists that we covered this time around, Like I'd

1:17:11.840 --> 1:17:15.920
<v Speaker 1>love to know Steve Perry's view of how our version

1:17:15.960 --> 1:17:19.519
<v Speaker 1>of Don't Stop, you know, how that affected his career,

1:17:19.560 --> 1:17:22.680
<v Speaker 1>if at all, And he was he was. He was

1:17:22.760 --> 1:17:26.479
<v Speaker 1>the first one when I was on my bend or

1:17:26.600 --> 1:17:29.720
<v Speaker 1>about I have to get this song. He was supportive

1:17:29.720 --> 1:17:34.360
<v Speaker 1>from the get go, and I remember he came to set. Yeah,

1:17:34.479 --> 1:17:37.200
<v Speaker 1>I remember meeting. He was very lovely and just got

1:17:37.240 --> 1:17:38.960
<v Speaker 1>it and got and I think I had a very

1:17:39.000 --> 1:17:42.559
<v Speaker 1>brief conversation with him about I'm interested in this song

1:17:42.640 --> 1:17:48.280
<v Speaker 1>because of x UM. Yeah, we may have questions for

1:17:48.439 --> 1:17:50.519
<v Speaker 1>you too. I should have a segment on your show

1:17:50.560 --> 1:17:52.639
<v Speaker 1>called true or False where you just asked me questions

1:17:52.640 --> 1:17:54.479
<v Speaker 1>and I'm only allowed to say true or false. Great,

1:17:55.200 --> 1:17:56.880
<v Speaker 1>let us let us do on it and come up

1:17:56.880 --> 1:18:00.240
<v Speaker 1>with some really good ones. It's funny because I'm elderly now,

1:18:00.280 --> 1:18:01.960
<v Speaker 1>but I do have a nine year old who's who

1:18:02.200 --> 1:18:05.040
<v Speaker 1>I let watch TikTok sometimes, and he's always saying, like,

1:18:05.680 --> 1:18:08.160
<v Speaker 1>your show is really popular on here. I'm like, what

1:18:08.320 --> 1:18:09.720
<v Speaker 1>each And then I try and research it and I

1:18:09.720 --> 1:18:12.720
<v Speaker 1>can never find anything. I have fallen into the YouTube.

1:18:13.920 --> 1:18:16.320
<v Speaker 1>They're all of these compilation things where will be like,

1:18:16.640 --> 1:18:20.640
<v Speaker 1>you know, Sucilvest's greatest moments or one hundred of the

1:18:20.680 --> 1:18:23.840
<v Speaker 1>most insane things that they actually put on Glee, And

1:18:23.840 --> 1:18:26.080
<v Speaker 1>I'm like, oh my god, how do we do that, right,

1:18:26.280 --> 1:18:32.320
<v Speaker 1>Mr Shoes. Creepiest moments, yes, yeah, things that things that

1:18:32.360 --> 1:18:38.360
<v Speaker 1>didn't age well, the future, yes, predicting the future, yes, yes, yeah,

1:18:38.400 --> 1:18:40.880
<v Speaker 1>So we'll talk about stuff like that. Okay, I'll come

1:18:40.920 --> 1:18:42.639
<v Speaker 1>in and do a true and false segments. Okay, we're

1:18:42.640 --> 1:18:45.200
<v Speaker 1>going to add that. We're gonna add Ryan, You're the best.

1:18:45.280 --> 1:18:49.160
<v Speaker 1>Thank you, Thank you so much, serious, thank you. I

1:18:49.160 --> 1:18:51.559
<v Speaker 1>think we should also have a segment called we did

1:18:51.600 --> 1:18:53.920
<v Speaker 1>this right? And I think we should have a segment

1:18:53.960 --> 1:18:57.599
<v Speaker 1>called we really this up. Yeah. I think that's right.

1:18:57.640 --> 1:18:59.439
<v Speaker 1>There were some things you know that you don't know

1:18:59.640 --> 1:19:03.000
<v Speaker 1>that you just trying to the turn of it, you know,

1:19:04.280 --> 1:19:06.439
<v Speaker 1>but a lot of things we did right. So we did.

1:19:06.720 --> 1:19:13.880
<v Speaker 1>Love you guys, thank you for having Okay, by what

1:19:14.000 --> 1:19:19.640
<v Speaker 1>a conversation with Lady Ryan Murphy. UM, it's no truly incredible.

1:19:19.960 --> 1:19:23.160
<v Speaker 1>We're just so grateful to him, and UM, we can't

1:19:23.200 --> 1:19:25.719
<v Speaker 1>wait to recap the pilot with you guys next week.

1:19:25.960 --> 1:19:28.639
<v Speaker 1>We're going to go back and chat about what really happened.

1:19:29.320 --> 1:19:33.680
<v Speaker 1>That's what you really missed um in the pilot And

1:19:33.760 --> 1:19:36.320
<v Speaker 1>so make sure you go watch that this week and

1:19:36.439 --> 1:19:39.559
<v Speaker 1>join us next week and follow us on Instagram at

1:19:39.680 --> 1:19:42.280
<v Speaker 1>and that's what you really missed. Pod follow Kevin, follow

1:19:42.320 --> 1:19:47.080
<v Speaker 1>me for all the Glee insider tips. Are we trading

1:19:47.760 --> 1:19:51.479
<v Speaker 1>trading tips? We're trading tips, trading stocks, training tips. Thank

1:19:51.520 --> 1:19:53.599
<v Speaker 1>you so much for your support these first two weeks.

1:19:53.680 --> 1:19:57.280
<v Speaker 1>Please also let us know who you want us to

1:19:57.320 --> 1:20:00.640
<v Speaker 1>have on the pod and we'll do our best to

1:20:00.680 --> 1:20:02.880
<v Speaker 1>try to get all our our friends and fans to

1:20:02.960 --> 1:20:05.439
<v Speaker 1>come on and talk about this show. So see you

1:20:05.439 --> 1:20:08.760
<v Speaker 1>next week. Thank you for being here. Bye bye bye,