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Speaker 1: Well, I don't come back to another episode of talking

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Speaker 1: me this. I'm your host, Kevin. I guess that Kevin Well.

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Speaker 1: The first time was the weirdest, no doubt. But once

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Speaker 1: you've been in actual outer space a half dozen times,

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Speaker 1: getting bro just feels like part of the deal. But

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Speaker 1: I digress. Let's meet he shall in no particular order

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Speaker 1: to say hello to Christian Anthony Alplarado. SIT's tall, which

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Speaker 1: makes sense because the top of your head is being

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Speaker 1: clipped in the zoom. Um, what would a solid summer's

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Speaker 1: Sunday look like for you? I'm glad you asked this question.

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Speaker 1: Hi everybody, thank you for having me. Um. I'm gonna

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Speaker 1: be visiting my mother. Hi Mom, at the end of July.

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Speaker 1: She lives near this lake. Let me tell you. We

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Speaker 1: bought those like floaty things from Walmarts. It's a little

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Speaker 1: ring and run off the dock like a crazy person, right,

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Speaker 1: Like like a kid in those movies where you do

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Speaker 1: like that, are you jumping in the air? Right? And

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Speaker 1: I was never that kid. I never had that childhood,

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Speaker 1: but I can do it now at forty one years

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Speaker 1: oldest run and jump into the lake. My mom is happy,

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Speaker 1: and the sound again make mid air. Yep, that's the one. Uh. Now,

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Speaker 1: I would ask you to rotate the top of the

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Speaker 1: laptop backwards a little bit so you don't have to slouch.

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Speaker 1: Just rotate the top. Bay we go. Look at that

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Speaker 1: now he sits tall, travels shooting. Look at uh those

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Speaker 1: of you tune again. Those are patron members. I guess

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Speaker 1: see this on the zoom. Um, well we'll we'll speak

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Speaker 1: a little later about Chris's whereabouts. Let's move on with

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Speaker 1: the show. Uh, don't look over there. We've got Jackie

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Speaker 1: Gonzalez to Ruthie fits in any family. What was it

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Speaker 1: like meeting Matt's family for the first time, I mean Pats, Sorry,

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Speaker 1: says Pats, I said Matt. Probably all right, me too. Um.

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Speaker 1: I'm trying to think of when I met them for

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Speaker 1: the first time, and the fact that it doesn't stand

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Speaker 1: out is really good, easy, easy going people. I do

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Speaker 1: remember his mom touched me a lot, you know, like

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Speaker 1: like tweetely, like on the back, you know, like mothers do.

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Speaker 1: I think the word we're looking for is comforting. Comforting.

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Speaker 1: That's it, like a comfort, a comfort rub on the

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Speaker 1: small of the back. I remember that being a thing

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Speaker 1: for sure, and that's nice. That's comforting. And I did

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Speaker 1: go to like a family reunion of his of of her.

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Speaker 1: It was who it was one of the sides of

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Speaker 1: the family, and that was like everyone was cool. And

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Speaker 1: then there was like one cousin that was like, hey,

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Speaker 1: what are you having kids? I'm like, well, what the funk,

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Speaker 1: We're not even married. Get off my Back's just like

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Speaker 1: a Parker posey type of character. Yeah, that makes me happy.

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Speaker 1: And now please welcome a tool sing postcard guru. If

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Speaker 1: enough folks who cared about you asked and paid for it,

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Speaker 1: would you take a penmanship course. I really feel like

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Speaker 1: my penmanship is something unique to me. Kevin. Um, that's

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Speaker 1: an interesting question because I do see it as a

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Speaker 1: personal script and the way I connect certain letters, uh

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Speaker 1: don't dot eyes really sometimes I don't cross T S

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Speaker 1: or F and the loop of the F might be

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Speaker 1: similar to the loop of the T. But I feel like, hey, um,

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Speaker 1: it's something, and that's that's a tool. That's you know

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Speaker 1: when you see that it's personal. So um. But I

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Speaker 1: would do a lot of things for money, so yeah, probably, Okay, yeah, No,

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Speaker 1: I was just looking at for those of us that

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Speaker 1: that you want to read what you write. Yeah, no

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Speaker 1: complaints so far as far as I can tell. Okay,

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Speaker 1: let's log this one is the first complaint. Shall we

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Speaker 1: look out? It's James, any dream heaing? Do you have

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Speaker 1: a reoccurring dream you'd like to share? I dreamed that

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Speaker 1: I'm on Alchemy this, and the question comes up about

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Speaker 1: a reoccurring dream, and then I talked about how when

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Speaker 1: it was reoccurring I as a child and Lady Lang

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Speaker 1: Fair Child would bite me in the button and I

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Speaker 1: would fall downstairs into darkness. And I have that dream

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Speaker 1: over and over as a kid, and that's me on

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Speaker 1: Alchemy this. Say, you know what I'm realizing now that

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Speaker 1: you didn't ask that question. No, No, the answers perfect.

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Speaker 1: I'll tell you why I asked. I recently confessed as

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Speaker 1: we were wrapping up the season four You're Welcome uh

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Speaker 1: production last week, and I said to Tony Shaloup, I

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Speaker 1: fucking had this dreamline. I woke up to this horrible dream.

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Speaker 1: And I've had it so many times where like the

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Speaker 1: FBI and c I S team and whatnot, or in

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Speaker 1: my front yard digging up ship alleging that I killed

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Speaker 1: and buried someone there, and Donty went white and said

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Speaker 1: I had to dream so many times. What are we

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Speaker 1: feeling guilty about? He just summarized that had to have

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Speaker 1: been there. You go, that's what Chris is doing the

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Speaker 1: Chris Well Kevin, I, I do want to say that

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Speaker 1: when I hosted one, I made a nickname for a

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Speaker 1: tool that was postcard Paulina. I think guru, and I

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Speaker 1: think I asked you about a dream, James. Uh, if

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Speaker 1: it wasn't you, it was last week when Cole was here.

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Speaker 1: I got a reoccurring dream. And I realized as I

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Speaker 1: was explaining my answer, it's like, oh, I don't think

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Speaker 1: actually Kevin asked me that question, so I kind of, uh,

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Speaker 1: we're similar minded people. I will say, James, you're hitting

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Speaker 1: the top end on your microphone a little bit, and

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Speaker 1: I know that's all Doug is thinking right now. Um,

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Speaker 1: but thank you for your answers every one and last.

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Speaker 1: But too much spam in your ham if you think

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Speaker 1: at least it's Joey Greer weed whacker. What's one of

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Speaker 1: your weirdest experiences scoring drugs? Oh? My god. So a

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Speaker 1: buddy of mine had a contact too in Chicago. He

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Speaker 1: was like, oh man, we I know some guy who's

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Speaker 1: got some weed and it's it's not I don't think

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Speaker 1: it's legal there now. It wasn't then, So you had to,

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Speaker 1: you know, have a contact meet somewhere. And I don't

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Speaker 1: know the city at all. It's it's almost a winter. Uh,

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Speaker 1: you know, it's like sixty fifty degrees. Not my element.

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Speaker 1: I'm scared. And so we pulled down this neighborhood and uh,

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Speaker 1: they all look the same. I just like, you know whatever,

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Speaker 1: and a portal opens up like this, like it's like

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Speaker 1: the swirling black and purple portal, and we're like, what

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Speaker 1: the hell that? So we get out of the car

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Speaker 1: and and it's just like everything has just stopped around

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Speaker 1: us at time itself has just stopped moving and through

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Speaker 1: the portal. Are you listening to what I'm saying? Yeah,

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Speaker 1: I stopped the car and we got out. Are you

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Speaker 1: listening to what I'm saying? Okay, because you were paying attention, Jack,

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Speaker 1: You remember earlier when we were enjoying the story because

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Speaker 1: it was real. I was, I was really enjoying it, right,

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Speaker 1: you giggled so wonderfully. All right, let's do a damn show.

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Speaker 1: All of our scene suggestions are gathered from your listener emails,

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Speaker 1: which I love to read. But I will say to

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Speaker 1: a couple of you, yeah, no, when your scene suggestion

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Speaker 1: does not get into the queue, uh, it's because it's

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Speaker 1: stunk just a little. Now, Um, you don't know our criteria.

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Speaker 1: I clearly need to put out some sort of manifest

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Speaker 1: But if if you want to, and I encourage you,

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Speaker 1: please continue to write to us. We'll get there together.

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Speaker 1: If you want to be a patron v I p

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Speaker 1: and slide right through all that bullshit, just head on

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Speaker 1: O patron dot com slat alchemy this. Um, if you'd

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Speaker 1: like to just a scene via the email, I will

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Speaker 1: remind you the newish email is Alchemy this email at

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Speaker 1: gmail dot com. But it's Alchemy this email. Seen one

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Speaker 1: comes to patron alcomaniac Will Morris, who wrote Will Morris St. Louis. Okay, Kevin,

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Speaker 1: I get it. I won't spend hours writing out my

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Speaker 1: beautiful poetry if you're going to shoot all over it.

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Speaker 1: Just kidding. No hard feelings, Well maybe a little, but

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Speaker 1: half the show can't be my message, I get so

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Speaker 1: I'll try to keep it more concise. Scene suggestion H

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Speaker 1: one behind the music Joe Blow and the come Tones

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Speaker 1: Stay Wacky Love, Will the fuck Morris. I knew that

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Speaker 1: they were going to be a smash hit the minute

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Speaker 1: I heard them, and I said I have to sign them,

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Speaker 1: but it ended up being quite a bitting more kiss

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Speaker 1: your Mama an, kiss your daddy, Kiss your mama, kiss

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Speaker 1: your daddy. Max coming through so many different places and no,

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Speaker 1: I'm good, thank you. Do you want some tea? We

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Speaker 1: have tea? We have so much stage crazy. You know

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Speaker 1: you don't think I've already had five gallons at tea

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Speaker 1: today of just sign We have all the teo you need.

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Speaker 1: I'm just it's important, so I want to thank you.

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Speaker 1: You got so you just haven't touched the tea we brought.

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Speaker 1: It doesn't matter. So we've had so many acts come

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Speaker 1: through here. We're gonna sorry, is it possible're gonna biscuit

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Speaker 1: with the tea as a teen? No? Good enough, No,

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Speaker 1: it's good. But if you've got a biscuit, we'll just

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Speaker 1: wait to the tea hardens and then just dry his

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Speaker 1: mouth out before he went like a donkey. Yeah, if

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Speaker 1: you've got a biscuit. If you need to dry your

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Speaker 1: mouth out, there's a carpet down there. Just stop biting

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Speaker 1: on that now listen. So I've a lot of bacts

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Speaker 1: have come through this to carl It Temple, you know

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Speaker 1: what I mean, A lot of acts. We've seen them

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Speaker 1: are we've seen h you know, I mean, we've seen

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Speaker 1: so we've we've got so many. We've got the Horseshoe Boys,

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Speaker 1: We've got the tightest pimple and and and and and

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Speaker 1: friends and fans to it. I'm going to give you

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Speaker 1: seventy tho quid. That's my that's my offer. What's yours?

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Speaker 1: Do the tea for the band? Eight thousand? Quick? Sure?

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Speaker 1: Are you going eight thousand? I'll go ninety thousand for

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Speaker 1: the tea's doing? I don't come to school. Don't go

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Speaker 1: to school. Don't go to school. You ain't no bo baby.

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Speaker 1: Stop right there, Joe, you're doing great, doing great. Bill

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Speaker 1: on the on the guitar. I prefer to you to

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Speaker 1: call me one of the come Tones. Bill. You're you

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Speaker 1: know we're gonna blend you into this band, but you're

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Speaker 1: not one of the original members, all right, So yeah,

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Speaker 1: But I mean I'm backing up Joe. So I feel

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Speaker 1: like if you could call me one of the come Tones,

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Speaker 1: it would help me get into the groove. Okay that

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Speaker 1: that's okay if that's what it needs, because you are

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Speaker 1: totally off here, right, you're not in the group. So

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Speaker 1: I'll call you one al right, Okay, Yeah, I get it,

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Speaker 1: I get it. So so what so so, Bill, do

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Speaker 1: you have a name? Do you want to go with?

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Speaker 1: I want to be hey, come tones, I need you

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Speaker 1: to Then whatever you say after that, I'll be like,

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Speaker 1: all right, here we go. Yeah, Bill, is a specific

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Speaker 1: issue with you. The other Joe's questioned, did you hear that? Less?

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Speaker 1: He's a leg He's lucky to be here with him.

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Speaker 1: VH one presents an unprecedented look behind the music with

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Speaker 1: Joe Blow and the Comptones. We can take that from

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Speaker 1: the top again, Tim just backed that up to the

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Speaker 1: top if you would, and a little less zeal, thank you.

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Speaker 1: V H one presents an unprecedented behind the scenes look

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Speaker 1: at Joe Blow and the comp Tones with a whole

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Speaker 1: bunch of archival footage you've never seen before. Pieces ship. Okay,

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Speaker 1: that's that's my bad. Uh, let's shoot for the middle

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Speaker 1: on this one, thanks, okay, okay. V H one presents

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Speaker 1: an unprecedented look behind scenes that Joe Blow and the

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Speaker 1: com Tons with archival footage and celebrating twenty five years

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Speaker 1: of music with their new platinum record of All the Hits.

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Speaker 1: So that just wasn't written. I just kind of add

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Speaker 1: libed that I don't know what the records. That's that's fine,

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Speaker 1: we can just add something. Yeah. Are you aware that

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Speaker 1: we're also filming you doing this? Yeah? Okay, because you're

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Speaker 1: making a lot of weird places. I'm just so excited.

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Speaker 1: You know. I love the h one. I can't ye

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Speaker 1: a huge, huge I mean behind the music. I can't

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Speaker 1: believe that we're bringing it back. We're starting to question

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Speaker 1: it ourselves. Yeah, I would be terrible. I mean, why

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Speaker 1: did you wait so long? Sally? You don't love me anymore? Yeah,

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Speaker 1: I want to break up with you. You don't leave

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Speaker 1: me at the door. I need you to leave. This

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Speaker 1: is my apartment. I need you to leave out the door. Salia.

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Speaker 1: Miss you? Oh God, you're not even gone yet. You

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Speaker 1: can't possibly miss me, Sally. I kiss you. No, No,

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Speaker 1: please don't, please don't. It's you're repulsive to me at

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Speaker 1: this point. But it's gotten to that point where now

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Speaker 1: I see you when I cringe. Joe, I can't have

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Speaker 1: real conversations with you. You're difficult to be with. I

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Speaker 1: need this to end. I don't know how much clear

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Speaker 1: I can make that. We're broken up now, and I

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Speaker 1: need you to vacate my apartment. Give me back the

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Speaker 1: c ds that I lent you I never used. They

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Speaker 1: ended up at the bottom of my car. A bunch

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Speaker 1: of people stepped on them. I don't have a CD player.

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Speaker 1: I don't my car doesn't even have a CD player.

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Speaker 1: Say bye to your mama for me. One that is

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Speaker 1: all seen, one I can't. Scene two comes from us

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Speaker 1: from fave longtime listener Kristen Kelly, who wrote who posed

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Speaker 1: rather the this particular scene idea? What would happen if

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Speaker 1: a lumberjack and identically dress hipster traged places for a day?

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Speaker 1: Hey you, Tommy? Yes, Tommy, I thought we were switching

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Speaker 1: spots today. Yeah, I thought it was tomorrow. I'm the

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Speaker 1: guy switching with you today. I need this coffee made.

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Speaker 1: I need a couple of depot espressos made. Now you're up.

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Speaker 1: You're up, lumberjack dude, get in there and make some

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Speaker 1: cough All right, All right, here we go? Day were

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Speaker 1: you man? Our shift started at four am? You don't

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Speaker 1: talk to me like that. Yeah, I do. I'm your manager. Yeah, okay, okay,

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Speaker 1: is it a knife? Stick? Knife? What the hell is this?

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Speaker 1: What the let's call a machete? All right? Knife? Well,

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Speaker 1: I don't know. Can you please put that long stick

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Speaker 1: knife away? Please? It's in my belt. Well, we can't

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Speaker 1: have that wrong. We're making coffee. Okay, Gerald, it's Gerald Gerald.

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Speaker 1: All right. It seems like you're making up a lot

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Speaker 1: of rules. What all I need to do is do

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Speaker 1: my job. Yeah, we look, just put the knife away. Okay.

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Speaker 1: We've got a lot of family, a lot of celebrity

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Speaker 1: that come through here. Okay. Yeah, I don't know if

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Speaker 1: you know a lot of musicians, but there's a recording

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Speaker 1: studio across the way. They come in here to get

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Speaker 1: juiced up before they record. So yeah, I have some

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Speaker 1: respect and show some poise. All right, all right, so

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Speaker 1: welcome to the forest. Today. We will be cutting down

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Speaker 1: every tree you see. Any questions. I have a question, um,

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Speaker 1: at least the right boots. I feel like everyone else's

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Speaker 1: boots look more rugged and an authentic andy Jane Jane, Yeah,

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Speaker 1: what what do you fucking daydreaming? Again? You're not leaving

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Speaker 1: this industry. Get over here, Jane, Uh, will you show

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Speaker 1: this guy your boots? My boots, Jesus Christ Jane, you're

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Speaker 1: a good tree cutter. That's why keep you sound so

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Speaker 1: much like Boobs. I just want to clarify my boots

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Speaker 1: before I went out. Okay, I have a question. It

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Speaker 1: just comes to my attention that there might be some

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Speaker 1: kind of magical beings living inside the forest. I haven't

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Speaker 1: seen Hank. I have a suspiciously he's got shrunken and

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Speaker 1: he's thrust into the forest magical vibe world, and uh,

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Speaker 1: I have a fear that we might be killing him

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Speaker 1: as well as all the magical creatures in the forest. Okay,

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Speaker 1: all right, and he brings up a good concern. Uh,

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Speaker 1: you can look at her boots. As I tell you.

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Speaker 1: This today is a different mission. We're cutting down all

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Speaker 1: these trees as a sort of a search and rescue mission.

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Speaker 1: We're looking for Hank, Tiny Hank. Yeah, but was there

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Speaker 1: something about Boobs? Look, I don't know why I agreed

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Speaker 1: to do this orientation today out here, but I did.

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Speaker 1: I think probably because I'm trying to be of service man,

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Speaker 1: you know what I mean? Hey, you guy here again?

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Speaker 1: What do we do when we find tiny Hank? If

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Speaker 1: we do. Good question? Thank you? Cool? Hey did you

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Speaker 1: is that? Did you bring your own coffee? Yeah? Did

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Speaker 1: you not? No? I didn't bring me own coffee, dude,

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Speaker 1: Just did you so good? Smell so fresh? Did you

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Speaker 1: want some man over? It smells like it. Where did

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Speaker 1: you get there? There's no depots around here. The only

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Speaker 1: one I know is in the city. Yeah, no, I

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Speaker 1: brought it in from the city. I don't know. Okay,

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Speaker 1: you don't live out here. And I got a hammock

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Speaker 1: up in the tree. That's where i'm That's where i'm at.

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Speaker 1: Maybe that's where I'm staying to night. Not in your hammock.

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Speaker 1: I'm just saying, yeah, hey man, it's ay man. So

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Speaker 1: it looks like you're a little scared to get out there.

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Speaker 1: Huh first time cutting trees? Huh? Yeah, yeah, I understand that.

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Speaker 1: I was scared my first time to what do we do? Now?

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Speaker 1: We just hope that guy that doesn't fall on us.

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Speaker 1: No way to know where that noise came from. There's

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Speaker 1: no preparations. You just hope. No, no, no, we're I

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Speaker 1: was gonna look up. Don't look up. No, that's the

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Speaker 1: word thing you can do. If a tree is fallen,

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Speaker 1: you look down and you drive your knees into the ground.

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Speaker 1: All right, that's what you do, hey, union, But what

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Speaker 1: we care? I'll tell you that. Yeah, I used to

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Speaker 1: I used to be a leather worker. Then I traded

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Speaker 1: jobs with a lumberman. What sort of leather work did

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Speaker 1: you do? Gator? Sure boot patches? What was that? Boobs? Hey? Jane?

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Speaker 1: Can I talk to you for a second, Jane? What look?

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Speaker 1: An opportunity came across my desk and I think you

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Speaker 1: might be interested in Okay, you've probably noticed we've been

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Speaker 1: doing a lot of switch out situations with employees from

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Speaker 1: the city to the forest. Honestly, I'm in my own world,

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Speaker 1: so yeah, I don't notice much relations of people. And

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Speaker 1: all right, Jane, how would you like a job in

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Speaker 1: the city? In the city city? Yeah? Where am I

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Speaker 1: going to put my hammock? All right? Jane? What do

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Speaker 1: you think cause of death is? What I think cause

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Speaker 1: of death is? Yeah? Cause of death? What do you

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Speaker 1: think it is? Stab stabbing? That's right? Stabbing? Okay, alright,

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Speaker 1: because the whole wasn't exactly circular like a bullet, and

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Speaker 1: it was also a little bit bigger. You know what

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Speaker 1: you say? It's possibly a long stick knife. I was

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Speaker 1: going to say, probably a stick knife. Yeah, probably a

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Speaker 1: long stick knife. Yeah, probably sharp one too, because it

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Speaker 1: was probably kept in a really nice leather maybe gate

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Speaker 1: or leather sheet. Hi, I'll have a large cold brew? Please?

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Speaker 1: Would that be to stay or to God know what?

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Speaker 1: I'll hang out for hair? Please? All right, I've whittled

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Speaker 1: you this beautiful cup. Is that a oak? Alright? So

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Speaker 1: once you finish with it, you can just toss it

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Speaker 1: anywhere and it will just become part of nature. Look

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00:20:53,119 --> 00:20:56,440
Speaker 1: at the Look at the sides of it. Hand hand

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Speaker 1: molded it. I actually cut this tree down a long

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Speaker 1: time ago. Who's Who's Deborah? Put the name Debora in

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Speaker 1: the heart? Put Debora, and everything I make. Oh that's nice.

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Speaker 1: That's a nice touch was lost to the woods. Listen.

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Speaker 1: I don't want to hear your story. But I want

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Speaker 1: to do is I want to pitch you a proposal. Okay,

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00:21:16,560 --> 00:21:22,360
Speaker 1: I sell cute things for a lot of money. Give

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00:21:22,400 --> 00:21:25,719
Speaker 1: me examples. Well, okay, so this is the sunset junction, right,

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00:21:25,880 --> 00:21:29,640
Speaker 1: this is an intelligence your workout right? Every shop here

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Speaker 1: sells cute things for a lot of money. Now I

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Speaker 1: get those cute things from people like you. And sell

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Speaker 1: them for a lot of money. Would you like to

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Speaker 1: sell Debora as a brand that way? She lives forever everywhere.

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Speaker 1: I don't know, but here's the numb forget the day

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Speaker 1: she got taken in the four I'm thinking I'm thinking

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Speaker 1: a nine split. Okay, I think profits there you are.

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Speaker 1: What the hell are you doing in here? You're a dipio.

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Speaker 1: You work at Dipio. Get that, get over, get off that,

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Speaker 1: come over walking any coffege episode who it works. I

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Speaker 1: can go into any force in countries. It looks like

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Speaker 1: this tree was I would imagine filled with an X.

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Speaker 1: That's I believe what took this tree down. No, no,

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Speaker 1: I'm saying probably the trees cause of death is probably changed.

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Speaker 1: And I've I've been one to to check cause of

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Speaker 1: death for a lot of time. Yeah, but I used to,

359
00:22:26,240 --> 00:22:28,480
Speaker 1: like I used to chop down trees for a living.

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Speaker 1: Oh yeah, you don't get these boots from living in

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Speaker 1: the city all my life. No, I just raised reason.

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Speaker 1: I'm a recent transfer. You can write down whatever you

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Speaker 1: want in the report, but I'm telling you this is

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Speaker 1: a chainsaw. Cause it cause of death for this tree's chainsaw?

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Speaker 1: All right? So you know, hey, Joey. What's up. It's Chris.

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Speaker 1: If you'd like to leave a message, press one. I'll

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Speaker 1: press one anyways, up, dude, it's Chris. Uh just chilling,

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Speaker 1: chilling dude. So I've never heard of a depio before,

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Speaker 1: a dippo, a depot. Hello, what's up? Playboy? And they're

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00:23:12,560 --> 00:23:16,000
Speaker 1: gonna like me calling you much. You've we've had this

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Speaker 1: conversation before. Just quick, what are you? Are you hurt? Nobody?

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Speaker 1: Just stay in the bath. Yeah it is you guys

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Speaker 1: hanging like. Yeah, he's never had a salt soap before.

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Speaker 1: Some giving him the rundown. This water is lukewarm. Yeah,

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Speaker 1: well then what do you want me to do? Man?

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00:23:38,240 --> 00:23:41,360
Speaker 1: Make it hotter? Um. Just I'll let you go. It'll

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Speaker 1: be quick. What's the name of that coffee shop you referenced,

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00:23:45,800 --> 00:23:48,399
Speaker 1: the cup shop I go to? Yeah, you go to

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00:23:48,880 --> 00:23:53,199
Speaker 1: Dipio Dippio. Yeah, it's right next to recording Brothers. They

380
00:23:53,240 --> 00:23:55,000
Speaker 1: have like all the hottest acts like right over there.

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00:23:55,040 --> 00:24:01,840
Speaker 1: They just can I get date smoke cappuccino? Of course

382
00:24:02,000 --> 00:24:06,359
Speaker 1: first I'll carve it in a piece of wood. Did

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Speaker 1: under my name? Probably don't have to tell you, no, no,

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00:24:11,200 --> 00:24:16,000
Speaker 1: I always needn't case you can put it under Selin.

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Speaker 1: Oh I thought I thought you were my lost love Deborah.

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Speaker 1: Oh my god, I thought we were right there. We

387
00:24:27,080 --> 00:24:29,800
Speaker 1: were all in the pocket, along with that poor poor lumberjack.

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00:24:34,000 --> 00:24:36,679
Speaker 1: Seeing three comes from from patron v I P. Philip

389
00:24:37,160 --> 00:24:41,600
Speaker 1: or Phil who wrote, Dear Lovely Alchemists, I'm just testing

390
00:24:41,680 --> 00:24:44,800
Speaker 1: your new email. Even though I am a Patreon. My

391
00:24:45,119 --> 00:24:48,480
Speaker 1: last scene suggestion was apparently shited, but I take no offense.

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00:24:48,640 --> 00:24:51,200
Speaker 1: I still love you, maybe even more so you see

393
00:24:51,240 --> 00:24:55,200
Speaker 1: the rest of you. That's how that works best. My

394
00:24:55,320 --> 00:24:58,040
Speaker 1: new scene suggestion is also inspired by real life. It

395
00:24:58,119 --> 00:25:00,560
Speaker 1: comes from a story from my Irish friend mentioned while

396
00:25:00,640 --> 00:25:04,879
Speaker 1: reminiscing his childhood. He said, all boys Catholic school and

397
00:25:04,920 --> 00:25:08,960
Speaker 1: all girls Convent school across the road. They have to

398
00:25:09,080 --> 00:25:12,680
Speaker 1: take the same bus back home after school. There is

399
00:25:12,760 --> 00:25:16,000
Speaker 1: a lot of tension. Hopefully this one makes the cut.

400
00:25:16,480 --> 00:25:20,280
Speaker 1: P S. I still want Joey to tell us who's slim.

401
00:25:20,359 --> 00:25:25,240
Speaker 1: Oh take care, Phil, oh man, I'm so fucking horny,

402
00:25:27,400 --> 00:25:34,879
Speaker 1: so horny, sister Sister Mary, just keep it together. I

403
00:25:34,960 --> 00:25:40,680
Speaker 1: know we've all taken an Sister Mary, just just we

404
00:25:40,800 --> 00:25:44,080
Speaker 1: took that oath. It's fine. Respect, Let's take a moment

405
00:25:44,119 --> 00:25:49,200
Speaker 1: to pray. Let's let the feelings pass. It's almost summer vacation.

406
00:25:49,320 --> 00:25:54,120
Speaker 1: We can't just we can't just you know, for summer vacation. Yeah,

407
00:25:54,200 --> 00:25:57,600
Speaker 1: take a little vacation from our vows. Father, Oh, Leary, No,

408
00:25:57,720 --> 00:26:02,240
Speaker 1: we can't do that. Come on, horny, Mom, he's Horney.

409
00:26:02,280 --> 00:26:06,520
Speaker 1: I'm horny. We can really work it out. Father, father,

410
00:26:06,720 --> 00:26:10,200
Speaker 1: father's sister. Where do I get the bus home? I

411
00:26:10,440 --> 00:26:12,880
Speaker 1: don't see you know, you're just gonna follow this track

412
00:26:13,040 --> 00:26:15,360
Speaker 1: right here, the s gravel track, right, it's gonna lead

413
00:26:15,520 --> 00:26:18,320
Speaker 1: right out to that gate. Just wait right there. Okay, okay,

414
00:26:18,480 --> 00:26:23,159
Speaker 1: thank you, father, father's sister. You're up. You're welcome. Just

415
00:26:23,400 --> 00:26:26,320
Speaker 1: going just the summification. The kids are gonna be doing

416
00:26:26,400 --> 00:26:28,920
Speaker 1: bad things. We should be able to do bad things. No, really,

417
00:26:29,040 --> 00:26:33,920
Speaker 1: by example, yeah, exactly what they're already doing. Watching they're

418
00:26:33,960 --> 00:26:36,320
Speaker 1: doing it, because apparently y'all are doing it. What is

419
00:26:36,359 --> 00:26:38,399
Speaker 1: going on? We're not doing it yet, We're just so

420
00:26:41,000 --> 00:26:45,400
Speaker 1: this is hey, kids, this buss here, this bus line

421
00:26:45,440 --> 00:26:50,080
Speaker 1: is gonna go to Main Street and third. I don't

422
00:26:50,119 --> 00:26:52,120
Speaker 1: think that's just supposed to drop us off at home

423
00:26:52,400 --> 00:27:00,880
Speaker 1: at home in our houses. What did you say? No, one. Uh, yeah,

424
00:27:00,920 --> 00:27:03,000
Speaker 1: I just need to get there. I got a meeting.

425
00:27:03,520 --> 00:27:09,159
Speaker 1: That's a financial district. New to bus driving? No, No,

426
00:27:09,359 --> 00:27:12,080
Speaker 1: I'm not new to it. I'm just a are you

427
00:27:12,200 --> 00:27:15,840
Speaker 1: in Are you in finance? My friends and I went

428
00:27:15,880 --> 00:27:18,119
Speaker 1: to high school with him. He's in finance. Now, don't

429
00:27:18,200 --> 00:27:21,439
Speaker 1: do it. Don't do it. I'll tell him why. Tommy

430
00:27:21,960 --> 00:27:24,880
Speaker 1: business plan is great. I just come under him. Don't

431
00:27:25,040 --> 00:27:29,439
Speaker 1: do it, time and time again. The blue collar worker.

432
00:27:29,640 --> 00:27:33,240
Speaker 1: The labor puts all their hard earned savings into a

433
00:27:33,400 --> 00:27:36,399
Speaker 1: good idea, and time and time again they lose that

434
00:27:36,560 --> 00:27:39,160
Speaker 1: next egg better. Yeah, if I were you, I would

435
00:27:39,240 --> 00:27:43,480
Speaker 1: invest in it. Low something E t F. What's that word?

436
00:27:44,240 --> 00:27:46,280
Speaker 1: Tell me? You seem like a smart kid? Keep going,

437
00:27:47,040 --> 00:27:51,200
Speaker 1: asked my friend. What's that word low? What? Low risk? Spaghetti? Mo? Spaghetti?

438
00:27:51,840 --> 00:27:57,480
Speaker 1: A low spaghetti index? Bon sorry, index one, low spaghetti

439
00:27:57,560 --> 00:28:02,080
Speaker 1: index mon if you want? Okay, sir, Yeah, welcome to

440
00:28:02,200 --> 00:28:05,560
Speaker 1: Chase Bank. How can I help you? We're here with him. Oh,

441
00:28:06,520 --> 00:28:10,840
Speaker 1: tell your children. That's fine, there's some likes him up,

442
00:28:10,960 --> 00:28:13,480
Speaker 1: so I can bring these kids in. Yeah, of course.

443
00:28:14,200 --> 00:28:15,840
Speaker 1: Why wouldn't you be able to have kids to the bank.

444
00:28:15,960 --> 00:28:17,879
Speaker 1: We want to talk to his friend who has a

445
00:28:18,119 --> 00:28:21,399
Speaker 1: good idea. All right, who are you looking for, sir,

446
00:28:22,640 --> 00:28:28,480
Speaker 1: Pete McGrath, Pete McGrath looking for the Comptones. Yeah, I

447
00:28:28,520 --> 00:28:32,679
Speaker 1: know who he is. That guy's a dirt bag, all right,

448
00:28:33,960 --> 00:28:37,040
Speaker 1: stole my lunch and then dumped the coke all over

449
00:28:37,160 --> 00:28:41,120
Speaker 1: my pants. What's happy? Yeah, I'll get him for you, buddy, Yeah,

450
00:28:41,320 --> 00:28:44,920
Speaker 1: I'll get him for you. I feel like he editorialized

451
00:28:45,000 --> 00:28:49,640
Speaker 1: unnecessarily and just could have answered your request. I like

452
00:28:49,760 --> 00:28:54,360
Speaker 1: the information added to the character. Oh yes, okay, he's

453
00:28:54,360 --> 00:29:05,600
Speaker 1: a good old friend. So oh whoa way? No way?

454
00:29:06,160 --> 00:29:09,160
Speaker 1: What do you mean? No way? Hi, Pete, how do

455
00:29:09,240 --> 00:29:11,880
Speaker 1: you do? We are in sixth grade. No need to

456
00:29:11,960 --> 00:29:14,080
Speaker 1: introduce us individually, but we would like to hear what

457
00:29:14,160 --> 00:29:16,840
Speaker 1: plan you have for this bus driver. I imagine you

458
00:29:17,000 --> 00:29:19,160
Speaker 1: must want a signature because I used to play for

459
00:29:19,240 --> 00:29:23,600
Speaker 1: the Come Tones. What's the plan? They want to hear

460
00:29:23,640 --> 00:29:28,000
Speaker 1: your financial idea for me? Well, it was just for

461
00:29:28,120 --> 00:29:30,120
Speaker 1: you and me. I don't know if we can let

462
00:29:30,200 --> 00:29:34,480
Speaker 1: everybody in on it. Um, no, they're not going to

463
00:29:34,560 --> 00:29:37,480
Speaker 1: get in on it. They just want to prove it. Oh,

464
00:29:37,640 --> 00:29:40,560
Speaker 1: they want to prove it? Well, what it is? Just that? Uh,

465
00:29:40,720 --> 00:29:43,960
Speaker 1: it's you're gonna be at one level below me. And

466
00:29:44,000 --> 00:29:45,600
Speaker 1: you got to keep this in the deal because I'm

467
00:29:45,600 --> 00:29:48,320
Speaker 1: not supposed to be doing this at Chase Bank. Can

468
00:29:48,360 --> 00:29:50,600
Speaker 1: you speak up a little? I got to keep it

469
00:29:50,680 --> 00:29:54,440
Speaker 1: low because that guy that you you sent over to me, Ryan,

470
00:29:54,600 --> 00:29:57,000
Speaker 1: he's a real piece of ship. Hey come, hey, come

471
00:29:57,080 --> 00:29:58,960
Speaker 1: tone guy, and that works at the bank. Can I

472
00:29:59,320 --> 00:30:02,040
Speaker 1: wut your something real quick? So my dad kind of

473
00:30:02,120 --> 00:30:04,680
Speaker 1: freaked out during the pandemic and got way too much

474
00:30:04,760 --> 00:30:08,040
Speaker 1: toilet paper. I'm talking to garageful and I'm thinking about

475
00:30:08,600 --> 00:30:14,080
Speaker 1: starting a cryptocurrency with it called shit coin. Oh good.

476
00:30:15,480 --> 00:30:19,000
Speaker 1: I don't think you understand how crypto works. P I

477
00:30:19,040 --> 00:30:22,320
Speaker 1: don't think you understand how sarcasm works. Were pulling your leg?

478
00:30:23,680 --> 00:30:25,400
Speaker 1: Is our bus driver friend here going to give you

479
00:30:25,600 --> 00:30:31,240
Speaker 1: any money unless you can give us? Father O'Leary, Sister Mary,

480
00:30:31,920 --> 00:30:35,280
Speaker 1: what is this I'm here? I didn't know. It's a pressure.

481
00:30:35,320 --> 00:30:40,120
Speaker 1: It's a pressure. It's always a press. You relieve it

482
00:30:40,600 --> 00:30:44,560
Speaker 1: through prayer. I'm crossing my legs hard and you're better

483
00:30:44,600 --> 00:30:46,520
Speaker 1: to the shign of the cross wills you're at it.

484
00:30:47,560 --> 00:30:52,240
Speaker 1: Father's do Holy Spirit, good God help me? Oh he will,

485
00:30:52,560 --> 00:30:59,680
Speaker 1: But only if you really, really, really Father McAvoy, I

486
00:30:59,800 --> 00:31:02,520
Speaker 1: am nderstand you've been talking to the other people in

487
00:31:02,600 --> 00:31:09,080
Speaker 1: the parish and Father FITZI seems like we've gotten some

488
00:31:09,240 --> 00:31:13,640
Speaker 1: reports that maybe you're not who you say you are. Okay, fine, fine,

489
00:31:14,120 --> 00:31:18,520
Speaker 1: I'm not perfect who is I'm just an Irish Catholic priest.

490
00:31:19,720 --> 00:31:22,720
Speaker 1: Father mits you listen, we're getting all the way over

491
00:31:22,760 --> 00:31:24,840
Speaker 1: at the temple that things aren't going so well at

492
00:31:24,840 --> 00:31:27,520
Speaker 1: the parish. What's up? We I think we have an

493
00:31:27,560 --> 00:31:32,600
Speaker 1: infiltrator somebody's kid. Excuse me, what kind of infiltrated? What

494
00:31:32,680 --> 00:31:36,080
Speaker 1: can I do? Rabbi Jack and Stein, Hey, listen to

495
00:31:36,320 --> 00:31:40,600
Speaker 1: us youth counselors here at Christian youth camp here that

496
00:31:42,600 --> 00:31:46,120
Speaker 1: here that you mightbe haven't trouble. We want to invite

497
00:31:46,160 --> 00:31:48,800
Speaker 1: you guys to our Wednesday morning worship. It's all electric,

498
00:31:48,920 --> 00:31:54,120
Speaker 1: it's all a youth counselor. Jefferson, come on any real quick.

499
00:31:55,000 --> 00:31:57,400
Speaker 1: What's up? Yeah, this is the Wicked counsel We just

500
00:31:57,440 --> 00:31:59,200
Speaker 1: want to have a quick chat with you about what

501
00:31:59,360 --> 00:32:03,640
Speaker 1: you're doing to serve the devil. Uh So, first of all,

502
00:32:03,720 --> 00:32:06,360
Speaker 1: if you could start telling us how you're trying to

503
00:32:06,480 --> 00:32:09,960
Speaker 1: promote evil throughout the world, I think I want to

504
00:32:10,000 --> 00:32:12,680
Speaker 1: speak to everybody here in the cloaks. Um. I can't

505
00:32:12,680 --> 00:32:14,880
Speaker 1: see your faces, but I know you're there. Don't worry

506
00:32:14,920 --> 00:32:20,480
Speaker 1: about exhibit. My tips are bleached? Are they not well? Good?

507
00:32:21,120 --> 00:32:25,480
Speaker 1: Right on? Right on? This necklace is saying something, is

508
00:32:25,520 --> 00:32:29,640
Speaker 1: it not? We're not sure about that one. And then lastly,

509
00:32:29,760 --> 00:32:35,600
Speaker 1: look at how I sit on the back of this chair. Uh. Yeah,

510
00:32:36,240 --> 00:32:39,960
Speaker 1: I'm inviting Satan into every worship I do. All right,

511
00:32:40,000 --> 00:32:42,080
Speaker 1: we'll go back and tell the Rabbi you were talking

512
00:32:42,120 --> 00:32:48,480
Speaker 1: to clergyman of all sex and all religions. I called

513
00:32:48,560 --> 00:32:53,120
Speaker 1: this meeting and maybe clergyman is not the right word,

514
00:32:53,240 --> 00:32:57,520
Speaker 1: but you get it. I'm calling this meeting because we

515
00:32:57,640 --> 00:33:00,920
Speaker 1: have some concerns. We have some concerns that not just

516
00:33:01,120 --> 00:33:03,320
Speaker 1: one of you, are previous concerns that one of you

517
00:33:03,480 --> 00:33:07,000
Speaker 1: was missdoubt firing and let's be honest, it was father

518
00:33:07,080 --> 00:33:12,160
Speaker 1: fits Yes, huh the right boots for this meeting? If

519
00:33:12,200 --> 00:33:18,240
Speaker 1: there alligator, yes, If they're anything else, absolutely, I was

520
00:33:18,320 --> 00:33:20,960
Speaker 1: told I need to show my boots, So I'm doing that.

521
00:33:21,360 --> 00:33:26,680
Speaker 1: That's all. Thank you, Thank you nice. It looks like

522
00:33:26,800 --> 00:33:30,200
Speaker 1: they're great boots. Okay, So I just laser focus back

523
00:33:31,520 --> 00:33:37,000
Speaker 1: Mrs doubt firing father fits Okay, sure, Yeah, that's that's

524
00:33:37,040 --> 00:33:39,720
Speaker 1: depio pour over. It's a graph of debio for over.

525
00:33:39,880 --> 00:33:47,640
Speaker 1: Please help yourself. Um, there was there was it? Hey? Jackie? Hello, Chris?

526
00:33:47,960 --> 00:33:53,000
Speaker 1: Hey you answered? Yeah, I thought about screening your call,

527
00:33:53,800 --> 00:33:59,600
Speaker 1: but I didn't. Um make it good? Had you? You've

528
00:33:59,640 --> 00:34:03,400
Speaker 1: also of dippio? Yeah, Dipio coffee. It's super good. Is

529
00:34:03,480 --> 00:34:07,760
Speaker 1: it like an east side thing? It's behind the intelligencia,

530
00:34:07,760 --> 00:34:11,279
Speaker 1: and the intelligencia gets a lot of the fanfare. Um.

531
00:34:11,719 --> 00:34:15,279
Speaker 1: But if you go behind it, Jackie, it's your turn.

532
00:34:16,239 --> 00:34:20,200
Speaker 1: James enough, come on hanging with James Heeney. Yeah, I'm

533
00:34:20,239 --> 00:34:25,839
Speaker 1: just giving him a bit of a rub down. He's tight.

534
00:34:26,160 --> 00:34:30,239
Speaker 1: It's not a it's pats that uh work, and I'm

535
00:34:30,280 --> 00:34:31,960
Speaker 1: just gonna give him a bit of a rub down.

536
00:34:32,080 --> 00:34:35,160
Speaker 1: It's just a massage thing. It's a deep massage. I

537
00:34:35,200 --> 00:34:38,160
Speaker 1: didn't even though you guys knew each other. What Chris? What?

538
00:34:38,320 --> 00:34:41,439
Speaker 1: Why are you calling me? Um? It's two in the afternoon, dude?

539
00:34:41,480 --> 00:34:44,960
Speaker 1: What what? I just felt like Jackie said that the

540
00:34:45,040 --> 00:34:48,120
Speaker 1: Dipio is behind intelligencia. That doesn't seem like. That doesn't

541
00:34:48,120 --> 00:34:56,280
Speaker 1: seem real, Dude, you heard no, okay, it's checkmate, No bullshit?

542
00:34:56,440 --> 00:35:01,440
Speaker 1: D Is that is that Kevin? Uh? It's Kevin at

543
00:35:01,480 --> 00:35:03,840
Speaker 1: a tool? Yeah you could Kevin wasn't that was a

544
00:35:03,880 --> 00:35:09,000
Speaker 1: tool saying it. But Kevin's here as well. Oh okay,

545
00:35:10,239 --> 00:35:11,680
Speaker 1: I think I would have hit at that coffee shop.

546
00:35:11,800 --> 00:35:17,840
Speaker 1: See what's uppio? Yeah? Yeah, luck dude? Wait what do

547
00:35:17,920 --> 00:35:21,279
Speaker 1: you mean it's Jeff field Man? You know I like that,

548
00:35:21,440 --> 00:35:23,160
Speaker 1: you know I like this. But it is a real place,

549
00:35:23,320 --> 00:35:28,840
Speaker 1: right yeah? Oh yeah? And where do you think it is? What? Where? Like?

550
00:35:29,000 --> 00:35:33,640
Speaker 1: Where is it located? Welcome topio? Before you order? Can

551
00:35:33,680 --> 00:35:43,080
Speaker 1: I get your name? Please? Wow? Sister Susan's sister Susan.

552
00:35:43,480 --> 00:35:46,120
Speaker 1: You can put it under sister. It's actually sister Mary.

553
00:35:46,200 --> 00:35:49,719
Speaker 1: But right down, sister Susan. I like that. I'm gonna

554
00:35:49,719 --> 00:35:52,359
Speaker 1: whiddle you something real nice to have forever. And they'll

555
00:35:52,400 --> 00:35:55,720
Speaker 1: say sister Susan and you'll be oh, if it's forever,

556
00:35:55,840 --> 00:36:00,239
Speaker 1: then please put my real name, sister Mary. Okay, I'll agent.

557
00:36:00,360 --> 00:36:02,359
Speaker 1: I gotta forget a new piece of wood and start over.

558
00:36:04,239 --> 00:36:11,200
Speaker 1: You're you're beautiful. My name is Matt. You're beautiful. Is

559
00:36:11,520 --> 00:36:21,480
Speaker 1: there a corner of this desk? I can just baby cakes,

560
00:36:22,120 --> 00:36:28,279
Speaker 1: sister baby cakes. Um, what a wild, wonderful ride for

561
00:36:28,520 --> 00:36:34,279
Speaker 1: today those of you Patron members. Um, Christie, want to

562
00:36:34,280 --> 00:36:37,960
Speaker 1: tell everybody where you're coming from today and for the show. Yeah,

563
00:36:38,000 --> 00:36:41,600
Speaker 1: I'm coming live from your home, specifically in what we're

564
00:36:41,640 --> 00:36:48,880
Speaker 1: calling the drinks closet, that's what Jackie called it. I

565
00:36:48,960 --> 00:36:54,480
Speaker 1: had some technical issues and you were very uh gracious enough, right,

566
00:36:54,560 --> 00:36:58,319
Speaker 1: what's the word kind enough? Gracious? Covered? Yeah? Yeah, yeah,

567
00:36:58,480 --> 00:37:00,680
Speaker 1: to invite me over to record from your home, which

568
00:37:00,760 --> 00:37:03,120
Speaker 1: is a lot nicer than my home, you know what

569
00:37:03,160 --> 00:37:04,440
Speaker 1: I mean. So it was good here and I'm helping

570
00:37:04,480 --> 00:37:06,160
Speaker 1: wading on to a couple of a couple of drinks.

571
00:37:06,200 --> 00:37:09,680
Speaker 1: Oh yeah, oh dude, this drinks, this drinks closet is

572
00:37:09,920 --> 00:37:12,359
Speaker 1: better than most people's whole home. So thank you so much,

573
00:37:12,600 --> 00:37:15,520
Speaker 1: thanks for having me. Yeah, I love your home that

574
00:37:16,440 --> 00:37:19,560
Speaker 1: that I've seen of it in our zoom meetings. Thank

575
00:37:19,600 --> 00:37:25,359
Speaker 1: you so thanks for being here. Uh Jackie, what room

576
00:37:25,400 --> 00:37:29,120
Speaker 1: are you in? I'm in a different room. I'm in

577
00:37:29,200 --> 00:37:34,160
Speaker 1: the bedroom instead of the office. That's sort of tracks

578
00:37:34,239 --> 00:37:38,400
Speaker 1: with a lot of the content today. Pat needed the

579
00:37:38,480 --> 00:37:41,520
Speaker 1: office and so here I am in the bedroom. No problem,

580
00:37:41,920 --> 00:37:44,960
Speaker 1: it's Matt. Oh, thank you so sorry. Oh my god,

581
00:37:45,280 --> 00:37:54,160
Speaker 1: it's embarrassing. It's Matric's well. Thank you for being here

582
00:37:54,200 --> 00:37:57,000
Speaker 1: as always, thank you for having me, and thank you. Welcome.

583
00:37:57,360 --> 00:38:00,719
Speaker 1: Welcome to Baron Wasteland. That is my room, loving it.

584
00:38:02,239 --> 00:38:04,919
Speaker 1: Jimmy James Hinney, let's stay on the theme. Where where

585
00:38:05,080 --> 00:38:09,360
Speaker 1: the funk are you? I'm in Sodona, Arizona. Behind me,

586
00:38:10,480 --> 00:38:14,800
Speaker 1: don't dream so you know what computers? You know what?

587
00:38:14,880 --> 00:38:18,640
Speaker 1: I shouldn't move. There's computer pieces all around me. But

588
00:38:18,760 --> 00:38:22,880
Speaker 1: I'm in Sedona, Arizona. Well, enjoy it's a beautiful place, uh,

589
00:38:23,040 --> 00:38:28,040
Speaker 1: in in the world a tool. I know where you are.

590
00:38:28,120 --> 00:38:31,360
Speaker 1: I do recognize it. Thank you for being here today.

591
00:38:31,640 --> 00:38:36,480
Speaker 1: Thanks no, this is wonderful. Um. Yeah, I'm just excited

592
00:38:36,520 --> 00:38:39,239
Speaker 1: to be here and it's it's great. It was really

593
00:38:39,280 --> 00:38:41,520
Speaker 1: great having you. Uh as much as I feel like

594
00:38:41,600 --> 00:38:43,520
Speaker 1: this sign off is kind of phoned in, Yeah, I

595
00:38:43,640 --> 00:38:45,120
Speaker 1: was trying to do it where I am a bit

596
00:38:45,200 --> 00:38:47,600
Speaker 1: and I couldn't think of anything, and then the blue

597
00:38:47,600 --> 00:38:50,040
Speaker 1: wall behind me. I really panicked. So that's all the

598
00:38:50,080 --> 00:38:53,880
Speaker 1: emotions I went through. The blue seems very familiar, but

599
00:38:54,040 --> 00:38:59,879
Speaker 1: to your left looks to be almost a bedpost. It's

600
00:39:00,000 --> 00:39:01,799
Speaker 1: on a bit posts. It's a it's just a lamp.

601
00:39:02,360 --> 00:39:04,520
Speaker 1: It's a no, it's in the it's in the foyer.

602
00:39:05,080 --> 00:39:11,719
Speaker 1: But it's a nice uh phallic it's just a nice beam,

603
00:39:11,880 --> 00:39:14,879
Speaker 1: support beam of some sort. There's the word support beam.

604
00:39:15,840 --> 00:39:19,160
Speaker 1: And Joey Greer thank you as well. Thank you for

605
00:39:19,280 --> 00:39:23,560
Speaker 1: having me. Always a pleasure, is it though? At times?

606
00:39:23,880 --> 00:39:27,080
Speaker 1: At times? And I am in front of a psychic

607
00:39:27,160 --> 00:39:29,200
Speaker 1: shop right now. Yes, you are all right, and that's

608
00:39:29,200 --> 00:39:31,640
Speaker 1: just what people know. That's so I am doing live

609
00:39:31,719 --> 00:39:33,680
Speaker 1: read he just come on through. I'll be able to

610
00:39:33,719 --> 00:39:35,920
Speaker 1: tell you what's going on in your past, present future.

611
00:39:37,000 --> 00:39:40,000
Speaker 1: You tell me. I need those psychic questions. Please write

612
00:39:40,000 --> 00:39:42,080
Speaker 1: to us at Alchemy this email at gmail dot com.

613
00:39:42,480 --> 00:39:47,520
Speaker 1: Let's thank Doug Bain five folks that I heart media

614
00:39:49,760 --> 00:39:50,960
Speaker 1: and the rest of you, thank you so much for

615
00:39:50,960 --> 00:39:52,719
Speaker 1: being here today. Please be kind to each other. It's

616
00:39:52,719 --> 00:39:55,439
Speaker 1: the easiest option. Until next time, I'm your host, Kevin

617
00:39:55,480 --> 00:40:07,200
Speaker 1: Pollock reminding you mm hmm and good and a book

618
00:40:07,280 --> 00:40:07,320
Speaker 1: of