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Speaker 1: We talked about this very early on in the podcast

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Speaker 1: that I haven't held on too many things. I also

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Speaker 1: was not a big journaler as a child, as you

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Speaker 1: can tell by this diary that I did keep. Look

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Speaker 1: at all these empty pages. For a few days, I

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Speaker 1: wrote a lot. So I don't know why I managed

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Speaker 1: to keep this diary. But it's from nineteen ninety six. Yes, yes, you.

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Speaker 2: Sent me a page for this one time, or you

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Speaker 2: sent me a quill from it. I sent you a

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Speaker 2: quote from it. Yeah.

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Speaker 1: I was a bring a birthday text to writer, something

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Speaker 1: that I had in this Let's see. So one of

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Speaker 1: my least favorite things I did in this journal was

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Speaker 1: I would write on days that said at the top

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Speaker 1: that it's February third, But then i'd write today is

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Speaker 1: the fifth. I think, well, why are you writing on

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Speaker 1: the third, Danielle, what on earth are you doing? And

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Speaker 1: then I would apologize to my journal for not writing

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Speaker 1: very often.

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Speaker 2: That's the world.

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Speaker 1: I talked to it like it was a person I

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Speaker 1: needed to. Then I'm letting down and constant and somebody

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Speaker 1: I was speaking to future me. Do you write, dear

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Speaker 1: journal or de dear diary, nice, dear diary. Today is

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Speaker 1: the fifth.

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Speaker 2: I think. Sorry, I haven't written in a few days.

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Speaker 1: Last night I forgot, and the night before that, I

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Speaker 1: spent the night at Vicki's. That's Angel and Vicki. Multiple

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Speaker 1: times I spent the night at Angel and Vicki's. Purpose

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Speaker 1: or did somebody not pick you up?

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Speaker 2: What happened? So wait? To grown ups, you would just

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Speaker 2: go spend the night at their house.

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Speaker 1: Well, sometimes like Jonathan and I spent the night over there, and.

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Speaker 3: Don't I don't want what is Honestly, guys, this is

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Speaker 3: something we should probably privately talk about, because this is

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Speaker 3: some of some of that is things where I go.

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Speaker 2: How come I don't.

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Speaker 1: Really because I also don't really remember it cool?

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Speaker 2: Oh did you drink something first and then remember what?

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Speaker 1: I don't know, but I spent the night at Vicki's.

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Speaker 1: I went to a party with Jonathan.

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Speaker 2: That was cool. Anyway, I'm going.

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Speaker 1: To spend the pages up to the fifth mostly talking

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Speaker 1: about the fifth.

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Speaker 2: I had the shittiest day.

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Speaker 1: First of all, school was boring, rehearsal sucks, and writer

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Speaker 1: was antisocial.

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Speaker 2: That could have been any day. Oh my god, because

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Speaker 2: it could have been any day. That's such a nice

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Speaker 2: way to say. Writer was just a grumpy writer was

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Speaker 2: anti social.

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Speaker 1: Realize bummed me out because I had a crush on writer.

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Speaker 1: So I was like, we're trying to figure out when

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Speaker 1: I had a crush on you, be six, it was

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Speaker 1: around the.

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Speaker 4: Night Jonathan, you had a crush on rider John one

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Speaker 4: teenage pin.

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Speaker 2: Up was not enough.

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Speaker 1: Jonathan and I weren't necessarily dating at this time. Jonathan

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Speaker 1: and I were really off and on regularly over the years.

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Speaker 1: But something also that should be noted for teenage Danielle

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Speaker 1: in my diary says like at the bottom, I love

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Speaker 1: Landon and Writer and David. I went to high school

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Speaker 1: with no idea who David is, no clue who David is.

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Speaker 1: But I had no problem writing the multiple people I

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Speaker 1: was in love with. It didn't there was not just

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Speaker 1: one person. Why would there be one persons.

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Speaker 2: Anti So you were antisocial? Yeah, of course, well, I continued.

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Speaker 1: Then we went to acting class, but not before we

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Speaker 1: picked up Rachel, which is underlined, so apparently it was cool.

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Speaker 2: Then we went to class. I was dating Rachel, That's

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Speaker 2: what I mean. Maybe underlining because you were angry about.

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Speaker 5: Having cool cool, But I do say then we went

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Speaker 5: to class and she was cool, Okay, we improved.

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Speaker 2: Oh, improv, you're right, improv. I was like, improved. I

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Speaker 2: don't improved on that. Yeah, you're right, I didn't do that.

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Speaker 1: Then we improved, and then we did our monologues. Mine

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Speaker 1: was horrid. Oh well, then Writer, I know I can't spell,

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Speaker 1: but I can use some words. Oh well, then Writer

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Speaker 1: and Rachel got all lovey dovey, and it made me

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Speaker 1: want a puke.

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Speaker 2: Oho, this is read. And then I say, then they

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Speaker 2: kissed and it looked so cute. What you want to puke?

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Speaker 2: But then you wanted to watch this kiss.

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Speaker 1: And I'm not saying I made a bunch of sense.

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Speaker 1: She's actually really sweet and cool. But I really like Writer.

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Speaker 1: I don't think she's right for him. Then again, maybe

88
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Speaker 1: i'm not either. There's some reason it's like a full

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Speaker 1: on crush too.

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Speaker 2: But you're like, I had no idea. But I do

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Speaker 2: remember like we were we were hanging out in ninety six,

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Speaker 2: because I remember, like, because I could drive, so you

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Speaker 2: actually spend time with me alone. I do remember like

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Speaker 2: this during this period, we like you would come to

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Speaker 2: my apartment. You came with Jonathan one time. I remember that. Yeah,

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Speaker 2: so yeah, so I guess we were spending a lot

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Speaker 2: of time together, and we were we spent a lot

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Speaker 2: of time together around this time.

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Speaker 1: Which is probably where my reasonableness in this comes along,

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Speaker 1: is that I probably without knowing it. You know, when

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Speaker 1: you spend a lot of time with people and you're

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Speaker 1: a kid, you're constantly going, is this more?

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Speaker 2: Is this more?

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Speaker 1: Because you're you're all you're first of all, you're just

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Speaker 1: all hormonal, and you are constantly like, what does it

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Speaker 1: mean to have a friendship with someone of the opposite set?

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Speaker 2: On a fugu kiss him? Do I want a.

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Speaker 1: Puke knowing he has a girlfriend? Or do I actually

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Speaker 1: think when they kiss they look real cute together? They're

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Speaker 1: cut cute together? Makes me want to peel? So then

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Speaker 1: I said, and then I went to Writer's house. We

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Speaker 1: went I went to Writer's house after class, and then

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Speaker 1: my mom picked me up and she was making useless

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Speaker 1: conversation just for the sake of talking. My poor mom

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Speaker 1: literally just trying to talk to me, how is work?

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Speaker 2: She wants to be what she wants the information you're

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Speaker 2: giving your diary, and you're just like probably stonewalling her

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Speaker 2: because I told you yep.

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Speaker 1: And then she she said that I was excluding her

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Speaker 1: from my life. How do you explain to your mother

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Speaker 1: you're growing up? I write in my diary.

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Speaker 2: She's never done that before. She has no idea.

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Speaker 1: So after long talks and lots of crying, nothing is resolved.

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Speaker 2: Then we both started crying and I grabbed her and

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Speaker 2: hugged her. What a day? Yuck. I love Landon and

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Speaker 2: my mom and David. I didn't make the list that day. No,

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Speaker 2: you're not on the list that day. Who is David?

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Speaker 2: And who is named David?

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Speaker 4: Walking around right now having no idea that Danielle Fischele

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Speaker 4: once had a huge crush on.

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Speaker 2: Him, I know I have to.

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Speaker 1: I mean, I don't even remember that I had a

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Speaker 1: crush on him, So how how I mean I really

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Speaker 1: have to go through this.

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Speaker 2: I didn't read a bunch of these. I literally just

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Speaker 2: picked what your mom was talking about too. And we

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Speaker 2: have her on the show like that you spent time

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Speaker 2: with me and I turned you against her. She has

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Speaker 2: to go pick you up from my apartment and you're

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Speaker 2: just like, mom, oh.

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Speaker 4: You were never moody with me, Like it was never

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Speaker 4: there's the you just never were not real, not that

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Speaker 4: I recall, I mean not that I remember, not where

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Speaker 4: it was ever like Man, because my diary was never

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Speaker 4: like Man.

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Speaker 2: I used to love Rider, but now he's a d

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Speaker 2: I think I I you know, I think I would

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Speaker 2: just I was always like I would just be sitting

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Speaker 2: on the side of the set, reading by myself and like,

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Speaker 2: you know, thinking my deep thoughts and I don't know,

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Speaker 2: like I you know, I wasn't mean. I don't think

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Speaker 2: I was mean. Like it was in my own head,

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Speaker 2: and you know, it was miserable in my own way,

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Speaker 2: probably you know, missing Rachel because I had to be

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Speaker 2: at work and couldn't be making out with her all

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Speaker 2: day or whatever whatever. I also love that we rehearse

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Speaker 2: all day and then we do an acting class.

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Speaker 1: Yeah, it would work all day and then go to

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Speaker 1: an acting class and then go back to your house

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Speaker 1: after and then there would probably be like people coming

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Speaker 1: over watching a movie or something, and then the next

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Speaker 1: day go back to work.

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Speaker 2: Wow.

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Speaker 4: So wait, just to get this out there, other than

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Speaker 4: on the show that one time, you guys never kissed,

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Speaker 4: never hooked up, never anything.

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Speaker 2: Right, nothing, okay, just just checking, just checking what if?

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Speaker 1: Will what if all this time we had been keeping

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Speaker 1: from you.

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Speaker 2: It's like the thing, you know, when I was spending

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Speaker 2: so much time at his house. Wouldn't that be funny?

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Speaker 4: You never know where It's like, well, okay, maybe we

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Speaker 4: were hooking up once, tise, I've got several of those stories.

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Speaker 4: We probably don't know. Yeah, that's true, people, we probably

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Speaker 4: don't know.

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Speaker 2: What you don't know is that Will and I were

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Speaker 2: hooking up for all.

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Speaker 1: I didn't think to ask. That's true, That's what I'm saying.

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Speaker 1: I mean, we were never moody with Will. We traveled

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Speaker 1: to Europe together. Hey, stranger things have happened. Welcome to

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Speaker 1: Podmeat's Diary. I'm Danielle Fischel, I'm writer Strong, and I'm David.

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Speaker 2: Yeah what if David was a code name for somebody.

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Speaker 2: But although you didn't feel the need to hide anything,

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Speaker 2: you were pretty up.

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Speaker 1: I told my diary everything, and I'm sure it's in

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Speaker 1: here in some of the pages leaving up to it.

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Speaker 2: I'm sure there's I'm sure there's something. Do you know

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Speaker 2: about Mortified? I love Mortified. He's so great he never

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Speaker 2: even heard of it.

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Speaker 1: I mean, also, you guys like dear Diary, Hey was

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Speaker 1: up and there was w H A Z and.

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Speaker 2: The up is an arrow?

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Speaker 4: Yes, yeah, perfect is strong the girls.

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Speaker 1: As man and guys, we have some big, big announcements.

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Speaker 2: First up, are you in Los Angeles and want to

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Speaker 2: see us in person?

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Speaker 4: But more importantly, do you want to see mister William

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Speaker 4: Daniels aka the Phoeneest of all Phoenees in person?

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Speaker 2: Well?

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Speaker 1: Join us on November seventeenth at the Orpheum in Los

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Speaker 1: Angeles for a very special Pod Meets World Live where

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Speaker 1: Bill Daniels will be joining us and some.

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Speaker 4: Other surprise special guests, but as stated, those are surprises.

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Speaker 2: Tickets and meet and greets are available now at Podmeetsworldshow

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Speaker 2: dot com.

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Speaker 1: And don't forget about Chicago November thirtieth at the Chicago

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Speaker 1: Theater and we can announce now we will be joined

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Speaker 1: by Anthony Tyler Quinn aka mister Turner.

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Speaker 2: That's going to be a special one. Some other cities

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Speaker 2: as well, New Orleans on December eighth, Atlanta on December ninth, Durham,

211
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Speaker 2: North Carolina on December tenth.

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Speaker 4: And Dallas and Austin in January. It gets are available

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Speaker 4: now at Podmeetsworldshow dot com. And we've got some new

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Speaker 4: merch We released three new shirts this month and we

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Speaker 4: love them all.

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Speaker 2: We have the ensorcell shirt celebrating our favorite word and

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Speaker 2: apparently the best way to make women do anything you

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Speaker 2: want on Boy Meets World. That's a deep cut.

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Speaker 4: But our two newest we heard your demands and we

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Speaker 4: have a property of John Adams High School shirt and

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Speaker 4: hoodie for the podcast department and it's available now, a

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Speaker 4: way to wrap the school and the pod at the

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Speaker 4: same time.

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Speaker 2: Those are going to sell like hotcakes.

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Speaker 1: And we finally did it. We made the Shan shirt.

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Speaker 2: That's right, the T shirt we talk about all the

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Speaker 2: time where it looks like Atlas holding a heart and

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Speaker 2: I wore it for like three seasons straight. We've replicated

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Speaker 2: it and it's available now.

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Speaker 1: Oh, I cannot wait to wear that big day for

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Speaker 1: Pod meets World. Go check them all out now and

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Speaker 1: join us for a show. Go to Podmeets worldshow dot

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Speaker 1: com now. So today we are recapping season three, episode fifteen,

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Speaker 1: The Heart is a Lonely Hunter. The title is a

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Speaker 1: playoff the debut novel from American author Carson McCullers that

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Speaker 1: was a literary sensation and was seventeenth on the Top

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Speaker 1: one hundred Novels of the twentieth Century by Time magazine.

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Speaker 2: Obviously as one would know. Of course I've never read

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Speaker 2: answered me neither no of it, but I've never written. Well,

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Speaker 2: now you have a book, the Book Club. There we Go.

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Speaker 1: It originally aired February second, nineteen ninety six. The synopsis

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Speaker 1: is that Sean starts to have serious feelings for a

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Speaker 1: nice girl, Dana Pruett, but she has doubts that Sean

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Speaker 1: is boyfriend material. It was directed by Jeff McCracken. It

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Speaker 1: was written by Kevin Kelton and guest starring Brandon Maggert

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Speaker 1: as Pat. He appeared in recurring sketches during the first

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Speaker 1: season of Sesame. Street, was Tone nominated in nineteen seventy

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Speaker 1: and appeared in the movie The World According to Garp.

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Speaker 2: And then we.

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Speaker 1: Have the debut of Larissa Olinik as Dana Brewed Yay.

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Speaker 1: She is a boy meets World favorite who is best

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Speaker 1: known as Alex mack and from Ten Things I Hate

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Speaker 1: About You. And then also we have Kimberly Scott as Sonya,

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Speaker 1: who's best known from The Abyss and Falling Down, and.

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Speaker 2: Danny Strong as Arthur.

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Speaker 1: So he may be a less recognizable name than say

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Speaker 1: Adam Scott or Bill Lawrence, but Danny is in the

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Speaker 1: top three most successful Boy Meets World alumni. He would

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Speaker 1: later show up on Seinfeld twenty nine episodes of Buffy,

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Speaker 1: a ton of Gilmore Girls, mad Men, and most recently

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Speaker 1: as Todd on Billions, but his biggest successes have been

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Speaker 1: behind the camera. He won a Golden Globe and an

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Speaker 1: Emmy and a Peabody for the HBO movie Game Change,

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Speaker 1: and one another Peabody for the recent Hulu limited series

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Speaker 1: Dope Sick.

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Speaker 2: His first big hit was rec Count. That was what

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Speaker 2: sort of launched him and the others entirely his own project.

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Speaker 2: Like he was at that point kind of just known

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Speaker 2: as an actor, and he decided to go to Florida

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Speaker 2: and do all this research on what happened during the

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Speaker 2: two thousand election, Yes exactly, And he did all his

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Speaker 2: own research, interviewed primary sources him by himself, and nobody's

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Speaker 2: paying him. And he wrote that incredible script and that

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Speaker 2: just launched his screenwriting career. And now he directs to

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Speaker 2: so successful and the nicest guy and like, I, you know,

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Speaker 2: I got to know him later because we were both

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Speaker 2: part of the like sort of troop of actors that

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Speaker 2: would participate in the thrilling adventure hour that podcast, and

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Speaker 2: it was actually a live show when we were doing it.

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Speaker 2: Eventually became a very successful podcast, and one time we

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Speaker 2: hosted the whole show as the two of us playing

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Speaker 2: the Strong brothers, and it was so fun and yeah,

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Speaker 2: but it was funny because I didn't really remember him.

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Speaker 2: I knew I had met him before, but I couldn't

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Speaker 2: tell you, like what episode of I didn't really work

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Speaker 2: with him on. This episode was all you will?

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Speaker 4: Yeah is that I And I'm pretty sure I'm right.

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Speaker 4: This could be confused, and when I get into the story,

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Speaker 4: I'll understand, but I'm ninety nine percent sure I'm right.

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Speaker 4: I'm walking through the red Light District in Amsterdam one

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Speaker 4: day with Marsden and another friend who'd never seen the

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Speaker 4: red light district.

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Speaker 2: So it's like Tuesday morning.

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Speaker 4: You're like walking through, going like okay, so I'm just

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Speaker 4: showing you the touristy stuff. Here's like the red light District,

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Speaker 4: that kind of thing. And I turned the corner and

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Speaker 4: it's Danny with with another group of friends doing exactly

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Speaker 4: the same thing, and we're like.

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Speaker 2: What hey, And we just ended up hanging out for

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Speaker 2: the day. We didn't get the internship went to Amsterdam.

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Speaker 2: It was so strange. I just ran into him in

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Speaker 2: the streets of Amsterdam. It was really bizarre.

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Speaker 4: So I think that's the last time that I saw him.

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Speaker 4: But yeah, he was really nice to work with, incredibly funny.

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Speaker 4: But man who knew his writing?

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Speaker 2: And then didn't he create Empire? Yes, I'm not quite dumb.

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Speaker 1: He wrote Lee Daniels the Butler, and co wrote the

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Speaker 1: Hunger Games two part finale, Walking j Part one and

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Speaker 1: part two, and was the co creator of the Fox

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Speaker 1: hit series Empire.

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Speaker 4: So he's yes, amazing, amazing, Yeah, unbelievable.

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Speaker 2: When when the strike is ended, I hope we get

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Speaker 2: to have him on. Yes, that would be great. Uh

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Speaker 2: what did you guys think of this episode? It's good,

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Speaker 2: I thought so too. I liked it.

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Speaker 4: I liked it. I thought this is the start and

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Speaker 4: we're going to get into this and then the next episode.

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Speaker 4: But man, the dynamic is changing and it's Sean is

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Speaker 4: the lead of this show.

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Speaker 2: Corey Well, I think Ben head finals for both weeks.

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Speaker 1: No, no, not for both weeks, next next episode finals,

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Speaker 1: but this one, no, I think leading into finals week.

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Speaker 1: But also I love that this is like a two

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Speaker 1: parts the continuity.

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Speaker 2: We just it's really nice becoming more and more serialized

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Speaker 2: led relationship finally, like where it's at and how they're

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Speaker 2: managing their breakup and still being friends and all that.

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Speaker 2: It's really it's Yeah, it feels.

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Speaker 4: I like funny pop in, pop out Corey. I'm a

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Speaker 4: big fan of that.

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Speaker 2: I think it's also leaning into a little bit of

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Speaker 2: dweeby Cory, Yes, but in such a funny way. I'm

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Speaker 2: stuff that is so good at this since him so well,

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Speaker 2: and like, yeah, and I'm kind of at least for

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Speaker 2: this episode.

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Speaker 4: I'm sorry, I'm kind of like in Sean driving the

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Speaker 4: story and Corey popping in with funny one liners.

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Speaker 2: It just works. It's expanding the ensemble, right, I mean,

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Speaker 2: this is really paying off. I mean because I feel

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Speaker 2: like the seed was planted for this exact storyline. I'm

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Speaker 2: not going to remember the exact episode, but there was

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Speaker 2: an episode where Sean got dumped for being a bad

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Speaker 2: guy or not going to the side of the tracks.

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Speaker 2: Was not the one?

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Speaker 4: Wasn't that not going to the part you weren't invited

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Speaker 4: to the the rich girl?

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Speaker 2: Yes, dump by the rich girl, And so I feel

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Speaker 2: like this is just taking that sort of b story

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Speaker 2: and making it the a story and it's you know, sweet.

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Speaker 4: Worked, totally worked, and anytime it's you and Tony.

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Speaker 2: I'm still getting into this.

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Speaker 4: How they they look at that dynamic and how that's

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Speaker 4: working and go, yeah, we're gonna get rid of this.

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Speaker 2: And I will never understand. It doesn't make any sense,

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Speaker 2: you know, it is so great.

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Speaker 1: Well, let's jump into our recap. We start in Chubbys

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Speaker 1: Sean is making out with a new character.

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Speaker 2: No, there were no.

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Speaker 4: But that was the thing is there's always there's your

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Speaker 4: macking on each other, and there's nothing from this.

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Speaker 1: Probably wasn't recorded before the audience, and they chose, yeah,

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Speaker 1: it was a pre shot episode, a preshot scene, and

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Speaker 1: they probably chose not to add to it.

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Speaker 2: Yeah. So, and I go way back, right. I first

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Speaker 2: met Larissa when she was eight, I think she was

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Speaker 2: only eight years old and I was nine years old,

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Speaker 2: and we were cast together as the kids in Lama's

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Speaker 2: rob in San Francis. So we both had our first

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Speaker 2: big break, you know, moving from local community theater in

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Speaker 2: northern California to you know, what was a cattle call

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Speaker 2: audition where we all just lined up in five hundred

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Speaker 2: kids or whatever outside of the Current Theater in San Francisco,

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Speaker 2: and we both got cast that first day and spent

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Speaker 2: nine months together doing Lena's rob So we were so close.

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Speaker 2: You know, She's like she's like a sister to me,

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Speaker 2: and I remember this was kind of awkward because I've

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Speaker 2: never been romantic with each other and here we I

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Speaker 2: remember the first rehearsal being like, so we're gonna okay,

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Speaker 2: We're just gonna kiss, and just being like, oh, okay,

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Speaker 2: I guess this works. But yeah, I love Larissa. I

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Speaker 2: actually haven't seen her for a couple of years now.

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Speaker 2: She moved to New York and I think she's back

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Speaker 2: in LA now because she's been doing a show for Nickelodeon.

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Speaker 2: But she's Yeah, she's just been a lifelong friend and

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Speaker 2: so doing this was I remember when she got cast.

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Speaker 2: I don't know if they wrote the part for her,

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Speaker 2: but it was sort of like going full circle. It

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Speaker 2: was like being with like one of my oldest actor

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Speaker 2: friends and being able to do these scenes together. I

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Speaker 2: just I remember having a lot of fun this week

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Speaker 2: and being so happy that she was around that it

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Speaker 2: was great together. I mean, you can tell that you

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Speaker 2: guys have a connection there.

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Speaker 4: There's obviously chemistry between the two of your's actors because

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Speaker 4: you're great.

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Speaker 1: Yea, yeah, you can feel there's trust, like there's a

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Speaker 1: comfort and that that's so sweet.

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Speaker 2: So like were your fate Were your parents' friends too, Yeah, yeah,

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Speaker 2: our parents are. All of our parents were friends, and

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Speaker 2: we used to go to her house all the time.

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Speaker 2: She lived in She grew up in Palo Alto, so

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Speaker 2: she was like about like three hours away from where

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Speaker 2: I grew up. So actually, like going to San Francisco

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Speaker 2: to do the play every night was like we were

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Speaker 2: all commuting to the to the theater, but our parents

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Speaker 2: would like take turns watching us. We have the same

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Speaker 2: teacher behind, you know, backstage, but you know, when you're

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Speaker 2: doing Lamez. There were so many parts. I mean, like

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Speaker 2: her part in lame Is was actually young Cosette is done.

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Speaker 2: After one scene she sings Castle in a Cloud and

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Speaker 2: then you're just hanging out backstage and gav Rosha only

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Speaker 2: shows up in the right at the end of the

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Speaker 2: first stack. So there was so much downtime where we

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Speaker 2: were just running around. We owned the Current Theater, like

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Speaker 2: the Current Theater was like our playground. Basically, we went

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Speaker 2: through the earthquake of eighty nine together during rehearsals of Lame,

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Speaker 2: Like we just had so many life experiences that we

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Speaker 2: were there for, and like we would take you know,

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Speaker 2: between matinee performances and night performances, we would hang out

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Speaker 2: in this one. It's it's a it's the theater district

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Speaker 2: of San Francisco. Not a great neighborhood. It's like right

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Speaker 2: next to the Tenderloin, and but we were so comfortable there.

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Speaker 2: We would just we would roam the streets between between

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Speaker 2: shows and we had like all our favorite places to

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Speaker 2: get dinner and to hang out. And there was like

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Speaker 2: a glass elevator me you're talking about, like me walking

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Speaker 2: the streets in New York, and we we had a

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Speaker 2: middle with us at all times. We would go to

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Speaker 2: Fao Schwartz, which we could walk to Schwartz and we

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Speaker 2: do that. It was so fun, Like, yeah, we just

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Speaker 2: would we grew up together. Did you have a crush

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Speaker 2: on her, Yes, ok, definitely actually after this later later

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Speaker 2: I had a crush on her, but not at this point.

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Speaker 2: I don't think at this point she was just like

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Speaker 2: a little sister, right right, Okay, and that she is now.

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Speaker 4: You said three hours away, how far were your commute

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Speaker 4: every day to get to the stage.

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Speaker 2: Hour and a half from My mom talks about how

439
00:22:16,640 --> 00:22:19,560
Speaker 2: she would chew ice to stay awake to drive me

440
00:22:19,600 --> 00:22:23,440
Speaker 2: home because the show wouldn't end until you know, it's

441
00:22:23,440 --> 00:22:25,120
Speaker 2: a three hour show and would start at eight o'clock,

442
00:22:25,160 --> 00:22:27,200
Speaker 2: so the show wouldn't end until eleven, and then we'd

443
00:22:27,240 --> 00:22:28,879
Speaker 2: have to drive home and I would have school the

444
00:22:28,920 --> 00:22:31,280
Speaker 2: next day, so I would just pass out in the

445
00:22:31,280 --> 00:22:34,240
Speaker 2: back seat, and then my mom would be chewing ice

446
00:22:34,760 --> 00:22:36,800
Speaker 2: to drive, to stay awake to drive me home. It

447
00:22:36,880 --> 00:22:40,560
Speaker 2: was crazy, the commitment that my parents I cannot tell you,

448
00:22:40,680 --> 00:22:42,960
Speaker 2: like when I think about it, you know, like I

449
00:22:43,040 --> 00:22:45,000
Speaker 2: like roll my eyes having to drive twenty minutes to

450
00:22:45,000 --> 00:22:47,280
Speaker 2: take Indy to gymnastics. You know, like I can't imagine

451
00:22:47,400 --> 00:22:50,359
Speaker 2: eight shows a week, six nights a week, driving to

452
00:22:50,720 --> 00:22:53,040
Speaker 2: San Francisco. It was crazy, Like and that's you know,

453
00:22:53,160 --> 00:22:56,080
Speaker 2: that's I think that that's you know, and I the

454
00:22:56,160 --> 00:22:59,199
Speaker 2: parents of child actors are the people who are really working,

455
00:22:59,280 --> 00:23:01,320
Speaker 2: you know, because as a kid, you're just like, this

456
00:23:01,359 --> 00:23:03,119
Speaker 2: is all fun and you have so much energy that

457
00:23:03,119 --> 00:23:05,560
Speaker 2: never occurs to you that this is like such a

458
00:23:05,560 --> 00:23:08,760
Speaker 2: time commitment, such an energy drain. That it's really you know,

459
00:23:08,800 --> 00:23:11,399
Speaker 2: I think it's parents that make child actors successful or not.

460
00:23:11,440 --> 00:23:13,880
Speaker 4: Again, it depends on the parents, because my parents were

461
00:23:13,920 --> 00:23:14,760
Speaker 4: hugely supportive.

462
00:23:14,800 --> 00:23:16,840
Speaker 2: But they're both lawyers. They're like, we can't drive you anywhere.

463
00:23:16,880 --> 00:23:17,400
Speaker 2: We both have.

464
00:23:17,400 --> 00:23:19,040
Speaker 4: Jobs, so that's why I was on the bus all

465
00:23:19,080 --> 00:23:21,720
Speaker 4: the time. So yes, but it is. It's got an.

466
00:23:21,560 --> 00:23:24,920
Speaker 2: Hour and a half there in battle. That's so crazy crazy.

467
00:23:25,000 --> 00:23:29,680
Speaker 1: Okay, So we have Larissa her debut as Dana Pruett.

468
00:23:29,920 --> 00:23:32,439
Speaker 1: Sean tells her she's a great kisser and explains that

469
00:23:32,520 --> 00:23:34,399
Speaker 1: you know a lot of girls trap both lips in

470
00:23:34,440 --> 00:23:36,800
Speaker 1: this vacuum me suction thing, then your mouth caves in.

471
00:23:36,840 --> 00:23:38,960
Speaker 1: You've got to break the seal before your lungs pop.

472
00:23:39,320 --> 00:23:42,480
Speaker 2: Gross. Dana says she sure knows an awful lot about kissing.

473
00:23:42,720 --> 00:23:45,239
Speaker 1: He admits he's done some random sampling, but purely for

474
00:23:45,320 --> 00:23:48,320
Speaker 1: scientific reasons. They kiss again, and Sean says he really

475
00:23:48,359 --> 00:23:50,840
Speaker 1: likes her and she likes him too. Sean asks when

476
00:23:50,840 --> 00:23:53,120
Speaker 1: their second date will be, and Dana says she's doing

477
00:23:53,160 --> 00:23:55,239
Speaker 1: volunteer work at the blood drive. That this school has

478
00:23:55,280 --> 00:23:56,360
Speaker 1: every single money drive.

479
00:23:57,720 --> 00:24:01,560
Speaker 2: It's fine collecting a ton of blood at this school.

480
00:24:01,800 --> 00:24:04,359
Speaker 2: We need it. Man, what is happening where they need

481
00:24:04,359 --> 00:24:07,639
Speaker 2: this much blood at this high school? I love it? Wow?

482
00:24:07,720 --> 00:24:09,760
Speaker 2: And he says, well that blood drives not really his thing.

483
00:24:09,800 --> 00:24:12,239
Speaker 1: His dad only his dad always says, only volunteer if

484
00:24:12,240 --> 00:24:13,280
Speaker 1: they will douce your sentence.

485
00:24:13,720 --> 00:24:15,040
Speaker 2: And then Dana.

486
00:24:15,000 --> 00:24:18,560
Speaker 1: Offers a picnic instead, and Sean asks why they'd want

487
00:24:18,560 --> 00:24:20,920
Speaker 1: to eat outside, and Dana says it just two people

488
00:24:20,960 --> 00:24:22,879
Speaker 1: sitting on a blanket, really listening to what the other

489
00:24:23,000 --> 00:24:26,040
Speaker 1: has to say. Sean pretends to be excited and he says,

490
00:24:26,080 --> 00:24:29,000
Speaker 1: I love picnics, and Dane excitedly asks you do, and

491
00:24:29,040 --> 00:24:30,119
Speaker 1: then Sean tells the truth.

492
00:24:30,400 --> 00:24:34,440
Speaker 2: No, sorry, no, how about this this very prominent yin

493
00:24:34,560 --> 00:24:39,560
Speaker 2: yang Ring ying yang Ring, I'm d ing yang Ring,

494
00:24:39,640 --> 00:24:41,840
Speaker 2: and I'm sure I remember the second I saw it.

495
00:24:41,840 --> 00:24:43,600
Speaker 2: I was like, oh, yeah, that was mine. But I

496
00:24:43,640 --> 00:24:45,760
Speaker 2: have no idea where I got it or who gave

497
00:24:45,760 --> 00:24:47,440
Speaker 2: it to me or what the deal was. But man,

498
00:24:47,520 --> 00:24:50,720
Speaker 2: I wore that in real life, you were wearing that ring. Yeah,

499
00:24:51,040 --> 00:24:54,600
Speaker 2: I've noticed this whole episode, and we'll get into it

500
00:24:54,600 --> 00:24:56,480
Speaker 2: in the next scene with me and Larissa. A lot

501
00:24:56,520 --> 00:24:59,080
Speaker 2: of a lot of hand clutching going on, a lot

502
00:24:59,119 --> 00:25:02,040
Speaker 2: of looking down at our hands while we like grab

503
00:25:02,160 --> 00:25:06,399
Speaker 2: giant shirts and giant giant shirts. Yeah, that's the other

504
00:25:06,440 --> 00:25:07,080
Speaker 2: thing I noticed.

505
00:25:07,320 --> 00:25:11,960
Speaker 1: I do think handholding when you're young does really signify

506
00:25:12,000 --> 00:25:14,800
Speaker 1: how much you like somebody. Like to you, looking at

507
00:25:14,800 --> 00:25:16,840
Speaker 1: each other's hands is actually a very.

508
00:25:16,760 --> 00:25:20,000
Speaker 2: Sweet yeah, Like, yeah, we do it a little too much,

509
00:25:20,520 --> 00:25:22,640
Speaker 2: but we keep both both Larisa and I keep having

510
00:25:22,640 --> 00:25:24,200
Speaker 2: a habit of like looking down at our own hands.

511
00:25:24,200 --> 00:25:26,320
Speaker 2: I'm talking about like clutching our hands. There's a lot

512
00:25:26,359 --> 00:25:30,080
Speaker 2: of guys ring and looking down and like playing out

513
00:25:30,080 --> 00:25:34,160
Speaker 2: the nerves of like this awkward conversation with this, you know, mister,

514
00:25:35,040 --> 00:25:38,200
Speaker 2: but we do it a lot. He could have uses,

515
00:25:38,440 --> 00:25:40,400
Speaker 2: you know, a little note to be like, maybe maybe

516
00:25:40,400 --> 00:25:45,320
Speaker 2: don't take down the whole time we needed a hand wrangler. Great.

517
00:25:47,040 --> 00:25:49,160
Speaker 1: Sehn says they should get back to what they do best,

518
00:25:49,320 --> 00:25:51,399
Speaker 1: leading Dana to exclaim, you sure put a lot of

519
00:25:51,400 --> 00:25:53,960
Speaker 1: emphasis on kissing. He laughs and says, I just really

520
00:25:54,040 --> 00:25:57,159
Speaker 1: like it. Dana reveals that that's what she's heard. She

521
00:25:57,240 --> 00:25:59,359
Speaker 1: tells him a second date isn't the best idea, but

522
00:25:59,400 --> 00:26:01,840
Speaker 1: she thinks him for tonight. She walks away, and Sewn

523
00:26:01,960 --> 00:26:05,960
Speaker 1: is extremely confused, asking himself what just happened here? And

524
00:26:06,000 --> 00:26:08,040
Speaker 1: then we're in the school hallway. Corey comes running up

525
00:26:08,040 --> 00:26:09,960
Speaker 1: to Sean and he slams his locker door shut. He's

526
00:26:09,960 --> 00:26:12,480
Speaker 1: a little upset, but Sean says, you're always upset, which

527
00:26:12,520 --> 00:26:14,480
Speaker 1: I thought was great because that's that's.

528
00:26:14,280 --> 00:26:18,600
Speaker 2: The Corey we love. Yep, yep, always a problem. Yeah,

529
00:26:18,680 --> 00:26:22,080
Speaker 2: in a Henley and a flanneler looks good. It's a

530
00:26:22,119 --> 00:26:22,840
Speaker 2: good look for Corey.

531
00:26:22,840 --> 00:26:24,560
Speaker 1: It is a good look, and Corey says, yeah, but

532
00:26:24,600 --> 00:26:26,880
Speaker 1: I'm more upset than usual. Corey says he was having

533
00:26:26,880 --> 00:26:30,600
Speaker 1: breakfast with Janitor Bud this morning, and Sean asks Janitor Bud,

534
00:26:30,800 --> 00:26:32,639
Speaker 1: Corey clarifies, I owed him.

535
00:26:32,720 --> 00:26:35,200
Speaker 2: And I love that. There's no further explanation. We don't

536
00:26:35,480 --> 00:26:36,959
Speaker 2: need to know. I love that.

537
00:26:37,119 --> 00:26:40,280
Speaker 1: It's just they were having breakfast anyway. That's where Corey

538
00:26:40,280 --> 00:26:42,840
Speaker 1: found out that Sean went out with Dana Prewitt last night.

539
00:26:43,359 --> 00:26:45,520
Speaker 1: Corey's upset he didn't tell him. He emphasizes the fact

540
00:26:45,560 --> 00:26:47,760
Speaker 1: that Dana Pruitt is a very nice girl. Corey tells

541
00:26:47,800 --> 00:26:50,600
Speaker 1: him a girls like that could ruin Sean's reputation. Corey

542
00:26:50,600 --> 00:26:52,840
Speaker 1: and Janitor Bud were shocked that Sean went out with Dana,

543
00:26:52,880 --> 00:26:56,000
Speaker 1: which says a lot considering Bud has seen dead bodies

544
00:26:56,560 --> 00:26:57,080
Speaker 1: so good.

545
00:26:57,280 --> 00:27:00,919
Speaker 2: I just love all the Yeah. I wish if we

546
00:27:00,960 --> 00:27:03,080
Speaker 2: could go back and rewrite this episode. I want the

547
00:27:03,160 --> 00:27:05,960
Speaker 2: tag to just be Corey and gender Bud gossiping over

548
00:27:06,040 --> 00:27:08,600
Speaker 2: breakfast together, just having two of them with some coffee

549
00:27:08,600 --> 00:27:13,200
Speaker 2: and muffins, being like. And then Dana said, did you

550
00:27:13,359 --> 00:27:16,640
Speaker 2: hear the latest? Hear the latest? I just want more, Bud.

551
00:27:16,960 --> 00:27:19,240
Speaker 2: I love it so much. The other thing I noticed

552
00:27:19,280 --> 00:27:21,960
Speaker 2: about this the set. I don't know if this is.

553
00:27:22,000 --> 00:27:23,840
Speaker 4: This has probably been there the entire time and I've

554
00:27:23,840 --> 00:27:28,280
Speaker 4: never noticed it. But the door that is next to

555
00:27:28,359 --> 00:27:33,200
Speaker 4: the John Adams high head, the little statue says gymnasium.

556
00:27:33,720 --> 00:27:37,159
Speaker 2: Oh, so the GM is on this floor now? No,

557
00:27:37,200 --> 00:27:40,320
Speaker 2: because it's also where Turner comes out of his room.

558
00:27:41,000 --> 00:27:43,840
Speaker 2: So you're saying the downstage door that is usually Turner's

559
00:27:43,840 --> 00:27:46,200
Speaker 2: classroom above.

560
00:27:45,920 --> 00:27:49,000
Speaker 4: Up stage, yes, above it is now is now it's

561
00:27:49,240 --> 00:27:50,520
Speaker 4: and has that. I don't know if that's been there

562
00:27:50,560 --> 00:27:52,040
Speaker 4: the entire time, but that is now.

563
00:27:52,040 --> 00:27:55,520
Speaker 1: It plains while there's always so many jocks in the hallway.

564
00:27:55,600 --> 00:27:59,760
Speaker 4: Apparently, but that's now the gymnasium or has been the

565
00:27:59,800 --> 00:28:00,440
Speaker 4: whole time.

566
00:28:00,520 --> 00:28:02,920
Speaker 2: I don't know or i'd never seen it before. Yeah,

567
00:28:03,040 --> 00:28:05,800
Speaker 2: never have noticed it. No, me neither. Strange.

568
00:28:05,840 --> 00:28:07,639
Speaker 1: So Corey asks what it was like going out with

569
00:28:07,640 --> 00:28:09,560
Speaker 1: a nice girl, and Sean says he doesn't talk about

570
00:28:09,560 --> 00:28:11,679
Speaker 1: the girls he goes on dates with. Corey retorts, well,

571
00:28:11,720 --> 00:28:13,560
Speaker 1: that's not true. If it wasn't for Sean's stories and

572
00:28:13,600 --> 00:28:15,560
Speaker 1: the little pictures he draws, he wouldn't know nothing.

573
00:28:15,960 --> 00:28:18,720
Speaker 2: I love this dialogue, so funny. Little pictures. I just

574
00:28:18,760 --> 00:28:22,200
Speaker 2: see you drawing little pictures, little stick figures. I absolutely

575
00:28:22,280 --> 00:28:22,640
Speaker 2: love it.

576
00:28:22,920 --> 00:28:25,200
Speaker 1: Sean doesn't want to talk about Dana, and he will

577
00:28:25,200 --> 00:28:28,080
Speaker 1: not draw her for Corey. Corey smirks, you must really

578
00:28:28,160 --> 00:28:30,240
Speaker 1: like this girl, and Sean says he likes all girls,

579
00:28:30,240 --> 00:28:33,119
Speaker 1: and so far they've all liked him. And then Dana

580
00:28:33,119 --> 00:28:35,040
Speaker 1: walks down the stairs and asks Sean if she could

581
00:28:35,040 --> 00:28:37,840
Speaker 1: have a word with him in private. Corey's excited and whispers, ooh,

582
00:28:37,880 --> 00:28:40,360
Speaker 1: in private, what could this be? Sean tells him she

583
00:28:40,400 --> 00:28:42,280
Speaker 1: probably wants to finish what we started last night. So

584
00:28:42,280 --> 00:28:45,240
Speaker 1: if I'm late to class fall asleep without me, it's

585
00:28:45,280 --> 00:28:46,120
Speaker 1: just cute.

586
00:28:46,440 --> 00:28:46,840
Speaker 2: I love that.

587
00:28:46,880 --> 00:28:49,160
Speaker 1: It's like, well, why didn't you wait for me? Why

588
00:28:49,200 --> 00:28:51,400
Speaker 1: don't you wait for me to fall asleep? And then

589
00:28:51,480 --> 00:28:54,880
Speaker 1: we're in the school hallway continues nearby. Eric stops mister

590
00:28:54,920 --> 00:28:58,240
Speaker 1: Williams and mister Turner, and I noticed Tony's hair has

591
00:28:58,240 --> 00:29:00,680
Speaker 1: a little like wet slick to back moll.

592
00:29:01,760 --> 00:29:04,480
Speaker 2: Yeah, yes, there is a we all need a haircut

593
00:29:04,520 --> 00:29:09,360
Speaker 2: in this episode. Well that Will needs a haircut. Haircuts

594
00:29:09,440 --> 00:29:11,800
Speaker 2: so bad. It's like we've just come back from hiatus

595
00:29:11,840 --> 00:29:14,400
Speaker 2: and just let us go. It was my hair. I

596
00:29:14,400 --> 00:29:16,520
Speaker 2: bet you this is great after we take because we

597
00:29:16,520 --> 00:29:19,280
Speaker 2: would take a longer break in December. Yeah, and if

598
00:29:19,280 --> 00:29:21,400
Speaker 2: this aired in February and this is coming back, we

599
00:29:21,440 --> 00:29:23,520
Speaker 2: probably had just all been gone for three weeks or

600
00:29:23,520 --> 00:29:24,240
Speaker 2: whatever and our hair.

601
00:29:24,200 --> 00:29:26,160
Speaker 1: Is Why was your hair so long while you were

602
00:29:26,240 --> 00:29:27,440
Speaker 1: just growing it out? You liked it long?

603
00:29:27,520 --> 00:29:29,800
Speaker 4: Yeah, I just I just wanted to keep it growing,

604
00:29:29,960 --> 00:29:31,680
Speaker 4: and so at that point I wanted to get I

605
00:29:31,680 --> 00:29:34,200
Speaker 4: always had this dream of having like, you know, long,

606
00:29:34,320 --> 00:29:36,880
Speaker 4: long hair, but it doesn't work with my hair because

607
00:29:36,880 --> 00:29:39,920
Speaker 4: it's so thick, thick exact, so it just goes, you know,

608
00:29:39,960 --> 00:29:42,080
Speaker 4: It's it's kind of strange, but yeah, I wanted to

609
00:29:42,160 --> 00:29:42,760
Speaker 4: keep growing it out.

610
00:29:43,200 --> 00:29:43,400
Speaker 2: Well.

611
00:29:43,520 --> 00:29:45,400
Speaker 1: Eric asks mister Williams if he can talk to him

612
00:29:45,400 --> 00:29:48,840
Speaker 1: about his journalism paper, forcing mister Williams to prep all right,

613
00:29:48,960 --> 00:29:52,840
Speaker 1: another episode of Eric Matthew's Excuse Theater. Mister Williams tries

614
00:29:52,880 --> 00:29:55,120
Speaker 1: guessing what Eric's excuse will be. You fell behind on

615
00:29:55,160 --> 00:29:57,360
Speaker 1: your car payments and they repossessed your paper by mistake.

616
00:29:57,440 --> 00:29:57,760
Speaker 2: Huh.

617
00:29:57,880 --> 00:30:00,480
Speaker 1: Mister Turner wants to join in. I'm seeing a pet

618
00:30:00,720 --> 00:30:03,160
Speaker 1: lying by a road with your term paper in its mouth.

619
00:30:03,880 --> 00:30:07,720
Speaker 1: He can work with them all the time, all the time, constantly.

620
00:30:07,840 --> 00:30:10,160
Speaker 1: You guys work together multiple times.

621
00:30:10,040 --> 00:30:11,640
Speaker 2: All the time. I didn't remember this at all, and

622
00:30:11,680 --> 00:30:15,120
Speaker 2: we were we work together every week. It was so weird.

623
00:30:15,320 --> 00:30:18,880
Speaker 2: Suit jacket is the coolest. He came for it. I

624
00:30:18,960 --> 00:30:21,520
Speaker 2: want that so bad right now. It's got the cool zipper,

625
00:30:21,760 --> 00:30:24,320
Speaker 2: he's got the high button. I was like, yes, this

626
00:30:24,440 --> 00:30:27,520
Speaker 2: is like Alex days there, just looking awesome. I want

627
00:30:27,520 --> 00:30:28,040
Speaker 2: that now.

628
00:30:28,280 --> 00:30:32,080
Speaker 1: I have a feeling that's true vintage, that's Sarah Markowitz vintage.

629
00:30:32,280 --> 00:30:36,160
Speaker 2: I love it. But yeah, they work together all the time. Yep,

630
00:30:36,200 --> 00:30:38,480
Speaker 2: you guys, You guys just couldn't stop working together.

631
00:30:38,720 --> 00:30:38,920
Speaker 4: Yep.

632
00:30:39,440 --> 00:30:41,960
Speaker 1: Eric clarifies he's not trying to snow them. He's trying

633
00:30:41,960 --> 00:30:44,040
Speaker 1: to turn things around so he can get into college.

634
00:30:44,160 --> 00:30:46,600
Speaker 1: Mister Williams tells him to study. Eric cuts them off

635
00:30:46,600 --> 00:30:49,200
Speaker 1: and says, come on, I'm being serious. Turner brings up

636
00:30:49,200 --> 00:30:51,280
Speaker 1: the news internship at the station and tells Eli he

637
00:30:51,280 --> 00:30:53,400
Speaker 1: should let Eric apply for it to get his hands

638
00:30:53,400 --> 00:30:56,640
Speaker 1: on experience and extra credit. Eric loves the idea of

639
00:30:56,640 --> 00:30:59,280
Speaker 1: interning at a real TV station. He tells mister Williams

640
00:30:59,280 --> 00:31:01,480
Speaker 1: to sign him up. Eli tells him there's only one

641
00:31:01,480 --> 00:31:04,120
Speaker 1: spot available and there will be a lot of competition,

642
00:31:04,400 --> 00:31:08,040
Speaker 1: most of it coming from A students. Eric says all

643
00:31:08,040 --> 00:31:10,240
Speaker 1: of the A students will cancel each other out. He's

644
00:31:10,280 --> 00:31:12,720
Speaker 1: a lock, he thinks, mister Turner for the great suggestion,

645
00:31:12,920 --> 00:31:17,640
Speaker 1: and Eli, annoyed, repeats, yeah, great suggestion, mister Turner. Turner

646
00:31:17,680 --> 00:31:19,600
Speaker 1: says it can't hurt to let Eric take a shot.

647
00:31:19,840 --> 00:31:23,040
Speaker 1: Mister Williams knows these people they're going to scrutinize every application,

648
00:31:23,120 --> 00:31:26,640
Speaker 1: look at grades, SAT scores. Turner exclaims, are you kidding me?

649
00:31:26,720 --> 00:31:30,320
Speaker 1: It's television and Eli nods he's a lock. And I

650
00:31:30,400 --> 00:31:33,440
Speaker 1: love the little meta joke about TV TV.

651
00:31:33,680 --> 00:31:35,800
Speaker 2: That's all you need is But I also I also

652
00:31:35,920 --> 00:31:38,600
Speaker 2: love this entire storyline, and it continues into the next

653
00:31:38,640 --> 00:31:42,400
Speaker 2: episode because it's like it really gets at this question

654
00:31:42,480 --> 00:31:46,400
Speaker 2: of like, you know, Eric has other strengths, right, Like

655
00:31:46,640 --> 00:31:49,480
Speaker 2: I like it, It's no longer just Eric's dumb. It's

656
00:31:49,480 --> 00:31:52,480
Speaker 2: like Eric's dumb, but he's also charismatic, he's confident, he's

657
00:31:52,520 --> 00:31:56,520
Speaker 2: good looking, he's got skills, and like questioning whether those

658
00:31:56,560 --> 00:32:00,600
Speaker 2: skills are in fact more valuable than right being having

659
00:32:00,680 --> 00:32:03,040
Speaker 2: an a student or an a track record. I think

660
00:32:03,080 --> 00:32:05,880
Speaker 2: that's a great conflict because I know everybody out there,

661
00:32:06,320 --> 00:32:08,680
Speaker 2: there's all different types of intelligence, there's all different types

662
00:32:08,680 --> 00:32:11,600
Speaker 2: of talent, right and and I just love that that

663
00:32:11,680 --> 00:32:14,720
Speaker 2: it's no longer just do well in me ocuts, you know,

664
00:32:14,720 --> 00:32:17,400
Speaker 2: blah blah blah. It's like there's other values at play.

665
00:32:17,480 --> 00:32:20,000
Speaker 2: And I just think it's so great to have the

666
00:32:20,000 --> 00:32:23,080
Speaker 2: same tension like Eric's still trying to get a graduate

667
00:32:23,160 --> 00:32:26,560
Speaker 2: or get into college, but to have complexity to it.

668
00:32:27,040 --> 00:32:28,760
Speaker 2: I mean, look at being a child actor. It's that

669
00:32:28,800 --> 00:32:29,280
Speaker 2: same thing.

670
00:32:29,320 --> 00:32:33,480
Speaker 4: You're you're constantly fighting against adults as and probably rightfully,

671
00:32:33,520 --> 00:32:36,160
Speaker 4: so like have something to fall back on, keep your

672
00:32:36,160 --> 00:32:37,880
Speaker 4: grades up, you've got to keep doing it well. No,

673
00:32:37,960 --> 00:32:40,120
Speaker 4: I'm going to be an actor. Okay, but you're fourteen.

674
00:32:40,520 --> 00:32:42,800
Speaker 4: Who knows if this can be a career. And I

675
00:32:42,800 --> 00:32:45,120
Speaker 4: had this whole thing. When you know my parents, because

676
00:32:45,160 --> 00:32:48,960
Speaker 4: they're old school East Coast lawyer parents, the idea of

677
00:32:49,040 --> 00:32:52,280
Speaker 4: not going to college was crazy to you, like, I

678
00:32:52,280 --> 00:32:54,440
Speaker 4: don't care that you're on a hit show. You're signing

679
00:32:54,480 --> 00:32:56,959
Speaker 4: contracts and deals all over the place. You go to college.

680
00:32:57,000 --> 00:32:59,200
Speaker 4: And I was like, I'm not going to college. I

681
00:32:59,240 --> 00:33:01,360
Speaker 4: don't know what to tell you. I'm working, I'm doing this,

682
00:33:01,760 --> 00:33:05,000
Speaker 4: I'm not my education. My formal education at eighteen is

683
00:33:05,040 --> 00:33:08,320
Speaker 4: going to be completed. And they couldn't understand that at first,

684
00:33:08,360 --> 00:33:10,680
Speaker 4: and then finally they were like, okay, you probably made

685
00:33:10,680 --> 00:33:13,160
Speaker 4: the right decision where I'm not. I couldn't. For me,

686
00:33:13,320 --> 00:33:15,960
Speaker 4: the right decision was to continue working. I just was

687
00:33:16,000 --> 00:33:18,520
Speaker 4: working all the time. I was doing movies in the hiatus.

688
00:33:18,520 --> 00:33:19,440
Speaker 4: That's what I was doing.

689
00:33:19,680 --> 00:33:24,440
Speaker 2: So this storyline really does reflect it absolutely interest because

690
00:33:24,480 --> 00:33:26,880
Speaker 2: I had these conversations with my parents where I had

691
00:33:26,880 --> 00:33:29,800
Speaker 2: to sit them down again. This was still a hobby.

692
00:33:29,960 --> 00:33:31,520
Speaker 4: My parents knew I was good at it and I

693
00:33:31,560 --> 00:33:33,760
Speaker 4: loved it, and I'm on a national television show. But

694
00:33:34,240 --> 00:33:36,280
Speaker 4: you go to college and then find your career.

695
00:33:36,320 --> 00:33:37,040
Speaker 2: That's what you do.

696
00:33:37,600 --> 00:33:39,560
Speaker 4: So the idea that I had found my career at

697
00:33:39,640 --> 00:33:42,080
Speaker 4: ten and I was now being successful at it, and

698
00:33:42,120 --> 00:33:43,959
Speaker 4: I wasn't going to take four years off from it

699
00:33:44,000 --> 00:33:46,680
Speaker 4: because you hit while you strike while the iron's hot,

700
00:33:46,720 --> 00:33:49,280
Speaker 4: you get one chance to do this. They I had

701
00:33:49,320 --> 00:33:52,120
Speaker 4: to essentially convince them that I wasn't throwing my life

702
00:33:52,160 --> 00:33:54,880
Speaker 4: away by not going to college. To this day, my

703
00:33:55,000 --> 00:33:57,520
Speaker 4: parents still say, are you going back to college? Literally,

704
00:33:58,200 --> 00:34:00,400
Speaker 4: maybe you should consider going back to college, Like, well,

705
00:34:00,400 --> 00:34:02,640
Speaker 4: I'm kind of busy with a lot of the stuff

706
00:34:02,640 --> 00:34:03,080
Speaker 4: I'm doing.

707
00:34:03,240 --> 00:34:06,320
Speaker 2: And I have the opposite feeling, like I don't run

708
00:34:06,360 --> 00:34:08,520
Speaker 2: away to college and stop ack date And I often

709
00:34:08,560 --> 00:34:10,719
Speaker 2: go why did I Why did they do that?

710
00:34:11,040 --> 00:34:11,239
Speaker 6: Yeah?

711
00:34:11,320 --> 00:34:13,880
Speaker 2: Maybe maybe I coming off a hit TV show at

712
00:34:13,880 --> 00:34:15,960
Speaker 2: the age of twenty, I should have, you know, because

713
00:34:16,040 --> 00:34:17,719
Speaker 2: here I am back in the industry. But for a

714
00:34:17,760 --> 00:34:19,200
Speaker 2: while there, I was like, oh, no, I need to

715
00:34:19,360 --> 00:34:21,520
Speaker 2: need to explore other things. And it's like, well, that

716
00:34:21,680 --> 00:34:24,560
Speaker 2: was four years of not working in the industry.

717
00:34:24,280 --> 00:34:25,799
Speaker 4: Yeah, and then trying to get back in and then

718
00:34:25,800 --> 00:34:28,080
Speaker 4: trying to get back in the world. Yeah, So it's yeah,

719
00:34:28,080 --> 00:34:30,080
Speaker 4: it was. It's a great storyline. For Eric too, because

720
00:34:30,120 --> 00:34:32,560
Speaker 4: it is you find different strengths in who you are,

721
00:34:32,600 --> 00:34:35,520
Speaker 4: and maybe college isn't for everybody.

722
00:34:35,080 --> 00:34:48,759
Speaker 1: Exactly that's exactly right. Well, then we're back in the

723
00:34:48,760 --> 00:34:51,480
Speaker 1: school hallway and now reunited. After his talk with Dana,

724
00:34:51,560 --> 00:34:54,680
Speaker 1: Sean reveals to Corey, I got a surprising little problem

725
00:34:54,719 --> 00:34:57,759
Speaker 1: with the Dana situation. Corey guesses she wants another date

726
00:34:57,800 --> 00:34:59,520
Speaker 1: and Sean doesn't know how to let her down, and

727
00:34:59,560 --> 00:35:01,840
Speaker 1: Sean ta, she wants another date, all right.

728
00:35:02,239 --> 00:35:03,240
Speaker 2: But with another guy.

729
00:35:03,960 --> 00:35:06,479
Speaker 1: Corey says it's probably some pumped up pretty boy Jack,

730
00:35:06,520 --> 00:35:09,759
Speaker 1: and Sean reveals it's you, and Corey says, huh, I

731
00:35:09,920 --> 00:35:10,480
Speaker 1: was right.

732
00:35:10,800 --> 00:35:15,640
Speaker 2: Okay, this was right. This is the introduction of what became.

733
00:35:16,239 --> 00:35:18,880
Speaker 2: I think this is the first time where Ben has done.

734
00:35:18,640 --> 00:35:21,360
Speaker 1: His huh huh so funny.

735
00:35:21,360 --> 00:35:22,880
Speaker 2: I said this for years. I don't know if we

736
00:35:22,960 --> 00:35:26,239
Speaker 2: said this on camera. For years, Ben and I would,

737
00:35:26,520 --> 00:35:29,600
Speaker 2: so I'm hoping it comes back on camera, but it must. Backstage,

738
00:35:29,800 --> 00:35:32,880
Speaker 2: this was our go to beat. I would say something

739
00:35:32,920 --> 00:35:35,640
Speaker 2: and Ben would go huh and then do this little

740
00:35:35,680 --> 00:35:39,880
Speaker 2: like slipsmack where he goes and oh, and it would

741
00:35:39,880 --> 00:35:43,040
Speaker 2: make us laugh every time. Yeah, So I think I'm

742
00:35:43,080 --> 00:35:45,680
Speaker 2: hoping it comes back on camera, but it's certainly for

743
00:35:45,800 --> 00:35:49,000
Speaker 2: the next five years of working together, he would always

744
00:35:49,000 --> 00:35:52,799
Speaker 2: just go, huh, yeah, I remember making very well.

745
00:35:53,320 --> 00:35:56,040
Speaker 4: I also, I have to say I personally, and you

746
00:35:56,120 --> 00:35:56,880
Speaker 4: might disagree with me.

747
00:35:57,120 --> 00:35:59,640
Speaker 2: I think this is one of your best performances today.

748
00:35:59,719 --> 00:36:03,640
Speaker 4: Yes, so, I absolutely do. I think you were playing

749
00:36:03,680 --> 00:36:06,000
Speaker 4: it on a bunch of different levels. I think you

750
00:36:06,000 --> 00:36:09,120
Speaker 4: were confused by how you were feeling, which played. I

751
00:36:09,120 --> 00:36:11,279
Speaker 4: think the way that then it goes from anger to

752
00:36:11,360 --> 00:36:12,719
Speaker 4: jealousy and you don't even know why.

753
00:36:12,840 --> 00:36:14,880
Speaker 2: I thought this was truly one of your best performances.

754
00:36:15,320 --> 00:36:18,839
Speaker 2: Thank I felt it was super awkward and unfocused. It's

755
00:36:18,840 --> 00:36:21,600
Speaker 2: supposed to be awkward. I guess it's getting awkward. It worked,

756
00:36:21,640 --> 00:36:25,520
Speaker 2: It totally worked, all the hand acting and like we

757
00:36:25,600 --> 00:36:27,640
Speaker 2: I don't know, but I mean like we'll get into it.

758
00:36:27,840 --> 00:36:29,560
Speaker 2: I think, like the scene where I'm angry at Corey

759
00:36:29,640 --> 00:36:32,120
Speaker 2: is great. The scene with Turner is great. Yeah, there's

760
00:36:32,120 --> 00:36:34,000
Speaker 2: some good stuff. There's great. I thought it was really good.

761
00:36:34,000 --> 00:36:35,839
Speaker 1: Other way, yeah, I think it's I think it's really great.

762
00:36:35,880 --> 00:36:40,000
Speaker 1: We're used to seeing Sean in the false confidence. I

763
00:36:40,040 --> 00:36:42,160
Speaker 1: know everything about women. I know everything about women and

764
00:36:42,200 --> 00:36:43,640
Speaker 1: I'll tell you exactly why you're feeling that way, and

765
00:36:43,640 --> 00:36:45,560
Speaker 1: you're feeling this way and she's feeling that way, and

766
00:36:45,680 --> 00:36:48,480
Speaker 1: this for the first time is like a what is this?

767
00:36:49,040 --> 00:36:52,239
Speaker 1: What's happening? Why is she doing that? And why do

768
00:36:52,320 --> 00:36:54,919
Speaker 1: I feel like this? And it's so great to see

769
00:36:54,920 --> 00:37:01,239
Speaker 1: you a little off kilter and still walking with like

770
00:37:01,840 --> 00:37:05,920
Speaker 1: without engaging. Yeah, still engaging, but you're.

771
00:37:07,640 --> 00:37:11,280
Speaker 2: By yourself, which is just right. I guess Sean usually

772
00:37:11,400 --> 00:37:15,600
Speaker 2: isn't processing in real time, so he's processing this entire episode,

773
00:37:16,120 --> 00:37:16,520
Speaker 2: and he's.

774
00:37:16,400 --> 00:37:19,359
Speaker 4: Also processing that he's processing, if that makes sense, where

775
00:37:19,400 --> 00:37:21,640
Speaker 4: you're just that's it is.

776
00:37:23,920 --> 00:37:29,080
Speaker 2: I'm having this feeling exactly. Do you think it's weird? Danielle?

777
00:37:29,080 --> 00:37:30,680
Speaker 4: I have to ask you because I'm asking you as

778
00:37:30,680 --> 00:37:37,200
Speaker 4: the resident woman. Is it strange that Dana goes to Sean,

779
00:37:37,400 --> 00:37:39,800
Speaker 4: who she just had a date with the night before,

780
00:37:40,360 --> 00:37:42,279
Speaker 4: to ask if it's okay to go out with his

781
00:37:42,400 --> 00:37:42,960
Speaker 4: best friend.

782
00:37:43,200 --> 00:37:44,520
Speaker 2: No, I don't think that's weird.

783
00:37:44,600 --> 00:37:49,280
Speaker 1: I think I think what it shows is a large

784
00:37:49,280 --> 00:37:50,840
Speaker 1: amount of respect for Sean.

785
00:37:51,760 --> 00:37:54,160
Speaker 2: She's still going to do it. She wants to go

786
00:37:54,200 --> 00:37:54,799
Speaker 2: out with her.

787
00:37:54,760 --> 00:37:59,440
Speaker 4: She's letting him know, don't It's very mature very realistic,

788
00:37:59,560 --> 00:38:01,720
Speaker 4: but it's very respectful and mature.

789
00:38:01,960 --> 00:38:04,879
Speaker 1: It is It's exactly what you would hope if your

790
00:38:05,000 --> 00:38:07,520
Speaker 1: children came to you at this age and told you

791
00:38:07,880 --> 00:38:09,719
Speaker 1: this would be the advice you would give them. You

792
00:38:09,760 --> 00:38:13,480
Speaker 1: would say you should, you should let the other person know.

793
00:38:13,640 --> 00:38:15,520
Speaker 1: You don't need their blessing, but.

794
00:38:15,560 --> 00:38:16,080
Speaker 2: Just let them know.

795
00:38:16,320 --> 00:38:18,200
Speaker 1: Just let them know they it would it would be

796
00:38:18,280 --> 00:38:20,480
Speaker 1: nice for them to hear it from you, so that,

797
00:38:20,560 --> 00:38:23,120
Speaker 1: at the very least, when people start talking about it,

798
00:38:23,160 --> 00:38:25,839
Speaker 1: did you hear she went out with Sean. Sean has

799
00:38:25,840 --> 00:38:28,680
Speaker 1: the ability of saying, yes, I'm aware she told me

800
00:38:28,760 --> 00:38:31,600
Speaker 1: about it. It's it's a little like you, that feeling

801
00:38:31,600 --> 00:38:34,879
Speaker 1: of somebody else having inside information that you don't have.

802
00:38:35,440 --> 00:38:37,759
Speaker 2: It takes that away. So it also lends to her

803
00:38:37,800 --> 00:38:41,040
Speaker 2: being a classy, good correct. It goes right in line

804
00:38:41,040 --> 00:38:44,160
Speaker 2: with her being a nice girl. She is not. She

805
00:38:44,280 --> 00:38:46,480
Speaker 2: is not. She's not. There's nothing to dislike about it.

806
00:38:46,560 --> 00:38:50,600
Speaker 2: She's not fast and flashy. Were about to know. We'll

807
00:38:50,640 --> 00:38:52,680
Speaker 2: talk about that. We'll talk about that right now.

808
00:38:53,080 --> 00:38:55,480
Speaker 4: Like the fifties biker girls you walk away from, Yeah,

809
00:38:55,480 --> 00:38:56,640
Speaker 4: they're wearing leather jacket.

810
00:38:56,760 --> 00:39:03,320
Speaker 1: That's exactly what I wrote here. Leather jacket friend material.

811
00:39:04,200 --> 00:39:10,400
Speaker 2: Stay away from those leather jack on the knights guys

812
00:39:09,640 --> 00:39:10,000
Speaker 2: on the.

813
00:39:11,640 --> 00:39:17,160
Speaker 4: Leather well, they attract such bad people that they're literally

814
00:39:17,360 --> 00:39:19,240
Speaker 4: stolen from cars.

815
00:39:19,320 --> 00:39:21,440
Speaker 2: Right, what is that? What does that tell you?

816
00:39:21,920 --> 00:39:25,279
Speaker 1: I tell you so, Sean tells Corey, No, no, no, no, no,

817
00:39:25,600 --> 00:39:26,520
Speaker 1: this would be good for you.

818
00:39:26,600 --> 00:39:29,040
Speaker 2: She's great, she's funny, she has sexy penmanship.

819
00:39:29,360 --> 00:39:31,759
Speaker 1: Cory asks if she has little hearts over the eyes,

820
00:39:31,800 --> 00:39:33,960
Speaker 1: and Sean says yes. Corey says he loves that, and.

821
00:39:33,960 --> 00:39:36,560
Speaker 2: Sean says, who doesn't. I love that.

822
00:39:37,040 --> 00:39:39,319
Speaker 1: Sean tells Corey to go for it. Cory asks if

823
00:39:39,360 --> 00:39:41,480
Speaker 1: he's sure, and Sean says, yeah, don't worry. I'm not

824
00:39:41,520 --> 00:39:43,360
Speaker 1: going to be alone for long. He yells out to

825
00:39:43,400 --> 00:39:47,160
Speaker 1: two girls and leather jackets, Rosy and Gina, who are

826
00:39:47,200 --> 00:39:49,680
Speaker 1: walking by, and they waved to him. He tells Corey

827
00:39:49,840 --> 00:39:52,200
Speaker 1: these are the girls he should be going out with anyway,

828
00:39:52,760 --> 00:39:54,400
Speaker 1: the leather jacket gang.

829
00:39:54,600 --> 00:39:57,200
Speaker 2: Who instantly start the throutle.

830
00:39:58,680 --> 00:40:01,200
Speaker 4: I mean, there's no p It's like there's three of

831
00:40:01,280 --> 00:40:07,480
Speaker 4: us are together, exactly crazy.

832
00:40:07,760 --> 00:40:09,800
Speaker 2: Let's go to the one spot in town, one spot.

833
00:40:10,680 --> 00:40:12,759
Speaker 1: So then we are in the Matthew's kitchen Sewan and

834
00:40:12,760 --> 00:40:15,200
Speaker 1: Morgan are standing at an open fridge and Sean asks,

835
00:40:15,320 --> 00:40:17,440
Speaker 1: how do we really know that the light bulb goes

836
00:40:17,480 --> 00:40:18,959
Speaker 1: out when you close the door, and.

837
00:40:18,840 --> 00:40:20,879
Speaker 2: Morgan tells him to get in there and find out.

838
00:40:21,560 --> 00:40:24,839
Speaker 4: I was like, Okay, I'm not sure how much I

839
00:40:25,000 --> 00:40:26,240
Speaker 4: like what they did with her character.

840
00:40:26,360 --> 00:40:29,719
Speaker 2: Well, she's mean to everybody, but she's just all of

841
00:40:29,719 --> 00:40:32,520
Speaker 2: a sudden really mean the one. But that was the

842
00:40:32,520 --> 00:40:35,560
Speaker 2: way the Lily always was, Like, Morgan always was kind

843
00:40:35,600 --> 00:40:39,359
Speaker 2: of fantastic, and everything she says is like just mean

844
00:40:39,480 --> 00:40:40,279
Speaker 2: everything for.

845
00:40:40,280 --> 00:40:44,640
Speaker 1: Me, this this version of Morgan is very I'm attacking

846
00:40:44,719 --> 00:40:49,080
Speaker 1: you directly, whereas Lily's Morgan, the way they wrote her

847
00:40:49,640 --> 00:40:55,640
Speaker 1: was a little more like just conniving little kid, like oops,

848
00:40:55,680 --> 00:40:59,840
Speaker 1: my barbies burned, like she was always into hijinks, and

849
00:40:59,840 --> 00:41:03,000
Speaker 1: she was. She was a schemer, but she wasn't necessarily

850
00:41:03,000 --> 00:41:07,000
Speaker 1: directly attacking. I actually loved the relationship Weasel had with

851
00:41:07,280 --> 00:41:09,200
Speaker 1: Eric where they were actually like friends.

852
00:41:11,080 --> 00:41:12,000
Speaker 2: This just.

853
00:41:13,480 --> 00:41:17,319
Speaker 1: A tax to everyone to Sean. Here, she's mean to Eric.

854
00:41:17,400 --> 00:41:20,840
Speaker 1: Later she's mean to Cory, like she's just mean to everybody.

855
00:41:20,920 --> 00:41:23,520
Speaker 2: Well, yes, but I hear when I saw her on

856
00:41:23,640 --> 00:41:28,480
Speaker 2: screen here I wrote down she's so young. Yeah, you's tiny.

857
00:41:28,760 --> 00:41:31,360
Speaker 2: And I think maybe part of what we're feeling is

858
00:41:31,360 --> 00:41:36,359
Speaker 2: that that Lindsay was so confident and like prepossessed as

859
00:41:36,360 --> 00:41:38,480
Speaker 2: a young person, but when you actually look at her

860
00:41:38,480 --> 00:41:42,319
Speaker 2: on screen, like who, she's very young, and it's I

861
00:41:42,360 --> 00:41:44,080
Speaker 2: think it's kind of cute. I mean, I think it's

862
00:41:44,120 --> 00:41:44,719
Speaker 2: like I've.

863
00:41:44,520 --> 00:41:48,520
Speaker 4: Certainly changed the characters since Lindsay's taken over the part,

864
00:41:48,560 --> 00:41:51,080
Speaker 4: I mean, totally different, durable.

865
00:41:51,320 --> 00:41:55,680
Speaker 6: Oh my god, she's just so tiny, but it's they've

866
00:41:55,719 --> 00:41:58,120
Speaker 6: written her now where it's just like I'm just going

867
00:41:58,200 --> 00:41:59,759
Speaker 6: to be mean every time I open my mouth, and

868
00:41:59,760 --> 00:42:01,360
Speaker 6: it's it's it's a little jarring.

869
00:42:01,560 --> 00:42:02,960
Speaker 2: Yeah, so yeah, I know.

870
00:42:03,239 --> 00:42:05,359
Speaker 1: So Amy arrives and tells Morgan it's time for bed,

871
00:42:05,400 --> 00:42:07,720
Speaker 1: and she says she can't go to bed, she's babysitting Sean.

872
00:42:08,000 --> 00:42:10,200
Speaker 1: And then Alan comes down and asks Morgan, you're the

873
00:42:10,239 --> 00:42:12,040
Speaker 1: only one in this house with their own bedroom.

874
00:42:12,080 --> 00:42:14,520
Speaker 2: Why don't you ever use it? And Morgan answers because

875
00:42:14,560 --> 00:42:17,040
Speaker 2: life is short, and Alan responds, so were you go

876
00:42:17,160 --> 00:42:18,840
Speaker 2: to bed? And she leaves.

877
00:42:19,160 --> 00:42:22,000
Speaker 1: Then Alan tells Sean that Corey, who was actually related

878
00:42:22,040 --> 00:42:24,360
Speaker 1: to them, left after dinner, so they wouldn't be offended

879
00:42:24,400 --> 00:42:26,399
Speaker 1: if he did the same. Sean thanks Allan, but says

880
00:42:26,440 --> 00:42:28,200
Speaker 1: he's waited three hours. He might as well wait a

881
00:42:28,239 --> 00:42:30,359
Speaker 1: couple more minutes for Corey to come back from his date.

882
00:42:30,600 --> 00:42:32,600
Speaker 1: Corey will want to talk about it, Buddy to Buddy,

883
00:42:32,800 --> 00:42:34,680
Speaker 1: And this is the first time we get the reference

884
00:42:34,680 --> 00:42:37,960
Speaker 1: of nine o'clock, like a nine o'clock date, and it

885
00:42:38,000 --> 00:42:40,399
Speaker 1: comes back later even with mister Turner, and I thought,

886
00:42:40,440 --> 00:42:43,880
Speaker 1: it's I love that there's like this idea that even

887
00:42:43,960 --> 00:42:47,520
Speaker 1: for grown ups dates and at nine pm exactly.

888
00:42:47,640 --> 00:42:54,360
Speaker 2: It's also interesting our show ended at It's sort of

889
00:42:54,400 --> 00:42:57,040
Speaker 2: like building into the show. Go to bed after the

890
00:42:57,080 --> 00:43:05,640
Speaker 2: show after you do not hang with mister go to sleep.

891
00:43:05,840 --> 00:43:09,719
Speaker 1: That's nice, honey, Amy says, Alan and her will just

892
00:43:09,760 --> 00:43:12,120
Speaker 1: go to sleep now. Buddy to Buddy, and Alan asks,

893
00:43:12,120 --> 00:43:13,799
Speaker 1: why don't we adopt him and at least get the

894
00:43:13,840 --> 00:43:17,560
Speaker 1: tax deduction as they walk upstairs too, and then Corey

895
00:43:17,640 --> 00:43:20,360
Speaker 1: walks in dressed like he just left a tundra, and

896
00:43:20,440 --> 00:43:23,279
Speaker 1: he nonchalantly says hi to Sean, but Sean scolds him,

897
00:43:23,280 --> 00:43:25,759
Speaker 1: you come waltzing in hereafter nine and all I get

898
00:43:25,840 --> 00:43:29,800
Speaker 1: is a hello, and Corey corrects himself, Hello sailor.

899
00:43:30,640 --> 00:43:33,759
Speaker 4: Oh, I remember the first time he said this during

900
00:43:33,840 --> 00:43:36,480
Speaker 4: run through, and it exploded, brought the room down.

901
00:43:36,520 --> 00:43:41,000
Speaker 2: It was so good. It just so random, Hello sailor, sailor.

902
00:43:42,120 --> 00:43:42,640
Speaker 4: So good.

903
00:43:44,080 --> 00:43:46,480
Speaker 1: Sean asks Cory how his date with Dana went, and

904
00:43:46,520 --> 00:43:48,640
Speaker 1: Corey just says it was a date. Sean says, come on,

905
00:43:48,719 --> 00:43:50,839
Speaker 1: I give you more than that, and Corey admits he

906
00:43:50,880 --> 00:43:53,920
Speaker 1: didn't kiss her. Sean stutters and assures him that's okay.

907
00:43:54,160 --> 00:43:56,279
Speaker 1: Sean asks, on a scale of one to ten, how

908
00:43:56,360 --> 00:43:59,120
Speaker 1: much do you like Dana Brewett? Ten being tapanga on

909
00:43:59,160 --> 00:44:01,680
Speaker 1: your first date and one being the lunch room lady

910
00:44:01,680 --> 00:44:05,640
Speaker 1: in a thong, and Corey answers seven, and Sean continues

911
00:44:05,680 --> 00:44:09,120
Speaker 1: with good. And I thought, good, good, Yeah, how was

912
00:44:09,160 --> 00:44:12,120
Speaker 1: that good? Seven seems like a high n high number.

913
00:44:12,120 --> 00:44:14,520
Speaker 4: That's a high number of If topang is ten and

914
00:44:14,560 --> 00:44:17,839
Speaker 4: she's already at a seven, I.

915
00:44:17,760 --> 00:44:19,520
Speaker 1: Thought that seemed like no, no, no, I want you

916
00:44:19,560 --> 00:44:21,760
Speaker 1: at a five. I get that that's still like seven

917
00:44:21,760 --> 00:44:22,480
Speaker 1: out of ten is a C.

918
00:44:23,560 --> 00:44:29,520
Speaker 2: But that's a high C. That's a high almost to yeah.

919
00:44:29,800 --> 00:44:34,040
Speaker 1: If I like Dana Pruitt the way Sean likes Dana Pruitt,

920
00:44:34,239 --> 00:44:36,719
Speaker 1: I'm hoping for a five or less.

921
00:44:37,120 --> 00:44:39,200
Speaker 2: Yeah, seven would stare me. That's just me.

922
00:44:39,920 --> 00:44:41,879
Speaker 4: He's also in my green sweater, which I had again

923
00:44:41,960 --> 00:44:45,720
Speaker 4: until like a month ago. There's several sweaters, several sweaters

924
00:44:45,719 --> 00:44:46,160
Speaker 4: in this show.

925
00:44:46,280 --> 00:44:48,200
Speaker 2: Remember the sweat and I remember it probably because you

926
00:44:48,320 --> 00:44:51,680
Speaker 2: kept wearing it. I had for years. Yeah, you took

927
00:44:51,800 --> 00:44:52,719
Speaker 2: Ben's wardrobe?

928
00:44:52,800 --> 00:44:54,239
Speaker 4: Is that what? I know that she bought me the

929
00:44:54,239 --> 00:44:57,000
Speaker 4: same one because I was such a good sweater that again.

930
00:44:57,000 --> 00:44:59,120
Speaker 4: I wore that until it had like cigarette burns in

931
00:44:59,160 --> 00:45:00,319
Speaker 4: it and all this stuff the time, and I got

932
00:45:00,400 --> 00:45:01,319
Speaker 4: rid of it.

933
00:45:02,280 --> 00:45:04,640
Speaker 2: I miss it. Corey cuts him off and says, I've

934
00:45:04,640 --> 00:45:09,520
Speaker 2: never seen you act like this, are you Fluey? His

935
00:45:09,640 --> 00:45:16,120
Speaker 2: response is great too, though a little. I really think

936
00:45:16,640 --> 00:45:20,960
Speaker 2: that this episode is seminal in that because I feel

937
00:45:21,000 --> 00:45:25,040
Speaker 2: like this the Ski Lodge or the Phoenix Cabin episode

938
00:45:26,120 --> 00:45:29,560
Speaker 2: tried to begin this this Corey Shawn dynamic, but it

939
00:45:29,560 --> 00:45:31,719
Speaker 2: didn't quite hit the mark. Like in that first scene

940
00:45:31,719 --> 00:45:33,640
Speaker 2: we talked about how I was a little off. This

941
00:45:33,840 --> 00:45:36,600
Speaker 2: is like fire in on all cylinders Corey and Sean

942
00:45:37,600 --> 00:45:40,080
Speaker 2: and and it's it's it's different from what like second

943
00:45:40,080 --> 00:45:42,760
Speaker 2: season did, which was like we're in a scheme together

944
00:45:42,880 --> 00:45:46,240
Speaker 2: and we're like, this is like us actually affecting one another,

945
00:45:46,640 --> 00:45:49,520
Speaker 2: arguing with one another, but still having so much love

946
00:45:49,920 --> 00:45:52,280
Speaker 2: and like we're kind of undermining each other and questioning

947
00:45:52,320 --> 00:45:55,920
Speaker 2: each other, but banter. It's like really really clever banter.

948
00:45:56,360 --> 00:45:59,200
Speaker 2: And there's I think that this remains for the rest

949
00:45:59,200 --> 00:46:01,760
Speaker 2: of the show, and it's something that I didn't realize

950
00:46:01,800 --> 00:46:04,760
Speaker 2: we have. I don't think we've quite seen like working

951
00:46:04,800 --> 00:46:07,120
Speaker 2: on this level. But it's like, you know, our characters

952
00:46:07,160 --> 00:46:09,960
Speaker 2: are fully realized, like who we are is established, and

953
00:46:10,000 --> 00:46:12,040
Speaker 2: then we're sort of in it together and like these

954
00:46:12,080 --> 00:46:14,040
Speaker 2: scenes and this will continue for the rest of the show,

955
00:46:14,040 --> 00:46:15,920
Speaker 2: these sort of like but what did you do? And

956
00:46:15,960 --> 00:46:17,960
Speaker 2: what did you think? And we're like at each other,

957
00:46:18,200 --> 00:46:20,960
Speaker 2: but it's with so much friendship and it's it's just

958
00:46:21,640 --> 00:46:23,359
Speaker 2: it felt so comfortable to me. I was like, oh,

959
00:46:23,440 --> 00:46:26,360
Speaker 2: this is a huge component of the show has really

960
00:46:27,040 --> 00:46:30,680
Speaker 2: just arrived and it's working perfectly. And he continues from

961
00:46:30,719 --> 00:46:32,799
Speaker 2: that throughout the rest of this episode and the next

962
00:46:32,800 --> 00:46:33,799
Speaker 2: one percent.

963
00:46:33,880 --> 00:46:36,360
Speaker 1: And it does also feel, like I said I mentioned earlier,

964
00:46:36,400 --> 00:46:38,399
Speaker 1: it's you if you feel like you're doing a lot

965
00:46:38,400 --> 00:46:41,360
Speaker 1: of talk therapy with yourself, this is such a perfect

966
00:46:41,440 --> 00:46:44,239
Speaker 1: example of how friends can make the best therapists for

967
00:46:44,320 --> 00:46:47,120
Speaker 1: you by you just talking something out and then questioning

968
00:46:47,160 --> 00:46:48,960
Speaker 1: you are you feeling okay? Well, I do have a tickle,

969
00:46:48,960 --> 00:46:50,840
Speaker 1: but that's not what this is. Something else is going on. No,

970
00:46:51,680 --> 00:46:53,799
Speaker 1: stay on track, and thank you for asking, because that

971
00:46:53,800 --> 00:46:55,880
Speaker 1: also could have been it. Maybe I'm not but like,

972
00:46:55,920 --> 00:46:58,880
Speaker 1: so it's really just like holding each other accountable in

973
00:46:58,960 --> 00:47:02,320
Speaker 1: the nicest, most respectful, supportive way, like we'll get to

974
00:47:02,360 --> 00:47:03,320
Speaker 1: the bottom of this together.

975
00:47:03,360 --> 00:47:05,280
Speaker 2: It's it is really it's fun to watch.

976
00:47:05,520 --> 00:47:08,560
Speaker 4: It's also interesting that they finally found this voice when

977
00:47:08,600 --> 00:47:11,880
Speaker 4: Sean's driving everything and not Corey, which is also kind

978
00:47:11,880 --> 00:47:12,120
Speaker 4: of a.

979
00:47:12,320 --> 00:47:14,359
Speaker 2: Well I think it takes pressure off of Corey, right.

980
00:47:14,400 --> 00:47:18,440
Speaker 2: It allows Corey to be the sort of anxious, upset,

981
00:47:18,600 --> 00:47:22,240
Speaker 2: freaked out, neurotic guide, which is what's so much so funny.

982
00:47:22,520 --> 00:47:24,640
Speaker 2: I allows Sean to be the one being like, but

983
00:47:24,680 --> 00:47:28,400
Speaker 2: I'm confused and like and when we're both in a

984
00:47:28,440 --> 00:47:32,280
Speaker 2: state of you know, anxiety, it creates good comedy. Anxiety

985
00:47:32,360 --> 00:47:34,560
Speaker 2: is comedy, right, Like, it's so fun That's why I'm

986
00:47:34,600 --> 00:47:37,920
Speaker 2: so funny. It's true.

987
00:47:37,920 --> 00:47:40,839
Speaker 1: Man, Corey smiles and says, I think you're coming down

988
00:47:40,880 --> 00:47:43,640
Speaker 1: with a bad case of Dana. Sean admits, knowing you

989
00:47:43,680 --> 00:47:45,680
Speaker 1: were out with Dana, I just kept wanting to take

990
00:47:45,719 --> 00:47:48,000
Speaker 1: the carving knife and stab you in the head. Which

991
00:47:48,880 --> 00:47:52,040
Speaker 1: beautiful you'd say it. You don't say it like you're angry.

992
00:47:52,080 --> 00:47:53,919
Speaker 1: You say it like, so what does that mean?

993
00:47:54,000 --> 00:47:55,480
Speaker 2: So what is all of that all about? And then

994
00:47:55,520 --> 00:47:59,000
Speaker 2: you also say no offense, funny, no offense that I

995
00:47:59,040 --> 00:48:00,640
Speaker 2: wanted to kill you with a carving knife.

996
00:48:00,840 --> 00:48:03,279
Speaker 1: Yeah, And Sean then asks, so it's okay if I

997
00:48:03,320 --> 00:48:05,600
Speaker 1: ask her out, and Corey says he'll stab him in

998
00:48:05,600 --> 00:48:08,919
Speaker 1: the head if he doesn't. Sean smiles and says, you're

999
00:48:09,040 --> 00:48:12,120
Speaker 1: good people. What a great beautiful scene between the tests.

1000
00:48:12,200 --> 00:48:15,759
Speaker 1: So then we're in the school hallway. Eric yells out

1001
00:48:15,800 --> 00:48:19,080
Speaker 1: to another student, Hey, Aretie. The boy clarifies it's Arthur.

1002
00:48:19,520 --> 00:48:21,440
Speaker 1: Eric tells him they're up for the same internship, and

1003
00:48:21,560 --> 00:48:24,279
Speaker 1: Arthur says, I'm a straight a student. My documentaries have

1004
00:48:24,320 --> 00:48:26,799
Speaker 1: garnered multiple film festival honors, and I have a letter

1005
00:48:26,800 --> 00:48:30,280
Speaker 1: of recommendations from letter of recommendation from Ted Turner.

1006
00:48:30,600 --> 00:48:31,560
Speaker 2: Arthur boasts I.

1007
00:48:31,520 --> 00:48:34,520
Speaker 1: Can walk in without pants and get this job, and then,

1008
00:48:34,560 --> 00:48:36,879
Speaker 1: in a very funny joke, as Arthur walks away.

1009
00:48:37,000 --> 00:48:40,640
Speaker 2: Eric yells, I've seen you in Jim class wear pants.

1010
00:48:40,480 --> 00:48:43,840
Speaker 4: Wear pants in my sweater. This is the second sweater

1011
00:48:43,880 --> 00:48:46,440
Speaker 4: that I had until like a month ago. Oh and

1012
00:48:46,520 --> 00:48:48,960
Speaker 4: I remember him always getting a laugh and trying not

1013
00:48:49,000 --> 00:48:50,680
Speaker 4: to break every time in the way he said Ted.

1014
00:48:50,560 --> 00:48:53,840
Speaker 2: Turner, Ted Turner like he was just so perfect the

1015
00:48:53,840 --> 00:48:55,759
Speaker 2: way he was doing that. He was very funny. I'm

1016
00:48:55,800 --> 00:48:58,080
Speaker 2: so glad you got rid of these clothes. I remember

1017
00:48:58,440 --> 00:49:04,920
Speaker 2: them ten years ago. We Shiloh was my brother. Shiloh

1018
00:49:04,960 --> 00:49:08,160
Speaker 2: was dating somebody, and this must have been more than

1019
00:49:08,160 --> 00:49:10,040
Speaker 2: ten years ago, because I think you were kind of

1020
00:49:10,080 --> 00:49:14,560
Speaker 2: flirting with another another. Do you remember Katie? Shiloh was

1021
00:49:14,600 --> 00:49:16,120
Speaker 2: dating Katie, So this is like, oh gosh, this has

1022
00:49:16,120 --> 00:49:19,440
Speaker 2: got to be like fifteen years ago. Anyway, one of

1023
00:49:19,480 --> 00:49:21,960
Speaker 2: her friends was like interested in you, and you guys

1024
00:49:22,000 --> 00:49:23,680
Speaker 2: had like this night where the four of you went

1025
00:49:23,719 --> 00:49:25,840
Speaker 2: out or it was like a party or something, and

1026
00:49:26,239 --> 00:49:28,680
Speaker 2: she like turned to Katie. She's like, he's wearing a

1027
00:49:28,719 --> 00:49:34,200
Speaker 2: sweater from the TV show. It was like ten years

1028
00:49:34,200 --> 00:49:35,799
Speaker 2: after the show. She was like, I don't know if

1029
00:49:35,800 --> 00:49:37,240
Speaker 2: I can take that serious.

1030
00:49:38,800 --> 00:49:43,800
Speaker 7: Close recognized it to recognize that will in real life

1031
00:49:43,880 --> 00:49:46,840
Speaker 7: was wearing his wardrobe from Boy Meets World like I

1032
00:49:47,040 --> 00:49:48,759
Speaker 7: was after the fact, and it was like time to

1033
00:49:48,800 --> 00:49:51,319
Speaker 7: move on, man, you gotta I gotta get a new

1034
00:49:51,400 --> 00:49:52,160
Speaker 7: set of clothes.

1035
00:49:52,400 --> 00:49:54,480
Speaker 1: Well, next time you get rid of a sweater from

1036
00:49:54,520 --> 00:49:56,240
Speaker 1: the show, could you at least let me know, because

1037
00:49:56,280 --> 00:49:58,240
Speaker 1: I kind of want to keep one of Will's sweaters

1038
00:49:58,239 --> 00:49:58,960
Speaker 1: from the show.

1039
00:49:58,920 --> 00:50:01,040
Speaker 2: And now they're all gone. I'm married. I think the

1040
00:50:01,040 --> 00:50:04,040
Speaker 2: sweaters go away, right, Yeah, I still want one.

1041
00:50:04,320 --> 00:50:06,839
Speaker 1: If you find any in a box, I will let

1042
00:50:06,840 --> 00:50:08,120
Speaker 1: me know in a box somewhere in.

1043
00:50:08,040 --> 00:50:20,080
Speaker 2: A box nearby.

1044
00:50:20,120 --> 00:50:22,560
Speaker 1: Sean walks over to Dana, who's sitting at a table

1045
00:50:22,640 --> 00:50:27,399
Speaker 1: promoting the Blood Drive. Yeah you do, She asks if

1046
00:50:27,400 --> 00:50:29,560
Speaker 1: he's signing up, and Sean drops a giant paper bag

1047
00:50:29,600 --> 00:50:32,160
Speaker 1: on the table, saying, way ahead of you blood. Dana

1048
00:50:32,200 --> 00:50:34,479
Speaker 1: opens it and asks where he got it. Sean says,

1049
00:50:34,480 --> 00:50:36,560
Speaker 1: I went down to my uncle Louis butcher shop this morning.

1050
00:50:36,719 --> 00:50:38,960
Speaker 1: Dana clarifies they're collecting human blood.

1051
00:50:39,080 --> 00:50:41,359
Speaker 2: Sean says, it's human. It's from Louise's arms. He gives

1052
00:50:41,360 --> 00:50:43,120
Speaker 2: all the time. He didn't even know. I took it,

1053
00:50:43,280 --> 00:50:46,120
Speaker 2: just very vital. I think this is funny, but it

1054
00:50:46,200 --> 00:50:48,840
Speaker 2: just made me very uncomfortable. Yeah, I'm not cool with

1055
00:50:48,880 --> 00:50:52,000
Speaker 2: like blood jokes and jokes. I was suddenly like, I don't.

1056
00:50:52,040 --> 00:50:52,359
Speaker 4: I don't.

1057
00:50:52,920 --> 00:50:55,160
Speaker 2: Yeah, I know it's funny banter, but man, it made

1058
00:50:55,160 --> 00:50:58,520
Speaker 2: me uncomfortable. Why. I don't know. I think I have

1059
00:50:58,560 --> 00:51:02,560
Speaker 2: a thing with like blood in meat and like no.

1060
00:51:02,239 --> 00:51:06,200
Speaker 4: No from the conventions covered in blood.

1061
00:51:09,680 --> 00:51:11,759
Speaker 2: I like it in horror films. I like it when

1062
00:51:11,760 --> 00:51:14,040
Speaker 2: it's like actually treated like blood, but when it's like

1063
00:51:14,080 --> 00:51:16,760
Speaker 2: a joke and with the pork chops.

1064
00:51:16,880 --> 00:51:19,920
Speaker 1: No, And then we're in the school cafeteria. Corey asks Sean,

1065
00:51:20,040 --> 00:51:23,120
Speaker 1: so she really said you're not boyfriend material. Sean, nodding

1066
00:51:23,120 --> 00:51:25,960
Speaker 1: his head, admits he really liked her. Corey is surprised

1067
00:51:26,000 --> 00:51:27,799
Speaker 1: because she seems like the type of girl that he'd

1068
00:51:27,840 --> 00:51:30,560
Speaker 1: end up with a concern. Sean asks if Corey's saying

1069
00:51:30,600 --> 00:51:33,080
Speaker 1: he can't end up with nice girls, and Cory says, no,

1070
00:51:33,200 --> 00:51:34,719
Speaker 1: calm down. I would love to go out with some

1071
00:51:34,760 --> 00:51:36,439
Speaker 1: of the girls you go out with, but I can't

1072
00:51:36,440 --> 00:51:38,480
Speaker 1: because I'm stuck being the nice guy, and all those

1073
00:51:38,520 --> 00:51:41,800
Speaker 1: girls want from me is directions to you. Sean asks

1074
00:51:41,800 --> 00:51:45,759
Speaker 1: Cory what he means by those girls, and Corey says sexy, hot, flashy,

1075
00:51:46,000 --> 00:51:47,719
Speaker 1: the kind of girls I've never gone out with in

1076
00:51:47,719 --> 00:51:50,440
Speaker 1: my life. And on cue, Tipega walks up, hearing what

1077
00:51:50,480 --> 00:51:53,319
Speaker 1: Corey said, and so he clarifies except one time.

1078
00:51:53,440 --> 00:51:56,720
Speaker 2: Except one time, Corey turns. It's very funny.

1079
00:51:56,719 --> 00:51:59,560
Speaker 1: Corey turns to Tapega and says, hello, Flashy. She tells

1080
00:51:59,640 --> 00:52:01,160
Speaker 1: him it's a okay. She's happy to be thought of

1081
00:52:01,200 --> 00:52:03,960
Speaker 1: as a nice girl. And then I love that you're

1082
00:52:04,040 --> 00:52:06,600
Speaker 1: drinking a Martin Nelly's apple juice. It's been added to

1083
00:52:06,640 --> 00:52:07,960
Speaker 1: the school menu along.

1084
00:52:07,680 --> 00:52:10,080
Speaker 2: With her off your red juice. Awesome red drink. It

1085
00:52:10,120 --> 00:52:13,000
Speaker 2: was it would be too weird with the blood conversation. Yeah, exactly,

1086
00:52:13,160 --> 00:52:14,920
Speaker 2: drink in the red drink. Now you get Martin Nelly's

1087
00:52:14,920 --> 00:52:15,439
Speaker 2: apple juice.

1088
00:52:15,440 --> 00:52:17,759
Speaker 4: They just figured out the red dyes of carcinogen, so

1089
00:52:17,800 --> 00:52:19,359
Speaker 4: they just shelves.

1090
00:52:19,080 --> 00:52:19,399
Speaker 2: For a while.

1091
00:52:19,520 --> 00:52:20,320
Speaker 4: Yeah, I're wigged.

1092
00:52:21,120 --> 00:52:22,960
Speaker 1: Ta Panka tells Sean if this has anything to do

1093
00:52:23,000 --> 00:52:25,200
Speaker 1: with Dana Pruitt. I don't have all the information yet.

1094
00:52:25,200 --> 00:52:27,240
Speaker 1: I've only been to the bathroom three times this morning.

1095
00:52:27,680 --> 00:52:30,799
Speaker 1: Corey asks, so Topanga, as the hottest and flashiest girl

1096
00:52:30,800 --> 00:52:32,759
Speaker 1: of the Nice Girl camp, would you ever consider going

1097
00:52:32,760 --> 00:52:35,440
Speaker 1: out with Sean. Tapega smirks at Sean and says, well,

1098
00:52:35,640 --> 00:52:38,279
Speaker 1: he'd have to ask me. Sean asks Tapanga, would you

1099
00:52:38,320 --> 00:52:40,239
Speaker 1: ever consider going out with me? And she says no.

1100
00:52:40,520 --> 00:52:42,759
Speaker 1: Sean wants to know why. Topanga asks if he wants

1101
00:52:42,760 --> 00:52:44,520
Speaker 1: the truth, and he says, yeah, I want the truth.

1102
00:52:44,719 --> 00:52:47,400
Speaker 1: Tapanga tells him you couldn't handle the truth. Sean and

1103
00:52:47,400 --> 00:52:49,239
Speaker 1: Corey both tell her he can handle the truth, and

1104
00:52:49,280 --> 00:52:50,600
Speaker 1: this is clearly boy meets World.

1105
00:52:50,719 --> 00:52:53,000
Speaker 2: Nod to the movie, A few good men, got it?

1106
00:52:53,920 --> 00:52:56,480
Speaker 1: Tapanga asks Corey, so you'll take responsibility for how he

1107
00:52:56,520 --> 00:52:59,799
Speaker 1: feels about it. Corey tells her absolutely. Tapanga looks at

1108
00:52:59,800 --> 00:53:02,120
Speaker 1: Sean and says, you don't understand women. You don't know

1109
00:53:02,160 --> 00:53:04,000
Speaker 1: what we are, how we feel, or what we think.

1110
00:53:04,200 --> 00:53:06,600
Speaker 1: You see us as dating objects, and the faster we are,

1111
00:53:06,640 --> 00:53:08,640
Speaker 1: the more you want us. Until you grow up and

1112
00:53:08,640 --> 00:53:10,520
Speaker 1: see beyond that, no matter how many girls you go

1113
00:53:10,560 --> 00:53:12,840
Speaker 1: out with, you will always be lonely.

1114
00:53:13,520 --> 00:53:16,879
Speaker 4: Wow, it's a great speech. Great, great, you are so

1115
00:53:16,920 --> 00:53:19,400
Speaker 4: good in this sea on you. It's a great speech

1116
00:53:19,440 --> 00:53:21,000
Speaker 4: and you're delivering perfectly.

1117
00:53:21,040 --> 00:53:21,239
Speaker 1: Yeah.

1118
00:53:21,239 --> 00:53:24,560
Speaker 2: I'm so happy with where Tapanga has landed as a

1119
00:53:24,640 --> 00:53:27,480
Speaker 2: character and where you've landed as an actor. It just works.

1120
00:53:27,520 --> 00:53:30,000
Speaker 2: It's like this, yeah, this confidence. I mean you, you're

1121
00:53:30,040 --> 00:53:32,040
Speaker 2: like a thirty five year old woman in this seed.

1122
00:53:32,160 --> 00:53:34,160
Speaker 2: I know, it's amazing. It's so great.

1123
00:53:34,239 --> 00:53:36,640
Speaker 1: It's like a real I was very happy with it too,

1124
00:53:36,680 --> 00:53:38,640
Speaker 1: and I never say that, so I was very happy

1125
00:53:38,680 --> 00:53:38,880
Speaker 1: with it.

1126
00:53:38,920 --> 00:53:41,279
Speaker 2: I thought that thought that was that felt really good.

1127
00:53:41,480 --> 00:53:45,000
Speaker 1: I also wish we got to see more of these moments,

1128
00:53:45,000 --> 00:53:47,239
Speaker 1: and maybe we do moving forward, maybe there are more

1129
00:53:47,320 --> 00:53:50,680
Speaker 1: moments like this where Tapanga is just a wise friend

1130
00:53:50,880 --> 00:53:52,800
Speaker 1: to the boys, part of the gang and part of

1131
00:53:52,840 --> 00:53:55,319
Speaker 1: the gang. Because I love this dynamic where she's not

1132
00:53:56,120 --> 00:54:00,400
Speaker 1: Cory's girlfriend, but she's still part of their group and

1133
00:54:00,480 --> 00:54:02,799
Speaker 1: somebody they trust and can count on to give them

1134
00:54:03,360 --> 00:54:04,240
Speaker 1: helpful advice.

1135
00:54:04,480 --> 00:54:05,920
Speaker 2: I really I love this.

1136
00:54:06,440 --> 00:54:09,920
Speaker 4: I do too, But it won't last because you belong together.

1137
00:54:11,680 --> 00:54:14,080
Speaker 2: That's why. Well we'll see.

1138
00:54:14,160 --> 00:54:15,600
Speaker 1: I don't know for I don't know how many more

1139
00:54:15,600 --> 00:54:17,480
Speaker 1: episodes we have before we eventually get back together.

1140
00:54:17,560 --> 00:54:19,160
Speaker 2: So let's see. Let's see how long this goes.

1141
00:54:19,880 --> 00:54:21,719
Speaker 1: Sean looks like a deer in the headlights and Sean

1142
00:54:21,760 --> 00:54:24,160
Speaker 1: asks Corey, you let her say that to me. Corey

1143
00:54:24,200 --> 00:54:26,920
Speaker 1: tells him she's lying, Topanga tell Sean, look at yourself.

1144
00:54:27,080 --> 00:54:28,919
Speaker 1: You go from girl to girl, and that makes anyone

1145
00:54:28,920 --> 00:54:31,200
Speaker 1: who'd consider a relationship with you afraid of getting hurt.

1146
00:54:31,320 --> 00:54:33,399
Speaker 1: Every girl thinks you'll eventually get bored and move on.

1147
00:54:33,640 --> 00:54:35,280
Speaker 1: Seawan's taken aback and says.

1148
00:54:35,480 --> 00:54:40,799
Speaker 2: Wow, they know, I know. Yep, so so good. It's great.

1149
00:54:41,400 --> 00:54:43,040
Speaker 2: You were all great in the scene, all three of you.

1150
00:54:43,239 --> 00:54:46,160
Speaker 2: This was a very boy meets world.

1151
00:54:46,160 --> 00:54:50,440
Speaker 4: Perfect dialogue, well delivered, shows a new dynamic.

1152
00:54:50,560 --> 00:54:52,520
Speaker 2: It was a very very good scene. Yeah, we all

1153
00:54:52,560 --> 00:54:55,120
Speaker 2: seem older. Her characters are allowed to age up a

1154
00:54:55,160 --> 00:54:55,600
Speaker 2: little bit.

1155
00:54:55,800 --> 00:55:00,359
Speaker 1: We feel settled. Yeah, we also don't feel panicky. There's

1156
00:55:00,400 --> 00:55:03,120
Speaker 1: no we feel like really comfortable. There was some I

1157
00:55:03,160 --> 00:55:05,279
Speaker 1: mean for me especially. That's what I'm noticing is like

1158
00:55:05,680 --> 00:55:09,600
Speaker 1: the the there was like anxiety behind my eyes.

1159
00:55:09,760 --> 00:55:11,920
Speaker 2: Maybe you finally had a contract, Maybe I had a

1160
00:55:11,920 --> 00:55:14,520
Speaker 2: contract you want to give you. I felt welcomed. I

1161
00:55:14,520 --> 00:55:15,800
Speaker 2: don't all that anymore.

1162
00:55:16,000 --> 00:55:18,160
Speaker 4: I also think I think we can put a lot

1163
00:55:18,200 --> 00:55:22,680
Speaker 4: of that at Jeff McCracken. I think McCracken always did

1164
00:55:22,719 --> 00:55:25,040
Speaker 4: his best to make us just feel comfortable.

1165
00:55:25,080 --> 00:55:28,000
Speaker 2: We owned the scenes. Yes, he felt like ours as

1166
00:55:28,040 --> 00:55:28,560
Speaker 2: an actor.

1167
00:55:28,680 --> 00:55:30,719
Speaker 4: He wanted it's like, no, why do you That was

1168
00:55:30,760 --> 00:55:33,320
Speaker 4: the first time of having actor conversations with somebody.

1169
00:55:33,320 --> 00:55:34,759
Speaker 2: How are you feeling? What do you want to do?

1170
00:55:34,920 --> 00:55:37,239
Speaker 2: We were moving away with this scene. We were moving

1171
00:55:37,280 --> 00:55:42,120
Speaker 2: away from being line delivery systems instead agents of our

1172
00:55:42,160 --> 00:55:45,200
Speaker 2: own uh or we're just having our own agency, right,

1173
00:55:45,200 --> 00:55:47,920
Speaker 2: like we could engage in these scenes. And yeah, and

1174
00:55:48,040 --> 00:55:50,920
Speaker 2: and like WEP pointed out earlier, Sean is anxious, Sean

1175
00:55:51,000 --> 00:55:53,960
Speaker 2: is destabilized, and that's okay, Like stay in that and

1176
00:55:54,000 --> 00:55:55,680
Speaker 2: like play the scene out with that feeling.

1177
00:55:55,719 --> 00:55:58,279
Speaker 4: It's really McCracken really encouraged that every week. I mean

1178
00:55:58,320 --> 00:56:00,400
Speaker 4: that was really just started to feel comfortable. I was like,

1179
00:56:00,440 --> 00:56:02,520
Speaker 4: oh I can oh, okay, I can do this. It's

1180
00:56:02,520 --> 00:56:04,840
Speaker 4: not just kissing covering Zichy. You can figure out what

1181
00:56:04,880 --> 00:56:05,120
Speaker 4: this is.

1182
00:56:05,200 --> 00:56:06,360
Speaker 2: Yeah, he was great with that stuff.

1183
00:56:06,760 --> 00:56:08,640
Speaker 1: So then we're in the news station, know what all.

1184
00:56:08,760 --> 00:56:10,920
Speaker 1: Arthur walks out of his interview and the news director

1185
00:56:10,920 --> 00:56:13,840
Speaker 1: thanks him for coming down. He was very impressive. She admits,

1186
00:56:13,840 --> 00:56:15,719
Speaker 1: I don't know whether to offer you the internship or

1187
00:56:15,760 --> 00:56:18,279
Speaker 1: my job. Arthur asks if she has his resume, and

1188
00:56:18,320 --> 00:56:20,960
Speaker 1: she laughs and flips through a booklet, saying I'll finish

1189
00:56:21,040 --> 00:56:24,160
Speaker 1: it this weekend. Eric, sitting nearby, looks down at his

1190
00:56:24,160 --> 00:56:27,239
Speaker 1: own resume and reads box Boy at Daddy's Store, and

1191
00:56:27,280 --> 00:56:30,759
Speaker 1: then he changes it to headbox Head, and he gets

1192
00:56:30,840 --> 00:56:33,239
Speaker 1: nervous they'll check, so he crumples it and throws it out.

1193
00:56:33,360 --> 00:56:36,200
Speaker 1: I love this, Eric, Eric and Arthur greet each other

1194
00:56:36,239 --> 00:56:40,600
Speaker 1: in a very Seinfeld Newman way, total so funny, and

1195
00:56:40,760 --> 00:56:42,640
Speaker 1: Eric hustles over to the interview or just as she's

1196
00:56:42,680 --> 00:56:44,680
Speaker 1: closing the door. Excuse me, ma'am, I believe I have

1197
00:56:44,719 --> 00:56:47,960
Speaker 1: an interview, he says Eric Matthews, and she laughs, asking.

1198
00:56:47,680 --> 00:56:49,000
Speaker 2: There really isn't Eric Matthews.

1199
00:56:49,280 --> 00:56:53,640
Speaker 1: So that resume Eli sent over wasn't a Joe. She

1200
00:56:53,760 --> 00:56:56,080
Speaker 1: catches herself in motions to come in her office.

1201
00:56:56,440 --> 00:57:00,400
Speaker 4: Tony and I were so excited that she was on

1202
00:57:00,440 --> 00:57:03,600
Speaker 4: our show. Oh yeah, because we were huge fans of

1203
00:57:03,640 --> 00:57:05,480
Speaker 4: the Abyss and we had.

1204
00:57:05,520 --> 00:57:08,440
Speaker 2: Just was she was one night in the Abyss. Yes,

1205
00:57:08,800 --> 00:57:10,920
Speaker 2: So we were so we were so excited.

1206
00:57:10,920 --> 00:57:15,719
Speaker 4: We run our laser dis and he signed contest and

1207
00:57:15,760 --> 00:57:18,320
Speaker 4: we sat there and we kept she was she was

1208
00:57:18,360 --> 00:57:21,200
Speaker 4: a trooper because we were peppering her with questions about

1209
00:57:21,280 --> 00:57:25,160
Speaker 4: about the movie and we were so so good and

1210
00:57:25,520 --> 00:57:27,640
Speaker 4: make a disaster shoot, like have you ever watched the

1211
00:57:27,680 --> 00:57:28,120
Speaker 4: behind the.

1212
00:57:28,040 --> 00:57:32,200
Speaker 2: Scenes Exac's why Ed Harris like almost died. They just

1213
00:57:32,520 --> 00:57:35,400
Speaker 2: they took a big like tank and covered it with

1214
00:57:35,440 --> 00:57:37,960
Speaker 2: like black golf ball, so like the whole so we

1215
00:57:38,080 --> 00:57:40,280
Speaker 2: looked like Dark one Day is insane. Oh my god,

1216
00:57:40,320 --> 00:57:42,080
Speaker 2: it's one of the craziest shoots of all time.

1217
00:57:42,200 --> 00:57:44,840
Speaker 4: He wouldn't he didn't yet, Key, he had it perfectly timed,

1218
00:57:44,960 --> 00:57:46,600
Speaker 4: yell cut at the right time, and he just held

1219
00:57:46,640 --> 00:57:47,040
Speaker 4: them back.

1220
00:57:47,080 --> 00:57:48,720
Speaker 2: So Ed Harris is panicking underwatch.

1221
00:57:49,000 --> 00:57:51,320
Speaker 4: But we're asking her all these questions and she was

1222
00:57:51,440 --> 00:57:54,840
Speaker 4: so nice and answering every stupid fan question we had.

1223
00:57:55,120 --> 00:57:57,560
Speaker 2: That was one of the first movies that I remember.

1224
00:57:57,680 --> 00:58:01,880
Speaker 2: The Laser Disc had the alternative alternative directors ending, which

1225
00:58:01,920 --> 00:58:04,360
Speaker 2: was so much better, and I remember you guys being like,

1226
00:58:04,480 --> 00:58:07,400
Speaker 2: you have to watch the Laser disc version, not the HS.

1227
00:58:07,560 --> 00:58:09,320
Speaker 2: And so we went to Dave's Laser place and got

1228
00:58:09,360 --> 00:58:12,520
Speaker 2: the Loser this and I watched it obsessively. It was

1229
00:58:12,600 --> 00:58:15,040
Speaker 2: so much better, so much better. We were just.

1230
00:58:15,280 --> 00:58:17,800
Speaker 4: We were over the moon that she was on our show,

1231
00:58:18,160 --> 00:58:20,919
Speaker 4: and she was so sweet and oh man, we were

1232
00:58:21,080 --> 00:58:23,080
Speaker 4: just throwing questions at her the whole week. She must

1233
00:58:23,120 --> 00:58:25,920
Speaker 4: have just been so happy to get away from us

1234
00:58:25,920 --> 00:58:27,640
Speaker 4: at the end of the day. But man, it was great.

1235
00:58:27,840 --> 00:58:39,000
Speaker 8: Yeah, totally, it's so cute.

1236
00:58:41,240 --> 00:58:43,960
Speaker 2: So then we're in Phoenie's classroom. Foenie is back to teaching.

1237
00:58:44,040 --> 00:58:47,240
Speaker 1: He's telling students that if press coverage of past politicians

1238
00:58:47,240 --> 00:58:50,080
Speaker 1: had been as invasive as it is today, such men

1239
00:58:50,120 --> 00:58:53,120
Speaker 1: as Franklin Roosevelt and John Kennedy might have never been

1240
00:58:53,160 --> 00:59:01,000
Speaker 1: elected president. How timely even for today, Sean, I'm sorry.

1241
00:59:01,000 --> 00:59:03,200
Speaker 4: Give me Phoene teaching in front of a classroom everything

1242
00:59:03,280 --> 00:59:05,840
Speaker 4: every day, I know, I know, so comforting.

1243
00:59:05,640 --> 00:59:09,280
Speaker 2: Just to have scene it's great. This is like just

1244
00:59:09,400 --> 00:59:14,800
Speaker 2: such good writing, right, Like have kids debating a historical subject,

1245
00:59:14,880 --> 00:59:17,240
Speaker 2: but have it be about personal relationships and they're like

1246
00:59:17,320 --> 00:59:20,840
Speaker 2: having it's so good. I love it, Yes, and I

1247
00:59:20,880 --> 00:59:24,920
Speaker 2: love that. Phoene's reaction is like, great, let's involve this, like,

1248
00:59:25,000 --> 00:59:28,080
Speaker 2: let's welcome personal life stuff. He can he knows what's

1249
00:59:28,080 --> 00:59:30,240
Speaker 2: going on, but he's still excited because it means we're

1250
00:59:30,280 --> 00:59:31,640
Speaker 2: engaging with the subject matter.

1251
00:59:32,000 --> 00:59:36,520
Speaker 1: Oh see, it's exactly Season one stuff we loved where

1252
00:59:36,560 --> 00:59:40,919
Speaker 1: the storyline exactly but aged up and it is it's

1253
00:59:40,960 --> 00:59:44,200
Speaker 1: so so beautiful. Sean asks mister Foene if he would

1254
00:59:44,200 --> 00:59:46,600
Speaker 1: consider John Kennedy a great president, to which Phoene says,

1255
00:59:46,640 --> 00:59:48,600
Speaker 1: his time in office was short, but he accomplished a

1256
00:59:48,640 --> 00:59:49,080
Speaker 1: great deal.

1257
00:59:49,360 --> 00:59:50,320
Speaker 2: Sean follows up.

1258
00:59:50,200 --> 00:59:51,920
Speaker 1: The fact that he was a babe magnet didn't make

1259
00:59:52,000 --> 00:59:54,320
Speaker 1: him any less great, did it, and Dana answers, in

1260
00:59:54,360 --> 00:59:56,440
Speaker 1: a lot of people's eyes, it did less of a husband,

1261
00:59:56,480 --> 00:59:58,240
Speaker 1: less of a leader, and all the girls in the

1262
00:59:58,320 --> 01:00:01,040
Speaker 1: room agree. Phoene says, well, I think we've heard from

1263
01:00:01,040 --> 01:00:03,479
Speaker 1: the women. What do you think, mister hunter. Sean says,

1264
01:00:03,520 --> 01:00:05,280
Speaker 1: all I know is it's not easy for a guy

1265
01:00:05,320 --> 01:00:07,680
Speaker 1: to change who he is. All the boys now audibly

1266
01:00:07,720 --> 01:00:10,560
Speaker 1: agree with Sean, and Dana responds, you can't change if

1267
01:00:10,560 --> 01:00:13,200
Speaker 1: you don't try. Sean tells her, I can't try unless

1268
01:00:13,240 --> 01:00:15,560
Speaker 1: you give me a chance. Phoene sees that Sean has

1269
01:00:15,560 --> 01:00:18,320
Speaker 1: spurred a debate and now wants to hear everyone's opinions

1270
01:00:18,480 --> 01:00:21,840
Speaker 1: in an essay do tomorrow. All the students grown angry

1271
01:00:21,840 --> 01:00:24,000
Speaker 1: at Sean, and the bell rings. Dana gets up and

1272
01:00:24,080 --> 01:00:26,000
Speaker 1: leaves without even looking back at Sean.

1273
01:00:26,360 --> 01:00:29,480
Speaker 2: One of my favorite se though, is still the you've

1274
01:00:29,480 --> 01:00:34,120
Speaker 2: sparked a debate fine, when's detention like he's obviously thought

1275
01:00:34,120 --> 01:00:38,040
Speaker 2: he did something wrong where it's just so great cute, right,

1276
01:00:38,080 --> 01:00:40,760
Speaker 2: I finally talked and that's what and that's what happened. Fine,

1277
01:00:41,480 --> 01:00:43,400
Speaker 2: when's detention so good?

1278
01:00:43,480 --> 01:00:45,440
Speaker 1: Then we're back at the news station. Eric walks out

1279
01:00:45,440 --> 01:00:52,760
Speaker 1: of his interview, sweating. You are dripping like a pig,

1280
01:00:53,440 --> 01:00:55,520
Speaker 1: you say, you know Ms Cannon Your office is mighty

1281
01:00:55,600 --> 01:00:58,200
Speaker 1: mighty hut, she responds, and it was mighty mighty nice

1282
01:00:58,200 --> 01:01:00,840
Speaker 1: to meet you. He asks, I'm not gonnading this internship,

1283
01:01:00,880 --> 01:01:03,200
Speaker 1: am I? And she says, well, everyone has a chance.

1284
01:01:03,560 --> 01:01:06,479
Speaker 1: Eric eagerly asks really, and she droyly says, I don't

1285
01:01:06,480 --> 01:01:07,000
Speaker 1: do this to me.

1286
01:01:11,680 --> 01:01:13,040
Speaker 2: Time for this Eric.

1287
01:01:13,680 --> 01:01:15,960
Speaker 1: Eric then stands in front of a news camera pretending

1288
01:01:15,960 --> 01:01:18,400
Speaker 1: to be a reporter. This just in Eric Matthews is

1289
01:01:18,400 --> 01:01:21,000
Speaker 1: a huge loser. A man cleaning up nearby overhears him

1290
01:01:21,000 --> 01:01:23,640
Speaker 1: and asks why he's a loser. Eric apologizes and says

1291
01:01:23,640 --> 01:01:25,400
Speaker 1: he'll get out of his way. The man asks if

1292
01:01:25,480 --> 01:01:27,960
Speaker 1: Eric was here for the internship. Eric says yes, but

1293
01:01:28,000 --> 01:01:30,360
Speaker 1: he blew it because he wasn't himself. Although straight a

1294
01:01:30,440 --> 01:01:32,560
Speaker 1: guys want is something to put on their resume, he

1295
01:01:32,600 --> 01:01:35,120
Speaker 1: really wanted the gig ms. Cannon doesn't know this, but

1296
01:01:35,160 --> 01:01:37,520
Speaker 1: I do that job so much better than any of

1297
01:01:37,560 --> 01:01:39,160
Speaker 1: them because I need it more.

1298
01:01:39,720 --> 01:01:41,840
Speaker 2: The man asks did you tell her that? And Eric

1299
01:01:41,840 --> 01:01:43,320
Speaker 2: admits no, it choked.

1300
01:01:43,040 --> 01:01:45,200
Speaker 1: In front of the most important person at the station,

1301
01:01:45,720 --> 01:01:48,439
Speaker 1: and the man reveals no, he didn't. Yeah I did,

1302
01:01:48,560 --> 01:01:50,880
Speaker 1: Eric says, I was sweating so much my shoes started

1303
01:01:50,920 --> 01:01:53,520
Speaker 1: to squish. The man laughs and tells him, no, I

1304
01:01:53,600 --> 01:01:55,800
Speaker 1: meant she's not the most important person at the station.

1305
01:01:56,160 --> 01:01:58,800
Speaker 2: Meanwhile, I love the behavior of Eric just cleaning up,

1306
01:01:59,040 --> 01:02:04,640
Speaker 2: being a good intern. Like it's it's perfect writing. Yes,

1307
01:02:04,960 --> 01:02:06,960
Speaker 2: because it's like you you see it coming, I mean,

1308
01:02:07,000 --> 01:02:11,000
Speaker 2: and it's very obvious, you know, you know's it's so

1309
01:02:11,160 --> 01:02:14,480
Speaker 2: good because it pays off. And this man I don't

1310
01:02:14,520 --> 01:02:17,800
Speaker 2: know his name, is such a good actor, what a presence,

1311
01:02:17,880 --> 01:02:22,000
Speaker 2: and like you just don't see this often, Brandon Maggert. Yeah,

1312
01:02:22,040 --> 01:02:26,680
Speaker 2: he's good, and he's so relaxed and he doesn't I

1313
01:02:26,680 --> 01:02:29,919
Speaker 2: feel like often, you know, people with smaller parts guests

1314
01:02:29,920 --> 01:02:33,480
Speaker 2: staring on sitcoms have to be a goofy character or

1315
01:02:33,560 --> 01:02:36,600
Speaker 2: a villain character or something, and he just just just

1316
01:02:36,680 --> 01:02:39,400
Speaker 2: a guy, just a good guy. And he engages with

1317
01:02:39,440 --> 01:02:43,840
Speaker 2: you and he's listening to you such a solid acting performance. Yeah,

1318
01:02:43,920 --> 01:02:45,960
Speaker 2: it's great, and Eric laughs.

1319
01:02:46,000 --> 01:02:50,160
Speaker 1: He says, hey, pal, I know coffee's really important and everything.

1320
01:02:50,240 --> 01:02:53,800
Speaker 1: But the man introduces himself as Pat Derby, the station manager.

1321
01:02:53,840 --> 01:02:56,120
Speaker 1: He says he's shaking the hand of his new intern.

1322
01:02:56,360 --> 01:02:59,080
Speaker 1: I'll see you Monday. Be yourself or I'll fire you.

1323
01:02:59,640 --> 01:03:02,320
Speaker 1: Eric is shocked, saying, oh oh oh, yes, sir, Thank

1324
01:03:02,320 --> 01:03:04,600
Speaker 1: you so much, sir, I'll be here. Just before he leaves,

1325
01:03:04,720 --> 01:03:06,520
Speaker 1: he turns and asks the man, before I go home

1326
01:03:06,520 --> 01:03:08,360
Speaker 1: and tell my parents, do you have a business card

1327
01:03:08,360 --> 01:03:09,080
Speaker 1: in a photo ID?

1328
01:03:09,760 --> 01:03:10,760
Speaker 2: And I even love.

1329
01:03:10,760 --> 01:03:14,200
Speaker 1: That aspect of this for Eric that in every other

1330
01:03:14,240 --> 01:03:17,960
Speaker 1: episode we've ever seen, he just hears something and runs

1331
01:03:17,960 --> 01:03:18,320
Speaker 1: home with it.

1332
01:03:18,360 --> 01:03:19,800
Speaker 2: I'm going to be a supermodel. I'm going to be

1333
01:03:19,800 --> 01:03:20,520
Speaker 2: a this And.

1334
01:03:20,360 --> 01:03:24,000
Speaker 1: Even as far as seeing him learn from his past mistakes,

1335
01:03:24,800 --> 01:03:26,400
Speaker 1: I'm going to need to verify this with my I'm

1336
01:03:26,400 --> 01:03:27,760
Speaker 1: going to need to show my parent I'm going to

1337
01:03:27,800 --> 01:03:30,840
Speaker 1: have to have something. I just love this evolution for

1338
01:03:31,080 --> 01:03:34,560
Speaker 1: Eric that for this job, for this thing, this is

1339
01:03:34,600 --> 01:03:37,640
Speaker 1: clearly where he's dialed in and I just think it's great.

1340
01:03:37,920 --> 01:03:40,320
Speaker 2: Guys. As we go through this scene by scene, this

1341
01:03:40,400 --> 01:03:43,439
Speaker 2: is becoming a much better episode than I actually thought.

1342
01:03:43,680 --> 01:03:48,840
Speaker 2: It's breaking down each scene, it's they're each really tight, strong,

1343
01:03:49,040 --> 01:03:52,360
Speaker 2: like there's there's there's journeys, there's changes. It's really a

1344
01:03:52,360 --> 01:03:53,080
Speaker 2: solid episode.

1345
01:03:53,160 --> 01:03:53,400
Speaker 4: Yeah.

1346
01:03:53,520 --> 01:03:55,880
Speaker 2: Really, I think I think maybe my resistance to this

1347
01:03:55,920 --> 01:03:59,280
Speaker 2: episode just comes out of, you know, the whole nice

1348
01:03:59,320 --> 01:04:02,800
Speaker 2: girl versus is flashy girl thing, which is just it

1349
01:04:02,880 --> 01:04:08,560
Speaker 2: seems like such an oversimplification and it's very reductive. But

1350
01:04:10,440 --> 01:04:12,520
Speaker 2: where it ends up is very good, you know, like

1351
01:04:12,760 --> 01:04:14,880
Speaker 2: it wrestles with that. But I just I get I

1352
01:04:14,960 --> 01:04:18,040
Speaker 2: just had a hard time with characters just outright being like, well,

1353
01:04:18,200 --> 01:04:20,480
Speaker 2: that's who this girl is, that's who that guy is.

1354
01:04:20,560 --> 01:04:24,120
Speaker 2: It's just like uh, but I guess as a launching point,

1355
01:04:24,160 --> 01:04:26,400
Speaker 2: you kind of have to be that clear in order

1356
01:04:26,440 --> 01:04:29,280
Speaker 2: to get to the nuance. But I wish there's a

1357
01:04:29,280 --> 01:04:32,760
Speaker 2: way to have had the same storyline without saying like

1358
01:04:32,760 --> 01:04:34,680
Speaker 2: like the flashy girls and the leather jackets, and you know,

1359
01:04:34,720 --> 01:04:36,360
Speaker 2: it's just it's it's it's reductive.

1360
01:04:36,600 --> 01:04:39,520
Speaker 1: Well, I agree with you, but I also think when

1361
01:04:39,560 --> 01:04:43,360
Speaker 1: you are a kid and you're learning how to categorize

1362
01:04:43,440 --> 01:04:47,360
Speaker 1: the world, right, the more simple the better, because truly,

1363
01:04:47,640 --> 01:04:52,640
Speaker 1: if you present to children it's all gray, everyone's all gray,

1364
01:04:52,960 --> 01:04:55,360
Speaker 1: then why not go they just lost? Then why not

1365
01:04:55,440 --> 01:04:59,400
Speaker 1: hang out with with this, with the druggy kids. Why

1366
01:04:59,440 --> 01:05:02,160
Speaker 1: not hang out with the kids who carry weapons to school?

1367
01:05:02,200 --> 01:05:04,560
Speaker 1: You know they're good people too, Like you, you do

1368
01:05:04,840 --> 01:05:12,120
Speaker 1: have to start create categorizations and boundaries and and and

1369
01:05:12,240 --> 01:05:14,520
Speaker 1: put your kid in and they for themselves have to

1370
01:05:14,520 --> 01:05:16,680
Speaker 1: figure out where do I feel good, Where do I

1371
01:05:16,760 --> 01:05:17,160
Speaker 1: fit in?

1372
01:05:17,280 --> 01:05:19,680
Speaker 2: What feels what feels like? There are categories when you're

1373
01:05:19,680 --> 01:05:20,040
Speaker 2: that age.

1374
01:05:20,040 --> 01:05:23,080
Speaker 4: You're the jock, or you're the you're the stoner, you're

1375
01:05:23,080 --> 01:05:25,400
Speaker 4: the skater, you're the goth kid. There are there's like

1376
01:05:25,680 --> 01:05:27,600
Speaker 4: that's what your pigeon holed into, whatever it is.

1377
01:05:28,040 --> 01:05:30,120
Speaker 2: So if that's true anymore, I think it was definitely

1378
01:05:30,120 --> 01:05:30,880
Speaker 2: true back then.

1379
01:05:31,160 --> 01:05:32,760
Speaker 4: Back then, back in the nineties. I mean that's how

1380
01:05:32,800 --> 01:05:34,800
Speaker 4: it was. That you were just that's you had your

1381
01:05:34,840 --> 01:05:36,960
Speaker 4: click and that's all it was. So you were the

1382
01:05:37,240 --> 01:05:40,200
Speaker 4: and and the girls that kissed or maybe fooled around,

1383
01:05:40,240 --> 01:05:42,280
Speaker 4: they were they were considered the fast girls.

1384
01:05:42,280 --> 01:05:43,960
Speaker 2: That's obviously not what they were called.

1385
01:05:44,360 --> 01:05:48,160
Speaker 4: But everyone was putting those categories instantly, And you spend

1386
01:05:48,160 --> 01:05:50,720
Speaker 4: the next three years of high school, trying to, you know,

1387
01:05:50,800 --> 01:05:53,480
Speaker 4: fight against whatever category you were put in or falling

1388
01:05:53,520 --> 01:05:55,240
Speaker 4: into it where it's like I'm a jock, I'm a

1389
01:05:55,360 --> 01:05:56,600
Speaker 4: I'm a skater, I'm a goth.

1390
01:05:57,040 --> 01:05:58,680
Speaker 2: That's all. It kind of was. So I think they're

1391
01:05:58,720 --> 01:05:59,960
Speaker 2: picking up on that a little bit.

1392
01:06:00,120 --> 01:06:03,200
Speaker 1: Yeah, And I think for for a show, it is

1393
01:06:03,360 --> 01:06:06,080
Speaker 1: the perfect way to deliver a lesson you. You know,

1394
01:06:06,960 --> 01:06:09,720
Speaker 1: it's so I really like it.

1395
01:06:09,800 --> 01:06:11,040
Speaker 2: Then we're into Turner's apartment.

1396
01:06:11,120 --> 01:06:14,080
Speaker 1: Sean and Corey, dressed again for a blizzard, walk through

1397
01:06:14,080 --> 01:06:16,600
Speaker 1: the door. Just as Corey assures Sean, don't let what

1398
01:06:16,680 --> 01:06:18,720
Speaker 1: Tapega said bother you. If I listen to everything to

1399
01:06:18,800 --> 01:06:21,280
Speaker 1: Pega told me, Sean interrupts and says, you guys would

1400
01:06:21,280 --> 01:06:23,440
Speaker 1: still be together. Corey shouts at him, then what are

1401
01:06:23,440 --> 01:06:26,280
Speaker 1: you listening to me for? Corey fills Turner in by

1402
01:06:26,280 --> 01:06:29,520
Speaker 1: saying Dana Preuitt. Turner responds, nice girl. Then Corey says

1403
01:06:29,680 --> 01:06:33,320
Speaker 1: Sean Hunter, Turner says, Corey goes, all right, you're caught

1404
01:06:33,360 --> 01:06:33,760
Speaker 1: up to speed.

1405
01:06:33,800 --> 01:06:35,360
Speaker 2: My work here is done. Wish me luck. I'm going

1406
01:06:35,360 --> 01:06:37,320
Speaker 2: out back out in the blizzard with one minute with

1407
01:06:37,600 --> 01:06:43,360
Speaker 2: one mitten. Oh so great, just perfect, Corey and there's

1408
01:06:43,400 --> 01:06:47,720
Speaker 2: Turner doing what Turner does, which snap and green vegetables

1409
01:06:47,720 --> 01:06:51,120
Speaker 2: of green vegetables, vegetables at that table in a nice

1410
01:06:51,120 --> 01:06:55,560
Speaker 2: sweater that I love it. I love the snap and

1411
01:06:55,600 --> 01:06:57,400
Speaker 2: bean business. It's really great.

1412
01:06:57,920 --> 01:07:00,120
Speaker 1: Turner asks Sean if he's okay, and Sean says, I

1413
01:07:00,120 --> 01:07:02,040
Speaker 1: really like Dana John and I'm pretty sure that she

1414
01:07:02,200 --> 01:07:04,080
Speaker 1: likes me, but she's afraid to get involved with me.

1415
01:07:04,320 --> 01:07:06,320
Speaker 2: And Turner asks, can we just go back and talk

1416
01:07:06,320 --> 01:07:11,720
Speaker 2: about that horrific hat I walk in with When we

1417
01:07:11,760 --> 01:07:14,600
Speaker 2: walk in, I'm wearing I think, what's sort of like

1418
01:07:14,640 --> 01:07:17,520
Speaker 2: a remember the kangle hats like, but it's like a

1419
01:07:17,600 --> 01:07:21,880
Speaker 2: coofy one. It's like a reddish like it just goes

1420
01:07:21,920 --> 01:07:25,800
Speaker 2: straight up and I'm like, what is it? Like, Yes,

1421
01:07:25,880 --> 01:07:30,600
Speaker 2: it is again, I just rip it off. I'm like, yeah, good,

1422
01:07:30,680 --> 01:07:33,200
Speaker 2: good move, writer, Get that thing off of your head.

1423
01:07:33,680 --> 01:07:37,080
Speaker 4: Geez. Do you know the pompon pompons on top of

1424
01:07:37,120 --> 01:07:40,760
Speaker 4: hats were actually functional? They're actually they were actually used

1425
01:07:40,800 --> 01:07:44,800
Speaker 4: by uh Spanish merchants in ships, so if they stood

1426
01:07:44,840 --> 01:07:46,880
Speaker 4: up too fast and they hit their head on the

1427
01:07:47,120 --> 01:07:49,720
Speaker 4: beam of the ship, they have something protect.

1428
01:07:49,440 --> 01:07:52,960
Speaker 2: A little patty whoa. I love that functional. There you go.

1429
01:07:53,040 --> 01:07:55,040
Speaker 2: Look at that. Uh.

1430
01:07:55,200 --> 01:07:58,280
Speaker 1: Turner asks the Hunter reputation, huh, and Sean tells him

1431
01:07:58,320 --> 01:08:00,200
Speaker 1: I used to be so proud of it. And then

1432
01:08:00,240 --> 01:08:02,600
Speaker 1: Corey walks back in saying I lost my other mitten?

1433
01:08:03,080 --> 01:08:07,920
Speaker 2: Did he lose his other? Right there? His jacket to him,

1434
01:08:08,160 --> 01:08:12,120
Speaker 2: I love it. I didn't notice it. Don't mind me,

1435
01:08:12,240 --> 01:08:12,880
Speaker 2: I'll just look.

1436
01:08:13,040 --> 01:08:15,400
Speaker 1: Sean asks Turner, what was I even thinking asking out

1437
01:08:15,400 --> 01:08:17,439
Speaker 1: a girl like Dana Brewett. I know exactly where I

1438
01:08:17,479 --> 01:08:20,759
Speaker 1: belong back with all those fast, flashy girls. Corey interrupts,

1439
01:08:20,760 --> 01:08:23,519
Speaker 1: still searching for that mitten. It was blue, fuzzy Sean

1440
01:08:23,560 --> 01:08:25,840
Speaker 1: and Turner just look at him. Turner tells Sean, you know,

1441
01:08:26,000 --> 01:08:28,400
Speaker 1: it seems to me the people you care most about

1442
01:08:28,400 --> 01:08:30,920
Speaker 1: in the world aren't fast and flashy. Right on time,

1443
01:08:31,000 --> 01:08:33,439
Speaker 1: Corey interrupts again, Hey, look, it's the scarf of mine

1444
01:08:33,479 --> 01:08:36,200
Speaker 1: I lost last year. And I feel like Turner would

1445
01:08:36,200 --> 01:08:39,640
Speaker 1: have lifted his couch cushions last year. I feel like

1446
01:08:39,840 --> 01:08:40,600
Speaker 1: he would have seen that.

1447
01:08:41,479 --> 01:08:44,320
Speaker 4: The little benisms, the little bet like when he puts

1448
01:08:44,360 --> 01:08:46,559
Speaker 4: the scarf and he goes yes, like he's got he

1449
01:08:46,680 --> 01:08:48,080
Speaker 4: has all these little bend things that.

1450
01:08:48,000 --> 01:08:49,960
Speaker 1: Are also love that he does it like with a

1451
01:08:49,960 --> 01:08:52,000
Speaker 1: scarf where it has some weight where he tries to

1452
01:08:52,040 --> 01:08:54,040
Speaker 1: swing it around his neck and it doesn't go anywhere.

1453
01:08:54,040 --> 01:08:56,400
Speaker 2: It just like barely lofts up into the air. Yes,

1454
01:08:56,880 --> 01:08:59,240
Speaker 2: so turns this is perfect. This is perfect writing. Right,

1455
01:08:59,280 --> 01:09:03,519
Speaker 2: you have like this expositional conversation going on, punctuated by

1456
01:09:03,520 --> 01:09:07,479
Speaker 2: comic relief with Corey. It's perfect because it's release valve.

1457
01:09:07,840 --> 01:09:10,600
Speaker 2: And then of course it comes around into the exposition

1458
01:09:10,640 --> 01:09:13,040
Speaker 2: where Turner's like, this is the relationship where you actually

1459
01:09:13,080 --> 01:09:16,040
Speaker 2: listen to each other, and it's like, wow, good writing,

1460
01:09:16,400 --> 01:09:18,400
Speaker 2: just so so perfect.

1461
01:09:18,840 --> 01:09:21,400
Speaker 1: Turner, looking at Corey, says, you see this guy right here,

1462
01:09:21,560 --> 01:09:23,800
Speaker 1: this is your best relationship. You guys listen to each

1463
01:09:23,800 --> 01:09:26,320
Speaker 1: other and you really trust each other. Sean asks, that's

1464
01:09:26,320 --> 01:09:28,559
Speaker 1: what girls are looking for, and Turner says, oh yeah,

1465
01:09:28,720 --> 01:09:31,519
Speaker 1: especially the nice ones. Sean says, that's funny because Dan

1466
01:09:31,640 --> 01:09:33,679
Speaker 1: is the only girl I've ever really listened to. Turner

1467
01:09:33,720 --> 01:09:36,160
Speaker 1: asks if she knows that, Sean says he can tell her.

1468
01:09:36,240 --> 01:09:38,960
Speaker 1: Turner tells him to do even better, show her.

1469
01:09:40,280 --> 01:09:42,639
Speaker 2: Great, great lesson. That's great, wonderful.

1470
01:09:43,200 --> 01:09:46,080
Speaker 1: Cory on Zips's jacket and his mitten is in there.

1471
01:09:46,160 --> 01:09:48,240
Speaker 1: He had it the whole time, wouldn't you know it?

1472
01:09:48,439 --> 01:09:51,760
Speaker 1: He tells the guys you gotta love Velcrow huh. And

1473
01:09:51,800 --> 01:09:56,080
Speaker 1: it's my favorite Corey. Yeah, absolutely my favorite Corey right here.

1474
01:09:56,120 --> 01:09:58,240
Speaker 1: This is who he should be forever. And then we're

1475
01:09:58,240 --> 01:10:00,720
Speaker 1: in Chubby's. Corey is playing pool when Dana walks over

1476
01:10:00,760 --> 01:10:03,240
Speaker 1: and says, hi. Cory says, normally I'd be playing pool

1477
01:10:03,240 --> 01:10:05,120
Speaker 1: with my best friend, but he's off, who knows where,

1478
01:10:05,240 --> 01:10:07,839
Speaker 1: moping because some girl played yo yo with his feelings.

1479
01:10:08,240 --> 01:10:10,920
Speaker 1: Dana says, Corey, you know what his reputation is. Corey

1480
01:10:10,920 --> 01:10:13,559
Speaker 1: says he knows the reputation, but he also knows the guy.

1481
01:10:13,920 --> 01:10:16,920
Speaker 1: He asks her what's more important, Dana, the reputation or

1482
01:10:16,960 --> 01:10:19,599
Speaker 1: the guy. Corey explains, you went out with me because

1483
01:10:19,600 --> 01:10:22,080
Speaker 1: you thought I was nice. That's my reputation. But now

1484
01:10:22,160 --> 01:10:26,360
Speaker 1: I think you know the deep down. Corey Matthews is dangerous, dark,

1485
01:10:26,400 --> 01:10:28,240
Speaker 1: and very edgy.

1486
01:10:28,600 --> 01:10:29,240
Speaker 2: It's perfect.

1487
01:10:29,240 --> 01:10:32,960
Speaker 1: Corey great Man comes over the intercom, announcing with the

1488
01:10:32,960 --> 01:10:36,920
Speaker 1: owner of a bright red hypoallergenic ski jacket with one mitten,

1489
01:10:37,000 --> 01:10:38,240
Speaker 1: please claim it at the counter.

1490
01:10:38,560 --> 01:10:40,400
Speaker 2: Corey looks at Dana and says, oh, I gotta go.

1491
01:10:41,080 --> 01:10:46,160
Speaker 2: He runs away. Perfect right then where I think he

1492
01:10:46,280 --> 01:10:49,080
Speaker 2: sunk the eight ball with his first show, he did it.

1493
01:10:49,520 --> 01:10:51,720
Speaker 2: I went back. I don't think it actually is the

1494
01:10:51,720 --> 01:10:53,479
Speaker 2: eight ball, but it was so distracted. I was like,

1495
01:10:53,520 --> 01:10:56,240
Speaker 2: could they have picked another ball because it just looks

1496
01:10:56,320 --> 01:11:00,840
Speaker 2: like the four is the purple one for Because I

1497
01:11:00,880 --> 01:11:02,559
Speaker 2: went back and I was like, there's no way they

1498
01:11:02,600 --> 01:11:05,400
Speaker 2: would have let that go unless maybe that's the joke

1499
01:11:05,880 --> 01:11:10,559
Speaker 2: he thinks he's just sinking. Was so distracting for me.

1500
01:11:11,600 --> 01:11:14,599
Speaker 2: That's funny. Then we're outside of Chubby's.

1501
01:11:14,640 --> 01:11:18,040
Speaker 1: It's the first time since the Jungle Rave Dana is

1502
01:11:18,080 --> 01:11:19,120
Speaker 1: walking out snow.

1503
01:11:19,680 --> 01:11:19,840
Speaker 4: Oh.

1504
01:11:19,960 --> 01:11:22,880
Speaker 2: I love fakes, beautiful fakes. It's so fun. They have

1505
01:11:22,960 --> 01:11:25,559
Speaker 2: to they have to sift it above you. They usually

1506
01:11:25,680 --> 01:11:29,680
Speaker 2: have these big like turning turning wheels, bitter metals like

1507
01:11:29,760 --> 01:11:32,800
Speaker 2: drums basically that are that that just like what you

1508
01:11:32,920 --> 01:11:36,439
Speaker 2: used to sift flour into a recipe. But it's shaking

1509
01:11:36,439 --> 01:11:38,120
Speaker 2: out the snow. It's so fun.

1510
01:11:38,160 --> 01:11:42,040
Speaker 4: I just used to be asbestos. Didn't fake snow. Used

1511
01:11:42,040 --> 01:11:44,040
Speaker 4: to be something really really bad for you.

1512
01:11:45,080 --> 01:11:47,760
Speaker 2: The inmates from the audience, you know what, you.

1513
01:11:47,720 --> 01:11:50,479
Speaker 4: Know what, don't start with me, don't start with me.

1514
01:11:50,479 --> 01:11:51,840
Speaker 4: Why don't you send me a link to go buy

1515
01:11:51,920 --> 01:11:52,639
Speaker 4: fake snow.

1516
01:11:52,880 --> 01:11:58,200
Speaker 2: Just sprinkle disgust us. They're just all over us by googling.

1517
01:11:58,960 --> 01:12:01,559
Speaker 2: No not not not the like in like the sixties

1518
01:12:01,560 --> 01:12:05,080
Speaker 2: and the seventies. I would not know when we were no, no, no.

1519
01:12:05,200 --> 01:12:07,320
Speaker 4: I think by that point they figured it out, but

1520
01:12:07,360 --> 01:12:08,760
Speaker 4: it was bad back in the day.

1521
01:12:08,840 --> 01:12:13,920
Speaker 2: Well. I remember when signing my first contract for Lama's Robb,

1522
01:12:15,080 --> 01:12:17,720
Speaker 2: I had to sign away that I was okay with

1523
01:12:18,400 --> 01:12:22,960
Speaker 2: the fake fog that they used on stage. And I'm

1524
01:12:23,080 --> 01:12:25,320
Speaker 2: sure what I was signing the way was that I

1525
01:12:25,360 --> 01:12:29,080
Speaker 2: could I'll never sue your this toxic. Yeah, and it's

1526
01:12:29,120 --> 01:12:32,960
Speaker 2: a very specific smell that you don't get anymore on

1527
01:12:33,040 --> 01:12:34,920
Speaker 2: live stations. But used to be they would still use

1528
01:12:34,960 --> 01:12:36,680
Speaker 2: the same stuff. And I would go to see like

1529
01:12:36,800 --> 01:12:39,240
Speaker 2: other productions of plays now and if they used that

1530
01:12:39,760 --> 01:12:42,720
Speaker 2: that fake fog, I would smell in the audience and

1531
01:12:42,760 --> 01:12:45,640
Speaker 2: be like taken right back to being nine ten and

1532
01:12:45,720 --> 01:12:50,600
Speaker 2: being in LEAMZ. There you go, cancerous lungs, dangerous asbestos,

1533
01:12:50,640 --> 01:12:55,760
Speaker 2: created Christmas of Hollywood's paths. Wow, so yep it yep.

1534
01:12:56,000 --> 01:12:59,519
Speaker 2: And they stopped using it in twenty ten, exactly. No,

1535
01:12:59,600 --> 01:13:01,360
Speaker 2: it was like I said, the early part of the

1536
01:13:01,640 --> 01:13:05,760
Speaker 2: twentieth century. So yes, it was all all asbestos.

1537
01:13:06,040 --> 01:13:09,000
Speaker 1: So Dana is walking out. She's greeted by Sean, who

1538
01:13:09,000 --> 01:13:11,000
Speaker 1: set up a picnic in the snow. He admits this

1539
01:13:11,040 --> 01:13:13,720
Speaker 1: seemed like a better idea before my lips froze, and

1540
01:13:13,800 --> 01:13:17,400
Speaker 1: I thought he they my one little tiny critique. I

1541
01:13:17,439 --> 01:13:20,000
Speaker 1: wish they would have used fingers, because the lips again

1542
01:13:20,160 --> 01:13:21,960
Speaker 1: made me think that he was talking about wanting to

1543
01:13:22,000 --> 01:13:25,400
Speaker 1: kiss her. Kis sir and I and I was like,

1544
01:13:25,479 --> 01:13:27,800
Speaker 1: he's here to prove to her that he listens to her,

1545
01:13:28,000 --> 01:13:30,000
Speaker 1: and I didn't want there to be any sort of

1546
01:13:30,760 --> 01:13:33,519
Speaker 1: lip talk. I wish until my fingers froze, or my

1547
01:13:33,600 --> 01:13:36,400
Speaker 1: toes froze, or until she's talking.

1548
01:13:36,160 --> 01:13:36,880
Speaker 2: About blood again.

1549
01:13:36,880 --> 01:13:39,479
Speaker 1: Something yeah, something something covered in blood. You know, writers,

1550
01:13:39,560 --> 01:13:40,360
Speaker 1: everything I don't know.

1551
01:13:41,800 --> 01:13:44,160
Speaker 4: Is there I have a I have a technical question

1552
01:13:44,200 --> 01:13:46,160
Speaker 4: about creating a television show, and I'm not even sure

1553
01:13:46,160 --> 01:13:49,240
Speaker 4: this is possible. Is there a way to fake breath,

1554
01:13:50,160 --> 01:13:51,639
Speaker 4: like you're outside in the cold so you can see

1555
01:13:51,680 --> 01:13:52,040
Speaker 4: your breath?

1556
01:13:52,080 --> 01:13:53,640
Speaker 2: Is there a way to that you can fake that?

1557
01:13:53,720 --> 01:13:56,120
Speaker 2: There's a way to reduce it. So what you're supposed

1558
01:13:56,160 --> 01:13:59,280
Speaker 2: to do if you're in real cold weather, you're supposed

1559
01:13:59,280 --> 01:14:02,240
Speaker 2: to have ice cubes in your mouth. So actors for years,

1560
01:14:02,360 --> 01:14:04,280
Speaker 2: if they weren't supposed to be cold and it was

1561
01:14:04,320 --> 01:14:06,439
Speaker 2: like cold enough that you could see your breath would

1562
01:14:06,479 --> 01:14:08,599
Speaker 2: have to put ice cubes in their mouth to act.

1563
01:14:08,640 --> 01:14:10,360
Speaker 2: I never had to do that, but like, if it

1564
01:14:10,400 --> 01:14:12,680
Speaker 2: was not supposed to be too cold. But now they

1565
01:14:12,720 --> 01:14:13,920
Speaker 2: add it digitally.

1566
01:14:13,840 --> 01:14:16,840
Speaker 4: Let's just say the way. But back then, was there

1567
01:14:16,880 --> 01:14:19,479
Speaker 4: a way to fake the breath to make it look

1568
01:14:19,520 --> 01:14:20,080
Speaker 4: like it's cold.

1569
01:14:20,280 --> 01:14:24,559
Speaker 2: Maybe give you a cigarette. I've done it. We'll get

1570
01:14:24,560 --> 01:14:28,439
Speaker 2: to that scene because that's happened. I really I remember

1571
01:14:28,479 --> 01:14:32,599
Speaker 2: shooting this scene was was really tough. I remember it

1572
01:14:32,680 --> 01:14:35,599
Speaker 2: kind of broke down the set and I can't figure

1573
01:14:35,640 --> 01:14:38,320
Speaker 2: out why exactly, but there was a lot of yelling.

1574
01:14:38,840 --> 01:14:41,759
Speaker 2: There's a lot of tension on set at one point,

1575
01:14:42,120 --> 01:14:44,719
Speaker 2: I remember because so Larissa and I had the same

1576
01:14:44,800 --> 01:14:47,240
Speaker 2: manager at the time, and he was also my acting

1577
01:14:47,280 --> 01:14:50,759
Speaker 2: teacher and coach, and at one point I went off

1578
01:14:50,920 --> 01:14:55,719
Speaker 2: the set and talked to him, and everybody got upset. Michael,

1579
01:14:56,000 --> 01:14:58,400
Speaker 2: that you that you talk to him. Yes, that I

1580
01:14:58,479 --> 01:15:01,360
Speaker 2: would ever talk to somebody else outside of our crew

1581
01:15:01,840 --> 01:15:05,439
Speaker 2: about the scene was like this big no, no, and

1582
01:15:05,479 --> 01:15:07,679
Speaker 2: like it became this big power play to like get

1583
01:15:07,760 --> 01:15:10,080
Speaker 2: him off the set, and like I remember, you know,

1584
01:15:10,120 --> 01:15:12,760
Speaker 2: it was probably because Michael felt threatened that this guy

1585
01:15:12,880 --> 01:15:16,760
Speaker 2: was both Larissa and my manager. But it was like

1586
01:15:16,800 --> 01:15:19,280
Speaker 2: I remember it being big drama and like, did you

1587
01:15:19,320 --> 01:15:21,960
Speaker 2: ask him an acting question? I think, like talking about

1588
01:15:21,960 --> 01:15:24,080
Speaker 2: I don't know, you know, I was like he was

1589
01:15:24,120 --> 01:15:26,200
Speaker 2: probably just like how's it going? What do you think?

1590
01:15:26,280 --> 01:15:28,439
Speaker 2: Like could I do it this way? Or you know,

1591
01:15:28,520 --> 01:15:31,240
Speaker 2: like this is a guy who I worked on acting

1592
01:15:31,280 --> 01:15:33,559
Speaker 2: from the age of eleven on, and so it seemed

1593
01:15:33,600 --> 01:15:35,960
Speaker 2: you know, but I mean in retrospect that is probably

1594
01:15:36,000 --> 01:15:39,120
Speaker 2: slightly inappropriate, but it's also like whatever, it gets the

1595
01:15:39,160 --> 01:15:40,840
Speaker 2: scene done, you know, But I think it was it

1596
01:15:40,880 --> 01:15:43,759
Speaker 2: was more about like that Michael felt like he couldn't

1597
01:15:43,800 --> 01:15:45,840
Speaker 2: control the scene that you know, that I was maybe

1598
01:15:45,880 --> 01:15:48,880
Speaker 2: getting outside advice was like a big deal. And I

1599
01:15:48,920 --> 01:15:53,120
Speaker 2: don't think he was allowed on the set after that, really, yeah,

1600
01:15:53,200 --> 01:15:56,960
Speaker 2: not on stage. Yeah, it was it was a thing. Wow.

1601
01:15:57,760 --> 01:16:00,240
Speaker 1: Well, Sean pulls out his thermos and offers Danta some

1602
01:16:00,280 --> 01:16:02,719
Speaker 1: hot soup. He pours it out, but it's frozen solid.

1603
01:16:03,000 --> 01:16:05,679
Speaker 1: Dane asks Sean what he's doing. He says, I remembered

1604
01:16:05,720 --> 01:16:07,880
Speaker 1: you said you like picnics, so I figured, why wait

1605
01:16:07,920 --> 01:16:11,200
Speaker 1: till spring? Besides, did you know that in winter picnic

1606
01:16:11,240 --> 01:16:14,559
Speaker 1: baskets are like a million percent off? Sean says, look, Dana,

1607
01:16:14,600 --> 01:16:16,760
Speaker 1: you say I'm not boyfriend material, and maybe I'm not,

1608
01:16:16,840 --> 01:16:18,559
Speaker 1: but why won't you give me a chance to try.

1609
01:16:18,840 --> 01:16:20,200
Speaker 2: Dane admits I'm afraid of you.

1610
01:16:20,320 --> 01:16:23,240
Speaker 1: Okay, maybe you can't understand that, but I'm afraid of you,

1611
01:16:23,400 --> 01:16:26,000
Speaker 1: and Sean tells her I'm afraid of you too. It's

1612
01:16:26,000 --> 01:16:27,680
Speaker 1: not like I love you or anything. I just like

1613
01:16:27,760 --> 01:16:29,040
Speaker 1: you and I want to be with you and I've

1614
01:16:29,040 --> 01:16:31,800
Speaker 1: never felt that way about a girl before, and you

1615
01:16:31,840 --> 01:16:33,000
Speaker 1: know it scares me.

1616
01:16:33,520 --> 01:16:34,840
Speaker 2: Very sweet, so sweet.

1617
01:16:34,960 --> 01:16:37,479
Speaker 1: Dana smiles and says, come on, let's get you inside,

1618
01:16:37,560 --> 01:16:39,200
Speaker 1: and Sean tells her I want to be out here

1619
01:16:39,240 --> 01:16:41,479
Speaker 1: with you. I want a second date, and she tells

1620
01:16:41,560 --> 01:16:43,679
Speaker 1: him I want to see you again too. He asks

1621
01:16:43,680 --> 01:16:46,000
Speaker 1: if she means that and she says yes. She asks

1622
01:16:46,160 --> 01:16:47,720
Speaker 1: you want to seal it with a kiss, and he

1623
01:16:47,800 --> 01:16:52,759
Speaker 1: smiles and asks her, what's our rush? Aw Sean sticks

1624
01:16:52,760 --> 01:16:55,080
Speaker 1: out his hand for Dana to hold and they walk

1625
01:16:55,200 --> 01:16:56,639
Speaker 1: back into Chubby's together.

1626
01:16:56,760 --> 01:16:59,120
Speaker 2: So I remember you know, I obviously, like I said,

1627
01:16:59,120 --> 01:17:02,879
Speaker 2: remember doing this. But this was also the audition scene

1628
01:17:02,920 --> 01:17:06,200
Speaker 2: for Trina McGee. Oh, this was the scene that she

1629
01:17:06,400 --> 01:17:08,160
Speaker 2: did when you know, I think she talked about on

1630
01:17:08,200 --> 01:17:11,120
Speaker 2: the show. She came back like five times for her part.

1631
01:17:11,400 --> 01:17:13,600
Speaker 2: But yeah, I mean often this is what shows will do.

1632
01:17:13,720 --> 01:17:16,400
Speaker 2: They don't write a new scene, or if they're building

1633
01:17:16,439 --> 01:17:19,400
Speaker 2: a character around an actor, they use an older scene.

1634
01:17:19,520 --> 01:17:22,000
Speaker 2: And this was the scene that she used to audition,

1635
01:17:22,360 --> 01:17:24,240
Speaker 2: and then they brought me in to read with her.

1636
01:17:24,240 --> 01:17:25,880
Speaker 2: She was in the after I read with like when

1637
01:17:25,880 --> 01:17:27,519
Speaker 2: they by the time they brought me and they were

1638
01:17:27,520 --> 01:17:30,920
Speaker 2: pretty settled on Trina and I remember sitting into the

1639
01:17:30,920 --> 01:17:33,120
Speaker 2: audition being like, well I did this with Larissa, there's

1640
01:17:33,160 --> 01:17:36,320
Speaker 2: no way it could be better or good. And instead

1641
01:17:36,400 --> 01:17:39,439
Speaker 2: Trina and I just had this amazing chemistry. Like we

1642
01:17:39,560 --> 01:17:42,400
Speaker 2: in the audition room. I remember going oh wow, oh,

1643
01:17:42,520 --> 01:17:44,320
Speaker 2: you know, like because I thought, you know, like how

1644
01:17:44,360 --> 01:17:46,879
Speaker 2: could this scene ever be taught? And I was like, oh, actually,

1645
01:17:47,320 --> 01:17:49,559
Speaker 2: like we have something here, and we found new levels

1646
01:17:49,560 --> 01:17:52,200
Speaker 2: to it. It was a different scene, but it was

1647
01:17:52,360 --> 01:17:55,519
Speaker 2: really and Trina was just so good and it was like, oh, okay,

1648
01:17:55,600 --> 01:17:57,880
Speaker 2: this is going to be the new girlfriend. But it's

1649
01:17:57,920 --> 01:18:00,599
Speaker 2: funny because I think this is the long gues girlfriend.

1650
01:18:00,640 --> 01:18:03,840
Speaker 2: Sean has these two episodes, and so I think that's

1651
01:18:03,960 --> 01:18:06,400
Speaker 2: kind of the only material they had to audition somebody

1652
01:18:06,400 --> 01:18:09,639
Speaker 2: that was going to be because is it just too

1653
01:18:09,680 --> 01:18:12,960
Speaker 2: with Larissa? Yeah, I think so she's in the next

1654
01:18:13,000 --> 01:18:15,960
Speaker 2: episode and that's it, and that's it. Huh, well, then

1655
01:18:16,000 --> 01:18:17,559
Speaker 2: our tag. We're in the Matthew's kitchen.

1656
01:18:17,600 --> 01:18:20,000
Speaker 1: Morgan is pouring coffee into dozens of mugs on the

1657
01:18:20,000 --> 01:18:22,519
Speaker 1: table and Eric reminds her remember dcaf ones are in

1658
01:18:22,560 --> 01:18:25,000
Speaker 1: the chipped cups. She says, oh, I put dcaff in

1659
01:18:25,000 --> 01:18:27,400
Speaker 1: this one, revealing an unchipped cup. He grabs a spoon,

1660
01:18:27,479 --> 01:18:30,000
Speaker 1: smacks a chip into it, and says, problem solved. I

1661
01:18:30,120 --> 01:18:33,559
Speaker 1: was born to be an intern. Amy and Alan walk downstairs,

1662
01:18:33,600 --> 01:18:36,519
Speaker 1: and Amy notices Eric's work, Oh how sweet you made coffee,

1663
01:18:36,560 --> 01:18:39,599
Speaker 1: and Alan jokes for the next three years. Eric says,

1664
01:18:39,640 --> 01:18:41,519
Speaker 1: these aren't for them. These are for my coworkers and

1665
01:18:41,560 --> 01:18:44,800
Speaker 1: what we and the biz like to call the bib biz.

1666
01:18:46,880 --> 01:18:47,040
Speaker 4: Eric.

1667
01:18:47,360 --> 01:18:49,240
Speaker 2: I find for a moment that the scene was going

1668
01:18:49,280 --> 01:18:52,640
Speaker 2: to end with you trying to carry all these I

1669
01:18:52,680 --> 01:18:54,400
Speaker 2: was like waiting for some fit and I was like,

1670
01:18:54,439 --> 01:18:56,240
Speaker 2: I don't think that actually happens, but that could be

1671
01:18:56,280 --> 01:18:58,599
Speaker 2: really funny to watch Will try and gather up all

1672
01:18:58,600 --> 01:18:59,920
Speaker 2: these cups. And I just thought it.

1673
01:18:59,880 --> 01:19:03,080
Speaker 4: Was amazing that the Matthews have thirty five mugs in

1674
01:19:03,120 --> 01:19:03,519
Speaker 4: their house.

1675
01:19:04,120 --> 01:19:06,080
Speaker 2: I have that many mondys. I do too, do you really,

1676
01:19:06,400 --> 01:19:10,200
Speaker 2: because because for whatever reason, I love mugsytale of coffee,

1677
01:19:10,360 --> 01:19:12,800
Speaker 2: so we collect them whenever we gohost places. So we

1678
01:19:12,880 --> 01:19:15,120
Speaker 2: have so many money you go same, I have tons.

1679
01:19:15,160 --> 01:19:17,320
Speaker 1: If I actually buy one more mug, I have to

1680
01:19:17,479 --> 01:19:18,920
Speaker 1: buy a new house because I have I.

1681
01:19:19,040 --> 01:19:21,439
Speaker 2: Like unusual mugs. I can't like people that buy like

1682
01:19:21,880 --> 01:19:24,559
Speaker 2: the same mug, you know, eight versions of the same mug.

1683
01:19:24,560 --> 01:19:26,759
Speaker 2: I'm like, what do you know? Every mug should be different.

1684
01:19:26,800 --> 01:19:29,479
Speaker 2: Every cup of coffee is unique. Every cup of coffee

1685
01:19:29,560 --> 01:19:35,400
Speaker 2: is a little asbestos snowflake, just different from the others snowflake.

1686
01:19:38,680 --> 01:19:40,720
Speaker 1: Eric explains that part of my job description is to

1687
01:19:40,720 --> 01:19:42,840
Speaker 1: get the crew coffee. Alan says, why don't think that

1688
01:19:42,880 --> 01:19:45,200
Speaker 1: means you're supposed to bring it from home? Eric scoffs

1689
01:19:45,240 --> 01:19:47,439
Speaker 1: who said anything about bringing it? We hear a knock

1690
01:19:47,439 --> 01:19:49,479
Speaker 1: on the door and Eric yells out, hey, right on time,

1691
01:19:49,600 --> 01:19:52,479
Speaker 1: Come on, in. A gaggle of newsroom workers enter and

1692
01:19:52,560 --> 01:19:55,040
Speaker 1: Eric announces they have regular and decaf. Then a bell

1693
01:19:55,120 --> 01:19:57,519
Speaker 1: goes off for the muffins he's making. He tells his parents,

1694
01:19:57,600 --> 01:20:00,800
Speaker 1: these TP these TV people love their bake goods. As

1695
01:20:00,800 --> 01:20:03,280
Speaker 1: he's holding a tray of donuts, Alan sees an opportunity

1696
01:20:03,320 --> 01:20:04,479
Speaker 1: and grabs one quickly.

1697
01:20:05,840 --> 01:20:08,519
Speaker 2: So cute. Loved this episode me too.

1698
01:20:08,880 --> 01:20:12,559
Speaker 1: Not necessarily a ton of like laugh out loud moments,

1699
01:20:12,640 --> 01:20:15,360
Speaker 1: not a lot, not a ton of huge laughs, but

1700
01:20:15,520 --> 01:20:18,640
Speaker 1: laughs in all the right places and for character and

1701
01:20:18,720 --> 01:20:22,840
Speaker 1: character based laughs, and I just really enjoyed it.

1702
01:20:22,920 --> 01:20:23,519
Speaker 2: So me too.

1703
01:20:24,439 --> 01:20:26,720
Speaker 1: Thank you all for joining us for this episode of

1704
01:20:26,760 --> 01:20:29,320
Speaker 1: Pod Meets World. You can follow us on Instagram pod

1705
01:20:29,320 --> 01:20:31,599
Speaker 1: meets World Show. You can send us your emails podmeets

1706
01:20:31,600 --> 01:20:33,360
Speaker 1: World Show at gmail dot com.

1707
01:20:33,479 --> 01:20:41,360
Speaker 2: And we have merch. What happened? I know you peaked,

1708
01:20:41,400 --> 01:20:43,519
Speaker 2: so you went out perfect. That's what I want. Did

1709
01:20:43,720 --> 01:20:45,760
Speaker 2: I want to peak? So nobody knows how I said it.

1710
01:20:46,600 --> 01:20:49,559
Speaker 2: I said merch, just loud, just loud, a loud merch. Okay.

1711
01:20:50,200 --> 01:20:54,080
Speaker 1: Our next episode is season three, episode sixteen, Stormy Weather.

1712
01:20:54,320 --> 01:20:56,960
Speaker 1: It originally aired Forbruary ninth, nineteen ninety six, So please

1713
01:20:57,040 --> 01:20:59,639
Speaker 1: join us for that recap and writer send us out.

1714
01:21:00,160 --> 01:21:04,760
Speaker 2: We love you all, pod dismissed. Podmeats World is an

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Speaker 2: iHeart podcast producer hosted by Danielle Fischel, Wilfridell and Ryder

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Speaker 2: Strong Executive producers Jensen Karp and Amy Sugarman. Executive in

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Speaker 2: charge of production, Danielle Romo, producer and editor, Taras Sudbach, producer,

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Speaker 2: Maddi Moore, engineer and boy Mets World Superman Easton Allen.

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Speaker 2: Our theme song is by Kyle Morton of Typhoon. Follow

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Speaker 2: us on Instagram at Podmets World Show or email us

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Speaker 2: at Podmeats World Show at gmail dot com