WEBVTT - #199: Are You A Reciprosexual?

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<v Speaker 1>Start Up, start Up, Brooklyn Boys, start Up, Brooklyn buys

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<v Speaker 1>dat Up. They're making noise data up. Episode one. So

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<v Speaker 1>close it's the Brooklyn Boys Podcast. I'm scary. That's brody.

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<v Speaker 1>We are. We're inching ever so closer to a non

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<v Speaker 1>event because we don't have anything up our sleeves. I

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<v Speaker 1>mean we we we may have a surprise guest. We

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<v Speaker 1>we do. Yeah, we spoke to him a few minutes ago.

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<v Speaker 1>Maybe available, but you know it's not gonna be you know,

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<v Speaker 1>Michael Rappaport, Although that would be great if he checked in. No,

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<v Speaker 1>but you know what, he should come on. And by

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<v Speaker 1>the way, can we talk about Michael rapport We can

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<v Speaker 1>always talk about Michael rab I told you something last

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<v Speaker 1>night and you're like no, I'm like, yeah, yeah. Michael

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<v Speaker 1>Rappaport is capitalizing on David Brodie's um you know something

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<v Speaker 1>that Brodie pointed out, I'll just go for it. Well, okay,

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<v Speaker 1>so so two things. He I got a little financially

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<v Speaker 1>screwed maybe And by the way, the proof is in

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<v Speaker 1>the podcast. You can actually go back to the podcast

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<v Speaker 1>with Michael rapp Report and hear it unfold on the air. Yes,

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<v Speaker 1>it unfolded. Uh, it unfolded for sure. Okay, so two things.

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<v Speaker 1>The Cameo app. The most of you guys know what

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<v Speaker 1>that is. It's where you pay people you like, famous

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<v Speaker 1>or celebrities or just losing or just people like Scary Jones, right,

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<v Speaker 1>you pay us to record like a video greeting a

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<v Speaker 1>happy birthday for a friend or you know, and so

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<v Speaker 1>people Scary and I were sort of early adopters of this.

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<v Speaker 1>And when we had Michael Rapp report on our podcast,

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<v Speaker 1>knowing that he's very big on social media and people

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<v Speaker 1>either love him or hate him, I said, you know what? Uh?

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<v Speaker 1>And plus also selfishly I said something to him because

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<v Speaker 1>if somebody signs up for cameo and they when it

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<v Speaker 1>says who told you about Cameo, if you tell them

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<v Speaker 1>it was it was somebody, you know whoever it was

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<v Speaker 1>like me, right, then then you get like or something

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<v Speaker 1>like that of forever of their their income, something like

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<v Speaker 1>that percentage I think, like a finder's feed percentage. And

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<v Speaker 1>about Cameo, I did, and he said, oh, semi information,

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<v Speaker 1>So I have I you know, we we we talk

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<v Speaker 1>on social media directly occasionally. So I sent him a

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<v Speaker 1>d M after the interview. I said, hey, man, thanks

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<v Speaker 1>for coming on. You were great. Here's the information. Just uh,

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<v Speaker 1>you know, when you sign up put me down and

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<v Speaker 1>I we've talked about this on the podcast. Instead when

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<v Speaker 1>he signed up, maybe he didn't remember it was me,

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<v Speaker 1>but he signed up, and he he said he was

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<v Speaker 1>recommended by Bethany Frankel, which some of the Real Housewife women.

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<v Speaker 1>I don't know how they're friends. I don't know. Maybe

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<v Speaker 1>she mentioned it. He forgot about me, I don't know.

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<v Speaker 1>Don't forget about Brodie or Dre anyway. One of the

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<v Speaker 1>things I'm good at scary and I talked about this

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<v Speaker 1>last night is I pick up on accents, inflections, crutch

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<v Speaker 1>word nuces, nuances, and speech. I love analyzing speech. If

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<v Speaker 1>I talk to people on the phone from customer service,

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<v Speaker 1>always so are you from you sound like you're from

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<v Speaker 1>such a such state, And usually I'm pretty good, pretty close.

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<v Speaker 1>So I noticed that when Mike and It's on the podcast,

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<v Speaker 1>I did say it to him. I said, Michael, you

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<v Speaker 1>have a very unique way, which I love of cursing people.

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<v Speaker 1>You don't say you fuck you, say you fuck you

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<v Speaker 1>you you like he's ready to start the next insult,

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<v Speaker 1>like you fuck you assault, but he just goes you

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<v Speaker 1>fuck you, like he's so mad. He's like, so, if

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<v Speaker 1>I remember correctly, having listening the episode in a long time,

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<v Speaker 1>he said, oh yeah, like he like he's like, oh yeah, yeah,

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<v Speaker 1>like he was. I guess I do that. But it

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<v Speaker 1>was apparent from the podcast asked episode that he was

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<v Speaker 1>realizing for the first time on our podcast because you

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<v Speaker 1>pointed it out. Well, he took that idea and he

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<v Speaker 1>ran with it. He now sells I think it's spelled

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<v Speaker 1>you f you merch. Yeah, yeah, something like that. Yeah,

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<v Speaker 1>so whatever hats he's it's so he sells March Realist

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<v Speaker 1>that says you fuck you, right, so he pretty much

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<v Speaker 1>he sucked you twice Bertie right, Yeah, so he's sell him. Now. Look,

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<v Speaker 1>there's a chance that he knew he said that and

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<v Speaker 1>he thought it will be a catchphrase and I pointed

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<v Speaker 1>it out. I pointed it out. So fat you nice

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<v Speaker 1>guys that fish. Did he have a come out with

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<v Speaker 1>that book that I gave him a title four? I

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<v Speaker 1>don't know, but what was the name of the book?

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<v Speaker 1>I gotta stop giving information on. Yeah, I mean this

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<v Speaker 1>this goes back to the days of Greg Brady. No,

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<v Speaker 1>Greg Brady, Oh, Greg, let's not get into Greg Brady Williams.

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<v Speaker 1>Barry Williams, you gave him ideas? Yeah, we did, we talk,

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<v Speaker 1>I wrote, I co wrote a it back and listen

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<v Speaker 1>in order if you haven't heard about Yeah, I co

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<v Speaker 1>wrote a parody with Barry Williams. Like co wrote a

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<v Speaker 1>parody with a guy named j remember his last name,

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<v Speaker 1>DJ and Cincinnati on Froggy FM. The two of us

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<v Speaker 1>both called his agent and had an idea to do

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<v Speaker 1>with the real Greg Brady to the real Slim Shady,

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<v Speaker 1>like you know fifteen years ago when it was a hit,

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<v Speaker 1>and so he used I don't know my lines, Jays,

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<v Speaker 1>and then Barry and his agent changed one line so

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<v Speaker 1>that they could get themselves a writing credit and it

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<v Speaker 1>didn't pay me or j. Yeah. This is like the

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<v Speaker 1>time the guys from WAMO, the Nerve Company out in

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<v Speaker 1>Los Angeles, they stole the idea of the hula hoop

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<v Speaker 1>from a woman and then they never gave her the

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<v Speaker 1>royalties after they said they would. I saw this the

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<v Speaker 1>other night on the History Channel. They were they were

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<v Speaker 1>talking about the the inventions of some of the most

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<v Speaker 1>iconic toys in history. And these guys, these two guys

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<v Speaker 1>are like their idea, man. But they finally had money

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<v Speaker 1>to back them, so they had other people giving them

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<v Speaker 1>ideas for things like the Hulu, like like the hula hoop,

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<v Speaker 1>and some woman like said, I got this awesome ring

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<v Speaker 1>that you you and look you get to you know,

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<v Speaker 1>you do some dance to it or whatever, you have

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<v Speaker 1>to keep it up. And they looked at it. They said,

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<v Speaker 1>we love this. We're gonna market this, and when we

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<v Speaker 1>make money on this, we're gonna we're gonna give you royalties. Well,

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<v Speaker 1>it turns out later that year the Hulu becomes the

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<v Speaker 1>hottest toy craze of nineteen fifty seven and became they

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<v Speaker 1>had there was songs written about it, They made money

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<v Speaker 1>hand over fist, and then they got they got a

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<v Speaker 1>statement from the woman's lawyer, Sorry, we're suing you because

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<v Speaker 1>you were supposed to give us royalties. And they said, ma,

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<v Speaker 1>fuck you. Yeah. People people are people, man, that's terrible.

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<v Speaker 1>Yep ye anyway, uh yeah, So myself, I give people ideas.

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<v Speaker 1>I'm like, we we were speaking of merch and we're

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<v Speaker 1>gonna talk about this right up front, and we're not

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<v Speaker 1>gonna mention. We're not gonna mention it. The rest of

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<v Speaker 1>the podcast gingerbread Man, But gingerbread Man, right. But the

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<v Speaker 1>important part of this is it is the holiday season.

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<v Speaker 1>It's it's time to shop for your loved ones, for

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<v Speaker 1>your loved one and for yourself and be indulgent. And

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<v Speaker 1>if you didn't realize by now, we've been talking about

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<v Speaker 1>it all over social media, if you buy any two

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<v Speaker 1>items from our merch store, you get all three a

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<v Speaker 1>set of three high quality mind you Christmas ornaments or

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<v Speaker 1>holiday ornaments free. So we're gonna give you three three ornaments,

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<v Speaker 1>the sweater, the gingerbread Man, and the snow globe, and

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<v Speaker 1>they all have different logos on it, So please pick

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<v Speaker 1>out any two. And we have some new items like

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<v Speaker 1>the beanie and the beanie with the pomp pomp you know. So,

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<v Speaker 1>so go to our merch store Brooklyn Boys dot Big

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<v Speaker 1>Cartel dot com. That's Brooklyn Boys dot Big Cartel dot

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<v Speaker 1>com and make a purchase because and and then we

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<v Speaker 1>have the holiday sweatshirts that people were asking for that

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<v Speaker 1>ran out of stock. Sweatshirt sweatshirt and boop do doo

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<v Speaker 1>and doc yeah. So the holiday sweatshirts and T shirts

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<v Speaker 1>are back, and along with everything that you've every did,

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<v Speaker 1>we talk. We can mentioned the gingerbread man. Yeah, let's

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<v Speaker 1>talk about the ginger But I mean it's small, it's

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<v Speaker 1>a small thing. It's it's been corrected. But here's the thing.

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<v Speaker 1>If you receive your you what two and you get

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<v Speaker 1>three free holiday ornaments, right, one of them is a

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<v Speaker 1>gingerbread man that said should say the chest. Some of

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<v Speaker 1>them went out plain, so I guess you know what,

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<v Speaker 1>I guess you people wouldn't have known that it was

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<v Speaker 1>supposed to say if the graphics that we posted that

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<v Speaker 1>a well clearly anyway, Uh, if you don't have the

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<v Speaker 1>email address, I don't give it out now and have

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<v Speaker 1>bombard the guys. But if you if just DM me

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<v Speaker 1>if you're gingerbread man, does not say f you ape

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<v Speaker 1>seventy seven, it'll least they'll they'll quickly replace. It's really

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<v Speaker 1>the point of it all. Yeah, So just let us

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<v Speaker 1>know and then we'll give you the email address to

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<v Speaker 1>let Matt know, and Matt will take care of it

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<v Speaker 1>because the people who made them for Matt did not

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<v Speaker 1>properly print them all. So there you go. There you go.

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<v Speaker 1>All right, Wow, that was a fast finger on the

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<v Speaker 1>you know, on the thing. That's what they used to

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<v Speaker 1>call me in college. Yeah, you hit that button fast.

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<v Speaker 1>I would like to hear the the get your trick on. Yeah,

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<v Speaker 1>I'll bring that. I'll bring that. I'll bring that back.

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<v Speaker 1>I'll bring hear that one. Speaking of I just got

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<v Speaker 1>a text message from my buddy Jeff. I got tickets.

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<v Speaker 1>You don't know the craze the other night, Monday night,

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<v Speaker 1>I think Monday morning, Sunday night into Monday morning. So

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<v Speaker 1>Monday morning, two am roughly spider Man tickets one on

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<v Speaker 1>sale for the next Spider Man movie. Um, no way home.

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<v Speaker 1>That's pretty cool. Well, luckily I was up at two

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<v Speaker 1>o'clock in the morning and I tried to get tickets,

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<v Speaker 1>and every ticket site, every movie theater shut down, crashed, overloaded, mayhem.

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<v Speaker 1>I don't remember the last time this happened, maybe for

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<v Speaker 1>Avengers Endgame. And so you know I have to go

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<v Speaker 1>the first day or the second day at least, right,

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<v Speaker 1>And so luckily we do a morning show because when

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<v Speaker 1>he got up at five in the morning, I went

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<v Speaker 1>back on and I got tickets. So there for Thursday

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<v Speaker 1>the sixteen, I got three d I couldn't get im

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<v Speaker 1>X iMX was just gone, completely gone. So I told

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<v Speaker 1>my my buddy Jeff, I said, hey, we're going to

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<v Speaker 1>the movies the Thursday when the movie comes out. He's like,

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<v Speaker 1>oh great, okay. So because my daughter got tickets with

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<v Speaker 1>her friends, she managed to get tickets also, and so, uh.

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<v Speaker 1>He just texted me a little while ago and he says,

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<v Speaker 1>we're going tonight, right, what are you talking about? He says, yeah,

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<v Speaker 1>the movie. I said, not this Thursday. You're two weeks away. Yeah. Yeah,

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<v Speaker 1>you're already jumping the gun here. So so he says, no,

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<v Speaker 1>my kids are going tomorrow. I said, no, they're not.

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<v Speaker 1>They're going two weeks from tomorrow. So he just texted

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<v Speaker 1>me back. Oh shit, Yeah, that happens sometimes. I get

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<v Speaker 1>ahead of myself, especially in December, because there's so much

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<v Speaker 1>planned that I know. He saw the kids, must have

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<v Speaker 1>said we got for the Friday. Friday. I don't know

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<v Speaker 1>what he was thinking. He's not a crazy marvel head

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<v Speaker 1>like I am. He should have known that though, but

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<v Speaker 1>he didn't know that. So I'm like, oh, I still

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<v Speaker 1>go out tonight if you want. Okay, you gotta, You're

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<v Speaker 1>gonna go out. But oh, by the way, um, I

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<v Speaker 1>didn't tell you this, Brodi. I'm gonna gonna bring this

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<v Speaker 1>on you and the slices at the same time. I'm

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<v Speaker 1>just gonna at the same damn time. You're about to

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<v Speaker 1>get my natural reaction because I have no clue what

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<v Speaker 1>you're talking about. Did I tell you about Well, if

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<v Speaker 1>you did, then I just just I'll tell you about

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<v Speaker 1>what what I'm gonna be doing a hun jingle ball?

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<v Speaker 1>Maybe I did? No, Oh, you said something about um,

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<v Speaker 1>you've been doing a lot of interviews. You're gonna tell

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<v Speaker 1>me about it, right, so say what you said. I'm tired.

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<v Speaker 1>I'll tell you later. And then you went to sleep.

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<v Speaker 1>So I've been chosen by Extra TV, you know, the

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<v Speaker 1>TV show to be their official red carpet on camera

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<v Speaker 1>corresponded for Z one hundred jingle ball in New York

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<v Speaker 1>City on the table. That's very impressive. How cool is that?

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<v Speaker 1>That's not a hit the jingle that's an impressive There's

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<v Speaker 1>no client, there's no sponsor, there's no catch not getting paid.

0:12:13.080 --> 0:12:16.520
<v Speaker 1>That's not the way it works. I will tell you that,

0:12:17.320 --> 0:12:21.439
<v Speaker 1>as excited as I am, I'm not nervous and I'm

0:12:21.440 --> 0:12:24.240
<v Speaker 1>not gonna weird alva damn thing because because I don't

0:12:24.760 --> 0:12:27.720
<v Speaker 1>only weird al makes me that way. I'm actually pretty

0:12:27.720 --> 0:12:31.160
<v Speaker 1>okay with everyone else and very conversational, but I am

0:12:31.200 --> 0:12:35.240
<v Speaker 1>nervous for anxious for a reason. You know how those

0:12:35.240 --> 0:12:39.360
<v Speaker 1>red carpets go, Dude, then it's it's cut throat because

0:12:39.520 --> 0:12:41.880
<v Speaker 1>you're not the only one there. When I did that

0:12:41.920 --> 0:12:45.679
<v Speaker 1>Sebastian Manascalco piece, that was an exclusive, it was just us.

0:12:45.920 --> 0:12:47.959
<v Speaker 1>We were in a quiet room and we had them

0:12:47.960 --> 0:12:52.560
<v Speaker 1>all to ourselves. But now I got Entertainment tonight next

0:12:52.600 --> 0:12:55.080
<v Speaker 1>to me and be on that Access Hollywood. Then to

0:12:55.120 --> 0:12:57.920
<v Speaker 1>my right, I got you know this outlet, I got

0:12:58.080 --> 0:13:02.480
<v Speaker 1>TV broadcast new here, and then there's millions of people

0:13:02.600 --> 0:13:06.040
<v Speaker 1>screaming in the room, like over here, over here, Jonas

0:13:06.040 --> 0:13:10.640
<v Speaker 1>Brothers over here, yo yo, Nick, And it's loud AND's

0:13:10.640 --> 0:13:12.760
<v Speaker 1>gonna get you for a second. And a lot of

0:13:12.760 --> 0:13:15.840
<v Speaker 1>times these artists and celebrities will get on the red carpet,

0:13:15.960 --> 0:13:18.319
<v Speaker 1>they'll take their picture, they'll talk to one outlet or

0:13:18.320 --> 0:13:20.960
<v Speaker 1>two outlets, and then they'll just just buzz off like

0:13:21.160 --> 0:13:24.599
<v Speaker 1>by am alle. So and I know that I'm not

0:13:24.640 --> 0:13:26.080
<v Speaker 1>going to be the first one on the carpet. I'm

0:13:26.080 --> 0:13:30.520
<v Speaker 1>gonna be like third. So even though I'm with Extra TV,

0:13:30.600 --> 0:13:33.520
<v Speaker 1>I'll have that nice nice microphone. I'll feel empowered by

0:13:33.520 --> 0:13:37.920
<v Speaker 1>having the extra microphone. Look look scary Jones with extra

0:13:38.520 --> 0:13:40.720
<v Speaker 1>come here, you know, and they'll have a camera. Everything

0:13:40.800 --> 0:13:43.560
<v Speaker 1>is professional set up and all that um, and I

0:13:43.600 --> 0:13:46.640
<v Speaker 1>feel empowered for that. And I feel like, okay, but

0:13:46.760 --> 0:13:50.320
<v Speaker 1>I should I don't. I'm not that aggressive guy that

0:13:50.400 --> 0:13:52.400
<v Speaker 1>has to get be like oh yeah, yeah, one question,

0:13:54.240 --> 0:13:57.160
<v Speaker 1>but one question at sharing at Sharon over here. My

0:13:57.160 --> 0:14:00.160
<v Speaker 1>my hope is that somebody here will recognize you. Well,

0:14:00.160 --> 0:14:02.840
<v Speaker 1>that's the thing. I would hope that Ed Sharon and

0:14:02.920 --> 0:14:05.880
<v Speaker 1>maybe the Jonas brothers when they come by, will actually

0:14:05.960 --> 0:14:09.360
<v Speaker 1>recognize me, Like oh shit, it's scary. You know, Ed

0:14:09.360 --> 0:14:11.079
<v Speaker 1>Sharon might not know my name, but the Jonas brothers

0:14:11.080 --> 0:14:12.959
<v Speaker 1>may because they grew up the Jonas your name and

0:14:13.600 --> 0:14:17.680
<v Speaker 1>the story didn't know about Thejones brothers. Yeah, the Jonas brothers,

0:14:17.720 --> 0:14:20.120
<v Speaker 1>Like they'll go across the room and like, oh hey Brownie,

0:14:20.240 --> 0:14:22.880
<v Speaker 1>like because they know me for like a j R. Guys.

0:14:23.120 --> 0:14:26.160
<v Speaker 1>I mean, man, we since since they started, when they

0:14:26.160 --> 0:14:30.920
<v Speaker 1>performed on the former incarnation of this podcast air show

0:14:31.280 --> 0:14:34.880
<v Speaker 1>twice we had them perform. It was crazy. It's it's

0:14:34.920 --> 0:14:36.880
<v Speaker 1>like you can dig dig through that episode off air

0:14:36.920 --> 0:14:39.520
<v Speaker 1>show speaking of the off air show. I don't want

0:14:39.560 --> 0:14:43.560
<v Speaker 1>to not give credit where credit is due. I apologize

0:14:43.560 --> 0:14:45.520
<v Speaker 1>because I should have had this ready. But one of

0:14:45.560 --> 0:14:49.200
<v Speaker 1>our new slices tweeted at me and said, I just

0:14:49.240 --> 0:14:52.800
<v Speaker 1>started the podcast. I just heard the latest episode. Love it,

0:14:53.280 --> 0:14:56.680
<v Speaker 1>so I've gone back to the beginning. However, what she

0:14:56.760 --> 0:15:00.280
<v Speaker 1>said was, I saw that on the same channel. I

0:15:00.360 --> 0:15:02.200
<v Speaker 1>scrolled all the way down and I saw a fair show.

0:15:02.600 --> 0:15:04.400
<v Speaker 1>So I'm gonna start from the first episode of the

0:15:04.400 --> 0:15:08.160
<v Speaker 1>off air show worked my way off, which is okay.

0:15:09.120 --> 0:15:11.360
<v Speaker 1>It's still we still get credit because it's on this channel,

0:15:11.480 --> 0:15:14.080
<v Speaker 1>so we get credit for it, right. I don't want

0:15:14.080 --> 0:15:17.040
<v Speaker 1>to discredit the uh sorry my phone just one off.

0:15:17.040 --> 0:15:18.560
<v Speaker 1>I don't want to discredit off fair show. I thought

0:15:18.560 --> 0:15:20.000
<v Speaker 1>it was good. In fact, I'm on a couple episodes.

0:15:20.040 --> 0:15:22.000
<v Speaker 1>I listened all the time. But it's a hundred and

0:15:22.080 --> 0:15:26.720
<v Speaker 1>forty seven episodes, right. It weirdly starts at number thirty two,

0:15:26.720 --> 0:15:28.440
<v Speaker 1>though I have to figure that out. I understand what

0:15:28.560 --> 0:15:30.600
<v Speaker 1>some of them when we transferred platforms, maybe the first

0:15:30.680 --> 0:15:33.080
<v Speaker 1>they didn't go yeah, but you know what, um, we

0:15:33.120 --> 0:15:36.760
<v Speaker 1>can't go back. No. So my point was, I said,

0:15:36.760 --> 0:15:38.560
<v Speaker 1>you have like a hundred whatever, you know, a hundred,

0:15:38.560 --> 0:15:40.680
<v Speaker 1>I guess I thought a hundred forty seven hundred. Let's

0:15:40.680 --> 0:15:43.880
<v Speaker 1>just say a hundred and fifteen or whatever. Uh sixteen.

0:15:44.320 --> 0:15:46.880
<v Speaker 1>That's still a lot. That's hours and hours and hours

0:15:46.880 --> 0:15:49.960
<v Speaker 1>before you ever get to We had a listened actually

0:15:49.960 --> 0:15:52.760
<v Speaker 1>text the Big Show and say that they're starting with

0:15:52.840 --> 0:15:55.400
<v Speaker 1>off air show and they plowed through the whole thing,

0:15:55.440 --> 0:15:57.720
<v Speaker 1>and now they're they're on like episode thirty two of

0:15:57.720 --> 0:16:00.920
<v Speaker 1>our show. Yeah, so we're gonna talk about how many

0:16:00.920 --> 0:16:03.520
<v Speaker 1>hours and of some of our slices listen to the podcast.

0:16:03.560 --> 0:16:05.080
<v Speaker 1>We're gonna get to that later, right, and then after

0:16:06.000 --> 0:16:07.960
<v Speaker 1>I want to tell a quick red Book of story

0:16:08.040 --> 0:16:10.200
<v Speaker 1>before we Oh yeah, before you do that, I just

0:16:10.240 --> 0:16:13.760
<v Speaker 1>need a pointer or a tip. How can I get

0:16:13.880 --> 0:16:17.840
<v Speaker 1>the interview without being rude but being aggressive? What do

0:16:17.920 --> 0:16:20.680
<v Speaker 1>I call out? Like? What do I say to get

0:16:21.920 --> 0:16:27.880
<v Speaker 1>like Doja Cat's attention? Um? Do I yell Doja? Or

0:16:27.920 --> 0:16:29.320
<v Speaker 1>do I call her by her real name? If I

0:16:29.360 --> 0:16:31.560
<v Speaker 1>know that you know, you know, I would say, hey,

0:16:31.560 --> 0:16:34.880
<v Speaker 1>it's me your best friend, like make a joke like

0:16:34.920 --> 0:16:39.080
<v Speaker 1>do it like a joke like sweetie, I would say, hey,

0:16:39.120 --> 0:16:42.120
<v Speaker 1>I'm your best friend. Makes I just don't know. I

0:16:42.200 --> 0:16:45.480
<v Speaker 1>just I'm not an aggressive person. So dude, first of all,

0:16:45.520 --> 0:16:47.040
<v Speaker 1>you should have a couple of drinks because I've seen

0:16:47.040 --> 0:16:49.760
<v Speaker 1>you drunk with a microphone. You are the most aggressive.

0:16:50.240 --> 0:16:52.760
<v Speaker 1>I'm assertive when i'm drunk. You're right, maybe I should

0:16:52.760 --> 0:16:54.080
<v Speaker 1>have a few cocktails. I think you should have a

0:16:54.080 --> 0:16:55.520
<v Speaker 1>couple of cocktails. You know how you are when you

0:16:55.520 --> 0:16:59.480
<v Speaker 1>get on stage? Is that everybody? Yeah, I don't hear

0:16:59.600 --> 0:17:03.160
<v Speaker 1>you make some noise? Yeah? Can I get a what

0:17:03.800 --> 0:17:07.240
<v Speaker 1>you know? Yeah? The drop right? Yeah, I'll put the

0:17:07.240 --> 0:17:09.680
<v Speaker 1>hounk in the bunk of Okay. So I've done I've

0:17:09.720 --> 0:17:13.520
<v Speaker 1>done red carpet interviews as the interviewer twice where it

0:17:13.600 --> 0:17:15.720
<v Speaker 1>was like, well, actually you and I did the TV

0:17:15.800 --> 0:17:20.560
<v Speaker 1>guide thing, but like red red carpet, red red carpet,

0:17:21.680 --> 0:17:24.400
<v Speaker 1>rest in peace, you before me. You you're not getting

0:17:24.440 --> 0:17:27.959
<v Speaker 1>any older than okay. So I did two red carpets

0:17:27.960 --> 0:17:31.520
<v Speaker 1>for the Walkers and Talkers podcast. The first one was

0:17:31.560 --> 0:17:34.119
<v Speaker 1>a few years ago. Jamie and I are my podcasting

0:17:34.160 --> 0:17:35.960
<v Speaker 1>co host from light FM in New York. Sounds like

0:17:35.960 --> 0:17:38.000
<v Speaker 1>your dog is mangling a fucking buzzard in the back

0:17:38.040 --> 0:17:42.080
<v Speaker 1>of what's going on there, barking at the hold you know, yep.

0:17:42.480 --> 0:17:44.400
<v Speaker 1>Some of the male person must be the mail carry

0:17:44.400 --> 0:17:45.600
<v Speaker 1>It must be coming or something. I don't know. It

0:17:45.600 --> 0:17:48.040
<v Speaker 1>could be a dog outside. At least all three of

0:17:48.040 --> 0:17:51.800
<v Speaker 1>them are going crazy. So anyway, um, if it keeps up,

0:17:51.840 --> 0:17:56.360
<v Speaker 1>what we'll pause? So it's realism. Wait do you wait?

0:17:56.359 --> 0:17:59.000
<v Speaker 1>Do you hear the construction going on above me? That

0:17:59.080 --> 0:18:02.200
<v Speaker 1>kicks in? Oh? So Jamie and I go to the

0:18:02.320 --> 0:18:06.360
<v Speaker 1>season eight premiere of The Walking Dead. They fly us out,

0:18:06.440 --> 0:18:09.919
<v Speaker 1>a MC flies us out, and we go to the

0:18:09.960 --> 0:18:12.600
<v Speaker 1>Greek theater, right, which was in the movie Get Me

0:18:12.640 --> 0:18:14.080
<v Speaker 1>to the Greek. I think that's what. Right, it was

0:18:14.119 --> 0:18:20.400
<v Speaker 1>the Greek theater, this beautiful outdoor clamshell uh in beautiful weather.

0:18:20.440 --> 0:18:23.959
<v Speaker 1>It was great, and this very long red carpet, and

0:18:24.000 --> 0:18:26.480
<v Speaker 1>they on the floor by our feet so that the

0:18:26.600 --> 0:18:30.760
<v Speaker 1>talent can see who you are. So it's upside down

0:18:30.800 --> 0:18:36.040
<v Speaker 1>to us, it says Walkers and Talkers podcast, and we're

0:18:36.040 --> 0:18:37.879
<v Speaker 1>and like to the to the right of us is

0:18:37.920 --> 0:18:40.679
<v Speaker 1>the guy from Comic book dot Com, Brandon. He very

0:18:40.760 --> 0:18:44.159
<v Speaker 1>established guy. And then like, like you know, next to

0:18:44.200 --> 0:18:49.080
<v Speaker 1>them is Extra and and Entertainment tonight. Like, so we

0:18:49.080 --> 0:18:53.800
<v Speaker 1>we are from left to right, we are probably thirty

0:18:53.960 --> 0:18:57.360
<v Speaker 1>out of thirty one, this one person to all right,

0:18:58.920 --> 0:19:01.320
<v Speaker 1>that's right, by the way, it be very fatiguing when

0:19:01.359 --> 0:19:04.080
<v Speaker 1>you're in the when you start in the beginning and

0:19:04.119 --> 0:19:07.520
<v Speaker 1>you have to go through the first twelve media outlets

0:19:07.000 --> 0:19:08.919
<v Speaker 1>where they are most of them are asking you the

0:19:08.960 --> 0:19:12.560
<v Speaker 1>same question, how and how does it feel to be one?

0:19:12.640 --> 0:19:15.160
<v Speaker 1>There were well, there was probably eight or nine cast

0:19:15.240 --> 0:19:17.960
<v Speaker 1>members from The Walking Dead, and they came out in

0:19:18.080 --> 0:19:20.399
<v Speaker 1>order of power, right, like the big shot first, and

0:19:20.440 --> 0:19:23.440
<v Speaker 1>then you know Rick Rhymes, Andrew Lincoln, Uh, he comes

0:19:23.440 --> 0:19:26.760
<v Speaker 1>out first, right, okay, and so the guy next to me, Brandon,

0:19:27.720 --> 0:19:31.359
<v Speaker 1>he's a big shot book dot com. No, let's not

0:19:31.480 --> 0:19:36.600
<v Speaker 1>go and uh, Brandon knows a lot of the cast members.

0:19:36.600 --> 0:19:41.200
<v Speaker 1>He's interviewed the many times, and you know, he's got podcasts,

0:19:41.200 --> 0:19:44.760
<v Speaker 1>he's he's a big name in the sci fi community, right,

0:19:44.800 --> 0:19:48.240
<v Speaker 1>Brandon Davis, he does videos. Good looking guy with a

0:19:48.280 --> 0:19:51.720
<v Speaker 1>suit to this thing. He's got a cameraman, you know.

0:19:52.359 --> 0:19:55.760
<v Speaker 1>So the talent starts coming down the line and the

0:19:55.800 --> 0:20:00.200
<v Speaker 1>big names they stop after like fifteen, sixteen seventeen, they

0:20:00.200 --> 0:20:01.879
<v Speaker 1>get pulled away. They don't even make it down to

0:20:01.880 --> 0:20:05.360
<v Speaker 1>our end. By the way, that's timed, that's planned, that's

0:20:05.440 --> 0:20:07.600
<v Speaker 1>the that's the I'm going out on a date and

0:20:07.640 --> 0:20:10.600
<v Speaker 1>in about twenty minutes call my phone so you can well,

0:20:10.640 --> 0:20:14.159
<v Speaker 1>they can choose to because we're in size order. Basically,

0:20:14.920 --> 0:20:18.399
<v Speaker 1>they know where where the drop off is. So I

0:20:18.400 --> 0:20:21.040
<v Speaker 1>don't get the three or four biggest names, not so

0:20:21.080 --> 0:20:23.879
<v Speaker 1>as the B list and C list cast members of

0:20:23.920 --> 0:20:27.000
<v Speaker 1>the show I still love start coming down to us

0:20:27.240 --> 0:20:31.639
<v Speaker 1>to our end. Brandon jumps in front of me every

0:20:31.680 --> 0:20:36.280
<v Speaker 1>time and it's like, hey, what's going on, Pollyanna, Hey,

0:20:36.320 --> 0:20:38.600
<v Speaker 1>you know Jeffrey, what's going on? Jd M A man,

0:20:38.640 --> 0:20:40.959
<v Speaker 1>how's it going? And they know him, they've met him

0:20:40.960 --> 0:20:43.520
<v Speaker 1>at previous things. This is our first time, so we've

0:20:43.560 --> 0:20:47.760
<v Speaker 1>never met a lot of these people. So he then turns,

0:20:47.800 --> 0:20:52.400
<v Speaker 1>so I'm behind him, right he makes a quick, uh

0:20:52.560 --> 0:20:55.280
<v Speaker 1>ninety degree turn and has the camera and he's talking

0:20:55.320 --> 0:20:57.160
<v Speaker 1>to them, and he's talking to them like he's doing

0:20:57.160 --> 0:20:59.439
<v Speaker 1>a full blown, fucking interview with each one of them really,

0:20:59.600 --> 0:21:02.960
<v Speaker 1>so by the time he's done with them, they're like, oh,

0:21:03.040 --> 0:21:04.919
<v Speaker 1>a podcast, Like they looked down at our feet and

0:21:04.920 --> 0:21:08.760
<v Speaker 1>go podcast. And they some of them walked away. Credit

0:21:08.840 --> 0:21:11.359
<v Speaker 1>to some most of them, the B the season and

0:21:11.480 --> 0:21:14.280
<v Speaker 1>d's all talk to us. But at that point he

0:21:14.320 --> 0:21:16.239
<v Speaker 1>asked them all the good questions. So I was like,

0:21:16.600 --> 0:21:18.040
<v Speaker 1>you know, but we had a real Mike. We we

0:21:18.080 --> 0:21:21.080
<v Speaker 1>had a Mike flag, and you know, we were somewhat professional. No,

0:21:21.160 --> 0:21:23.800
<v Speaker 1>I'm sure, listen, I'm sure. It's a great experience. So

0:21:24.320 --> 0:21:27.280
<v Speaker 1>they don't put you in a position to win unfortunately.

0:21:27.320 --> 0:21:29.399
<v Speaker 1>So out of the dozen I'm gonna say a dozen

0:21:29.440 --> 0:21:33.280
<v Speaker 1>cast members, we probably spoke to seven, which was pretty good,

0:21:33.560 --> 0:21:35.200
<v Speaker 1>and we got to take pictures and then we got

0:21:35.200 --> 0:21:38.000
<v Speaker 1>ideas from them. It was a good experience. When Brandon

0:21:38.040 --> 0:21:40.160
<v Speaker 1>finally Brandon is like, dude, we should hang out next

0:21:40.200 --> 0:21:42.880
<v Speaker 1>time you're in town. Absolutely, but yeah, he's hugging them

0:21:43.040 --> 0:21:44.639
<v Speaker 1>like he knew them. I'm like, this is the worst

0:21:44.640 --> 0:21:47.679
<v Speaker 1>guy to be behind. Right. The second time I did

0:21:47.720 --> 0:21:49.359
<v Speaker 1>a red carpet was also for The Walking Dead at

0:21:49.359 --> 0:21:53.479
<v Speaker 1>the Pailey Center in Manhattan. Someone who Yeah, it's an

0:21:53.560 --> 0:21:59.320
<v Speaker 1>artsy fartsie like movie screening documentary plays. It's really fancy schmancy.

0:21:59.440 --> 0:22:00.879
<v Speaker 1>So they put me again at the end of the

0:22:00.920 --> 0:22:03.000
<v Speaker 1>red carpet. But now I thought I was I was

0:22:03.040 --> 0:22:05.399
<v Speaker 1>just going to because they had a screening of the

0:22:05.440 --> 0:22:08.960
<v Speaker 1>season premiere or the finale or something. I think it

0:22:09.000 --> 0:22:11.800
<v Speaker 1>was the premier season nine, will say. And so all

0:22:11.840 --> 0:22:14.280
<v Speaker 1>I have is my phone. So they're like, you can

0:22:14.320 --> 0:22:17.119
<v Speaker 1>go on the red carpet. I'm like, oh, fantastic. So

0:22:17.160 --> 0:22:19.200
<v Speaker 1>now I'm at the end of the red carpet and

0:22:19.240 --> 0:22:23.080
<v Speaker 1>again the camera cruise, there's Local, there's you know, Sci

0:22:23.119 --> 0:22:26.800
<v Speaker 1>Fi Channel, everybody's the AMC big shots. And then I

0:22:26.840 --> 0:22:29.679
<v Speaker 1>get like, uh, they're running a little behind. So when

0:22:29.680 --> 0:22:31.720
<v Speaker 1>they get to you, You've got like three questions. What

0:22:32.560 --> 0:22:34.320
<v Speaker 1>what I thought I would have six? I wrote six? No,

0:22:34.480 --> 0:22:36.800
<v Speaker 1>you said six. No. Three questions, three questions. Can I

0:22:36.800 --> 0:22:38.080
<v Speaker 1>get him? Can I get him into an I d

0:22:38.280 --> 0:22:40.679
<v Speaker 1>no ideas? Can I get a photo? Can I get

0:22:40.720 --> 0:22:42.600
<v Speaker 1>a selfie? Note? No photos, You're at the last you

0:22:42.720 --> 0:22:49.440
<v Speaker 1>just ask for forgiveness. No, that's not They stood next

0:22:49.480 --> 0:22:52.040
<v Speaker 1>to him off to the side in my peripheral vision,

0:22:52.520 --> 0:22:54.360
<v Speaker 1>and when I got to the third question, they were

0:22:54.359 --> 0:22:58.280
<v Speaker 1>like preaching for his shoulder. So when I said, can

0:22:58.320 --> 0:23:00.920
<v Speaker 1>I get into let's go. We gotta go. This meeting starting.

0:23:01.520 --> 0:23:04.560
<v Speaker 1>So I interviewed Jeffrey Dean Morgan, who looked may have

0:23:04.600 --> 0:23:07.720
<v Speaker 1>known him from Grey's Anatomy. He uh, he was in

0:23:07.760 --> 0:23:10.200
<v Speaker 1>love with is he. I don't tell you what happened,

0:23:10.200 --> 0:23:12.959
<v Speaker 1>but anyway, he's a big name. So I've interviewed them

0:23:13.000 --> 0:23:16.080
<v Speaker 1>on my phone. You know, look, the sound quality was good,

0:23:16.119 --> 0:23:17.640
<v Speaker 1>but I was like not the guy with My point

0:23:17.760 --> 0:23:20.080
<v Speaker 1>was you're gonna be with the extra crew and Mike

0:23:20.119 --> 0:23:23.040
<v Speaker 1>Flag and that's real deal. I was a puts with

0:23:23.119 --> 0:23:25.679
<v Speaker 1>a podcast that I want a shirt that says that

0:23:27.240 --> 0:23:31.119
<v Speaker 1>with podcast and phone here talking talking to my phone.

0:23:32.000 --> 0:23:34.960
<v Speaker 1>The three look at podcasting. You got you gotta do

0:23:35.000 --> 0:23:42.159
<v Speaker 1>a little bit better than that. Absolutely podcast. So we

0:23:42.240 --> 0:23:45.800
<v Speaker 1>have no wondering why we're recording on a Thursday. So

0:23:45.960 --> 0:23:48.640
<v Speaker 1>yesterday somebody tweeted us and again I don't have it ready.

0:23:48.640 --> 0:23:51.520
<v Speaker 1>I apologize, and they said, hey, is the podcast up yet?

0:23:51.560 --> 0:23:53.760
<v Speaker 1>It was like two o'clock in the afternoon, So I

0:23:53.800 --> 0:23:55.960
<v Speaker 1>was like, we we never do this early on Wednesday.

0:23:56.040 --> 0:23:58.400
<v Speaker 1>I said, it'll be up to later today and then,

0:23:58.600 --> 0:24:02.879
<v Speaker 1>as as always, something came up. I mean, we're busy

0:24:02.960 --> 0:24:05.600
<v Speaker 1>during the week, right, Well, you know again, it's not

0:24:05.640 --> 0:24:09.200
<v Speaker 1>my fault, so we're doing it today. Okay, So that's fine,

0:24:09.240 --> 0:24:11.520
<v Speaker 1>which is fine, and we listen as long as we

0:24:11.800 --> 0:24:14.879
<v Speaker 1>as long as we issue a podcast somewhere within the

0:24:14.920 --> 0:24:17.960
<v Speaker 1>work week. I think we're good, but you know, certain

0:24:17.960 --> 0:24:20.200
<v Speaker 1>people are waiting for it to drop. I get that,

0:24:20.680 --> 0:24:23.919
<v Speaker 1>you know, we just can't. Unfortunately, there are things that

0:24:24.000 --> 0:24:27.199
<v Speaker 1>take precedent and absolutely so. So I was out last night.

0:24:27.880 --> 0:24:29.439
<v Speaker 1>I mean I had to take my daughter. I love

0:24:29.480 --> 0:24:31.720
<v Speaker 1>to be on the schedule. Yes, I dropped my daughter

0:24:31.760 --> 0:24:34.640
<v Speaker 1>off every day in school activity and I drive home

0:24:34.800 --> 0:24:37.879
<v Speaker 1>and we do the podcast. Well, I had some extra

0:24:37.960 --> 0:24:40.280
<v Speaker 1>time because I was pretty sure we weren't doing the

0:24:40.280 --> 0:24:42.960
<v Speaker 1>podcast till later. And so on the way home, I

0:24:43.080 --> 0:24:45.639
<v Speaker 1>pass a shop rite, not my normal one, but the

0:24:45.640 --> 0:24:48.199
<v Speaker 1>one I passed every day dropped my daughter off. So

0:24:48.240 --> 0:24:49.480
<v Speaker 1>I'm like, you know what, I need a couple of

0:24:49.520 --> 0:24:51.800
<v Speaker 1>things that I'm out of. I like to eat a

0:24:51.800 --> 0:24:53.720
<v Speaker 1>couple of oranges or clementines in the morning during the

0:24:53.760 --> 0:24:57.359
<v Speaker 1>show and don't fill me up, Like well yeah, but

0:24:57.600 --> 0:24:59.280
<v Speaker 1>they keep me busy when I get the munchies at

0:24:59.280 --> 0:25:02.639
<v Speaker 1>eight am. So I was like, oh, let me just

0:25:02.680 --> 0:25:04.679
<v Speaker 1>stop a shop right, But I was listening to the radio.

0:25:05.320 --> 0:25:07.359
<v Speaker 1>You guys know you guys listen to radio. You have

0:25:07.359 --> 0:25:08.720
<v Speaker 1>have like something's on you just can't get out of

0:25:08.720 --> 0:25:11.000
<v Speaker 1>the car. Like a good phone tap or an interview. Right,

0:25:11.840 --> 0:25:14.400
<v Speaker 1>So I'm listening to sports, a sports radio interview. It's

0:25:14.520 --> 0:25:17.639
<v Speaker 1>uh in New York and they're interviewing the new general

0:25:17.640 --> 0:25:19.920
<v Speaker 1>manager of the Mets, and I'm very excited and it's

0:25:19.920 --> 0:25:22.320
<v Speaker 1>a really good interview. So when I pull into shop, right,

0:25:23.160 --> 0:25:25.240
<v Speaker 1>it's it's still going. So I turned the car off

0:25:25.480 --> 0:25:27.520
<v Speaker 1>and I have the radio on and I'm charging my

0:25:27.520 --> 0:25:29.240
<v Speaker 1>phone and I'm sitting in the park a lot, maybe

0:25:29.240 --> 0:25:33.119
<v Speaker 1>ten minutes, and all of a sudden, Uh, this is

0:25:33.119 --> 0:25:34.480
<v Speaker 1>not my Dodge charger. By the way, I was in

0:25:34.560 --> 0:25:36.399
<v Speaker 1>my my daughter's car. She's away of college, so it

0:25:36.440 --> 0:25:40.640
<v Speaker 1>was in the ford, and Uh, the radio shuts off.

0:25:41.920 --> 0:25:43.879
<v Speaker 1>What the funk? Why is the radio going off? So

0:25:44.119 --> 0:25:46.240
<v Speaker 1>I'm like, maybe it's got like I had the car

0:25:46.240 --> 0:25:48.399
<v Speaker 1>in accessory. So I turned the car off, turned the

0:25:48.440 --> 0:25:49.800
<v Speaker 1>car back on, and the radio is not going on.

0:25:50.720 --> 0:25:54.000
<v Speaker 1>That's weird. So I go to start the car, figuring

0:25:54.000 --> 0:25:55.600
<v Speaker 1>I'll start the car and that will reset the radio.

0:25:59.040 --> 0:26:03.680
<v Speaker 1>Oh man, the battery tied from you having the engine

0:26:03.720 --> 0:26:07.400
<v Speaker 1>off and just listening too long. Yeah. Now, I put

0:26:07.400 --> 0:26:08.880
<v Speaker 1>the battery in the car a year and a half ago,

0:26:09.480 --> 0:26:12.280
<v Speaker 1>a good battery. It's it should not have done. So

0:26:12.520 --> 0:26:18.040
<v Speaker 1>I'm in the second spot. Sure, okay, that would have

0:26:18.080 --> 0:26:20.159
<v Speaker 1>sucked you up for good. That's a lot of money.

0:26:20.359 --> 0:26:24.520
<v Speaker 1>It is placed. Yes, So I'm in the second spot

0:26:24.520 --> 0:26:25.879
<v Speaker 1>in the rows. In other words, the car to my

0:26:25.960 --> 0:26:27.959
<v Speaker 1>right is on the end, and I'm in the second spot.

0:26:28.400 --> 0:26:30.199
<v Speaker 1>And so I'm sitting there and it's cold outside, and

0:26:30.200 --> 0:26:32.879
<v Speaker 1>I have jumper cables because I'm prepared, maybe, and so

0:26:32.920 --> 0:26:36.000
<v Speaker 1>I'm trying to I'm looking around and there's a woman

0:26:36.160 --> 0:26:38.560
<v Speaker 1>in the car to the left of me, and I

0:26:38.560 --> 0:26:41.320
<v Speaker 1>go I and she looks over like she I have

0:26:41.359 --> 0:26:42.800
<v Speaker 1>a dead battery. And she gets back in her car

0:26:42.840 --> 0:26:46.480
<v Speaker 1>and she drives away, and somebody pulls into our spot,

0:26:46.520 --> 0:26:48.840
<v Speaker 1>another woman and this is not a male woman. Thing

0:26:48.880 --> 0:26:51.040
<v Speaker 1>just happened to be a woman, and and I do

0:26:51.080 --> 0:26:52.720
<v Speaker 1>the ruuor and she's like, looks at me, and she

0:26:52.760 --> 0:26:59.359
<v Speaker 1>walks away and Scooby Do impression. What she thinks you're

0:26:59.359 --> 0:27:05.440
<v Speaker 1>doing the Scooby Doo impression. And the woman to the

0:27:05.560 --> 0:27:08.240
<v Speaker 1>right of me in a white suv, she's standing next

0:27:08.240 --> 0:27:11.159
<v Speaker 1>to my passenger window getting her keys out, and I

0:27:11.160 --> 0:27:14.439
<v Speaker 1>give it, give her the puppy dog eyes, and she

0:27:14.560 --> 0:27:16.320
<v Speaker 1>looks like, oh, that guy has a dead battery and

0:27:16.359 --> 0:27:20.040
<v Speaker 1>gets in her car and drives off. The guy in

0:27:20.080 --> 0:27:22.720
<v Speaker 1>the spot not knows two knows what me, but knows

0:27:22.800 --> 0:27:25.719
<v Speaker 1>two knows one to the left. Guy pulls in and

0:27:25.760 --> 0:27:27.520
<v Speaker 1>he looks like the kind of guy who either works

0:27:27.560 --> 0:27:29.960
<v Speaker 1>on cars or has owned a couple of pickup trucks

0:27:29.960 --> 0:27:32.359
<v Speaker 1>in his life. He's got like a trucker hat on.

0:27:32.640 --> 0:27:35.239
<v Speaker 1>He's superhero that the day. So I look at him

0:27:35.280 --> 0:27:38.080
<v Speaker 1>and I go, fuck, yeah, so I time it perfectly.

0:27:38.119 --> 0:27:39.760
<v Speaker 1>He gets out of his car, he got to his

0:27:39.800 --> 0:27:44.040
<v Speaker 1>trunk and as he's walking through the cars, he's ten

0:27:44.080 --> 0:27:50.040
<v Speaker 1>feet from my hood, I go yeah, and he looks

0:27:50.040 --> 0:27:52.880
<v Speaker 1>at me and he goes, I got cable. Of course,

0:27:53.560 --> 0:27:56.560
<v Speaker 1>Now now I heard. Now, I don't know if this

0:27:56.640 --> 0:27:58.439
<v Speaker 1>is right or not, but if you don't do this

0:27:58.480 --> 0:28:00.479
<v Speaker 1>ship right, you can funk up your own car. If

0:28:00.480 --> 0:28:02.119
<v Speaker 1>you don't, you could also flood the engine if you

0:28:02.119 --> 0:28:04.199
<v Speaker 1>put too much gas. Yeah, I know what to do,

0:28:04.280 --> 0:28:07.000
<v Speaker 1>what not to do. So I knew this guy. I

0:28:07.000 --> 0:28:08.639
<v Speaker 1>had a time it. Though I couldn't open the window

0:28:08.640 --> 0:28:10.639
<v Speaker 1>and bother him. I was I was going for like

0:28:10.680 --> 0:28:14.440
<v Speaker 1>the pity the note like he was like, I got cables,

0:28:14.880 --> 0:28:16.840
<v Speaker 1>So I got the cargo. I do too, let's do this,

0:28:16.920 --> 0:28:18.720
<v Speaker 1>thank you. And the woman to my right it just

0:28:18.760 --> 0:28:20.919
<v Speaker 1>pulled out. He goes and the spots open, so he

0:28:21.160 --> 0:28:23.960
<v Speaker 1>swung around real quickly. That's cool. He parked next to me,

0:28:24.000 --> 0:28:26.119
<v Speaker 1>didn't jump. It couldn't have been nicer. So I just

0:28:26.160 --> 0:28:29.080
<v Speaker 1>want to give a shout out to scruffy mc struffy.

0:28:29.400 --> 0:28:34.960
<v Speaker 1>Scruffy mctrucker hat a the crime door. So he gave

0:28:35.000 --> 0:28:38.080
<v Speaker 1>me the jump. I didn't go shopping because I don't

0:28:38.120 --> 0:28:40.520
<v Speaker 1>want to turn the car off, because you know, once

0:28:40.520 --> 0:28:43.040
<v Speaker 1>you jump that car, you want to get the car running.

0:28:43.080 --> 0:28:45.280
<v Speaker 1>You want to drive and charge that battery. So positive

0:28:45.320 --> 0:28:47.960
<v Speaker 1>goes to positive, negative goes to negative, rights correct, and

0:28:47.960 --> 0:28:50.440
<v Speaker 1>then the way the which is the red one. It

0:28:50.520 --> 0:28:53.440
<v Speaker 1>doesn't matter, well one of them alway, as long as

0:28:53.480 --> 0:28:56.400
<v Speaker 1>you're consistent. Well, because the cables just have colored handles.

0:28:56.520 --> 0:28:59.640
<v Speaker 1>They don't know what color they are, but the red

0:28:59.760 --> 0:29:07.320
<v Speaker 1>the handle goes on the red terminal. Black is negative. Okay, yeah, okay, alright, fine, positive,

0:29:07.360 --> 0:29:09.320
<v Speaker 1>that's good. But if you switch them, as long as

0:29:09.320 --> 0:29:10.840
<v Speaker 1>you switch them on both cars, it isn't a big

0:29:11.080 --> 0:29:13.760
<v Speaker 1>I'd be scared hipless because I wouldn't know what I'm doing.

0:29:14.760 --> 0:29:18.640
<v Speaker 1>You've never jumped a car on the first thing I've

0:29:18.680 --> 0:29:21.320
<v Speaker 1>had my car jumped. Oh my god. Do you know

0:29:21.320 --> 0:29:23.800
<v Speaker 1>how to check your oil? Yes, that I know how

0:29:23.840 --> 0:29:24.880
<v Speaker 1>to do, But you don't know how to like if

0:29:24.880 --> 0:29:26.360
<v Speaker 1>you if you needed a jump start, you don't know

0:29:26.360 --> 0:29:29.320
<v Speaker 1>what to do. Uh No, I don't. I mean I

0:29:29.360 --> 0:29:31.680
<v Speaker 1>know I know how to again, I know where the

0:29:31.840 --> 0:29:33.320
<v Speaker 1>I know where the battery is. You know you have

0:29:33.360 --> 0:29:35.600
<v Speaker 1>to go. You have to go front to front. You

0:29:35.600 --> 0:29:37.560
<v Speaker 1>have to open the hoods right and then and then

0:29:37.560 --> 0:29:43.200
<v Speaker 1>you connect the cables. All right, thank you ariana grande yea,

0:29:44.480 --> 0:29:46.000
<v Speaker 1>I will open it up like a door or whatever.

0:29:46.160 --> 0:29:49.840
<v Speaker 1>So so no, you and you take like they usually

0:29:49.840 --> 0:29:52.680
<v Speaker 1>have these crimpy fucking things like you know the clamps

0:29:52.760 --> 0:29:56.480
<v Speaker 1>clamps right, the clamps go on each each on the

0:29:56.560 --> 0:29:58.840
<v Speaker 1>terminal terminal, right if you just clamp them not but

0:29:58.960 --> 0:30:01.120
<v Speaker 1>when do you? But when do you get Now? Is

0:30:01.160 --> 0:30:05.560
<v Speaker 1>your car supposed to be running when you do that? No? No,

0:30:05.880 --> 0:30:08.360
<v Speaker 1>the car both cars have to be off. Yes, Now

0:30:08.400 --> 0:30:10.680
<v Speaker 1>what you do is know that both cars have to

0:30:10.720 --> 0:30:14.360
<v Speaker 1>be off. Yes, yes, you should have them off unless

0:30:14.360 --> 0:30:17.360
<v Speaker 1>you're a daredevil. You want to um. Some newer cars

0:30:17.400 --> 0:30:19.920
<v Speaker 1>have a ground pole in your engine, so you can

0:30:19.920 --> 0:30:21.680
<v Speaker 1>put the black on the on the on the on

0:30:21.720 --> 0:30:25.080
<v Speaker 1>the ground. So once the once the the I understand

0:30:25.120 --> 0:30:28.280
<v Speaker 1>the cables. Once they're connected, then the car that can

0:30:28.320 --> 0:30:31.440
<v Speaker 1>start with the with the good battery starts their car

0:30:31.520 --> 0:30:34.240
<v Speaker 1>first right right, and then you depending on how dead

0:30:34.280 --> 0:30:36.720
<v Speaker 1>you think your battery is. It's like flushing your toilet.

0:30:37.080 --> 0:30:39.080
<v Speaker 1>You don't want to flush it when the tank hasn't filled,

0:30:39.280 --> 0:30:42.280
<v Speaker 1>because then you do it to your battery charging. Your

0:30:42.320 --> 0:30:46.080
<v Speaker 1>battery is now charging while that car is on. For

0:30:46.120 --> 0:30:49.960
<v Speaker 1>every second that car is running, your batteries now charging. Yeah,

0:30:49.960 --> 0:30:51.720
<v Speaker 1>but I I knew that I didn't have a severely

0:30:51.760 --> 0:30:53.400
<v Speaker 1>dead battery. I didn't leave it like for a winter.

0:30:53.600 --> 0:30:56.680
<v Speaker 1>So do you then with the other car running, start

0:30:56.760 --> 0:31:00.400
<v Speaker 1>your car. Yeah, that's how it works. Yeah, of course

0:31:00.800 --> 0:31:03.000
<v Speaker 1>you start your car right. If it doesn't start, you

0:31:03.400 --> 0:31:05.680
<v Speaker 1>get a percentage right in your mind, like it goes

0:31:06.000 --> 0:31:09.200
<v Speaker 1>like your car would normally go right, but it might

0:31:09.200 --> 0:31:12.320
<v Speaker 1>go click click clickick. If you get a click click click,

0:31:12.360 --> 0:31:14.760
<v Speaker 1>your battery is completely dead for that like you've got nothing,

0:31:15.040 --> 0:31:20.480
<v Speaker 1>but then eventually get the then you get the close. Yeah,

0:31:20.760 --> 0:31:22.960
<v Speaker 1>I'm going electric next time, I think I think I'm

0:31:23.000 --> 0:31:28.680
<v Speaker 1>really going. The Dodge charger is going to be either

0:31:28.720 --> 0:31:31.080
<v Speaker 1>a hybrid or electric. Now, if ever a car should

0:31:31.080 --> 0:31:34.800
<v Speaker 1>be like the Dodge charger, that's the car because it's

0:31:34.840 --> 0:31:38.080
<v Speaker 1>called the charger. Right. So my lease will get me

0:31:38.080 --> 0:31:39.640
<v Speaker 1>a twenty three because my lease will be up in

0:31:39.680 --> 0:31:43.960
<v Speaker 1>twenty three, so I will actually have done, don't guess well,

0:31:44.000 --> 0:31:46.040
<v Speaker 1>I'll be done with guests when I get the twenty six.

0:31:46.320 --> 0:31:48.520
<v Speaker 1>Probably I have to figure that out. But here's the

0:31:48.520 --> 0:31:50.800
<v Speaker 1>problem with the charger. They have to figure this out.

0:31:50.880 --> 0:31:52.840
<v Speaker 1>If it's a hybrid, it won't be a problem. But

0:31:52.920 --> 0:31:54.360
<v Speaker 1>you know, when you have an electric car doesn't make

0:31:54.360 --> 0:31:57.240
<v Speaker 1>any sound. I know that the best part of my

0:31:57.280 --> 0:32:01.520
<v Speaker 1>Dodge charger is it goes maybe when you started and

0:32:01.720 --> 0:32:09.360
<v Speaker 1>the engine sounds like yeah, when I accelerate, it goes right. Now, Now,

0:32:09.440 --> 0:32:11.840
<v Speaker 1>do will the electric version of that car at least

0:32:11.840 --> 0:32:15.320
<v Speaker 1>have the sound effect? Just they're gonna have to do so.

0:32:15.360 --> 0:32:17.080
<v Speaker 1>I don't want a quiet car. The point of a

0:32:17.120 --> 0:32:19.040
<v Speaker 1>Tesla is to have a quiet car. I don't want

0:32:19.080 --> 0:32:21.520
<v Speaker 1>to quiet. Same thing with cell phone. These these fake

0:32:21.680 --> 0:32:23.880
<v Speaker 1>rings on these cell phones. I mean, they're gonna have

0:32:23.960 --> 0:32:26.400
<v Speaker 1>to manufacture and and come up with the accurate sound

0:32:26.440 --> 0:32:28.680
<v Speaker 1>for the Dodge charger, because no one wants a muscle

0:32:28.680 --> 0:32:32.520
<v Speaker 1>car that goes. I don't want that. I want people

0:32:32.520 --> 0:32:35.120
<v Speaker 1>to know I'm coming five blocks away. Yeah, if that's

0:32:35.120 --> 0:32:37.640
<v Speaker 1>gonna be a problem, I'll record. I'll record the engine

0:32:37.640 --> 0:32:39.200
<v Speaker 1>noise on a loop and play through my stereo if

0:32:39.200 --> 0:32:43.680
<v Speaker 1>I have to. I love this idea. This is great

0:32:43.880 --> 0:32:49.000
<v Speaker 1>to reproduce. So when all regular cars get noise like

0:32:49.000 --> 0:32:51.960
<v Speaker 1>when you start, as they move into the into the

0:32:52.000 --> 0:32:55.920
<v Speaker 1>electric world, will they ever retain the sound? Do you

0:32:56.000 --> 0:32:59.080
<v Speaker 1>start a Corvett? You don't? You want to? You want

0:32:59.120 --> 0:33:03.000
<v Speaker 1>that sound? Imagine starting a motorcycle. Electric motorcycle didn't make

0:33:03.000 --> 0:33:05.080
<v Speaker 1>any noise, and it's all sound effect At this point,

0:33:05.120 --> 0:33:07.440
<v Speaker 1>it's it's it's all cosmetic. It has nothing. It's like

0:33:07.480 --> 0:33:13.960
<v Speaker 1>a Nascar It's like the fucking headlights are decals. You

0:33:14.000 --> 0:33:16.360
<v Speaker 1>know what I'm afraid of. Though, Let's say buy a

0:33:16.400 --> 0:33:18.480
<v Speaker 1>Darge charger and they give you the fake sound effects, right,

0:33:18.560 --> 0:33:21.040
<v Speaker 1>so my car sounds like like an old charger, right, Yeah,

0:33:21.240 --> 0:33:24.320
<v Speaker 1>what's to stop somebody with a Nissan Sentra from putting

0:33:24.360 --> 0:33:26.640
<v Speaker 1>in the same like module. So when you drive the

0:33:26.680 --> 0:33:30.360
<v Speaker 1>little Pea Shooter, you know you get the like that'll

0:33:30.400 --> 0:33:32.040
<v Speaker 1>be like a fun thing. You have a a small

0:33:32.120 --> 0:33:34.680
<v Speaker 1>car with a small engine, but you buy the sound

0:33:34.680 --> 0:33:37.160
<v Speaker 1>effect for the charger, you upgrade it. That would be great.

0:33:37.480 --> 0:33:40.920
<v Speaker 1>I love that. In fact, what what about cross pollination

0:33:41.000 --> 0:33:44.120
<v Speaker 1>of cars where a Porsche could start like a Volkswagon

0:33:44.480 --> 0:33:48.200
<v Speaker 1>or vice versa company in it or even what it

0:33:48.240 --> 0:33:50.920
<v Speaker 1>doesn't matter, you name it. Whatever the car is. You

0:33:50.920 --> 0:33:53.440
<v Speaker 1>have a sound panel. How do I want to start

0:33:53.480 --> 0:33:56.000
<v Speaker 1>my car today? Which with which cars sounds? That would

0:33:56.000 --> 0:34:00.240
<v Speaker 1>be good? Yeah? Like yeah, yeah, that's that's my big catch.

0:34:00.280 --> 0:34:04.240
<v Speaker 1>That's the big catch. I gotta have the noise. So, um,

0:34:04.360 --> 0:34:11.520
<v Speaker 1>do you know what a recipro sexual is? A reciprosexual? Yep? Um,

0:34:11.880 --> 0:34:14.960
<v Speaker 1>so I told you about my friends, Say who's dating

0:34:15.000 --> 0:34:20.360
<v Speaker 1>on dating apps? So he just he he told my friend?

0:34:20.600 --> 0:34:23.560
<v Speaker 1>Uh who told me? Because I'm asking him for juicy information?

0:34:24.200 --> 0:34:26.759
<v Speaker 1>There are like you can you can check boxes like

0:34:27.160 --> 0:34:32.720
<v Speaker 1>what you're into? Yeah, right, like homosexual, heterosexual, high sexual, sexual,

0:34:32.840 --> 0:34:36.360
<v Speaker 1>pan sexual, and then there's so there's there's gray sexual.

0:34:36.440 --> 0:34:40.680
<v Speaker 1>I never heard of sexual yep, looked at up this demisexual?

0:34:41.400 --> 0:34:47.040
<v Speaker 1>Is that Vado? Yeah? Or Demi Moore? But reciprosexual? Uh?

0:34:47.200 --> 0:34:49.080
<v Speaker 1>Stuck with me when he told me about this one.

0:34:49.920 --> 0:34:54.919
<v Speaker 1>So uh, it's it's I'm into you once I find

0:34:54.920 --> 0:34:58.879
<v Speaker 1>out you're into me. In other words, reciprocal. So if

0:34:58.920 --> 0:35:03.120
<v Speaker 1>you think I'm sexy, then I'll find you sexy automatically,

0:35:03.200 --> 0:35:08.120
<v Speaker 1>and you sexy first. I don't automatically, right, So they're

0:35:08.120 --> 0:35:11.440
<v Speaker 1>not attracted to people. So if you're into me, I

0:35:11.480 --> 0:35:14.759
<v Speaker 1>wouldn't make the decision. Wait, I would automatically be into

0:35:14.800 --> 0:35:17.920
<v Speaker 1>you because you're into me. Let's say, let's say I'm

0:35:17.920 --> 0:35:21.920
<v Speaker 1>trying to meet a girl who's who's reciprosexual. She is

0:35:22.000 --> 0:35:24.040
<v Speaker 1>not going to sleep with you or find you attractive

0:35:24.440 --> 0:35:26.319
<v Speaker 1>until you say, you know what, I'm into you. I

0:35:26.400 --> 0:35:28.719
<v Speaker 1>kind of you're you're hot, I'm into you. Then she'll

0:35:28.760 --> 0:35:30.359
<v Speaker 1>be like, oh, this guy's into me. That's hot. I'm

0:35:30.400 --> 0:35:32.200
<v Speaker 1>into him now. But what I'm saying is is it

0:35:32.280 --> 0:35:35.640
<v Speaker 1>an automatic? No? No? No. In other words, that's what

0:35:35.840 --> 0:35:38.960
<v Speaker 1>allows her to like you, is right, But he would

0:35:39.000 --> 0:35:40.759
<v Speaker 1>like you at all. She's not turned on by you

0:35:41.280 --> 0:35:45.239
<v Speaker 1>until until. So she's she's waiting for people to come

0:35:45.239 --> 0:35:48.000
<v Speaker 1>to her. And I get that, but once, No, it's

0:35:48.000 --> 0:35:51.160
<v Speaker 1>not automatic, it's automatic. Oh my god, he's in love

0:35:51.200 --> 0:35:52.880
<v Speaker 1>with me. You know what I love you too. No, no,

0:35:53.239 --> 0:35:55.920
<v Speaker 1>it's now wait a minute, she may not find you

0:35:55.960 --> 0:35:59.600
<v Speaker 1>attractive at all. What I'm saying is that's when they

0:35:59.680 --> 0:36:02.279
<v Speaker 1>that's when they first are attracted to you, if they

0:36:02.280 --> 0:36:05.320
<v Speaker 1>find out you're attracted to them. I don't think it's automatic.

0:36:05.400 --> 0:36:08.480
<v Speaker 1>I think I didn't know. Oh my god, there's like

0:36:09.200 --> 0:36:10.640
<v Speaker 1>he told me, there's like thirty, but he told me

0:36:10.680 --> 0:36:12.600
<v Speaker 1>a couple that were that were the ones. I want

0:36:12.600 --> 0:36:14.680
<v Speaker 1>to hear more of these. We have him on the podcast.

0:36:14.719 --> 0:36:16.960
<v Speaker 1>I want to hear him go down the list. Yeah,

0:36:17.000 --> 0:36:19.600
<v Speaker 1>i'll see if he'll go on, i'll talk to him.

0:36:19.640 --> 0:36:22.080
<v Speaker 1>But so anyway, So but here's my problem. If two

0:36:22.120 --> 0:36:26.399
<v Speaker 1>people are reciprosexual, they can never get together because neither

0:36:26.440 --> 0:36:30.319
<v Speaker 1>one will find the other one attractive first. Right, So

0:36:30.360 --> 0:36:33.680
<v Speaker 1>then yeah, they'll just sit there like it's your move. No,

0:36:33.760 --> 0:36:37.640
<v Speaker 1>it's your move. Romantic sexual with a never romantic. It's

0:36:37.640 --> 0:36:40.600
<v Speaker 1>all kinds of it's a whole list, apparently, I I

0:36:40.680 --> 0:36:42.920
<v Speaker 1>don't remember all of them. I'll look him, you know,

0:36:43.000 --> 0:36:45.120
<v Speaker 1>if if he won't go on, I'll ask him to

0:36:45.160 --> 0:36:47.480
<v Speaker 1>tell me what app it was, and then I'll I'll

0:36:47.880 --> 0:36:49.920
<v Speaker 1>have him send me a screenshot. That's probably the best thing.

0:36:50.040 --> 0:36:53.160
<v Speaker 1>Come send me a screenshot of all of them and

0:36:53.200 --> 0:36:54.480
<v Speaker 1>then I'll look them up and I'll tell you what

0:36:54.480 --> 0:37:00.200
<v Speaker 1>they are. Sounds good, You gotta get better. It like

0:37:00.200 --> 0:37:04.400
<v Speaker 1>telling me you get hitting that button You're like, sounds good. Hey, listen.

0:37:05.040 --> 0:37:07.680
<v Speaker 1>I want to go over our Spotify playlists because they

0:37:07.719 --> 0:37:13.880
<v Speaker 1>came out with their wrapped which is basically you know,

0:37:14.000 --> 0:37:17.920
<v Speaker 1>it gives you your year with the Spotify favorite song.

0:37:18.000 --> 0:37:21.040
<v Speaker 1>How are your favorite podcast, your favorite artists, your favorite everything,

0:37:21.040 --> 0:37:22.600
<v Speaker 1>and how how much you listen to them? And before

0:37:22.600 --> 0:37:26.640
<v Speaker 1>we go any further, shout out to everybody who's screenshotted

0:37:27.400 --> 0:37:31.440
<v Speaker 1>the favorite podcast Brooklyn Boys man, because I guess a

0:37:31.440 --> 0:37:35.760
<v Speaker 1>lot of slices they spend time with the Spotify app

0:37:36.000 --> 0:37:38.400
<v Speaker 1>on and they listened to the listen to our podcast

0:37:38.400 --> 0:37:42.400
<v Speaker 1>through their app, and Spotify said, hey, guess what, the

0:37:42.400 --> 0:37:45.760
<v Speaker 1>Brooklyn Boys is your favorite podcast and you spent three

0:37:46.760 --> 0:37:49.560
<v Speaker 1>minutes listening to them this year. So I I took

0:37:49.600 --> 0:37:50.960
<v Speaker 1>as many as I could and I put them on

0:37:51.000 --> 0:37:53.160
<v Speaker 1>my instant story. I actually did the same and I

0:37:53.160 --> 0:37:55.160
<v Speaker 1>got a whole bunch more today, so maybe I'll put

0:37:55.200 --> 0:37:57.200
<v Speaker 1>them up later. But I want to just mention a

0:37:57.239 --> 0:37:59.040
<v Speaker 1>couple please, don't get mad if I don't mention you.

0:37:59.120 --> 0:38:04.640
<v Speaker 1>But Sean fourteen seventy five hundred ninety two episodes, twelve thousand,

0:38:04.680 --> 0:38:09.560
<v Speaker 1>five hundred and sixty six minutes for Sean will I Am.

0:38:09.920 --> 0:38:13.120
<v Speaker 1>That's will underscore. I on E y E, I mentioned

0:38:13.160 --> 0:38:16.280
<v Speaker 1>all the time listen to a hundred and ninety nine episodes,

0:38:16.320 --> 0:38:18.160
<v Speaker 1>which means he at least listen to one more than once.

0:38:18.880 --> 0:38:24.400
<v Speaker 1>Up hold on, I gotta interrupt here top this spin

0:38:24.520 --> 0:38:27.080
<v Speaker 1>Dog Fresh fourteen, and we finished with the one I'm reading.

0:38:27.120 --> 0:38:31.680
<v Speaker 1>Will I Am twelve thousand, four hundred and fourteen minutes. Okay,

0:38:31.719 --> 0:38:35.080
<v Speaker 1>this one you got, well, you got Fresh fourteen got

0:38:35.080 --> 0:38:40.239
<v Speaker 1>a hundred eight episodes for ten thousand nine yep and

0:38:40.680 --> 0:38:44.319
<v Speaker 1>Lindsay Specter a hundred nine nine episodes twelve thousand, four

0:38:44.400 --> 0:38:48.239
<v Speaker 1>hundred fourteen minutes. But I got a winner. I gotta win.

0:38:48.280 --> 0:38:52.480
<v Speaker 1>I gotta figure who's miss Lauren Taylor right, No, Lindsay Specter,

0:38:52.520 --> 0:38:55.600
<v Speaker 1>I'm sorry, Lindsay Specter, I had that wrong number, Lindsay

0:38:55.960 --> 0:39:02.120
<v Speaker 1>Lindsay Specter one episodes, fifteen thousand and seven minutes. Wow,

0:39:02.200 --> 0:39:05.000
<v Speaker 1>there you go. That's the winner. But honorable mention for

0:39:05.800 --> 0:39:09.600
<v Speaker 1>r and Es four thousand, five hundred sixty eight minutes streamed,

0:39:10.080 --> 0:39:14.480
<v Speaker 1>and also j WAG five nineteen with three thousand, eight

0:39:14.520 --> 0:39:17.839
<v Speaker 1>hundred sixty seven minutes. But you know what, we'll take

0:39:17.880 --> 0:39:22.600
<v Speaker 1>it a lot. Oh, this one just came in, uh

0:39:22.760 --> 0:39:30.640
<v Speaker 1>farming on, that's Danny for the Winsodes fourteen thousand, five

0:39:30.719 --> 0:39:35.760
<v Speaker 1>hundred one minutes. Holy crap. So yeah, we got these.

0:39:35.960 --> 0:39:38.480
<v Speaker 1>Uh and so let's let's you know which one I

0:39:38.719 --> 0:39:41.200
<v Speaker 1>thought was the best for scary. I want you to

0:39:41.239 --> 0:39:44.439
<v Speaker 1>read your top five genres of music that you listen

0:39:44.480 --> 0:39:49.279
<v Speaker 1>to on Spotify. Let's say if we're compatible, Okay, from

0:39:49.360 --> 0:39:55.120
<v Speaker 1>number five to number one. Yeah, tropical house, progressive house, house,

0:39:56.080 --> 0:40:02.920
<v Speaker 1>dance pop, and slap house. The number one genre. Slap house.

0:40:03.239 --> 0:40:06.080
<v Speaker 1>What the slap house? I think that's isn't that legal

0:40:06.160 --> 0:40:11.600
<v Speaker 1>in Nevada house? That's the house the prostitute house. Isn't

0:40:11.600 --> 0:40:13.600
<v Speaker 1>that called slap house? I don't know. I have no

0:40:13.680 --> 0:40:16.440
<v Speaker 1>idea what that's a genre of music, and that's my

0:40:16.560 --> 0:40:20.080
<v Speaker 1>number one genre on Yeah that I apparently I listen

0:40:20.160 --> 0:40:22.799
<v Speaker 1>to you hear the music, and you just slap people

0:40:22.840 --> 0:40:24.960
<v Speaker 1>in front of you, like in the face. Well, truth

0:40:25.040 --> 0:40:27.600
<v Speaker 1>be told. When I go to Spotify, it's always for

0:40:27.680 --> 0:40:32.200
<v Speaker 1>a dance playlist. I always yeah, and truth be told,

0:40:33.200 --> 0:40:37.399
<v Speaker 1>I'm leaving, I'm lying, lying, Yeah. Okay, So my five

0:40:37.440 --> 0:40:39.120
<v Speaker 1>top five, let's see if any of them were the same.

0:40:40.280 --> 0:40:46.080
<v Speaker 1>Number five glam metal, number four, metal core, number three,

0:40:46.160 --> 0:40:50.000
<v Speaker 1>scott Punk. That's probably a lot of minority boss tones.

0:40:50.040 --> 0:40:53.080
<v Speaker 1>If I had to guess number two classic rock and

0:40:53.239 --> 0:40:57.360
<v Speaker 1>number one hard rock, did we overlap? Not not a chance.

0:40:57.760 --> 0:41:00.600
<v Speaker 1>We are so completely opposite. Now you're in understand why

0:41:00.680 --> 0:41:03.760
<v Speaker 1>we do a podcast together because we are nothing alike

0:41:03.880 --> 0:41:09.000
<v Speaker 1>in any way. What are your five most played artists? Um?

0:41:09.120 --> 0:41:12.080
<v Speaker 1>I didn't. Oh yeah, five most played artists. Once again,

0:41:12.600 --> 0:41:14.800
<v Speaker 1>I have no idea how it became this, and I

0:41:14.840 --> 0:41:17.560
<v Speaker 1>don't even know my number one artist. Number five is

0:41:17.640 --> 0:41:20.800
<v Speaker 1>Joel Corey, who does a lot of dance music. Joel

0:41:20.800 --> 0:41:28.600
<v Speaker 1>Corey does Becky Hills. Number four the Hell's Becky Hill,

0:41:29.480 --> 0:41:35.160
<v Speaker 1>and which one of these is? Slaphouse? Number three is Medusa, Medusa, Medusa?

0:41:35.960 --> 0:41:40.560
<v Speaker 1>What is Z and they do? They do what they

0:41:40.600 --> 0:41:42.120
<v Speaker 1>do with like three or four songs that I love.

0:41:42.360 --> 0:41:44.560
<v Speaker 1>David Getta is number two. He's okay, I gave you

0:41:44.640 --> 0:41:48.160
<v Speaker 1>that one. And number one is an artist called a

0:41:48.480 --> 0:41:50.080
<v Speaker 1>l Okay, I don't even know how to pronounce his

0:41:50.160 --> 0:41:52.960
<v Speaker 1>name a lock or a lock. I don't know how

0:41:53.080 --> 0:41:56.480
<v Speaker 1>these big names. But I here's why. I think because

0:41:56.560 --> 0:41:59.520
<v Speaker 1>I go to the dance the top dance songs, a

0:41:59.680 --> 0:42:03.120
<v Speaker 1>lot is probably always on there and it's always being played,

0:42:03.400 --> 0:42:05.560
<v Speaker 1>so that's probably why it ended up number one. So

0:42:05.600 --> 0:42:07.680
<v Speaker 1>you don't even know if it's like a lock or alone.

0:42:07.920 --> 0:42:11.640
<v Speaker 1>I don't know. I never heard of this motherfucker. Alright, alright, alright,

0:42:11.640 --> 0:42:13.960
<v Speaker 1>so what about yours? So so I have to preface

0:42:13.960 --> 0:42:15.640
<v Speaker 1>and then I'm gonna give you my top five songs.

0:42:15.640 --> 0:42:18.279
<v Speaker 1>These are not my five favorite bands. But so I

0:42:18.360 --> 0:42:22.280
<v Speaker 1>wake up in the morning, I have um my, Spotify

0:42:22.360 --> 0:42:25.680
<v Speaker 1>and bluetooth speaker in the bathroom outside the bedroom, so

0:42:25.719 --> 0:42:27.160
<v Speaker 1>I don't wake anybody up and I have to get

0:42:27.239 --> 0:42:30.160
<v Speaker 1>a bed to stop it. But I tend to wake

0:42:30.239 --> 0:42:34.919
<v Speaker 1>up to uh playlists where the first song starts off

0:42:35.000 --> 0:42:39.160
<v Speaker 1>really loudly to wake me up. Okay, so before you

0:42:39.200 --> 0:42:42.319
<v Speaker 1>go go, right, so I pick songs that are that

0:42:42.440 --> 0:42:46.600
<v Speaker 1>start playlists that are good for waking me up. So

0:42:46.800 --> 0:42:53.239
<v Speaker 1>number five and tracks the Man, Well, that's yeah, yes,

0:42:53.280 --> 0:42:55.759
<v Speaker 1>you would know that one. Yeah, number four, you too,

0:42:57.320 --> 0:43:01.560
<v Speaker 1>A great choice. You got rate taste on this beautiful day.

0:43:01.719 --> 0:43:06.960
<v Speaker 1>It's like a beautiful yeah. Three is The Struts, Love

0:43:06.960 --> 0:43:09.239
<v Speaker 1>the Struts. Two is a band. I'm gonna spell it

0:43:09.239 --> 0:43:11.680
<v Speaker 1>for you. It's pronounced the tray. You a t r

0:43:11.800 --> 0:43:14.600
<v Speaker 1>e y u H. Discover them about three or four

0:43:14.640 --> 0:43:17.719
<v Speaker 1>months ago, maybe six months ago. Love them, you've been

0:43:18.960 --> 0:43:21.439
<v Speaker 1>love them. They are a I guess to consider metal

0:43:21.480 --> 0:43:24.160
<v Speaker 1>corpet your melodic and catchy as hell. If you like

0:43:24.200 --> 0:43:27.239
<v Speaker 1>hard rock, hard rock, it's really good. And number one

0:43:27.280 --> 0:43:30.680
<v Speaker 1>is Motley Crue because kickstart my heart, Start my heart,

0:43:30.719 --> 0:43:34.719
<v Speaker 1>kick start your day with the motorcycle and now that

0:43:34.800 --> 0:43:37.120
<v Speaker 1>wakes me up. So those are my top five wake

0:43:37.200 --> 0:43:39.040
<v Speaker 1>up songs. Now I don't know how this happened, but

0:43:39.080 --> 0:43:43.560
<v Speaker 1>my top songs. Number five is Memories by Kid Cutty

0:43:44.000 --> 0:43:47.200
<v Speaker 1>and which is an old song from two thousand and ten.

0:43:47.320 --> 0:43:53.160
<v Speaker 1>It's like all the crazy shit I did last nasies,

0:43:53.760 --> 0:43:58.480
<v Speaker 1>Um lose Control from Medusa. Won't you be the one too?

0:43:58.719 --> 0:44:03.720
<v Speaker 1>When I lose control? A bad up, a bad ad up,

0:44:04.000 --> 0:44:07.120
<v Speaker 1>I need sorry? Um. Then there's a song that I

0:44:07.200 --> 0:44:10.919
<v Speaker 1>never heard of, No Time for Tears again you never

0:44:10.960 --> 0:44:13.839
<v Speaker 1>heard of it? Little Mix and Nathan daw I don't

0:44:13.840 --> 0:44:20.680
<v Speaker 1>know what. Then number two is a song called Again

0:44:20.960 --> 0:44:23.880
<v Speaker 1>Never Heard It Gotta be You by a group called Nervo,

0:44:24.000 --> 0:44:27.960
<v Speaker 1>who I know. They're DJs Nervo. And number one is

0:44:28.040 --> 0:44:31.600
<v Speaker 1>goose Bumps. I'll get those goose bumps every time. But

0:44:32.360 --> 0:44:35.680
<v Speaker 1>I don't think that this is a good portrait or

0:44:35.719 --> 0:44:38.880
<v Speaker 1>snapshot of me. It's not representative of who I am

0:44:38.920 --> 0:44:41.839
<v Speaker 1>in real life. I just think it's more representative of

0:44:42.160 --> 0:44:45.120
<v Speaker 1>the fact that every time I turn on Spotify, I

0:44:45.200 --> 0:44:48.120
<v Speaker 1>hit the Dance Current Dance playlist and those were all

0:44:48.120 --> 0:44:51.160
<v Speaker 1>the songs and artists that were in my rotation. Because

0:44:51.200 --> 0:44:54.120
<v Speaker 1>I don't use Spotify for anything else really, it's only when,

0:44:54.440 --> 0:44:55.920
<v Speaker 1>you know, if I'm just hanging out and I just

0:44:56.000 --> 0:44:59.560
<v Speaker 1>need music, I'll just pop it on, you know. Uh,

0:44:59.600 --> 0:45:01.440
<v Speaker 1>So I had a little unning with Spotify. Tell me

0:45:01.480 --> 0:45:05.400
<v Speaker 1>what you would do in this situation. So, uh, Sometimes

0:45:05.440 --> 0:45:07.320
<v Speaker 1>when I hear a song, I don't know your shazam

0:45:07.320 --> 0:45:10.239
<v Speaker 1>it right. Sometimes it's a song I know, but I

0:45:10.239 --> 0:45:12.759
<v Speaker 1>don't know what album it's on, so I'll shazam it

0:45:13.360 --> 0:45:15.680
<v Speaker 1>because I wanted, like just remind myself while I'm in

0:45:15.680 --> 0:45:17.920
<v Speaker 1>the car or what album is that so I can

0:45:17.920 --> 0:45:19.440
<v Speaker 1>listen to it later or make sure I have the

0:45:19.480 --> 0:45:24.160
<v Speaker 1>album right. Okay. So I'm listening a couple of days ago, uh,

0:45:24.200 --> 0:45:26.080
<v Speaker 1>and A C d C comes on a song called

0:45:26.120 --> 0:45:28.200
<v Speaker 1>big Gun, and I know it's on one of the

0:45:28.280 --> 0:45:30.719
<v Speaker 1>late later albums, the last one of the one before

0:45:30.840 --> 0:45:34.000
<v Speaker 1>it's recent, but it's a really good song and I

0:45:34.040 --> 0:45:36.560
<v Speaker 1>wasn't sure what album was on, so I shazammed it. Now,

0:45:36.560 --> 0:45:39.560
<v Speaker 1>when you shazam it at the bottom, it says open

0:45:39.600 --> 0:45:43.640
<v Speaker 1>and Spotify, right, you know that? Yeah, you can't change that.

0:45:43.760 --> 0:45:46.200
<v Speaker 1>Is that the default? Or is that yeah? No, it's

0:45:46.280 --> 0:45:47.960
<v Speaker 1>it's it's they send me deal with. It's like they

0:45:48.000 --> 0:45:51.200
<v Speaker 1>work together. It's the cage radio. So you open it

0:45:51.200 --> 0:45:53.040
<v Speaker 1>in Spotify. So if you like a song, you can

0:45:53.040 --> 0:45:55.520
<v Speaker 1>go open it up and Spotify and too a playlist.

0:45:55.600 --> 0:45:59.279
<v Speaker 1>Whatever cornered the market, right. So when I opened up

0:45:59.320 --> 0:46:00.920
<v Speaker 1>a C d C, now a C d C if

0:46:00.920 --> 0:46:03.960
<v Speaker 1>you don't know, it's spelled a C slash d C.

0:46:05.719 --> 0:46:09.200
<v Speaker 1>So I go to open it in Spotify and it

0:46:09.280 --> 0:46:14.960
<v Speaker 1>says no songs found by the band d C. It's

0:46:15.000 --> 0:46:16.640
<v Speaker 1>reading it as d C. It doesn't read a C

0:46:16.800 --> 0:46:19.480
<v Speaker 1>slash d C. So if you just wrote a C

0:46:19.600 --> 0:46:22.279
<v Speaker 1>d C in a row without the slash, don't find

0:46:22.280 --> 0:46:24.160
<v Speaker 1>I'm not the one writing it. The app opens it

0:46:24.239 --> 0:46:27.440
<v Speaker 1>up automatically right if you if you're if you're in

0:46:27.480 --> 0:46:29.160
<v Speaker 1>the search window, you type in a C d C,

0:46:29.320 --> 0:46:31.560
<v Speaker 1>it knows it's a C d C. So it's obviously

0:46:31.560 --> 0:46:34.000
<v Speaker 1>a glitch. Now, I don't know if it's a permanent clitch.

0:46:34.040 --> 0:46:35.839
<v Speaker 1>I don't know if it's a recent glitch. I don't

0:46:35.840 --> 0:46:37.719
<v Speaker 1>remember if I've ever searched A C d C songs

0:46:37.760 --> 0:46:40.319
<v Speaker 1>before in this way. So I said, you know what,

0:46:40.480 --> 0:46:43.120
<v Speaker 1>I have the Spotify email address already in my phone

0:46:43.120 --> 0:46:46.040
<v Speaker 1>book because I've had to correct like bands that are

0:46:46.040 --> 0:46:49.560
<v Speaker 1>in the wrong uh folder. I've sent them corrections and

0:46:49.560 --> 0:46:51.680
<v Speaker 1>they they're always right back. They're great at it. So

0:46:51.760 --> 0:46:54.360
<v Speaker 1>I wrote them in an email and I said, hey,

0:46:54.680 --> 0:46:57.520
<v Speaker 1>I described the problem. I just explained to you scary.

0:46:57.560 --> 0:47:01.680
<v Speaker 1>I sent a screenshot of the error, and I said, look,

0:47:02.040 --> 0:47:04.200
<v Speaker 1>I don't have the time. I don't know if it's

0:47:04.200 --> 0:47:06.520
<v Speaker 1>all A C d C songs, If it's just this

0:47:06.600 --> 0:47:09.080
<v Speaker 1>a C D C song, I don't know. I'm letting

0:47:09.080 --> 0:47:12.560
<v Speaker 1>you know that when you connect from Shazam for this song,

0:47:13.040 --> 0:47:15.359
<v Speaker 1>there's a problem. But if you guys want to check

0:47:15.400 --> 0:47:16.759
<v Speaker 1>it out to see if it's all a C D

0:47:16.840 --> 0:47:18.839
<v Speaker 1>C songs. I don't know if it's it's a new

0:47:18.880 --> 0:47:22.319
<v Speaker 1>thing an old thing. Just want to let you know. Thanks. Now,

0:47:22.360 --> 0:47:24.839
<v Speaker 1>I've done my part right, that's it. That's all you

0:47:24.880 --> 0:47:27.680
<v Speaker 1>can do. I mean, I wouldn't stress over it any further.

0:47:27.920 --> 0:47:29.880
<v Speaker 1>So here's what I got back hither David, Thanks for

0:47:29.920 --> 0:47:31.719
<v Speaker 1>getting in touch. We know it's not cool when your

0:47:31.719 --> 0:47:35.640
<v Speaker 1>Spotify app it's not working seamlessly. Don't worry. Resolving issues

0:47:35.719 --> 0:47:37.440
<v Speaker 1>is what we're best at. Well, it's not my issue.

0:47:38.320 --> 0:47:40.400
<v Speaker 1>First off, we appreciate your effort in sending us a

0:47:40.400 --> 0:47:44.759
<v Speaker 1>screenshot of what's happening. Okay, uh with that? Have you

0:47:44.800 --> 0:47:49.360
<v Speaker 1>tried using other devices different internet connection? Also, does the

0:47:49.400 --> 0:47:52.400
<v Speaker 1>issue persist if you tried searching the said song manually

0:47:52.440 --> 0:47:55.279
<v Speaker 1>directly in our app? Please also make sure that both

0:47:55.320 --> 0:47:58.479
<v Speaker 1>the app that that the app is up to date.

0:47:58.880 --> 0:48:01.200
<v Speaker 1>We're eager to get this sore it out. We'll keep

0:48:01.239 --> 0:48:04.160
<v Speaker 1>an eye off of your response. So I wrote back,

0:48:05.360 --> 0:48:10.960
<v Speaker 1>Dear Spotify, I do not have time to investigate this problem.

0:48:11.040 --> 0:48:14.600
<v Speaker 1>I'm not It's not my WiFi connection? What what reference?

0:48:14.640 --> 0:48:17.560
<v Speaker 1>What would it matter what my data connection was your

0:48:17.600 --> 0:48:21.080
<v Speaker 1>app isn't searching properly, okay. I don't know if the

0:48:21.120 --> 0:48:23.920
<v Speaker 1>app is updated or not. I mean it is updated, right,

0:48:24.360 --> 0:48:27.040
<v Speaker 1>but that's not Go just do a search see if

0:48:27.040 --> 0:48:30.080
<v Speaker 1>it works for you. So I wrote back, I, I really,

0:48:30.120 --> 0:48:32.399
<v Speaker 1>I'm not interested in helping you. I'm sorry. I don't

0:48:32.440 --> 0:48:34.239
<v Speaker 1>have the time. I gave you. As much information is

0:48:34.280 --> 0:48:36.239
<v Speaker 1>more than how many people would even give that much

0:48:36.239 --> 0:48:40.200
<v Speaker 1>information scary and a screenshot. No one would even come

0:48:40.200 --> 0:48:43.080
<v Speaker 1>close to putting that much energy into it, that's correct,

0:48:43.719 --> 0:48:45.759
<v Speaker 1>so they So I wrote them and I said, I

0:48:45.760 --> 0:48:47.920
<v Speaker 1>don't want to help you anymore. Basically politely, but I

0:48:47.960 --> 0:48:50.320
<v Speaker 1>don't want to help Okay. They wrote back, Hello, David,

0:48:50.440 --> 0:48:53.040
<v Speaker 1>thanks for getting back to us. Kindly send us a

0:48:53.120 --> 0:48:55.680
<v Speaker 1>video clip of what's showing from your end so we

0:48:55.719 --> 0:48:58.960
<v Speaker 1>can investigate further. It's also best to try searching other

0:48:59.000 --> 0:49:01.960
<v Speaker 1>songs to check if the issue still persists. We'll be

0:49:02.000 --> 0:49:06.240
<v Speaker 1>on the lookout for your response. So I wrote back again,

0:49:06.239 --> 0:49:09.200
<v Speaker 1>and I said again, I'm not gonna send you a

0:49:09.280 --> 0:49:12.640
<v Speaker 1>video clip. I sent you a screenshot and I detailed

0:49:12.640 --> 0:49:14.879
<v Speaker 1>in my explanation and I told you I didn't want

0:49:14.880 --> 0:49:17.120
<v Speaker 1>to be more involved, but now you're making me send

0:49:17.160 --> 0:49:20.640
<v Speaker 1>another email I'd like to move on, love your app,

0:49:20.760 --> 0:49:24.480
<v Speaker 1>have a nice day. Then they wrote me back, thanks

0:49:24.480 --> 0:49:27.680
<v Speaker 1>for recently contacting Spotify customer service. We would love to

0:49:27.719 --> 0:49:29.560
<v Speaker 1>hear your feedback about how we did in helping you

0:49:29.640 --> 0:49:32.879
<v Speaker 1>with your question you chasing your chail. How they want

0:49:32.880 --> 0:49:35.319
<v Speaker 1>me to fill out a survey to let them know

0:49:35.640 --> 0:49:39.120
<v Speaker 1>how they didn't listen to what I said because it's

0:49:39.160 --> 0:49:41.440
<v Speaker 1>all done by bots. I mean, we've had this. This

0:49:41.480 --> 0:49:44.239
<v Speaker 1>is the same conversation over and over again with these

0:49:44.239 --> 0:49:48.839
<v Speaker 1>customer service that are on autopilot, where they're just algorithms

0:49:48.920 --> 0:49:51.520
<v Speaker 1>or they're looking for certain keywords and phrases. They take

0:49:51.640 --> 0:49:53.759
<v Speaker 1>up on certain things, and they're not gonna they're not

0:49:53.760 --> 0:49:57.239
<v Speaker 1>really answering your question. They referenced my screenshot, they referenced right,

0:49:57.560 --> 0:50:01.239
<v Speaker 1>the referenced it's still on. But he's no, there's no

0:50:01.360 --> 0:50:04.239
<v Speaker 1>human behind this. That's not true. Maybe not these, but

0:50:04.320 --> 0:50:06.560
<v Speaker 1>every time I've written written them about a song being

0:50:06.600 --> 0:50:09.680
<v Speaker 1>miscategorized before or or like. Okay, so one of my

0:50:09.719 --> 0:50:11.640
<v Speaker 1>favorite bands is T n T. It's a glam metal

0:50:11.640 --> 0:50:14.279
<v Speaker 1>band from the eighties, hand metal band. When I went

0:50:14.320 --> 0:50:17.959
<v Speaker 1>to their folder, there was a Latin DJ group called

0:50:18.000 --> 0:50:20.560
<v Speaker 1>T n T. Their songs were in the same folder.

0:50:20.800 --> 0:50:23.080
<v Speaker 1>I emailed them the problem. I got an email back

0:50:23.120 --> 0:50:25.719
<v Speaker 1>within an hour. We see the problem. We're gonna fix it.

0:50:25.800 --> 0:50:27.879
<v Speaker 1>And then later that day it was fixed. And then

0:50:27.880 --> 0:50:30.040
<v Speaker 1>another time I saw two bands with the same name,

0:50:30.080 --> 0:50:32.359
<v Speaker 1>We're in the same folder. They corrected it. They sent

0:50:32.440 --> 0:50:34.600
<v Speaker 1>me a thank you note. It was customized to me.

0:50:34.920 --> 0:50:37.680
<v Speaker 1>It was not a bot. This situation pissed me off.

0:50:37.760 --> 0:50:40.040
<v Speaker 1>No end. You try to do a nice thing and

0:50:40.080 --> 0:50:43.720
<v Speaker 1>they try to bleed you dry. Am I right, you're right, Brodie,

0:50:43.800 --> 0:50:46.680
<v Speaker 1>But you're not gonna change the world. This is gonna try. No,

0:50:46.800 --> 0:50:49.160
<v Speaker 1>you're not. You're not. It's not gonna happen. It's not

0:50:49.200 --> 0:50:52.480
<v Speaker 1>gonna happen. You just you know what, sometimes you used

0:50:52.480 --> 0:50:54.920
<v Speaker 1>to need to lay down and roll over and just

0:50:55.000 --> 0:50:57.040
<v Speaker 1>like you know, sometimes you need to take it in

0:50:57.040 --> 0:51:02.160
<v Speaker 1>the ass. I'm not I'm not gonna take that recommendation,

0:51:02.520 --> 0:51:05.879
<v Speaker 1>but you know what I'm saying. But because just let them,

0:51:06.000 --> 0:51:09.640
<v Speaker 1>let them, let them cram their bullshit, no time comes

0:51:09.680 --> 0:51:12.600
<v Speaker 1>and then just walk away say you know what, I tried,

0:51:12.719 --> 0:51:15.600
<v Speaker 1>I did my part. I'm a good americanounced about I did,

0:51:15.600 --> 0:51:17.439
<v Speaker 1>I did. I Well, listen, I did give up. I did,

0:51:17.480 --> 0:51:20.160
<v Speaker 1>but I'm I usually win. You know that. You remember

0:51:20.200 --> 0:51:21.560
<v Speaker 1>that story I told you about the woman who wanted

0:51:21.560 --> 0:51:23.839
<v Speaker 1>me to discount the chairs because she wanted to pay

0:51:23.880 --> 0:51:26.480
<v Speaker 1>to have them reupholstered. Yes, well I won that one.

0:51:26.520 --> 0:51:28.080
<v Speaker 1>You know why, because I didn't sell him to her.

0:51:28.560 --> 0:51:31.600
<v Speaker 1>And last week a woman came and said, I'm going

0:51:31.640 --> 0:51:34.600
<v Speaker 1>to reaphulseter the chairs. When can I come get him? Uh?

0:51:34.800 --> 0:51:37.760
<v Speaker 1>And she came and I said, I told her the story.

0:51:37.800 --> 0:51:41.000
<v Speaker 1>She says, well, my husband's an upholsterer, he's gonna do

0:51:41.000 --> 0:51:44.360
<v Speaker 1>it personal. I got full price for the chairs and

0:51:44.400 --> 0:51:47.960
<v Speaker 1>I sold them to an upholsterer. Finally, you got some closure.

0:51:48.120 --> 0:51:50.040
<v Speaker 1>You lost a little a few hairs while you were

0:51:50.080 --> 0:51:52.320
<v Speaker 1>at it. That's not what you went a little grayer.

0:51:52.360 --> 0:51:56.040
<v Speaker 1>But you know what, you got your cash. You gotta

0:51:55.280 --> 0:51:59.080
<v Speaker 1>pay day. Look, we're we're running late. Hereath, I got

0:51:59.120 --> 0:52:02.400
<v Speaker 1>I got one story, which will do right after this,

0:52:02.520 --> 0:52:04.560
<v Speaker 1>Right after this. Jesus, it's gonna end up on a

0:52:04.600 --> 0:52:11.560
<v Speaker 1>T shirt. Okay, we have some email to podcast time management,

0:52:11.640 --> 0:52:14.319
<v Speaker 1>David Brody time Management. Okay, so I want to tell

0:52:14.320 --> 0:52:15.719
<v Speaker 1>you this story. I want to explain to you. Do

0:52:15.719 --> 0:52:19.160
<v Speaker 1>you know what bob is Bobka is Yes? From the

0:52:19.200 --> 0:52:24.000
<v Speaker 1>TV show Perfect Strangers. No, that's Balky Bobka. They had

0:52:24.040 --> 0:52:27.960
<v Speaker 1>the baby Bobka episode where Balki was a Bobka baker

0:52:28.280 --> 0:52:31.000
<v Speaker 1>and he had to do the Bobka song when when

0:52:31.080 --> 0:52:34.160
<v Speaker 1>you're rolling out the dough, just be sure to roll.

0:52:34.239 --> 0:52:38.480
<v Speaker 1>It's slow, okay, so um, Baby Bobka make you Sickopka

0:52:38.600 --> 0:52:40.719
<v Speaker 1>was also featured in an episode of Seinfeld. It's it's

0:52:40.719 --> 0:52:45.000
<v Speaker 1>a chocolate e that's chocolate on. It could have chocolate undertones,

0:52:45.239 --> 0:52:48.440
<v Speaker 1>but it's it's a cakey. It's a Bobka is a

0:52:48.480 --> 0:52:51.360
<v Speaker 1>sweet braided bread or cake which originated in the Jewish

0:52:51.360 --> 0:52:54.880
<v Speaker 1>communities of Poland and Ukraine. It is popular in Israel

0:52:54.920 --> 0:52:58.200
<v Speaker 1>and in the Jewish diaspora. It's Polish. It's it's jew bread.

0:52:58.760 --> 0:53:01.840
<v Speaker 1>It's an oscar Nazzi thing. Okay, you can either Usually

0:53:01.840 --> 0:53:05.440
<v Speaker 1>it's either chocolate within the fold or cinnamon. It's within

0:53:05.480 --> 0:53:09.000
<v Speaker 1>the folds right, cinnamon. Like your people, scary Italians would

0:53:09.000 --> 0:53:12.480
<v Speaker 1>never like on Christmas have like a ham and a bobka.

0:53:12.920 --> 0:53:14.440
<v Speaker 1>Let me tell you, my family likes a lot of

0:53:14.440 --> 0:53:16.880
<v Speaker 1>things that are not a Catholic I understand that, but

0:53:16.920 --> 0:53:21.799
<v Speaker 1>they wouldn't. It's traditionally it's in Jewish. You wouldn't go

0:53:21.800 --> 0:53:26.320
<v Speaker 1>into an Italian Calandra's. They're not they're not sound Bobka. Okay,

0:53:26.520 --> 0:53:29.840
<v Speaker 1>so when you see bob Okay, when you go to

0:53:29.880 --> 0:53:32.880
<v Speaker 1>a Jews house, you might bring a nice Bobka chocolate

0:53:32.880 --> 0:53:36.239
<v Speaker 1>bob Seinfeld said. The choco Bombka doesn't take cinnamon Bomba

0:53:36.239 --> 0:53:37.960
<v Speaker 1>doesn't take a back seat to the choco Obopka. A

0:53:38.239 --> 0:53:41.520
<v Speaker 1>chocolate Bobka is fantastic, Cinemaboka is pretty good. So Jewish

0:53:41.560 --> 0:53:44.760
<v Speaker 1>Bobka Bobka is like, could not be any more Jewish.

0:53:44.840 --> 0:53:47.920
<v Speaker 1>If it's name is Moishe Bobka, it's it's on the

0:53:47.920 --> 0:53:52.960
<v Speaker 1>same level as Google. So, uh, I was I was invited.

0:53:53.120 --> 0:53:57.680
<v Speaker 1>We were invited to a to a friends Thanksgiving Thanksgiving

0:53:57.719 --> 0:54:00.920
<v Speaker 1>the Wednesday before Thanksgiving, a little pre Thanksgiving dinner at

0:54:00.960 --> 0:54:05.160
<v Speaker 1>a friend's house. Okay, So I go to Whole Foods.

0:54:05.880 --> 0:54:08.439
<v Speaker 1>They told me I was in charge of dessert. So

0:54:08.680 --> 0:54:10.840
<v Speaker 1>I'm gonna get a peacamp pie, maybe a pumpkin pie,

0:54:11.360 --> 0:54:17.160
<v Speaker 1>maybe both, Please do eat. I'm in the produce section, okay,

0:54:17.400 --> 0:54:19.560
<v Speaker 1>and on the ledge, you know the produce Sometimes it's

0:54:19.600 --> 0:54:22.080
<v Speaker 1>in like square boxes and they put ice in it. Right,

0:54:22.760 --> 0:54:25.560
<v Speaker 1>there's a square box and un diagonally on the corner

0:54:25.640 --> 0:54:29.680
<v Speaker 1>of the box is a chocolate bobka. Now this is

0:54:29.719 --> 0:54:34.719
<v Speaker 1>at the beginning of the store, random rab. There's a

0:54:34.719 --> 0:54:37.840
<v Speaker 1>couple of people in the general area, but there's nobody

0:54:37.840 --> 0:54:39.880
<v Speaker 1>looking at the bobka, just sitting there by it. So

0:54:39.880 --> 0:54:41.960
<v Speaker 1>I'm like, this is a this is a it's a

0:54:42.040 --> 0:54:44.840
<v Speaker 1>sign from God. Get the bobka and bring it to

0:54:44.880 --> 0:54:47.880
<v Speaker 1>your friend's house. They would like a good Jewish bopka. Okay,

0:54:49.600 --> 0:54:52.319
<v Speaker 1>I go and put my hand on the bobka to

0:54:52.320 --> 0:54:55.920
<v Speaker 1>put it in my cart, and I hear this, yo man,

0:54:56.360 --> 0:55:04.760
<v Speaker 1>that's mab bobka. Let me guess it was the last

0:55:04.760 --> 0:55:08.160
<v Speaker 1>person around you that you would think that was what

0:55:08.360 --> 0:55:11.279
<v Speaker 1>he was was ordering the I would say to you

0:55:11.719 --> 0:55:15.759
<v Speaker 1>describing the man, Uh not a fan. He was a

0:55:15.880 --> 0:55:18.960
<v Speaker 1>six ft six at least obviously he was. He was

0:55:19.000 --> 0:55:23.960
<v Speaker 1>a black gentleman. And I in the word these words

0:55:23.960 --> 0:55:28.480
<v Speaker 1>have never proceeded the word bobka, yo man' that's how

0:55:28.480 --> 0:55:31.640
<v Speaker 1>exactly what he said. That's great. He sounded like a

0:55:31.640 --> 0:55:35.359
<v Speaker 1>little exhaquille O'Neil. I was like in a cultural melting pot.

0:55:35.680 --> 0:55:38.040
<v Speaker 1>So I turned around. I'm I thought he was joking,

0:55:39.640 --> 0:55:41.719
<v Speaker 1>honestly in my life growing up. First of all, he

0:55:41.800 --> 0:55:43.760
<v Speaker 1>knew the name of it. He knew it was Bobska

0:55:44.680 --> 0:55:46.640
<v Speaker 1>my life. Listen, not only have I never seen an

0:55:46.640 --> 0:55:49.600
<v Speaker 1>Italian person grab a Bobka in my recollection, I have

0:55:49.640 --> 0:55:52.160
<v Speaker 1>certainly never seen a black man grab a Bopka. And

0:55:52.239 --> 0:55:55.000
<v Speaker 1>he said it like like I would say, like, hey,

0:55:55.000 --> 0:55:57.640
<v Speaker 1>that's my Bobka. He said it like this was his

0:55:57.719 --> 0:55:59.960
<v Speaker 1>pride and joy for the evening, this was his life

0:56:00.080 --> 0:56:02.960
<v Speaker 1>kiss home runs like he was like, yo, man, that's

0:56:03.000 --> 0:56:04.600
<v Speaker 1>my bob Did you ask him where to find the

0:56:04.640 --> 0:56:06.880
<v Speaker 1>rest of him? No? I knew where they were there

0:56:06.920 --> 0:56:08.640
<v Speaker 1>in the bakery section, but I was like, it's right

0:56:08.640 --> 0:56:10.520
<v Speaker 1>there by the produce. So I was like, oh, I'm

0:56:10.520 --> 0:56:12.520
<v Speaker 1>just gonna grab grab the vodka. But what was he

0:56:12.760 --> 0:56:14.840
<v Speaker 1>Why did he Why was it unclaimed? Why was it

0:56:14.840 --> 0:56:17.319
<v Speaker 1>not in his card? Because I think he put it

0:56:17.360 --> 0:56:19.200
<v Speaker 1>down for a second, Because was when I walked into

0:56:19.200 --> 0:56:21.880
<v Speaker 1>the area, I noticed he was talking to a friend

0:56:21.960 --> 0:56:25.360
<v Speaker 1>or somebody else. Okay, that's it's like, put the bodka

0:56:25.440 --> 0:56:27.040
<v Speaker 1>down and I walked off. I'm like, because you know,

0:56:27.120 --> 0:56:29.759
<v Speaker 1>you look around. Right, you look around if there's an

0:56:29.800 --> 0:56:32.000
<v Speaker 1>empty cart, right you go anybody looking like you? Look around?

0:56:32.080 --> 0:56:34.960
<v Speaker 1>Anybody did know it's an empty car? Why why are

0:56:34.960 --> 0:56:37.799
<v Speaker 1>you so fascinated by this? Is it the fact that

0:56:37.880 --> 0:56:39.800
<v Speaker 1>this man is the last person on earth that you

0:56:39.880 --> 0:56:43.640
<v Speaker 1>thought would be buying a vodka? Yes, that is correct,

0:56:44.360 --> 0:56:46.760
<v Speaker 1>and not because I look. He may be Jewish Jewish,

0:56:47.080 --> 0:56:48.920
<v Speaker 1>which is fine. Yeah, he could be. You could be

0:56:49.080 --> 0:56:53.760
<v Speaker 1>black and Jewish, but Colin Kaepernick is Jewish. You to understand,

0:56:53.880 --> 0:56:56.640
<v Speaker 1>you have to understand something. But I grew up in Brooklyn,

0:56:57.040 --> 0:56:59.600
<v Speaker 1>which wasn't called and of course we grew up in

0:56:59.640 --> 0:57:02.640
<v Speaker 1>our little circles and people in the neighborhood, and I

0:57:02.719 --> 0:57:05.560
<v Speaker 1>understand that. But there a lot of thing that my

0:57:05.560 --> 0:57:09.040
<v Speaker 1>my parents did, and my father is we would we

0:57:09.080 --> 0:57:13.920
<v Speaker 1>would enjoy the delicacies of other nations. We would drive

0:57:14.040 --> 0:57:16.280
<v Speaker 1>all the way. We would drive all the way to

0:57:16.520 --> 0:57:18.840
<v Speaker 1>at the time green Point, Brooklyn, which we had a

0:57:18.920 --> 0:57:21.080
<v Speaker 1>very big Polish and we would go to a place

0:57:21.080 --> 0:57:23.880
<v Speaker 1>called White Eagle Provisions. And I would walk in the

0:57:23.920 --> 0:57:28.560
<v Speaker 1>store and you know, I'm used to the Italian pastries

0:57:28.560 --> 0:57:30.920
<v Speaker 1>and the cold cuts, and the Italian this, and you know,

0:57:31.000 --> 0:57:33.360
<v Speaker 1>the superside of the chicken palm. I used to delis

0:57:33.400 --> 0:57:35.520
<v Speaker 1>like that. But but we would go into these Polish

0:57:35.520 --> 0:57:39.800
<v Speaker 1>places where I would get a whole new perspective on life.

0:57:39.960 --> 0:57:43.760
<v Speaker 1>And my father would order some Polish delicacies from behind

0:57:43.760 --> 0:57:45.000
<v Speaker 1>the counter and said, oh, give me a little bit

0:57:45.040 --> 0:57:47.360
<v Speaker 1>of that. And I learned over the years we would

0:57:47.400 --> 0:57:50.200
<v Speaker 1>go into the Russian neighborhoods and order chicken Kiev. I

0:57:50.200 --> 0:57:52.960
<v Speaker 1>would bring my father to bring home. Chicken Kiev is

0:57:53.160 --> 0:57:55.680
<v Speaker 1>pretty close to chicken color. But I was beautiful, it

0:57:55.680 --> 0:57:57.680
<v Speaker 1>was wonderful. It had a very different taste to it. Yes,

0:57:57.720 --> 0:57:59.840
<v Speaker 1>and that's like a Russian dish. You know what. We

0:58:00.160 --> 0:58:02.920
<v Speaker 1>went by the way, Chicken Kiev is now pronounced chicken Kiev.

0:58:03.600 --> 0:58:06.840
<v Speaker 1>Didn't know you is pronounced Kiev and didn't know that well.

0:58:07.120 --> 0:58:11.040
<v Speaker 1>So but my what I was getting at was I'm

0:58:11.080 --> 0:58:13.560
<v Speaker 1>the last person on earth that you would think would

0:58:13.560 --> 0:58:16.959
<v Speaker 1>be ordering the chicken Kiev or the Kiev, the chicken Kiev.

0:58:17.360 --> 0:58:22.280
<v Speaker 1>But I learned about Mediterranean food, about about you know,

0:58:22.440 --> 0:58:26.840
<v Speaker 1>Israeli and Greek, and you know Russian and Polish and

0:58:26.920 --> 0:58:30.640
<v Speaker 1>all all this stuff. So I have learned this over time,

0:58:30.720 --> 0:58:33.280
<v Speaker 1>and I was learned learned to keep an open mind

0:58:33.320 --> 0:58:36.880
<v Speaker 1>about other people, and I e I eat food from

0:58:36.880 --> 0:58:39.800
<v Speaker 1>other cultures. Also, if I hear a guy say yo

0:58:39.880 --> 0:58:42.680
<v Speaker 1>man's I'll tell you why it's different, I'm not. I'm

0:58:42.680 --> 0:58:46.560
<v Speaker 1>not thinking twice. I'm not flinching. In fact, I'm actually amused.

0:58:46.600 --> 0:58:50.440
<v Speaker 1>I'm like, yeah, you go. Is the thing that if

0:58:50.480 --> 0:58:53.400
<v Speaker 1>you're not Jewish, you weren't understand this. Necessarily everybody eats

0:58:53.400 --> 0:58:57.560
<v Speaker 1>Italian food, right, Everybody eats Mexican food, text max Spanish food,

0:58:57.720 --> 0:59:00.000
<v Speaker 1>they were like French food. They were a bigger culture.

0:59:00.000 --> 0:59:05.160
<v Speaker 1>Yours bigger, bigger types of food group cultures, uh that

0:59:05.200 --> 0:59:11.000
<v Speaker 1>people eat. Right, You don't necessarily eat food from Indonesia.

0:59:11.360 --> 0:59:13.680
<v Speaker 1>You might, right, but it's not as popular as Chinese

0:59:13.680 --> 0:59:17.400
<v Speaker 1>food of Japanese. Correct. Okay, there's tears of food, there's

0:59:17.520 --> 0:59:20.760
<v Speaker 1>levels of cultural food. It's all great. I'm not saying

0:59:20.760 --> 0:59:23.080
<v Speaker 1>Indonesian food is not as good as Chinese food. It's

0:59:23.120 --> 0:59:27.640
<v Speaker 1>just not as Americanized and as popular in America. Okay.

0:59:27.680 --> 0:59:31.840
<v Speaker 1>So Jewish food I think has a stigma that people like, oh,

0:59:31.880 --> 0:59:33.760
<v Speaker 1>I don't know what that matza? Balls? What's matza? They

0:59:33.760 --> 0:59:35.520
<v Speaker 1>don't even know what it is? They like people don't

0:59:35.520 --> 0:59:37.200
<v Speaker 1>know what a kinisia is outside. And that's why I

0:59:37.240 --> 0:59:39.080
<v Speaker 1>love I love it so much. I I I'm a

0:59:39.080 --> 0:59:41.040
<v Speaker 1>glutton for Jewish. When you grew up in Brooklyn with

0:59:41.200 --> 0:59:44.560
<v Speaker 1>his Jews, everyone is huge Jewish community. Guess my point was,

0:59:44.720 --> 0:59:49.160
<v Speaker 1>I I I am not accustomed to non Jews eating

0:59:49.200 --> 0:59:52.200
<v Speaker 1>Jewish food understood. And so when this man was like, yo,

0:59:52.240 --> 0:59:54.680
<v Speaker 1>man as my popka, I was like, what what I

0:59:54.680 --> 0:59:56.160
<v Speaker 1>thought he was joking with me. I thought he was

0:59:56.160 --> 0:59:57.920
<v Speaker 1>like an employee. He was like, I'll watch me, let

0:59:57.960 --> 0:59:59.920
<v Speaker 1>me a fool as Jewish kid here and just watch

1:00:00.000 --> 1:00:02.680
<v Speaker 1>a freaking that's hysterical. That's great. Did you have a

1:00:02.680 --> 1:00:05.160
<v Speaker 1>conversation with him? No, I said, I just said, oh,

1:00:05.200 --> 1:00:07.640
<v Speaker 1>you're like Bobka. I said, it's good. Here He's like

1:00:07.760 --> 1:00:09.919
<v Speaker 1>it's great. I was like, okay, great good. I'm gonna

1:00:09.920 --> 1:00:12.800
<v Speaker 1>get my own things. Trust him because he's not you.

1:00:13.080 --> 1:00:15.400
<v Speaker 1>I don't know, you never you never know, but you

1:00:15.440 --> 1:00:17.160
<v Speaker 1>know it's similar. Just throw me so now, I don't

1:00:17.160 --> 1:00:18.680
<v Speaker 1>think I'll have a look at a bopka again. And

1:00:18.680 --> 1:00:21.160
<v Speaker 1>not I I don't think to myself. Some of them

1:00:21.280 --> 1:00:25.640
<v Speaker 1>sweet smelling pastries I've had or tasted and smelled was

1:00:25.680 --> 1:00:29.080
<v Speaker 1>in a Portuguese bakery in uh in the Iron Bound

1:00:29.080 --> 1:00:32.160
<v Speaker 1>section of New York. I walked to Portuguese Portuguese bakery.

1:00:32.400 --> 1:00:34.960
<v Speaker 1>They have these awesome little Oh my god, they have

1:00:35.040 --> 1:00:39.320
<v Speaker 1>a little cream inside these little little You like Cuban food?

1:00:41.360 --> 1:00:44.200
<v Speaker 1>H Yes, I do? I love? I love. Yeah. I

1:00:44.200 --> 1:00:47.080
<v Speaker 1>mean I'm gonna say rope. I'm gonna say the obvious stuff, right. So,

1:00:47.080 --> 1:00:49.520
<v Speaker 1>so I didn't eat Cuban food till about five six years.

1:00:49.800 --> 1:00:53.920
<v Speaker 1>Food is great. I like my because you know what's

1:00:53.920 --> 1:00:58.040
<v Speaker 1>on a Cuban sandwich. Mustard and pickles, keep things. This

1:00:58.120 --> 1:01:01.200
<v Speaker 1>is one thing, okay, But growing up, when I heard

1:01:01.240 --> 1:01:04.600
<v Speaker 1>Cuban sandwich and it had I thought mustard and pickles.

1:01:04.640 --> 1:01:07.560
<v Speaker 1>Why would I like Cuban food If their signature sandwich

1:01:07.840 --> 1:01:14.040
<v Speaker 1>has two things I hate? Why would I do? I

1:01:14.120 --> 1:01:16.560
<v Speaker 1>assumed Cuban food was a lot of pickles and mustard.

1:01:16.560 --> 1:01:18.280
<v Speaker 1>I didn't know. So then when I got older, I

1:01:18.320 --> 1:01:21.600
<v Speaker 1>was like, wow, Cuban food is steak and different plantains.

1:01:21.760 --> 1:01:24.200
<v Speaker 1>I love Cuban a lot of stuff. But Cuban food

1:01:24.200 --> 1:01:27.960
<v Speaker 1>again not as popular as Mexican food in America. No terrific.

1:01:28.640 --> 1:01:31.120
<v Speaker 1>But I so Jewish food. Listen, you can go to.

1:01:31.200 --> 1:01:34.640
<v Speaker 1>I would say of America does not have Jewish food

1:01:34.680 --> 1:01:38.480
<v Speaker 1>or Jewish people have tasted Jewish food, right right, Like

1:01:38.520 --> 1:01:41.120
<v Speaker 1>I said, I knew a woman who will moved from Jersey.

1:01:42.200 --> 1:01:44.240
<v Speaker 1>Was That's why I told everybody when they come to

1:01:44.280 --> 1:01:47.959
<v Speaker 1>New York, they gotta go to Saidel's going to cats

1:01:48.040 --> 1:01:49.919
<v Speaker 1>His Deli, not Saidel's. You don't go to foo food

1:01:50.240 --> 1:01:54.040
<v Speaker 1>to start. You don't go to the fooful place. Oh

1:01:54.080 --> 1:01:58.520
<v Speaker 1>my god. Alright, I got that challenge like other way.

1:01:58.720 --> 1:02:02.440
<v Speaker 1>It didn't explain to that. Explank you you're talking over

1:02:02.480 --> 1:02:09.920
<v Speaker 1>the jingle. Damn it. It's from explain it. Okay. Kiev

1:02:10.040 --> 1:02:12.360
<v Speaker 1>used to be part of the Soviet Union, but now

1:02:12.400 --> 1:02:14.840
<v Speaker 1>it's part of Ukraine and they have a different dialect, right,

1:02:14.880 --> 1:02:17.360
<v Speaker 1>so they're called Kiev. Right, it's k y I V

1:02:17.600 --> 1:02:20.400
<v Speaker 1>now where it used to be k I e v. Okay. Hold,

1:02:22.160 --> 1:02:30.200
<v Speaker 1>I'll take the man rush like talking over the jingles

1:02:30.240 --> 1:02:35.160
<v Speaker 1>like you've got when we keep talking. On always emails

1:02:35.200 --> 1:02:38.320
<v Speaker 1>at the Brooklyn Boys podcast at gmail dot com, Rebecca

1:02:38.400 --> 1:02:41.480
<v Speaker 1>Chan writes to us it says, please thank the Brooklyn

1:02:41.480 --> 1:02:46.200
<v Speaker 1>Boys really appreciate you for addressing the mispronunciation of pang

1:02:46.320 --> 1:02:49.480
<v Speaker 1>shoe eyes name in the media. As a child of

1:02:49.560 --> 1:02:54.360
<v Speaker 1>Chinese immigrants, people constantly pete constantly, People constantly mispronounced and

1:02:54.400 --> 1:02:57.400
<v Speaker 1>misspell my parents names. While I understand that these mistakes

1:02:57.440 --> 1:02:59.640
<v Speaker 1>can happen, the stakes are higher when it comes to

1:02:59.640 --> 1:03:02.520
<v Speaker 1>the new is. Mispronouncing a name and one that is

1:03:02.560 --> 1:03:05.479
<v Speaker 1>actually not that complicated if someone just took an extra

1:03:05.520 --> 1:03:09.640
<v Speaker 1>few seconds to fact check comes off as dismissive and disrespectful,

1:03:09.920 --> 1:03:13.360
<v Speaker 1>especially given the circumstances. Thank you, Rebecca. Yes, and we're

1:03:13.640 --> 1:03:16.880
<v Speaker 1>she's talking about p e n g s h U

1:03:17.040 --> 1:03:20.640
<v Speaker 1>a I where people were calling her ping sway because

1:03:20.640 --> 1:03:24.600
<v Speaker 1>of feng shui, and and but we know it's peng Shui.

1:03:24.800 --> 1:03:27.880
<v Speaker 1>I get that right, Yeah, Well you know what? Um?

1:03:28.000 --> 1:03:30.680
<v Speaker 1>Do you know who? Uh? Well, you don't watch the

1:03:30.720 --> 1:03:34.080
<v Speaker 1>Daily Show. Well, one of the correspondents on the Daily

1:03:34.120 --> 1:03:39.880
<v Speaker 1>Show is Um. I want to get his His background

1:03:39.920 --> 1:03:43.000
<v Speaker 1>is Indian, is Indian descent. His name on the Daily

1:03:43.000 --> 1:03:46.680
<v Speaker 1>Show was a Samanage right. As a comedian, he was

1:03:46.720 --> 1:03:49.560
<v Speaker 1>a Samanage right. Well, now he has his own show

1:03:49.560 --> 1:03:51.000
<v Speaker 1>in a bigger career and he's not on the Daily

1:03:51.000 --> 1:03:53.120
<v Speaker 1>Show anymore. And he was on the Tonight Show about

1:03:53.120 --> 1:03:55.800
<v Speaker 1>a month ago. And Jimmy Fallon says, coming up on

1:03:55.840 --> 1:04:00.000
<v Speaker 1>the show, let Yemen Hassan Minha. So wait a minut

1:04:00.040 --> 1:04:02.120
<v Speaker 1>it So I said, what how does Jimmy Fallon not

1:04:02.200 --> 1:04:05.640
<v Speaker 1>not how to pronounced his guests name Hassan Minhaj. So

1:04:05.760 --> 1:04:08.120
<v Speaker 1>he comes out and he goes, your name is Hassan Minhaj. Right,

1:04:08.160 --> 1:04:13.320
<v Speaker 1>he goes yep, he said, they americanized my name. Oh

1:04:13.960 --> 1:04:17.120
<v Speaker 1>but his name is actually Hassan Minha, brother of Nikki.

1:04:17.480 --> 1:04:21.920
<v Speaker 1>Is that the cousin not Minaj Minhaj said Mina, anyway,

1:04:22.200 --> 1:04:26.520
<v Speaker 1>she's French. That's manage. Craig Brosler wrote to us on email.

1:04:26.520 --> 1:04:28.800
<v Speaker 1>I saw this while scrolling through Facebook instantly though out

1:04:28.840 --> 1:04:32.080
<v Speaker 1>of you, guys. It's a huge sign that someone put

1:04:32.200 --> 1:04:36.560
<v Speaker 1>up professional and it's an a T M machine available inside. Yes,

1:04:36.680 --> 1:04:40.720
<v Speaker 1>I saw that. That's hilarious. Brandy Simmons with the Simons

1:04:40.760 --> 1:04:43.720
<v Speaker 1>with the typo police. Um, listen. I want to say.

1:04:43.800 --> 1:04:46.760
<v Speaker 1>My stepdad passed away recently after the long battle with Parkinson's.

1:04:46.960 --> 1:04:49.320
<v Speaker 1>One thing we shared was our sense of humor. He

1:04:49.520 --> 1:04:51.440
<v Speaker 1>was in and out of I see you for weeks

1:04:51.480 --> 1:04:53.360
<v Speaker 1>and was bored out of his mind. I played him

1:04:53.360 --> 1:04:56.600
<v Speaker 1>a few of the brodies rants and the stories from

1:04:56.840 --> 1:04:59.720
<v Speaker 1>that you guys tell. The first was the ups story,

1:05:00.080 --> 1:05:02.320
<v Speaker 1>one of the few times he left in his final

1:05:02.440 --> 1:05:04.840
<v Speaker 1>few weeks. It is the gift. I cannot thank you

1:05:04.960 --> 1:05:09.240
<v Speaker 1>guys enough for um anyway, that's yeah. And then she

1:05:09.360 --> 1:05:11.600
<v Speaker 1>goes into a typo that she saw on the TV

1:05:11.720 --> 1:05:15.000
<v Speaker 1>show Hoarders. That's from Brandy Wikowski and that was it's

1:05:15.000 --> 1:05:18.520
<v Speaker 1>a visual but they spelled orders wrong. Hey, um, before

1:05:18.560 --> 1:05:20.000
<v Speaker 1>we get out of here, should we make a shirt

1:05:20.240 --> 1:05:21.920
<v Speaker 1>that with a picture of a bobca It says, yo,

1:05:22.000 --> 1:05:24.200
<v Speaker 1>man has my Bob? Yo Man? That's Bob. I don't

1:05:24.200 --> 1:05:29.200
<v Speaker 1>know it. Mike sell about three my one. Okay, let's see.

1:05:29.680 --> 1:05:34.800
<v Speaker 1>I gotta go, okay, okay, alright. So, dear Beery and Scrody, understand,

1:05:34.840 --> 1:05:37.080
<v Speaker 1>you guys work hard and often and often, but I

1:05:37.160 --> 1:05:39.280
<v Speaker 1>greatly appreciate you getting off your asses and getting back

1:05:39.280 --> 1:05:43.080
<v Speaker 1>to work. I need new Brooklyn Boys. Podcasts. Don't take vacations.

1:05:43.640 --> 1:05:46.560
<v Speaker 1>I love your off time. But please that he wants

1:05:46.640 --> 1:05:50.720
<v Speaker 1>us to issue a podcast on a non working week. Um,

1:05:50.760 --> 1:05:52.160
<v Speaker 1>I've done that in the past. We couldn't do it

1:05:52.240 --> 1:05:54.040
<v Speaker 1>this time. I'm getting I'm ready. This is what he

1:05:54.080 --> 1:05:55.640
<v Speaker 1>wrote when we were on vacation. I'm ready for you

1:05:55.720 --> 1:05:57.400
<v Speaker 1>to get back behind the mic and talk some ship

1:05:57.520 --> 1:05:59.400
<v Speaker 1>for fox sake. I know there's gotta be a ton

1:05:59.440 --> 1:06:01.760
<v Speaker 1>of stories from the past couple of weeks. Uh, Brody

1:06:01.800 --> 1:06:04.720
<v Speaker 1>and Squary, Scary and Brody, Beery and Scroty and Scrody

1:06:04.800 --> 1:06:07.200
<v Speaker 1>and Beery. Thank you so much. So that goes for you,

1:06:07.320 --> 1:06:10.200
<v Speaker 1>Chris Travers, We're back. What can we say for you? Um?

1:06:10.640 --> 1:06:15.360
<v Speaker 1>Then we have one other one if I may gotta go. Okay, okay,

1:06:15.520 --> 1:06:20.200
<v Speaker 1>my last one, Okay, alright, alright, Brody and Scary. I

1:06:20.360 --> 1:06:24.720
<v Speaker 1>love the Bizarro episode one episode where Brody is healthy

1:06:24.760 --> 1:06:28.880
<v Speaker 1>and Scary is less bougie. Brodie's eating healthy Scaries less bougie.

1:06:29.120 --> 1:06:30.920
<v Speaker 1>But I do have a gripe with Scary. My last name,

1:06:31.160 --> 1:06:34.720
<v Speaker 1>Della Bernarda is a class Italian name, and Scary thought

1:06:34.760 --> 1:06:37.600
<v Speaker 1>it was Jewish, not that there's anything wrong with that.

1:06:38.000 --> 1:06:41.840
<v Speaker 1>Take his Italian card away, Brody totally joking. I'm sorry

1:06:41.880 --> 1:06:45.960
<v Speaker 1>I miss pronounce your named Brian Della Bernarda, but there

1:06:46.000 --> 1:06:48.960
<v Speaker 1>you go. I thought he was Jewish and um and

1:06:49.120 --> 1:06:52.800
<v Speaker 1>finally Paola says, oh my god, love you guys. Go

1:06:53.000 --> 1:06:55.480
<v Speaker 1>benson Hurst I recently visited a friend in the Poconos.

1:06:55.520 --> 1:06:58.640
<v Speaker 1>We went to a Dunkin Donuts and she placed her order,

1:06:58.760 --> 1:07:00.640
<v Speaker 1>which was three large cough, he's in a couple of

1:07:00.720 --> 1:07:02.640
<v Speaker 1>a couple of sandwiches. The girl at the window told

1:07:02.640 --> 1:07:05.520
<v Speaker 1>her to please drive up and park in the handicap

1:07:05.680 --> 1:07:08.320
<v Speaker 1>parking area. I lost my ship. I was like, no,

1:07:08.680 --> 1:07:11.479
<v Speaker 1>don't you dare pull up. This is a drive through,

1:07:11.880 --> 1:07:14.760
<v Speaker 1>not a park through. My friend, who doesn't listen to

1:07:14.840 --> 1:07:17.920
<v Speaker 1>you guys, who now she now does, did not understand

1:07:18.040 --> 1:07:20.760
<v Speaker 1>why I lost my ship, but of course I explained it,

1:07:20.840 --> 1:07:24.200
<v Speaker 1>and she thought it was ridiculous to get upset, and anyway,

1:07:24.240 --> 1:07:26.720
<v Speaker 1>it was pretty funny. I got upset. She didn't. But

1:07:26.880 --> 1:07:29.880
<v Speaker 1>I listened to your podcast Wonderful Love you guys, been

1:07:29.920 --> 1:07:32.600
<v Speaker 1>listening since episode zero. I'm up on number nine, number

1:07:32.600 --> 1:07:36.120
<v Speaker 1>seventy six right now. Love Paula d no relation to

1:07:36.840 --> 1:07:43.040
<v Speaker 1>PAULI Dy Yeah real quick, yeah, everybody go to Elvis

1:07:43.120 --> 1:07:45.560
<v Speaker 1>drand dot com slash sauce and watch me cook a lasagna.

1:07:45.840 --> 1:07:51.360
<v Speaker 1>RAO sponsor hits the bench. What the what are you

1:07:51.440 --> 1:07:58.320
<v Speaker 1>doing to me? What the fun is that all about?

1:07:59.640 --> 1:08:08.440
<v Speaker 1>What are you doing? What are you doing? Brodie? The hell. Hey, no, no, no, no, no,

1:08:08.600 --> 1:08:13.040
<v Speaker 1>no no, that's not right. Hello. He fucking left me

1:08:13.120 --> 1:08:17.679
<v Speaker 1>here by myself. I can't end it like that, Okay.

1:08:17.760 --> 1:08:20.320
<v Speaker 1>I just want the slicest to know that Dave Brody

1:08:20.600 --> 1:08:25.400
<v Speaker 1>did inappropriate fucking commercial for himself a sponsor on the

1:08:25.479 --> 1:08:28.040
<v Speaker 1>way out when it was too late to hate the jingle.

1:08:28.240 --> 1:08:30.479
<v Speaker 1>And I don't even have a jingle for him. I'm

1:08:30.520 --> 1:08:32.640
<v Speaker 1>gonna have a jingle, Maide, and we're gonna play the

1:08:32.720 --> 1:08:34.960
<v Speaker 1>jingle on Brodie next time. Funk that guy.